Extraordinary Rare Lamps, Glass & Fine Jewelry Auction, December 1, 2017

James D. Julia, Inc. presents Extraordinary Rare Lamps, Glass & Fine Jewelry Auction December 1, 2017

Lot 1162

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Lot 1493 Visit www.jamesdjulia.com for more information

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James D. Julia, Inc. Presents: Extraordinary Rare Lamps, Glass & Fine Jewelry Auction December 1, 2017 Auction Friday, December 1st at 10:00 a.m.

Preview Thursday, November 30th, 9:00 to 5:00 p.m.

Friday, December 1st, 8:00 to 10:00 a.m.

There will also be preview during the auction session Special preview can be arranged by appointment

Back Cover: Lot 1473 203 Skowhegan Road Fairfield, Maine USA 04937 P: (207) 453-7125 F: (207) 453-2502 lg@jamesdjulia.com www.jamesdjulia.com Contacts: Mike Fredericks or Julie Killam Directions: Exit 133 off I-95, 1 mile North on US Route 201 Catalogs: $35 All catalogs are shipped U.S. Priority Mail. If you wish to have FedEx Next Day add $17; FedEx 2nd Day add $14.

Outside North America, add $75 for shipping Prices realized are included and will be mailed approximately 2-3 weeks after the auction Auctioneer: James D. Julia | ME License: AR83/MA License: 1406/NH License: 2511 3

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Administration, Staff & Experts Administration & Staff:

Boston Office:

President & Auctioneer

James D. Julia Vice President

Sandy Julia Executive Assistant to the President

Nancy Turcotte-Noonan Chief Executive Officer

Mark Ford Executive Assistant to the CEO

Sharon Bemis Marketing Director

Scott Wentzell Operations Manager

Gabe Wiegand Controller, Human Resources

Tim Dean Accountant

Callie Soule Credit and Collections

Melanie DiFloures Firearms Sales Representatives

Tony Wilcox, Jeremy Hatch Firearms Senior Consultant & Sales Representative

Wes Dillon Firearms Administrative Manager

Tara Schmitt BATF Compliance/Inventory Manager & Class 3 Specialist

John Keene Firearms Administrative Assistants

Chelsea Semple, Nell Inman Fine Art, Asian & Antiques Department Head

Bill Gage Fine Art, Asian & Antiques Assistant Department Head

Tony Greist Fine Art, Asian & Antiques Administrative Manager

Megan Noyes Rare Lamps, Glass & Fine Jewelry Department Head

Mike Fredericks Rare Lamps, Glass & Fine Jewelry Administrative Manager

Julie Killam Graphic Design

Lisa Oakes, Lisa Warren Information Technology & Web Development

Jeremy Mahns Photography

Jack Stepp, Tracy Grover, Katie Luce Shipping

Scott Greeley, Chad Roger Operations Support Staff

Tom Weston, Dave Labbe, Jim Weigel, Joe Noyes, Ugo Liberti Administrative Support Staff

Deb Duplisea Receptionist

Jessica Spaulding

Department Head-Fine Art, Asian & Antiques

Bill Gage Marketing and Business Development Coordinator for the Boston Area

Rebekah Kaufman Fine Art Specialist

Allyson Lee Asian Art Specialist

Joshua Chamberlain

Expert Departments:

Chief Firearms Consultant and Cataloger

J.R. LaRue Firearms & Military Consultants & Catalogers

Gerald AlFares (military swords, Japanese swords & armor)

Leonardo Antaris, MD (European military pistols)

Wes Dillon (Sporting Arms)

Ron Gabel (Kentucky rifles)

Bruce Kauffman (20th C. military)

Master Sergeant John Keene (Class 3)

Josh Loewensteiner (Sporting Arms)

Malcolm MacGregor (Sporting Arms)

Doug McChristian (Indian Wars material)

Tom Power (American Firearms)

George Ruben (Antique & Military European small arms)

Dave Sanders (Winchesters, Colts, Sporting Arms)

Peter Schmidt (Colonial & Pre-Civil War firearms)

John Sexton (Cannons, Civil War & Confederate material)

Bill Shea (Nazi military accessories)

Brad Simpson (German Military Pistols)

Randy Trawnik (Imperial German Headgear)

John Wall (Mauser and Mannlicher Bolt Rifles)

W. Darrin Weaver (Imperial military)

Tony Wilcox (Colts, Winchesters and 19th & 20th century military)

Courtney Wilson (Civil War specialist)

Charles Woolley (20th C. aviation & military-particularly WWI) Indian Art Objects

John Bower Antiques & Fine Art (Furniture, Paintings, Folk Art & Accessories)

James D. Julia, Bill Gage, Tony Greist, Don Heller Asian Art & Artifacts

Tony Greist, Anthony Wu, Joshua Chamberlain Fine Art

Allyson Lee, Bill Gage Books

Charles Robinson Glass

Dudley Browne Paperweights

Debbie Tarsitano

James D. Julia, Inc. Offices 203 Skowhegan Road, Fairfield, Maine 04937 P: (207) 453-7125 | F: (207) 453-2502 Office Hours: Monday–Friday, 8:00 a.m. - 5:00 p.m.

Telephone answering system after hours The 1790 House 827 Main Street, Woburn, Massachusetts 01801 P: (781) 460-6800 | F: (781) 935-3868 Office Hours: Monday–Friday, please call ahead Telephone answering system after hours 5

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Friday, December 1, 2017

Commencing at approximately 10:00 a.m.

Please Read Conditions of Sale Before Bidding Lots 1000-1739

1000. DAUM NANCY FARM SCENE VASE. Daum vase with cylindrical ovoid body is decorated with cameo trees having enameled brown trunks and limbs with mottled green and yellow foliage. Trees rise from a brightly enameled green and yellow farm field with an enameled farm house in the background. All set against an acid textured mottled blue and white sky. Signed on the side with enamel “Daum Nancy” with the Cross of Lorraine.

SIZE: 8-1/2” t. PROVENANCE: From an unreserved coastal Maine collection. CONDITION: Very good to excellent. 525452 (5,000-7,000)

Lot 1000 1001.

DAUM NANCY WINTER SCENE VASE. Extremely nice Daum vase is decorated with cameo grove of barren trees with nicely detailed enamel bark. Ground and forks of the trees are enameled with white snow, all set against an acid textured and mottled background of yellow shading to rich orange. Signed on the underside with black enameled “Daum Nancy” with Cross of Lorraine. SIZE: 10” t.

PROVENANCE: From an unreserved coastal Maine collection.

CONDITION: Very good to excellent. 52545-4 (4,000-6,000)

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Lot 1001

1002. DAUM NANCY CAMEO VASE. Daum baluster form vase is decorated with cameo trees having enameled brown bark and maroon foliage set against a mottled dark orange and maroon acid textured background with a brown enameled lake scene in the body of the vase. Signed on the side with enameled “Daum Nancy” and Cross of Lorraine. SIZE: 8” t. PROVENANCE: From an unreserved coastal Maine collection.

CONDITION: Very good with a small internal fissure in the polished pontil from the making. 52545-1 (2,000-4,000)

Lot 1002

1003. DAUM CAMEO AND ENAMELED INKWELL. Daum inkwell has square body with cameo flowers, stems and leaves on all four sides against a mottled yellow shading to mottled white background.

The cameo stems and leaves are enameled in shades of green while the flowers and buds are enameled in shades of purple. The inkwell has a dome lid with matching cameo and enamel flowers. It is complete with clear glass insert. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 2” sq x 3” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. 52774-20 (2,000-3,000)

Lot 1003

1004. DAUM NANCY CAMEO TULIP VASE. Diminutive Daum vase is decorated with cameo tulip flowers with enameled burgundy blossoms and green leaves having gilded highlights on leaves and stems, all against an acid textured background of bright green shading to orange. Vase is further decorated with gilded top rim and gilded decoration around the foot. Signed on the underside with gilded “Daum Nancy” and Cross of Lorraine. SIZE: 4” t. PROVENANCE: From an unreserved coastal Maine collection.

CONDITION: Very good to excellent with one minuscule burst bubble on the inside of the rim from the making. 52545-6 (800-1,200)

Lot 1004 7

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1005. DAUM CAMEO AND ENAMELED ORGANIC FORM VASE. Daum vase with quatrefoil base leading to a free-form organic mouth is decorated with cameo leaves, stems, and flowers.

The cameo leaves and stems are enameled in shades of green while the flowers are enameled in shades of red. The vase is further decorated with a cameo and enameled bumble bee flying towards a flower. The vase is done in a paperweight technique with clear glass overlaid on the colored glass background. The clear glass is etched at the bottom depicting grasses giving the base a wonderful depth, and is finished with a gilded bottom rim.

Signed on the underside with etched “Daum Nancy” with Cross of Lorraine and wheel-carved “2857” on back side of vase body.

SIZE: 10” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. 52774-1 (6,000-9,000)

Lot 1005 1006.

DAUM MOLD BLOWN VASE. Daum vase has large mold blown green leaves and stems descending from the lip against a white shading to light blue shading to orange shading to brown background. Vase is signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 9-1/2” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-4 (6,000-9,000)

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Lot 1006

1007. DAUM CAMEO AND ENAMELED BROKEN EGG VASE. Daum vase in a broken egg shape has cameo and enameled scene of trees along a pond’s edge. The cameo trees are enameled with brown and white bark and shaded green leaves with green and amber grass below.

Gray enameled trees adorn the distant pond shore. All against a mottled light blue background. Signed on the underside in black enamel “Daum Nancy” with the Cross of Lorraine and the letter “S”. SIZE: 6-3/4” t. CONDITION: Very good to excellent. 52628-4 (6,500-8,000)

Lot 1007

1008.

DAUM PADDED AND WHEEL CARVED VASE. Daum vase is decorated with purple cameo leaves and stems leading to padded white snowdrop flowers. The flowers have been nicely wheel carved and the decoration sets against a mottled blue and white background. Signed on side of the foot with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 7-1/4” t. PROVENANCE: From a prominent Midwest collection.

CONDITION: One tiny flea bite to the bottom edge of foot, otherwise very good to excellent. 52769-6 (7,500-10,000)

Lot 1008 9

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1009.

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DAUM CAMEO ORCHID VASE. Daum vase has acid carved green leaves and stems rising from the foot leading to wheel carved orange and white orchid flowers with applied free form centers. The orchids are set against a mottled brown shading to yellow background. Signed on the underside with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 12-1/2” t. PROVENANCE: From a prominent Midwest collection. CONDITION: Very good to excellent. 52769-5 (50,000-70,000)

1010.

DAUM NANCY RARE CORBEAU ET GRENOUILLE CAMEO VASE. Daum cameo glass vase has a raven resting on a tree branch with cameo flowers and a frog below with barren tree branches above, all set against a mottled amber shading to a mottled red background. The cameo glass flowers and frog have a gilded finish. Signed on the underside with gilded signature “Daum Nancy” with the Cross of Lorraine. SIZE: 14” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-1 (15,000-20,000)

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1011. RARE DAUM WINTER SCENE LAMP. Daum Winter Scene lamp has tall slender base with round foot with enameled snowy ground leading to the slender stem with cameo barren trees. The trees are enameled, nicely depicting bark with white enameled snow clinging to areas of the trunks. The base is finished with a hammered iron three arm spider and single socket. The base supports a domed shade with matching winter scene, snow and trees all set against a mottled yellow shading to orange background. Shade is signed on the side in black enamel “Daum Nancy” with the Cross of Lorraine, “France”. Base signed on the underside also in black enamel “Daum Nancy” with the Cross of Lorraine, “France”. SIZE: Shade 5” dia. Lamp 16-3/4” t.

CONDITION: Very good to excellent. Wired with small sized plastic cord, no plug. 52761-1 (12,000-18,000)

Lot 1011 1012.

DAUM MOLD BLOWN SCENIC VASE. Large Daum vase has mold blown purple trees surrounding the vase with fallen leaves and grasses at the base. All against a mottled yellow shading to light blue background. The vase is further decorated with wheel carved shrubs at the base of the trees. Signed in the polished pontil with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 16-3/8” t. CONDITION: Very good to excellent. 52605-15 (9,500-11,500)

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1013. DAUM NANCY MONUMENTAL BLEEDING HEART VASE. Large Daum Nancy vase is decorated with cameo and enameled bleeding heart plants with detailed leaves and stems with red blossoms, set against a beautifully colored background of mottled yellow and orange that shades down to an opalescent striated pink, leading to the gloss vitrified foot of green and yellow. Signed on the side of vase with cameo “Daum Nancy” and Cross of Lorraine, and enameled artist initial “R.” in pontil. SIZE: 27-1/2” t.

CONDITION: Very good to excellent. 52761-2 (8,000-10,000)

Lot 1013 1014.

DAUM IMPRESSIONISTIC CAMEO GLASS VASE. Daum cameo glass vase is decorated with impressionistic cameo glass pine trees in mottled green glass against a mottled orange shading to blue sky. The vase is further decorated with stylistic birds in flight. Signed on the underside with engraved and gilded signature “Daum Nancy” with the Cross of Lorraine. SIZE: 12-1/2” t. CONDITION: Very good to excellent. 52605-17 (5,500-7,500)

Lot 1014 13

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1015.

AUM CAMEO AND ENAMELED SCENIC VASE. D Daum footed vase has round foot and squared body and is decorated with cameo trees on all four sides. The trees are enameled in shades of brown and green, rising from a grassy meadow with bright red flowers. All set against a mottled cream colored sky. Signed on the underside in black enamel “Daum Nancy” with the Cross of Lorraine. SIZE: 5” t.

CONDITION: Very good to excellent. 52628-9 (5,5007,000)

Lot 1015 1016.

AUM PADDED AND WHEEL CARVED D CAMEO VASE. Daum vase has brown acid cut cameo leaves and stems climbing the neck of the vase and leading to three padded and wheel carved poppies all set against a mottled brown shading to mottled white background which has a light martelé pattern. Vase is signed on the side with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 11-3/8” t. PROVENANCE: From a prominent Midwest collection.

CONDITION: Very good to excellent. 52769-1 (6,000-8,000)

Lot 1016 1017.

AUM CAMEO AND MARTELÉ VASE. Daum vase has green cameo stems and D leaves climbing from the foot leading to purple cameo flowers surrounding the vase.

All set against a clear opalescent background. The background is finished in martelé as well as random areas of martelé around the foot. Signed on the underside with etched signature “Daum Nancy” with the Cross of Lorraine. SIZE: 11-5/8” t. CONDITION: There is an open bubble on top of the foot from the making, otherwise very good to excellent. 52842-2 (5,000-7,000)

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1018.

AUM VITRIFIED GOURD VASE. Daum gourd vase D has vitrified glass body with splashes of red, blue, yellow, orange, and green on a heavily textured surface. The vase is further decorated with an applied green handle that wraps around the gourd. Signed on the side with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 11-1/2” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-3 (8,000-12,000)

Lot 1018 1019.

DAUM CAMEO AND APPLIED VASE. Daum stick vase has bulbous squat body and tall cylindrical stem and is decorated with mottled brown and green cameo leaves, vines and berries against a mottled green, red, orange and yellow background. The body of the vase is further decorated with two cameo spider webs with an applied glass spider in the center of each. One spider is green with a white head the other is a pale yellow head and body. There are two additional insects applied to leaves on the neck, one red beetle and one green beetle. Signed in the polished pontil with engraved signature “Daum Nancy”. SIZE: 14-1/4” t. CONDITION: Very good to excellent. 52631-3 (7,000-9,000)

Lot 1019 15

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1020.

AUM TULIP CAMEO GLASS VASE. Daum vase is decorated with D striated green and yellow cameo glass leaves and stems. Leading to the mottled yellow and green cameo tulip flowers. Each flower is engraved with detail and all are set against a mottled green and yellow shading to blue and white background. Signed on side of foot with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 16” t. CONDITION: Very good to excellent. 52605-11 (4,500-6,500)

Lot 1020

1021.

MONUMENTAL DAUM VITRIFIED CAMEO GLASS VASE. Monumental Daum vase is decorated with vitrified cameo glass floral design in colors of yellow, green, and red. The design depicts large flowers, stems, and leaves. All set against a mottled yellow and pink background. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 21” t. CONDITION: Very good to excellent. 52605-3 (4,000-6,000)

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1022. DAUM CAMEO AND ENAMELED MINI VASE. Daum mini vase is decorated with cameo flowers, stems, and leaves. The leaves and stems are enameled in shades of green while the flowers are enameled in shades of red all against a mottled brown shading to orange shading to yellow background. Signed on the underside with gilded signature “Daum Nancy” with the Cross of Lorraine. SIZE: 5” t. CONDITION: Very good to excellent. 52628-11 (2,750-3,250)

1023. DAUM CAMEO AND ENAMELED MINI VASE. Daum mini vase has cameo bleeding heart flowers, stems, and leaves surrounding the bulbous body. The leaves and stems are enameled in shades of green and amber while the flowers are enameled in shades of red and yellow. All set against a striated background of yellow, red, and cream. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 5” t.

CONDITION: Very good to excellent. 52628-12 (2,750-3,250)

Lot 1022

Lot 1023 1024. DAUM CAMEO AND ENAMELED MINI VASE. Daum mini vase is decorated with cameo leaves, stems, and flowers. The leaves and stems are enameled in shades of green, brown, and orange while the flowers that decorate the neck are enameled in shades of red and yellow. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 5” t. CONDITION: Very good to excellent. 52628-18 (2,750-3,250)

Lot 1024

1025. DAUM CAMEO AND ENAMELED MINI VASE. Daum mini vase has cameo leaves, stems, and fuchsia flowers. The leaves and stems are highlighted with gilded detail while the fuchsia buds are enameled in red and blue. All against a mottled purple shading to white background.

Signed on the underside with gilded signature “Daum Nancy” with the Cross of Lorraine. SIZE: 5” t. CONDITION: Very good to excellent.

52628-19 (2,750-3,250)

Lot 1025 17

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1026. DAUM CAMEO AND ENAMELED ROSE VASE. Daum vase has cameo decoration of roses, stems, and leaves. The rose, stems, and leaves are enameled in translucent gray with gilded details leading up to the enameled red and yellow roses surrounding the lip. The vase is further decorated with applied red and green glass cabochons. Signed on the underside with only the remnants of a gilded signature. SIZE: 9-3/4” t. PROVENANCE: From a prominent Midwest collection. CONDITION: Very good with some wear to gilded trim. 52769-7 (7,0009,000)

Lot 1026 1027.

MONUMENTAL DAUM NANCY WINTER SCENE VASE. Monumental Daum vase has cameo and enamel decoration of a winter scene with enameled snow covered ground and barren cameo trees rising to the lip with enameled brown bark with enameled white show clinging to the bark, all set against a mottled yellow and orange sky. The oval vase narrows and flattens at the top and is finished with a notched and slightly flaring lip. Signed on the underside in black enamel “Daum Nancy” with the Cross of Lorraine. SIZE: 14-1/2” t. CONDITION: Very good to excellent. 52794-1 (6,000-9,000)

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1028. DAUM NANCY COMMEMORATIVE PITCHER. Daum commemorative pitcher has delicate cameo flowers, stems, and leaves surrounding the pitcher with a cameo and enameled furnace decorating the front center of the pitcher. The pitcher has alternating horizontal bands of polished glass and acid textured glass. Each of the polished bands is enameled with words “Souvenier de L’Exposition 1900”, “Se plus grand foudre du monde”, “Ad. Friihinsholz - Nancy”. All against a clear and white opalescent background. The pitcher is finished with an applied acid textured handle. Signed in the polished pontil with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 12-1/4”. CONDITION: Very good to excellent. 52761-4 (4,000-6,000)

Lot 1028

1029. DAUM WHEEL CARVED CAMEO VASE. Daum vase is decorated with dark red foot leading to acid cut dark red leaves and stems. The vase is further decorated with nicely wheel carved flowers in shades of red and pink. All set against a mottled cream, pink, and orange background. Signed on the edge of foot with engraved signature “Daum Nancy France” with the Cross of Lorraine. SIZE: 9-1/2” t. CONDITION: Very good to excellent. 52628-23 (4,000-6,000)

Lot 1029 1030. DAUM CAMEO SNAIL VASE. Daum snail vase has orange glass body and is decorated with cameo grapevines, leaves and grape clusters against a martelé background. The areas of the grape clusters have some splashes of blue glass and some black oval glass cabochons are applied to give dimension. The vase is finished with two applied glass snails. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 7-1/2” t. PROVENANCE: From an Unreserved San Diego, CA collection.

CONDITION: Very good to excellent. 52757-5 (4,000-6,000)

Lot 1030 19

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1031. DAUM MARTELÉ POPPY VASE. Daum vase has green cameo poppies set against a shaded red, green, and frosted background. The poppies encircle the vase and are set against an all over martelé background. Signed on the underside with engraved signature “Daum Nancy” with the Cross of Lorraine.

SIZE: 11-3/4” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent.

52757-6 (4,000-6,000) 1032. DAUM VITRIFIED GLASS GOURD VASE. Daum vase has splashes of color in yellow, red, blue, and brown against a green background. The vase is decorated with an applied glass beetle as well as applied green glass insect legs. The vase is finished with an applied glass organic shaped handle wrapping down the side of the gourd. Signed on the side with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 7” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-2 (8,000-12,000)

Lot 1031

Lot 1032 1033. DAUM NANCY RAIN SCENE TUMBLER. Daum tumbler is decorated in a rain scene with cameo barren trees enameled in shades of green and brown with green enameled grass below and green and yellow enameled trees in the distance all set against a mottled green shading to pink, shading to clear frosted. The driven rain is illustrated with black enameled lines. Signed on the underside “Daum Nancy” with the Cross of Lorraine. SIZE: 4-3/4” t. CONDITION: Very good to excellent. 52628-6 (6,500-7,500)

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1034. DAUM CAMEO GLASS PEACOCK VASE. Daum cameo glass vase is decorated with a peacock feather design with green and brown feathers each having a black peacock eye center surrounded by light blue. The peacock feathers are set against a mottled blue background and the vase is signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 6-3/4” t.

CONDITION: Very good to excellent. 52628-15 (6,000-7,500)

Lot 1034 1035.

DAUM CAMEO BLACKBERRY VASE. Large Daum vase is decorated with mottled tan, cream, and green cameo leaves and stems surrounding the vase and leading to mottled green and black cameo blackberries. All set against an acid textured lightly iridescent background. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 17” t. CONDITION: Very good to excellent. 52842-3 (3,500-5,500)

Lot 1035 1036. DAUM MAGNOLIA CAMEO GLASS VASE. Daum vase is decorated with green, orange, and white cameo glass magnolia flowers, stems, and leaves. All set against a shaded orange, white, and pink background. Vase is signed in the polished pontil “Daum Nancy” with the Cross of Lorraine. SIZE: 7-3/4” t.

CONDITION: Very good to excellent. 52628-21 (4,000-6,000)

Lot 1036 21

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1037.

DAUM CAMEO LAKE SCENE WINDOW BOX. Daum window box has amethyst cameo trees at water’s edge with rolling hills visible at the opposite shore and boats at full sail in the lake. All against a mottled red and yellow background giving the feel of the lake at sunset. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 11-3/8” x 6-7/8” x 3-1/2” t. CONDITION: There are three tiny flea bites on Lot 1037 the inside lip, and several tiny open bubbles in the cameo decoration from the making. There is a small indent to the outside rim, when viewed under magnification it has been frosted over like the rest of the vase so it is obviously from the making. 52631-5 (2,500-4,000)

1038.

THREE DAUM WINTER SCENE PIECES. Each Daum piece is decorated with a cameo and enameled winter scene. The ground is enameled with white snow and the trees are enameled in shades of brown with white enameled snow clinging to the bark. All set against a mottled yellow and orange background. The lot includes a bowl with pinched rim, a cordial glass, and a rose bowl. Each piece is signed on the underside “Daum Lot 1038 Nancy” with the Cross of Lorraine.

SIZE: Bowl 5-1/4” dia. Cordial 4-1/8” t. Rose bowl 3-3/4” dia x 3” t. PROVENANCE: From an Unreserved Ohio estate.

CONDITION: All are very good to excellent. 52633-1 (2,000-2,500)

1039.

LARGE DAUM ENAMELED CENTER BOWL. Daum clear glass bowl is enameled with a lily pond scene encircling the side of the bowl. It is done in white, yellow and blue lilies with green lily pads and brown and green rocks with blue dragonflies hovering over the lilies. All against a clear glass background. Signed in the polished pontil with faint etched signature “Daum Nancy” with the Cross of Lorraine. SIZE: 14-1/2” dia x 6” t. PROVENANCE: From an Unreserved Connecticut collection.

CONDITION: There is a small Lot inclusion visible within the rolled rim from the maker. There is some loss to paint on the dragonfly’s wings, otherwise good. 52774-22 (2,000-2,500)

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1039

1040.

DAUM CAMEO GRAPEVINE TABLE LAMP. Daum table lamp has olive green cameo decoration of grapevines, leaves and grape clusters surrounding the shade and base all against a mottled yellow, orange and green shaded background. The lamp is finished with a hammered iron collar and three armed spider with curlicue ends. The shade is signed on the side in cameo “Daum Nancy” with the Cross of Lorraine, “France”. The base is signed on the side of the stem with entwined letters “D N” along with the Cross of Lorraine and the letter “F”. SIZE: 14-1/2” t. PROVENANCE: From an Unreserved Connecticut collection.

CONDITION: Very good to excellent. Rewired with contemporary plastic cord. Cord has a European plug. 52774-21 (4,000-6,000)

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1041. DAUM CAMEO AND ENAMELED VASE. Daum vase is decorated with cameo trees growing along side a pond with gray enameled trees visible on a distant shore. The cameo trees are enameled in colors of coral and black giving the feel of an evening sunset. The cameo and enamel decoration is all set against a lightly mottled golden yellow background. Signed on top of the foot with black enamel signature “Daum Nancy” with the Cross of Lorraine. SIZE: 8” t. CONDITION: Very good to excellent.

52628-22 (3,000-4,500)

Lot 1041

1042. DAUM CAMEO GLASS SCENIC VASE. Daum vase has brown cameo glass decoration of tall trees framing a lake with rolling hills on the distant shore.

The cameo decoration is set against a mottled orange background. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 16” t. CONDITION: Very good to excellent, there is a very shallow large open bubble near the top of the cameo decoration which is really just a discolored oval from the making. 52733-1 (3,000-5,000)

Lot 1042 1043. LARGE DAUM CAMEO GLASS VASE. Large Daum vase has shaded red cameo glass leaves, stems, and buds surrounding the body of the vase. All against a mottled yellow background.

Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine France. SIZE: 14” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. 52774-16 (3,000-4,000)

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1044. DAUM APPLIED INSECT PITCHER. Daum pitcher has decorated body of mottled red, yellow, white, green, and pink and is further decorated with three applied glass beetles with silver foil backing and legs engraved into the pitcher. The pitcher is completed with an applied glass handle as well as random patches of martelé. Signed on the side with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 7” t.

PROVENANCE: From a Maryland collection. CONDITION: Very good to excellent. 52606-1 (2,500-3,500)

Lot 1044 1045.

DAUM CAMEO AND ENAMELED SCENT BOTTLE OR FLASK. Daum bottle has cameo flowers, stems, and leaves rising up the side of the bottle. The leaves are enameled in shades of green with gilded detail while the flowers are enameled in shades of red. All set against a mottled green shading to pink shading Lot 1045 to frosted acid textured background. The bottle is finished with a silver collar and silver floral cap. The bottom is also finished with a silver collar and removable silver shot glass. Signed on bottom with etched signature “Daum Nancy” with the Cross of Lorraine. The bottle is complete with original purple velvet presentation box.

SIZE: 5-3/4” l. CONDITION: Very good to excellent. 52628-29 (2,500-3,500)

1046. DAUM CAMEO AND ENAMELED NAUTICAL PILLOW VASE. Daum pillow vase has cameo trees alongside a body of water. The trees and shoreline are enameled in shades of brown and boats at sail are enameled in brown. All set against a mottled yellow and orange background. Signed on the underside with etched signature “Daum Nancy” with the Cross of Lorraine.

SIZE: 3-1/4” t. CONDITION: There is some very minor roughness to inside lip, otherwise very good to excellent. 52628-8 (2,500-3,500)

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1047. DAUM FLOWER FORM CAMEO VASE. Daum vase has dark green foot carved to depict overlapping leaves. The vase is further decorated with amber cameo stems running vertically up the body of the vase against a pink glass background. The pink flares at the top and is delicately carved to depict veins in the petals. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 15” t. PROVENANCE: From an Unreserved Connecticut collection.

CONDITION: Very good to excellent. 52774-4 (2,000-3,000)

Lot 1047

1048. DAUM THISTLE AND DRAGONFLY CAMEO VASE. Daum Nancy vase is decorated with red layer of cameo thistle plants and a dragonfly in flight set against a bright citron yellow translucent background. Signed on the underside with etched “Daum Nancy” and Cross of Lorraine. SIZE: 11-1/2” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. 52774-24 (1,500-2,500)

Lot 1048 1049. DAUM CAMEO GLASS WHEAT VASE. Daum wheat vase has vitrified cameo decoration of wheat encircling the side of the vase. The vitrified glass is in shades of blue, orange, green, yellow, and gray. The vase is further decorated with flying insects flying above the wheat. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 17” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: There are some minor scratches to the side of the foot and some acid burns to the side of the foot, otherwise very good to excellent. 52746-6 (2,000-3,000)

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1050. DAUM NANCY CAMEO GRAPEVINE VASE. Daum footed vase is decorated with dark violet matte layer of cameo vines and grape clusters extending down the body of the vase, set against an acid-textured background of mottled yellow, orange and green.

Signed in cameo on side of vase “Daum Nancy” and Cross of Lorraine. SIZE: 15-1/4” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good with one minuscule fleabite on side of vase. 52774-11 (2,000-3,000)

Lot 1050

1051. DAUM CAMEO AND ENAMELED VASE. Daum cabinet vase has cameo flowers, stems, and leaves scrolling around the body of the vase. The leaves are enameled in translucent gray and further decorated with gilt highlights.

The flowers are enameled in shades of red with gilt highlights all set against an opalescent white background. The vase is further decorated with a beaded gilded band surrounding the shoulder with enameled flowers, stems, and leaves with in the band. Signed on the underside with gilded signature “Daum Nancy” with the Cross of Lorraine. SIZE: 4” t.

CONDITION: Very good to excellent.

52628-17 (2,000-2,500)

Lot 1051

1052. DAUM NANCY BERRY CAMEO VASE. Daum chalice form vase is decorated with cameo and enameled layer of European Mountain Ash branches and berries over a background of mottled translucent yellow shading down to deep maroon at the foot.

Signed on the side with cameo “Daum Nancy” and Cross of Lorraine. SIZE: 9-1/2” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent with a few small areas of roughness on the stem from the making.

52774-5 (2,000-3,000)

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1053.

AUM NANCY WINTER SCENE VASE. Daum bottle shaped vase D has cameo and enameled winter scene of barren trees and snow covered ground. The trees are nicely enameled in shades of brown with enameled white patches of the snow caught on the bark, set against a mottled yellow and orange winter sky background. Signed on the underside “Daum Nancy” and Cross of Lorraine. SIZE: 6-1/4” t. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Very good to excellent.

52755-2 (2,000-3,000)

Lot 1053 1054.

DAUM ART DECO HANGING LAMP. Daum hanging lamp has heavy frosted glass shade with acid cut art deco design with vertical bands surrounding the shade as well as random circles.

Shade is signed on the side with engraved signature “Daum Nancy” with the Cross of Lorraine. The shade is suspended with a silver plated fixture with open work cap, short chain, and ceiling cap.

Fixture is unsigned. SIZE: 28” from ceiling to bottom of shade.

CONDITION: Some roughness to the shade aperture which is concealed when cap is in place, otherwise good. 52771-41 (2,000-4,000)

1055. DAUM CAMEO AND Lot 1054 ENAMELED CABINET VASE. Daum cabinet vase has delicate cameo flowers surrounding the body. Each of the flowers is enameled in pastel colors of pink, lavender, and gray. The flowers are further decorated with gilded highlights, all against a white opalescent background. The vase is further decorated with gilded lip and foot. Signed on the underside with gilded signature “Daum Nancy” with the Cross of Lorraine. SIZE: 3-1/2” t. CONDITION: Very good to excellent. 52628-5 (2,000-2,500)

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1056. DAUM VIDE POCHE WITH APPLIED INSECT. Daum vide poche is internally decorated with a center of mottled green and brown with three sections of mottled pink, all against a mottled yellow background. It is further decorated with an applied green glass beetle with wheel carved wings and insect legs etched into the glass. Signed on the front with engraved signature “Daum Nancy” with the Cross of Lorraine. Also marked on the underside “France”. SIZE: 6” dia. CONDITION: Very good to excellent. 52743-3 (1,800-2,200)

Lot 1056 1057.

FOUR DAUM ART GLASS PIECES. 1) Pair of Daum vases have heavy glass bodies with twisted rope applied rim. The green glass vases are decorated with internal controlled bubbles. Each vase is signed on the edge of the foot “Daum Nancy France” with the Cross of Lorraine. 2) Small Daum bowl is internally decorated with amber in the base shading to light amber and green. The exterior of the bowl has a random acid textured design.

Signed on the underside with engraved signature “Daum Nancy” with the Cross of Lorraine. 3) Daum winter scene nightlight has cameo and enameled winter scene with shaded brown enameling on the trees with Lot 1057 white enamel patches of snow clinging to the bark. The top of the foot has snowy texture but is done in dark brown glass with light white enameled highlights to the top of the texture. The cameo and enameled trees are set against a mottled yellow and orange background. Signed on the underside with etched signature “Daum Nancy” with the Cross of Lorraine. SIZE: 1) 7-1/2” t. 2) 4” dia. 3) 10” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: 1, 2) Very good to excellent. 3) Is actually a winter scene vase that has been drilled and converted to a nightlight. 52757-26 (2,000-3,000)

1058.

AUM CAMEO AND ENAMELED COVERED JAR. Small Daum covered D jar has cameo and enameled flowers, stems and leaves encircling the opalescent body of the jar. The flowers are enameled in shades of red while the leaves and stems are enameled in shades of gray with gilded highlights. The neck of the jar has a gilded and beaded background and further decorated with cameo flower, stems and leaves matching those on the body. The jar is complete with a glass stopper with cameo and enameled flowers, stems and leaves and gilded background. SIZE: 3” t.

CONDITION: Jar is very good to excellent. Stopper has wear to gilding. 52628-7 (1,750-2,250)

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1059. D AUM CAMEO AND ENAMELED MINI VASE. Daum mini vase has cameo poppies surrounding the vase. The poppy, stems, and leaves are enameled in shades of brown and green while the poppies are enameled in shades of bright orange and red. All set against a mottled yellow background. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 2” t. CONDITION: A small flea bite to the inside lip, otherwise very good to excellent. 52628-27 (1,700-2,000)

Lot 1059 1060.

DAUM WHEEL CARVED TOBACCO FLOWER VASE. Daum vase has acid carved leaves surrounding the four sides of the vase. The front of the vase has a single stem with two wheel carved tobacco flowers.

The flowers, stems, and leaves are done in reddish/brown glass and set against a mottled yellow background. Signed on the side near foot with etched signature “Daum Nancy” with the Cross of Lorraine. SIZE: 3” t.

CONDITION: Very good to excellent. 52605-19 (1,500-2,500)

Lot 1060 1061. DAUM CAMEO AND ENAMELED TULIP VASE. Daum vase is decorated with cameo tulips on front and back. The tulip stems and leaves are highlighted with gilded detail while the tulip flowers are enameled in yellow, purple and orange. All set against an acid textured background of mottled tan shading to mottled green. The vase is finished with two applied glass handles with cameo and enameled tulips on each handle. Signed on the underside with gilded signature “Daum Nancy” with the Cross of Lorraine. SIZE: 7” t. PROVENANCE: From an Unreserved Ohio collection.

CONDITION: Very good to excellent. 52815-10 (1,500-2,500)

Lot 1061 1062.

DAUM CAMEO AND ENAMELED VASE. Daum vase has cameo flowers, stems and leaves on front and back against a mottled yellow and cream background. The leaves are enameled in autumn colors of red, yellow and green, while the flowers are enameled in shades of red. Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. The vase also has an original retailer’s paper label “Albert Chambery aix les Baines”.

SIZE: 5” t. PROVENANCE: From an Unreserved Connecticut collection.

CONDITION: One tiny flea bite to inside lip, otherwise very good to excellent. 52774-2 (1,500-2,000)

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1063. DAUM MINIATURE DUTCH WINTER SCENE VASE. Daum miniature vase has cameo and enameled decoration of a Dutch winter scene with snow covered ground, and a windmill at the center of a small village with snow covered roofs. The other side is a snow covered church with tall steeple and small houses nearby. The church is framed by a group of barren trees. Signed on the underside in black enamel “Daum Nancy” with the Cross of Lorraine. SIZE: 1-3/4” t. CONDITION: Very good to excellent. 5262826 (1,500-1,800)

Lot 1063 1064.

DAUM CAMEO AND ENAMELED BUCKET SALT. Daum bucket salt has cameo trees encircling the sides and is enameled with brown bark and green and yellow leaves. Additional trees are enameled in gray in the distance all set against a mottled yellow background. The salt is signed on the underside in black enamel “Daum Nancy” with the Cross of Lorraine. SIZE: 1-1/2” t. x 1-3/4” dia.

CONDITION: Very good to excellent. 52628-25 (1,200-1,800)

Lot 1064

1065. DAUM NANCY CAMEO AND WHEEL-CARVED TOBACCO FLOWER VASE. Daum footed vase with squat body is decorated with dark red cameo layer of tobacco flower leaves and carved blossoms, set against an acid-textured background of mottled orange. Signed in cameo on side of vase “Daum Nancy” with Cross of Lorraine. SIZE: 7” t.

PROVENANCE: From an Unreserved Connecticut collection.

CONDITION: Very good to excellent. 52774-8 (1,000-1,500)

Lot 1065 1066.

DAUM INTERNALLY DECORATED PILLOW VASE. Daum pillow vase has bulbous body with flat front and back and square neck. The vase is internally decorated with mottled dark brown at the bottom, shading to mottled orange and yellow against a frosted light blue background. Signed on the side with large engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 7” w x 4-1/2” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. 52774-25 (500-700)

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1067. DAUM INTERNALLY DECORATED VASE. Daum vase has gourd shaped body and long slender, slightly flaring neck. The vase is internally decorated with mottled yellow and red. Signed on the side with engraved signature “Daum Nancy” with the Cross of Lorraine. SIZE: 13-1/2” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Some minor roughness to inside of lip, otherwise very good. 52774-13 (200-300)

1068. LORRAIN ENAMELED CYCLAMEN VASE. French art glass vase is decorated with enameled green cyclamen leaves and stems with red enameled blossoms set against a mottled background of yellow shading to dark purple at the foot. Signed with enameled “Lorrain” on top of foot. SIZE: 9-3/4” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. 52774-3 (500-700)

Lot 1067 Lot 1068 1069. LEGRAS CAMEO VASE. Large Legras vase is decorated with a band of red cameo stylized flowers encircling the side of the vase all against a mottled peach and white background with acid texture on the shoulder and neck. Signed on the side in cameo “Legras”. SIZE: 16” t. PROVENANCE: From an Unreserved Connecticut collection.

CONDITION: There are two small nicks to the edge of two leaves, otherwise very good to excellent. 52774-18 (600-900)

Lot 1069 1070.

CLAIN & PERRIER ENAMELED VASE. Clain & Perrier vase is decorated with purple enameled spider mums, stems, and leaves. The flowers and leaves are further decorated with gilded highlights. All set against an acid textured yellow glass background. Signed on the underside “Clain & Perrier 238 Bd. St. Germain”. SIZE: 5-1/4” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: Very good to excellent. 52746-7 (1,000-1,500)

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Lot 1070

1071.

MULLER MOLD BLOWN VASE. Muller mold blown vase depicts purple birds in flight with blue highlights to wings. The vase is further decorated with heavy white drips flowing down from the lip as well as heavy white swells rising from the foot. The white drips are topped with purple and blue scrolls and stylized leaves all set against a purple lightly iridescent background. Signed on the underside with etched signature “H MULLER CROISMARE”. SIZE: 7” t. CONDITION: Very good to excellent. 52766-5 (12,000-18,000)

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1072.

ULLER CAMEO GLASS CROCUS VASE. Muller cameo glass vase has M deep purple crocus flower, stem and leaves set against a shaded purple to cream background. The crocus flowers and leaves have some nice wheel carved detail. The vase is signed on the underside with a butterfly “Muller Croismare Paris Nancy”.

SIZE: 5-7/8” t. PROVENANCE: From an Unreserved San Diego, CA collection.

CONDITION: There is a small flea bite to the inside lip, otherwise very good to excellent. 52757-13 (1,500-2,500)

Lot 1072 1073.

MULLER CAMEO GLASS TABLE LAMP. Muller table lamp has internally decorated glass shade and base with a clear glass exterior with stylized cameo flowers forming a band on the bottom half of the shade with a matching band around the top of the base. Shade is signed on the side in cameo “Muller Fres Luneville”. The base is mounted with an iron collar and 3-arm spider. SIZE: Shade 10-1/2” dia. Lamp 21-1/2” t. CONDITION: Very good. Rewired with contemporary plastic cord. Two screws on the iron collar are stripped, so collar will not tighten in place. 52444-3 (3,500-5,500)

Lot 1073

1074. ART DECO CAMEO GLASS VASE ATTRIBUTED TO MULLER FRES. Art deco vase is decorated with blue cameo exotic birds in flight with silver foil inclusions in the blue layer. The cameo birds and flowers are set against a heavy amber glass background which is deeply acid textured with stylized palm tree decoration. The vase is finished with a rolled polished lip. Unsigned but attributed to Muller Fres. SIZE: 7-1/4” t. PROVENANCE: From an Unreserved Ohio collection.

CONDITION: Very good to excellent, with some minor roughness to edges of cameo. There is a small nick out of the bottom edge of lip from the making. 52815-6 (500-700)

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1075. E. MICHEL CAMEO VASE. E. Michel vase has green glass cameo leaves, stems, flowers descending from the lip and a free form green band around the base. The band is entirely martelé. The green cameo decoration is set against a frosted lightly iridescent background. Signed on the underside with etched signature “E. Michel” and dated “14 Aout 1899”. SIZE: 7” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-14 (1,500-2,500)

Lot 1075

1076. D’ARGENTAL CAMEO ORCHID VASE. D’Argental vase is decorated with deep red layer of orchid flowers with leaves, stems and background foliage set against an acid-textured yellow background.

Signed on the side of vase with cameo “D’Argental”.

SIZE: 13-1/2” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent, one small open bubble on the edge of foot, polished by the factory. 52774-7 (1,0001,500)

1077. D’ARGENTAL MONUMENTAL SCENIC VASE. Large D’Argental baluster form vase is decorated with detailed Lake Como-like scene on one side with detailed wooded path scene on the reverse, both in dark red/brown cameo set against a yellow acid-textured background.

Lot 1076 Signed on the side in cameo “D’Argental”.

SIZE: 21-1/2” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. 52774-19 (2,000-4,000)

Lot 1077 35

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1078.

TWO DEGUE DECORATED VASES. 1) Heavy Degue art glass vase has internal decoration of mottled blue shading to tan shading to cream. The vase is further decorated with heavily enameled stylized flowers. Signed on the side with engraved signature “Degue”. 2) Degue cameo glass vase has mottled orange, green, and brown stylized cameo flowers surrounding the side of the vase against a blue mottled background.

Signed on the side with engraved signature “Degue”. SIZE: 1) 8-3/4” Lot 1078 t. 2) 6” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Both are very good to excellent. 52757-30 (1,500-2,000)

1079. DEGUE ART DECO CAMEO VASE. Degue cameo vase has Art Deco geometric design of mottled red glass against an acid textured black glass background. Signed on the side in cameo “Degue”. SIZE: 15-3/8” t. PROVENANCE: From an Unreserved Maryland collection. CONDITION: Very good to excellent. 52606-11 (1,000-1,500)

Lot 1079 1080.

TWO DEGUE ART GLASS VASES. 1) Monumental Degue vase has white cameo stylized leaves against a mottled pink background. Signed in cameo on the white foot “Degue”. Marked on the underside “Made in France”. 2) Degue vase has wide squat body and has internal decoration of mottle purple shading to mottled salmon. Signed on the side with etched signature “Degue” and marked on the underside “Made in France”. SIZE: 1) 18-1/4” t. 2) 4-1/2” t x 11” dia. PROVENANCE: From an Unreserved Maryland collection. CONDITION: Both are very good to excellent. 52606-3 (1,000-2,000)

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Lot 1080 36

1081. D’AVESN LUMINAIRE. Luminaire has glass oval with intaglio carved nude maiden with scarf in her hands and a pressed glass spray of leaves surrounding.

It rests on a silver-plated lighted stand.

Piece is signed at the bottom of the glass insert “P. D’Avesn”. SIZE: 7-3/8” t.

PROVENANCE: From an Unreserved Maryland collection. CONDITION: There is a shell shaped flake across the bottom, which is concealed when the insert is in place as well as a bruise at the top of the glass insert. 52606-10 (1,000-1,500)

Lot 1081 1082.

LOT OF SEVEN D’AVESN GLASS ITEMS. 1) Clear glass vase (attributed to D’Avesn) has controlled bubble interior and is finished with an applied four loop handle on each side. Unsigned. 2) White milk glass vase has pressed design of stylized flowers. Signed on the underside in raised block letters “P. D’Avesn France”. 3) D’Avesn vase is done in yellow glass with heavy vertical ribbing around the slightly flaring body. Signed on the underside “P. D’Avesn Made in France”. 4) Vase is decorated with leaf design as well as leaf handles all in white opalescence against a clear glass body. Marked on the underside “Sevres P. D’Avesn”. 5) Smokey quartz colored bowl is impressed with overlapping leaf design surrounding the exterior of the bowl. Marked on the underside “P. D’Avesn France”. 6) Pressed glass shallow bowl has a pattern of three opalescent fish against a clear patterned background.

The rim of the bowl is also opalescent.

Signed on the underside “P. D’Avesn France”. 7) Footed shallow bowl is done in amber glass and has a pressed design of overlapping stylized leaves. Marked on the underside “D’Avesn France”.

SIZE: 1) 7” t. 2) 8-1/2” t. 3) 6-1/2” t. 4) 6-5/8” t. 5) 3-1/2” t. 6) 12” dia. 7) 12” dia.

PROVENANCE: From an Unreserved Maryland collection. CONDITION: All are very good to excellent. 52606-9 (2,000-3,000)

Lot 1082 37

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1083.

ALLÉ JAPANESE CHERRY BLOSSOM VASE. Gallé G cameo glass vase is decorated with maroon and orange Japanese cherry blossoms which encircle the vase against a frosted cream shading to light yellow background. The vase is signed on the side with an ornate oriental style signature “Gallé”. SIZE: 15” t. CONDITION: Very good to excellent. 52605-13 (4,0006,000)

Lot 1083 1084.

GALLÉ FIRE-POLISHED CAMEO VASE. Gallé vase has heavy cameo purple iris flowers, stems, and leaves surrounding the vase against a shaded cream to purple background. The vase is firepolished and signed on the foot in cameo with an oriental style signature “Gallé”. SIZE: 16-1/2” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: There are two tiny flea bites to the bottom edge of the foot and four small open bubbles on the bottom edge of the foot from the making, otherwise very good to excellent. 52757-10 (4,000-6,000)

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1085.

GALLÉ BOAT SHAPED CAMEO GLASS BOWL. Gallé boat shaped bowl has red cameo roses on front and back along with stems, buds, and leaves. All done in red glass against a frosted pastel yellow background. The roses are done in the window pane technique. Signed on the side in cameo “Gallé”. SIZE: 13-1/4” l. CONDITION: Very good to excellent. 52605-5 (3,000-5,000)

Lot 1085

1086.

ALLÉ CAMEO GLASS VASE. Gallé vase G has squat body and is decorated with shaded blue cameo flowers, stems and leaves all set against a frosted yellow background. Signed on the side in cameo “Gallé”. SIZE: 4-/12” t x 8-1/2” dia.

CONDITION: Very good to excellent. 52628-16 (3,500-5,000)

Lot 1086

1087.

GALLÉ SCENIC MOUNTAIN VASE. Gallé boat shaped vase is decorated with purple cameo trees and blue and green cameo mountains with a pond in the foreground all set against a pastel yellow sky. The backside of the vase is further decorated with cameo trees, mountains and pond. Signed on the back with engraved signature “Gallé”. SIZE: 7-1/2” l x 5” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-11 (3,000-4,000)

Lot 1087 39

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1088.

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GALLÉ MARQUETRY NENUPHARS VASE. Gallé marquetry vase is beautifully decorated with inlaid pink, green and white water lilies with green lily pads surrounding the vase. Some of the inlaid leaves and lily pads are wheel carved for detail. All decoration set against a cream glass background. Signed within a lily pad with engraved signature “Gallé”. SIZE: 10” t. PROVENANCE: Impulsion B- Paris 2004; to a prominent Midwest collection. CONDITION: Very good to excellent. 52769-4 (60,000-80,000)

1089. GALLÉ CAMEO EGG VASE. Gallé covered vase in the shape of an egg has amber glass foot supporting the egg shaped vase. It is decorated with amber glass cameo trees covering two thirds of the vase. The cameo decoration is set against a frosted cream shading to pink background. The vase is completed with a domed lid decorated with three dark amber cameo butterflies in flight. Vase is signed on the side in cameo “Gallé”. SIZE: 11-1/2” t. CONDITION: Very good to excellent.

52761-12 (3,000-5,000)

Lot 1089

1090. GALLÉ CAMEO GLASS NIGHT LIGHT. Gallé nightlight has red cameo deeply carved flowers, stems and leaves surrounding the body against a frosted cream colored background.

The nightlight rests in a silver plated frame with three flying fish creating legs with the wings supporting the nightlight. It is topped with a silver plated cap with ventilation holes. Nightlight is signed on the shoulder in cameo “Gallé”. Stand is unmarked. SIZE: 6-1/2” t. CONDITION: Very good to excellent. Rewired with appropriate cloth cord. 52771-24 (3,000-5,000)

Lot 1090

1091. GALLÉ CAMEO GLASS SPIDER MUM VASE. Gallé vase has orange cameo spider mums on front and back against a pink background. Signed on the underside with engraved flower “E. Gallé Nancy Modele Et Decore Deposes Cristallerie”.

SIZE: 12” t. PROVENANCE: From an Unreserved Chicago collection.

CONDITION: Very good to excellent. 52647-1 (3,000-5,000)

Lot 1091 41

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1092. GALLÉ FLORAL CAMEO GLASS VASE. Gallé vase has round body with flattened sides and is decorated with green cameo flowers, stems, and leaves on front and back. All set against a cream shading to pink frosted background. The vase is finished with two applied frosted glass handles. Signed on the side in cameo “*Gallé”. SIZE: 12” t. CONDITION: Very good to excellent. 52631-8 (3,000-5,000)

Lot 1092 1093.

GALLÉ CAMEO GLASS FLORAL VASE. Gallé vase has red cameo floral design encircling 3/4 of the vase. The cameo decoration has dark red leaves leading to bright red cameo flowers, all set against a frosted yellow background. Signed within one leaf with oriental style signature “Gallé”. SIZE: 9-3/8” t. CONDITION: There is an open bubble on the side of the vase near the bottom from the making, otherwise very good to excellent. 52628-14 (3,500-5,000)

Lot 1093 1094. GALLÉ CAMEO GLASS VASE. Gallé vase is decorated with shaded blue cameo glass Black-eyed Susan’s on the front and back. The cameo decoration is set against a frosted yellow background. Vase is signed on the side in cameo “Gallé”. SIZE: 9” t.

CONDITION: Very good to excellent. 52761-5 (4,000-6,000)

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1095.

