PORT FOLIO
JAW DAT K HADER
ARCHI T ECTURE & IN T ERIOR PROJECTS 2018 - 2021
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RE SUM E
Jawdat khader
Architectural Designer +3 Years work Experiance 18 June 1995 Amman, Jordan 0785199662 jawdat.khader@gmail.com
Jawdat Khader is a Jordanian architect and designer. He holds a Bachleor degree from University of Jordan with distinction. After graduation, Jawdat Khader worked on a wide range of projects, providing an inventive architectural and interior design projects, which brought a unique and valuable blend of both architectural and branding. He aspire to become an architect who is capable of creating an architecture where every line is a unique response & an answer.
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EDUCAT I ON 2013 - 2018
BACHELOR OF ARCHITECTURE ENGINEERING – B. ARCH The University of Jordan – JU | Amman, Jordan • Bachelor’s Thesis title: Interpreting the Palimpsest • GPA 3.73/4 ( Excellent )
2012 - 2013
GENERAL SECONDARY EDUCATION. Amman, Jordan • GPA 95.9%
WORK EX PERIENCE July 2018 - Present
May - Jul 2017
JUNIOR ARCHI TECT
Shahaltough Architectural Studio – Design Architect • Worked on +60 projects ranging from residential, hospitality, mixed-use ,healthcare and interior design projects. • Participated in all phases of the design and construction documentation on projects of different scales. • Concept Design • Technical drawing • Produced high quality full detailed 3D models. • Architectural presentation and rendering. • Coordination with consultants, contractors and engineers. • Involvment in the design research, materials and designing construction details.
IN TERN ARCHI TECT Wael Al-Masri Planners & Architects – WMPA , Amman, Jordan. • Learnt about architectural design in the Arabian Gulf • Working on Technical Drawings.
FREELANCE ARCHI TECT 2016 - 2018
• Interior design projects • 3D Modeling & Renderings
INSTRUCTOR 2016 - 2018
• Photoshop instructor learning architectural students about its applications in the architectural drawings, educating more than 100 students.
SK ILLS A ND COM PE T E N CE S S O F T WA R E S K I L L S & T E C H N O L O G I E S • • • •
Autocad Sketchup Modeling Revit Modeling 3Ds Max Modeling (Basics)
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Vray - Sketchup Vray - 3ds Max Lumion Twinmotion
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Photoshop Illustrator Indesign Microsoft Office
M A N UA L S K I L L S Drawing, sketching, model making
PERSONAL SKILLS • • • • •
Design problem solving . Teamwork, presentation and conceptual thinking. Leadership abilities acquired in hand to hand work with team design leaders. Comfortable in communicating designs to clients. Ability to coordinate with different project parties.
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P ROJ E C T S I N DE X This portfolio highlights projects I have designed and worked on in a professional setting as well as two academic projects and a range of interior designs. These designs were carried out during the time period from 2018 to 2021.
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ARCHI T ECTURE
1 IN T ER PR E T IN G T H E PA L I M PSE S T Museum + VC Sch ool Acad emic - thesi s Proj e c t Instructor: Nama’a Qu dah
3 A L RAY HAN SH O W ROOM & CA F E Food Showroom Proffe s iona l C ourtsey of Sha haltou gh Stu dio
5 EK V IL L A V illa Proje ct Proffe s iona l Ind ivid ual work
2 ARA B IA N HORESE CLUB E q u a s t ri a n C lu b Pro f fes i o n a l C ou rt s ey o f S h a h a l t ou g h S t u d i o
4 JU HOSPI TAL Gen era l H o s p i t a l A ca d emi c In s t ruct o r: S a l eem Da h a b reh
4 B H V ILL A Vi l la Pro j ect Pro f fes i o n a l C ourt s ey o f S h a h a l t oug h S t udi o
6 BARJEEL M USEUM Gen era l H o s p i t a l C o mp et i t i o n E n t ry C o l la b: K h a l ed A l M us a
IN T ERIOR 7 EL I T E BU T CH ERY
1 1 A L QASS A B SHAW ERMA
8 A L AW I DAT ES SHO W ROOM
1 2 S A EED A L SHA MI DA IRY & DEL I
9 KA BAT I LO SH OW ROOM
1 4 BOUSHEY EH CHOCOL AT E FACT ORY
10 CRA F T ERS CA K E DE CO
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1 IN T ERPRE T ING T HE PALIMPSEST Industrial Museum + VC School
A palimpsest is a manuscript page, either from a scroll or a book, from which the text has been scraped or washed off so that the page can be reused for another document. Architecture is always connected to the past but it is related to the future as well, we need the past because we need memory, an excessive tradition may kill you or paralyze you, the project aim to achieve balance between memory ”past” the curiosity for “invention“ the unknown”.The project proposes an industrial museum + VC School, unashamedly, caters for the modern age and places adaptation, flexibility and technology at the center of its agenda.
