Extraordinary Rare Lamps, Glass & Fine Jewelry Auction, June 17, 2017 by James D. Julia Auctioneers

James D. Julia, Inc. presents Extraordinary Rare Lamps, Glass & Fine Jewelry Auction June 16, 2017

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James D. Julia, Inc. Presents: Extraordinary Rare Lamps, Glass & Fine Jewelry Auction June 16, 2017 Auction Friday, June 16th at 10:00 a.m. Preview Thursday, June 15th, 9:00 to 5:00 p.m. Friday, June 16th, 8:00 to 10:00 a.m. There will also be preview during each auction session Special preview can be arranged by appointment

Front Cover (clockwise from top left): Lots 1109, 1537, 1270, 1685, 1516, 1113, 1579 & 1418 Inside Front Cover (clockwise from top left): Lots 1035, 1004, 1033, 1026, 1020, 1006 & 1000 Back Cover: Lot 1365 203 Skowhegan Road Fairfield, Maine USA 04937 P: (207) 453-7125 F: (207) 453-2502 lg@jamesdjulia.com www.jamesdjulia.com Contacts: Mike Fredericks or Julie Killam Directions: Exit 133 off I-95, 1 mile North on US Route 201 Catalogs: $35 All catalogs are shipped U.S. Priority Mail. If you wish to have FedEx Next Day add $17; FedEx 2nd Day add $14. Outside North America, add $75 for shipping Prices realized are included and will be mailed approximately 2-3 weeks after the auction Auctioneer: James D. Julia | ME License: AR83/MA License: 1406/NH License: 2511 3

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Administration, Staff & Experts Administration & Staff:

Boston Office:

President & Auctioneer James D. Julia Vice President Sandy Julia Executive Assistant to the President Nancy Turcotte-Noonan Chief Executive Officer Mark Ford Executive Assistant to the CEO Sharon Bemis Marketing Director Scott Wentzell Operations Manager Gabe Wiegand Controller, Human Resources Tim Dean Accountant Callie Soule Credit and Collections Melanie DiFloures Firearms Sales Representatives Tony Wilcox, Jeremy Hatch Firearms Senior Consultant & Sales Representative Wes Dillon Firearms Administrative Manager Tara Schmitt BATF Compliance/Inventory Manager & Class 3 Specialist John Keene Firearms Administrative Assistants Chelsea Semple, Nell Inman Fine Art, Asian & Antiques Department Head Bill Gage Fine Art, Asian & Antiques Assistant Department Head Tony Greist, Katya Tilton Fine Art, Asian & Antiques Administrative Manager Megan Noyes Rare Lamps, Glass & Fine Jewelry Department Head Mike Fredericks Rare Lamps, Glass & Fine Jewelry Administrative Manager Julie Killam Graphic Design Lisa Oakes, Lisa Warren Information Technology & Web Development Jeremy Mahns Photography Jack Stepp, Tracy Grover, Katie Luce Shipping Scott Greeley, Ugo Liberti Operations Support Staff Tom Weston, Dave Labbe, Jim Weigel, Brady Inman, Chad Roger Administrative Support Staff Deb Duplisea Receptionist Jessica Greenwell

Department Head-Fine Art, Asian & Antiques Bill Gage Marketing and Business Development Coordinator for the Boston Area Rebekah Kaufman Fine Art Specialist Allyson Lee Asian Art Specialist Joshua Chamberlain

Expert Departments:

Chief Firearms Consultant and Cataloger J.R. LaRue Firearms & Military Consultants & Catalogers Gerald AlFares (military swords, Japanese swords & armor) Leonardo Antaris, MD (European military pistols) Wes Dillon (Sporting Arms) Ron Gabel (Kentucky rifles) Bruce Kauffman (20th C. military) Master Sergeant John Keene (Class 3) Josh Loewensteiner (Sporting Arms) Malcolm MacGregor (Sporting Arms) Doug McChristian (Indian Wars material) Tom Power (American Firearms) George Ruben (Antique & Military European small arms) Dave Sanders (Winchesters, Colts, Sporting Arms) Peter Schmidt (Colonial & Pre-Civil War firearms) John Sexton (Cannons, Civil War & Confederate material) Bill Shea (Nazi military accessories) Brad Simpson (German Military Pistols) Randy Trawnik (Imperial German Headgear) John Wall (Mauser and Mannlicher Bolt Rifles) W. Darrin Weaver (Imperial military) Tony Wilcox (Colts, Winchesters and 19th & 20th century military) Courtney Wilson (Civil War specialist) Charles Woolley (20th C. aviation & military-particularly WWI) Indian Art Objects John Bower Antiques & Fine Art (Furniture, Paintings, Folk Art & Accessories) James D. Julia, Bill Gage, Tony Greist, Don Heller Asian Art & Artifacts Tony Greist, Anthony Wu, Joshua Chamberlain Fine Art Allyson Lee, Katya Tilton, Bill Gage Books Charles Robinson Glass Dudley Browne Paperweights Debbie Tarsitano

James D. Julia, Inc. Offices 203 Skowhegan Road, Fairfield, Maine 04937 P: (207) 453-7125 | F: (207) 453-2502 Office Hours: Mondayâ&#x20AC;&#x201C;Friday, 8:00 a.m. - 5:00 p.m. Telephone answering system after hours The 1790 House 827 Main Street, Woburn, Massachusetts 01801 P: (781) 460-6800 | F: (781) 935-3868 Office Hours: Mondayâ&#x20AC;&#x201C;Friday, please call ahead Telephone answering system after hours 5

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Session 1: Friday, June 16, 2017 Session 1

Commencing at approximately 10:00 a.m. Please Read Conditions of Sale Before Bidding Lots 1000-1777 1000.

18KT YELLOW GOLD GEM SET BRACELET. Set with three rows of en tremblant flower heads with alternating round, faceted diamond, emerald, ruby and sapphire centers edged with a rope twist design featuring single-cut diamonds set in platinum topped navette shape bezels. The push button plunger clasp is a diamond set flower head. Fold-over safety stamped “116734”. Total weight is 57.9dwt. Accompanying the bracelet is a G.G. Appraisal stating all gems average 3.0mm each, clarity averages Type II-III and diamond clarity is VS-SI having G/H color with a total gem weight for all stones Lot is approx 5.5cttw. SIZE: 6-5/8” x 3/4”. CONDITION: Missing one stone; small chip to girdle of one diamond; fissure to top of one emerald. 51822-1 (3,000-5,000)

1000

1001. LADY’S 18KT PATEK PHILLIPE POCKET WATCH. 18kt yellow gold Patek Phillipe hunter case pocket watch has white porcelain dial with black Roman numerals and a subsidiary second style, stem wind and stem set. Dust cover inscribed “Lilian M. Williams” in script and number “110924”. Hunter case stamped “750” and “226586”, movement number “110924” triple signed. Outer case with engraved initials. SIZE: Face is 1-1/4” dia. CONDITION: Very good with signs of use. 51582-1 (3,500-4,500)

Lot 1001

1002.

14KT YELLOW GOLD & DIAMOND SOLITAIRE. Set with a round brilliant cut diamond in a six prong die struck head within a bypass design mounting. Total weight is 1.51cttw. Ring is stamped “14K” and “M B”. Polished finish. Total weight 3.90 dwt. Accompanying the ring is a G.G. Appraisal stating diamond measures 7.46-7.44 x 4.47mm, L color and a clarity grade of VS2. SIZE: 5-1/2. CONDITION: Very good to excellent. 51582-2 (3,000-5,000)

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Lot 1003

1004.

CULTURED PEARL NECKLACE WITH GEM SET CLASP. Composed of (82) 8.10–8.50mm pearls completed by a 14kt yellow gold clasp designed as a basket of flowers bezel set with a 3.50mm cabochon ruby, sapphire and emerald and accented with (38) diamond melee. Clasp is stamped “14K 585 MA’s”. Accompanied by a G.G. Jeweler’s Appraisal stating the pearls are cream in color with high luster having thick nacre. The diamonds have VS clarity with G/H color and having a total weight of 0.56cttw. SIZE: 28” l. CONDITION: Very good to excellent. 51973-1 (2,500-4,000)

Lot 1004

1005. 14KT WHITE GOLD & THREE STONE DIAMOND BY-PASS RING. Diagonally set across the top with one transitional cut diamond flanked by two old European cut diamonds all in prong mountings. Set below are a total of fourteen single cut diamonds. The estimated total diamond weight is 1.78cttw. Shank stamped “14K” and “RDWI”. Cast and assembled, polished finish. Total weight 1.78dwt. Accompanying the ring is a G.G. Appraisal stating color grade is H-I with clarity averaging VS-SI1. SIZE: 6-3/4. CONDITION: Very good to excellent. 51634-1 (2,000-3,000)

Lot 1005 7

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Session 1

1003. 18KT TIFFANY & CO RUBY & DIAMOND BROOCH. 18kt yellow gold double clip brooch is designed as a flower head with petals set with fifteen round brilliant cut diamonds and the pistil is formed with six round brilliant cut diamonds and thirteen round, faceted rubies. Polished and textured finish. Marked on the back of one petal “Tiffany & Co 18K”. Total weight 29.8dwt. Accompanied by a G.G. appraisal stating E color, VVS2 clarity and a total diamond weight of approx 1.75cttw. Rubies are deep red and have Type II clarity (eye clean). Comes with Tiffany & Co pouches and box. SIZE: 1-5/8” x 2”. CONDITION: Very good to excellent. 51599-1 (5,000-7,500)

Session 1

1006. MAN’S BREITLING CHRONOMAT EVOLUTION WATCH. Stainless steel case with a stainless steel and gold link bracelet as well as a crocodile replacement strap marked “Croco veritable” and “Breitling”. Counterclockwise rotating diamond set bezel, mother-of-pearl dial with luminous hands, diamond filled stick hour markers with luminescent hands and dial markers. There is a date display at the 3 o’clock position. Automatic movement, deployment clasp. Marked on the reverse with Breitling 1884 logo, Model and serial numbers. Total weight of the diamonds is approx 1.0cttw. Watch comes complete with its original interior Bakelite box, as well as exterior original box, related booklets and papers. SIZE: Face 1-3/4” dia. CONDITION: Very good with signs of wear and one small chip out of the crystal on the face. Inner Bakelite box shows signs of wear to leather case. Bottom of exterior box has a split at one corner. 51975-6 (7,500-9,000)

Lot 1006

1007.

10.02CT NATURAL FANCY INTENSE YELLOW DIAMOND RING. Centered by a 10.02ct cut-cornered rectangular modified brilliant cut fancy intense yellow diamond measuring 10.09 x 10.92 x 8.17mm set in 18kt gold. Stone is accompanied by a GIA Certificate #15066808, stating it is Natural Fancy Intense Yellow Color, VS1 clarity. The center stone is flanked on either side by a cut-cornered bullet shaped diamond set in platinum with F-G color and VVS-VS clarity. Total weight of side diamonds is approx 0.92cttw. SIZE: 6. CONDITION: Very good to excellent. 51939-1 (130,000-160,000)

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Lot 1008

1009.

PLATINUM JADEITE & DIAMOND RING. Centered by a green Jadeite jade double-cabochon measuring 11.38 x 7.90 x 5.09mm weighing 3.80ct set in platinum. Flanking the jade are trillion cut diamonds with a total diamond weight of approx 0.80cttw. Jadeite is accompanied by a GIA Cert #2105993084 indicating the Jadeite is Natural Color and there are no indications of impregnation. SIZE: 6. CONDITION: Very good to excellent. 51939-4 (6,000-8,000)

Lot 1009

1010. 18KT CARTIER DIAMOND, AMETHYST & TURQUOISE RING. From “Les Délices de Goa” Collection. Composed of a cluster of five round amethyst beads, the largest inlaid with a diamond, and four round turquoise beads; the largest two each inlaid with diamonds. The ring also features four round brilliant cut diamond accents in box mountings. Shank signed “Cartier 750 © 52137101A” as well as French hallmarks. Total weight 8.0dwt. Accompanied by a G.G. Jeweler’s Appraisal stating clarity is VVS, with E color and a total diamond weight of approx 0.75cttw. SIZE: 6. CONDITION: Very good to excellent. 51924-4 (6,500-8,500)

Lot 1010 9

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Session 1

1008. 14KT GOLD FANCY COLORED DIAMOND CLUSTER RING. Set in a cluster bypass design, there are twelve fancy colored diamonds ranging in color from Light Fancy Yellow to Vivid Fancy Yellow and Light Fancy Brown to Vivid Fancy Brown with seventeen round diamonds ranging in color from F-I and are prong set in white gold on a rose gold band. Stamped “K14” with hallmark. Fancy colored diamonds have a total weight of approx 2.39cttw and the round brilliant diamonds have a total weight of approx 3.33cttw. Ring is accompanied by an American International Gemological Laboratories, Inc Appraisal Report, dated 2013. SIZE: 6-1/2. CONDITION: Very good to excellent. 51879-1 (4,000-5,000)

Session 1

1011. 2.26CT NATURAL FANCY VIVID YELLOW DIAMOND RING. Centered by a 2.26ct cut-cornered square modified brilliant cut fancy yellow vivid yellow diamond measuring 7.10 x 7.08 x 4.75mm set in 18kt gold. Accompanying the stone is GIA Certificate #1112792727 stating it is a Natural Fancy Vivid Yellow, VS2 clarity. Center stone is flanked on either side with a trillion cut diamond with a total diamond weight of approx 0.66cttw set in platinum. SIZE: 6. CONDITION: Very good to excellent. 51939-2 (30,00040,000)

Lot 1011

1012.

COLOMBIAN EMERALD LOOSE GEMSTONE. Single emerald is accompanied by an AGL Colored Stone Origin Report #CS 39531, stating “Material: Classic Colombia, Clarity Enhancement: NONE”, measuring 8.56 x 7.09 x 3.73mm weighing 1.63ct. Emeralds without clarity enhancement are extremely rare and very seldom seen. CONDITION: Very good to excellent. 51939-3 (7,000-9,000)

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Lot 1013 1014.

SILVER 18KT YELLOW GOLD SAPPHIRE AND GEMSTONE BRACELET. Openwork bracelet is composed of 7 curved floral links set with sapphires and pale blue stones. Push button plunger clasp with safety chain. SIZE: 7-1/4” l x 1-1/4” w. CONDITION: Very good to excellent. 51973-2 (1,000-2,000)

Lot 1014

1015. LADY’S 18KT & STAINLESS CARTIER WRISTWATCH. Lady’s 18kt yellow gold and stainless steel Cartier Santos with octagon face having automatic movement, smooth bezel, flat cream colored dial, Roman numerals, blued steel hands, date aperture, link bracelet with classic screw motif. Marked on the back of the case “Cartier”, “Swiss Made”, “AC 17,90 gr”, “Or 0,750 2,65 gr”, “Automatique” and “296630292”. SIZE: 6-1/2” x 1-1/4” dia across the face. CONDITION: Very good with signs of wear. 51939-11 (1,000-1,500)

Lot 1015 11

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Session 1

1013. LADY’S 18KT YELLOW GOLD CORUM WRISTWATCH. Gold-tone dial, black Roman numeral indicators with diamond bezel. Marked on the reverse “27307” and “91472”. Integral mesh band stamped “750 Corum” and “Swiss Made”. Total weight is 37.0dwt. SIZE: 6-1/4”. CONDITION: There is a slight roughness to bezel. Wear commensurate with age. 51355-1 (1,5002,000)

Session 1 1016. ART NOUVEAU DIAMOND DROP PENDANT. Elegant Art Nouveau pendant has bezel and prong set diamonds ranging from approx .03ct to .25ct. Pendant is suspended from 16” white metal chain. Unmarked. SIZE: Pendant 2-1/4” l. CONDITION: Very good to excellent. 51849-1 (1,5002,500)

1017. 14KT WHITE GOLD & DIAMOND RING. Centered by a round full cut diamond, approx .35ct. in a buttercup mounting. Flanked by a total of four single cut diamonds, bead set single cut diamond. Total weight 1.8dwt. SIZE: 7. CONDITION: Very good with signs of wear. 51634-2 (600-800)

Lot 1016 Lot 1017 1018. CARTIER BALLPOINT PEN WITH REFILLS. Diabolo de Cartier mini ballpoint pen is comprised of black lacquer with polished gold plated details and is topped with a red resin cabochon. Plated gold band on pen body is marked three times “Cartier”. Pen comes with its Cartier fitted red box, Cartier exterior box and is accompanied by 12 packages of marked “Cartier” ink cartridge refills. SIZE: Pen is approx 4-1/2” l. CONDITION: Pen has a small chip to the lacquer, gold plating has minor chips and roughness. 11 of the cartridges are complete with five refills, one cartridge contains 3. There is a small tear to the lip of the exterior white box. 51939-10 (200-300)

Lot 1018

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1019. 18KT YELLOW GOLD & EMERALD BRACELET. 18kt yellow gold bracelet has forty-four prong set full cut emeralds measuring 3.5-3.7mm with a total weight of approx 7.0cttw. Bracelet has tongue and groove and safety clasp marked “18K”. Accompanied by a G.G. Jeweler’s Appraisal stating the emeralds average eye clean with approx G 6/5 average color grade. SIZE: 7”. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of minor wear. 51362-111 (1,000-1,500)

Lot 1019

1020.

CARTIER EMERALD & DIAMOND RING. Centered by a 1.98ct emerald cut diamond measuring approx 8.47 x 7.04 x 3.77mm. The center stone is flanked on either side with a natural Columbian emerald; one 2.51ct measuring 8.03 x 7.55 x 5.74mm and the other is 2.36ct measuring 7.82 x 7.53 x 5.57mm. Stones are prong set in 18kt yellow gold while the remainder is platinum. Accompanying the ring is a Jeweler’s Appraisal stating the stones are natural and the diamond has VVS1 clarity and F color. The emeralds have rich deep green color, eye clean and well matched. Ring is 5.1dwt. SIZE: Ring fits 4-1/2 to 6. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with normal signs of wear. Ring is fitted with a sizer. 51362-96 (20,000-30,000)

Lot 1020

1021. EMERALD & DIAMOND HEART SHAPED NECKLACE. Centered by a heart shaped natural emerald cabochon surrounded by 15 round brilliant cut diamonds. Total emerald weight is approx 23.8cttw and total diamond weight is approx 5.0cttw. Pendant is suspended from a 18kt white gold 5 cable link chains. Necklace is accompanied by a Jeweler’s Appraisal stating the cabochon is 19.82 x 17.12 x 10.85mm and the diamonds are VS2-SI1 clarity with F-G color. SIZE: Chain is 18”. Heart pendant 1-3/4” overall. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. There is adhesive residue on the reverse of the emerald to keep it in place. 51362-91 (5,000-8,000)

Lot 1021 13

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Session 1

Beginning of Unreserved Texas Estate Collection

Session 1

1022. 18KT EMERALD & DIAMOND EARRINGS. 18kt yellow gold earrings; each centered with antique cushion cut natural emeralds measuring approx 8.25 x 8.75mm with a total approx weight of 6.0cttw. Each emerald has six round brilliant cut diamonds; the twelve diamonds have a total weight of approx 0.25cttw with SI1 clarity and G color. Earrings are completed with a post and back. Earrings are accompanied with a Jeweler’s Appraisal stating the emeralds are medium bright green with good saturation of color. SIZE: Approx 1/2” long. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Some visible inclusions in the emeralds. Earrings have been converted from omega clip backs as stated in the appraisal to post and backing. 51362-88 (2,500-3,500)

Lot 1022

1023.

1024.

EMERALD & DIAMOND BYPASS RING. 18kt yellow gold bypass ring has a 1.0cttw modified fan cut emerald measuring 7.5 x 8.5 x 4.0mm and sixty-five 1.7 - 2.0mm full cut diamond melees pave set in platinum with an approx total weight of 1.75cttw. Ring is stamped “PLAT 18”. Accompanying the ring is a G.G. Jeweler’s Appraisal stating that the emerald has a clarity grade of VS1 and bG 5/3 color. The diamonds have a clarity grade ranging from VVS1 to VS1 and G-I color. SIZE: 7. PROVENANCE: From an Unreserved Texas Estate. CONDITION: There is an inclusion at the surface near one facet, otherwise very good with signs of wear. 51362-101 (1,200-1,800)

Lot 1023

18KT DIAMOND & EMERALD BRACELET. 18kt yellow and white gold flexible bangle bracelet is prong set with 19 round brilliant cut diamonds with a total weight of approx 0.75cttw. Alternating between each diamond is a prong set single round emerald. The 19 emeralds have a total weight of approx 0.75cttw. Bracelet is completed with a tongue and groove clasp marked “L 18K”. Accompanying the bracelet is a G.G. Jeweler’s Appraisal stating the diamonds have an estimated SI1 clarity and H color. The bracelet weighs approx 20.6dwt. SIZE: 7”. PROVENANCE: From an Unreserved Texas Estate. CONDITION: There is one alternating gold bar missing between a diamond and emerald. Otherwise, good with signs of normal wear. 51362-114 (1,000-1,500)

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Lot 1025

1026.

LADY’S PLATINUM DIAMOND RING. Handcrafted platinum ring is bead mounted with two Old European cut diamonds measuring 6.20 x 6.67mm and 6.30 x 3.73mm, two Old European cut diamonds on either side measuring approx 4.30 x 2.50mm and bordering these diamonds are twelve Old European full cut diamonds; six 3.4-3.5mm and six 2.7-2.8mm. Accompanying the ring is a G.G. Jeweler’s Appraisal stating that the two larger diamonds have an average clarity of VVS2 and J-K color, the two smaller diamonds have an average clarity of VVS2 and H-I color and the melees have an average clarity of SI1 and G-I color. Total diamond weight is approx 3.90cttw. SIZE: 5-1/2. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Two of the diamond melees are chipped, otherwise good with signs of wear. 51362-92 (2,0003,000)

Lot 1026

1027. LADY’S 14KT DIAMOND SOLITAIRE. Centered by a white gold head 6-prong brilliant cut diamond measuring 6.70 x 6.65 x 4.34mm with a total weight of approx 1.20cttw in 14kt yellow gold handcrafted half round by-pass shank. Accompanying the ring is a G.G. Jeweler’s Appraisal stating the diamond has VS-2 clarity with G-H color. SIZE: 7-1/4. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of normal wear; one prong is bent. 51362-99 (2,000-3,000)

Lot 1027 15

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Session 1

1025. LADY’S PLATINUM ART DECO DIAMOND RING. Handmade platinum antique ring with Art Deco design is centered with a round brilliant old mine cut diamond surrounded in a diamond-square setting with sixteen small round brilliant cut diamonds. Center diamond measures 5.98 x 6.00 x 3.55mm with a total diamond weight of 0.78cttw. Total weight of the accent diamonds is 0.64cttw. Total ring weight is approx 2.4dwt. Ring is accompanied by a G.G.R.J.C.G. Jeweler’s Appraisal stating that the center diamond has a clarity of approx VS2 with G color. The accent diamonds average VS2-SI1 clarity. SIZE: 6. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-94 (1,2001,800)

Session 1

1028. 14KT RUBY & DIAMOND EARRINGS. Each earring is centered by a round mixed cut natural Burma ruby surrounded by 10 round brilliant cut diamonds and are completed by a post and omega back. Earrings are accompanied by a Jeweler’s Appraisal stating that the pair are 14kt in classic design. Each ruby have very fine color and are approx 5.75 x 3.40mm each with a total weight for both is approx 2.0cttw. Diamonds have an estimated clarity of VS1 and F-G color. Total diamond weight for the pair is 1.60cttw. Total gold weight is approx 5.4dwt. SIZE: Each earring is approx 1/2” dia. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent with minor signs of wear. 51362-87 (1,500-2,500)

Lot 1028

1029.

18KT YELLOW GOLD RUBY & DIAMOND MESH BRACELET. Of flexible design set with diagonal rows of alternating rubies and diamonds. Push button plunger clasp stamped “18k”. Marked on the fold-over safety “B2011” and “BYR”. Total weight 41.2dwt. SIZE: 6-1/2” x 7/16” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-117 (1,000-1,500)

Lot 1029

1030. PLATINUM STAR RUBY & DIAMOND RING. Centered by a 9.0ct star ruby cabochon in a six-ray star in a basket style setting circled and flanked with diamond melees in a platinum openwork mounting with yellow gold openwork back. Stamped “PT 950”. Accompanied by a GIA Graduate Jewelers Appraisal stating star ruby is 10.5 x 9.9mm, GIA color grade is PR/RP 2/2. Four of the diamonds are 2.7mm, two 2.5mm, six 1.5mm full cut as well as six 3.5 x 1.5mm straight baguettes having a total diamond weight of approx 0.70cttw with estimated VS1 clarity and G-H color. Total weight of the ring is 6.0dwt. SIZE: 5-3/4. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent with normal signs of wear. 51362-97 (3,000-5,000)

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Session 1 1031. 18KT EMERALD & DIAMOND BRACELET. 18kt white gold bracelet has seven rows of alternating oval emeralds and full cut diamonds mounted in four prong links. Emeralds measure approx 5.0 x 4.0 x 3.0mm with an approx weight of 41.49cttw while the alternating diamonds measure approx 1.76mm with an approx weight of 2.64cttw. Bracelet is accompanied by a GIA G.G. appraisal stating the bracelet is a custom design having 119 oval cut natural emeralds which is completed by a rectangular plunger clasp with safety catches on either side. The 119 full cut diamonds have an estimated SI clarity and J-K color. Total weight is approx 39.90dwt. SIZE: 7” x 1-1/2” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with minor signs of wear. 51362-115 (6,000-9,000)

1032. RARE LADY’S SAPPHIRE & BERYL BRACELET. Bracelet comprises of platinum and 18kt yellow gold is set with round natural blue sapphires measuring approx 2.17 to 2.35mm dia each with a total approx weight of 16.28cttw. Bracelet is also set with round fancy/brilliant/mixed cut red-pinkish red natural beryl measuring 1.88 to 2.66mm dia each with at total approx weight of 7.51cttw. Accompanying the bracelet is an AGTA Sapphire Identification Report #92013811 which states the sapphires have no indication of heat treatment with the origin in Yogo Gulch, Montana, USA. The beryl has none to moderate clarity enhancements with the origin of Utah. SIZE: 7-1/4” l. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with minor signs of wear. 51362-116 (8,000-12,000)

Lot 1031

Lot 1032 17

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Session 1

1033. 18KT SAPPHIRE & DIAMOND RING. 18kt white gold ring is centered by a 7.08ct cushion cut natural blue sapphire flanked on either side trapezoid shaped diamonds with a total approx weight of 1.30cttw. Accompanied by a Jewelers Appraisal stating the sapphire is a deep electric blue with eye clean clarity and measures approx 12.64 x 10.23 x 5.70mm. Side diamonds are approx 6.25 x 5.0 x 4.25mm with VS1 clarity and F color. Ring weighs approx 4.1dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with light signs of wear. 51362-95 (5,000-7,000)

Lot 1033

1034.

PLATINUM RUBY LINE BRACELET. Ruby line bracelet set in platinum box links ending in tongue and groove with safety clasp. Fifty-four rubies average 3.50 x 3.50 x 2.25mm. Total gem weight is approx 13.50cttw. Total weight is approx 14.8dwt. Accompanying the bracelet is a Jeweler’s Appraisal stating the square, step cut natural Burma ruby color is deep slightly purplish-red with excellent clarity. Bracelet weight is approx 14.8dwt. SIZE: 7-1/4”. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear from use. 51362-112 (6,000-8,000)

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Lot 1035

1036.

PLATINUM TOPPED 18KT YELLOW GOLD CABOCHON SAPPHIRE & ROSE CUT DIAMOND LINK BRACELET. Links of scallop design each featuring three cabochon sapphires set throughout with diamonds. Total weight 28.7dwt. SIZE: 7-1/4” x 7/8” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good, missing one stone. 51362-118 (600900)

Lot 1036

1037. 18KT YELLOW GOLD & GEM SET LINK BRACELET. Links are textured design, four links feature clover motif of a pearl, cabochon ruby and sapphire and five links feature a diamond, an emerald cut emerald, an emerald cut sapphire and emerald cut ruby. Push button tension clasp, stamped with Russian hallmarks. Total weight 37.0dwt. SIZE: 6-1/4” l x 3/4” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of minor wear. 51362-122 (600-900)

Lot 1037

1038.

18KT GOLD & ENAMEL BRACELET. 18kt yellow gold flexible bracelet is comprised of rows of alternating enameled petals in green and blue giving the effect of snakeskin. Tongue and groove clasp marked with maker’s mark and “18K”. SIZE: 7”. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with very minor signs of wear. 51362-113 (800-1,200)

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Session 1

1035. 18KT YELLOW GOLD & GEM SET CUFF BRACELET. Bezel across the top with cabochon emeralds, rubies, sapphires and yellow stones in various shapes and sizes. Hinged on one end, brushed finish. Stamped “18K”. Total weight 59.5dwt. SIZE: Inside 2-1/4” x 2” dia and from 3/4” to 1-3/4” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent with signs of wear. 51362123 (500-800)

Session 1

1039. 18KT SUITE OF PINK FRESHWATER BIWA PEARLS. Consists of a necklace, bracelet and pair of earrings with 18kt gold clasps. SIZE: Necklace 30-1/2”. Bracelet 7”. Earrings 2-3/4” l. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-121 (8001,200)

Lot 1039 1040.

LADY’S ANTIQUE PLATINUM & DIAMOND RING. Two Old European cut diamonds are framed and bordered on either side with eight mixed single and round brilliant cut diamonds. Ring is stamped “5% Irid PLAT” and what appears to be “U”. Rings is accompanied by a jewelers appraisal stating the two center stones measure approx 6.0 x 3.82mm and 6.10 x 4.25mm weighing approx 0.90ct and 0.95ct with SI1 clarity and G color. Approx weight of all 16 accent stones is approx 0.50cttw with SI1-VS1 clarity and G-H color. Total weight of ring is approx. 2.8dwt. SIZE: 6. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with normal signs of wear. 51362-98 (3,000-4,000)

Lot 1040 1041. TURQUOISE & 18KT GOLD NUGGET NECKLACE. Comprised of alternating turquoise and gold nuggets. Each gold nugget is hallmarked with what looks like a “W~3”. Necklace ends in a concealed gold nugget clasp. SIZE: 28” l. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-127 (800-1,200)

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Lot 1042

1043.

PAIR 14KT YELLOW GOLD EMERALD & DIAMOND STUDS. Centered by two oval emeralds surrounded by eight full diamonds in each. Stamped “14k”. SIZE: 1/4”. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-107 (500-800)

Lot 1043

1044. E NAMELED NECKLACE AND HOOP EARRINGS. Lot includes an enameled egg charm reminiscent to Fabergé set with white stones and is suspended from a cable chain necklace. Accompanying the necklace are a pair of white stone set hoop earrings with French clip closures. SIZE: Necklace is 21-1/2” l. Pendant is 1”. Earrings are 3/4” from closure to bottom of hoop. PROVENANCE: Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-108, 51362-126 (500-800)

Lot 1044 1045.

PAIR OF 18KT GOLD & GEMSET EARRINGS. One set with an oval bezel set cabochon ruby and four round brilliant cut diamonds on a textured background. The other of similar design with a cabochon sapphire. Earrings are finished with a rope twist border and are finished with Omega clip back and post. Total weight 13.8dwt. SIZE: 1” x 7/8”. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-128 (800-1,200)

Lot 1045 21

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Session 1

1042. 18KT YELLOW GOLD CHAMPAGNE, BLACK & COLORLESS DIAMOND BOMBE SUITE. Concentric circle ring and earrings with indentation at tops. Signed “Noah”, stamped “750” and also “B710” on shank of ring. Earrings are omega clip backs with post. Total weight 13.1dwt. SIZE: Ring is an 8. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362109 (600-900)

Session 1

1046. P LATINUM & DIAMOND RING. Platinum ring has five square cut channel mounted diamonds measuring approx 3.3 x 3.3mm having a total weight of approx 1.08cttw. Stamped “PT900”. Total weight is approx 4.2dwt. Accompanied by a G.G. Jeweler’s Appraisal stating the diamonds have an average clarity of VVS2 and G-H color. SIZE: 6. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-102 (800-1,200)

Lot 1046

1047.

18KT TRI-COLOR GOLD & DIAMOND RING. Lady’s 18kt tri-color gold ring is comprised of five rows; two yellow gold, two white gold and rose gold in the center. Each row is set with thirteen diamonds for a total of sixty-five having a total weight of approx 1.25cttw. Total weight is 8.7dwt. Ring is accompanied by a G.G.R.J.C.G. Jeweler’s Appraisal stating that the clarity is SI1-SI2 with G-H color. SIZE: 6-1/2. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-104 (600-900)

Lot 1047 1048. TWO LADY’S GOLD RINGS. 1) 18kt yellow gold and diamond band is set with 13 round brilliant cut diamonds. Chased shoulders. Unmarked, tests 18kt. Total weight 4.3dwt. 2) 14ky yellow gold and twin stone ring is set with 2 Old European cut diamonds in hexagonal mountings within a floral pierced mounting. Total weight 2.6dwt. SIZE: 8 and 6-1/4 respectively. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-105 (600900)

Lot 1048

1049.

18KT MOONSTONE & DIAMOND RING. Handcrafted 18kt yellow gold dome style ring is hammer mounted with eleven moonstone cabochons and accented with twenty-six 1.5mm bead mounted diamond melees with a total weight of approx 0.33ctw. Ring is marked “Andreoli Italy 18KT”. Total weight is approx 6.4dwt. Accompanied by a G.G. Jeweler’s Appraisal stating that the diamond melees average VS1 clarity and G-I color. SIZE: 6-1/2. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-103 (500800)

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Lot 1050 1051. PLATINUM OVAL EMERALD & HALF MOON DIAMOND RING. Oval mixed brilliant cut emerald in four double prong mountings measures approx. 10.39 x 7.83 x 6.35mm. Flanked by two half moon diamonds. Shank is stamped “PLAT SOPHIA.D 888C”. Total weight 2.6dwt. SIZE: 6-1/4. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-106 (500-800)

Lot 1051 1052. 18KT YELLOW GOLD & GEMSTONE SNAKE PENDANT W/ASSOCIATED CHAIN. Five graduating tiers of gemstones bezel set with diamond head snake motif including amethyst, garnets, citrine and peridot. Suspended from 18kt yellow gold gem set baton link chain with 14kt gold clasp. Total weight 24.7dwt. SIZE: Pendant 3-1/2”. Chain 12”. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-124 (600-900)

1053. 18KT YELLOW GOLD & EMERALD CUSTOM MADE BAND. Channel set with sixteen round faceted emeralds. Total weight is 5.9dtw. Tests 18kt. SIZE: 7. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-110 (500-800)

Lot 1053

Lot 1052 23

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Session 1

1050. 18KT YELLOW GOLD & EMERALD PENDANT. Centered with a natural Columbian emerald measuring 10.04 x 8.79mm with a total weight of approx 3.35cttw. Emerald is prong set in an 18kt yellow gold mount suspended from an 18kt Gucci style chain. Pendant is accompanied by a G.G. Jeweler’s Appraisal stating the stone has good color and quality. SIZE: Pendant is 1” including bale. Chain is 19”. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 5136290 (600-900)

Session 1

1054. 18KT TWO TONE DIAMOND EARRINGS. 18kt two tone 1/2 hoop J-style earrings are set with 45 round white diamonds and 54 yellow round diamonds that intertwine around the white diamonds with a total approx weight of 2.0cttw for the pair. Earrings are complete with post and omega backs. Accompanied by a G.G.J.C.G. Jeweler’s Appraisal stating the earrings have VS2-I1 clarity and a total weight of approx 5.09dwt. SIZE: 3/4” l. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with minor signs of wear. 51362-89 (400-700)

Lot 1054

1055.

RUBY & DIAMOND BYPASS RING. Yellow gold bypass ring is mounted with eighteen channel set rubies measuring approx 3.0 x 2.5mm with an approx total weight of 2.25cttw. Forty-six pave mounted full cut diamond melees measuring 1.3-1.5mm with an approx total weight of 0.50cttw. Ring is stamped “18KTIL”. Accompanying the ring is a G.G. Jeweler’s Appraisal identifying this ring and states that the rubies have am average clarity grade of VVS2 with average color being stpR 6/3 and the melees have a clarity grade of VS1 and a G-I color average. SIZE: 7-3/4. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with minor signs of wear. 51362-100 (400600)

Lot 1055

1056. 14KT GOLD & GREEN TOURMALINE SUITE. 14kt yellow gold necklace and earrings are set with rectangular tourmaline. Chain is completed with a lobster claw clasp and earrings have lever backs. SIZE: Chain 18”. Pendant 9/16”. Earrings 1-1/2” l overall. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362125 (500-800)

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Lot 1057 1058.

LADY’S 18KT YELLOW GOLD & DIAMOND BRACELET. Set with two rows of totaling 26 round brilliant cut diamonds completed by a round trace link chain, lobster claw clasp stamped “585” and “Unoaerre”. Total weight 6.1dwt. SIZE: 7-1/2” l. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-119 (400-600)

Lot 1058

1059. FIVE GOLD BRACELETS. 1) 18kt white and yellow gold link, stamped “750”. 2) 14kt gold mesh link bracelet. 3) 15kt yellow gold mesh link bracelet. 4) 18kt yellow gold round bead mesh bracelet, stamped “18k Italy”. 5) 18kt yellow gold ruby & diamond floral link bracelet with each set link bezel set with two rubies and a diamond, European hallmarks. Total weight of all five: 88.7dwt. SIZE: From 7-1/2” to 8-1/2”. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-120 (500-800)

Lot 1059

1060.

LOT OF 40 JEWELRY REFERENCE BOOKS. Lot consists of 40 jewelry reference books including price guides, history of jewelry, jewelry making and much more. An instant library! PROVENANCE: From an Unreserved Texas Estate. CONDITION: Overall very good to excellent with normal signs of use. 51362-86 (500-700)

Lot 1060 25

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Session 1

1057. LADY’S 18KT THREE STONE DIAMOND RING. 18kt yellow gold ring has three Old European cut diamonds; center stone measures 5.105.40 x 3.34mm flanked on either side with an approx 3.8-4.2 x 2.73mmm having a total diamond weight of approx 1.15cttw. Total weight is approx. 3.7dwt. Accompanying the ring is a G.G. Jeweler’s Appraisal stating the center stone has an approx VS1-SI2 clarity with G-H color. The side stones average approx VS1-SI1 with G-H color. SIZE: 4. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with signs of wear. 51362-93 (500-700)

Session 1 1061.

TWO R. LALIQUE CHAMPS-ELYSEES PLAFONNIERS. Two R. Lalique plafonniers are done in the Champs-Elysees pattern of stylized leaves encircling the globe shade. One is done in clear glass with frosted interior, the other, is done in a light purple glass with frosted interior. Each is signed on the upper section of the globe “R Lalique”. Each shade is mounted with a metal collar and suspended by woven cords. Each plafonnier is illuminated by a single socket. SIZE: Globes approx 15” dia. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Both are very good with two small inconspicuous bruises to the purple globe. 51362-50 (3,000-5,000)

1062.

LALIQUE MONACO LUSTRE CHANDELIER. Lalique chandelier in the Monaco design features crystal arms radiating from the center with a stylized floral design at top and bottom. Chandelier is signed with engraved script signature “Lalique France”. SIZE: 36” t x 31” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-51 (3,000-5,000)

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Lot 1061

Lot 1062 26

MONUMENTAL STEUBEN MOSS AGATE CHANDELIER. Massive Steuben chandelier has inverted bell shaped Moss Agate shade mounted in metal frame with rope design around top edge and acanthus leaf bottom cap with acorn finial. Frame is attached to two swirling stylized leaf designs leading to wrought iron arms supporting the shade. This exceptional shade, made

up of swirling colors of blue, green, orange, brown and mauve all within an amber colored background, is the largest piece of Steuben Moss Agate that we have handled. Unsigned. SIZE: Overall height 27”. Shade is 15” t x 14” dia. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-19 (6,000-8,000)

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Session 1

1063.

Session 1

1064. STEUBEN STUMP VASE. Steuben gold Aurene vase has three ribbed tree trunks with prunts, applied on a matching gold aurene inverted saucer base, all with purple, blue and green iridescent highlights. Signed on the underside “Steuben Aurene” and “2744”. SIZE: 6-1/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: One tiny fleabite on edge of foot, otherwise very good. 51362-76 (400-600)

Lot 1064

1065. STEUBEN STUMP VASE. Steuben bud vase is executed in rich amethyst glass in the form of a tree trunk and round base with pulled thorns. Unsigned. SIZE: 10” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: One pulled thorn on base chipped, otherwise very good. 51362-34 (400-600)

1066. STEUBEN STUMP VASE. Steuben vase in Pomona green has three ribbed tree trunks with Lot 1065 prunts, applied to a matching inverted saucer foot. Signed on the underside with acid-etched Steuben logo. SIZE: 6-1/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-10 (300-500)

Lot 1066 1067.

STEUBEN CLUTHRA VASE. Steuben Cluthra vase has bulbous body and short slightly flaring neck with trapped air-bubbles throughout the green and white striated glass. Unsigned. SIZE: 7-3/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: There is an open bubble at the edge of the foot that has been filled and a small shell shaped flake on the underside of the foot, otherwise good. 51362-9 (400-600)

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Lot 1068 1069.

QUEZAL KING TUT VASE. Quezal vase has blue iridescent King Tut design set against a creamy white background. Interior of the vase is finished in bright gold iridescence. Signed in the polished pontil “Quezal”. SIZE: 6-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-78 (1,500-2,500)

Lot 1069 1070. QUEZAL JACK IN THE PULPIT VASE. Quezal vase in the jack in the pulpit form has bulbous base and slender neck leading to an open ruffled rim. Exterior of vase has dark green pulled feather decor with iridescent gold highlights, interior decorated in bright gold with flashes of iridescent purple, green and blue highlights. Signed on the underside in the polished pontil “Quezal” and “D710”. SIZE: 13” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-21 (3,000-5,000)

Lot 1070 (w/reverse) 29

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Session 1

1068. STEUBEN PLUM JADE ACB VASE. Steuben large vase, shape number 6112, is decorated with oriental Chang pattern of heavily acid-cut purple floral medallions and scrolled background over cased white and purple layers. Unsigned. SIZE: 8” t x 101/2” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Inside rim of vase has minor roughness, otherwise very good. 51362-33 (1,5002,500)

Session 1

1071. QUEZAL FLOWER FORM VASE. Quezal flower form vase in gold is decorated with vertical ribbing on body of vase and applied inverted saucer foot, all with iridescent highlights. Signed on the underside “Quezal”. SIZE: 10-1/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-43 (600900)

Lot 1071

1072. QUEZAL DECORATED BOWL. Well executed Quezal bowl with ruffled rim is decorated on the exterior with green pulled feather decoration and gold iridescent trim, interior of the bowl is gold with blue and purple flashes of iridescence, vase is finished with three applied gold and iridescent ribbed feet. Signed on the underside in the pontil “Quezal” and “G284”. SIZE: 4” t x 6-1/2” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 5136241 (700-1,000)

Lot 1072

1073. QUEZAL DESK LAMP. Quezal desk lamp has brass or bronze base with floral design foot supporting an arching stem with Art Nouveau floral support. The base is finished in a bright gold patina and supports a Quezal shade with bright gold iridescent hooked feather design surrounding the ribbed body. The shade is finished with a flaring lip and gold iridescent interior. Signed on the fitter “Quezal” while the base is marked on the underside “GW A5”. SIZE: 16” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-40 (1,5002,500)

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1075. TWO MT WASHINGTON LAVA GLASS ITEMS. 1) Small Mt. Washington lava glass vase is decorated with colorful glass shards in blue, pink, green, white and amber all against a matte black background. Unsigned. 2) Mt. Washington lava glass demitasse cup is decorated with colorful shards in blue, red, turquoise, pink and amber all against a matte black background. The cup is finished with a black applied reeded handle. Unsigned. SIZE: 1) 4-7/8” t. 2) 2-3/8” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Both are very good to excellent. 51362-135 (1,000-1,500)

Lot 1074

Lot 1075 1076. MT WASHINGTON LAVA GLASS VASE. Mt. Washington lava glass vase has bulbous body with long, very slightly flaring neck. The vase is decorated with large, colorful shards in blue, green, pink and white all against a glossy black background. Unsigned. The vase carries a small paper label on the underside “Jones Museum Exhibit 1998”. SIZE: 10-1/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-133 (1,000-1,500)

Lot 1076 31

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Session 1

1074. MT WASHINGTON LAVA GLASS VASE. Mt. Washington lava glass vase has bulbous body with slightly flaring mouth and two applied reeded handles. The vase is decorated with colorful shards of glass in mint green, purple, blue, white and pink against a glossy black background. The vase is further decorated with gilt trim surrounding the body. Unsigned. SIZE: 8” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: One minuscule flea bite at bottom edge of foot, otherwise very good to excellent. 51362-37 (1,200-1,800)

Session 1

1077. TWO MT WASHINGTON LAVA GLASS VASES. 1) Mt. Washington lava glass vase has straight sides with curving shoulder and slightly flaring lip. The vase is decorated with colorful shards in blue, white and pink against a glossy black background. Unsigned. 2) Mt. Washington lava glass vase has bulbous body and flaring lip and is decorated with colorful shards in blue, green, white and pink against a glossy black background. The vase is further decorated with gilt trim. Unsigned. SIZE: 1) 7” t. 2) 5” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: 1) Very good to excellent with some very minor scratches to the side. 2) Very good to excellent with a tiny inclusion in the glass at the surface of the lip. 51362-134 (1,200-1,800)

Lot 1077 1078.

1079.

THREE MT WASHINGTON LAVA GLASS ITEMS. 1) Mt. Washington lava glass vase has corset-shaped body with flaring rim. The vase is decorated with colorful glass shards in brown, green, red, white and blue against a glossy black background. Unsigned. 2) Mt. Washington lava glass vase has bulbous body with slender neck and slightly flaring lip. The vase is decorated with colorful glass shards in pink, green, white, blue and grey against a glossy black background. Unsigned. 3) Mt. Washington lava glass bowl has flaring ruffled lip and is decorated with brightly colored shards in blue, green, amber and red against a glossy black background. The bowl is further decorated with gilt trim. Unsigned. SIZE: 1) 6” t. 2) 5-1/4” t. 3) 2-3/8” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: 1) Some slight roughness to the edges of one shard, otherwise very good to excellent. 2) There are two areas of open bubbles surrounded by minuscule bubbles. One area is approx 1-1/2” x 1/4” w; the other is approx a 3/4” x 1/2” w. Both definitely from the making. 3) Very good to excellent. 51362-137 (1,200-1,800)

Lot 1078

THREE MT WASHINGTON LAVA GLASS ITEMS. Lot consists of a tumbler, a small vase with applied reeded handles along with another small bulbous bodied vase. Each piece is blown in black lava glass with pink, white, blue, green and gray shards embedded in the glass. The vases are further decorated with random gilt trim around the shards. All are unsigned. SIZE: Tumbler: 3-3/4” t. Tallest vase: 5” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: All very good to excellent. 51362-136 (1,200-1,800)

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Lot 1080

TEVENS & WILLIAMS SILVERIA VASE. Stevens & Williams S Silveria vase has round body with pinched center on front and reverse with flared top rim. Bright green random glass threading tops the Silveria backing, along with colors of purple and yellow. Signed on the polished pontil “S&W” in script. SIZE: 6-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good. 51362-23 (2,0003,000)

1081.

ALLE FAIENCE PLANTER. Galle pottery footed planter is G decorated with farmyard scene of rooster, hen and four chicks on front with hay, broom and farm implements on reverse, further decorated with molded handle rings on sides. Artist signed “E.M. Laroche” on side and on underside with raised “E.G.”, enamel “3431” with impressed “244” and “8”. SIZE: 11” w x 7-1/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Some minor losses to glaze and light scratching, otherwise good. 51362130 (300-500)

Lot 1081

1082. PAIR OF AUSTRIAN ART GLASS VASES. Pair of Austrian vases are done in cranberry glass with a light iridescence. Each vase has a bulbous foot with pinched sides and a random threaded pattern within the glass. Each vase has a metal collar with cutout lily pad design. SIZE: 11-7/8” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Metal collars show some wear and deterioration, otherwise very good. 51362-52 (300-600) 1083.

MISCELLANEOUS LOT OF STERLING SILVER. Lot consists of: 1) set of International Sterling flatware in the “Richelieu” pattern including 10 soup spoons, 12 teaspoons, 10 dinner forks, 10 salad forks, 6 dinner knives, 3 serving spoons, 1 serving fork, 1 cake server, 1 meat fork and 1 carving knife housed in a Silverseal Tarnish-proof wooden chest. 2) 4 International Sterling goblets. 3) Birks Sterling serving bowl. 4) 8 International Sterling dessert plates. 5) 1 sterling silver pierced rim plate. 6) 1 weighted sterling silver compote. 7) 1 small dresser jar with sterling silver lid. 8) 1 weighted sterling silver toothpick holder. 9) 1 pair of sterling silver salt & pepper shakers. 10) Lot 1082 1 pair sterling silver sugar cube tongs. 11) 1 sterling silver berry spoon. 12) 1 sterling silver leaf-shaped dish with etched hound and hare scene. 13) 1 sterling silver butter pat. 14) 1 pair of sterling silver individual salt & peppers. 15) 1 sterling silver salt shaker. 16) 1 sterling silver money clip. Total weight of sterling silver items not including knives, meat fork and cake server or weighted items is approximately 165 troy ounces. SIZE: Serving bowl 5-1/2” t x 10” dia. Goblets 6-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: 6) Weighted compote has dents in the bowl and at the bottom of the stem. 8)Weighted toothpick holder has dents around bottom of foot. 3) Birks serving bowl has some light scratches to the interior. 13) Butter pat has some minor dents to underside. All others very good to excellent. Wooden flatware chest has some chips to feet, otherwise very good. 51362-83 (600-900)

Lot 1083

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Session 1

1080.

Session 1

1084.

WILKINSON FOUR-PANEL TABLE LAMP. Wilkinson table lamp has metal overlay design of a crest along with a bell flower border on all four panels with a green slag glass background. The shade rests on a Wilkinson cast metal base with stylized bell flower design, 2-arm socket cluster, along with a Wilkinson locking cap. Base and shade are finished in dark brown. Shade and base are unsigned. SIZE: Shade 14-1/4” sq. Lamp 26” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade is missing the corner of one slag glass panel. The metal base and shade frame have some wear to finish. Rewired with contemporary plastic cord. 51362-46 (1,500-2,500)

Lot 1084 1085.

TIFFANY & CO. STERLING TURTLEBACK BOX. Tiffany & Co. rectangular sterling silver dresser box with simplistic decor and wooden interior liner has a rectangular iridescent turtleback tile mounted on the hinged lid. Signed on the underside “Tiffany & Co. Makers Sterling Silver 925”. SIZE: Box 1-1/2” t x 9” w. Turtleback tile 6-3/4” x 1-3/4”. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent with minor wear to high surfaces of tile. 51362-82 (1,500-2,500)

Lot 1085

1086. THREE TIFFANY STUDIOS ABALONE DESK ITEMS. Lot consists of three Tiffany Studios desk pieces in the Abalone pattern including 1) Letter scale, signed “Tiffany Studios New York 1170”, 2) Utility Box 1176 signed “Tiffany Studios New York” and 3) Letter rack signed “Tiffany Studios New York 1156”, all in gold finish with traces of green polychrome on scale and rack. SIZE: 1) 3-1/2” t. 2) 1-1/4” t x 5-1/2” w. 3) 4-1/2” t x 6-3/8” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-79 (1,0002,000)

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OT OF MISC TIFFANY FAVRILE TURTLEBACK L TILES. Lot consists of seven iridescent turtleback glass pieces of varying shapes and size; two rectangular, one triangle, two ellipse, one round and one small trapezoid. Largest tile has molded floral decoration, all others are free-form. Unsigned. SIZE: Largest tile: 3-1/2” w x 6” t. Smallest tile: 3” w x 5/8” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Minor loss to some iridescence and otherwise very good. 51362-129 (600-900)

Lot 1087

1088.

FIVE MISCELLANEOUS TIFFANY AND LALIQUE REFERENCE BOOKS. Lot consists of: 1) Louis Comfort Tiffany by Jacob Baal-Teshuva. 2) Tiffany Lamps and Metalware by Alastair Duncan. 3) The Lamps of Tiffany by Dr. Egon Neustadt. 4) Louis C. Tiffany The Garden Museum Collection by Alastair Duncan. Complete with original hard box. 5) The Art of Rene Lalique by Patricia Bayer and Mark Waller. PROVENANCE: From an Unreserved Texas Estate. CONDITION: All books are very good to excellent, but do show some light use. 4) Hard box has water stains. 51362-85 (400-600)

Lot 1088 1089. TIFFANY STUDIOS BLUE FAVRILE BOWL. Tiffany Studios bowl in blue iridescent favrile glass has vertical ribbing extending from the foot to the irregular top rim. Signed on underside “3960G L.C. Tiffany -Favrile”. SIZE: 4-1/4” t x 9-1/2” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: A few small open bubbles and imperfections in the finish from the making, minor loss of iridescence on interior bottom of bowl, otherwise good. 51362-22 (600-900)

Lot 1089 35

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Session 1

1087.

1090.

Session 1

TIFFANY STUDIOS 3-LIGHT LILY LAMP. Tiffany Studios lily lamp has artichoke design platform foot supporting three arched arms terminating in gold favrile lily shades. The base is finished in gold doré and signed on the underside “Tiffany Studios New York 320”. Each shade has lightly iridescent amber fitters shading to bright gold iridescence at the ruffled rim. Each is signed “L.C.T. Favrile”. SIZE: 8-3/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shades are very good to excellent. Base has some very minor wear and discoloration to patina, otherwise very good to excellent. Rewired with appropriate cloth cord. Some chipping to edge of Bakelite plug. 51362-77 (2,0003,000)

Lot 1090

1091. TIFFANY STUDIOS JEWELED TURTLEBACK DESK LAMP. Tiffany Studios desk lamp has bronze decorated foot with jeweled trim supporting the turtleback shade with blue iridescent turtlebacks showing flashes of purple, pink and gold. The bronze section of the shade is decorated with bronze rope and bead work. The bronze is finished in brown patina and the shade is complete with original, mottled white glass reflector panels on the interior, Signed on the underside “Tiffany Studios New York D301” along with the Tiffany Glass and Decorating Co logo. SIZE: 14-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. Rewired with appropriate cloth cord. 51362-81 (4,000-6,000)

Lot 1091 1092.

PAIR OF TIFFANY STUDIOS CANDLESTICKS. Tiffany Studios bronze candlesticks each have organic form round foot with tall, slender stem leading to bulbous candle cup held within three bronze fingers. Each signed on the underside “Tiffany Studios New York 1213”. SIZE: 18-3/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51362-16 (1,500-2,500)

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Lot 1093 1094.

TIFFANY STUDIOS TABLE LANTERN. Tiffany Studios table lantern has hexagonal base and shade with each panel of the shade having a leaded design with a gold iridescent cabochon jewel in the center of each panel. The top and bottom of the shade have a bronze open work fish scale design. The stem of the lamp is decorated with a deeply impressed stylized leaf and flower design. The bronze is finished in a bright gold patina. Signed on underside “Tiffany Studios New York 6271”. SIZE: 15-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent with some very minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51362-39 (3,000-5,000)

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Session 1

1093. TIFFANY STUDIOS NAUTILUS LAMP. Tiffany Studios lamp has bronze mermaid with torso extending out of the water with arms raised holding a nautilus shell. The lamp is finished in a gold textured patina and signed on the backside next to the switch “Tiffany Studios New York” along with the Tiffany Glass & Decorating Co. logo. SIZE: 153/4” t. PROVENANCE: From an Unreserved Texas Collection. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51362-45 (12,000-18,000)

Session 1 1095.

TIFFANY STUDIOS ROMAN TABLE LAMP. Large Tiffany Studios table lamp in the Roman design has heavily mottled green panels with a band of mottled white panels surrounding the center and heavily textured green geometric bands bordering on top and bottom. Signed on inside rim “Tiffany Studios New York 1564”. The shade rests on a Tiffany Studios Roman bronze base with round stepped foot and applied decoration on foot and stem. The stem is also vertically ribbed and supports a 6-socket cluster. The base is complete with an acid etched heat cap and all are finished in rich brown patina with green and red highlights. Unsigned. SIZE: Shade 25” dia. Lamp 29” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade is very good to excellent. Two panels have tight Y-shaped hairlines. Base is very good to excellent with some minor wear and discoloration to patina, base plate not present, rewired with contemporary plastic cord. 5136217 (20,000-30,000)

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Session 1 1096.

TIFFANY STUDIOS DAFFODIL TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with nicely mottled yellow and green daffodils with rich green leaves all set against a striated green and brown translucent background. Shade is signed on the interior rim “Tiffany Studios New York”. The shade rests on a Tiffany Studios bronze and favrile glass 3-arm Empire base with decorated platform foot supporting three candlestick arms

with green pulled feather candlestick covers. The base is finished in a rich brown patina and is topped with an original acid etched heat cap. Signed on the underside “Tiffany Studios New York 580”. SIZE: Shade 16” dia. Lamp 21” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade is very good to excellent. Bronze base is very good to excellent. Two favrile glass candle covers have large pieces of glass missing. 51362-12 (30,00050,000)

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1097.

Session 1

PAIR OF TIFFANY STUDIOS 3-LITE LILY SCONCES. Tiffany Studios sconces have bronze hardware with simple stylized leaf decoration around the base of 3-arms which terminate in gold iridescent lily shades. The bronze hardware is finished in a rich brown patina with strong green highlights. Each shade is signed at the fitter “L.C.T.”. SIZE: 13” t. Extends approx 9-1/2” from wall. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Sconces have three replacement set screws on the wall plate and one lily shade has a shellshaped flake on the fitter which is completely concealed when shade is in place. Otherwise, very good to excellent. 51362-73 (4,000-6,000)

Lot 1097

1098.

PAIR OF TIFFANY STUDIOS 3-LITE LILY SCONCES. Tiffany Studios sconces have bronze hardware with simple stylized leafed decoration around the base of three curving arms which terminate in gold iridescent favrile glass lily shades. The bronze hardware is finished in a rich brown patina with strong green highlights. Each shade is signed at the fitter “L.C.T.”. SIZE: 131/4” t. Extends approx 9-1/2” from the wall. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. Once sconce is missing a small screw and the other two screws on the wall plate are replacements. 51362-35 (4,0006,000)

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Session 1 41

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Session 1 1099.

TIFFANY STUDIOS DRAGONFLY CHANDELIER. Extraordinary Tiffany Studios dichroic leaded chandelier has dragonflies surrounding the shade. Each dragonfly has a blue body, red eyes, as well as red and blue striated wings. The dragonflies are set against a rich amber, blue and green background of heavily rippletextured glass. The shade is further decorated with random amber and green cabochon jewels. The chandelier is complete with bronze chain and ceiling cap, along with a 6-socket cluster. Signed on inside rim with small tag “Tiffany Studios New York”. The chandelier has been retro-fit with a contemporary white linen removable diffuser which softens the light and hides the view of the light bulbs. SIZE: Shade 26-1/2” dia. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with several tight hairlines, no missing glass. Ceiling cap has a small dent to the side and is missing two small screws. 51362-24 (100,000-150,000)

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Session 1 43

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Session 1

1100. PAIR OF ART GLASS SCONCES. Pair of sconces, attributed to Tiffany Studios, have center rondelles of gold iridescent glass with slightly stretched rim. The gold iridescence shows nice pink and green highlights. Sconces are further highlighted with circles of gold iridescent stretched glass and one in damascene pattern. The glass is housed in a bronze frame with rope trim. Sconces are finished with gold favrile lily shades, one signed “L.C.T.” the other is unsigned. Sconces are unsigned. SIZE: 28” t x 101/2” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent with some minor wear and discoloration to bronze finish. Rewired with contemporary plastic cord. 51362-11 (4,000-6,000)

Lot 1100

1101.

PAIR OF ART GLASS SCONCES. Pair of sconces, attributed to Tiffany Studios, have center rondelles of gold iridescent glass with slightly stretched rim. The gold iridescence shows nice pink and green highlights. Sconces are further highlighted with disks of gold iridescent stretched glass and one in damascene pattern. The glass is housed in a bronze frame with rope trim. Sconces are finished with unsigned gold favrile lily shades. Sconces are unsigned. SIZE: 28” t x 10-1/2” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent with some minor wear and discoloration to bronze finish. Rewired with contemporary plastic cord. 51362-74 (4,000-6,000)

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Session 1 1102.

TIFFANY STUDIOS 12-LITE LILY CHANDELIER. Tiffany Studios chandelier has open work bronze rope coil design which supports twelve gold favrile lily shades along with a center bullet shade with bright gold iridescent hooked feather design against a creamy yellow background. Each lily shade is separated by three dangling ball chains terminating in larger bronze balls. The bronze fixture is finished in a rich gold patina. Eleven of the shades are signed “LCT Favrile”; one shade is

unsigned. The bullet shade is unsigned but numbered “570” on the exterior of the fitter. SIZE: Approx 45” from ceiling to bottom of bullet shade. PROVENANCE: From an Unreserved Texas Estate. CONDITION: The bullet shade has been ground around the fitter and has a crack approximately 3” long around the fitter, all concealed when the shade is in place. One lily shade has a shell-shaped flake at the fitter which is concealed when in place. Parts of the fixture appear to have enhanced gilding. Sockets and wiring have been replaced. 51362-38 (10,000-15,000)

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Session 1 1103.

TIFFANY STUDIOS DOGWOOD TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with all over dogwood pattern. The design is done with pink and white dogwood flowers against a shaded blue sky background with confetti glass background on the lower half of the shade. The skirt of the shade is bordered at top and bottom by geometric bands of heavily mottled light green glass. Signed on the inside rim with applied small tag “Tiffany Studios New York”. Shade rests on a decorated base, with four pad feet surrounding the round, bulbous platform, with stylized onion design. The stem of the base is decorated with applied bronze wire curlicues. Base is complete with 3-socket cluster, 3-arm spider and replacement heat cap. All finished in a medium brown patina with subtle green highlights. SIZE: Shade 18” dia. Lamp 25” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade is very good to excellent with only a few tight hairlines. Base is very good with some minor wear and discoloration to patina. 51362-8 (30,00050,000)

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Session 1 1104.

TIFFANY STUDIOS LOTUS TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in the lotus design, in mottled and striated green and cream panels. The shade is signed on the underside “Tiffany Studios New York 1524”. The shade rests on a Tiffany Studios bronze base with decorated round platform foot leading to the long, slender stem with 3-arms rising to support the shade ring. The base is complete with a 6-socket cluster and is finished in a rich, deep brown patina. Signed on the underside “Tiffany Studios New York 374”. SIZE: Shade 26” dia. Lamp 32” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade is very good to excellent with very few, if any, tight hairlines. Base is very good to excellent. Rewired with appropriate cloth cord. 51362-13 (60,000-80,000)

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Session 1

1105. TIFFANY STUDIOS STALACTITE PENDANT LAMP. Tiffany Studios pendant lamp has stalactite shade with gold iridescent hooked feather design, ascending from the point and a heavy gold iridescent chain design surrounding the shoulder all against a creamy yellow background. The shade is supported by a bronze fixture with a single stem and center Viking ball which supports three bronze ball chains suspending the shade. The bronze is finished in a rich brown patina with green highlights. Shade is numbered “S4472”, otherwise unsigned. SIZE: 26” from ceiling to bottom of shade. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade has a small chip to the fitter which is completely concealed when in place. Bronze hardware has some minor wear and discoloration to patina. Rewired with contemporary plastic cord. 51362-36 (3,000-5,000)

Lot 1105 1106.