GALLÉ MOLD BLOWN PLUM VASE. Large Gallé mold blown vase is done in the plum design with unusual coloration of green and yellow leaves and fruit against a salmon colored background. The vase is finished with a dark green band around the neck. Signed on the side with engraved signature “Gallé”. SIZE: 13-1/2” t. CONDITION: Very good to excellent with a small open bubble on the inside rim that has been polished by the factory. 52628-49 (20,000-25,000)

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1096. GALLÉ CAMEO GLASS VASE. Gallé vase is decorated with pink and olive green cameo glass poppies. The poppies have olive green leaves and stems leading to pink poppy flowers all set against a blue shading to cream background. Signed on the side in cameo “Gallé”. SIZE: 17” t. CONDITION: Very good to excellent. 52605-10 (4,000-6,000)

Lot 1096

1097. GALLÉ MOLD BLOWN TULIP LAMP. Gallé mold blown lamp has heavy red tulip leaves, stems, and flowers rising from the foot on a frosted yellow background. Signed on the side in cameo “Gallé” and rests in a cast bronze foot with floral decoration. Foot is stamped on the underside “Ovington New York”. SIZE: 14-3/4” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-9 (4,000-6,000)

Lot 1097

1098. GALLÉ CAMEO BERRY VASE. Gallé footed vase is decorated with a dark green cameo layer of thorny tree branches with berry fruit over an acid-textured pale orange background with light blue window-pane areas behind the large fruit clusters. Signed in cameo on lower side of vase “Gallé”. SIZE: 11-1/2” t. CONDITION: Very good to excellent. 52628-10 (3,5005,000)

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1099. GALLÉ MOLD BLOWN CROCUS VASE. Gallé mold blown vase has red crocus flowers, stems, and leaves decorating both front and back of vase.

All against a pastel frosted yellow background. Signed on the side in cameo “Gallé”. SIZE: 8-1/4” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-8 (5,000-7,000)

Lot 1099

1100. LARGE GALLÉ FLORAL CAMEO GLASS VASE. Large Gallé vase has amber floral cameo decoration encircling the body of the vase with leaves, stems, and flowers against a shaded salmon and cream background.

Signed on the side with engraved signature “Gallé”. SIZE: 17-1/4” t. CONDITION: Very good to excellent. 52605-7 (5,000-7,000)

Lot 1100

1101. GALLÉ MOLD BLOWN FUCHSIA VASE. Gallé vase has purple and blue mold blown fuchsia flowers with red leaves all set against a shaded yellow frosted background. Vase is signed on the side in cameo “Gallé”. SIZE: 11-1/2” t. CONDITION: Very good to excellent with a small inclusion on the foot from the making. 52645-2 (5,000-7,000)

Lot 1101 45

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1102. GALLÉ FLORAL CAMEO GLASS VASE. Gallé vase has dark blue cameo stems and leaves leading to light blue flowers all set against a frosted yellow background. The flowers are done in the window pane technique and the vase is signed on the side in cameo “Gallé”.

SIZE: 11” t. CONDITION: Very good to excellent. 52605-4 (6,000-8,000)

Lot 1102

1103.

GALLÉ MOLD BLOWN GRAPE VASE. Gallé vase is decorated with mold blown green cameo grapevines and light purple grape clusters set against an acid-textured yellow background. Signed on the side with cameo “Gallé”. SIZE: 121/2” t. CONDITION: Very good to excellent. 52836-1 (6,0009,000)

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1104.

ALLÉ CAMEO GLASS DRAGON & G FLORAL COVERED JAR. Gallé covered jar has square body with rounded corners, an oval panel on each side of the jar is decorated with cameo glass flowers of different types. The cameo decoration is done in red glass on a frosted pastel yellow background. The lid is decorated with a red cameo glass dragon against a frosted pastel yellow ground.

Jar is signed near the foot with engraved signature “Gallé”. SIZE: 7” t. CONDITION: Very good to excellent.

52631-2 (7,500-9,000)

Lot 1104 (w/close-up)

1105.

GALLÉ CAMEO GLASS FISHERMAN VASE. Gallé vase is opalescent glass shading to light blue at the bottom.

The vase is decorated with cameo and engraved figures of fishermen landing large fish on a fishing pole with a gaff hook in their other hand. The figures are done very subtly as are trees and an island in the distance. Remnants of a red patination remain in some areas. SIZE: 6-1/4” t.

CONDITION: Very good to excellent. 52605-9 (9,50011,500)

Lot 1105 47

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1106. GALLÉ MOLD BLOWN CHERRY VASE. Gallé vase is mold blown with red cherries along with green and red leaves and stems all against a light peach colored background. The vase is signed on the side in cameo “Gallé”. SIZE: 10-1/2” t. CONDITION: There are some tiny open bubbles on interior of mouth from the making, otherwise very good to excellent. 52645-1 (7,000-10,000)

Lot 1106

1107.

GALLÉ MOLD BLOWN GRAPE VASE. Gallé vase has round body with flat sides and is mold blown with light purple grape clusters and brown leaves all against a frosted pastel yellow background.

The mouth of the vase has a lightly opalescent tint.

Signed on the side in cameo “Gallé”. SIZE: 11” t.

CONDITION: Very good to excellent. 52645-4 (6,000-9,000)

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1108. GALLÉ INTERNALLY DECORATED CAMEO GLASS VASE. Gallé vase is decorated with red cameo glass flowers, stems, and leaves encircling the body of the vase. Set against an internally decorated background of yellow, red, and blue diagonal random bands within frosted glass. Signed on the side in cameo “Gallé”. SIZE: 14-5/8” t. CONDITION: Very good to excellent. 52631-4 (5,000-7,000)

Lot 1108 1109.

GALLÉ CAMEO GLASS MOUNTAIN SCENE VASE. Gallé vase has deep purple cameo trees and rocks in the foreground. The trees frame a small lake and the vase is finished with blue cameo mountains in the distance. All against a shaded yellow background. Signed on the backside in cameo “Gallé”. SIZE: 14-1/4” t. CONDITION: There is a small open bubble in a purple cameo rock from the making, otherwise very good to excellent. 52605-2 (6,500-9,500)

Lot 1109 49

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1110.

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GALLÉ MARQUETRY VASE. Exceptional Gallé marquetry vase is decorated with inlaid green and amber leaves and stems against a mottled cream background with white swirls. The vase is further decorated with wheel carved detail on some of the leaves as well as wheel carving to create flowers on the body. Signed on the side in cameo “Gallé”. SIZE: 123/4” t. PROVENANCE: Christie’s London, 1999; to a prominent Midwest collection. CONDITION: Very good to excellent with some internal crazing from the making. 52769-9 (70,000-100,000)

1111. GALLÉ MOLD BLOWN RHODODENDRON VASE. Gallé vase has mold blown red rhododendrons with rich green leaves and stems against a frosted amber background. The red flowers are blown in a translucent glass giving the same bright effect as window pane technique. The unique glass in this vase is somewhat dichroic, when it is unlit the leaves are a rich green color and the flowers are bright red, when back lit the vase appears in shades of red/amber. Signed on the side in cameo “Gallé”, the vase also carries the remnants of an original Gallé paper label and retailers label. SIZE: 10-1/2” t. CONDITION: Very good to excellent. 52645-5 (7,000-10,000)

Lot 1111

1112.

LARGE GALLÉ CAMEO GLASS VASE. Large Gallé cameo glass vase has round body and is decorated with red cameo roses, stems and leaves all set against a pastel yellow shading to cream background. The foot and lip are finished in deep red. Signed on the side in cameo with an oriental influence signature “Gallé”. SIZE: 12” t.

CONDITION: Very good to excellent. 52605-6 (9,500-11,500)

Lot 1112 51

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1113. MONUMENTAL GALLÉ SCENIC VASE. Monumental Gallé vase has dark olive green cameo trees framing a pond with blue and purple rugged mountains. All set against a cream shading to yellow background. The vase rests on an applied amber glass foot with frosted glass wafer. Signed on the side within the pond in cameo “Gallé”. SIZE: 20-3/4” t. CONDITION: Very good to excellent. 52605-8 (14,000-18,000)

Lot 1113 1114.

GALLÉ FLORAL CAMEO GLASS VASE. Gallé vase has round body with flattened sides and is decorated on front and back with red cameo glass flowers, stems, and leaves. All set against a frosted pastel yellow background.

The flowers are done in the window pane technique giving them a nice brightness against the frosted background.

Signed on the sides in cameo “Gallé”. SIZE: 12-3/4” t.

CONDITION: Very good to excellent. 52605-12 (6,5008,500)

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1115.

GALLÉ BUTTERFLIES IN FLIGHT CAMEO VASE. Very unique Gallé vase has opaque powder blue outer layer of glass on top of a heavy yellow glass core with mottled dark blue internal decoration at the foot. The cameo butterflies are nicely detailed and irregular bands around the butterflies are cut through to the yellow core giving a very artistic feel to this unusual vase. Signed on the side in cameo “Gallé”. SIZE: 12-1/2” t. CONDITION: Very good to excellent. 52605-14 (18,000-22,500)

Reverse

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1116. GALLÉ MOLD BLOWN FUCHSIA VASE. Gallé mold blown vase has fuchsia flowers, stems, and leaves descending from the neck. The fuchsia flowers are done in red and blue glass while the leaves are done in dark amber glass. All against a shaded pastel yellow background. The inside of the rim is finished in a lightly opalescent glass. Signed on the side in cameo “Gallé”. SIZE: 11-1/2” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-7 (7,000-10,000)

Lot 1116 1117.

GALLÉ LAKE COMO VASE. Gallé cameo glass vase depicting Lake Como has dark brown cameo fence in the foreground with olive green and purple birds landing on the fence with the lake in the background and blue mountains raising on the distant shore. As the vase rotates there are large purple trees framing a portion of the lake with more mountains in the distance, all set against a shaded yellow sky. Signed on the side with engraved signature “Gallé”. SIZE: 11” t.

CONDITION: Very good to excellent. 52605-1 (10,000-15,000)

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1118. GALLÉ CAMEO GLASS FUCHSIA VASE. Gallé cameo glass vase has purple foot and amber glass cameo fuchsia flowers, stems and leaves descending from the neck. The vase is finished with a slightly flaring lip.

Cameo decoration is set against a shaded yellow background. Signed on the back in cameo “Gallé”. SIZE: 8-7/8” t. CONDITION: There are some light grind marks to the lip, most likely from the factory, otherwise very good to excellent. 52605-16 (2,000-3,000)

Lot 1118

1119. GALLÉ CAMEO LEAF VASE. Gallé vase is decorated with amber and green cameo glass oak leaves surrounding the body of the vase against a frosted pink and white shaded background. The vase is signed on the side in cameo “Gallé”. SIZE: 12-7/8” t. PROVENANCE: From an unreserved coastal Maine collection. CONDITION: Very good to excellent. 52545-3 (2,000-4,000)

Lot 1119 1120. GALLÉ PERFUME NIGHTLIGHT. Gallé perfume nightlight has cameo glass body with amber cameo leaves, flowers and stems surrounding the lamp against a frosted cream and light yellow background. Lamp is signed on the side in cameo “Gallé” and is finished with a bronze cap which supports a single small socket to illuminate and heat the lamp. SIZE: 5” to top of cap.

CONDITION: Very good to excellent. Rewired with appropriate cloth cord. 52771-23 (2,000-3,000)

Lot 1120 55

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1121. MONUMENTAL GALLÉ CAMEO GLASS DAFFODIL VASE. Monumental Gallé vase is decorated with green cameo stems and leaves leading up to bright yellow cameo daffodils. The vase is further decorated with subtle amber trees visible in the distance behind the green leaves. All against a frosted cream colored background. Signed on the side in cameo “*Gallé”. SIZE: 21-3/4” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: Very good to excellent. 52746-5 (2,000-3,000)

Lot 1121

1122. GALLÉ CAMEO AND INTAGLIO CARVED VASE. Gallé vase has brown and yellow cameo autumn leaves surrounding the body with intaglio carved leaves against two large brown leaves, all set against a shaded yellow, orange and cream background. Signed near the foot with engraved signature “Gallé”. SIZE: 9” t. CONDITION: Very good to excellent.

52761-13 (2,500-3,500)

Lot 1122

1123. EARLY GALLÉ ENAMELED VASE. Early Gallé vase has cylindrical body with bulging center.

The vase is decorated in intaglio carved leaves with gilded finish and is further decorated with heavily enameled flowers and leaves in shades of green, pink, lavender and white, all against a cream colored background. Signed on the underside with elaborate etched signature “Cristallerie De Gallé Et Nancy Modele Et Decor Deposes” along with an etched leaf design. SIZE: 13” t. PROVENANCE: From a prominent Midwest collection. CONDITION: Very good to excellent. 52769-8 (5,000-10,000)

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1124.

ALLÉ CAMEO GLASS FUCHSIA VASE. G Gallé vase has purple foot and purple and blue cameo flowers, stems and leaves set against a mottled and frosted pale yellow background. The two fuchsia flowers in full bloom are done in the window pane technique. There are some light iridescent areas on the interior of the vase. Signed on the side in cameo “Gallé”. SIZE: 4-1/2” t x 5” dia. CONDITION: Very good to excellent. 52605-18 (1,800-2,400)

Lot 1124 1125.

GALLÉ CAMEO MARGUERITE VASE. Gallé vase with squat bulbous body is decorated with cameo layer of Marguerite daisy flowers in bright pink with dark earthy green leaves, stems and centers, set against a light pink acid-textured background. Signed on side of vase with cameo “Gallé”. SIZE: 7” t. PROVENANCE: From an Unreserved Connecticut collection.

CONDITION: Very good to excellent. 52774-14 (1,800-2,200)

Lot 1125

1126. GALLÉ HANDLED CAMEO GLASS VASE. Gallé vase has round body that is flattened on front and back and is decorated with shaded green cameo leaves and seed pods descending from the lip against a salmon shading to cream background. Vase is finished with two applied frosted glass handles.

Signed on the back in cameo “Gallé”. SIZE: 5-1/4” t. CONDITION: There is a grind mark on outside of lip near one handle most likely from the factory, otherwise very good. 52363-11 (1,200-1,800)

Lot 1126 57

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1127.

FIVE GALLÉ CAMEO VASES. 1) Gallé stick vase has purple cameo flowers, stems, and leaves surrounding the body and climbing the neck, all against a frosted pastel yellow background. Signed on the side in cameo “Gallé”. 2) Gallé vase has brown cameo thistle design on front and back set against a mottled yellow shading to cream background. Background glass is acid textured and the vase is signed on the side in cameo “Gallé”. 3) Gallé atomizer bottle has red cameo flowers, stems, and leaves surrounding the bottle, all against a mottled pastel yellow background. It is topped with a metal collar but is missing the atomizer, hose and bulb. Signed on the side in cameo “Gallé”. 4) Gallé vase has violet cameo flowers, stems, and leaves all set against a pastel yellow background. Signed on the side in cameo “Gallé”.

5) Small Gallé stick vase has lilac, green, and white cameo flowers, stems, and leaves set against a peach colored background. Signed on the side of the bulbous body in cameo “*Gallé”. SIZE: 1) 11-3/4” t. 2) 8” t. 3) 7-1/4” t. 4) 6-1/2” t. 5) 6-1/2” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: 1) Very good to excellent. 2) Very good to excellent.

3) Metal cap has blistering and corrosion, otherwise very good to excellent.

4) Very good to excellent. 5) Very good to excellent. 52746-17 (1,500-2,500)

Lot 1127

1128. TWO CAMEO GLASS VASES. 1) Gallé vase is decorated with green cameo glass leaves and stems rising from the foot and supporting delicate lavender cameo flowers. All against a shaded green and cream background.

Signed on the side in cameo “Gallé”. 2) Muller vase has brown cameo trees bordering a lake with brown cameo mountains in the background. All set against a mottled orange background. Round vase has flattened sides and a lip pulled in two places to form handles. Signed on the side in cameo “Muller Fres Luneville”. SIZE: 1) 6” t. 2) 5-1/4” t. PROVENANCE: From an Unreserved Ohio estate. CONDITION: 1) Has two tiny flea bites to edge of foot, otherwise very good. 2) Very good to excellent. 52633-2 (1,2001,800)

Lot 1128 1129.

TWO GALLÉ CAMEO GLASS VASES. 1) Gallé vase has translucent amber cameo glass leaves, vines and berries surrounding the tall slender vase all against a cream colored background. Signed on the back in cameo “Gallé”. 2) Gallé stick vase has yellow and green cameo decoration of leaves, stems and seed pods all against a frosted glass background. Signed on the side in cameo “*Gallé”. SIZE: 1) 101/4” t. 2) 8” t. PROVENANCE: From an Unreserved San Diego, CA collection.

CONDITION: 1) Very good to excellent. 2) Very good to excellent. 52757-25 (1,000-1,500)

Lot 1129 1130.

G ALLÉ CAMEO GLASS ATOMIZER. Gallé atomizer has orange cameo glass leaves and flowers surrounding three quarters of the body against an orange shading to white background. Signed on the back in cameo “*Gallé”. SIZE: 3-3/4” t. CONDITION: Very good to excellent, atomizer top and ball appear to be replacements. 52363-12 (1,200-1,800)

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1131.

ALLÉ MONUMENTAL STICK VASE. Gallé monumental stick vase has bulbous squat G body with tall cylindrical neck. The three color vase has green cameo leaves and stems with purple flowers all set against a cream color shading to salmon background. Signed on the shoulder of the body in cameo “Gallé”. SIZE: 23” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. 52774-17 (1,500-2,000)

1132.

IVE CAMEO GLASS VASES. 1) Gallé vase has amber cameo leaves, vine and berries F against a frosted cream colored background. Signed on the side in cameo “Gallé”. 2) Gallé vase has amber cameo leaves, vines and berries against a lighter amber background. Signed on the side in cameo “Gallé”. 3) Gallé vase has purple cameo flowers, stems, leaves and buds against a shaded pink background. Signed on the side in cameo “Gallé”. 4) Gallé vase has brown cameo flowers, stems and leaves against a frosted tan background. Signed on the side in cameo “Gallé”.

5) Daum vase has cameo thistle on the front of the vase. The thistle design is enameled in shades of amber and set against an acid textured background of light amber with vertical bands of red.

Signed on the side in cameo “Daum Nancy” with the Cross of Lorraine. SIZE: 1) 3-3/4” t. 2) 5-3/8” t. 3) 5-3/4” t. 4) 5-1/2” t.

5) 4-5/8” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: All are very good to excellent. 5277410 (1,000-1,500)

Lot 1131

Lot 1132

Lot 1133

1134.

1133. THREE GALLÉ CAMEO VASES. 1) Cabinet vase has purple shading to dark green violet decoration on a frosted yellow ground. Signed on the side in cameo “Gallé”. 2) Banjo vase has purple cameo decoration of a grasshopper within flowers, stems and leaves against a lightly frosted yellow background.

Signed under the grasshopper in cameo “Gallé”. 3) A purple wisteria and green leaf decoration is set against a soft pink shading to purple ground. Signed on the side in green cameo “Gallé”. SIZE: 3-1/4” t, 8-1/2” t and approx 13-1/2” t respectively. PROVENANCE: From an Unreserved Ohio collection.

CONDITION: All three vases are very good to excellent. 52815-12, 52815-13, 52815-14 (1,000-1,500)

GALLÉ FIRE-POLISHED IRIS VASE. Gallé vase has lavender cameo iris, stems, and leaves. The cameo decoration is set against a cream colored background and the vase is signed on the backside with oriental signature “Gallé”. Vase is firepolished. SIZE: 5” t. PROVENANCE: From an Unreserved Chicago collection.

CONDITION: Very good to excellent. 52647-2 (800-1,200)

Lot 1134 59

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1135. GALLÉ CAMEO GLASS VASE. Gallé vase has olive green cameo decoration of flowers, stems, and leaves. All set against a light green background. Signed on the back in cameo “Gallé”. SIZE: 8” t. CONDITION: Very good to excellent. 52542-5 (600-900)

Lot 1135

1136. GALLÉ CAMEO LAMP BASE. Gallé lamp base has amber cameo glass flowers, stems and leaves descending from the top of the base down the cone shaped body against a shaded light blue background. The base has a bronze collar and three arm spider and is finished with a contemporary fabric shade. Base is signed on the side in cameo “Gallé”. SIZE: 11-1/3” to top of shade.

PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. 52774-26 (500-700)

Lot 1136 1137. GALLÉ CAMEO GLASS VASE. Gallé vase is decorated with dark amethyst cameo glass stems, leaves, and flowers surrounding the entire vase. The heavy cameo decoration is set against a frosted white background.

Signed on the side in cameo “Gallé”.

SIZE: 10” t. PROVENANCE: From an Unreserved Connecticut collection.

CONDITION: One tiny flea bite to underside of foot, otherwise very good to excellent. 52774-9 (600-900)

Lot 1137

1138. GALLÉ FLORAL CAMEO VASE. Gallé banjo vase is decorated with purple cameo floral blossoms, stems and leaves set against a pink acid textured background. Signed in cameo on side of vase “Gallé”. SIZE: 6-1/2” t. PROVENANCE: From an unreserved coastal Maine collection. CONDITION: Very good to excellent. 52545-5 (700-1,000)

Lot 1138 Visit www.jamesdjulia.com for more information

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1139. BURGUN & SCHVERER PRESENTATION TUMBLER. Burgun & Schverer presentation tumbler has cameo and enameled decoration with a central panel decorated with a cameo and enameled ribbon and medal within an enameled green wreath, dated below the medal “22 Septembre 1907”. The wreath is flanked on each side by gilded cameo pillars with enameled flowers on top. A second panel has cameo entwined initials “EJ” with cameo flowers, stems, and leaves on both sides with gilded detail. The third panel has a sentence in Italian which roughly translates to “I am human and nothing human is alien to me.” All surrounded by cameo flowers, stems, and leaves with gilded detail. The underside of the tumbler is inscribed “A. Monsieur Eug. Jaquel La Speranza Reconnaissart” also marked on the bottom “Meisenthal Septembre 1907 B. S. & Co” along with what appears to be a signature. SIZE: 4-3/8” t. CONDITION: Very good to excellent. 52761-3 (6,000-9,000)

Lot 1139

1140.

BURGUN & SCHVERER CAMEO VASE. Burgun & Schverer cameo glass vase has yellow, pink, and red flowers with brown stems and bright green leaves. All set against a background of green shading to red. The flowers are overlaid in clear glass and wheel carved.

The vase is further decorated with random bands of martelé. Signed on the underside with thistle, Cross of Lorraine mark, and “Verrerie D’Art de Lorraine B&S Co Depose”. SIZE: 8-1/2” t. PROVENANCE: From a prominent Midwest collection. CONDITION: Very good to excellent. 52769-2 (10,000-15,000)

Lot 1140 61

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1141. BURGUN & SCHVERER INTERNALLY DECORATED AND CAMEO GLASS VASE. Burgun and Schverer vase has pink, yellow and white cameo flowers with green cameo leaves. The cameo decoration is overlaid with clear glass and wheel carved for detail, all set against a frosted background with internal swirls of red glass. The vase is further decorated with random areas of martelé as well as cameo icicles descending from the lip. Signed on the underside with elaborate thistle mark “Verrerie D’Art De Lorraine BS & Co Depose”. SIZE: 6” t.

CONDITION: Very good to excellent. 52645-3 (3,000-5,000)

Lot 1141 1142.

BURGUN & SCHVERER CAMEO VASE. Burgun & Schverer vase has heavy brown cameo glass decoration of flowers, stems, and leaves surrounding three quarters of the vase. The cameo flowers feature wheel carved details and the rich brown decoration is set against a cream and green glass background. The vase is finished with a brown glass foot and lip. The vase is further decorated with random patches of martelé. Signed on the underside with an elaborate thistle and Cross of Lorraine signature “Verrerie D’Art De Lorraine B&S Depose”. SIZE: 3-7/8” t x 4-7/8” sq. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-12 (2,500-3,500)

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Lot 1142 62

1143.

G. ARGY ROUSSEAU GARDEN OF HESPERIDES VASE. Extraordinary pate de verre vase by G. Argy Rousseau in the Garden of Hesperides (sometimes referred to as Apple Picker) pattern is beautifully decorated with a repeated Greek mythology scene of an evening nymph guarding the apple trees of Hera’s garden following her marriage to Zeus. Each of the three maidens is done in bright fuchsia, under the red apples of the trees with dark violet branches and trunks, all over a stylized greek-key bottom border in mottled red and

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violet. Vase retains “The Elton John Collection” sticker on the bottom. Signed “G Argy-Rousseau” on side of vase and “France” on the underside. Similar examples are illustrated on the front cover and pgs.72-73 of the book G. Argy-Rousseau, Glassware as Art by J. Bloch-Dermant.

SIZE: 9-1/2” t. PROVENANCE: The Elton John Collection, Sotheby’s London 1988; Christie’s New York, 1998: to a prominent Midwest collection. CONDITION: Very good to excellent. 52769-3 (25,000-35,000)

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1144. G. ARGY ROUSSEAU HONESTY POWDER BOX. Argy Rousseau powder box in the Honesty pattern has yellow, brown and white stylized leaves adorning the top and side of the box against a beige background. Box is signed on the side “G. Argy Rousseau”. Box is pictured in the book G. ArgyRousseau Glassware As Art by Janine Block-Dermant, c.1920, pg.185, illus.20.26. SIZE: 3-1/4” t. x 3-3/4” dia. PROVENANCE: From a private California collection. CONDITION: Very good to excellent.

52757-24 (1,600-2,000)

Lot 1144 1145.

G. ARGY ROUSSEAU ASHTRAY. G. Argy Rousseau ashtray is done in the medallion pattern with a center medallion featuring the head of a young Roman man. The ashtray is done in mottled red and clear glass with brown highlights. Signed on the side near foot “G. Argy Rousseau”. The ashtray is pictured in the Catalog Raisonné section of the book G. Argy - Rousseau Glassware as Art by Janine BlochDermant, page 195, illustration 23.9. SIZE: 6-1/4” l. CONDITION: Very good to excellent.

52766-15 (1,800-2,400)

Lot 1145

1146. G. ARGY ROUSSEAU CERES BOWL. G. Argy Rousseau bowl in the Ceres pattern has panels decorated with orange and yellow stylized leaves alternating with panels having a dark red cross-hatch design, all against a frosted pate de verre background.

Signed on the side with impressed signature “G. Argy Rousseau”. Similar example is pictured in the Catalog Raisonné section of the book G. Argy - Rousseau Glassware as Art by Janine Block-Dermant, page 208, illustration 26.04. SIZE: 3-1/4” t. CONDITION: Very good to excellent. 52766-12 (4,000-6,000)

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1147. A. WALTER PATE DE VERRE CRAB BOWL. A. Walter pate de verre bowl is decorated with a mottled brown, yellow, and blue crab against a mottled yellow, brown, orange, and green background. The crab has a glossy finish, while the rest of the bowl has a matte finish. Signed on the inside edge “A. Walter Nancy”, also artist signed in the bottom of the bowl “Berge”. SIZE: 9-1/2” dia. PROVENANCE: From an Unreserved Ohio collection. CONDITION: Very good to excellent. 52815-1 (1,500-2,500)

Lot 1147 1148.

A. WALTER FLORAL NIGHTLIGHT. Almeric Walter nightlight has cone shaped pate de verre shade with red and pink flowers with three petals and subtle green stems swirling up the side of the yellow shade. Shade rests on an iron ring with hammered ball feet and is finished with a stylized flower cap with hammered ball center. Signed on the side “A. Walter Nancy”. SIZE: 8-1/2” t.

PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. Wired with contemporary plastic cord and a European plug. 52774-15 (1,500-2,500)

Lot 1148 1149. A. WALTER CRAYFISH PAPERWEIGHT. Almeric Walter pate de verre paperweight depicts a green and black speckled crayfish resting on a bed of green grass. The paperweight is signed on the side “A. Walter Nancy” and artist signed on the opposite side “Berge”. SIZE: 4-1/2” l. CONDITION: Very good to excellent. 52743-4 (1,000-1,500)

Lot 1149 65

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1150. LOT OF FOUR DESPERET PATE DE VERRE MASKS. Lot consists of an amber pate de verre mask of Lucifer, a dark green pate de verre mask of Pan, a tan pate de verre mask of a man, and a blue pate de verre mask of a baby. Mask of Pan is signed on the edge with what appears to be “F. Hermes”. Others are unsigned.

SIZE: Lucifer 8-1/2” l. Pan 9” l. Man 5-1/8” l. Baby 4-3/8” l. CONDITION: Mask of baby’s face has a shallow flake to top of head, all others very good to excellent.

47560-1, 47560-2, 47560-3, 47560-4 (3,000-4,000)

1151. DECORCHEMONT MERMAID VIDE POCHE. Decorchemont pate de verre vide poche has a mermaid with tan body, head, and hair and green glass tail against a dark blue tray depicting water, it is further decorated with a black pate de verre crab. Signed on the side with impressed mark “Decorchemont”. SIZE: 6-3/4” l. PROVENANCE: From a private California collection. CONDITION: Very good to excellent. 52757-22 (3,000-5,000)

Lot 1150

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66

1152.

ECORCHEMONT FLORAL PATE DE D VERRE VASE. Decorchemont pate de verre vase has brown, red, yellow and orange splashes of color throughout the body of the vase. The vase is further decorated with randomly placed round flowers as well as randomly placed swirls around the side of the vase. Signed on the side with impressed mark “Decorchemont”. SIZE: 7-1/4” dia. PROVENANCE: From a private California collection. CONDITION: Very good to excellent.

There is an open bubble on the underside edge of the foot from the making. 52757-20 (2,500-4,000)

Lot 1152

1153.

DECORCHEMONT PATE DE VERRE VASE. Decorchemont pate de verre vase is done in green glass with random splashes of purple internal decoration.

The vase has six vertically ribbed panels surrounding the body. Signed on the side with impressed signature “Decorchemont”. SIZE: 3” t. x 4” dia. PROVENANCE: From a private California collection. CONDITION: There is a bruise approximately 1/4” square on the outside lip of the vase, otherwise very good. 52757-21 (1,5002,000)

Lot 1153

1154.

ECORCHEMONT FOOTED BOWL. D Decorchemont pate de verre footed bowl has a band at the lip of inverted ribbing and is finished with three heavy pate de verre feet. The bowl is done in grayish/green color and is signed on the side with impressed mark “Decorchemont”. SIZE: 9-7/8” dia. PROVENANCE: From a private California collection. CONDITION: Very good to excellent.

52757-19 (3,500-5,000)

Lot 1154 67

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1155.

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LE VERRE FRANCAIS POISSONS VASE. Le Verre Francais cylindrical footed vase is decorated with cameo decoration of bright orange fish shading down to bright green aquatic vegetation at the dark purple foot, all on an acidtextured background of frosted clear shading to pale blue with internal controlled bubbles.

Signed on the foot “Charder Le Verre Francais”.

Example of similar pattern is illustrated in the book Charles Schneider by Joulin/Maier, pg.175.

SIZE: 14” t. CONDITION: Very good to excellent. 52761-7 (5,000-7,000)

1156. LE VERRE FRANCAIS MONNAIE DU PAPE TABLE LAMP. Le Verre Francais table lamp in the Monnaie du Pape pattern has base with round green foot and vertical bands of mottled brown crossing the foot and rising vertically up the slightly bulging stem.

The vertical stems support rows of orange flowers all set against a mottled light yellow background. The shade exhibits the same pattern except that the flowers and stems are descending from the top of the shade again across a mottled yellow background. Lamp is signed on top of the foot with etched signature “Le Verre Francais”, as well as being signed on the edge of the foot with inlaid candy cane. SIZE: Shade 10” dia. 17” t. PROVENANCE: From a Boston, MA collection. CONDITION: There is one tiny flea bite on the bottom rim of the shade, otherwise very good to excellent. Rewired with appropriate cloth cord.

52776-10 (3,000-5,000)

Lot 1156

1157.

LE VERRE FRANCAIS ROSE CAMEO GLASS TABLE LAMP. Le Verre table lamp is decorated with red cameo glass roses climbing up the stem. The rose pattern repeats itself three times around the stem and rises from a green round foot with cameo honeycomb decoration. The shade is decorated with red and green roses, stems and leaves encircling the shade. The rose decoration is set against a mottled red and cream frosted background. Signed on top of foot with inlaid candy cane. SIZE: Shade 9-3/4” dia. Lamp 17” t. PROVENANCE: From a Boston, MA collection.

CONDITION: Very good to excellent. There is some dimpling to the surface of the glass on the green foot from the making. 52776-8 (3,000-5,000)

Lot 1157 69

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1158. LE VERRE FRANCAIS PALMIERS BLEUS VASE. Le Verre Francais squared vase with flared body is decorated with dark blue stylized cameo palm trees against an acid-textured background of pale yellow shading to light blue at the base. Signed “Charder” in cameo on side of vase and etched “Le Verre Francais” on edge of foot. Similar example pictured in the book Charles Schneider by Joulin/Maier, pg.191. SIZE: 11-1/4” t. CONDITION: Very good to excellent. 52628-13 (5,500-7,000)

Lot 1158 1159.

LE VERRE FRANCAIS COLLIERS VASE. Le Verre Francais vase is decorated with cameo stylized necklace decoration in dark violet encircling the vase, against a mottled background of acidtextured pink, white and yellow. Vase is finished with two violet applied glass handles. Signed in cameo “Charder”. Similar example illustrated in the book Charles Schneider by Joulin/Maier, pg.162.

SIZE: 12-1/4” t. PROVENANCE: From a Boston, MA collection.

CONDITION: Very good. 52776-3 (2,500-3,500)

Lot 1159

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1160. LE VERRE FRANCAIS FRENES VASE. Le Verre Francais large squat vase is decorated with stylized cameo ash tree branches and blossoms descending from the top rim and honeycomb tile around the bottom, in violet shading down to bright orange, against a mottled yellow acid-textured background.

Vase is finished with two dark violet applied glass handles. Signed on the lower edge with etched “Le Verre Francais” and retains retailer sticker on the underside marked “Au Bon Marche” with handwritten “68” and “880”. Similar vases illustrated in the book Charles Schneider by Joulin/Maier, pg.137. SIZE: 9-3/4” t. x 12” dia. PROVENANCE: From a Boston, MA collection. CONDITION: Very good to excellent. 52776-6 (2,500-3,500) 70

1161. LE VERRE FRANCAIS PINSONS VASE. Rare Le Verre Francais vase is decorated with stylized finch on a tree branch, repeating three times in mottled violet cameo over an acidtextured opalescent shading to pink background. Vase signed with cameo “Charder” and etched “Le Verre Francais” on edge of foot.

Similar examples are illustrated in the book Charles Schneider by Joulin/Maier, pg.180. SIZE: 14” t. PROVENANCE: From a Boston, MA collection. CONDITION: Very good to excellent.

52776-5 (3,000-5,000)

Lot 1161 1162.

LE VERRE FRANCAIS MONUMENTAL CYGNES VASE. Large Le Verre Francais vase is decorated with stylized outer layer of dark violet cameo branches and leaves at the top rim leading down to two sets of swimming swans in a pond, all set against a mottled acid-textured background of orange shading to white over a wide violet foot. Signed on the side of vase with cameo “Charder” and etched on top of foot “Le Verre Francais”. Similar examples are pictured in the book Charles Schneider by Joulin/Maier, pg.179-179. SIZE: 33” t. PROVENANCE: From a Boston, MA collection. CONDITION: Very good to excellent. 52776-4 (4,0006,000)

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1163. LE VERRE FRANCAIS SCARABEES VASE. Le Verre Francais vase with tapered body leading to rolled top rim is decorated with cameo stylized scarab beetles in mottled violet over an acid-textured bright orange mottled background. Vase retains a partial retailer sticker on the underside from Terrier-Theveniaud of Autun, France. Signed “Le Verre Francais” and with Berlingot candy cane, indicating manufacture in 1923. Similar vase is illustrated in the book Charles Schneider by Joulin/Maier, pg.99. SIZE: 15-1/4” t. CONDITION: Very good to excellent. 52761-10 (2,000-3,000)

Lot 1163

1164. LE VERRE FRANCAIS RHODODENDRONS VASES. Lot consists of two Le Verre Francais cameo vases decorated with stylized rhododendron flowers in dark violet shading to pink rising from the foot of the vase, set against an acid-textured background of mottled white shading down to light orange.

Both signed on top of each foot “Le Verre Francais”. Similar examples are illustrated in the book Charles Schneider by Joulin/ Maier, pg.173. SIZE: Each 113/4” t. PROVENANCE: From an Unreserved Ontario, Canadaada collection. CONDITION: Very good to excellent. 52654-8 (2,1003,000)

Lot 1164

1165.

LE VERRE FRANCAIS ART DECO CAMEO VASE. Monumental Le Verre Francais vase has art deco cameo decoration with a mottled orange band of stylized flowers surrounding the shoulder with geometric spear heads descending the side of the vase. All against a mottled amber, pink, and white background. Signed on the side of the foot “Le Verre Francais” as well as the side of the vase in cameo “Charder”. The pattern is pictured in the book Charles Schneider - Charder Schneider by Marie-Christine Joulin, and Gerold Maire, pg. 199. SIZE: 24-1/2” t.

PROVENANCE: From a Boston, MA collection. CONDITION: Very good to excellent.

52776-7 (2,500-3,500)

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1166. LE VERRE FRANCAIS NENUPHARS BLEUS VASE. Le Verre Francais ovoid shaped vase has stylized cameo decoration of water lily pattern in rich mottled violet against an acid-textured light blue shading to cobalt mottled background.

Vase is signed on the edge of foot “Le Verre Francais”. Similar examples are illustrated in the book Charles Schneider

by Joulin/Maier, pg.203. SIZE: 12” t.

PROVENANCE: From a Boston, MA collection. CONDITION: Very good to excellent. 52776-2 (3,500-5,000)

Lot 1166

1167.

LE VERRE FRANCAIS PALMIERS BLEUS VASE. Large Le Verre Francais ovoid vase with flared rim is decorated with dark blue stylized cameo palm trees against an acid-textured background of pale yellow shading to light blue at the base.

Signed “Charder” in cameo on side of vase and etched “Le Verre Francais” on edge of foot. Similar example pictured in the book Charles Schneider by Joulin/Maier, pg.191. SIZE: 18-1/2” t.

CONDITION: Very good to excellent. 52761-8 (4,000-6,000)

Lot 1167 73

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1168. LE VERRE FRANCAIS LEZARDS VASE. Le Verre Francais vase is decorated with cameo layer of stylized lizards and dragonflies in mottled orange and violet over an acid-textured layer of mottled bright yellow background. Signed on the top of foot with etched “Le Verre Francais”. Similar examples are illustrated in the book Charles Schneider by Joulin/Maier, pg.109.

SIZE: 18”t. CONDITION: Very good to excellent. 52761-9 (3,500-5,000)

Lot 1168 1169.

LE VERRE FRANCAIS TORTUES VASE. Le Verre Francais baluster form vase is decorated with stylized turtles and tile pattern in mottled green shading down to dark orange, set against an acid textured background of mottled orange. Vase is signed on lower edge with Berlingot candy cane indicating production between 1918-1922. Similar design illustrated in the book Charles Schneider by Joulin/Maier, pg.89. SIZE: 12” t. PROVENANCE: From a Boston, MA collection. CONDITION: Very good to excellent. 52776-1 (2,500-3,500)

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1170.

E VERRE FRANCAIS CAMEO GLASS L LAMP. Le Verre Francais lamp has a pink foot with cameo honeycomb design. The body of the lamp is decorated with mottled green and pink roses, stems, and leaves descending from the top against a mottled pink background. The base is finished with an iron collar and 3-arm spider which supports the matching shade with mottled pink and green roses, stems, and leaves. All against a mottled pink shading to clear frosted background.

Lamp is signed on the foot with inlaid candy cane mark. SIZE: Shade 14” dia. Lamp 22-1/2” t.

PROVENANCE: From an Unreserved Maryland collection. CONDITION: Very good to excellent, re-wired with very short contemporary plastic cord.

52606-2 (2,500-3,500)

Lot 1170

1171.

LE VERRE FRANCAIS AZURETTES VEILLEUSE. Le Verre Francais nightlight in the Azurettes pattern has cobalt blue cameo decoration of stylized spheres of flowers hanging from limbs descending from the top of the shade and a cameo honeycomb band encircling the fitter, all set against an acid-textured light blue mottled background. Shade rests on its original hammered metal base with three stylized leaf design feet. This exact example is pictured in the book Charles Schneider by Joulin and Maier, pg. 133. SIZE: 6” t.

PROVENANCE: From the Roy and Susan Bittan Collection.

CONDITION: Very good to excellent. 52770-2 (1,500-2,000)

Lot 1171 75

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1172. LE VERRE FRANCAIS CEDRES VASE. Le Verre Francais cameo vase is decorated with stylized cedar tree buds in mottled red and violet over an acid-textured background of pale orange shading to light violet, finished with violet applied handles.

Signed on the foot “Le Verre Francais”. Exact vase is pictured in the book Charles Schneider by Joulin and Maier, pg.135. SIZE: 14” t. PROVENANCE: From the Roy and Susan Bittan Collection.

CONDITION: A very small bruise on edge of the foot, otherwise very good to excellent. 52770-1 (2,000-2,500)

Lot 1172 1173.

LE VERRE FRANCAIS DAHLIAS VASE. Le Verre Francais vase has bulbous body with tapered neck and flared rim, decorated with cameo layer of light purple to dark violet stylized Dahlia flowers set against an acid-textured background of mottled pink. Vase is finished with two dark violet applied glass handles. Signed on edge of foot with etched “Le Verre Francais”. Similar examples pictured in the book Charles Schneider

by Joulin/Maier, pg.118. SIZE: 17-1/2” t. CONDITION: Very good to excellent. 52761-11 (2,000-3,000)

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1174. LE VERRE FRANCAIS CARDAMINES VASE AND BOWL. Le Verre Francais vase and footed center bowl are decorated with stylized cameo layer of cuckoo flowers in deep red/orange shading down to violet at the feet, against acid-textured yellow/orange mottled backgrounds. Vase signed “Le Verre Francais France” on top of foot, bowl signed “Le Verre Francais” on top of foot and “France” on the underside. Similar example is illustrated in the book Charles Schneider

by Joulin/Maier, pg. 133. SIZE: 1) 15” t. 2) 5-1/2” t x 12-1/4” dia. CONDITION: Very good to excellent.

52761-14 (1,000-1,500)

Lot 1174

1175.

LE VERRE FRANCAIS CAMEO GLASS VASE. Le Verre Francais vase is decorated with clear cameo glass stylized flowers surrounding the body of the vase. The center of each flower is purple and the flowers are set against an amethyst shading to clear frosted background. Vase is signed on the underside with etched signature “Charder Le Verre Francais”. SIZE: 13-1/2” t. CONDITION: Very good to excellent. 52761-15 (1,2001,800)

Lot 1175 1176.

Lot 1176 77

HREE SCHNEIDER ART GLASS T COMPOTES. 1) Schneider compote has mottled orange glass bowl which rests atop an applied black glass stem with vertical white stripes. Stem rests on an iron base with three curled feet and three iron leaves along with three glass balls. Signed “Schneider” on stem. 2) Schneider compote has mottled yellow shading to orange bowl which rests on a mottled purple glass stem with inverted saucer foot. Signed on top of foot “Schneider”. 3) Compote has mottled orange glass bowl with mottled blue band at the rim. The bowl rests on a mottled purple inverted saucer foot and stem. Signed on foot “Schneider France”. SIZE: 1) 14-1/4” t. 2) 3-3/4” t. 3) 5” t. PROVENANCE: From an Unreserved Maryland collection. CONDITION: All are very good to excellent. 52606-8 (1,200-1,800) Visit www.jamesdjulia.com for more information

1178.

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SCHNEIDER WHEEL CARVED GRAPE VASE. Schneider vase is decorated with bunches of applied black grapes which are flameworked and wheel carved.

The grapes repeat three times around the vase and are suspended from inlaid green and brown vines, all against a mottled orange background which darkens at the top.

The vase is supported by an applied mottled purple foot and stem. Signed on top of the foot with engraved signature “Schneider”. This exact vase is illustrated in the book Charles Schneider by Joulin/Maier, pg.280. SIZE: 12” t. PROVENANCE: From the Roy and Susan Bittan Collection. CONDITION: Very good to excellent.

52770-3 (7,000-10,000)

1179.

FIVE SCHNEIDER GLASS ITEMS. 1) Schneider vase has mottled blue and green neck and shoulder giving way to mottled orange at the bottom. Signed on top of foot “Schneider”. 2) Schneider vase has bulbous body with slightly flaring neck. The vase has purple glass at the foot shading to striated orange and red at the neck.

The vase is further decorated with three applied amethyst glass vertical bands on its side. Signed on the side near foot “Schneider France” along with an etched vase. 3) Schneider compote has applied mottled purple foot and stem which supports the mottled pink bowl with splashes of tan and brown color. Signed in the polished pontil Lot 1179 “Schneider France”. 4) Schneider pitcher has bulbous body and ewer shaped spout. The pitcher shades from mottled yellow at the bottom to mottled white and orange at the top and is finished with an applied purple glass handle. Signed near the foot “Schneider”. 5) Schneider bowl is blown into a tooled iron stand with three iron ball feet. The bowl is mottle purple and maroon with random splashes of orange. Signed on the underside “Schneider France”. SIZE: 1) 10” t. 2) 6-1/2” t. 3) 9-1/2” dia. 4) 6” t. 5) 8” dia. PROVENANCE: From an Unreserved Maryland collection. CONDITION: 1) Very good to excellent. 2) Very good to excellent. 3) Very good to excellent. 4) Very good to excellent. 5) There is a tiny flea bite to the outside of the lip, otherwise very good to excellent. 52606-5 (1,500-2,000) 1180. TWO SCHNEIDER INTERNALLY DECORATED VASES. 1) Schneider vase has applied foot with round body leading to a squared lip. The vase has internal decoration with waves of orange and purple flowing throughout the body and is further decorated with a controlled bubble interior. Signed on the foot with etched signature “Schneider”. 2) Vase has straight sides with tapered neck and foot and is decorated with two applied glass ball handles. Vase is internally decorated with splashes of orange and yellow color and is further decorated with all over controlled bubbles. Signed near the foot with etched signature “Schneider”. SIZE: 1) 8-3/4” t. 2) 5” t. PROVENANCE: From an Unreserved Maryland collection.

CONDITION: Both are very good to excellent. 52606-7 (1,200-1,800)

Lot 1180 1181.

FIVE SCHNEIDER ART GLASS PIECES. 1) Large Schneider compote has mottled purple foot and stem. The stem and foot support the compote bowl with purple in the center shading to clear on the rim. The rim has clear glass ribbing radiating from the center with acid texture to the glass between the ribbing. 2) Smokey quartz colored compote has inverted saucer foot, slender stem and shallow bowl. 3) Art Deco bowl has inverted cone body with acid textured Art Deco design. 4) Olive green vase has inverted saucer foot with body that flares at the waist. The vase is decorated with controlled bubbles and has two applied tear drops on each side. 5) Vase has heavily ribbed body and shades from purple at the bottom to clear.

Each piece is signed with etched signature “Schneider”. SIZE: 1) 14-3/4” dia. 2) 6” dia. 3) 7-1/2” dia. 4) 7-3/4” t. 5) 6-3/4” t.

PROVENANCE: From an Unreserved Maryland collection.

CONDITION: All are very good to excellent. 52606-6 (1,250-1,750) 79

Lot 1181

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1182.

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80

SCHNEIDER WHEEL CARVED VASE. Schneider art glass vase is decorated with applied flameworked red currants, each with a small purple/ black dot at the blossom end. After being applied the currants are wheel carved to give dimension. The currant bunches repeat themselves three times around the vase and are set against a yellow and orange mottled background shading to red and orange at the top. The vase is further decorated with green and brown inlaid stems connecting the bunches of currants. The vase rests on an iron three legged base with hammered leaves and four glass beads depicting fruit. Signed on the side near foot with etched signature “Schneider France”. Similarly decorated examples are illustrated in the book Charles Schneider by Joulin/Maier, pgs.282283. SIZE: 10” t. PROVENANCE: From the Roy and Susan Bittan Collection. CONDITION: Very good to excellent. 52770-4 (6,500-8,000)

1183. TWO MONUMENTAL SCHNEIDER VASES. 1) Schneider vase has internal decoration of mottled pink, yellow, orange, and cream shading to mottled purple at the top with random splashes of green at the top. Signed near the foot with etched signature “Schneider”. 2) Schneider vase has rich red glass body with random splashes of blue. Each blue section is accentuated by controlled bubbles. Vase is signed on edge of foot “Schneider France”. SIZE: 1) 16-3/4” t. 2) 19-3/4” t.

PROVENANCE: From an Unreserved Maryland collection. CONDITION: Both are very good to excellent.

52606-4 (1,500-2,000)

Lot 1183

1184.

SCHNEIDER INTERNALLY DECORATED TABLE LAMP. Schneider table lamp is internally decorated with orange and yellow mottled colors. The bottom of the base and top of the shade are overlaid with a thin layer of brown glass creating a marbled effect. The helmet shaped shade rests on an iron three arm spider and textured collar. Both base and shade are signed with etched signature “Schneider”. SIZE: Shade 7” dia. Base 18-1/2” t. PROVENANCE: From a Boston, MA collection. CONDITION: Very good to excellent. Rewired with appropriate cloth cord. 52776-9 (2,500-3,500)

Lot 1184 81

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1185.

SCHNEIDER WHEEL-CARVED POPPY VASES. Pair of matching Charles Schneider vases with bulbous tapering bodies are each decorated with a single padded and wheel-carved poppy blossom medallion of deep purple, set against a mottled ground of yellow shading to deep orange at the feet. Vases both signed on the top of foot “Schneider”. Similarly decorated examples are illustrated in the book Charles Schneider by Joulin/Maier, pgs.285&287.

SIZE: Both 16” t. CONDITION: Both very good to excellent. 52761-6 (8,000-10,000)

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1186.

ALLÉ MARQUETRY NESTING TABLES. G Set of four Gallé nesting tables have floral marquetry design in the tabletops. The design is done in various woods including but not limited to burled maple, walnut, and mahogany. The three largest tables are signed in marquetry “Gallé”. The smallest table is not signed. All the tables have carved legs and cross members. SIZE: Largest 24” w x 15-1/2” d x 28-1/2” t. CONDITION: Very good to excellent with some old repairs to leg joints and cross members. 52771-37 (5,000-7,000)

Lot 1186 1187.

FINE MAJORELLE ART NOUVEAU WALNUT BANQUET TABLE. Louis Majorelle (French, 1859-1926). Rectangular top with molded edge, raised on square molded, tapered foliate carved legs terminating in square pad feet. Beneath center of table top is fitted a pair of bulbous cylindrical legs which drop down as central supports when the table is extended with any combination of the five original table leaves. Each leaf fitted with conforming apron. SIZE: 29” t x 50-1/2” l x 51” w Lot 1187 closed. 29” t x 51” w x 132” fully extended with 5 leaves. Each leaf measures: 51” x 14”.

CONDITION: Structurally very good. Top with minimal and minor surface scratches and minor abrasions. Table retains fine French polish surface. All original leaves intact as noted. 52574-1 (4,000-6,000)

1188. F OUR MAJORELLE DINING CHAIRS. Louis Majorelle (French, 1859-1926). The set comprised of three side chairs and an armchair. Each incurved molded crest rail continuing to conforming styles centering a narrow rectangular over-upholstered back panel. Joined to the trapezoidal seat, the whole covered in forest green velvet. Each chair raised on tapering molded legs with foliate carving in the wheat pattern. The conforming armchair with molded arms on molded supports. The chair upholstered in a blue-green velvet. SIZE: Back 40” t. Seat 18” t. Arm chair 39” back, seat is 17” t. Overall width 22-1/2”. CONDITION: Very good overall with early, if not original surface and undisturbed patina. 52574-2 (4,000-6,000)

Lot 1188 83

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1189.

