JA S O N W U S E L E C T WO R KS FA L L 20 20
JASON W U
I am a recent graduate of the University of Waterloo’s Bachelor of Architectural Studies program, throughout which I had sought opportunities in my work to bring together dualities in architecture, such as the historical and the contemporary or the built and the organic, to create humanistic work that has relevance going into our ever-changing future. I have always been fascinated by the visualization, creation, and preservation of architecture and I hope that this collection of select works may demonstrate my proficiency in architectural representation and my interests in expanding the horizons of my knowledge in the field of design.
2014
2015
2016
linkedin.com/in/jasonzhuoyuwu issuu.com/jasonzhuoyuwu
E D U CAT I O N _ Honours Bachelor of Architecture Studies (BAS), Co-op, 9/2015 - 8/2020 University of Waterloo School of Architecture, Cambridge, ON -
Dean’s Honours List, 12/2019
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President’s International Experience Award, 9/2019
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President’s Scholarship of Distinction, 9/2015
_ Specialist High Skills Major (SHSM), Arts and Culture, 9/2011 - 6/2015 Western Technical Commercial School, Toronto, ON -
Valedictorian Award, Class of 2015, 6/2015
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Alumni James Raymond McCall Scholarship, 6/2015
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Judy Wilson Memorial Award, Scantex Graphics Services, 6/2015
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University of Toronto National Book Award, 6/2015
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Peter Cram Memorial Scholarship, 6/2015
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Principal’s Award for Student Leadership, Ontario Principals’ Council, 6/2015
2017
2018
2019 IN TER E S T S
SK I L L S
P R OGR AMS
Urbanization
Digital Drafting
Adobe PhotoShop
Preservation
3D Modeling
Adobe Illustrator
Landscape
Rendering
Adobe InDesign
History
Diagramming
Rhinoceros 5
Cartography
Hand Drafting
V-Ray for Rhino
Graphic Design
Translating
Autodesk Revit
Hydrology
Digital Fabrication
AutoCAD
Topography
Construction Details
Maxwell Render
Specialist High Skills Major (SHSM) in Arts and Culture 9/2011 - 6/2015 Western TechnicalCommercial School Toronto, ON
2020
Honours Bachelor of Architectural Studies (BAS), Co-op 9/2015 - 8/2020 University of Waterloo School of Architecture Cambridge, ON
Architectural Assistant 1/2014 - 5/2014 Altius Architecture Inc. Toronto, ON Project Coordinator 6/2014 - 8/2014 Chinatown Business Improvement Area Toronto, ON
WO R K E X P E R I E N C E _ Design and Exhibition Coordinator, 1/2020 - 8/2020 University of Waterloo School of Architecture, Cambridge, ON -
Promoted the portfolio of the school and increased its online presence on social media, such as Instagram, through curation and publishing of student work
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Managed the Riverside Gallery and coordinated with staff, faculty, and students to organize the installation and care of exhibitions
_ Architectural Intern, 1/2019 - 8/2019 Giannone Petricone Associates Inc. Architects, Toronto, ON -
Oversaw projects by coordinating goals, meetings, and deadlines between clients, consultants, supervisors, and colleagues within the office
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Produced presentation drawings and packages for client meetings and City of Toronto negotiation meetings with Adobe Creative Suite and AutoCAD
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Completed drawings and diagrams for construction documents and re-zoning conceptual designs in Adobe Creative Suite and AutoCAD
_ Architectural Intern, 5/2018 - 8/2018 WXY Studio, New York, NY
Co-op Student 1/2017 - 4/2017 Stantec Architecture Ltd. Toronto, ON
Architectural Intern 9/2017 - 12/2017 Design Eight Five Two, Ltd. Hong Kong
Architectural Intern 5/2018 - 8/2018 WXY Studio New York, NY
Architectural Intern 1/2019 - 8/2019 Giannone Petricone Associates Inc. Architects Toronto, ON
Design and Exhibition Coordinator 1/2020 - 8/2020 University of Waterloo School of Architecture Cambridge, ON
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Contributed to construction documents phase of the studio’s first high-rise housing project, working mainly in Revit and Adobe programs to produce construction drawings, schedules, and details
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Explored schematic design of a new pedestrian-focused streetscape proposal in downtown Manhattan, modeling in Rhino and producing rendering packages for client review in Adobe InDesign
_ Architectural Intern, 8/2017 - 12/2017 Design Eight Five Two, Ltd., Hong Kong -
Designed interiors and furniture under guidance of colleagues; often independently modeling, drafting, and purchasing samples to present to clients at meetings