TIFFANY STUDIOS STALACTITE PENDANT LAMP. Tiffany Studios pendant lamp has favrile glass stalactite shade with gold iridescent hooked feather design ascending from the bottom with a bright gold iridescent chain design surrounding the shoulder all against a creamy clam broth background. The shade is suspended from a bronze single stem with Viking ball center and three bronze ball chains. Bronze is finished in a rich brown patina with green highlights. Unsigned. SIZE: 27” from ceiling to bottom of shade. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade is very good to excellent. Bronze hardware is very good with some minor wear and discoloration to patina. Set screw that holds ceiling cap in place is stripped. 51362-131 (3,000-5,000)

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Session 1 1107.

TIFFANY STUDIOS TURTLEBACK TABLE LAMP. Tiffany Studios table lamp has leaded shade with a single row of pressed turtleback jewels surrounding the side against a background of heavily mottled green geometric panels. Signed on interior edge “Tiffany Studios New York 1570-3”. The shade rests on a reticulated pineapple base with green blown-out glass stem and cast bronze stylized leaf feet resting on a wavy stepped platform. The lamp is complete with 6-arm cluster and original acid etched cap. The bronze is finished in rich brown patina with green highlights. Stamped on underside “Tiffany Studios New York 28610”. SIZE: Shade 16” dia. Lamp 23” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade is very good to excellent with only a few tight hairlines. Base is very good to excellent. Rewired with appropriate cloth cord. 5136214 (30,000-50,000)

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Session 1 1108.

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TIFFANY STUDIOS DOGWOOD FLOOR LAMP. Impressive Tiffany Studios floor lamp has leaded glass shade with all over dogwood design and unusual irregular floral lower border. The dogwood flowers are done in yellow and cream colored glass, as well as some in confetti glass. Leaves and stems are done in green glass, all against a confetti glass background. Shade is signed with applied tag on the interior “Tiffany Studios New York”. Shade rests on a senior decorated floor base with stylized onion decoration around the platform with bronze wire tendrils climbing the stem. Three bronze arms support the shade ring which extends above the 6-socket cluster. The base is finished in a rich brown patina with strong green highlights. An acid etched pigtail heat cap completes the lamp. Base is signed on the underside “Tiffany Studios New York 376”. SIZE: Shade 32” dia. Lamp 75” to top of pigtail. PROVENANCE: From an Unreserved Texas Estate; Shade: Sotheby’s, December 4, 1999, Lot # 433. CONDITION: Shade has a few tight hairlines with no missing glass, otherwise very good. Base very good to excellent. 51362-15 (100,000-150,000)

Session 1 51

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Session 1 1109.

TIFFANY STUDIOS PEONY TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with bright red and pink peonies and striated green leaves and stems all against a confetti glass background. Shade is signed on the inside rim “Tiffany Studios New York”. Shade rests on a Tiffany Studios bronze base has onion design surrounding the round foot, with stems climbing the side of the base. Base is complete with 3-socket cluster and acid etched heat cap all finished in a rich brown patina with subtle green highlights. Signed on the underside “Tiffany Studios New York 368”. SIZE: Shade 18” dia. Lamp 25” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade is very good with some tight hairlines. Base is very good to excellent with only minor wear and discoloration to patina. Rewired with appropriate cloth cord. Heat cap has different patina than base. 51362-47 (35,000-55,000)

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Session 1 1110.

TIFFANY STUDIOS TULIP TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with pink and orange tulip flowers, mottled green stems and leaves all set against a blue, white and cream striated background. Signed on interior rim “Tiffany Studios New York”. The shade rests on a Tiffany Studios bronze base with bullet-shaped body supported by 3-arms rising from the square platform base. The base is complete with single socket, 3-arm cluster and replacement slip cap. Finished in rich brown patina with red and green highlights. Signed on the underside with applied round bronze tag “Tiffany Studios New York 444” and impressed with the Tiffany Studios logo. SIZE: Shade 14” dia. Lamp 22” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade is very good with some tight hairlines. Base is very good to excellent with minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51362-75 (20,000-30,000)

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1111.

TIFFANY STUDIOS CLEMATIS CHANDELIER. Tiffany Studios leaded chandelier has all over clematis design with white clematis flowers and green leaves, all against a confetti glass background. The shade has beaded trim around the bottom rim and is complete with original acid etched cap and bronze chain. There is no ceiling cap. The chandelier is complete with a 6-socket cluster and is signed on the inside rim with applied small tag “Tiffany Studios New York”. The hardware is all finished in a rich brown patina. SIZE: Shade 29” dia. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade is very good with several tight hairlines, but no spider cracks or missing glass. 51362-18 (40,00060,000)

Session 1

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Session 1 1112.

TIFFANY STUDIOS MOSAIC PEACOCK CHANDELIER. Tiffany Studios chandelier has peacock feather mosaic pattern done in iridescent favrile glass with colors of pink, blue, purple and green. This design is finished with a green swirled peacock eyes. The iridescent favrile glass is set against a solid bronze flat conical shade. The chandelier is illuminated by an early 6-socket cluster and is suspended by three bronze chains and is completed with a translucent opalescent ball shade in the center. The hardware is not original Tiffany. A similar shade is pictured in the book The Lamps of Tiffany by Dr. Egon Neustadt on page 67, photograph number 96. In Dr. Neustadt’s description, he states that no other shade like this was known at the time. This shade was originally found in a warehouse in New Jersey. SIZE: 36” dia. Approx 27” from ceiling to bottom of ball shade. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. There is some minor wear and discoloration to patina on topside of shade. 51362-80 (40,000-60,000) 55

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Session 1

1113. DAUM NANCY BLACKBIRD VASE. Daum pedestal form cameo and enameled vase is decorated with snowy forest scene of barren trees with eight roosting blackbirds and seven blackbirds in flight, all set against a mottled pale blue and bright yellow background. Signed on the underside with black enameled “Daum Nancy” and Cross of Lorraine. SIZE: 6” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-5 (5,000-7,000)

Lot 1113

1114.

DAUM NANCY SWAN VASE. Daum vase has tall oval body decorated with a white cameo swan swimming in a pond with white and green cameo trees and grasses framing the swan and extending around to the backside of the vase with subtle yellow highlights throughout. Cameo is enhanced with gray enamel shading. Signed on the underside in black enamel “Daum Nancy” with the Cross of Lorraine. SIZE: 8-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Top rim of vase has been professionally repaired, otherwise very good. 51362-25 (5,000-7,000)

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1116. DAUM NANCY WHEEL-CARVED VASE. Exceptional Daum vase has cameo floral design surrounding the bulbous squat body. The flower stems and leaves are done in green, orange and yellow set against a frosted martelé background. The bottom of the vase as well as the top of the neck have martelé decoration exposing various layers of orange, yellow and green. Signed on the underside with engraved signature “Daum Nancy” and Cross of Lorraine. SIZE: 9-3/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-2 (5,000-7,000)

Lot 1115 1117.

DAUM NANCY RAIN SCENE VASE. Daum shouldered vase with flared rim is decorated with cameo and enamel barren forest scene with diagonal rain drops, against a green, pink and clear acid textured background. Signed on side of foot with black enameled “Daum Nancy” and Cross of Lorraine. SIZE: 7-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-29 (4,0006,000)

Lot 1116 57

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Session 1

1115. DAUM NANCY WINTER SCENE VASE. Daum baluster form vase has cameo and enameled winter scene of barren trees and snow covered ground. The trees are enameled in detailed shades of brown with enameled white patches of the snow caught on the bark, set against a mottled yellow and orange winter sky background. Signed on the underside “Daum Nancy” with Cross of Lorraine and artist initial “M”. SIZE: 14” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-59 (4,000-6,000)

Session 1

1118. DAUM NANCY PEACOCK VASE. Rare Daum vase has dark green acid-textured cameo peacock feathers against a mottled dark purple graduating to light blue background. Peacock feathers have applied and polished blue and turquoise center with very dark purple/ black eyes. Signed in cameo on side of vase, “Daum Nancy” with Cross of Lorraine. SIZE: 6” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-53 (4,0006,000)

Lot 1118

1119.

DAUM NANCY SEAGULL VASE. Daum vase has opalescent acid textured body with three cameo seagulls in flight which are further decorated with gray enamel defining the feathers, a gray enamel sea turtle raises its head from the ocean below, and a setting sun with cameo sun rays highlighted with gilding, lower portion of vase with carved and enameled waves, and top and bottom rim finished with gilding. Vase is signed on the underside in gold “Daum Nancy” with the Cross of Lorraine. SIZE: 8” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-55 (4,000-6,000)

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Lot 1120 1121.

DAUM NANCY CAMEO LAMP. Daum Nancy lamp has vitrified cameo layer of green and white grasses and trees extending up the body of the lamp and shade, both over a green shading to purple mottled background, with stylized three-arm metal shade support and frayed contemporary cloth cord. Signed on both underside of base and lower shade rim with etched “Daum Nancy” and Cross of Lorraine. SIZE: 14” t x 5” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Minor roughness around foot from acid cutting, otherwise very good to excellent. 51362-20 (3,0005,000) 59

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Session 1

1120. DAUM NANCY WINTER SCENE VASE. Daum cameo vase is decorated with cameo and enamel winter scene of barren trees, ground and forks of the trees are enameled with white snow; all set against an acid textured background of mottled orange and yellow. Signed on the underside with black enamel “Daum Nancy” with Cross of Lorraine. SIZE: 9-3/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 5136268 (4,000-6,000)

Session 1

1122. DAUM NANCY SWAN VASE. Exceptional Daum vase has three white cameo swans, trees and foliage against a mottled light blue background. Cameo trees and foliage at top and bottom of vase have vitrified green highlights in the white, swans have gray and black enameled highlights with yellow beaks and pond grasses in the background are enameled gray. Faintly signed on the underside with black enamel “Daum Nancy” with Cross of Lorraine and artist initials. SIZE: 4-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-26 (3,000-5,000)

Lot 1122 1123.

DAUM NANCY PEACOCK FEATHER VASE. Rare Daum vase has green vitrified cameo peacock feathers against a mottled purple shading to light blue background. Peacock feathers have wonderful blue centers with dark violet eyes. The peacock eyes are applied and wheel-polished while the feathers are acid textured. Signed on the side in cameo “Daum Nancy” and Cross of Lorraine. SIZE: 3-1/2” t x 5” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-54 (3,000-5,000)

Lot 1123

1124. DAUM NANCY BLACKBIRD VASE. Daum cameo and enameled pillow-form vase is decorated with snow-covered trees and ground with five roosting blackbirds and six blackbirds in flight, set against a mottled light blue background. Signed on the underside “Daum Nancy” with Cross of Lorraine. SIZE: 4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-6 (3,000-5,000)

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Lot 1125

1126. DAUM NANCY WHEEL-CARVED CAMEO VASE. Daum vase has bulbous body and slender tapered neck with flared rim decorated with rich burgundy cameo layer of detailed carved flowers, vines and damselfly, all set against a pale blue heavily acid textured background. Signed on the undersigned with etched “Daum Nancy” and Cross of Lorraine. SIZE: 11” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-3 (3,000-5,000)

Lot 1126

1127. DAUM NANCY WINTER SCENE VASE. Daum bottle shaped vase has cameo and enameled winter scene of barren trees and snow covered ground. The trees are nicely enameled in shades of brown with enameled white patches of the snow caught on the bark, set against a mottled yellow and orange winter sky background. Signed on the underside “Daum Nancy” and Cross of Lorraine. SIZE: 6-1/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-63 (3,000-5,000)

Lot 1127 61

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Session 1

1125. DAUM NANCY PINE CONE SCENIC VASE. Daum vase has bulbous base with tapered and flaring neck is decorated with cameo and enameled pine cones and barren branches above an enameled scene of marsh and trees, set against an acid-textured background shading from clear at the base to mottled pink at the horizon to mottled yellow on the neck. Signed in enamel on side of vase “Daum Nancy” and Cross of Lorraine. SIZE: 16-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-1 (2,500-3,500)

Session 1

1128. DAUM NANCY DUTCH SCENE VASE. Daum vase with pinched upper rim has cameo and enameled Dutch winter scene with windmills and snow covered houses next to pond with snow covered shore, all set against a mottled white background with band of mottled orange in center. Signed on underside with black enamel “Daum Nancy” and Cross of Lorraine with enameled artist initial on side of vase. SIZE: 4-1/2” t x 6” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-56 (2,500-3,500)

Lot 1128 1129.

DAUM NANCY CAMEO AND MARTELÉ CENTER BOWL. Large oval Daum center bowl with flared rim has red cameo flowers over an opalescent background, bowl is finished with carved martelé pattern in the background. Signed on the underside with etched signature “Daum Nancy” and Cross of Lorraine. SIZE: 5-1/4” t x 16” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Top rim has been ground with a few minuscule nicks present, one area on underside that appears to be a factory polishing of an open bubble, otherwise very good. 51362-4 (2,5003,500)

Lot 1129

1130. DAUM NANCY RAIN SCENE VIDE POCHE. Daum vide poche is decorated with cameo and enameled windswept scene of trees in rain. Trees are enameled in shades of brown, all against mottled green, pink and clear frosted background. Signed on underside with etched “Daum Nancy” and Cross of Lorraine. SIZE: 1-1/4” t x 5-1/2” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Edges of tray have elongated open bubbles near rim from the manufacture that have been polished by the factory, otherwise very good. 51362-32 (2,000-3,000)

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1132. DAUM NANCY WINTER SCENE VASE. Daum cameo vase is surrounded by a grove of barren trees with nicely detailed enamel bark. Ground and branches of the trees are enameled with white snow. All set against an acid textured background of dark green shading to mottled orange and yellow. Signed on the underside with black enameled “Daum Nancy” with Cross of Lorraine. SIZE: 10” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-62 (4,0006,000)

Lot 1131

1133.

DAUM NANCY RAIN SCENE TUMBLER. Daum tumbler is decorated Lot 1132 with cameo and enamel barren forest scene with diagonal rain drops, against a green, pink and clear acid textured background. Signed on underside “Daum Nancy” with Cross of Lorraine, also retains Heritage Auction tag “Lot#:70007” and “Auction#:5046”. SIZE: 5” t. PROVENANCE: From an Unreserved Texas Estate, previously Heritage Auction #5046, Lot#70007, December 2010. CONDITION: Vase has two very faint internal stress lines at the widest part of the vase body, otherwise very good. 51362-28 (2,000-3,000)

Lot 1133 63

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Session 1

1131. DAUM NANCY SWAN VASE. Well executed Daum ovoid vase has pinched, crimped and flared top rim, decorated with cameo and enamel pond scene of white and green trees, grasses and swimming swan on front and reverse, detailed with black enamel highlights, all set against a pale blue background. Signed on the underside with black enamel “Daum Nancy” with Cross of Lorraine. SIZE: 5” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-27 (2,000-3,000)

Session 1

1134. DAUM NANCY WHEEL-CARVED CAMEO VASE. Daum vase is decorated with cameo and wheel-carving of pink wild roses with dark green cameo leaves, vines and buds, all set against an opalescent acid-textured background. Signed with etched signature on the underside “Daum Nancy” with Cross of Lorraine. SIZE: 10-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-57 (2,500-3,500)

1135. DAUM NANCY GLASSBLOWER VASE. Rare Daum vase is decorated with cameo figures of ancient glassblowers around fires. The gloss figures and fires are cut against a heavily acid textured background of rich burgundy over clear, further decorated with gilded highlights in the two fires. Signed on the underside with etched “Daum Nancy” and Cross of Lorraine. SIZE: 5-3/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-132 (1,500-2,500)

Lot 1134

Lot 1135 1136. DAUM NANCY CAMEO & ENAMEL WINTER SCENE BASKET. Daum cameo basket has winter scene of cameo barren trees rising from an enameled white snow covered ground. The trees are enameled in shades of brown with white enameled patches of snow clinging to the trees. All set against a mottled yellow shading to orange background, finished with applied frosted glass handle. Signed on underside “Daum Nancy” with the Cross of Lorraine. SIZE: 7” t x 6” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Minor roughness on ground upper rim, otherwise very good. 51362-61 (3,000-5,000)

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Lot 1137 1138.

DAUM NANCY WINTER SCENE PILLOW VASE. Daum pillow vase is decorated with cameo and enamel scene of barren trees with white enamel snow on the ground and tree branches, against an acid textured yellow/ orange mottled background. Signed on the underside with enameled “Daum Nancy” with Cross of Lorraine. SIZE: 4-3/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good with two small nicks on upper rim. 51362-66 (2,500-3,500)

Lot 1138

1139. DAUM NANCY SWAN VASE. Daum vase is decorated with cameo and enameled pond scene showing white and green foliage with swan on the water on front and reverse, all set against a mottled pale blue background. Signed on the underside with black enamel “Daum Nancy” with Cross of Lorraine. SIZE: 3-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-72 (1,500-2,500)

Lot 1139 65

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Session 1

1137. DAUM NANCY BLACKBIRD VASE. Daum four-sided vase has rounded body and pinched upper rim with a light blue to gray background, decorated with a design of cameo and enameled blackbirds with four perched in heavily enameled barren winter trees and three in flight. Signed on the underside with black enameled “Daum Nancy” and Cross of Lorraine. SIZE: 2-3/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-7 (2,000-3,000)

Session 1 1140.

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DAUM NANCY WINTER SCENE CAMEO LAMP. Daum lamp base and shade have cameo decoration of barren trees rising from enameled snow covered ground. Trees are enameled in shades of brown nicely depicting bark, small patches of white enameled snow cling to trees. Clusters of enameled trees can be seen in distance all against a mottled yellow and orange sky, shade rests on forged iron collar with three arm spider. Lamp has single socket under shade and single socket inside base. Signed on underside of base in black enamel “Daum Nancy” with Cross of Lorraine. SIZE: 14” t x 7-1/2” dia. PROVENANCE: From an Unreserved Texas Estate. CONDITION: One tiny flake from an open bubble on the shade rim, otherwise very good. 51362-58 (8,000-12,000)

Lot 1141

1142.

DAUM NANCY CAMEO TIGER LILY VASE. Large Daum vase with rounded body and flared rim is decorated with purple cameo Tiger Lily blossoms, stems and leaves set against a heavily mottled yellow and white acid-textured background. Signed in cameo on the side of vase “Daum Nancy” with Cross of Lorraine. SIZE: 12-1/4” t x 9-3/4” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Some light surface scuffing around bottom of vase, otherwise very good. 51362-49 (1,500-2,500)

Lot 1142 1143. DAUM NANCY WINTER SCENE BOWL. Daum bowl has crimped top rim and is decorated with cameo and enameled winter scene of barren trees and snow covered ground. The trees are enameled in detailed shades of brown with enameled white patches of the snow caught on the bark, set against a mottled orange winter sky background, with yellow mottling under the snow at lower portion of bowl. Signed on the underside with black enameled “Daum Nancy” and Cross of Lorraine. SIZE: 2-1/4” t x 4-3/4” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-65 (1,500-2,500)

Lot 1143 67

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Session 1

1141. DAUM NANCY BLACKBIRD COVERED BOX. Daum covered box in ovoid shape is decorated with cameo and enameled scene of barren snowcovered ground and trees with five roosting blackbirds on one side and five blackbirds in flight on the reverse, all set against a pale blue and white mottled background. Signed on the underside with black enamel “Daum Nancy” with Cross of Lorraine and artist initials. SIZE: 3” t x 5” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-71 (2,000-3,000)

Session 1

1144. DAUM NANCY WINTER SCENE TUMBLER. Daum tumbler is decorated with scene of cameo and enameled barren trees and snowy foreground against a mottled yellow acid-textured background. Signed on the underside with black enamel “Daum Nancy” with Cross or Lorainne. SIZE: 5” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-67 (2,000-3,000)

Lot 1144

1145. DAUM CAMEO GLASS SCONCE. Daum sconce has cameo glass shade with mottled green, amber and yellow stylized cameo leaves descending from the fitter against and acid textured green shading to clear, frosted background. The shade is signed in cameo “Daum Nancy” with the Cross of Lorraine. Shade is housed in a silvered metal fixture depicting a large, long-necked bird with open wings supporting the shade holder in its beak, with stylized flowers and vines below. Fixture is unsigned. SIZE: Shade 6” l. Fixture 8” l. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Some very minor roughness to edge of fitter on shade. Silvered finish on sconce has some minor wear and discoloration, otherwise very good to excellent. Rewired with contemporary plastic cord. Porcelain socket appears to be replacement. 5136284 (1,000-1,500)

Lot 1145

1146. DAUM NANCY RAIN SCENE VASE. Daum square shaped vase is decorated with cameo and enameled scene of barren trees in driving rain, set against a mottled green pink and clear acid textured background. Signed in black enamel on side of vase “Daum Nancy”. SIZE: 4-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Top rim has a few tiny fleabites, otherwise very good. 51362-30 (1,000-2,000)

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Lot 1147 1148.

DAUM NANCY WINTER SCENE COLOGNE BOTTLE. Daum cologne bottle has cameo and enameled winter scene of barren trees and snow covered ground. The trees are nicely enameled in shades of brown with white patches of snow caught on the bark, all set against a mottled yellow and orange background. Signed on the underside “Daum Nancy” with the Cross of Lorraine as well as initials “L.C.” and “J.B.”. SIZE: 5” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent, no stopper present. 51362-64 (2,500-3,500)

Lot 1148 1149. D AUM NANCY WINTER SCENE BOWL. Daum bowl has crimped top rim and is decorated with cameo and enameled winter scene of barren trees and snow covered ground. The trees are enameled in detailed shades of brown with white patches of the snow caught on the bark, set against a mottled yellow and orange winter sky background. Signed on the underside with black enameled “Daum Nancy” and Cross of Lorraine. SIZE: 2-1/2” t x 4-3/4” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-69 (1,500-2,500)

Lot 1149 69

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Session 1

1147. DAUM NANCY WINTER SCENE VIDE POCHE. Daum vide poche is decorated with cameo and enameled winter scene of barren trees and snow covered ground. The trees are enameled in detailed shades of brown with enameled white patches of the snow caught on the bark, set against a mottled yellow and orange winter sky background. Signed on the underside with black enameled “Daum Nancy” and Cross of Lorraine. SIZE: 1-3/4” t x 5-1/4” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent. 51362-60 (2,000-3,000)

Session 1

1150. DAUM NANCY RAIN SCENE TUMBLER. Daum tumbler is decorated with cameo and enamel barren forest scene with diagonal rain drops, against a green and clear acid textured background. Signed on underside with carved “Daum Nancy”. SIZE: 3-1/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Top of vase has been reduced, otherwise good. 51362-31 (800-1,200)

Lot 1150

1151. DAUM NANCY CAMEO SHADE AND DESK LAMP. Daum Nancy art glass shade has cameo layer of rich brown vines and berries with burgundy leaves over a mottled yellow and pink background, accompanied by electrified piano/desk lamp with reticulated arm and plastic cord. Shade signed with cameo “Daum Nancy” and Cross of Lorraine. SIZE: Shade 5-1/2” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Shade has one shallow flake on fitter rim, concealed when mounted, otherwise very good to excellent. Lamp base finish is worn, otherwise good. 51362-48 (600-900)

1152. DAUM NANCY THISTLE VASE. Daum diminutive vase has bulbous body and Lot 1151 cylindrical neck decorated with cameo and enameled thistle plant set against a striated opalescent and yellow acid textured background, further decorated with gold gilded accents on plant edges and upper rim. Signed on the underside with etched “Daum Nancy” and Cross of Lorraine. SIZE: 4-3/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very minor wear to gilded top rim, otherwise very good to excellent. 51362-70 (400-600)

Lot 1152 1153.

End of Unreserved Texas Estate Collection

SPECIAL DANA-FARBER CANCER INSTITUTE LOT. This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please note, the hammer price of the lot will be matched dollar for dollar up to a $1,000 match and donated to the Dana-Farber Institute, commonly known as the “Jimmy Fund” locally. Founded in Boston in 1947, Dana-Farber Cancer Institute is worldrenowned for its leadership in adult and pediatric cancer treatment and research. Your gift provides Dana-Farber with crucial dollars that can be directed where and when they are needed the most. Thank you for your participation. CONDITION: Very good. 52091-1 (300-400)

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Session 1

Beginning of Unreserved Estate of Lynda Cunningham

1154. STEVEN STELZ PATE DE VERRE PLAQUE. Scenic plaque by contemporary glass artist Steven Stelz depicts a spring field with yellow wild flowers in bloom and darkening woods in the background. The plaque is mounted in a gold leaf frame with patterned panels. Plaque is signed in the lower right hand corner “S. Stelz”. SIZE: Overall: 24” t x 19” w. Plaque: 15-1/2” t x 11” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some typical craquelure to the plaques surface. Frame shows some minor wear to gold leaf. 51361-105 (1,200-1,800)

Lot 1154 1155.

STEVEN STELZ PATE DE VERRE SCENIC PLAQUE. Scenic plaque by contemporary glass artist Steven Stelz depicts a field of wildflowers in orange, yellow, green and blue with colorful trees in the distance. Signed in the lower right hand corner in red “S. Stelz”. The plaque is housed in a gold leaf frame. SIZE: Overall: 31” w x 22-1/2” t. Sight: 20-1/4” w x 117/8”. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Plaque is very good to excellent. There is craquelure which is typical in the pate de verre process and from the making. Some minor wear to gold leaf on the frame. 51361-106 (1,200-1,800)

Lot 1155

1156. STEVEN STELZ PATE DE VERRE SCENIC PLAQUE. Scenic plaque by contemporary glass artist Steven Stelz has landscape design of a meadow full of wildflowers with majestic trees surrounding. Signed in the lower left in red “S Stelz”. The plaque is housed in a gold leaf frame with textured design in the frame panels. SIZE: Overall: 24” w x 22” t. Sight: 15-1/2” w x 131/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Plaque is very good to excellent. There is craquelure which is typical in the pate de verre process from the making. Frame is very good with some light wear to gold leaf. 51361-107 (1,200-1,800)

Lot 1156 71

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Session 1

1157. H ANDEL METAL OVERLAY CATTAIL TABLE LAMP. Handel table lamp has metal base with ribbed shaft and single socket. Base is finished in dark brown and signed on the underside with impressed block letters “Handel”. Base supports a metal overlay shade with eight bent panels of caramel slag glass. Each panel is overlaid with metal outlining cattails and leaves. The leaves are painted green and the cattails brown. Shade is unsigned. SIZE: Shade 19-1/2” dia. Lamp 22-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade is very good to excellent. Base is very good with some minor blistering to finish. Rewired with appropriate cloth cord. 51361-64 (3,000-5,000)

Lot 1157

1158.

HANDEL REVERSE PAINTED SCENIC TABLE LAMP. Handel table lamp has a metal base with stylized leaf design decorating the side. The lamp is complete with 3-socket cluster and cap with square cut-outs. Base is finished in dark brown. Signed on the underside with impressed block letters “Handel”. The base supports a reverse painted shade with scenic design of autumn trees and an orange stormy sky. Signed on inside edge “7118” and artist signed “Palme”. SIZE: Shade 17-3/4” dia. Lamp 25-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base and shade are very good to excellent. Base has been rewired with appropriate cloth cord. 51361-66 (3,000-5,000)

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Lot 1159 1160.

TWO HANDEL MOSSERINE TABLE LAMPS. 1) Handel table lamp has metal base with square foot and vertical ribbing up the shaft to the 3-socket cluster. The base supports a brown Mosserine shade with Arts & Crafts decoration. Marked on the inside “Brown Handel 5635”. 2) Handel table lamp has metal base with ribbed stem and 3-socket cluster. The base has a mat finish on the lower half of the shaft and a brown glossy finish on the upper stem. The base supports a green Mosserine shade with Arts & Crafts design. Shade is marked on the interior “Mosserine Handel 5189”. SIZE: Shades 14” dia. Lamps 23-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: 1) Shade is very good to excellent. Base has some Lot 1160 spotty corrosion and pitting to finish. Rewired with contemporary plastic cord. 2) Shade is very good with one tiny flea bite to underside of rim. Base has some minor pitting. Rewired with contemporary plastic cord. 51361-72 (1,500-2,500)

1161. HANDEL DOUBLE STUDENT LAMP. Handel Arts & Crafts double student lamp has square foot with impressed berry design extending up the shaft with two arms securing the Arts & Crafts shades with metal overlay surrounding the curved glass shades. The shade frames are finished in dark brown, while the base is brown with green highlights. Each shade is signed inside the fitter with applied tag “Handel”. Base is signed on the underside with applied cloth tag “Handel”. SIZE: 22” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. Lamp has been rewired with appropriate cloth cord. 51361-74 (1,000-1,500)

Lot 1161 73

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Session 1

1159. HANDEL METAL OVERLAY TABLE LAMP. Handel table lamp has metal base with octagonal foot and shaft, leading to a 3-socket cluster and heat cap with square cut-outs. The base has a rich brown finish and supports a shade with eight caramel slag bent glass panels. Each decorated with a metal overlay leaf design. The glass panels are painted in green behind each leaf. Base is signed on the side of the foot “Handel”. Shade is unsigned. SIZE: Shade 17-1/4” dia. Lamp 21-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Lamp is very good to excellent with some very minor wear to finish on base. 51361-73 (1,200-1,800)

Session 1

1162. HANDEL MOSSERINE FLOOR LAMP. Handel floor lamp has metal base with stylized leaf design encircling the foot. A simple slender stem leads to the harp. The base is finished in dark brown and is unsigned. The lamp houses a brown Mosserine shade with chipped ice exterior and bright white interior. Shade is signed on the inner edge “Handel 6068 1/2”. SIZE: Shade 9-3/4” dia. Lamp 58-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade is very good to excellent. Base is very good with some wear to finish. 51361-36 (1,000-1,500) 1163. HANDEL FLOOR BASE. Handel floor base is decorated with a stylized flower on the top of the foot, leading to a sectioned shaft which supports four gooseneck sockets and complete with an openwork fleur-de-lis cap. Base is finished in reddish-brown. Signed on the underside in block letters “Handel”. SIZE: 65” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to finish. Screw that holds cap in place is stripped out. 51361-161 (1,500-2,500)

Lot 1162

1165.

Lot 1163

1164. QUEZAL ART GLASS LAMP. Quezal lamp has metal base with simple round foot and slightly flaring shaft and is finished in black. The base supports a Quezal decorated globe with gold iridescent leaf and vine against a yellow shading to translucent amber background. Shade is signed in the fitter “Quezal”. SIZE: Globe is 8” dia. Lamp 20-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good with some minor blistering to finish. Rewired with appropriate cloth cord. Shade is very good with a small bruise on bottom edge of fitter which is completely concealed when shade is in place. 51361-21 (1,000-1,500)

HANDEL OBVERSE PAINTED BOUDOIR LAMP. Handel boudoir lamp has tree trunk base with 3-arm spider and single socket. The base is finished in dark brown and supports an obverse painted shade with solid green body and a stylized floral band encircling the bottom of the shade. Shade is signed on the inside edge “Handel 5049”. SIZE: Shade 6-7/8” dia. Lamp 14” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: There is a small flake on the top outside edge of the shade and a small bruise on the top inside of the shade. Rewired with appropriate cloth cord. 51361-43 (600-900)

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Lot 1165

Lot 1166

1167.

HANDEL LAMP BASE. Handel lamp base has round, light ribbed inverted saucer foot and slightly flaring shaft leading to a 3-socket cluster and fleurde-lis heat cap. The base is finished in a rich brown and signed on the underside with applied cloth tag “Handel”. SIZE: 23” t. CONDITION: Very good to excellent with some minor blistering to finish. 51361220 (400-600)

1168.

HANDEL LAMP BASE. Handel lamp base has square platform foot and square shaft leading to a 2-socket cluster. The base is complete with a fleurde-lis heat cap and ball finial and is finished in dark brown. Signed on the underside with applied cloth tag “Handel”. SIZE: 21” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-205 (300-500)

Lot 1167 75

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Session 1

1166. TWO HANDEL LAMP BASES. 1) Handel Art Nouveau lamp base has random ribbing flowing down the side of the base and curving into a ruffled foot. The base has a 4-light cluster with acorn pulls and is topped with an openwork fleur-de-lis cap generally used with Handel leaded shades. Finished in rich brown with green highlights. Signed on the underside with impressed signature “Handel”. 2) Handel Art Nouveau lamp base has random ribbing flowing down the side of the base and curling into a ruffled foot. This base has a 3-light socket cluster and large crescent cut-out heat cap. Finished in rich brown with green highlights. Signed on the underside with applied cloth tag “Handel”. SIZE: 1) 29-1/2” t. 2) 26-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: 1) Very good to excellent with some very minor blistering to finish. 2) Very good to excellent. 51361-68 (8001,200)

1169.

Session 1

PAIR ART NOUVEAU THREELITE SCONCES. Pair of bronze sconces have classic Art Nouveau design with flowing tendrils and the face of Medusa with snakes in her hair. The sconces are finished in a medium brown patina with subtle green highlights. Two chains hang from Medusa’s hair; one holding a candle snuffer. Each sconce is marked on the backside with a Swastika “CH” along with numbers inside the Swastika squares. SIZE: 13” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: One candle light has Lot 1169 come loose from its support arm and one support arm on the same sconce is slightly loose. Patina has some wear and discoloration. 51361-126 (600-900)

1170. STEUBEN INTARSIA ART GLASS SHADE. Steuben art glass shade has green lightly iridescent domed body with vertical bands of lighter green shading. The shade is finished with an applied Intarsia rim with green and white entwined bands against a gold iridescent background. Unsigned. SIZE: 12” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Roughness and chipping around fitter rim, otherwise very good to excellent. 51361-109 (1,000-1,500)

Lot 1170

1171.

PAIR OF HANDEL ARTS & CRAFTS SHADES. Pair of Handel shades have metal Arts & Crafts design frame with bent panels of brown, green and cream slag glass. The metal frame work is finished in rich brown. Each shade is signed within the fitter with applied metal tag “Handel”. SIZE: Shade 6” t x 3-1/4” fitter. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. One tab holding the glass in place appears to be a replacement. 51361-208 (400-600)

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Lot 1172

1173.

SIX PULLED FEATHER ART GLASS SHADES. Six art glass shades with squat bodies and wide curled rim. Each has green pulled feather design descending from the lip against cream colored background. Each pulled feather is outlined in gold iridescence. One shade is translucent while the other five are opaque and each shade except for the translucent one has gold iridescent interior. Each of the shades carries a spurious “L.C.T.” signature. SIZE: 4-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: The translucent shade has two small flakes on the fitter rim. One shade has a metal fitter rim, the other four are very good to excellent. 51361-119 (1,000-1,500)

Lot 1173

1174. FOUR PULLED FEATHER ART GLASS SHADES. Four art glass shades have gold pulled feather design descending from the fitter. Each pulled feather is outlined in green and set against a gold iridescent background. Inside of each shade is finished in bright gold iridescence. While each shade has basically the same pattern, they are each somewhat unique and may come from different manufacturers. Each shade is unsigned. SIZE: Range from 4-1/2” to 5-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: All are very good to excellent. 51361-114 (800-1,200)

Lot 1174 77

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Session 1

1172. HANDEL HAWAIIAN SUNSET SHADE. Handel shade has six panels with metal overlay of palm trees against a background of sunset glass. The sunset glass appears to be striated dark red when unlit and when lit, it becomes fiery orange depicting a Hawaiian sunset. The metal frame and overlay are finished in dark brown and green and brown striated glass make up the skirt border. Signed on the side near fitter rim “Handel”. SIZE: 7” dia at widest. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Metal strap on one of the corners has been dented in several places, otherwise very good to excellent. 51361-135 (400-600)

THREE ART GLASS SHADES. 1) Art glass shade has heavily ribbed body and is finished in bright gold iridescence. 2) Art glass shade has green pulled feather decoration descending from the fitter against a creamy yellow background. The interior of the shade is bright white. 3) Gold iridescent art glass shade has lightly ribbed flaring body. The gold iridescence shows very strong pink highlights with subtle blue highlights. Each shade carries a spurious “L.C.T.” signature. SIZE: 1) 5-1/2” t. 2) 5-1/4” t. 3) 5-1/2” t. PROVENANCE: From the Unreserved Lot 1175 Estate of Lynda Cunningham. CONDITION: 1) Very good to excellent. 2) There are three areas of roughness on the edge of the fitter rim, otherwise very good. 3) Area, approximately 1” long, that is a very shallow flake off the top of the fitter rim. One other small shell-shaped flake on the side of the fitter. 51361-113 (600-900)

1176.

THREE QUEZAL PULLED FEATHER SHADES. 1) Squat body shade with slightly flaring rim is decorated with green pulled feather design descending from the fitter. Each pulled feather is outlined in gold iridescence against a cream colored background. Interior of shade is finished in gold iridescence shading to yellow. Signed in the fitter “Quezal”. 2) White pulled feather design encircling the entire body of the shade against a grey background. The shade is further decorated with gold iridescent pulled feathers encircling the entire shade. Signed in the fitter “Quezal”. 3) Art glass shade with Lot 1176 gold iridescent pulled feather design descending from the fitter. Each pulled feather is outlined in green iridescence against a creamy white background. Interior of the shade is finished in bright, gold iridescence. Unsigned, attributed to Quezal. SIZE: 1) 4” t x 5-1/2” dia. 2) 5-3/4” t. 3) 6” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: All are very good to excellent. 51361-115 (600-900)

1177.

LOT OF THREE ART GLASS SHADES. 1) Tiffany favrile shade has hexagonal shape and is finished in bright gold iridescence which shows subtle flashes of orange and pink. Signed in the fitter “L.C.T.”. 2) Art glass shade has double shoulder and slightly flaring lip and is finished in bright gold iridescence with strong pink and blue highlights. Unsigned. 3) Art glass tulip shade has rich gold iridescent exterior and a bright gold interior. Exterior has subtle pink flashes. Unsigned. SIZE: 1) 5-1/8” t. 2) 5” t. 3) 5-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: 2) Very minor roughness to the fitter rim, otherwise all are very good to excellent. 51361-117 (500-700)

Session 1

1175.

1178.

Lot 1177

TWO AUSTRIAN ART GLASS SHADES. 1) Dome shaped shade has irregular blue iridescent threading against a platinum iridescent background. The platinum iridescence shows very strong pink highlights while the blue iridescent threading shows flashes of green. Unsigned. 2) Austrian art glass shade attributed to Loetz has platinum iridescent oil spot decoration covering the entire shade. The shade is further decorated with a blue iridescent chain design encircling the side. Unsigned. SIZE: 1) 7-3/4” dia. 2) 3-3/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: 1)Minor roughness to outside edge of fitter rim, otherwise very good to excellent. 2) There is one small flake to side of fitter rim, otherwise very good to excellent. 51361-120 (400-600)

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Lot 1178

Lot 1179 (w/close-up) 1180.

TWO TIFFANY FAVRILE GLASS SHADES. Two Tiffany shades have green pulled feather design descending from the fitter with gold iridescent outlines around each pulled feather, all set against a cream colored background. One shade is signed “L.C.T.” and the other is signed “L.C.T. Favrile”. SIZE: 5” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Each shade has one tiny flake to the edge of the fitter, otherwise very good to excellent. 51361-112 (1,000-1,500)

Lot 1180 1181. FIVE TIFFANY GOLD FAVRILE ART GLASS SHADES. Five Tiffany gold favrile shades have vertically ribbed bodies and are finished in rich gold iridescence showing nice flashes of pink and blue. Each shade is signed “5-L.C.T. Favrile”. SIZE: 5” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: One shade has a small flake on the side of the fitter, otherwise all are very good to excellent. 51361111 (1,500-2,500)

Lot 1181 79

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Session 1

1179. TIFFANY FAVRILE ART GLASS SHADE. Tiffany art glass shade has green pulled feather design descending from the fitter with gold iridescent outline against a creamy light green background. The interior of the shade is red, shading to pink at the lip. Unsigned but numbered “S12308”. SIZE: 4-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: One tiny flake and minor roughness to the fitter rim, otherwise very good to excellent. 51361-188 (2,000-2,500)

1182.

Session 1

IFFANY STUDIOS T TURTLEBACK SHIELD LAMP. Tiffany Studios lamp has a turtleback base with bronze arm extending from the turtlebacks to support a 3-sided shield shade with green translucent striated glass, surrounding a center green iridescent turtleback tile in each of the three sections of the shield shade. The base is finished in a medium brown patina and signed on the underside “Tiffany Studios New York 4225”. SIZE: 14-1/2” t x 18” l. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-70 (3,000-5,000)

Lot 1182

1183.

TIFFANY GLASS & DECORATING COMPANY PEACOCK MIRROR. Tiffany Glass & Decorating Company peacock mirror has cast bronze frame with peacock feather design enhancing the base and back of the mirror, along with a stylized floral design framing the mirror. The eyes of each peacock feather in the base are set with iridescent favrile glass inlays. Circles throughout the stylized floral border are also set with small discs of blue iridescent glass. The bronze is finished in a rich reddish-brown patina and the round mirror has a rounded edge. Marked on the underside with the Tiffany Glass & Decorating Company logo and numbered. SIZE: 12-3/4” t x 12-1/4” w at the base. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-138 (2,500-3,500)

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Session 1 1184.

TIFFANY STUDIOS GREEK KEY TABLE LAMP. Tiffany Studios table lamp has bronze library base with four pad feet and loop decoration surrounding the top of platform. The pattern repeats itself around the shaft leading to a 3-arm spider and 3-socket cluster. The base is finished in a rich brown patina with green highlights and is signed on the underside “Tiffany Studios New York 28614” along with the Tiffany Glass & Decorating Company logo. The base supports a Tiffany Studios leaded glass shade with the Greek Key pattern encircling the skirt. Done in shades of yellow and amber, all against a green and cream mottled glass geometric background. Shade is signed on inside rim with small applied tag “Tiffany Studios New York”. SIZE: Shade 16” dia. Lamp 21-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent. Rewired with appropriate cloth cord. Shade has several replaced panels, along with numerous solder repairs to leading. No heat cap. 51361-65 (8,000-12,000)

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Session 1

1185. T IFFANY STUDIOS/STEUBEN FLOOR LAMP. Floor lamp has Tiffany Studios bronze base with five legs and lily pad feet. The base is finished in rich brown patina and the long slender stem leads to the counterbalance assembly. The base houses a Steuben brown Aurene dome shade with applied Intarsia border. Shade is unsigned. Base is signed on the underside “Tiffany Studios New York 468”. SIZE: Shade 10” dia. Lamp 53-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade has some very minor roughness to edge of fitter rim, otherwise very good to excellent. Base is very good to excellent with some minor wear and discoloration to patina. 51361-53 (3,0005,000)

Lot 1185 1186.

TIFFANY STUDIOS DAMASCENE FLOOR LAMP. Tiffany Studios floor lamp has bronze base with round platform foot with wide ribbed and ruffled top. Base is finished in gold doré patina and the slender stem leads to a wide harp that houses a butterscotch damascene shade with pronounced ribbing. The shade is further decorated with platinum iridescent waves that accentuate the bottom of the shade as well as the ribs. Shade is signed in the fitter “L.C.T.” while the base is signed on the underside “Tiffany Studios New York 682.” SIZE: Shade 10” dia. Lamp 56” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some darkening of the patina. Shade has two tiny flakes to edge of fitter, otherwise very good to excellent. 51361-150 (2,500-3,500)

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Lot 1186

1188. TIFFANY STUDIOS TABLE LAMP. Tiffany Studios table lamp has harp base with tall shaft and ribbed platform foot. The base is finished in a rich brown patina with green and red highlights. Signed on the underside “Tiffany Studios New York”. The base supports a Tiffany Studios bronze shade with acid etched openwork skirt. The skirt is backed by panels of green striated glass and emerald green ovals. Shade is signed on outside neck of fitter “Tiffany Studios”. SIZE: Shade 10” dia. Lamp 27-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: There is one small dent to the bronze shade at the top near fitter, otherwise very good to excellent. There is some minor wear and discoloration to patina and one small oval hole on the top of the foot which is a casting flaw, not damage. Rewired with appropriate cloth cord. 51361-168 (1,000-1,500)

Lot 1187

Lot 1188

Lot 1189

1189. TIFFANY STUDIOS COUNTERBALANCE TURTLEBACK DESK LAMP. Tiffany Studios desk lamp has bronze base with artichoke pattern which supports a curving arm with counterbalance weight which has a band of dark blue iridescent turtlebacks around the center. The lamp base supports a bronze domed shade with double rows of amber iridescent pressed turtleback tiles. The lamp is finished in a medium brown patina. Shade is marked on the side “Tiffany Studios New York S1194”, while the base is stamped on the underside, “Tiffany Studios New York 411”. SIZE: 17” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-41 (4,000-6,000)

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Session 1

1187. TIFFANY STUDIOS BRONZE LAMP. Tiffany Studios urn-shaped lamp base has four vertically ribbed legs with pad feet resting on a stepped bronze platform. The base has a 3-arm spider which supports a bronze dome shaped shade with star cut-outs surrounding the body of the shade. The interior of the shade is lined with bent panels of yellow and cream striated glass. The shade and base are finished with a rich brown patina. Both are unsigned. SIZE: Shade 7” dia. Lamp 15” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Lamp base has been electrified with the burner, font and bottom of urn being drilled. Wired with appropriate cloth cord, otherwise very good to excellent. 51361-153 (2,000-2,500)

Session 1

1190. TIFFANY STUDIOS COLONIAL TABLE LAMP. Tiffany Studios table lamp has urn-shaped base with four vertically ribbed legs ending in pad feet atop a stepped bronze platform. The vase has a 3-arm spider and 4-socket cluster and is finished in a rich brown patina. Signed on the underside of removable oil font “Tiffany Studios New York 181”. The base supports a Tiffany Studios leaded Colonial pattern shade with large panels of heavily mottled green glass. Shade is signed on the inside edge “Tiffany Studios New York 1594”. Lamp is complete with acid etched bronze heat cap. SIZE: Shade 16” dia. Lamp 22” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with minor wear and discoloration to patina. Font has been electrified with factory socket cluster and there has been no drilling to the font or base. Shade is very good to excellent with very few tight hairlines. 51361-46 (5,000-7,000)

Lot 1190

1191.

TIFFANY STUDIOS GEOMETRIC TABLE LAMP. Tiffany Studios table lamp has bronze base with artichoke decoration adorning the shaft. The adjustable base has a 3-socket cluster and is topped with a replacement heat cap. Base is finished in a rich brown patina with green highlights and is signed on the underside “Tiffany Studios New York”. The base supports a Tiffany Studios leaded glass shade with mottled green geometric panels. Shade is signed on the inside rim “Tiffany Studios New York 1421”. SIZE: Shade 13-3/4” dia. Lamp 21-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. Shade is very good to excellent with very few if any tight hairlines. 51361-129 (5,0007,000)

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TIFFANY STUDIOS SIX ARM RETICULATED CANDELABRA. Tiffany Studios bronze candelabra has six arms supporting reticulated candle cups each with blown-out glass inserts. The candelabra is complete with candle snuffer which stores within the center handle. It is finished in a rich brown patina with subtle green and red highlights. Signed on underside “Tiffany Studios New York 1290 S746”. SIZE: 15-1/4” t x 21” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-2 (3,000-4,000)

1193.

PAIR OF TIFFANY STUDIOS Lot 1192 SIX-ARM RETICULATED CANDELABRA. Pair of Tiffany Studios bronze candelabra. Each candelabra has six arms supporting reticulated candle cups with blown-out glass inserts. Each candelabra is complete with bronze candle snuffer and chain which store on a knob at the top of the stem. They are finished in a rich brown patina with green and subtle red highlights. Each is signed on the underside “Tiffany Studios New York 10089 1291”. SIZE: 14-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Two blown-out glass inserts on one candelabra are cracked. One is a tight hairline, the other is missing a very small piece of glass, otherwise very good. 51361-140 (5,000-7,000)

Session 1

1192.

Lot 1193 85

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Session 1

1194. TIFFANY MOSQUE LAMP SHADE. Tiffany shade from a mosque lamp has green pulled feather design descending from the fitter. Each pulled feather is outlined in gold iridescence, all against a creamy white background. Signed in the fitter “L.C.T. Favrile”. SIZE: 6-3/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. Originally would have had a matching lid and wooden lamp base. 51361-11 (1,000-1,500)

Lot 1194 1195.

TIFFANY STUDIOS UNIVERSAL SWING CANDLE HOLDER. Tiffany Studios candle holder has double pivot mechanism and weighted bronze ball candlestick so that any movement; side to side, back and forth, will keep the candle upright. The bronze candle holder is finished in rich brown patina with subtle green highlights. The candle holder is complete with snuffer. Signed on the backside of handle “Tiffany Studios New York 1207” as well as marked on inside of handle with the Tiffany Studios logo. SIZE: 7-3/8” to top of snuffer. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-20 (2,500-3,500)

Lot 1195

1196. TIFFANY STUDIOS/STEUBEN DESK LAMP. Desk lamp has Tiffany Studios harp base with ribbed inverted saucer foot, 5-ball feet and rich brown patina with green highlights. Base is signed on the underside “Tiffany Studios New York 419”. It houses a Steuben brown Aurene dome shade with applied Intarsia border. Shade is unsigned. SIZE: Shade 7” dia. Lamp 13-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. Rewired with contemporary plastic cord. 51361110 (1,000-1,500)

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Lot 1197

1198.

TIFFANY STUDIOS ACORN TABLE LAMP. Tiffany Studios table lamp has library base with ribbed foot and shaft and is complete with 3-arm spider and 3-cluster socket. Base is finished in dark brown patina and is signed on underside “Tiffany Studios New York 27420” along with the Tiffany Glass & Decorating Company logo. It supports a Tiffany Studios leaded glass shade with a band of yellow and white acorns surrounding the side against a green and white geometric background. The acorns are done in a highly textured glass. Signed on inside rim with small applied tag “Tiffany Studios New York”. Lamp is complete with replacement heat cap. SIZE: Shade 16” dia. Lamp 22” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good with some minor wear and discoloration to patina. Rewired with contemporary plastic cord. Shade is very good to excellent with very few tight hairlines, no missing glass. 51361-55 (5,000-7,000)

Lot 1198 87

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Session 1

1197. TIFFANY STUDIOS DOUBLE STUDENT LAMP. Large Tiffany Studios double student lamp has Moorish decoration with applied bronze rope scrolls and loops. The lamp is finished in a dark brown patina and supports two leaded glass shades with a band of amber colored acorns against a dichroic cream colored background. The cream colored background glass turns a fiery orange when lit. Each shade is signed on the inside rim “Tiffany Studios New York”. Lamp base is signed on the bronze shade rings “Tiffany Studios New York”. SIZE: Shades 10” dia. Lamp 29” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base plate on the lamp has come loose. Bronze wire loops on bottom platform are coming loose. One shade appears to have two replaced panels. Lamp has been electrified and bottom of font has been drilled. Wired with appropriate cloth cord. 51361-78 (4,0006,000)

Session 1

1199. TIFFANY STUDIOS CANDLE LAMP. Tiffany Studios candle lamp has bronze base with three vertically ribbed legs and stylized leaf feet, supporting a bulbous candle cup with green lightly iridescent glass cabochon jewels. Base is complete with hanging candle snuffer and is signed on the underside of one foot “Tiffany Studios New York 7158”. The base supports a Tiffany favrile shade with gold iridescent pulled feather design rising from the fitter against a rich gold iridescent background. Each pulled feather is outlined in green and the iridescence shows nice purple and blue highlights. Shade is unsigned. SIZE: 16” to top of shade. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-156 (2,000-3,000)

Lot 1199

1200. PAIR OF TIFFANY STUDIOS RETICULATED CANDLESTICKS. Pair of Tiffany Studios bronze candlesticks have round inverted saucer foot with an artichoke pattern at the base of the stem which leads to a reticulated pineapple candle cup with blown-out glass inserts. Each candlestick has a wide flat rim. Candlesticks are finished in a dark brown patina. Signed on the underside “Tiffany Studios New York 27368” along with the Tiffany Glass & Decorating Company logo. SIZE: 17-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: There are some slight bends to the wide rim on the candle cups, otherwise very good to excellent. 5136122 (2,000-3,000)

Lot 1200 1201. TIFFANY STUDIOS ADJUSTABLE JEWELED CANDELABRA. Tiffany Studios bronze candelabra has decorated foot and tall slender stem with adjustable arms supporting three jeweled candle cups with green iridescent glass cabochon jewels, as well as a candle snuffer. The bronze is finished in a rich brown patina and each candle cup is complete with bronze bobeche inserts. Signed on the underside “Tiffany Studios New York”. SIZE: 22” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-59 (2,000-3,000)

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TIFFANY STUDIOS DAMASCENE DESK LAMP. Tiffany Studios desk lamp has bronze base with vertically ribbed, inverted saucer foot supporting the short stem and harp, all finished in a rich brown patina with green highlights. The single socket illuminates the damascene shade which has gold and platinum iridescent waves against the green background. The iridescent waves show nice flashes of blue and pink. The shade is further enhanced by well defined vertical ribbing. Base is signed on the underside “Tiffany Studios New York 419”. Shade is unsigned. SIZE: Shade 6-7/8” dia. Lamp 13” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: There is roughness all around the fitter rim, but no major chips. Otherwise, very good to excellent. Rewired with contemporary plastic cord. 51361-164 (1,500-2,500)

Lot 1202 1203.

ELEVEN TIFFANY STUDIOS ZODIAC DESK ACCESSORIES. Lot consists of eleven pieces of Tiffany Studios bronze desk accessories in the Zodiac pattern. The lot includes a desk calendar, pair of bookends, stamp box, small paper rack, four blotter corners, matchbox holder, pen tray, pen wipe, small inkwell with insert, large inkwell with insert and rocker blotter. Desk items are finished in varying rich brown patinas. Each piece is signed on the underside “Tiffany Studios New York” and numbered. SIZE: Paper Lot 1203 rack: 9-1/2” w x 6-1/8” t. Calendar frame: 8-1/8” w x 7-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: All very good to excellent with some minor wear and discoloration to patina. 51361-130 (1,500-2,500)

1204. TIFFANY STUDIOS ART NOUVEAU JEWELED CANDLESTICK. Tiffany Studios bronze candlestick has organic form with five root legs with a center column with root design climbing the column leading to a bulbous candle cup set with green iridescent glass cabochon jewels. The candle cup is completed with a bronze bobeche with beaded trim. All finished in a rich brown patina with green and red highlights. Unsigned. A similar example is pictured in the book Tiffany Lamps and Metalware by Alastair Duncan on page 379, illustration number 1550. SIZE: 11-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-87 (2,000-2,500)

Lot 1204 89

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Session 1

1202.

Session 1

1205. PAIR OF TIFFANY STUDIOS ART NOUVEAU CANDLESTICKS. Tiffany Studios bronze candlesticks have three organic form root feet leading to a slender, tapering stem which supports the bulbous candle cup held within 3-prongs. Candle cups are complete with bronze bobeche inserts. Each candlestick is finished in a dark brown patina and each is signed on the underside “Tiffany Studios New York 1200”. SIZE: 12-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some very minor wear to patina. 51361-172 (1,500-2,500)

Lot 1205 1206. TIFFANY STUDIOS JEWELED CANDLE LAMP. Tiffany Studios bronze candle lamp has organic base with root legs and simple stem rising to the bulbous candle cup set with blue iridescent glass cabochon jewels. The base is finished in a rich reddish-brown patina with green highlights. Signed on the underside “Tiffany Studios 1222”. The lamp is complete with a Tiffany blue favrile tulip shade with vertically ribbed body. The blue iridescence shows nice flashes of pink and platinum. Signed in the fitter “L.C.T.”. SIZE: 151/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-147 (1,500-2,500)

Lot 1207

1207. TIFFANY STUDIOS BRONZE & FAVRILE GLASS CANDLE LAMP. Tiffany Studios candle lamp has three curving legs ending in cat’s paw feet which rest on a circular bronze platform. A yellow favrile glass stem forms the body of the base and a translucent gold iridescent ball creates the candle cup. The bronze is finished in a Lot 1206 medium brown patina and the base is signed on the underside “Tiffany Studios New York S714”. The lamp is completed with a Tiffany favrile glass shade with vertically ribbed body and platinum iridescent pulled feathers rising from the fitter. Each pulled feather is outlined in green, all set against a clam broth background. Shade is unsigned. SIZE: 16-1/2” t. CONDITION: Shade has one small chip on the fitter which is completely concealed when in place. Base is very good with some minor wear and discoloration to patina. 51361-158 (2,000-2,500)

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1209. TIFFANY STUDIOS BRONZE AND FAVRILE GLASS VASE. Tiffany Studios vase has bronze holder with vertically ribbed trim surrounding the round platform foot while four legs support a center bronze cylinder that houses the favrile glass vase. The bronze is finished in a gold statuary patina. The favrile insert has a green pulled feather design rising from the bottom against a rich gold iridescent background. The bronze holder is signed on the underside “Tiffany Studios New York 715”. The vase is signed on the underside “L.C.T.”. SIZE: 25” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Bronze foot is very good to excellent. Glass insert is very good with some minor staining to the interior. 51361-96 (1,500-2,500)

Lot 1208 1210.

TIFFANY STUDIOS JEWELED CANDLESTICK. Tiffany Studios bronze candlestick has tri-pod base with pad feet resting on a circular platform. The tri-pod supports a bulbous candle cup decorated with green slightly iridescent glass cabochons. The candlestick is finished in a rich brown patina with subtle green highlights and is complete with a bronze bobeche with beaded trim. Signed on the underside “Tiffany Studios New York 4256”. SIZE: 21” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. The bottom platform has a holder for a snuffer but there is no snuffer present. 51361-99 (1,5002,500)

Lot 1209 91

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Session 1

1208. TIFFANY STUDIOS BRONZE BUD VASE. Tiffany Studios bronze bud vase has ribbed circular foot and a slender bronze stem leading to seven individual bud vases, each with a stylized leaf design surrounding. The vase is finished in a rich brown patina and signed on the underside “Tiffany Studios New York 726”. SIZE: 22” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. No glass inserts are present. 51361-80 (1,500-2,500)

Session 1

1211. TWO TIFFANY STUDIOS BRONZE CANDLE LAMPS. Two Tiffany Studios bronze candle lamps have organic form, circular feet and long slender stem leading to a bulbous candle cup held within 3-prongs. The bronze is finished in brown patina with green highlights. Each is signed on the underside “Tiffany Studios New York 1213”. The lamps are topped by matching gold favrile candle shades with vertically ribbed bodies. The gold iridescence shows strong flashes of pink and blue. Each shade is signed in the fitter “L.C.T.”. SIZE: 22-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: There is some wear and discoloration to patina. One shade has two small flakes on the edge of the fitter which are completely concealed when shade is in place. Otherwise, very good to excellent. 51361-181 (1,500-2,500)

Lot 1211

1212. NINE TIFFANY STUDIOS GRAPEVINE DESK ACCESSORIES. Lot consists of a medium paper rack, square inkwell with insert, paperweight, calendar frame, pen tray, pen wipe, matchbox holder and two urn-shaped pots. One pot with glass ink well insert. Each piece is finished with various shades of brown patina and each is signed on the underside “Tiffany Studios New York” and numbered. SIZE: Paper rack: 10” w x 6-1/4” t. Calendar frame: 6-1/8” w x 7-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Overall very good to excellent with some minor wear and discoloration to patina. Paper rack has old solder repairs to dividers. 51361123 (1,200-1,800)

Lot 1212

1213. PAIR OF TIFFANY STUDIOS CAT’S PAW CANDLESTICKS. Tiffany Studios bronze candlesticks each have four vertically ribbed legs ending at cat’s paw feet. The base supports a bulbous candle cup held within three prongs. Candlesticks are finished in a rich brown patina with green highlights. Signed on the underside “Tiffany Studios New York 1201”. SIZE: 11-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-155 (1,500-2,500)

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Lot 1214 1215.

THREE TIFFANY STUDIOS ACID ETCHED PICTURE FRAMES. Three Tiffany Studios bronze picture frames have acid etched floral design, and green slag glass backing. The photo opening and outside edge of each frame is decorated with bronze bead trim. Each frame is finished in a rich brown patina with green and red highlights. Each is signed on the backside “Tiffany Studios New York”. SIZE: Two frames are 7-1/2” t x 6-1/2” w. Third frame is 7-3/4” t x 6-3/8” w. PROVENANCE: From Lot 1215 the Unreserved Estate of Lynda Cunningham. CONDITION: One frame has tight hairline cracks in each of the glass panels. One has a tight crack in one of the glass panels and the other has a tiny tight hairline in the bottom corner of one panel. This same frame has some bends to the bottom guide channel for the frame backing. 51361-184 (1,200-1,800)

1216. TIFFANY STUDIOS JEWELED CANDLE HOLDER. Tiffany Studios bronze candle holder; Model #1210, has saucer shaped foot with tapered riser leading to a three arm support holding a bronze ball shaped candle cup with nine glass jewels and a shade holder. Shade is gold ribbed favrile glass, with purple iridescent highlights. Base is signed on the underside “Tiffany Studios New York 1210”, shade is signed on inside of fitter rim “LCT”. Similar base is pictured in the book Tiffany Lamps & Metalware by Alastair Duncan, pg. 379. SIZE: 13-1/2” t. Shade fitter is 3-1/8” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with minor wear and discoloration to patina, shade is very good to excellent. 51361-84 (1,500-2,000)

Lot 1216 93

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Session 1

1214. P AIR OF TIFFANY STUDIOS COBRA CANDLESTICKS. Tiffany Studios bronze candlesticks in the cobra pattern feature a lily pad foot with cobra handle and curved arm supporting a bulbous candle cup within three prongs. The candlesticks are finished in a rich brown patina with red and green highlights. Signed on the underside “Tiffany Studios New York 1203”. SIZE: 7-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361154 (1,200-1,800)

Session 1

1217. PAIR OF TIFFANY STUDIOS BAMBOO CANDLE LAMPS. Pair of Tiffany Studios candle lamps have bronze candlestick bases in bamboo design. Each finished in a rich brown patina and signed on the underside “Tiffany Studios New York 1205”. The candle lamps are completed with Tiffany gold favrile tulip shades with vertically ribbed bodies and bright gold iridescence showing flashes of blue and pink. One shade is signed “L.C.T.” while the other is signed “L.C.T Favrile”. SIZE: 15-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. One candlestick has a threaded knob and set screw that have come loose from the shade ring. The knob and screw are with the lamp. 51361-48 (1,500-2,500)

Lot 1217 1218.

EIGHT TIFFANY STUDIOS PINE NEEDLE DESK ACCESSORIES. Lot of Tiffany Studios acid etched desk accessories in the Pine Needle pattern include: medium paper rack, upright pen holder, square box, notepad holder, small round inkwell with glass insert, calendar frame, utility box and pen wipe. Each piece is finished in various shades of brown patina which is backed by green slag glass. Each piece is signed on the underside “Tiffany Studios New York” and numbered. SIZE: Paper Lot 1218 rack: 10” w x 6-1/4” t. Square box: 7” sq. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Square box has a tight hairline crack to the glass panel in the lid, a small hairline in one corner of the bottom, a tiny piece of missing glass in a corner on the bottom and the solder joints on the back corner of the top of the box have come loose. There are some small cracks to the glass on the top of the round inkwell. There is a tight hairline and small flake to the glass on one side of the pen wipe. All others are very good to excellent with some minor wear and discoloration to patinas. 51361-191 (1,200-1,800)

1219. TIFFANY STUDIOS FLEUR-DE-LIS DOUBLE CANDLESTICK. Tiffany Studios bronze candlestick has a fleur-de-lis base leading to curving arms that support two bulbous candle cups, each set with a band of iridescent glass cabochon jewels. The candlestick handle curves forward to create a hook for the attached candle snuffer. The candlestick is finished in a dark brown patina and is signed on the underside “Tiffany Studios New York 10076”. SIZE: 8-7/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-95 (1,200-1,800)

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TIFFANY STUDIOS CANDLESTICK. Tiffany Studios candlestick has bronze base with three legs terminating in round bronze ball feet. The bronze is finished in a rich brown patina with red highlights and supports a favrile glass candle cup with green pulled feather design against a cream colored background. The glass is further decorated with subtle outlines of gold iridescence. Signed on the underside of one foot “Tiffany Studios New York 1202”. SIZE: 8-3/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-143 (1,000-1,500)

Lot 1220 1221.

