Portfolio 2018 | Selected Works

Page 1

J A K E S PA N G L E R PORTFOLIO 2018


MUSEUM OF TRADE ARCHAEOSPHERE FOG COLLECTION FA B R I C PAV I L I O N TWO X TWO

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MUSEUM OF TRADE OUR ​

INTERVENTION

THE

MOVEMENT

UNITS

T H AT

CARBON ORIGINS

FOCUSES OF

USE

D ATA OF

REAL TO

POWER

ON

MODULAR TIME EXPOSE

IN

MEANS OF ENCOURAGING DIALOGUE

REALITY

AROUND

THE

REGARDING CARBON TRADING AND

TRADING

E C O N O M Y.

COMPLEX

PERFORMANCE

SEEKS

THE

S PAT I A L

TO

ENGAGE

HOW

OF

T H E Y,

R E L AT E S

OR

TO

THEIR THE

HAPPENING C O M PA N Y, S P E C TA C L E

R E L AT I O N

THE CONVENTION CENTER THOUGH

CARBON

MARKETS.

SHIFTING MODULES, COMPLEX AND

THE

PROJECT

AIMS

C R E AT I N G

CHANGING SOCIAL INTERACTIONS. IT

ARCH 401

CHALLENGING

IS RESPONSIVE, IT SHOCKS VISITORS,

INSTRUCTOR: ROSS EXO ADAMS

IT

// JAKE SPANGLER & KANE HASSEBROCK

NEW

NETWORKS,

TRADITIONAL

FLOWS,

PROMOTING

AND CRITICAL

C R E AT E S

L AY O U T S ,

NEW

ARE

IS

GLOBAL

AT

THEY

W H AT

TO

U N P R E D I C TA B L E

PA R T I C I PAT I N G

R E L AT I O N S .

L O C AT I O N : M I A M I B E A C H , F L

THIS

O F C L I M AT E C H A N G E . T H R O U G H A N

SOLUTION,

ANAMORPHIC LENS, THE PROPOSAL

A S P E C I F I C C AT E G O R Y O F C L I M AT E

TA K E S T H E E S TA B L I S H E D I D E A S O F

C H A N G E . T H I S S PA C E I S I N T E N D E D

COMPETITION WINNER.

W H AT

TO

N AT H A N & L I S A K A L A H E R A W A R D

MUSEUMS IN

A

INTERVENTION BEACH

ARE

AND

USES

NONTRADITIONAL WITH

CONVENTION

THE

MIAMI

CENTER,

AS

PROJECT

FOR

DOESN’T

BUT

O P E R AT E

CONVENTION ALSO

IN.

AND

C O N V E R S AT I O N A R O U N D T H E T O P I C S

THEM

4

CARBON

AS

A

S PA C E

PROVIDE PEOPLE

R AT H E R

TO

POSE

A

​M I A M I B E A C H C O N V E N T I O N C E N T E R

EXPOSES

NORMAL

WOULD,

BUT

OPPORTUNITIES CONFRONT

THE

C O M P E T I T I O N F I N A L I S T. DLR GROUP PRIZE


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ARCHAEOSPHERE ‘ARCHAEOSPHERE’

A

NEW

/ F U T U R E C O M M U N I T Y E N G A G E M E N T. T H E

TO

THE

RESEARCH CENTER POSITIONS ITSELF AS A

H AY D E N

S PA C E F O R C O L L A B O R AT E R E S E A R C H W I T H I N

H E R I TA G E PA R K , T H I S P R O J E C T M A N I F E S T S

T H E D I S C I P L I N E S R E L AT E D T O L O C A L C O N T E X T

T H E M E S O F H I S T O R Y, S I T E , U R B A N S P R A W L ,

INCLUDING

AXIAL

G E O L O G Y,

FIELD

OF

FOCUSES

STUDY

ANTHROPOCENE.

BASED

R E L AT I O N S ,

ON

R E L AT E D

AND

IN

ADA

HACKABLE

S PA C E

I N T O A C O L L A B O R AT I V E R E S E A R C H C E N T E R INTERESTED

IN

CROSS

ANIMAL

E N V I R O N M E N TA L A N T H R O P O L O G Y, E C O L O G Y,

AND

D I S C I P L I N A RY

S T U D I E S R E L AT E D T O T H E A R C H A E O S P H E R E .

ARCH 302 INSTRUCTOR: LESLIE FOREHAND

THE

PROJECT

TA K E S

SITE

I D E N T I T Y,

AFFECTS

CONCERN OF

WITH

ADJACENT

B O U N D A R I E S , S I T E H E A LT H , A N D P R E S E N T

20

/ / J A K E S PA N G L E R & N I C K R A A P L O C AT I O N : A M E S , I A A D A H AY D E N PA R K

STUDIES,

H Y D R O L O G Y, URBANISM.


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FA B R I C PAV I L I O N THE

PROJECT

C R E AT E

AN

OBJECTIVE INTERACTIVE

WAS

TO

BASED

ARCHITECTURES.