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Mediated between colleagues, clients, and contractors to coordinate design development, construction schedules, and construction progress in office and on site
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Support work such as translating construction documents, model-making, and design research
_ Co-op Student, 1/2017 - 4/2017 Stantec Architecture Ltd., Toronto, ON -
Collaborated with supervisors and colleagues to iterate and develop interior, exterior, and massing designs for multiple projects in Rhinoceros 5
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Created visuals such as diagrams, site plans, and renderings for proposal, review, and presentation uses with Adobe Creative Suite
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Developed construction documents for mixed-use and health-care projects with Revit
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Enhanced the vitality of Toronto Chinatown through non-profit event planning, increasing exposure and pedestrian traffic
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Managed and designed event websites to promote businesses in the community and its participation in the local economy
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Devised comprehensive manuals, presentations, and actions plans for training and leading over 150 volunteers in four annual events
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Volunteered for over three years prior to and following this compensated seasonal position
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Compiled project information for print and online publications
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Translated technical drawings into informative diagrams
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Managed social media to promote company across the world
_ Project Coordinator, 6/2014 - 8/2014 Chinatown Business Improvement Area, Toronto, ON
_ Architectural Assistant, 2/2014 - 6/2014 Altius Architecture Inc., Toronto, ON
A R C H I T E C T U R E
P E N I N S U L A P O O L S
6
O P E N C O N C E P T
14
B OAT H AU S
20
L A K E C L I F F C H R O N I C L E S
26
A C H A I R FO R Y V E S S A I N T L AU R E N T
30
M A P P I N G
WO R K E X P E R I E N C E
32
34
PE N I N S UL A POOL S Spring 2020 | Comprehensive Design | 4B Design Studio
What is sustainability? The site is unlike any other; many see it as a place where buildings come to die, a graveyard of construction waste, or a landfill masked as an artificial breakwater. However, what it truly exists as is a repository of sitting materials; a palette presenting itself of many potentials. The exploration of this project revolves around breathing new life into old materials. Sustainability in this sense is extending the life of permanent, found objects from the site itself to complete additional lifecycles out of the materials through the creation of architecture.
What is shoreline resiliency? The texture of the site is robust and coarse, most ideal for drainage. The piled materials hold up a main path that drops onto a beach. Does a water’s edge have to entail a hard and static, protected and traceable line? Do humans always have to avoid the two metre surge in lake level? What if the conventional fear of encroaching waters is challenged and, instead, a landscape project can incorporate tolerance for rising water level, or even embrace them for datum lines in the design? This is a project about gradation, both materially and topographically, and how this concept translates into architectural and ecological sustainability. In the process of recovering usable materials from the site, the shoreline is reshaped to increase the usability of the water’s edge at different flood levels.
Context Plan
A
B
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Sections 0
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Section B-B
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25m
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50m
Site Plan i
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stor.
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Cafe + Outdoor Stage Outdoor Stage Interstitial Seating Inner Seating Cafe Bar Pantry Kitchen Kitchen Storage Garbage + Recycling + Compost
ix x xi
Changing Rooms + Office Changing Rooms Office Staff Changing Room
xii xiii xiv xv xvi
Sauna Heat Recovery + Radiant Heating Utilities Lakewater Pump Sauna Changing Rooms Sauna Vestibules + Showers Saunas
xvii xviii xix xx xxi
Outdoors Sauna Cooling Area Sauna Cold Plunge Gravel Filtration Botanical Filtration Pool
5m
10m
xxii xxiii xxiv xxv xxvi xxvii xxviii xxix xxx xxxi xxxii
Artists Residence Living + Dining + Kitchen Communal Sunroom Corridor Artist’s Studio (Barrier-Free) Artists’ Studios Shared Studio Firing Kiln Studio Storage Studio Archive Utilities Art Displays
wc stor.
