SIMONE MICHELI on his 60th Birthday Anniversary
Architecture - an Eternal Passion, Inspired from my ProjectsFather’s
HOTEL
Local Inspiration with Global Comfort
BULENT SUZER: Mercure Tirana Hotel: “A contemporary design reflecting Tirana’s dynamic and modern spirit”
Here it is the autumn issue of TRAILBLAZING
& DESIGN!
In this issue, we bring some fresh breath of air from Italy where the acclaimed architect and designer, Simone Micheli, celebrates his 60th birthday anniversary and 35 years of career. Attributing his success to his innate passion combined with learned skills, he reveals that his biggest dream is to be able to design the sky and the sea one day. We invite you to read his full interview to learn more about his career, his milestones as well as his unique projects on the way.
Tirana Hotel to catch up with its Turkish General Manager, Bulent Suzer to talk about the newest hotel opened in Tirana and its architectural and interior concept design and many more topics related to tourism and hospitality.
“The interior is brightened by subtle references to Albanian craftsmanship and patterns, as well as vibrant bursts of color that mirror the city’s famous colorful buildings. This contemporary design reflects Tirana’s dynamic and modern spirit, while seamlessly incorporating elements of local tradition,” Suzer states.
Klodiana (Emiri) Taçi, a well-known name in the architecture fraternity, makes an expose of her company, “MA Studio & Partners” and its projects while pays a tribute to her father, Mr. Ibrahim Emiri, a notable and inspiring architect. “My father never directly suggested me to follow architecture, but naturally, growing up in this spirit more and more, the conviction crystallized in me, that design and architecture were my passion and that this could be my future,” the CEO of “MA Studio & Partners” says in this exclusive interview.
This time, TRAILBLAZING MAGAZINE ARCHITECTURE & DESIGN stops at Mercure
Many other surprises unveil themselves on the way of browsing this issue among which a tour in the Residence of Swedish Ambassador to Albania, H.E. Mr. Niklas Ström which amazes us with a journey into the Swedish brands and their key impact on Sweden’s overall development.
The process of preparing each magazine is like an uncommon journey for us which makes nothing but leaves us inspired and amazed as we see the interviewed always in pursuit of Extraordinary.
Enjoy, Wish you all a great October!
The agency has almost 30 years’ experience in decorative and interior design projects. Founded by Christine and Nicola Borella, the firm’s reputation is based on this duo of complementary talents, its creative and innovative positioning and its ability to question its achievements on an ongoing basis. Inspired by their extensive travels they compose a narrative of place, full of details, which give plenty of scope in the choice of materials and free rein to the imagination. From designing the interiors of yachts and residences to the most beautiful hotels, the duo bring passion to projects close to their hearts, whatever the setting and wherever in the world their work takes them.
his 60th
Text: Rudina Hoxha & Jose Pinto
“After over 35 years since the beginning of my career, this fire is more alive than ever. Only when I look in the mirror do I realize that time has passed, but deep in my heart, my spirit remains that of a youth.”
This is what the acclaimed Italian architect and designer, Mr. Simone Micheli tells TRAILBLAZING MAGAZINE – Architecture & Design on this significant milestone of his career.
On his 60th birthday anniversary, he reconfirms that passion, love for life, for beauty drive his work and life in every second. “From a young age, I felt like a sculptor, a transformer of matter, capable of creating forms that could host life. All of this has always been attributable to a central theme: passion,” he states.
While for him, “Success as an architect stems from a fusion of innate passion and learned skills,” Micheli admits that “the biggest dream is to be able to design the sky and the sea.”
Read the full interview of
to find out all about his further plans and objectives as well as his challenge and how he managed to reach success with his unique projects.
Full interview below:
As you find yourself firmly planted in your 60th birthday and with 35 years of career, I can’t help but reflect on the journey that has led you to this point in your career as an architect. How would you describe this moment? What do you feel deep in your heart?
“I feel like a seasoned young person, who has preserved intact the desire to discover, to investigate, to evolve thoughts. Deep in my heart, there still burns a strong thirst for affirmation, for exploration, for evolution.”
Does what you do holds the appeal it once did? Is any aspect of your work which leaves you cold by now?
The passion that has guided me all these years is like a fire that continues to burn; now, after over 35 years since the beginning of my career, this fire is more alive than ever. Only when I look in the mirror do I realize that time has passed, but deep in my heart, my spirit remains that of a youth. There is no aspect of my work that leaves me cold: every project, every challenge continues to awaken in me the same wonder and enthusiasm as before.
What do you remember from your first days of your work? How did all start? What led to you to studying architecture?
I grew up immersed in shapes, colors, and lights, influenced by my father’s artistic activity. I lived my youth surrounded by an environment of constant exploration and experimentation. From a young age, I felt like a sculptor, a transformer of matter,
capable of creating forms that could host life. All of this has always been attributable to a central theme: passion.