Lot 1221

EIGHT TIFFANY STUDIOS PINE NEEDLE DESK ACCESSORIES. Eight pieces of Tiffany Studios acid etched bronze desk accessories in the Pine Needle pattern including a pen tray, rocker blotter, small blotter ends, double-sided letter rack, a deep cigarette box, paper clip, paperweight and jewelry box. Each piece is finished in various shades of brown patina and backed with green slag glass. Each is signed “Tiffany Studios New York”. SIZE: Jewelry box: 9-1/4” w x 6-1/2” d. Double paper rack: 6-1/4” w x 5” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Glass is all very good with no cracks. Blotter ends, paper clip and paperweight have considerable wear to patina. Jewelry box is missing key, as well as internal compartments. 51361-196 (1,0001,500)

1222. TIFFANY STUDIOS JEWELED CANDELABRA. Tiffany Studios candelabra is set with a band of iridescent glass cabochon jewels surrounding the foot. The top of the foot is decorated with cast stylized leaf design, leading to four curving arms which support the bulbous candle cups with matching iridescent glass jewels. The candelabra is finished in rich brown patina with green highlights. Signed on the underside “Tiffany Studios New York 1315”. SIZE: 12-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-26 (1,000-1,500)

Lot 1222 95

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Session 1

1220.

Session 1

1223.

TWO TIFFANY STUDIOS JEWELED CANDLESTICKS. Tiffany Studios bronze candlesticks have three curving legs with round ball feet. Each is completed with a bulbous candle cup set with blue iridescent cabochon glass jewels. Each is finished with a rich brown patina and green highlights. One bobeche has brown patina, but no green highlights. Signed on the underside of foot “Tiffany Studios New York 1202. SIZE: 8-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-89, 51361-157 (800-1,200)

Lot 1223 1224.

TIFFANY STUDIOS ZODIAC DESK CLOCK. Tiffany Studios bronze desk clock is decorated in the Zodiac pattern and finished in a rich brown patina. The clock has a gold face with black Arabic numerals and gun metal spade hands. Face is marked “Tiffany & Co. New York”. Clock is marked on the underside “Tiffany Studios New York 1076”. SIZE: 4-1/4” sq. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some very minor wear to patina. 51361-197 (800-1,200)

Lot 1224 1225. PAIR OF TIFFANY STUDIOS BRONZE CANDLESTICKS. Pair of Tiffany Studios candlesticks have a simple round foot with slender stem, giving way to six stylized leaf and stem arms supporting the candle cup. The bronze candlesticks are finished in gold doré and signed on the underside “Tiffany Studios New York 1210”. SIZE: 9-7/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-165 (900-1,200)

Lot 1225 1226.

TIFFANY STUDIOS DOUBLE CANDLESTICK. Tiffany Studios candlestick has leaf-shaped tray with attached handle and two reticulated candle cups with blown-out glass inserts. The bronze is finished in a rich brown patina with subtle red and green highlights. Signed on the underside “Tiffany Studios New York 10075”. SIZE: 6-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-31 (1,000-1,500)

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Lot 1226

Lot 1227 1228.

FOUR TIFFANY STUDIOS BRONZE PAPERWEIGHTS. Lot of four Tiffany Studios paperweights includes two reclining lions and two bulldogs. Each is finished in gold patina and signed on the underside “Tiffany Studios New York” and numbered. SIZE: Lion: 5” l. Bulldog: 2” l. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good with some wear and discoloration to patina. 51361-101 (600-800)

1229.

Lot 1228

PAIR OF TIFFANY STUDIOS BRONZE CANDLESTICKS. Pair of Tiffany Studios candlesticks have round foot with simple slender stem, giving way to six stylized leaves and stems, rising to hold the candle cup. The candlesticks are finished in a dark brown statuary patina. Signed on underside “Tiffany Studios New York 210”. SIZE: 9-7/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: The patina on the foot of each candlestick has turned green. No other part of the patina was affected. 51361-6 (600-900)

Lot 1229 1230.

SIX TIFFANY STUDIOS PINE NEEDLE DESK ACCESSORIES. Tiffany Studios acid etched bronze Pine Needle pattern desk accessories including a pen tray, calendar frame, medium cigarette box, small paper rack, square inkwell and square utility box. Each item is finished in brown patina and backed in green slag glass. All are signed “Tiffany Studios New York” and numbered. SIZE: Paper rack: 10” w x 6-1/4” t. Square box: 7” sq. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: All are very good to excellent with some minor wear to patina. 51361-195 (900-1,200) 97

Lot 1230

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Session 1

1227. TIFFANY STUDIOS BRONZE DESK LAMP. Tiffany Studios desk lamp has bronze base with onion decoration surrounding the foot. The base has a 3-arm spider and single socket and is completed with a Tiffany Studios bronze dome shade. The shade is finished in a brown patina with subtle green highlights and is incised around the skirt with a decorative band. Base is finished in a rich reddish-brown patina with green highlights and is signed on the underside “Tiffany Studios New York 322”. Shade is unsigned. SIZE: Shade 7-1/4” dia. Lamp 14” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some very minor wear and discoloration to patina. 51361-183 (600-900)

Session 1

1231. TIFFANY STUDIOS BRONZE AND GLASS BOUDOIR LAMP. Tiffany Studios boudoir lamp has bronze base with stylized tree trunk stem and ruffled foot. Stem supports a single socket and 3-arm spider. Base is finished in a gold statuary patina. It supports a bronze Tiffany Studios shade with a band of open work design surrounding the skirt. The design is backed by panels of caramel slag glass. Shade is finished in gold doré. Lamp is signed on the underside “Tiffany Studios New York 606”. SIZE: 7-1/4” dia x 12-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Lamp is very good to excellent with some minor wear and discoloration to patina. 51361-37 (1,000-1,500)

Lot 1231

1232. TIFFANY STUDIOS ADJUSTABLE LAMP. Tiffany Studios lamp has bronze adjustable tri-pod base with pad feet resting on a round bronze platform. Bronze is finished in a rich brown patina with subtle green and red highlights. The harp base supports a Tiffany favrile glass shade with green pulled feather design descending from the fitter. Each pulled feather is outlined in gold iridescence, all set against a gold background. Base is signed on the underside “Tiffany Studios New York 433”. Shade is signed in the fitter “L.C.T. Favrile”. SIZE: Shade 7-1/4” dia. Lamp adjusts from 231/2” to 32-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. Shade is very good to excellent. 51361-108 (2,000-2,500)

Lot 1232

1233. TIFFANY STUDIOS DAMASCENE LAMP. Tiffany Studios lamp has bronze urn-shaped base resting in a 4-legged frame with each leg terminating in cat’s paw design. The base is finished in a brown patina with subtle green highlights and is signed on the bottom of the oil font with applied tag “Tiffany Studios New York 195”. The lamp is complete with an early Tiffany damascene shade with platinum iridescent waves against a shaded green background. The iridescent waves show strong pink and blue highlights. Shade is unsigned. Lamp is finished with an acid etched bronze heat cap. SIZE: Shade 6-7/8” dia. Lamp 15” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade has some wear to iridescent waves, otherwise very good. Base has some minor wear and discoloration to patina. Original oil burner has been modified and drilled to electrify. 51361-75 (1,500-2,500)

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Lot 1234 1235. T HREE TIFFANY ART GLASS SHADES. 1) Tiffany tulip shade has rich green body with shaded vertical lines. The shade has a white interior and is signed in the fitter “L.C.T.”. 2) Tiffany candle shade has butterscotch coloration at top and bottom and shaded opalescence in the center. Marked on Lot 1235 bottom edge “S7585”. 3) Tiffany candle shade has gold pulled feather design encircling the shade against a cream colored background. Unsigned. SIZE: 1) 4-3/4” t. 2) 3-1/4” t. 3) 3-3/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: 1) Very good to excellent. 2)Very good to excellent with some tiny flea bites on bottom edge, most likely form the making. 3) Very good to excellent with some minor roughness to bottom rim, most likely from the making. 51361-116 (800-1,200) 1236. T IFFANY BLUE FAVRILE CANDLE LAMP BASE. Tiffany candle lamp base has swirled, ribbed foot and stem and is finished in rich blue iridescence which shows nice pink and gold highlights. The base is complete with spring loaded candle holder and shade ring. Signed on the underside “L.C.T.”. SIZE: 16-1/4” to top of shade ring. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. Lamp base has been factory drilled at the foot to accommodate an electric cord. 51361-136 (400-600)

Lot 1236 1237.

PAIR OF TIFFANY GOLD FAVRILE VASE INSERTS. Pair of favrile glass inserts have bright gold iridescent tops shading to translucent gold iridescence at the bottom. The iridescence shows subtle flashes of pink and platinum. Each vase is signed on the underside “LCT Favrile”. These are the inserts only and do not have bronze holders. SIZE: Each 12” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor scratches where the vases fit into bronze holders. 51361-215 (400-600)

Lot 1237

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Session 1

1234. LOT OF FOUR TIFFANY GOLD FAVRILE SHADES. Lot consists of four Tiffany gold favrile tulip shades. One shade has a vertically ribbed body with bright gold iridescence. One shade has a smooth tulip shape with very lightly ruffled rim and bright gold translucent iridescence and two shades have a smooth tulip shape with lightly ruffled rims and rich gold iridescence. All four shades are signed in the fitter “L.C.T. and L.C.T. Favrile”. SIZE: Shades range from 4-3/4” to 5-1/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: The ribbed shade has a large chip to the side of the fitter. The two shades with rich gold iridescence have some small chips to the fitter and the translucent iridescent shade is very good to excellent. 51361-69 (1,000-1,500)

Session 1 1238.

TIFFANY STUDIOS MUSHROOM TABLE LAMP. Tiffany Studios table lamp has bronze base with stylized wave design surrounding the foot and top of shaft. Bronze riser leads to a 3-socket cluster. Base is signed on the underside “Tiffany Studios New York 584”. The base supports a Tiffany Studios leaded glass shade with a single band of mushrooms in striated pink, cream and green glass, all set against a mottled green geometric background. Shade is signed on the interior edge “Tiffany Studios New York 1548-17”. Lamp is complete with acid etched bronze heat cap. SIZE: Shade 16” dia. Lamp 21-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade has several replaced background panels and a considerable amount of solder repair. Base is very good to excellent with some very minor wear and discoloration to patina. Rewired with appropriate cloth cord. Heat cap is missing threaded rod. 51361-50 (7,000-9,000)

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100

Session 1 1239.

TIFFANY STUDIOS ACORN TABLE LAMP. Tiffany Studios table lamp has library base with 5-ball feet, ribbed platform and shaft leading to the 3-arm spider and 3-socket cluster. The base is finished in a dark brown patina and signed on the underside “Tiffany Studios 6858”. The base supports a Tiffany Studios leaded glass shade with a band of orange and green striated acorns encircling the shade, all set against a heavily mottled green geometric background. The lamp is complete with a replacement heat cap. Shade is signed on inside rim “Tiffany Studios New York”. SIZE: Shade 16” dia. Lamp 22-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some wear and discoloration to patina. Shade is very good to excellent with very few tight hairlines. 51361-139 (5,000-7,000)

101

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1240.

Session 1

MISCELLANEOUS GLASS PRISMS, CABOCHONS AND TILES. Lot consists of 25 Austrian green glass prisms; 22 are matching emerald green color, 2 are light green and 1 is an opaque mint green. 7 small pressed turtleback tiles, 32 colored glass cabochons, 8 colored glass chunk jewels, 4 miscellaneous pressed glass tiles, 5 opalescent jewels and 7 blue iridescent glass tiles. SIZE: Prisms: 6” l. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: 1 light green prism has a chip to the side, 3 emerald green prisms each have a chip to the side, otherwise very good to excellent. Jewels have some roughness to edges from the making. 51361-122 (1,0001,500)

Lot 1240

1241. T WO TIFFANY STUDIOS BRONZE LAMP BASES. Two matching Tiffany Studios lamp bases each with ruffled inverted saucer foot, with three arms flaring from the center stem to create a spider for the shade (accommodates a 10” shade). No shades present. The bases are finished in a rich brown patina with subtle red highlights. Signed on the underside “Tiffany Studios New York 445”. SIZE: 12” to top of socket. One is 11-3/8” to spider height. The other is 10-3/8” to spider height. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Both very good to excellent. Rewired with appropriate cloth cord. 51361-202 (1,200-1,800)

Lot 1241

1242.

TIFFANY TURTLEBACK TILE. Tiffany turtleback tile is done in green glass with some swirls of white on the interior. The tile is finished with a lightly iridescent surface showing flashes of pink and blue. Unsigned. SIZE: 4-1/2” x 6”. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Roughness around the bottom edge from the making, otherwise very good to excellent. 51361-216 (1,000-1,500)

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102

TIFFANY STUDIOS JEWELED TURTLEBACK DESK LAMP. Tiffany Studios desk lamp has bronze base decorated with a band of iridescent round cabochon glass jewels around the foot with a stylized leaf design decorating the top of the platform and leading to double arms that support the turtleback shade. The iridescent turtlebacks show flashes of green, pink and blue and the shade is complete with the original white glass reflector panels on the interior. The bronze base and shade are finished in dark brown patina. Signed on the underside “Tiffany Studios New York D801” along with the Tiffany Glass & Decorating Company logo. SIZE: 14-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 5136161 (6,000-8,000)

Lot 1243 1244.

TIFFANY STUDIOS MOSQUE LAMP. Tiffany Favrile glass mosque lamp has blue pulled feather design surrounding the body of the lamp with gold pulled feather decorating the top section of the lamp, all against a cream colored background. The lamp is topped by a Favrile glass lid with blue pulled feathers radiating out from the center. The lamp rests in a wooden base with a candle for illumination. This wooden base is not original Tiffany. Lamp is signed in the fitter “L.C.T. Favrile”; lid is signed “L.C.T. Favrile”. SIZE: 8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good with three small open bubbles from the making on the ground bottom rim. 51361-76 (2,000-2,500)

Lot 1244 103

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Session 1

1243.

Session 1

1245. TIFFANY STUDIOS LINENFOLD TABLE LAMP. Tiffany Studios table lamp has bronze stick base with 3-socket cluster. The base is finished in a deep brown patina with green highlights. Signed on the underside “Tiffany Studios New York”. The base supports a Tiffany Studios shade with ten green linenfold panels bordered on top and bottom with green linenfold trim. The panels are held within a bronze framework with rich brown patina and green highlights. Signed on the inside edge “Tiffany Studios New York 1947 PAT. APPL’D FOR”. Lamp is complete with linenfold cap. SIZE: Shade 161/2” dia. Lamp 21-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade is very good with five lower trim panels having tight hairlines and three upper trim panels having tight hairlines. The hairlines are concealed by the folds in the glass. Linenfold cap has a tight hairline. Base is very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51361-47 (5,000-7,000)

Lot 1245

1246.

TIFFANY STUDIOS RETICULATED TABLE LAMP. Tiffany Studios bronze lamp base has star decoration on the foot and is further decorated with six slender prongs extending up the shaft. Base is mounted with a 3-arm spider and single socket. It supports a Tiffany Studios reticulated lamp shade with open work bronze frame and blown-out glass interior. The bronze is finished in a rich brown patina with red and green highlights. Base is signed on underside “Tiffany Studios New York 9964”. Shade is unsigned but numbered “S591”. SIZE: Shade 10” dia. Lamp 183/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51361-71 (5,000-7,000)

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104

Lot 1247

1248. TIFFANY STUDIOS JEWELED CANDLE LAMP. Tiffany Studios candle lamp has bronze 3-legged base with stylized leaf foot supporting a bulbous candle cup with green iridescent cabochon glass jewels. The candle lamp is complete with original snuffer and is finished in a dark brown patina. Signed on the underside “Tiffany Studios New York 1212”. The candlestick supports a gold iridescent Tiffany favrile shade with vertically ribbed body and ruffled lip. Shade is signed in the fitter “LCT”. SIZE: 15-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade is very good to excellent. Candlestick is good, but has considerable patina loss. 51361-93 (800-1,200)

1249.

FOUR TIFFANY STUDIOS GRAPEVINE CANDLE LAMP SHADES. 1) Pair of Tiffany Studios have acid etched bronze overlay of Grapevine pattern in rich brown patina with green highlights. The bronze overlay sets on top of a yellow glass shade Lot 1248 liner. Each bronze overlay is signed on the top edge “Tiffany Studios New York”. 2) Pair of Tiffany Studios candle lampshades has outer layer of acid etched bronze in the Grapevine pattern with a second layer of orange cloth behind the Grapevine pattern and a final layer on the interior of a clear mica-like material. Marked on the exterior near the top “Tiffany Studios” and at the bottom “PAT. APPL’D FOR”. SIZE: 1) 5-1/2” dia. 2) 5-1/8” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: 1) There is one tiny little flake on the upper rim of the glass liner, otherwise very good to excellent. 2) Very good. The orange material backing is beginning to disintegrate. 51361-15 (700-1,000)

Lot 1249 105

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Session 1

1247. TIFFANY STUDIOS GRAPEVINE PLANTER. Tiffany Studios acid etched planter in the Grapevine pattern has green slag glass backing and is finished in a rich brown patina. The planter is complete with its original bronze liner. Signed on the underside “Tiffany Studios New York 833”. SIZE: 10-3/4” dia at widest. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: One glass backing panel has two tight hairlines with no missing glass. 51361-125 (700-1,000)

Session 1 1250.

TIFFANY STUDIOS ADJUSTABLE DOUBLE STUDENT LAMP. Tiffany Studios double student lamp has bronze base with artichoke decoration surrounding the foot, leading to a simple adjustable stem with two curved arms supporting acid etched bronze shade holders. The lamp is completed with two Tiffany favrile glass dome shades with gold iridescent King Tut design against a green iridescent background. The iridescence shows nice pink and blue

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flashes. Base is signed on the underside “Tiffany Studios New York 28600” along with the Tiffany Glass & Decorating Company logo. One shade is signed in the fitter “L.C.T.”; the other is unsigned. SIZE: Shades 9-3/4” dia. Lamp 25-1/2” to top of shaft. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some wear and discoloration to color on base. Rewired with appropriate cloth cord. 51361-79 (4,000-6,000)

106

TIFFANY STUDIOS SIXARM RETICULATED CANDELABRA. Tiffany Studios bronze candelabra has six arms each supporting a bulbous reticulated candle cup. Each with a blown-out glass insert. The candelabra is complete with candle snuffer which stores within the center handle. The piece is finished in a rich brown patina with red and green highlights. Signed on the underside “Tiffany Studios New York 1290”. SIZE: 15” t x 211/2” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-98 (2,000-3,000)

Session 1

1251.

Lot 1251

1252.

TIFFANY STUDIOS JEWELED CANDELABRA. Tiffany Studios bronze candelabra has eight arms each supporting a bulbous candle cup set with a band of iridescent glass cabochon jewels. The candelabra is finished in a rich brown patina with green and red highlights. It is complete with candle snuffer which stores within the center handle. SIZE: 15-1/2” t x 29” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some very minor wear to patina. 51361-34 (4,000-6,000)

Lot 1252 107

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Session 1

1253. TIFFANY STUDIOS DAMASCENE LAMP. Tiffany Studios lamp has bronze base with ribbed border surrounding the foot. The bronze harp supports a single socket. The base is finished in rich brown patina with green highlights. Signed on the underside “Tiffany Studios New York 613”. The base houses a Tiffany favrile glass damascene shade with gold, platinum and yellow iridescent waves against a cream colored background. The shade is further enhanced by subtle vertical ribs. Signed in the fitter “LCT Favrile”. SIZE: Shade 8-1/4” dia. Lamp 18-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-57 (3,000-4,000)

Lot 1253

1254. PAIR OF TIFFANY STUDIOS BRONZE CANDLESTICKS. Tiffany Studios bronze candlesticks have hexagonal foot, stem and top. The candlesticks are finished with a rich brown patina and strong green highlights. Signed on the underside “Tiffany Studios New York 1235”. SIZE: 121/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-121 (500-800)

Lot 1254 1255. TIFFANY STUDIOS ADJUSTABLE DAMASCENE CAT’S PAW LAMP. Tiffany Studios bronze lamp base has four vertically ribbed legs ending in cat’s paw feet which rest on a round bronze platform. The adjustable lamp base has a 3-arm spider and single socket. It is finished in a rich brown patina with red highlights and signed on the underside “Tiffany Studios New York 427”. The base supports a Tiffany damascene shade with platinum and gold iridescent waves against a shaded green background. The iridescent waves show nice flashes of pink and blue. Shade is signed in the fitter “L.C.T.”. SIZE: Shade 6-7/8” dia. Lamp adjusts from 15-1/2” to 21” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: There are two tiny little flakes to the edge of the fitter, otherwise very good to excellent. 51361-58 (2,500-3,500)

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FIVE TIFFANY BRONZE AND FAVRILE GLASS BUD VASES. 1) Two bud vases have hexagonal bronze bases with vertical ribbing. The bronze is finished in gold doré and each supports a cylindrical favrile glass vase with green pulled feathers rising from the bottom against gold iridescent background. Each insert is signed “L.C.T.” and each base is signed “Tiffany Studios New York 712”. 2) Tiffany Furnaces bud vase has brightly enameled bronze base in colors of blue, orange, yellow and green. The base holds a slightly flaring gold favrile insert. The gold iridescence shows subtle flashes of blue. Signed on the underside “Louis C. Tiffany Furnaces Inc.” 3) Two Tiffany Studios bud vases. Each has a round bronze base with vertical ribbing. The bases are finished in gold doré and signed on the underside “Tiffany Studios New York 710”. Each base supports a favrile glass insert, one with gold iridescence shading to amber translucent at the bottom; the other insert has a brown pulled feather design rising from the bottom against a frosted lightly iridescent background. The gold iridescent insert is signed “L.C.T. Favrile”. The pulled feather insert is unsigned. SIZE: Tallest 13-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: 2) Has some minor roughness to enameling on edge of foot and some minor staining to the interior. All others are very good to excellent with some minor wear and discoloration to patina on bronze. 51361-52 (2,000-3,000)

Session 1

1256.

Lot 1256

1257. TIFFANY STUDIOS LINENFOLD BELL LAMP. Tiffany Studios desk lamp has bronze base with platform foot and arched harp. The base is finished in dark brown patina and is signed on the underside “Tiffany Studios New York 418”. The lamp is complete with a green linenfold shade with nine linenfold panels, each bordered on top with a linenfold band. Shade is signed on inside rim “Tiffany Studios New York 1940 PAT APPL’D FOR”. SIZE: Shade 6-3/4” dia. Lamp 12” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade has two tight hairline cracks in one linenfold panel, otherwise very good. Base is missing a knurled knob above the socket. Rewired with contemporary plastic cord. 51361-200 (600-800)

Lot 1257 1258.

TIFFANY STUDIOS FOUR ARM CANDELABRA. Tiffany Studios candelabra has stylized flame design encircling the foot with vertical ribbing on the stem as well as stylized flame design at the junction of the four candelabra arms. Each arm supports a single favrile glass candle cup with green pulled feather design. The candelabra is finished in a rich brown patina with strong green highlights. Signed on the underside “Tiffany Studios New York 7541”. SIZE: 17” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-12 (2,500-3,500)

Lot 1258 109

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Session 1

1259. TIFFANY STUDIOS MOSAIC CANDLE LAMP. Tiffany Studios candle lamp has mosaic candlestick base with inlaid panels of glass shading from green to blue running vertically up the side of the candlestick. The bronze candlestick is further decorated with blue glass tiles in a mosaic brick pattern surrounding the top of the stick. All set against a rich brown patina with green and red highlights. The candlestick supports a large Tiffany shade with green pulled feather design. Each pulled feather is outlined in gold iridescence set against a slightly iridescent tan background. Shade is signed inside the fitter “LCT Favrile” while the candlestick is signed “Tiffany Studios New York 10070”. A similar candlestick is pictured in the book Tiffany Lamps and Metalware by Alastair Duncan, page 385, illustration 1561. SIZE: 16” to top of shade. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-118, 51361-169 (2,000-3,000)

Lot 1259

1260. TIFFANY STUDIOS JEWELED 4-ARM CANDELABRA. Tiffany Studios candelabra; Model #1315, has round base with green glass jeweled beads and leaf decoration leading to four arms, each topped with articulated poppy candle cup with blown glass insert finished with beaded bobeche. Signed on the underside “Tiffany Studios New York D556” and “11” with Tiffany Glass & Decorating logo. Similar example pictured in Tiffany Lamps & Metalware by Alastair Duncan, pg. 386. SIZE: 12” t x 10-1/4” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Minor wear and discoloration from patina, otherwise very good to excellent. 51361-16 (2,000-3,000)

Lot 1260

1261. TIFFANY STUDIOS DAMASCENE DESK LAMP. Tiffany Studios desk lamp has bronze base with platform foot and arched harp. The base is finished in a rich brown patina with subtle red highlights. The lamp is completed with a Tiffany damascene shade with platinum and gold iridescent waves against a shaded green background. The base is signed on the underside “Tiffany Studios New York 418”. Shade is signed in the fitter “L.C.T. Favrile”. SIZE: Shade 6-7/8” dia. Lamp 11-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: One small screw is missing from the socket housing, otherwise very good to excellent. Rewired with appropriate cloth cord. 51361-38 (2,500-3,500)

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Lot 1262 1263.

TIFFANY STUDIOS ACCESSORIZED FLOOR LAMP. Tiffany Studios floor lamp has elaborate cast bronze feet which support a round bronze platform and in the center of the platform is a cast bronze stylized flower giving way to the long slender stem. The center of the stem has a cast rosette which houses a magazine accessory, as well as a small round table accessory. The base is finished in rich brown patina and supports a green favrile glass shade with platinum iridescent decoration. The platinum iridescence shows rich blue highlights as well as subtle pink flashes. Shade is signed in the fitter “L.C.T. Favrile” while the base is signed on the underside “Tiffany Studios New York”. SIZE: Shade 10” dia. Lamp 56-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade is very good to excellent. Base is very good to excellent. 51361-54 (3,000-5,000)

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Session 1

1262. T IFFANY STUDIOS LINENFOLD FLOOR LAMP. Tiffany Studios floor lamp has bronze base with three curving legs and lily pad feet, finished in dark brown patina with subtle green highlights. Base is signed on the underside “Tiffany Studios New York 423”. The base supports a bronze and glass shade with twelve green linenfold panels, along with linenfold trim pieces at top and bottom of each panel. The bronze shade frame is finished in a rich reddish-brown patina. Shade is signed on inside rim “Tiffany Studios New York PAT. APPL’D FOR 1936”. SIZE: Shade 9-1/4” dia. Lamp 55-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some minor wear and discoloration to patina. Three top border panels and three bottom border panels are cracked and five large central panels are cracked. There is a shallow dent to the edge of the bronze shade top. 51361-62 (2,000-3,000)

1264.

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112

TIFFANY STUDIOS NEWEL POST LAMP. Tiffany Studios newel post lamp has decorated bronze base with ribbed platform foot and applied bronze wire decoration surrounding the shaft. The lamp has three curved arms supporting shades and a center shaft with an additional shade. Base is finished in dark brown patina and signed on the underside “Tiffany Studios New York 315”. The lamp is completed with four favrile glass tulip shades with translucent green pulled feather design descending from the fitter against a cream colored background. Three of the shades are signed “L.C.T.”; one is unsigned. SIZE: Lamp is 29” to top of shade. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent. Rewired with contemporary plastic cord. One shade has a small shell-shaped flake to side of fitter. Another shade has two small shell-shaped flakes to fitter, otherwise shades are very good to excellent. 51361-28 (5,000-7,000)

Lot 1265

1266. TWELVE TIFFANY STUDIOS DESK ACCESSORIES. Lot consists of twelve Tiffany Studios bronze desk accessories in the Zodiac pattern including large blotter ends, pair of bookends, bill hook, calendar frame, small utility box. These items are finished in shades of brown patina. Large inkwell complete with glass insert, pen tray, paper knife, matchbox holder, magnifying glass and paper clip. Each of these items are finished in gold doré. The lot also includes a pen wipe in the Graduate pattern with brown patina. Each piece is signed “Tiffany Studios New York” and numbered. SIZE: Blotter ends: 19” l. Calendar frame: 8-1/4” w x 7-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Overall very good to excellent with some minor wear and discoloration to patina. Magnifying glass has a shell-shaped chip at the edge. 51361-124 (1,500-2,500)

Lot 1266

1267. TIFFANY STUDIOS JEWELED CANDLE LAMP. Tiffany Studios candle lamp has bronze base with three vertically ribbed legs leading to stylized leaf feet which rest on a bronze platform. The bulbous candle cup is set with green iridescent cabochon glass jewels. The base is complete with a bronze snuffer hanging in the center. Signed on the underside “Tiffany Studios New York 1212”. The base supports a Tiffany gold favrile shade with vertically ribbed body. The gold iridescence shows subtle flashes of pink and platinum. Unsigned. SIZE: 16” t. PROVENANCE: From the Unreserved Estate of Lynn Cunningham. CONDITION: Shade is very good to excellent with one tiny flea bite on the edge of the fitter. Base is very good to excellent with some minor wear and discoloration to patina. 51361-174 (2,000-2,500)

Lot 1267 113

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Session 1

1265. TIFFANY STUDIOS DOUBLE BLOWN-OUT CANDLE HOLDER. Tiffany Studios bronze candle holder; Model #1234, has two elongated and reticulated candle holders with blown-out glass, beaded bobeche tops and tall mushroom bud handle and snuffer stand complete with snuffer. Signed on the underside “Tiffany Studios New York 10078”. SIZE: 9” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good with minor wear and discoloration to patina. Mismatched bobeches. Minor scratching to platform base. 51361-35 (2,000-3,000)

Session 1

1268. TIFFANY STUDIOS DOUBLE CANDLESTICK. Tiffany Studios bronze candlestick has organic form, foot and stem leading to a double arm which supports two reticulated candle cups with blown-out glass inserts. The candlestick is finished in dark brown patina and signed on the underside “Tiffany Studios”. The candlestick is complete with bronze snuffer and chain. SIZE: 15” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor corrosion to patina on bobeches. 51361-171 (1,500-2,500)

1269. TIFFANY STUDIOS TRIPOD CANDLESTICK. Tiffany Studios bronze candlestick has tripod base with pad feet resting on a circular bronze platform. The tripod supports a single reticulated candle cup with blownout glass insert. The candlestick is complete with bronze snuffer which rests on a holder in the center of the tripod. The candle cup retains a bronze bobeche with beaded trim and is finished in a deep brown patina. Signed on the underside “Tiffany Studios New York S1211”. SIZE: 14-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with a very minor bend to the edge of the bobeche. 51361-160 (1,500-2,500)

Lot 1268

1270.

TIFFANY STUDIOS BAMBOO CANDLE LAMP. Tiffany Studios candle lamp has bronze bamboo candlestick base with rich brown patina and green highlights. The base is signed on the underside “Tiffany Studios New York 1205”. The lamp is completed with a Tiffany favrile shade with vertically ribbed body. The shade is further decorated with a green pulled feather design rising from the fitter. Each pulled feather has a heavy outline of good iridescence all set against a creamy yellow background. Unsigned. SIZE: 16-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Candlestick is very good to excellent. Shade has one small nick on underside of fitter rim, otherwise very good to excellent. 51361-145 (1,500-2,500)

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Lot 1270

1272. TIFFANY STUDIOS CANDLE LAMP. Tiffany Studios bronze tripod candlestick; Model #1202, with drilled ball feet and bronze candle cup supported by three arms finished with shade holder and gold favrile ribbed shade. Candlestick is signed with Tiffany Studios round monogram logo on the underside of one ball foot, shade is signed “LCT” on inside of fitter rim. Candlestick is pictured in the book Tiffany Lamps & Metalware by Alastair Duncan, pg. 374 & 375. SIZE: Overall 14-1/4” t. Fitter on shade is 2-1/4”. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Minor wear and discoloration to patina, otherwise very good to excellent. Shade is very good with one shallow flake to outside edge of fitter rim. 51361-82 (1,500-2,000)

Lot 1271

1273.

TIFFANY STUDIOS TRIPOD CANDLESTICK. Tiffany Studios bronze candlestick has tripod base with pad feet resting on a circular bronze platform. The tripod supports a bulbous candle cup set with a band of iridescent glass cabochon jewels. The candlestick is finished in a rich brown patina with subtle red highlights and is complete with candle snuffer which rests on a knob in the middle of the tripod. Signed on the underside “Tiffany Studios New York S1211”. SIZE: 15” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-5 (1,500-2,500)

Lot 1272 115

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Session 1

1271. TIFFANY STUDIOS ADJUSTABLE DAMASCENE DESK LAMP. Tiffany Studios desk lamp has bronze adjustable cat’s paw base with four vertically ribbed legs ending in cat’s paw feet which rest on a round bronze platform. The base has a 3-arm spider and single socket and is finished in a rich brown patina. Signed on the underside “Tiffany Studios New York 427”. The lamp is complete with a Tiffany gold favrile damascene shade. The iridescence on the shade shows strong flashes of pink and blue. Shade is signed in the fitter “L.C.T. Favrile”. SIZE: Shade 7-3/4” dia. Lamp adjusts from 16” to 21” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51361-182 (1,500-2,500)

Session 1

1274. TIFFANY STUDIOS 2-ARM BLOWN OUT CANDLESTICK. Tiffany Studios bronze 2-arm candlestick; Model #1230, has oval base leading to two arms and a center floral bud holder, each arm topped with a reticulated poppy candle cup with blown glass insert, each with plain bobeche. Signed on the underside “Tiffany Studios New York 1239”. Similar examples can be seen in the book Tiffany Lamps & Metalware by Alastair Duncan, pg. 375 & 376. SIZE: 9” t x 7-1/2” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with minor wear and discoloration to patina. 51361-175 (1,200-1,800)

Lot 1274

1275.

PAIR OF TIFFANY STUDIOS ART NOUVEAU CANDELABRAS. Pair of Tiffany Studios 2-arm candlesticks have oval foot and center Art Nouveau stylized floral handle. The bronze is finished in a rich brown patina with subtle green highlights and the double curving arms on each candlestick support a favrile glass candle cup with green pulled feather decoration and vertically ribbed bodies. Unsigned. Numbered “5639”. SIZE: 9-1/4” to top of handle, 7-1/2” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-149 (1,500-2,500)

Lot 1275

1276. TIFFANY STUDIOS DOUBLE JEWELED CANDLESTICK. Tiffany Studios candlestick has leaf-shaped tray with handle, two arms extend from the handle to support the bulbous candle cups which are set with a row of iridescent glass cabochon jewels. The bronze is finished in a rich brown patina with subtle green highlights. Signed on the underside “Tiffany Studios New York 5640”. SIZE: 7” w x 7” dia x 3-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. One bobeche has green highlights; the other does not. 51361-30 (1,200-1,800)

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IFFANY STUDIOS RETICULATED INKWELL. T Tiffany Studios inkwell has reticulated sides with blown-out glass insert. The bronze is finished in a rich brown patina with subtle red highlights. Inkwell retains its clear glass insert. Signed on the underside “Tiffany Studios New York 27358” along with the Tiffany Glass & Decorating Company logo. SIZE: 3-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: There is a spot of wear to the patina in the middle of the hinged lid, as well as some minor discoloration to patina on sides. Wear to patina on the bottom edge of the foot from rubbing on the desk. Glass is very good. 51361-177 (1,500-2,500)

Lot 1277 1278.

TWO TIFFANY STUDIOS GRAPEVINE PHOTO FRAMES. Lot consists of two Tiffany Studios acid etched photo frames in the Grapevine pattern with green slag glass backing. One single photo frame and one double photo frame. Both are finished in a medium brown patina with green highlights, and both are signed on the backside “Tiffany Studios New York” and numbered. SIZE: Single frame: 8” x 9-1/2” overall, opening to accommodate a 4” x 6” photo. Double frame: 10-1/4” w x 7-1/2” t. Lot 1278 Openings: 2-1/4” x 3-5/8”. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Single photo frame is very good to excellent with some minor wear to patina. Double photo frame has a tight hairline crack to one glass panel and some minor wear to patina. 51361-9 (1,500-2,500)

1279. TIFFANY STUDIOS JEWELED CANDLE HOLDER. Tiffany Studios bronze candle holder; Model #1210, has saucer shaped foot with tapered riser leading to a three arm support holding a bronze ball shaped candle cup with nine glass jewels and a shade holder. Shade is gold ribbed favrile glass, with purple iridescent highlights. Base is signed on the underside “Tiffany Studios New York 10056”, shade is signed on inside of fitter rim “LCT”. Similar base is pictured in the book Tiffany Lamps & Metalware by Alastair Duncan, pg. 379. SIZE: 13-1/2” t. Shade fitter is 3-1/8” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with minor wear and discoloration to patina, shade is very good to excellent. 51361-85 (1,500-2,000)

Lot 1279 117

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Session 1

1277.

1280.

Session 1

LOT OF SIX TIFFANY STUDIOS GRAPEVINE DESK ACCESSORIES. Lot consists of a pair of small blotter ends, a paper knife, large square box, rubber band box, calendar frame, picture frame and an ashtray. All pieces are Tiffany Studios Grapevine pattern with rich brown patina and green slag glass backing. The only variation is the calendar frame which has caramel slag glass backing. Each piece is signed “Tiffany Studios New York” and numbered. SIZE: Square box: 7” sq. Picture frame: 8-3/4” t x 7” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Overall very good to excellent. Ashtray has a crack in the bottom glass panel and is missing the ash trimmer. 51361-186 (1,200-1,800)

Lot 1280

1281.

THREE TIFFANY STUDIOS PINE NEEDLE FRAMES. 1) Tiffany Studios photo frame has acid etched Pine Needle pattern with green slag glass backing. The frame is trimmed around the edge and around the opening with bronze beads. Bronze is finished in a rich brown patina with red highlights. 2) Small photo frame is acid etched in the Pine Needle pattern and is trimmed around the edge and around the opening with a double row of beaded trim. Frame is finished with a rich brown patina with green highlights and pattern is backed by green slag glass. 3) Calendar frame is acid Lot 1281 etched in Pine Needle pattern with beaded trim surrounding the outside edge and frame opening. Frame is finished in a medium brown patina with green highlights and backed by translucent green slag glass. Each frame is signed on the backside “Tiffany Studios New York” and numbered. SIZE: 1) 9-1/4” t x 8” w; 5-1/2” opening. 2) 6-3/8” w x 7-1/2” t; 2-1/4” x 3-3/8” opening. 3) 6-3/8” t x 7-1/2” w; opening 3-1/2” x 2-1/4”. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: All are very good to excellent with some minor wear and discoloration to patina. 51361-192 (900-1,200)

1282.

TWO TIFFANY STUDIOS GRAPEVINE PICTURE FRAMES. 1) Tiffany Studios acid etched bronze double picture frame in the Grapevine pattern has rich brown patina with red and green highlights, backed by green slag glass. Each picture opening and the outside edge of the frame are decorated with bronze beaded trim. 2) Tiffany Studios picture frame has acid etched Grapevine pattern set against an unusual pink slag glass background. The bronze is finished in rich brown patina with green highlights. Each frame is signed on the backside “Tiffany Studios New York”. SIZE: 1) 10-1/4” w x 7-1/4” t. 2) 7-5/8” w x 9-1/8” t. PROVENANCE: From the Unreserved Estate of Lynda Lot 1282 Cunningham. CONDITION: 1) Very good to excellent. 2) Very good to excellent with some minor bending to top and bottom channel for bronze back. 51361-185 (800-1,200)

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1283. PAIR OF TIFFANY STUDIOS BRONZE COBRA CANDLESTICKS. Tiffany Studios bronze candlesticks in the cobra pattern have lily pad feet leading to the cobra handle with curved arm supporting the bulbous candle cup within a 3-prong holder. Finished in rich brown patina with strong green highlights. Signed on the underside “Tiffany Studios New York 1203” along with an impressed Tiffany Studios logo. SIZE: 8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear to patina. 51361-141 (1,000-1,500)

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TIFFANY STUDIOS JEWELED CANDLESTICK. Tiffany Studios bronze candlestick has a row of green glass cabochons encircling the foot and is further decorated with bronze stylized leaves on top of the platform giving way to a pair of curving arms leading to the reticulated candle cups with blown-out glass inserts. The bronze is finished in a dark brown patina. Candlestick is signed on the underside “Tiffany Studios New York D886” along with the Tiffany Glass & Decoration Company logo. SIZE: Approx 12” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: One blown-out glass insert is broken, otherwise good. 51361170 (1,000-1,500)

Lot 1284 1285.

TIFFANY STUDIOS BRONZE DESK LAMP. Tiffany Studios desk lamp has bronze base with leaf decorated foot and three arms flaring out from the center shaft to create the 3-arm spider. The base is finished with a rich brown patina and some subtle red highlights. The lamp is completed with a simple bronze dome shade. Signed on the underside “Tiffany Studios New York 426”. Shade unsigned. SIZE: Shade 7-1/4” dia. Lamp 131/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51361-203 (1,0001,500)

Lot 1285

1286. TIFFANY STUDIOS JEWELED CANDLESTICK. Tiffany Studios candlestick has octagonal foot with eight panels of blue iridescent favrile glass. The octagonal stem leads to a bulbous bronze candle cup with iridescent green glass cabochon jewels. The bronze has a rich brown patina with subtle green highlights. Signed on the underside “Tiffany Studios New York”. SIZE: 11-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-159 (1,200-1,800)

Lot 1286 119

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Session 1

1284.

Session 1

1287. TIFFANY STUDIOS FOUR ARM CANDELABRA. Tiffany Studios bronze candelabra has stylized flame design decorating the top of the foot with vertical ribbing decorating the stem. The candelabra has four arms, each leading to a single bulbous candle cup supported by 3-prongs. The candelabra is finished in a rich brown patina with subtle green highlights. Signed on the underside “Tiffany Studios New York 7355”. SIZE: 17” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-27 (1,000-1,500)

1288. TIFFANY STUDIOS FLORAL INKWELL. Tiffany Studios bronze inkwell has vines and leaves surrounding the low platform foot with a stylized leaf design bordering the edge. The hinged lid is decorated with a stylized sunflower and the inkwell is finished in a statuary patina. Signed on the underside “Tiffany Studios New York 1039”. Missing the glass insert. SIZE: 6-5/8” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good with some wear and discoloration to patina. 51361-212 (800-1,200)

Lot 1287

Lot 1288

1289. TIFFANY STUDIOS RETICULATED CANDLESTICK. Tiffany Studios bronze candlestick has tripod base with curlicue feet supporting the reticulated candle cup with blown-out green glass insert. The candlestick is finished in a rich brown patina with subtle green and red highlights. Marked on the underside with the Tiffany Glass & Decorating Company logo. SIZE: 7-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: The lip of the bobeche insert has some slight bends, otherwise very good to excellent. 51361-92 (8001,200)

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Lot 1290 1291.

TIFFANY STUDIOS SMOKING STAND. Tiffany Studios bronze smoking stand has round organic form foot with slender stem leading to the bronze ashtray. The ashtray rests in a bronze openwork cradle. The ashtray is fitted with a matchbox holder and two cigar rests, as well as a center handle. The smoking stand is finished in brown patina with heavy green highlights. Signed on the underside “Tiffany Studios New York 1649”. SIZE: 27-1/2” to top of matchbox holder. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some wear and discoloration to patina. 51361-137 (600-900)

Lot 1292 1293.

1292. THREE TIFFANY STUDIOS RETICULATED CANDLESTICKS. Three Tiffany Studios bronze candlesticks have organic form, round foot with tall slender stems leading to reticulated candle cups with blown-out glass inserts. Each candle cup is complete with bronze bobeche. Candlesticks are finished with brown patina. Two of the candlesticks are signed on the underside “Tiffany Studios New York” and Lot 1291 numbered. The third candlestick is signed with the Tiffany Glass & Decorating Company logo and numbered. SIZE: 13-1/2” t, 17-1/2” t and 20-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: The middle size candlestick has a crack to the blown-out insert and there is some minor wear and discoloration to the patinas on each candlestick. 51361-33, 51361-88 (1,000-1,500)

FOUR TIFFANY STUDIOS PINE NEEDLE DESK ACCESSORIES. Lot consists of a medium paper rack, small picture frame, medium cigarette box and blotter ends. Each piece is finished in rich brown patina with green and red highlights. Each is signed “Tiffany Studios New York” and numbered. SIZE: Paper rack: 10” w x 6-1/4” t. Picture frame: 4” x 5-3/4” overall. Blotter ends: 19” l. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor corrosion to patina on blotter ends. 51361-3 (800-1,000) 121

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Session 1

1290. THREE TIFFANY STUDIOS PINE NEEDLE DESK ACCESSORIES. Lot of Tiffany Studios acid etched desk accessories in the Pine Needle pattern include a paste pot, ashtray and a matchbox holder. Each is finished in rich brown patina with green and red highlights. All have green slag glass backing and each are signed on the underside “Tiffany Studios New York”. SIZE: Paste pot: 4-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: All are very good to excellent with some minor wear and discoloration to patina. 51361-193 (600-900)

Session 1

1294. TIFFANY STUDIOS UNIVERSAL SWING CANDLESTICK. Tiffany Studios universal swing candlestick has bulbous body which hangs within double pivot points allowing the candlestick to remain upright in any situation. The bronze is finished in a dark patina and is signed on the inside of handle with the Tiffany Studios logo as well as on the outside of handle “Tiffany Studios New York 1207”. Complete with original snuffer. SIZE: 7” to top of snuffer. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some wear to patina on handle. 5136119 (2,500-3,500)

Lot 1294 1295.

TIFFANY STUDIOS RETICULATED INKWELL. Tiffany Studios inkwell has bronze reticulated frame and hinged lid. Inkwell is completed with a blown-out glass interior. The bronze is finished in a dark brown patina and the piece is signed on the underside “Tiffany Studios New York 67035” along with the Tiffany Glass & Decorating Company logo. Complete with glass insert. SIZE: 3-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: A slight roughness to inside edge of glass insert, otherwise very good to excellent. 51361-103 (500-800)

Lot 1295

1296. TIFFANY STUDIOS COBRA CANDLESTICK. Tiffany Studios candlestick in the cobra design has lily pad foot with cobra shaped handle extending upwards and a curving arm supporting the gold favrile candle cup. The bronze candlestick is finished in a rich brown patina with subtle green highlights. Marked on the underside “Tiffany Studios New York 6073”. SIZE: 8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some very minor wear to patina. 51361-90 (600-900)

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Lot 1297 1298.

TIFFANY STUDIOS BRONZE AND FAVRILE GLASS LAMP. Tiffany Studios lamp has Grecian urn shaped bronze base with four vertically ribbed legs and pad feet resting on a stepped bronze platform. The base is finished in a rich brown patina and signed on the bottom of the removable oil font with applied tag “Tiffany Studios New York D549” along with the Tiffany Glass & Decorating Company logo. Base supports a Tiffany favrile glass decorated shade with gold iridescent hooked feather design surrounding the shade. The gold iridescence shows extremely strong pink highlights throughout the decoration. Shade is marked on inside of fitter “S5391”. SIZE: 15-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: There is a small, very shallow flake on the bottom edge of the fitter, otherwise very good to excellent with some very minor wear and discoloration to patina. Base has been electrified using a factory made adapter so nothing on the lamp has been drilled or modified. 51361-148 (2,500-3,500)

Lot 1298 123

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Session 1

1297. TIFFANY STUDIOS ADJUSTABLE CANDLE LAMP. Tiffany Studios candle lamp has organic form circular foot and slender center stem with adjustable mechanism supporting three arms leading to reticulated candle cups with blown-out glass inserts. The bronze is finished in rich brown patina. The lamp is complete with three Tiffany favrile candle shades with green pulled feather design rising from the fitter. Each pulled feather is outlined in gold iridescence. The lamp is stamped on top of the foot “Tiffany Studios New York” and each shade is signed in the fitter “L.C.T.”. SIZE: Size adjusts from 18-1/4” t to 25” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Some minor wear and discoloration to patina. One of the blown-out glass inserts has a tight hairline. Shades are very good with some small flakes and roughness to two of the fitter rims. Color of the shades vary slightly from shade to shade. 51361-32 (2,000-3,000)

Session 1

1299. TIFFANY STUDIOS LINENFOLD TABLE LAMP. Tiffany Studios table lamp has bronze stick base with simple shaft leading to a 3-socket cluster. The base is finished with rich brown patina and subtle green highlights and is signed on the underside “Tiffany Studios New York 533”. The base supports a Tiffany Studios shade with ten amber linenfold panels and linenfold trim pieces at top and bottom. The bronze frame of the shade is finished in a rich reddish-brown patina. Shade is signed on the inside rim “Tiffany Studios New York 1947 PAT. APPL’D FOR”. Lamp is complete with linenfold heat cap. SIZE: Shade 16-1/2” dia. Lamp 23” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent. Shade has several small flakes, chips and tight hairlines to several border tiles, all large linenfold panels are undamaged. Linenfold heat cap has a small corner of glass missing. Rewired with appropriate cloth cord. 51361-162 (5,000-7,000)

Lot 1299

1300.

TIFFANY STUDIOS DOGWOOD BAND TABLE LAMP. Tiffany Studios table lamp has simple bronze base with 3-socket cluster finished in a deep brown patina. The base is signed on the underside “Tiffany Studios New York 534”. The base supports a Tiffany Studios leaded shade with a band of dogwood flowers and leaves surrounding the side of the shade. The dogwood flowers are done in cream and yellow, while the leaves are striated green and blue, all set against a geometric background of blue shading to yellow and cream. Shade is signed on the inside rim “Tiffany Studios New York”. Lamp is complete with acid etched bronze heat cap. SIZE: Shade 14” dia. Lamp 22” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade is very good to excellent with a few tight hairlines, no missing glass. Base is very good with some light corrosion to patina. 51361-40 (6,000-9,000)

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Lot 1301

1302. TIFFANY STUDIOS COUNTERBALANCE FLOOR LAMP. Tiffany Studios floor lamp has 5-legged bronze base with lily pad feet. Base is finished in dark brown patina. The slender stem leads to the counterbalance assembly and shade holder which supports a butterscotch damascene shade with platinum iridescent waves against the shaded butterscotch background. The platinum iridescence shows nice blue and pink highlights. Shade is signed in the fitter rim “L.C.T. Favrile” and the base is signed on the bottom of one foot “Tiffany Studios New York 468”. SIZE: Shade 9” dia. Lamp 52-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade has some minor chipping and roughness to the fitter rim, otherwise very good. Base has some wear to patina on shaft, otherwise very good. 51361-67 (3,000-5,000)

Lot 1302

Lot 1303

1303. TIFFANY STUDIOS ADJUSTABLE STUDENT LAMP BASE. Tiffany Studios bronze student lamp base has artichoke decoration surrounding the foot, with ribbed decoration covering the top of the foot and leading to the slender adjustable shaft. The student lamp has a single arm supporting the acid etched shade holder. Lamp is finished in rich brown patina with subtle green highlights. Signed on the underside “Tiffany Studios New York 28596” along with the Tiffany Glass & Decorating Company logo. SIZE: 25-1/2” to top of shaft. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51361-206 (1,500-2,500) 125

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Session 1

1301. TIFFANY STUDIOS DAMASCENE DESK LAMP. Tiffany Studios desk lamp has bronze harp base with ribbed inverted saucer platform and 5-ball feet. The base is finished in bright gold doré and signed on the underside “Tiffany Studios New York 424”. The base supports a domed damascene shade with gold iridescent waves against a cream colored background. The gold iridescence shows nice flashes of pink and platinum. Signed in the fitter “L.C.T. Favrile”. SIZE: Shade 7-1/8” dia. Lamp 17-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is missing one small screw in socket housing, otherwise very good to excellent. Shade is very good to excellent. 51361-56 (2,5003,500)

Session 1

1304. TIFFANY STUDIOS GEOMETRIC TABLE LAMP. Tiffany Studios table lamp has bronze base with tobacco leaf decoration covering the foot and supporting the bulbous body. The base has a 3-arm spider, single socket and is finished in a rich brown patina with red highlights. Signed on the underside of the oil font with the Tiffany Glass & Decoration Company logo. The base supports a Tiffany Studios leaded glass shade comprised of geometric nicely mottled glass panels. Signed on the interior rim “Tiffany Studios New York”. Lamp is finished with a replacement pierced heat cap. SIZE: Shade 13-1/4” dia. Lamp 18” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Aperture ring on shade has been glued in place, otherwise shade is very good to excellent with no cracks or hairlines apparent. Base is very good to excellent. It has been electrified with factory electric socket so no alteration to the base has taken place. 51361-45 (4,0006,000)

Lot 1304 1305.

TIFFANY STUDIOS LINENFOLD TABLE LAMP. Tiffany Studios table lamp has bronze stick base with 3-socket cluster finished in a rich gold patina. Base is signed on the underside “Tiffany Studios New York 533”. It supports a Tiffany Studios shade with 12 dark amber linenfold panels with linenfold trim pieces bordering top and bottom of each panel. The panels are held within a framework of bright gold bronze and is complete with large open work bronze cap. Shade is signed on the bottom inside edge “Tiffany Studios New York”. SIZE: Shade 19” dia. Lamp 22” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade is very good to excellent with a tight hairline to one upper border panel and a tight hairline to one lower border panel. One central panel has a small hairline at the top corner and one other central panel has a small bruise on the bottom edge. All are concealed within the folds of the glass. Base is very good to excellent with some minor wear and discoloration to patina. 51361-51 (5,000-7,000)

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Session 1

1306. TIFFANY STUDIOS TWELVE ARM CANDELABRA. Tiffany Studios bronze candelabra has twelve arms each supporting a bulbous bronze candle cup within 3-prongs. The candelabra is finished in a rich brown patina with green highlights and is complete with candle snuffer which stores within the center handle. Signed on the underside “Tiffany Studios New York 4253”. SIZE: 15-1/2” t x 22” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some very minor wear to patina. 51361-1 (3,000-4,000)

Lot 1306

1307.

TIFFANY STUDIOS ACORN LAMP SHADE. Tiffany Studios lamp shade has band of green and orange mottled acorns surrounding the shade against a striated green geometric background. Shade is signed on inside rim “Tiffany Studios New York”. SIZE: 12” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: There are several tight hairlines, primarily in the lower half of the shade with no missing glass. Otherwise very good. 51361-133 (3,0005,000)

Lot 1307 (w/close-up) 127

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Session 1

1308. TIFFANY STUDIOS JEWELED CANDLE LAMP. Tiffany Studios candle lamp has bronze tripod base with pad feet resting on a circular foot. The tripod supports a bulbous candle cup decorated with iridescent glass cabochons. The iridescence shows nice flashes of blue and purple. Base is signed on the underside “Tiffany Studios New York 1211”. The base supports a Tiffany favrile glass shade with gold pulled feather design rising from the fitter with platinum iridescent outline around each feather all set against a creamy opalescent background. Unsigned. SIZE: 251/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some minor wear and discoloration to patina. Shade has some minor roughness to approximately 1” of the fitter rim, otherwise very good to excellent. 51361-100 (2,000-2,500)

Lot 1308

1310.

Lot 1309

1309. TIFFANY STUDIOS CAT’S PAW CANDLE LAMP. Tiffany Studios candle lamp has bronze candlestick base with four vertically ribbed legs terminating in cat’s paw feet. The legs support a bulbous candle cup held within 3-prongs. The base is finished in a rich brown patina and is signed on the underside “Tiffany Studios New York S692 1201”. The lamp is completed with a Tiffany favrile glass shade decorated with green pulled feather design against a cream colored background. Shade is signed in the fitter “L.C.T.”. SIZE: 19” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some very minor wear to patina on foot. Shade has two small flakes on the fitter rim which are completely concealed when the shade is in place. Otherwise, very good to excellent. 51361-146 (1,500-2,500)

TIFFANY STUDIOS WILD CARROT CANDLE LAMP. Tiffany Studios bronze candle lamp has cast bronze foot in the wild carrot design with a tall, slender stem leading to a simple bulbous candle cup. The candlestick is finished in a rich brown patina and is signed on the underside “Tiffany Studios New York 291”. The lamp is complete with a Tiffany favrile glass candle shade with green pulled feather design rising from the bottom with a subtle platinum iridescent outline around each feather all set against a creamy background. Signed on the underside of the shade “L.C.T”. SIZE: 20-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Candlestick and shade are very good to excellent. 51361-14 (1,200-1,800)

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Lot 1311 1312.

TIFFANY STUDIOS RETICULATED BRONZE AND GLASS INKWELL. Tiffany Studios inkwell has bronze body in a stylized flora design with blown-out glass interior. The bronze is finished in a rich brown patina with subtle green and red highlights. The hinged lid has a matching incised floral design. The inkwell is complete with glass and Bakelite liner. Signed Lot 1312 on the underside “Tiffany Studios New 22567” along with the Tiffany Glass & Decorating Company logo. SIZE: 7” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Bakelite insert is missing approximately one half of its lip. There is some roughness around the inside edge of the glass insert. Some corrosion to interior of hinged lid. Patina has some minor wear and discoloration, otherwise very good. 51361-178 (2,500-3,500)

1313. TIFFANY STUDIOS DAMASCENE DESK LAMP. Tiffany Studios desk lamp has bronze base with vertically ribbed inverted saucer foot supporting a harp which houses a single socket. The base is finished in a medium brown patina with green highlights and is signed on the underside “Tiffany Studios New York 419”. The base supports a Tiffany favrile damascene shade with green and platinum iridescent waves against a gold iridescent background. The shade has pronounced ribbing on the top half. Signed on inside of fitter “LCT”. SIZE: Shade 7” dia. Lamp 133/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina on base. 51361-39 (2,5003,500)

Lot 1313 129

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Session 1

1311. PAIR OF TIFFANY STUDIOS CANDLE LAMPS. Pair of Tiffany Studio candle lamps have bronze bases with four vertically ribbed legs terminating in cat’s paws which rests on top of a bronze platform. Each base has a bulbous reticulated candle cup with blown-out glass inserts. Signed on the underside “Tiffany Studios New York 8682”. The lamps are completed with matching Tiffany favrile glass candle shades, with translucent green pulled feather design rising from the fitter against a clam broth background. Each pulled feather is outlined in gold iridescence with strong blue highlights. One shade is signed in the fitter “L.C.T.”; the other is unsigned. SIZE: 16-1/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Both very good to excellent with some minor wear and discoloration to the patina. 51361-173 (2,000-3,000)

Session 1

1314. PAIR OF TIFFANY STUDIOS 3-ARM CANDELABRAS. Pair of Tiffany Studios bronze candelabras; Model #1251, have round base with heavy stem leading to 3-arm all metal tripod arm candlecups with snuffers and chains. Each signed on underside of base “Tiffany Studios New York 7168”. Similar examples can be seen in Tiffany Lamps & Metalware by Alastair Duncan, pg. 374. SIZE: 14-1/4” t x 5-3/4” w at base. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with minor wear and discoloration to patina, snuffer and chains with slightly different patina than candlesticks. 51361-13 (1,500-2,500)

Lot 1314 1315.

TWO TIFFANY STUDIOS WILD CARROT CANDLESTICKS. Two Tiffany Studios candlesticks have cast bronze wild carrot foot with slender stem leading to reticulated candle cups with blown-out glass inserts. Each candlestick is complete with bronze bobeche with beaded trim. The candlesticks are finished in a rich brown patina and signed on the underside “Tiffany Studios New York”. One also carries the Tiffany Glass & Decorating Company logo. SIZE: 18” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-81 (2,000-2,500)

Lot 1315 1316.

LOT OF FIVE TIFFANY STUDIOS BRONZE AND FAVRILE GLASS BUD VASES. 1) Pair of Tiffany Studios bud vases have bronze base with knobbed feet and beaded trim at the top. The base holds a Tiffany favrile glass insert with green pulled feather design rising from the bottom against a gold iridescent background. Each vase is signed on the bottom “L.C.T.” and one carries the remnants of an original Tiffany Studios paper label. The bronze bases are signed on the underside “Tiffany Studios New York 717”. 2) Bud vase has a bronze base with wide wave design surrounding the foot. The base is finished in gold doré and holds a favrile glass insert with butterscotch pulled feather design rising from the bottom against a translucent gold iridescent background. The glass insert is signed on the bottom “L.C.T.”. The bronze base is signed on the underside “Tiffany Studios New York 711”. 3) Bud vase has bronze hexagonal base with vertical ribbing finished in a brown patina with subtle red highlights. The base houses a favrile glass insert with cylindrical body flaring at the top to a hexagonal shape. The glass insert is finished in gold iridescence with subtle pink and purple highlights. Insert is signed on the bottom “L.C.T. Favrile”. Base is signed on the underside “Tiffany Studios New York 712.” 4) Bud vase has bronze base with inverted saucer foot, artichoke stem and stylized flower top which holds the favrile glass insert. The insert has cylindrical body flaring at the top to a hexagonal shape and is finished in gold iridescence. Signed on the bottom “L.C.T. Favrile”. Base is signed on the underside “Tiffany Studios New York 1043”. SIZE: Tallest: 15-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: 2) Vase has some staining to interior, otherwise all are very good to excellent. Patinas on bronze bases show some minor wear and discoloration. 51361-179 (1,000-1,500) Lot 1316

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Lot 1317

1318. TIFFANY STUDIOS KING TUT DESK LAMP. Tiffany Studios desk lamp has bronze harp base with ribbed inverted saucer foot and single socket. The base is finished in dark brown patina and signed on the underside “Tiffany Studios New York 419”. The base houses a Tiffany favrile glass shade in the King Tut pattern. The iridescent King Tut pattern shows nice flashes of purple and blue against a green background. Shade is signed in the fitter “L.C.T.”. SIZE: Shade 7” dia. Lamp 13-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-163 (1,5002,500)

Lot 1318 1319.

PAIR OF TIFFANY STUDIOS JEWELED 2-ARM CANDELABRAS. Pair of Tiffany Studios bronze jeweled candlesticks; Model #1316, have round base with glass beads and leaf decoration each leading to 2-arms topped with reticulated poppy candlecups with blown glass inserts and beaded bobeche. Signed on the underside “Tiffany Studios New York 22323” with Tiffany Glass & Decorating logo, the other is signed “Tiffany Studios New York D886” with the Tiffany Glass & Decorating logo. Similar example can be seen in the book Tiffany Lamps & Metalware by Alastair Duncan, pg. 387. SIZE: 12-3/4” t x 9-3/4” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good with wear and discoloration to the finish on both. Two blown glass inserts have shallow chips on the top rim which are concealed when bobeche is in place. 51361-42 (2,000-3,000)

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Session 1

1317. TIFFANY STUDIOS ADJUSTABLE CANDLE LAMP. Tiffany Studios electrified candle lamp has tripod base with paw feet resting on a circular platform. The candle cup is decorated with glass cabochon jewels and the stem adjusts up and down. The bronze is finished in a rich brown patina with green highlights. The stick supports a Tiffany candle shade with green pulled feather design ascending from the fitter with platinum iridescence outlining each pulled feather, all against a light gold background. Shade is signed inside the fitter “LCT” while the candlestick is signed on the underside “Tiffany Studios New York 6833”. SIZE: 14-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear to patina. Shade has a small flake to the fitter which is completely concealed when shade is in place. Rewired with appropriate cloth cord. 51361-152 (1,500-2,500)

Session 1

1320. TIFFANY MOSQUE LAMP. Tiffany mosque lamp has blue pulled feather design descending from the fitter with gold iridescent outline around the bottom, all against a cream colored, lightly iridescent background. The shade rests on a black wooden base that is not original to the lamp. Shade is signed in the fitter “L.C.T. Favrile”. SIZE: 7-1/4” t with base. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: There are two small flakes to the outside rim of the fitter and some circular scratches around the top of the shoulder. The original lid is missing. 51361-77 (1,200-1,800)

Lot 1320 1321.