Misc. Washrooms Storage Rooms
20m
Systems
Lakewater Filtration + Poolwater Purification Timber boardwalks straddle the space between the filtration ponds. They help to stabilize the ground aggregates with their piles and plantings, almost as if they were dykes along the water front. They also mark the flood levels along the water’s edge. Due to the texture of the existing site ground, packed soil cover is used to contain the water that is being filtered. It drops to the next level through spouts that are hidden under the ground. The flora referenced are native species to Ontario meadows, both in dry and wet settings.
dry meadow flora switchgrass
grey goldenrod wild strawberry gravel filtration (top to bottom) gravel bed (water spout to lower pond) soil cover existing rumble + ground
cup plant prairie cordgrass
50.8 x 203.2 mm pressure treated boards wet meadow flora nelsons horsetail
50.8 x 152.4 mm pressure treated beams
false dragonhead purple gerardia 152.4 mm diametre pressure treated douglas fir piling
fringed gentian tall grass
101.6 mm diametre water spouts from bottom of upper pond
botanical filtration (top to bottom) (water spout to lower pond) soil cover existing rumble + ground
N 0
1m
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2m
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2000 mm
Water in the outer harbour of Toronto tends to be more clean and free of algae growth than the inner harbour. Nonetheless, the lakewater is pumped by a system housed in the sauna pavilion to a level above the project grade where it is filtered through a gravel bed, falling with gravity into a botanical filtration pond before it enters the pool and cold plunge. From there, it falls to another gravel bed and botanical filtration pond before returning to the lake.
Gravel Filtration 76 M Historical Record High
Lakewater Pump Housed In Sauna
Plunge 77 M Project Grade
Gravel Filtration 78 M Pool 77 M Project Grade
Botanical Filtration 77.5 M
Botanical Filtration 75 M Historical Average High
Gravel Filtration 76 M Historical Record High
Lake Ontario 74 M Historical Average
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0
5m
10m
25m
Details
Artists Residence
single glazed low-e fixed panel brick-suspending rope pulley-return rope reclaimed standard brick horizontally divided into three veneers hand crank + pulley system for solar blinds cedar window transom + galvanized steel flashing double glazed low-e folding glass door
cedar top rail single glazed low-e vent window cedar bottom rail + galvanized steel flashing motorized bifold shutters with cherry slats cherry wood base bar for solar blinds cedar door bottom rail cedar window stool
folding door roller + rail steel ramp
galvanized steel flashing + silicone sealant cherry wood frame for solar blinds drip edge self tapping screws
self tapping screws
private artist's sun room with passive ventilation
101.6 mm extruded polystyrene insulation
double glazed low-e folding glass doors + krypton fill
notch + silicone sealant
101.6 mm CLT joist
galvanized steel flashing + silicone sealant
101.6 x 152.4 mm 1/8" steel angle
cherry wood frame for solar blinds
101.6 x 203.2 mm 1/8" steel angle cedar window header + silicone sealant
rope pulleys
cedar top rail
cedar top rail
double glazed low-e vent window + krypton fill
single glazed low-e vent window
cedar bottom rail
cedar bottom rail + galvanized steel flashing
cedar window header + silicone sealant
single glazed low-e cassette windows cedar window stool folding door roller + rail
cedar window transom
shared longitudinal sun room with passive ventilation
304.8 mm diametre treated douglas fir piling to below lake bed 75.92 m - historical record high lake level (2019)
single glazed low-e cassette window
double glazed low-e folding glass door
75.07 m - historical average high lake level
74.00 m - historical average lake level 0
Artists Residence Wall Section
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1000
2000 mm
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Detail Section at Inner Facade of Loft Floor
Detail Section at Outer Facade of Loft Floor
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Details Sauna
galvanized steel coping cap + roofing membrane wrap brick weep hole
W1 brick veneer CLT wall (exterior to interior) 112.5 mm reclaimed modular brick 50.8 mm air space air barrier 101.6 mm extruded polystyrene insulation vapour barrier 152.4 mm CLT wall panel