What qualities do you think it takes to succeed and thrive as an architect? What can be learned and what is inherent in your view?
Success as an architect stems from a fusion of innate passion and learned skills, all directed towards creating works that improve the quality of life and respect the needs of our time.
What is most challenging about what you do? What is most rewarding?
The greatest challenge of my work lies in being able to create three-dimensional works of art that are commercially sustainable and environmentally friendly. It is a delicate balance: conceiving creations that elevate the quality of life while allowing the entrepreneurs who entrust me with these tasks to realize my dreams.
What else would you like people to know about what you do? Are the architects subject to misconceptions about what
they do? If yes, can you mention any?
All the projects I conceive stem from a common root: building spaces for humans in harmony and contrast with the surrounding nature, shaping every detail with a thought that tends towards perfection. This does not mean exaggerating economically in the realization of the works, but rather incessantly seeking cost optimization to ensure profit for the real estate developers and builders who entrust me with professional assignments. I would like people to understand that our work is not simply an aesthetic exercise, but a balance between beauty, functionality, and economic sustainability.
You founded the Architecture Studio in 1990 and in 2003, together with Roberta Colla, you created the design company Simone Micheli Architectural Hero, based in Florence, Milan, Puntaldìa, Dubai, Rabat and Busan - how do you manage it all as a first-time founder and how did you grow the business out to having so many branches in various world countries?
All this has been made possible thanks to the absence of a clear boundary between private life and profession. Every minute of our existence is lived with intensity, dedicating ourselves incessantly to building and ensuring quality of life.
What can you say about the projects you have accomplished so far and the awards accordingly? What has been their impact on your career?
The awards received are the recognition of a path imbued with deep intellectual research. Each award represents a stage of this journey towards innovation and approximation to perfection. The impact of these awards has undoubtedly fueled my visibility and credibility, attracting the attention of clients from all over the world who have seen in my history a guarantee of quality and uniqueness. These awards have oxygenated the possibilities of new collaborations, confirming the relevance
and value of my work in the global architecture landscape.
You have declared that your goal is to create sustainable works. Do you think this is part of your big success?
Undoubtedly, the economic sustainability of the works realized and the burning desire to create environmentally friendly works, which the world urgently needs, are fundamental to my success.
If you would have a chance to restart this journey, would you change something? If yes, why?
Nothing.
What keeps you so active? How much motivation do you find in your family and in your staff?
Passion, love for life, for beauty.
What are your goals/dreams for the future? What is next for you and Simone Micheli Architectural Hero?
The biggest dream is to be able to design the sky and the sea.
In today’s world, the word “legacy” is very important when it comes to great people like you. Who do you think it will be your ‘successor’?
Every man with great passion, starting from my thoughts to create completely different ones.”
Architectural, Interior design and lighting project: Simone Micheli Architect
1 Oversea Building Chioggia; Italy ph. Jürgen Eheim
2 BitCoin Tower Metaverse Building in progress
3 Amer 95 Amer Yatch in progress
4 PATH DREAM | DINE | DELIGHT | 3.7 hectares of pure wellness concept Andrea Bigot, Porto San VitoGrado in progress
5 Tower Shanghai, Multifuntional building Shanghai; China in progress
6 Private Villa Reunion Island; France in progress
7 Sky Villa Izmir; Turkey in progress
8 Villa Dubai Dubai; UAE in progress
9 Unconventional Building Shanghai; China
10 3DDDÌ, eat well – fell good Florence; Italy ph. Jürgen Eheim
11 Acquadulza Restaurant Maccagno, Varese; Italy ph. Jürgen Eheim
12 Acquadulza Bar Maccagno, Varese; Italy ph. Jürgen Eheim
13 Parco Acque ai Cappuccini Gubbio, Perugia; Italy ph. Jürgen Eheim
14 Atomic Spa - Le mille bolle blu Milan; Italy ph. Jürgen Eheim
15 Sarajevo Dreamy SPA Sarajevo; Bosnia ph. Jürgen Eheim
16 Exedra Nice Hotel wellness centre Nice, France ph. Jürgen Eheim
17 Wellness center & SPA, Barcelo’ Hotel Milan Milan, Italy ph. Maurizio Marcato
18 Sense is Simple Exhibition Triennale Milano Milan; Italy ph. Jürgen Eheim
19 Aquatio Cave Luxury Hotel & SPA Matera - Italy ph. Jürgen Eheim
20 World Hotel Ripa Roma Rome; Italy ph. Jürgen Eheim
21 i-Suite Hotel & SPA Rimini; Italy ph. Jürgen Eheim
22 Lords Of Verona luxury apartments Verona; Italy ph. Jürgen Eheim
23 Barcelo’ Hotel & SPA Milan; Italy ph. Jürgen Eheim
24 New Urban Face - Ufficio informazioni e accoglienza turistica Milan; Italy ph. Jürgen Eheim
25 L’Archivolto events exhibition space Milan; Italy ph. Alberto Ferrero
26 Pink House Firenze; Italy ph. Maurizio Marcato
27 House with view of the future Firenze; Italy ph. Jürgen Eheim
28 Sea House Viareggio Viareggio; Italy ph. Jürgen Eheim
29 Simone Micheli Architectural Hero Milano Milano; Italy. ph. Jürgen Eheim
30 Alessandro’s House Bergamo; Italy ph. Jürgen Eheim
31 Rubens Luciano offices & showroom Venice; Italy ph. Jürgen Eheim
“Melting 10 fondues at once and making sure none of them burn”
By Rudina HOXHA
Joceline Favre-Bulle, Director of Innovation & Projects at Les Roches is behind the renovation of Les Roches campus. Spending a decade working at Les Roches, the half South African and half English lady says that Les Roches is an incredibly fulfilling experience.