FOUR TIFFANY STUDIOS PAPERWEIGHTS. Four Tiffany Studios bronze figural paperweights include Shando, a reclining lion, a crouching panther and a bulldog. Each weight is finished in brown patina and signed on the underside “Tiffany Studios New York” and numbered. SIZE: Lion: 5” l. Bulldog: 2” l. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good with some minor wear and discoloration to patina. 51361-24 (400-600)

Lot 1321

1322. PAIR OF TIFFANY GOLD FAVRILE CANDLE SHADES. Pair of favrile glass candle shades have vertically ribbed bodies and are finished with a bright gold iridescence showing strong pink highlights with subtle flashes of platinum. Each shade is signed within the fitter “L.C.T.”. SIZE: One shade: 5-1/8” t. Other shade: 5-3/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-214 (700-1,000)

Lot 1322 1323.

THREE TIFFANY STUDIOS BRONZE BOOKENDS. Lot consists of a pair of Tiffany Studios Chinese pattern bronze bookends finished in a rich brown patina. The lot also includes a single bronze Zodiac pattern bookend with rich brown patina. Each piece is signed on the underside “Tiffany Studios New York” and numbered. SIZE: Chinese bookends: 6-1/4” t. Zodiac bookend: 6” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-210 (500-800)

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Lot 1323

Lot 1324

1325. TIFFANY STUDIOS ELECTRIFIED BAMBOO CANDLE LAMP. Tiffany Studios candle lamp has bronze bamboo design base, finished with a rich brown patina. The base is signed on the underside “Tiffany Studios”. The lamp is completed with a Tiffany favrile glass candle shade, with green pulled feather design rising from the fitter with gold iridescent outlines all against a white lightly iridescent background. Signed in the fitter “L.C.T.”. SIZE: 15-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade has two small flakes to the fitter rim, otherwise very good to excellent. Base has some minor wear and discoloration to patina, otherwise very good. Rewired with appropriate cloth cord. 51361-25 (1,500-2,500)

1326. TIFFANY STUDIOS BLOWN-OUT CANDLESTICK. Tiffany Studios bronze candlestick; Model #1218, has round bronze base and three paw-foot legs with scaled design leading to Lot 1325 a reticulated tall candle cup with blown glass insert and beaded bobeche. Signed on underside “Tiffany Studios New York” and illegible numbers. SIZE: 12” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good with minor wear and discoloration to finish, some loss to top rim of glass insert not visible with bobeche in place. 51361-18 (1,500-2,500)

Lot 1326 133

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Session 1

1324. TIFFANY STUDIOS ADJUSTABLE CANDLE LAMP. Tiffany Studios candle lamp has bronze adjustable base with seven cat’s paw feet supporting the slender adjustable stem. The adjustable arm supports a reticulated candle cup with blown-out glass insert. The base is finished in a rich brown patina and is signed on the bottom of one foot “Tiffany Studios New York 4374”. The lamp is completed with a Tiffany favrile glass candle shade with green pulled feather design rising from the fitter with gold iridescence outlining each feather. Shade is signed in the fitter “LCT”. SIZE: Adjusts from 201/2” to 29” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some minor wear and discoloration to patina. Shade is very good to excellent. 51361-97 (1,500-2,500)

Session 1

1327. TIFFANY STUDIOS JEWELED CANDLE LAMP. Tiffany Studios tripod candlestick; Model #1202, with drilled ball feet leads to jeweled candle cup and shade holder with rich brown finish. Shade is gold ribbed favrile with purple iridescent highlights. Candlestick is signed on the underside of one ball “Tiffany Studios”, shade is signed “LCT” and etched “6980” on inside rim. Similar base is pictured in the book Tiffany Lamps & Metalware by Alastair Duncan, pg. 374 & 375. SIZE: Overall 14-1/4” t. Shade fitter is 3-1/4” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade holder with slightly different patina than base. Otherwise very good to excellent. 51361-83 (1,500-2,000)

1328. SIX TIFFANY STUDIOS GRAPEVINE DESK ACCESSORIES. Lot consists of six Tiffany Studios Grapevine desk accessories including a large letter rack, upright pen holder, square ink well, pen tray, large square box and cigarette box. Each piece is finished in a dark brown patina with subtle red highlights and the pattern is backed by green slag glass. Each piece is signed “Tiffany Studios New York” and numbered. SIZE: Letter rack: 12-1/2” w x 8-1/2” t. Ink well: 4” s. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Condition overall very good. Letter rack has one panel with tight hairline. Letter rack, cigarette box and ink well have some light corrosion to patina. Large square box is missing beaded trim on three sides of lid. 51361-8 (1,500-2,500)

Lot 1327

Lot 1328

1329. TIFFANY STUDIOS BAMBOO CANDLE HOLDER. Tiffany Studios bronze candlestick base; Model #428, has candle holder top and gold favrile ribbed shade. Base is signed on the underside “Tiffany Studios New York 428”. Shade is signed on inside fitter edge “LCT”. SIZE: 13” t. Shade fitter is 2-1/4” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good with minor wear and discoloration to patina, shade is very good to excellent. 51361-86 (1,500-2,000)

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Lot 1330

1331.

TIFFANY STUDIOS JEWELED CANDLE LAMP. Tiffany Studios candle lamp has electrified bronze base with ribbed platform foot and slightly bulging stem leading to the bulbous candle cup with green lightly iridescent glass cabochon jewels. The lamp is finished in a rich brown patina and signed on the underside “Tiffany Studios New York 435”. The lamp is completed with a Tiffany favrile glass shade with vertically ribbed body and pulled green feather decoration rising from the fitter against a white lightly iridescent background. Shade is signed in the fitter “L.C.T.”. SIZE: 24-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 5136160 (1,200-1,800)

1332.

Lot 1332 135

TIFFANY STUDIOS 2-ARM BLOWN OUT CANDLESTICK. Tiffany Studios bronze 2-arm candlestick Model #1230 has oval base leading to two arms and a center floral bud holder, each arm topped with short blown-out cups with blown glass insert, each with plain bobeche. Signed on the underside “Tiffany Studios New York 1239”. Similar examples can be seen in the book Tiffany Lamps & Metalware by Alastair Lot 1331 Duncan, pg. 375 & 376. SIZE: 9” t x 7-1/2” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with minor wear and discoloration to patina. 51361176 (1,200-1,800)

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Session 1

1330. TIFFANY FURNACES ENAMELED ART DECO ROCKER BLOTTER. Tiffany Furnaces rocker blotter in the Art Deco pattern has rich blue enameled decoration with corner circles enameled in speckled white, blue and orange. The bronze blotter is finished in a rich gold patina. Signed on the underside beneath the wooden rocker “Louis C. Tiffany Furnaces Inc 357”. SIZE: Approx 6-1/4” l. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-132 (1,200-1,800)

1333.

Session 1

SIX TIFFANY STUDIOS PINE NEEDLE DESK ACCESSORIES. Six Tiffany Studios acid etched bronze Pine Needle desk accessories including a large paper rack, large round inkwell with glass and Bakelite insert, large square box, calendar frame, large cigarette box and an upright pen holder. Each piece is finished in various shades of brown patina and each is signed on the backside “Tiffany Studios New York”. SIZE: Paper rack: 12-1/2” w x 8-1/2” t. Ink well: 7” d. Square box: 8” sq. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Overall very good to excellent. Calendar frame has small dent to trim around calendar opening. 51361-194 (900-1,200)

Lot 1333

1334. PAIR OF TIFFANY STUDIOS BRONZE CANDLESTICKS. Pair of Tiffany Studios bronze candlesticks have classical lightly ribbed foot with simple vertically ribbed stem leading to the matching candle cup. Each stick is finished with a medium brown patina and signed on the underside “Tiffany Studios New York 1243”. SIZE: 10-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-166 (600900)

Lot 1334 1335.

SEVEN TIFFANY STUDIOS GRAPEVINE DESK ACCESSORIES. Lot includes an upright pen holder, photo frame with oval opening, small photo frame, square inkwell with glass and Bakelite insert, medium cigarette box, rocker blotter and pen wipe. All items are Tiffany Studios acid etched in the Grapevine pattern. All are finished in varying shades of brown patina and backed by green slag glass. Each is signed “Tiffany Studios New York” and numbered. SIZE: Large frame: 6-3/4” t x 6-1/8” w. Cigarette box: 5-1/2” l x 3-3/4” d. PROVENANCE: From the Lot 1335 Unreserved Estate of Lynda Cunningham. CONDITION: All are very good to excellent with some very minor wear and discoloration to patina. Small photo frame is missing the hinge pin on easel back. 51361-190 (1,200-1,800)

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1336. SIX TIFFANY STUDIOS DESK ACCESSORIES. Lot consists of two Grapevine picture frames, an early Grapevine notepad, a Grapevine cigar box, an early Pine Needle square box and a Grapevine mucilage pot. Each piece is finished in various shades of brown patina with green or red highlights and each is signed on the underside “Tiffany Studios New York”. SIZE: Picture frames: 7-3/4” t x 6-1/2” w; 7” t x 6-3/8 w. Square box: 7” square. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Lot is very good to excellent. 51361-189 (1,000-1,500)

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Lot 1337

Lot 1339

1338. TIFFANY STUDIOS RETICULATED CANDLESTICK. Tiffany Studios bronze candlestick has circular inverted saucer foot with artichoke design at the bottom of the stem, which leads to the reticulated pineapple form candle cup with blown-out glass insert. The candlestick is finished in a rich brown patina and is signed on the underside “Tiffany Studios New York 579 42”. SIZE: 15” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good with some light pitting on top of foot. 51361-23 (1,000-1,500) 1339.

TIFFANY STUDIOS RETICULATED CANDLESTICK. Tiffany Studios candlestick has bronze organic root form feet supporting a single stem leading to the reticulated candle cup with blown-out glass insert. The bronze is finished in a rich brown patina with subtle red highlights. Signed on the underside “Tiffany Studios New York 1222”. SIZE: 11-1/2” t. PROVENANCE: From the Lot 1338 Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. There is a spacer where the candle cup screws onto the stem that does not appear to be original to the candlestick. 5136129 (1,000-1,500)

1340.

PAIR OF TIFFANY STUDIOS RETICULATED CANDLESTICKS. Pair of Tiffany Studios bronze candlesticks have ribbed circular foot and slender stem leading to the reticulated pineapple candle cups with blown-out glass inserts. Each candle cup has a wide rim and the candlesticks are finished in a dark brown patina. Signed on the underside “Tiffany Studios New York 27369” along with the Tiffany Glass & Decorating Logo. SIZE: 15” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: One candlestick has several cracks in the blown-out insert, otherwise very good. 51361-4, 51361-91 (1,000-1,500)

137

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Session 1

1337. TIFFANY STUDIOS JEWELED CANDLESTICK. Tiffany Studios bronze candlestick has three legs terminating in ball feet. The legs support a bulbous candle cup with blue iridescent cabochon glass jewels. The candlestick is finished in a rich brown patina with green highlights. Marked on the bottom on one ball foot with impressed Tiffany Studios logo. SIZE: 8-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-142 (1,000-1,500)

Session 1

1341. TIFFANY STUDIOS DAMASCENE DESK LAMP. Tiffany Studios desk lamp has ribbed inverted saucer foot with corset-shaped stem leading to the shade harp which supports a single socket. The base is finished in gold doré and signed on the underside “Tiffany Studios New York 424”. The base houses a Tiffany damascene dome-shaped shade with platinum and gold iridescent wavy lines against a shaded green background. The iridescence shows nice flashes of pink and blue. Signed within the fitter rim “L.C.T. Favrile”. SIZE: 18” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some minor discoloration to patina. Shade is very good with two areas about 1” long each of roughness on the fitter rim. These are completely concealed when shade is in place. 51361-63 (1,500-2,500)

Lot 1341 1342.

TIFFANY STUDIOS DAMASCENE DESK LAMP. Tiffany Studios bronze lamp base has ribbed inverted saucer foot supporting the arched harp. The base is finished in a brown patina with strong green highlights and is signed on the underside “Tiffany Studios New York 419”. The base houses a Tiffany gold damascene shade with strong pink and green highlights. Shade is signed in the fitter “L.C.T. Favrile”. SIZE: Shade 7” dia. Lamp 13-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Shade is very good to excellent. Base is missing one small screw from the socket housing. Lot There is some minor wear to patina. Rewired with appropriate cloth cord. 51361-144 (1,500-2,500)

1342

1343. TIFFANY STUDIOS COUNTERBALANCE DESK LAMP. Tiffany Studios desk lamp has bronze counterbalance base with dark brown patina. The base is signed on the underside “Tiffany Studios New York 11421”. Base supports a Tiffany favrile glass shade with green pulled feather design descending from the fitter against a creamy yellow background. Each pulled feather is outlined in bright gold iridescence. Signed in the fitter “L.C.T.”. SIZE: Shade 6-3/4” dia. Lamp 12-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some discoloration to patina. Shade has chipping to approximately 1/3 of the fitter. All chipping to fitter is concealed when shade is in place. 51361-49 (1,500-2,500)

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138

1345. TIFFANY STUDIOS ART NOUVEAU INKWELL. Tiffany Studios bronze inkwell has Art Nouveau design of flowing lines descending from the hinged lid to form the attached pen tray. The inkwell is complete with glass and Bakelite insert. Finished with a reddish-brown patina and green highlights. Signed on the underside “Tiffany Studios”. SIZE: 8” w x 6” d. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-104 (500-800)

Lot 1344

Lot 1345 1346. TIFFANY STUDIOS CANDLE LAMP. Tiffany Studios candle lamp has bronze candlestick base with three vertically ribbed legs and stylized leaf feet. The legs support a bulbous candle cup held by 3-prongs. The base is finished in rich brown patina and is complete with hanging candle snuffer. Signed on the underside “Tiffany Studios New York 11480”. The base supports a Tiffany favrile glass candle shade with green pulled feather design rising from the fitter with gold iridescent outline around each feather. All against a creamy yellow background. Shade is signed on the fitter “L.C.T.”. SIZE: 16” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Base is very good to excellent with some minor wear and discoloration to patina. Shade has a tiny nick on edge of fitter which is completely concealed when shade is in place. Otherwise, very good to excellent. 51361-94 (600-900)

Lot 1346 139

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Session 1

1344. PAIR OF TIFFANY STUDIOS BAMBOO CANDLE LAMPS. Pair of Tiffany Studios bronze candle lamps are done in the bamboo design and finished in a rich reddish-brown patina. Each is signed on the underside “Tiffany Studios New York 1205”. The lamps are completed with a pair of Tiffany favrile glass shades with green pulled feather design rising from the fitter. Each pulled feather is outlined in gold iridescence against a creamy tan background. Shades are signed in the fitter “L.C.T.”. SIZE: 16-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Two of the feet on one candlestick are slightly bent and the patina on those two feet is partially missing, otherwise very good to excellent. 51361-151 (2,000-3,000)

Session 1

1347. TIFFANY FURNACES ENAMELED CANDLESTICK. Tiffany Furnaces candlestick has bronze foot with enameled center in colors of red, orange and cream. The stem of the candlestick is bright red glass, leading to the bronze candle cup and bobeche. The top of the bobeche is enameled to match on the foot. Signed on the underside “Louis C. Tiffany Furnaces Inc 141” along with the Tiffany logo. SIZE: 9-1/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-180 (600-900)

1348. LOT OF THREE BRONZE TIFFANY STUDIOS TRIPOD CANDLESTICKS. Lot of three Tiffany Studios bronze tripod candlesticks with decorated candlecups, each bearing a seal commemorating the First Panel Sheriff ’s Jury 1905-1906. Each signed on the underside “Tiffany Studios New York”. SIZE: Each 7-1/2” t x 4-3/4” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with minor wear and discoloration to the patina on each. 51361-7 (400-600)

Lot 1347 1349.

THREE TIFFANY STUDIOS BRONZE NESTING ASHTRAY SETS. Three sets of Tiffany Studios nesting ashtrays; each set has a different design and consists of four separate ashtrays. All are finished in brown patina with red or green highlights. All the trays are signed on the underside “Tiffany Studios New York” and numbered. SIZE: Trays vary from 5” to 2-1/2” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: All are very good with wear to patina on interior. 51361-198 (200-400)

Lot 1348

Lot 1349

1350. T IFFANY STUDIOS POLYCHROME PHOTO FRAME. Tiffany Studios bronze photo frame has bright gold doré patina and is highlighted with a blue polychrome band surrounding the frame. Complete with easel back. Signed on the backside “Tiffany Studios New York 915”. SIZE: 7-3/4” t x 6-1/2” w. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Some minor wear to patina and to polychrome, otherwise good. 51361-211 (600-900)

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Lot 1351 1352.

TIFFANY STUDIOS BRONZE AND FAVRILE GLASS CANDLESTICK. Tiffany Studios candlestick has circular foot of organic form with slender stem, leading to the gold favrile glass ball candle cup. Candlestick is finished in a rich brown patina and is signed on the underside “Tiffany Studios New York 1213”. SIZE: 16-3/4” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-209 (800-1,200)

Lot 1352 1353. PAIR OF TIFFANY STUDIOS BRONZE CANDLESTICKS. Pair of Tiffany Studios candlesticks have tripod legs with curlicue feet. The legs support a bulbous candle cup secured within a 3-prong holder. The candlesticks are finished in a rich brown patina and signed on the back of one leg “Tiffany Studios New York”. SIZE: 8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51361-44 (800-1,200)

Lot 1353 141

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Session 1

1351. TIFFANY BLUE FAVRILE VASE. Tiffany blue favrile vase has tapered body with slender, slightly flaring neck. The vase has a rich blue iridescence with flashes of platinum and purple. Signed on the underside “LC TiffanyFavrile X105”. SIZE: 8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. 51361-10 (1,200-1,800)

1354.

Session 1

TWO TIFFANY STUDIOS LINENFOLD LAMP SHADES. 1) Tiffany Studios lamp shade has nine amber colored linenfold panels with amber linenfold trim at the top of each panel. The bronze framework is finished in a rich reddish-brown patina with subtle green highlights. Signed on the inside rim “Tiffany Studios New York 1938 PAT. APPL’D FOR”. 2) Small Tiffany Studios lamp shade has six emerald green linenfold panels with green linenfold trim at top and bottom of each panel. The bronze frame Lot 1354 is finished in a rich brown patina with green highlights. Signed on the inside rim “Tiffany Studios New York 1942 PAT. APPL’D FOR.”. SIZE: 1) 8” dia. 2) 5” dia. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: 1) There is a tight hairline crack in three of the linenfold trim panels, otherwise very good to excellent. 2) Very good to excellent. 51361-134 (1,500-2,500) 1355. THREE TIFFANY STUDIOS GRAPEVINE DESK ACCESSORIES. Lot consists of a large paper rack, square ink well and paper clip, all in the Grapevine pattern with green slag glass backing. Each piece is finished in a brown patina with green highlights. Each is signed “Tiffany Studios New York” and the paper clip and paper rack are numbered. SIZE: Paper rack: 12-1/2” 2 x 8-1/2” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent. There is some minor wear and corrosion to the patina on the ink well. 51361-102 (700-1,000)

Lot 1355

1356.

TIFFANY STUDIOS UNIVERSAL SWING CANDLESTICK. Tiffany Studios universal swing candlestick has bulbous body which hangs within double pivot points allowing the candlestick to remain upright in any situation. The bronze is finished in a dark patina and is signed on the inside of handle “Tiffany Studios” along with the Tiffany Studios logo. SIZE: 5” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good. Patina has considerable wear and candlestick is missing the snuffer. 51361-17 (1,500-2,500)

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Lot 1357

1358.

TIFFANY STUDIOS BRONZE STICK BASE. Tiffany Studios lamp base has cast bronze foot with simple hexagonal shaft leading to the 3-socket cluster. The base is finished in a brown patina with green highlights and topped with a replacement heat cap. Signed on the underside “Tiffany Studios New York 533”. SIZE: 22” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good with some wear and discoloration to patina. 51361-204 (600-900)

Lot 1358 143

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Session 1

1357. THREE TIFFANY STUDIOS HARP FLOOR BASES. Lot consists of two harp floor bases, each with three legs and lily pad feet and single socket. Each base is finished in brown patina and signed on the underside “Tiffany Studios New York 423”. The third Tiffany floor base has a round platform foot with ruffled and ribbed top and is finished in gold doré. Signed on the underside “Tiffany Studios New York 682”. SIZE: 3-legged floor bases: 54-1/2” t. Gold doré base: 56” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: All are very good to excellent with some minor wear and discoloration to patina. The gold doré patina has darkened. 51361-207 (2,0003,000)

1359.

Session 1 1360.

SEVEN TIFFANY STUDIOS RETICULATED CANDLE CUPS. Seven Tiffany Studios bronze candle cups with reticulated sides and blown-out glass inserts. Each candle cup is complete with bronze bobeche inserts. The bronze is finished in rich brown patina with green highlights. Unsigned. SIZE: Each 5” l. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: One candle cup has a 1” hairline crack in the blown-out insert and another candle cup has a partially open bubble in the glass near the edge of the bronze. 51361-219 (1,000-1,500)

LOT OF MISCELLANEOUS TIFFANY CANDLESTICK PARTS. Lot includes 19 bobeches in various brown patinas, 2 bobeches in gold doré, 5 bobeches with shade holders with 3-1/4” fitter, 10 bobeches with shade holders with 2-1/8” fitters, 2 gold favrile bobeches, 2 reticulated bronze and glass candle cups, 1 bronze candle cup and 1 bronze candle snuffer. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Overall very good. Some wear and discoloration to patinas, so minor bends to edge of bobeches. Bronze candle cup has one broken prong. 51361-128 (800-1,200)

Lot 1359

Lot 1360

1361. LOT OF MISCELLANEOUS TIFFANY LAMP PARTS. Lot consists of two 1” risers with 4-1/4” shade rings, one 2” riser with 3-1/2” shade ring, one collar with hooks for hanging fixture with 4” fitter, one shade ring with screws (support arms have been cut off ), one 8-5/8” bronze base plate, twenty bronze ball-head set screws, two knurled bronze knobs on threaded rod and one knurled switch knob. SIZE: As noted in description. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: All very good to excellent. 51361127 (1,000-1,500)

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144

TIFFANY STUDIOS HEAT CAPS, RISERS AND SHADE RINGS. Lot consists of four Tiffany Studios acid etched heat caps, each approximately 4-1/2” in diameter with brown patina. A Tiffany Studios acid etched slip cap with 3-1/2” fitter. A Tiffany Studios 2-1/2” riser with 5” shade ring and a Tiffany Studios 3” riser with 4-1/4” shade ring. SIZE: As listed in description. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: One heat cap has solder repair where threading attaches to the cap. 2-1/2” riser has tool marks on the side, otherwise all very good to excellent. 51361-218 (1,200-1,800)

Session 1

1362.

Lot 1362

1363. FOUR TIFFANY STUDIOS BRONZE FIGURAL PAPERWEIGHTS. Four Tiffany Studios bronze paperweights including a reclining lioness in gold patina, a perched owl in brown patina, a Foo dog in brown patina and a crouching panther in brown patina. Each piece is signed on the underside “Tiffany Studios New York”. SIZE: Lioness: 5” t. Owl: 3-1/8” t. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Very good to excellent with some minor wear to patina. 51361167 (400-600)

Lot 1363

1364.

SIX CONTEMPORARY HEAT CAPS. Lot consists of two 4-1/2” diameter heat caps with brown patina, one 3-7/8” diameter with gold doré patina, one 3-1/2” diameter with brown patina and two slip caps with 3-1/2” fitters in brown patina. SIZE: As mentioned in description. PROVENANCE: From the Unreserved Estate of Lynda Cunningham. CONDITION: Cap with gold doré patina has a small dent on top, otherwise all very good to excellent. 51361-217 (500-700)

Lot 1364

End of Unreserved Estate of Lynda Cunningham 145

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Session 1 1365.

TIFFANY STUDIOS LEADED GLASS WISTERIA WINDOW. Exceptional Tiffany Studios window has multi-colored purple and blue glass forming the overall wisteria patterns. Each blue wisteria panel is plated on the back side with various panels of confetti and striated glass forming individual petals of the wisteria flower, giving great depth of color. A large panel of striated amber glass is painted on the backside with a scenic design of a tree and pond, which is then plated over with a red panel creating great depth in the window. The window is housed in a wooden frame. Unsigned. SIZE: 31” w x 47-3/4” tall overall. Window: 26” x 43”. CONDITION: Good overall, with some tight hairlines. One trim panel has come out of the leading but is present, one trim panel is missing a small piece of glass, some corrosion to leading overall, primarily on the outside edges. 51088-35 (100,000-150,000)

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146

Session 1 147

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Session 1

1366. TIFFANY STUDIOS 5-LIGHT LILY LAMP. Tiffany Studios lily lamp has wooden foot and bronze pedestal leading to 5-arms, each holding a gold favrile lily shade. The base is finished in gold patina and each gold iridescent shade shows nice flashes of pink. Each shade is signed on the fitter “L.C.T.”; base is unsigned. SIZE: 12-1/2” t. CONDITION: Base is very good to excellent with some minor wear and discoloration to patina. Rewired with contemporary plastic cord. Shades are all very good to excellent. 52005-4 (5,0007,000)

Lot 1366

1367.

TIFFANY FAVRILE GLASS AND BRONZE HUMIDOR. Tiffany humidor has brown favrile glass vertically ribbed jar with bright gold iridescent, pulled hook design descending from the lip and a cream colored iridescent design rising from the foot. The humidor has a mushroom-shaped bronze lid, as well as a second lid on the inside in bronze, with gold patina decorated with a floral and scroll design. The inner lid is complete with attached sponge holder. Humidor is signed on the underside “L.C.T. K9063”. SIZE: 7-3/4” t. CONDITION: Glass is very good to excellent. Outer lid has some wear and discoloration to patina. Inner lid is very good to excellent. 51925-3 (14,000-18,000)

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148

TIFFANY STUDIOS TURTLEBACK PRISM HANGER. Tiffany Studios hanger has Moorish decoration surrounding the top with rosettes of bronze twisted wire. The frame holds a row of Tiffany favrile glass prisms alternating with bronze ball chain. The bottom section of the shade is made up of a mosaic

of turtleback tiles. The lamp is complete with ceiling cap and three arm cluster. Unsigned. SIZE: Shade: 10â&#x20AC;? dia. Lamp: 26â&#x20AC;? from ceiling to bottom of shade. CONDITION: One turtleback tile has a tight hairline. One turtleback tile has a bruise, otherwise very good to excellent. 51963-6 (18,000-20,000)

149

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Session 1

1368.

Session 1 1369.

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TIFFANY STUDIOS PRISM FLOOR LAMP. Tiffany Studios bronze floor lamp has simple Junior floor lamp base. The base rests on four applied pad feet and the platform supports a slender shaft leading to four ribbed arms which are topped by four prism shades. Each shade has alternating gold iridescent and blue iridescent prisms. Each prism is separated by a bronze ball chain. The bronze hardware is finished in a brown patina with heavy red and green highlights. Base is signed on the underside “Tiffany Studios New York.” SIZE: 61-1/2” t. CONDITION: Shades are very good to excellent. Base is very good to excellent with some minor wear and discoloration to patina. Electric cord is missing. 51088-41 (10,000-15,000)

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Session 1 1370.

151

TIFFANY GOLD FAVRILE JACK IN THE PULPIT VASE. Tiffany jack in the pulpit vase has bulbous foot with bright gold iridescent finish and transparent amber glass stem leading to the wide, ruffled and stretched jack in the pulpit face. The face is finished in bright gold iridescence with strong pink, green and blue highlights. Signed on the underside “L.C.T. 903A” along with the remnants of an original Tiffany Studios paper label. SIZE: 20” t. CONDITION: Very good to excellent. 51924-1 (20,000-25,000)

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Session 1

1371. TIFFANY FAVRILE GLASS FLOWER FORM VASE. Tiffany flower form vase has inverted saucer foot with translucent gold iridescence and five emerald green stylized leaves extending from the stem to the edge of foot. The transparent green stem gives way to a green pulled feather design extending onto the bowl with bright gold iridescent outlines around each pulled feather, all against a cream colored background. Signed on the underside “L.C.T. T1281”. SIZE: 17-1/2” t. CONDITION: Very good to excellent. There are three small inclusions on the side of the bowl that cause slight bumps to both inside and outside of bowl. These are from the making and have caused no damage. 51993-1 (6,000-8,000)

Lot 1371

1372. TIFFANY FLOWER FORM VASE. Tiffany favrile glass vase has inverted saucer foot with translucent gold iridescence and white opalescent ribs. The clear green stem gives way to clear pulled feather design on the side of the vase against a creamy white opalescent background. The interior of the vase is finished in gold iridescence. Signed on the underside “L.C.T. T325”. SIZE: 11-1/4” t. CONDITION: Very good to excellent. There is a dimple on the side of the foot that is a flaw from the making. 51966-25 (5,000-7,000)

Lot 1372

1372A. TIFFANY STUDIOS FLOWER FORM VASE. Tiffany flower form vase has inverted saucer foot with opalescent white edge and green iridescent pulled feather center supporting applied transparent green stem with five green pulled feather decorations extending up to encircle flower form body against translucent gold iridescent shading to white opalescent body with ruffled and stretched rim. Signed on underside “L.C.T. 5606A”. SIZE: 11-1/4” t. PROVENANCE: From a California collection. CONDITION: Very good to excellent. 51812-27 (4,000-6,000)

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Session 1 1373.

TIFFANY STUDIOS DRAGONFLY TABLE LAMP. Well executed Tiffany Studios table lamp has leaded glass shade in the dragonfly design with seven dragonflies surrounding the shade, each with heavily mottled dichroic amber and red bodies and blue and green granite glass wings, all against a mottled green and yellow background. The shade is further decorated with random oval amber glass cabochon jewels. Signed on interior rim “Tiffany Studios New York 1495”. Shade rests on a Tiffany Studios bronze base with onion design decorating the foot and top of shaft. The shade has a 3-socket cluster and is finished in a rich brown patina with green highlights. Complete with acid etched cap. Base is signed on the underside “Tiffany Studios New York 368”. SIZE: Shade 20-1/4” dia. Lamp 26” t. CONDITION: Shade is very good to excellent with a few tight hairlines, no missing glass. Base is very good to excellent. Rewired with appropriate cloth cord. 51975-1 (100,000-130,000)

153

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Session 1 1374. TIFFANY STUDIOS NAUTILUS SHELL DESK LAMP. Tiffany Studios desk lamp has nautilus shell shade supported by a bronze two arm base with round vertically ribbed platform foot and knurled switch at the center of the two arms. Bronze base is finished in rich brown patina with subtle red and green highlights. Signed on the underside “Tiffany Studios New York 403”. SIZE: 12-1/2” t. CONDITION: Very good to excellent with a small amount of tape residue on the bell shaped portion of the base and on the underside. Re-wired with appropriate cloth cord. 51939-6 (6,000-8,000)

Lot 1374 1375.

TIFFANY STUDIOS RETICULATED TWO LIGHT CANDLESTICK. Tiffany Studios bronze candlestick has stylized leaf design and features two reticulated candle cups with blown out glass inserts. The candlesticks are complete with bronze handle. Bronze is finished in a deep brown patina with green and red highlights. Signed on the underside “Tiffany Studios New York 5640”. SIZE: 6” t. CONDITION: Lot 1375 There is a slight bend to the rim of one bobeche, patina shows some minor wear and discoloration, otherwise very good. 51088-13 (1,500-2,500)

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1376. TIFFANY STUDIOS 3-LIGHT LILY LAMP. Tiffany Studios lily lamp has bronze base with round platform foot decorated with ribbing on top of platform leading the three curving arms that support the lily shades. Base is finished in rich brown patina with green highlights and signed on underside “Tiffany Studios New York 319”. Each shade has bright gold iridescent finish with strong flashes of purple and pink. Each shade is signed on the fitter “L.C.T. Favrile”. The lot includes an extra matching shade also signed “L.C.T. Favrile”. SIZE: 12-3/4” t. CONDITION: Lamp and shades are very good to excellent. Rewired with contemporary plastic cord. 51851-2 (3,000-5,000)

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Lot 1377 1378.

TIFFANY GOLD FAVRILE TEL EL AMARNA VASE. Tiffany vase has gold iridescent body with subtle pink and purple flashes. The vase is finished with an applied Tel El Amarna top with platinum iridescent pulled band overlaid with a cream colored zigzag line. The vase is finished with a blue iridescent lip. Signed on the underside “L.C. Tiffany-Favrile 1079L”. SIZE: 8-3/4” t. CONDITION: Very good to excellent. 5200515 (5,000-7,000)

Lot 1378

1379. TIFFANY BLUE FAVRILE DECORATED VASE. Tiffany vase has gold iridescent hooked feather design descending from the lip. The gold iridescent design is outlined with a wide cream colored band, all set against a bright blue iridescent background. The interior of the bowl is also finished in blue iridescence. Signed on the underside “L.C.T. W1089”. SIZE: 4-3/4” t. CONDITION: Very good to excellent. 51963-3 (3,000-5,000)

Lot 1379 155

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Session 1

1377. TIFFANY BLUE FAVRILE DECORATED VASE. Tiffany favrile glass vase has blue lightly iridescent body resting on an applied black glass foot. Vase is decorated with a gold iridescent pulled feather design surrounding the shoulder. Signed on the underside “L.C. Tiffany-Favrile 1249 K”. SIZE: 9” t. CONDITION: Very good to excellent. 51879-8 (3,000-5,000)

Session 1 1380.

TIFFANY STUDIOS PANSY TABLE LAMP. Tiffany Studios table lamp has leaded glass dome shade with a bright band of purple, yellow, white, and green pansies encircling the shade. The pansies are set against a mottled and striated green and white geometric background. Signed on inside rim “Tiffany Studios New York 1448”. Shade rests on a Tiffany Studios library base with mushroom platform resting on five bronze ball feet. The base is complete with 3-arm spider and 3-socket cluster, and the lamp has a replacement pierced cap. Base is finished in rich brown patina with red and green highlights. Base is signed on the underside “Tiffany Studios New York 394 S197”. SIZE: Shade 16” dia. Lamp 22” t. CONDITION: Shade is very good to excellent with a few tight hairlines, no missing glass. Base is very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51975-3 (40,00050,000)

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156

Session 1 1381.

TIFFANY STUDIOS ARROWROOT TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in the Arrowroot pattern with striated and mottled green and white arrowroot leaves against a yellow and green background. The shade is further decorated with small mottled white flowers. The shade is finished with a single row of green striated geometric panels at top and bottom. Signed on inside rim “Tiffany Studios New York 1496 8”. The shade rests on a Tiffany Studios bronze library base with ribbed platform and stem. Platform is supported by five bronze ball feet. Base is complete with 3-socket cluster, acid etched heat cap and is finished in a rich brown patina. Signed on the underside “Tiffany Studios New York 370”. SIZE: Shade 20-1/4” dia. Lamp 25-1/2” t. CONDITION: Shade is very good to excellent with a few tight hairlines. Base is very good to excellent with some minor dents on top of ribbing on platform. Rewired with appropriate cloth cord. 52017-43 (25,000-35,000)

157

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Session 1

1382. TIFFANY DECORATED VASE. Tiffany vase has dark amber glass body and is decorated at the shoulder with a blue pulled design with a cream colored zigzag band over the top. Signed on the underside “L.C. Tiffany E1887 Favrile”. SIZE: 9” t. CONDITION: Very good to excellent. There are several inclusions within the glass from the making. 51966-30 (2,000-4,000)

Lot 1382

1383. TIFFANY GOLD FAVRILE JACK IN THE PULPIT VASE. Tiffany jack in the pulpit vase has gold iridescent bulbous foot with clear amber stem leading to the gold iridescent jack in the pulpit face with ruffled and stretched rim. The face is finished in bright gold with strong flashes of blue, green and pink. Signed on the underside “L.C. Tiffany 9112D”. SIZE: 191/4” t. CONDITION: There is a 2” crack to the bottom and side of the foot. 51979-2 (2,500-3,500)

Lot 1383

1384. TIFFANY BLUE FAVRILE VASE. Tiffany favrile glass vase has blue, lightly iridescent body with black iridescent foot and an applied opalescent glass lip. Signed on the underside “L.C. Tiffany Favrile 685H”. SIZE: 6-3/4” t. CONDITION: Very good to excellent. 51966-29 (2,000-3,000)

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158

Lot 1385 1386.

TIFFANY STUDIOS TYLER LAMP BASE. Tiffany Studios Tyler lamp base has trumpet form foot and stem with onion decoration surrounding the foot and onion tendrils climbing the stem, with additional onion decoration around the body. The base is completed with a three socket cluster and 4-1/4” shade ring. Base has a statuary patina. Signed on the underside “Tiffany Studios New York 368”. SIZE: 24-1/8” to top of shade ring. CONDITION: Good with some wear and discoloration to patina. Re-wired with contemporary plastic cord. 52015-1 (4,000-6,000)

Lot 1386 159

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Session 1

1385. TIFFANY STUDIOS DOUBLE SCROLL LAMP BASE. Tiffany Studio bronze lamp base has double scroll design around the foot and top of stem. The base has a 3-socket cluster and is finished in a gold doré patina that has darkened greatly. The lamp is complete with an acid etched heat cap, however, the patina on the cap does not match that of the lamp base. Signed on the underside “Tiffany Studios New York”. SIZE: 22” t. CONDITION: As mentioned above patina has darkened. Electrical cord has been cut away. Otherwise very good. 52022-3 (6,000-8,000)

Session 1 1387.

TIFFANY STUDIOS BLACK-EYED SUSAN CHANDELIER. Large Tiffany Studios chandelier in the Black-eyed Susan pattern has yellow flower petals and dark amber centers, with green leaves all against a striated green and white background, shading to mottled white at the top. The shade is finished with beaded bronze trim at the bottom, an openwork bronze crown and three hooks at the top. Chandelier is signed on inside rim “Tiffany Studios New York 6148”. Chandelier has 6-socket cluster and original bronze suspension chains, with no ceiling cap or suspension rod present. Bronze hardware is finished in a rich brown patina with green highlights. SIZE: 28-3/4” dia. CONDITION: Very good with some tight hairlines, no missing glass. Rod suspending socket cluster from aperture is loose. 51088-11 (30,000-40,000)

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160

Session 1 1388.

TIFFANY STUDIOS DROPHEAD DRAGONFLY TABLE LAMP. Nice example of the desirable Tiffany Studios drop-head dragonfly table lamp has leaded glass shade surrounded by nine dragonflies with wings spread and heads extending below the bottom edge of shade. The dragonflies have amber bodies, red eyes, and blue and green wings with acid-etched overlay, all set against a striated rich green background. Decorated with random green glass cabochon jewels. Three rows of geometric amber, pink, and green striated tiles line the top aperture. Unsigned. The shade rests on a Tiffany Studios twisted vine base with light brown statuary patina. The base is complete with 4-socket cluster and replacement heat cap. Signed on underside “Tiffany Studios New York 443”. SIZE: Shade 22-1/4” dia. Lamp 29-1/2” t. PROVENANCE: From an Ontario, Canada collection. CONDITION: Shade very good to excellent, several tight hairlines. Base is very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 518511 (60,000-80,000)

161

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Session 1

1389. TIFFANY DECORATED MILLEFIORI VASE. Tiffany vase has green heart design with amber vines set against a gold iridescent background. The vase is further decorated with numerous random millefiori canes. Signed on the underside “L.C.T. 5084A” along with remnants of an original Tiffany paper label. SIZE: 3” t. CONDITION: Very good to excellent. 51963-2 (1,500-2,500)

Lot 1389 1390.

1391.

TIFFANY STUDIOS PINE NEEDLE GLOVE BOX. Tiffany Studios glove box has acid etched bronze Pine Needle pattern on top and sides backed by green slag glass. The bronze is finished in a rich brown patina with subtle green highlights. The box rests on four round bronze ball feet and is signed on the underside “Tiffany Studios New York”. SIZE: 13-1/2” w x 4-1/2” d x 3-1/4” t. CONDITION: There is one tiny bend to Pine Needle pattern on the top and some very minor corrosion to patina on bottom edge, otherwise very good to excellent. 52017-16 (1,500-2,000)

Lot 1390

TIFFANY FAVRILE GLASS PAPERWEIGHT BOWL. Tiffany bowl has subtle diamond quilted design with internal decoration of green leaves and vines, all within a transparent light amber glass. Signed on the underside “L.C. Tiffany-Favrile V749”. SIZE: 11-1/2” dia. CONDITION: Very good to excellent. There are two small black inclusions in the bottom of the bowl from the making. 51986-2 (1,500-2,500)

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162

Lot 1392

1393. TIFFANY STUDIOS 12” DAMASCENE COUNTERBALANCE FLOOR LAMP. Tiffany Studios floor lamp has bronze base with fluted round foot, simple shaft and double arm counterbalance apparatus. The base is finished in a rich brown patina with green highlights and the lamp is complete with a large-sized Tiffany favrile glass damascene shade. The shade has iridescent decoration shading from blue at the lip to gold at the fitter, all against a green background. The iridescence shows nice pink highlights in the gold. Shade is signed “LCT” inside fitter rim and has inscribed “S946” on top edge of fitter rim. Base is signed “Tiffany Studios New York 681”. SIZE: Shade 12” dia. Lamp 53” t. CONDITION: Very good to excellent. 51975-5 (14,000-18,000)

Lot 1393 163

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Session 1

1392. TIFFANY STUDIOS DECORATED SENIOR FLOOR BASE. Tiffany Studios Senior floor base has four applied pad feet supporting the decorated platform with onion design encircling the edge and bronze wire tendrils climbing the shaft. Three arms support the shade ring and the base is finished with a 6-socket goose neck cluster. Finished in rich brown patina with green highlights. The base is complete with a pierced bronze cap. Signed on the underside “Tiffany Studios New York 5481”. SIZE: 72” t. CONDITION: Very good to excellent with some minor discoloration to patina. 51966-24 (25,000-35,000)

Session 1

1394. TIFFANY STUDIOS FLEUR-DE-LIS TABLE LAMP. Tiffany Studios table lamp has a leaded glass shade with a single band of fleur-de-lis flowers encircling the side against a mottled yellow, green, and cream background. Shade is signed on interior rim “Tiffany Studios New York 1437-24”. Shade rests on a standard stick base with 3-socket cluster and replacement heat cap. Base is finished in brown patina with heavy green highlights. Signed on underside “Tiffany Studios New York 533”. SIZE: Shade 16” dia. Lamp 21-1/2” t. CONDITION: Shade is very good to excellent with very few tight hairlines. Base is very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51827-1 (7,000-10,000)

Lot 1394

1395.

TIFFANY STUDIOS COLONIAL TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in the Colonial pattern with geometric panels in heavily mottled yellow and cream colored dichroic glass. The glass is yellow and cream when unlit and fiery orange when lit. Shade is signed on inside rim “Tiffany Studios New York”. Shade rests on a Tiffany Studios bronze base with square foot and bullet shaped body cradled in a 3-prong support. Base has a 3-socket cluster and acid etched Tiffany Studios heat cap. Signed on underside with applied round tag “Tiffany Studios New York 444”. SIZE: Shade 16-1/4” dia. Lamp 22-1/4” t. CONDITION: Shade is very good to excellent with a few tight hairlines, no missing glass. Base is very good to excellent with some minor wear and discoloration to patina. 51923-1 (6,000-8,000)

Lot 1395 Visit www.jamesdjulia.com for more information

164

TIFFANY STUDIOS TULIP TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with mottled orange, red and yellow tulips with mottled green stems and leaves, all set against a translucent green and amber background. Shade is signed on interior rim “Tiffany Studios New York 1456-10”. The shade rests on an ornate green favrile glass base with bronze foot and shoulder. The base is further decorated with seven swirling bronze spider arms supporting the shade ring, which is decorated with bronze chain and balls. Base is marked on the underside of the font “Tiffany Studios New York 25915” along with the Tiffany Glass and Decorating Company logo. Bronze is finished in a rich brown patina with subtle green highlights. Complete with replacement heat cap. SIZE: Shade 16” dia. Lamp 22-1/2” t. CONDITION: Shade is very good to excellent with some tight hairlines and no missing glass. Base is very good to excellent. Font has been electrified with factory three socket adapter and has not been drilled. 52111-2 (40,000-50,000)

165

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Session 1

1396.

1397.

Session 1

TIFFANY FLORAL LEADED GLASS WINDOW. Tiffany Studios leaded glass window has pink and white magnolia blossoms with green and cream striated leaves and brown, green and purple striated stem, all against a clear glass trellis-like background. The leading is finished in a rich brown patina and the window is mounted in a wooden door frame with protective clear glass on each side. Window is unsigned. Lot is accompanied by a copy of a letter from Gregory A. Kuharic (formerly of Sotheby’s) dated May 2010 attesting to authenticity. Please Note: The stands shown in the image are for display purposes only and do not accompany the window. SIZE: Door: 35-3/4” w x 80” t. Window: 23-1/2” w x 48” t. PROVENANCE: Ex-Charlie Maurer Estate, Cleveland. CONDITION: Window is very good to excellent. The door has a crack across the bottom wooden panel and some scratches to finish at bottom. There is a chip of wood off the bottom of door. Chip is present for repair. 5196618 (6,000-8,000)

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166

Session 1 1398.

167

TIFFANY STUDIOS 7-LIGHT LILY LAMP. Tiffany Studios lily lamp has lily pad foot and seven arms supporting gold favrile lily shades. The base is finished in bright gold doré patina and signed on the underside “Tiffany Studios New York 385”. The lily shades have bright gold iridescence with subtle platinum highlights. Four shades are signed “L.C.T. Favrile” and the other three shades are signed “L.C.T.”. SIZE: 21” t. CONDITION: Base and shades are all very good to excellent. 52017-17 (15,000-20,000)

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Session 1

1399. TIFFANY STUDIOS ALADDIN FLOOR LAMP. Tiffany Studios floor lamp has bronze adjustable Aladdin base with curved legs ending in cats paw feet with a vertically ribbed shaft and an Aladdin lamp top which supports a linenfold shade. The base is finished in a medium brown patina. The base is signed on the underside “Tiffany Studios New York 576”. The Tiffany Studios linenfold shade has twelve dark amber linenfold panels with trim pieces at top and bottom. The bronze frame of the shade is finished in rich brown patina. Shade is signed on the interior rim “Tiffany Studios New York PAT. APPL’D FOR 1936”. SIZE: Shade 9-1/2” dia. Lamp adjusts from 55” t to 61” t. CONDITION: Shade is very good to excellent and base is very good to excellent. 51963-1 (8,000-10,000)

Lot 1399 1400.

TIFFANY STUDIOS BRONZE AND FAVRILE GLASS FLOOR BASE. Tiffany Studios floor base has round bronze platform resting on five bronze ball feet. The platform supports a vertically ribbed bronze riser that supports the shaft made up of gold favrile tubes leading to a 3-light cluster. The bronze is finished in rich brown patina with green highlights. Base is complete with pierced bronze cap. Signed on the underside “Tiffany Studios New York 342”. SIZE: 67” t. CONDITION: Very good to excellent. 51966-40 (16,000-20,000)

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Session 1 1401.

169

TIFFANY STUDIOS TURTLEBACK CANDLE LAMP. Tiffany Studios bronze candle lamp has blue iridescent turtleback foot. The iridescence shows nice purple, green and pink highlights. The bronze candlestick has an organic form stem which leads to a bulbous candle cup with a band of iridescent glass cabochon jewels. The lamp is complete with a green pulled feather candle shade. Each of the pulled feathers is outlined in gold iridescence, all against a white opalescent background. Candlestick is signed on the underside “Tiffany Studios New York 10069”. Shade is signed in the fitter “L.C.T.”. SIZE: 19” t. CONDITION: Two of the turtlebacks have small shallow flakes, otherwise very good to excellent. The shade has three small flakes to the fitter rim, otherwise very good to excellent. 51925-1 (22,000-28,000)

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1402.

TIFFANY STUDIOS LEADED GRAPEVINE TRELLIS SALESMAN SAMPLE. Tiffany Studios salesman sample has a representative section of grape trellis with green grapes and light green mottled grape leaves against a mint green trellis. The grapes and leaves are set against a dark blue background and the sample is formed into a square with a border of blue glass, all done with leading in a reddish-brown patina. Unsigned. SIZE: 30-1/2â&#x20AC;? w x 22-1/2â&#x20AC;? t. CONDITION: Very good to excellent with some tight hairlines, no missing glass. One bronze hook for hanging the sample is missing. 51088-37 (10,000-15,000)

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170

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TIFFANY GOLD FAVRILE DECORATED PUNCH BOWL. Tiffany punch bowl has pedestal foot with bright gold iridescence. The punch bowl has ribbed sides and is decorated with a green pulled feather design radiating up from the bottom of the bowl. All against a rich gold iridescent background. The bowl has a long glass stem that slides inside the pedestal base holding the bowl in place. Signed on underside of pedestal “L.C. Tiffany Favrile 7228C”. Bottom of stem on the bowl is numbered “7228C”. SIZE: 14” dia x 10-5/8” t. CONDITION: There are a few small scratches to interior of bowl, otherwise very good to excellent. 51974-1 (5,0007,000)

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1403.

Lot 1403

1404. TIFFANY DECORATED FAVRILE GLASS VASE. Tiffany vase has gold iridescent loop decoration descending from the applied lip. The vase is further decorated with a band of swirling cream colored hooked design with platinum iridescence bordering on each side. Also decorated with gold iridescent free form chain design bordering the foot, all against a bright blue iridescent background. Signed on the underside “L.C.T. K1078”. SIZE: 8-7/8” t. CONDITION: There are two open bubbles in the cream colored decoration from the making, otherwise very good to excellent. 52005-12 (6,0008,000)

Lot 1404 171

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Session 1

1405. TIFFANY BLUE FAVRILE JACK IN THE PULPIT VASE. Tiffany jack in the pulpit vase has blue iridescent foot and stem with gold iridescent pulled design climbing the stem to the gold iridescent jack in the pulpit face with slightly ruffled and stretched rim. The iridescence on the face shows very strong purple, blue and green highlights. Signed on the underside “L.C.T. Favrile”. SIZE: 10” t. CONDITION: Very good to excellent. 51925-2 (18,000-24,000)

Lot 1405

1406.

TIFFANY (ATTRIBUTED) DECORATED VASE. Large double gourd vase attributed to Tiffany, has pulled chain decoration around the lower body with a pulled feather design surrounding the waist and a zigzag design surrounding the shoulder. All decoration is done in a butterscotch iridescence and set against a bright gold iridescent background. Unsigned. SIZE: 13” t. CONDITION: Very good to excellent. 52111-1 (4,0006,000)

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Session 1 1407.

TIFFANY STUDIOS DOGWOOD TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with all over dogwood decoration with pink, white, and green dogwood flowers and shaded green leaves all against a desirable mottled blue background. Shade is signed on interior rim “Tiffany Studios New York 1504-27”. The shade rests on a Tiffany Studios bronze adjustable base with reticulated foot and ribbed shaft leading to an artichoke decoration. The base has a 4-socket cluster and is topped with a replacement heat cap. Base is finished in a medium brown patina with subtle green highlights. Signed on the underside “Tiffany Studios New York 397”. SIZE: Shade 22-1/2” dia. Lamp 29” t. PROVENANCE: Shade-Ex-Robert Koch Collection, Christie’s, March 2004, Lot 124; Base-Christie’s, December 1990, Lot 521. CONDITION: Shade very good to excellent with tight hairlines, no missing glass. Base is very good to excellent with some minor wear and discoloration to patina. 51922-1 (80,000-120,000)

173

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Session 1

1408.

TIFFANY STUDIOS LEADED GLASS WINDOW. Tiffany Studios window has pink and white dogwood flowers and striated brown and green branches, all against a blue and purple sky and green leaves. The window is plated on the backside with confetti glass behind the large leaves. Unsigned. SIZE: Overall: 50-3/4” w x 24” t. Window: 46-1/2 t x 19-5/8” w. CONDITION: There are numerous cracks in confetti glass panels, but all glass is present and tight. There are a few other tight hairlines. The window is housed in a wooden frame and there is some corrosion bleeding out from under the frame around the window. 51088-36 (50,000-70,000)

174

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Lot 1409

1410. TIFFANY STUDIOS ADJUSTABLE 3-LIGHT LILY LAMP. Tiffany Studios lily lamp has bronze base with inverted saucer foot, decorated with a ribbed top. Slender stem supports the adjustable 3-arm fixture. Each arm houses a gold favrile lily shade. The base is finished in brown patina with green highlights. Signed on the underside “Tiffany Studios New York 306”. Each lily shade has bright gold iridescence with subtle pink flashes. Each is signed on the fitter “L.C.T.”. SIZE: 22-3/4” t. CONDITION: Shades and base are very good to excellent. Base is rewired with appropriate cloth cord. 52017-40 (4,000-6,000)

Lot 1410 1411. TIFFANY FURNACES VASE. Tiffany Furnaces vase has bronze foot with green enameled decoration and is finished with a gold patina. The bronze foot supports a gold favrile vase with a subtle vertical leaf design. The vase is finished in gold iridescence with nice purple highlights at the lip. Signed on the underside “Louis C. Tiffany Furnaces Inc. 156” along with the Tiffany logo. SIZE: 17-1/4” t. CONDITION: Some minor wear and discoloration to patina, otherwise very good to excellent. 51879-11 (2,500-3,000)

Lot 1411 175

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Session 1

1409. TIFFANY GOLD FAVRILE DECANTER. Tiffany decanter has bulbous body with slender, slightly flaring neck. The decanter is decorated with two rows of applied lily pads all finished in gold iridescence. The iridescence shows nice highlights of purple and blue. Decanter is completed with matching stopper, decorated with applied lily pads. Signed on the underside “L.C.T. o9118”. Stopper is also numbered “o9118”. SIZE: 13-1/4” t. CONDITION: Very good to excellent. 51966-26 (3,000-5,000)

1412.

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TIFFANY STUDIOS JEWELED DOGWOOD SHADE ON QUEEN ANNE’S LACE BASE. Leaded glass shade is done in the rare jeweled dogwood pattern with mottled white dogwood flowers, some of which have green and white cabochon jewels in the center. The dogwood flowers are surrounded by striated green and blue leaves, all against a striated blue and brown background. The shade is further decorated with blue, green, white and opalescent jewels around the aperture. Shade signed with small applied tag on lower rim “Tiffany Studios New York”. Shade rests on a scarce Tiffany Studios cast bronze base with ribbed sides and Queen Anne’s lace pattern adorning the waist as well

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as the top of the font. Base is complete with a four arm spider supporting the shade ring. Base is finished with a brown patina and green highlights, while the top of the font is finished with a reddish brown patina, complete with Tiffany heat cap. Signed on underside of font with applied round tag “Tiffany Studios New York 27476”, along with the Tiffany Glass and Decorating Co. logo, base is also signed on the underside “Tiffany Studios New York 27476” along with the Tiffany Glass and Decorating Co. logo. SIZE: Shade 16” dia. Lamp 181/2” t. CONDITION: Shade is very good to excellent with some tight hairlines and no missing glass. Base is very good, converted to electric without drilling the font, some minor wear and discoloration to patina. 51088-31 (25,00035,000)

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Session 1 1413.

TIFFANY STUDIOS DRAGONFLY TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with seven dragonflies surrounding the body of the shade. Each dragonfly has a mottled yellow and green body, red glass cabochon eyes and blue and amber wings. The dragonflies are set against a mottled green background. Shade is signed on interior rim “Tiffany Studios New York 1462”. Shade rests on a Tiffany Studios bronze library base with ribbed platform and shaft. The base has a 3-light cluster and is complete with an acid etched cap in the pine needle pattern. Base is finished in a light brown patina with subtle green highlights. Base is signed on the underside “Tiffany Studios New York 27420” along the Tiffany Glass & Decorating Company logo. SIZE: Shade 171/4” dia. Lamp 22” t. CONDITION: Shade has numerous tight hairlines and several spider cracks to background panels. Dragonfly wings have numerous tight hairlines. Base is very good with some wear and discoloration to patina. 51993-3 (30,000-40,000)

177

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Session 1

1414. TIFFANY STUDIOS FLEUR-DE-LIS TABLE LAMP. Table lamp attributed to Tiffany Studios has leaded glass shade with stylized fleur-de-lis flowers surrounding the top and bottom of the shade, all done in green and cream colored glass. The floral bands are set against a geometric background of heavily textured amber translucent panels. The shade is finished with a beaded bronze band at the aperture. Unsigned. The shade rests on a bronze base attributed to Tiffany Studios. The base has a 3-arm spider and single socket and is finished in a brown patina with subtle green highlights. Unsigned. SIZE: Shade 16” dia. Lamp 21” t. CONDITION: Shade is very good to excellent with a few tight hairlines. Base is very good to excellent. Rewired with appropriate cloth cord. 51827-3 (6,000-8,000)

Lot 1414

1415.

TIFFANY STUDIOS COLONIAL TABLE LAMP. Large Tiffany Studios table lamp has leaded glass shade in the Colonial pattern with nicely mottled green glass panels. Shade is signed on inside rim “Tiffany Studios New York”. The shade rests on a large Tiffany Studios stick base with hexagonal shaft, 4-socket cluster, and replacement heat cap. Base is finished in rich brown patina with green highlights. Signed on underside “Tiffany Studios New York 532”. SIZE: Shade 20” dia. Lamp 28-1/2” t. CONDITION: Shade is very good with few tight hairlines. Base is very good to excellent. Rewired with appropriate cloth cord. 51827-2 (7,000-10,000)

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178

179

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1416.

AMERICAN LEADED GLASS WINDOW ATTRIBUTED TO TIFFANY STUDIOS. Leaded glass window attributed to Tiffany Studios has deep red drapery glass roses with green granite glass leaves. All set against a background of swirling amber, cream and green glass panels. The window is bordered on all four sides of two rows of amber striated glass and a single row with green slag glass. Unsigned. The window is housed in a rustic wooden frame. SIZE: Window is 30” x 20”, overall with frame 34” x 24-3/8”. CONDITION: Very good to excellent, three green border tiles are possible replacements. 51149-3 (25,000-35,000)

Session 1

Session 1 1417.

TIFFANY STUDIOS BLACK-EYED SUSAN TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in the Black-eyed Susan pattern with amber flower petals and dark amber centers, with green leaves and stems all against a lightly mottled green geometric background. Shade is signed on the inside rim “Tiffany Studios New York 1447-4”. Shade rests on a decorated Tiffany Studios bronze library base. The decorated platform rests on four applied pad feet and the shaft is decorated with applied bronze wire tendrils. The base is complete with 3-arm spider, 3-socket cluster and is finished in a rich brown patina. Signed on the underside “Tiffany Studios New York 1547” along with the Tiffany Glass & Decorating Company logo. Lamp is complete with replacement pierced heat cap. SIZE: Shade 16” dia. Lamp 22-1/2” t. CONDITION: Shade is very good to excellent with very few tight hairlines, no missing glass. Base is very good to excellent with some chips to Bakelite socket collars. Rewired with appropriate cloth cord. 52017-44 (20,000-30,000)

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Lot 1418

1419.

TIFFANY BLUE FAVRILE DECORATED VASE. Tiffany vase has blue iridescent swirling decoration surrounding the body and neck. The iridescent decoration has nice platinum highlights and the vase is further decorated by two metallic gold iridescent chain designs surrounding the body and shoulder. The neck of the vase is decorated with an applied glass chain design with gold metallic iridescence. Signed on the underside “L.C.T. o8022”. SIZE: 6-1/2” t. CONDITION: Very good to excellent. 52017-6 (5,000-7,000)

Lot 1419 181

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Session 1

1418. TIFFANY STUDIOS DECORATED FAVRILE VASE. Tiffany vase has squat bulbous body and tapered neck with slightly flared top rim, decorated with random pattern of gold and brown iridescent pulls encircling the vase against the iridescent blue favrile background. Signed on the underside “L.C.T. K998” and retains a varnished Tiffany Glass and Decorating Co. sticker in the polished pontil. SIZE: 6-3/4” t. PROVENANCE: From a Bar Harbor, Maine home. CONDITION: Very good to excellent. 52112-1 (3,000-5,000)

Session 1

1420. TIFFANY FAVRILE GLASS KING TUT VASE. Tiffany favrile glass vase has blue iridescent King Tut pattern surrounding the vase against a gold shading to blue iridescent background. The interior of the vase is finished in blue iridescence. Signed on the underside “Louis C. Tiffany o7567” along with an original Tiffany Glass & Decorating Company paper label. SIZE: 7-1/4” t. CONDITION: Very good to excellent. 51926-5 (3,000-5,000)

Lot 1420

1421.

TIFFANY FAVRILE GLASS DECORATED VASE. Tiffany favrile glass vase has green hooked feather design rising from the foot with bright gold iridescence outlining the hooked feathers, all set against a cream colored, lightly iridescent background. Vase is marked on the underside with an original Tiffany Glass & Decorating Company paper label. SIZE: 6-3/4” t. CONDITION: Very good to excellent. 51974-2 (2,000-3,000)

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Session 1 1422.

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TIFFANY STUDIOS 10-LIGHT LILY LAMP. Tiffany Studios 10-light lily lamp has lily pad foot with ten curving arms, each leading to a stylized flower form shade holder which supports a gold favrile lily shade. The base is finished in gold doré patina and signed on the underside “Tiffany Studios New York 381”. Nine shades are signed “L.C.T. Favrile” and the tenth shade is signed “L.C.T.”. Each shade has bright gold iridescence with varying degrees of pink and platinum highlights. SIZE: 21” t. CONDITION: Shades and base are very good to excellent. Base is rewired with appropriate cloth cord. 5201737 (18,000-22,000)

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1423.

Session 1

TIFFANY STUDIOS BLOWNOUT HANGING GLOBE. Tiffany Studios hanging globe has wrapped bronze wire framework with light, creamy green glass blown-out between the wire framework. The globe also has a trapdoor in the bottom for changing the light bulb. The trapdoor is comprised of three light green turtleback tiles. The globe is completed with its original hardware and chain. There is no ceiling cap present. Unsigned. A similar example is pictured in Tiffany Lamps and Metalware by Alastair Duncan, pg 290, illustration number 135. SIZE: Approx. 13-1/2â&#x20AC;? d x 19â&#x20AC;? from top of hook to bottom of turtleback door, not including chain. CONDITION: There is an old solder repair to the hinge on the trapdoor and some corrosion to the leading on the turtlebacks, otherwise, very good to excellent. 51088-40 (15,00025,000)

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Lot 1424 1425.

TIFFANY GOLD FAVRILE COMPOTE. Tiffany compote has gold iridescent lightly ribbed inverted saucer foot with a light amber transparent glass stem leading to the gold iridescent compote bowl. Interior of the bowl is finished in bright gold iridescence with intense pink highlights at the sides. Signed on the underside “L.C. Tiffany Favrile”. SIZE: 11-1/4” t. CONDITION: Very good to excellent. 52037-1 (800-1,200)

Lot 1425 1426. T IFFANY FAVRILE DECORATED VASE. Tiffany favrile glass vase has internally decorated bulbous body and is decorated on the exterior with heavy applied amber glass threading. The body of the vase shades from amber to bright gold iridescent at the top. The gold iridescence shows nice flashes of gold and pink. Signed on the underside “L.C.T. o8775”. SIZE: 4” t. CONDITION: Very good to excellent. 51926-4 (2,000-3,000)

Lot 1426 185

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Session 1

1424. T IFFANY GOLD FAVRILE MILLEFIORI VASE. Tiffany gold favrile vase is decorated with a heart and vine pattern surrounding the body with random millefiori canes inlaid around the shoulder. All set against a gold iridescent background with subtle pink highlights. Signed on the underside “L.C. Tiffany-Favrile 8251B”. SIZE: 4” t. CONDITION: Very good to excellent. 52017-22 (1,3001,600)

Session 1 1427.