DRAWING

F O R M F R O M A L E A F, T H E D E S I G N C A P T U R E S

PAV I L I O N , U S I N G FA B R I C A S A P R I M A R Y

W AT E R O N I T S S U R FA C E A N D D I R E C T S I T

M AT E R I A L . T H E D E S I G N U T I L I Z E S W AT E R

T O A D R U M B E N E AT H T H E C A N O P Y, T H U S

C O L L E C T I O N A S M E A N S O F C R E AT I N G A N

C R E AT I N G

AN

AUDIBLE

EXPERIENCE.

E N V I R O N M E N TA L LY D R I V E N S O U N D S C A P E . INITIAL RESEARCH INTO FOG HARVESTING FA B R I C INTEREST

TECHNOLOGIES IN

W AT E R

LEAD

TO

COLLECTION

AN AND

I N T E G R AT I O N P O S S I B I L I T I E S I N T O FA B R I C

30

ITS

SITELESS

ARCH 301 INSTRUCTOR: LESLIE FOREHAND / / J A K E S PA N G L E R


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FOG COLLECTION U S I N G F O G C O L L E C T I N G FA C A D E T E C H N O L O G Y,

G A L L E R I E S , W O R K S PA C E S , PA R K I N G , A C A F E , A N D

THIS

AN

PROJECT

RESPONDS

TO

THE

ONGOING

FOG

COLLECTOR

DECK.

THE

B U I L D I N G F O R M I S R E A C T I O N A RY A N D A I M S T O

THE

D I R E C T F O G F O R O P T I M A L G R E Y W AT E R C O L L E C T I O N .

PROJECT

MIXED-USE AND TO THE

IS

COMPRISED

COMPLEX

CONCEPTUAL HARNESS

MEANS

OF

D A I LY

WITH

BUILDING FOG

E L I M I N AT I N G

G R E AT E R

OF

A

MID-RISE

HOUSING

CALIFORNIA

UNITS

TECHNIQUES

OCCURRENCES

AS

DEPENDENCY

ON

W AT E R

S U P P LY.

​ THE

ARCH 302 INSTRUCTOR: LESLIE FOREHAND

FINAL

RESIDENCIES,

36

EXPERIENTIAL

D R O U G H T C R I S I S I N T H E S TAT E O F C A L I F O R N I A .

STRUCTURE L U X U RY

C O N TA I N S

A PA R T M E N T S ,

ARTIST STUDIOS,

/ / J A K E S PA N G L E R & K A N E H A S S E B R O C K L O C AT I O N : S A N F R A N C I S C O . C A


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TWO X TWO ​ TWO

X

TWO

PROJECT

WAS

A

DESIGN-BUILD

COMPLETED

SEMESTER

OF

2ND

YEAR

FIVE ​

WEEKS

2016

DURING BY

THE

STUDIO

D AY S T O B R I N G T H E P R O J E C T T O C O M P L E T I O N

SPRING

P R I O R T O I T S O P E N I N G C E R E M O N Y. I N T O TA L ,

S E V E N T Y- S E V E N

ARCHITECTURE

STUDENTS.

OVER MADE

FA B R I C AT I N G ,

WERE AND

SPENT

DESIGNING,

ASSEMBLING

A

2100

DERIVED UP

INDIVIDUAL

FROM THE

I N S TA L L AT I O N

200

PIECES

PA G E S

OF

I N S TA L L AT I O N . WAS

OF

LUMBER

DRAWINGS THE

WELL-RECEIVED

FINAL AND

LARGE

BECAME A POPULAR PLACE FOR INDIVIDUALS

S C A L E I N S TA L L AT I O N F O R T H E C O L L E G E O F

T O C O N G R E G AT E A N D S H A R E E X P E R I E N C E S .

D E S I G N AT R I U M T H AT A I M E D T O R E D E F I N E T H E

AT R I U M A S A P U B L I C S PA C E B Y I N T R O D U C I N G NEW

PROGRAMS

TRADITIONAL

AND

USES

OF

CHALLENGING

​A R C H 2 0 2

THE

INSTRUCTORS:

S PA C E .

CORREA-DIAZ, IN

A

SYSTEM

STUDENTS,

LEAD

AND

FA B R I C AT I O N

ORGANIZED

TOOK

LESS

BY

THAN

T H R E E W E E K S A N D A S S E M B LY A M AT T E R O F

44

PA L E R M O ,

NICK BOSUK AND

SENSKE,

REINALDO

HUR,

G R E G O RY

ANDREA

// ARCH 202 SPRING 2016 STUDIO L O C AT I O N : A M E S , I A

WHEELER


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J A K E S PA N G L E R I O W A S TAT E U N I V E R S I T Y B.ARCH 19’ S PA N G L E R @ I A S TAT E . E D U W W W. J A K E S PA N G L E R . C O M 53


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