J A K E S PA N G L E R P O R T F O L I O
2 0 1 9
M E T R O AT T H E C A S T R A O F H A D R I A N MUSEUM OF TRADE P N E U M AT I C A R C H I V E S O F S U B J E C T I V I T I E S A N D I M A G I N A R I E S ARTIST RESIDENCY SINUSOID
M E T R O AT T H E C A S T R A O F H A D R I A N J A K E S PA N G L E R , K A N E H A S S E B R O C K , & N I C K R A A P ROME STUDIO B A S E D O N T H E S T U N N I N G D I S C O V E RY O F 2 N D
THE
C E N T U RY
GUARD
L E V E L , A C T I VAT I N G I T A S S O M E T H I N G M O R E T H A N
CONSTRUCTION
A N E X H I B I T B E H I N D A F E N C E . B Y S E PA R AT I N G
REMAINS
BARRACKS, OF
THE
THIRD AT THE
THE
DURING
S U B W AY
LINE,
CASTRA
INTERVENTION FROM
OF
AN
SEEKS
P U R E LY
USER
D I R E C T LY
WITH
PUBLIC
TO
CASUAL
RUIN
AT
EYE-
C I R C U L AT I O N O F T H E S TAT I O N A N D T H E R U I N ,
S TAT I O N
EMPHASIS IS PLACED UPON THE ANCIENT REMAINS
FOCUSES
METRO
THE
ROME’S ON
AS
SOMETHING
MORE
THAN
ARCHITECTURAL
OPEN
NEW
OF
METRO
HADRIAN
FOR
THE
S TAT I O N THE
OF
CONCEPT
PRAETORIAN
THE
ARADAM
SURROUNDING
CASTRA
A
AMBA
DEVELOPMENT
DESIGN
THE
OF
S PA C E S S TAT I O N .
L I B E R AT E
THE
CONNECTION.
D E S C E N T I N T O T H E S TAT I O N V I A R A M P C O N F R O N T S
INSTRUCTOR: SIMONE CAPRA L O C AT I O N : R O M E , I TA LY
A
SHOWPIECE.
MUSEUM OF TRADE J A K E S PA N G L E R & K A N E H A S S E B R O C K ARCHITECTURE 401 OUR
INTERVENTION
ON
THE
THIS PROJECT DOESN’T POSE A SOLUTION, BUT
T H AT
USE
R AT H E R E X P O S E S A S P E C I F I C C AT E G O R Y O F
R E A L T I M E C A R B O N D ATA T O E X P O S E O R I G I N S
C L I M AT E C H A N G E . T H I S S PA C E I S I N T E N D E D T O
O F P O W E R I N R E L AT I O N T O G L O B A L C A R B O N
O P E R AT E A S A N O R M A L C O N V E N T I O N S PA C E
MARKETS.
WOULD, BUT ALSO PROVIDE OPPORTUNITIES
MOVEMENT
THE
OF
MODULAR
PROJECT
NETWORKS, FLOWS,
FOCUSES
AIMS
UNITS
AT
C R E AT I N G
CHALLENGING AND
C O N V E R S AT I O N
FOR
PEOPLE
OF
W H AT
TO IS
CONFRONT
THE
HAPPENING
C A R B O N T R A D I N G A N D H O W T H E Y, O R T H E I R
CRITICAL
C O M PA N Y, R E L AT E S T O T H E S P E C TA C L E T H E Y
THE
TOPICS
OF
A R E PA R T I C I PAT I N G I N .
C L I M AT E C H A N G E . T H R O U G H A N A N A M O R P H I C L E N S , T H E P R O P O S A L TA K E S T H E E S TA B L I S H E D IDEAS
OF
W H AT
MUSEUMS
ARE
AND
USES
INSTRUCTOR: ROSS EXO ADAMS
THEM IN A NONTRADITIONAL INTERVENTION
L O C AT I O N : M I A M I B E A C H , F L
WITH THE MIAMI BEACH CONVENTION CENTER,
MIAMI BEACH CONVENTION CENTER
AS
MEANS
AROUND
OF
THE
E C O N O M Y.