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MAIN PL AN 1 Security office 2 Entrance foyer & reception 3 Project Infodiagram space. 4 Meseum entry 5 Museum space one 6 Museum space two 7 Museum space Three 8 Museum axis focal point space 9 Elevators to outdoor museum. 10 Outdoor plaza 11 Outdoor W.C 12 Stairs to cantilivered viewpoint 13 To Ten Arch Bridge 14 To V.C School 15 Stairs to school rooftop 16 Double volume 17 Overlooking cantilivers 18 School Classes 19 School Workshops 20 School W.C 21 School Elevator 22 Stairs to museum’s overlooking bridge 24 Upper outdoor spaces 25 Upper Parking
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SI T E PL A N 10
1 Existing Ten Arch Bridge Modu l e
2 E xtracting the grid
3 Placing Main Programs
4 Subtractions
5 Functional Extending
6 Introducing the joint
7 Adding Free standing wal ls
8 Highlighting the main axes
9 Interl ocki ng with the Plaza
1 0 Project Detaild
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AACUMULATIVE PALIMPSEST Consists of remains from different layers, superimposed on a site, more or less altered and blurred over time. An accumulative palimpsest is interpreted in this scence, project layers overlaps each other, there is the existing layer which is The Ten Arch Bridge and the soft undulating site. The Second layer ( The Plaza ) is an addition which is the lefted horizantal mass where all the social events & activites accour, facing the ten arch bridge. The Third Layer ( The Functional ) an industrial museum + Vocational school, which is represented with the masses above the plaza and with masses that interlocks with it. The Fourth Layer ( The Joint ) is the core of this scene which interlocks the two functional programs togther - The Museum & VC School, it also contatins a two major layers the outdoor audiotorium above & the reception hall below.
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PALIMPSEST OF T IME Applying the concept of palimpsest we look upon the it, as if all the layers are present and readable simultaneously, knowing that the superimposition of information is the core of the palimpsest concept. A palimpsest of time is interpreted in this scene, by introducing the joint mass, which is the main core of the project. The joint is emphasized in the design by doing the following, placing it in a straticgic location which interlocks both of the functional programs the industrial museum and the V.C school. A special interpretaion of time is out carried by rotating the mass to be directed towards the Ten Arch Bridge, which creates a constant dialouge between the two. The Joint were highlighted by a special material which is the corten steel, a material choosed carefully to contrast the rough texture of the Ten Arch Bridge while also creating a common factor between the two. A celebration occurs here via the inroduced function which is the audiotorium looking the Ten Arch bridge above. As soon as the visitor enters the reception hall which is located under a panoramic scene of the bridges is intorduced to them.
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PROJECTS ENTRY POINT The first glimpse that the user of the project will see, whether he is a visitor to the Industrial Museum or a school student, is the extended entrance. The entrance to the project was emphasized by the use of three elements, the first of which is the free standing wall that welcomes the visitor to the project coming by car, the long extended canopy that leads the user to the prjects main entance door, and the last is the use of a shrubs planting grid aligned with the twisted grid. A long axis that takes the visitor of the project to a triple distribution point: The first of these points is the Industrial Museum, where the visitor goes by elevator or stairs to the reception lobby. The second of these activities is the school, where the student or instructor is lead down to the third floor of the school and form it to the other school annexes. The third of these points is the outdoor audiotorium, where the main entrance allows the possibility to go directly to the open amphitheater to participate in a celebration facing the bridge of the ten arches.