“At Les Roches, we focus on luxury and innovation, while also blending natural elements like wood, rock, and fire to reflect our mountain surroundings. When guests walk into the lobby, they truly feel like they’re entering a luxury ski lodge,” she told TRAILBLAZING MAGAZINE ARCHITECTURE & DESIGN.
While she has some great new projects in the pipeline, Joceline sees the the future of architecture all about sustainability and a strong connection to the local environment.
“Looking ahead, I want to keep focusing on projects that use local materials and promote energy efficiency. I believe we can combine modern design with traditional elements to create spaces that are not only practical but also meaningful and resilient for the future,” she says.
games. Family is a big part of my life, and I cherish the time we spend together. My husband is a Swiss geologist, so we’re always surrounded by mountains and adventure!
Can you set the scene by telling us what first attracted you to architecture?
Full interview below:
Ms. Joceline, thank you for being with TRAILBLAZING MAGAZINE/ARCHITECTURE
& DESIGN! Please can you introduce yourself briefly.
Thank you so much for having me! I’m originally half South African and half English, but Switzerland has been my home for the past 25 years. I’ve spent nearly a decade working at Les Roches, which has been an incredibly fulfilling experience. Outside of work, I’m often found show jumping or cheering on my daughter at her basketball
Honestly, my focus is more on getting the job done—I like to say it’s like melting 10 fondues at once and making sure none of them burn! That said, I was lucky to work with an amazing design team from Spain, as well as my internal teams. They all put so much heart into the project and often teased me about my design choices because their style was miles better than mine! We each had our roles, and that’s what made this project such a pleasure to work on—teamwork really does make the dream work. This said when I visited Dallas for some reason I found the architecture fascinating and it made me want understand the thoughts behind it, weird for a country girl I guess!
Can you share some of your major projects which have resulted in success?
Our two most recent projects have been
really different but equally exciting. The first was the renovation of our 400-squaremeter lobby, where we transformed the space into four distinct areas: a chaletchic corner, an upscale hotel lobby with a wooden stage, a cozy library, and a bar that shifts from a coffee bar during the day to a cocktail bar at night. At Les Roches, we focus on luxury and innovation, while also blending natural elements like wood, rock, and fire to reflect our mountain surroundings. When guests walk into the lobby, they truly feel like they’re entering a luxury ski lodge.
Our newly completed gym and wellness center follows this same philosophy, featuring elegant design with an alpineinspired wellness area that includes a sauna, emotional shower, ice plunge pool, and a fully equipped massage room. These projects capture the essence of what we love to create at Les Roches!
What do you consider to be your greatest achievement in your field?
The mentioned projects.
What does sustainability and innovation in architecture mean to you?
I think sustainability and innovation in architecture should really celebrate the local environment and culture. Using locally sourced materials not only helps reduce our carbon footprint but also adds character to our designs. For instance, incorporating stone from nearby quarries or wood from local forests creates a strong connection to the landscape.
Alongside that, I focus on practical solutions that maintain high standards. In our lobby, we used cream carpet tiles in 40cm x 40cm blocks. This way, if there’s a red wine spill, we can simply replace the affected tiles instead of changing the whole carpet. It’s about being creative and thoughtful in our designs while keeping sustainability in mind.
How would you sum up your vision for the future of architecture ? What is next for you?
I see the future of architecture as all about sustainability and a strong connection to the local environment. With climate change becoming a bigger issue, it’s crucial that we design buildings that reduce their impact while also reflecting the culture and beauty of the area.
Looking ahead, I want to keep focusing on projects that use local materials and promote energy efficiency. I believe we can combine modern design with traditional elements to create spaces that are not only practical but also meaningful and resilient for the future. It’s about finding that balance and making a positive difference.
By Rudina Hoxha & Jose Pinto
“My father never directly suggested me to follow architecture, but naturally, growing up in this spirit more and more, the conviction crystallized in me, that design and architecture were my passion and that this could be my future.”