LOT OF 8 MAÎTRES DE PRINTS AND 1 CONCERT POSTER. Lot consists of 8 prints marked in the lower left hand corner Les Maîtres de L’Affiche Imprimerie Chaix (Encres Lorilleux & Cis.). The lot includes the following prints w/ plate numbers; The Chap-Book, PL 136. Hamlet, PL 107. Rudolf Koller, PL 188. L’Eclatante, PL 143. Harper’s March, PL 20. Harper’s May, PL 115. Motocycles Comiot, PL 190. Zlata Praha, PL 176. All are framed and matted in simple gilded frames. Lot also includes a Caprice concert poster which is framed in a gilded frame with linen matte.

SIZE: Prints 16” x 20-1/2” overall. Poster 26” x 32-1/2” overall. CONDITION: All are very good to excellent, not examined out of frames. 52743-5 (3,000-4,000)

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84

Lot 1190 85

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1190.

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86

D.H. CHIPARUS FOOTSTEPS BRONZE. Sculpture by D.H. Chiparus depicts dancing woman in green and red skirt and green blouse with red hat dancing with arms spread and stepping forward. The bronze rests on a stepped marble base and is complete with ivory head, hands, feet, and torso. Signed on top of marble base “D.H. Chiparus”. SIZE: 16-1/4” t. PROVENANCE: From a Connecticut collection.

Special Note: This item(s) contains plant or animal properties that may be covered by the Endangered Species Act (ESA). Please read the Conditions of Sale, section 15, for more information regarding the Endangered Species Act, and your responsibilities as a buyer. CONDITION: Very good to excellent, with some minor wear to green patina on back of dress. 52774-23 (20,000-30,000) ESA

87

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1191.

M PROST (French, 1894-1967) PANTHER MARCHANT BRONZE. M Prost bronze sculpture of a walking panther. The bronze panther is finished in a black patina and rests on a sloping black stone base. Signed on the side of the base “M. Prost” on one side and “Susse Fres Edit RS Paris” on the other. SIZE: 14-1/2” l x 7-1/2” t. PROVENANCE: From an Unreserved Chicago collection.

CONDITION: There is some minor wear and some light scratches to the patina on the panther and some small chips and roughness to the edges of the base. 52647-3 (8,000-10,000)

1192. THOMAS CARTIER BRONZE SCULPTURE. Bronze sculpture of a calling elk by Thomas Cartier depicts the elk with his head back and mouth open calling for a mate. The sculpture is finished in a brown patina and is signed on the base “T. Cartier”. SIZE: 19-1/2” l x 17” t (to tip of horn). PROVENANCE: From an Unreserved Upstate New York estate.

CONDITION: Tip of one horn appears to be slightly bent, otherwise very good to excellent. 52485-15 (8001,200)

Lot 1192 1193.

CHARLES VALTON BRONZE WOLF SCULPTURE. Bronze sculpture of a wolf by Charles Valton is slightly crouched as if stalking. The sculpture is finished in a dark brown patina and is signed on the tip of the tail “C.H. Valton”. SIZE: 21” l x 10-1/4 t (to top of ear). PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: Very good with some very minor wear to patina, two of the feet are drilled for mounting to a base, base is not present.

52485-16 (800-1,200)

Lot 1193 1194. GUILLOCHE ENAMEL DRESSER SET. Four piece dresser set includes a hand mirror, comb, nail file and button hook. Each piece is sterling silver and finished with guilloche enamel. The mirror and comb have a central panel with enameled roses and blue birds in flight surrounded by engine turned pink and white enamel, all on a sterling silver frame. Comb and mirror are marked “F&B Sterling Pat. Jan 30, 23” while the button hook and nail file are marked “F&B Sterling Pat. Mar. 6, 23”. SIZE: Mirror 127/8” l. CONDITION: Nail file has a chip to the enamel on the handle, otherwise all are very good to excellent. 52785-7 (1,500-2,500)

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1195. LOETZ BLACK BOTTOM VASE. Loetz vase in the Phaenomen Genre 358 also known as “Black Bottom” has black and silver/blue iridescent swirls surrounding the foot giving way to gold iridescent threaded bands against an orange background. The gold threads give way to a red and amber band at the neck. Unsigned. SIZE: 6” t. CONDITION: Very good to excellent. 52771-35 (4,000-6,000)

Lot 1195

1196.

LOETZ CARRAGEEN SILVER OVERLAY VASE. Loetz vase in the Carrageen 2420 Genre has six silver dragged loop designs against a yellow shading to brown background. The vase is further decorated with a floral silver overlay along with a silver overlay lip. The vase features a pinched neck and rolled lip exposing a lemon yellow interior.

Unsigned. SIZE: 9-1/2” t. CONDITION: Vase excellent, overlay very good with one small repair to a leaf. 52771-36 (7,000-9,000)

Lot 1196 89

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1197. LOETZ CANDIA VASE. Loetz vase in the Candia Genre has jack in the pulpit shaped rim with gold iridescent waves against a clear glass background. The vase rests in a cast bronze holder in art nouveau design of stylized leaves and buds. The bronze is finished in a deep brown patina with subtle green highlights. Vase and holder are unsigned. SIZE: 9-1/2” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: Very good to excellent. 52746-3 (2,500-3,500)

Lot 1197 1198.

LOETZ CYTISUS VASE. Loetz vase in the Cytisus pattern has blue iridescent wavy bands encircling the body against an orange background. The vase is further decorated with random oval iridescent oil spots. The vase has pinched and twisted sides and is unsigned. SIZE: 7-3/4” t. CONDITION: Very good to excellent. 52771-34 (4,000-6,000)

Lot 1198 1199. LOETZ PHAENOMEN VASE. Loetz vase in the Phaenomen Genre, possibly PG5260, has gold iridescent pulled loop design against a pale red glass background. The gold iridescence shows strong blue, platinum, and pink highlights. Unsigned. SIZE: 6” t. CONDITION: Very good to excellent.

52631-6 (3,000-5,000)

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Lot 1200

1200.

LOETZ “BLACK BOTTOM” INK WELL. Loetz ink well in the Phaenomen Genre 358 also known as “Black Bottom” has a black iridescent band around the foot giving way to orange iridescence over the rest of the body. The iridescent backgrounds are overlaid with undulating bands of silver and light blue iridescence. The ink well is complete with a bronze collar and hinge to accommodate the glass lid. Unsigned. SIZE: 4-1/4” dia x 2-1/4” t. CONDITION: Very good to excellent with one tiny nick on shoulder of inkwell. 52628-2 (4,000-6,000)

1201.

LOETZ PHAENOMEN “BLACK-BOTTOM” VASE. Small Loetz cabinet vase in the desirable PG358 pattern, commonly referred to as a ‘black-bottom’ vase, designed by Franz Hofstoetter c.1900. The vase is decorated with dark brown bottom with silver colored combed threads leading to an opalescent yellow middle and orange collar with iridescent pulled bands throughout. The vase is further decorated with a beautifully stylized art nouveau sterling silver overlay of random waves around the entire body of the vase. Silver is marked “Sterling Silver Deposit” on lower edge of foot, vase is marked on the underside with inscribed “Phen 828/358 D” in the pontil. SIZE: 4” t. CONDITION: Very good to excellent with a few tiny inclusions and bubbles in the glass and one small dimple in the top rim, all from the making. 525931 (2,500-4,000)

Lot 1201 91

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1202. LOETZ COBALT PAMPAS VASE IN BRONZE HOLDER. Loetz Cobalt Pampas vase has wide, squat body with squared shoulders and neck flaring widely at the lip. The lip is pinched together to form seven separate openings for buds or flowers.

The bronze iridescent random threading is set against a mottled cobalt blue iridescence with platinum highlights. The vase rests in a bronze holder with bronze wire curlicues making up the decoration. Vase and holder are unsigned. SIZE: 10-3/4” t (overall). CONDITION: Very good to excellent. 52631-7 (2,5003,500)

Lot 1202 1203.

TWO LOETZ MEDICI SILVER OVERLAY VASES. Two Loetz silver overlay vases both in the Medici Genre with one having green iridescent oil spot design and the other has blue iridescent oil spot design surrounding the bodies of the vases with strong purple iridescent highlights. Each vase has pinched sides and each are further decorated with sterling silver overlay of stems and leaves with the longer neck vase having lovely floral pattern and finished with a sterling lip.

Both vases are unsigned, one vase has silver marked “Patented 60 925 Fine” as well as an indiscernible hallmark. SIZE: Lot 1203 5” t & 4-3/4” t.

CONDITION: Both are very good to excellent. 52847-1 (1,500-2,000)

1204. LOETZ PAPILLON VASE. Loetz vase in the Papillon Genre has platinum iridescent oil spot decoration surrounding the body of the vase against an amber glass background. The vase has wide foot narrowing at the waist and bulging at the shoulder with pinched sides at the shoulder leading to a slightly flaring lip. The vase is mounted with a cast bronze collar and two handles. Signed on the underside “Loetz Austria”. SIZE: 11” t. CONDITION: Inside rim has a few small shallow flakes visible under the metal rim and open bubbles and inclusions in the interior rim from the making, otherwise very good to excellent. 52542-1 (1,000-1,500)

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1205.

RTS & CRAFTS CHANDELIER WITH A LOETZ SHADES. Chandelier has hammered copper pan with three hammered copper arms leading to the copper suspension chain, complete with ceiling cap. The arms support three socket and shade holders with copper arts and crafts stylized leaf design. The fixture is complete with three Loetz shades with platinum iridescent Papillon bodies. The shades are further decorated with gold iridescent random threads around the tops along with gold iridescent hearts. The shades are finished with red iridescent pulled design around the ruffled rim. Unsigned. SIZE: 35” from ceiling to bottom of shade. CONDITION: Hardware is very good to excellent. One shade has two shell shaped shallow flakes to the fitter and some other minor roughness to the fitter, all concealed when shade is in place, the other two shades are very good to excellent. 5277119 (2,500-3,500)

Lot 1205

1206.

LOETZ CHANDELIER. Loetz chandelier has stamped brass ball chains descending from the spun brass ceiling cap supporting the stamped brass shade ring. The chandelier is illuminated with three sockets and houses a large Loetz blown shade with vertically ribbed body and orange iridescent oil spot decoration all set against a cream colored, lightly iridescent background. Shade and fixture are unsigned. SIZE: Approx.

40” from ceiling to bottom of shade. CONDITION: There is a 1-1/4” x 3/8” shallow flake on the fitter of the shade, otherwise very good to excellent. 52771-22 (3,000-5,000)

Lot 1206 93

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1207. LOETZ PAPILLON WATER SPRINKLER VASE. Loetz vase in a goose-neck water sprinkler form is decorated in the Papillon pattern with iridescent blue oil spot and gold twisted pulls on the neck, over a pale green translucent Crete background. Unsigned. SIZE: 11-1/4” t. CONDITION: Very good to excellent. 52840-6 (700-1,000)

1208. TWO AUSTRIAN ART GLASS VASES. 1) Loetz vase in the Papillon Genre has platinum iridescent oil spot decoration surrounding the amber glass vase. Vase is signed in the polished pontil with crossed arrows within a circle “Austria”. 2) Austrian vase has a subtle pulled feather design descending from the lip in colors of pink shading to frosted iridescence. The subtle iridescence shows flashes of green and pink. Unsigned. SIZE: 9” and 5-1/2” t respectively. PROVENANCE: From an Unreserved Ohio collection.

CONDITION: 1) There is one pinhead sized black inclusion on the surface of the glass near the foot that is from the making, otherwise very good to excellent. 2) Very good to excellent.

52815-5, 5281516 (800-1,200)

Lot 1207 Lot 1208 1209. TWO AUSTRIAN ART GLASS VASES. 1) Austrian vase has bulbous body and cylindrical neck. The vase has a rich purple iridescent finish with subtle green highlights. It is further decorated with metal flowers, stems and leaves climbing from the foot to the neck. Marked on the underside of the metal “Vanhauten”.

2) Austrian vase has a bulbous body, cylindrical neck, and flaring ruffled rim. It is finished with a gold iridescent all over oil spot type of finish that shows nice pink and green highlights. Unsigned. SIZE: 1) 7” t x 9” dia. 2) 7” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: Both are very good to excellent. 52746-10 (1,000-1,500)

Lot 1209

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Lot 1210 95

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1210.

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96

MONUMENTAL MOSER COVERED COMPOTE. Moser compote has gilded bands around the foot, stem and bowl. The bands are decorated with heavily enameled flowers in colors of blue and purple. The flowers are separated by raised gilded stylized leaves, all against a clear glass background.

The lid has matching decoration and is finished with a vertically ribbed finial.

Unsigned. SIZE: 29� to top of finial.

CONDITION: Very good to excellent.

52483-1 (4,000-6,000)

1211.

OSER PADDED AND WHEEL CARVED VASE. Moser vase is intaglio carved M with an iris flower along with stems and leaves encircling the body and neck of the vase.

All against an amethyst shading to clear shading to amethyst background. The vase is further decorated with a padded and wheel carved purple iris flower. Signed on the underside “Moser Karlsbad”. SIZE: 8-3/4” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Some very light roughness to the inside lip, otherwise very good to excellent. 52757-16 (2,000-3,000)

1212. M OSER ENAMELED GLASS VASE. Moser diamond shaped vase is enameled front & back with stylized flowers & leaves with blue & white birds in each panel. The vase is further decorated with applied red beads as well as gilded brick design at top & bottom. The top of the vase is cut to resemble the top of walls to a castle. Unsigned. SIZE: 9-1/2” t. CONDITION: One of the red beads is missing.

There is a shallow shell-shaped flake on the bottom of the foot and some minor wear to the gilded brick design at the foot. 52785-5 (1,500-2,000)

Lot 1211 1213.

FIVE ITEMS ATTRIBUTED TO MOSER. 1) Heavy crystal vase has deeply carved iris flowers, stems, and leaves climbing up the side of the vase. The flowers are nicely detailed. Unsigned. 2) Vase has a smoky quartz colored body and is decorated with a central applied blue flying creature. There are applied, stylized blue leaves rising from the foot and a blue applied lip with blue applied drips descending from the lip. It is further Lot 1212 decorated with enameled brightly colored flowers, stems, and leaves on both front and back. Unsigned. 3) Vase shades from clear crystal to green and has lightly faceted sides. It is decorated on front and back with intaglio carved flowers, stems, and leaves, all having nice detail. Unsigned. 4) Green center bowl has applied ribbed and curled feet and is decorated with a central band of colorful flowers and scrolling leaves. It is further decorated with enameled scrolls and brightly colored enamel beads. Unsigned. 5) Demitasse cup and saucer are done in green glass with brightly colored enameled oak leaves with gilded branches and leaves. The cup and saucer are further decorated with applied and gilded acorns. The cup has an applied glass gilded handle.

Unsigned. SIZE: 1) 14” t. 2) 7-1/4” t. 3) 6” t. 4) 10-1/2” l x 4” t. 5) Saucer: 4-1/4” dia. Cup and saucer: 2-1/4” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: 1) One small fleabite to the lip, otherwise very good to excellent. 2) One small fleabite to the edge of foot, otherwise very good to excellent. 3) One tiny fleabite to the edge of a carved flower stem. 4) Some minor wear to gilding to rim, otherwise very good to excellent. 5) Very good to excellent, with some very minor wear to gilding.

52746-11 (1,500-2,000) Lot 1213 97

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1214. MOSER SALAMANDER PITCHER. Moser pitcher has lightly ribbed amber glass body, has applied blue glass rim with lava drips running down the side of the pitcher. It is further decorated with an applied blue glass handle in the form of a salamander clinging to the side of the pitcher. Unsigned. SIZE: 6-3/4” t. CONDITION: Very good to excellent.

52785-6 (1,000-1,500)

Lot 1214 1215. TWO ENAMELED CHALICES. Lot consists of two matching amber glass chalices, each with foot and stem of ring design. The bulbous top of the stem is decorated with three applied amber glass flowers. One chalice is enameled with a mother and daughter sitting along side a grape vine, the other is enameled with three scantily clad maidens, one lifting her wine glass to the grapes. Unsigned. SIZE: 10-1/2” t. PROVENANCE: From an Unreserved Lot 1215 Ontario, Canadaada collection. CONDITION: One chalice has a tiny flea bite to the inside edge of the foot, the other chalice has a small bruise to the outside edge of the foot, otherwise very good.

52654-32 (400-600)

1216. INTAGLIO CARVED VASE ATTRIBUTED TO HARRACH. Harrach vase (attributed) is decorated with intaglio carved flowers, stems, and leaves. Against a yellow lightly iridescent translucent glass background. The bottom of the vase is decorated with a thin layer of swirling iridescent red and green glass. Marked on the bottom “S67”.

SIZE: 14-1/8” t. PROVENANCE: From an Unreserved San Diego, CA collection.

CONDITION: Very good to excellent with some minor wear to gilding on lip. 5275715 (2,000-3,000)

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1217. PAIR OF MONUMENTAL AUGUST JEAN ENAMELED AND APPLIED VASES. Pair of monumental vases have smoky quartz bodies with applied blue glass lip, and rigaree descending from the lip and forming three legs on each vase. The sides of one vase are decorated with gilded medallions with bluebirds in flight within each medallion, the other vase has gilded medallions are decorated with enameled fish and birds in the medallions, the sides are further decorated with colorfully enameled leaves and flowers. Each vase is signed in the polished pontil “A.J.” SIZE: 19-3/4” t. CONDITION: Both vases have been drilled in the bottom, partially obscuring the signatures, otherwise very good to excellent.

52652-1 (1,500-2,500)

Lot 1217 1218.

MONT JOYE (ATTRIBUTED) ENAMELED PANSY VASE. Mont Joye (attributed) vase is heavily enameled with blue, yellow, and white pansies with green leaves decorating the front of the vase. All against a clear shading to amethyst background. Unsigned. SIZE: 14” t. PROVENANCE: From an Unreserved Connecticut collection. CONDITION: There is some minor wear to two enameled leaves at the foot, otherwise very good to excellent. 52774-27 (800-1,200)

1219. ENAMELED VASE ATTRIBUTED TO MONT JOYE. Decorated vase (attributed to Mont Joye) has enameled leaves and stems in shades of green and heavily enameled flowers in white, yellow and purple. All set against a clear shading to cranberry Lot 1218 background. Unsigned. SIZE: 111/4” t. PROVENANCE: From an Unreserved California collection. CONDITION: Very good to excellent.

52708-6 (1,000-2,000)

Lot 1219 99

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1220.

CAMILLE FAURÉ ART DECO VASE. Large art deco vase

by Camille Fauré has very heavy enameling in curved art deco design done in shaded colors of blue, white, black, purple and mauve. Signed near the foot “C. Fauré Limoges”. SIZE: 12” t.

PROVENANCE: From an Unreserved Chicago collection.

CONDITION: Very good to excellent. 52647-5 (6,000-8,000)

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100

1221.

CAMILLE FAURÉ ENAMELED VASE. Camille Fauré vase has heavily enameled chrysanthemums in shades of magentas, red, orange & yellow with green and magenta leaves all set against a multicolored mottled background of lime green, yellow and turquoise. Vase is signed near the foot “C. Fauré-Limoges”. This exact vase is illustrated in the book Camille Fauré

by A. Shayo, pg.85. SIZE: 10-3/4” t. PROVENANCE: Liza Feldman Collection. CONDITION: Very good to excellent. 52785-2 (7,000-9,000)

101

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1222. CAMILLE FAURÉ ENAMELED VASE. Camille Fauré vase has heavily enameled white flowers and leaves against a bright red background. The white enameling has random hints of color in blue, lavender, yellow, and green. Signed on the side near foot “Fauré - Limoges”. SIZE: 10” t. CONDITION: Very good to excellent. 52771-29 (4,000-6,000)

Lot 1222

1223.

CAMILLE FAURÉ ENAMELED VASE. Camille Fauré vase is surrounded by a bouquet of brightly colored enameled flowers in shades of pink, purple, blue & yellow all set against a multicolored enameled background. Signed on the neck of the vase “C. Fauré Limoges”. This exact vase is illustrated in the book Camille Fauré by A. Shayo, pg.129. SIZE: 8” t. PROVENANCE: Liza Feldman Collection. CONDITION: Very good to excellent.

52785-1 (5,500-7,000)

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1224. LIMOGES ENAMELED POPPY VASE. Limoges enameled vase has red, yellow & orange poppies against a background of maroon shading to light blue. The vase is signed near the lip in black enamel “Sarlandie Limoges”. SIZE: 9-1/4” t. CONDITION: Very good to excellent. 52785-3 (3,000-5,000)

Lot 1224 1225.

LIMOGES ENAMELED CABINET VASE. Limoges cabinet vase has colorful enameled pansies decorating the front of the vase against a shaded blue enameled background.

The back side of the vase is enameled with a single red pansy with green stem & leaf. The vase is further decorated with orange zig-zag lines as well as heavily enameled white & clear raindrops. Signed near the foot “C. Geanty Limoges”. SIZE: 4” t. CONDITION: Very good to excellent. 52785-4 (1,2001,800)

Lot 1225 103

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1226.

R LALIQUE PERRUCHES VASE. R. Lalique vase in the Perruches pattern has all over design of parakeet pairs resting on tree limbs with flowers adorning the limbs. The vase is done in rich amber glass and is signed on the underside with engraved script signature “R. Lalique”. Marcilhac #876. SIZE: 10-1/2” t.

PROVENANCE: From a private California collection. CONDITION: Very good to excellent. 52757-18 (10,000-15,000)

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1227. R. LALIQUE ALBERT VASE. R. Lalique vase in the Albert pattern is done in rich cobalt blue glass and features two applied glass handles in the shape of falcon heads.

Signed on the underside with engraved signature “R. Lalique France No 958”. SIZE: 6-3/4” t. CONDITION: Very good to excellent. 52744-8 (5,0007,000)

Lot 1227

1228.

R. LALIQUE DRUIDE VASE. R. Lalique vase in the Druide pattern has raised berries and molded vines all done in a rich green glass. The berries are polished while the background and vines are frosted. Signed on the underside with etched script signature “R. Lalique France No. 937”. SIZE: 7” t. CONDITION: Very good to excellent. 52761-17 (5,000-7,000)

Lot 1228 105

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1229. R. LALIQUE MUSCAT VASE. R. Lalique vase in the Muscat pattern has stylized grapes, vines, and leaves running vertically around the vase. The grape clusters are opalescent and set against a frosted background. Signed on the underside with etched block letters “R. Lalique France”.

SIZE: 6-1/2” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-33 (1,000-2,000)

1230. R. LALIQUE MOISSAC VASE. R. Lalique vase in the Moissac pattern is decorated in vertical bands with overlapping stylized leaves. The vase is done in dark amber glass and is signed on the underside with etched signature “R. Lalique France No 992”. SIZE: 5” t. CONDITION: There are two small scratches or straw marks in the bottom interior of the vase, otherwise very good to excellent.

52628-20 (2,000-3,000)

Lot 1229

Lot 1230 1231. R. LALIQUE BICHES VASE. R. Lalique vase in the Biches pattern has deer grazing on fruit from tree branches with foliage covering the entire background. Background is done in clear glass while the deer are lightly frosted. Signed on the underside with etched block letters “R. Lalique France”. SIZE: 7” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: There is a tiny flea bite that leads to a bruise on the outside edge of the rim, otherwise very good. 52757-32 (1,000-2,000)

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1232. LALIQUE MONACO LUSTRE CHANDELIER. Massive Lalique chandelier in the Monaco design features crystal arms radiating from the center with a stylized floral design at top and bottom.

Chandelier is signed with engraved script signature “Lalique France”. SIZE: 36” t x 31” w. PROVENANCE: From an Unreserved Texas Estate. CONDITION: Chandelier has several small chips to glass, otherwise good. 52755-1 (2,000-4,000)

Lot 1232

1233.

R. LALIQUE BAHIA WATER SET. R. Lalique water set in the Bahia pattern has pitcher, 5 tumblers, and a tray in amber colored glass. The pitcher and tumblers have an overlapping stylized leaf design encircling the body, while the tray has a different stylized leaf design decorating the rim.

Each piece is signed on the underside “R. Lalique France”. Marchilhac 3179.

SIZE: Tray 16-5/8” dia.

Pitcher 9” t. Tumbler 5” t.

CONDITION: Very good to excellent. 52761-16 (3,000-5,000)

Lot 1233 107

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1234. R. LALIQUE DOMREMY VASE. R. Lalique vase in the Domremy pattern is done in green glass with molded thistles surrounding the body of the vase. Signed on the underside with etched script signature “R. Lalique France No. 979”. SIZE: 8-3/4” t. CONDITION: Very good to excellent. 52761-18 (2,750-3,500)

Lot 1234 1235.

EIGHT R. LALIQUE CHASSE CHAIN TUMBLERS. Eight R. Lalique tumblers in the Chasse Chain pattern have cone shaped foot impressed with a line of deer eating apples from a tree. The pattern is highlighted with a light brown patination. The flaring tumbler cup is done in clear crystal. Each tumbler is signed on the inside of the foot “R Lalique”. Marcilhac 3755. SIZE: 5-1/2” t. PROVENANCE: From an Unreserved Ohio collection.

CONDITION: One tumbler has a small chip to the inside rim.

One tumbler has a small chip to edge of the foot with a crack running from the chip Lot 1235 about 3/8” into the foot. All others are very good to excellent. 52815-3 (800-1,200)

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1236. R. LALIQUE CEYLAN VASE. R. Lalique vase in the Ceylan pattern is decorated with pairs of parakeets facing one another against a background of slender branches and leaves. The branches and leaves have a light blue patination, all in frosted clear glass. Signed on the underside “R. Lalique France”. SIZE: 9-1/2” t. CONDITION: Three very minor flea bites to edge of lip and one minor scratch to top of lip, some internal stress lines near each of the mold lines from the making, otherwise very good. 52804-1 (2,0003,000)

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1237.

AMPHORA EASTERN DRAGON VASE. Exceptional Amphora vase is decorated with a 3 dimensional Eastern dragon with body & tail wrapping around the vase and large wings protruding from the vase. Vase is finished in a shaded tan & dark green glaze. Signed on the underside with impressed “AMPHORA AUSTRIA”, “TURN”, “PARIS 1900” and “4105”. Artist initials on the side of vase “EST 99” for Eduard Stellmacher. SIZE: 17” t. CONDITION: Very good to excellent. 5280810 (6,000-9,000)

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1238. AMPHORA LOIE FULLER STATUE. Amphora statue of Loie Fuller depicts her dancing with green scarf flowing to form two trays. Her long flowing gown is done in a yellowish-gold glaze.

Signed on the underside with red mark “Turn.

Teplitz. Bohemia RSTK Made in Austria” and also impressed “Amphora” within an oval. SIZE: 19-1/4” t. CONDITION: There is a small imperfection line where the bottom tray meets the dress from the making, otherwise very good to excellent. 52808-7 (4,000-6,000)

Lot 1238

1239.

AMPHORA MODEL NUMBER 1306 VIDE POCHE. Large Amphora vide poche depicts an art nouveau maiden with long flowing hair and gown holding a large gilded flower and her other hand held to her chin with a thoughtful expression on her face. The figure & gown are finished in a light green shaded glaze, while the flower & stem have a gilded finish. Signed on the underside with red mark “Turn.

Teplitz. Bohemia RSTK Made in Austria”. Also impressed “Amphora” within an oval and “1306”. SIZE: 26-1/2” t.

CONDITION: Very good to excellent. 52808-9 (10,00015,000)

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1240. AMPHORA VEILED LADY PORTRAIT VASE. Amphora tapered vase is decorated with portrait of a woman in loose fitting hooded robes with elaborate jeweled crown, all with gilded highlights, set against a three-section background of pale blue with purple forest scene on the top section, molten gold iridescent middle section and rich blue shading to green bottom section having burgundy flowers with jeweled centers encircling the vase, each of the sections separated by black and white chevron bands with gilded accents.

Signed on the underside “Amphora 2041”. SIZE: 101/4” t. CONDITION: Very good to excellent. 528421 (4,000-6,000)

Lot 1240

1241.

AMPHORA LEAF LADY. Amphora figural tray known as the Leaf Lady depicts Art Nouveau maiden with long flowing hair & gown with large leaves on each side creating trays. She is wearing a gown in purple at top, shading to white at the bottom while the leaves are shaded in green with gilded veins. The base of the figure has another Art Nouveau maiden rising out of the water. Signed on the underside with red mark “Turn. Teplitz. Bohemia RSTK Made in Austria”, also marked with impressed “Amphora” within an oval “775 4”. Also impressed on back of gown near the foot with artist signature. SIZE: 20” t. CONDITION: There is a small open bubble on the edge of the gown from the making, otherwise very good to excellent. 52808-8 (4,000-6,000)

Lot 1241 111

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1242. AMPHORA FIGURAL CANDLESTICKS. Lot of two figural candlesticks depict Art Nouveau maidens rising from a lily pond with white flowing gowns. Each maiden is holding a water lily as well as a water lily bud. The maiden’s skin & hair are done in gold, while the water lilies are done in white, blue & green with gilded trim. Signed on the underside with impressed mark “Made in Austria”.

SIZE: 11” t. CONDITION: Very good to excellent with some light wear to gilded trim. 52808-6 (2,200-2,800)

Lot 1242 1243.

ERNST WAHLISS AMPHORA BUST. Amphora bust designed by Ernst Wahliss depicts a young maiden with leaves in her hair wearing a green toga. The bust is labeled on the base “Daphne”. Signed on the underside with blue crown mark “EW Turn Wien Made in Austria Depose”, also stamped “4278 32”. SIZE: 14” t. CONDITION: Very good to excellent. 52808-5 (1,600-2,000)

Lot 1243 1244. AMPHORA DECORATED VASE. Amphora vase has applied flowers, stems, and leaves in gold. Each flower has an applied shaded blue cabochon in the center. All set against mauve iridescent glaze. The vase is further decorated with a band around the neck set with dark blue triangular shaped cabochons framed in gold triangles against a cream colored ground. Signed on the underside “BUR Marigold Made in Austria”. SIZE: 11-1/2” t.

PROVENANCE: From an Unreserved Ohio collection. CONDITION: Very good to excellent. 52815-15 (400-600)

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1245. PAIR OF ERNST WAHLISS EWERS. Pair of decorative ewers designed by Ernst Wahliss depict two art nouveau maidens with flowing gowns standing alongside the neck of the ewer with one hand grasping the lip of the ewer. The maidens are finished in a gold glaze while the ewers themselves are done in a green glaze with highlights in gold. Each ewer is marked on the underside with a crown mark “EW Turn Wien Made in Austria”. SIZE: 13” t. PROVENANCE: From an Unreserved North Carolina estate.

CONDITION: There is one minuscule flea bite to the glaze at the edge of one handle near the bottom, otherwise both are very good to excellent. 52746-19 (1,200-1,800)

Lot 1245 1246.

FOUR ROYAL DUX FIGURINES. Lot consists of four Royal Dux figurines. The two smaller figurines depict a boy and a girl each carrying a water jug on their shoulder with another jug in their other hand. They are wearing rose colored tunics with green trim. The large figurines feature a woman with a water jug on her shoulder. She is wearing a long green dress with maroon scarf. The male is carrying an arm full of melons with a basket on his shoulder. He is wearing a green tunic with a maroon scarf draped over his shoulder. Each piece is signed on the underside with an applied pink tag “ROYAL DUX BOHEMIA”. SIZE: Large figurines 17-1/2” t. Small figurines 10-1/4” t. PROVENANCE: From an Unreserved Ohio estate. CONDITION: The two large figurines have some minor roughness to edge of foot, otherwise all are very good to excellent. 52633-15 (1,200-1,800)

Lot 1246

1247. LARGE ROZENBURG POTTERY CHARGER. Large Rosenburg charger is decorated with yellow, brown, green and white stylized flowers in the center with yellow and blue scroll design surrounding the rim, all against a blue shading to green background. The charger is finished with a glossy glaze and is signed on the underside “Rozenburg Den Hauz K520”. SIZE: 17-3/8” dia. CONDITION: Good with some losses to glaze on rim and foot. 52766-26 (1,200-1,800)

Lot 1247 113

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1248. GALLÉ/MAJORELLE FAIENCE WALL POCKET. Gallé/Majorelle faience wall pocket is decorated on the front with stylized fish swimming through the waves with a large bird flying above with cloudy skies in the background. The fish are done in shades of orange, blue and gray against seafoam green and blue waters.

The wall pocket is marked on the backside “E G” with the Cross of Lorraine, “Emile Gallé Nancy Depose”. Also stamped “Marjorelle Nancy” within an artist’s palette. SIZE: 13-1/4” dia. CONDITION: Very good to excellent. 52766-25 (4,0006,000)

Lot 1248

1249.

ZSOLNAY MOTHER AND CHILD FIGURE. Zsolnay figure has stylized mother & child with squared bodies & heads all done in a gold & green iridescent glaze with purple highlights. SIZE: 8-5/8” t. CONDITION: There is a small chip to a bottom corner of the figure that has been glued back in place, otherwise very good. 52785-8 (1,8002,400)

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1250. LONGWY PRIMAVERA VASE. Longwy art deco vase is decorated in white and blue crazed glaze with nude female bathers in a garden with large stylized plants and flowers against horizontal bands of blue and purple. The vase is signed on the underside “Atelier Primavera Longwy France”. SIZE: 12” t.

PROVENANCE: From the Roy and Susan Bittan Collection. CONDITION: Very good to excellent, there are several tiny open bubbles in the black glaze in the neck from the making. 52770-5 (4,000-6,000)

Lot 1250 1251.

THREE LONGWY COVERED BOXES. 1) Longwy Art Deco box has stylized red flower in center of lid Lot 1251 surrounded by turquoise triangles against a white crazed background. The side of the box is decorated with matching turquoise triangles against white crazed background. Signed on the underside with crown mark “Longwy France Made in France”. 2) Longwy box is decorated on the lid with round medallions, decorated on the interior with stylized cobalt blue flowers and red beads against a light blue background. The medallions rest against a striped red and black background while the box itself has a single black band against a blue background. Signed with crown mark “Longwy France”. 3) Art Deco Longwy box is decorated on the lid with a stylized nude maiden gazing down at fish in the water with palm trees and flowers in the background. The side of the box is decorated with a band of blue, white and black rectangles against a crazed blue background. Signed on the underside with a crown mark “Primavera Longwy France”. SIZE: 1) 4-1/2” dia. 2) 4-1/4” dia.

3) 3-3/4” dia. PROVENANCE: From the Roy and Susan Bittan Collection. CONDITION: All are very good to excellent. 52770-6 (1,500-2,500)

Lot 1252

1252. LONGWY COVERED BOX. Longwy box is decorated on the cover with a stylized pinwheel with star center and blue backing. The edge of the lid and side of the box are decorated with a cobalt blue stylized wave design, all against a cream colored crazed background. Box is signed on the underside with crown and shield mark “Longwy” as well as marked “Kenilworth Studios Longwy France”. SIZE: 5-1/4” sq. PROVENANCE: From the Roy and Susan Bittan Collection. CONDITION: Box has a shallow chip to one top corner and lid has a tight hairline crack approximately 2” long, otherwise good. 52770-7 (200400) 115

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1253. ROOKWOOD ARIEL BLUE VASE. Rookwood Ariel Blue vase is beautifully painted with a young woman with long flowing hair and long gown walking in the evening with two bats flying over her left shoulder with crescent moon in the background.

Vase has a bisque finish or smear glaze version of Ariel Blue and is signed on the under side with the Rookwood flame mark dating it to 1895. It is stamped with shape mark 30 D, also stamped 273 bracketed by two crescents which was Rookwood’s mark for Ariel Blue. The bottom also carries the artist monogram with conjoined initials “ABS” for Amelia Browne Sprague. SIZE: 9-1/2” t. PROVENANCE: From a North Carolina Estate. CONDITION: Very good to excellent. 52746-12 (10,000-15,000)

Lot 1253 1254.

ROOKWOOD AUTUMN LEAVES VASE. Rookwood vase by artist Kataro Shirayamadani is decorated with flowers, stems, and leaves in autumn colors in shades of orange, yellow, and brown. All set against a dark brown shading to orange background. The vase is signed on the underside with the Rookwood flame mark “787C”, along with the artist’s signature. SIZE: 11-1/2” t. PROVENANCE: From a North Carolina Estate.

CONDITION: Very good to excellent with some light crazing. 52746-13 (5,000-7,000)

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Lot 1254

1255.

THREE CLEMENT MASSIER VASES. 1) Massier vase has squat bulbous body with slightly flaring lip and is decorated with stylized flowers and leaves and is finished in typical Massier iridescent glaze. Signed on the underside “Clement Massier Golfe Juan”. 2) Clement Massier vase has conical shape and slightly pinched sides with a red iridescent peacock feather design rising from the foot against a tan background with purple iridescent random spots. Signed on the underside “Clement Massier Golfe Juan”. 3) Miniature Clement Massier vase has cylindrical body with rounded shoulder and squared neck. The vase is decorated on the front with subtle red iridescent leaves, stems, and berries against a dark tan lightly iridescent background. The backside of the vase has a similar Lot 1255 decoration done in shades of tan. Signed on the underside “CM Golfe Juan”. SIZE: 1) 3-1/2” t. 2) 6-1/2” t. 3) 3-3/4” t. PROVENANCE: From an Unreserved North Carolina estate.

CONDITION: 1) Very good to excellent. 2) Very good to excellent. 3) There is a small nick to the corner of the lip, otherwise very good. 52746-20 (2,000-3,000) 1256.

OYAL DOULTON FLAMBE VASE. Royal Doulton Flambe vase is decorated with a freeR form design with splashes & drips of color in red, blue, yellow & tan all against a dark blue almost black background. The interior of the vase is red with a brighter red free-form design around the interior of the mouth with a subtle white outline. Signed on the underside “Royal Doulton England Flambe”. SIZE: 9-1/4” t. CONDITION: Very good to excellent. 52766-20 (600-800)

1257.

WO ROYAL DOULTON FLAMBE VASES. T 1) Royal Doulton Flambe vase has slender foot and bulging shoulder leading to cylindrical neck.

The vase is finished in mottled red and green glaze. Signed on the underside with the crown mark “Royal Doulton England Made in England Flambe” and conjoined initials “FM”. 2) Royal Doulton Flambe vase has bulbous body and tapering neck leading to a slightly flaring lip.

Vase is finished in mottled red and blue glaze.

Signed on the underside with crown mark “Royal Doulton England Made in England Flambe” with conjoined initials “FM” also marked “Noke” as well as “Sung”. SIZE: 1) 6” t. 2) 6-1/2” t.

CONDITION: Both are very good to excellent.

52766-19 (700-900)

Lot 1256

Lot 1257

1258.

ERRIMAC POTTERY VASE. Merrimac Pottery Co. vase from Newburyport, MA (1897M 1908) is in tapered cylindrical form with flared rim, having deep green overall textured glaze.

Unsigned, but retains partial Merrimac Pottery Company sticker on underside. SIZE: 12-1/4” t.

CONDITION: Top of vase with professional restoration, otherwise very good. 52728-1 (700900)

Lot 1258 117

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1259.

EBB ROCK CRYSTAL CURIO CAMEO EPERGNE W ATTR TO FRITSCHE. Rock crystal glass and curio cameo epergne is decorated with padded ruby red fish with carved details on the center bud vase, mounted with plated metal ball on a rock crystal glass center bowl. The bowl is decorated with carved waves and fish head designs with ruby red on the rim near the mounting, the bud vase background carved with additional wave design. Unsigned. Vases with similar decoration and technique illustrated in the book English Cameo Glass by Ray and Lee Grover, pgs.124,132 and 392. SIZE: 10-1/2” t.

CONDITION: Very good to excellent with a shallow flake at the joint where vase mounts to bowl, concealed when in place.

52815-20 (5,000-9,000)

Lot 1259 1260.

WEBB INTAGLIO CARVED ROCK CRYSTAL BOWL. Intaglio carved rock crystal bowl attributed to Frische has a band of fruit surrounding the bulbous body of the bowl with an unengraved central cartouche on front and back.

The bowl is supported by a pedestal foot with matching fruit and intaglio carving and the bowl is finished with two applied carved crystal handles.

Signed on the pedestal with engraved signature “Webb”. SIZE: 9” t x 14” w, handle to handle. CONDITION: Very good to excellent. 52631-1 (3,500-5,000)

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1261. ENGLISH CAMEO GLASS BOWL. English cameo bowl has cut glass body with vertical panels in the cane pattern.

The bowl is further decorated with oval medallions on front and back with cameo flowers wheel carved in white to red glass against a frosted background. The flowers and leaves are nicely detailed. Unsigned.

SIZE: 4-1/4” dia. CONDITION: Very good to excellent. 52766-14 (2,500-3,500)

Lot 1261 1262.

ENGLISH CAMEO GLASS SCENT BOTTLE. English scent bottle has clear cut crystal body with a central panel of white wheel cut cameo flowers, stems and leaves. The scent bottle is topped with a sterling silver hinged lid and interior glass stopper. The sterling silver is hallmarked with “A.W.P.” within a rectangle as well as a woman’s head facing left within an oval, a rampant lion, an anchor and a “P” within an oval. Scent bottle is unsigned.

SIZE: 6” t. CONDITION: Some light staining to the interior, otherwise very good to excellent. 52766-13 (2,500-3,500)

Lot 1262

1263. ENGLISH CAMEO GLASS VASE. English cameo vase has white wheel carved cameo poppies, stems, and leaves adorning the front half of the vase with a band of stylized leaves encircling the lip. All set against a frosted citrine background. Unsigned. SIZE: 7-1/2” t. CONDITION: Very good to excellent. 52745-3 (1,500-2,500)

Lot 1263 119

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1264. WEBB CAMEO GLASS VASE. Webb vase has white wheel carved cameo flowers, stems and leaves encircling the body of the vase with white cameo stylized leaf and arch design decorating the foot and white cameo stylized flowers decorating the lip, all set against a ruby red background. Unsigned. SIZE: 7-3/4� t. CONDITION: Very good to excellent.

52766-8 (4,000-6,000)

Lot 1264

1265.

ENGLISH CAMEO VASE. English cameo vase has wheel carved rose design with nicely detailed rose, buds, leaves and stems covering the front of the vase. The backside is decorated with wheel carved bell flowers, leaves, and stems. All set against a rich blue background. The vase is further decorated with a band of stylized leaves rising from the foot as well as a band surrounding the lip. Unsigned. SIZE: 10-1/2� t.

CONDITION: Very good to excellent. 52745-4 (3,0005,000)

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1266. WEBB CAMEO GLASS OIL LAMP. Three-color Webb oil lamp has wheel carved white to red cameo glass fuchsia flowers around the base and passionfruit flowers on the front of the shade, all against a bright yellow glass background. The base is further decorated with a single butterfly on the backside while the shade is decorated with two bumble bees. Base is completed with three applied glass feet. Signed on the underside with circular mark “Thos Webb & Sons Cameo”.

SIZE: 12-3/4” t (to top of shade), 14-1/2” t (to top of chimney). PROVENANCE: From an Unreserved Ontario, Canadaada collection. CONDITION: Burner is missing its guts, otherwise very good to excellent. 52654-9 (4,500-6,000)

Lot 1266

1267.

WEBB THREE COLOR CAMEO VASE. Webb cameo vase has a spray of cameo flowers, stems, and leaves on the front done in white cut to red. The back is decorated with two cameo butterflies while the neck of the vase is decorated with a band of stylized bell flowers. All against a frosted yellow background. Signed on the underside with circular mark “Thos. Webb & Sons Cameo”. SIZE: 9-3/4” t. PROVENANCE: From an Unreserved Ontario, Canadaada collection.

CONDITION: Very good to excellent. 52654-10 (2,0003,000)

Lot 1267 121

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1268. WEBB CAMEO GLASS BOWL AND UNDERPLATE. Webb bowl and underplate are decorated with an intricate design of white cameo wheel carved flowers, stems and leaves encircling both the bowl and underplate. Both bowl and underplate have a central cartouche with entwined initials “ICD”. The white cameo design is set against a blue background.

Unsigned. SIZE: Bowl 4-3/8” dia.

Underplate 7-1/2” dia. CONDITION: Very good to excellent. 52766-16 (4,0006,000)

Lot 1268

1269.

WEBB CAMEO GLASS VASE. Webb vase has white wheel carved rose, stems and leaves done in great detail encircling 3/4 of the vase. The backside is decorated with a wheel carved white dragonfly all set against a rich red background. Unsigned. SIZE: 4-1/2” t. CONDITION: Very good to excellent. 52766-17 (4,000-6,000)

Lot 1269 1270. WEBB CAMEO PLATE. Webb plate has white wheel carved pears and peaches on a stem with leaves and blossoms all set against a frosted light blue background. The background is carved with overlapping arches giving it a fish scale effect. The rim has white cameo flowers against a blue ground.

Unsigned. SIZE: 7-1/4” dia. CONDITION: There is one minuscule flea bite to the edge of the rim, otherwise very good to excellent. 52766-11 (4,2505,500)

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1271. THREE COLOR ENGLISH CAMEO DECANTER. English cameo decanter is decorated with wheel carved flowers, stems, and leaves in white cut to red encircling the body and neck of the decanter.

All against a frosted yellow background. The decanter is finished with an applied glass loop which secures a chain leading to the sterling silver hinged lid of the decanter. The silver collar and lid have repoussé and engraved floral decoration matching that of the cameo design. Unsigned.

SIZE: 9-1/2” t. PROVENANCE: From an Unreserved Ontario, Canadaada collection. CONDITION: Very good to excellent. 52654-3 (2,000-2,500)

Lot 1271

Lot 1272

1272. WEBB CAMEO GLASS BOWL. Webb bowl has white wheel carved raspberries, plums, stems, leaves & flowers surrounding the side of the bowl with thorned stems forming the foot, all against a light blue background. The background is carved with overlapping arches forming a fish scale pattern and the bowl is finished with a white cameo band of stylized flowers surrounding the lip. Unsigned. SIZE: 4-3/4” dia.

CONDITION: There is a small grind mark about a 1/4” long on the lip, otherwise very good. 52766-10 (3,000-5,000)

1273. ENGLISH CAMEO VASE ATTR. TO WEBB. English cameo conical vase attributed to Thomas Webb and Sons is decorated with beautifully carved cameo layer of detailed white in Indo-Persian floral design set against a light blue background. Unsigned. SIZE: 5” t.

CONDITION: Very good to excellent. 52815-19 (2,000-3,000)

Lot 1273 123

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1274. TWO ENGLISH CAMEO VASES. 1) English cameo vase has wheel carved white cameo leaves and flowers encircling the shoulder of the vase. All set against a rich red background. Unsigned. 2) English cameo cabinet vase has white wheel carved flower, stems, and leaves on the front half of the vase. Set against a rich orange glass background. Unsigned.

SIZE: 1) 5-1/2” t. 2) 2-1/2” t. PROVENANCE: From an Unreserved Ohio estate. CONDITION: 1) Very good to excellent. 2) The white band on the lip has several tiny open bubbles from the making, otherwise very good to excellent. 52633-4 (1,000-1,500)

Lot 1274 1275.

ENGLISH CAMEO BISCUIT JAR. Biscuit jar has bulbous body with wheel carved white cameo flowers, stems and leaves. All against a citrine background. The jar is complete with a silver plated collar, handle and lid. Unsigned. Lid has a hallmark of cupid with drawn bow within a shield and “6109”. SIZE: 6” dia x 8” t to top of handle.

PROVENANCE: From an Unreserved San Diego, CA collection.

CONDITION: Finial and lid have wear to silver plating, otherwise very good to excellent. 52757-27 (1,000-1,500)

Lot 1275 1276. THREE ENGLISH CAMEO GLASS VASES. 1) Webb cameo vase has cobalt blue cameo stylized flowers and leaves. All set against a frosted glass background. Signed with engraved signature “Webb”.

2) English cameo vase has wheel carved iris on the front with honeysuckle flowers on the reverse. All against an amber glass background. Unsigned. 3) English cameo miniature gourd vase has wheel carved flowers stems and leaves encircling the body of the vase with stylized feathers descending from the lip. All against a red background. Unsigned. SIZE: 1) 9-1/4” t. 2) 4-1/2” t. 3) 3-1/2” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: 1) Very good to excellent. 2) Very good to excellent.

3) Minor roughness to interior and exterior of the lip, otherwise very good. 52757-28 (1,500-2,000)

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1277. STEVENS & WILLIAMS VASE BY OSCAR P. ERARD. Stevens & Williams enameled vase by glass artist Oscar Pierre Erard has elaborate design created with gold paste and enamel.

The bulbous body of the vase is decorated with 3 swirling cartouches with a center stylized dragon in green enamel surrounded by a basket weave design done in raised gold paste all against a red glass background. The body of the vase is further decorated with brown flowers, stems & leaves with gilded detailing. The neck of the vase is decorated with a honeycomb design with a gilded flower inside each honeycomb. The neck is further decorated with 3 gilded cartouches each with a different bird motif. The vase is finished with a gilded bellflower and arch design encircling the lip. Unsigned. SIZE: 8-3/4” t.

CONDITION: One cartouche on the neck has some wear to gilding, otherwise very good to excellent. 52766-9 (5,000-7,000)

Lot 1277 1278. STEVENS & WILLIAMS CRANE VASE. Stevens & Williams vase, believed to have been carved by Hill, has white cameo decoration of two standing cranes on the front and one crane in flight on the backside with a tree, vegetation, and cattails at pond’s edge. The vase has a bulging neck with white cameo stylized floral band and flaring lip with a simple white band. All set against a cranberry glass background.

Unsigned. SIZE: 4-5/8” t.

CONDITION: Very good to excellent. 52766-18 (2,0003,000)

Lot 1279

Lot 1278

1279. ABEL COMBE INTAGLIO CARVED VASE. Intaglio carved vase has blue glass exterior over a vertically striped glass interior of yellow and red.

The vase is intaglio carved with scrolls and garlands surrounding the shoulder along with four intaglio carved panels with floral interior and a band of stylized flowers surrounding the neck. The vase rests in a cast metal base with floral garlands and vertically ribbed foot. Vase is finished with a cast metal lip and is signed on the side with etched signature “A. Combe Paris”. SIZE: 9-1/4” t. PROVENANCE: From an Unreserved San Diego, CA collection.

CONDITION: Very good to excellent. 52757-31 (1,000-1,500) 125

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1280.

ILLIAM DE MORGAN POTTERY VASE. William de Morgan vase is W decorated with stylized red leaves and flowers against a cream colored background.

The decoration is highlighted with a subtle copper glaze. Unsigned. SIZE: 17-1/2” t. CONDITION: A large patch of glaze has flaked off the inside of the neck. Neck appears to have professional restoration. Glaze on exterior has crazing. 52775-1 (2,000-3,000)

Lot 1280 1281.

THREE WILLIAM DE MORGAN POTTERY CHARGERS. 1) De Lot 1281 Morgan charger is decorated with a central stylized peacock with swirling leaves and stems surrounding the bird. All against a creamy white background. Backside is decorated with concentric circles alternating in red, tan, and cream. Also carries the letters “C.P”. 2) Charger is decorated with central figure of a stylized bird surrounded by green and tan stylized leaves. All against a creamy white background. Backside is decorated with concentric circles alternating in red, tan, and cream. Also carries the letters “C.P”. 3) Charger depicts two stylized snakes, one draped over what appears to be a red mountain, the other looking up at the first. The top of the scene depicts a large sun with red and green rays descending on a desert landscape. Backside is decorated with concentric circles alternating in red, tan, and cream. Also carries the letters “C.P”. SIZE: 1) 11-7/8” dia. 2) 10-1/8” dia. 3) 11-3/4” dia. CONDITION: 1) Some wear to lip and edge from plate hangers, otherwise very good. 2) Very good to excellent. 3) Some minor wear to rim form plate hangers, otherwise very good. 52775-2 (2,000-3,000)

1282. TWO WILLIAM DE MORGAN CHARGERS. 1) Charger depicts three men in a ship battling a sea serpent. The decoration is done in red against a white background. The reverse is painted with concentric circles of alternating white and red bands and is marked in the center “Fulham W. D. Morgan. & Co” along with initials “CP”. 2) Charger depicts three men on board a large sailing ship with calm sea and clear skys. The reverse is painted with concentric circles of alternating white and red bands with the letters “C.P” in the center. SIZE: 1) 12-7/8” dia. 2) 11” dia. CONDITION: 1) There are four glaze skips on the backside. Some minor roughness to rim and some light crazing, otherwise good. 2) Very good to excellent. 52775-3 (1,500-2,500)

Lot 1282

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126

1283.