TIFFANY STUDIOS BLUE TULIP TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with bright red and pink tulips and green stems and leaves, all against a nicely mottled rich blue background. Shade is signed on inside rim “Tiffany Studios New York”. It rests on a Tiffany Studios bronze library base with raised stylized onion design decorating the round platform. Base rests on four applied pad feet and is further decorated with applied bronze wire tendrils on the shaft. Complete with 3-light cluster and replacement cap. Base is finished in a dark brown patina with red highlights. Signed on the underside “Tiffany Studios New York 28812” along with The Tiffany Glass & Decorating Company logo. Similar example of a high-dome irregular

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tulip shade in larger 16” configuration is pictured in the book Tiffany Lamps and Metalware by A. Duncan, p.138,fig.579. SIZE: Shade 14” dia. Lamp 21-1/2” t. CONDITION: Shade is very good to excellent, with a few tight hairlines, no missing glass. Base is very good, with some minor wear and discoloration to patina. 51975-2 (50,000-75,000)

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Session 1 1428.

TIFFANY STUDIOS DRAGONFLY TABLE LAMP. Tiffany Studios table lamp has leaded glass shade decorated with six dragonflies surrounding the shade. The dragonflies have alternating light blue and green bodies along with blue and green wings. The dragonflies are set against a background of mottled green glass. The shade is further decorated with blue and green glass cabochon jewels. Signed on interior edge “Tiffany Studios New York 1585”. The shade rests on a Tiffany Studios mushroom base with 3-socket cluster and acid etched cap. The base is finished in a rich brown patina with green highlights. Signed on the underside “Tiffany Studios New York 337”. SIZE: Shade 14” dia. Lamp 18” t. CONDITION: Shade is very good to excellent with very few, if any, tight hairlines. Base is very good to excellent. Rewired with appropriate cloth cord. 51853-1 (25,00035,000)

187

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Session 1

1429. TIFFANY TEL EL AMARNA VASE. Tiffany vase has green iridescent body with a black iridescent foot along with a Tel el Amarna band decorating the shoulder against a black iridescent background. Vase is signed on the underside “L.C. Tiffany-Favrile 4693 L”. SIZE: 8-1/2”. CONDITION: Very good to excellent. 52005-14 (6,000-8,000)

Lot 1429

1430. TIFFANY STUDIOS 3-LIGHT LILY LAMP. Tiffany Studios lily lamp has bronze base with ribbed foot and 3-gooseneck arms leading to the gold iridescent lily shades. The base is finished in gold doré patina and signed on the underside “Tiffany Studios New York 306”. Lamp is complete with three Tiffany gold iridescent lily shades, each signed on the fitter “L.C.T.”. Each shade has a slightly different gold iridescence. SIZE: 16” t. CONDITION: Very good to excellent. Base has some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51907-1 (3,000-5,000)

Lot 1430

1431. TIFFANY RED FAVRILE DECORATED VASE. Tiffany cabinet vase has deep red favrile glass body with three bands of bright gold iridescent waves encircling the foot, shoulder and neck of the vase. The gold iridescence at the neck shows strong blue and purple highlights, signed on the underside “L.C.T. E2038”. SIZE: 4” t. CONDITION: Very good to excellent. 51939-7 (6,000-8,000)

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Session 1 1432.

TIFFANY STUDIOS WAVED RIBBON TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with #1440 waved ribbon pattern in amber and green striated glass against a mottled green geometric background. Shade is signed on interior rim “Tiffany Studios New York” and rests on a Tiffany Studios bronze library base. The base has a round decorated platform supported by four applied bronze feet. The shaft is decorated with applied bronze wire tendrils and supports a 3-arm spider and 3-socket cluster. Base is finished in a rich brown patina with subtle green highlights. Signed on the underside “Tiffany G. & D. Co. New York S1299”. SIZE: Shade 16” dia. Lamp 21-1/2” t. CONDITION: Shade is very good to to excellent with some tight hairlines, no missing glass. Base is very good to excellent, rewired with appropriate cloth cord. 52048-1 (10,000-15,000)

189

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Session 1 1433.

TIFFANY STUDIOS PANSY TABLE LAMP. Tiffany Studios table lamp has yellow, red and orange pansies surrounding the shade with mottled green and blue leaves. All set against a light green and cream striated geometric background. Many of the pansy petals are done in brightly colored granite glass giving a great deal of life to the pansies. Signed on the inside rim “Tiffany Studios New York 1448”. Shade rests on Tiffany Furnaces base with green Tel el Amarna stem. The glass stem is finished with an applied Tel el Amarna collar with gold iridescent and cream overlapping wave design. The base is complete with bronze decorated foot along

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with a bronze stem and replacement cap, two socket cluster and shade ring. Bronze is finished in a rich brown patina with green highlights. Signed on the underside “Louis C. Tiffany Furnaces Inc. 137 S L”, stamped on top of socket cluster “Patd. 1-18-10 9-20-10 10-26-15 1-20-20 Benjamin 250W. 250V”. There is also a note on the bottom of the base stating that the Tel el Amarna glass is signed “L.C. Tiffany-Favrille 7599F”. The glass signature is covered by the bronze foot and we have not removed the foot to confirm that signature. SIZE: Shade 16” dia. Lamp 21-1/2” t. CONDITION: Shade is very good to excellent with some tight hairlines and no missing glass. Base is very good to excellent. Re-wired with appropriate cloth cord. Cap is missing its threaded rod. 51149-4 (35,000-55,000)

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IFFANY GOLD FAVRILE JACK IN THE PULPIT VASE. Tiffany T jack in the pulpit vase has translucent light amber bulbous foot and stem with subtle white opalescent striping extending from the foot to the back of the jack in the pulpit face. The ruffled face has a stretched rim and is finished in bright gold iridescence with platinum highlights. Signed on the underside “L.C.T. W7306”. SIZE: 14-1/2” t. CONDITION: Very good to excellent. 51993-2 (5,000-7,000)

Lot 1434 1435. PAIR OF TIFFANY STUDIOS SCONCES. Pair of Tiffany Studios bronze sconces have round stepped wall plates with curved bronze arm supporting the single socket. Each is finished with rich brown patina and green highlights. The sconces are compete with Tiffany favrile glass tulip shades with a swirled decoration of cream and platinum iridescence. One shade Lot 1435 is signed “L.C.T.” in the fitter, the other is signed “L.C.T. Favrile” in the fitter. SIZE: Scones are approximately 11” t to top of shade and extend 8-1/2” from the wall. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 51993-4 (2,000-3,000)

1436. TIFFANY BLUE FAVRILE DECORATED VASE. Tiffany vase has green stylized pulled feather design rising from the foot against a blue iridescent background. Brighter blue iridescence is seen in the center of each pulled feather. Signed on the underside “L.C. Tiffany Favrile 1039-5423L”. SIZE: 10” t. CONDITION: Very good to excellent. 52017-14 (3,500-5,000)

Lot 1436 191

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Session 1

1434.

Session 1

1437. T IFFANY FLOWER FORM VASE. Tiffany vase has inverted saucer foot with bright gold iridescence showing nice flashes of red and blue. The translucent stem has very subtle pulled feather design becoming more prominent at the top of the vase against a slightly iridescent white ruffled and stretched rim. Signed on the underside “L.C.T. W3257”. SIZE: 10-7/8” t. CONDITION: There are several small dark inclusions on the inside of the lip and bowl from the making, otherwise very good to excellent. 519861 (2,200-2,800)

Lot 1437 1438.

TIFFANY STUDIOS MARBLE AND MOSAIC GLASS FIREPLACE SURROUND. Tiffany Studios marble fireplace surround is set with bands of inlaid mosaic green, blue, gold and white glass tiles forming decorative borders outlining the inside and outside of the surround. Unsigned. SIZE: 46” w x 39” t. CONDITION: Very good to excellent. 51963-9 (2,000-3,000)

1439.

IFFANY FAVRILE GLASS KING TUT VASE. Organic form bulbous T reactive glass vase is finished with a deeply scalloped top and is decorated all over with a King Tut pattern in earthen hues of brown and pale green on one side and platinum blue against pale orange on the other. Signed “LCT o5738” on polished pontil. SIZE: 4-1/2” t. CONDITION: Very good to excellent. 51926-6 (3,000-5,000)

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Lot 1438

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Lot 1440 1441.

TIFFANY HEART AND VINE VASE. Tiffany gold favrile vase has green iridescent heart and vine decoration surrounding the bulbous body with vines climbing up the slender neck, all set against a bright gold iridescent background with strong pink highlights. Signed on the underside “L.C. Tiffany Favrile 7044G”. SIZE: 6-1/4” t. CONDITION: Very good to excellent. 52017-4 (1,000-1,500)

Lot 1441

1442. TIFFANY GOLD FAVRILE SCENT BOTTLE. Tiffany scent bottle has vertically ribbed body with dimples between each rib at the widest section of the bottle. The bottle and stopper are finished in gold iridescence with subtle blue highlights. Signed on the underside “L.C. Tiffany Inc. Favrile 1098-3457M. Bottom of stopper has etched “1098”. SIZE: 4-1/4” t. CONDITION: Stem of stopper has been ground and wobbles slightly when in place, otherwise very good to excellent. 51966-27 (2,000-3,000)

Lot 1442 193

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Session 1

1440. TIFFANY STUDIOS ACID ETCHED HEAT CAP. Tiffany Studios bronze heat cap has acid etched cut-out design and is topped with a gold favrile glass ball finial. The finial has bright gold iridescence with strong blue and pink highlights. The bronze cap is finished in rich brown patina with subtle green highlights. Unsigned. SIZE: 5-3/8” d. CONDITION: Very good to excellent with some minor scratches to iridescence on finial. 51963-8 (2,000-3,000)

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1443. TIFFANY DECORATED CABINET VASE. Tiffany cabinet vase has vertically ribbed body with gold iridescent wavy lines decorating the shoulder against a gold iridescent background. Iridescence shows strong flashes of green, pink and blue. Signed on the underside “L.C. Tiffany-Favrile” along with the remnants of a Tiffany paper tag. SIZE: 3-1/4” t. CONDITION: Very good to excellent. 51986-5 (1,000-2,000)

Lot 1443

1444.

TIFFANY STUDIOS 3-LIGHT LILY LAMP. Three light lily lamp has Tiffany Studios base with ribbed platform foot and 3-arms supporting gold iridescent lily shades. Base is finished in gold doré patina and is signed on the underside “Tiffany Studios New York 319”. The lily shades are not Tiffany, but carry spurious “L.C.T.” signatures. Each shade has gold iridescence shading to translucent orange at the fitter. SIZE: 13” t. CONDITION: Base is very good with some wear and discoloration to patina. Rewired with contemporary plastic cord. 52017-41 (1,000-1,500)

1445.

THREE TIFFANY GOLD FAVRILE BOWLS. 1) Tiffany bowl has wide flaring stretched rim. It is finished in bright gold iridescence with strong blue highlights to interior. Signed on the underside “L.C. Tiffany Favrile 9479J”. 2) Tiffany bowl has vertically ribbed body and is finished in gold iridescence with strong purple and blue highlights. Signed on side near foot “L.C. Tiffany Favrile”. 3) Small Tiffany bowl has vertically ribbed sides and is finished in gold iridescence with a deeper gold iridescence on each rib. Signed on the underside “L.C.T. Favrile”. SIZE: 1) 11-3/4” dia. 2) 8” dia. 3) 7-1/8” dia. CONDITION: 1) Very good to excellent with one small 1/4” scratch to iridescence on top rim. 2) Very good with some scratches to the interior. 3) Very good with considerable wear to iridescence on the interior. 51979-6 (600-900)

Lot 1444

Lot 1445 1446.

TIFFANY BLUE FAVRILE ARABIAN BOUDOIR LAMP. Tiffany blue favrile boudoir lamp in the Arabian style has cone shaped shade with platinum iridescent zipper design against a rich blue iridescent background with purple and platinum highlights shading to gold highlights at the top. The shade is further decorated around the top with three applied iridescent prunts. Shade rests on a matching Arabian favrile glass base with zipper design in platinum iridescence against a blue iridescent background with strong purple highlights. Shade is signed on interior rim “L.C.T. Favrile”, base is signed on the underside “L.C. Tiffany-Favrile”. SIZE: Shade 6-3/4” dia. Lamp 14-1/4” t. CONDITION: Base has a section of the neck that has been broken out and glued back into place with some missing glass, the broken section is approximately 1” w x 5/8” l. Re-wired with appropriate cloth cord. 51901-3 (800-1,200)

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Lot 1446

Lot 1447

1448. TIFFANY STUDIOS/QUEZAL COUNTERBALANCE FLOOR LAMP. Floor lamp has Tiffany Studios bronze counterbalance base with five legs terminating in lily pad feet. Stem leads to counterbalance apparatus, all finished in a gold statuary patina. Signed on the underside “Tiffany Studios New York 468”. The base supports a helmet-shaped Quezal shade with gold iridescent pulled feather design descending from the fitter against a creamy white lightly iridescent background. Shade is signed inside fitter “Quezal”. SIZE: Shade 11-7/8” dia. Lamp 53” t. CONDITION: Shade is very good to excellent. Base is missing one small screw in socket housing, otherwise very good. Rewired with appropriate cloth cord. 51853-2 (2,0003,000)

Lot 1448 1449. TIFFANY BLUE FAVRILE VASE. Tiffany vase has blue favrile iridescent insert with vertically ribbed body and slightly flaring lip. The insert rests in a bronze stylized flower foot, finished with a statuary patina. The glass insert is signed on the bottom “L.C.T.” while the bronze foot is signed on the underside “Tiffany Studios New York 810”. SIZE: 18-1/2” t. CONDITION: Glass insert is very good to excellent. Bronze foot has some minor wear and discoloration to patina. 51879-6 (1,500-2,500)

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Session 1

1447. TIFFANY PULLED FEATHER VASE. Tiffany vase has cast bronze holder with vertically ribbed sides finished in gold doré. Holder supports a slender gold favrile insert with green pulled feather design ascending from the bottom. The vase flares slightly at the top into a hexagonal lip. Signed on the underside of the insert “L.C.T. Favrile”. Bronze foot is unsigned. SIZE: 13” t. CONDITION: Base has a small casting flaw on one edge. Insert has a small flaw from the making on the bottom edge which is concealed when vase is in place, otherwise very good to excellent. 51879-9 (1,750-2,250)

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1450. THREE TIFFANY FAVRILE GLASS VASES. 1) Tiffany flower form vase has gold iridescent inverted saucer foot. The flaring body of the vase has vertical white opalescent ribbing against an orange glass body. Interior of the vase is finished in gold iridescence. Signed on the underside “L.C.T. 1601B”. 2) Tiffany gold iridescent cabinet vase has lily pad decoration applied to the exterior and is finished with a ruffled lip. Signed on the underside “L.C.T. 3591B”. 3) Tiffany gold favrile cabinet vase has bulbous body and is finished in bright gold iridescence with pink highlights. Signed on the underside “L.C.T. Favrile 7071C”. SIZE: 1) 9-3/4” t. 2) 4” t. 3) 3-1/4” t. CONDITION: 1) Very good to excellent. 2) There are two small flea bites to the end of two tendrils where they meet the underside of the foot, otherwise very good to excellent. 3) Very good to excellent. 51823-4 (2,500-3,500)

Lot 1450 1451.

TIFFANY FERN DRESSER BOX. Tiffany Studios dresser box has acid etched Fern pattern on top and sides with green slag glass backing. The bronze is finished in a rich brown patina with subtle green highlights. The box rests on four bronze ball feet and is finished with bronze beaded trim. Signed on the underside “Tiffany Studios New York”. SIZE: 5-1/2” w x 3-7/8” d. CONDITION: Very good to excellent. 52017-18 (500-700)

Lot 1451

1452. TIFFANY STUDIOS LINENFOLD PANELS. Lot consists of nineteen glass panels in deep green linenfold glass. Five of the panels look almost black when unlit, but are actually a nice emerald green when lit. The other panels show emerald green when lit and unlit. One panel is just a partial, while the others are mostly complete, some with a missing corner or flakes to the backside. SIZE: 7” l x 2-1/8” tapering to 1”. Broken panel 3-5/8” l. CONDITION: As listed above. 52022-10 (500-1,000)

Lot 1452 1453.

TIFFANY FAVRILE GLASS LAMP BASE. Tiffany favrile glass lamp base has round foot and tapering shaft in green favrile glass. The glass has lighter green bands running vertically up the foot and stem. Finished with a bronze collar, socket and harp. Complete with acid etched Tiffany cap. Signed on the underside “L.C.Tiffany Favrile”. SIZE: 17” t. CONDITION: Base is very good to excellent. Rewired with appropriate cloth cord. 52035-4 (1,000-1,500)

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Beginning of the Los Angeles, CA Collection

1454.

TIFFANY STUDIOS TURTLEBACK CHANDELIER. Tiffany Studios chandelier has twelve panels with geometric caramel slag glass and a center band of turtleback tiles. Each turtleback is amber colored glass with gold iridescent exterior showing strong pink, gold, blue and green flashes. Shade is finished with a crown-shaped top and attached bronze chain and 6-socket cluster. Unsigned. SIZE: Shade: 301/4â&#x20AC;? dia. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Very good to excellent with some tight hairlines, no missing glass, some small chips to iridescence in turtlebacks. 51812-6 (30,000-50,000)

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Session 1

1455. TIFFANY STUDIOS GEOMETRIC TABLE LAMP. Tiffany Studios table lamp has leaded glass geometric shade with panels of mottled green and cream colored glass. Shade is signed on inside rim “Tiffany Studios New York” and numbered. Shade rests on a large stick base with 4-socket cluster and replacement heat cap. Base is finished in a brown patina with green highlights. Signed on underside “Tiffany Studios New York 531”. SIZE: Shade 18” dia. Lamp 26” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good to excellent with very few if any tight hairlines. One panel has a spider crack, no missing glass. Base is very good to excellent with very minor wear and discoloration to patina. Rewired with contemporary plastic cord. 51812-3 (7,000-9,000)

Lot 1455

1456.

TIFFANY STUDIOS ACORN TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with a band of green and white mottled acorns surrounding the side, against a geometric background of mottled green glass. Shade is marked on inside rim with applied tag “Tiffany Studios New York”. The shade rests on a Tiffany Studios Liberty base. The base has a 3-socket cluster and is finished in a reddishbrown patina. Lamp comes with an acid etched heat cap. SIZE: Shade 16” dia. Lamp 21” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Base is very good to excellent with some very minor wear and discoloration to patina. Shade is very good with several tight hairlines, no missing glass, slightly out of round. 51812-24 (7,000-9,000)

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Lot 1457 1458.

TIFFANY STUDIOS SWIRLING LEAF TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with a band of swirling leaves in orange and green glass surrounding the shoulder of the shade set against a green geometric background. Shade is signed on inside rim “Tiffany Studios New York” and rests on a bronze Tiffany Studios stick base. The base has a 4-socket cluster and is finished in a light brown statuary patina. The lamp is completed with a replacement pierced heat cap. Signed on underside “Tiffany Studios New York 531”. SIZE: Shade 18” dia. Lamp 25-1/2” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good to excellent with very few if any tight hairlines with no missing glass. Base is very good to excellent with very minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51812-2 (8,000-12,000)

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Session 1

1457. TIFFANY STUDIOS ACORN TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with a band of striated amber and orange acorns encircling the shade against a geometric background of mottled green glass. Shade is signed on applied tag inside rim “Tiffany Studios”. Shade rests on a Tiffany Studios bronze stick base with 3-socket cluster and replacement heat cap. The base is finished in brown patina with green highlights. Base is signed on the underside “Tiffany Studios New York 533”. SIZE: Shade 16” dia. Lamp 21-1/2” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good with a few tight hairlines. Base is very good to excellent with some minor wear and discoloration to patina. Rewired with contemporary plastic cord. 51812-19 (7,000-9,000)

Session 1 1459.

TIFFANY STUDIOS WOODBINE TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in the Woodbine pattern with green, brown, and tan Woodbine flowers and leaves against a swirled blue background. Signed on inside rim “Tiffany Studios New York”. Shade rests on library base with vertically ribbed platform and shaft. The base rests on five bronze ball feet and is complete with 3-arm spider and 3-socket cluster. It is finished with a rich brown patina with red and green highlights. Signed on underside “Tiffany Studios New York 370”. The lamp is complete with a replacement pierced slipcap. SIZE: Shade 16” dia. Lamp 22-1/2” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good, a few tight hairlines, no missing glass. Base is very good to excellent, rewired with appropriate cloth cord. 51812-1 (15,000-20,000)

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Session 1 1460.

TIFFANY STUDIOS JEWELED FEATHER TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in jeweled feather design with mottled green stylized feathers and a heavily mottled cream and yellow geometric border. Shade is signed on inside rim with small applied tag “Tiffany Studios New York”. The shade rests on a Tiffany Studios bronze Grecian urn base with four vertically ribbed legs

and pad feet resting on a stepped bronze platform. The base has a 3-arm spider and single socket. Finished in a brown patina with subtle green highlights. Base is signed on underside of oil font with an applied round tag “Tiffany Studios New York 181”. SIZE: Shade 16” dia. Lamp 21” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good to excellent with a few tight hairlines. Base is very good to excellent with some minor wear and discoloration to patina. 51812-17 (8,000-12,000)

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Session 1 1461.

TIFFANY STUDIOS TURTLEBACK TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with a band of iridescent turtleback tiles surrounding the shade against a heavily mottled green geometric background. The shade is signed on inside rim “Tiffany Studios New York 1494”. The shade rests on a Tiffany Studios bronze base with urn shaped body

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suspended within a 3-prong support. The urn is decorated with a single band of iridescent turtleback tiles. The base is complete with a 3-socket cluster as well as a single socket to illuminate the interior of the base and acid etched Tiffany heat cap. Signed on underside “Tiffany Studios New York 6067”. SIZE: Shade 16” dia. Lamp 23” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good to excellent with very few tight hairlines. Base is very good to excellent with minor wear and discoloration to patina. 51812-16 (25,000-35,000)

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Lot 1462 1463.

TIFFANY STUDIOS/STEUBEN TABLE LAMP. Lamp has Tiffany Studios bronze base with four vertically ribbed legs terminating in cat’s paw feet which rest on a round bronze platform with beaded trim. Legs support the bullet shaped body of the base which is completed with a 3-arm spider and single socket. The base is finished in a light brown patina and signed on underside “Tiffany Studios New York 23563” along with the Tiffany Glass & Decorating Co. logo. The base supports a Steuben brown Aurene dome shaped shade with applied Intarsia border with entwined brown and cream colored bands against a gold iridescent background. Unsigned. Lamp includes a replacement pierced bronze cap. SIZE: Shade 10” dia. Lamp 18” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Very good to excellent with some minor wear and discoloration to patina on base. Rewired with appropriate cloth cord. 51812-11 (3,0005,000) 203

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Session 1

1462. TIFFANY STUDIOS GOLD FAVRILE TABLE LAMP. Tiffany Studios table lamp has gold favrile dome shaped shade with bright gold iridescence showing strong pink highlights. Signed in fitter “L.C.T.”. Shade rests on a Tiffany Studios bronze base with ribbed flaring stem 2-socket cluster and acid etched heat cap. The base is finished in gold doré patina and is signed on underside “Tiffany Studios New York 617”. SIZE: Shade 10” dia. Lamp 191/2” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade has some minor flakes to the fitter rim which are completely concealed when shade is in place. Otherwise very good to excellent. Base is very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51812-12 (3,000-5,000)

1464.

Session 1

TIFFANY STUDIOS WOODBINE TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in the Woodbine pattern with striated green and red Woodbine flowers and leaves set against a striated yellow, amber, red, and opalescent granite glass background. Shade is signed on interior rim “Tiffany Studios New York” and rests on a Tiffany Studios bronze base with three stylized flower feet and vertical ribbing around the bulbous body. The

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base has a 3-socket cluster and includes a replacement pierced bronze heat cap. Signed on underside of removable oil font “Tiffany Studios New York 9895”. Base is finished in a rich brown patina with subtle green highlights. SIZE: Shade 14” dia. Lamp 16” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good to excellent with very few tight hairlines. Base is very good to excellent. Rewired with appropriate cloth cord. 51812-13 (17,500-22,500)

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Lot 1465

1466.

TIFFANY STUDIOS ACORN COUNTERBALANCE FLOOR LAMP. Tiffany Studios floor lamp has leaded glass shade with a band of amber glass acorns surrounding the shade against a mottled green geometric background. Shade is signed on interior rim “Tiffany Studios New York”. The shade is housed in a Tiffany Studios counterbalance floor base with dark gold doré patina. Base is signed on the underside “Tiffany Studios New York 681”. SIZE: Shade 9-3/4” dia. Lamp 53” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good to excellent with very few if any tight hairlines. Base is very good to excellent with minor wear and discoloration to patina. 51812-21 (6,000-8,000)

Lot 1466 205

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Session 1

1465. TIFFANY STUDIOS ADJUSTABLE 3-LIGHT LILY LAMP. Tiffany Studios adjustable lily lamp has bronze base with simple round platform foot and slender stem supporting the adjustable 3-light lily fixture. The base is finished in a bright gold patina and signed on underside “Tiffany Studios New York S981 305”. The lamp is finished with three Tiffany gold favrile lily shades. The gold iridescence shows nice platinum highlights on two shades and platinum blue and pink highlights on the third shade. Two shades are signed “L.C.T. Favrile”. The third is signed “L.C.T.”. SIZE: 21-1/4” to top of center stem. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Base is very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. Shades are very good to excellent. 51812-10 (3,000-5,000)

Session 1

1467. T IFFANY STUDIOS 3-LIGHT LILY LAMP. Tiffany Studios lily lamp has bronze base with round ribbed foot and three curving and twisted arms supporting the lily shades. The base is finished in a medium brown patina with green highlights and is signed on underside “Tiffany Studios New York 28611” along with the Tiffany Glass & Decorating Co. logo. The lamp is complete with three Tiffany favrile glass lily shades, each decorated with green pulled feather design descending from the fitter. Each pulled feather is outlined in bright gold iridescence all against a cream color background. Shades are signed on the fitter “L.C.T.”. SIZE: 16” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shades and base are very good to excellent. Base is rewired with appropriate cloth cord. 51812-22 (3,000-5,000)

Lot 1467 1468.

TIFFANY STUDIOS 3-LIGHT LILY LAMP. Tiffany Studios lily lamp has bronze base with artichoke decoration surrounding the platform foot and three curving arms to support the shades. Base is finished in a nice brown patina with dark green highlights. Lamp is finished with three gold iridescent lily shades showing nice flashes of pink and blue. Each shade is signed on the fitter “L.C.T.”. Base is signed Lot 1468 on underside “Tiffany Studios New York 320”. SIZE: 8” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Very good to excellent. Rewired with appropriate cloth cord. 51812-4 (3,000-5,000)

1469. TIFFANY STUDIOS 3-LIGHT LILY LAMP. Tiffany Studios lily lamp has bronze base with round platform foot with ribbed design on top of platform leading to three curved arms supporting the lily shades. Base is finished in dark brown patina and signed on underside “Tiffany Studios New York”. The lamp is complete with three lily shades, each with bright gold iridescence showing flashes of blue and platinum. Two shades are signed on the fitter “L.C.T.”, third shade is unsigned. SIZE: 13” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Base and shades are very good to excellent. The unsigned shade is a slightly different color than the other two. Base is rewired with appropriate cloth cord. 51812-5 (3,000-5,000)

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206

Session 1 1470.

TIFFANY FAVRILE GLASS PEACOCK FEATHER LAMP BASE. Tiffany lamp base has blue iridescent favrile glass body with stylized peacock feathers surrounding. The blue iridescence shows strong flashes of pink, green, and gold. The base is finished with a bronze cap, riser, and 3-socket cluster. Signed on underside “L.C.T. Favrile”. SIZE: 20-1/2” to top of shade ring. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Very good to excellent with some minor wear and discoloration to patina on bronze. 51812-20 (20,000-30,000)

207

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Session 1 1471.

TIFFANY STUDIOS WOODBINE TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in the Woodbine pattern with striated green, cream, and yellow flowers and leaves against a background of orange, yellow, and cream granite glass. Shade is signed on interior rim “Tiffany Studios New York” and rests on a Tiffany Studios bronze base with square foot and bullet shaped body mounted within 3-prongs. The base is complete with a 3-arm spider and 3-socket cluster. Shade is topped with a replacement pierced slipcap. Base is signed on underside with an impressed Tiffany Studios logo. SIZE: Shade 14” dia. Lamp 20-1/2” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good to excellent with very few tight hairlines. Base is very good to excellent with some very minor wear and discoloration to patina. Rewired with appropriate cloth cord. 51812-14 (17,500-22,500)

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208

Session 1 1471A. TIFFANY STUDIOS APPLE BLOSSOM TABLE LAMP. Tiffany Studios apple blossom shade Model #1455 has mottled and striated pink and white apple blossom flowers with yellow centers set against a background of green and white. Shade is signed with applied tag “Tiffany Studios New York” on lower rim. Shade rests on a professionally restored Tiffany Studios blown-out reticulated base; Model #372. Shade is supported by a three arm spider, finished with a three socket cluster. Base is signed on the underside “Tiffany Studios New York” with the Tiffany Glass & Decorating logo and “2667”. SIZE: Shade 16” dia. Lamp 22” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good with some tight hairlines, no missing glass. Base has reblown glass and new patina done by Paul Crist Studios. Stress lines on one socket. Otherwise very good. Rewired with contemporary cloth cord. 51812-18 (20,000-30,000)

209

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Session 1

1472. TIFFANY STUDIOS JUNIOR SIZE DAMASCENE LAMP. Tiffany Studios junior size lamp has bronze urn base with four vertically ribbed legs terminating in pad feet which rest on a stepped bronze platform. The legs support and urn shaped body and the base is completed with an electrified burner and 3-arm spider. Base is finished in a rich brown patina with green highlights. Signed on underside of removable oil font “Tiffany Studios New York 51S” along with the Tiffany Glass & Co logo. The lamp is complete with a Tiffany green favrile damascene shade with iridescent waves showing strong pink and blue highlights. Shade is signed with number “S9101” in the fitter. SIZE: 13” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Base and shade are very good to excellent. Oil font and burner have been electrified and font has been drilled on the top edge to accommodate electric cord. 51812-8 (3,000-5,000)

Lot 1472 1473.

TIFFANY STUDIOS GEOMETRIC TABLE LAMP. Tiffany Studios table lamp has leaded glass dome shade with green and white geometric panels. The shade is signed on the interior rim “Tiffany Studios New York 1486-7”. The shade rests on a Tiffany Studios bronze base with square foot and bullet-shaped body supported by 3-prongs. The base has a 3-socket cluster and is finished in gold doré. Signed on the underside with applied round tag “Tiffany Studios New York 444”. SIZE: Shade 16” dia. Lamp 22” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade has old solder repairs and replaced glass tiles, otherwise good. Base Lot 1473 has replaced sockets and some minor wear and darkening of patina, otherwise very good. 51812-23 (6,000-8,000)

1474. TIFFANY FAVRILE GLASS CYPRIOT VASE. Tiffany cypriot vase has mottled colors of blue, green, yellow and cream and is further decorated with irregular sections of gold iridescence. Vase has various sizes of open bubbles encircling the surface symbolic of the cypriot design. Signed on the underside “L.C. Tiffany-Inc. Favrile 5-898N”. SIZE: 6” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Very good to excellent. 5181225 (2,500-3,500)

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Lot 1475

1476. TIFFANY AND COMPANY STERLING SILVER TEAPOT AND STAND. Tiffany teapot has vertically ribbed body with ribbed spout terminating in a lion’s head. The teapot has bands of engraved leaves around the shoulder and lid. It rests in a sterling silver holder with lion paw feet, engraved leaf band and lion’s heads at the top of each holder. It is complete with a sterling silver burner. Teapot is marked “Tiffany & Co Makers 8898 7727 Sterling Silver 925-1000 T”. Stand and burner are also signed. SIZE: 14” t to top of handle. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Very good to excellent. 51812-26 (3,000-5,000)

End of the Los Angeles, CA Collection

Lot 1476

1477. TEN TIFFANY & CO. STERLING SILVER GOBLETS. Set of ten Tiffany & Co. sterling silver goblets have round foot, simple stem and slightly flaring cup. Each is stamped on the underside “Tiffany & Co. Makers Sterling Silver 23752”. Total weight 68 Troy oz. SIZE: 6-7/8” t. CONDITION: Very good to excellent. 51984-2 (3,000-5,000)

Lot 1477 211

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Session 1

1475. TIFFANY STUDIOS TURTLEBACK DESK LAMP. Tiffany Studios desk lamp has oval organic form foot with two arms supporting the wide bronze shade. Shade is set with three gold iridescent turtleback tiles and the bronze is finished in a gold doré patina. Signed on underside “Tiffany Studios New York”. Shade is complete with white glass reflector panels on interior. SIZE: 6-3/4” t x 103/4” w. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Very good to excellent with some very minor wear and discoloration to patina. 51812-7 (3,000-5,000)

1478.

Session 1

TUTTLE STERLING SILVER TEA SERVICE. Tuttle sterling silver tea service in the Windsor Castle pattern has hand chased decoration of stylized flowers and acanthus leaves adorning the shoulder and lid of each piece as well as the rim of the large silver plated tray. The lot consists of a coffee pot, tea pot, creamer, covered sugar and silver plated tray. The coffee pot, tea pot, creamer and sugar are all marked on the underside “Sterling Windsor Castle Hand Chased” along with the Tuttle hallmark. Each covered piece is topped with an ivory finial. Total Lot 1478 weight of sterling pieces 72 Troy oz. SIZE: Tray 25-3/8” l. Coffee pot 8” to top of finial. Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). We have taken care to ensure that this item(s) meets the standard for sale under the ESA. However, certain states and other countries have laws that are more restrictive than the ESA. It is the bidder’s responsibility to ensure that it is lawful to purchase or transport this item(s) into their state, and to obtain the necessary import and export approvals. Delay or failure to obtain any such permit or approval does not relieve the buyer of paying for the item(s) and consummating the purchase. CONDITION: Very good to excellent with some minor wear to silver plated tray. 51984-3 (3,000-5,000) ESA

1479. IMPORTANT RUSSIAN 27” STERLING SILVER MENORAH BY MOJZSEZ PRINZENTHAL (Mojse Princenthal, 1908-1915). The eight-branch angular arm menorah having rectangular candle cups set in a row with a tapered stepped shaft having a crest formed finial with two rampant lions and crown atop a ball. The candlestick base in square form with four corner feet, all decorated with flowers and rayed lines. The piece marked with Kokoshnik mark having the Greek letter “jota” left of the head for Warzaw. Marks: M.P., with trademark: Horse, facing left. The candelabra complete with its detachable single candle cup and small handled footed pitcher. WEIGHT: 53 tr. oz. SIZE: 27” t x 14-1/2” w. PROVENANCE: From a Western Connecticut collection. CONDITION: Very good with old professional repair to one arm. 51984-1 (5,0007,000)

Lot 1479 1480.

SET OF STEIF STERLING SILVER FLATWARE. Steif sterling silver flatware is in the Rose pattern. The set consists of 8 soup spoons, 8 teaspoons, 8 salad forks, 8 dinner forks and 8 dinner knives as well as a cake server, a serving spoon and serving fork. Total weight not including dinner knives or cake server, 49 Troy oz. The set is housed in a wooden silver chest with bottom drawer and unengraved silver plaque. SIZE: Box 17” w x 11-1/2” d x 6-3/4” t. CONDITION: All very good to excellent. 51984-4 (1,000-1,500)

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212

Lot 1480 (partial lot)

Lot 1481

1482.

WEDGWOOD FAIRYLAND OCTAGONAL BOWL. Wedgwood Fairyland Lustre bowl is decorated on the exterior with the Moorish pattern having crimson columns at each corner, supporting gothic arches, all against a black lustre background with gilded highlights. Interior of bowl is decorated in Smoke and Ribbons pattern with a daylight scene of black iridescent columns at the corners, purple Wisteria at top rim and fairies looking out at green islands in a blue sea, all with gilded accents. Signed on the underside with Wedgwood Portland vase logo and “Z5125”. SIZE: 3-3/4” t x 8-1/2” w. CONDITION: Very good to excellent. 51981-1 (4,000-6,000)

Lot 1482

1483. WEDGWOOD FAIRYLAND OCTAGONAL BOWL. Wedgwood Fairyland Lustre octagonal bowl is decorated on the exterior with the Woodland Elves VI- ‘Fiddler in Tree’ pattern depicting copper brown tree trunks with bright green leaves with fairies and elves scattered throughout,with two playing fiddles while hanging from overhead branches, all with gilded highlights and set against a dark blue and mother-of-pearl lustre background. Interior of bowl decorated with Ship and Mermaid pattern having eight black columns supporting crimson arches at each corner of the bowl, with castle, sailing ship and fairies with gilded accents set against a light green mother-of-pearl sky background. Signed on the underside with Wedgwood Portland vase logo and “Z4968”. SIZE: 3 3/4” t x 8-1/2” w. CONDITION: Very good to excellent. 51981-2 (4,000-6,000)

Lot 1483 213

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Session 1

1481. WEDGWOOD FAIRYLAND MELBA BOWL. Wedgwood Fairyland Lustre Melba bowl is decorated on the exterior with Woodland Elves IV-Big Eyes pattern, having whimsical fairies and elves playing in a forest of purple and green foliage with gilded accents against a rich blue lustre background. Interior of bowl is decorated in Jumping Faun ‘Moonlight Fairyland’ pattern with river scene of oriental style boats and buildings on rich blue lustre with pale yellow sky and gilded highlights. Signed on the bottom with Wedgwood Portland vase logo and “Z5462”. SIZE: 5-1/2” t x 9” w. CONDITION: Very good with light wear to the gilded spiderwebs on exterior, gilded medallion in bottom of interior. 52020-2 (5,0007,000)

Session 1

1484. WEDGWOOD FAIRYLAND K’ANG HSI BOWL. Wedgwood Fairyland bowl is decorated on the exterior with the Woodland Elves V- ‘Woodland Bridge’ pattern, having bright green trees against a midnight lustre background with a distant bridge over a pale yellow and blue lustre stream, all with gilded highlights. Interior of bowl decorated with Woodland Elves I- ‘Striped Pants’ pattern with frolicking fairies, three pixies with striped pants and large green collar, all against a light green mother-of-pearl background. Signed with the Wedgwood Portland vase mark and “Z4968”. SIZE: 3-3/4” t x 8” w. CONDITION: Very good with light wear to the gilding at foot and top rim. 52020-4 (3,000-5,000)

Lot 1484

1485.

WEDGWOOD FAIRYLAND LILY TRAY. Wedgwood Fairyland Lustre small lily tray is decorated in the Jumping Faun pattern on the interior and decorated on the exterior with a gilded band of birds in flight surrounding the side. Signed on the underside with gold Portland vase mark “Wedgwood Made in England”, also carries a paper label on the underside “McClelland Collection”. SIZE: 9-1/4” dia. CONDITION: Very good with minor wear to gilding at rim. 52020-5 (1,500-2,500)

Lot 1485

1486. WEDGWOOD OCTAGONAL DANA BOWL. Small Wedgwood octagonal bowl is decorated with the Dana pattern of framed panel scenes on the exterior and whimsical fairy scene on interior, all with gilded highlights. Signed on the underside with Wedgwood Portland vase logo and “Z5125”. SIZE: 2-3/4” t x 5” w. CONDITION: One panel with professional restoration and excess glaze at foot, some minor wear to gilded rim, otherwise good. 52020-3 (1,000-2,000)

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214

WEBB FLORAL CAMEO VASE. Webb vase has bright white cameo flowers with wheel cut detail against a background of creamy white glass with subtle cameo flowers surrounding the entire background. The back of the vase is decorated with bright white cameo branches, leaves and flowers against the same creamy white floral background. The back is further decorated with two wheel carved cameo butterflies. The interior of the vase is rich red glass. Unsigned. SIZE: 6â&#x20AC;? t. CONDITION: Very good to excellent with some very minor roughness to outside lip. 51962-8 (12,000-16,000)

215

Session 1

1487.

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Session 1

1488. WEBB CAMEO OWL PERFUME. English cameo scent bottle attributed to Webb is decorated with beautifully wheelcarved owl resting on a branch among leaves of an English Oak tree that encircle body of perfume, set against a clear and internal red background, complete with clear glass stopper, finished with sterling silver hinged collar and cover with hallmarks of Hillard & Thomason, Birmingham, England, 1885. Perfume is unsigned. SIZE: 4-1/2” t. CONDITION: Very good with minor dents in silver lid, one tiny open bubble in owl wing from the making, a minuscule nick on stopper edge. 51962-13 (10,000-12,500)

Lot 1488

1489.

WEBB FLORAL CAMEO VASE. Webb cameo glass vase has bright white wheel carved flowers, stems and leaves surrounding the entire body of the vase against a citrine background. The vase is further decorated with a white cameo Greek Key band around the neck. Signed on the underside “Thomas Webb and Sons Cameo”. SIZE: 7-1/2” t. CONDITION: Very good to excellent. 51962-4 (7,000-9,000)

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216

Lot 1490 1491.

1492.

WEBB SWAN HEAD SCENT BOTTLE. Webb scent bottle is carved in the form of a swan’s head with amber colored beak and white feathers. The bottle is mounted with a silver screw cap and threaded collar. Silver is hallmarked on the side of the cap. Bottle is Lot also marked on the underside with British Registry number “RD11109”. SIZE: 5-3/4” l. CONDITION: There is one tiny flea bite to side of beak, otherwise very good to excellent. 51962-14 (4,000-6,000)

1491

WEBB CAMEO GLASS VASE. Large Webb three layer vase has white cameo decoration of stems, leaves and berries descending from the neck and encircling the entire vase. The carvings are very nicely detailed and set against a rich red frosted background. The vase is completed with a white cameo stylized feather design descending from the lip, a thick clear ground and red internal casing comprising the three layers. Unsigned. SIZE: 14” t. CONDITION: Very good to excellent with some very light scuff marks on the side near the foot. 51879-5 (2,500-3,500)

Lot 1492 217

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Session 1

1490. WEBB INTAGLIO CARVED ROCK CRYSTAL BOWL. Intaglio carved rock crystal bowl attributed to Frische has a band of fruit surrounding the bulbous body of the bowl with an unengraved central cartouche on front and back. The bowl is supported by a pedestal foot with matching fruit and Intaglio carving and the bowl is finished with two applied carved crystal handles. Signed on the pedestal with engraved signature “Webb”. SIZE: 9” t x 14” w, handle to handle. CONDITION: Very good to excellent. 51928-2 (4,0006,000)

Session 1

1493. W EBB IVORY GLASS CAMEO VASE. Webb cameo vase in ivory glass has cameo flower and berry decoration on front and back, with cameo scrolls and tassels on each side. Signed on the underside “Thomas Webb and Sons”. SIZE: 6” t. CONDITION: Very good to excellent. 51962-6 (4,000-6,000)

Lot 1493 1494.

WEBB CAMEO GLASS SCENT BOTTLE. Webb scent bottle has green jade glass body with blue cameo stems, leaves and flowers on front and back. Unsigned. The scent bottle is pictured in a group of scent bottles in the book Nineteenth Century Cameo Glass by Geoffrey W. Beard, page 142, plate XXIV. In the description of the photograph it is listed “Selection of cameo and enamel cased scent bottles produced at Webb’s by Daniel & Lionel Pierce.” From the collection of Dorothy & Lionel Pierce. SIZE: 2-3/8” t. CONDITION: Very good to excellent. 51962-15 (600-800)

Lot 1494

1495. WEBB CAMEO SCENT BOTTLE. Webb scent bottle has blue cameo decoration at neck and base with blue cameo handles on each side, all against a mottled white background. Unsigned. The scent bottle is pictured in a group of scent bottles in the book Nineteenth Century Cameo Glass by Geoffrey W. Beard, page 142, plate XXIV. In the description of the photograph it is listed “Selection of cameo and enamel cased scent bottles produced at Webb’s by Daniel & Lionel Pierce.” From the collection of Dorothy & Lionel Pierce. SIZE: 2-14” t. CONDITION: A small flake to top rim, otherwise very good. There is no lid present and the photograph in the book shows the scent bottles without lids. 51962-16 (600-900)

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218

Lot 1496 1497.

FINE EMILE ANDRE ART NOUVEAU MAHOGANY WRITING DESK. Circa 1900, France. This unusual example with raised wing design centering an inset leather writing surface within a figural mahogany border projecting above the rectangular frieze with foliate carved borders and hidden bow front frieze drawer continuing to tree trunk form twisted tapered legs. SIZE: 32” t x 47” w x 25 1/2” d. CONDITION: Crescent shaped shallow chip losses (2) to edge of right wing facing. Otherwise very good with French polished surface and original leather insert. 51966-22 (3,000-5,000)

Lot 1497 1498.

JALLOT ART NOUVEAU CARVED SIDE TABLE. Circa 1900 by Leon Jallot, France. Rectangular molded top above a conforming bowed frieze carved with poppies terminating in foliate vinery at the corners, raised on molded outswept legs terminating in sabots. A similar table is illustrated in The Paris Salons 1895-1915, Vol III: Furniture by Alastair Duncan, pg.305 (Living Room Furniture, walnut; La Societe des Artistes Decorateurs, 1907). SIZE: 30” h x 33” l x 19 1/2” w overall. CONDITION: With original French polished surfaces. Top with very minor and minimal abrasions. Very good overall. 51966-12 (2,0004,000)

Lot 1498 219

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Session 1

1496. ART NOUVEAU PEACOCK CENTER TABLE. Rectangular top with bowed sides and incurved corners centering a marquetry arabesque inlaid medallion. The center representing “peacock” feathers, each inset with abalone “eyes”. The whole with exotic bird’s eye inlays within rosewood crossbanding projecting above conforming apron, raised on tapering cylindrical legs with inlaid cuffs. Joined by a shaped double H-form stretcher. SIZE: 29” t x 40-3/4” l x 31” w. CONDITION: Very good overall. French polish surface has been professionally enhanced. 51966-9 (1,000-1,500)

1499.

FINE MAJORELLE ART NOUVEAU WALNUT BANQUET TABLE. Louis Majorelle (French, 18591926). Rectangular top with molded edge, raised on square molded, tapered foliate carved legs terminating in square pad feet. Beneath center of table top is fitted a pair of bulbous cylindrical legs which drop down as central supports when the table is extended with any combination of the five original table leaves. Each leaf fitted with conforming apron. SIZE: 29” t x 50-1/2” l x 51” w closed. 29” t x 51” w x 132” fully extended with 5 leaves. Each leaf measures: 51” x 14”. CONDITION: Structurally very good. Top with minimal and minor surface scratches and minor abrasions. Table retains fine French polish surface. All original leaves intact as noted. 51966-1 (4,000-6,000)

Session 1

Table closed

220

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1501.

FOUR MAJORELLE DINING CHAIRS. Louis Majorelle (French, 1859-1926). The set comprised of three side chairs and an armchair. Each incurved molded crest rail continuing to conforming styles centering a narrow rectangular over-upholstered back panel. Joined to the trapezoidal seat, the whole covered in forest green velvet. Each chair raised on tapering molded legs with foliate carving in the wheat pattern. The conforming armchair with molded arms on molded supports. The chair upholstered in a blue-green velvet. SIZE: Back 40” t. Seat 18” t. Arm chair 39” back, seat is 17” t. Overall 22-1/2” w. CONDITION: Very good overall with early, if not original surface and undisturbed patina. 51966-3 (4,000-6,000)

Session 1

1500.

Lot 1500

SIX MAJORELLE DINING CHAIRS. Louis Majorelle (French, 1859-1926). The incurved molded crest rail continuing to conforming styles centering a narrow rectangular over-upholstered back panel, joined to the trapezoidal seat. The whole covered in forest green velvet. Each chair raised on tapering molded legs with foliate carving in the Wheat pattern. SIZE: Back 40” t. Seat 18” t. CONDITION: Very good overall with early, if not original surface and undisturbed patina. 51966-2 (5,000-7,000)

Lot 1501 221

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Session 1

1502. ART NOUVEAU ÉTAGÈRE ATTRIBUTED TO EUGENE GAILLARD. Eugene Gaillard (French, 1862-1933). Square walnut top with molded edge raised on four molded and carved square legs in the Art Nouveau taste above a medial shelf with C-scrolled square brass supports continuing to the legs all above a square medial shelf. The étagère terminating in molded sabots. SIZE: 45-1/2” t. Overall width: 36”. Overall depth: 15-1/2”. CONDITION: Structurally very good. French polished surfaces professionally enhanced. Upper shelf with small nicks around edge, minor in nature. Very good overall. 51966-5 (2,000-4,000)

Lot 1502

1503.

ART NOUVEAU CARVED MAHOGANY 3-TIER ÉTAGÈRE. Eugene Galliard (French, 1862-1933). The shaped and molded splashguard joined to the upper shelf raised on foliate molded frontal supports carved in the Art Nouveau taste and raised on molded back supports centering a panel back now upholstered with burnt gold velvet. The whole, additionally fitted with medial and lower shelf, all with molded edges, the lower shelf with central carved apron. SIZE: Overall 48” t x 36-1/2” w x 14” d. CONDITION: Proper left rear corner of upper shelf was repaired at splashguard, otherwise structurally good. French polished surfaces intact. 51966-14 (2,000-4,000)

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1505. GALLE ART NOUVEAU MARQUETRY SET OF QUATTRO TABLES. Circa 1900, Emile Galle, France. Three tabletops signed “Galle”, each signature wrapped around a flower stalk. Each bird’s eye and figured maple top inlaid with aquatic and lakeside landscapes. Each rectangular top with bowed sides, raised on shaped X-form legs, each joined by a branch-like support. SIZE: 29” t x 24” l x 15 1/2” d of largest. CONDITION: French polished surfaces very good. No restoration noted. 51966-23 (5,000-7,000)

Lot 1504

Lot 1505 (w/close-up) 223

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Session 1

1504. ART NOUVEAU CARVED MAJORELLE DRESSING SCREEN. Louis Majorelle (French, 1859-1926). Each panel surmounted by clear glass beveled panels within floral molded borders, all carved in deep relief. Each panel mounted with an over upholstered panel in striped silk floral fabric. SIZE: 66-1/2” t. Overall 53-1/2” w. CONDITION: Very good with original glass and early, if not original surfaces. Very good overall. 51966-6 (2,000-4,000)

1506.

Session 1

JULES CAYETTE ART NOUVEAU MAHOGANY AND BRASS FIREPLACE SURROUND. Circa 1905, Nancy, France. Of typical form, the three dimensional carved mahogany cabinet fitted with pierced brass panels on four sides, each pressed and molded with scrolling borders, two with pressed and pierced flowers, two frontal panels molded with bellflowers. The surround signed “J. Cayette Nancy” engraved on one brass panel. SIZE: 50-1/2” h x 56” l x 15” d. CONDITION: Structurally very good. French polished wood surfaces original. 51966-13 (2,000-4,000)

Lot 1506 (w/close-up)

1507. MAJORELLE ART NOUVEAU MIRROR AND CONSOLE. Circa 1900, Louis Majorelle, France. In two parts, the shaped beveled mirrorplate with arched cresting joined to the rectangular console with molded edge and central mirrorplate above a fixed shelf flanked by molded supports, all on a molded plinth. SIZE: 80” h x 44” w x 15” d. CONDITION: Surfaces with cleaned original French polish. Very good overall. 51966-7 (4,000-6,000)

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224

ART NOUVEAU CARVED LADY’S BOUDOIR CHAIR BY GALLIARD. Eugene Gaillard (French, 1862-1933) French last quarter 19th century. The molded back frame in-curved with three over-upholstered panels all within molded borders. The curved wings continuing to in-curved molded supports centering a conforming over-upholstered seat. The back panels and seat all with brass tacked borders. The shaped seat rail with carved foliate tendrils within a border raised on slightly outswept molded frontal legs and backswept rear legs. SIZE: Height of back: 35”. Height of seat: 17”. Overall width: 24-1/2”. CONDITION: Chair retains original surface with dark patina. Dusty blue velvet fabric intact with only minor wear and staining. Chair frame remains tight. Very good overall. 5196611 (3,000-5,000)

Session 1

1508.

Lot 1508

1509. PAIR OF MAJORELLE WALL SHELVES. Louis Majorelle (French, 1859-1926). Each shelf of shield form with incised molded edges. The shaped top shelf with bow front above a second recessed shelf with incurved molded front. Both joined to and supported by foliate and molded carved supports in the wheat pattern. SIZE: 19-1/2” t x 29” w x 6-1/2” d. CONDITION: Shelves retain early, if not original surface with good patina. No damage or restoration found. Very good overall. 51966-8 (3,000-5,000)

Lot 1509 225

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Session 1

1510. FINE MARQUETRY ART NOUVEAU TWO-TIER SIDE TABLE BY EMILE GALLE. Emile Galle (French, 1846-1904). Shaped turtle-top with molded edge inlaid with floral and foliate branches with two butterflies in the foreground above “Galle” inlaid in script. The medial top with conforming marquetry. Both tops with rosewood, walnut and mahogany veneered backgrounds. Raised on reeded, slightly cabriole legs with outswept shaped feet. SIZE: 30-1/2” t x 31-1/2” l x 20-1/4” w. CONDITION: With enhanced French polished surface, with minor and minimal hairline shrinkage splits in veneers. Otherwise very good. 5196620 (2,500-3,500)

Lot 1510 1511.

FINE ART NOUVEAU MARQUETRY TWO-TIER SIDE TABLE BY EMILE GALLE. Emile Galle (French, 1846-1904). Rectangular top with turret corners and molded edge depicting an aquatic landscape on top and medial shelf. Raised on stylized fluted legs with outswept tapering feet. Table is signed “Galle” in script, proper right turret corner. SIZE: 30-1/2” t x 28” l x 16-1/2” w. CONDITION: With refreshed and enhanced French polished surface. Inlays remain intact and with good patina and coloration. Very good overall. 5196615 (2,000-4,000)

Lot 1511 1512. FINE ART NOUVEAU MAJORELLE MARBLE TOP SIDEBOARD. Louis Majorelle (French, 1859-1926). Rectangular case with bowfront and molded edges fitted with an insert pink breschia inset marble, additionally fitted with a shaped splash-guard with D-form shelf raised on incurved carved and molded supports centering a paneled back. The cased fitted with aligned drawers; each with a cast brass handle above three supports, all joined to an open medial shelf above a pair of bowed molded cabinet doors. The whole on a shaped and molded plinth designed in the wheat pattern. Sideboard retains original key. SIZE: 59” t. Work surface is 39” t. Overall 51” w x 19-1/2” d. CONDITION: Working surface with minor nicks and shallow scratches. Early, if not original polished surfaces with good patina. Very good overall. 51966-4 (4,000-6,000)

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226

Lot 1513 1514.

MAJORELLE ART NOUVEAU DRESSING TABLE. Circa 1900, Louis Majorelle, France. Mirrorplate within a shaped frame tilting on molded supports terminating in flower heads, additionally fitted with candle shelves on stylized foliate supports joined to rectangular work surface, fitted with a single bowfront frieze drawer, all joined to X-form supports above a C-scroll base. Note: A similar example illustrated in Louis Majorelle, Master of Art Nouveau Design, by Alastair Duncan, pg99. SIZE: 49-1/2” t x 28” w x 18-3/4” d overall. CONDITION: French polished surface. Old lateral shrinkage crack front third of top surface, now filled, toned and stabilized. Some additional very minor coloration to tight shrinkage cracks at front of top surface. Otherwise very good. 51966-21 (4,000-6,000)

Lot 1514 1515. ART DECO CAST BRONZE BEVELED MIRROR. 2nd Quarter, 20th Century. Rectangular, beveled mirror plate within a bronze surround cast with a textured notched frame within a second surround cast with elliptic notches. SIZE: 45-1/2” t x 38” w. CONDITION: Very good overall. Mirror plate with no foxing or silver losses. 51966-10 (1,500-2,500)

Lot 1515 227

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Session 1

1513. FINE MARQUETRY ART NOUVEAU TWOTIER SIDE TABLE BY EMILE GALLE. Emile Galle (French, 1846-1904) . Shaped turtle-top with molded edge inlaid with floral and foliate branches, two butterflies in the foreground above “Galle” inlaid in script. The medial top with conforming marquetry. Both tops with rosewood, walnut and mahogany veneered backgrounds. Raised on reeded, slightly cabriole legs with outswept shaped feet. SIZE: 30-1/2” t x 31-1/2” l x 20-1/4” w. CONDITION: With enhanced French polished surface, with minor and minimal hairline shrinkage splits in veneers. Otherwise very good. 51966-19 (2,500-3,500)

Beginning of Rudd Collection, Chicago, IL Session 1

1516.

EXCEPTIONAL DAUM NANCY CAMEO AND ENAMEL WHEAT VASE. Daum vase is decorated with cameo wheat stalks set against a mottled purple shading to white acid textured background. The heads of wheat are enameled in green and brown over gold, while the stems and leaves are enameled in shades of green and brown with gilt highlights. Vase is further decorated at the foot with stylized art nouveau cameo pattern with gilded highlights. Signed on the underside with gilded “Daum Nancy” with the Cross of Lorraine. SIZE: 103/4” t. PROVENANCE: Rudd Collection, Chicago IL; Pinhaus Collection, Los Angeles CA. CONDITION: Very good to excellent. 51894-11 (15,000-20,000)

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228

229

DAUM NANCY LAKE SCENE CAMEO VASE. Tall Daum vase is nicely decorated with enameled landscape scene of forested lakeshore with cameo birches in the foreground with green, yellow and brown enameled details, all against an acid-textured background of mottled blue, yellow and white. Signed on underside with enameled “Daum Nancy” and Cross of Lorraine. SIZE: 17” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-15 (15,000-20,000)

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Session 1

1517.

Session 1

1518. DAUM NANCY WHEEL-CARVED POPPY VASE. Well executed Daum cylindrical vase with flared rim has rich green cameo leaves, stems and two buds encircling the body of the vase, with a single padded and wheel-carved red poppy flower, set against an acid-textured background of richly mottled purple, yellow and white. Vase is signed with cameo signature “Daum Nancy” and Cross of Lorraine on side of vase. SIZE: 6” t. PROVENANCE: Rudd Collection, Chicago, IL from Pinhaus Collection, Los Angeles, CA. CONDITION: Very good to excellent. 51894-31 (5,000-7,000)

Lot 1518 1519.

BURGUN & SCHVERER FLORAL CAMEO VASE. Burgun & Schverer vase is decorated with multi-colored cameo and wheel-carved flower blossoms of blue, white, pink and green with bright green leaves and brown stems, all with gilded highlights, all against a cream colored acid-textured background. Vase is further decorated with random martelé sections on the body and cameo icicles around the pinched tri-foil top rim. Signed on the underside with gilded thistle mark “Verrerie D’Art De Lorraine BS & Co Depose”. SIZE: 8-1/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-1 (7,500-10,000)

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230

Lot 1520

1521.

DESIRE CHRISTIAN HANDLED CAMEO VASE. Desire Christian vase is decorated with cameo figure of a maiden in flowing dress squeezing grapes into a coupe with cameo grape leaves, vines and clusters adorning the sides and back of the vase, all against a burgundy and cream background. The lower portion of the vase is decorated with detailed cameo Queen Anne’s lace and other flowers and foliage. The tall slender flaring neck of the vase is finished in a light martelé. Vase is completed with two applied clear glass handles with light green cameo grape leaves, vines and clusters. Inscribed below the maiden “La Vigne”. Signed on the underside with etched signature “D. Christian Meisenthal Loth” with heavy martelé on the entire underside of foot. SIZE: 13-1/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-13 (7,000-9,000)

Lot 1521 231

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Session 1

1520. BURGUN & SCHVERER FLORAL CAMEO VASE. Burgun & Schverer ovoid vase with flared rim has wheel carved pink and white cameo flowers with yellow highlights with green cameo leaves, set against an interior decoration of swirling shades of maroon. Vase is further decorated with cameo pinwheels, random martelé, icicle trim around the lip and gilded highlights. Signed on the underside with gilded thistle mark “Verririe D’Art de Lorraine BS & Co. Depose” and hand etched “3057”. SIZE: 6” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-2 (6,000-8,000)

1522.

Session 1 Visit www.jamesdjulia.com for more information

232

TIFFANY STUDIOS CAMEO TULIP VASE. Tiffany Studios conical vase is decorated with padded and deeply wheel-carved purple tulip blossoms and internally colored wheel-carved green cameo leaves. Vase is further decorated with random internal swirls of light purple and green in the outermost layer of glass and a wheel-carved overlapping swirl design at the top rim, all set against a frosted carved background. Signed on the polished pontil “L.C. Tiffany-Favrile” and “2610C”. SIZE: 11-1/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-22 (15,000-20,000)

Session 1 1523.

233

DAUM NANCY PADDED AND WHEELCARVED CAMEO LAMP. Daum lamp is decorated on base and shade with green cameo and wheel-carved leaves and padded and wheel-carved red/orange berries of the Cornelian Cherry tree, set against a mottled acidtextured background of yellow speckled with brown shading to red. Shade is finished with carved martelé decoration on dome. Shade is held by a forged metal hammered collar with four-arm stylized leaf design, base illuminated with single internal contemporary socket, shade with a single contemporary socket, finished with contemporary plastic cord. Shade signed on lower rim with carved “Daum Nancy” with Cross of Lorraine. Base signed on side of foot with carved “Daum Nancy France” with Cross of Lorraine and on underside “Made in France” in black enamel. SIZE: 153/4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Shade very good to excellent. Base very good with one replacement screw on metal collar, small inclusion in glass on underside of foot with stress lines, only visible from underside. 51894-24 (15,000-20,000)

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Session 1

1524. G ALLE CAMEO AND ENAMEL ASHTRAY. Galle rounded glass ashtray is decorated with cameo floral pattern finished with pink, purple, burgundy and cream enameling and gilded highlights, with green and purple enameled inscription “Plaisir est Fumee” and “Fumer est Plaisir” . Signed with cameo and gilt “Galle”. SIZE: 1-1/2” t x 6-3/4” w. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good with one small burst bubble from the making, some wear to gilding from normal use. 51894-42 (2,500-3,500)

Lot 1524 (w/alternate view) 1525.

TIFFANY STUDIOS DECORATED FAVRILE VASE. Tiffany Studios gold favrile cabinet vase is decorated with five dark green and light gold pulled feather designs with iridescent highlights rising from the foot. Signed on the underside “L.C.T.”. SIZE: 2-1/2” t. PROVENANCE: Rudd Collection, Chicago, IL. CONDITION: Very good to excellent. 51894-45 (2,500-3,500)

Lot 1525

1526. QUEZAL DECORATED VASE. Quezal vase has bulbous body with tapered neck and flaring rim decorated with green and iridescent gold hooked feathers rising from the foot against a green shaded background, leading to a cream colored background at neck with an additional row of smaller iridescent hooked feathers. Signed on polished pontil “Quezal A145”. SIZE: 8-3/4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-29 (3,000-4,000)

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Lot 1527 1528.

BURGUN & SCHVERER MYTHOLOGICAL CAMEO VASE. Burgun & Schverer vase is decorated with classical man and woman surrounded by trees and flowers against a gilded background. The back of the vase is decorated with light cameo shells and stylized flowers with heavy enameled detailing, all against a caramel colored ground. The vase is finished with a cameo, enamel and gilded band around the neck. Signed on the underside with gold thistle mark “Verrerie D’Art de Lorraine BS & Co”. SIZE: 12” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good with minor wear to gilding. 51894-7 (6,000-9,000)

Lot 1528 235

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Session 1

1527. GALLE CAMEO GLASS EWER. Galle cameo glass ewer has pink cameo flowers against a clear glass background with white opalescent casing to interior. The ewer rests on a green glass pedestal base with ribbon design. The ewer is finished with an applied green glass handle. Signed on the backside with etched signature “Galle”. SIZE: 13” t. PROVENANCE: Rudd Collection, Chicago, IL. CONDITION: Very good to excellent. 51894-18 (7,000-10,000)

Session 1 1529.