The interview with Klodiana (Emiri) Taçi, CEO of MA Studio & Partners precisely confirms the talent and passion she has inherited from her father, Mr. Ibrahim Emiri. Such features lead her on this long and exciting journey along with her husband, Mr. Ervin Taçi a distinguished architect, as well.
Read her full interview to learn about MA Studio & Partners, its work principles and values and its projects:
“Currently in our studio, 80% of the architects are women. As the leader of MA Studio & Partners, I try to do my best to motivate and support them in every aspect. I feel happy to see them grown confident and ready to give their contribution in the studio work and as consequences in the country improvement.”
A distinguished woman of Architecture & Design! How has been your journey? Why did you choose to embrace architecture?
The passion for architecture and art was early in me as a direct and indirect influence from my father, who is part of the first generation of architects graduated in Albania.
It was a passion that grew quite naturally in everything I saw during my father’s design work, the interpretations and comments he made about art, architecture, music, and it was precisely this that intrigued me and drew me into this beautiful journey.
The desire to paint was a pleasant pastime since in my very early age. The library of my home was also very large and rich with books and magazines of architecture, even though the opportunities to obtain them at that time were very few.
My father never directly suggested me to follow architecture, but naturally, growing up in this spirit more and more, the conviction crystallized in me, that design and architecture were my passion and that this could be my future.
It’s nice to see that the passion is passed down through the generations and the love for art and architecture, that we have, my husband and I have passed it on to our daughter who has already chosen to embrace architecture as a profession.
In your view, what makes women really good architects?
Architecture is not just a profession, but in fact for those architects who really love it, it is an eternal passion. It is a passion, that does not differentiate in this case gender, age, nationality, etc. It is precisely the talent and passion, that lead you on this journey to realize in every design performance a unique solution guided by momentary inspiration.
Anyway, you must be guided by determination and discipline in your daily work. The design process is a journey as interesting as it is difficult, and dedication is one of the main keys to success for each architect. The sensibility and patience could be specific attributes, that females in general have. May be it comes naturally even by the maternal duties we have, that in a way train this two important elements, that are two of important skills of a good architect.
How can you describe your foreign collaborations with different female architects? Had you adapted yourself to find yourself in their work philosophies and environments?
We have had collaborations with various female architects over the years. We did Saranda waterfront with the GermanAlbanian woman architect Ulrike Bega and it was a successful collaboration. It was completed with a successful work, that is functioning perfectly for Saranda people, visitors and tourists.
Recently, we worked together for the international competition “Expo Albania”
with the American architecture office “Studio Gang”. The founder and director of this well known internationally architecture studio is a woman, Jeanne Gang. It was an extremely interesting collaboration during which, approaches, concepts, attitude and determination were perfectly shared in an amazing proposal for the capital of Albania, Tirana.
I have a strong appreciation and admiration in general for the successful women in business. There is always a lot to learn in each of their success stories. The women have a special role in the family and it should remain firm, but our energy, synergy and sensibility have a significant part in each sector of the life, society and economy.
What do you think needs to be done to help women in their profession as architects?
I think that everyone in their professional journey should first of all help themselves by working with dedication to grow professionally. This is the primary advice, that I give to my students in the architecture department and of course to my daughter, who has just started.
In my perspective, we live in a country where there is no gender discrimination, especially in the field of architecture. Currently in our studio, 80% of the architects are women. As the leader of MA Studio & Partners, I try to do my best to motivate and support them in every aspect. I feel happy to see them grown confident and ready to give their contribution in the studio work and as consequences in the country improvement.
Do you think the influence of female architects is little in urban design or other aspects of architecture?
Globally, the female architects, who signed the history of modern architecture are not so much in number. Zaha Hadid is the unique one, that demonstrated the potential talent of a woman in this profession. If there were not a lot of them in the past, I think is due to the missing role of the past of our gender in general in societies, even in the very developed countries. American society revolution in 60’tes “Counterculture” in America of the 1960s shake the societies in general for the human rights and in specific for the woman discrimination. This made them gradually in years more involved in high education and professional achievements. So, their contribution in general is grown exponentially in 60 years from that important moment and societies are strongly benefiting of the women role in different fields.
Today, there are a lot of urban, landscape and architecture designers influencing the profession in the academies and practice.
Even in Albania, there are many talented women architects, my colleagues and friends, who, beyond of managing their design studios contribute in the
academies for growing new generations of professionals.
Can you reveal a glimpse from your current projects and the others in the pipeline?
MA Studio & Partners is currently developing several interesting projects with different urban scales and with different destinations.
Each of the ongoing project has its specific challenge referring to the program, location, urban context, morphology, etc.
There are different projects with different characteristics, but we always try to keep alive our main principles. The people are always in the hierarchy of our creations synergies, beyond our personal design egos.
All over this interview, we show some of our projects which are still in the development process and which have different destinations.