air barrier + min. 101.6 mm lapping
vapour barrier + min. 101.6 mm lapping self tapping screws
metal tieback nailed to insulation
metal tieback nailed to insulation lapped galvanized steel flashing + silicone sealant 101.6 x 152.4 mm 1/8" steel angle brick weep hole 101.6 x 228.6 mm 1/8" steel angle cedar window header + silicone sealant cedar top rail pyramid metal roofing cap
R1 CLT cool roof (exterior to interior) high reflectivity metal roofing membrane 25.4 mm wood fibre coverboard 25.4 x 50.8 mm horizontal + vertical cleat supports roof membrane air barrier 101.6 mm extruded polystyrene insulation vapour barrier 152.4 mm CLT ceiling panel
triple glazed low-e window + krypton fill
Detail Section at Parapet metal tiebacks nailed to insulation
F1 Tommy Thompson Terrazzo radiant-heated suspended wood floor (top to bottom) Tommy Thompson Terrazzo + metal divider strips floor membrane "warm board" + radiant heating coils vapour barrier 101.6 mm extruded polystyrene insulation plywood decking 50.8 x 203.2 mm floor joist
oak wood panel millwork + lockers
brick weep hole
cedar window sill + silicone sealant galvanized steel flashing + silicone sealant
galvanized steel flashing + silicone sealant
50.8 x 152.4 mm steel angle brick weep hole backfill soil
50.8 x 101.6 mm pressure treated permanent wood foundation wall plate soy-based spray foam insulation for air tightness
50.8 x 304.8 mm pressure treated permanent wood foundation footing plate
self tapping screws
granular fill
weeping tile
3x 50.8 x 203.2 mm built-up ledger as req'd for CLT fastening 50.8 x 152.4 mm top plate
compacted gravel pad on undisturbed soil 152.2 x 152.2 mm pressure treated wood blocks for pad frame
50.8 x 152.4 mm pressure treated permanent wood foundation stud 25.4 mm pressure treated permanent wood foundation plywood
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Detail Section at Window
Detail Section at Floor
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OPE N CONCE P T Winter 2018 | Master Planning + Mixed-Used High Rise | 3A Design Studio Description
Toronto prides itself in being one of the most diverse cities in the world and part of this identity is due to the city’s popularity with new arrivals, offering the hope of a new and improved life. In recent years, however, construction and traffic have continuously crippled the downtown core in offering the most basic of amenities such as healthy air quality, welcoming streets and reasonable commute times. The response to the increasing population of Toronto and the decreasing capacity of the downtown is a new urbanism that more-evenly spreads the opportunities of the local economy across the city by establishing selfsustainable communities that also give back to its surrounding context. This project at the conjunction of Albion Road, Kipling Avenue and Finch Avenue West takes the programmatic necessities for a successful and sustainable mid-rise residential building and arrays them in a very literal fashion, as if stacked in a pile of bricks. Rooms range in size and arrangement but are all designed on a six-metre square grid according to the diversity of age and gender in the community, changing target audiences at different times during the day and week. By maximizing the residents’ and community services at grade, the building presents itself in an engaging manner to the local street. This array also maximizes daylighting for the south-facing back of the building and creates a path for the flow of inhabitants, rainwater and produce from the planters that cover the public programs. The building moves down into the creek, embracing the possibility of fluctuation and retention by cutting edges and widening the river path for a more comfortable water element. Across the water is a renovated Albion Cinema, kept for its representation of the existing community interests. Several light restaurants and office spaces share a foyer than also directs rainwater onto the cinema roof before entering the creek. The residential units are designed with flexibility in mind, primarily tackling the idea of multi-generational and multi-family housing which are familiar household typologies to many immigrant families. A large patio space on both floors of the units may act as an extension of the living spaces or a buffer space depending on the weather. The aluminum frames are designed with solar angles.