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236

DAUM FIRE AND ICE CAMEO VASE. Scarce Daum four-layer cameo vase is decorated with winter scene of barren trees and snow covered ground made up of a white layer of snow over brown layer of trees, over white contrast layer, all set against an acid-textured red and white mottled sky. The vase is signed on the side of the foot with carved “Daum Nancy” and Cross of Lorraine. SIZE: 101/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-9 (15,000-20,000)

237

DAUM NANCY CAMEO AND ENAMEL WHEAT VASE. Exceptional Daum vase has cameo and enameled green, brown and gold wheat motif against an internally decorated acid-textured background of green shading to vertical yellow and orange striping. Vase is further decorated with cameo and enameled red poppies with enameled green stems with gilded highlights. Foot of vase is decorated with cameo and enameled floral design with gilded highlights. Signed on the underside in gilt “Daum Nancy” with Cross of Lorraine. SIZE: 9” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good with some wear to gilded highlights. 51894-4 (12,000-18,000)

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Session 1

1530.

Session 1

1531.

LOETZ FLORAL CAMEO VASE. Loetz vase has bulbous body tapering to a slender neck and wide flared upper rim, decorated with dark blue cameo hydrangea plants and blossoms with two butterflies, against a clear acid-textured layer, an internal layer of orange and blue mottling, and bright yellow internal casing. Signed in cameo on side of vase “C.a. Loetz”. SIZE: 14” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-14 (9,000-12,000)

Lot 1531 1532.

DAUM PINE CONE CAMEO VASE. Daum vase has cameo and enameled pine cone decoration descending from the lip against a mottled yellow shading to frosted background with a band of pink mottled interior decoration near the bottom. The vase is further decorated with gray enameled trees along a shoreline encircling the body of the vase. The pine cones and branches are enameled in grays and browns. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 11-3/4” t. PROVENANCE: Rudd Collection, Chicago, IL. CONDITION: Very good with some wear to enamel on pine cones. 51894-43 (4,000-6,000)

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238

Lot 1533 1534.

QUEZAL JACK-IN-THE-PULPIT VASE. Small Quezal jack has five green pulled feather designs with platinum iridescent bands rising from the foot against a creamy white background, interior of vase with gold iridescent crackle finish. Signed on the pontil “Quezal A 483”. SIZE: 8-1/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-19 (2,500-3,500)

1535.

Lot 1534 (w/reverse)

UEZAL DECORATED VASE. Quezal vase has pedestal foot leading Q to flaring body with wide ruffled rim, decorated with five green pulled feathers rising from the foot with white and gold accents. Top portion of the vase exterior is decorated with gold fishnet design and iridescent highlights of pink and purple, interior of vase decorated with gold iridescent crackled finish. Signed on the underside “Quezal R 922”. SIZE: 7” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good with light scuff marks on body of vase from use. 51894-27 (2,000-3,000)

Lot 1535 239

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Session 1

1533. QUEZAL PULLED FEATHER TRUMPET VASE. Quezal trumpet vase with heavily ruffled rim has green pulled feather design extending upward from the bulbous foot set against a creamy white background, each pulled feather outlined in gold iridescence, vase is finished with a crackled gold iridescent interior. Signed in the polished pontil “Quezal N 373”. SIZE: 9-1/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-28 (2,500-3,500)

Session 1

1536.

DAUM NANCY CAMEO AND WHEEL-CARVED SCENIC VASE. Interesting Daum urn shaped vase is decorated with cameo and nicely wheel-carved landscape scene in dark violet set against a translucent shading to yellow background with traces of carved purple as clouds, vase is finished with a carved stylized border with berry blossoms at the collar. Signed on the underside with carved “Daum Nancy 98.” and Cross of Lorraine. SIZE: 9” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-16 (10,00015,000)

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240

EXCEPTIONAL DAUM 4-LAYER CAMEO CARNATION VASE. Complex fire-polished vase by Daum Nancy consists of cameo and wheel-carved red carnation blossoms and buds, with carved green leaves and stems over a clear layer, all over a white cased interior. Vase is further decorated with martelé finish over entire background. Signed on the underside “Daum Nancy” with Cross of Lorraine. SIZE: 111/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-17 (10,000-15,000)

Session 1

1537.

241

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Session 1

1538. RARE DAUM NANCY HONEYBEE VASE. Daum vase has pedestal foot and flaring body leading to shouldered rim with cameo and enameled layer of green and brown leaves, stems and honeybees encircling the body and foot. Vase is further decorated with traces of gilding, all set against a mottled yellow and white acid-textured background. Signed on the underside “Daum Nancy” with Cross of Lorraine. SIZE: 9” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good with minor wear to some enameling and gilded highlights. 51894-20 (9,000-12,000)

Lot 1538 1539.

DAUM NANCY HANDLED DUTCH SCENE VASE. Daum vase has bulbous body tapering to a smaller bulbous neck and flared rim, decorated with five cameo and enameled tulips of deep red and orange with green leaves and stems and gilt highlights. Reverse is decorated with beautiful enameled Dutch landscape scene of two windmills near a lake with a fisherman. Vase is finished with two applied glass handles and black enameled highlights, all against an opalescent acid-textured background. Signed on the underside with enameled “Daum Nancy” and Cross of Lorraine. SIZE: 111/4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent with one small open bubble in the enameled rim from the making. 51894-26 (8,00012,000)

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242

Lot 1539

Lot 1540

1541.

DAUM NANCY CAMEO PEACOCK VASE. Desirable Daum vase is decorated with cameo peacock feathers having traces of vitrified yellow and green highlights extending up the vase. Each of the eight peacock eyes have padded deep violet centers with turquoise and yellow outlines, all set against an acid-textured background of mottled purple shading up to a rich blue. Most vases of this pattern have very pale background color, the rich blue on this example is exceptional. Signed on the side of foot with carved “Daum Nancy” and Cross of Lorraine. SIZE: 7” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent, a few small open bubbles in the work from the making. 51894-6 (7,000-10,000)

Lot 1541 243

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Session 1

1540. DAUM NANCY THISTLE AND DAISY CAMEO PITCHER. Daum pitcher has cameo thistle and daisy decoration surrounding the body against an acid-textured purple shading to yellow mottled background. The thistle blossoms in the upper section are enameled in royal blue with red stamen, while the daisies in the lower section are enameled in shades of white and yellow. Stems, leaves and buds have gilded highlights. Pitcher is finished with applied yellow glass handle and gilded accents where handle joins the body and at top rim. Signed on the underside with gilt “Daum Nancy” with Cross of Lorraine. SIZE: 7-1/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-48 (8,00012,000)

Session 1

1542. BURGUN & SCHVERER ENAMELED AND CARVED VASE. Burgun & Schverer vase has heavily enamel decoration of large pink and white water lily blossoms, green and red lily pads and reeds with randomly placed white fleur-de-lis’ with a center enameled monogram with cross, all with gilded highlights, against a turquoise background with acid-textured clouds and carved rays behind the center lily, monogram and fleur-de-lis. Signed on the underside with etched and gilded thistle mark “Verrerie D’Art de Lorraine BS & C Depose”. SIZE: 15-1/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-8 (6,000-9,000)

Lot 1542 1543.

DAUM CAMEO AND ENAMELED VASE. Daum vase has cameo decoration of delicate flowers rising from the foot. The cameo stems and leaves are enameled in shades of brown and green, while the cameo flowers are enameled in shades of purple. The floral decoration is set against a mottled yellow shading to white frosted background. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 11-1/2” t. PROVENANCE: Rudd Collection, Chicago, IL. CONDITION: Very good to excellent. 51894-12 (7,000-10,000)

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Lot 1544

1545.

G. ARGY-ROUSSEAU ROSES COVERED BOX. Pate de verre covered box by Gabriel Argy-Rousseau is decorated with molded purple roses with green centers and dark blue vines encircling the body of the round box and one larger blossom on the center of the cover, all set against a mottled background of purple, blue, green and clear. Signed on the side “G. Argy-Rousseau”. Similar example pictured in G.Argy-Rousseau,Glassware As Art by J. Bloch-Dermont, pg 187, fig 21.08. SIZE: 3” t x 3-1/4” w. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-44 (3,0004,000)

Lot 1545 1546. ALMERIC WALTER PATE DE VERRE COMPOTE. A. Walter pate de verre compote is decorated with molded floral pattern around interior of bowl with highlights of green, brown and yellow, and molded arch and bead decoration on the foot, all against a background of blue, turquoise and white. Signed on the interior of bowl “A. Walter Nancy”. SIZE: 3” t x 5-1/4” w. PROVENANCE: Rudd Collection, Chicago, IL. CONDITION: Very good to excellent. 51894-46 (3,500-4,500)

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Session 1

1544. G. ARGY-ROUSSEAU IVY BOWL. Pate de verre bowl by Gabriel ArgyRousseau is decorated with three molded clusters of green and brown leaves and dark blue berries encircling the vase, set against a frosted background with blue, purple and pink highlights. Signed on the side “G. Argy-Rousseau”. Similar example pictured in the book G.Argy-Rousseau, Glassware as Art by J. Bloch-Dermant, pg.180, fig.19.02. SIZE: 3-1/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-41 (5,0007,000)

Session 1

1547. LOETZ PHAENOMEN VASE. Loetz vase in the Phaenomen genre 1/4 has bulbous body with pinched ruffled rim and is decorated with gold iridescent waves against an amber glass background. The vase is further decorated with applied lily pads surrounding the body. Each lily pad is decorated with platinum iridescent bands. Signed in the polished pontil “Loetz Austria”. SIZE: 5-1/4” t. PROVENANCE: Rudd Collection, Chicago, IL. CONDITION: Very good to excellent. 51894-21 (6,0009,000)

Lot 1547

1548.

DAUM NANCY FIREPOLISHED MARTELÉ VASE. Daum fire-polished vase is decorated with large pink cameo flower blossoms having applied green cabochons at flower centers with dark green cameo stems and leaves against an opalescent ground in the center of the vase, giving way to pink and dark green at the foot and rim. Vase is finished with heavy martelé carving on entire body and underside. Signed on underside “Daum Nancy” with Cross of Lorraine. SIZE: 4” t x 6” w. PROVENANCE: Rudd Collection, Chicago, IL. CONDITION: Very good to excellent. 51894-10 (5,000-7,000)

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Lot 1549

1550. DAUM NANCY CAMEO AND ENAMELED FLORAL VASE. Daum vase has yellow vitrified foot leading to cameo and enameled Coreopsis flowers of bright yellow with green leaves and stems, set against an acid-textured opalescent mottled background, internally decorated with rich purple, pink and yellow highlights. Signed on the side with enameled “Daum Nancy” with Cross of Lorraine. SIZE: 5-3/4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-39 (2,5003,500)

Lot 1550 1551. BURGUN & SCHVERER FLORAL CAMEO VASE. Very pretty Burgun & Schverer vase has cameo decoration of violet colored flowers, bright green leaves and brown stems set against a yellow and salmon mottled background. Flowers are wheel carved and the vase is finished with random patches of martelé work, gilded highlights, as well as icicle trim at the rim. Signed on the underside with gold thistle mark “Verrerie D’art de Lorraine BS & Co” and “depose”. SIZE: 5” t. PROVENANCE: Rudd Collection, Chicago, IL. CONDITION: Very good to excellent. 51894-5 (5,000-7,000)

Lot 1551 247

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Session 1

1549. BURGUN & SCHVERER FLORAL CAMEO VASE. Burgun & Schverer vase has wheel-carved cameo flowers with white petals and green leaves extending up from the foot of the vase. Vase is further decorated with random bands of martelé against a frosted background with internal decoration of shaded white and tan swirling bands and lightly gilded highlights, finished with cameo icicles surrounding lip. Signed on underside with gilt thistle mark “Verrerie D’Art De Lorraine BS&Co. Depose”. SIZE: 5-1/4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-3 (3,000-5,000)

1552.

Session 1

DAUM NANCY AESOP’S FABLE COVERED BOX. Beautiful Daum opalescent covered box is decorated with cameo and enameled scene of Aesop’s Fable “The Wolf and the Crane” on front with cameo and enameled flower branches with red blossoms on the reverse and on the cover, finished with two applied clear glass handles and gilded accents on rim and edges. Signed on underside with gilt “Daum Nancy” with Cross of Lorraine. SIZE: 3” t x 5-1/2” w. PROVENANCE: Rudd Collection, Chicago, IL. CONDITION: Very good to excellent. 51894-40 (2,000-3,000)

Lot 1552

1553. DAUM NANCY PADDED AND CARVED FLORAL VASE. Small Daum baluster form vase is decorated with cameo and carved green leaves with padded and carved pale blue blossoms and yellow enameled centers, set against an acid-textured background of mottled orange, brown and green shading to pale blue and white. Signed on the underside with carved “Daum Nancy 5”. SIZE: 4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-32 (1,500-2,500)

Lot 1553

1554.

DAUM NANCY CAMEO AND ENAMEL COVERED BOX. Small square cameo box with rounded sides is decorated with purple enamel flower blossoms with green enamel stems and leaves, all against a golden yellow to clear acid-textured background. Vase is finished with handled metal collar and lid with etched floral accents. Signed on side with cameo “Daum Nancy” with Cross of Lorraine. SIZE: 3-1/4” t x 3-1/4” w. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Box is very good to excellent, metal lid has small separation in finial seam. 51894-33 (1,200-1,800)

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248

DAUM NANCY CAMEO AND ENAMELED VASE. Early Daum vase is decorated with a sprig of foliage rising from the foot having light green and brown branches leading to deep burgundy and pink blossoms, all with gilded highlights and set against an acid-textured background. Vase is further decorated with a band of stylized gilding with enameled pink and white flower blossoms set against a section of clear background and gilded top rim. Signed on underside “Daum Nancy” with Cross of Lorraine. SIZE: 111/2” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-25 (5,000-7,000)

Session 1

1555.

249

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Session 1 1556.

Lot 1556

DAUM NANCY JAPANESE LANTERN CAMEO BOWL. Daum bowl with pinched quatrefoil rim is decorated with cameo Japanese Lantern plants with enameled bright orange blossoms and brown/green leaves and branches, all set against an acid-textured background of mottled green and orange shading to orange. Signed on the side with cameo and enameled “Daum Nancy” with Cross of Lorraine. SIZE: 2-3/4” t x 7-1/2” w. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-38 (3,000-5,000)

1557.

Lot 1557 Visit www.jamesdjulia.com for more information

250

DAUM NANCY LAKE SCENE BOWL. Daum bowl with pinched quatrefoil rim is decorated with cameo and enameled landscape scene of brightly colored grasses and foliage surrounding a lake with enameled mountains in the distance, all set against an acid-textured mottled background of pale blue and white. Signed on the underside with enameled “Daum Nancy” and Cross of Lorraine. SIZE: 2-3/4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-36 (2,500-3,500)

Lot 1558

1559. DAUM NANCY FLORAL CAMEO BOWL. Daum bowl with pinched quatrefoil rim is decorated with cameo and brightly enameled yellow Coreopsis flower blossoms, and green stems and leaves, all set against an acid-textured background of mottled purple shading to white and yellow, underside of bowl is a matching light yellow enamel around the polished pontil. Signed on the side with enameled “Daum Nancy” with Cross of Lorraine. SIZE: 3-1/2” t x 7-3/4” w. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-37 (3,0005,000)

Lot 1559

1560. DAUM NANCY CAMEO AND ENAMELED BERRY VASE. Daum vase has bulbous lower portion and a tapering cylindrical neck decorated with cameo and enameled red berry clusters and green leaves and stems, all over an acid-textured background of mottled red and white shading up to white and clear. Signed on side with cameo “Daum Nancy” with Cross of Lorraine and artist initials on underside. SIZE: 8-3/4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 51894-30 (2,000-3,000)

Lot 1560 251

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Session 1

1558. DAUM NANCY MARTELÉ LILY-OF-THE-VALLEY VASE. Slender Daum vase is decorated with dark green cameo and wheel-carved Lily-of-the-Valley blossoms and leaves against a rich pink martelé finished background. Signed on the underside with etched and gilded “Daum Nancy” and Cross of Lorraine. SIZE: 7-3/4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent, minor loss to gilding of signature. 51894-47 (2,500-3,500)

Session 1

1561. DAUM NANCY CAMEO AND ENAMEL COVERED JAR. Daum cylindrical jar is decorated with cameo thistle branches and blossoms with gilded and enameled details, all against an acid-textured amethyst background. Vase is further decorated with heavily gilded and enameled collar and glass lid having decoration of matching thistle vines and blossoms on a stippled gilt background. Signed on the underside with gilt “Daum Nancy” and Cross of Lorraine. SIZE: 4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good with very minor wear to gilding on edges, underside of lid has minuscule nicks from age and use. 51894-35 (1,500-2,500)

Lot 1561 1562.

DAUM NANCY CAMEO AND ENAMELED PILLOW VASE. Daum pillow vase is brightly colored with red berries and green and yellow leaves on a acid-textured yellow to purple mottled background. Signed on the side in enamel “Daum Nancy” with the Cross of Lorraine. SIZE: 3-1/4” t. PROVENANCE: Rudd Collection, Chicago IL. CONDITION: Very good to excellent. 5189434 (1,000-1,500)

Lot 1562

1563. BOHEMIAN ENAMELED VASE. Bohemian vase has all over enameled decoration of a king wearing a crown while riding a white stallion, with trumpeters standing above and white birds flying in the sky, as well as a duck in the pond. The brightly colored enamel is set against an emerald green glass background. Unsigned. SIZE: 9-1/4” t. PROVENANCE: Rudd Collection, Chicago, IL. CONDITION: Vase is very good to excellent. 51894-23 (500-700)

Lot 1563 1564.

End of Rudd Collection, Chicago, IL

NO LOT

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252

Lot 1565

1566.

LARGE GALLE CAMEO POND LILY VASE. Large Galle tapered cylindrical vase is decorated with amber cameo pond lily scene with leaves, stems and flowers in various stages of bloom encircling the vase, all centered by a pair of large detailed dragonflies over the water, set against an acid-textured background of white shading to blue at the top rim and foot. Signed on side of vase with cameo “Galle”. SIZE: 18-1/4” t. CONDITION: Very good with light scratches to interior of vase, a few tiny fleabites around foot from use. 52017-34 (9,000-12,000)

Lot 1566 253

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Session 1

1565. GALLE MOLD BLOWN HYACINTH VASE. Galle mold blown vase is decorated with deep red leaves and stems and pink and red hyacinth flowers all set against a pastel yellow background. Vase is signed on the side in cameo “Galle”. SIZE: 12” t. CONDITION: Very good to excellent. 52017-24 (9,00012,000)

Session 1

1567. GALLE FOUR-LAYER CAMEO BEETLE VASE. Galle vase with saucer foot is a superior example, decorated with deeply cut cameo oak tree branches, leaves and acorns surrounding a large stag beetle resting on a limb, all in brown and vibrant green with an under-layer of bright yellow giving excellent contrast, set against a cream colored acid-textured ground. Signed on side in cameo “Galle” and retains partial Galle sticker on underside of foot. SIZE: 14-1/4” t. CONDITION: Very good to excellent. 52017-25 (5,000-7,000)

Lot 1567 1568.

GALLE CRISTALLERIE WHEEL CARVED SPIDER VASE. Important Galle vase has large wheel carved leaf on the bulbous foot and additional wheel carved leaves climbing the neck of the vase. The vase is further decorated with a wheel carved spider sitting in the middle of its engraved spider web which hangs within the leaves. The cameo decoration is purple shading to red against a clear background. Signed on the underside with elaborate cameo signature “Emile Galle Cristallerie Nancy” along with a cameo leaf. SIZE: 11-3/4” CONDITION: Very good to excellent. 52017-35 (9,000-12,000)

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254

Lot 1568

Lot 1569

1570.

GALLE MOLD BLOWN CLEMATIS VASE. Galle mold blown vase has brownish red clematis leaves and vines with salmon colored clematis flowers, all against a frosted background with yellow tint at top and bottom. Vase is signed on the side in cameo “Galle”. SIZE: 9-3/4” t. CONDITION: Very good to excellent. 52017-9 (7,5009,500)

Lot 1570 255

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Session 1

1569. GALLE CAMEO GLASS ORCHID VASE. Large Galle vase has light blue orchids with purple stems and leaves all set against a background of blue shading to cream. Vase is signed on the side in cameo “Galle”. SIZE: 13-1/2” t. CONDITION: Very good to excellent. 52017-23 (9,50011,500)

Session 1

1571. GALLE SCENIC CAMEO VASE. Galle vase with pedestal foot and urn style body is decorated with earth-tone brown cameo scene of trees and foliage surrounding a lake with a gentleman standing in the trees, set against an acid-textured creamy yellow background. Signed with cameo “Galle” on side of vase. SIZE: 14-1/4” t. CONDITION: Very good to excellent. 52017-26 (4,500-6,500)

Lot 1571

1572. GALLE CAMEO GLASS GLOBE HANGING LAMP. Galle hanger has cameo glass round globe with white and blue cameo flowers against a frosted background. The globe is signed on the side in cameo “Galle”. The globe is suspended with a box link chain, floral impressed ceiling cap and open work top cap. The hardware is all finished in a bright silver. Hardware is unsigned. SIZE: Globe; 8” dia. Lamp is approximately 29” from ceiling to bottom of shade. CONDITION: Very good to excellent with one tiny nick to bottom edge of shade opening which is concealed when hardware is in place. 51966-32 (3,000-5,000)

Lot 1572

1573. GALLE CAMEO AND ENAMELED VASE. Early Galle cylindrical vase with pinched tri-foil rim is decorated with cameo and enameled flower stems of green and pink leading to full blossoms of pink, purple and burgundy flowers with yellow highlights. Decoration is nicely contrasted with leaves and accents that are not enameled, as well as cameo flowers and starbursts on the interior of the vase, all against a translucent blue background shading from darker foot to lighter rim. Signed on the underside in cameo starburst with gilt “Emile Galle Nancy” and “Modele et decor Depose” below. SIZE: 8-3/4” t. CONDITION: Very good to excellent. 51962-5 (3,000-5,000)

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256

Lot 1574

1575. GALLE LAKE COMO VASE. Galle vase has dark purple cameo decoration of trees framing views of Lake Como with blue mountains in the distance, all against a peach colored sky. Signed at the base of one tree with Oriental signature “Galle”. SIZE: 8-1/4” t. CONDITION: Very good to excellent. 52017-8 (3,000-5,000)

Lot 1575

1576. GALLE CAMEO AND ENAMELED CREAMER. Galle creamer has subtle cameo decoration of flowers, stems and leaves against a mottled red background. The creamer is further decorated with heavy enamel brightly colored iris flower with stems and leaves. The creamer is finished with an applied green handle which snakes across the front of the pitcher. Signed on the underside “Cristallerie Emile Galle Nancy”. SIZE: 3-3/8” t. CONDITION: Very good to excellent with some minor wear to gilt trim on lip. 51962-12 (1,200-1,500)

Lot 1576 257

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Session 1

1574. GALLE MAGNOLIA CAMEO VASE. Galle vase has red cameo magnolia flowers, stems and leaves rising from the foot against a frosted yellow background. Signed on the back in cameo “Galle”. SIZE: 10” t. CONDITION: Very good to excellent. 52017-10 (3,000-4,000)

Session 1

1577. GALLE ENAMELED SCENT BOTTLE. Galle scent bottle has enameled decoration of colorful flowers and damselflies on front and back against a transparent light green background. There is a section on the front of the bottle that is carved and frosted to depict a pond. Each side is enameled with a white band and purple iris flowers. The neck of the bottle is also decorated with enameled water lilies against a gilded background. The bottle is finished with a carved clear glass stopper. Signed on the underside in red enamel “Cristallerie De Galle Nancy Depose”. SIZE: 4-3/4” t x 5-1/4” w. CONDITION: Scent bottle is very good to excellent with three internal bubbles behind the carved water. It appears the carving was done to help disguise the internal bubbles. Stopper wobbles slightly when in place. 51962-11 (4,000-6,000)

Lot 1577

1578.

GALLE MOLD BLOWN CROCUS VASE. Galle vase has salmon colored mold blown crocus flowers on front and back, all against a pastel yellow frosted background. Vase is signed on the side in cameo “Galle”. SIZE: 8-3/8” t. CONDITION: Very good to excellent. 52018-7 (3,500-5,000)

Lot 1578 Visit www.jamesdjulia.com for more information

258

Lot 1579

1580.

DAUM WINTER SCENE CAMEO GLASS LAMP. Daum lamp has cameo and enameled decoration of a winter scene with barren trees and snow covered ground against a mottled yellow and orange sky. The foot is enameled in white depicting a snow covered ground while the trees are enameled in shades of brown with patches of white snow adhering to the bark. Lamp is signed on underside in black enamel “Daum Nancy” with a cross of Lorraine. SIZE: Shade 5-1/2” dia. Lamp 12-3/4” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Very good to excellent. Rewired with contemporary plastic cord. 51812-9 (9,00012,000)

Lot 1580 259

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Session 1

1579. DAUM WINTER SCENE HANDLED VASE. Daum vase is decorated with cameo and enameled winter scene on front and back, with barren trees rising from a snow covered ground against a mottled yellow, brown and orange background. The trees are enameled in shades of brown with white enameled patches of snow clinging to the bark. The vase is finished with two pulled glass handles descending from the lip, a very rare and desirable shape. Signed on the underside in black enamel “Daum Nancy” with the Cross of Lorraine. SIZE: 7” t. CONDITION: Very good to excellent. 52017-21 (7,500-9,500)

Session 1

1581. GALLE CAMEO GLASS VASE. Galle 3-sided vase has cameo floral decoration in amber and brown, surrounding all three sides, against a yellow shading to frosted clear glass background. Signed on the side in cameo “Galle”. SIZE: 3-7/8” t. CONDITION: Very good to excellent. 51986-3 (1,000-2,000)

Lot 1581

1582.

GALLE SCENIC CAMEO VASE. Galle vase has brown cameo trees and ground with light green cameo trees in the distance, all set against a frosted shading to pink background. Signed on the backside in cameo “Galle”. SIZE: 10-1/8”. CONDITION: Very good to excellent. 52018-13 (1,000-2,000)

Lot 1582 1583. GALLE SCENIC COVERED BOX. Galle cameo glass box has brown and green cameo trees lining the shores of a pond, with green cameo canoes in the pond. The box is complete with a cameo glass lid with brown and green cameo birds in flight. Box is signed on the side in cameo “Galle”. SIZE: 7” l x 3-3/4” t. CONDITION: There are two air bubbles visible on the end of the box with an internal crack extending out from the bubbles. The crack does not break the surface of the glass. There is also a tiny bruise to the edge of the lid, otherwise very good. 51986-4 (1,2001,800)

Lot 1583 Visit www.jamesdjulia.com for more information

260

Lot 1584 1585.

GALLE CAMEO COVERED BOX. Galle covered box has red translucent cameo flowers, stems and leaves against a pastel frosted yellow background. The matching lid has cameo flowers in full bloom, as well as several buds all against a frosted pastel yellow background. Signed on the side of the box as well as the cover in cameo “Galle”. SIZE: 4-1/4” dia. CONDITION: Very good to excellent. 51939-5 (700-1,000)

Lot 1585

1586. TWO GALLE VASES. 1) Galle vase has red translucent cameo flowers, stems and leaves descending from the shoulder against a green frosted translucent background. Signed on the side in cameo “Galle”. 2) Galle tumbler vase is decorated with enameled blue, white and orange stylized flowers and scrolls surrounding the top of the vase with blue and white stylized flower sprays decorating the bottom half, all against a clear glass background. Signed on the underside “E Galle Nancy”. SIZE: 1) 4” t. 2) 4-1/2” t. CONDITION: Both are very good to excellent. 52018-19 (600-800)

Lot 1586 1587.

GALLE FAIENCE HANDLED BOWL. Galle Faience bowl is decorated with stylized flowers and scrolls with dolphin heads bordering each side of a center cartouche on the front. The cartouche is painted with a sailing ship in the harbor. The bowl is finished in a brown glaze with cream colored scrolled trim and gilt highlights. Signed on the underside with ornate signature with outlines of a rooster, lizards and scrolls along with the Cross of Lorraine “Emile Galle Fecit Modele depose”. SIZE: 9-3/4” t x 14” w. CONDITION: Invisible restoration to chips. 52017-19 (500800)

261

Lot 1587 Visit www.jamesdjulia.com for more information

Session 1

1584. GALLE COVERED JAR. Galle egg-shaped jar has green cameo oak leaves and acorns surrounding the jar and lid. The green cameo decoration is set against a shaded burnt orange and cream background. Signed on the side in cameo “Galle”. SIZE: 6-1/2” t. CONDITION: Very good to excellent. There is an acid burn from the making near the foot. 51986-7 (750-950)

1588.

Session 1

A. REYEN CAMEO GLASS VASE. A. Reyen cameo glass vase has green and cream colored cameo decoration of thistle flowers, stems and leaves against a cream and red glass background. The vase is further decorated with red and purple icicles descending from the lip of the vase with a cream and purple butterfly hovering near the flower. The backside of the vase is decorated with green cameo thistle leaves and bud. Signed on the underside in the polished pontil “A. Reyen 1893”. SIZE: 12-5/8” t. CONDITION: Very good to excellent. 51962-33 (12,000-16,000)

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262

E. MICHEL CAMEO GLASS BOTTLE. E. Michel bottle has crackled interior with interior decoration of mottled bands of red and cream, with emerald green threading surrounding the bottom half of the bottle. It is further decorated with cameo water lilies in frosted cream color with green cameo lily pads on all four sides, each side also with applied flowers and buds. Bottle is complete with internally decorated stopper, with flowing colors of red, white, green and orange. Signed on the underside “E Michel”. SIZE: 8-1/4” t. CONDITION: Very good to excellent. 51962-7 (15,000-20,000)

Session 1

1589.

263

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1590.

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264

E. MICHEL CAMEO GLASS VASE. E. Michel vase has heavy red cameo glass decoration of large roses with stems and leaves surrounding the body of the vase against a clear and frosted martelé background. Signed in the polished pontil “E Michel”. SIZE: 9” t. CONDITION: Very good to excellent. 51962-1 (8,00010,000)

Lot 1591

1592.

BURGUN & SCHVERER CAMEO VASE. Burgun and Schverer vase is decorated with green leaves and white flowers surrounding 2/3’s of the vase set against a background with vertical panels of brown and cream color. The flowers and leaves are encased in clear glass with clear glass cameo icicles surrounding the lip. Vase is further decorated with random patches of martelé. Signed on the underside with gold thistle and Cross of Lorraine mark and “Verrerie D’Art D’Lorraine BS&Co Depose”. SIZE: 5-1/4” t. CONDITION: Very good to excellent. There is some minor wear to the gold mark on bottom. 52018-8 (3,500-5,000)

Lot 1592 265

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Session 1

1591. BURGUN & SCHVERER CAMEO GLASS VASE. Burgun and Schverer vase is decorated with brightly colored yellow, white, red and green cameo flowers with green leaves and deeply carved brown stems surrounding the vase. The colorful flowers and leaves are encased in clear glass all set against a light blue shading to purple background. The vase is further decorated with random patches of martelé and is finished with cameo icicles around the lip. Signed on the underside with gilt, thistle and Cross of Lorraine signature “Verrerie D’Art D’Lorraine BS&Company Depose”. SIZE: 9-1/2” t. CONDITION: Very good to excellent. 52017-7 (13,000-16,000)

Session 1

1593. VALLERYSTHAL ENAMELED FLORAL VASE. Vallerysthal heavy glass vase has purple, red, yellow and green enameled flowers against a mottled red and white background. The flowers are nicely detailed and extend around 2/3” of the vase. The backside of the vase is decorated with a single drooping flower, stem and leaf. Signed on the underside in the polished pontil “Vallerysthal”. SIZE: 10” t. CONDITION: Very good to excellent. 51962-3 (5,000-7,000)

Lot 1593

1594.

VALLERYSTHAL DECORATED AND ENAMELED GOURD VASE. Vallerysthal gourd vase has internal decoration of mottled colored vertical bands and is further decorated with enameled flowers in colors of white, yellow, orange and green, all set against a rich amber shading to red background. The vase is further decorated with an applied mottled green glass stem. Signed on the underside “Vallerysthal” within a leaf shape. SIZE: 9” t. CONDITION: Very good to excellent. 51962-2 (10,000-15,000)

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266

267

DAUM RAIN SCENE VASE. Daum vase has cameo and enameled view of barren trees in a wind blown rainstorm. The cameo trees are bent over in the wind with cameo raindrops driven to the ground. The trees are enameled in shades of brown and gray, while the ground is enameled in shades of green, all against a frosted background. The center of the vase is further decorated with a band of mottled pink internal decoration. Signed on the underside “Daum Nancy” with the Cross of Lorraine. SIZE: 11-1/2” t. CONDITION: Very good to excellent. 52018-1 (12,000-18,000)

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Session 1

1595.

1596.

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268

SCARCE DAUM NANCY CAMEO SNAIL VASE. Exceptional French cameo vase has acid cut grapevine pattern in bright vitrified colors against an internally decorated yellow, pink, orange and amethyst mottled background. Grape clusters have several applied discs to give them a three-dimensional appearance, vase is finished with two applied and wheel-carved snails. Signed on the underside with engraved “Daum Nancy”. SIZE: 13” t. CONDITION: Very good to excellent. 52017-27 (17,500-22,500)

1598. DAUM PADDED AND WHEEL CARVED VASE. Daum vase has brown cameo stems and leaves leading to white padded daisy flowers. Each padded flower is wheel carved and finished with a center yellow glass cabochon, all set against a mottled yellow shading to cream background. Signed on the side with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 11” t. CONDITION: Very good to excellent. 52017-11 (7,0009,000)

Lot 1597

Lot 1598 269

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Session 1

1597. DAUM NANCY CAMEO AND ENAMEL FLORAL VASE. Tall Daum vase has rounded pedestal foot with slender tapered body and bulbous top is nicely decorated with cameo and enameled leaves and stems of green, yellow, maroon and oranges encircling the body of the vase with dark orange blossoms at the top portion, set against an acid-textured background of mottled yellow and white. Signed on the side of vase with cameo “Daum Nancy” and Cross of Lorraine. SIZE: 23-1/2” t. CONDITION: Very good to excellent. 52020-1 (9,000-12,000)

Session 1

1599. DAUM PADDED AND WHEEL CARVED VASE. Daum vase has oval pedestal foot and is decorated with mottled green and brown vitrified glass cameo leaves extending from the foot against a mottled blue shading to mottled cream and orange acid textured background. The vase is further decorated on the front with padded white, tan and green flowers which are wheel carved. The backside of the vase has padded and wheel carved light green flowers with padded white and orange centers. Signed on the edge of the foot with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 6-1/2” t. CONDITION: Very good to excellent. 52017-12 (7,000-9,000)

Lot 1599

1600.

DAUM CAMEO AND ENAMELED TSAR’S CUP. Daum tsar’s cup has wide cameo band of scrolling lines with a center cartouche on front and back of cup. The cameo decoration is highlighted by gilt trim in the background. The front cartouche has red enameled initials against a beaded and gilt background with a small oval below the cartouche, enameled with the date “1896”. The cartouche on the back of the cup is an enameled black double eagle with coats of arms. Written on the underside of the cup in gold “Tsar Nicholas III Goblet du Couronnement Fac Simile Daum Nancy “ with the Cross of Lorraine Fecit 1896. They are all set against an opalescent glass background. SIZE: 4” t. CONDITION: Some minor wear to gilt lettering on bottom of cup, otherwise very good to excellent. 52018-9 (5,000-7,000)

Lot 1600 Visit www.jamesdjulia.com for more information

270

1602. DAUM CAMEO AND ENAMELED VASE. Daum vase has a round foot with brown cameo lily pads surrounding the top. The vase is further decorated with vitrified cameo glass stems and leaves surrounding the bottom half of the vase in shades of green and brown. Slender stems rise to support bell flowers all against a slightly mottled yellow and orange background. The stems and bell flowers are enameled in shades of red. Signed on the side in cameo “Daum Nancy” with Cross of Lorraine. SIZE: 14” t. CONDITION: Very good to excellent. 5201729 (5,500-7,000)

Lot 1601

Lot 1602 271

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Session 1

1601. DAUM NANCY BLEEDING HEART CAMEO VASE. Tall Daum vase with pedestal base has tapered slender body flaring to a bulbous top, decorated with cameo and enameled leaves and stems rising from the foot in earth-tone greens and yellows encircling the vase, leading to branches of enameled yellow and burgundy Bleeding Heart blossoms, against an acid-textured background of vitrified yellow, green and orange that shades up to mottled pink and yellow. Signed on the side of vase with cameo “Daum Nancy” and Cross of Lorraine. SIZE: 19-1/4” t. CONDITION: Very good to excellent. 52018-2 (6,000-8,000)

Session 1 1603.

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272

DAUM CAMEO AND ENAMELED TABLE LAMP. Daum table lamp has cameo and enameled decoration of trees along the shore of a pond. The cameo trees are nicely enameled in shades of brown and red and set against an orange shading to yellow background. Shade is signed in enamel “Daum Nancy” with the Cross of Lorraine and the base is signed on the foot in enamel with entwined initials “DN” with the Cross of Lorraine. SIZE: 23-3/4” t. CONDITION: Very good to excellent. 52017-42 (12,000-18,000)

DAUM NANCY VIDE POCHE. Interesting Daum Nancy tray has tri-foil pinched top rim with vitrified blue, green and white over a dark yellow background, further decorated with green, yellow and red applied glass beetles, each having carved legs. Signed on the side with carved “Daum Nancy” and Cross of Lorraine. SIZE: 1-3/4” t x 5-3/4” w. PROVENANCE: From a Paris, France collection. CONDITION: Very good to excellent. 52116-3 (3,000-5,000)

Session 1

1604.

Lot 1604 1605.

DAUM CAMEO AND APPLIED VIDE POCHE. Daum vide poche has vitrified glass cameo leaves on the exterior in shades of brown, green and orange. The leaves are detailed with etched veins. The interior of the vide poche is decorated with cameo spider webs along with a green and an orange applied glass spiders as well as an orange glass insect on the exterior of the piece. Signed on the underside with etched signature “Daum Nancy” with the Cross of Lorraine. SIZE: 6” w x 5” dia. CONDITION: Very good to excellent. 52018-6 (4,000-6,000)

Lot 1605 273

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1606.

Session 1 Visit www.jamesdjulia.com for more information

274

DAUM DRAGONFLY CAMEO VASE. Important Daum vase has cameo decoration of flowers, stems and leaves done in mottled green and yellow glass, all set against a mottled light blue background. The vase is further decorated with an applied dragonfly with mottled brown body and green cameo glass wings. Vase is signed on the underside with etched signature “Daum Nancy” with Cross of Lorraine. SIZE: 8-1/2” t. CONDITION: Very good to excellent. 52017-28 (12,000-15,000)

DAUM PADDED AND WHEEL CARVED BOWL. Daum bowl has acid etched cameo leaves and stems in green mottled glass surrounding the bowl against a mottled purple shading to yellow shading to lavender background. The bowl is further decorated with two padded and wheel carved orange poppies and one purple and white padded and wheel carved poppy. The wheel carved poppy flowers are nicely detailed and have a three-dimensional appearance. Signed on the underside with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 7-1/2” dia. CONDITION: Very good to excellent. 52017-15 (3,000-5,000)

Session 1

1607.

Lot 1607

1608. DAUM CHANDELIER. Daum chandelier has an ornate cast metal frame with stylized flower design along with a ribbon design at the top. The chandelier is suspended by a bronze chain and is complete with stylized floral design cast ceiling cap. The fixture is finished in rich gold and is complete with five internally decorated shades, each signed near the lip “Daum Nancy” with the Cross of Lorraine. Each shade has a metal threaded collar that screws into the fixture. SIZE: Chandelier body is approximately 28” l. Chain is approximately 35” l. CONDITION: Shades are very good to excellent. Fixture has a small crack to one of the cast arms where it meets the body of the chandelier. 51966-36 (3,000-5,000)

Lot 1608 1609.

DAUM AUTUMN SCENE BOWL. Daum cameo and enameled bowl has autumn scene of trees lining a river bank. The trees and ground are enameled in vivid autumn colors of yellow and orange. The vase is further decorated with enameled trees on the far river bank. Signed on the side in black enamel “Daum Nancy” with the Cross of Lorraine. SIZE: 6” dia. CONDITION: Very good to excellent. 52017-13 (3,750-4,750)

Lot 1609 275

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1610.

Session 1

DAUM CAMEO GLASS FLORAL VASE. Daum vase has black cameo flowers surrounding the foot and extending onto the bottom of the vase where the cameo flowers and leaves turn to blue all set against a mottled yellow, blue and white background. The blue cameo flowers are detailed with wheel carving. Signed on edge of foot with engraved signature “Daum Nancy” with the Cross of Lorraine. Also marked on the underside “Made in France.” SIZE: 13-1/4” t. CONDITION: Very good to excellent. 52018-3 (6,000-8,000)

Lot 1610 1611.

DAUM MARTELÉ CAMEO VASE. Daum vase has green cameo stems and leaves encircling the foot and climbing the side of the vase, leading to shaded yellow and green flowers, all set against a mottled pink background. The entire background glass is covered in martelé. Signed on the underside with etched signature “Daum Nancy” with the Cross of Lorraine. SIZE: 11-1/2” t. CONDITION: Very good to excellent. 52018-4 (4,000-6,000)

Lot 1611 Visit www.jamesdjulia.com for more information

276

Lot 1612

1613. DAUM CHINESE LANTERN VASE. Daum vase has cameo and enameled decoration of leaves and stems climbing the side of the vase. The leaves give way to bare stems with orange Chinese lanterns. The leaves and stems are enameled in shades of brown and green, while the Chinese lantern flowers are in shades of orange. All set against a brown, orange and green acid textured background. Signed on the side in cameo “Daum Nancy France” with the Cross of Lorraine. SIZE: 12” t. CONDITION: Very good to excellent. 52018-5 (3,5005,000)

Lot 1613

1614. DAUM VIOLET CAMEO AND ENAMELED VASE. Daum vase has cameo decoration of violets, stems and leaves against a mottled purple shading to mottled white background. The leaves and stems are enameled in shades of green while the violet flowers are enameled in shades of deep purple. Signed on side of vase in cameo “Daum Nancy” with Cross of Lorraine. Vase retains a paper label on the underside reading “Meuble’s D’Art Majorelle Paris.Nancy.Lyon”. SIZE: 4-7/8” t. CONDITION: Very good to excellent. 52017-33 (3,500-4,500)

Lot 1614 277

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Session 1

1612. DAUM CAMEO ENAMELED AND APPLIED VASE. Daum square vase has cameo and enameled leaves and vines descending from the lip against a mottled brown shading to green and yellow background. The leaves and vines are enameled in shades of green. The vase is further decorated with applied red glass cabochon berries, a very rare model. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 4-3/4” t. CONDITION: Very good to excellent. 52017-32 (3,000-5,000)

Session 1

1615. DAUM DANDELION CAMEO AND ENAMELED VASE. Daum square vase has cameo decoration of dandelions that have gone to seed and the seeds are blowing in the wind. The cameo decoration is further enhanced with brown enamel and gold highlights, all set against a mottled green shading to mottled orange background. The interior of the vase is finished in opalescent glass. Signed on the underside “Daum Nancy” with Cross of Lorraine. SIZE: 4-3/4” t. CONDITION: Very good to excellent, some light wear to gilding on lip. 52017-30 (2,500-3,500)

Lot 1615

1616. DAUM ORCHID CABINET VASE. Daum goblet-shaped cabinet vase has cameo and enamel decoration with an orchid flower on the front and stems and leaves climbing up the back of the vase, all against a mottled brown shading to yellow background. The stems and leaves are enameled in shades of green and the orchid flower in shades of red and brown. The vase is further decorated with a spider web clinging between the leaves. Signed of the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 4” t. CONDITION: Very good to excellent. 52017-31 (2,500-3,500)

Lot 1616

Lot 1617 Visit www.jamesdjulia.com for more information

1617. DAUM PERFUME WITH SILVER ENAMELED LID. Daum perfume has cameo and enameled snow roses. The leaves and stems are shaded in grey and detailed in gold while the roses are done in shades of pink, all against an acid textured white opalescent background. The hinged silver lid has several rows of gold fleur-de-lis surrounded by bright blue enameling. The bottle retains its original glass stopper with gilt decoration. The bottle, lid and stopper are unmarked. SIZE: 3-1/2” t. CONDITION: There is a small grind mark on bottom edge of glass stopper, otherwise, all very good to excellent. 52018-14 (1,200-1,800)

278

DAUM FUCHSIA CAMEO BOWL. Daum bowl is decorated with a band of cameo fuchsia flowers, stems and leaves against a green shading to mottled red background. The stems and leaves are enameled with gray shading and gilt detail, while the fuchsia flowers are enameled in shades of red. Signed in the polished pontil with etched signature “Daum Nancy” with the Cross of Lorraine. SIZE: 6-1/8” dia. CONDITION: Very good with some minor wear to enameling. 52018-12 (1,000-2,000)

Session 1

1618.

Lot 1618

1619. DAUM CAMEO GLASS VASE. Daum vase has vitrified glass cameo leaves in autumn colors of mottled yellow and orange, set against a frosted background. The bottom of the vase is a band of blue vitrified glass. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 6” t. CONDITION: Very good to excellent. 52018-16 (700-900)

Lot 1619

1620.

TWO PIECES OF ART GLASS. 1) Daum salt has a top band decorated with acid cut intaglio flowers against a clear background with gilt trim. The lower band has acid cut cameo flowers against a frosted background. Signed on the underside in gold “Daum Nancy” with a Cross of Lorraine. 2) Art glass wine has smoky brown colored glass with a light iridescent finish and subtle gilt floral design encircling the bowl. Signed on the underside “Duc. A. S. Caranza”. SIZE: 1) 2” w x 1” t. 2) 7-1/4” t. CONDITION: Both are very good to excellent. 52018-20 (500-700)

Lot 1620 279

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Session 1

1621. LEVERRE FRANCAIS TORTUES TABLE LAMP. Leverre Francais table lamp in the Tortues pattern has stylized cameo glass turtles in mottled orange glass along with a band of cameo honeycombs in green shading to mottled orange. All set against a mottled orange background. The shade rests on a matching base with inverted matching foot and slightly bulging body. The base is complete with forged iron collar and spider. Signed on top of the foot with etched signature “Leverre Francais”. SIZE: Shade 12” dia. Lamp 19-3/4” t. CONDITION: Very good to excellent. No cord. 52018-10 (2,000-3,000)

Lot 1621

1622.

MULLER CAMEO GLASS TABLE LAMP. Muller table lamp has internally decorated glass shade and base with a clear glass exterior with stylized cameo flowers forming a band on the bottom half of the shade with a matching band around the top of the base. Shade is signed on the side in cameo “Muller Fres Luneville”. The base is mounted with an iron collar and 3-arm spider. SIZE: Shade 10-1/2” d. Lamp 21-1/2” t. CONDITION: Very good. Rewired with contemporary plastic cord. Two screws on the iron collar are stripped, so collar will not tighten in place. 51926-3 (5,000-7,000)

Lot 1622 Visit www.jamesdjulia.com for more information

280

G. ARGY-ROUSSEAU FRAMED ROSES VASE. G. Argy-Rousseau pate de verre vase in the Framed Roses pattern has vertical bands of brown, amber and cream roses extending upwards from the foot with a band of roses bordering the lip. All against a mottled amber, cream and orange background. Signed on the side with impressed “G. Argy-Rousseau” and “France” on the underside . Pictured in the book G. Argy-Rousseau, Glassware as Art by J. Bloch-Dermant, pg 188, photo 22.06. SIZE: 8-3/4” t. CONDITION: Very good to excellent. 51962-10 (8,000-10,000)

281

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Session 1

1623.

Session 1

1624. G. ARGY ROUSSEAU PAT DE VERRE BOWL. G. Argy Rousseau pat de verre bowl has purple scroll design, with orange and brown flower buds at the center of each scroll all set against a mottled cream, purple and red background. Signed on the side “G Argy Rousseau” and marked on the underside “France”. SIZE: 4” t. CONDITION: Very good to excellent. 51962-9 (3,000-5,000)

Lot 1624

1625.

G. ARGY ROUSSEAU MASKS VASE. G. Argy Rousseau pate de verre vase is decorated with a green mask face on each side with purple and green grape leaves surrounding each mask, all against a cream colored background. Signed on the side with impressed signature “G. Argy Rousseau”. A similar example is pictured in the book G. Argy-Rousseau Glassware as Art by Janine Bloch-Dermant, in the catalogue raisonné section pg 178, photo 14-06. SIZE: 3-7/8” t. CONDITION: There are some grind marks on the side of the vase partially obliterating the signature, most likely done at the factory, otherwise very good to excellent. 51879-10 (2,000-2,500)

Lot 1625 1626. A. WALTER PATE DE VERRE BIRD. Almeric Walter pat de verre bird paperweight has blue body, green head and frosted beak. The bird rests on a brown pat de verre platform. The paperweight is signed on the platform “A Walter Nancy” along with artist’s initial “B”. SIZE: 4” t. CONDITION: Very good to excellent. 52017-20 (800-1,000)

Lot 1626 Visit www.jamesdjulia.com for more information

282

SCHNEIDER EPINES MOUNTED VASE. Tall version of a Charles Schneider vase from the Epines (Thorns) series has a reticulated wrought-iron armature of thorns encasing a blown glass insert of dark orange with mottled yellow highlights leading to a flared rim. Signed on the lower portion of vase with etched “Schneider”. Similar examples pictured in the books Schneider by E. Mannoni, pg.112 and Charles Schneider by Joulin and Maier, p.297. SIZE: 20” t. CONDITION: Very good to excellent. 52017-38 (2,750-3,250)

Lot 1627 1628.

SCHNEIDER PADDED AND CARVED ORIENTAL POPPY VASE. Schneider vase has triangular padded and wheel-carved Oriental Poppy flower in rich purple against a bright orange background. The flowers, stems and leaves are beautifully detailed and have a strong three-dimensional appearance. Signed near the foot with etched “Schneider”. Similar examples are photographed in the books Charles Schneider by Joulin and Maier, p.287 and Schneider by E. Mannoni, p.105. SIZE: 7-3/4” t. PROVENANCE: From a Cincinnati collection. CONDITION: Very good to excellent. 51924-2 (6,0008,000)

283

Lot 1628 Visit www.jamesdjulia.com for more information

Session 1

1627.

1629.

Session 1 Visit www.jamesdjulia.com for more information

284

SCHNEIDER WHEEL-CARVED POPPY VASE. Well-executed tall vase from Charles Schneider’s Camelia series has applied dark violet inverted saucer foot leading to a clear ribbed and bubbled body, finished with a corolla of bright orange deeply wheel-carved poppies at the top. Signed on top of foot “Schneider” and “France” on the underside. Similar examples pictured in the book Schneider by E. Mannoni, p.106-107. SIZE: 16-3/4” t. CONDITION: Very good to excellent, some tiny inclusions and open bubbles near edge of foot from the making. 52017-36 (7,500-9,500)

Lot 1630

1631. LEVERRE FRANCAIS COPRINS EWER. Leverre Francais ewer is decorated with orange stylized mushrooms surrounding the upper section of the ewer with mottled brown stems leading to an applied mottled amethyst pedestal foot. The mottled brown cameo leaves at the base are further decorated with engraved mushrooms. Ewer is finished with an applied amethyst glass handle. Signed on top of the foot with engraved signature “Leverre Francais France”. SIZE: 9-1/2” t. CONDITION: Very good to excellent. 5201815 (1,000-1,500)

Lot 1631 1632. MULLER SCENIC CAMEO VASE. Muller vase has dark green pine trees as well as craggy deciduous trees framing lake with hazy blue mountains in distance. All against frosted creamy lightly opalescent background. Signed on side in cameo “Muller Freres Luneville”. SIZE: 10-1/2” t. CONDITION: Very good to excellent. 51832-1 (800-1,200)

Lot 1632 1633.

LEGRAS CAMEO AND ENAMEL VASE. Legras vase is nicely decorated with cameo lake shore path scene having enameled foliage set against an acid-textured background of mottled pink and blue. Signed on the side with enameled “Legras”. SIZE: 14-1/2” t. CONDITION: Very good to excellent. 52018-18 (500-700)

Lot 1633 285

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Session 1

1630. LE VERRE FRANCIAS ESCARGOT VASE. Le Verre vase in the Escargot pattern has mottled orange cameo glass snails on the side of tree limbs against an acid textured yellow background. The flaring neck of the vase is finished in mottled brown glass. Signed on the side with inlaid candy cane. SIZE: 9-1/2” t. CONDITION: Very good to excellent. 52017-5 (2,000-3,000)

Session 1

1634. CAMEO GLASS WINTER SCENE VASE. Cameo glass vase has cameo and enameled winter scene decoration with barren trees and snow covered ground set against a yellow shading to orange background. The vase is further decorated with enameled patches of snow clinging to the trees. While the vase is signed on the side in cameo “Daum Nancy”, we do not believe this is actually a Daum piece. We think this is more likely a Lamartine vase from the period. SIZE: 10” t. CONDITION: Very good with some minor pitting around the lip as well as grinding on the lip. This vase was blown from the top as a result the roughness from the pontil had to be ground off. 51879-12 (1,000-1,500)

Lot 1634

1635. LAMARTINE CAMEO AND ENAMELED VASE. Lamartine vase has acid textured pedestal foot. The vase has a slightly flaring body with rounded shoulder and flaring lip. It has cameo decoration of trees and a pathway with picket fence alongside. The cameo decoration is enameled in spring foliage colors with the pathway in light blue, all, against a mottled salmon and cream background. Signed on the side with etched signature “Lamartine”. SIZE: 10-3/4” t. CONDITION: Very good to excellent. 52018-17 (600-900)

Lot 1635 1636. MONT JOYE (ATTRIBUTED) ENAMELED VASE. Large frosted glass vase attributed to Mont Joye has heavily enameled flowers in pink, yellow, orange and purple with gold enameled stems and leaves. All set against an acid textured frosted background. The vase is finished with a lightly gilded lip. Unsigned. SIZE: 13-3/4” t. CONDITION: Very good to excellent with one tiny flea bite to top of foot next to enameled leaf. 51879-4 (800-1,200)

Lot 1636 Visit www.jamesdjulia.com for more information

286

Session 1 287

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Session 1 1637.

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R. LALIQUE SOURCE DE LA FONTAINE “MELITE”. Scarce Rene Lalique fountain statue is a molded clear and frosted glass figure of the Greek mythological figure Melite, daughter of river God Aegaeus and mistress of Hercules, in flowing robes with a fish held in her hands, statue accompanied by a contemporary wooden base. Signed on the base, “R. Lalique France”. SIZE: Statue 22” t, base 4” t. PROVENANCE: From a Paris, France collection. CONDITION: Very good with two small areas of professional restoration and a few minuscule fleabites on back side. 52116-1 (8,000-12,000)

288

R. LALIQUE TOURBILLONS VASE. R. Lalique vase in the Tourbillons pattern has very deeply impressed swirled design with black coloration on the top of each swirl. Vase is signed on the underside with etched script signature “R Lalique France”. SIZE: 8” t. CONDITION: Some very small flakes and wear to edge of black trim, otherwise very good to excellent. 51979-1 (7,000-10,000)

289

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Session 1

1638.

Session 1

1639. LALIQUE CEYLAN VASE. Lalique vase in the Ceylan pattern has opalescent parakeets surrounding the top of the vase against a frosted background with branches and leaves behind the birds. Vase is signed on the underside with engraved block letters “R Lalique No. 905”. SIZE: 9-1/2” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Very good to excellent. 51812-15 (3,500-5,000)

Lot 1639 1640.

R. LALIQUE LIEVRES VASE. R. Lalique vase in the Lievres pattern has a wide band surrounding the shoulder with running rabbits. The vase is further decorated with leafy vines covering the top and bottom of the vase. Patinated in a light brown. Signed on the underside in raised block letters “R. Lalique”. SIZE: 6-1/2” t. CONDITION: Very good to excellent. 52047-1 (1,200-1,800)

Lot 1640

1641. R. LALIQUE HIRONDELLE MASCOT. R. Lalique mascot is in the shape of a bird with wings and tail in the air, done in clear crystal. Signed on the backside “R. Lalique France”. The mascot rests on original silver plated stand. SIZE: 7” t. CONDITION: There is a bruise to the edge of one wing and some minor chipping to the top edge of the tail. 51979-3 (1,200-1,800)

Lot 1641 (w/alternate view) Visit www.jamesdjulia.com for more information

290

THREE R. LALIQUE VASES. 1) R. Lalique vase in the St. Tropez pattern has deeply impressed design of tall branches with berries. The vase is finished in green patination and signed on the underside with etched signature “R. Lalique France”. 2) R. Lalique vase in the Avallon pattern has deeply pressed design of birds resting on vines with leaves and berries surrounding them. Finished in a brown patination and signed on the Lot 1642 underside with engraved signature “R. Lalique France No 986”. 3) R. Lalique vase in the Esterel pattern has a design of delicately impressed leaves with random open areas of branches, all in a frosted opalescent glass. Signed on the underside “R. Lalique”. SIZE: 1) 6-7/8” t. 2) 5-3/4” t. 3) 6-1/4” t. CONDITION: All are very good to excellent. 52047-3 (2,000-3,000)

1643. R. LALIQUE CEYLAN VASE. R. Lalique vase in the Ceylan pattern is decorated with pairs of parakeets facing one another against a background of slender branches and leaves. The branches and leaves have a light blue patination, all in frosted clear glass. Signed on the underside “R. Lalique France”. SIZE: 9-1/2” t. CONDITION: Three very minor flea bites to edge of lip and one minor scratch to top of lip, otherwise very good to excellent. 52047-2 (2,000-3,000)

Lot 1643 1644.

THREE LALIQUE VASES. 1) Lalique vase in the Honfleur pattern has applied handles with a stylized leaf design against the plain vase body. The handles retain original brown patination. Signed on the underside “R. Lalique”. 2) Lalique vase in the Bagatelle pattern has deeply impressed pattern of birds nestled into sprays of foliage. Signed on the underside with impressed block letters “R Lalique”. 3) Lalique vase has bulbous body with dandelions surrounding the vase, all in frosted clear glass. Signed on the underside in block letters “R Lalique”. SIZE: 1) 5-5/8” t. 2) 6-7/8” t. 3) 5-1/2” t. CONDITION: 1) Very good to excellent. 2) Some wear to underside of foot, partially obscuring signature, otherwise very good to excellent. 3) Very good to excellent. 51979-7 (1,000-1,500)

Lot 1644 291

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Session 1

1642.

Session 1 Lot 1645

1646.

1645. SIX R. LALIQUE ITEMS. Lot consists of three small clear glass bowls: one with a Celtic symbol on the side, one with a square panel on the side depicting Olympians and one with stylized flower petals decorating the sides and a stylized flower medallion on bottom with black patination. The lot also includes three small plates one with the Celtic symbol in the center, one with a vertically ribbed rim and young woman’s face in the center with gray patination and one with a double row of beaded trim decorating the rim. Each plate is signed “R. Lalique”. SIZE: Largest Plate: 7-3/4” dia. Largest bowl: 4-5/8” dia. CONDITION: All are very good to excellent. 519799 (500-700)

FIVE R. LALIQUE GLASS ITEMS. Lot consists of: a clear glass bottle with frosted stopper marked on the underside “R. Lalique”, an atomizer bottle with pearled decoration and light blue patination marked “R. Lalique”, frosted glass place card holder with birds and tan patination signed “R. Lalique”, a #2551 ‘Pissenlit’ veilleuse top with frosted floral pattern signed R. Lalique, and a small frosted medallion with head of Louis Pasteur marked on the side “Louis Pasteur 1822-1922” and signed “R.Lalique”. SIZE: Bottle: 5-5/8” t. Place card holder: 1-3/4” t. CONDITION: Bottle has some very minor staining, atomizer is missing the top, nightlight top has some very minor flea bites to fitter, otherwise very good to excellent. 5197910 (1,200-1,800)

Lot 1646 1647.

Lot 1647 Visit www.jamesdjulia.com for more information

292

OT OF R. LALIQUE STEMWARE AND DECANTER. L Lot consists of four wine glasses with square stems impressed with stylized berries and leaves and finished with a brown patination. Three cordial glasses that match the wine glasses. Each piece is signed on the underside “R.Lalique France”. One cordial with a Celtic knot stem signed “R.Lalique France”, another cordial with a beaded stem signed “R.Lalique”. One sherbet with frosted scroll designed stem marked “R.Lalique France” and a square decanter with stopper decorated on the front with a “R. Lalique” signed medallion containing the bust of a woman with halo around her head. Decanter is stamped on the underside “CLOS 5 TE ODILE OBERNAI PIERRE WEINSSENBURGER”. The decanter is finished with a pressed stopper with beaded design. The stopper and the medallion are finished in a yellow patination. SIZE: Smallest liquor glass; 3-1/4” t. Wine glass; 7” t. CONDITION: All are very good to excellent. Decanter has some minor staining to the interior. 51979-8 (800-1,200)

Lot 1648 1649.

R. LALIQUE TILE AND FOUR PERFUMES. Lot consists of a clear glass tile in the Sirens pattern with Sirens swimming along the outside edge of the clear glass tile. The clear tile is mounted to a larger black glass tile to create a frame. Sirens tile is signed near the edge “R. Lalique”. The lot also consists of four blue glass Worth Sans La Nuit. Each bottle is impressed “Worth” on the front and “Sans La Nuit” in the stopper. Each bottle is also signed “R. Lalique” on the underside. SIZE: Clear glass tile: 4-1/2” sq; 6-7/8” sq with the black tile backing. Largest perfume: 4” l to top of stopper; smallest i2-1/4” l to top of stopper. CONDITION: All are very good to excellent. 51979-20 (500-700)

Lot 1649

1650. R LALIQUE FELIX PLATTER. R. Lalique platter in the Felix pattern has stylized leaves decorating the rim of the platter. The leaves are lightly frosted against the clear polished glass background. Signed on the underside with engraved block letters “R. Lalique France No. 3023”. SIZE: 17-1/4” dia. CONDITION: Very good to excellent. 51979-12 (300-500)

Lot 1650 293

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Session 1

1648. THREE LALIQUE GLASS ITEMS. Lot includes: a small bowl with frosted decorated sides and bulls-eye centers, a covered dresser box in frosted glass with three dancing nudes on the lid and a frosted glass figurine entitled “La Madone a L’Enfant”. Each piece is signed “R. Lalique” and the dresser box is also marked on the side “D’Orsay”. SIZE: Figurine: 7-3/8” t. Box: 3-1/2” dia. CONDITION: Frosted bowl has a flake to the top of lip. Dresser box has some very minor flea bites to lip of lid, otherwise very good to excellent. Figurine has a tiny flea bite to top corner of base. 51979-11 (500-700)

Session 1

1651. AMPHORA RISING SUN PORTRAIT VASE. Amphora portrait vase in pyramidal form with flared quatrefoil rim is decorated with portrait theme of Aurora, Goddess of the Sun, in a heavily jeweled headdress facing the rising sun, set against a textured green and blue background, all highlighted with gilded accents. Signed on the underside with red “RStK” logo, with impressed Amphora, Crown, and Austria symbols, along with impressed “3678 60”. SIZE: 6-1/4” t. CONDITION: Very good with some minor crazing under the glaze on face, robe and underside. 51967-7 (4,000-6,000)

Lot 1651

1652.