Mercure Tirana Hotel: “A contemporary design reflecting Tirana’s dynamic and modern spirit”
The General Manager of Mercure Tirana Hotel, Bulent Suzer caught up with TRAILBLAZING MAGAZINE/ARCHITECTURE & DESIGN to talk about the newest hotel opened in Albania.
For him, the hotel stands out because of “our ability to blend international standards with a strong local flavour, offering an experience that is both luxurious and deeply connected to the culture of Tirana.”
In terms of architecture and interior design, the Turkish seasoned hotel expert says that Mercure Tirana Hotel reflects a mix of Tirana’s dynamic and modern spirit with elements of local tradition.
Full interview below:
Mr. Bulent, how is Mercure Tirana Hotel progressing? What is unique about your hotel?
Mercure Tirana Hotel is progressing exceptionally well. We have positioned
ourselves as a distinctive and vibrant destination in Tirana, combining modern comfort with local culture. What sets our hotel apart is our deep commitment to providing an authentic Albanian experience, from our locally inspired decor to the personalized service that ensures every guest feels at home. The uniqueness lies in our ability to blend international standards
with a strong local flavour, offering an experience that is both luxurious and deeply connected to the culture of Tirana.
What authentic local experiences will guests have access to enjoy? What makes your hotel memorable and unforgettable? Our guests have the unique opportunity to immerse themselves in the rich culture of Tirana. We offer curated experiences that include visits to local markets, historical tours. Additionally, our hotel often collaborates with local artisans and cultural figures, giving our guests an inside look at the vibrant artistic and cultural scene in Tirana. What makes us memorable is the attention to detail in every aspect of our service, from the carefully crafted interiors to the warm, personalized interactions with our staff. Guests leave with a true sense of place and a connection to the local community.
What is the philosophy of the hotel?
The philosophy of Mercure Tirana Hotel revolves around the concept of “local inspiration with global comfort.” We believe in creating a space where guests can enjoy the best of both worlds—an internationally recognized standard of service, complemented by an authentic local experience. Our aim is to provide a warm and welcoming environment that reflects the spirit of Tirana while ensuring that every guest’s needs are met with professionalism and care.
How can you define the architectural design and the interior concept design of Mercure Tirana Hotel?
Mercure Tirana offers a stylish and modern design, featuring high-quality materials and furniture that exude a sense of understated elegance. The interior is brightened by subtle references to Albanian craftsmanship
and patterns, as well as vibrant bursts of colour that mirror the city’s famous colourful buildings. This contemporary design reflects Tirana’s dynamic and modern spirit, while seamlessly incorporating elements of local tradition.
What is the atmosphere of your hotel?
What types of guests does it attract? Do you get lots of repeat customers?
The atmosphere at Mercure Tirana Hotel is one of relaxed sophistication. We’ve designed the hotel to be a welcoming haven for travelers, whether they are here for business or leisure. Our guests appreciate the blend of modern amenities and local charm, which makes the experience both comfortable and unique. We attract a diverse range of guests, from business professionals and diplomats to tourists seeking to explore the city. We are proud to say that many of our guests
return time and again, a testament to the memorable experiences they have with us.
Do you see any shift in guest expectations and demands? If yes, how is the Mercure Tirana Hotel responding to these changes?
Yes, there has been a noticeable shift in guest expectations, particularly towards more personalized and immersive experiences. Guests are increasingly looking for authenticity and a deeper connection with the places they visit. In response, we’ve enhanced our offerings to include more bespoke services, such as customized city tours and exclusive experiences that showcase the hidden gems of Tirana. Additionally, we are continuously innovating to ensure that our facilities and services meet the evolving needs of our guests, including the integration of more sustainable practices and wellness-focused amenities.
How can you describe the dining experience here? Do you have a favourite meal in your restaurant?
The dining experience at Mercure Tirana Hotel is a culinary journey through both local and international flavours. Our restaurant offers a menu that celebrates the richness of Albanian cuisine, complemented by a selection of international dishes. We pride ourselves on using fresh, locally sourced ingredients to create meals that are both delicious and representative of the region. My favourite dish would have to be the Tavë Kosi, a traditional Albanian dish that perfectly captures the essence of our culinary philosophy—authentic, flavourful, and made with love.
Staff hiring remains a challenge?
Staff hiring can indeed be challenging, especially in a competitive market.
However, we have been successful in attracting and retaining talented individuals by fostering a supportive and positive work environment. We place a strong emphasis on training and development, ensuring that our team members have the skills and confidence to provide exceptional service. Our focus is on creating a workplace where staff feel valued and motivated, which in turn reflects in the quality of service they provide to our guests.
How can you describe your time in Albania so far? What is your objective as GM of Mercure Tirana Hotel?