Master Plan Axonometric Existing - Albion Centre Mall
Proposed - Mixed-Used Master Plan
collaboration with Olivia Fetterly, Fion Fong, + Andy Pham
A PA R T M E N T
P O L I C E S TAT I O N
STRIP MALL
RE-EXPOSED CREEK
PROJECT
C O N T I N U O U S G R E E N S PA C E COMMUNIT Y MALL CINEMA RETROFIT
G A S S TAT I O N
N 0
100m
200m
500m
N
OPER ABLE SCREENS
F L E X S PA C E
WOMEN’S / CHILDREN’S TIERED PL ANTERS WORKSHOP
RETENTION WIDENED RIVER
R E N TA L A D D I T I O N R O O F T O P FA R M
CINEMA RETROFIT
Project Axonometric 0
5m
10m
20m
Plans B
20 2
A
3
4
A
1
5
9 6
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16 15
14 16 13
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1 Foyer 2 Seniors’ Centre (AM) Adult Learning (PM) 3 Produce Market 4 Management 5 Residents’ Workshop 6 Planters 7 Retention Pond 8 Residential Lobby 9 Restrooms + Service
10 11 12 13 14 15 16 17 18 19
Parking Ramp Office Foyer Ticket Booth Cinema Cinema/Theatre Stage Backstage Office Lobby Rental Shops Rental Patio
20 21 22 23 24 25 26 27
Bike Locks Parking Rental Offices Gallery Auditorium Multi-Faith Room Women’s Room (Am) Children’s Room (Pm) Rooftop
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2nd Floor
4th Floor
Residential 2nd Floor
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Garage
3rd Floor
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Residential 1st Floor
Sections Section A-A
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ar /S
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Average Flood Level +1M N 0
5m
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Program
Rainwater Retention
Agriculture
Community Spaces
Residences
Market + Entertainment
Rental Office Space
N 0
50m
100m
200m
BOATH AUS Spring 2017 | Landscape Architecture | 2B Design Studio Description
Rising water levels have become increasingly problematic around Lake Ontario in recent years, often causing the temporary closure of lakefront parks and other public areas throughout the spring months. Hard embankments that line the human-designated rim of Lake Ontario fail to resist moisture once the body of water has reached the limit while also failing to allow the residents of Toronto to experience the lake at an intimate level. The response is a reimagination of Ontario Place, at the foreground of the lakefront and neglected for a number of years, in its floating oasis nature. Soft and dynamic embankments are introduced to create moments of aquatic experiences with varying permeability and saturation while adapting to changing water levels. The experience of the meadow botanics and alternative circulation paths that line the terraces is shaped completely by what the lake allows to be accessible. The vision for this project is to introduce the growing population of Toronto, often restricted from interacting with their bounding harbour, to the recreational and experiential possibilities that arise when the solid line between what is land and what is water is deconstructed through the use of monolithic materials and repetitive elements.
N
0
Docks/Slips Rinks
2m
5km
10km
Massing
Axonometric
Existing
Roofs
Cut + Fill
Terraces
Structure
Soffits
Slips
Buildings
Roofs
Landscape + Interiors
C
B
D
N
0
A
Site Plan
9
9 8
8
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13
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6
18
12
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10
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20 2
11 22
15 3
21
0
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10m
1 Cafe 2 Patio 3 Terraces 4 Skate Rental 5 Locker Room 6 Cafe Storage 7 Storage 8 Washrooms 9 Showers 10 Bridge To Lakeshore Blvd.