ENCOURAGING
COMPLEX
THE
CARBON
S PAT I A L
DIALOGUE TRADING
PERFORMANCE
COMPETITION WINNER N AT H A N & L I S A K A L A H E R A W A R D
SEEKS TO ENGAGE THE CONVENTION CENTER THOUGH SHIFTING MODULES, COMPLEX AND
COMPETITION FINALIST
U N P R E D I C TA B L E
DLR GROUP PRIZE
SOCIAL IT
L AY O U T S ,
INTERACTIONS.
SHOCKS
R E L AT I O N S .
VISITORS,
IT IT
AND IS
REALITY
REGARDING
TRADITIONAL
PROMOTING AROUND
NEW
CHANGING
RESPONSIVE,
C R E AT E S
NEW
P N E U M AT I C A R C H I V E S O F S U B J E C T I V I T I E S A N D I M A G I N A R I E S J A K E S PA N G L E R , K A N E H A S S E B R O C K , M E G A N Z E I E N , & N I C K R A A P ARCHITECTURE 403 OUR
PROJECT
P N E U M AT I C
IS
AN
A G G L O M E R AT I O N
STRUCTURES
T H AT
OF
S PAT I A L LY
I N VA D E S T H E E N T I R E C I T Y O F S A N F R A N C I S C O .
PRODUCES
A
DEFINING
HYPERAWARENESS
A N D D I S O R I E N TAT I O N , W H I C H O U R P R O P O S A L TA K E S A S A S I T E A N D A G O V E R N I N G L O G I C .
T H E A R C H I T E C T U R E PA R A L L E L S P E R C E P T U A L C O N D I T I O N S O F F O G - C O N F U S I O N , S PAT I A L
OUR
D I S O R I E N TAT I O N , A N D B L U R R E D B O U N D A R I E S .
THE
I T I N S T R U M E N TA L I Z E S T H E S E C O N D I T I O N S T O
P N E U M AT I C S
S PAT I A L LY C O N F R O N T E V E R Y O N E , I M P E D I N G
FA C T O R Y
ALL
ENABLE
PA C I F I C
IN
TRANSFORMING
FUNCTIONS
I M A G I N AT I O N
IN
AND
THE
C I T Y,
TO
CONNECTIVITY
OUR
CURRENT OPPRESSIVE ERA.
ARCHITECTURE CITY
A
ARE
FOG.
PRODUCED
BY
THE
L O C AT E D OCEAN
WASTE
MEMBRANES
EMBEDDED
WITH
I N VA D E
THE
PLASTIC THE
TO
WITH
STRUCTURE
FROM
WALLED
BEGINS
C O N C U R R E N T LY
THE
GARBAGE,
INTO
WHICH
IN
DOUBLE-
ARE
THEN
TECHNOLOGICAL
AND
T H E L O G I C S T H AT G O V E R N O U R C O N T E M P O R A RY
E N V I R O N M E N TA L C O N T R O L S Y S T E M S B E F O R E
SOCIETY
BEING
FORCE
A
SINGULAR
VISION
OF
SUPER-PRESSURIZED
I M A G I N AT I O N O F A N Y A LT E R N AT I V E . T H E S E
S T R AT E G I C A L LY
SAME LOGICS PRODUCE SYSTEMIC VIOLENCE
PAT H W AY S T O R E S P O N D T O N E E D S P R E S E N T
L I K E T O TA L E N V I R O N M E N TA L D E G R A D AT I O N ,
W I T H I N , R E LY I N G O N T H E T E C H N O L O G Y T O
COMPLETE
C A R RY
AND
THE
FA L S E P R O M I S E O F A G O O D L I F E . W E F I N D THESE
PRACTICES
TO
BE
UNETHICAL
OUT
AT M O S P H E R E .
ITS
THE
LAUNCHED
INTO
F I N A N C I A L I Z AT I O N ,
THE
AND
T H E W O R L D A N D AT T E M P T S T O S T I F L E A L L
P N E U M AT I C S
REARRANGES
S PAT I A L
THEIR
INTENTIONS
AND
R E V O L U T I O N A RY P H E N O M E N A .
AND
U N S U S TA I N A B L E . O U R A R C H I T E C T U R E S E E K S
INSTRUCTOR: MITCHELL SQUIRE
T O P R O V I D E A S PA C E T H AT W I L L A L L O W A N D
L O C AT I O N : S A N F R A N C I S C O , C A
E N A B L E N E W I M A G I N A R I E S T O B E H A D , S PA C E
THE FOG
N O T C O N T R O L L E D B Y T H E S E L O G I C S , A S PA C E T O R E S I S T.