My time in Albania has been incredibly rewarding. The warmth and hospitality of the Albanian people have made my experience here truly special. As the GM of Mercure Tirana Hotel, my primary objective is to elevate the hotel’s reputation as a leading destination in the region. I aim to continue building on our strengths, creating unique guest experiences, and fostering a strong, cohesive team that is committed to excellence. My goal is to ensure that every guest leaves with a lasting impression of both our hotel and the beautiful city of Tirana.
Château Hochberg is ideally located, opposite the Lalique Museum, surrounded by a park covering 1.7 hectares.
Even before entering through the high and imposing black gates of the property, visitors are captivated by the sight of the majestic building glimpsed at the end of the central tree-lined avenue. Climbing the steps to the main entrance, visitors are clearly aware that they are entering a place charged with history and that the spirit and soul of the building has been preserved.
The restoration and decoration of the Château are the fruit of a close collaboration between the “Borella Art Design” agency and“Lalique Interior Design Studio” The agency is renowned for its expertise in developing concepts and realising customised projects in the luxury hotel and high-end gastronomy sector. The Studio offers architects and designers an exclusive range of high-end projects integrating crystal elements in spatial concepts.
Borella Art Design developed and realised a unique concept for Château Hochberg. The world of Lalique is brought to life with great finesse and a contemporary feel through the play of light created by panels in glass and crystal and Lalique mirrors placed in the rooms and communal areas of the establishment. The studio has given elegant expression to the concept, integrating crystal in an environment that is consistent with the world of Lalique.
The fifteen rooms and suites, all bathed in wonderful light, offer guests softness, comfort, tranquillity and harmony.
The furniture, in rectangular or rounded geometric shapes – American walnut desks, head-boards in leather, armchairs upholstered in velvet – were designed as bespoke editions by the Borella Art Design agency to harmonise with the crystal elements in the space and enhance the décor created by Lalique Interior Design Studio
The style is refined, clean-looking and modern, with three different ambiences, depending on the decorative panels used: Ombelle (Umbel); Venise (Venice); and Dahlia
The rooms in the Ombelle style are inspired by the plant and flower motifs of the decorative panel created by René Lalique. In harmonious shades of green, the armchairs, curtains and head-boards capture the light, creating an ambience of calm and relaxation.
In the rooms with the Venise décor, the inspiration is more graphic, with pearl
and silvery grey tones, creating a sense of timelessness.
As the choice of motif suggests, the Dahlia rooms are an interplay of satin sheen and transparency, with pure colours, white and sandy hues.
The restaurant at Château Hochberg is divided into three dining rooms – Dahlia, Ombelle and Venise – creating convivial, welcoming spaces for guests to feel at ease.
The Dahlia room, situated at the rear of the Château, features a magnificent ancient fireplace, surmounted by a mirror bordered with the flower motif of the same name. The gardens outside the room are reflected in the mirror, flooding the space with an extraordinary light.
Ombelle is more intimate, with panels bearing airy, poetic motifs. The dining
room is situated on the west side of the building, looking over the park in front of the Château. It is dominated by the Orgue chandelier, with three tiers of lamps that swathe the surroundings in a soft radiance.
The Venise room, as the eponymous panel suggests, is inspired by the souvenirs and passion for travel of Lalique’s founder. This room is also used to serve breakfast.
All three rooms are beautifully furnished and, in keeping with the Lalique tradition, enhanced by an interplay of materials and light, which informs them with a warm and appealing atmosphere. The tables, chairs and sideboards in dark wood with graphic lines and the natural elegance of raw materials such as American walnut were created and designed by Borella Art Design
a 360º Experience, Integrating Hospitality and Breathtaking Views with the Sounds, Aromas and Flavours of the Patagonia of the Seven Lakes
Correntoso Lake & River Hotel is situated at the precise spot where the Correntoso River flows into the Nahuel Huapi Lake.
Its privileged location within the National Park offers a full view of the lake framed by the Andes Mountains.
The origin of the Hotel is a story of pioneers. At the beginning of the last century a small inn and general store was established on the site, with the purpose of supplying fishermen of the region and giving shelter to the men who crossed cattle on the difficult road to Chile. In 1917 the inn grew and the Correntoso Hotel was created. In a short time, the mouth of the Correntoso River was consolidated as a fly-fishing mecca, and from the 50‘s to the 70’s, the hotel was a must for holidaymakers, fishermen and celebrities.
In 2003 it reopened its doors completely renovated, combining its history with the highest standards of comfort, and is today one of Patagonia’s favourite destinations.
Renovation focused on recovering the historic building, maintaining the local identity and prioritising the use of local materials.
The living room, designed around a large original stone fireplace from the old hotel, is arranged in multiple spaces that create an intimate atmosphere. Part of the ‘achuelada’ boiserie is also recycled.
To be in tune with the overwhelming beauty of the landscape, the large windows are huge, designed to allow the Patagonian nature and light to freely invade the private spaces.
The rooms, also with breathtaking views of the lake, are decorated with native woods, such as larch, cypress and lenga, which, combined with linens and burlap, give a warm and casual style. Some of them still have the larch doors and the backrests of the old beds, and the huge wooden beams are intact, with dimensions impossible to reproduce nowadays.