20m
11 12 13
A
Skating Rink Stepped Seating Bridge To Atlantis
C
B
14 15 16 17 18 19
Boat House Boat Slips Boat Rental Office Meeting/Training Room Offices Boat Equipment Storage
20 21 22
D
Boat Storage Meadow Terraces Path To Rooftop Terraces
Sections
Section D-D
Section C-C
Section B-B
Section A-A
N 0
5m
10m
20m
Model
Roof
Structure
Interiors
Elevation
L A K ECLI FF CH RON ICLE S Ongoing | Historical Documentation | Self-Initiated Description
“When I tell these stories, they tell me to be quiet,� an 83-year-old cousin of my grandfather sighs. There is the lack of interest amongst younger generations to learn about their heritage and family history which has been passed down through the centuries by storytelling and in genealogical manuscripts. As the world moves into the Information Age, history must adapt to be told through new methods that will catch of the interest of the contemporary crowds who, in turn, will gain a fair understanding of the world events that have led our society to become what it exists as today. My ancestral village Lakecliff on the west banks at the top of the Fieldside River in Guangdong was shaped by successive social and political events throughout history, such as the Great Clearance, the Punti-Hakka Clan Wars, and the Cultural Revolution. The project uses architectural representation to give a new voice to old stories of the village and its rural environment.
那扶墟 Fieldside Market
The name of the town is a transliteration from the Baiyue language spoken by the natives of Guangdong. Geological changes allowed a large sea to empty and expose a rich plain which drew the first Han Chinese migrants to found a village in 1368. The name roughly translates to, “next to the rice fields.” Situated at the origin of the river and at the convergence of 4 counties, the lawless market flourished and dominated trade in the region, flaunting as many as 40 opium clubs and brothels at the turn of the 20th century.
上潭壁村 Upper Lakecliff
Founded in 1710 and sold to another family. The migration was due to the bathing of boat people in the front of the village.
下潭壁村 Lower Lakecliff
Related within 32 generations Non-related
日新公墓 Tomb Of Rixin
Related within 28 generations
樹壇 Tree Altar
Related within 18 generations
閘閣 Village Gate
Related within 11 generations
祖屋 Ancestral Home
Related within 9 generations
復興書室 Revival Study Hall
Clan property
耀宗公祠 Ancestral Hall Of Yaozong
Its plan just 3 degrees off from true east is evidence that feng shui was used to design the new village established around 1860. Its shape resembles a blue crab, which many household owe their incomes to, and is said to nurture aggresive leaders. Expansion is carried out in rows to preserve the quadrilateral shape.
N
0
25m 50m
100m
200m
復 興 書 室 閘 閣
樹 壇 日 新 公 墓
Revival Study Hall circa. 1860-
Village Gate 1947-1977
Tree Altar circa 1860-
Tomb Of Rixin 1664-
A refugee, Rixin died of hypothermia. His 11-year-old son buried him across the river from where his grandson founded Lakecliff 50 years later. Today it is hidden by surrounding overgrown bushes. The last weeding and cleanup was over a decade ago.
The ability for the altar to exist through the Cultural Revolution symbolizes the reverence that Cantonese people have for nature. Today it is finished with cement. A dog regularly takes shelter in the censer to the right of the altar.
Each able-bodied man was ordered to steal 20 bricks from the collapsed embankment across the river to build this gate. Today the gate no longer stands as it was demolished to allow vehicular access to the village plaza.
Named “Revival” as an auspicious blessing to the Wu clan that owned and operated it, the hall did not house studies nor academia. In actuality, this storefront was a resting place on market days for mechants that shared the family name. Today it is just one of the many reminders of the glory that Fieldside Market once saw. The roof has caved in, allowing shubbery inside and a palm tree on the lawn to grow freely.
耀 宗 公 祠
祖 屋
Ancestral Hall Of Yaozong circa. 1860-1957
The unlikely location, 15 kilometres upstream from the large cluster of descendent villages of the ancestor which this hall honours, was chosen for its proximity to the once thriving Fieldside Market. The flamboyant curved walls are said to resemble the crown of a government offical, representing the status of the honoured occupant. The south wing was used as a school for the village children. It operated on docking charges collected from the river in front of the upper village and rent from several rowhouses in town.