EDGWOOD FAIRYLAND LUSTRE GOBLIN VASE. W Wedgwood Fairyland Lustre vase is decorated in the Goblin pattern with brown goblins sporting blue wings. The goblins are standing at water’s edge on green grass with orange water.

Signed on the underside with Portland vase mark “Wedgwood Made in England”. SIZE: 7” t. CONDITION: Very good to excellent. 52766-21 (7,000-10,000)

Lot 1283 1284.

WEDGWOOD FAIRYLAND LUSTRE CANDLEMAS VASE. Wedgwood Fairyland Lustre vase is done in the Candlemas pattern with blue & white candles and a woman’s head at the top of each candle. Each candle is surrounded by flowing ribbons of color and gilded decoration against a midnight lustre background. Each panel is separated by a light blue vertical band with purple fairies hanging from a bell pole.

Signed on the underside with Portland vase mark “Wedgwood Made in England Z5154”. SIZE: 8” t. CONDITION: Very good to excellent. 52767-2 (6,000-9,000)

Lot 1284 127

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Lot 1285 (w/close-up)

1285.

1286.

WEDGWOOD FAIRYLAND LUSTRE PUNCH BOWL. Wedgwood Fairyland Lustre punch bowl is decorated on the interior with Woodland Elves V - Woodland Bridge pattern. The scene depicts elves standing and sitting at water’s edge with gilded trees rising to the lip with fairies and birds flying above, all set against a flame lustre sky. Signed four times on the interior with conjoined initials “M J”. The exterior is decorated in the Poplar Tree pattern with tall poplar trees rising from a midnight lustre ground to a flame lustre sky with gilded swirling clouds. Signed on the underside with Portland vase mark “Wedgwood Made in England Z5360”. SIZE: 11-1/4” dia. CONDITION: Some very minor wear to interior bottom of bowl, otherwise very good to excellent. 52766-24 (7,00010,000)

WEDGWOOD FAIRYLAND LUSTRE BOWL. Wedgwood Fairyland Lustre footed bowl is decorated in the Daventry pattern with panels decorated in oriental scenes against a flame lustre background.

The interior is decorated with a blue oriental bridge leading to a pagoda type building with green, orange and crimson flowers, all highlighted with gilding. The interior of the bowl shades from flame orange to a mottled pink. Signed on the underside with Portland vase mark “Wedgwood Made in England Z5413”.

SIZE: 9-1/2” dia. CONDITION: Very good to excellent. 52765-4 (4,000-6,000)

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1287.

ARE WEDGWOOD FAIRYLAND R LUSTRE THUMBELINA PLATE. Wedgwood Fairyland Lustre plate is decorated in the center with a maiden reclining on a large lily pad and a large insect sitting on another lily pad next to her. A dragonfly flies above against a flame lustre sky. She appears to have a frog on a leash above her. The plate is finished with a Twyford border around the rim. Signed on the underside with Portland vase mark “Wedgwood Made in England”. SIZE: 10-5/8” dia.

CONDITION: Very good to excellent.

52765-1 (4,000-6,000)

Lot 1287

1288.

WEDGWOOD FAIRYLAND LUSTRE LILY TRAY. Wedgwood Fairyland Lustre lily tray in the Fairy Gondola pattern shows a gilded gondola in the canal with a bat flying above and numerous fairies at water’s edge, many sitting on mushrooms, all against a daylight lustre sky. Exterior of the lily tray has a band of gilded birds in flight against a mottled green & blue background.

Signed on the underside with Portland vase mark “Wedgwood England”. SIZE: 13” dia. CONDITION: Very good to excellent. 52766-22 (4,000-6,000)

Lot 1288 129

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1289.

WEDGWOOD FAIRYLAND OCTAGONAL BOWL. Wedgwood Fairyland Lustre octagonal bowl is decorated on the Lot 1289 (w/close-up) exterior with the Woodland Elves VI- ‘Fiddler in Tree’ pattern depicting copper brown tree trunks with bright green leaves with fairies and elves scattered throughout,with two playing fiddles while hanging from overhead branches, all with gilded highlights and set against a dark blue and mother-of-pearl lustre background. Interior of bowl decorated with Ship and Mermaid pattern having eight black columns supporting crimson arches at each corner of the bowl, with castle, sailing ship and fairies with gilded accents set against a light green mother-of-pearl sky background. Signed on the underside with Wedgwood Portland vase logo and “Z4968”. SIZE: 3-3/4” t x 8-1/2” w. CONDITION: Very good to excellent. 52767-5 (3,500-5,500) 1290. RARE WEDGWOOD FAIRYLAND LUSTRE WILLOW COVERED BOX. Wedgwood Fairyland Lustre box in the Willow pattern is done in bronze and coral, with coral fairies flying above an oriental scene of pagodas, junks on the river, and a bridge. Signed on the underside with Portland vase mark “Wedgwood Made in England”. SIZE: 7” x 4-1/8”.

CONDITION: Bronze coloring was skipped on parts of the rim of the lid, one orange enameled bead in the trim on the bottom of the box is missing, otherwise very good. 52767-1 (3,000-5,000)

Lot 1290 1291.

WEDGWOOD FAIRYLAND LUSTRE BOWL. Wedgwood Fairyland Lustre bowl is decorated on the interior with Elves on a Bell Branch pattern with a central figure of a faceless woman and numerous elves and fairies playing on mushrooms and climbing on a spider web, all against a daylight lustre background. The exterior of the bowl is decorated in the Poplar Tree pattern with swirling clouds, poplar trees and a country bridge all against a midnight lustre sky. Signed on the underside with Portland vase mark “Wedgwood England Z4968”. SIZE: 9” dia. CONDITION: Very good to excellent. 52765-3 (3,000-5,000)

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1292.

WEDGWOOD FAIRYLAND LUSTRE PLAQUE. Wedgwood Fairyland Lustre plaque in Elves in a Pine Tree pattern has elves sitting on branches in a pine tree, one smoking a pipe with two other elves at the base of the tree all against a midnight lustre background. The plaque is further decorated with a purple frame around the center images. The purple frame is decorated with gilt tracing, all in a gold colored wooden frame. Signed on the back side with Portland vase mark “Wedgwood England”. SIZE: Overall: 13-1/2” w x 10-3/8” t. Sight: 7-1/2” w x 10-1/2”. CONDITION: Very good to excellent. Some minor wear to finish on frame. 52835-1 (3,000-5,000) 131

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1293. UNUSUAL WEDGWOOD FAIRYLAND LUSTRE BUTTERFLY WOMAN VASE. Wedgwood Fairyland Lustre vase is decorated in the Butterfly Woman pattern with a brown butterfly woman on front and back against a shaded orange flame background. The inside mouth of the vase is decorated with green fairies, one riding on the back of a bird, one riding on a winged insect and one hanging from a vine. This is an unusual size for the butterfly woman vase. The common size is 9”, so this miniature form is rare.

Signed on the underside with Portland vase mark, “Wedgwood Made in England Z5360”. SIZE: 6” t. CONDITION: Very good to excellent. 527673 (3,000-5,000)

1294. WEDGWOOD FAIRYLAND LUSTRE BIG EYES MALFREY POT. Wedgwood Fairyland Lustre malfrey pot in Woodland Elves IV, Big Eyes pattern is decorated with a blue Big Eyes and green fairies all set against a flame orange background. Signed on the underside with Portland vase mark “Wedgwood Made in England Z5360”. SIZE: 3-5/8” t x 4-1/2” dia.

CONDITION: Very good to excellent. 52767-4 (2,000-4,000)

Lot 1293

Lot 1294

1295. WEDGWOOD FAIRYLAND LUSTRE LIMITED EDITION COVERED VASE. Wedgwood Fairyland Lustre Limited Edition vase is done in the Jeweled Tree pattern. The jeweled trees are done in midnight lustre with colorful jewels and stylized flowers along with gilded leaves all set against a lustre ground of shaded pink and turquoise. The vase is complete with original lid decorated with colorful painted and gilded jewels and leaves against a midnight lustre background. Marked on the underside with Portland vase mark “Wedgwood Made in England Z4968”. Vase is complete with original box and advertising material. SIZE: 11-1/2” t to top of lid. CONDITION: Vase is very good to excellent. Box has a tear to fitted compartment on the interior and some wear to the edges. 52765-6 (2,5003,500)

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1296. WEDGWOOD FAIRYLAND LUSTRE 9” LILY TRAY. Wedgwood Fairyland Lustre lily tray is decorated in the Jumping Faun pattern depicting faun jumping from trees with fairies sitting below the trees at water’s edge. The exterior of the tray is decorated with a band of gilded birds in flight against a mottled blue & green background. Signed on the underside with gold Portland vase mark “Wedgwood England Z4968”. SIZE: 9” dia. CONDITION: Some minor wear to gilded outlines, otherwise very good. 52766-23 (2,500-3,500)

Lot 1296 1297.

WEDGWOOD FAIRYLAND LUSTRE NIZAMI FOOTED BOWL. Wedgwood Fairyland Lustre footed bowl is done in the Nizami pattern, the bottom interior of the bowl is decorated with a round medallion and depicts an elderly woman complaining to the sultan. The interior side of the bowl is decorated with blue animals against a white background. The exterior of the bowl is decorated with orange arches with stylized red floral designs within each arch. Signed on the underside with Lot 1297 Portland Vase mark, “Wedgwood Made in England Z5485”. SIZE: 8” dia. CONDITION: Very good to excellent, with some very minor wear to gilding on lip. 52765-5 (2,500-4,000)

1298. W EDGWOOD FAIRYLAND LUSTRE BOWL. Wedgwood Fairyland Lustre bowl is decorated on the interior with elves on a branch in the center and elves riding on top of birds and insects encircle the rim. The exterior of the bowl is decorated with leap frogging elves frolicking against a midnight sky. Signed on the underside with Portland vase mark “Wedgwood England Z4968”. SIZE: 6” dia. CONDITION: Very good to excellent. 52765-2 (2,000-3,000)

Lot 1298 (w/close-up) 133

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1299. ITALIAN ART GLASS VASE. Italian art glass vase has large bulbous body and is decorated with interior murrines of color against an opalescent background. The murrines vary in size and are tan, brown, orange, and blue.

Unsigned. SIZE: 11” t x 11” dia. CONDITION: Very good to excellent. 52744-16 (1,2001,500)

Lot 1299 1299A. S PECIAL DANA-FARBER CANCER INSTITUTE LOT. This lot consists of twelve past Julia auction catalogs, together with their prices realized list. These catalogs serve as a valuable reference source. We regularly sell our past auction catalogs to collectors and dealers alike for that purpose. Please note, the hammer price of the lot will be matched dollar for dollar up to a $1,000 match and donated to the Dana-Farber Institute, commonly known as the “Jimmy Fund” locally. Founded in Boston in 1947, Dana-Farber Cancer Institute is world-renowned for its leadership in adult and pediatric cancer treatment and research. Your gift provides Dana-Farber with crucial dollars that can be directed where and when they are needed the most. Thank you for your participation. CONDITION: Very good. 52734-4 (300-400) 1300.

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OMINICK LABINO ART GLASS VASE. Dominick Labino vase D has bulbous light amber body giving way to a slender neck with glass shading to dusty rose. The vase is finished with three applied gray shading to blue glass medallions. Signed in the polished pontil “Labino 3-1979”.

Dominick Labino (1910-1987) was instrumental in the formation of the studio glass movement in 1962 with Harvey Littleton. His work is represented in 65 museums in the United States and abroad including the NYC Metropolitan Museum of Art and the Smithsonian Institution in Washington D.C. SIZE: 8” t. CONDITION: Very good to excellent.

52744-12 (1,200-1,500) 134

1301. MURANO/PICASSO GLASS SCULPTURE. Art glass sculpture by Murano artist Aldo Bon and Aureliano Toso depicts a Picasso figure with stylized face and mustache with long hair, done in green glass with acid textured finish. Marked on the foot in cameo “Picasso”. Marked on the underside with etched signature “Pablo Picasso - Aldo Bon - Aureliano Toso - Murano”. SIZE: 9” t. PROVENANCE: From an Unreserved Chicago collection. CONDITION: Very good to excellent, there are two elongated internal air bubbles visible on the stem of the sculpture from the making. 52647-6 (5,000-7,000)

Lot 1301

1302. MURANO ART GLASS VASE. Murano vase is decorated with multicolored millefiori canes set against a cobalt blue background. The canes are intact at the bottom and become stretched as they rise to the lip. Marked on the underside with applied foil tag “Murano Made in Italy”. SIZE: 11-7/8” t. CONDITION: Very good to excellent. 52744-13 (1,2001,500)

Lot 1302 1303. ITALIAN BATTUTO ART GLASS VASE. Italian Venini Battuto vase is decorated with diagonal wheel engraved bands surrounding the vase with a center band decorated with white and black alternating geometric direction panels. The vase narrows at the waist and flares at the lip. Signed on the underside “Venini 2004”. SIZE: 13-3/4” t. CONDITION: Very good to excellent. 52744-11 (1,2001,500)

Lot 1303 135

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1304. ITALIAN ART GLASS VASE ATTRIBUTED TO TONI ZUCCHERI. Art glass vase circa 1960 (attributed to Toni Zuccheri 1937-2008) has cylindrical form with red glass exterior and white glass interior along with oval clear glass windows. A similar vase to this is pictured in the book Murano Glass, Themes and Variations by Marc Heiremans, pg 148 (n.133). Unsigned.

SIZE: 11-3/4” t. CONDITION: Very good to excellent. 5274414 (1,200-1,500)

Lot 1304 1305.

MURANO CASED GLASS VASE. Murano vase is decorated with gold aventurine oil spots against a rich red background. The vase is cased on the interior in white and marked on the bottom with a foil tag “Murano Made in Italy”. A similar example is pictured in the book Fratelli Toso, Italian Glass 1854-1980 by Leslie Pina, pg. 91. SIZE: 9-1/2” t.

CONDITION: Very good to excellent. 52744-15 (1,200-1,500)

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1306.

J EAN COCTEAU LIMITED EDITION POTTERY CHARGER. Jean Cocteau charger has red, blue, yellow, black and white enameled designs depicting a bull with wide eyes, flaring nostrils and horns all against a gray pottery background. Signed on the front “Jean Cocteau 1957” and “Villefranche”. Marked on the underside “Edition Originale de Jean Cocteau Atelier Madeline-Jolly 3/25”.

Charger is accompanied by a Certificate of Authenticity. SIZE: 12-5/8” dia.

CONDITION: Very good to excellent.

52766-7 (3,000-5,000)

Lot 1306

1307.

COCTEAU LIMITED EDITION ART POTTERY CHARGER. Art pottery charger by Jean Cocteau is decorated with a stylized face in black, red and blue enamel against a matte white pottery background. Signed on the front “Jean Cocteau Villefranche 1958”. Marked on the underside “Edition Originale de Jean Cocteau Atelier Madeline-Jolly 35/50”. Charger is accompanied by a certificate of authenticity. SIZE: 121/4” dia. CONDITION: Very good to excellent. 52766-3 (2,500-3,500)

Lot 1307 137

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1308. COCTEAU LIMITED EDITION ART POTTERY CHARGER. Art pottery charger

by Jean Cocteau has red, black, blue and turquoise enameled decoration of a stylized woman’s head against a matte pottery background. Signed on the front “Jean Cocteau 1957” and marked on the underside “Edition Originale de Jean Cocteau Atelier Madeline-Jolly 5/20”. Charger is accompanied by a Certificate of Authenticity. SIZE: 12-1/4” dia.

CONDITION: Very good to excellent. 52766-1 (3,000-5,000)

Lot 1308 1309.

JEAN COCTEAU LIMITED EDITION ART POTTERY CHARGER. Jean Cocteau oval charger is decorated with a stylized figure of a man with oval face, black enameled hair, eyebrows and eyes and red enameled mouth and nostrils. All set against a matte pottery background with blue pastel shadowing and an orange glazed border around the rim. Signed on the front “Jean Cocteau”. Marked on the underside “Edition Originale de Jean Cocteau Atelier Madeline-Jolly 9/35”. Charger is accompanied by a Certificate of Authenticity. SIZE: 10-1/2” x 15”. CONDITION: Very good to excellent. 52766-2 (3,000-5,000)

Lot 1309 1310. COCTEAU ART POTTERY COUPE. Art pottery coupe by artist Jean Cocteau is number 2 of 50 and features red clay coupe with enameled eyes and mouth along with painted eyebrows and nose. The coupe is finished with two applied handles and signed on top of foot “Jean Cocteau”.

Marked on underside of foot “Originale de Jean Cocteau Atelia Madeline Jolly 2/50”. Coupe is accompanied by a Certificate of Authenticity. SIZE: 4-1/2” t. CONDITION: Very good to excellent.

52766-4 (2,500-3,500)

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1311.

CONTEMPORARY SOMERS STAINED GLASS TABLE LAMP. Contemporary leaded glass table lamp by Somers Stained Glass Studio is done in the autumn leaf pattern with various leaves done in autumn colors of green, yellow, amber, and orange. The shade is plated on both front and back giving great dimension to the shade. Shade is finished with a band of green chunk jewels surrounding the aperture. Shade rests on a contemporary bamboo form bronze base with 3-socket

cluster. The base is finished in a rich brown patina and is topped by a pierced bronze cap.

Shade is signed on the interior with applied tags “Original Somers Stained Glass Deerpark New York John Masotti”. SIZE: Shade 27” dia. Lamp 30” t. CONDITION: Base and shade are very good to excellent. 52763-1 (7,500-10,000)

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Lot 1312 (w/close-up)

1312.

STELZ WATER LILY CHANDELIER. Leaded glass chandelier by contemporary glass artist Steven Stelz has pink, white, and green water lilies surrounding the shade. All set against a highly textured background of striated green and blue glass depicting the pond waters. Chandelier is illuminated by 3-socket cluster and is suspended from a heavy bronze link chain with bronze ceiling cap, all hardware is finished in a rich reddish/brown patina with subtle green highlights. Signed on the rim with applied tag “Stelz Studios”. SIZE: 28-1/2” dia. Approx 75” from the ceiling to bottom of shade. CONDITION: Very good to excellent. 52539-1 (6,000-8,000)

1313.

MONUMENTAL STEVEN STELZ PATE DE VERRE SCENIC PLAQUE. Monumental pate de verre plaque by Stelz Studio is entitled “A Late Spring Dusk” which shows spring foliage trees alongside a stream with flowers and grasses bordering the stream with orange sunset on the horizon. Signed in lower right hand corner “S. Stelz”, also marked on the back with the title in pencil as well as “Steven Stelz 2017”.

The back of the plaque is stamped with the Stelz Studio logo. The plaque is housed in an ornate gilded frame. SIZE: Overall 36” x 47-1/4”. Plaque 24” x 36”. CONDITION: Very good to excellent. 52539-2 (6,000-8,000)

Lot 1313

1314. STEVEN STELZ PATE DE VERRE PLAQUE. Steven Stelz plaque entitled “Moonrise at the Marsh” is an evening scene of trees and grassland at marsh’s edge with a full moon in the sky above. Plaque is signed in the lower right hand corner and the back of the frame is titled “Moonrise at the Marsh” in pencil as well as signed “Stelz 2015” and the back of the plaque is stamped with the Stelz Studios logo. All framed in a black wooden frame with gilded highlights. SIZE: Overall 17-3/4” x 19-3/4”. Plaque 8” x 10”. CONDITION: Very good to excellent, with some crazing to the plaque. 52627-1 (1,500-2,500)

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140

1315. A MERICAN LEADED GLASS WINDOW. Leaded glass window has deep red drapery glass roses with green granite glass leaves. All set against a background of swirling amber, cream and green glass panels. The window is bordered on all four sides of two rows of amber striated glass and a single row with green slag glass. Unsigned. The window is housed in a rustic wooden frame. SIZE: Window is 30” x 20”, overall with frame 34” x 24-3/8”. CONDITION: Very good to excellent. 52743-1 (4,000-6,000)

Lot 1315 1316.

CONTEMPORARY LEADED GLASS FLORAL SCREEN. Contemporary leaded glass screen by Porcelli Studios has three leaded glass panels, one with yellow roses against a mottled blue background, one with yellow and pink roses against a mottled blue, amber, and white background, and the third with red and pink roses against a mottled blue background. The panels are housed in an oak folding frame. Signed on one panel with etched signature “Porcelli”. SIZE: Each glass panel is approximately 12-1/2” x 18-1/2”.

CONDITION: Very good to excellent. 52629-2 (1,500-2,000)

Lot 1316

1317. CONTEMPORARY MOSAIC GLASS PANEL. Contemporary mosaic glass panel by Porcelli Studios features purple and red iris flowers with shaded green leaves against a background of green shading to copper colored aventurine glass tiles. All inlaid in a plaster backing. Signed in lower left corner with etched signature “Porcelli”.

Mosaic panel is housed in a contemporary walnut frame. SIZE: Overall 16-3/4” x 321/4”. Mosaic panel is approximately 13-1/2” x 29-1/2”. CONDITION: Very good to excellent, with a very minor scuff mark to the edge of the frame. 52629-1 (1,000-1,500)

Lot 1317 141

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1318. PAUL STANKARD BOTANICAL SCULPTURE. A Paul Joseph Stankard Botanical Sculpture having fall colors. The dimensional design shows brandywine bouquet, dried flowers, seeds and pods over a snowing ground. A natural fire polished finish at sides with a cut front. Signed at the base of one side panel “Paul J. Stankard F34 1989”. SIZE: 5” t x 2-3/4” at widest.

CONDITION: Very good to excellent. 52766-41 (7,000-9,000)

Lot 1318

1319.

PAUL STANKARD BOTANICAL SCULPTURE. A Paul Joseph Stankard cloistered glass Botanical Sculpture having a prickly pear cactus motif. The cactus has several yellow flowers, some in bloom, some in bud with dotted green leaves. Under the design “spirits under the earth” cling to roots. On another level a white flower sits on a sandy ground. Signed at the base of the back panel “Paul J Stankard ‘90”. SIZE: 6-1/4” t x 3” w. CONDITION: Very good to excellent. 52766-39 (7,000-9,000)

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Lot 1318 143

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1320. PAUL STANKARD LADY’S SLIPPER BOTANICAL SCULPTURE. A Paul Joseph Stankard Pink Lady’s Slipper upright dimensional design with green leaves sitting on a sandy ground; the underside having roots and a large pink pod. The outside having a natural fire polish exterior. Signed at the base of one panel “Paul J Stankard E19”. SIZE: 5” t x 2-3/4” at widest. CONDITION: Very good to excellent. 52766-40 (4,000-6,000)

Lot 1320

1321.

PAUL STANKARD BOTANICAL SCULPTURE. A Paul Joseph Stankard floral Botanical having pink blossoms with bud along with a white wild flower, painted green leaves, an ant and honeybee hovering over the design. A dimensional design also having several “spirits under the earth”. The sculpture has a hollow cut at the base, and a line cutting surrounding the exterior side near the base. SIZE: 5” t x 2-3/4” at widest. CONDITION: Very good to excellent. 52766-38 (3,000-5,000)

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144

1322. MELISSA AYOTTE OVERLAY APACHE BASKET SCULPTURE. A Melissa Ayotte Apache basket sculpture has an exterior overlaid in brown with blue design; engraved by hand with staves, and patterns resembling a basket. The interior holds a bouquet of flowers in pink, yellow and cobalt with white buds and green leaves. SIZE: Approx 5” dia x 4” t overall. CONDITION: Very good to excellent. 52766-35 (1,000-1,500)

Lot 1322 1323.

RICK AYOTTE FLORAL ILLUSION FACETED SCULPTURE. A Rick Ayotte Illusion sculpture having a central bouquet of flowers and green leaves. The sculpture is faceted in panels surrounding the topsides and back. Signed on one side facet “Ayotte 2of 3”. SIZE: 4” t x 4-1/2” at widest.

CONDITION: Very good to excellent. 52766-33 (800-1,200)

Lot 1323 1324. MELISSA AYOTTE BUDDHA SCULPTURE. A Melissa Ayotte Buddha Sculpture wearing a headdress of golden leaves.

The figure is modeled and encased having a golden surface. A transparent blue ground is applied to the back; the sculpture is faceted at an angle to the front and sits on a flat surface. Signed on the reverse “M. Ayotte 2007”. SIZE: 3” t x 3-3/8” at widest.

CONDITION: Very good to excellent. 52766-34 (500-700)

Lot 1324 1325.

JIM D’ONOFRIO COMPOUND CUBE WITH DOGS CHASING A FOX. A Jim D’Onofrio compound cube, having two layers with the first having two black and white dogs sniffing around rocks with vines and green leaves on a sand ground in white, brown and green. The second layer is a fox hiding from the dogs laying on a brown sand ground with rocks around, underside is finished with a polished pontil. Signed on the bottom edge of one panel “Jim D’Onofrio 2000 1053”. SIZE: 3” t x 3-14/16” at widest.

CONDITION: Very good to excellent with one trapped air bubble off the top layer. 52766-37 (800-1,200)

Lot 1325 145

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1326. JIM D’ONOFRIO COMPOUND SOUTH WEST INDIAN CUBE. A Jim D’Onofrio compound South West Indian cube, having two layers. The first having a crouching Indian with pots, a hatchet and a beaded necklace, the second having beads and baskets. Both designs sit on a sandy colored ground. Signed at the base of one side “Jim D’Onofrio 2000 1055”. SIZE: 3-1/8” x 2-13/16” at widest. CONDITION: Very good to excellent.

52766-36 (800-1,200)

Lot 1326 1327. ST. LOUIS PENHOLDER. St. Louis penholder has paperweight bottom with twisted yellow and blue ribbons alternating with twisted white ribbons. The penholder top has matching design. Signed on the underside with acid etched signature “Saint Louis Crystal France” also signed in the paperweight base with signature cane.

Complete with original presentation box. SIZE: 6-1/4” t.

CONDITION: Very good to excellent. 52766-28 (500700)

Lot 1327

Lot 1328 1329.

1328. ST. LOUIS PENHOLDER. St. Louis penholder has paperweight bottom with twisted blue and green ribbons alternating with twisted white ribbons. The penholder top has matching design. Signed on the underside with acid etched signature “Saint Louis Crystal France” also signed in the paperweight base with signature cane.

Complete with original presentation box. SIZE: 6-1/4” t.

CONDITION: Very good to excellent. 52766-27 (500700)

ST. LOUIS PENHOLDER. St. Louis penholder has paperweight bottom with twisted red and green ribbons alternating with twisted white ribbons. The penholder top has matching design. Signed on the underside with acid etched signature “Saint Louis Crystal France” also signed in the paperweight base with signature cane. Complete with original presentation box.

SIZE: 6-1/4” t. CONDITION: Very good to excellent. 52766-29 (500-700)

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146

1330. MODERN ST. LOUIS CROWN PEDESTAL PAPERWEIGHT. A modern St. Louis France four color pedestal newel post with alternating green and white ribbon cane as well as pink and blue ribbon cane with white latticino chaplet bead. Marked on the top “SL 1991” within a signature cane.

Comes with its original fitted Saint Louis France box. SIZE: Approx. 5” t x 3-1/2” w. CONDITION: Very good to excellent. 52766-30 (600-800)

Lot 1330 1331.

MODERN ST. LOUIS FRANCE STARDUST PEDESTAL PAPERWEIGHT. A modern St. Louis France pedestal paperweight having 16 colorful patterned millefiori canes upon a ground of white stardust canes resting on a latticino pedestal in pink and white. Marked on the underside “103/150”. Paperweight comes in its original fitted Saint Louis France box.

SIZE: Approx. 3” t x 3” at widest. CONDITION: Very good to excellent. Box has a tear to one edge. 52766-32 (800-1,200)

Lot 1331

1332. MODERN ST. LOUIS FACETED UPRIGHT BOUQUET SCULPTURE. A modern St. Louis France sculpture with central upright bouquet having white, yellow pink and cobalt flowers with deep green leaves. Overall faceting. Signed on the underside “Saint Louis 1995 2/10”. Comes in fitted Saint Louis box. SIZE: 5” t x 3” at widest.

CONDITION: Very good to excellent. 52766-31 (800-1,200) 1333.

LOT OF SIX PAPERWEIGHTS. 1) Baccarat sulphide faceted paperweight has bust of Napoleon on dark cranberry background. Signed on underside “Baccarat France”.

2) Fratelli Toso millefiori paperweight has faceted windows on side and top of red cut to white cut to clear showing millefiori, marked with applied Lot 1332 tag on side “Made in Italy Fratelli Toso Vetreria Murano”.

3) Fratelli Toso paperweight has single yellow flower within clear glass weight with faceted windows on top and sides. Signed with applied tag on side. 4) Clear glass paperweight has pink, white and blue millefiori clusters. Unsigned. 5) Clear glass paperweight is blown in shape of snail. Unsigned. 6) Small clear glass paperweight has millefiori carpet in red, white and blue. Unsigned. SIZE: Tallest 3” t. PROVENANCE: From an Unreserved Texas Estate.

CONDITION: All very good with some light scratches from use.

52755-4 (600-800)

Lot 1333

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1334.

1335.

1336.

PLATINUM & DIAMOND BRACELET. Platinum bracelet is set with teardrop shaped links set on one side with round diamonds and the other side of the link is set with baguettes. Centering each link is a marquise diamond with smaller marquise and round diamonds at each tip.

Total diamond count is 8 pear shaped, 16 marquise, 71 round and 72 baguettes for a total weight of approx 22-1/2cttw with VS1 clarity. Accompanied by a jeweler’s appraisal dated 1966. SIZE: 7” l. CONDITION: Very good to excellent. 52844-1 (12,00015,000)

Lot 1334

PLATINUM, SAPPHIRE & DIAMOND LINK BRACELET. Set with 18 square-cut sapphires alternating with 18 round diamonds in box mounting, completed by a tension clasp with fold-over safety stamped “PLAT” and “81844”. Total sapphire weight is approx 5.50cttw with the total diamond weight of approx 1.50cttw.

Total weight of the bracelet is approx 12.0dwt. SIZE: 6-1/2” l. PROVENANCE: From an Unreserved Upstate New York collection. CONDITION: Very good to excellent. 52848-2 (3,000-5,000)

Lot 1335

PLATINUM, OLD EUROPEAN-CUT DIAMOND & 14KT YELLOW GOLD BANGLE BRACELET. Designed with a platinum and diamond plaque surmounted on a modern, custom designed yellow gold bangle bracelet. The plaque features three bezel-set Old European-cut diamonds and is further set with 21 diamonds in fleur de lis and scroll motif bezels. Mounting is pierced and millegrained throughout. The hinged bangle bracelet is in an openwork scroll and geometric motif completed Lot 1336 by a push button plunger clasp stamped “14K”. Total diamond weight is approx 4.55cttw. Accompanied by a fitted box marked “Otto Jassoy, Inc. Buffalo, N.Y.” as well as a G.G. appraisal. SIZE: 6-1/2”.

CONDITION: Very good to excellent with signs of wear with light scratches to bangle. 52214-1 (4,000-6,000)

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148

1337. ART DECO PLATINUM, OLD EUROPEAN CUT DIAMOND & SAPPHIRE RING. This stunning ring has a domed mounting that features an Old European-cut diamond weighing an estimated 1.30cttw further set with 14 calibre cut sapphires and 48 single-cut diamonds weighing approx 0.98cttw with approx VVS2 clarity and approx K color. Millegrain accents. Total weight of ring is approx 2.80dwt. SIZE: 6-1/2.

PROVENANCE: From an Omaha, Nebraska collection.

CONDITION: Very good to excellent. 52824-1 (5,000-7,000)

Lot 1337

1338.

1339.

18KT YELLOW GOLD, ENAMEL & GEM SET ZEBRA BRACELET. Composed of flexible gold links decorated with alternating black and white enamel links with zebra head terminals set with ruby eyes and clasping a diamond set ring.

Completed by a diamond set plunger clasp stamped “750” and “1689AL”. Textured finish. Total weight 43.5dwt. Accompanied by a G.G. Appraisal stating round brilliant cut diamonds have a total weight of 0.40cttw with VS clarity and G/H color.

Rubies have a total weight of 0.40cttw with Type II clarity (eye clean). SIZE: 6-3/4” x 1/2” to 7/16”. CONDITION: Very good to excellent. 51823-1 (2,000-3,000)

Lot 1338

14KT WHITE & ROSE GOLD CUSTOM GEM SET MAN’S RING. 14kt white and rose gold custom made President of the United States (POTUS) man’s ring is prong set with a center round brilliant cut diamond with a total weight of approx 1.71cttw with VS1 clarity and I color. Surrounding the center diamond are alternating rubies and sapphires with a total weight of approx 1.40cttw with each stone representing the original 13 Colonies. The shank of the ring is stamped with 50 green stars to represent each state in the Electoral College.

One side of the ring is set in rose gold is the scroll - E Pluribus Unum - Out Of Many Come One - and below the scroll we see the eagle holding in one talon a reed and in the other an olive branch showing Forgiveness and The Judeo/Christian ethic that this great land was born into. On the other side of the ring, also set in rose gold is the lettering “POTUS 45” giving honor and respect to the highest office in the nation - the 45th President of these United States. The purpose of the two types of gold is to show Diversity and the Melting Pot that we, as a nation and society is known for. SIZE: 9-1/4.

CONDITION: Very good to excellent. 52748-8 (16,500-18,000)

Lot 1339 149

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1340. P LATINUM, YELLOW DIAMOND & DIAMOND RING. Centered by a 3.76ct cut-corned rectangular modified brilliant cut light yellow diamond measuring 8.77 x 7.82 x 6.30mm prong set in yellow gold. Stone is accompanied by a GIA Certificate # 6187814135, stating it is Light Yellow, Natural color. The center stone is flanked on either side by a trapezoid shaped diamond prong set in platinum with F-G color and VS clarity. The shank is stamped “Pl” and the yellow gold tests 14K. The ring has a total combined diamond weight of approx 5.37cttw and total ring weight is approx 5.70dwt. Accompanying the ring is a G.G. appraisal #1023916 from Joseph W. Tenhagen Appraisals Inc. SIZE: 4-1/2.

CONDITION: Very good to excellent. 52823-1 (18,000-22,000)

Lot 1340

Lot 1341 1341.

RARE LADY’S SAPPHIRE & BERYL BRACELET. Bracelet comprised of platinum and 18kt yellow gold is set with round natural blue sapphires measuring approx 2.17 to 2.35mm dia each with total approx weight of 16.28cttw. Bracelet is also set with round fancy/brilliant/mixed cut red-pinkish red natural beryl measuring 1.88 to 2.66mm dia each with at total approx weight of 7.51cttw. Accompanying the bracelet is an AGTA Sapphire Identification Report #92013811 which states the sapphires have no indication of heat treatment with the origin in Yogo Gulch, Montana, USA. The beryl has none to moderate clarity enhancements with the origin of Utah. SIZE: 7-1/4” l. PROVENANCE: From an Unreserved Texas Estate.

CONDITION: Very good with minor signs of wear. 52755-3 (6,000-8,000)

Lot 1342 (w/reverse)

1343.

1342. LADY’S ANTIQUE PATEK PHILIPPE OPEN-FACED POCKET WATCH ON CHAIN. Retailed by Shreve, Crump and Low, this 18kt yellow gold #265396 pocket watch is signed “PPCo”. The dust cover is engraved “Shreve, Crump & Low Co Boston, no. 158328” also signed “Patek Philippe”. The outer cover is decorated with blue guilloche enamel decoration and rusi-cut diamonds framing an image of a woman. The dial has white enamel with black Arabic numerals and seconds chapter.

Movement is 18 Jewels, signed “SCL” and “Patek Philippe no. 158328”. Pocket watch is suspended from a gold filled watch chain. SIZE: Face is 1”, overall 1-1/2”. PROVENANCE: From an Unreserved Upstate New York collection.

CONDITION: Very good to excellent. 52848-1 (6,000-8,000)

14KT WHITE GOLD & DIAMOND EAR PENDANTS. The top is set with a tapered baguette suspending a navette shape featuring a marquise-cut diamond, straight baguettes and 4 round diamonds. Total diamond weight is approx 1.96cttw with VS-VS2 clarity and H-I color. Total weight of ear pendants is 2.60dwt. Earrings are completed with screw backs.

SIZE: 1” l. PROVENANCE: From an Unreserved California collection. CONDITION: Very good to excellent showing gentle wear. 52844-2 (3,000-5,000)

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150

Lot 1343

1344. 14KT WHITE GOLD, OVAL SAPPHIRE & DIAMOND RING. Centered by an oval sapphire weighing approx 1.78cttw, surrounded by diamonds, diamond-set shoulders, millegrain accents, engraved gallery and shank. The total diamond weight is approx 0.46cttw with VS-SI clarity and H-I-J color. Total weight of the ring is approx 4.0dwt. SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-24 (600-800)

Lot 1344 1345.

14KT ROSE GOLD, COLOR-CHANGE SAPPHIRE & DIAMOND RING. Centered by an oval color-change sapphire weighing approx 2.82ct surrounded by round diamonds. The shoulders are pierced in a flower head design edged by diamonds. Estimated weight of the diamonds is approx 0.36cttw. Ring weighs approx 4.10dwt. SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-65 (500-700)

Lot 1345

1346. 14KT WHITE GOLD, OVAL PURPLE SAPPHIRE & DIAMOND RING. Centered by an oval purple sapphire weighing approx 1.41cttw, flanked by 2 curved rows of channelset tapered baguettes with a total weight of approx 0.44cttw with VS clarity and G-H color. Total weight of the ring is approx 3.90dwt. SIZE: 5-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-26 (700-900)

Lot 1346

1347.

14KT WHITE GOLD, ORANGE SAPPHIRE & DIAMOND RING. Centered by an oval orange sapphire weighing approx 1.18cttw, surrounded by 2-tiers of round diamonds with a total weight of approx 0.40cttw. Diamonds are SI, I-J color. Ring weighs approx 3.20dwt. SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 5284180 (400-600)

Lot 1347 151

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1348. 14KT YELLOW GOLD, BERYL, MORGANITE, EMERALD & DIAMOND PENDANT. Designed with a light greenish-blue pear-cut beryl weighing approx 18.44cttw, suspending a pearcut morganite weighing approx 10.67cttw and further suspending a pear-cut emerald weighing approx 2.89cttw, separated by two bezel-set round brilliant cut diamonds with an estimated total weight of approx 0.33cttw with VS1-SI2 with G-H, I-J color. Total weight of the pendant is 7.40dwt. SIZE: 3-1/4” l (including bail). PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-27 (1,200-1,800)

1349. 14KT WHITE GOLD, RED BERYL & PINK SAPPHIRE PENDANT. Designed with rectangular cushion-cut red beryl weighing approx 0.12cttw, a triangular pink sapphire weighing approx 1.63cttw and a half-moon shape emerald weighing approx 3.19cttw. Total weight of the pendant is approx 1.50dwt. SIZE: 1-1/8” l (including bail).

PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-61 (1,500-2,500)

Lot 1348 Lot 1349 1350. 14KT WHITE GOLD, EMERALD-CUT EMERALD, EMERALD BEAD & DIAMOND EAR PENDANTS. Diamond set hoops suspend an emerald-cut emerald weighing approx 1.09 and 1.01ct each, a bezel-set round diamond and a cascade of graduating emerald beads. The estimated total diamond weight is approx 0.34cttw with VVS clarity and G-H color. Pendants are completed with ear posts with lever backings.

Total weight of ear pendants is approx 8.40dwt. SIZE: 3” l.

PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-4 (3,000-5,000)

Lot 1350

1351. 14KT WHITE GOLD, CABOCHON EMERALD & DIAMOND PENDANT. Pave diamonds set in a round pear shapes suspending an oval cabochon emerald weighing approx 7.60cttw. Total diamond weight is approx 0.50cttw with VVS-VS clarity and F-G color. Pendant weighs approx 1.50dwt. SIZE: 1-1/2” l including bail. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent.

52841-36 (1,200-1,800)

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152

1352. 18KT WHITE GOLD, EMERALD & DIAMOND RING. Centered by an emerald-cut emerald weighing approx 2.19cttw, flanked by a total of 12 round brilliant cut diamonds with a total weight of approx 0.50cttw with VS clarity and I-J color. Total weight of the ring is approx 3.20dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-35 (800-1,200)

Lot 1352

1353.

14KT WHITE GOLD, GREEN TOURMALINE & DIAMOND RING. Centered by a round bluish-green tourmaline weighing an estimated 1.83cttw. Ring is completed with diamond shoulders with an estimated weight of approx 0.27cttw with VS clarity and G-H color. Total ring weight is approx 2.20dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-13 (400-600)

Lot 1353

1354. 14KT YELLOW GOLD, KUNZITE & DIAMOND RING. Centered by a round kunzite weighing approx 6.33cttw, flanked by round brilliant cut diamonds. Total diamond weight is approx 0.30cttw. Diamonds are SI, G-H color. Ring weighs approx 3.0dwt. SIZE: 7-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-81 (300-500)

Lot 1354

1355.

14KT WHITE GOLD, BLUE SAPPHIRE, YELLOW SAPPHIRE & DIAMOND BYPASS RING. Set with a round yellow sapphire weighing approx 1.01ct and a blue sapphire weighing approx 1.09ct in a diamond bypass design. Estimated total diamond weight is approx 0.48cttw. Ring weighs approx 2.80dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-60 (400-600)

Lot 1355 153

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1356. CORAL BEAD NECKLACE WITH GEM-SET ENHANCER. A necklace strung with approximately 8.0mm coral beads with a gold-filled lobster claw clasp suspending a 14kt yellow gold enhancer. Enhancer is set with a triangle cut pink spinel weighing approx 1.91cttw, a bezel-set round brilliant cut diamond weighing approx 0.20cttw, a pear-cut kunzite weighing approx 37.23cttw and 3 diamond melee in the bail. Total weight is approx 7.70dwt. SIZE: Bead necklace is 17”. Enhancer is 2-3/8” l. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-28 (800-1,200)

Lot 1356 1357.

18KT YELLOW GOLD & ANGEL SKIN CORAL EARRINGS. Oval coral set in a gold bead and scalloped mounting. Earrings are finished with ear post findings. SIZE: 13/16” x 5/8”. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-55 (200-400)

Lot 1357

1358. 18KT YELLOW GOLD, CARVED CORAL & DIAMOND SUITE. Consisting of a ring, pendant and earclips featuring oval shape carved coral within a rope-twist surround with pave diamond highlights.

Earclips have omega backs with posts. Total weight of the suite it approx 43.9dwt. SIZE: Ring is 7-1/4.

Brooch is 1-5/8” x 1-1/2”. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-2 (400600)

Lot 1358

1359.

14KT YELLOW GOLD & ANGELSKIN CORAL RING. High relief carved and graduated coral domes separated by gold wire. Shank is stamped “LB”. Total weight is approx 5.10dwt. SIZE: 6-1/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-54 (400600)

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154

1360. PLATINUM, EMERALD-CUT SAPPHIRE & PRINCESS CUT DIAMOND THREE STONE RING. Centered by an emerald-cut sapphire set East-West and weighing approx 1.58cttw, flanked by princess-cut diamonds with a total weight of approx 0.42cttw with VS2 clarity and I-J color. Total weight of the ring is approx 3.50dwt. SIZE: 5. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-30 (600-800)

Lot 1360

1361.

14KT WHITE GOLD, PINK SAPPHIRE & DIAMOND RING. Centered by a pear-cut pink sapphire weighing approx 2.48cttw surrounded by a pear shaped diamond halo and diamond shoulders. The estimated total diamond weight is approx 0.30cttw with VS clarity and I-J color. Shank is completed with millegrain accents and stamped “JR”. Total ring weight is approx 4.40dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-9 (8001,200)

Lot 1361

1362. 14KT ROSE GOLD, OVAL GREEN TOURMALINE & DIAMOND RING. Set with a very slightly bluish-green oval tourmaline weighing approx 4.17ct surrounded by a total of 26 diamonds weighing approx 0.75ct. Ring weighs approx 3.30dwt.

SIZE: 5-3/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent.

52841-72 (500-700)

Lot 1362 1363.

14KT YELLOW GOLD, RED TOURMALINE & DIAMOND RING. Centered by an oval tourmaline weighing approx 3.53cttw. Shoulders are pierced in a geometric design and outlined by diamond melee. Total approx weight for the diamonds is 0.28cttw. Total weight of ring is 4.70dwt. SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-52 (600-900)

Lot 1363 155

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1364. PLATINUM, DEMANTOID GARNET & DIAMOND RING. Centered by a pear-shape demantoid garnet weighing approx 2.88cttw, surrounded by a diamond halo, diamond set shoulders with a total diamond weight of approx 0.36cttw.

Diamonds are VVS, F-G color. Ring weighs approx 5.90dwt.

SIZE: 4-1/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent.

52841-82 (1,000-1,500)

Lot 1364

1365.

14KT YELLOW GOLD, RED TOURMALINE & DIAMOND RING. Set with an oval red tourmaline weighing approx 3.29cttw which is further set with 30 diamond melee with a total weight of approx 0.30cttw, while the ring weighs approx 3.0dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-56 (300-500)

Lot 1365

1366. 14KT WHITE GOLD, RED TOURMALINE & DIAMOND RING. Centered by a pear shape red tourmaline weighing approx 4.42ct flanked by round brilliant cut diamonds.

The estimated total weight of the diamonds is approx 0.30cttw.

Diamonds are VS, G-H color. Ring weighs approx 2.60dwt.

SIZE: 8. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-64 (400-600)

Lot 1366

1367.

14KT WHITE GOLD, COLOR CHANGE SAPPHIRE & DIAMOND RING. Centered by a pear-cut color change sapphire (red to purple to pink) weighing approx 1.78cttw surrounded by a diamond halo with diamond-set shoulders. Total diamond weight is approx 0.50cttw with VS clarity and H-I color. Total weight of ring is approx 2.70dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-20 (600-800)

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156

1368. 14KT WHITE GOLD, EMERALD & DIAMOND EAR PENDANTS. Designed with an oval emerald with a diamond halo and diamond accents suspended by a diamond-set oval hoop. The estimated total emerald weight is approx 2.86cttw and the total diamond weight is approx 0.68cttw. Pendants have a total weight of approx 4.20dwt. SIZE: 1-1/4” l. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-50 (800-1,200)

Lot 1368

1369. 14KT WHITE GOLD, RED TOURMALINE & DIAMOND EAR PENDANTS. Each suspending a pearshape and oval red tourmaline, with the latter with a diamond surround and each with a bezel-set diamond accent. The estimated total weight for both tourmaline is 12.40cttw with the total weight of diamonds approx 1.00cttw. Diamonds are VS-SI, G-H color. Total weight of pendant is approx 5.0dwt. SIZE: 2” l. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent.

52841-49 (1,000-1,500)

Lot 1369 1370. 14KT WHITE GOLD, EMERALD, DIAMOND & TANZANITE PENDANT. Designed with 2 emerald-cut emeralds weighing a total of approx 2.35cttw, two bezel-set diamonds weighing approx 0.30cttw, and a pear cut tanzanite weighing approx 6.14cttw. Total weight of pendant is approx 3.20dwt. SIZE: 2-1/4” l including bail. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-33 (800-1,200)

Lot 1370

1371. MODERNIST STERLING SILVER & INDICOLITE TOURMALINE PENDANT. Three sterling silver curved elements feature a center set greenish-blue oval tourmaline weighing approx 2.19cttw set in a 14kt yellow gold 4-prong mounting and suspended by a 14kt yellow gold bail. SIZE: 2-3/4” l x 2” w. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-38 (300-500)

Lot 1371 157

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1372. 14KT WHITE GOLD, TOURMALINE, COLORLESS DIAMOND & YELLOW DIAMOND RING. Centered by an oval bluish-green tourmaline weighing approx 2.42cttw surrounded by a halo of yellow and colorless diamonds with the shank with diamond-set split shoulders having a total diamond weight of approx 0.68cttw. Ring is marked “JR” and weighs approx 3.50dwt. SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-59 (600-800)

Lot 1372

1373.

14KT WHITE GOLD, ORANGE SAPPHIRE & DIAMOND RING. Centered by an orange sapphire weighing an estimated 1.64cttw flanked by round brilliant-cut and one Old European-cut diamond with an approx total weight of 0.30cttw with VS2 clarity and H color. Total ring weight is approx 2.0dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-15 (400-600)

Lot 1373

1374. 14KT WHITE GOLD, RUBY & DIAMOND RING. Centered by an oval ruby weighing approx 1.93ct, surrounded by a diamond halo. Estimated total diamond weight is approx 0.30cttw having VS, SI1-SI2 clarity with H-I color. Ring weighs approx 2.60dwt. SIZE: 6-1/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-7 (800-1,200)

Lot 1374

1375.

14KT WHITE GOLD, SAPPHIRE & DIAMOND RING. Centered by a round sapphire weighing approx 1.39cttw, surrounded by a diamond halo with diamond-set openwork by-pass design shoulders. Total diamond weight is approx 0.33cttw with VS clarity and H-I color. Total weight of the ring is approx 2.60dwt. SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-32 (300500)

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158

1376. GENT’S 14KT WHITE GOLD REDDISH-ORANGE PADPARASHA SAPPHIRE & DIAMOND RING. Centered by an oval reddish-orange prong set sapphire with a polished oval circle flanked by flush-set square cut diamonds; VVS, G/H. Estimated sapphire weight is approx. 1.80ct. Diamond weight is approx. 0.44cttw. Weight is 8.40dwt. Ring is stamped “14K”. SIZE: 11-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent with minor signs of wear. 52841-41 (800-1,200)

Lot 1376

1377.

14KT WHITE GOLD, EMERALD & DIAMOND RING. Centered by an oval emerald weighing approx 2.10ct, flanked by round brilliant cut diamonds with an estimated weight of approx 0.30cttw. Diamonds are VS & SI, I-J color. Ring weighs approx 2.10dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-68 (600-800)

Lot 1377

1378. 18KT WHITE GOLD, RED SPINEL & DIAMOND RING. Centered by a rectangular cushion cut spinel weighing an estimated 2.22cttw surrounded by diamonds. Shoulders are pierced in a flower head design edged by diamonds. Total diamond weight is approx 0.50cttw with VS clarity and I-J color. Total ring weight is approx 3.80dwt. SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-17 (400-600)

Lot 1378

1379.

14KT ROSE GOLD, OVAL AQUAMARINE & DIAMOND RING. Centered by an oval aquamarine weighing approx 5.12cttw, surrounded by diamonds, diamond-set shoulders with a total diamond weight of approx 0.78cttw. Total weight of the ring is approx 3.50dwt. SIZE: 6.

PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-23 (600-900)

Lot 1379 159

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1380. 14KT WHITE GOLD, EMERALD-CUT COLORLESS EMERALD, YELLOW DIAMOND & DIAMOND RING. Centered by an emeraldcut emerald weighing approx 3.21ct. Emerald is surrounded by 24 yellow diamonds leading to a split shoulder set with 32 round diamonds. Total diamond weight is approx 0.50ct. Ring weighs approx 2.30dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent.

52841-71 (1,000-1,500)

Lot 1380

1381.

18KT WHITE GOLD, EMERALD & DIAMOND EAR PENDANTS. Diamond melee set in a pear-shape out line suspends a swirl motif and oval emeralds weighing a total of approx 2.50cttw. The estimated total diamond weight is 0.50cttw. Diamonds are VS clarity and G-H color. Ear pendants are completed with ear post findings. Total weight is approx 1.70dwt. SIZE: 1-3/8” l. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-42 (900-1,200)

Lot 1381

Lot 1382

1383.

1382. 14KT WHITE GOLD, EMERALD & DIAMOND RING. Centered by a cushion-cut emerald weighing approx 2.24ct, shank is set with 16 straight baguettes and 30 round diamonds and the gallery features a diamond accent and the undercarriage is pierced in a heart design. Total diamond weight is approx 0.48cttw. Diamonds are VS, G-H color. Ring weighs approx 5.0dwt.

SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent.