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IN T ERIOR SPACES DESIGN The design language used outside continues to the inside, where the fare face concrete and corten steel were kept visible, an industrial design language was used that suits the industal function and nature of the project. The interior spaces celebrates all the used elements and are keen to show and expose them to the users. principles of collage and juxtaposition were used thus history is seen not as linear phenomena, but as layers of discrepancies between a past event (history) and present recall (memory). 18
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MAIN HALL + DIST. AXES When the visitor descends from the top, he begins his journey, by entering the foyar hall facing the reception counter, a panoramic scene of the ten arch bridge is displayed, The facade of entry to and exit from the reception hall is symmetrically designed, separating the exit and entry block, a glass facade which contains the exposed metal descending staircase. The users move from it to a distrbution axes that takes them to the various parts of the Industrial Museum. This axis is interspersed with corten steel cantlivers that overlooks different parts of the industrial musem. All the systems used, such as lighting and air conditioning, have been exposed to the users as a part of the project nature. Natural lighting penetrates this axes via skylights above. The axis ends up with the main industrial museum event and the core of the exhibition, which is the celebration of the steam train.
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MUEUM DISPLAY SPACES The visitor completes his tour to move from the main axis to the different museum galleries. These galleries are characterized by exposed systems and intresting various display methods. A Corten steel bridge penetrates these spaces, giving the visitor the ability to discover the Industrial Museum at different angles and levels. Dim lgiht penetrates these galleries from above through small openings in the ceiling slab. These spaces end with the main exhibition space, which contains the focal display piece which is a disassembled suspended train, the visitor can view it closely through the Corten Steel bridge surrounding it. This space is characterized by the huge display walls and the natural lighting that penetrates it from the top.
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THE VOCATIONAL SCHOOL (PALIMPSEST OF MEANING) The project also strive to achieve community and social justice through a socio economic development that aims to up lift the marginalized community through capitalizing on peoples skills. The other part of the project consists of a vocational school that aims to teach local groups various practical skills within a vibrant industrial environment. The school contains a central atrium that cuts through the four floors of the school, allowing natural light to enter from the top to the ground floor. The atrium is pentrated by a suspended sculptural staircase that distributes the users to the various floors of the school. The vocational school is connected to the other project spaces through the Joint. 24
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2 ARABIAN HORSE CLUB The project is located in the Arabian Horse Club, the project scope was designing the club’s reception building. The project consists of a hall to welcome the guests, a showroom selling all the needs of a horse rider and administration offices for the club. The project was designed in a linear manner to fit with the land extension and In order not to be a visual obstacle for the club’s pioneers. Steel structure building was adopted due to its lightness and to avoid causing a serious damage to the land.
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GROUN D F LOOR PL A N 1 Security Office 2 Entrance Foyer 3 Equastrian equipments store 4 Reception Area 5 Meeting Room 6 Workstations Area 28
7 Middle mangment 8 Kitchen & Breakfast area 9 Offices bathrooms 10 Outdoor bathrooms 11 Gathering area 12 Parking
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1 Placing the mass according grid
2 Reception wall & entrance axis subtraction
3 Sculptural focal point & gathering platform
4 Placing outdoor bathrooms & walking path
5 Site connections & details
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O V ERA L L SCH EME
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V ISUAL AX IS
GAT H E RE RIN G
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LOBBY
EN T RY
THE AXIS The design of the project is characterized by a continuous axis that starts from the moment the user enters the project and continues physically and visually until it reaches the seating platform where the audience gathers to watch the horse riding events in the equestrian field. This axis and its role in the project are emphasized by a black canopy that extendes along this axis.
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E n try axi s reac hs t o gat hering pla tform lo o king over the equa stria n f ield .
F RON T E LE VAT ION - ent ry & connectio n to surroundings
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4 AL RAY HAN SHOW ROOM This project is located on a main and important street in Amman. The goal of the project is to design a showroom for the products of Al-Rayhan Company and to cafe rooftop. The concept of the project is to create a factory looking building that reflects the nature and identity of the constint productive and industrial nature of Al Rayhan, a factory that invites its coustmers inside. The design lines emerged from the interior spaces and from the coustmers circulation.