COMPETITION RUNNER-UP KENNARD BUSSARD AWARD
OUR
DESIGN
EXPLORES
HOW
AND
SOCIAL
AT M O S P H E R E S
S PA C E
CAN
BE
COMPETITION FINALIST
A R C H I T E C T U R A L I Z E D A N D I N S T R U M E N TA L I Z E D
CSI COMPETITION AWARD,
I N E X P L O R AT O R Y F O R M S . B E I N G S U R R O U N D E D
S U B S TA N C E
BY
C O M P E T I T I O N S - E L I M I N AT E L O N E L I N E S S
SAN
FRANCISCO’S
FOG
P E R F E C T LY
FORUM,
&
BUBBLE
DESIGN
ARTIST RESIDENCY J A K E S PA N G L E R & K A N E H A S S E B R O C K ARCHITECTURE 302 L O C AT E D OF
SAN
IN
THE
NOB
FRANCISCO,
HILL
NEIGHBORHOOD
CALIFORNIA,
THE
MID-
RISE MIXED-USE BUILDING CONSISTS OF ARTIST
FOG OCCURRENCES ARE ABLE TO BE HARNESSED AS
MEANS
ON
THE
G A L L E R I E S , W O R K S PA C E S , PA R K I N G , C A F E , A N D
AS
PA R T
AN
STUDENTS
RESIDENCIES,
L U X U RY
O B S E R VAT I O N
A PA R T M E N T S ,
DECK.
THE
PROJECT
TA K E S
AND
WHICH FUNDS ARTISTS USING PROFIT GAINED FROM
COULD
L U X U R Y U N I T S — A L L O W I N G A R T I S T S T O S TAY F R E E .
PA R T N E R
OF
RESPONDS CRISIS FOG
IN
TO
TO THE
THE S TAT E
COLLECTING
CONCEPTUAL
THIS,
THE
BUILDING
A
ONGOING
DROUGHT
FOG
OF
FA C A D E
BUILDING
DEPENDENCY
CALIFORNIA
CALIFORNIA. TECHNOLOGY TECHNIQUES,
THE
WERE
W AT E R
SEMESTER
TA S K E D
PROTOTYPING BE
EMBEDDED
AND
CONDENSES ADDITION
E L I M I N AT I N G
S U P P LY
STUDIOS,
A D VA N TA G E O F A R E N TA L P R I C I N G S T R U C T U R E
IN
OF
G R E AT E R
I
FOG
R E A C T I O N A RY FOR
INTO A
USING GREY
A
SYSTEM
FORM
W AT E R
USING AND
INSTRUCTOR: LESLIE FOREHAND
D A I LY
L O C AT I O N : S A N F R A N C I S C O , C A
WHICH
FA C A D E .
FISHING
BUILDING
STUDIO,
RESEARCHING
TECHNOLOGY
C R E AT E D
OPTIMAL
LONG
WITH
LINE TO
MY
WHICH AND
DIRECT
COLLECTION.
SINUSOID J A K E S PA N G L E R ARCHITECTURE 433 THIS PROJECT CONSISTED OF PROTOTYPING
THE WORK WAS COMPLETED AS
A PRECAST CONCRETE UNIT WHICH COULD BE
SEMINAR COURSE OF THE ISU ARCHITECTURE
S TA C K E D A S A S E T O F M O D U L E S P E R F O R M I N G
C O M P U TAT I O N
UNDER
WHICH
COMPRESSION.
LONGER
THAN
3”
ON
THE
MODULE
ANY
SIDE
IS
AND
NO CAN
D I G I TA L
+
PA R T O F A
CONSTRUCTION
INTRODUCES FA B R I C AT I O N
STUDENTS
USING 3D MODELING SOFTWARE — FORMWORK
INSTRUCTOR: SHELBY DOYLE
FOR
I S U C O M P U TAT I O N + C O N S T R U C T I O N L A B
PRINTER.
UNIT
WAS
ROCKITE
C R E AT E D WAS
USING
THEN
A
USED
3D TO
C A S T T H E P O S I T I V E F O R M O F T H E O B J E C T.
TO
TECHNOLOGIES.
B E S TA C K E D I N VA R Y I N G C O N F I G U R AT I O N S . THE
LAB