52841-66 (1,500-2,000)

14KT WHITE GOLD, EMERALD & DIAMOND EAR PENDANTS. The tops designed with an emerald-cut emerald with a diamond halo suspending a line of bezel-set diamonds suspending an oval emerald with a diamond halo. Emerald has a total weight of approx 7.30cttw while the diamonds have a total weight of approx 1.16cttw. Total weight of the ear pendants is approx 5.50dwt. SIZE: 2” l. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-34 (2,0003,000)

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160

1384. 14KT WHITE GOLD, EMERALD & DIAMOND RING. Centered by an emerald-cut emerald weighing approx 2.50ct flanked by 8 diamond baguettes. Shoulders are set with 18 baguettes and 28 full cut diamonds. Ring is stamped “585”. Total weight of diamonds is approx 1.00cttw, VS clarity and G-H color. Total weight is approx 3.40dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent with minor signs of wear. 52841-44 (1,500-2,500)

Lot 1384

1385.

14KT WHITE GOLD AND OVAL PURPLE SAPPHIRE RING. Centered by an oval purple sapphire weighing approx 3.65cttw, surrounded by diamonds with a total weight of approx 0.70cttw with VS-SI clarity and H-I-J color. Total weight of the ring is approx 4.30dwt. SIZE: 6-1/2.

PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-22 (600-800)

Lot 1385

1386. 14KT WHITE GOLD, PEAR CUT RUBY & DIAMOND RING. Centered by a pear cut ruby weighing approx 1.70ct flanked by bezel-set round brilliant cut diamonds and a total of six bead-set round diamonds.

Shank and bezels set with diamond melee, millegrain accents. Shank is stamped “JR”. Total diamond weight is approx 0.70cttw with VS clarity and F-G color. Total ring weight is approx 3.80dwt. SIZE: 6-3/4.

PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-5 (800-1,200)

Lot 1386

1387.

18KT WHITE GOLD & ORANGE SAPPHIRE & DIAMOND RING. Centered by an oval orange sapphire (possibly Padparadscha) weighing approx 2.13ct flanked by a total of 6 round brilliant cut diamonds in domed shoulders.

Diamonds are approx VS with G-H color. Estimated total diamond weight is 0.24cttw. Engraved shank. Total weight of the ring is approx 3.80dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-1 (700-900)

Lot 1387 161

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1388. 14KT WHITE GOLD, PINK TOURMALINE & DIAMOND RING. Centered by an oval pink tourmaline weighing approx 3.53ct surrounded by a diamond halo and completed with diamond-set split shoulders. Estimated diamond weight is approx 0.50ct. Diamonds are VS, G-H color. Ring weighs approx 3.90dwt. SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-67 (600-900)

Lot 1388

1389.

14KT WHITE GOLD, RED TOURMALINE & DIAMOND RING. Centered by a fancy cushion-cut red tourmaline weighing approx 3.0cttw, surrounded by a diamond halo, diamond-set shoulders with an estimated weight of approx 0.40cttw. Ring weighs approx 2.90dwt. SIZE: 6-3/4.

PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-83 (400-600)

Lot 1389

1390. 14KT WHITE GOLD, PINK & GREENISH BLUE TOURMALINE PENDANT. Designed with a round diamond weighing approx 0.08cttw, suspending a pear-shape pink tourmaline weighing approx 3.44cttw and an oval, greenish-blue tourmaline weighing approx 6.00cttw. Total weight of the pendant is approx 2.40dwt. SIZE: 1-1/4” l (including bail). PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-46 (400600)

Lot 1390 1391.

14KT WHITE GOLD, PEAR SHAPE GREEN TOURMALINE & DIAMOND RING. Centered by a bluish-green pear shape tourmaline weighing approx 2.43ct is surrounded by 16 round brilliant cut diamonds with an estimated weight of approx 0.64ct. Round brilliant cut diamonds are VS, G-H color. Ring is stamped “US” copyright. Total weight of ring is approx 4.60dwt. SIZE: 6. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-70 (600-900)

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162

1392. 14KT ROSE GOLD, OVAL GREEN TOURMALINE & DIAMOND RING. Centered by an oval green tourmaline weighing approx 4.37cttw surrounded by a total of 26 round diamonds weighing approx 0.75cttw.

Diamonds are SI, J-K-L color. Total weight of the ring is approx 3.70dwt.

SIZE: 5-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-76 (500-800)

Lot 1392 1393.

14KT YELLOW GOLD, ALEXANDRITE & DIAMOND RING. Centered by a pear-cut alexandrite weighing an estimated 1.77cttw in a stepped, geometric design mounting set with a total of 24 flush-set diamonds with an estimated total weight is 0.24cttw having VS clarity and G-H color.

Total weight of ring is approx 3.90dwt. SIZE: 5. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-16 (700-900)

Lot 1393

1394. PLATINUM, SAPPHIRE & DIAMOND BY-PASS RING. Set with two round sapphires weighing approx 1.23ct & approx 1.25ct each flanked by 3 bead set round diamonds with an estimated weight of 0.24cttw as well as millegrain accents. Diamonds are VS, H-I color. Total weight of ring is approx 5.10dwt. SIZE: 7-1/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-78 (800-1,200)

Lot 1394

1395.

14KT WHITE GOLD, OVAL EMERALD & DIAMOND RING. Centered by an oval emerald weighing approx 3.70cttw surrounded by diamonds and diamond set shoulders. Total diamond weight is approx 0.52ctts with VS clarity and H-I-J color. Total ring weight is approx 3.90dwt. SIZE: 6. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-14 (2,500-3,500)

Lot 1395 163

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1396. 14KT WHITE GOLD, CHRYSOBERYL & DIAMOND RING. Centered by an oval chrysoberyl weighing approx 2.87cttw, surrounded by a diamond halo with an estimated total weight of 0.34cttw. Ring is stamped “JR” copyright. Total weight of ring is approx 4.0dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-51 (2,500-3,500)

Lot 1396

1397.

18KT WHITE GOLD, PEAR SHAPE ALEXANDRITE & DIAMOND RING. Centered by a pear shape Alexandrite weighing approx 1.88ct surrounded by a diamond halo and diamond shoulders. The estimated diamond weight is approx 0.45cttw. Ring weighs approx 1.90dwt. SIZE: 5-3/4. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-63 (1,200-1,800)

Lot 1397

1398. 14KT WHITE GOLD, GARNET & DIAMOND RING. Centered by an oval garnet weighing approx 2.75cttw, surrounded by a diamond halo, diamond-set split shoulders. The total diamond weight is approx 0.58cttw. Diamonds are VS, H-I color. Ring weighs approx 2.90dwt. SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-58 (400-600)

Lot 1398

1399.

14KT WHITE GOLD, EMERALD & DIAMOND RING. Centered by an emerald-cut emerald weighing approx 3.13cttw surrounded by a diamond halo with an estimated total diamond weight of approx 0.26cttw. Shank stamped “JR” copyright. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-11 (1,000-1,500)

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164

1400. 14KT WHITE GOLD, PEAR SHAPE EMERALD & DIAMOND RING. Centered by a pear-shape emerald weighing approx 2.54ct surrounded by a diamond halo and shoulder. The estimated total diamond weight is 0.75cttw, VS clarity, G-H color. Total weight is 2.60dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-45 (1,200-1,800)

Lot 1400

1401.

GENT’S 14KT YELLOW GOLD, CHRYSOBERYL & DIAMOND RING. Centered by an oval, prong set chrysoberyl weighing approx 1.96cttw, flanked by flush set round diamonds with a total weight of approx 0.24cttw.

Ring is stamped “SED” and has a total weight of approx 6.50dwt. SIZE: 8. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-57 (400-600)

Lot 1401

1402. 14KT WHITE GOLD, PERIDOT & DIAMOND RING. Centered by an oval peridot weighing approx 2.04cttw, flanked by three rows of beadset diamonds with an estimated total weight of 0.80cttw with VVS-VS clarity and G-H-I color. Total weight of the ring is approx 4.70dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-31 (700-900)

Lot 1402

1403.

14KT WHITE GOLD, ALEXANDRITE & DIAMOND RING. Centered by a pear-cut alexandrite weighing approx 2.32ct flanked by 2 bezel-set radiant cut diamonds and a total of 13 bead-set round diamonds (one missing). Shank and bezels set with diamond melee. Euro-style shank has millegrain accents and is stamped “JR”. Total weight of the diamonds is 0.68cttw with VS clarity and H-I-J color. Ring weighs approx 5.30dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Missing one bead-set diamond as noted, otherwise very good.

52841-6 (1,200-1,500)

Lot 1403 165

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1404. PLATINUM, EMERALD-CUT EMERALD & DIAMOND RING. Centered by an emerald-cut emerald weighing approx 3.51cttw surrounded by diamonds with diamond-set shoulders. Total diamond weight is approx 0.52cttw with VS clarity and I-J color. Ring weight is approx 4.40dwt. SIZE: 4-3/4. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-10 (1,000-1,500)

Lot 1404 1405.

14KT WHITE GOLD, SAPPHIRE & DIAMOND THREE-STONE RING. Centered by an oval sapphire weighing approx 1.51cttw, flanked by round brilliant cut diamonds and 1 Old European cut diamond with a total weight of approx 0.56cttw with VS clarity and H-I color. Ring weighs approx 3.30dwt. SIZE: 5-3/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-25 (600-800)

Lot 1405

1406. 14KT WHITE GOLD, PEAR-CUT RUBY & DIAMOND RING. Centered by a pear-cut ruby weighing approx 1.21cttw surrounded by a diamond halo with diamond-set shoulders. Total ring weight is approx 2.0dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-21 (400-600)

Lot 1406

1407.

14KT YELLOW GOLD, OVAL BLUE SAPPHIRE & DIAMOND RING. Centered by an oval blue sapphire weighing approx 1.65ct. Shoulders of ring are channel set with three rows of round brilliant cut diamonds. The estimated total diamond weight is approx 1.0ct. Diamonds are VS, G-color.

Ring weighs approx 5.0dwt. SIZE: 6. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-73 (700-1,000)

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166

1408. 14KT WHITE GOLD, AQUAMARINE & DIAMOND RING. Set with a square emerald-cut aquamarine weighing approx 15.84cttw surrounded by round diamonds.

The estimated total weight of the diamonds is 0.68cttw. Diamonds are VS-SI, I-J color.

The ring weighs approx 7.50dwt. SIZE: 8. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-74 (1,500-2,500)

Lot 1408 1409.

14KT WHITE GOLD, COLOR CHANGE SAPPHIRE & DIAMOND RING. Centered by an oval color-change sapphire weighing approx 2.16cttw flanked by 2 bezel-set radiant cut diamonds and a total of 14 bead-set round diamonds. Total weight of the diamonds is 0.68cttw with VS clarity and H-I-J color. Shank and bezels set with diamond melee. Euro-style shank has millegrain accents and is stamped “JR”. Total ring weight is approx 5.50dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent.

52841-12 (800-1,200)

Lot 1409

1410. 14KT YELLOW GOLD & EMERALD RING. Centered by an oval emerald weighing approx 1.72ct surrounded by a diamond halo, the estimated total weight is approx 0.48cttw. Diamonds are VS, G-H color. Ring is stamped “WV”. Total weight of ring is approx 2.60dwt. SIZE: 7-1/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-62 (500-700)

Lot 1410 1410A. EMERALD & DIAMOND RING. Centered with a prong set beryl emerald in the shape of a heart measuring approx 12.62 x 10.65 x 4.57mm with deep bluish-green color. Surrounding the emerald are round and baguette diamonds set in a scrolling design. Total diamond weight is approx 3.01cttw. Shank is marked “ISK” and “750”.

Ring is accompanied by a Stone Group Lab report, Gemstone Report, and EGL USA Gem Report all indicating that there is evidence of color enhancement to the emerald.

SIZE: 7. PROVENANCE: From an Unreserved Maine collection.

CONDITION: Very good to excellent. 52793-1 (6,000-8,000)

Lot 1410A 1411. STERLING SILVER, 18KT YELLOW GOLD & FANCY-CUT CITRINE PENDANT. A modified teardrop shape with two bezel set diamond accents weighing approx 0.06cttw as well as a fancy-cut citrine measuring approx 22.30 x 17.85 x 13.15mm. SIZE: 2-1/2” x 1-1/4”.

PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-48 (700-1,000)

Lot 1411 167

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1412. 14KT WHITE GOLD, PINK SAPPHIRE & DIAMOND RING. Centered by an oval pink sapphire weighing approx 2.14cttw, surrounded by a diamond halo and diamond shoulders. The total diamond weight is approx 0.34cttw. Diamonds are VS, G-H color. Ring weighs approx 2.40dwt. SIZE: 6-3/4. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-79 (400-600)

Lot 1412

1413.

14KT WHITE GOLD, EMERALD & DIAMOND RING. Centered by an oval emerald weighing approx 3.58ct, surrounded by a diamond halo with a total weight of approx 0.36ct. Diamonds are VS, I-H-J color. Ring is stamped “JR”. Total weight of ring is approx 3.80dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-69 (1,500-2,500)

Lot 1413

1414. PLATINUM, SAPPHIRE & DIAMOND RING. Centered by a box-set round sapphire weighing approx 1.21cttw, flanked by tapered baguettes with a total weight of approx 0.16cttw with VS clarity and G-H color. Total weight is approx 2.60dwt. SIZE: 5-3/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 5284129 (300-500)

Lot 1414

1415.

14KT WHITE GOLD, EMERALD-CUT EMERALD & DIAMOND RING. Centered by an emerald-cut emerald, weighing approx 3.0cttw, surrounded by round diamonds with an estimated total weight of 0.30cttw.

Total weight of the ring is approx 3.0dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-84 (700-1,000)

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168

1416. 14KT WHITE GOLD, EMERALD-CUT EMERALD & DIAMOND RING. Centered by an emerald-cut emerald weighing approx 3.20cttw, flanked by round brilliant cut diamonds weighing approx 0.56cttw.

Diamonds are SI, G-H color. Ring weighs approx 4.10dwt. SIZE: 7-1/4.

PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-77 (1,000-1,500)

Lot 1416

1417.

14KT WHITE GOLD, OVAL SAPPHIRE & BAGUETTE DIAMOND RING. Centered by an oval sapphire weighing approx 1.86cttw flanked by 4 baguette diamonds with a total weight of approx 0.40cttw with VS1&VS2-SI2 with G color. Total weight is approx 2.10dwt. SIZE: 5-3/4. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-18 (600-800)

Lot 1417

1418. 14KT WHITE GOLD, OVAL EMERALD & DIAMOND RING. Centered by an oval emerald weighing approx 2.50cttw, surrounded by diamonds and diamond-set split shoulders. Estimated total diamond weight is approx 0.46cttw with VS-SI clarity and I-J color. Total weight of the ring is 3.40dwt. SIZE: 7. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-19 (800-1,200)

Lot 1418

1419.

18KT WHITE GOLD, SAPPHIRE & DIAMOND RING. Centered by an oval sapphire weighing approx 1.34cttw within a pave diamond band stamped “18K 750 ‘E.X.P’”. Total weight of ring is approx 3.31dwt. SIZE: 8-1/2. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-37 (400-600)

Lot 1419 169

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1420. 14KT WHITE GOLD, OVAL EMERALD, DIAMOND & TSAVORITE GARNET RING. Centered by an oval emerald weighing an estimated 2.53cttw surrounded by a halo of round diamonds and a halo of tsavorite garnets weighing an estimated 0.30cttw. The ring is completed by a split shank with approx 0.50cttw. Diamonds are VS, G-color. Ring is marked “JR” and weighs approx 3.520dwt. SIZE: 6-1/2. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-75 (1,000-1,500)

Lot 1420 1420A. EMERALD-CUT EMERALD STONE. Emerald-cut beryl emerald accompanied by a Stone Group Labs gem id report stating that the stone is natural with no indications of clarity enhancement measuring 7.22 x 6.37 x 4.38mm with a total weight of approx 1.51cttw. Stone is also accompanied by a Gem Information Lab report stating the clarity is LI. PROVENANCE: From an Unreserved Maine collection. CONDITION: Very good to excellent. 52793-2 (3,000-5,000)

Lot 1420A

Lot 1420B

1420B. EMERALD-CUT LOOSE EMERALD STONE. Emerald-cut beryl emerald accompanied by a Stone Group Labs gem id report stating that the stone is natural with no indications of clarity enhancement measuring 7.06 x 6.17 x 5.07mm with a total weight of approx 1.49cttw. Stone is also accompanied by a Gem Information Lab report stating the clarity is LI. PROVENANCE: From an Unreserved Maine collection. CONDITION: Very good to excellent. 52793-3 (3,000-5,000) 1421.

14KT WHITE GOLD, CABOCHON RUBY & DIAMOND PENDANT. Pave diamonds set in a round pear shapes suspending an oval ruby weighing approx 7.60cttw. Total diamond weight is approx 0.50cttw with VVS-VS clarity and F-G color. Pendant weighs approx 2.30dwt. SIZE: 1-3/4” l including bail. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-39 (800-1,200)

1422. 14KT WHITE GOLD, KUNZITE & AQUAMARINE EAR PENDANTS. Designed with an emerald-cut kunzite and oval aquamarine separated by bezel-set diamonds completed by lever back oval hoops set w/diamond melees. Total weight for the kunzite is approx 6.50cttw, total weight for the aquamarine is 9.00cttw and the total weight for the diamonds is approx 0.80cttw.

Diamonds are VS-SI1, with H-F color. Pendants have a total weight of approx 6.60dwt. SIZE: 2-1/4” l. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: One ear pendant has a missing melee diamond. Otherwise very good to excellent. 52841-43 (800-1,200) 1423. 14KT YELLOW GOLD, WHITE GOLD, BLUE ZIRCON, AQUAMARINE & DIAMOND PENDANT. A yellow gold oval bail suspends a zircon set in white gold with a diamond halo further suspending a round zircon and oval aquamarine, all set in white gold. Estimated total zircon weight is approx 2.57cttw, aquamarine is approx 20.76cttw and total diamond weight is 0.28cttw. Overall pendant weight is approx 6.40dwt. SIZE: 2” l. PROVENANCE: From an Unreserved Long Island, NY collection.

CONDITION: Very good to excellent. 52841-8 (600900)

Lot 1421

Lot 1422

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Lot 1423 170

1424. 14KT WHITE GOLD, PINK & GREEN TOURMALINE PENDANT. Designed with an emerald-cut pink tourmaline weighing approx 6.19cttw, suspending an approx 8.76ctw oval green tourmaline with a diamond halo. Total diamond weight is approx 0.45cttw. Diamonds are VS, G-H color. Pendant weighs approx 4.80dwt. SIZE: 1-5/8” l (including bail). PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-47 (7001,000)

Lot 1424 1425.

14KT WHITE GOLD, TURQUOISE, DIAMOND & “MALI” GARNET EAR PENDANTS. Designed with a round brilliant cut diamond with a total weight of approx 0.10cttw, an oval greenish-yellow Grossularite-Andradite “Mali” garnet with a total weight of approx 0.56cttw and a pear-shape turquoise. Ear pendants are completed with lever back findings. Total weight is approx 3.60dwt. SIZE: 2” l. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent. 52841-40 (400-600)

Lot 1425 1426. VICTORAIN EAR PENDANTS. Floral and bird elements with turquoise accents, one with bird’s nest motif and the other with an acorn motif in 10kt and 14kt gold and silver. SIZE: 3” l. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Lead solder to verso, appears to be joined together by various pieces of Victorian jewelry. 52841-3 (400-600)

Lot 1426 1427.

STERLING TELEPHONE BROOCH. Set with a turquoise and blackstone dial and earpiece. Stamped “Mexico”. SIZE: 1-1/2” x 1-1/4”. PROVENANCE: From an Unreserved Long Island, NY collection. CONDITION: Very good to excellent with signs of wear. 52841-53 (200-300)

Lot 1427 171

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1428.

TIFFANY STUDIOS NASTURTIUM CHANDELIER. Tiffany Studios leaded glass chandelier in the nasturtium pattern with mottled yellow and amber flowers and large mottled green leaves, set against a mottled blue background. The shade is trimmed at the bottom with a row of bronze beads while the top shade ring has three applied hooks. The shade is suspended from three bronze chains descending from a viking ball. The single rod supporting the viking ball terminates at the bottom in a six-socket cluster. The bronze hardware is all finished in a rich brown patina. Shade is signed on the inside rim with applied tag “Tiffany Studios New York 610-2”. SIZE: Shade 28-3/4” dia. Approximately 40” from the ceiling to the bottom of shade. CONDITION: Shade is very good to excellent with some tight hairlines, no missing glass. Patina on hardware with minor wear and discoloration. 52648-1 (65,000-80,000)

172

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1429.

TIFFANY STUDIOS BANDED FLORAL TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with a floral band of red, purple, and orange flowers surrounding the shade. The front of the shade also has a central monogram with the leading, surrounded by a wreath of flowers and green leaves. All set against a striated pink and cream colored geometric background. Shade is signed on the interior rim “Tiffany Studios New York”. Shade rests on a reticulated bronze base with blown out green glass body and lily pad feet.

The base has a 3-arm spider and 3-socket cluster all finished in a dark brown patina, with replacement heat cap. Signed on the underside “Tiffany Studios New York 21667” along with the Tiffany Glass & Decorating Company logo.

SIZE: Shade 16” dia. Lamp 23” t. CONDITION: Shade is very good to excellent with a few tight hairlines. Base is very good to excellent.

Wired with older plastic cord. 52764-1 (30,00050,000)

173

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1430.

TIFFANY STUDIOS TEN LIGHT LILY LAMP. Tiffany Studios ten light lily lamp has gold Favrile lily shades, each showing nice pink and blue highlights.

The shades are housed in a ten light bronze lily fixture with lily pad foot and tall gooseneck arms leading to the shade holders. The lamp is finished in a light brown statuary patina and is signed on the underside “Tiffany Studios New York 381”. Each shade is signed on the edge

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of the fitter “L.C.T. Favrile”. SIZE: Lamp 21” t. CONDITION: Lamp base is very good with replacement switch, rewired with contemporary plastic cord. One shade has chip at the fitter with a crack approximately 1/2” long extending down from the chip. Another shade has a small shallow flake to the top of the fitter. A third shade has slight roughness to inside top rim, most likely from the making. All others are very good to excellent. 52645-6 (15,000-20,000)

174

1431. TIFFANY CAMEO VASE. Tiffany vase has yellow shading to red body with red vertical bands rising from foot to lip. The vase is nicely carved with overlapping cameo leaves rising from the foot to the shoulder of the vase. The vase is complete with gold iridescent glass insert. Vase is signed on the underside “L.C.T. 1014B”. Insert is signed “L.C.T. Y6406”.

SIZE: Vase 8-1/2” t. Insert 5” t. CONDITION: Very good to excellent. 52748-3 (7,000-10,000)

Lot 1431 (w/alternate photo) 1432.

TIFFANY FAVRILE GLASS DECORATED VASE. Tiffany Favrile vase has opaque cream colored glass body shading to opaque white at the top. It is decorated with two undulating bands of gold iridescence. The bottom band is trimmed at the bottom with a green iridescent hooked design while the top gold band is further decorated with a purple iridescent pulled loop design.

The gold iridescence shows subtle flashes of purple and pink. Signed on the underside “L.C.T. O10630”. Vase is complete with an original Tiffany Studios cardboard box with wood grain exterior. Printed on the top “Tiffany Studios” along with the Tiffany Studios logo, “391 Madison Avenue, New York”. SIZE: Vase 7” t. Box 8” x 3”. CONDITION: Vase is very good to excellent. Box has a tear on one side, and some wear to the edges of the lid, otherwise good. 52771-27 (7,000-9,000)

Lot 1432 175

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Lot 1433

1433.

IFFANY STUDIOS RETICULATED CANDLE LAMP. Tiffany Studios candle lamp T has bronze three legged base with ball feet supporting a long, reticulated candle cup with green, blown out glass insert. Bronze is finished in a rich brown patina with green highlights. The lamp is completed with a Tiffany Favrile glass candle shade with green pulled feather design against a creamy white, lightly iridescent background. Shade is signed in the fitter “L.C.T.” while base is signed on one of the ball feet “Tiffany Studios” and also marked with the Tiffany Studios logo.

SIZE: 18-1/2” t. to top of shade. CONDITION: Very good to excellent. 52628-43 (3,500-4,500)

1434.

IFFANY STUDIOS JEWELED T THREE ARM CANDELABRA. Tiffany Studios bronze candelabra has natural form cast bronze foot and stem supporting three arms leading to bronze candle cups, each set with a row of light green subtly iridescent glass cabochons. The candelabra is complete with chain and bronze snuffer.

The bronze is all finished in a rich brown patina with red and green highlights. Signed on the underside “Tiffany Studios New York 8915”. SIZE: 14-1/2” t to top of snuffer.

CONDITION: Very good to excellent with very minor wear to patina. 52628-32 (3,5005,000)

Lot 1434

1435. TIFFANY STUDIOS ROOT CANDLESTICK. Tiffany Studios bronze candlestick has organic root form feet with slender tapering stem leading to the reticulated candle cup with blown out green glass insert. Candle cup is complete with original bronze bobeche with bronze bead trim. The candlestick is finished in a rich brown patina with subtle green highlights. Signed on the underside of one leg “Tiffany Studios New York”. SIZE: 12” t. PROVENANCE: From an Unreserved Massachusetts collection.

CONDITION: Very good to excellent. 52810-10 (1,500-2,500)

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1436.

TIFFANY STUDIOS SWIRLING LEAF TABLE LAMP. Tiffany Studios table lamp has leaded glass shade decorated with a band of swirling leaves in mottled white, green, and yellow glass. The swirling leaf band is set against a background of striated white and green geometric panels. Signed on inside rim “Tiffany Studios New York 1470”. Shade rests on a simple Tiffany Studios bronze stick base.

Lamp is illuminated by a 3-socket cluster and topped with an acid etched heat cap. The base is finished in a rich brown patina with green highlights. Signed on the underside “Tiffany Studios New York 534”. SIZE: Shade 18” dia.

Lamp 23-1/2” t. CONDITION: Shade is very good to excellent with some tight hairlines, no missing glass. Base is very good to excellent.

Re-wired with appropriate cloth cord. 52771-7 (10,000-15,000)

177

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1437.

TIFFANY STUDIOS LINENFOLD TABLE LAMP. Tiffany Studios table lamp has shade with twelve amber linenfold panels each bordered at top and bottom with amber linenfold trim. The shade rests on a simple stick base with round foot and hexagonal stem leading to a four socket cluster. The base is finished with a twelve panel linenfold cap.

Shade is signed on the inside rim “Tiffany Studios New York 1927 PAT. APPL’D FOR”.

Base is signed on the underside “Tiffany Studios New York 532”. SIZE: Shade 191/4” dia. Lamp 24” t. CONDITION: One large linenfold panel with small tight crack in corner, all other large panels are undamaged.

Several of the border panels with tight hairlines primarily concealed by the linenfold design, one 1-1/2” area of old solder repair.

Base is very good to excellent with some very minor wear and discoloration to patina.

Linenfold cap has two cracked panels with no missing glass. 52640-5 (12,000-18,000)

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178

1438. TIFFANY WHEEL CARVED VASE. Tiffany crystal vase has four oval panels internally decorated with splashes of green and wheel carved leaves on top of the green splashes. Each panel is further decorated with padded pink flower petals which are nicely wheel carved. Signed in the polished pontil “L.C.T. o3446”. SIZE: 6” dia. CONDITION: One tiny flea bite to inside lip, otherwise very good to excellent. 52771-26 (6,000-10,000)

Lot 1438

1439.

TIFFANY FAVRILE GLASS PEACOCK FEATHER VASE. Tiffany Favrile glass vase has cream colored pulled feather design rising from the foot to the lip.

Each side of the vase is further decorated with a green, blue and purple iridescent peacock eye. Signed on the underside “L.C. Tiffany Favrile 7380 D”. SIZE: 17” t.

PROVENANCE: From an Unreserved Connecticut collection. CONDITION: Very good to excellent. 52774-6 (5,000-7,000)

1440. TIFFANY Lot 1439 FAVRILE GLASS DECORATED VASE. Tiffany Favrile vase has brown and white iridescent hooked feather design rising from the foot against a gold iridescent background. The vase is further decorated around the shoulder with white wavy bands set against a wide platinum iridescent, undulating band. The platinum iridescence shows nice blue and purple highlights. Signed on the underside “L.C.T. B1390”. SIZE: 7-1/2” t. CONDITION: Very good to excellent.

52808-3 (4,000-6,000)

Lot 1440 179

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1441. TIFFANY STUDIOS ADJUSTABLE DAMASCENE DESK LAMP. Tiffany Studios desk lamp has bronze base with eight lily pad feet and stylized leaf design leading to the adjustable stem.

The base is finished in a rich brown patina with green highlights. The harp supports a gold damascene shade with nice ribbing. The gold iridescence shows subtle pink and purple highlights. The shade is signed on the interior of the fitter “L.C.T. Favrile” while the base is signed on the underside of one foot “Tiffany Studios New York 470”. SIZE: Shade 10-1/4” dia. Lamp adjusts from 20-1/2” to 25-1/2” t. CONDITION: Shade is very good to excellent with some roughness to fitter rim, which is concealed when shade is in place. Base is very good to excellent. Rewired with appropriate cloth cord. 52638-2 (5,000-7,000)

Lot 1441

1442.

TIFFANY STUDIOS TURTLEBACK DESK LAMP. Tiffany Studios desk lamp, has decorated base with green glass cabochon jewels surrounding the platform with stylized leaf design leading to the stem and arms, which support the turtleback shade. The bronze base is finished in a rich, brown patina and shade is complete with white glass reflector panels on the interior. Signed on the underside “Tiffany Studios New York 28632,” along with the Tiffany Glass and Decorating Company logo.

SIZE: Lamp 14” t. CONDITION: Very good to excellent.

Rewired with appropriate cloth cord. 52727-1 (8,00012,000)

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180

1443.

WO TIFFANY STUDIOS BRONZE T CANDLESTICKS. 1) Tiffany Studios cast bronze candlestick has tripod legs resting on a 3-spoke platform supporting a cast bronze candle cup with vertically ribbed design complete with original bronze bobeche. The candlestick platform has a center medallion reading “First Panel Sheriff ’s Jury 1905-1906”. The candle stick is finished in a rich brown patina with subtle green highlights. Signed on the underside “Tiffany Studios New York”. 2) Tiffany Studios bronze candlestick has three legs with curlicue feet supporting a tall reticulated candle cup with blown out green insert along with original bronze bobeche. Signed on the underside “Tiffany Studios New York 293”. SIZE: 101/4” t. PROVENANCE: From an Unreserved Massachusetts collection. CONDITION: Very good to excellent. 52810-5 (1,500-2,500)

Lot 1443 1444.

TIFFANY STUDIOS TWO ARM RETICULATED CHAMBER STICK. Tiffany Studios two arm chamber stick has bronze lily pad tray with handle supporting two arms leading to the triple gourd reticulated candle cups, each with blown out green glass inserts. Each candle cup is complete with original bronze bobeche with bronze bead trim. The bronze is finished in a rich brown patina. Signed on the underside “Tiffany Studios 6075”. SIZE: 6-1/4” t. CONDITION: Very good to excellent. 52628-37 (2,000-3,000)

1445.

Lot 1445 1446.

Lot 1444

AIR OF TIFFANY STUDIOS BRONZE P CANDLESTICKS. Pair of Tiffany Studios candlesticks have organic form, root legs with single stem leading to the bronze candlecup which is held within three arms.

Each candlestick is complete with original bronze bobeche. Candlesticks are finished in a rich brown patina with green highlights. Signed on the underside of leg “Tiffany Studios New York”. SIZE: 9-1/2” t. CONDITION: Very good to excellent. 52542-2 (1,200-1,800)

TIFFANY STUDIOS CANDLE LAMP. Tiffany Studios candle lamp has bronze base and stem leading to a round bronze candlecup set with a single row of light green glass cabochon jewels.

The bronze is finished in a rich brown patina with green highlights. The lamp is complete with a Tiffany tulip shade with green pulled feather design rising from the fitter, each pulled feather is outlined in gold iridescence with strong green highlights. All against a cream colored background.

Shade is signed on the fitter “L.C.T.” Base is signed on the underside “Tiffany Studios New York 1210”. SIZE: 12-5/8” t. CONDITION: Shade has a large chip out of the fitter rim that is mostly concealed when in place, otherwise very good to excellent. 52640-3 (2,500-3,500) 181

Lot 1446

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1447.

TIFFANY STUDIOS JONQUIL AND DAFFODIL TABLE LAMP. Tiffany Studios table lamp has a band of yellow and white jonquils surrounding the bottom of the shade. The jonquil band is bordered on top and bottom by mottled green geometric panels. The top of the shade has a wide band of yellow and cream colored daffodils against a cream and blue mottled background. Shade is signed on the inside rim “Tiffany Studios New York 1917”. The shade rests on a Tiffany Studios bronze base in the Indian pattern with geometric decoration on the edge of foot and on the stem. Lamp is illuminated by a 3-socket cluster. Base is finished in great, original rich brown patina with green highlights and is topped by an acid etched heat cap. Signed on the underside “Tiffany Studios New York 528”. SIZE: Shade 20” dia. Lamp 25” t. CONDITION: Shade is very good to excellent with some tight hairlines, no missing glass. Base is very good to excellent. Re-wired with appropriate cloth cord. 52771-1 (80,000100,000)

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182

183

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1448. TIFFANY STUDIOS GRAPEVINE HAND MIRROR. Tiffany Studios hand mirror has acid etched grapevine pattern set against a caramel slag glass background. The bronze wire handle supports the round beveled glass mirror. Bronze is finished in bright gold patina and the mirror is stamped “Tiffany Studios New York 895”. SIZE: Mirror 7-3/8” dia. 11-5/8” l including handle. CONDITION: Mirror has several scratches to the front of the glass. Bronze grapevine pattern has some very light bends, otherwise very good. 52363-16 (5,000-6,000)

Lot 1448

1449.

TIFFANY FURNACES ENAMELED MANTEL CLOCK. Tiffany Furnaces mantel clock has heavy bronze base with stepped foot and rounded top. The front of the clock has geometric design with mottled red and blue enameling within. The clock face has Roman numerals within mottled red and blue enameled wreathes, the large bronze hands are also enameled in mottled red, face also carries a Tiffany Studios logo. The case is finished in gold dore patina. Clock accompanied by a functioning key. Signed on the underside “Favrile Louis C. Tiffany Furnaces. Inc.” SIZE: 10” t. CONDITION: Very good with some minor wear and discoloration to the patina.

52771-42 (8,000-10,000)

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184

1450. TIFFANY FAVRILE GLASS INTAGLIO CARVED VASE. Tiffany vase has cylindrical body and is intaglio carved with green stem and leaves leading to a white lily flower. The flower petals have nice wheel carved detail. The carved flower and leaves are set against a rich gold iridescent background. The iridescence shows pink and purple highlights at the lip. Signed on the underside “L. C. Tiffany - Favrile 7216J”. SIZE: 16” t. CONDITION: There is a 1-1/4” scratch to the iridescence near one leaf showing the green glass underneath the iridescence, otherwise very good to excellent. 52628-48 (3,000-5,000)

Lot 1450

1451. TIFFANY FAVRILE AGATE PAPERWEIGHT VASE. Tiffany Favrile agate paperweight vase is done in shades of green with a subtle pulled loop design layering down from the lip. The very heavy vase has a bulging body, long neck, and bulging lip. Signed on the underside “L.C.T. Favrile V318”. SIZE: 8” t.

CONDITION: There is a small open bubble on the side of the body from the making, otherwise very good to excellent. 52748-5 (3,500-5,000)

Lot 1451 1452. TIFFANY PULLED FEATHER VASE. Tiffany Favrile glass vase of unusual form has bulbous base with metallic green and iridescent pulled feather decoration extending up the trifoil crimped body towards the gold iridescent bowl and rim. Vase is signed on underside “L.C.T.” and “W5466”. SIZE: 16” t. PROVENANCE: From a New Hampshire estate. CONDITION: Very good with minor surface wear from appropriate age and use. 52563-1 (2,500-4,000)

Lot 1452 185

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Lot 1453 (close-up) 1453.

TIFFANY STUDIOS BRONZE TREASURE CHEST INKWELL. Tiffany Studios bronze inkwell depicts three men tugging on a rope which is tied around a treasure chest being pulled to shore. The octagon shaped treasure chest is set on the top with colorful glass faceted jewels. The men, ocean waves and tray are all finished in rich brown patina with subtle green highlights while the treasure chest is finished in gold patina. Signed on the underside “Tiffany Studios New York 1038”. The inkwell is complete with glass insert. SIZE: 10” l. CONDITION: Very good to excellent. 52628-33 (5,000-7,000)

1454.

TWO TIFFANY STUDIOS ABALONE DESK ACCESSORIES. 1) Tiffany Studios abalone letter rack is decorated with grape clusters which are set with abalone disks depicting the grapes. The grape clusters are surrounded by stylized grape leaves. The bronze is finished in gold patina with green polychrome in the design. 2) Utility box has abalone grape cluster on the Lot 1454 top with gold patina and green polychrome. The box includes a stamp insert. Both are signed “Tiffany Studios New York” and the box is numbered “1176”. SIZE: 1) 9-1/2” l. 2) 5-1/2” l x 3-1/2” d. CONDITION: Both have some minor wear and discoloration to patina otherwise very good. 52542-7 (1,500-2,000)

1455. TIFFANY STUDIOS ABALONE INKWELL. Tiffany Studios inkwell has grape cluster design with inlaid discs of abalone shell representing the grapes. The grapes are surrounded by cast design of stylized grape leaves and vines. The bronze inkwell is finished in a bright gold patina and retains original bronze insert and also comes with a replacement glass insert which is smaller than would have been originally used. Signed on the underside “Tiffany Studios New York 1157”. SIZE: 3-3/4” x 3-3/4”. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: Wear to patina on lid and top of inkwell, otherwise very good. 52485-6 (600-900)

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186

1456. TIFFANY STUDIOS RETICULATED PINEAPPLE CANDLESTICK. Tiffany Studios bronze candlestick has round ribbed foot supporting the slender stem leading to the reticulated pineapple candle cup. Candle cup has its original blown out green glass insert and is topped by a wide bronze rim. The bronze is finished in a rich brown patina and signed on the underside “Tiffany Studios New York 27369” along with the Tiffany Glass & Decorating Co. logo. SIZE: 14-3/4” t. CONDITION: Very good to excellent.

52628-41 (2,000-3,000)

Lot 1456

1457. TIFFANY STUDIOS BAMBOO CANDLE LAMP. Tiffany Studios candle lamp has cast bronze bamboo base and is complete with a Tiffany gold Favrile vertically ribbed candle shade. The gold iridescence on the shade shows strong pink highlights.

Shade is signed in the fitter “LCT”. Base is signed on the underside “Tiffany Studios New York”. SIZE: 16” to top of shade. PROVENANCE: From an Unreserved Massachusetts collection. CONDITION: Shade has two small flea bites on edge of fitter that have been partially ground, otherwise very good to excellent. Base is very good to excellent with some minor discoloration to patina. 52810-6 (2,000-2,500)

Lot 1457 1458. TIFFANY STUDIOS WILD CARROT RETICULATED CANDLESTICK. Tiffany Studios bronze candlestick has round cast foot in the wild carrot pattern which leads to the tall slender stem and reticulated triple gourd candle cup with blown out green glass insert. The candle cup is complete with original bronze bobeche. The bronze is finished in a rich brown patina with green highlights. Signed on the underside “Tiffany Studios New York 291”. SIZE: 20-1/2” t. PROVENANCE: From an Unreserved Massachusetts collection. CONDITION: Very good to excellent with some very minor wear to patina. 52810-7 (2,000-3,000)

Lot 1458 187

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1459. TIFFANY STUDIOS CAT’S PAW ADJUSTABLE LAMP BASE. Tiffany Studios bronze lamp base has four ribbed legs terminating in cat’s paws, which rest on a bronze X-shaped platform. The legs support an adjustable stem leading to the six socket cluster. The base is finished in original rich reddish-brown patina with green highlights. Signed on the underside “Tiffany Studios New York 391”. SIZE: Base adjusts from 28” to 42” t.

Shade ring 4-7/8” dia. CONDITION: Very good to excellent with some minor wear to patina. Rewired with contemporary plastic cord. 52627-2 (7,000-9,000)

Lot 1459 1460.

TIFFANY STUDIOS FAUX TURTLEBACK LAMP BASE. Tiffany Studios table lamp base has faux turtleback bronze design on the foot and stem, which leads to a three socket cluster. The base is complete with a stamped heat cap and is finished in a goldish-brown statuary patina.

Signed on the underside “Tiffany Studios New York 587”. SIZE: Lamp 23” t. CONDITION: Very good to excellent. Rewired with appropriate cloth cord. 52640-1 (5,000-7,000)

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188

1461.

189

TIFFANY STUDIOS BRONZE LIGHT FIXTURE WITH WATERCOLOR RENDERING. Tiffany Studios monumental bronze fixture, accompanied by what appears to be its original watercolor design rendering, has crown shaped top and center and is set with square and round blue iridescent turtleback tiles as well as long oval red and green cabochons. The bottom crown is also set with faceted lightly iridescent glass crosses.

The fixture is decorated at the bottom with cast bronze stylized leaves. The bronze is finished in a rich gold patina. Unsigned. SIZE: Fixture 40” t and extends 20” out from the wall. Watercolor rendering 24” x 42-1/4”. CONDITION: Good with fixture missing five glass cabochons, one square turtleback tile is cracked. Patina has some minor discoloration. Electrical appliances are not present. Watercolor has been professionally conserved, with some minor foxing. 52363-17 (15,000-25,000)

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1462.

TIFFANY STUDIOS DRAGONFLY TABLE LAMP. Tiffany Studios table lamp has a dragonfly leaded glass shade, each dragonfly has striated red and cream colored wings with deep red bodies and blue eyes. The dragonflies are set against a heavily textured, striated green and amber background giving way to bright amber at the bottom of the shade. The shade is further decorated with random oval green glass cabochons. The leading and etched bronze wing overlays are finished in a rich brown patina. The shade rests on a Tiffany Studios faux turtleback bronze base with a three socket cluster. The base is finished in a twotone patina of dark brown and gold dore.

The lamp is topped by an acid etched bronze cap. Shade is signed on the inside rim with

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an applied small tag “Tiffany Studios New York”.

Base is signed on the underside “Tiffany Studios New York 587”. SIZE: Shade 20-1/2” dia. Lamp 23” t. CONDITION: Shade is very good with some tight hairlines, no missing glass. Base is very good to excellent, rewired with contemporary plastic cord. 52635-1 (60,000-80,000)

190

191

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1463.

IFFANY FAVRILE REACTIVE GLASS VASE. Tiffany T Favrile vase has entwined splashes of purple, amber, sea-foam green, and blue within a clear glass ground. When held up to the light it shows bright amber and brown with splashes of white near the lip. Vase is signed in the polished pontil “L.C. Tiffany - Favrile 1807P”. SIZE: 7-3/8” t. CONDITION: Very good to excellent. 52808-2 (6,000-8,000)

Lot 1463 1464.

TIFFANY TEL EL AMARNA VASE. Tiffany vase has green lightly iridescent body with applied black iridescent foot as well as an applied Tel el Amarna shoulder and lip with green intarsia wave on top of a platinum iridescent series of waves. All set against a black iridescent background. Vase is finished with a platinum iridescent lip. Signed on the underside “L.C.Tiffany - Favrile 4544G”.

SIZE: 8-1/2” t. CONDITION: Very good to excellent. 52745-5 (5,000-7,000)

Lot 1464 1465. TIFFANY FAVRILE GLASS PULLED FEATHER VASE. Tiffany Favrile glass vase has bulbous body and is decorated with gold iridescent pulled feather design rising from the foot against a green iridescent background. The iridescence shows strong pink an purple highlights. Numbered on the underside “o1059”. SIZE: 8” t. CONDITION: Very good to excellent. 52808-1 (4,000-6,000)

Lot 1465 Visit www.jamesdjulia.com for more information

192

1466. TIFFANY STUDIOS RETICULATED PINEAPPLE CANDLESTICK. Tiffany Studios bronze candlestick has round ribbed foot supporting the slender stem leading to the reticulated pineapple candle cup, which is complete with original blown out glass insert and is topped by a wide bronze rim. The bronze is finished in a rich brown patina with subtle green highlights. Unsigned, numbered “25121”. SIZE: 14-5/8” t.

CONDITION: Very good to excellent with some very minor discoloration to patina.

52628-42 (2,000-3,000)

1467. TIFFANY DAMASCENE TULIP SHADE. Tiffany tulip shade is decorated with gold iridescent waves against a green background. The gold iridescence shows strong purple, pink, platinum and green highlights. Signed inside the fitter “L.C.T. Favrile”. SIZE: 5” t. CONDITION: Very good to excellent. 52747-2 (2,000-2,500)

Lot 1466

Lot 1467 1468. TIFFANY STUDIOS WILD CARROT CANDLE STICK. Tiffany Studios candle stick has cast bronze foot in wild carrot pattern which supports a tall, slender stem which leads to the green iridescent Favrile candle cup with beaded bronze bobeche. The bronze is finished in a medium brown patina and signed on the underside “Tiffany Studios New York D881” along with the Tiffany Glass & Decorating Co. logo. SIZE: 17-1/2” t. CONDITION: Very good to excellent with some minor wear to patina. 52628-38 (2,500-3,500)

Lot 1468

1469. TIFFANY FAVRILE GLASS CANDLE SHADE AND FITTER. Tiffany Favrile glass candle shade has green pulled feather decoration rising from the fitter. Each pulled feather is outlined in gold iridescence, all set against a cream colored, slightly ribbed background. Shade is signed in the fitter “L.C.T.” It is complete with a bronze candle cup shade holder. SIZE: Shade 7-5/8” t. with 4” fitter. CONDITION: Very good to excellent. 52628-44 (800-1,200)

193

Lot 1469 Visit www.jamesdjulia.com for more information

1470. TIFFANY STUDIOS TURTLEBACK DESK LAMP. Tiffany Studios desk lamp, has decorated base with green glass cabochon jewels surrounding the foot and stylized leaf design leading to the two arm stem. The arms support a decorated shade with blue iridescent turtleback panels. The shade is further decorated with bronze beaded trim. Shade is complete with original white glass reflector panels on the interior, base is signed on the underside “Tiffany Studios New York 28632,” along with the Tiffany Glass and Decorating Company logo. Base is finished in a rich reddish-brown patina with green highlights. SIZE: Lamp 14” t. CONDITION: Very good to excellent. Rewired with appropriate cloth cord. 52638-1 (6,000-9,000)

Lot 1470 1471.

TIFFANY FURNACES ART DECO THERMOMETER. Tiffany Furnaces thermometer in the Art Deco pattern has geometric design enameled in shades of red against a gold patina, on bronze. The frame houses a porcelain temperature panel with clear glass mercury thermometer. Signed on the backside “Louis C. Tiffany Furnaces Inc. 364” along with the Tiffany Studios logo. SIZE: 7-3/4” x 3-3/4”. PROVENANCE: From an Unreserved Massachusetts collection.

CONDITION: There is a tight hairline crack to the porcelain, otherwise very good to excellent. 52810-1 (2,000-3,000)

Lot 1471

1472. TIFFANY STUDIOS UNIVERSAL SWING CANDLE LAMP. Tiffany Studios candle lamp has cast bronze base with universal swing mechanism, also known as a Gimbal lamp. The lamp is complete with snuffer and is finished with a vertically ribbed candle shade. Shade is decorated with green pulled feather design rising from the fitter. Each pulled feather is outlined in gold iridescence and set against a creamy white lightly iridescent background. Shade is signed in the fitter “L. C. T.”. Base is signed on back of handle “Tiffany Studios New York 1207” and also marked on inside of handle with the Tiffany Studios logo. SIZE: 11-1/2” tall to top of shade. PROVENANCE: From an Unreserved Massachusetts collection.

CONDITION: Shade is very good to excellent and base is very good to excellent. 52810-3 (5,000-7,000)

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194

Lot 1473 195

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1473.

with small applied tag “Tiffany Studios”.

Base is signed on the underside “Tiffany Studios 9972”. SIZE: Shade 16” dia.

Lamp 22” t. CONDITION: Shade is very good to excellent, with very few tight hairlines, no missing glass. Base is very good to excellent with some minor wear and discoloration to patina.

Rewired with appropriate cloth cord.

52648-2 (65,000-80,000)

TIFFANY STUDIOS ROSE AND BUTTERFLY TABLE LAMP. Tiffany Studios table lamp has leaded glass domed shade with yellow roses adorning the bottom of the shade and striated yellow and red butterflies hovering above the roses, all set against a mottled blue and white opalescent honeycomb background. The shade rests on a Tiffany Studios bronze urn base with a bronze urn resting within a five legged bronze stand. The base is complete with a three armed spider and three socket cluster, while the shade is topped with an acid-etched bronze slip cap. Shade is signed on inside rim

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196

1474.

TIFFANY STUDIOS (ATTR) JEWELED HALL LAMP. Hall lamp attributed to Tiffany Studios has bronze frame with openwork design and trimmed in twisted bronze wire. The hall lamp is further decorated with 12 vertical panels having 4 large cabochon opalescent glass jewels each. The hall lamp is finished with a band of smaller opalescent cabochon jewels surrounding the top. The bronze work is finished in a light brown patina and the fixture is complete with heavy bronze chain, ceiling cap and side door. The fixture is illuminated by a single socket. Unsigned. SIZE: Shade is 16-1/2” t x 16-1/2” dia. Lamp is approximately 59” from ceiling to bottom of shade. CONDITION: Very good to excellent, patina shows minor wear and discoloration from age. 52744-9 (30,000-35,000) 197

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1475. TIFFANY STUDIOS ADJUSTABLE CANDLE LAMP. Tiffany Studios candle lamp has bronze base with five organic form root feet supporting a center stem with adjustable three arm candelabra. The base is complete with bronze snuffer and is finished in a rich brown patina with green highlights. Each candle cup is green Favrile pulled feather design against a cream colored background with gold iridescent highlights. Each candle cup is fitted with a bobeche shade holder. The lamp is complete with three Tiffany Favrile glass tulip shades with green pulled feather design rising from the fitter against a cream colored background. Each pulled feather is outlined in gold iridescence. Shades are signed in the fitter “L.C.T.”. Base is signed “Tiffany Studios New York”. SIZE: 23” to top of center stem. CONDITION: Very good to excellent. 52628-30 (5,000-7,000)

Lot 1475

1476. PAIR OF TIFFANY STUDIOS ARTICHOKE SMOKING STANDS. Pair of Tiffany Studios adjustable smoking stands have cast bronze base with artichoke decoration rising up the stem which supports the bronze tray and ashtray. The bronze is finished in a rich brown patina with green highlights and is complete with bronze ashtray insert finished in gold patina. Each smoking stand is signed on the underside “Tiffany Studios New York 1651”. SIZE: Adjusts from 26-1/2” to approximately 361/2”. CONDITION: Both are very good to excellent, with some wear and discoloration to patina. 52744-3 (5,0006,500)

Lot 1476

1477. TIFFANY STUDIOS ADJUSTABLE CANDLE LAMP. Tiffany Studios candle lamp has organic form bronze foot with center stem with double arm adjustable candle holders. Each candle cup is gold Favrile glass with bright iridescence. The lamp is finished with two vertically ribbed Tiffany gold Favrile candle shades. Each shade has bright gold iridescence with bright pink highlights. Each is signed in the fitter “L.C.T.” Foot is monogrammed “EP”. SIZE: 18-1/2” to top of center stem. CONDITION: Very good to excellent. 52771-31 (7,000-9,000)

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198

1478. TIFFANY STUDIOS PINE NEEDLE PICTURE FAME. Tiffany Studios picture frame has acid etched pine needle design with an oval picture opening. The pine needle design is backed with striated red, purple, blue, and green glass giving the effect of sunset glass when back lit. The bronze is finished in a rich brown patina with green and red highlights. The frame retains its original easel back and is marked “Tiffany Studios New York 949”.