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Entrance Fresh Production Nuts counter display Coffee & chocolate display Storage
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6 Cafe drive thru 7 Bakery 8 Spices display 9 Deli Display 10 Roof cafe elevator
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1 Functionnal mass placing
2 Interior and user circulation
3 Steel structure system
4 Courrgated sheets cladding
5 Canopies & design additives
6 Site connections & details
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EXPOSED DESIGN ELEMEN TS
L E F T E L E VAT ION - W E S T
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R IGH T E LE VAT ION - E AST
F RON T E LE VAT I ON - NOR T H
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5 BH V ILL A The project is a villa located in Naour Amman, The architectural forms of the building, which primarily consist of two sets of cubic masses linked by a corridor creating an axis which continues in the interior space and ends internally with a metal staircase that takes the user to the first floor, and then goes beyond the building boundaries to the outside to affect the formation of the outdoor pond. The principle of indirect entrance is adopted to create an enjoyable visual journey it also adds a positive impact to the building formation.
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1 Adopting design grid
2 Functional Mass placing
3 Axis subtractions
4 Extending & overlapping.
5 Linking via skylight
6 Indirect Entrance
SI T E PL A N
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Entrance Double volume Guest room space Dining Room Garage Entry
6 Pre dining W.C 7 Dining W.C 8 Kitchen 9 Dirty Kitchen 10 Storage space
11 Living Room 12 Swimming Pool 13 Sheltered bedding 14 Outdoor furniture 15 Barbeque
The first impression with which the villa receives the viewer relates to its use of materials and color. By rejecting the conventional use of stone in Amman, Instead, the use of earth-toned plastered building for which the subdued hues fit in perfectly well within the dry local landscape and the strong bright Jordanian sun. Plaster finishes are common in Jordan, but generally are used as a cheap alternative to stone. And the project challenges such low-budget connotations, and uses plastering as a high-quality building finish that requires a considerable level of craftsmanship.
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F RON T E LE VAT ION - NORT H
LE F T E LE VAT ION - W EST
R IGH T E LE VAT ION - EAST
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6 EK V ILL A The project is a farm house in Jordan, the idea of the design is moving away from the usual geometric formation. instead a bold architectural statement of a hovering horizental mass was adopted, the design appears as it was lefted on air, due to glass curtains below the interior and outdoor spaces blends togther creating an intresting wide cohesive space, the entrance axis subtracts a solid mass which was added to design to give privacy to the interior spaces . the principle of indirect entrance is adopted to create an enjoyable visual journey it also adds a positive impact to the building formation. 50
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1 Functional Massing
2 Hovering the horizental mass
3 Lefting the mass on void
4 Steel structure
5 Indoor spaces privacy
6 Void Subtractions
7 Cantlivers
6 Void Subtractions
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Indirect entrance Parking space Entrance Dining space
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Kitchen space Living space Swimming pool Outdoor seating
9 To upper floor 10 Barbeque space 11 Vertical palm 12 Pool bedding
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ARCHI TECTURAL FORM the idea of the design is moving away from the usual geometric formation. instead a bold architectural statement of a hovering horizental mass was adopted, the design appears as it was lefted on air, due to the glass curtains below. Elements are stretched in their linear coverage for cohesiveness expansive horizontal spaces are preserved by undoing unnecessary walls and partitions opening internal space and welding the spatial indoor area with outdoor, the used materials are dark grey paintings and mainly stone mechanical fixings which is related to amman nature and buildings. Steel structure building was adopted due to its lightness and to avoid causing a serious damage to the land, building shed appears as afloating canopy due to the void clerestory curtains below.