AMPHORA VEILED LADY PORTRAIT VASE. Amphora bulbous tapered vase is decorated with portrait of a woman in loose fitting hooded robes with elaborate jeweled crown, all with gilded highlights, set against a three-section background of pale blue with purple forest scene on the top section, molten gold iridescent middle section and rich blue shading to green bottom section having burgundy flowers with jeweled centers encircling the vase, each of the sections separated by black and white chevron bands with gilded accents. Signed on the underside with red “RStK” logo and impressed “Amphora 2041”. SIZE: 11-1/2” t. CONDITION: Very good to excellent. 51967-8 (6,000-8,000)

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294

AMPHORA EASTERN DRAGON VASE. Amphora baluster form vase is decorated with a bronze colored ‘wrap-wing’ dragon with gold highlights encircling the vase, set against a mottled background of dark blue shading to cream and brown with an iridescent glaze. Signed on the underside with impressed “IMPERIAL-AMPHORA-TURN” logo, impressed “AMPHORA”, “AUSTRIA”, and crown, as well as impressed”4300 52”. Model is pictured in the book Monsters & Maidens Collector’s Edition by Dr. Byron Vreeland, pgs. 285-291. SIZE: 13-3/4” t. CONDITION: Very good to excellent. 51967-4 (6,000-8,000)

295

Session 1

1653.

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Session 1

1654. AMPHORA MONUMENTAL FLOWER WOMAN VASE. Large Amphora portrait vase is beautifully decorated with art nouveau image of a maiden with sprays of green and blue flowers with gilded accents entwined in her hair, set against a background of green and gold trees and foliage on a cream colored ground having gilded foot and top rim. Signed on the underside with impressed “AMPHORA 628”. SIZE: 17-1/4”t. CONDITION: Very good with minor wear to gilded rim. 51967-9 (12,000-18,000)

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296

Lot 1655

1656.

AMPHORA FIGURAL LEAF LADY STATUE. Amphora figural statue depicts a maiden in blue dress with gold highlights dancing among amber lilies with gold accents, rising from a cloud-like base with another maidens face visible. Signed on the underside with red “Made in Austria” crossed rifles logo and impressed “Amphora 775 3”. Model is pictured in the book Monsters & Maidens Collector’s Edition by Dr. Byron Vreeland, pg.136. SIZE: 20” t x 17-1/4” w. CONDITION: Very good to excellent. 51967-11 (6,000-8,000)

Lot 1656 297

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Session 1

1655. AMPHORA DANCING LADY FIGURAL VIDE POCHE. Amphora statue has a dancing lady among pale green Nasturtium leaves and blossoms with gold highlights. The burnished gold gown of the lady leading to a cream colored tray base. Signed on the underside with lightly impressed “Imperial-Amphora Turn” and crown logos, also with a red “M.” on bottom edge. Model is pictured in the book Monsters & Maidens Collector’s Edition by Dr. Byron Vreeland, pg.135. SIZE: 16-1/2” t. CONDITION: Very good with old professional repair to one hand and edge of tray base. 51967-14 (2,500-3,500)

Session 1 1657. KORSCHANN/LOUCHET MOUNTED VASE. Charles Korschann (1872-1943) massive art nouveau vase of glazed and gilt porcelain has white carving of Venus and Cupid with gilt accents against a green field with a stylized floral gilt design on the reverse, further decorated with stylized gilt bronze applied reticulated handles and pedestal foot by PaulFrancois Louchet (1854-1936). Body of vase signed on reverse “CH. KORSCHANN PARIS”, bronze foot with impressed logo “PARIS LOUCHET CISELEUR” and initials “P L” on underside. SIZE: 26-3/4” t x 15-3/4” w. CONDITION: Very good to excellent. 51967-3 (8,000-12,000)

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298

AMPHORA LOIE FULLER STATUE. Amphora figural statue depicts dancer Loie Fuller in burnished gold dress with swirling glossy olive green fabrics surrounding her, all with gold accents. Signed on the underside with red “RStK” logo, green “622.84.” and impressed “776 AMPHORA 9”. The model is pictured in the book Monsters & Maidens Collector’s Edition by Dr. Byron Vreeland, pg.132. SIZE: 19” t x 16” w. CONDITION: Very good with minor wear to the glaze in one fabric tray. 51967-12 (8,000-12,000)

Session 1

1658.

299

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Session 1

1659. ERNST WAHLISS FIGURAL MIRROR. Whaliss statue of a bathing maiden on a water pedestal with water lily blossoms and lily pads with gilded highlights at the base, giving way to maidens robes. Maiden is finished in burnished green and gold with gilded highlights and is admiring her reflection in a mirror held in place by her robes. Signed on the underside with blue Whaliss crown logo and scribed “4656 237 3” and impressed “Made in Austria 4656 7”. Model is pictured in the book Monsters & Maidens Collector’s Edition by Dr. Byron Vreeland, p447. SIZE: 19” t. CONDITION: Very good with old professional restoration at top hand and on the pedestal base. 51967-13 (4,000-6,000)

Lot 1659

1660. AMPHORA EASTERN WARRIOR PORTRAIT VASE. Amphora vase, also referred to as the Falcon Lady, is decorated with a portrait of a woman in elaborate helmet and falcon headdress with heavily gilded accents, all set against a soft purple, green, blue and gold forest scene on a pale blue background with gilding at foot and rim. Signed on the underside with red “RStK” logo and impressed “633 D AMPHORA”. The model is pictured in the book Monsters & Maidens Collector’s Edition by Dr. Byron Vreeland, p.74. SIZE: 6” t x 8-1/4” w. CONDITION: Very good to excellent. 51967-6 (5,000-7,000)

Lot 1660

1661. ERNST WAHLISS FIGURAL CLOCK. Ernst Wahliss art nouveau themed clock is decorated with figural burnished green and gold Venus reclining among creamy rose blossoms while Cupid rests below at the base. Clock is further decorated with gold blossoms and stems of Violets on the body against a pale green ground. Signed on the underside with blue Ernst Wahliss crown logo and impressed “12 MADE IN AUSTRIA 4788” and inscribed red “4788 273 3”. SIZE: 15-1/2”t. CONDITION: Very good with old professional repair to some flower petals. 51967-10 (4,000-6,000)

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300

Lot 1662 1663.

ART NOUVEAU PORCELAIN FIGURE ATTRIBUTED TO ERNST WAHLISS. Art Nouveau porcelain figure shows a young maiden with flowing hair sitting atop a book, turning a page. The maiden is finished in gold glaze while the book is finished in a light blue glaze with gold trim. Unsigned, but numbered “4463”. SIZE: 5” t x 6-1/4” w. CONDITION: Very good to excellent. 51967-17 (700-900)

1664. TWO ERNST WAHLISS PORCELAIN CHAMBERSTICKS. Lot 1663 Lot consists of two porcelain chambersticks by Ernst Wahliss. Each has an Art Nouveau maiden holding the candlestick. One maiden is in a gold glaze, while the other is in a green glaze. Each stick is finished in a blue glaze with gold and green floral design. One is a separate candlestick, the other has a handle and tray attached. Each is signed on the underside with a crown mark “EW Turn Wien Made in Austria”. SIZE: 5-1/2” t and 6-1/4” t. CONDITION: Both are very good to excellent. 51967-16 (1,000-1,500)

Lot 1664 1665.

AMPHORA FEMME FLEUR FIGURAL VASE. Amphora figural vase with swirled wave pedestal foot is in the form of a reclining maiden holding gilded stems while emerging from green floral buds and salmon colored flower blossoms, all with gilded highlights. Signed on the underside with red “RStK” logo and “799/56” with impressed “737 2 AMPHORA”. The model is pictured in the book Monsters & Maidens Collector’s Edition by Dr. Byron Vreeland, p.151. SIZE: 11” t. CONDITION: Very good to excellent. 51967-5 (1,0001,500)

Lot 1665 301

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Session 1

1662. ERNST WAHLISS FIGURAL INKWELL. Ernst Wahliss inkwell has figure of a young Art Nouveau maiden resting atop a scrolled tray, gazing upon a bird that forms the finial on the cover of the inkwell. The maiden and bird are finished in gold, while the tray and inkwell are finished in blue and green glaze, all trimmed in gold. Signed on the underside with crown mark “EW Turn Wien Made in Austria”. A similar model is illustrated in the book Monsters & Maidens Collector’s Edition by Dr. Byron Vreeland, pg. 460. SIZE: 4-1/4” t x 8-1/2” l. CONDITION: Very good to excellent. 51967-15 (600-900)

Session 1

1666. LOETZ 4-LIGHT CHANDELIER. Loetz chandelier has ceiling cap with an acanthus leaf decoration. The fixture has cast bronze open work decoration supporting each of the curving arms that lead to flower form shade holders. The fixture is finished in bright gold patina. The lamp is completed with four Loetz art glass shades. Each shade has a red iridescent background with gold oil spots and random embedded threading. Unsigned. SIZE: Lamp is 20-1/2â&#x20AC;? from ceiling to bottom of the fixture. CONDITION: Fixture is very good to excellent. Shades have some minor roughness to fitters, all concealed when shades are in place. 5196635 (2,000-3,000)

Lot 1666

1667.

AUSTRIAN CHANDELIER WITH PALME KONIG SHADES. Austrian chandelier has hammered brass band with applied floral decoration at each shade arm and square chunk jewels decorating sections of the band. The band is supported by four arms which rise to a cast ceiling cap. Four arms support shades from around the wide band and a fifth arm hangs in the center to support a fifth shade. Unsigned. The chandelier is complete with five Palme Konig bullet shades, each with a green oil spot decoration at the tip and red threaded decoration forming a pulled feather design descending from the fitter against a frosted lightly iridescent background. Unsigned. SIZE: 44â&#x20AC;? from ceiling to bottom of shade. CONDITION: Four shades have some minor roughness to the fitter rims, otherwise very good to excellent. 51966-34 (3,000-5,000)

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302

Lot 1668 1669.

LOETZ 3-LIGHT CHANDELIER. Loetz chandelier has bronze fixture with flowerform ceiling cap and bronze chain suspending the crown shaped fixture which is finished in a gold patina. There are three curved arms that support the Loetz shades. Each shade has a translucent frosted yellow body with white opalescent decoration. Unsigned. SIZE: 26” ceiling to bottom of shade. CONDITION: Bronze fixture is very good to excellent. Each shade has some flakes on the side of the fitter, otherwise very good. 51966-33 (2,000-3,000)

Lot 1669 303

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Session 1

1668. LOETZ CHANDELIER. Loetz chandelier has a silver over brass adjustable fixture which allows the center globe to be raised and lowered as needed. The fixture supports three Loetz tulip shades with gold iridescent Papillon design. Each shade has a green iridescent chain design encircling the center of the body. The chandelier is completed with a matching art glass globe in the center. Unsigned. SIZE: Chandelier adjusts from 33” to 39” from ceiling to bottom of shade. CONDITION: Very good to excellent. 51966-31 (3,500-5,000)

Session 1

1670. LOETZ SILVER OVERLAY VASE. Loetz vase is decorated in the Cytisus pattern with green iridescent pulled design rising from the foot with light blue and gold iridescent oil spots all against a yellow background. The vase is further decorated with silver iris flowers and stems on front and back. Silver is stamped with the Alvin Silver Company logo and also marked “925/1000 FINE”. SIZE: 5-1/4” t. CONDITION: Very good to excellent. 52018-11 (1,800-2,400)

Lot 1670

1671. AUSTRIAN SILVER OVERLAY DECANTER. Austrian decanter attributed to Loetz has gold iridescent body and is further decorated with silver overlay Art Nouveau floral designs encircling the body of the decanter as well as the stopper. Silver overlay has a monogram on the side of the decanter below the spout. Decanter and stopper are each numbered “23”. Unsigned. SIZE: 10-1/4” t. CONDITION: Stopper has a small flake to the bottom edge and there is a small rub mark to the gold iridescence just below the silver overlay on body of decanter. Some minor staining to interior. 51879-7 (1,000-1,500)

Lot 1671

1672. LOETZ PHANOMEN SILVER OVERLAY VASE. Loetz vase in the Phanomen genre has platinum and blue iridescent wavy bands encircling the orange glass body of the vase. The vase is further decorated with flowing floral Art Nouveau silver overlay design on front and back of the vase and encircling the foot and lip. Unsigned. SIZE: 10” t. CONDITION: There is a small flea bite to the side of the vase as well as some minor scratches to the iridescence, otherwise very good. 518793 (1,500-2,500)

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304

Lot 1673

1674.

LOETZ TABLE LAMP. Loetz table lamp has blown glass shade with dimpled sides. Shade is decorated with random gold iridescent threading against a blue iridescent background. Unsigned. The shade rests on a glass and bronze or brass base with metal stepped foot and glass shaft. The shaft is decorated in blue iridescent Papillion pattern. Base is finished with a 4-socket cluster and metal shade ring. Unsigned. SIZE: Shade 13” dia x 12” fitter. Lamp 28-1/2” t. CONDITION: Very good to excellent with some very minor dents to metal foot on base. 51966-38 (5,000-10,000)

Lot 1674 305

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Session 1

1673. LOETZ/GURSCHNER TABLE LAMP. Table lamp has Loetz art glass shade which is decorated with blue iridescent random swirling lines as well as platinum iridescent oil spots all against an orange iridescent background. The shade rests on a bronze decorative base by Gurschner. The base has a platform foot with four pillars rising to support a circular ring from which a center stem rises to a 2-socket cluster. The base is finished in a rich brown patina. Base signed “GURSCHNER 523/104”. SIZE: Shade 12” dia. Lamp 16-1/2” t. CONDITION: Shade and base are very good to excellent. Rewired with appropriate cloth cord. Cord has a European plug and the lamp is accompanied by a contemporary universal electrical adapter. 51888-2 (6,000-8,000)

1675.

Session 1

LOETZ HANGING LANTERN. Loetz hanging lantern has large glass shade with random spots of green, red and white against an amber background. The exterior of the shade is finished in a crackled texture. The shade is housed in a bronze fixture with stepped ceiling cap, heavy bronze chain and crown shaped shade holder with cast bellflower design. The fixture is finished in a bright gold patina. Unsigned. SIZE: Shade; 12” l. Lamp is approximately 40” from ceiling to bottom of shade. CONDITION: Very good to excellent with some very minor discoloration to patina. 51966-37 (1,500-2,500)

Lot 1675 1676.

LOETZ/GURSCHNER TABLE LAMP. Austrian table lamp has Loetz shade with blue iridescent pulled feather design descending from the fitter with a gold iridescent zipper design surrounding the shade. All against a lightly iridescent clambroth background. Unsigned. The shade rests on a bronze and glass base with bronze decorated foot and glass body with cream colored swirled decoration within a dark navy blue background. The base is finished with a bronze collar and shade holder. Base is signed on edge of foot “Gurschner Depose”. SIZE: Shade 7” dia. Lamp 19-3/4” t. CONDITION: Shade has a few very minor flea bites to fitter rim. Otherwise very good to excellent. Base is very good to excellent. 51966-39 (3,000-5,000)

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306

Lot 1676

THREE AUSTRIAN ART GLASS VASES. 1) Loetz vase in Diaspora decor has platinum iridescent decoration which leaves open bubble effect showing through to pink glass background. Vase has pinched neck and ruffled, rolled rim. Unsigned. 2) Large Loetz snake vase has bulbous body and long slightly flaring neck with pinched rim. Vase is decorated with applied green glass snake encircling body and neck of vase. Finished in rich gold iridescence with strong blue, green and pink highlights. Unsigned. 3) Large Rindskopf vase has light vertical ribbing on body of vase. Vase shades from light green to purple at ruffled rim. Vase is further decorated with very subtle lightly iridescent oil spot design. Unsigned. SIZE: 1) 10-3/4” t. 2) 11-5/8” t. 3) 13” t. CONDITION: 1) Very good to excellent. 2) Snake is missing approximately 2” at end of tail. 3) Very good to excellent. 51835-1, 51835-2, 51835-10 (1,000-1,500)

Session 1

1677.

Lot 1677

1678. PAIR OF AUSTRIAN ART GLASS VASES. Pair of art glass vases have gold iridescent oil spot decoration encircling the bottom of the vase against a slightly iridescent clam broth background. Each vase is housed within a cast metal Art Nouveau frame with stylized flower form handles. The cast metal is finished in a bronze tone. Unsigned. SIZE: 101/4” t. CONDITION: One cast metal frame has a break near one handle, otherwise very good. 5108826 (600-900)

Lot 1678

1679.

LOETZ SILVER OVERLAY VASE. Loetz vase is decorated in a blue iridescent Papillon pattern and is further decorated with silver overlay of water lilies and lily pads. The blue iridescent pattern is done on top of ruby red glass. Unsigned. SIZE: 7-1/2” t. CONDITION: Very good to excellent. 52017-2 (1,000-1,500)

Lot 1679 307

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Session 1

1680. KPM PORCELAIN PLAQUE. KPM porcelain plaque depicts young woman with blond hair and blouse draping off her shoulder with a blue throw wrapped around. The oval plaque is housed in a gilt frame with scroll design on the rim and beaded trim around the oval opening. Plaque is signed on the backside with impressed scepter mark “K.P.M.”. The plaque also retains an original handwritten paper label. SIZE: Plaque: 7-1/2” w x 5-3/4” t. Overall frame: 121/4” w x 14” t. CONDITION: Plaque is very good to excellent. Frame has some missing beaded trim and has cracks in corners. 51979-4 (1,000-2,000)

Lot 1680 1681.

VAL ST LAMBERT LIQUOR SET. Set consists of 45 pieces of Val St Lambert stemware including 10 goblets, 12 sherbets, 10 wine glasses, 12 cordials and one decanter with stopper. Each piece has a center panel with gilt classical figures against an etched background. Each stem has a blue lip and blue cut to clear faceting on bottom of the bowls, along with a faceted stem. SIZE: Goblets 6-3/4” t. Sherbets 5” t. Wine; 5-1/4” t. Cordials 4-1/4” t. CONDITION: One sherbet has a microscopic flea bite to the rim, otherwise all are very good to excellent. 51974-3 (2,000-3,000)

1682.

ACCARAT ART GLASS SNAKE VASE. Baccarat art glass vase has free form B foot resting in the original bronze stand. Decorated with a colorful enameled beetle and snake coiled around the neck of the stick vase. The glass has bright opalescence and its cameo stems and leaves are highlighted in gold. The slanted top simulates a bamboo shaft. Signed on the underside “Baccarat”. SIZE: 8-3/4” t. CONDITION: Very good to excellent. 51924-3 (1,500-2,500)

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Lot 1681

308

Lot 1683

1683A. FIGURAL BRONZE SCULPTURE AFTER H. FUGERE. Bronze sculpture after Henri Fugere (18721942) entitled Triomphe du Genie (Triumph of Genius) depicts a seminude classical male scholar with book in-hand standing over an urn of flowing water, mounted on a marble base. Marked with cast “TRIOMPHE du GENIE” on the front and signed with inscribed “H. Fugere” on side. SIZE: 16-1/2” t. CONDITION: Very good to excellent. 51979-19 (1,200-1,800)

Lot 1683A

1684. BRONZE LEO LAPORTE-BLAIRSY FIGURAL LAMP. Bronze figural lamp depicts a woman in long flowing gown and large hat with scarf holding a ribbed glass shell. The glass shell houses a single socket. The bronze figure is finished in a rich brown patina and is signed on the foot “Leo LaPorte-Blairsy”. SIZE: 15” t. CONDITION: Very good to excellent. Lamp is rewired with appropriate cloth cord. 51928-1 (4,000-6,000)

Lot 1684 309

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Session 1

1683. BOUVAL BRONZE SCULPTURE. Bronze sculpture depicts a woman holding box to her chest. She is wearing a long scarf that hangs to the ground. The sculpture is mounted on a stepped pedestal and is finished in a rich brown patina. Signed on side of foot “M Bouval” and also stamped on back of foot “101CA”. SIZE: 14-3/4” t. CONDITION: Very good to excellent. 51967-2 (2,500-3,500)

Session 1 1685.

HANDEL REVERSE PAINTED UNDERWATER LAMP. Handel reverse painted shade has underwater scene with fish swimming through aquatic vegetation against a shaded green background. Shade is signed on the interior “Handel 6393”. The exterior of the shade is finished in chipped ice. The shade rests on an original Handel mermaid base with brown finish, 3-socket cluster and fleur-de-lis heat cap. Base is signed on the underside with applied cloth tag “Handel”. SIZE: Shade 15-1/4” dia. Lamp 21-3/4” t. CONDITION: Shade is very good to excellent and base is very good to excellent. 52005-1 (30,000-40,000)

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310

Lot 1686 1687.

JEFFERSON REVERSE PAINTED POPPY TABLE LAMP. Jefferson table lamp has reverse painted dome shade with bright orange poppies and green foliage surrounding the body of the shade. Dragonflies and bumblebees hover above the poppies against a pastel yellow sky. Shade is marked on the metal aperture ring “Jefferson”. The shade rests on an original Jefferson base with textured bulbous body, with green finish and gold highlights. Lamp is illuminated by a 2-socket cluster. Unsigned. SIZE: Shade 18” dia. Lamp 22” t. CONDITION: Shade is very good to excellent. Base is very good with some minor wear to finish. 52005-5 (4,000-6,000)

Lot 1687

1688. MOE BRIDGES REVERSE PAINTED TABLE LAMP. Moe Bridges table lamp has reverse painted shade with a scenic view of a stream, meadows, and trees with spring foliage, all against a partly cloudy sky. The shade rests on a bronze base with incised decoration, 2-socket cluster, and original cap. Base is impressed on underside “M Bridges” with a section of the signature missing. SIZE: Shade 15” dia. Lamp 20-1/2” t. CONDITION: Shade is very good to excellent. Base is very good to excellent. 51985-2 (2,000-3,000)

Lot 1688 311

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Session 1

1686. HANDEL REVERSE PAINTED SCENIC TABLE LAMP. Handel table lamp has reverse painted shade with scenic view of forested areas and meadows with a full moon showing through the trees. The exterior of shade is finished in chipped ice. Signed on interior “Handel 5664 US Patent No. 979886”. Shade rests on an original Handel base decorated in a tree motif on foot and shaft. Base has 3-socket cluster and crescent cut-out heat cap. Signed on underside in impressed block letters “HANDEL”. SIZE: Shade 18” dia. Lamp 24” t. CONDITION: There are some very minor flea bites to bottom edge of shade and a small indentation to bottom edge of shade from the making. Base is very good with some minor wear and blistering to finish. 51985-1 (4,000-6,000)

Session 1

1689. HANDEL REVERSE PAINTED PEACOCK LAMP. Handel reverse painted lamp has dome shade with reverse painted peacocks with orange tail feathers and blue bodies on either side of a stylized floral display. The shade is further painted with blue stylized flowers all against a yellow background. Shade is signed on the interior “Handel 7088” and artist signed “Palme”. The shade rests on an original Handel base with floral design impressed around the foot, three legs with a acanthus leaf feet, a 3-socket cluster and fleur-de-lis heat cap. Base is finished in rich brown. Signed on the underside with applied cloth tag “Handel”. SIZE: Shade 17-7/8” dia. Lamp 24” t. CONDITION: Shade is very good to excellent. Base is very good with some minor wear to finish. Rewired with contemporary plastic cord. 52005-6 (4,0006,000)

Lot 1689

1690.

HANDEL MOONLIGHT NAUTICAL TABLE LAMP. Handel table lamp has reverse painted shade with ships at sail illuminated by a full moon against an orange and brown background. Exterior of shade has acid textured finish. Signed on the metal aperture ring “Handel Lamps” and on lower inside edge of shade “7112 A”. Shade rests on an original Handel base with large stylized leaves decorating the body of the base with a vertically ribbed riser leading to three socket cluster and square pierced heat cap with rich brown finish having green highlights. Signed on underside with impressed block letters “Handel”. SIZE: Shade 18” dia. Lamp 25-1/2” t. CONDITION: Shade is very good to excellent with some minor oxidation to interior rim. Base is very good with some minor wear and discoloration to finish as well as some minor blistering. One socket appears to be an old replacement. Re-wired with contemporary plastic cord. 51088-4 (5,000-7,000)

Lot 1690 Visit www.jamesdjulia.com for more information

312

Session 1 1691.

HANDEL UNDERWATER TABLE LAMP. Handel table lamp has reverse painted shade with a scene of fish swimming among aquatic vegetation, all against a shaded blue, yellow and orange background. The 6-sided domical molded shade is decorated on the exterior with a chipped ice type finish resembling coral. Signed on the inside rim “Handel 6807”. Shade rests on an original Handel base with a subtle oriental-style floral design encircling the body of the base with a vertically ribbed riser leading to a three socket cluster and fleur-de-lis heat cap. Base has a rich brown finish with subtle green highlights. Signed on the underside with applied cloth tag “Handel Lamps”. SIZE: Shade 15-3/4” at widest. Lamp 23” t. CONDITION: Shade is very good to excellent. Base is very good with some minor wear and discoloration as well as some very minor blistering. Re-wired with contemporary plastic cord. 51088-6 (15,000-20,000)

313

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Session 1 1692.

PAIRPOINT PUFFY POPPY TABLE LAMP. Pairpoint table lamp has puffy shade with orange and red poppies along with green, blue and yellow leaves. Marked on the side of the fitter in gold “PAT. APPLIED FOR”. The puffy shade rests on a Pairpoint tree trunk base with brown finish and green highlights. Base is marked on the underside with Pairpoint logo “3091”. SIZE: Shade: 14” d with a 12” fitter. Lamp: 20” t. CONDITION: Shade has some minor little nicks to inside fitter rim, most appear to be from the making and there is one small filled chip on inside fitter rim. Base is very good to excellent with some very minor wear to finish. 52005-2 (12,000-18,000)

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314

Lot 1693

1694.

PAIRPOINT PUFFY MINIATURE BOUDOIR LAMP. Pairpoint miniature boudoir lamp has puffy shade with pink and yellow flowers at each corner with shaded green, amber and blue leaves, all against a dark green background. Unsigned. Shade rests on a miniature Pairpoint tree trunk base with 4-arm spider. The base has a rich brown finish over copper and is signed on the underside “Pairpoint” along with the Pairpoint logo and “B3079”. SIZE: Shade: 6-1/2” dia. at the widest. Lamp: 10-1/2” t. CONDITION: Very good to excellent. 52005-11 (3,000-5,000)

Lot 1694 315

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Session 1

1693. HANDEL REVERSE AND OBVERSE PAINTED SCENIC TABLE LAMP. Handel table lamp has dome shade which is reverse painted with shadowy trees, cream colored clouds and green foliage. The shade is further decorated on the obverse with tall trees with lush green foliage. The exterior is also finished in chipped ice. Signed on inside rim “Handel” and what appears to be “6209.R”. Shade rests on a Handel base with four stylized leaves decorating the sides. The vertically ribbed riser supports a 3-socket cluster and fleur-de-lis cap. The base is finished in rich brown with green highlights. Signed on the underside with impressed block letters “Handel”. SIZE: Shade: 18-1/2” dia. Lamp: 25” t. CONDITION: Shade and base are both very good to excellent. Base is rewired with appropriate cloth cord. Shade has a few minuscule flea bites to bottom rim. 52005-8 (7,000-9,000)

Session 1

1695. HANDEL PARROT HANGING LAMP. Handel hanger has globe shade with obverse painted dark blue parrot perched on a branch with orange, brown and green leaves surrounding. All set against a gold iridescent chipped ice background. The globe is housed in a Handel hanging fixture with ceiling cap and single chain link connecting the cap to the top of the fixture, finished with a cast metal tassel at the bottom. Signed on the inside bottom rim of globe “Handel 6996 TF”. SIZE: Globe 10” t. Hardware is approximately 26” from ceiling to bottom of tassel. CONDITION: Very good to excellent, with polished hardware. 52005-9 (1,500-2,500)

Lot 1695 1696.

HANDEL BIRDS IN FLIGHT HANGING LAMP. Handel hanging lamp has round globe with obverse painted trees framing open areas of the globe with birds flying between the trees, all against an amber glass chipped ice background gold light iridescence. The globe is suspended in its original Handel frame with fleur-de-lis cap and cast metal tassel hanging from the bottom. The metal fixture is finished in a rich brown patina. Signed on the inside top rim of globe “Handel 6885”. SIZE: Globe 10” t. Lamp is approximately 32” from ceiling to bottom of tassel. CONDITION: Very good to excellent with some minor discoloration to patina. 52005-10 (1,600-2,000)

Lot 1696 Visit www.jamesdjulia.com for more information

316

Session 1 1697.

PAIRPOINT PUFFY GRAPE TABLE LAMP. Pairpoint Puffy table lamp has blown out shade with clusters of red grapes set against green, yellow, and orange grape leaves. Signed on side of fitter “The Pairpoint Corp.” The shade rests on its original Pairpoint base with grape leaves and vines surrounding the foot and grape clusters hanging from the vine shaft. The base is complete with 2-socket cluster and shade ring. Finished in rich gold. Unsigned. SIZE: Shade 15” dia x 12” fitter. Lamp 19” t. CONDITION: Shade has one small fleabite to inside rim and one small flake that appears to be from the making and is finished over the top of the flake. Otherwise very good to excellent. Base is very good to excellent with some minor wear and discoloration to finish. Rewired with contemporary plastic cord. 52005-3 (9,000-12,000)

317

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Session 1

1698. PAIRPOINT REVERSE PAINTED ROSE TABLE LAMP. Pairpoint table lamp has Venice shade with reverse painted alternating panels of red roses and rosebuds against a pastel yellow background. Shade is signed on outside edge in gold “The Pairpoint Corp.”. Shade rests on an original Pairpoint base with four applied stylized leaf feet which support a round platform. A cast metal cluster of flowers decorates the bottom of the shaft which leads to a 2-socket cluster and 4-arm spider. The base is finished in gold with the feet and cast flowers finished in silver. Signed on the underside “Pairpoint Mfg” along with the Pairpoint logo “3093 1/2”. SIZE: Shade 13” dia. Lamp 20” t. CONDITION: There is some very minor roughness to inside lip on shade. Otherwise very good to excellent. Base is very good to excellent with some minor wear and discoloration to finish. Rewired with contemporary plastic cord. 52005-7 (1,500-2,500)

Lot 1698

1699.

PAIRPOINT PUFFY GLADIOLI TABLE LAMP. Pairpoint table lamp has Stratford shade with puffy gladioli flowers in orange, yellow, purple and blue ascending from the bottom rim against a salmon shading to yellow vertically ribbed background. Unsigned. Shade rests on an original Pairpoint base with acanthus leaf decoration surrounding the foot and base of vertically ribbed stem which leads to a two socket cluster and original cap. Signed on the underside “Pairpoint” along with the Pairpoint logo and “E3056”. SIZE: Shade 14” dia. Lamp 21-1/2” t. CONDITION: Shade is very good to excellent. Base is very good with some wear and discoloration to gold finish. Sockets are replaced. Re-wired with contemporary plastic cord. 51879-2 (2,500-3,500)

Lot 1699 Visit www.jamesdjulia.com for more information

318

AIRPOINT WINDMILL TABLE LAMP. P Pairpoint table lamp has dome shaped blown glass shade with reverse painted decoration of windmills with cows in the foreground and trees surrounding against a shaded purple sky. Signed on the inside lip “The Pairpoint Corp’n” as well as artist signed “A. Schulz”. Shade rests on original Pairpoint base with turned wooden foot and opaque glass body with obverse painted windmills and trees against an opaque cream colored glass background with shaded purple sky. Base is finished with a three socket cluster and original Pairpoint cap. Unsigned. SIZE: Shade 17-3/4” dia. Lamp 26” t. CONDITION: Shade is very good to excellent. Base is very good to excellent with replaced sockets. Re-wired with contemporary plastic cord. 51879-13 (2,500-3,500)

Lot 1700 1701.

PAIRPOINT REVERSE PAINTED SEA GULL TABLE LAMP. Pairpoint table lamp has large Copely shade with reverse painted decoration of sea gulls flying above a choppy ocean. Sea gulls are done in black, white and gray while the ocean is depicted in shades of green, purple, cream and black. The shade is signed on the interior in gold “The Pairpoint Corp’n”. Shade is also signed by the artist “R Fisher”. Shade rests on a matching obverse painted Pairpoint glass base. Unsigned. The base has a 3-socket cluster and original wooden foot. SIZE: Shade 20” dia. Lamp 25-1/2” t. CONDITION: Shade is very good to excellent. There is an old shell-shaped flake on the inside of the shade at the aperture. This appears to be from the making as the reverse painting extends over the top of the flake. Base is very good to excellent. 52022-5 (3,000-4,000)

Lot 1701 319

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Session 1

1700.

Session 1 1702.

DUFFNER & KIMBERLY WATER HYACINTH TABLE LAMP. Duffner & Kimberly table lamp has a band of water hyacinth flowers and leaves surrounding the bottom of the shade and creating an irregular border. Water hyacinths are done in pastel yellow, orange and green glass with highly textured blue glass in the background depicting water. The hyacinth band is set against a striated green geometric background. Unsigned. The shade rests of a Duffner & Kimberly bronze base with stylized floral design adorning the round platform foot and stem. Base has a 3-socket cluster and original heat cap with heart cutouts. Base is finished in a dark brown patina. Unsigned. SIZE: Shade 20â&#x20AC;? dia. Lamp 24-3/4â&#x20AC;? t. CONDITION: Shade is very good to excellent with a few tight hairlines. Base is very good to excellent with some minor wear to patina. 52022-1 (10,000-15,000)

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320

DUFFNER & KIMBERLY LEADED CHANDELIER. Duffner & Kimberly chandelier has cone-shaped shade with red iris flowers and green, brown and blue striated leaves, all against a border background of pastel yellow. The border is set against a striated green background and the lamp is finished with small yellow flowers around the aperture ring. The lamp is complete with a cast bronze floral cap, bronze chain and ceiling cap, as well as a 4-socket cluster. The bronze is finished in a rich brown patina. Shade sighed with applied “Duffner & Kimberly Co. New York” tag. SIZE: Shade: 28-1/4” dia. CONDITION: Very good to excellent with very few tight hairlines, no missing glass. 51966-41 (8,000-12,000)

Session 1

1703.

Lot 1703 (w/close-up)

1704. D UFFNER & KIMBERLY WATER LILY TABLE LAMP. Duffner & Kimberly table lamp has leaded glass shade with a band of mottled white and green water lilies surrounding the edge against a honeycomb pattern background of striated green and white glass. Unsigned. Shade rests on a Duffner & Kimberly bronze base with water lily decoration, 3-socket cluster and fleur-de-lis heat cap. The base is finished in a rich brown patina with green highlights. Unsigned. SIZE: Shade 21-3/4” dia. Lamp 223/4” t. CONDITION: Shade is very good to excellent with very few if any tight hairlines. Base is very good to excellent. Rewired with appropriate cloth cord. 52015-5 (7,5008,500)

Lot 1704 321

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Session 1

1705. DUFFNER & KIMBERLY NASTURTIUM BORDER TABLE LAMP. Duffner & Kimberly table lamp has leaded glass shade with nasturtium border. The nasturtium flowers are done in striated red, orange, yellow, and pink glass with green striated leaves. The conical top of the shade has green and cream striated oval panels with green, peach, and cream striated granite glass borders. Unsigned. Shade rests on a Duffner & Kimberly bronze base with brown patina and strong green highlights. The base has a 3-socket cluster and original cap with heart cut-outs. Unsigned. SIZE: Shade 18” dia. Lamp 22-1/2” t. CONDITION: Shade is very good to excellent with a few tight hairlines. Base is very good to excellent with some very minor wear and discoloration to patina. Rewired with appropriate cloth cord. 52022-2 (6,0008,000)

Lot 1705

1706.

DUFFNER & KIMBERLY LEADED GLASS TABLE LAMP. Duffner & Kimberly table lamp has leaded glass shade with stylized shell design and striated brown, amber, cream and yellow glass. Unsigned. The shade rests on a bronze Duffner & Kimberly base with heavily ribbed foot and shaft, leading to a 3-socket cluster. Lamp is complete with a heart cut-out cap and is finished in a rich brown patina. Unsigned. SIZE: Shade 19” dia. Lamp 223/4” t. CONDITION: Shade is very good to excellent with a few tight hairlines. Base is very good to excellent with some very minor wear and discoloration to patina. Rewired with appropriate cloth cord. 52022-4 (4,5005,500)

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322

DUFFNER & KIMBERLY WATER LILY TABLE LAMP. Duffner & Kimberly table lamp has leaded glass shade with pink and cream water lilies and green lily pads set against a background of vertical amber and green striated panels. Unsigned. Shade rests on on a Duffner & Kimberly bronze base with thistle design decorating the foot and shaft. The base has a 4-socket cluster and fleur-delis cap. It is finished in a rich brown patina with subtle green highlights. Shade is pictured in the book “Mosaic Shades Vol.II by Paul Crist,pg. 215. Both shade and base are pictured on this page in separate photographs. SIZE: Shade 18” dia. Lamp 24-1/2” t. CONDITION: Shade is very good to excellent with very few tight hairlines, no missing glass. Base is very good to excellent. Rewired with appropriate cloth cord. 51926-2 (4,000-6,000)

Lot 1707 1708.

WILKINSON LEADED GLASS TABLE LAMP. Wilkinson table lamp has leaded glass shade with pink, red, and yellow flowers along with green striated stems and leaves surround the body of the shade, all set against a striated white glass background. The shade is further decorated with a vertical band of amber glass panels radiating from the aperture ring, as well as a band of amber glass bent panels at the rim. Unsigned. Shade rests on an original Wilkinson bronze base with 3-light cluster and original Wilkinson locking cap. Base is finished in rich brown patina and is signed on the underside “Wilkinson Co Brooklyn NY”. SIZE: Shade 211/2” dia. Lamp 28-1/2” t. CONDITION: Shade is very good to excellent with a few tight hairlines, no missing glass. Base is very good with some wear and discoloration to patina on foot. Rewired with contemporary plastic cord. 52006-1 (3,000-5,000)

Lot 1708 323

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Session 1

1707.

Session 1 1709.

SUESS BRONZE GRAPEVINE LAMP BASE. Large Suess bronze lamp base has cast grape leaves, vines and clusters surrounding the foot as well as the entire shaft. The base is completed with a 6-socket cluster. Each socket with acorn pulls. The base is finished in rich bronze patina with heavy green highlights. Unsigned. SIZE: 26-3/4â&#x20AC;? t. CONDITION: Very good to excellent. Cloth cord is beginning to fray. 51926-1 (6,000-8,000)

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324

Lot 1710 1711.

HANDEL LEADED ROSE TABLE LAMP. Handel leaded glass table lamp. Handel table lamp has leaded glass shade with eight panels, each with a stylized red rose border with green leaves against a caramel slag background. The shade is signed on the interior with applied tag “Handel”. It rests on a Handel base with triangular foot and three legs supporting the stem which rises to a 4-socket cluster. The base is topped with an openwork fleur-de-lis cap. Finished in dark brown, unsigned. SIZE: Shade 24” dia. Lamp 25-3/4”. CONDITION: One caramel slag panel has a tight hairline in one corner, otherwise very good to excellent. Base is very good to excellent with some minor wear and discoloration to finish. 52015-3 (6,0008,000)

Lot 1711 325

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Session 1

1710. HANDEL ROSE BORDER TABLE LAMP. Handel table lamp has leaded glass shade with a narrow skirt of red roses and green leaves. Rosebuds and leaves extend onto the cone-shaped top of shade against a background of striated green glass. Unsigned. Shade rests on a Handel metal base with triangular shaped foot and three curving legs supporting the vertically ribbed riser and 3-socket cluster. The base is complete with an openwork fleur-de-lis cap and is finished in a rich brown patina with subtle green highlights. Signed on the underside “Handel”. SIZE: Shade 191/2” dia. Lamp 24-3/4” t. CONDITION: Shade has several tight hairlines in the rose border and several tight hairlines in the large green background panels. Base is very good with some blistering to finish. Rewired with appropriate cloth cord. 52022-9 (2,750-3,500)

Session 1

1712. W HALEY (ATTRIBUTED) LEADED GLASS TABLE LAMP. Table lamp has leaded glass shade attributed to Whaley with a border panel of flowing vines and leaves. The green leaves are set against a cream colored background and bordered at top and bottom by green geometric bands. The top of the shade has stylized leaves in green striated glass with small amber triangles at the tip of each leaf. Unsigned. Shade rests on a period metal base with stylized leaf decoration and 2-socket cluster. The base is finished in a light gold. Unsigned. SIZE: Shade 20” dia. Lamp 25-1/2” t. CONDITION: Shade is very good to excellent. Base is very good with some wear to finish. 52035-1 (1,000-2,000)

Lot 1712 1713.

LEADED GLASS NAUTICAL TABLE LAMP. Leaded glass table lamp attributed to Riviere has six leaded glass panels in red, green, yellow and amber glass. Each panel has a center bronze figure including an anchor, jumping Marlin and a mermaid. The shade rests on a metal base with round platform foot and six cast dolphins supporting the ribbed stem. Base is complete with 2-socket cluster and is finished in gold. Lot 1713 Base and shade are unsigned. SIZE: Shade 18” dia. Lamp 25” t. CONDITION: Shade is very good to excellent. Base is very good with wear to finish. Rewired with appropriate cloth cord. 52022-7 (2,000-3,000)

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1714. W ILKINSON FLORAL BORDER TABLE LAMP. Wilkinson table lamp has leaded glass shade with floral band surrounding the bottom of the shade with pink and red opalescent striated flower petals along with green leaves, all against a striated amber geometric background. The shade is further decorated by a band of red diamond panels near the aperture. Unsigned. Shade rests on an original Wilkinson base with stylized flower and acanthus leaf decoration. The base is complete with 3-socket cluster and original Wilkinson locking cap. Base is finished in a brown patina with strong green highlights. Marked on the underside “523”. SIZE: Shade 18-1/2” dia. Lamp 24” t. CONDITION: Shade is very good to excellent with a few tight hairlines. Base is very good to excellent. Rewired with appropriate cloth cord. 52022-8 (1,5002,500) 326

Lot 1715

1716.

AMERICAN LEADED GLASS HANGING LAMP. American leaded glass hanger has leaded floral border with pink flowers and striated green glass leaves surrounding the irregular border, set against a caramel slag background. A green slag geometric band encircles the shoulder of the shade giving way to the geometric caramel slag background. Fixture is complete with original metal hardware finished in rich brown. Unsigned. SIZE: Shade 18” dia. 36” from ceiling to bottom of shade. CONDITION: Very good to excellent. 52044-1 (600-900)

Lot 1716

1717. GORHAM LEADED HANGING LAMP. Gorham leaded glass hanging lamp has a band of red flowers with green stems and leaves creating an irregular border, all set against a green and cream striated geometric background. The lamp is complete with a 6-socket dome cluster, as well as mounting cap, chain and ceiling cap. Unsigned. SIZE: 24” dia. CONDITION: Condition is good. There are a few tight hairlines, plus three panels have spider cracks. One panel is loose from the leading on one edge. There are several old solder repairs to leading. 51889-1 (600-900)

Lot 1717 327

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Session 1

1715. ROYAL ART GLASS CO. LEADED CHANDELIER. Leaded glass chandelier by Royal Art Glass Co. has stylized red flowers at the end of long curving stems, all set against a geometric caramel slag background. Each panel is separated by red and green stylized fleur-de-lis design against caramel slag background. The shade is suspended from a 4-arm bracket with center pipe supporting the 3-socket cluster. Shade is complete with chain and ceiling cap. Unsigned. A photograph of a similar example is illustrated on page 273 in the book Mosaic Shades Volume II by Paul Crist. The photograph is that of a display at the New York Home Furnishing Show in 1912. SIZE: 24” dia. CONDITION: Very good with some corrosion to solder where crown attaches to shade, some tight hairlines, no missing glass. 51975-4 (2,000-2,500)

Session 1 1718.

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AMERICAN LEADED GLASS FLOOR LAMP ATTRIBUTED TO DUFFNER & KIMBERLY. Leaded glass floor lamp attributed to Duffner & Kimberly has large domed shade with pink and blue iris flowers with green striated leaves. All set against an amber and green striated background. Unsigned. Shade rests on an elaborate floor base with three cast metal seashell feet with three cast dolphins supporting the stem having cast acanthus leaves adorning the bottom center and top of the vertically ribbed stem. The stem supports a six socket cluster and cast openwork heat cap, all finished in a brown patina with heavy green highlights. Unsigned. SIZE: Shade 24â&#x20AC;? dia. Lamp 66-3/4â&#x20AC;? t. CONDITION: Shade is very good to excellent with tight hairlines and no missing glass, leading has some minor oxidation. Base is very good with some minor wear and discoloration to patina. 52015-2 (5,000-7,000)

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Lot 1719

1720. BIGELOW & KENNARD LEADED TABLE LAMP. Bigelow & Kennard table lamp has leaded glass shade with a single band of red roses and green leaves surrounding the shade against a striated white geometric background. Signed on interior rim “Bigelow & Kennard Boston”. Shade rests on a bronze base with round stepped platform foot and stylized floral shaft. The base is complete with 4-arm spider and 3-socket cluster. The sockets accommodate chandelier bulbs. Base is finished in a mottled green patina. Unsigned. SIZE: Shade 121/4” dia. Lamp 18-1/2” t. CONDITION: Shade is very good with approximately twenty-five tight hairlines. Base is very good to excellent. Rewired with appropriate cloth cord. 52035-6 (1,200-1,800)

Lot 1720

1721. LEADED GLASS TABLE LAMP. Table lamp has leaded glass shade attributed to Unique Art Glass & Metal Company. The shade has an irregular border made up of stylized red and pink flowers with green leaves, all against a striated green, brown, and amber geometric background. The shade has an unusual ring mounted to the interior, which allows it to set within a shade ring on the base without being seen. Unsigned. The shade rests on a metal base with floral design surrounding the platform foot. Base is complete with shade ring and single socket. Unsigned. SIZE: Shade: 15-3/4” dia. Lamp: 20-1/2” t. CONDITION: Shade has some solder repair and corrosion to the leading. There are some tight hairlines in the shade. One support arm of the ring on interior of the shade has come unsoldered. Other arms have been resoldered. Base is very good to excellent. Rewired with contemporary plastic cord. 52035-3 (900-1,200)

Lot 1721 1722.

GORHAM LEADED TABLE LAMP. Gorham table lamp has leaded glass shade with striated green and white glass forming a scrolled irregular rim. The shade is further decorated with eight large bent glass panels, each separated by a band of geometric leaded glass panels. Unsigned. Shade rests on a decorated bronze base with stylized leaf design and 3-socket cluster. The base is finished in dark brown patina and signed on the underside “Reed & Barton B55”. SIZE: Shade 16” dia. Lamp 19-1/2” t. CONDITION: Shade is very good with a few tight hairline plus one tight hairline in a large bent panel, no missing glass. Base is very good to excellent. The electric cord has been cut and needs to be replaced. 52035-5 (900-1,200)

329

Lot 1722 Visit www.jamesdjulia.com for more information

Session 1

1719. FRENCH ART DECO TABLE LAMP. Art Deco lamp has bronze base with bell flower decoration and is finished with a double tier clear glass prism shade. Each prism is a round tube with a clear glass faceted ball at the end. The shade is further decorated with a teardrop shaped pendant with black glass interior and five long metal rods hanging below. The lamp is finished in bright gold patina. Unsigned. SIZE: 30” t. CONDITION: Very good to excellent. 52022-6 (2,500-3,500)

1723.

Session 1

STELZ STUDIOS LEADED GLASS WINDOW. Leaded glass window by Stelz Studios has red roses and green mottled leaves climbing along a yellow and green striated trellis, all set against a mottled and striated blue, purple, cream, yellow and brown background. The window is plated with random confetti panels on both the front and back. Signed with applied copper tag “Stelz Studios”. The window is housed in a wooden door frame. Please Note: The stands shown in the image are for display purposes only and do not accompany the window. SIZE: Door: 24-1/4” w x 79-1/2” t. Window: 20” w x 49” t. CONDITION: Very good to excellent, very few tight hairlines, no missing glass. Door has some minor wear and scratches to finish. 51966-17 (6,000-8,000)

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330

331

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Session 1

1724. STELZ STUDIOS LEADED GLASS WINDOW. Leaded glass window by Stelz Studios has red roses and green mottled leaves climbing along a yellow and green striated trellis, all set against a mottled and striated blue, purple, cream, yellow and brown background. The window is plated with random confetti panels on both the front and back. Signed with applied copper tag “Stelz Studios”. The window is housed in a wooden door frame. Please Note: The stands shown in the image are for display purposes only and do not accompany the window. SIZE: Door: 27-1/4” w x 79-1/2” t. Window: 20” w x 49” t. CONDITION: Very good to excellent, very few tight hairlines, no missing glass. Door has some minor wear and scratches to finish. 51966-16 (6,0008,000)

Session 1 1725.

SOMERS STAINED GLASS LEADED WINDOW. Contemporary stained glass artists Somers Studio created this unique window with red and amber drapery glass poppy petals with amber chunk jewels in the center of each poppy. Stems and leaves are done in shades of green and yellow glass, all set against a heavily mottled green and cream background. The window is plated on the backside with textured glass behind the poppy flowers and confetti glass behind much of the mottled background. Signed with applied brass tag “Original Somers Stained Glass, Deer Park, NY”. SIZE: 41-3/4” x 27-3/4”. CONDITION: Very good to excellent. 52019-2 (9,000-12,000)

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332

Session 1 1726.

CONTEMPORARY LEADED GLASS PEONY TABLE LAMP. Large contemporary leaded glass table lamp by Somers Stained Glass has red, yellow and orange peony flowers with mottled and striated green glass leaves, all against a rich mottled blue background. The shade is finished with a bronze beaded band surrounding the lip. It rests on a large bronze adjustable base with organic form foot in root design, each root terminating in a bronze ball. The adjustable stem supports a 3-socket cluster and shade ring, all finished in a deep brown patina. Shade signed with applied tag “Original Somers Stained Glass, Deer Park NY”, base unsigned. Lamp is complete with matching pierced cap. SIZE: Shade 28” dia. Lamp 36” t. CONDITION: Shade is very good to excellent with a few tight hairlines, no missing glass. Base is very good to excellent. 52019-1 (8,00012,000)

333

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Session 1

1727. BUFFALO STUDIOS 12-LIGHT LILY LAMP. Twelve light lily lamp by Buffalo Studios, a replica of Tiffany Studios design, has lily pad foot with twelve arms supporting gold iridescent lily shades. The bronze base is finished in a rich brown patina with green highlights and is signed on the underside “Buffalo Metal Works Pasadena Calif. 147”. Shades are signed “Zephyr”. SIZE: 20-1/2” t. CONDITION: Shades and base are very good to excellent. Some fraying to cloth cord. 52015-4 (3,500-5,000)

Lot 1727

1728.

CONTEMPORARY LEADED GLASS SHADE ON HANDEL BASE. Lamp has a contemporary leaded glass shade in the manner of Unique Art Glass and Metal Company. The shade has stylized purple flowers and green leaves within very heavy lead lines. Unsigned. The shade rests on an original Handel base with Oriental motif. The base is finished in rich brown and is topped with a fleur-de-lis heat cap. Signed on the underside with applied cloth tag “Handel”. SIZE: Shade 19” dia. Lamp 23-1/2” t. CONDITION: Shade is very good to excellent. Base is very good with blistering to finish. Rewired with appropriate cloth cord. 52035-2 (1,200-1,800)

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334

Lot 1729

1730.

PAIR OF INTAGLIO CARVED CAT VASES. Pair of vases have red cut to clear frosted Intaglio scenes of cats in the wild. One vase shows a cat standing by a stream with trees above and mountains in the background. The other shows a cat sitting next to a fence near some bushes with mountains in the background. Each vase is nicely carved and signed with artists initials. SIZE: 10” t. CONDITION: Vase with cat sitting by a fence has a small flea bite to the lip, otherwise very good to excellent. 51895-2 (2,000-3,000)

Lot 1730

1731. TWO INTAGLIO CARVED DOG VASES. Two vases have blue cut to clear frosted Intaglio carved scenes of a dog standing in tall grass with mountains in the background and a large tree on the backside of the vase. The largest vase has two dogs with the large tree on the backside. Each vase is nicely carved and signed with what appears to be artist’s initials. SIZE: Small: 10” t. Large: 12” t. CONDITION: Both vases are very good to excellent. 51895-3 (2,000-3,000)

Lot 1731 335

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Session 1

1729. PAIR OF INTAGLIO CARVED VASES. Pair of vases are intaglio carved in blue to clear frosted. Each vase has a carving of Jewish cleric, the backside of one has a carved menorah and scroll with basket of fruit, the other has a carved cartouche with crown and pair of hands with Yiddish writing. Each vase has a scalloped rim. One vase is signed on the side with etched signature which appears to be “R Pimas” the other vase has etched initials “RP”. SIZE: 12” t. CONDITION: Both vases are very good to excellent. 51895-1 (2,000-3,000)

1732.

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336

INTAGLIO CARVED STAG VASE. Large vase has blue carved clear frosted scene of a male stag calling to a group of four females and fawn. The vase is further decorated with blue intaglio trees and foliage. The egg-shaped bowl of the vase rests on a blue cut to clear pedestal base. SIZE: 19-1/2â&#x20AC;? t. CONDITION: There are three small flea bites to inside rim of vase, otherwise very good to excellent. 51895-5 (2,000-3,000)

Lot 1733 1734.

TWO INTAGLIO CARVED HORSE VASES. 1) Intaglio carved vase has blue cut to clear frosting scene of horses in a field with trees and fences in the background. Signed near the lip with artist’s initials. 2) Intaglio carved base has blue cut to clear frosted scene of horses galloping at oceans edge with a small wooden boat nearby. Signed on the side with the artist’s initials. Shade has a scalloped lip. SIZE: 1) 12-1/8” t. 2) 12” t. CONDITION: 1) Very good with a scratch across the polished lip and two tiny flea bites. 2) It appears there was a large chunk of glass chipped out of the lip that was glued back in, but with areas of missing glass. There are several tiny flea bites to the lip. 51895-6 (2,000-3,000)

Lot 1734

1735. INTAGLIO CARVED STAGECOACH VASE. Intaglio vase is carved from blue to clear frosted and depicts a stagecoach pulled by four horses with five men riding on top. Vase is further carved with gnarled trees and tree stumps with birds flying above. Vase is signed on the side with etched signature “R Pimas”. SIZE: 12” t. CONDITION: Very good to excellent. 51895-7 (1,500-2,500)

Lot 1735 337

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Session 1

1733. TWO INTAGLIO CARVED VASES. 1) Intaglio carved vase has green cut to clear frosted body with a young angel standing on a porch with her head resting on a newel post, with flowers surrounding her. The reverse side of vase is carved with a Native American maiden with feathers in her hair, standing beneath a row of grapevines. The vase rests on a clear glass pedestal base. Signed on the side with artist’s initials. 2) Intaglio carved vase has green cut to clear scene of a maiden in flowing gown with a bird perched on her hand. The reverse side of the vase depicts two maidens standing on a rocky cliff. A large grape cluster adorns the side of the vase. Signed on the side with artist’s initials. SIZE: 1) 17” t. 2) 12” t. CONDITION: 1) Large chip on the rim that has been glued back into place, otherwise very good. 2) Very good to excellent. 51895-4 (2,000-3,000)

Session 1

1736. M ICHAEL PAVLIK ART GLASS VASE. Art glass vase by glass artist Michael Pavlik has internal layers of swirled and striated colored glass in shades of red, blue, green, white and amber. All encased in a heavy layer of smokey gray glass. Signed on the rounded bottom of the vase “Michael Pavlik ‘81 PL1546”. SIZE: 6-1/2” t x 7” dia. CONDITION: Some very minor scratches to the surface, otherwise very good to excellent. 51962-21 (2,000-3,000)

Lot 1736

1737.

MICHAEL PAVLIK ART GLASS VASE. Art glass paperweight vase by glass artist Michael Pavlik has random layers of swirling and striated glass in shades of purple, blue, yellow and red. The vase is then encased in a heavy layer of clear glass. Signed on the bottom edge “Michael Pavlik ‘81 #1564”. SIZE: 10-1/2” t. CONDITION: There are a few very minor scratches on the side near the foot, otherwise very good to excellent. 51962-20 (2,0003,000)

Lot 1737 1738. WILLIAM CARSON ART GLASS INKWELL. Art glass inkwell by glass artist William Carson has center bands of colored glass canes in green, white, brown and amber within a clear crystal angled block. The inkwell has a silver collar and stopper. The stopper is fitted with a centered disc of black and white striped glass. Signed on the underside “William Carson 1981”. SIZE: 6-3/4” t to top of stopper. CONDITION: Very good to excellent. 51962-22 (2,000-4,000)

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Lot 1739 1740.

JEAN COCTEAU ART POTTERY CHARGER. Art pottery charger by artist Jean Cocteau (1889-1963) depicts a fictional character that is part man and part animal sitting on a tree stump playing a flute. The charger is further decorated with a stylized sun and scribbles of blue depicting sky with green enamel stylized flowers with red enamel petals. Signed on the bottom “Jean Cocteau 1958”. Marked on the backside “Edition Originale de Jean Cocteau Atelier Madeleine Jolly 27/50”. The charger comes with an original “Certificate de Origin”. SIZE: 12-1/8” dia. CONDITION: Very good to excellent. 51962-18 (2,000-4,000)

Lot 1740 1741. JEAN COCTEAU LIMITED EDITION POTTERY CHARGER. Limited edition charger by French artist Jean Cocteau (1889-1963) depicts a large human hand with an enameled eye between the fingers with a stylized red and orange enameled sun in the sky and a drawing of Villefranche to the side. Signed on the bottom edge “Jean Cocteau 1957” and titled “Villefranche”. Charger comes complete with an original certificate de origin. Marked on the underside “Edition Originale de Jean Cocteau Atelier Madeline Jolly 16/25”. SIZE: 12-1/4” dia. CONDITION: Very good to excellent. 51962-19 (2,000-4,000)

Lot 1741 339

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Session 1

1739. JEAN COCTEAU LIMITED EDITION ART POTTERY CHARGER. Limited Edition art pottery charger by French artist Jean Cocteau (18891963) has three enameled stylized eyes at the end of green enameled lines with a green enameled circle and lines below against a terracotta pottery background. Signed on the side “Jean Cocteau ‘58”. Marked on the backside “Edition Originale de Jean Cocteau Atelier Madeleine Jolly 36/50”. The charger comes with an original certificate of origin. SIZE: 12-1/4” d. CONDITION: Very good to excellent. 51962-17 (2,000-4,000)

Session 1

1742. JOSH SIMPSON MAGNUM PLANET SERIES PAPERWEIGHT. Large Josh Simpson contemporary paperweight from the Planet Series features what appears to be an overview of Earth with multiple canes bringing the design to life. Signed on the polished underside in script “Simpson 2-711”. SIZE: 5-1/2” dia. CONDITION: Very good to excellent. 51962-23 (500-700)

Lot 1742 1743.

COLIN RICHARDSON AMERICAN BONSAI TREE PAPERWEIGHT. Colin Richardson contemporary American Bonsai tree paperweight featuring a (omit 2 words) Bonsai tree with limbs bearing beige, rust, red and golden-yellow leaves as well as on the ground. Signed on the side in etched letters “Colin Richardson”, what appears to be 2013-M00” and “1/1”. SIZE: 3-1/2” dia. CONDITION: One root has a small hairline in the making otherwise good. 51962-31 (500-700)

Lot 1743 1744. COLIN RICHARDSON ORCHID PAPERWEIGHT. Colin Richardson contemporary paperweight on a clear ground featuring brown, white and orange orchids with green leaves growing on a moss-covered log. Signed on the side in etched letters “Colin Richardson 2012 - (illegible) Ill. 19 1/1”. Winners of the Royal Horticultural Society orchid show inspired the design as well as botanical illustrations. Since 1897 the Orchid Committee has been recording prize-winning orchids. SIZE: 3-1/2” dia. CONDITION: One broken green leaf at bottom of design and a floating green leaf at left of log in the making. 51962-32 (500-700)

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Lot 1745 1746.

JIM D’ONOFRIO PAIR OF RABBITS PAPERWEIGHT. Jim D’Onofrio contemporary paperweight featuring a scene with two brown and white rabbits lying in the midst of flower blossoms, rocks and grass on a mossy brown green ground. Signed on the side in script “Jim D’Onofrio 00” and “1122”. The four-digit number represents the sequential number of paperweight made in his career. SIZE: 3-1/2” dia. CONDITION: Very good to excellent. 51962-30 (400-600)

Lot 1746

1747. JIM D’ONOFRIO SNAKE PAPERWEIGHT. Jim D’Onofrio contemporary paperweight featuring a green snake with brown spots residing on a dirt ground approaching a brown mouse with pink ears and tail as prey. A white desert flower with pink stripe is nearby. Signed on the side in script “Jim D’Onofrio 01” as well as “1241”. The four-digit number representing the sequential number of paperweight made in his career. SIZE: 3-1/2” dia. CONDITION: Very good to excellent. 51962-29 (400-600)

Lot 1747 1748.

JIM D’ONOFRIO SOUTHWEST SERIES PAPERWEIGHT. Jim D’Onofrio contemporary paperweight from the Southwest Series featuring three colorful Navajo bowls, a handmade axe and a beaded necklace, all on a desert ground. Signed on the side in etched signature “Jim D’Onofrio 93” and “0313”. The four digit number represents the sequential number of paperweight made in his career. SIZE: 3-1/2” dia. CONDITION: Very good to excellent. 51962-28 (400-600)

Lot 1748 341

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Session 1

1745. JIM D’ONOFRIO TURTLE PAPERWEIGHT. Jim D’Onofrio contemporary paperweight features a turtle at water’s edge surrounded by blooming plants, rocks and sand. Signed on the side in script “Jim D’Onofrio 93”, and “0284”. The four-digit number represents the sequential number of paperweights made in his career. SIZE: 3-1/2” dia. CONDITION: Very good to excellent. 51962-26 (500-700)

Session 1

1749. JIM D’ONOFRIO LIZARD PAPERWEIGHT. Jim D’Onofrio contemporary paperweight featuring two green lizards with two yellow blossoms, tree root on a sandy ground. Signed at the side with an etched signature “Jim D’Onofrio 93” as well as “0386” The four digit number represents the sequential number of paperweight made in his career. SIZE: 3-1/2” dia. CONDITION: Very good to excellent. 51962-27 (400-600)

Lot 1749 1750.

JOSH SIMPSON MID-SIZE PLANET SERIES PAPERWEIGHT. Mid-size Josh Simpson contemporary paperweight features multiple techniques including canes achieving the look of a planet. Signed on the polished underside “Simpson 2-12-10”. SIZE: 4-1/2” dia. CONDITION: Very good to excellent. 51962-24 (300-500)

Lot 1750 1751. CHARLES LOTTON MAGNUM PAPERWEIGHT. Charles Lotton contemporary paperweight. One of the earliest magnum heart shaped vine paperweights he created. Featuring a multi-color blue heart and vine design with an internal rust colored orb all within (omit word) tinted light blue glass. Signed on the underside “Charles G Lotton 1975 #139”. SIZE: Approx 6” dia. CONDITION: Very good to excellent. 51962-25 (300-500)

Lot 1751 1752.

TWO CONTEMPORARY ART GLASS VASES. 1) Contemporary art glass vase has free form icicle design in crystal clear glass. Unsigned. 2) Contemporary art glass fan vase has cobalt blue inverted saucer applied foot supporting a bright yellow vertically ribbed fan vase. Signed on the underside with etched signature “Richard Blenko 2000”. Vase also retains its original sticker on the side of the vase “Blenko Hand Craft www.blenkoglass.com Made in U.S.A. 304-743-9081”. SIZE: Each 12” t. CONDITION: Both pieces are very good to excellent. 51939-8, 51939-9 (400-600)

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342

FREDERICK CARDER CIRE PERDUE HEAD OF OPHELIA. Frederick Carder cire perdue cast glass figure of a woman’s head is done in mottled pink glass and is signed on the underside “F Carder”. SIZE: 4” t. PROVENANCE: Skinner, October 24, 1998, Lot 101. CONDITION: Very good to excellent. 51967-1 (12,000-16,000)

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Session 1

1753.