Frame is inscribed on top front edge “A F - H McA 1908”. SIZE: 6-7/8” x 6-1/8”. Opening 2” x 3”. CONDITION: There is a tiny wrinkle to two side by side pine needles, otherwise very good to excellent. 52771-28 (1,0001,500)

Lot 1478

1479.

TIFFANY STUDIOS HUMIDOR. Tiffany Studios bronze humidor is impressed around the shoulder with a band of sailing ships on stormy seas.

The humidor is complete with original lid and clear glass liner, finish worn to a medium brown. Signed on inside of lid on the sponge holder “Tiffany Studios New York 2472”. SIZE: 6” t. CONDITION: Very good to excellent. 52748-4 (750-1,250)

Lot 1479 1480.

IFFANY STUDIOS CHINESE INKWELL. Tiffany Studios bronze T inkwell in the Chinese pattern has oriental design on all sides as well as the lid. The inkwell is finished in a rich brown patina and retains its original clear glass insert. Signed on the underside “Tiffany Studios New York 1753”. SIZE: 6” sq (at widest). CONDITION: There is some wear to patina on lid, otherwise very good. 52542-4 (800-1,200)

Lot 1480 1481.

TWO TIFFANY STUDIOS GRAPEVINE DESK PIECES. 1) Tiffany Studios grapevine letter rack has caramel slag glass backing and is finished with a bright gold patina. Signed on the underside “Tiffany Studios New York 1008”. Engraved with initials “D.T.” on the front. 2) Tiffany Studios grapevine planter has caramel slag glass backing and is finished in a bright gold patina.

Planter is complete with bronze insert. Signed on the underside “Tiffany Studios New York 833”. Engraved Lot 1481 near the lip “L.J. 1914”. SIZE: 1) 10” w x 6-1/4” t. 2) 10” dia. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: 1) Very good to excellent with some minor discoloration to patina. 2) Very good to excellent with some minor wear and discoloration to patina. 52485-1 (800-1,200)

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1482. TIFFANY STUDIOS COUNTERBALANCE FLOOR BASE. Tiffany Studios counterbalance floor base has scrolled art nouveau feet and pedestal leading to a tall slender stem with stylized flower buds spaced along the stem. Stem supports a double arm adjustable counterbalance movement with counterbalance ball held within a stylized floral support and is complete with an adjustable single socket. Base is finished in gold dore and signed on the underside “Tiffany Studios New York 619”.

SIZE: 56” t. CONDITION: Very good with some wear and discoloration to patina.

Re-wired with contemporary plastic cord. 52218-1 (2,0003,000)

1483. TIFFANY STUDIOS DOUBLE HARP FLOOR LAMP BASE. Tiffany Studios bronze floor base has five legs with lily pad feet supporting the stem which leads to the adjustable double harp.

The lamp is complete with a stylized leaf shade holder.

The base is finished in rich brown patina. Signed on the underside “Tiffany Studios New York 423 H”. SIZE: 57” t. CONDITION: Very good to excellent with some minor wear to patina. Rewired with appropriate cloth cord. 5277116 (3,000-5,000)

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Lot 1483 200

Lot 1484

1484.

TIFFANY GREEN DAMASCENE SHADE. Tiffany Favrile glass Damascene shade has rich green shading to gold iridescent wave design against a green background. The iridescence shows strong blue, pink, and purple highlights. Signed on interior of fitter “L.C.T.” SIZE: Shade 10” dia. Fitter 3-1/4” dial. CONDITION: Very good to excellent. 52628-34 (3,5004,500)

1485.

TIFFANY FAVRILE GOLD DAMASCENE SHADE. Tiffany Damascene shade has gold iridescent wave design. The iridescence shows strong platinum, blue, and pink highlights. Signed on interior of fitter “L.C.Tiffany - Favrile”. SIZE: Shade 8” dia.

CONDITION: Very good to excellent. 52628-40 (3,0004,500)

Lot 1485 201

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1486.

TIFFANY STUDIOS DRAGONFLY TABLE LAMP. Tiffany Studios table lamp has dragonfly cone shaped shade, each dragonfly has striated red glass wings with mottled amber glass bodies and eyes of amber glass cabochon jewels. The dragonflies rest against a mottled green and amber glass dichroic background, which is further decorated with green, blue, and opalescent oval cabochon jewels. The leading and wing overlays are finished in a rich brown patina. The shade is signed on the interior rim with a small applied bronze tag “Tiffany Studios New York” and is also numbered “1495”. The shade rests on a Rookwood pottery base with four panels incised with water lily design. The lily flowers are finished in white and yellow glaze with green leaves, all set against a shaded green background. The base is finished with Tiffany hardware including a three-armed spider, bronze riser, and three socket cluster. The base is signed on the underside with impressed Rookwood flame mark, dating the base to 1905. SIZE: Shade 20” dia. Lamp 24-1/2” t. CONDITION: Shade is very good to excellent, with only a few tight hairlines in background glass panels. Base is very good to excellent. Rewired with appropriate cloth cord. 52748-6 (65,000-75,000)

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1487.

TIFFANY STUDIOS SWIRLING LEAF TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with wide swirling leaf band surrounding the shade.

The leaves are done in mottled yellow and cream colored glass and set against a mottled green background. The skirt and top of the shade are done in mottled green geometric panels. Signed on the interior rim “Tiffany Studios New York 1474-86”. Shade rests on a decorated base with artichoke leaves surrounding the platform and vertical ribbing leading to the stem which is decorated with applied bronze tendrils. Base has a 3-socket cluster and is complete with a pierced replacement head cap. Bronze is finished in a rich brown patina and signed on the underside “Tiffany Studios New York S1110”.

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SIZE: Shade 18” dia. Lamp 23” t. PROVENANCE: ExJackie Collins personal estate. CONDITION: Shade is very good to excellent with very few if any tight hairlines.

Base is very good. Under plate has a dent at the edge and is missing 3 screws. Old plastic cord is missing a plug.

52837-1 (8,000-10,000)

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1488. TIFFANY STUDIOS COLONIAL TABLE LAMP. Tiffany Studios table lamp has Colonial shade with mottled green, yellow, and white panels along with gold patina on the leading. Shade is signed on the interior rim “Tiffany Studios New York 1900”. The shade rests on a Tiffany Studios bronze stick base. The base is finished in gold dore patina and is complete with original Tiffany Studios pierced heat cap. The base is inscribed on the edge of the foot “Charles Jones Peabody / Beet Sugar 1912”. SIZE: Shade 161/4” dia. Lamp 21-1/2” t. CONDITION: Shade is very good to excellent, some wear and discoloration to patina on the leading. Base is very good to excellent with some minor discoloration to patina. Rewired with appropriate cloth cord. A switch has been added to the top of the platform and has an original Tiffany knurled knob.

52644-2 (6,000-8,000)

Lot 1488 (w/close-up)

1489.

TIFFANY STUDIOS POMEGRANATE TABLE LAMP. Tiffany Studios table lamp has leaded glass dome shade with a single row of pomegranates surrounding the side of the shade done in pastel yellow opalescent glass against a white shading to striated and mottled green geometric background.

Signed on inside rim with applied tag “Tiffany Studios New York”. The shade rests on a Tiffany Studios bronze stick base with three socket cluster. The base is finished in rich reddish brown patina with subtle green highlights and is topped with a replacement heat cap. Signed on the underside “Tiffany Studios New York 533”. SIZE: Shade 16” dia. Base 22” t. PROVENANCE: From an Unreserved Massachusetts collection. CONDITION: Shade is very good to excellent with some tight hairlines. Base is very good to excellent. Rewired with appropriate cloth cord.

52810-9 (6,000-8,000)

Lot 1489 (w/close-up) 205

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1490. TIFFANY FAVRILE BLACK IRIDESCENT VASE. Tiffany Favrile vase has gold iridescent leaf design which repeats five times around the vase against a black iridescent background. The iridescent leaves show subtle highlights of blue, pink, and green. Signed on the underside “L.C.Tiffany - Favrile N6659”, vase also bears a paper label reading “Collection Joan Dirven Eindhoven Hollande”. SIZE: 6-1/2” t. PROVENANCE: From an Unreserved Ohio collection. CONDITION: Very good to excellent. 52815-2 (3,000-5,000)

Lot 1490 1491.

TIFFANY FAVRILE FLOWER FORM VASE. Tiffany Favrile vase has inverted saucer foot with opalescent vertical ribs and light gold iridescence. The foot supports a slender stem with green pulled feathers climbing to the side of the bowl against a white opalescent background. The flower form bowl is finished on the interior with light gold iridescence. Signed on the underside “L.C.T. T325”.

SIZE: 11-1/4” t. CONDITION: Very good to excellent, there is an open bubble on the side of the foot from the making. 52771-30 (4,000-6,000)

1492. TIFFANY FAVRILE DECORATED BULLET VASE. Tiffany Favrile glass vase has gold iridescent hooked feather design rising from the Lot 1491 bottom of the base against a light green lightly iridescent background. Vase is further decorated with vertical ribbons of light iridescence rising to an opalescent lip along with a gold iridescent hooked ribbon surrounding the shoulder. Vase is numbered on inside rim “L2410”.

Vase rests in a Tiffany Studios bronze holder with vertically ribbed inverted saucer foot supporting three bronze arms each terminating in cast bronze leaves. All finished in gold patina. Base is signed “Tiffany Studios New York”.

SIZE: 10” t. PROVENANCE: From an Unreserved North Carolina estate.

CONDITION: Some wear to iridescence at bottom tip of vase, otherwise very good to excellent. Base has some minor discoloration to patina, otherwise very good. 52746-2 (3,000-4,000)

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1493.

TIFFANY STUDIOS PEONY CHANDELIER. Tiffany Studios chandelier model 603 has leaded glass shade decorated with peony buds and blossoms in both striated pink-white granite textured glass, and yellow-opalescent mottled glass. The background is beautifully colored with a mix of multi-colored shards of confetti in green, brown, pink and purple on the interior. Shade is trimmed at top and bottom with a single row of bronze beads, and is signed on interior rim with small applied tag “Tiffany Studios New York”. The shade is suspended from three bronze chains descending from a viking ball. The center shaft supports a sixsocket cluster. SIZE: 28-3/4” dia. Approximately 48” from ceiling to bottom of shade. CONDITION: Very good to excellent with some tight hairlines, no missing glass. 52628-1 (40,000-60,000)

1494.

PAIR OF TIFFANY STUDIOS CHAINMAILLE SCONCES. Pair of Tiffany Studios sconces have chainmaille shades with square lightly iridescent glass panels in the center of each chainmaille link. Each glass panel has a subtle hue of purple or amber. The sconces are further decorated with a Moorish design of tight swirls of bronze rope. Each sconce has a double arm supporting candelabra sockets. The bronze is finished in a rich brown patina with subtle green highlights.

Unsigned. Similar examples are pictured in the book Tiffany Lamps and Metalware by Alastair Duncan, pg 352-353.

SIZE: Each 11” t x 10” w x 8” d. CONDITION: Very good to excellent. The bronze has been professionally repatinated.

52747-22 (10,000-12,500)

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1495.

TIFFANY STUDIOS TWISTED VINE TABLE LAMP BASE. Tiffany Studios table lamp base has twisted vine design rising from the round foot and leading to a 3-socket cluster. The vine spins off to form 5 arms supporting the shade ring. The base is finished in brown patina with heavy green highlights.

Signed on the underside “Tiffany Studios 5230”. SIZE: 20-3/4” t. Shade ring will accommodate a 20” shade.

CONDITION: Very good to excellent with some minor wear to patina. 52771-2 (30,000-40,000)

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1496.

IFFANY STUDIOS DAMASCENE T DESK LAMP. Tiffany Studios desk lamp, has counterbalance bronze base with inverted saucer foot and double arms supporting the counterbalance ball and socket. The base is finished in gold dore and supports a gold damascene dome shade with intaglio carved dragonfly and butterflies. The gold iridescence on the shade shows nice flashes of pink. Shade is signed on the interior of the fitter “L. C. T. Favrile”. Base is signed on the underside “Tiffany Studios New York 417”. SIZE: Shade 7” dia. Lamp 15” t. CONDITION: Base is very good with some minor wear and discoloration to patina. Shade is good with roughness and chipping to outside edge of fitter rim, all concealed when shade is in place. Rewired with contemporary plastic cord. 52649-1 (4,000-6,000)

Lot 1496 (w/close-ups)

1497.

TIFFANY STUDIOS FAVRILE CHANDELIER. Tiffany Studios Favrile glass globe has white body and is decorated with a leaf and vine decoration with gold iridescent leaves and light green iridescent vines encircling the globe. The globe is suspended from a bronze Tiffany ceiling fixture with central rod supporting the single socket with three chains attaching to a bronze viking ball and connecting to the bronze beaded collar on the globe. The lamp is finished with a bronze finial at the bottom. Bronze is all finished in rich brown patina. Shade is signed in the fitter “L.C.T.” SIZE: Globe 12” dia. Approximately 34” from ceiling to bottom of finial.

CONDITION: Very good to excellent. 52771-21 (6,0009,000)

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1498.

IFFANY FAVRILE CYPRIOTE LAVA VASE. Beautiful T Tiffany free-form Favrile glass vase is decorated with cypriote exterior with thick lava-like bands in random waves encircling the body, having iridescence flashes of gold, green and pink throughout the vase. Signed on the underside “L.C.Tiffany Favrile 4959E”. SIZE: 3.5” t. CONDITION: Very good to excellent. 52840-3 (5,000-7,000)

Lot 1498

1499.

TIFFANY YELLOW FAVRILE DECORATED VASE. Tiffany Favrile glass vase in a beautiful and rare bright yellow is decorated with repeating platinum iridescent pulled and hooked feather pattern encircling the vase. Signed on the pontil “L.C.T. A3905” with remnants of two paper labels. Similar rare yellow examples are illustrated in the book The Art Glass of Louis Comfort Tiffany by Paul Doros, pg.196. SIZE: 4” t.

CONDITION: Very good to excellent. 52840-4 (3,0005,000)

Lot 1499 211

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1500. TIFFANY FAVRILE LAVA CYPRIOTE VASE. Tiffany Favrile glass vase has bulbous bottom with cylindrical neck with random decoration of gold lava and cypriote textures throughout the body of the vase, having purple, green and blue iridescence throughout, with bright blue Favrile interior. Signed on the pontil “L.C.T. K1019” and retains Tiffany Glass & Decorating Co. sticker on side. SIZE: 5” t. CONDITION: Very good to excellent.

52840-2 (5,000-7,000)

Lot 1500 1501.

TIFFANY FAVRILE DECORATED BULLET VASE. Tiffany Favrile glass vase has bullet shape and is decorated with green shading to gold iridescent pulled feather design showing strong flashes of pink, purple, and green. All set against a gold iridescent background. Signed on inside rim “L.C.T. Favrile”. Vase rests in a Tiffany Studios bronze mount with vertically ribbed inverted saucer foot supporting three arms that terminate in cast bronze leaves. Mount is finished in a gold patina and signed on the underside “Tiffany Studios New York”. SIZE: 12-1/2” t. CONDITION: Some light scratches and wear to iridescence on the vase primarily at the shoulder, along with some staining and corrosion to the interior. Patina on the mount shows some minor wear and discoloration, otherwise very good. 52799-1 (3,000-5,000)

Lot 1501

1502.

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IFFANY FAVRILE AGATE VASE. Tiffany Favrile glass T agate vase has decoration of random yellow swirls through the dark red/brown body of the vase. Signed on the underside “L.C.T. X3695”. SIZE: 3” t. CONDITION: Very good to excellent. 52840-1 (2,500-3,500)

1503. TIFFANY STUDIOS WAVE PAPERWEIGHT. Tiffany Studios paperweight has cast bronze body with stylized wave design surrounding a glass panel with green iridescent damascene design. The iridescence shows subtle pink and gold flashes. The bronze is finished in a rich reddish/brown patina with green highlights. Signed on the underside “Tiffany Studios New York 932” along with the Tiffany Glass & Decorating logo. SIZE: 3-5/8” l. CONDITION: Very good to excellent. 52771-25 (2,500-3,500)

Lot 1503 1504.

FIVE TIFFANY STUDIOS GRAPEVINE DESK PIECES. 1) Tiffany Studios small grapevine utility box, has green slag glass backing and rests on 4 bronze ball feet.

Bronze has rich brown patina. Signed on the underside “Tiffany Studios New York” and numbered 800. 2) Grapevine jewelry box has green slag glass backing along with two original velvet trays. The box rests on 4 bronze ball feet and has rich brown patina. Signed on the underside “Tiffany Studios New York”. 3) Grapevine cigar box has Lot 1504 green slag glass backing and rests on 4 bronze ball feet, bronze has rich brown patina. Signed on the underside “Tiffany Studios New York” and numbered “824”. 4) Grapevine jewel box has green slag glass backing and rich brown patina.

Signed on the underside “Tiffany Studios New York”. 5) Grapevine planter has green slag glass backing, brown patina along with original copper insert. Signed on the underside “Tiffany Studios New York”. SIZE: 1) 4-1/8” w x 3” d. 2) 6-3/4” w x 4” d. 3) 8” x 8”. 4) 9” w x 6-1/4” d. 5) 10” dia. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: 1) Top has come un-soldered from the lid, patina has been polished off. Glass is all good. 2) Hinge has come un-soldered from the box.

The backside slag glass panel has two tight hairlines. The two velvet trays show some wear. 3) Very good with some wear and discoloration to patina. 4) Very good to excellent with some minor discoloration to patina. 4) One glass panel is broken with a large piece missing, the copper insert has had holes pierced through the bottom. 52485-2 (1,000-1,500) 1505. T IFFANY STUDIOS AMERICAN INDIAN LETTER RACK. Tiffany Studios letter rack in the American Indian pattern is incised with American Indian designs on the front and sides as well as on the back. The letter rack is finished in gold dore patina and is signed on the underside “Tiffany Studios New York 1186”. SIZE: 11” w x 5-3/4” t. CONDITION: Very good to excellent. 52542-6 (1,000-1,500)

Lot 1505 1506.

THREE ACID ETCHED DESK ACCESSORIES. 1) Acid etched cigar box (attributed to Riviere) has floral trellis pattern on sides and top and is backed by green slag glass. The bronze is finished in a rich brown patina and the box is trimmed with bronze beads. Unsigned. 2) Tiffany Studios bronze calendar frame is done in the Zodiac pattern and is finished in rich brown patina. Signed on the backside “Tiffany Studios Lot 1506 New York 943”. 3) Tiffany Studios bronze pen holder in the Modeled pattern has cast bronze base with Bakelite pen holder and bronze swivel.

The bronze base is finished in rich brown patina with heavy green highlights. Signed on the underside “Tiffany Studios New York 2113A”. SIZE: 1) 7” sq. 2) 8” x 7”. 3) 4-1/4” x 3-1/4”. CONDITION: 1) The back side panel of background glass has 4 tight hairlines, otherwise very good to excellent. 2) Very good to excellent. 3) Very good to excellent. 52723-2 (1,200-1,500)

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1507. TIFFANY STUDIOS GEOMETRIC TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with rich mottled green geometric panels forming the cone shaped shade. Shade rests on a Tiffany Studios stick base with round foot and hexagonal stem leading to a 4-socket cluster. The bronze is finished in a medium brown patina with subtle green highlights. Shade is signed on the inside rim with applied small tag “Tiffany Studios New York”. Base is signed on the underside “Tiffany Studios New York 532”. No heat cap present. SIZE: Shade 20” dia. Lamp 25” t to top of shade ring.

CONDITION: Shade is very good to excellent with some tight hairlines, no missing glass. Base is very good to excellent with some wear and discoloration to patina.

Re-wired with appropriate cloth cord. 52644-1 (7,000-10,000)

Lot 1507 (w/close-up) 1508. TIFFANY STUDIOS ACORN TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with a band of striated green glass acorns encircling the shade, the band is bordered at top and bottom by striated amber glass geometric panels.

Signed on interior rim “Tiffany Studios”. The shade rests on a bronze stick base with vertically ribbed foot and 3-socket cluster. Base is complete with replacement pierced heat cap. Signed on the underside “Tiffany Studios New York 333”. SIZE: Shade 16” dia. Lamp 21” t.

CONDITION: Shade is very good to excellent with only a few tight hairlines. Base is very good with some wear and discoloration to patina. Re-wired with appropriate cloth cord. 52771-5 (8,000-12,000)

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1509.

TIFFANY STUDIOS TYLER SCROLL TABLE LAMP. Tiffany Studios table lamp has leaded shade with mottled and textured amber Tyler Scroll design encircling the top of the shade against a mottled green, white, and yellow geometric background. Shade rests on a Tiffany Studios bronze base with onion design encircling the edge of the foot as well as the font housing. The base is complete with 3-arm spider, original font as well as a 3-socket electric adapter.

The base is finished in a dark brown patina with subtle red highlights and the shade is topped with a pierced slip cap. Shade is signed on inside rim with small applied tag “Tiffany Studios New York”. Base is signed on the underside of the font with applied round tag “Tiffany Studios New York 28642” along with the Tiffany Glass and Decorating logo. SIZE: Shade 18” dia. Lamp 28” t. CONDITION: Shade is very good to excellent with very few if any tight hairlines. Base is very good to excellent. Re-wired with contemporary plastic cord. 52744-1 (25,000-30,000)

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1510. TIFFANY STUDIOS ADJUSTABLE DAMASCENE DESK LAMP. Tiffany Studios damascene desk lamp has bronze adjustable base with stylized leaf design foot and stem leading to the adjustable bronze harp. The base is finished in a rich brown statuary patina and supports a dome shaped damascene shade with rich gold wave design showing strong blue, purple, and pink highlights around the bottom rim. Shade is signed on the interior of the fitter “L. C. T. Favrile” while the base is signed on the underside “Tiffany Studios New York 569”. SIZE: Shade 8” dia. Lamp 18-1/4” t. at lowest point. CONDITION: Base is very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. Shade is very good with one shell-shaped flake to the exterior of the fitter rim, which would be concealed when shade is in place. Set screw on adjustable stem is frozen in place at lamp’s lowest point. 52628-3 (4,000-6,000)

Lot 1510 1511.

TIFFANY STUDIOS BRONZE DESK LAMP. Tiffany Studios desk lamp has cast bronze base with stylized feather design decorating the foot and stem on the base. The base supports a bronze dome shade with acid etched flower and scroll design encircling the skirt. The cutout design is backed by panels of caramel slag glass. The bronze base and shade are finished in a medium brown dore patina. Shade is unsigned, base is signed on the underside “Tiffany Studios New York 639”. SIZE: Shade 7” dia. Lamp 14-3/4” t. CONDITION: Very good to excellent. Rewired with contemporary plastic cord. 52363-14 (3,000-4,000)

Lot 1511 1512. TIFFANY STUDIOS COUNTER BALANCE DESK LAMP. Tiffany Studios desk lamp has cast bronze counter balance base with heavy bronze ball and arched arm with adjustable angle socket. Base is finished in a rich brown patina and supports a green damascene domed shade with platinum iridescent wave design against a green swirled background. The iridescence shows rich blue highlights. Shade is signed in the fitter “L.C.T. Favrile”. Base is signed on the underside “Tiffany Studios New York 416”. SIZE: Shade 7” dia. Base 14-1/2” at its tallest. PROVENANCE: From an Unreserved Massachusetts collection. CONDITION: Shade is very good to excellent, base is very good to excellent with some minor wear and discoloration to patina. 52810-8 (3,000-5,000)

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1513. TIFFANY STUDIOS ADJUSTABLE CANDLE LAMP. Tiffany Studios adjustable candle lamp has round organic form foot with center stem that supports the adjustable double arm candle holder. Each arm supports a gold Favrile candle cup with bright gold iridescence showing subtle platinum highlights. Each candle cup has a combination bobeche/shade holder. The lamp is complete with two vertically ribbed gold favrile shades. The gold iridescence shows strong pink highlights as well as subtle green highlights.

Each shade is signed in the fitter “L.C.T.”. Base is signed on the underside “Tiffany Studios New York 1235”. Foot has inscribed monogram “EB”.

SIZE: 18-1/4” to top of center stem. CONDITION: Shades are very good to excellent. Base is very good to excellent with some minor wear and discoloration to patina. 52771-32 (7,000-9,000)

Lot 1513

1514. TWO TIFFANY STUDIOS WALL SCONCES. Tiffany Studios sconces have bronze beaded trim around the wall plate with a cast bronze gooseneck arm supporting the socket and shade holder. Each sconce is finished with a gold Favrile shade with lightly ribbed body and flaring lip.

The gold iridescence shows subtle pink and purple highlights with platinum Lot 1514 highlights at the lips.

Shades are signed in the fitter rims “L.C.T.” One sconce is finished in brown patina with strong green highlights the other is finished in reddish-brown patina with light green highlights. SIZE: Sconces are 12” from top of wall plate to bottom of shade and extend 7-1/2” from wall to widest part of shade. CONDITION: Shades have some minor roughness to fitter rims, otherwise very good to excellent. Hardware is very good to excellent. 52747-21 (5,000-7,000) 1515. TIFFANY STUDIOS JEWELED CANDLE LAMP. Tiffany Studios candle lamp has bronze art nouveau base with three legs terminating in stylized leaf feet. Bronze tendril descends from the top of the legs and wraps around each leg. The base supports a reticulated bulbous candle cup with blown-out green insert. The lamp is complete with a candle shade decorated with green pulled feather design against a clam broth background. Each pulled feather is outlined in gold iridescence with strong platinum and blue highlights. Shade is signed in the sitter “L.C.T.” Base is stamped on underside of a foot “Tiffany Studios”. SIZE: 16-5/8” to top of shade. CONDITION: Base and shade are very good to excellent. 52771-33 (6,000-8,000)

Lot 1515 217

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1516.

TIFFANY STUDIOS GERANIUM TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with red geranium flowers and large striated and mottled green leaves set against a striated blue and white background. Signed on the interior rim with small applied bronze tag “Tiffany Studios New York”. The shade rests on a cast bronze Tiffany Studios flowerpot base with five bronze arms supporting the shade. The base has a bronze oil font which has been electrified with a factory screw-in converter so the font and base have not

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been drilled. Signed on the underside of the font with applied round bronze tag “Tiffany Studios New York 284”. Base is also signed on the underside “Tiffany Studios New York 139”. Base is finished in a rich brown patina with subtle green highlights. Lamp is finished with an acid etched slipcap. SIZE: Shade 16” dia. Lamp 19” t. CONDITION: Shade is very good to excellent with some tight hairlines, no missing glass. Base is very good to excellent. Rewired with appropriate cloth cord.

52771-4 (80,000-95,000)

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1517. TIFFANY STUDIOS MARBLE AND MOSAIC GLASS FIREPLACE SURROUND. Tiffany Studios marble fireplace surround is set with bands of inlaid mosaic green, blue, gold and white glass tiles forming decorative borders outlining the inside and outside of the surround. Unsigned. SIZE: 46” w x 39” t.

CONDITION: Very good to excellent. 52747-26 (2,000-3,000)

Lot 1517 1518.

TIFFANY STUDIOS CAT BOOKENDS. Pair of Tiffany Studios bookends have cast bronze cats on a bronze platform. Each bookend is finished in a dark brown patina. Signed on the underside “Tiffany Studios New York”.

SIZE: Cat 7-1/4” x 6-1/2” t (to top of tail).

CONDITION: Very good to excellent, with some minor wear to patina. 52771-8 (3,0005,000)

Lot 1518

1519. TIFFANY FURNACES ENAMELED AND JEWELED CANDELABRA. Tiffany Furnaces 2-arm candelabra has round stepped foot with green enamel and set with six oval turtleback jewels. The simple stem supports two curved arms leading to the candle cups with green enamel trim. The finial on the center stem has a starburst design enameled with splashes of red, blue and green. The candelabra is finished in gold dorè patina.

Signed on the underside “Louis C Tiffany Furnaces. Inc. 450” along with the Tiffany Studios logo. SIZE: 16” to top of finial. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: Very good to excellent with some minor wear and discoloration to patina. 52773-83 (1,500-2,000)

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1520.

IFFANY FAVRILE GLASS SEAWEED LAMP T BASE. Tiffany blue Favrile glass body has stylized seaweed decoration with iridescence showing strong flashes of pink, green, and gold, drilled for use as base. The base is finished with contemporary bronze cap, riser, and 3-socket cluster.

Signed on underside “L.C.T. Favrile” as well as “o4500” in the polished pontil. For similar glass example please see Louis C. Tiffany Collection: The Garden Museum Collection by Alastair Duncan, page 238. SIZE: 20-1/2” to top of shade ring. PROVENANCE: From a Los Angeles, CA Collection.

CONDITION: Very good. 52854-2 (15,000-20,000)

Lot 1520

1521.

TIFFANY STUDIOS BRONZE TABLE LAMP BASE. Tiffany Studios bronze lamp base has bulbous body with cast floral decoration surrounding the top. The riser supports a 2-socket cluster and 3-1/2” shade ring. The base is finished in gold dore patina and signed on the underside “Tiffany Studios New York 630”. SIZE: 16” t. CONDITION: Very good to excellent, with some very minor discoloration to patina, re-wired with appropriate cloth cord. 52771-13 (3,000-5,000)

Lot 1521 221

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1522. TIFFANY FAVRILE PASTEL VASE. Tiffany Favrile vase has yellow pastel rim with applied white lip. The vase is further decorated with opalescent vertical ribbons against a lighter opalescent body.

Signed on the underside “L.C. Tiffany - Favrile V510”, vase also retains an original Tiffany paper label.

SIZE: 8” dia x 6-1/4” t. CONDITION: Very good to excellent. 52808-4 (3,000-5,000)

Lot 1522 1523.

TWO TIFFANY FAVRILE GLASS PIECES. 1) Tiffany Favrile glass trumpet vase has a vertically ribbed inverted saucer foot and ribbed body. The vase is finished in gold iridescence with subtle blue and pink highlights at the ribbing. Signed on the underside “L.C.Tiffany-Inc. Favrile 1543-1238N”. 2) Tiffany blue Favrile bowl has vertically ribbed sides and slightly scalloped rim. The blue iridescence on the exterior shows flashes of purple and green while the interior shows flashes of green on the sides and deep purple on the bottom of the bowl. Signed on the underside “L.C.Tiffany Favrile 1283”. SIZE: 1) 14” t. 2) 9-1/2” dia. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: 1) Very good to excellent. 2) Some light wear to iridescence at lip of the bowl, otherwise very good. 52746-21 (2,000-3,000)

Lot 1523

1524. TIFFANY FAVRILE VASE. Tiffany Favrile vase has flaring urn shaped body with two applied handles.

The vase is finished in bright blue iridescence, the iridescence on the exterior has gold and platinum highlights, while the interior has strong purple highlights. Signed on the underside “L.C.Tiffany - Favrile 8885L”. SIZE: 5” t. PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: There is some light staining to the interior, otherwise very good to excellent. 52654-29 (1,500-2,500)

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222

1525. TIFFANY FURNACES ENAMELED COMPOTE. Tiffany Furnaces compote has arching handle with enameled design around the handle in shades of rose. The compote is finished in gold dore and signed on the underside “Louis C. Tiffany Furnaces Inc. Favrile 511” along with the Tiffany logo. SIZE: 9-1/2” dia x 8-1/2” t to top of handle.

CONDITION: Very good to excellent with some very minor staining to patina on underside of bowl. 523637 (2,000-3,000)

Lot 1525

1526.

TIFFANY STUDIOS BRONZE POLYCHROME PLATE. Tiffany Studios bronze plate is decorated with two colorful polychrome roosters against a honeycomb background. A wave pattern decorates the rim of the plate. All finished in a rich brown patina with strong green highlights. Signed on the underside of rim “Tiffany Studios New York 2018”. SIZE: 8” dia. CONDITION: Very good to excellent. 52363-4 (2,000-3,000)

Lot 1526

1527. TIFFANY STUDIOS JEWEL BOX. Tiffany Studios bronze jewel box has Oriental motif on sides and top with cherry blossom trees throughout. Box is finished in a gold as well gold dore patina. The box is fitted with brown velvet trays. Signed on the underside “Tiffany Studios New York 1102”. SIZE: 6” l x 3-5/8” d x 2-7/8” t. CONDITION: Very good to excellent with some minor wear and discoloration to patina.

Velvet trays show some minor wear. 52363-6 (2,2002,800)

Lot 1527 223

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1528.

TIFFANY STUDIOS BLACK-EYED SUSAN TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with black-eyed susans having mottled yellow and cream colored petals and mottled brown centers, all set against a mottled green and cream colored geometric background.

The shade rests on a Tiffany Studios bronze base, which is decorated with applied stylized flowers, each flower set with a small iridescent glass turtleback tile.

The base has a three socket cluster and is finished in a rich brown patina with green highlights. The base is complete with a replacement stamped heat cap. Shade is signed on the inside rim “Tiffany Studios

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New York” and the base is signed on the underside “Tiffany Studios New York 177” along with the Tiffany Studios logo. SIZE: Shade 15-3/4” dia. Lamp 21” t. CONDITION: Shade has some tight hairlines, most of which are in small panels of the petals and leaves and are difficult to detect. The base is very good to excellent with some very minor wear and discoloration to patina. Rewired with contemporary plastic cord.

52635-2 (25,000-30,000)

224

1529.

TIFFANY STUDIOS POMEGRANATE TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with a pomegranate band in shaded green and yellow glass all set against a rich lightly mottled green geometric background.

The shade rests on a bronze Tiffany Studios Grecian Urn base which has 4 vertically ribbed legs with pad feet supporting the urn shaped body.

The base is complete with 3-arm spider and bronze oil font with factory electric converter and pierced heat cap. Shade is signed on inside rim “Tiffany Studios

New York”. Base is signed on the underside of the oil font with applied round tag “Tiffany Studios New York 2129” along with the Tiffany Glass and Decorating logo. SIZE: Shade 16” dia. Lamp 22” t. CONDITION: Shade is very good to excellent with very few if any tight hairlines.

Base is very good with some wear, discoloration and dullness to patina.

Re-wired with appropriate cloth cord.

52628-39 (9,000-12,000)

225

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1530.

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226

PAIR OF TIFFANY STUDIOS APPLE BLOSSOM TORCHIERES. Pair of Tiffany Studios torchieres have cast bronze base with hexagonal foot and stylized flower design covering top of foot leading to hexagonal stem with flaring shade support at top with matching stylized flower.

Bases are finished in rich brown patina with strong green highlights. Both signed on underside “Tiffany Studios New York”. Bases support tall slender hexagonal shades with apple blossoms decorating each of six sides. Apple blossoms are done in mottled and striated pink and cream glass with green textured glass centers. All against shaded yellow, green and cream background. Each shade is signed in fitter “Tiffany Studios New York”. Shades are topped with cast bronze cap with open work stylized flower design matching base. SIZE: Shades 5-3/4” (widest) x 12-1/2” t. Lamps 64” t. CONDITION: Bases are very good to excellent with some very minor wear to patina. Shades are very good to excellent with very few if any tight hairlines. 52444-5 (30,000-40,000)

1531. TWO TIFFANY STUDIOS RETICULATED CANDLESTICKS. Lot consists of two Tiffany Studios bronze candlesticks each with natural form art nouveau foot, tall slender stems and reticulated candlecups. Each candle cup with green blown-out glass inserts. Each candlestick is complete with original bobeche. The tallest candlestick has a dark brown patina with green highlights while the shorter candlestick has a brown patina with subtle green highlights. The taller is signed “Tiffany Studios New York 1213”, the shorter is signed “Tiffany Studios New York 1303”. SIZE: 18-7/8” t.

17” t. CONDITION: Both are very good to excellent with some minor discoloration to patina. 52723-1 (2,000-3,000)

Lot 1531

1532. TIFFANY STUDIOS WILD CARROT BRONZE CANDLESTICK. Tiffany Studios candlestick has cast bronze wild carrot foot which supports a tall slender stem leading to a gold Favrile glass candlecup. The gold iridescence shows nice platinum and blue highlights, it is lined with a bronze bobeche with bronze beaded trim. Signed on the underside “Tiffany Studios New York 292”. SIZE: 18-3/4” t. CONDITION: Very good to excellent. 52363-15 (2,500-3,500)

1533. TIFFANY STUDIOS CANDLE LAMP. Tiffany Studios candle lamp has bronze base with Lot 1532 three legs having leaf shaped feet with curled tip. The feet rest on a 3-sided platform. The legs support a Tiffany Favrile glass candle cup with green pulled feather design against a white background. A bronze candle snuffer hangs in the center of the base. The bronze is finished in a rich brown patina with subtle red highlights. The lamp is complete with a Tiffany Favrile glass candle shade with ribbed body. The shade is decorated with a green pulled feather design. Each pulled feather is outlined in gold iridescence set against an opalescent background. Shade is signed in the fitter “LCT”. Base is signed on the underside “Tiffany Studios New York 1212”. SIZE: 16-1/2” to top of shade.

PROVENANCE: From an Unreserved Massachusetts collection. CONDITION: Shade has several flakes around the fitter, most are concealed when shade is in place.

Base is very good to excellent. 52810-4 (2,500-3,500)

Lot 1533 227

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1534.

TIFFANY STUDIOS COUNTERBALANCE FLOOR LAMP. Tiffany Studios floor lamp has bronze and glass shade with 12 green linenfold panels with linenfold trim at top and bottom of each panel. All housed within a bronze framework.

The shade is housed in a Tiffany Studios bronze counterbalance floor base with fleur-de-lis feet, stylized floral stem and double arm counterbalanced mechanism. The bronze is all finished in rich brown patina. Shade is signed on the interior rim “Tiffany Studios NY” and numbered. Base is signed on the bottom of one foot “Tiffany Studios New York 619”. SIZE: Shade 9-1/2” dia. Lamp 55” t. CONDITION: Shade is very good to excellent with two tight hairlines in trim panels which are concealed by the linen folds. Base is very good to excellent with some minor wear and discoloration to patina. Re-wired with appropriate cloth cord. 52640-2 (9,000-12,000)

1535.

PAIR OF TIFFANY STUDIOS CANDLESTICKS. Tiffany Studios bronze candlesticks have heavy cast foot with vertically ribbed top leading to a natural form stem which supports Favrile glass candle cups with pulled feather design, round ribbed body, and slightly flaring scalloped lips. The bronze has a rich brown patina with green highlights. Marked on the undersides “Tiffany Studios New York 10059” and “Tiffany Studios”. SIZE: Both 17-1/4” t. CONDITION: Both are very good to excellent. 52628-36 (4,500-5,500)

Lot 1534 Visit www.jamesdjulia.com for more information

Lot 1535 228

1536. TWO TIFFANY ART GLASS SHADES. 1). Tiffany tulip shade has green pulled feather design descending from the fitter, each pulled feather is outlined in gold iridescence and set against a cream colored background. Signed on inside fitter “L.C.T.”.

2). Small Tiffany tulip shade has gold iridescent diagonal swirls covering the shade. The gold iridescence shows strong pink highlights and subtle blue highlights. The shade is finished with a bronze fitter rim. Shade is numbered just below the fitter “L2553”. SIZE: 1). 5-3/4” t. 2). 3-1/2” t. CONDITION: Both are very good to excellent. 52628-45 (800-1,200)

Lot 1536 1537.

PAIR OF TIFFANY FAVRILE TULIP SHADES. Pair of Tiffany Favrile tulip shades have green pulled feather design descending from the fitter against a cream colored lightly iridescent background. Each shade is signed in the fitter “L.C.T.” SIZE: 4-3/4” t. CONDITION: One shade has some minor roughness to the edge of fitter, while the other shade has a small grind mark to the edge of fitter, all are very minor and completely concealed when shade is in place. Otherwise very good to excellent.

52744-7 (2,000-3,000)

Lot 1537

1538. PAIR OF TIFFANY PULLED FEATHER CONE SHADES. Pair of Tiffany cone shades have green pulled feather design radiating from the tip. Each pulled feather is outlined in gold iridescence all against a cream colored glass background. Unsigned. SIZE: 3-1/2” t. x 2” fitter. CONDITION: Both are very good to excellent. 52747-25 (1,000-1,500)

Lot 1538

1539.

TIFFANY FAVRILE GLASS PULLED FEATHER SHADE. Tiffany Favrile art glass shade has green pulled feather design descending from the fitter, each pulled feather is outlined in gold iridescence and set against a cream colored background. The shade has a slightly flaring ruffled rim. Signed inside fitter “L.C.T.”. SIZE: 4-1/2” t. CONDITION: Very good to excellent. 52628-31 (9001,200)

Lot 1539 229

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1540.

TIFFANY STUDIOS CROCUS TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with mottled pastel yellow and white crocus flowers and emerald green stems descending from the aperture against a mottled white background. The shade is bordered at the bottom and top with rectangular geometric panels. Signed on the inside rim with small applied tag “Tiffany Studios New York”.

The shade rests on a converted kerosene base with bronze fittings at top and bottom and a butterscotch colored blown glass body with yellow glass trailings at each rib. The oil font is converted to electricity with a factory screw in converter and the font has not been drilled. Base is finished with a 3-arm spider. Signed on underside of font with applied round tag “Tiffany Studios New York 468D” along with the Tiffany Glass & Decorating Company logo. Base is also signed on the underside “Tiffany Studios New York

468D”. Lamp is complete with acid etched bronze slip cap. SIZE: Shade 16” dia.

Lamp 21” t. CONDITION: Shade is very good to excellent with very few if any tight hairlines. Base is very good to excellent. Converter is re-wired with appropriate cloth cord. 52771-3 (40,00060,000)

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230

1541.

TIFFANY STUDIOS GENTIAN TABLE LAMP. Tiffany Studios table lamp has Gentian pattern shade with rows of stylized blue flowers descending from the neck. Each row of flowers is outlined in green mottled and striated glass, all against a mottled white and opalescent geometric background. The shade is further decorated with a band of emerald green chunk jewels encircling the skirt. The shade rests on a Tiffany Studios bronze base with matching Gentian flower decoration encircling the top of the foot and openwork floral design creating the stem which leads to the 3-socket cluster.

Base is finished in a rich brown patina with subtle green highlights and is finished with an acid etched cap with blue Favrile ball finial.

Shade is signed on the interior “Tiffany Studios New York”. Base is signed on the underside “Tiffany Studios New York 5107”. SIZE: Shade 17-1/2” dia. Lamp 22-1/2” t. CONDITION: Shade is very good to excellent with some tight hairlines, no missing glass. Base is very good to excellent. Re-wired with appropriate cloth cord.

52747-20 (40,000-60,000)

231

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1542.

TIFFANY STUDIOS BLACK-EYED SUSAN CHANDELIER. Large Tiffany Studios chandelier in the Black-eyed Susan pattern has yellow flower petals and dark amber centers, with green leaves all against a striated green and white background, shading to mottled white at the top. The shade is finished with beaded bronze trim at the bottom, an openwork bronze crown and three hooks at the top. Chandelier is signed on inside rim “Tiffany Studios New York 614-8”. Chandelier has 6-socket cluster and original bronze suspension chains, with no ceiling cap or suspension rod present. Bronze hardware is finished in a rich brown patina with green highlights. SIZE: 28-3/4” dia. CONDITION: Very good with some tight hairlines, no missing glass. Rod suspending socket cluster from aperture is loose. 52787-1 (25,000-35,000)

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232

1543. TIFFANY STUDIOS TREE TRUNK LAMP BASE. Tiffany Studios lamp base in the tree trunk design has round cast bronze foot depicting roots leading to the tree trunk stem which supports a 3-socket cluster. The base is finished in gold dore patina. Signed on the underside “Tiffany Studios New York 554”. SIZE: 18” t.

CONDITION: Very good to excellent, with some discoloration to patina. 52771-15 (7,000-9,000)

Lot 1543 1544.

TIFFANY STUDIOS DECORATED LIBRARY LAMP BASE. Tiffany Studios bronze library lamp base has 4 pad feet and a round platform decorated with stylized fan design as well as applied bronze wire tendrils which climb diagonally up the stem to the 3-arm spider.

The riser supports a 3-socket cluster. Base is finished with a rich brown patina. Signed on the underside “Tiffany Studios New York 2674”. SIZE: 18-1/2” t.

CONDITION: Very good to excellent. The cloth cord has a frayed area with an electrical tape repair. 52771-14 (4,000-6,000)

Lot 1544 233

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1545.

TIFFANY STUDIOS TURTLEBACK TABLE LAMP. Tiffany Studios table lamp has leaded glass dome shaped shade with a wide row of turtleback tiles surrounding the shade, set against a mottled green and white geometric background. The shade rests on a Tiffany Studios bronze base which is also decorated with a band of turtleback tiles. The shoulder of the base has a single row of acid etched ventilation holes. Base is complete with 3-socket cluster, acid etched heat cap, and is finished in

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a rich reddish/brown patina. Shade is signed on interior edge “Tiffany Studios New York”. Base is signed on the underside “Tiffany Studios New York 9971”, also carries an impressed Tiffany Studios logo. SIZE: Shade 16” dia. Lamp 22” t. CONDITION: Shade is very good to excellent with very few tight hairlines and no missing glass. Base is very good to excellent. Re-wired with appropriate cloth cord. Heat cap has a darker patina than the rest of the base. 52748-7 (40,00050,000)

234

1546.

TIFFANY STUDIOS BLACK-EYED SUSAN TABLE LAMP. Tiffany Studios table lamp has leaded dome shaped shade with Black-eyed Susans encircling the entire shade, the petals of each flower are done in amber, yellow, and cream colored glass, while the stems are all done in lightly mottled green. All set against a striated green geometric background

shading to mottled white at the top. The shade rests on an art pottery base with yellow and brown glaze as well as incised line decoration encircling the shoulder and neck. The base is complete with a bronze circular foot as well as bronze top cap, 3-arm spider and single socket.

Shade is signed on inside rim with applied small tag “Tiffany Studios New York”.

Base retains Tiffany favrile paper label.

Shade is topped with a bronze acid

etched slip cap. SIZE: Shade 16” dia.

Lamp 20” t. CONDITION: Shade is very good to excellent with some tight hairlines, no missing glass. Base is very good to excellent, Re-wired with appropriate cloth cord. 52747-23 (20,000-25,000)

235

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1547.

TIFFANY STUDIOS CHINESE TYLER TABLE LAMP. Tiffany Studios table lamp has #1476 Chinese Tyler shade with geometric band at shoulder of reddish-amber, amber and green glass. All set against rich emerald green background of geometric panels. Signed on inside lip with small tag “Tiffany Studios New York”. Shade rests on monumental Tiffany Studios bronze base #439 with three tall slender legs ending in cat’s paws supporting central urn body with incised artichoke design leading to central riser supporting four goose neck sockets, lamp is complete with acid etched heat cap. Base is done in rich brown patina with strong green highlights. Signed twice on underside “Tiffany Studios New York”. SIZE: Shade 19” dia. Lamp 35” t. CONDITION: Shade is very good to excellent with only few tight hairlines.

Base is very good to excellent.

52357-1 (20,000-30,000)

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236

1548. TIFFANY BLUE FAVRILE CANDLE LAMP. Tiffany candle lamp in blue Favrile glass has ruffled and twisted stem and ribbed shade all with bright blue iridescence. The blue iridescence shows strong purple highlights. Shade is signed in top rim “L.C.T. Favrile”, base is also signed on the underside “L.C.T. Favrile”.

SIZE: 12-1/2” t. CONDITION: Shade has a tiny flake to exterior of top rim as well as a tiny flea bite to exterior of top rim, otherwise very good to excellent.

Metal socket and shade holder have wear to finish. Re-wired with appropriate cloth cord. 52628-24 (2,000-2,500)

Lot 1548

1549. TIFFANY FAVRILE GLASS LAMP. Tiffany lamp has Favrile glass base with gold iridescent body and green leaf and vine decoration surrounding the shoulder. Each leaf is intaglio carved. The based is complete with a replacement 3-arm spider and single socket. Base supports a Favrile glass shade with bright gold iridescence showing subtle platinum and pink highlights. Shade is signed in the fitter “L.C.T”. Base is signed on the underside “L.C. Tiffany Favrile”. SIZE: Shade 10” dia. Lamp 17” t. PROVENANCE: From an Unreserved California collection.

CONDITION: Base has some minor scratches to iridescence. Shade has a 1/2” shell shaped flake to the exterior of the fitter rim. Otherwise very good.

52708-1 (2,000-3,000)

Lot 1549 1550. TIFFANY FAVRILE GLASS CANDLE LAMP. Tiffany candle lamp has gold Favrile base with ribbed body and twisted stem leading to a riser that supports a single chandelier socket and shade support. The base supports a gold Favrile shade with honeycomb pattern just below the fitter and a wide and stretched ruffle. The gold iridescence on both the shade and base shows nice purple and pink highlights. Shade is signed within the fitter “L.C.T.” Base is signed on the underside “L.C.T. Favrile”. SIZE: Lamp 13-1/2” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: The riser on the base is a nonTiffany replacement. There is a small chip and crack at the edge of the hole for the electrical cord at the bottom of the base. Otherwise very good. Re-wired with contemporary plastic cord, no plug present. 52746-8 (1,000-1,500)

Lot 1550 237

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1551. TIFFANY STUDIOS WOODBINE TABLE LAMP. Tiffany Studios table lamp has leaded glass shade in the Woodbine pattern with striated green, cream, and yellow flowers and leaves against a background of orange, yellow, and cream granite glass. Shade is signed on interior rim “Tiffany Studios New York” and rests on a Tiffany Studios bronze base with square foot and bullet shaped body mounted within 3-prongs. The base is complete with a 3-arm spider and 3-socket cluster. Shade is topped with a replacement pierced slipcap. Base is signed on underside with an impressed Tiffany Studios logo. SIZE: Shade 14” dia. Lamp 20-1/2” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade is very good to excellent with very few tight hairlines.

Base is very good to excellent with some very minor wear and discoloration to patina.

Rewired with appropriate cloth cord. 52854-1 (14,000-18,000)

Lot 1551 (w/close-up) 1552.

TIFFANY STUDIOS ACORN TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with a single band of striated yellow and white acorns encircling the shade against a white shading to amber geometric background. Signed on the inside rim “Tiffany Studios New York 1488”. The shade rests on a Tiffany Studios bronze torpedo base with square foot and three arms holding the torpedo body of the base. Base has a 3-socket cluster and replacement heat cap and is finished with a rich brown patina with subtle red highlights. Signed on the underside with applied round bronze tag “Tiffany Studios New York 444”. SIZE: Shade 16” dia. Lamp 22” t. CONDITION: Shade is very good to excellent with just a few tight hairlines. Base is very good to excellent with some very minor scratches to foot. 52771-6 (8,000-12,000)

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238

1553. FIVE PIECE TIFFANY AMERICAN INDIAN DESK SET. Tiffany Studios desk set in American Indian pattern consists of paper rack, inkwell with glass insert, small blotter ends and paperclip. All pieces are finished with bright gold patina. Each piece is signed on underside “Tiffany Studios New York” and numbered. SIZE: Paper rack 11-1/8” w. Inkwell 5-1/2” dia at base.

Blotter ends 12-1/4” l. Paperclip 3-7/8” l. CONDITION: Very good to excellent with some minor discoloration to patina on blotter ends. 52363-13 (800-1,200)

Lot 1553 1554.

TWO TIFFANY STUDIOS PINE NEEDLE DESK PIECES. 1) Tiffany Studios pine needle inkwell has acid etched pine needle pattern surrounding the sides and top of the inkwell. The sides are backed in caramel slag glass and the bronze is finished in gold patina. Complete with original glass insert. Signed on the underside “Tiffany Studios New York 847”. 2) Tiffany Studios utility box has acid etched pine needle design on sides and top. The design is backed by green slag glass and the bronze is Lot 1554 finished in a rich brown patina with green highlights.

Signed on the underside “Tiffany Studios New York 800”.

SIZE: 1) 6-1/2” dia. 2) 4-1/4” w x 3” d. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: 1) Very good to excellent with some minor wear and discoloration to patina. 2) Hinge is slightly sprung and lid does not close completely; otherwise very good. 52485-4 (600-900)

1555. TIFFANY STUDIOS NAUTICAL ROCKER BLOTTER. Tiffany Studios rocker blotter in the rare nautical pattern has bronze knurled handle with design of fish swimming around the handle and a wave pattern bordering the top edge of the blotter.