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F RON T E LE VAT ION - NOR T H
LE F T E LE VAT ION - W EST
R IGH T E LE VAT ION - E AST
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6 GENERAL HOSPI TAL The project is located on University of Jordan Street within the medical complex of the University Hospital. The project is a general hospital that contains most of the medical specialties. The project aims to break the usual hospital typology in Jordan. Instead, it presents an architectural image and spaces full of vitality with a related symbolism. The project also strive to create architectural spaces which contributes to improving public health,all this takes a place within a healthy framework of surrounding plants and trees. 58
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11 7.6m design grid Grid hospital as a design order
2 space 2 Creating Creatingatrium atrium space
3 Hospital Definingdepatrments hospital sections
4 Meeting departments requirements Departments functional spaces
5 Adjusting volume Adjustingatrium Atrium space
6 Creating foyer (elevated tree space) Carving hall entry volume
SI T E PL A N
7 Celebrating peoples entry point
8 Result
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GROUN D F LOOR PL A N 1 Entrance Lobby + reception 2 Pharmacy 3 Lab Reception 4 Blood Samples 5 Hematology 6 Histology 7 Blood Bank 8 Urinalysis 9 Chemistry room 10 Diyalsis records + reception 11 Drs lounge 12 Bathrooms 13 Clinical supply 14 Changing rooms 15 Diyalsis area 16 Emergency entry 17 Triage room 18 Fast track 19 Examination room 20 Cast room 21 Radiology 22 Truama room 23 Clean + solid storage 24 Sat lab 25 Therapy center reception 26 Prosthetics and orthotics 27 Hydro therapy 28 Occupational therapy 29 Physical therapy 30 Dr office 31 X Ray department reception 32 Images files storage 33 Veiwing images 34 Radiologist office 35 Radiographic room 36 Radiographic room 37 Light lock + dark room 38 Outpatient reception 39 Minor surgery room 40 Outpatient clinics 41 Supply cor entry 42 Linen storage 43 Kitchen supply 44 Storage 45 Staff cafeteria 46 Atrium space 47 Main entrance
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MAIN HOSPI TAL E N T RANCE
F RON T ELEVAT ION - NORT H
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HOSPI TA L OU T DOOR AT M OSPH ERE & L ANDSCA PI N G
BACK E L E VAT I ON - SOU T H
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TREE OF LIFE SYMBOLISM The first interaction between the user and the hospital happens in the reception hall foyer defined by an elevated tree which is a symbolic meaning of the tree of life. the intent is to create a vibrant welcoming atmosphere for the building users while also providing an intellectual space for such a sensitive and emotional project. This space is manifested by a circle this circular space is the hospital main entry point it contains a tree raised above ground level, axiomatically to create a special vibrant atmosphere but more important intellectual and spiritual theme achieved by unpredictable dialogues between the hospital visitor and the sky.
SECT ION EX PL AINING T HE SPACE
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HOSPITAL ARTIUM SPACE The functions and departments of the project are distributed around a central axis intersecting with the circular void. This axis ends with an external garden. This axis is also characterized by the penetration of natural sunlight for it all the time due to its glass roof. Bridges intersect in this huge volume to transport users between the different hospital spaces with the presence of cantlivers overlooking the void on different project levels appearing from time to time. Introducing hospital circulation, similar to a small village, where the user moves freely between its buildings, a building roofed by the sky !
3 D SE CT ION EX PL A I N I N G T HE AT R I UM SPACE
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7 BARJEEL Looking back into the history of Sharjah, the holistic nature of the courtyard strengthened the community of Sharjah and preserved its cultural identity, and engaged its people with a sense of unity and reverence. All of these values came from the spatial geometry, centrality, and the inward-looking spatial concept of the Courtyard. We based our design process on the typology of the Courtyard, to create a space whichhas it’s cultural, social and environmental qualities. The positive void in the heart of thisproject defined by the architectural organization and the wind tower (Barjeel) is celebrating the cultural diversity roofed by the sky and at by the stars.
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8 EL I T E BU T CH E RY The project is located in Aqaba city, and it is a butchery that aims to provide high quality meat for customers. The project consists of three main parts, a counter for displaying and processing fresh meat, a grill to prepare fast food meals and a small seating hall. The idea of the design is to provide a project that reflects the nature of fresh prodution within an industrial environment . Butcher wood was used in counter tops and cladded walls in the design to connect it with the project’s functionality, white and black subway tiles were used to give the shop a fresh look
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GE R NE RAL L AYOUT PL AN
COUN T E R MAIN E LE VAT ION
SIDE E LE VAT ION
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9 Al AW I DAT E S Al Alawi Dates Store is located in the Amman. The store main function is selling luxury dates and chocolate. The store consists of two main counters, the first for displaying dates to customers, and the second for processing and packing them. Dates have a special importance on Arab occasions. The idea was to design a shop that reflects this importance. Dark brown wood and Calacatta marble were used to give the shop an atmosphere of luxury. Metal display shelves were used to display ready packed gifts, and to ensure flexibility in the shop layout, three movable central display units were used, wooden dark brown louvers extends all over the showroom giving a sense of coziness and warmth.