Ancestral Home circa. 1860-
Today the hall no longer stands. Seeing the power of the Wu clan as a threat, the government disassembled the halls in 1957 and used the bricks for “backyard furnaces” during the Great Leap Forward, despite efforts by the Wu’s to stop the new leaders in charge of the demolition. Today, two segments of the two granite pillars from the entrance hall are used as outdoor seating in the lower village.
This home once housed an ancestor and his five wives. The typology is typical in the Cantonese region; a hall opening into a skywell is flanked by two corridors and double-height rooms which utilize ladders for moving between floors. Today the rafters have collapsed above the north rooms. It is uninhabited other than by chickens that neighbours keep in the home. New village homes are no longer regulated by feng shui.
N
0
2m
5m
10m
A CH A I R FOR Y V ES SA I NT L AURE NT Spring 2020 | Structural Design Build Workshop | 4B Elective Description
“A lone seat that I unfold in the middle of the salon – a traditional form of elegance, yet better. It is my happy place, where I am bound to the desk but free in my mind. The ideas come and go while my sketches turn out page by page, spilling onto the floor where I imagine my heroines strut the designs. I rest my head on my hands as I admire their charm. The desk folds down and it is a pliant too, freeing my body just as I aspire to free theirs. It is soft and full of twine like long and beautiful hair, molding to the body to my every lean and hunch. A front row seat along the catwalk of my imagination, a place where I almost never am able to see the results of my ideas come to life from. What a joy.”
M A PPI NG GARRISON CREEK A study of the effects of a drained and channelized creek on the urban planning of West-End Toronto, including in its grid anomalies, green spaces, and amenities, as well as its mark in the elevation of its basin.
M A R K E T + WAT E R WAYS IN THE FIVE COUNTIES Highlighting the importance of waterways for the creation and sustainability of market towns in a region notorious for supplying Canada with 82.7% of its Chinese immigrants between 1885-1949.
S T. L AW R E N C E + G R E AT L A K E S An elevation map examining the geological features in this basin, from short drainages of the inner lakes, to the delta surrounding Montreal, and the high mountains which line the gulf as the river empties.
NAFU RIVER + Z H E N H A I B AY An ongoing exercise to study and document villages missing in modern Chinese atlases of a 40km long river valley with extremities in ecology, wealth, and human settlement development.
WORK E X PE RI E NCE GIANNONE PETRICONE ARCHITECTS Spring 2019 | Toronto A firm celebrating 25 years of establishment, GPA has contributed to the realms of residential, commercial, and hospitality design in the Greater Toronto Area, as well as in the United States and Italy. 80 Bloor Street West, (SD/DD)
Ralph Giannone, Carlo Odorico, Tomas Maťidlauskas, Dhisana D’Sa, Aaron Borchardt
DESIGN E I G H T F I V E T WO Fall 2017 | Hong Kong DEFT is a growing multidisciplinary studio encompassing architecture, interior design, branding, and graphic design. Working on varying scales and programs, the work environment is dynamic and ever-changing. (Residential), (SD/DD/CD/CA)
Norman Ung, Nam Songsombat
W X Y ARCHITECTURE + URBAN DESIGN Spring 2018 | New York WXY is a studio dedicated to the urban development of New York City and other metropolitan areas in the United States. Architecture, landscape design, and urban planning are their areas of focus. The Peninsula, (DD/CD)
Claire Weisz, Christian Rutherford, Alison Yung, Tom Offord
S TA N T E C A R C H I T E C T U R E LT D. Winter 2017 | Toronto An established firm specializing in large scale, high profile projects; Stantec prides itself in creating spaces that engage the user while being a leader in incorporating new technologies into architecture. Calgary Cancer Centre, (DD)
Michael Moxam, Andrew Cole, Diego Morettin (DIALOG), Juan Portuese (DIALOG)
T H A N K YO U for taking the time to view and consider my portfolio. Have a phenomenal day!