Session 1

1754. QUEZAL DECORATED VASE. Quezal vase has green hooked feather decoration rising from the foot with a bright gold iridescent border at the top. The vase is further decorated with a platinum iridescent hooked feather design on top of the solid green body. All set against a creamy yellow background. Signed in the polished button pontil “Quezal N.Y.”. SIZE: 7-1/2” t. CONDITION: Very good to excellent. 52067-2 (2,500-4,500)

Lot 1754

1755.

STEUBEN GREEN AURENE VASE. Steuben vase has green aurene decoration rising from the foot with fingers reaching towards the squared shoulder. The green is outlined in gold iridescence with gold iridescent bands decorating the green body. The vase is further decorated with a gold iridescent pulled feather design descending from the gold iridescent lip, all against a creamy white background. Signed on the underside “Aurene 296”. SIZE: 9-1/2” t. CONDITION: Very good to excellent. 52067-1 (5,000-7,000)

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Session 1 1756.

Lot 1756

THREE QUEZAL DECORATED SHADES. Set of three Quezal art glass shades have a green fishnet design with vertical bands of gold iridescent zipper pattern overlaying the fishnet. Each shade has a bright gold iridescent interior. Signed in the fitter “Quezal”. SIZE: 5” t. CONDITION: All are very good to excellent. 51963-5 (3,000-4,000)

Lot 1757 1757.

QUEZAL PULLED FEATHER BOWL. Quezal bowl has green pulled feather design radiating out from the polished pontil and curving up the side of the bowl. Each pulled feather has gold iridescent veins. An additional pulled loop band descends from the ruffled rim and is outlined in bright gold iridescence, all against a creamy white background. The interior of the bowl is finished in bright gold iridescence with pink highlights. Signed in the polished pontil “Quezal 10”. SIZE: 8-1/2” dia. CONDITION: Very good with some wear to iridescence in bottom of bowl. 52017-1 (1,0001,500)

1758.

SET OF FOUR STEUBEN ART GLASS SHADES. Set of Steuben art glass shades are decorated with gold iridescent wave design against a cream colored background. The gold iridescence shows nice pink highlights. The interior of each shade is finished in bright gold iridescence. Unsigned. SIZE: 5-1/2” t. CONDITION: Very good to excellent. 51963-4 (1,000-1,200) 345

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1759.

Session 1

AIR OF STEUBEN ACID CUT P BACK VASES. Pair of Steuben vases have green jade stylized acid cut back flowers against a calcite acid textured background. The pattern repeats itself five times around the vases. Both vases signed on lower portion of the body with acid-cut Steuben logo. SIZE: 9” t. CONDITION: Very good to excellent. 52068-1 (1,500-2,500)

Lot 1759

1760.

QUEZAL ZIPPER ART GLASS SHADE. Quezal art glass shade has vertically ribbed body with rich green pulled design. The shade is further decorated with vertical bands of gold iridescent Zipper pattern. The iridescence has strong purple and green highlights. The interior of the shade is bright white. Signed on the fitter “Quezal”. SIZE: 4-1/2” t. CONDITION: Very good to excellent. 52017-3 (1,0001,500)

Lot 1760

1761. DECORATED ART GLASS VASE. Art glass vase attributed to Kew Blas has green pulled design rising from the foot and gold iridescent pulled design descending from the lip with a bright gold iridescent band joining the two designs. The iridescence shows nice green and pink highlights. Unsigned. SIZE: 5-1/4” t. CONDITION: Very good to excellent. 51966-28 (1,0002,000)

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Lot 1762 1763.

LOT OF FIFTEEN ART GLASS SHADES. Fifteen art glass shades including three pairs of Quezal shades with cream colored glassa pair of Quezal shades with vertically ribbed cream colored bodies which show nice opalescence when lit, signed in the fitter “Quezal. A pair of art glass shades with bulbous body in creamy opalescent glass, one shade signed in the fitter “Quezal”. A pair of art glass shades with creamy white, vertically ribbed bodies, the ribs swirl slightly at the lip, each have bright gold iridescent interiors, unsigned. A vertically ribbed art glass shade has white, lightly iridescent body with gold iridescent interior, signed in the fitter “Quezal”. Quezal shade has bright gold iridescent pulled feather design descending from the fitter against a creamy white, lightly iridescent body and signed in the fitter “Quezal”. As well as Lot 1763 Lot includes six shades with green and gold heart design against a lightly iridescent background with gold iridescent applied random threading. Each shade has a gold iridescent interior. One shade is signed “Quezal” while the others are unsigned. While the six shades have the same leaf pattern they are not an identical match but could be used together. The lot also includes a single cream colored shade with applied gold iridescent random threading finished on the interior with bright gold iridescence. Unsigned. SIZE: Shades range from 5-1/4” to 5-1/2” t. CONDITION: Signed Quezal shade has some flakes to the top of the fitter, all others are very good to excellent. SIZE: Shades range from 4-1/2” to 5-1/2” t. CONDITION: One of the pair of ribbed shades with swirled bottom has chips to the fitter which would be concealed when shade is in place, all others are very good to excellent. 51901-1, 51901-2 (800-1,200)

Lot 1764

1765.

1764. PAIR OF QUEZAL FISHNET ART GLASS SHADES. Pair of Quezal art glass shades have cream colored fishnet design descending from the fitter and covering the shoulder. The design changes to green iridescent fishnet on the bottom half of the shade, all set against a gold iridescent background. Signed in the fitter “Quezal”. SIZE: 4-1/4” t. CONDITION: Some very minor roughness to one fitter, otherwise very good to excellent. 52005-13 (600900)

DURAND DECORATED VASE. Durand vase has an applied gold iridescent pedestal foot which supports a ball-shaped vase with white King Tut design against a rich blue iridescent background. Unsigned. SIZE: 5-1/2” t. CONDITION: Very good to excellent. 51986-6 (450-650)

Lot 1765 347

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Session 1

1762. LARGE ART GLASS SHADE WITH PROCEEDS TO DANA FARBER CANCER INSTITUTE. Large contemporary art glass shade has mottled brown and tan horizontal wave design surrounding shade against pink shading to cream background. Shade has bell shaped body with flaring ruffled rim. Unsigned. The original consignor has requested that the proceeds of this shade go directly to Dana-Farber Cancer Institute. SIZE: 7-3/4” t x 167/8” dia. CONDITION: Very good to excellent with portion of pontil extending outside the aperture hole. 52091-2 (200-400)

Session 1

1766. SIGNED LIBBEY CORDIAL SET. Libbey cordial set has clear glass foot with ruby red glass at the base of each stem. The flaring cups are cut with circles and ovals. Each cordial is signed on the underside “Libbey” within a circle. SIZE: 4-3/4” t. CONDITION: All are very good to excellent. 51851-3 (8001,200)

Lot 1766 1767.

BLUE IRIDESCENT GLASS LAMP BASE. Glass lamp base has inverted saucer foot and slightly bulging shaft and is topped with a bronze 3-arm spider and single socket. The metal is finished in a rich brown patina with subtle green highlights and the glass is finished in blue iridescence with soft gold highlights. Marked on the underside with spurious signature “L.C.T. O134”. SIZE: 13” t to top of spider; spider will accommodate 10” shade. CONDITION: Very good to excellent. Rewired with appropriate cloth cord. 51891-1 (600-900)

Lot 1767

1768. AMERICAN ART GLASS PULLED FEATHER VASE. Large pulled feather vase attributed to Durand has gold iridescent pulled feather design descending from the lip and ascending from the foot, each outlined in bright red. Vase is accompanied by a letter from the Museum of American Glass dated 1993, in which the curator found a photograph in the Martin Bach papers with a similar example used as a lamp base. A black and white copy of that photo accompanies the letter. Unsigned. SIZE: 10-1/2” t. CONDITION: Very good with light surface scratches on exterior, several small bubbles at the surface from the making. 52067-3 (400-600)

Lot 1768 1769.

TIFFANY FAVRILE GLASS SHADE. Tiffany favrile art glass shade has slightly bulging body with pointed tip at the bottom. The shade is light yellow opalescent glass and is housed in a Tiffany bronze collar with three hooks. Shade and collar are unsigned. SIZE: 8-1/4” t. CONDITION: Very good to excellent. 51963-7 (8001,000)

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348

1771.

HANDEL/STEUBEN PIANO LAMP. Piano lamp has Handel brass base with weighted platform foot decorated with a geometric band around the edge. The ribbed curved arm leads to a single socket and shade holder. The arm is designed to swing side to side. The lamp is completed with a Steuben gold iridescent shade with ribbed body and flaring lip. Base is signed on the underside “Handel” and the shade is signed within the fitter with remnants of the silver fleur-de-lis mark. SIZE: 16” l x 7-1/2” t. CONDITION: Base is very good with some wear and discoloration to finish. Wired with old rubber wire that is beginning to fray. Shade has a small shell shaped flake on the fitter which is concealed when shade is in plate, otherwise very good. 51979-13 (600-800)

Session 1

1770.

Lot 1770

THREE STEUBEN SHADE VASES. Lot consists of three Steuben shade vases with vertically ribbed bodies and flaring lips. One vase is finished in blue iridescence, one is in green jade glass and one is ivorine. The blue aurene is signed on the underside “Steuben Aurene 913”. The other two vases are unsigned. SIZE: 5-3/4” t. CONDITION: All are very good to excellent. The greed jade vase has some tiny dark inclusions at the lip from the making. 51979-5 (600-900)

Lot 1771

1772. GEORGE OHR POTTERY BOWL. Pottery bowl by the “Mad Potter of Biloxi” George Orr has simple rounded form and black glaze. Signed on the underside “Geo Ohr. SIZE: 3-1/2” t x 5-1/2” dia CONDITION: Very good to excellent with some firing bubbles on side of bowl. 5197914 (1,500-2,500)

Lot 1772 349

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Session 1

1773. MERRIMAC POTTERY VASE. Merrimac Pottery Co. vase from Newburyport, MA (1897-1908) is in tapered cylindrical form with flared rim, having deep green overall textured glaze. Unsigned, but retains partial Merrimac Pottery Company sticker on underside. SIZE: 12-1/4” t. CONDITION: Very good to excellent. 51979-17 (1,000-2,000)

Lot 1773 1774.

MOORCROFT MONUMENTAL POMEGRANATE VASE. Large Moorcroft pottery vase in shape 101 has beautifully colored pomegranate fruit clusters encircling the vase on a dark blue background with hi-gloss glaze finish overall. Signed on the underside with impressed “MADE IN ENGLAND, MOORCROFT, 101 O”,the handwritten “Moorcroft” artist signature, and retains partial Moorcroft paper label. SIZE: 16-3/4” t. CONDITION: Very good with a few light scuffs to exterior glaze on body of vase. 52017-39 (2,000-3,000)

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Lot 1774

Lot 1775 1776.

THREE SATURDAY EVENING GIRLS POTTERY BOWLS. Lot consists of three Saturday Evening Girls pottery bowls. One larger bowl with stylized decorative band around the interior against a light blue glaze. The other two smaller bowls have a cream colored acorn type band surrounding the interior edge of the bowl, against a darker blue background. Lot 1776 Two smaller bowls are signed on the underside “SEG” and numbered. The larger bowl is signed “P.R.P. 1026” with a cross within a circle. SIZE: Large bowl: 7-1/2” dia. Small bowls: 4-7/8” dia. CONDITION: All are very good to excellent. 51979-15 (800-1,200)

1777. R OOKWOOD POTTERY BOWL. Rookwood bowl has straight sides with a mauve colored floral band surrounding the lip against a mat green glaze. Signed on the underside with the Rookwood flame mark “1081CY”. SIZE: 9” dia. CONDITION: There are two tight firing lines at the rim, otherwise very good to excellent. 51979-18 (400-600)

Lot 1777

End of Auction

351

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Session 1

1775. NEWCOMB POTTERY VASE. Newcomb pottery vase is decorated with evenly spaced horizontal ribs and is finished with a shaded light blue glaze. Marked on the underside with co-joined “NC” as well as the initial “F”. SIZE: 5-3/4” t. CONDITION: Very good to excellent. There is a tiny flake to the underside of foot from the making that has been glazed over. 51979-16 (1,2001,800)

Notes

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Considering Selling? Whether you have one important item to sell or an entire collection, there are a number of reasons why you should contact James D. Julia’s:

Reputation for Honesty & Fair Dealings Over the years we have established a sterling reputation with both buyers and sellers. For the seller, this means their goods will be properly and professionally handled with hassle free straight forward dealings. The buyer has also learned to trust the Julia reputation for honest descriptions. This means they can place their ultimate bid with confidence that the goods will be as represented.

North America. The use of special press releases provided to key publications throughout North America also maximizes exposure. Advance notices and the complete catalog with photos are loaded onto our website available to the world. We have a special arrangement with Invaluable, Bidsquare (Lamp & Glass and Fine Art Auctions only) and Proxibid (Firearms Auctions only) so our catalogs are also loaded on their websites. This allows all Invaluable, Bidsquare (Lamp & Glass and Fine Art Auctions only) and Proxibid (Firearms Auctions only) clients to bid on the items in our auction whether as an absentee bid or in live-time the day of the auction via their computer. We also represent our clients’ goods at various key antique shows throughout the country, and in addition have an aggressive telemarketing program to promote your goods. We spend a tremendous amount of money and energy making certain that your goods have the maximum exposure to potential buyers.

Record Prices

Expertise Our expertise as auctioneers is unrivaled and extends over a period of nearly thirty-five years. In addition, each Julia specialty auction is cataloged by a nationally renowned expert within that field. In order to be part of the Julia team, these experts have to enjoy a similar reputation for honesty and fair dealings and be fully k nowledgeable in their specific field. Our specialists have 15-35 years of experience in their chosen fields. This not only instills confidence in the seller, but even more importantly instills confidence in our buyers, many of whom don’t attend the auctions but utilize our catalogs freely knowing that they can trust our catalog descriptions.

The Julia Auction Firm has established records in numerous specialty fields over the years. In some cases, both national and world record prices are set at our auctions. In short, our experience, sterling reputation, hard work, and aggressive marketing plans add up to the ultimate return to you, the seller. We have one of the most competitive commission rates in the country. If you have an individual expensive item or high quality items you will find that no one will beat our commission rates.

Promotional Package

Innovative Programs

We utilize a highly diversified and structured promotional campaign for each auction. This includes, but is not limited to, professionally prepared, fully detailed and illustrated catalogs, and a tremendous diversity of advertisements in various types of media all over North America. A highly detailed and fully illustrated promotional brochure is sent out to our mailing list. Our mailing list includes numerous specialty departments including a vast number of names of special collectors and dealers all over

We are always striving to serve our customers better, both buyers and sellers. Some current innovations include our Trade Up Program. This is a new program at Julia’s which essentially allows the collector to obtain new and exciting items for their collection and at the same time dispose of unwanted items from their collection. The net result can be no cash outlay on the collector’s behalf to obtain items he/she desires to add to their collection. To our knowledge we are the only auction firm in North 353

America providing this p rogram. The concept or possibilities are virtually limitless. Parties wishing to explore this should call our office for more details. Arrangements to p articipate in this program must be made prior to the actual purchase at a uction. Web Presence: We utilize our website to load advance notices of our clients’ goods to be included in upcoming auctions. In addition, we load our entire auction catalog, complete with photos, on our website so that the world can preview the catalog free of charge. We also have an arrangement with Invaluable, Bidsquare (Lamp & Glass and Fine Art Auctions only) and Proxibid (Firearms Auctions only). The end result is that usually our entire catalog with photos is loaded onto these platforms two weeks prior to the auction where any customer in the world can submit a bid. The day of the auction our entire catalog is offered on these platforms. The innovative technology allows a person to sit at their computer regardless of where they are in the world and view the progression of the auction. If they have registered in advance they can bid on anything in the catalog the moment it is being offered at auction. This has proven to be a convenience for some of our absentee bidders and it also increases the exposure for our sellers. Our online auctions are a very successful method of marketing certain types of goods. It greatly benefits buyers and sellers alike. However, our live catalogs are still the best way to auction better quality and more desirable items, particularly the rare and choice items.

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Firearms Division

Consignments Wanted for our October 2017 Auction

One of the Finest A.H. Foxes Extant FE, Grade 20 ga (Tauber Collection, the finest offering of A.H. Fox Shotguns to ever come to auction)

Fantastic Dance Dragoon, SN 14, Among the Very Finest and Among the Earliest Made with Great Collection History

One of Holland & Hollandâ&#x20AC;&#x2122;s Most Famous Masterpiece Shotguns Whether you have one item or an entire collection please contact Tony Wilcox or Jeremy Hatch at firearms@jamesdjulia.com Visit www.jamesdjulia.com for more information

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Rare Lamps, Glass & Fine Jewelry Division Consignments Wanted for our Fall 2017 Auction

Tiffany Studios Wisteria Leaded Window (est. 100,000-150,000)

Outstanding Tiffany Studios Dragonfly Chandelier (est. 100,000-150,000)

Daum Nancy Swan Vase (est. 2,000-3,000)

Whether you have one item or an entire collection please contact Mike Fredericks at lg@jamesdjulia.com 355

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Fine Art, Asian & Antiques Division

August 16, 17 & 18, 2017

Alfred T. Bricher, Near York Beach, Maine (est. 40,000-60,000) UNRESERVED

Monumental Celadon Vase (24â&#x20AC;? h) (est. 2,000-3,000)

Harris & Co. Copper Cow (est. 4,000-6,000)

Whether you have one item or an entire collection please contact Bill Gage, Tony Greist or Katya Tilton at antiques@jamesdjulia.com Visit www.jamesdjulia.com for more information

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Satellite Office

Historic 1790 House in Woburn, Massachusetts

Historic 1790 House in Woburn, MA at 827 Main Street

Serving our clients from Massachusetts and beyond

Bill Gage

Joshua Chamberlain

Allyson Lee

Rebekah Kaufman

Division Head Fine Art, Asian & Antiques

Asian Art Specialist

Fine Art Specialist

Marketing & Business Development Coordinator for the Boston Area

Please call ahead as we are frequently on house calls 781-460-6800

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Estates & Collections Department What will happen to your collection? Plan ahead with our unique “Plan in Place” The numerous benefits derived from collecting do come with an important responsibility–the eventual dispersal of our collection. The James D. Julia “Plan in Place” addresses exactly this responsibility–the planned dispersal of our collections. Unfortunately, many passionate collectors never make plans for the dispersal of their collection. They simply don’t want to think about it. This, however, is not a smart, practical or considerate approach. We all know that someday we will die and most smart and considerate mates prepare wills and/or trusts to deal with their personal assets after they are gone. (If you haven’t yet, it is very important that you do.) It is not often that a collector has a documented, well-laid-out plan for the disposition of their collection after they are gone or become unable to handle their own affairs. The lack of a “Plan in Place” can prove to be a great burden and hardship for our survivors in their time of greatest stress and loss. A collector, as they say, might “roll over in his/her grave” if he/ she knew what stress, confusion, or significant financial loss the dispersal of their collection generated due to the absence of a well laid-out plan.

Julia’s is renowned for their expertise and appraisal services. They regularly provide appraisals for insurance, estate and auction purposes. Here, President Jim Julia discusses the value and significance of some outstanding sporting guns with longtime Firearms Consultant J.R. LaRue.

A unique service department serving collectors of antiques and featuring our “Plan in Place” 1. Based on gross sales, James D. Julia, Inc. is one of the top ten antique auction houses in North America. Our sales in 2014 were over $54 million. 2.

We have an impeccable reputation for honesty and fair-dealing.

We provide three types of expert appraisals: a) Estate Appraisals for Probate Purposes, b) Insurance Appraisals for Retail Replacement Values, and c) Verbal Appraisals for Auction Purposes.

3. Julia’s has a wide area of expertise. We regularly utilize 40 specialty expert consultants and advisors to evaluate and catalog our clients’ goods.

Our three specialty catalog auction divisions are the finest of their type, not only in the United States but in the world. Julia’s divisions are: a) Rare Firearms and Militaria, the world’s leading auctioneer in rare firearms, b) Rare Lamps, Glass & Fine Jewelry, one of the top three in the world, and c) Fine Art, Asian & Antiques, one of the nation’s leaders. Our Estates & Collections Planning Department featuring our “Plan in Place” is one of the only departments of its type in North America today, providing special, formal planned dispersals of collections and valuable estates.

A 40 year tradition of success based on honesty, expertise, professionalism and personable service.

James D. Julia, Inc., 203 Skowhegan Road, Fairfield, ME 04937 email: ecd@jamesdjulia.com www.jamesdjulia.com Tel: (207) 453-7125 Fax: (207) 453-2502 Auctioneer: James D. Julia Lic#: ME: AR83 NH: 2511 Visit www.jamesdjulia.com for more information

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The James D. Julia, Inc. Stimulus Plan The auction process is a powerful marketing device. A quality selection of goods with realistic estimates will assure a cadre of buyers and sometimes the results can be exciting. Auctions still represent the very best way to turn a quality collection, an entire estate or a large inventory into a respectable sum of cash with minimal effort on the owner’s behalf. Now is a great time to consider selling at auctions. “Cash is King.” For the first time in many years, there are extraordinary buying and investment opportunities so it makes great sense to consider consigning to our upcoming auctions. But there is also another reason to consider…

seller’s commission. That’s right, only 0% c ommission on expensive items. Also very competitive rates on less expensive items. Julia’s has a lways tendered some of the best terms in the industry and this is, in part, just one of the many reasons why we are one of the leading auction houses in North America.

Successes

Colt Walker A Co. 210 Sold for $920,000 (est. $500,000-1,000,000)

World record for the most expensive single firearm sold at auction in history, at the time

Cash advances. On important collections or consignments.

Finder’s fees. We pay significant fees for leads on large and important collections (one agent received a check for $165,000 for his lead on a single collection). As Abraham Lincoln is credited with once s aying, “…knowledge is your stock in trade.” If you know about a collection that could possibly be coming to market, call us immediately. How could you ever make a significant amount of money in an easier way?

Free pick up on large collections and large consignments, anywhere.

5. The finest marketing and promotion plan in the business. Our promotion and marketing efforts are the most aggressive in the business. Our catalogs are the finest within the industry. We work for you and we do everything we can to maximize your return. 6.

We are auctioneers only, not dealer/auctioneers. Our time, energy, money and efforts are all expended on you. We do not c ompete with our buyers’ buying or with our sellers’ selling. We work for you only! Financial security. James D. Julia’s is solid as a rock: in the business for over 40 years with our last 5 being the most successful in our history. Banking references available from our banker of many, many years.

Washington’s Personal Map for the Siege of Yorktown Sold for $1,150,000 World record for the most expensive map ever sold at auction. Record for most expensive antique sold at auction in Maine.

8. The strongest rate of return! For a matter of years now, our firm has consistently conducted the highest grossing firearms auctions in history. In addition, we have m aintained the h ighest average sale value per lot on a c onsistent basis. The last couple of auctions have averaged around $10,000 per lot, per sale. Our Firearms, Rare Lamps, Glass & Fine Jewelry and Fine Art, Asian & Antiques Divisions are all leaders in their fields. If you are considering consigning, your primary goal should be to obtain the greatest net return for yourself. In order to do that, two things must be in play 1) select the auctioneer who will get the greatest return for your goods, and 2) select the auctioneer that will give you the lowest commission terms. Julia’s does exactly that; the greatest rate of return for the lowest cost. This means the most money for you. Call today. All inquiries are confidential and without obligation.

Taffany Drop-Head Dragonfly Table Lamp Sold for $515,475 (est. $120,000-180,000) 359

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Hotels and Lodging Waterville (5 miles South)

Augusta (25 miles South)

Best Western Plus/Waterville Grand Hotel (4 miles away) (Formerly Holiday Inn) 375 Main Street, Waterville, ME 04901 (207) 873-0111 Indoor pool & health club, restaurant Auction attendees eligible for special low rate, mention Julia Auctions

Senator Inn & Spa (26 miles South) 284 Western Ave., Augusta, ME 04330 (877) 772-2224 Restaurant, indoor pool & health facility Best Western Plus-Civic Center (23 miles South) 110 Community Drive, Augusta, ME 04330 (207) 622-4751 Restaurant & lounge

Fireside Inn & Suites (4 miles away) 356 Main Street, Waterville, ME 04901 (207) 873-3335 or (800) 528-1234 Fitness center and seasonal outdoor pool Auction attendees eligible for special low rate, mention Julia Auctions

Comfort Inn (22 miles South) 281 Civic Center Drive, Augusta, ME 04330 (207) 623-1000 Restaurant, indoor pool & health club Fairfield Inn & Suites (22 miles South) 14 Anthony Avenue, Augusta, ME 04330 (207) 623-2200 Indoor pool

New Holiday Inn Express & Suites (4 miles away) (Formerly Comfort Inn & Suites) 332 Main Street, Waterville, ME 04901 (844) 306-6086 Indoor pool & exercise room

Hampton Inn Augusta 388 Western Ave, Augusta, ME 04330 (207) 622-4077

The Pleasant Street Inn (5-1/2 miles away) 84 Pleasant Street, Waterville, ME 04901 (207) 680-2515 Bed & Breakfast

Homewood Suites by Hilton Augusta 377 Western Avenue, Augusta, ME 04330 (207) 480-2050

Hampton Inn (8 miles away) 425 Kennedy Memorial Drive, Waterville, ME 04901 (207) 873-0400 Indoor pool and fitness center

Other Area Lodging Wings Hill 9 Dry Point Drive, Rome, ME 04963 (207) 495-2400

Oakland (approx. 7 miles away) Pressey House Bed & Breakfast 32 Belgrade Road, Oakland, ME 04963 (207) 465-3500

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Village Inn 157 Main Street, Belgrade Lakes, ME 04918 (207) 495-3553

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Restaurants Waterville (5 miles South)

Fairfield (1 mile South)

Restaurants, franchises and take-out • 18 Below (D) (207) 861-4454 • Amici’s Cucina (L, D) (207) 861-4440 • Applebee’s (L, D) (207) 872-6702 • Buen Apetito (Mexican) (207) 861-4649 • Burger King • Cancun Mexican Restaurant (207) 872-7400 • Eric’s (207) 859-8761 • Governor’s (B, L, D) (207) 872-0673 • Jewel of India (207) 877-1957 • Jin Yuan (L, D) (207) 861-4488 • Joseph’s Fireside Restaurant (steak house) (207) 877-8385 • Kentucky Fried Chicken • Last Unicorn (L, D) (207) 873-6378 • McDonald’s • Mainely Brews Tavern (207) 873-2457 • Mirakuya (sushi & hibachi) (207) 616-0088 • O’Brien’s Restaurant (207) 873-0111 • Pad Thai Too (207) 859-8900 • Papa John’s Pizza (207) 877-7272 • The Proper Pig (207) 616-3975 • The Pub (207) 873-5255 • Ruby Tuesday’s (L, D) (207) 859-8991 • Sam’s Italian Foods (207) 861-9090 • Selah Tea Cafe (B, L, D) (207) 660-9181 • Silver Street Tavern (L, D) (207) 877-8300 • Taco Bell • Thai Bistro (207) 872-2200 • Wendy’s

Home Cooking • Flatlanda’ Diner (207) 238-9300 (400 yards from auction facility) • The Purple Cow (1 mile South) (207) 453-1371 Restaurants, take-out & sandwich shops • Belanger’s (take out) • Cheung Lee Express (L, D) (207) 453-8088 • The Dancing Elephant (Indian) (207) 238-0453 • Fairfield House of Pizza (L, D) (207) 453-9896 • Sonny’s Pizza (L, D) (207) 453-7624

Oakland (5 miles away) •

Skowhegan (18 miles North) •

Heritage House (L, D) (207) 474-5100

Augusta (25 miles South) Fine Dining • The Senator Inn (207) 622-0320 Franchises • 99 Steak House (L, D) (207) 623-0999 • Applebee’s (207) 623-8255 • The Ground Round (B, L, D) (207) 623-0022 • The Olive Garden (L, D) (Italian) (207) 621-9930 • Margarita’s (D) (Mexican) (207) 622-3465 • Texas Roadhouse (207) 621-8383

Winslow (3 miles away) • • • • •

Riverside Farm Market & Café (L, D-Seasonal) (207) 465-4439

Lobster Trap & Steakhouse (L, D) (207) 872-0529 Asian Café (207) 877-6688 Big G’s (B, L, D) (unique sandwiches) (207) 873-7808 The Pointe Afta (207) 872-0521 McDonald’s

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Conditions of Sale - Please Read

Rare Lamps, Glass & Fine Jewelry Division Please be sure to read the conditions before participating in the sale. For years, we have worked hard to develop a reputation for honesty and fairness. We have tried to apply this same principle in preparing this particular sale. So that you might know what the limitations are for this sale, we have tried to clearly outline the conditions below, which will specifically indicate how various circumstances will be handled.

1. Guarantee We have attempted to make a consistent effort in cataloging and correctly describing the property to be sold. The catalog descriptions carry a limited guarantee. Please be sure that you know that. It is a guarantee to protect you against major discrepancies that would have a major effect upon the value of the item. Under no circumstances do we guarantee against anything less than a major discrepancy that would have less than a major effect upon value. This limited guarantee covers authenticity. It also covers any major restoration or repair not described. Also we guarantee against fakes, reproductions or major fabrications. As outlined above, our guarantee is limited, however, it is almost unique in a business that operates “Caveat Emptor”. This is not a perfect system, however, and it is important to be aware of that. Our intention is to be as fair as possible in our catalog descriptions but it is virtually impossible to adequately describe an antique or collectible item that has been used and shows signs of wear. Imperfections, slight damages, handling marks, natural imperfections that are inherent with the manufacturing of the objects are the types of things that we absolutely do not guarantee against. These are commonplace with antiques and with most buyers this is understood and accepted, however, if you are a discerning, highly particular customer, expecting mint or near mint condition, it is advisable that you not ever submit absentee bids here or at any auction house without seeing the item in person, since your definition of condition might be far more particular than what any cataloger would have time or space to specify. The entire purpose of our catalog description is to give our readers a general description and idea of what the lot is and we will stand behind that description regarding a major discrepancy only. If the discrepancy is less than a major discrepancy, under no circumstances would any adjustment or refund be made. Should the need arise, the auctioneer reserves the right to make verbal corrections and provide additional information from the block at the time of the sale. Absentee bids will not be executed on items that are found to be other than described in the catalog unless we were able to contact you prior to the lot being sold and advise of this discrepancy. If we are unable to reach you or if time does not Visit www.jamesdjulia.com for more information

permit, we will not execute your bid. Please Note: the only thing we guarantee is what is in print in the catalog and what is announced from the block at the time of sale. Absolutely nothing discussed over the telephone or in person prior to the auction shall be construed as part of the guarantee. Since opinions can differ, particularly in the matter of condition, the auctioneer will be the sole judge in the matter of refunds. This guarantee is limited to the following time duration and limits. Please read: A. Time Limit For live bidders it is expected that you have examined the items before you purchased them and that as you pick them up, you will re-examine them one last time. If there is a problem regarding condition, it is expected that you would notify us immediately before leaving the auction facility. If you are an absentee bidder then it is your responsibility to examine the lot immediately upon receipt. If a major discrepancy should be discovered, it is your responsibility to contact us immediately. Please note: All guarantees and options for refunds or adjustment become null and void 45 days after the auction. We pay consignors on the 45th day. Once we have paid our consignors we no longer have control for the payment and under no circumstances can we consider any refunds. If you suspect that there is a major discrepancy or problem with authenticity of your lot, it is your responsibility to contact our office before the 45 days are up and let us know that you need some extra time. We can usually make arrangements to extend the guarantee for a few days if you personally advise us. Please note: If you pay late and thus, receive your items late, it does not qualify for special privileges. The guarantee is null and void 45 days after the auction. It is your responsibility to pay for and acquire your purchases in a timely fashion. So if there is a major discrepancy, you have time to notify our office. Please remember that if you call us 46 days after the auction, there is nothing we can do about a major discrepancy except apologize to you. If you want to be considered for an adjustment or refund, it is your responsibility to notify us within 45 days after the auction. B. Limit of Restitution Under no circumstances will the auctioneer be responsible for lost profits or other financial damages. Refunds requested on the grounds of authenticity must be accompanied by at least a supporting written statement from an authority recognized by the auctioneers. Auctioneer will not be responsible for shipping costs, after auction appraisal fees, testing or any other post auction costs. If it is agreed that an item may be 362

returned, it is the buyer’s responsibility to return it in the same condition as received. C. Type of Restitution An item that qualifies for an adjustment is limited to one of the following options: 1) Major problems, (i.e. fakes, significant alteration, major unannounced restoration, etc.) will result in a refund in sale price, adjustment in sale price or repair by the auctioneer. The auctioneer shall be the judge as to the final resolve. 2) Less than major problems or discrepancies are not part of the guarantee and no refund or adjustment will be considered for less than major problems. 2. Receipt of Goods All goods sold will be tagged and can be claimed upon presentation of paid receipts ONLY. All items to be wrapped will be wrapped by the purchaser, unless the items are to be shipped. 3. Protested Bids In case of a disputed bid, the Auctioneer is the sole determinant as to who is the successful bidder and at his d iscretion may re-offer and resell the article in dispute. 4. Tax State of Maine sales tax is 5.5% and will be collected at time of payment unless a current sales tax certificate is on file or if shipped anywhere except Maine and Massachusetts. If purchases are shipped to a Maine address, sales tax of 5.5% shall be collected unless a current sales tax certificate is on file. If purchases are shipped or delivered to a Massachusetts address, sales tax of 6.25% shall be collected unless a current sales tax certificate is on file. 5. Nominal Bids The Auctioneer may reject nominal bids, small opening bids or very nominal advances made with purpose of disparaging an item. If a lot fails to open for 25% to 30% of the low estimate, the item may be passed from the block by the Auctioneer and may not be re-offered until a later sale. 6. Absentee Bids Phone, fax or mail bids will be accepted with a 20% deposit, late bids or last minute bids can be confirmed with a Visa, MasterCard, Discover or American Express number, in many cases. In such case, the bookkeeper will execute such bids competitively. It is entirely possible to buy items by absentee bid for less than your top bid price. Please Note: Absentee bids are a service provided

to our customers free of charge. Every effort is made to execute all absentee bids; however, you must know that this is not a perfect system neither here nor at any other auction house. In the event of an error of omission or failure to properly execute absentee bids, the auctioneer shall not be held liable. 7. Terms All items are to be paid for in American funds at the day of the auction. Non-residents who have not established an account with us and wish to pay by check, must do so prior to the beginning of the auction by presenting a current letter of reference from their bank or by providing references which are suitable to the auctioneer. Absentee Bidders - Directly after the auction a bill will be sent to you for the items you purchased and a total amount due. This bill is due upon presentation and must be paid immediately. The auctioneer reserves the right to hold merchandise purchased by personal check until the check has cleared the bank, if the auctioneer deems such action necessary to protect his interest. For bidders located outside of the United States we only accept payment by checks drawn on U.S. banks or wire transfer. 8. Interest and Default Payment is due upon receipt. If the buyer’s invoice is not paid in full within 15 days of the auction, James D. Julia, Inc. has the right and will charge the buyer’s credit card of record on file for the total invoice amount. Interest will be charged on all balances not paid at the rate of 1-1/2% monthly (18% APR) effective 15 days from the date of purchase/auction. All goods not retrieved by Buyer within 120 days after the last day of the auction, shall be subject to a storage fee of $50 per item per month. Buyer authorizes auctioneer to sell any goods not retrieved after the 120 day period in any manner deemed appropriate by the auctioneer and the proceeds will be applied to all sums owed by the buyer to the auctioneer under this or any other agreement between the parties. If the sale is conducted by the auctioneer, in addition to all sums due hereunder, buyer shall pay the auctioneer’s standard commission fees and 1% insurance fee. Buyer specifically authorizes any such sale to be held without reserve. Buyer shall be responsible for any deficiencies between the sale price and all sums due hereunder. 9. Reserves Some items in this auction may carry a conservative reserve. Therefore, the auctioneer may bid on behalf of the owner or for the auction house. The purchaser will be the highest bidder acknowledged by the auctioneer. Please note that when a lot carries a reserve, the reserve is usually somewhere below the low estimate in the catalog. Actual reserve figures cannot be divulged, but we will tell you if an item carries a reserve should you ask.

10. Withdrawal We reserve the right to withdraw any property before sale and shall have no liability whatsoever for such withdrawal. 11. Title A title passes upon the fall of the Auctioneer’s hammer. It will then be the responsibility of the buyer to make full payment prior to removing the goods from the premises. It is both the buyer’s risk and expense for removal and must be made at the conclusion of the sale unless other arrangements are made with the Julia’s Operations Manager. Please note any lots we might make arrangements for moving or storing are solely at the risk of the owner and any damage or loss occurring after the fall of the hammer becomes that of the buyer. 12. Phone Bids At the discretion of the auctioneer, phone bidding may be arranged on more expensive items, (i.e. $500 or more). In order to make arrangements to bid on the telephone at the time a lot is being sold, you must contact our office in advance of the auction. We will make arrangements to call you just prior to the lot being sold so that you may bid over the telephone. There are usually a limited number of phone lines available into the room, so if you wish to bid over the telephone, it is important for you to make your arrangements early. “Cover-me Bids”: if you wish to bid by telephone, you might also want to consider a “cover-me bid” at the time you make arrangements for phone bidding. A “cover-me bid” allows your phone contact here at Julia’s to still execute a predetermined bid amount for you in the case that they cannot get through to you on the telephone. Your phone agent is the only person who will have this bid and will only use it to bid in the event that he/she cannot reach you. Assuming you are reached via telephone, they would not use your bid, but rely on your verbal instructions. “Cover-me bids” are not mandatory, you can place one at your discretion, they are simply a safety device in the event you cannot be reached by telephone in time. 13. Agent Responsibility If you are registering or executing a bid for someone else under your number, please bear in mind that you are responsible for the settlement of that account with us regardless of whether the person you’re executing or registering for pays you or not.

in addition shall be 22% of the final bid price over $100,000 which will be applied to each lot sold, to be paid by the buyer as part of the purchase price. Winning bids placed through a third-party online platform may be subject to a higher buyer’s premium. If the Buyer’s Premium set forth on any such platform exceeds the Buyer’s Premium set forth herein, Buyer agrees to pay such additional premium charge. 15. Endangered Species Act The laws of various countries and states regulate the import, export and transport of certain plant and animal items. Julia’s has taken steps to ensure that items offered for sale that are covered by the Endangered Species Act (ESA) meet the standards for sale under this Act. Transport of these items may require special permits or licenses for import, export or delivery into certain states. It is the bidder’s responsibility to obtain all such licenses or permits. Delay or failure to obtain any such permit or license does not relieve the buyer of paying for the item and obtaining title to the item. The company makes no representation or warranty and accepts no liability whatsoever to the seller, purchaser or any third party with respect to compliance with the ESA or with respect to the availability or issuance of valid import and export permits. 16. Legal Dispute Any legal disputes arising from this auction shall be settled in the court system in the State of Maine. 17. Uniform Commercial Code The Maine Uniform Commercial Code, Title 11, Section 2-328 applies to this auction sale. 18. Acceptance of Conditions Bidding on article(s) indicates your acceptance of all of the above terms. 19. Maine Auctioneer Rules and Regulations The Maine Auctioneer Rules and regulations are regulated by the Maine Board of Licensing of Auctioneers, 35 State House Station, Augusta, Maine 04333. 20. Auctioneer’s License Numbers Auctioneer: James D. Julia ME License #AR83; NH License #2511 Mass. License #1406 Not responsible for typographical errors or omissions.

14. Buyer’s Premium Shall be reduced to 21% of the final bid price up to and including $100,000 and reduced to 19% of the final bid price over $100,000 which will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. This is assuming the account is paid by cash, check or any equivalent of cash. If you settle your account by credit card, the Buyer’s Premium shall be the standard 24% of the final bid price up to and including $100,000 and 363

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Shipping Information Our Shipping Department here at James D. Julia, Inc. can package and ship most items anywhere in the world. We use a proven method of packaging your items which includes each item being individually wrapped in bubble wrap surrounded by packaging peanuts (in most cases) and double boxing. We use Federal Express as our preferred shipper however we are happy to a ccommodate just about any requests you may have. Payment and Forms Please allow 14-21 days from the time your payment is received for shipping. You will find our shipping forms on our website. If you are a successful absentee, phone or internet bidder, our shipping forms will be mailed to you along with your purchase invoice. These forms must be completed and returned to our offices along with your payment if you request that we ship your purchases. Purchases paid for by credit card or other secure methods will expedite the shipping of your purchases. Items paid for by personal or business check will be held for 10 days before processing by the shipping department. Cost Domestic Buyers We do charge for this service. You will be billed for labor at an hourly rate of $38.00 ($9.50 per

15 minutes). The material used in packaging your items includes bubble wrap, peanuts and corrugated boxes. Insurance costs will be $.75 per $100.00 in value (based on the hammer price + the buyer’s premium). You may of course elect not to insure your items; in this case we will require you to sign a release absolving James D. Julia, Inc. of any liability. Federal Express or other shipper’s Charges will also be applied. International Buyers We do charge for this service. You will be billed for labor at an hourly rate of $38.00 ($9.50 per 15 minutes). The material used in packaging your items includes bubble wrap, peanuts and corrugated boxes. Insurance costs will be $1.50 per $100.00 in value (based on the hammer price + the buyer’s premium). You may of course elect not to insure your items; in this case we will require you to sign a release absolving James D. Julia, Inc. of any liability. Federal Express or other shipper’s charges will also be applied. We will not declare less than the full sale price on any international paperwork. Delivery of Larger Items and or Special Items Below you will find the delivery company that we use most often. Please feel free to contact them directly for a pre- or post-auction delivery quote. You will need the auction date, lot number

Sales Tax Information The State of Maine charges a 5.5% sales tax which must be collected unless the following conditions apply. A. State of Maine Dealers: must furnish a copy of their current year’s resale certificate in order to be exempt from sales tax. The business type must pertain to the items being purchased. B. State of Massachusetts Buyers: 1. If you have a Massachusetts state resale certificate that pertains to the types of items you have purchased you are exempt from Sales Tax. 2. If you do not have a resale certificate and purchase and pick up your items at our offices in Maine, there will be a 5.5% Maine Sales Tax. 3. If you do not have a resale certificate and have your purchases shipped to you at a Massachusetts address there will be a 6.25% Massachusetts Sales Tax.

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C. Out of State Buyers: There are two ways to be exempt from the collection of Maine State Sales Tax according to Maine State law. 1. The buyer must furnish a copy of their current resale certificate as well as proof of b usiness type (eg: invoice, business card, brochure, etc.) in order to be exempt from Sales Tax. The business type must pertain to the items being purchased. 2. If the item(s) are shipped or delivered out of state with a rrangements made by James D. Julia, Inc. (this is very important) by common carrier or James D. Julia, Inc., the item(s) are not subject to State of Maine Sales Tax. If the buyer makes their own shipping arrangements, or if item(s) are picked up at our facility by the bidder or a designated proxy, the buyer will be required to pay Sales Tax according to Maine State law.

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and zip code of the delivery location along with any special delivery requests. Any arrangements made with this company, whether arranged for by James D. Julia, Inc. or the buyer, does not involve James D. Julia, Inc. and any damages or delivery issues will be between you and them. James D. Julia, Inc. may decline to ship large, fragile or problem items. In such case you would need to use this outside delivery company or make other arrangements. Sure Express toll free 800-335-9996 or 877-877-0889 Contacts Please feel free to contact our offices at 207453-7125, or email shipping@jamesdjulia.com. Understand that just prior to and immediately after auctions we are flooded with calls and requests for estimates and information. Rest assured your calls will be returned.

Frequently Asked Questions Concerning Bidding It’s always best to attend the auction in person to bid on the items you wish, but if for some reason you can’t attend, there is no reason that you can’t obtain some of the items that you would like to purchase. At Julia’s, absentee bidding is always a convenient, easy and safe means of acquiring items that you want. As you can see, our specialty catalogs illustrate all lots to be sold, and as well give a complete description which includes condition. These descriptions, as per the conditions of our sale in the front of your catalog, are guaranteed against major discrepancies with a major impact on the value. If there are some items here that you think you would like to own but can’t attend the auction, we have many options to help you bid without being in the audience. If you are the winning bidder, after the auction you will receive an invoice via email and then in the mail from us. Typically the email invoices are sent out within 24 hours after the auction, and the paper invoice is sent out 2 business days after the auction.. 1. Bidding Options a. Leave a Bid Send in the form in your catalog or download a bid form from our website http://jamesdjulia. com/absentee-bidding/. You can bid by mail by simply filling out the form in the back of the catalog and sending along a 20% deposit check or credit card information. You can fax the form to us, email it to us, or call us with your absentee bid. A valid credit card is required. Your account is charged only if you are delinquent in making your payment. (There are additional fees associated with using credit cards.) If you provide us with your email address, we will send you a confirmation email to verify the lot numbers, description and amount of your bid. Please review this confirmation to make sure that everything is entered properly. Remember, at Julia’s, the way we conduct the absentee bids, it’s entirely possible to buy something for less than your top bid since your bids are executed competitively by our team in an attempt to buy the lot as reasonably as possible, just as though you were in attendance.

c. Live-time Bidding via the Internet Julia’s has partnered with third party online bidding platforms to offer customers the ability to bid live online from anywhere. Julia’s loads all the information contained in our printed catalog on the online bidding sites about two weeks prior to the auction. The lot number, an image of the lot, and a brief description with a presale low and high estimate will be shown on the screen. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform. Julia’s may occasionally experience Internet and/ or Server service outages during which bidders may not be able to participate in the auction. Julia’s policy is to continue to conduct the auction. d. Absentee Bidding via the Internet Julia’s loads all the information contained in our printed catalog on third party online bidding platforms about two weeks prior to the auction. You may view any of these items and submit bids up to 2 weeks prior to the auction by following their registration and absentee bid instructions. Specific information on how to do this is available on each of their sites. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform. Julia’s may occasionally experience Internet and/ or Server service outages during which bidders may not be able to participate in the auction. Internet absentee bidders are advised that their absentee bids may not be executed in the event of technological problems. Julia’s policy is to continue to conduct the auction. 2. How Do I Set Up a Phone Bid? Simply send in your bid form from your catalog

or download a bid form from our website www. jamesdjulia.com/absentee-bidding/ and mark the bid as a phone bid, email it to us at bid@ jamesdjulia.com, fax it to us at 207-453-2502 or call into the office 207-453-7125 to register for the lots for which you would like to bid on the telephone. 3. How Do I Register to Bid Online? To register, contact the online bidding service, Invaluable at www.invaluable.com, www. bidsquare.com (included only during Lamps & Glass and Fine Art auctions) or www.proxibid. com (included only during Firearms auctions) at www.proxibid.com and register in advance of the auction. You will be notified that you have been approved to bid and your registration will be complete. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform. 4. How Do I Bid Live Through the Internet Bidding Platforms? You will need to register for the auction with the third party online bidding platform first. Once you have been registered, watch for your lot. When the lot comes up for bid, a window will display a price the auctioneer is asking for. If the window is flashing $5,500, it means the auctioneer is asking for $5,500. As the auctioneer receives that bid and then asks for a higher bid a new amount will flash in that window. If you have registered to bid you may bid in the auction by simply clicking the bid button on your screen. Regardless of where you are in this country or where you are in the world it will automatically register on a computer at our auction site where a technician will see your bid and bid on your behalf. This innovation allows you to bid live-time during the auction. Online bidding allows the bids to be almost instantaneously transferred to you and to us, so subsequently you can bid within the confines of that time. There are some people who like to bid

b. Phone Bids On the more expensive lots, ($500+ and up) if you feel you would really like to purchase them and not be restrained by the process of a written bid, we can make arrangements to call you at the time the lot is coming up and you may bid over the telephone on the lots as they are being sold. Remember phone bids must be arranged well in advance of the auction (see instructions above on how to leave a bid). Also please remember there are a limited number of phones available, so if you would like to phone bid, you should make your arrangements early. 365

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this way and some of our clients have found it both interesting and convenient to do so. If you have any questions about this please don’t hesitate to call our office, or contact Invaluable, BidSquare (included only during Lamps & Glass and Fine Art auctions) or Proxibid (included only during Firearms Auctions). Invaluable also provides a web tutorial on bidding for those who would like more details, along with an extensive FAQ section http:// www.invaluable.com/invaluable/help.cfm. 5. How Much Time Do I Have to Bid on a Lot? If the asking bid is something you are willing to pay, do not hesitate. For the most part, the auctioneer does not stop or slow down, he simply moves along at a very brisk pace. It is always assumed by the auctioneer that the bidder knows what they want to bid and if they do not bid or hesitate to bid, it means they are not interested. The auction process moves very rapidly whether you are live at the auction, online or on the phone. For anyone wanting to be successful, it is important that you know or make up your mind before the lot is sold just how high you will bid on that particular lot. Those who wish to think about it while the auction is in process and bid on impulse, will find themselves not being as successful, being frustrated and sometimes even paying more than they normally intended to. 6. How Much Do I Bid? Bid whatever you wish, our online and printed catalogs as well as online listings offer item descriptions which include estimated low to high value range. These estimates are in no way an indication of what the items will definitely bring. If you will check our past catalogs, you will find some items bring less than low estimates, some items bring far more than the high estimate. So it’s totally dependent upon how badly people want the items. 7. Who Bids? There are generally two categories of absentee bidders. a. The collector type, who seriously wishes to purchase a given lot or lots. To that buyer we encourage you to bid as high as you feel comfortable bidding. If you seriously want the lot you should not hesitate to consider going above the high estimate to ensure that you get it. b. The next type of absentee bidder is the person who is a dealer buying for stock or a collector willing to buy items only if they are at a real bargain. This type of bidder will often bid on a large number of items knowing full well that not everything will bring a strong price, there are bound to be some things that will fall well below our estimate and that bidder knows that if they leave a large number of bids that they have a chance of picking up a few things at a very Visit www.jamesdjulia.com for more information

reasonable price. Some bidders will leave 3, 4, 5 or 6 pages of bids with us, based with that theory in mind. And usually they are successful with a few items and the items they are successful with tend to be very good buys. 8. What Is a “Plus 1” Bid? Some bidders not wishing to lose a lot for the same price or just slightly above what their top bid was elect to use our “Plus 1” policy. What this does is empower our staff to go one more bid for you in the event someone in the audience has bid the exact same amount of your top bid or just slightly above it. The bookkeeper will then bid one more bid which sometimes is all it takes to get the lot. Typically the auctioneer raises the increments by 10%. If you submit a “Plus 1” Bid, we will increase your bid by 10% over your bid amount. A “Plus 2” bid will increase your bid by 20%. 9. What is a “Cover” Bid? The phone bidding system is not a perfect one. You may be out mowing the lawn and forget about your bid. Or somehow, the phone number got transposed and the phone agent is desperately trying to reach you but unbeknownst to them, they are calling the incorrect number. Or the phone system could break down. Any myriad of other issues can arise. If you seriously want a particular item, your best strategy is to leave a cover bid. A cover bid is a bid which you leave along with your phone bid instructions. If for any reason at all, your phone agent is not able to get in contact with you, they are authorized to bid up to that amount. Please note, your agent does not use the cover bid if they have you on the telephone. You are in control when you are on the telephone. The cover bid is only an insurance policy in the unlikely event that your phone agent is unable to make a connection with you. Subsequently, the only way your cover bid is utilized is if your phone agent cannot get through to you. They will bid up to your cover bid and no more. Again, please remember, the cover bid means nothing if your phone agent gets ahold of you. 366

Even though you left a $10,000, when your phone agent has you on the phone, you might decide not to go any higher than $4,000. That is your prerogative. On the other hand, you might change your mind and decide to go to $15,000. That is still your prerogative and the benefit of being on the telephone. If you choose to not leave a cover bid and if we do not reach you on the phone, there is nothing we can do at that point. 10. Will Julia’s Tell Me What the Top Bid is on a Lot? Absolutely not. At Julia’s we never ever divulge how much an absentee bid is or who has left bids. Under no circumstances do we ever divulge that information. We can advise you and assist you with your bids. For instance, if you only have $3,000 to spend but are interested in three separate lots all in the general value range of $3,000 and don’t know which one you should pursue, you may call our office and if two of the lots you are interested in seem to have a great deal of interest in them and the third lot has no interest whatsoever, we will gladly advise you of that. Remember, under no circumstances would we ever divulge who has bid or how much any of our absentee bids are. 11. Can I Leave an Unlimited Bid? Absolutely not. We cannot honor bids which do not have a set top amount. If you want a lot very badly, then we suggest you bid well above the estimate and pick a figure that you would feel comfortable owning it at should it go that high. 12. Does Absentee Bidding Work? Absolutely. At our specialty auctions from anywhere to 25% to 45% of all merchandise is purchased by absentee bidders. And some items are acquired for well less than their top absentee bid. 13. Does the Auctioneer Reopen Bidding? The James D. Julia Auctioneers must conduct their auctions in accordance with UCC statutes which specifically state that when the hammer

falls, the bidding is concluded and the winning bidder announced is the new owner. Because of this law, the auctioneer cannot and will not reopen the bidding because you decided too late to bid. This is a law and the auctioneer must abide by this. The only exception is “where a bid is made while the hammer is falling in acceptance of a prior bid. The auctioneer may in his discretion reopen the bidding or declare the good sold under the bid on which the hammer was falling.” This is the only exception. Therefore, if you seriously want a lot, do not hesitate to bid because once the hammer falls it is sold and there is nothing the auctioneer can do about it. 14. How Do I Know if I Won? After the auction is over with, our staff will send out bills to all the successful bidders on the next business day. Please do not attempt to call the auction facilities the day of the auction. Our lines are frequently busy with phone bidders and we cannot tie up the lines and the office staff when not on the phone with absentee bidders. They are extremely busy cashing out customers and very rarely have time to check the records for bids at that time. If you must call, we would advise you to call the afternoon of the first business day following the auction. 15. What is a Late Bid? We frequently process thousands of bids for an auction. Please make sure your absentee bid form is received by Julia’s no later than 4:00 pm EST the date before the auction. If you are an international bidder, or first time bidder, please allow two additional days to establish your account with Julia’s If you are mailing or faxing bids we encourage you to phone our office before the auction to confirm that we received your bids. A while ago, we sent a group of eight letters out to people in various parts of the country and for some reason, the entire packet of eight letters took 14 to 16 days to get to their destination. Please be sure to call and confirm that we’ve received your bids if they’ve been sent out seven to ten days prior to the auction.

16. How Much Does it Cost? a. Absentee Bids processed by Julia’s are a service provided to our customers totally free of charge, there is no cost to you. b. Phone Bids processed by Julia’s are a service provided to our customers totally free of charge, there is no cost to you. c. When you win an item through an internet platform, there are additional service fees. Please see the Conditions of Sale for the third party online bidding platforms for more information.

the speaker system broadcasting everything the auctioneer is saying and in front of the phone bidders sits a myriad of auction participants, many of which may be speaking with one another. Bottom-line is that an auction is an incredible arena of activity and noise and very difficult for your phone agent. The best way for success is to be prepared and do not try to converse with your agent in the process; simply say a “Yes” bid or “No” bid. If you are silent your agent may think the call has been lost and so it is always best to let them know when you are “Out” and would like to stop bidding.

17. How Does the Phone Bidding Process Work the Day of the Auction? What Should I Expect? Your phone agent will call usually a few lots early to be sure to get you on the telephone on time to bid for the lot. Your phone agent will remind you of a few important instructions on how to successfully bid.

18. What Can I Do When I am Phone Bidding to Better My Chances of being the Winning Bidder? a. Know what you want to bid in advance.

The most successful bidders are the ones that are prepared. To maximize success, you should study the lots and make a decision as to what your ultimate bid should be before you even get on the telephone. If you know you are willing to go to $10,000 and no more and the phone agent tells you that the auctioneer is looking for $5,500, you do not need to think about anything, you simply say “Yes.”Your agent will tell you and repeat one of two messages; either “We have it,” which means there is no need to bid at this moment or “The auctioneer is looking for $5,500, do you want to bid? The auctioneer is looking for $5,500, do you want to bid?” If you want to bid, do not hesitate, do not try to invoke a strategy, do not try to measure the “pulse” of the auction bidding; simply say “Yes, bid,” but say it loudly so there can be no question that your phone agent hears you and perhaps repeat yourself. You need to understand the auction environment for your phone bid agent. The phone bidder is at a table, sometimes there are as many as 10 or 20 other phone bidders on either side of your phone bidder speaking to their bidders. In the background and overhead is

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b. During the bidding process, only communicate to your phone agent whether you want to bid when they ask you. Speak loudly.

d. Do not hesitate. The auctioneer will not wait for you anymore than he would for someone in the audience. It is a fact that at every single auction, there are one or two phone bidders who complain and feel the auctioneer should have waited to give them more time to make their decision. If you want to bid, then you need to bid. e. Last of all, when arranging your telephone bids leave a cover bid as a form of insurance. Good luck. If you have any questions concerning this service, please call before the auction and we will be glad to assist you in any way we can. —Jim Julia

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Absentee Bid Conditions

Please read if you are submitting absentee bids. 1. Important Note: Absentee bids are a service provided to our customers free of charge. Every effort is made to execute all absentee bids. However, you must know, that because of the hundreds, and sometimes thousands, of bids that must be processed just prior to an auction, it is inevitable that a few mistakes will occur. Your best protection is to be there in person, but if you cannot, you must understand that this is not a perfect system and it is not at any auction house. To better serve our absentee bidders, we have what’s referred to as a “plus 1 bid” and on phone bids a “cover me bid”. You should definitely read about both of these and consider using them to help insure your participation. We will do everything in our power to execute your bids properly, however, in the event of an error of omission, or failure to properly execute absentee bids, the Auctioneer shall not be held liable. 2. All absentee bids must be accompanied by a 20% deposit which will be refunded immediately after auction if your bid is unsuccessful. If your bid is successful, your 20% deposit will be applied to the purchase price and the balance due upon presentation of our bill. If time does not permit the physical 20% deposit, you may confirm your bid by your Visa, MasterCard, Discover or American Express. Should you provide a credit card number, the only way that we would use your credit card number is if you default on payment, then we would bill your account for the amount due.

bid. If your bid is the only bid on a lot she will not start bidding, she will wait until the audience opens the bid and then compete with them until she has either won the lot or it has gone beyond her limit. It is therefore possible sometimes for you to buy a lot well under your top bid. If two or more bids are received on the same item from different people, the bidding will open at the next logical raise above the second highest bid. If two absentee bids are received with the exact same amount, the first one received will take precedence. 5. All bids must be in even dollar amounts. Bids in fractions of dollars or odd amounts will be considered the next lower even dollar amount. The minimum bid increment is usually 10% of the last bid. Therefore, if someone leaves a bid of $100.50 we will automatically round it off to $100. If you should leave a bid of $103 we will round it off to $100. 6. Open bids or bids with no set top amount or orders to just simply buy the lot, cannot be accepted by us. You must have a definite top limit before we can execute your bid. Alternatives to this are as follows:

3. To execute an absentee bid, fill out the enclosed form, listing catalog number, description and your top bid price (not including the buyers p remium). Send this together with your deposit as soon as possible. If your bids are sent seven days or fewer prior to the auction, you should call our offices three days prior to the auction to confirm that we have received your bids. If they have not been received at that point in time, you should submit your bids over the telephone.

a. Telephone Bids: Lot must be worth $500+ each. This can be done by giving us a credit card number to affirm your bids or sending a 20% deposit for what you might anticipate to bid on the object. (NOTE: There are limited phone lines and phone bids will be handled on a first come, first served basis.) Cover Me Bid: To help ensure that you don’t miss out on an object, some people like to place a cover me bid at the time they make phone bid arrangements. No system is perfect and sometimes it is impossible, for one reason or another, to get through to the client on the telephone. A Cover Me Bid is a bid left only with your phone agent. If he/she cannot get through to you on the phone, they will bid up to that amount on your behalf. The only way they execute this bid is if they cannot get through to you.

4. Bids are handled in a competitive manner by our bookkeeper who bids on your behalf in an attempt to buy the object for less than your top

b. Plus 1 Bid: Some bidders concerned that their lot might just go for one bid above their top limit, leave a top bid plus one. This works as

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follows: the top bid submitted might be $1,000, but not wishing to lose the lot for simply one more bid, the plus one bid allows the bookkeeper to bid one more time on your behalf. Generally a bid increment is 10%, so if you left a $1,000 bid plus 1 it would allow her to go $1,000 plus 100. If you said $1,000 plus 2 bids that would mean $1,000 plus $200. (NOTE: One possible problem that occasionally arises with absentee bids is when someone in the audience bids exactly the amount which you specify is your limit. In such a case, we would not go one extra bid unless your bid sheet indicates plus one bid.) 7. Notification of Success: Only successful bidders are contacted. A written bill is usually sent within three (3) working days after the auction. The bill will be accompanied by shipping information. Unsuccessful bidders are not contacted. Phone inquiries regarding your success cannot be answered until the second business day after the auction. 8. Shipping: If you are a successful bidder, a bill will be sent shortly after the auction. This bill must be paid upon receipt. Purchasers should indicate their desired method of shipment if such is necessary. We will be pleased to assist you by shipping items which you purchase. A charge for this service includes labor, packing materials, shipping and insurance. Please Note: Certified check, or wire transfers or any other form of guaranteed funds will expedite shipping. Shipping can take 14 to 21 days after payment is received (depending upon gallery work load). 9. The Shipping Department may decline to execute instructions to ship items which are too large or too fragile to be shipped by common carrier. In such cases, the only way we can ship these special items is by way of a letter from the buyer releasing us from the responsibility of any damage that might occur in shipping. 10. Bidding on any article(s) indicates your acceptance of these terms above. If you need additional information on any of the items, please contact our office.

Absentee Bid Form James D. Julia, Inc.

Office Use Only BIDDER #:

Auction Name & Date:

Date:

Employee taking bid:

Abs. Bid

Time: Phone

203 Skowhegan Rd. Fairfield, ME 04937 T: +1 (207) 453-7125 F: +1 (207) 453-2502 www.jamesdjulia.com email to bid@jamesdjulia.com

Both

Auth: RFC#:

Name Business Address Address City State Country Postal Code Email Phone 1 Phone 2 Cell Fax Credit Card # Exp. Date

Office Use Catalog Number

Description

Terms. In addition to the terms contained in this Absentee Bid Form, the Conditions of Sale and the Absentee Bid Conditions set forth in the catalog for this auction (online and printed versions) are incorporated by reference, just as though fully set forth herein. Payment. Payment for all items purchased is due upon the earlier of (a) 15 days from the date of auction or (b) upon receipt of invoice. If payment is not made within 15 days of the date of the auction, James D. Julia, Inc. is hereby authorized to charge my credit card for the total purchase price together with the applicable Buyerâ&#x20AC;&#x2122;s Premium and any accrued interest. Interest shall accrue on all amounts due at the rate of 1.5% per month (18% annually). I desire to bid on the following items in the sale. The bids are to be executed by James D. Julia, Inc. up to, but not exceeding the amount(s) specified on the below bids.

Bid Amount

Cover or +1

Office Use

Please make sure your bid sheet is received by Julia's no later than 4:00 p.m. EST the day before the auction. If you are an international bidder or first time bidder, please allow two additional business days to establish your account with Julia's.

Signature of bidder

Date 371

rev. 05-08-17

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BIDDER #: Office Use Catalog Number

Description

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Bid Amount

372

Cover or +1

Office Use

Lot 1726

James D. Julia, Inc. | 203 Skowhegan Road, Fairfield, ME 04937 | (207) 453-7125 | www.jamesdjulia.com