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GE R NE RAL L AYOUT PL AN
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1 Cashier 2 Counter display 3 Packing counter 4 Central display piece
5 Wall diplay shelving 6 Back counter dipslay 7 Pre packed display 8 Back store
COUN T E R MA IN E LE VAT ION
SI DE E LE VAT ION
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10 KABAT I LO Kabatilo showroom is located on an important street in Amman. Kabatilo is an old and well-known brand in the Jordanian community, famous for selling nuts, spices and herbs. The design of the showroom aims to give a modern and special character, here spices and nuts are marketed as a valuable item that reflects their role in the Arab community and cuisine. The design layout consists of a central island around which counters and different sections are distrubed around. The design of the shop is characterized by displaying each section independently and separate from the others.
PL A N GEN E RA L L AYOUT
DISPL AY CA B IEN TS E LE VAT I ON
COUN T E R MA IN E L E VAT I ON
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11 CAK E DE CO The shop is located in Amman. The shop aims to display the primary supplies needed for making sweets and cakes, with an academy on the upper floor to teach sweets and confectionery making. The idea of the shop design is to display various supplies within a feminine atompsphere, this is why we picked the pink and white color and used them extensively.Patterned tiles were used on the entire area of the floor which appears as a floor carpet giving a uniuqe store character, the showroom logo appears as a focal point at the end of the store which leads the coustmer inside, spherical lighting pendents was used as a special and distinctive element to illuminate the store, various display shelves are distributed on the walls of the store, with flexible moveable central display pieces.
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GE RNE RAL L AYOUT PL AN
SI DE SH OP E LE VAT ION
SI DE SH OP E LE VAT ION
SH OPF RON T E LE VAT ION
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12 AL Q ASS A B The shop is located on an important street in the city of Amman. The shop is a fast food restaurant. Al-Qassab Shawarma carries a new idea in the fast food industry, it aims to make shawarma sandwiches using brisket meat. The idea of the design was to give a special industrial character to the project using i beam metal framing and courrgated sheets cladding. Brisket meat refreigrator was manifested as a focal point and visible element in front of the customer, to emphasize this idea, the refrigerator was surrounded by butcher style wood. The project consists of four main sections, the brisket preparation counter in front of customers, shawarma preparation counter and a small seating space inside the restaurant, in addition to providing outdoor seatings in different arrangments.
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GE RN E RAL L AYOUT PL AN
SI DE E LE VAT ION - PR E PAR ING COUN T E R
SI DE E LE VAT ION - BE NCH SE AT INGS
F RON T E LE VAT ION - EN T RY
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13 S AEED A LSHA M I The project is located on an important and vital street in Amman. Saeed Al-Shami is a well-known brand in the Jordanian community, it is famous for selling fresh dairy products. The idea of the design is to give a sense of freshness that reflects the products nature displayed inside the store. The blue color was used inside the store as a branding theme element as the color associated with dairy products and white is used intensively, as it gives a feeling of freshness and neatness. The project consists of two display counters, the first for displaying dairy and deli products, and the second for cooking and preparing cheese in front of the customers. The project also contains wall shelving each headded with blue branding box.
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GE RNE RAL L AYOUT PL AN
SI DE E LE VAT ION - BACK DI SPL AY
SI DE E LE VAT ION - SH E LV ING DISPL AY
S T ORE F RON T
F RON T E LE VAT ION
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14 BOUSH E Y E H CHOCOL AT E The project is located in an industrial area in Amman, the project is a factory for the manufacturing chocolate, Boucheyeh is a Jordanian brand famous for making luxury chocolate. The scope of work is the design of the factory facade, in addition to the design of the four floors internally, the floors of the project are distributed as follows: the reception hall and manufacturing floor, warehouse, exhibition and the office floor. The idea is to design a theme that manifest the project as a chocolate factory which has been achived by using dark brown bricks and iron metal canopies. An industrial theme was used within the internal project spaces to give a character influenced by project nature.
GE R N ERA L OF F I CE S L AYOUT PL A N
SHO W ROOM SI DE E LE VAT I ON
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SH OW ROOM F RON T E LE VAT ION
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