The bronze is finished in a rich brown patina with subtle green highlights. Unsigned. SIZE: 5-3/8” x 3”. CONDITION: Very good to excellent. 52628-46 (800-1,200)

Lot 1555 1556.

PAIR OF TIFFANY STUDIOS CANDLESTICK OR VASE BASES. Pair of Tiffany Studios bronze bases have a subtle Greek Key design bordering the foot with vertical ribbing rising to the lip. Each base is finished in rich brown patina against a dore texture. Each candlestick is signed with applied round bronze tag “Tiffany Studios New York” along with the Tiffany Glass & Decorating Co. logo. SIZE: 5-1/4” dia. x 3-1/4” t. CONDITION: Some very minor scratches to the patina, otherwise very good to excellent. 52542-3 (700900)

239

Lot 1556

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Lot 1557

1557.

IFFANY STUDIOS WILD CARROT RETICULATED CANDLESTICK. T Tiffany Studios candlestick has cast bronze foot in the wild carrot pattern, supporting a tall, slender stem leading to the reticulated candle cup with blown out green glass insert. The candle cup is complete with original bronze bobeche with bronze bead trim. The bronze is finished in a rich brown patina. Signed on the underside “Tiffany Studios New York 292” along with the Tiffany Glass & Decorating Co. logo. SIZE: 18” t. CONDITION: Very good to excellent. 52744-17 (1,500-2,500)

1558.

OUR TIFFANY STUDIOS BRONZE CANDLESTICKS. 1) Two Tiffany F Studios bronze candlesticks have round feet, slender stems, and six leaf and stem arms holding the candlecups. The candlesticks are finished in gold dore patina and signed on the underside “Tiffany Studios New York 1210”. Complete with bronze bobeches. 2) Tiffany Studios candlestick has three legs with ball feet. The legs support three fingers that hold the bulbous candlecup. Candlestick is finished in gold dore and signed on the underside “Tiffany Studios New York 1202”. Candlestick is complete with original bronze bobeche. 3) Tiffany Studios bronze candlestick in the bamboo pattern has splayed feed and sectioned stem leading to the bronze bobeche with shade holder. Finished in rich brown patina with subtle green highlights.

Signed on the underside “Tiffany Studios”. SIZE: 1) 10” t. 2) 8-3/4” t. 3) 8” t.

PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: 1) Very good with variations to patina. 2) Very good to excellent with some light dents to the rim of the bobeche. 3) Very good to excellent. 52485-3 (1,500-2,500)

Lot 1558

1559. TIFFANY STUDIOS COBRA CANDLESTICK. Tiffany Studios bronze candlestick has lily pad foot with cobra shaped handle and single arm leading to a reticulated candle cup with blown out glass insert. Stick is complete with bobeche insert and is finished in rich brown patina with green highlights. Signed on the underside “Tiffany Studios New York 1203” along with an impressed Tiffany Studios logo. SIZE: 8” t. CONDITION: Very good to excellent. 52363-3 (2,000-2,500)

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240

1560. TIFFANY FAVRILE FLOWER FORM VASE. Tiffany Favrile flower form vase has bulbous body with wide flaring ruffled and stretched rim. The vase is finished in rich blue iridescence with gold and platinum highlights on the body and rich purple highlights on the interior of the bowl. Signed on the underside “L.C.Tiffany - Favrile 8491 K”. SIZE: 4-3/4” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Very good to excellent. 52654-19 (1,000-1,500)

Lot 1560 1561.

TIFFANY FAVRILE GLASS KING TUT VASE. Organic form bulbous reactive glass vase is finished with a deeply scalloped top and is decorated all over with a King Tut pattern in earthen hues of brown and pale green on one side and platinum blue against pale orange on the other. Signed “LCT o5738” on polished pontil. SIZE: 4-1/2” t. CONDITION: Very good to excellent. 52444-4 (2,5003,000)

1562.

TWO TIFFANY PASTEL FAVRILE PIECES. 1) Tiffany pastel center bowl has pastel yellow rolled rim and opalescent feathered design on the interior.

It rests on an applied, clear glass foot with white opalescent ribbons adorning the foot. Signed in the polished pontil “L.C. Tiffany Favrile 1839”. 2) Tiffany Lot 1561 compote has pastel green interior to the bowl with white opalescent exterior and round windows surrounding the side of the bowl. It rests on an applied transparent green stem and foot. Signed on the underside “L.C. Tiffany - Favrile 1582”. SIZE: 1) 12” dia. 2) 4-1/4” dia. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: 1) Very good to excellent. 2) Very good to excellent. Some stretch or tool marks to the interior of the bowl from the making. 52746-15 (1,200-1,800)

Lot 1562

1563.

TIFFANY INTAGLIO CARVED COMPOTE. Tiffany compote has an applied inverted saucer foot, slender stem and small bowl with wide flaring rim. The rim is intaglio carved with grape leaves and vines.

All against a gold iridescent stretched background. The stem and foot are also finished in rich gold iridescence with blue and pink highlights.

Signed in the polished pontil “L.C. Tiffany-Favrile 1701”. SIZE: 4-1/2” t x 5-3/4” dia. CONDITION: Very good to excellent. 52363-10 (1,200-1,800)

Lot 1563 241

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1564. TIFFANY STUDIOS POMEGRANATE TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with a band of orange and yellow mottled pomegranates surrounding the side of the shade. Set against a green and white striated geometric glass background. Shade is signed on interior rim “Tiffany Studios New York 1457”. The shade rests on a simple stick base with vertically ribbed foot and 3-socket cluster. The base is finished in a rich brown patina with green and red highlights. Signed on the underside “Tiffany Studios New York 333”. Lamp is complete with acid etched heat cap. SIZE: Shade 16” dia. Lamp 20-1/2” t. CONDITION: Shade is very good with some tight hairlines, mostly in the small pieces of pomegranate.

Base is very good with some minor wear and scratches to patina. Heat cap is missing threaded rod. 52845-2 (7,50010,000)

Lot 1564 (w/close-up) 1565.

TIFFANY STUDIOS SWIRLING LEAF TABLE LAMP. Tiffany Studios table lamp has band of mottled amber and cream colored swirling leaves surrounding the shoulder of the shade, all set against a nicely mottled green geometric glass background. The shade rests on a Tiffany Studios cast bronze stick base with lightly ribbed stem and 4-socket cluster. The base is finished in a rich brown patina with subtle green highlights. The shade is signed on the interior rim “Tiffany Studios New York” while the base is signed on the underside “Tiffany Studios New York”. Lamp is complete with acid-etched heat cap. SIZE: Shade 18” dia. Lamp 27” t. CONDITION: Shade is very good to excellent with fewer than fifteen tight hairlines. Base is very good to excellent with some very minor wear and discoloration to patina. Rewired with contemporary plastic cord. 52845-1 (7,500-10,000)

Lot 1565 (w/close-up) Visit www.jamesdjulia.com for more information

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1566. TIFFANY STUDIOS WAVED RIBBON TABLE LAMP. Tiffany Studios table lamp has leaded glass shade with #1440 waved ribbon pattern in amber and green striated glass against a mottled green geometric background. Shade is signed on interior rim “Tiffany Studios New York” and rests on a Tiffany Studios bronze library base. The base has a round decorated platform supported by four applied bronze feet. The shaft is decorated with applied bronze wire tendrils and supports a 3-arm spider and 3-socket cluster. Base is finished in a rich brown patina with subtle green highlights. Signed on the underside “Tiffany G. & D. Co. New York S1299”. SIZE: Shade 16” dia. Lamp 21-1/2” t. CONDITION: Shade is very good with some tight hairlines, no missing glass, leading patina is worn. Base is very good with one small stress crack on one spider arm, minor wear to patina from use, rewired with appropriate cloth cord.

52597-1 (8,000-12,000)

Lot 1566 1567. TIFFANY STUDIOS GEOMETRIC TABLE LAMP. Tiffany Studios table lamp has leaded glass dome shade with green and white geometric panels. The shade is signed on the interior rim “Tiffany Studios New York 1436-7”. The shade rests on a Tiffany Studios bronze base with square foot and bullet-shaped body supported by 3-prongs. The base has a 3-socket cluster and is finished in gold dore. Signed on the underside with applied round tag “Tiffany Studios New York 444”. SIZE: Shade 16” dia. Lamp 22” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Shade has old solder repairs and replaced glass tiles, otherwise good. Base has replaced sockets and some minor wear and darkening of patina, otherwise very good. 52854-3 (5,000-7,000)

Lot 1567 243

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1568. TIFFANY STUDIOS TURTLEBACK SHIELD DESK LAMP. Rare Tiffany Studios desk lamp has shield shade with gold turtleback centers in each of the three shields, with heavily mottled cream colored glass surrounding. The shield shade rests atop a Modeled pattern desk lamp base with bright gold dore patina. Lamp is signed on the underside “Tiffany Studios New York 687”. SIZE: 15-3/4” t. CONDITION: Shade is very good to excellent. Base is very good with some green corrosion where stem meets the footed platform. Socket cover is missing a single screw. Re-wired with contemporary plastic cord. 52363-2 (3,0004,000)

Lot 1568 Lot 1569 1569. TIFFANY STUDIOS DOUBLE STUDENT LAMP BASE. Tiffany Studios double student bronze base is done in a Moorish design and has adjustable height burners. Lamp has been electrified and is finished in a gold patina. Unsigned. SIZE: 23-1/2” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: Very good to excellent. 52773-78 (1,500-2,000)

1570. TIFFANY STUDIOS ZODIAC DESK LAMP. Tiffany Studios desk lamp has bronze zodiac base with rich brown patina. The base houses a bronze dome shade with impressed design surrounding the bottom rim, finished in a matching rich brown patina. Shade is signed on the exterior of the fitter “Tiffany Studios” and numbered. Base is signed on the underside “Tiffany Studios New York 664”. SIZE: Shade 7-1/4” dia. Lamp 171/2” t. CONDITION: Very good to excellent with some minor wear and discoloration to patina on both base and shade. Shade is slightly out of round.

Rewired with contemporary plastic cord. 52727-4 (1,500-2,500)

Lot 1570 Visit www.jamesdjulia.com for more information

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1571. TIFFANY BLUE FAVRILE BUD VASE. Tiffany vase has slightly bulbous body with tapering neck and pinched lip creating four separate holes for buds. The vase is finished in bright blue iridescence shading to gold iridescence at the top with nice pink highlights. Signed on the underside “L.C.Tiffany-Favrile 9218D”. SIZE: 11-1/4” t. CONDITION: Very good to excellent. 52363-9 (2,200-2,800)

Lot 1571

1572. FIVE TIFFANY FAVRILE GLASS ITEMS. 1) Tiffany bowl has an applied inverted saucer foot supporting the shallow bowl with wide stretched rim. It is finished in bright gold iridescence showing very strong pink highlights to the interior. Signed on the underside “L.C. Tiffany Favrile” and also carries a foil sticker reading “From the display of the Historical Glass Museum”. 2) Tiffany Favrile glass bowl has vertically ribbed body with flaring sides. It is finished in gold iridescence.

Signed on the underside “L. C. Tiffany Favrile”. 3) Tiffany Favrile glass bowl is housed in a bronze Tiffany Studios basket frame, which is finished in gold patina while the bowl has a bright gold iridescent finish with blue highlights on the interior. Bowl is signed on the underside “L.C.T. Favrile 1925” while the bronze frame is signed “Favrile 516” along with the Tiffany Studios logo. 4) Pair of Tiffany Favrile glass goblets have inverted saucer foot and slender stem. The bowl of each goblet is intaglio carved with a single band of grapevines, leaves, and clusters.

The goblets are finished with a subtle gold iridescence showing platinum highlights. One is signed “L.C.T. Favrile”, the other is signed “L.C.T.” SIZE: 1) 9-3/4” dia. 2) 8-1/4” dia. 3) Lot 1572 6” dia x 7” t. 4) 7” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: 1) Very good to excellent. 2) Some minor wear to iridescence on the interior, otherwise very good. 3) Very good to excellent. 4) Both are very good to excellent. 52746-9 (1,200-1,800)

Lot 1573

1574.

1573. TWO TIFFANY BLUE FAVRILE PIECES. 1) Tiffany blue Favrile bowl with vertically ribbed sides and ruffled lip. Bowl has gold and platinum iridescent exterior and bright blue iridescent interior. Signed on the underside “L.C.T. Favrile”. 2) Blue Favrile vase with bulbous body and short neck, the blue iridescence shows flashes of green and platinum at the shoulder. Unsigned. SIZE: Bowl 9-1/8” dia. Vase 4” t. CONDITION: Bowl has some light scratches and wear to iridescence on interior. Vase is very good to excellent. 52363-8 (1,500-2,500)

TIFFANY BLUE FAVRILE INKWELL INSERT. Tiffany Favrile glass inkwell insert has a wide rim in a stylized floral design and is topped with a glass floral stopper. The insert is finished in a rich blue iridescence showing strong platinum and purple highlights. The stopper is slightly darker blue iridescence with very strong purple flashes highlighting the center of the flower. Signed on the underside of the insert “L.C.T. Favrile”. SIZE: 2” t x 2-1/2” dia. CONDITION: Very good to excellent. 52628-28 (1,750-2,250)

Lot 1574 245

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1575.

THREE TIFFANY STUDIOS BRONZE LAMP BASES. 1) Tiffany Studios bronze counterbalance desk lamp base has hollow spun bronze platform leading to the cast bronze stem which supports the counterbalance mechanism. The counterbalance ball is held within a stylized bronze scroll, the double arm supports the adjustable single socket. Base is finished in brown patina with red and green highlights. Signed on the underside “Tiffany Studios New York”. 2) Tiffany Studios bronze 3-light lily lamp base has round platform foot with artichoke decoration. The lamp has three gooseneck arms each ending in a stylized flower shade holder.

The base is finished in a dark brown patina with green highlights.

Signed on the underside “Tiffany Studios New York 28602”. 3) Tiffany Studios bronze lamp base has round stepped foot with beaded trim supporting the column stem. The small harp supports the swivel socket and acid etched cap. Bronze is finished in a brown patina with heavy green highlights. Signed on the underside Lot 1575 “Tiffany Studios New York 622A”. SIZE: 1) 16” t (tallest). 2) 7-1/4” t. 3) 15-1/4” t. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: All are very good to excellent with some minor wear and discoloration to patina. 52485-13 (1,200-1,800)

Lot 1576 1577.

1576. THREE TIFFANY STUDIOS BRONZE LAMP BASES. Lot consists of three Tiffany Studios bronze harp lamp bases.

Each has a vertically ribbed platform supporting the stem which splits to form the harp. Each base has a single socket that rotates within the harp. Each is finished in a brown patina with green highlights. Two of the bases are signed “Tiffany Studios New York 424”, and one is signed “Tiffany Studios New York 419”. SIZE: 17-1/2” t. 13-1/4” t. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: All are very good to excellent with some minor wear and discoloration to patina. The two taller bases are re-wired with appropriate cloth cord, the shorter with contemporary plastic cord. 52485-11 (1,500-2,500)

TIFFANY STUDIOS COUNTERBALANCE DESK LAMP BASE. Tiffany Studios desk lamp base has round platform foot with stylized tear drop design leading to the stem that supports the counterbalance mechanism. The counterbalance ball is held by a stylized flower and the arching arm leads to the single adjustable socket. The base is finished in a rich reddish brown patina with green highlights. Signed on the underside “Tiffany Studios New York 415”. SIZE: 17” t (tallest). PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: Very good to excellent, re-wired with appropriate cloth cord. 52485-8 (1,000-1,500)

Lot 1578 Visit www.jamesdjulia.com for more information

1578. TWO TIFFANY STUDIOS BELL Lot 1577 DESK LAMP BASES. Two Tiffany Studios desk lamp bases have bronze bell shaped harp, each has a single swing socket and round bronze foot.

The smaller base is signed on the underside “Tiffany Studios New York 28634 8” along with the Tiffany Glass & Decorating logo. The taller base is signed on the underside “Tiffany Studios New York 418”. The smaller base is finished in a rich brown patina with red and green highlights, the taller base is finished in a dark brown patina with green highlights. SIZE: 10-3/4” t. 12” t. PROVENANCE: From an Unreserved Upstate New York estate.

CONDITION: Both very good to excellent, both re-wired with appropriate cloth cord. 52485-9 (1,000-1,500) 246

1579. TIFFANY KING TUT VASE. Tiffany vase has gold iridescent body with platinum iridescent King Tut design surrounding the vase. Signed on the underside “L.C.T.”, “M6838”, the vase also carries an original Tiffany Glass & Decorating Co. paper label.

SIZE: 6-1/4” t. CONDITION: Vase has a 4” horizontal crack approximately 3/4” above the foot. 52744-6 (1,200-1,500)

Lot 1579 1580.

FOUR TIFFANY STUDIOS ITEMS. 1) Tiffany cypriote cabinet vase has gold heavily textured body with veins of platinum iridescence swirling around the body. The iridescence shows strong flashes of green, pink, and purple. Signed on the underside “L.C.T. R1697”. 2) Tiffany Favrile glass lay down scent bottle has vertically ribbed body and is finished with a rich platinum iridescence showing strong purple and blue highlights. The scent bottle is completed with a silver collar Lot 1580 and screw cap. Signed on the rounded tip “L.C.T. A2086”. 3) Early Tiffany Favrile glass vase has brown and tan pulled feather design rising from the foot against a bright gold iridescent background. Marked on the underside with original Tiffany Glass & Decorating Co. paper label. 4) Tiffany reference pamphlet with shade & base model numbers. SIZE: 3-1/2” t, 9” l, and 8-1/2” t respectively. Pamphlet is 6-1/2” x 5”. PROVENANCE: From an Unreserved Ohio collection. CONDITION: 1) There is a crack across the bottom of the vase. 2) Very good to excellent. 3) There are a few tiny open bubbles in the pulled feather design from the making, otherwise very good to excellent. 4) Very good, shows signs of wear. 52815-4, 52815-7, 52815-11, 52815-18 (1,250-1,500) 1581.

Lot 1581 1582.

IFFANY DECORATED TEL EL AMARNA VASE. Tiffany vase T has rich green lightly iridescent body with gold iridescent King Tut design. The gold iridescence shows nice platinum and pink highlights. The vase is finished with an applied Tel el Amarna collar with undulating bands of gold iridescence against a black iridescent background. The collar is finished with an applied gold iridescent lip. Signed on the underside “L.C.Tiffany - Favrile 1643E”. SIZE: 7” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: There is a tight hairline approximately 1” long in the Tel el Amarna collar, otherwise very good.

52746-1 (2,000-3,000)

TIFFANY FAVRILE DECORATED VASE. Tiffany Favrile footed vase has dark amber/green bottom with iridescent fern-like platinum decor, with opalescent top section separated by a gold and platinum iridescent band, finished with a rolled top rim. Signed on the underside “L.C.T.” and “N2626” and retains partial T.G.D. Co. paper label. SIZE: 5” t. CONDITION: Vase has a V-shaped internal hairline under the top rim, otherwise very good. 52840-5 (700-1,000)

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Lot 1582

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1583. PAIR OF TIFFANY STUDIOS SPANISH BOOKENDS. Pair of Tiffany Studios bronze bookends in the Spanish pattern depicts a three dimensional stylized bird framed in feathers. The bookends are finished in gold patina with gold dore on the backside. Each is signed on the backside “Tiffany Studios New York 1897”. SIZE: 5-3/4” t.

CONDITION: Very good to excellent with some darkening to patina. 52628-35 (1,500-2,500)

Lot 1583 1584.

15 TIFFANY GOLD FAVRILE PRISMS. Tiffany Favrile glass prisms have gold iridescence with flashes of pink, blue, and green. Two of the prisms have an opalescent interior band. SIZE: 10” l. CONDITION: One prism has a small shell shaped flake on the edge, one has a chip to the tip at the suspension hole, all others are very good to excellent. 52747-1 (1,500-2,000)

Lot 1584 1585. TIFFANY STUDIOS BRONZE JEWEL BOX. Tiffany Studios bronze jewel box is done in Italian Renaissance design with floral and scroll panels and vertically ribbed pillars. The box rests on four bronze disc feet and features a rounded lid. Interior is fitted with velvet lined trays. Box is finished in rich brown patina with green highlights. Signed on the underside “Tiffany Studios New York 1666”. SIZE: 8” w x 3-3/8” d x 3” t. CONDITION: Very good to excellent with some minor wear to patina. 52363-5 (2,750-3,250)

Lot 1585 1586. TIFFANY STUDIOS PAW FOOT INKWELL. Tiffany Studios inkwell has three spoke body, each spoke supported by a lion’s paw foot. The spokes lead to a center round inkwell with compartmentalized glass insert. The bronze inkwell has a bright gold dore patina and is signed on the bottom of one foot “Tiffany Studios New York 1036”. The glass insert is marked “Frank Meeks Patent Pending No. 180”. SIZE: 7” w at widest point.

CONDITION: Very good to excellent. 52748-2 (1,000-2,000)

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248

1587.

TWO TIFFANY STUDIOS GRAPEVINE DESK ACCESSORIES. 1) Tiffany Studios utility box has acid etched grapevine pattern on four sides and the top all backed with green slag glass. The box is also decorated with applied bronze bead trim and rests on four bronze ball feet. The bronze is finished in a medium brown patina.

Signed on the underside “Tiffany Studios New York”. 2) Tiffany Studios bronze matchbox holder has acid etched grapevine pattern on each side of the match box holder with green slag glass backing. The bronze has a rich brown Lot 1587 patina. Signed on the underside “Tiffany Studios New York 28479” along with the Tiffany Glass & Decorating Company logo. SIZE: 1) 6-3/4” x 4”. 2) 4-1/2” t. PROVENANCE: From an Unreserved Massachusetts collection. CONDITION: 1) Wear to patina, otherwise good. 2) Very good to excellent with some very minor discoloration to patina. 52810-2 (600-900)

1588. TIFFANY STUDIOS POLYCHROMED ZODIAC BLOTTER CORNERS. Tiffany Studios bronze blotter corners are done in the zodiac pattern and each zodiac symbol is polychromed and the rest of the bronze corners are finished in gold dore. Signed on the underside “Tiffany Studios New York 996”. SIZE: Each corner 3-3/8” x 3-5/8”. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: Some light wear to the polychrome and some discoloration to the patina. Otherwise very good.

52485-5 (500-800)

Lot 1588

1589. TIFFANY STUDIOS ZODIAC PAPERWEIGHT. Tiffany Studios bronze paperweight in the Zodiac pattern has bright gold patina and is marked on the underside “Tiffany Studios New York 934”. SIZE: 3-1/2” x 2-1/8”.

CONDITION: Very good to excellent. 52542-8 (300-500)

Lot 1589

1589A. REPRODUCTION LEADED GLASS DOGWOOD LAMP. American leaded glass shade is a reproduction of Tiffany Studios model #1446 Dogwood pattern with mottled opalescent blue background surrounding pink and white striated Dogwood blossoms with yellow centers and green leaves, signed with spurious small “Tiffany Studios New York” tag on rim.

Base is a Tiffany Studios model #534 Colonial base with three matching Bryant sockets and worn smooth gold finish, signed on the underside “Tiffany Studios New York 534”. Heat cap is a reproduction with red/brown finish. SIZE: 22” t. 16” dia.

CONDITION: Very good to excellent, base with worn finish.

52727-3 (1,000-1,500)

Lot 1589A 249

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Lot 1590 Visit www.jamesdjulia.com for more information

1590.

TIFFANY STUDIOS BRONZE COUNTERBALANCE FLOOR BASE. Tiffany Studios bronze floor base has five legs with lily pad feet supporting a slender stem leading to the double arm counterbalance mechanism with weighted ball and adjustable single socket. The lamp base is finished in a rich brown statuary patina. Signed on the underside of one foot “Tiffany Studios New York 468”. SIZE: 54-1/2” t. CONDITION: Very good to excellent with some very minor wear to patina. 52771-17 (3,000-5,000)

1591.

TIFFANY STUDIOS BRONZE LIBRARY LAMP BASE. Tiffany Studios bronze lamp base has a round stepped foot with column stem and three socket cluster. The base is complete with a stamped heat cap and is finished in a rich brown patina with subtle green highlights.

Signed on the underside “Tiffany Studios New York 526”. SIZE: Lamp 20-1/2” t. PROVENANCE: From an Unreserved California collection.

CONDITION: Very good with some light scratches to patina on foot.

Rewired with appropriate cloth cord. 52708-3 (2,500-3,500)

1592.

TIFFANY STUDIOS WISHBONE LAMP BASE. Tiffany Studios lamp base has square bronze foot supporting a 3-arm stem which holds the torpedo shaped body. The base has a 3-socket cluster and 3-1/2” shade ring. Finished in rich brown patina with subtle red and green highlights. Signed on the underside with the Tiffany Studios logo. SIZE: 20-3/4” t (to top of shade ring). CONDITION: Very good to excellent. Re-wired with appropriate cloth cord. 52771-12 (3,500-4,500)

Lot 1591 250

Lot 1592

1593.

IFFANY STUDIOS DESK LAMP T BASE. Tiffany Studios bronze desk lamp base has stylized onion design decorating the edge of the foot. The cast bronze stem supports a 3-arm spider in single socket. The base is finished in a brown patina with heavy green highlights. Signed on the underside “Tiffany Studios New York 322”. SIZE: 101/2” to top of spider. CONDITION: Very good to excellent. 52771-11 (1,200-1,800)

1594.

TIFFANY STUDIOS GRECIAN URN LAMP BASE. Tiffany Studios lamp base in the Grecian Urn design has an urn shaped body supported by 4 vertically ribbed bronze legs terminating in cat’s paw feet, which rest on a round bronze platform with beaded trim.

The base is complete with 3-arm spider and Lot 1593 Lot 1594 single socket. Finished in a medium brown patina with green highlights. Signed on the underside “Tiffany Studios New York 28639”, along with the Tiffany Glass & Decorating Company logo. SIZE: 13-1/4” t (to top of spider). CONDITION: Missing one screw that holds leg in place, some minor wear and discoloration to patina, otherwise very good. Re-wired with appropriate cloth cord, no plug present. 52771-9 (1,500-2,500)

1595.

THREE TIFFANY STUDIOS BRONZE LAMP BASES. 1) Tiffany Studios bronze lamp base has round foot decorated with overlapping rows of stylized leaves. The stem flares to create and incorporated 3-arm spider with a central stem supporting the single socket. Base is finished in a rich brown patina with green and red highlights. Signed on the underside “Tiffany Studios New York 445”.

2) Tiffany Studios bronze lamp base has ribbed foot supporting a torpedo shaped stem held within 6 fingers. The base has a 3-arm spider and single socket. Base is finished in a rich brown patina with green highlights. Signed on the underside “Tiffany Studios New York 431” along with “S214”. 3) Tiffany Studios bronze adjustable lamp base has 3 legs with paw feet resting on a round organic form platform. The base has a 3-arm spider and single Lot 1595 socket and is accompanied by an original acid etched Tiffany Studios heat cap. Cap and base are finished in rich brown patina with strong green highlights. Signed on the underside “Tiffany Studios New York 5199”. SIZE: 1) 11-3/4” t. 2) 14-1/2” t. 3) Adjusts from 10-1/4” t to 14-3/4” t. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: 1, 2) Very good to excellent. 3) Very good with some minor wear to patina on platform, cap has wear to patina on top and bottom. All three re-wired with appropriate cloth cord. 52485-10 (1,500-2,500)

1596. TIFFANY FURNACES ART DECO LAMP BASE. Tiffany Furnaces lamp base in the Art Deco pattern has geometric design surrounding the square foot enameled with mottled blue and orange circles in the corners. The bronze base has a silvered finish and is stamped on the underside “Louis C. Tiffany Furnaces. Inc. 369” SIZE: 15” t. CONDITION: Silvered finish is worn, otherwise very good. Re-wired with appropriate cloth cord. 52771-10 (1,500-2,000)

Lot 1596 251

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1597. TIFFANY FAVRILE GLASS CYPRIOTE VASE. Tiffany cypriote vase has mottled colors of blue, green, yellow and cream and is further decorated with irregular sections of gold iridescence. Vase has various sizes of open bubbles encircling the surface symbolic of the cypriote design. Signed on the underside “L.C. Tiffany-Inc. Favrile 5-898N”. SIZE: 6” t. PROVENANCE: From a Los Angeles, CA Collection. CONDITION: Very good to excellent with a tight hairline common in cypriote glass. 52854-4 (2,000-2,500)

Lot 1597

1598. TIFFANY BLUE FAVRILE BIRD FORM VASE. Tiffany blue Favrile vase has stylized bird form body with a very subtle pulled feather type design. The blue iridescence shows nice flashes of pink, green, and gold.

The lip of the vase has platinum iridescence. The interior of the vase is a glossy black. Signed on the underside “Louis C. Tiffany O3236”.

SIZE: 4-1/2” t. PROVENANCE: From an Unreserved Ohio collection.

CONDITION: Very good to excellent.

52815-9 (800-1,200)

Lot 1598

1599. TIFFANY GOLD FAVRILE VASE. Tiffany vase has inverted saucer foot in tall slender vertically ribbed body. The vase is finished in gold iridescence which shows strong pink and blue highlights on the foot. Signed on the underside “L.C. Tiffany - Favrile 13P 1547”. SIZE: 12” t. PROVENANCE: From an Unreserved Connecticut collection.

CONDITION: Very good to excellent, with some minor scratches to iridescence on side of foot.

52774-12 (400-600) 1600.

FOUR TIFFANY FAVRILE GLASS ITEMS. 1) Tiffany wedding ring candlestick has diamond quilted foot with opalescent decoration. The wedding ring stem leads to a pastel green candle cup with wide stretched rim. Signed on the underside “L.C.T. Favrile 1850”. 2) Tiffany gold Favrile candlestick has vertically ribbed inverted saucer foot, as well as a vertically ribbed, slightly bulging stem supporting the candle cup with wide rim. The gold iridescence shows nice flashes of pink and blue. Signed on the underside “L.C.T. Favrile 1825”. 3) Tiffany gold Favrile candle lamp is decorated with a twisted ribbing on the base. The lamp has Lot 1599 celluloid riser with silver plated hardware impressed “Tiffany & Co E.P.” and is completed with a ruffled candle lamp shade. The gold iridescence shows subtle pink and blue highlights. Shade is signed inside the fitter “L.C.T.” while the base is signed on the underside “L.C.T.” 4) Tiffany gold Favrile bud vase finished in gold iridescence, which shows bright platinum highlights on the edge of the foot and lip. Signed on the underside “L.C. Tiffany-Inc. Favrile 1503-1151N” as well as an original Tiffany paper label. SIZE: 1) 6-7/8” t. 2) 12” t. 3) 13” t. 4) 11-3/4” t. PROVENANCE: From an Unreserved California collection.

CONDITION: All very good to excellent. 52708-2 (2,000-2,500) Lot 1600 Visit www.jamesdjulia.com for more information

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1601.

TIFFANY STUDIOS MISCELLANEOUS LAMP PARTS. Lot consists of a 4-1/8” shade ring, a 3-1/2” shade ring, an acid etched bronze slip cap with 3” fitter, a 3-7/8” acid etched bronze heat cap, a 4-1/2” acid etched heat cap, a 5-1/2” acid etched heat cap, a bronze bobeche, a 3-3/4” riser, two small bronze chain beads, a 3-1/2” glass bulls-eye with opalescent center, four gold Favrile glass balls 3/4”, 1-1/4”, 1-3/8”, and 1-3/4” dia.

SIZE: As noted above. CONDITION: One of the chain beads is corroded and has a hole in the side, bobeche has wear to patina, otherwise very good to excellent. 52743-2 (3,000-4,000)

Lot 1601

1602. MISCELLANEOUS LOT OF TIFFANY PRISMS, TILES AND BRONZE BALLS. Lot consists of 18 gold Favrile balls and beads, some drilled halfway through, others drilled completely through, 119 bronze balls complete with hanging hooks finished in dark brown patina, 22 green agate prisms, 24 gold iridescent prisms, 22 emerald green prisms, 17 gold iridescent prisms with opalescent centers, various sizes of square and rectangular blue turtleback tiles, 4 triangular blue turtleback tiles and 5 green smaller prisms. SIZE: Larger prisms are 6” l. Small green prisms are 5” l. Turtleback tiles vary.

Bronze balls are 5/8” dia. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: The turtleback tiles have some minor chipping to the edges and some of the prisms have some minor flea bites to the edge but are overall very good to excellent.

52773-79 (3,000-5,000)

Lot 1602 (partial lot)

1603.

TWO TIFFANY STUDIOS BRONZE PIANO LAMP BASES. 1) Tiffany Studios piano lamp base has heavy bronze ball resting on a round bronze platform with long curving arm leading to the single socket and shade holder. The base is finished in rich brown patina with red and green highlights. Signed on the underside “Tiffany Studios New York 11237”.

2) Tiffany Studios bronze piano lamp has stylized leaf design decorating the round platform foot with arched bronze arm leading to the acid etched shade holder and single socket. Base is finished in medium brown patina with green highlights.

Signed on the underside “Tiffany Studios New York 25165” along with the Tiffany Glass & Decorating Company logo. SIZE: 1) 8” t. 2) 111/4” t. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: 1) Very good with some wear to patina on neck. Rewired with appropriate cloth cord. 2) Very good to excellent with some minor scratches to patina on edge of foot. Re-wired with appropriate cloth cord. 52485-12 (1,000-1,500)

Lot 1603 253

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1604.

THREE TIFFANY STUDIOS BRONZE HEAT CAPS. 1) Large Tiffany bronze heat cap has acid etched cutouts and acorn finial finished in a dark brown patina. 2) Tiffany bronze heat cap has acid etched cutouts and squat acorn finial finished in brown patina with red highlights. 3) Tiffany bronze heat cap with acid etched cutouts and acorn finial.

SIZE: 1) 5-1/8” opening. 2) 4-1/4” opening.

3) 3-1/2” opening. CONDITION: 1) Very good to excellent with some minor wear and Lot 1604 discoloration to patina. 2) Threaded hole where rod screws into cap is loose, replacement rod, some wear to patina. Otherwise very good. 3) Replacement threaded rod, modified in place with nut and washer. Otherwise very good. 52627-4 (1,700-2,000) 1605. TIFFANY STUDIOS BRONZE LAMP BASE. Tiffany Studios desk lamp base has round ribbed foot and fluted stem with cast decoration at the top of the stem. The lamp base is complete with a 4-arm spider and single socket. All finished in a nice brown patina. Signed on the underside “Tiffany Studios New York 1787”. SIZE: 13-1/4” to top of socket. Spider will accommodate a 10” shade. CONDITION: Very good to excellent. Re-wired with appropriate cloth cord. 52760-4 (500-700)

Lot 1605

1606. TIFFANY STUDIOS BRONZE LAMP SHADE. Tiffany Studios lamp shade is done in bronze with an impressed band encircling the rim of geometric design. The shade is finished in a rich brown patina with a silver wash on the interior. Signed on the neck of the fitter “Tiffany Studios”.

SIZE: Shade 11-1/2” dia. PROVENANCE: From an Unreserved California collection.

CONDITION: Very good to excellent with some minor discoloration to silver wash interior. 52708-4 (500-700)

Lot 1606

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1607. TIFFANY STUDIOS CANDLE LAMP SHADE HOLDERS. Lot consists of three bronze Tiffany Studios bobeches with three arms supporting a shade ring. Each of the bobeche and shade holders are finished in brown patina.

The lot also includes three Tiffany bronze bobeche, each with three attached support arms rising to a bronze shade support.

All three are finished in rich brown patina. Unsigned. SIZE: Shade rings will accommodate a 3-7/8” fitter. Shade support will accommodate a 2” aperture. CONDITION: All are very good to excellent. 52628-47 (800-1,200)

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1608. HANDEL ELEPHANTINE ISLAND TABLE LAMP. Handel table lamp has dome shaped shade with reverse painted decoration of an Elephantine Island ruins on the front and palm trees on the back.

The decoration is done primarily in subtle greys and greens against a light grey background. The exterior of the shade is finished in chipped ice. It rests on an original Handel base with three cast griffins forming the feet with a fluted pillar stem, three socket cluster, and fleur de lis cap, all finished in rich brown. Shade is signed on the inside rim “Handel 6641”. Base is signed on the underside in raised block letters “Handel” along with an applied metal tag numbered “1953”. SIZE: Shade 18” dia. Lamp 251/2” t. PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: Shade and base are very good to excellent. Rewired with contemporary plastic cord.

52654-1 (4,500-6,500)

Lot 1608 (w/close-up) 1609. HANDEL REVERSE PAINTED DAFFODIL LAMP. Handel table lamp has reverse painted dome shade with yellow daffodils and small red flowers with yellow centers, all set against a mint green background. The shade is further decorated with two panels of shadowy leaves and is finished on the exterior in chipped ice. The shade rests on an original Handel base with round stepped foot and urn shaped body. The body is decorated with a geometric band at the shoulder with four evenly spaced square floral medallions. The base is complete with a three socket cluster and fleur de lis cap, all finished in rich brown. Base is signed on the underside “Handel”, shade is signed on the inside edge “7122 Handel” with artist’s initials. SIZE: Shade 17-7/8” dia. Lamp 24” t. PROVENANCE: From an Unreserved Kentucky collection. CONDITION: Shade is very good to excellent. Base is very good with some wear to finish. 52742-1 (6,000-9,000) 255

Lot 1609 (w/close-up) Visit www.jamesdjulia.com for more information

1610.

HANDEL REVERSE PAINTED AQUARIUM LAMP. Handel lamp has reverse painted panels with underwater scene of fish swimming among aquatic plants, each panel is finished on the exterior with chipped ice. Signed on the inside rim “Handel” and numbered. Shade rests on an original Handel base with aquatic decoration around the foot showing fish and aquatic plants. The base has two arms

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supporting a single socket each and is finished in a rich brown patina with green highlights. Base is signed on the underside with cloth tag “Handel”. A similar example of this shade and base is pictured in the book Handel Lamps by Robert Falco, Carol Goldman Hibel, and John Hibel, pg. 119. SIZE: Shade 14-1/2” x 9” x 7-3/4” t. Lamp 20-1/2” t. CONDITION: Very good to excellent. Re-wired with contemporary plastic cord.

52479-1 (50,000-60,000)

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257

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1611. HANDEL REVERSE PAINTED TABLE LAMP. Handel table lamp has reverse painted shade with a border of colorful blackberries, leaves, and flowers surrounding the skirt of the shade, all set against an orange shading to yellow background. The octagon shaped shade is finished on the exterior in chipped ice and rests on an original Handel base with a square platform foot and ribbed stem leading to a three socket cluster and cap with square cutouts.

The shade is signed on the inside rim “Handel 6735” and artist’s initial “P”.

The base is unsigned. SIZE: Shade 16” dia. Lamp 22-1/4” t. CONDITION: Shade is very good to excellent. Base has wear and discoloration to copper colored finish. 52479-3 (1,800-2,400)

Lot 1611 1612.

HANDEL REVERSE PAINTED BOUDOIR LAMP. Handel boudoir lamp has reverse painted shade with a band of red and yellow flowers with green leaves surrounding the side of the shade, all against a pastel yellow background. Shade is finished on the exterior in chipped ice and is also painted with some plants giving a bit of a 3 dimensional feel when lit. Shade rests on a Handel boudoir base, which is decorated with entwined leaves climbing up the stem to the single socket and harp shade support. Base is done in a pewter type finish. Shade is signed on the interior rim “Handel 6354” along with artist initial “A”. Base is signed on the underside “Handel”.

SIZE: Shade 7-1/4” dia. Lamp 15” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: Shade is very good to excellent with very minor oxidation to paint. Base is very good to excellent with some wear and discoloration to finish. Re-wired with contemporary plastic cord. 52746-14 (1,500-2,500)

Lot 1612 1613. HANDEL REVERSE PAINTED TABLE LAMP. Handel table lamp has reverse painted decoration of red flowers and green leaves surrounding the rim of the shade. The exterior of the shade is further decorated with brown vines as well as outlines of flower details all set against a pastel yellow background, finished in chipped ice. Shade rests on a simple Handel base with ribbed foot and stem leading to a 2-socket cluster and fleur-de-lis cap.

Base is finished in rich brown. Unsigned. Shade is signed on the inside rim “Handel 6396” along with artist initials “J.M.” SIZE: Shade 14” dia. Lamp 20-1/2” t. CONDITION: Shade is very good to excellent, there are 3 or 4 minuscule flea bites to the bottom rim of the shade nearly undetectable.

Base is very good to excellent with some minor wear and blistering to finish.

52760-5 (800-1,200)

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1614. HANDEL 6688 TABLE LAMP. Handel table lamp has reverse painted domed shade with clusters of red, pink, violet, and white flowers rising from the bottom of the shade with two brightly colored butterflies flying above the flowers, all set against a mottled blue, green, and yellow background. The exterior of the shade is finished in chipped ice. The shade rests on an original Handel base with a round stepped foot supporting an urn shaped body with a geometric band surrounding the shoulder with four evenly spaced square floral medallions on the band.

The stem supports a three socket cluster and fleur de lis cap. Shade is signed on interior rim “Handel 6688”. Base is signed on the underside “Handel”.

SIZE: Shade 17-7/8” dia. Lamp 24-1/4” t. CONDITION: Shade has minor roughness on bottom edge, otherwise good.

Base is very good with some minor wear and blistering to the finish. 52636-2 (6,500-8,000)

Lot 1614 (w/close-up) 1615. HANDEL SCENIC TABLE LAMP. Handel table lamp has reverse and obverse painted shade. The background of the shade is reverse painted in hues of lilac, yellow, and cream, creating the look of a sunset sky; the shade is further decorated with obverse painted trees encircling the shade. It rests on an original Handel base with a bulbous, vertically ribbed body and stem. The body rests on an openwork foot and is finished in a rich brown patina.

Shade is signed on the inside edge “Handel 6210” along with artist’s initials “HB”. Base is signed on the underside “Handel”. SIZE: Shade 17-3/4” dia. Lamp 23-1/2” t.

CONDITION: Shade is very good to excellent. Base is very good to excellent with minor wear and blistering to finish. 52479-2 (6,000-8,000)

Lot 1615 (w/close-up) 259

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1616.

HANDEL MOUNTAIN STREAM TABLE LAMP. Handel table lamp has dome shaped ribbed shade with reverse painted decoration of mountain stream winding its way through woods. Trees have brightly colored spring foliage and rocks at stream side have remnants of snow from passing winter.

Signed on interior “Handel 6826”. Shade rests on a Handel canister base with three socket cluster and pierced fleur-de-lis

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heat cap. Finished in reddish-brown patina with green highlights. Signed on underside with impressed “Handel”.

Similar shade pictured in Handel Lamps by DeFalco & Hibel & Hibel, pg. 63. SIZE: Shade is 18” dia. Lamp is 23-1/2” t. CONDITION: Shade is very good to excellent with light iridescent residue on interior, not visible from outside. Base is very good with some wear, discoloration and blistering to finish. Cloth cord with some fraying and cracking. 51118-1 (20,000-30,000)

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1617.

HANDEL HAWAIIAN SUNSET LAMPSHADE. Handel lampshade has eight panels with metal overlay palm trees against sunset glass, which has striated colors of green, yellow, red, and blue and gives the effect of an ocean sunset when the lamp is lit. The metal Lot 1617 (w/close-up) overlay is finished in a dark brown. Shade is signed on the interior with applied metal tag “Handel”. SIZE: Shade 25” dia. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: Very good to excellent with some very minor loss to metal wrap at the bottom of panels. 52485-7 (1,500-2,500)

1618. U NIQUE/HANDEL LEADED TABLE LAMP. Table lamp has leaded glass shade with a wide floral skirt with pink flowers encircling the shade. The flowers are set against a background of green and white striated stylized leaves which continue down to form and irregular border.

The top of the shade is done in caramel slag glass geometric panels.

Shade is unsigned, however a similar example can be seen in the book Mosaic Shades: Volume II by Paul Crist, pg 73, center row. Shade rests on a Handel base with subtle stylized leaf design decorating the body. The stem supports a 3-socket cluster along with a shade ring that has been added to accommodate the shade. The base is finished in dark brown and topped with a cast bronze cap as well as an ear of corn finial. Base is signed on the underside “Handel”. SIZE: Shade is 16” dia. Lamp 243/4” t. CONDITION: Shade is very good to excellent with very few tight hairlines. Base is very good to excellent with some minor wear and discoloration to finish. Re-wired with contemporary plastic cord. 52744-10 (2,500-3,500)

Lot 1618 1619.

HANDEL (ATTR) LEADED GLASS FLORAL CHANDELIER. Leaded glass chandelier attributed to Handel has a floral pattern encircling the wide skirt of the shade with flower petals in yellow, orange, amber, and mauve.

All against a stylized green leaf background. The green leaves form an irregular border for the shade and extend to the top of the shade forming a leafy canopy. The shade is illuminated by a single socket, and is suspended from a brass colored chain with alternating plain links and cast floral links. Unsigned. SIZE: 22” dia. Approximately 86” from top of chain to bottom of shade. CONDITION: Shade is very good to excellent, with some tight hairlines but no missing glass. Chain has some loss to brass colored finish and some corrosion to the metal. 52744-5 (3,000-5,000)

Lot 1619 (w/close-up) 261

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1620. HANDEL BIRDS IN FLIGHT HANGING GLOBE. Handel hanging globe is decorated with obverse painted fall trees with colorful birds in flight among the trees, all set against a gold, lightly iridescent background. The globe is housed within an original Handel ceiling fixture done in a dark brown finish. The globe is signed on the interior of the fitter “Handel 6885”.

The hardware is unsigned. SIZE: 30-1/2” from ceiling to bottom of tassel.

CONDITION: The glass globe is very good to excellent. The finish on the hardware has wear and is discolored. 52479-7 (2,000-3,000)

1621. HANDEL METAL OVERLAY DESK LAMP. Handel desk lamp has pine forest metal overlay design on six separate panels all against a sunset glass background. Shade is housed in a double adjustable lamp base with adjustments on the stem as well as on the socket. The base is finished in dark brown. Shade and base are unsigned. SIZE: Lamp 14-1/2” t (tallest point). CONDITION: One metal overlay strip on the shade that divides the panels has come loose and needs to be re-soldered, otherwise very good to excellent. Base is very good with some wear and discoloration to finish.

52760-2 (400-700)

Lot 1620

Lot 1621

1622. HANDEL NAUTICAL TABLE LAMP. Handel table lamp has reverse painted shade with Venetian harbor scene showing boats in full sail in harbor looking out to sea with gondola passing between ships. All set against stormy purple, blue and cream colored sky. Signed on interior rim “Handel 7135”. Shade rests on Handel base with round foot decorated with stylized leaf design flowing onto vertically ribbed stem. Base is complete with two socket cluster and pierced fleur-de-lis cap and is done is rich reddish/brown finish. Unsigned. SIZE: Shade is 16” dia. Lamp is 20” t. CONDITION: Shade has a small triangular chip on the shade rim near the Handel mark, otherwise good. Base is very good with minor scratches and wear to finish. Re-wired with appropriate cloth cord. 50957-1 (1,000-1,500)

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1623. HANDEL TABLE LAMP BASE. Handel base has four feet with cross hatch design at the shoulder. It is complete with 3-socket cluster and square cutout cap. Finished in brownish green.

Unsigned. SIZE: 25-1/2” t. PROVENANCE: From an Unreserved New Jersey collection.

CONDITION: Some minor discoloration to finish, otherwise very good to excellent. 52773-1 (800-1,200)

1624. TWO HANDEL LAMP BASES. 1) Handel base has three legs with acanthus leaf feet with 3-socket cluster and fleur de lis cap. Finished in bright gold with black highlights. 2) Handel base has ribbed stem, 3-socket cluster and fleur de lis cap. Finished in dark brown.

Both are signed on the underside. SIZE: 1) 23-1/2” t.

2) 24” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: Both are very good to excellent with some minor wear and discoloration to finish. 52773-10, 52773-11 (1,000-1,400)

Lot 1623

Lot 1624 1625. HANDEL ART NOUVEAU LAMP BASE. Handel lamp base has four feet with a ribbon design around the body, a 3-socket cluster and plain cap. Finished in dark brown.

Unsigned. SIZE: 27” t. PROVENANCE: From an Unreserved New Jersey collection.

CONDITION: Very good to excellent with some very minor blistering to finish. 52773-7 (700-1,000)

Lot 1625

1626. TWO HANDEL ARTS & CRAFTS LAMP BASES. 1) Handel lamp base has arts & crafts foot with ribbed stem, 3-socket cluster and fleur de lis cap. Finished in rich brown. Unsigned.

2) Handel base has vertical panels on foot and stem with faux rivets. Base has 3-socket cluster and plain cap. Signed on side of foot “Handel”.

SIZE: 1) 21-1/2” t. 2) 23” t. PROVENANCE: From an Unreserved New Jersey collection.

CONDITION: 1) Very good to excellent. 2) Some wear to finish. 52773-4, 52773-5 (600900)

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Lot 1626 Visit www.jamesdjulia.com for more information

1627. TWO HANDEL LAMP BASES. 1) Handel metal lamp base has vertically ribbed foot and stem leading to a 2-socket cluster. The base is finished in a dark brown and is signed on the underside “Handel 534”. 2) Handel metal base has floral design around the edge of the foot with tapered stem leading to 2-socket cluster. Finished in a rich brown. Base is unsigned. SIZE: 1) 193/4” t. 2) 19-3/4” t. CONDITION: 1) Very good with some minor wear to finish. Rewired with contemporary plastic cord. 2) Very good to excellent.

Rewired with appropriate cloth cord. 52771-39 (800-1,200)

Lot 1627 1628.

TWO HANDEL TABLE LAMP BASES. 1) Handel lamp base has vertically ribbed foot, stem and riser, 3-socket cluster and crescent cap; all in a reddish brown finish. 2) Handel base has bulbous body with applied metal handles complete with 3-socket cluster and square cutout cap. Finished in reddish brown. Both are unsigned. SIZE: 1) 27” t. 2) 19-1/2” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: Both very good to excellent. 52773-15, 52773-16 (1,400-2,000)

Lot 1629 1630.

1629. THREE HANDEL BOUDOIR LAMP BASES. 1) Boudoir base has vertically ribbed foot and stem. Single socket and complete with cap and finial. Signed on edge of foot. Finished in matte green.

2) Boudoir base has forest scene around body with single socket complete with cap and finial. Dark brown finish. Unsigned. 3) Boudoir base has simple foot and stem with single socket. Missing cap and finial.

Unsigned. SIZE: 1) 14-1/4” t. 2) 133/4” t. 3) 13” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: 1) Some wear to finish, otherwise good. 2 & 3 are very good to excellent. 52773-19, 52773-20, 52773-21 (1,000-1,600)

HANDEL BOUDOIR LAMP BASE. Handel boudoir lamp base has vertically ribbed foot and stem leading to a single socket, harp, and cap. The base has a dark brown finish and is signed on the edge of foot “Handel”. SIZE: 14” t. PROVENANCE: From an Unreserved Upstate New York estate. CONDITION: Finish is flaking from base, otherwise good. Re-wired with contemporary plastic cord. 52485-14 (200-400)

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Lot 1628

Lot 1630

1631. PAIRPOINT NAUTICAL TABLE LAMP. Pairpoint table lamp has open top, reverse painted shade decorated with sailing ships at sea against stormy skies. Shade is signed on inside rim “The Pairpoint Corp’n” and also artist signed “Grant”. The shade rests on a silver plated base with three stylized legs with floral patterns near the bottom. A simple stem leads to a three socket cluster and three armed spider. The base is signed on the underside “Pairpoint” with the Pairpoint logo and numbered “D3084”.

SIZE: Shade 16” dia. Lamp 22” t. CONDITION: Shade is very good with some very minor oxidation to paint. There is a small filled chip on the upper inside rim of shade. Base is very good with some minor wear and discoloration to finish. 52688-5 (2,750-3,500)

Lot 1631

1632.