Lake, river, forest and mountain.
The stay at Correntoso has a total interaction with the environment, giving rise to memorable and unique experiences. The hotel has an Adventures division, from where all outdoor activities are organised and, with the help of its Master Guides, provides an excellent service that brings the Correntoso style to nature in its purest state.
The gourmet proposal is also very complete, the buffet breakfast, the
emblematic Correntoso Tea and two restaurants: Belluno, with a menu that fuses Mediterranean cuisine and Patagonian flavours; and Puerto Correntoso, with specialities cooked in a clay oven, located next to the pier that originally served as a disembarkation to the general store in the pioneers’ times.
The Spa, totally integrated to the natural environment, is an invitation to leave aside the intensity of the day and relax with a variety of specialised treatments, experience the Hammam ceremony or simply dive into the infinity pool, heated to just the right temperature to enjoy the views.
Finally, there is the Wine Bar with a very complete wine cellar and a bar with more than 200 labels that the bartender turns into emblematic drinks such as the Pisco Sour, a favourite to accompany the Patagonian smoked fish platters.
Correntoso is a 360º experience, integrating hospitality and breathtaking views with the sounds, aromas and flavours of the Patagonia of the Seven Lakes.
- Villa La Angostura - Neuquén - Patagonia Argentina
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designed by Stefano Boeri
The design was inspired by the canons of the Italian piazza as a place of both informal relationships, and a privileged stage for hosting the unpredictability of everyday life
October 15th 2024 – At the opening of the 76th edition of the Frankfurt Book Fair and in its role as Guest Country of Honour, Italy is welcoming visitors to a 2,300 m2 installation designed at the request of the Extraordinary Commissioner Mauro Mazza by the multidisciplinary studio Stefano Boeri Interiors, founded by architect Stefano Boeri together with architect Giorgio Donà.
In line with the theme “Radici nel futuro (Roots in the Future)” chosen for the Italian Pavilion, the installation design has been inspired by the canons of the Italian piazza or square, seen not only as a simple space but also as a generating principle and identifying symbol par excellence of Italian and European cities. The allegory of the Italian square proposed by Stefano Boeri Interiors calls to mind the clear architectural structure typical of Italian historic centres and the piazza as a place of informal relationships, a privileged stage for the unpredictability of everyday life.
It is a place of cultural encounter and exchange, where past and future find expression in the form of unexpected
combinations and thanks to which literature, music, art and daily life all enter into dialogue in an open and engaging way between the coffee tables, porticoes, entrance halls, civic buildings and sacred architecture. The square is therefore both an allegory and physical mould for an urban community, but also the setting in which the narrative imagination of hundreds of writers has been stratified over the centuries. It is a space thanks to which Italian culture and its literature in particular have been represented to the rest of the world.
“The heart and soul of our cities and our country, the square is a place of freedom of thought and expression: you can pass through it to reach a point of interest, stop, sit, attend an event, demonstrate to defend a right, read a book or just have a rest and imagine the daily life that took place there in past eras. The square we have designed is not only a place in which to explore the latest editorial and literary news, but also to rediscover the value of meeting, dialogue and conviviality” comments architect Stefano Boeri.
“In order to convey these values to visitors at the Frankfurt Book Fair, we wanted to create a space capable of welcoming and uniting forms of spontaneity that a square can suggest through its architecture.
Columns, porticoes, steps and portals identify the foundations of a language that expresses itself in well-defined and recognisable spaces, shapes and styles.” adds architect Giorgio Donà.
Created starting from an idea shared with the art historian Giovanni Agosti, the exhibition project is structured around those elements that have traditionally made up Italian squares, in addition to the numerous historical and functional roles that these places have assumed.
The heart of the pavilion consists of a smallscale reproduction of a square, inspired by the monochromatic tones of granite and stone. The result is a rectangular space of about 2,300 sqm delimited by a series of columns in different architectural styles, and by four rows of porticoes from which the visitor can access the surrounding rooms that host the exhibitions selected for the Buchmesse.
The central space of the square, occupied by tables and chairs, is separated from the porticoes thanks to a perimeter of steps that act as informal seating for passersby and visitors, as normally happens in the squares of historic Italian towns and city centres.
The monument that occupies the central area, as can often be found in Italian squares, is a work by the architect, designer and artist Alessandro Mendini (19312019), one of the leading figures in the great tradition of Italian design. The work entitled Guanto, an open hand as a sign of conviviality and welcome and part of the collection Mobili per Uomo of the Bisazza
Foundation, was selected together with the Triennale Milano, an institution that promotes contemporary culture through the languages of design, architecture and the arts and which at the moment, with the Fondation Cartier pour l’art contemporain is dedicating a large retrospective to Alessandro Mendini (at the Triennale until 10th November 2024).
Part of the short side of the square is occupied by the Arena where the stage and seats are located and which is intended for debates and presentations. On this side, a large screen hosts the video that the director and visual artist Davide Rapp has dedicated to the presence of squares in the history and culture of Italian cinema.
On the opposite side of the square, visitors can access the Caffè Letterario, which is also a setting for presentations, debates and discussions. The lights of the installation and the different lighting landscapes that accompany the events and situations hosted in the square were designed by the set and lighting designer Pasquale Mari, one of the leading lights in the history of contemporary Italian theatre and cinema.
Overlooking the square are 10 rooms in which it is possible to visit a series of thematic exhibitions and activities selected by Commissioner Mazza and dedicated to some of the most important expressions of Italian culture. Each of these perimeter rooms, which can be accessed through the porticoes, is unique in its colour tones and individual installation choices, as is the case with the different and multifaceted buildings that characterize the perimeter of a historic Italian square.
• An exhibition curated by the Ministry of Culture on classical art in Italian national museums entitled “Sotto un cielo antico. Pompei tra passato e presente”
• A tribute to Goethe as a key figure in cultural relations between Italy and Germany
• A homage to Aldo Manuzio, inventor of the “pocket” book at the end of the 15th century (Venice International University)
• An exhibition dedicated to Il Principe by Niccolò Machiavelli, a text able to offer an ever-relevant reflection on leadership and power
• A gallery curated by TILA - The Italian Literary Agency which brings together portraits of the most important Italian writers of the 20th century
• A room housing the works of thirty young illustrators from the new Italian artistic generation, selected by the Bologna Children’s Book Fair
• A section anticipating the celebrations of the GO! 2025 Nova Gorica Gorizia Capitale Europea della cultura transfrontaliera event
• Treccani presents an interactive
installation dedicated to Italian art, design and craftsmanship
• The Multi, Museo multimediale della lingua italiana offers an immersive virtual experience looking at the history and culture of the Italian language
• Finally, as is traditional for the hosted country, a selection of over 600 books translated from German into Italian and selected by publishers from all over the world can be found in “Books in Italy”.
Midway between technology and Made in Italy, the Kartell company presents a special exhibition of products linked to the culture and roots of Italian design that, like the Ecological Panel® by the Saviola company, which is made from 100% recycled and recyclable wood and used for many of the pavilion’s surfaces, look to the future while respecting the environment. Morfeo Gadget introduces “3D La Stampa del Futuro”, manufacturing personalized objects in real time that express the character of the Italian presence at the Buchmesse. Finally, the Italian pavilion also offers the opportunity to take a trip on historic Italian trains presented by the Fondazione FS Italiane along with publications by Pirelli demonstrating the company’s role in innovation and spreading popular culture.
The many institutions and partners that have taken part in the creation of the Italian Guest of Honour pavilion include the following: the Ministry of Culture, the Ministry of Foreign Affairs and International Cooperation, the Ministry of Agriculture, Food Sovereignty and Forests, the Italian Embassy in Berlin, ICEAgency for the promotion abroad and the internationalization of Italian companies, the Centre for Books and Reading and the Italian Publishers Association.
The project’s sponsors and supporters are: Audible, ENIT, Fondazione FS, GO!2025, Kartell, Morfeo, Poste Italiane, Pirelli, Saviola and Villa Vigoni, while Rai is the media partner.
As part of the extensive cultural program, on October 16th at 3:00 p.m., Stefano Boeri and Giovanni Agosti will speak at the meeting “La grande piazza dei libri e delle idee” during which they will reflect on the meaning of Italian squares as spaces of community and intercultural dialogue. As part of the event, a video made by the director Davide Rapp will be screened. It will present a sequence of scenes from films showing how Italian squares in the world of cinema have contributed to creating an evocative scenography for the representation of the real as well as the fantastic, of the possible as well as the plausible.
Credits
Project set-up:
Stefano Boeri Interiors
Partner in Charge:
Stefano Boeri and Giorgio Donà
Team:
Jacopo Abbate (Project Manager)
Giovanni Garofalo (Communication Director)
Cansu Usta
Pierandrea Monteduro
Esteban Marquez
Miriam Macchi
Polina Kozhevatova
With contributions by Prof. Giovanni Francesco Maria Agosti
Lighting design: Pasquale Mari
Video contribution: Davide Rapp
STEFANO BOERI INTERIORS
Stefano Boeri Interiors is a multidisciplinary studio, founded by Stefano Boeri with Giorgio Donà, which operates and develops projects and research in the field of interior design, exhibition design and product design. A studio that becomes a site of encounter and exchange of ideas, disciplines and professional realities, dealing, among other things, with the design and implementation of exhibitions, trade fairs and cultural installations. Stefano Boeri Interiors is a flexible reality, committed to the research of solutions with a strong innovative value.
www.stefanoboerinteriors.com