PAIRPOINT REVERSE PAINTED TABLE LAMP. Pairpoint table lamp has a Bombay shade with reverse painted birds of paradise pattern encircling the shade. The brightly colored birds are surrounded by pink, white, and blue flowers, all set against a green background. The top of the shade is painted in mottled blue shading to violet with white teardrop shapes extending from the center.

The shade rests on an original Pairpoint silver plated base with three legs supporting the body of the base with a single stem leading to the three light cluster. Shade is signed on the interior edge “The Pairpoint Corp.” and the base is signed on the underside “Pairpoint” along with the Pairpoint logo and stamped “D3070”. SIZE: Shade 17-3/4” dia. Lamp 22-1/2” t. CONDITION: Shade is very good to excellent. Base is very good with some minor wear and discoloration to silver plating. Rewired with appropriate cloth cord. 52479-5 (1,800-2,400)

Lot 1632 265

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1633.

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266

PAIRPOINT PUFFY POPPY LAMP. Pairpoint puffy lamp has reverse painted puffy shade with red poppies against a shaded green leafy background. The shade rests on an original Pairpoint metal base with three dimensional poppy design on all four sides. The base has four decorative poppy arms supporting the shade ring. Shade is signed on the edge of the fitter “The Pairpoint Corp.” and base is signed on the underside “Pairpoint Mf ’g. Co.” along with the Pairpoint logo and is numbered “3049”. SIZE: Shade 14” dia. with 11-3/4” fitter. Lamp 21” t.

CONDITION: Shade is very good to excellent with one tiny fleabite to the edge of the fitter rim. Base is very good with some wear and discoloration to finish.

Rewired with appropriate cloth cord.

52640-4 (12,000-18,000)

1634. P AIRPOINT PUFFY TABLE LAMP. Pairpoint table lamp has a puffy Oxford shade with four medallions of colorful, puffy flowers against a white laced with green background. The shade rests on an original Pairpoint base with a floral openwork stem resting on a square platform.

The base is complete with a two socket cluster and four armed spider.

Shade is signed on the inside edge “The Pairpoint Corp”. The base is signed on the underside “Pairpoint Mfg. Co.” along with the Pairpoint logo and “B3066”. SIZE: Shade 14” dia. Lamp 19” t. CONDITION: Shade is very good to excellent. Base has wear and discoloration to finish, spider with a different finish than the base. 52479-4 (3,500-4,500)

Lot 1634 1635.

PAIRPOINT PUFFY ROSE TREE MINI BOUDOIR LAMP. Pairpoint mini boudoir lamp has puffy shade with various flowers at each corner of the shade with a colorful butterfly hovering above one flower. All set against a green, brown, and blue leaf design background. Shade rests on an original Pairpoint tree trunk base with brown finish. Shade has remnants of signature on interior edge. Base is signed on the underside “Pairpoint” along with the Pairpoint logo and “B 3079” SIZE: Shade 6” dia. Lamp 10” t. CONDITION: Shade is very good to excellent. Base is very good to excellent. Re-wired with contemporary plastic cord. 52479-8 (3,500-4,500)

Lot 1635 1636. P AIRPOINT RIBBED MINIATURE LAMP. Pairpoint miniature lamp has ribbed palm shade and is reverse painted with garlands of flowers as well as vertical bands in white and light blue. The shade is further decorated with scrolls and leaves bordering the bottom edge. Signed on the interior rim “The Pairpoint Corp”. Shade rests on an original Pairpoint base with squared stem and body and simple incised pattern of stems, leaves and clover at the foot and shoulder. The base supports a 4-arm spider and single socket. Signed on the underside “Pairpoint Mf ’g Co” along with the Pairpoint logo and “B3007”. SIZE: Shade 9” dia. Lamp 16” t. CONDITION: Shade is very good to excellent. Base is very good to excellent. Re-wired with contemporary plastic cord. 52744-2 (2,000-2,500)

Lot 1636 267

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1637. PAIRPOINT PUFFY ROSE BOUQUET TABLE LAMP. Pairpoint table lamp has puffy shade with yellow and red roses against a background of green, yellow, and orange leaves. The shade rests on an original Pairpoint brass base with three dimensional lily feet and a repousse band of water lilies encircling the platform. The lamp has a two socket cluster and three arms support the shade ring. Shade is signed on side of fitter “Pat. Applied For”. Base is signed on the underside “Pairpoint Mf ’g. Co. Quadruple Plate” along with the Pairpoint logo and numbered “3037”.

SIZE: Shade 12-1/2” dia. with 10” fitter. Lamp 21” t.

CONDITION: Shade is very good to excellent with some minor roughness to edge of fitter, most likely from the making. Base is very good; silver plating appears to have been removed, bringing the lamp to its brass base metal.

52636-1 (8,000-12,000)

Lot 1637 (w/close-up) 1638.

PAIRPOINT PUFFY TABLE LAMP. Pairpoint table lamp has Papillion shade with puffy roses and butterflies encircling the side of the shade, all against a creamy-white background with green tracery. The shade is further decorated with gilded lines highlighting the shapes in the glass. The shade rests on an original Pairpoint base with a round foot highlighted by stylized floral design leading to the reeded column stem, which supports a two socket cluster and four armed spider. The base is finished with a brown patina and green highlights. The shade is signed on the inside rim “The Pairpoint Corp.” and the base is signed on the underside “Pairpoint,” along with the Pairpoint logo and stamped “C 3008”. SIZE: Shade 14” dia. Lamp 21” t. CONDITION: Shade is very good to excellent. Base is very good to excellent with only minor wear to finish. Rewired with contemporary plastic cord. 52479-6 (3,000-5,000)

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268

Lot 1638 (w/close-up)

1639. P AIRPOINT PUFFY TABLE LAMP. Pairpoint table lamp has a Devonshire shade with garlands of multicolored puffy flowers encircling each panel. The shade is further decorated with reverse painted white flower garlands descending from the top to the bottom, all against a frosted background. The shade rests on an original Pairpoint base with copper colored background and applied pewter-colored flowers encircling the body and torches and wreathes encircling the stem. The lamp is complete with a two socket cluster and four armed spider. The shade is signed on the exterior edge “The Pairpoint Corp”, while the base is signed on the underside “Pairpoint Mf ’g Co.” along with the Pairpoint logo and stamped “B3043”. SIZE: Shade 15-1/2” dia. Lamp 221/2” t. CONDITION: Shade is very good to excellent. Base is very good with some wear and discoloration to finish. Rewired with contemporary plastic cord. 52479-9 (3,0004,000)

Lot 1639 1640.

PAIRPOINT PUFFY PAPILLION BOUDOIR LAMP. Pairpoint boudoir lamp has puffy Papillion shade with various flowers at each corner and a colorful butterfly hovering above the flowers. All against a shaded pink background with pink and purple tracery. The shade rests on an original Pairpoint base with four applied acanthus leaf feet and bulging stem which supports a single socket and 4-arm spider.

The base carries a brass finish. Shade is signed on the interior rim “The Pairpoint Corp”. Base is signed on the underside “Pairpoint” along with the Pairpoint logo “3047 1/2 Made in U.S.A.” SIZE: Shade 8” dia. Lamp 14” tall. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: Shade is very good to excellent. Base is very good with some wear and discoloration to finish. Re-wired with contemporary plastic cord. 52746-4 (1,500-2,500)

Lot 1640

1641. P AIRPOINT TABLE LAMP. Pairpoint table lamp has melon ribbed body and is reverse painted with red and pink roses against a yellow and white background. The shade is further decorated with silver scrolls separating each panel. The shade rests on an original Pairpoint base with brass colored platform and stem, along with silver plated applied feet and flowers around the bottom of the stem. Shade is signed on the outside edge “The Pairpoint Corp.” while the base is signed on the underside “Pairpoint Mf ’g Co.” along with the Pairpoint logo and stamped “3093 1/2”. SIZE: Shade 131/2” dia. Lamp 20” t. CONDITION: Shade has a very small filled chip on the bottom edge, otherwise very good to excellent condition. Base is very good with only minor discoloration to finish. 52479-10 (1,800-2,400)

Lot 1641 1642.

PAIRPOINT PUFFY ROSE SHADE. Pairpoint puffy shade has blown out roses surrounding the shade in shades of pink, yellow, and white. All set against a green leaf background. Shade is marked on the fitter “Pat. Applied for”. SIZE: Shade 13” dia. 10” fitter.

PROVENANCE: From an Unreserved North Carolina estate.

CONDITION: Shade is very good to excellent, with some minor flakes to paint at top rim. 52746-18 (2,500-3,500)

Lot 1642 269

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1643. PAIRPOINT TREE TRUNK LAMP BASE. Pairpoint lamp base in the shape of a tree trunk has 2-socket cluster and 4-arm spider that will accommodate a 16” shade. The base is finished in dark brown and signed on the underside. SIZE: 15-1/2” to top of sockets. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: Very good to excellent.

52773-32 (700-1,000)

Lot 1643 1644.

TWO PAIRPOINT LAMP BASES. 1) Pairpoint metal lamp base has raised floral design around the body with torch and wreath design around the stem leading to 2-socket cluster and 4-arm spider. Lamp is finished in gold. Unsigned. 2) Pairpoint lamp base has mahogany foot and stem with a metal vertically ribbed riser leading to 2-socket cluster. Base is complete with shade ring and cap. SIZE: 1) 18” t. 2) 24-1/2” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: Both are very good to excellent. 52773-33, 52773-36 (800-1,200)

Lot 1645

1646.

1645. THREE PAIRPOINT LAMP BASES. 1) Pairpoint square lamp base has etched floral decoration on top of foot as well as the top of stem. Lamp has 2-socket cluster and 4-arm spider.

The base has a brass finish with silver highlights in the etching. Signed on the underside. 2) Metal base has an urn shaped body with two metal handles and vertically ribbed riser leading to 3-socket cluster. Complete with original cap and finial. Lamp has brass finish and is signed on underside. 3) Base has squared foot with rounded corners supporting a squared stem with 2-socket cluster with three arms supporting the shade ring and is complete with original finial. Finished in burnished brass. Signed on the underside. SIZE: 1) 18-1/4” t. 2) 22-1/2” t. 3) 15-1/2” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: 1-2) Very good with some wear and discoloration to finish. 3) Very good with an area of corrosion on the foot.

52773-23, 52773-24, 52773-25 (900-1,500)

THREE PAIRPOINT LAMP BASES. 1) Pairpoint metal lamp base has four legs with acanthus leaf feet on a raised platform. Lamp is complete with 2-socket cluster and 4-arm spider. Finished in gold.

Signed on the underside. 2) Pairpoint boudoir base has artichoke design with single socket and 4-arm spider. Finished in gold. Signed on the underside. 3) Pairpoint silver plated boudoir base has single socket and 3-arm spider. Signed on the underside. SIZE: 1) 14-3/4” t; accommodates 14” shade. 2) 10” t; accommodates 10” shade. 3) 9-1/4” t; accommodates 5” shade. PROVENANCE: From an Unreserved New Jersey collection.

CONDITION: 1) Very good to excellent. 2) Some wear and discoloration to finish. 3) Some minor wear to finish. 52773-28, 52773-29, 52773-30 (1,100-1,700)

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Lot 1644

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Lot 1646

1647. SUESS BRONZE GRAPEVINE LAMP BASE. Large Suess bronze lamp base has cast grape leaves, vines and clusters surrounding the foot as well as the entire shaft. The base is completed with a 6-socket cluster. Each socket with acorn pulls.

The base is finished in rich bronze patina with heavy green highlights. Unsigned. SIZE: 26-3/4” t.

CONDITION: Very good to excellent. Cloth cord is beginning to fray. 52444-1 (5,000-7,000)

Lot 1647 1648.

LEADED GLASS TABLE LAMP. Table lamp has leaded glass shade (possibly Suess) with a band of white flowers and green leaves surrounding the lower rim. Set against a green striated geometric panel background. Stylized leaves in white and green mottled glass descend from the aperture.

Shade rests on a cast metal base with highly stylized floral motif on front and back. The lamp is complete with a 2-socket cluster and cast metal cap. Base is finished in black paint, base and shade are unsigned. SIZE: Shade 21-1/2” dia. Lamp 24” t. CONDITION: Shade is very good to excellent with some tight hairlines. Base is good with some paint loss and replaced sockets. Re-wired with contemporary plastic cord. 52760-1 (2,000-3,000)

Lot 1648 (w/close-up) 271

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1649. ROYAL ART GLASS CO. LEADED CHANDELIER. Leaded glass chandelier by Royal Art Glass Co. has stylized red flowers at the end of long curving stems, all set against a geometric caramel slag background. Each panel is separated by red and green stylized fleur-de-lis design against caramel slag background. The shade is suspended from a 4-arm bracket with center pipe supporting the 3-socket cluster. Shade is complete with chain and ceiling cap. Unsigned. A photograph of a similar example is illustrated on page 273 in the book Mosaic Shades Volume II by Paul Crist. The photograph is that of a display at the New York Home Furnishing Show in 1912. SIZE: 24” dia. CONDITION: Very good with some corrosion to solder where crown attaches to shade, some tight hairlines, no missing glass. 52744-18 (2,000-2,500)

Lot 1649 1650.

PAIR OF MORGAN (ATTRIBUTED) LEADED GLASS SCONCES. Pair of leaded glass sconces (attributed to John Morgan & Sons) have pink and yellow flowers decorating the bottom of the shade creating an irregular border. The shade is finished with green and white striated glass panels. The shades are supported by brass curved arm and hook with brass wall plate. Unsigned.

SIZE: Shades 11” dia. Sconces extend approximately 17” from wall to end of shade. CONDITION: Shades are very good to excellent, each shade has few tight hairlines. Metal support arms have some discoloration and corrosion to the metal, and arms are different lengths, hooks on each of the support arms are different. 52760-7 (1,500-2,500)

Lot 1650

1651. REVERSE PAINTED TABLE LAMP ATTRIBUTED TO MORGAN. Table lamp has reverse painted shade and is attributed to John Morgan & Sons. The shade has bands of red and blue flower with green leaves with geometric panels above the floral band. The shade rests on a cast metal base with medallions of art nouveau women’s heads on each of the four sides of the foot. The stem is decorated with a stylized leaf design and leads to a 2-socket cluster. The base is finished in a rich reddish/brown patina. Base numbered 424, shade is unsigned. SIZE: Shade 11-3/4” dia. Lamp 19-1/2” t. CONDITION: Shade is very good to excellent with some very minor oxidation to paint. Base is very good to excellent. Re-wired with appropriate cloth cord. 52760-6 (700-1,000)

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272

1652.

MORGAN BLACK-EYED SUSAN TABLE LAMP. John Morgan & Sons table lamp has leaded glass shade with amber, tan, and yellow black-eyed susans surrounding the shade, each flower is finished with a dark red and amber chunk jewel in the center, all set against a lightly striated blue background. The shade is finished with a permanent openwork and repousse bronze cap. The shade rests on an original Morgan base with an applied leaf and stem design rising from the foot to the two socket cluster. Base is finished in a brown patina with strong green highlights. A similar example can be found in the book Mosaic Shades Vol. II, by Paul Crist, page 113. Base and shade are unsigned. SIZE: Shade 17-3/4� dia.

Lamp 26-1/2� t. CONDITION: Shade is very good to excellent with a few tight hairlines, no missing glass. Base is very good to excellent with an old solder repair to stem. 52688-8 (8,50010,000)

273

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1653.

MORGAN PANSY TABLE LAMP. John Morgan & Sons table lamp has leaded glass shade with colorful pansies encircling the entire shade against a striated green and white background. Each pansy has hand enameled detail, giving a very realistic appearance to the flowers. The shade rests on an original John Morgan & Sons base with applied bronze leaves encircling the top of the foot with stylized branches twisting up the stem to the two socket cluster. Shade and base are unsigned. SIZE: Shade 18-1/4� dia. Lamp 23� t. CONDITION: Shade is very good to excellent with very few tight hairlines, no hairlines were detected in any of the pansy panels. Base is very good to excellent. 52688-1 (18,500-22,500)

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274

1654. LEADED GLASS TABLE LAMP ATTRIBUTED TO BIGELOW & KENNARD. Leaded glass table lamp attributed to Bigelow & Kennard has a dome shaped shade with yellow and green tulips repeating four times around the shade set against a striated white, green, and blue geometric background. The tulip leaves are done in striated green, yellow, and white glass.

It rests upon a bronze base with stylized leaf design decorating the platform, which rests on four bronze ball feet. The simple graduated stem terminates in a floral design supporting a two socket cluster. The base is complete with a pierced bronze cap.

Base is finished in a rich brown patina. Base and shade are both unsigned. SIZE: Shade 14” dia. Lamp 21” t. CONDITION: Shade is very good to excellent with some tight hairlines. Base is very good to excellent with some minor wear to patina. Rewired with appropriate cloth cord. 52688-4 (3,500-5,000)

Lot 1654

1655. BIGELOW & KENNARD (ATTRIBUTED) DESK LAMP. Bronze desk lamp base attributed to Bigelow & Kennard has a round stepped foot with cast lily pad design on top of the foot with two dragonflies hovering above the lily pads. The vertically ribbed stem leads to a 2-socket cluster. The base supports an art glass shade with white and gold iridescent pulled loop design against an olive green lightly iridescent background.

Shade is cased on the interior in white. Base Lot 1655 and shade are unsigned.

SIZE: Shade 9” dia. Lamp 16” t. CONDITION: Both base and shade are very good to excellent. 52771-40 (1,500-2,500)

1656. BUFFALO STUDIOS 12-LIGHT LILY LAMP. Twelve light lily lamp by Buffalo Studios, a replica of Tiffany Studios design, has lily pad foot with twelve arms supporting gold iridescent lily shades. The bronze base is finished in a rich brown patina with green highlights and is signed on the underside “Buffalo Metal Works Pasadena Calif. 147”. Shades are signed “Zephyr”. SIZE: 20-1/2” t. CONDITION: Shades and base are very good to excellent. Some fraying to cloth cord. 52627-3 (3,500-5,000)

Lot 1656 275

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1657. WILKINSON (ATTR) LEADED GLASS FLORAL TABLE LAMP. Table lamp attributed to Wilkinson has leaded glass shade with yellow, pink, and white flowers and striated brown and green stems.

All set against a striated green glass background. Some flower petals as well as random green background panels are done in granite glass giving the shade a nice sparkle when lit. The shade rests on an original Wilkinson base with round foot decorated with stylized leaf design and beaded panels leading to the stem which supports a 3-socket cluster and openwork cap. An example of the base can be found in the book Mosaic Shades: Volume II by Paul Crist, pg.259. SIZE: Shade 19” dia. Lamp 24-1/4” t. CONDITION: Shade is very good to excellent with very few tight hairlines. Base is very good to excellent with some very minor wear and discoloration to patina. 527444 (4,000-6,000)

Lot 1657 (w/close-up) 1658.

UNIQUE APPLE BLOSSOM TABLE LAMP. Leaded glass table lamp in apple blossom pattern by Unique Art Glass & Metal Co. The leaded glass shade has mottled pink and white granite glass apple blossoms with striated green leaves and brown stems all set against a striated green and cream background. The shade rests on a simple Unique spun metal base with three socket cluster and acorn pulls. The base is finished in a rich brown patina with green highlights. Shade and base are unsigned. A similar example of this shade can be found in the book Mosaic Shades Vol. II, by Paul Crist, pg.62. SIZE: Shade 15-3/4” dia. Lamp 22” t. CONDITION: Shade is very good with some tight hairlines. Base is very good to excellent with some minor wear and discoloration to patina. Rewired with appropriate cloth cord. 52688-3 (4,500-6,000)

Lot 1658 (w/close-up) Visit www.jamesdjulia.com for more information

276

1659. LEADED GLASS TABLE LAMP ATTRIBUTED TO UNIQUE. Table lamp has leaded glass shade (attributed to Unique Art Glass & Metal Co) with pink, blue, and amber flowers surrounding the side of the shade, against a busy background of stylized green striated leaves with flashes if red glass between the leaves. Shade rests on a cast metal base with a leaf design decorating the foot with stems climbing to the riser which leads to a 2-socket cluster. The base is topped with a matching leaf design cap and finial.

The base is finished in gold. Both base and shade are unsigned. SIZE: Shade 18” dia (widest). Lamp 21-1/2” t. CONDITION: Shade is very good to excellent.

Base is good with scratches on four of the leaf stems, cloth cord is beginning to fray. 52760-3 (500-700)

Lot 1659 1660.

FRENCH ART DECO TABLE LAMP. Art Deco lamp has bronze base with bell flower decoration and is finished with a double tier clear glass prism shade.

Each prism is a round tube with a clear glass faceted ball at the end. The shade is further decorated with a teardrop shaped pendant with black glass interior and five long metal rods hanging below. The lamp is finished in bright gold patina.

Unsigned. SIZE: 30” t. CONDITION: Very good to excellent. 52688-7 (2,5003,500)

Lot 1660

Lot 1661

1661. PAIR OF ART NOUVEAU BRONZE LAMP BASES. Pair of bronze lamp bases have vertically ribbed foot leading to a cast bronze stylized harp with high arches supporting a single socket in the middle of the arches with stylized leaf design shade holder. The bases have a rich brown patina. Unsigned. SIZE: 15” t. CONDITION: Very good to excellent, the cord on one lamp has been cut. 52771-38 (1,500-2,500)

277

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1662. PITTSBURGH SCENIC TABLE LAMP. Pittsburgh table lamp has dome shaped shade with obverse and reverse painted scenic design with water and distant mountains reverse painted and large trees obverse painted on a chipped ice ground. The combination of reverse and obverse painting gives the scene a nice three-dimensional feel. The shade rests on an original Pittsburgh owl base with three socket cluster. The base is finished in rich brown. Shade and base are unsigned. SIZE: Shade 18” dia. Lamp 22” t. CONDITION: Shade is very good to excellent with three small flakes to top rim, all of which are concealed when heat cap is in place. Base is very good to excellent with some minor wear and discoloration to finish. Rewired with appropriate cloth cord. 526886 (2,000-3,000) 1663. TWO PITTSBURGH TABLE LAMP BASES. 1) Pittsburgh lamp base has squared stem with impressed stylized leaf design on all four sides. The base has 2-socket cluster and pierced cap with original finial.

Finished in rich dark brown. Unsigned. 2) Cast metal base has art nouveau design of iris flowers, stems and leaves encircling the foot and climbing the stem. The lamp has a 3-socket cluster along with original cap and finial. Finished in dark green. Unsigned. SIZE: 1) 22” t. 2) 21-1/2” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: 1) Very good to excellent with a small spot of wear to finish on edge of cap. 2) Very good to excellent with some wear to finish on high spots of design. 52773-68, 52773-69 (800-1,200)

Lot 1662

1664.

TWO MOE BRIDGES LAMP BASES. Two Moe Bridges lamp bases have tall squared handles with urn shaped bodies and lion paw feet. One is finished in black with green applied to the impressed stylized floral design on the body. The other is green with gold applied to the floral design.

Both have 2-socket clusters. The black base is complete with cap.

Green base is missing cap. SIZE: 23” t. PROVENANCE: From an Unreserved New Jersey collection.

CONDITION: Black is very good to excellent. Green has some wear to paint and is missing wiring. 52773-48, 52773-50 (8001,200)

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278

Lot 1664

1665.

DUFFNER & KIMBERLY GRAPE TABLE LAMP. Duffner & Kimberly table lamp has leaded glass shade with a grape design encircling the skirt with grape vines and grapes climbing a trellis pattern towards the top of the shade. The striated green leaves and purple grapes are set against a striated mauve trellis background. The shade rests on an original Duffner & Kimberly base with a stylized floral design encircling the top of the foot and climbing the stem. The base is complete with a 3-socket cluster and heart cutout cap. Base and shade are unsigned. SIZE: Shade 18-1/4� dia. Lamp 25� t. CONDITION: Shade is very good to excellent with only a few tight hairlines, no missing glass. Base is very good to excellent.

Re-wired with appropriate cloth cord. 526882 (9,500-11,500)

279

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1666. DUFFNER & KIMBERLY WATER LILY TABLE LAMP. Duffner & Kimberly table lamp has leaded glass shade with pink and cream water lilies and green lily pads set against a background of vertical amber and green striated panels. Unsigned. Shade rests on a Duffner & Kimberly bronze base with thistle design decorating the foot and shaft. The base has a 4-socket cluster and fleur-de-lis cap. It is finished in a rich brown patina with subtle green highlights. Shade is pictured in the book Mosaic Shades Vol.II by Paul Crist,pg. 215. Both shade and base are pictured on this page in separate photographs. SIZE: Shade 18” dia.

Lamp 24-1/2” t. CONDITION: Shade is very good to excellent with very few tight hairlines, no missing glass. Base is very good to excellent. Rewired with appropriate cloth cord. 52444-2 (3,000-5,000)

Lot 1666

1667.

CONTEMPORARY LEADED TABLE LAMP. Leaded glass table lamp is a reproduction of Duffner & Kimberly orchid pattern. Shade has four panels each with different colored orchids against a striated blue background. Each orchid panel is separated by a raised geometric panel running from the bottom rim to the aperture. Leading is finished in a black patina. Shade rests on a Duffner & Kimberly base with round platform foot and vertically ribbed stem leading to a 4 socket cluster.

Base has a black patina and is complete with an original Duffner & Kimberly heart cutout heat cap. Heat cap has a green patina. SIZE: Shade 16” dia. Lamp 25” t.

CONDITION: Some tight hairlines, four with spider cracks, otherwise very good. Base has replaced sockets and some rippling to the metal at bottom of stem. 52859-1 (1,000-2,000)

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280

1668. TWO WILLIAMSON LAMP BASES. 1) Williamson lamp base has a stylized leaf design encircling the foot and the stem. The riser leads to a 3-socket cluster and the lamp is complete with cast heat cap. Base is finished in brown with green highlights. Unsigned. 2) Cast metal lamp base has vertically ribbed foot and stem giving way to a round riser with 3-socket cluster. Base is topped with a cast metal cap. Finished in glossy brown. Unsigned. SIZE: 1) 27” t. 2) 24-1/2” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: 1) Very good to excellent.

2) The riser wobbles slightly within the stem, otherwise very good. 52773-63, 52773-64 (1,200-1,700)

Lot 1668 1669.

THREE JEFFERSON LAMP BASES. 1) Jefferson cast metal lamp base has fluted foot and ribbed stem with 2-socket cluster and matching cap. Finished in mottled rich brown. Unsigned. 2) Jefferson base has green glass triangular shaped foot supporting three brass arms with green candle cup supporting a candle-like socket cover. A central shaft is topped with a matching green glass finial. Unsigned. 3) Jefferson base has urn shaped body resting on a foot with decorated band of overlapping leaves. The lamp has 2-socket cluster and original cap. Finished in gold. Unsigned. SIZE: 1) 201/2” t. 2) 22-1/2” t. 3) 24” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: All are very good to excellent with some minor wear to finish. 52773-38, 52773-39, 52773-40 (1,000-1,600)

Lot 1669

1670. THREE JEFFERSON LAMP BASES. 1) Lamp base has stylized floral decoration on foot and stem. It has 2-socket cluster and original cap. Finished in brown with gold highlights.

Unsigned. 2) Cast metal base has four panels with floral design on the side of base with textured background surrounding the panel.

Lamp has 2-socket cluster and original cap and finial. Finished in gold. Unsigned. 3) Lamp base has hexagonal foot and stem leading to 2-socket cluster with original cap and finial. Finished in brown. Unsigned. SIZE: 1) 21-3/4” t. 2) 24-1/2” t. 3) 23-1/2” t. PROVENANCE: From an Unreserved New Jersey collection.

CONDITION: All are very good to excellent with some wear and discoloration to finish. 52773-43, 52773-44, 52773-45 (9001,500)

Lot 1670 281

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1671. THREE PHOENIX LAMP BASES. 1) Cast metal base has pressed design on the foot and stem and is further decorated with two cast metal handles. Base has 2-socket cluster with original heat cap and replaced finial. 2) Cast metal base has a decorated foot with bellflowers and garlands, and garland decoration repeats itself at the top of stem. The lamp has a 2-socket cluster and cast metal leaf design. Cap with matching finial. Finished in gold. 3) Base has scrolled foot which supports the bulbous body of the stem, which has vertical ribbing and leaf-and-vine decoration.

The lamp has a 2-socket cluster and cast leaf design cap with matching finial. Finished in gold and brown. Unsigned. SIZE: 1) 20-1/2” t. 2) 22-1/2” t. 3) 22-1/2” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: All are very good to excellent with some minor wear and discoloration to finish. 52773-60, 52773-61, 52773-62 (900-1,500)

Lot 1671 1672.

THREE BRADLEY & HUBBARD LAMP BASES. 1) Lamp base has stylized floral design encircling the foot and shoulder. The riser leads to 3-socket cluster with 3-arm spider and original finial. Base is finished in brown with blue and gold highlights. Signed on the socket cluster with applied tag. 2) Pottery lamp base has a molded leaf design on the side and is mounted with a metal adjustable stem supporting the 3-socket cluster.

The lamp base is finished with green leaves against a brown background.

Signed on the socket cluster with applied tag. 3) Lamp base a bulbous body with vertical ribbing leading to an adjustable stem with 3-socket cluster. The base is finished in mottled green and is signed on the socket cluster with applied tag. SIZE: 1) 29-1/4” t. 2) 25” t. 3) 20” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: All are very good to excellent. 52773-52, 52773-53, 52773-54 (1,200-1,800)

Lot 1672

1673. THREE AMERICAN TABLE LAMP BASES. 1) Heavy cast metal lamp base has square stepped foot. The stem is in the figure of an Egyptian leader. Lamp has single socket and 3-arm spider.

Finished in black and gold. Unsigned. 2) Cast metal lamp base has floral design around the foot with vertically ribbed stem and riser supporting a 3-socket cluster. Complete with finial. Finished in silver and grey. Unsigned. 3) Cast metal base has squared foot with leaf and heart design. The square stem leads to a single socket and matching shade ring. Shade ring accepts a 3-1/4” fitter.

SIZE: 1) 15-1/4” t. 2) 25-1/2” t. 3) 16” t. PROVENANCE: From an Unreserved New Jersey collection. CONDITION: 1) Very good to excellent. 2) Has some wear and discoloration to finish. 3) Has wear to finish. 52773-73, 52773-74, 52773-75 (900-1,500)

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1674. QUEZAL JACK IN THE PULPIT VASE. Quezal jack in the pulpit vase has green pulled feather design rising from the foot and climbing the stem to the back of the vase face. The front of the face is finished in bright gold iridescence with strong green and pink highlights. Signed in the polished pontil “Quezal” and also carries a retailer’s paper label reading “From Levinski Jeweler 407 Austin Ave. Waco, Tex.” SIZE: 11-5/8” t.

CONDITION: Very good to excellent.

52782-3 (3,000-4,000)

Lot 1674

1675. ART GLASS JACK IN THE PULPIT VASE ATTRIBUTED TO QUEZAL. Art glass vase (attributed to Quezal) has subtle green pulled feather design rising from the foot and extending up the stem. The vase is further decorated with thin vertical bands of platinum iridescence with nice purple and blue highlights. The face of the jack is finished in gold iridescence with light stretching at the rim. Unsigned.

SIZE: 8” t. PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: There is light staining to the interior around the foot, otherwise very good to excellent. 52654-21 (1,5002,500)

Lot 1675

1676. QUEZAL PULLED FEATHER VASE. Quezal vase has green pulled feather design rising from the foot against a cream colored background.

The vase is further decorated with gold pulled feathers around the foot. Each green pulled feather is outlined in gold iridescence. The vase has a wide flaring ruffled and stretched rim. Interior of the vase is finished in bright gold iridescence with strong pink highlights. Signed in the polished pontil “Quezal N597”.

SIZE: 6” t. PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: Very good to excellent.

52654-18 (1,100-1,500)

Lot 1676 1677.

QUEZAL PULLED FEATHER VASE. Quezal vase has green pulled feather design rising from the foot and a gold pulled feather design descending from the lip. The vase has a bulging shoulder which gives way to a flaring tri-corn lip. Interior of the lip is finished in bright gold iridescence with subtle pink highlights. Signed in the polished pontil “Quezal S-23”. SIZE: 7-1/2” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Very good to excellent. 52654-22 (800-1,200)

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Lot 1677

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1678. QUEZAL ARTS AND CRAFTS FOUR LIGHT CHANDELIER. Chandelier has hammered copper pan with arts and crafts leaf design. The pan supports four heavy bronze toned chains terminating in single sockets with shade holders. The pan is suspended from a single heavy chain and matching ceiling cap.

The chandelier is complete with 4 Quezal shades with gold pulled feather design descending from the fitter against a white lightly iridescent background. Three shades are signed in the fitter “Quezal” and one is signed in the fitter “Steuben” with a silver fleur-de-lis mark. SIZE: Approximately 44” from ceiling to bottom of lowest shade.

CONDITION: Very good to excellent.

52771-20 (2,500-3,500)

Lot 1678 1679.

FOUR BRONZE SCONCES. Bronze sconces have five arms with cast leaf design. Two of the arms support sockets and shade holders. The sconce body is finished with a case bronze flame design finial. Two of the sconces are complete with Steuben art glass shades with gold pulled feather design descending from the fitter against a white background. The cone shaped shades have a rounded waist and flaring ruffled rim. The interior of each shade is finished in bright gold iridescence with strong pink highlights. The other two sconces are complete with Steuben shades with gold pulled feather design against a cream colored background.

These shades have a squat rounded body and flaring ruffled rim. Each has a rich gold iridescent interior. Shades and sconces are unsigned. SIZE: Sconces are 16” and extend 13-1/2” out from wall.

CONDITION: Sconces are very good to excellent with some minor discoloration to patina. One of the round squat shades has some heavy paint just below the fitter. Otherwise shades are very good to excellent. 52771-18 (3,000-5,000)

Lot 1679 Visit www.jamesdjulia.com for more information

284

1680. STEUBEN GREEN AURENE PULLED FEATHER VASE. Steuben vase has green pulled feather design rising from the foot against a cream background. It is also decorated with gold Aurene pulled feathers surrounding the green and ascending up to the lip all against a cream background. The vase is finished with an applied gold iridescent lip. Signed on the underside “Aurene” and numbered. SIZE: 9” t. CONDITION: Very good to excellent. 52745-1 (3,000-5,000)

Lot 1680

1681.

STEUBEN CIRE PERDUE BUST. Steuben cire perdue bust depicts an elderly woman with weathered face and scarf tied around her head. Bust is signed on the underside “Carder 1938”. SIZE: 5-1/2” t. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent, there are a few air bubbles and small inclusions visible within the glass. 52757-17 (2,0003,000)

Lot 1681 285

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1682.

THREE STEUBEN ART GLASS PIECES. 1) Steuben green tree trunk vase has three trunks rising from a round base. Unsigned. 2) Steuben Cluthra vase has shaded green coloration with controlled bubble interior. Signed on the underside with etched script signature “Steuben”. 3) Steuben Quan Yin flower frog has clear glass Quan Yin figure resting in the center of a clear glass flower frog. Unsigned. SIZE: 1) 5-3/4” t. 2) 8-1/2” t. 3) 9” t. PROVENANCE: From an Unreserved California collection. CONDITION: 1) There is a 3/4” long line on the side of the foot which is slightly rough, from the making, otherwise very good to excellent. 2) Very good to excellent. 3) Bottom edge of Quan Yin insert has a shell shaped chip, flower frog has cracks to the edge of one flower hole. 52708-5 (1,000-1,500)

Lot 1682

1683. S TEUBEN GOLD AURENE COMPOTE. Steuben compote has inverted saucer foot, short stem and wide flaring bowl. The compote is finished in bright gold Aurene with strong pink highlights to the center and blue highlights surrounding the edge of the foot. Compote has the remnants of an original Steuben paper label on the underside and numbered. SIZE: 4-3/4” t x 10” dia. PROVENANCE: From an Unreserved San Diego, CA collection. CONDITION: Very good to excellent. 52757-29 (400-600)

Lot 1683 1684. STEUBEN CRYSTAL PEACOCK. Steuben peacock in clear crystal has wheel cut feather detail and stands on a clear crystal block. Unsigned. A picture of a similar example can be found in the book Frederick Carder and Steuben Glass American Classics by Thomas P. Dimitroff, pg. 24, fig 2.40. SIZE: 14” l x 8” t.

PROVENANCE: From an Unreserved Ohio collection.

CONDITION: Very good to excellent, there is a Lot polished bevel around the entire bottom edge of the figure, most likely from the making. 52815-17 (200-300)

1684

1685. STEUBEN TREE TRUNK VASE. Steuben vase has single tree trunk stem. The vase is finished in bright gold Aurene with strong blue highlights at the foot. Signed on the underside “Aurene 2741”. SIZE: 10-1/4” t. CONDITION: There are a few light scratches to the iridescent finish otherwise very good. 52826-1 (200-400)

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286

1686. GOLD IRIDESCENT VASE. Vase has clear amber foot with bulbous body and flaring trumpet neck and rim. The bulbous body has strong light blue iridescence with gold iridescence on the neck and rim. Signed in the polished pontil “L.C.T. Favrile 128-C”. Although the vase is signed LCT, we do not guarantee. SIZE: 4-1/4” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Very good to excellent. 5265423 (1,100-1,500)

Lot 1686 1687.

THREE DURAND VASES. 1) Large Durand vase has body with light vertical ribbing and is done in transparent amethyst glass. Signed on the underside with “V” mark “Durand 1710 / 10”. 2) Durand vase has clear amber applied foot with light iridescence showing strong purple and blue highlights. The foot supports a tall, slender cobalt blue iridescent body and neck; the blue iridescence is very bright with subtle flashes of purple. Signed in the polished pontil with etched signature “Durand”.

3) Threaded vase attributed to Durand has orange iridescent body and is decorated with gold iridescent random threading encircling the entire vase. Unsigned. SIZE: 1) 11” t. 2) 13” t. 3) 6-5/8” t. PROVENANCE: From an Unreserved North Carolina estate. CONDITION: 1) Very good to excellent. 2) Very good to excellent. 3) Very good to excellent with very little loss to threading. 52746-16 (1,000-1,500) 1688.

Lot 1688

1689.

Lot 1687

OT OF STEUBEN AND DURAND ART GLASS. 1) Durand cobalt blue plate L has an applied white lip and is signed in the polished pontil with “V” mark “Durand 1143F”. 2) Two Durand candlesticks with pulled white pulled feathers decorating the stem and flowing on to the cobalt blue rim. The candlesticks have applied amber glass inverted saucer foot which are lightly iridized. Unsigned. 3) Steuben miniature scent bottle has bulbous body, slender neck, and flaring lip. Bottle is complete with original stopper. The bottle is finished in gold iridescence and shows strong platinum highlights at the widest part of the body. Signed on the underside “Aurene” and numbered. SIZE: 1) 10-3/4” dia. 2) 3-1/2” t. 3) 3-1/4” t. PROVENANCE: From an Unreserved Ohio estate. CONDITION: 1) Very good to excellent. 2) Very good to excellent. 3) There are a few very light scratches to the iridescence, otherwise very good to excellent. 52633-9 (1,000-1,500)

HAWKES INTAGLIO CARVED VASE. Hawkes clear crystal vase is engraved with an oriental scene including palm trees, pagoda-like buildings, birds in flight, along with two people crossing a bridge. Signed on the underside “Hawkes”. SIZE: 12” t. PROVENANCE: From an Unreserved Chicago collection. CONDITION: Very good to excellent. 52647-4 (400-600)

Lot 1689 287

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Lot 1690 1691.

GROUP OF SIX VAL ST. LAMBERT ART GLASS SHADES. 1) Bullet shaped shade has clear glass body with colorful enameled flowers, stems, and leaves all set against an acid textured background. Unsigned.

2-3) Pair of shades have cameo iris flowers, stems, and leaves in transparent blue glass set against a transparent mauve acid textured background. The cameo work is done on the interior of the shade. Unsigned. 4-5) Pair of shades have acid cut lily flowers, stems, and leaves. The stems and large leaves are frosted white glass, while the large flowers are carved to clear.

The background is acid textured and lightly frosted. Unsigned. 6) Bullet shade has cameo iris flowers, stems, and leaves set against an acid textured background. All of the glass is clear glass, giving a very subtle feel to the flowers. Signed near the tip “St. Louis”. SIZE: 1) 8” t. 2-3) 3-3/4” t. 4-5) 5-3/8” t. 6) 6-1/2” t. CONDITION: 1) Has a shallow shell shaped flake on the outside edge of fitter approximately 1/2” long, which would be covered Lot 1691 when shade is in place. Otherwise very good. 2-3) Some minor roughness to fitters, otherwise very good to excellent. 4-5) Very good to excellent. 6) Some very minor roughness to fitter, otherwise very good to excellent. 52747-12 (1,400-1,800)

Lot 1692 1693.

1690. FIVE ART GLASS SHADES. 1-3) Three art glass shades have gold pulled feather design, descending from the fitter against a creamy white background. Each pulled feather is outlined in green. The interior of each shade is finished in gold iridescence.

Unsigned. 4) Art glass shade has bulbous squat body with flaring lightly ruffled rim. Shade is decorated with green pulled feather design descending from the fitter against a white background.

Each pulled feather is outlined in gold. Interior is finished in gold iridescence. Unsigned. 5) Shade has green and gold heart decoration against a cream colored background. It is further decorated with gold iridescent random threading surrounding the shade. The iridescent threads show flashes of pink and purple.

The interior is finished in bright gold iridescence. Signed inside the fitter “Lustre Art”. SIZE: Sizes range from 4” to 6-1/4” t.

PROVENANCE: From an Unreserved New Jersey collection.

CONDITION: All are very good to excellent. 52773-82 (1,2001,800)

1692. TWO ART GLASS SHADES. 1) Steuben art glass shade has gold Aurene heart and vine decoration encircling the shade with intermittent gold iridescent vertical bands rising from bottom to top. All against a verre de soie background. The shade is further decorated with two horizontal bands of opalescence. Signed on inside of fitter with silver fleur de lis mark “Steuben”. 2) Quezal art glass shade has gold pulled feather design descending from the fitter against a creamy white background. Shade is finished with a slightly flaring ruffled rim and gold iridescent interior. Signed inside the fitter “Quezal”. SIZE: 1) 5-1/4” t. 2) 5-1/2” dia. 4” t.

PROVENANCE: From an Unreserved North Carolina estate.

CONDITION: Very good to excellent. 52746-22 (600-900)

SET OF THREE QUEZAL HOOKED FEATHER SHADES. Set of Quezal shades have blue hooked feather design descending from the fitters. Each hooked feather is outlined in gold iridescence, all against a creamy white background. The interior of each shade is finished in bright gold iridescence. Each is signed in the fitter “Quezal”. SIZE: 5-3/8” t.

CONDITION: One shade has a 1/2” long very shallow flake off the top of the fitter otherwise all are very good to excellent. 52747-3 (1,200-1,500)

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288

Lot 1693

1694. THREE QUEZAL PULLED FEATHER SHADES. Three Quezal shades have gold iridescent pulled feathers descending from the fitter against a creamy white lightly iridescent background. The gold iridescent feathers show subtle pink highlights. The interior of each shade is white. Signed in the fitter “Quezal”. SIZE: 4-7/8” t. CONDITION: All are very good to excellent. 52747-7 (750-1,000)

Lot 1694 1695.

SET OF THREE QUEZAL SHADES. Set of three Quezal shades have vertically ribbed bodies with flaring lip. Shades are finished in a rich gold iridescence showing nice pink and subtle blue highlights. The interior of each shade is finished in a bright gold iridescence. Signed in the fitter “Quezal”. SIZE: 6” t. CONDITION: One shade has roughness to the fitter, which would be entirely covered when shade is in place. Otherwise very good to excellent.

52747-6 (750-1,000)

Lot 1695

1696. SET OF FOUR LUSTRE ART SHADES. Set of four art glass shades have vertically ribbed bodies and slightly flaring lip. Each shade decorated with six gold iridescent wavy bands encircling the bottom of the shade. Each shade is finished on interior with bright gold iridescence and is signed in the fitter “Lustre Art”. SIZE: 5-1/2” t. CONDITION: One shade has a shallow 1/2” flake to the top of the fitter, two other shades have minor roughness to the fitters. Otherwise very good to excellent. 527474 (800-1,200)

Lot 1696

1697.

SET OF THREE ART GLASS SHADES ATTRIBUTED TO LUSTRE ART. Set of three shades have seafoam green bodies with a slightly yellow textured effect covering the bottom quarter of the shade. They have a light iridescence that shows nice pink highlights.

Unsigned, but attributed to Lustre Art. SIZE: 6” t.

CONDITION: Each shade has roughness and some shallow flakes to the fitter, all would be covered when shades are in place. Otherwise very good to excellent.

52747-13 (1,000-1,500) 289

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1698. THREE CAMEO ART GLASS SHADES. Set of three cameo art glass shades have an Art Deco design of stylized flowers separated by vertical bands all in peach colored glass against a frosted, clear background. One background has a subtle chipped ice finish, while the other two shades are just frosted. Unsigned, possibly Daum. SIZE: 6” t. CONDITION: Some minor roughness to each fitter rim, otherwise very good to excellent.

52747-17 (400-600)

Lot 1698 1699.

SET OF FOUR ART DECO SHADES. Set of four Art Deco pressed glass shades are done in peach colored glass and have a pressed, stylized feather at each corner. Each panel between the feathers has raised glass beads randomly placed with stylized grasses very subtly impressed. Unsigned. SIZE: 5-7/8” t.

CONDITION: Very good to excellent. 52747-5 (200-300)

Lot 1699

1700. TWO LE VERRE FRANCAIS ART GLASS SHADES. Pair of Le Verre Francais art glass shades are internally decorated with mottled blue, green, orange, and red bands shading together.

The bottom rim of the shades flair in three places, creating a tricorn effect. Each shade is signed on the bottom rim “Le Verre Francais”. SIZE: 6-1/4” t. CONDITION: Both are very good to excellent. 52747-18 (400-600)

Lot 1700 1701.

SET OF THREE SCHNEIDER ART GLASS SHADES. Set of three Schneider art glass shades are internally decorated with mottled white, yellow, and orange bands shading together.

Each shade flairs slightly at the lip, creating a square form.

Shades are signed on the shoulder “Schneider”. SIZE: 5-3/4” t.

CONDITION: Two shades have a shell-shaped shallow flake on the outside edge of fitter, which would be completely covered when shades are in place; otherwise very good to excellent. 52747-14 (500-700)

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Lot 1701

1702. LARGE ART GLASS SHADE WITH PROCEEDS TO DANA FARBER CANCER INSTITUTE. Large contemporary art glass shade has mottled brown and tan horizontal wave design surrounding shade against pink shading to cream background. Shade has bell shaped body with flaring ruffled rim. Unsigned. The original consignor has requested that the proceeds of this shade go directly to Dana-Farber Cancer Institute. SIZE: 7-3/4” t x 16-7/8” dia. CONDITION: Very good to excellent with portion of pontil extending outside the aperture hole. 52368-1 (200-400)

290

1703. ROYAL FLEMISH DRAGON VASE. Royal Flemish vase is decorated with a large dragon on the front and a smaller dragon head on the backside. The shoulder of the vase is decorated with gilded scrolls and swirls with maroon staining in between. All set against the stained glass effect created by the heavy gold lines. Unsigned. SIZE: 8” t. CONDITION: Some very minor wear to heavy gold lines, otherwise very good to excellent. 52745-2 (2,000-3,000)

Lot 1703 1704.

ROYAL FLEMISH VASE. Royal Flemish vase is decorated with a gilded rampant lion carrying a lance with a shield below set against stained panels done in pastel colors. The vase is further decorated with delicate gilded flowers, stems, and leaves within some of the panel segments as well as around the neck. Signed on the underside with conjoined initials “RF” within a diamond shape and numbered “574”. SIZE: 14-1/2” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Very good to excellent. 52654-24 (1,300-1,800)

Lot 1704 1705. ROYAL FLEMISH VASE. Royal Flemish vase is decorated on the front with a coat-of-arms within a flourish of scrolls, while the backside is decorated with a black cross within a shield. All against the stained glass panels of Royal Flemish. Unsigned.

SIZE: 10” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Some very minor wear to gilding on lip, otherwise very good to excellent. 52654-26 (1,4001,600)

Lot 1705 291

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1706. ROYAL FLEMISH VENETIAN VASE. Royal Flemish vase is decorated on front and back with a Venetian harbor scene showing ships at sail and birds in flight with an outline of Venice in the background. Each scene is framed with in gilded flowers, scrolls, and leaves. The vase is completed with two applied gilded glass handles.

Signed on the underside with conjoined initials “RF” within a diamond and number “571”. SIZE: 14” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Some very minor wear to gilding on lip, otherwise very good to excellent. 5265425 (3,500-4,500)

1707. ROYAL FLEMISH DRAGON VASE. Royal Flemish vase is decorated with a large dragon on the front and a smaller dragon head on the backside. The shoulder of the vase is decorated with gilded scrolls and swirls with maroon staining in between. All set against the stained glass effect created by the heavy gold lines. Unsigned. SIZE: 8” t. PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: There is one small nick to one of the heavy gold lines on the back of the vase, otherwise very good to excellent. 5265420 (1,300-1,500)

Lot 1706

Lot 1707 1708. ROYAL FLEMISH BISCUIT JAR. Royal Flemish biscuit jar is decorated with colorful spider mums on all four sides against pastel colored segmented panels. The jar is finished with a silver plated collar, handle and lid. Signed on the underside with conjoined initials “RF” in a diamond shape and numbered “523”. Inside of silver plated lid is stamped “M.W.” and numbered “4413”. SIZE: 9-1/2” t (to top of handle). PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Glass is very good to excellent. Silver plated hardware shows wear and discoloration, collar appears to have been reattached with fresh plaster. 52654-27 (900-1,200)

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292

1709. MT. WASHINGTON LAVA GLASS TOOTHPICK. Mt. Washington lava glass toothpick has matte black body with glass inlays of orange, blue, red, green, and pink. The interior of the toothpick is glossy grayish/blue. Unsigned. SIZE: 2-1/2” t.

CONDITION: Very good to excellent. 52782-2 (1,500-2,500)

Lot 1709

1710. MT. WASHINGTON BURMESE QUEEN’S PATTERN TOOTHPICK. Mt. Washington Burmese toothpick is done in the Queen’s pattern with white and gold flowers with red outlines all against a diamond quilted background. Marked on the underside with original Burmese paper label. SIZE: 2-3/4” t.

CONDITION: Very good to excellent with some very minor wear to gilding on lip. 52782-1 (1,500-2,500)

Lot 1710

1711. MT. WASHINGTON BURMESE VERSE PITCHER. Mt. Washington Burmese pitcher is decorated with a beautifully enameled pink rose with stems and leaves encircling the top of the pitcher moving on to the back where the stem terminates into a rosebud. Within the circling stem and rose is the verse reading The cowslip is a country lass, The violet is a nun, But I will woo the dainty rose, The queen of everyone. Thomas Hood. SIZE: 9” t. PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: Very good to excellent. 52654-12 (1,500-2,000)

Lot 1711 293

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1712. MT WASHINGTON BURMESE TOOTHPICK. Mt. Washington Burmese toothpick has diamond quilted sides and a rolled lip creating a tri-corn top. Color shades from pink to amber with nice color gradation. The toothpick has a glossy finish.

Unsigned. SIZE: 2” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Very good to excellent. 52654-15 (350-500)

Lot 1712 1713.

MT. WASHINGTON BURMESE BRIDE’S BASKET. Mt. Washington bride’s basket has a Burmese decorated bowl with a flaring ruffled rim and is decorated with enameled spider mums surrounding the exterior. The bowl rests in a silver plated frame with twisted wire handle, a ruffled skirt, and four legs with cast berry design. Bowl is unmarked. Frame is marked on the underside “Barbour Bros. Co. Silver Quadruple Plate 217”. SIZE: 10” dia x 15” to top of handle.

PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Very good to excellent. 52654-30 (8001,200)

Lot 1713 1714. MT. WASHINGTON BURMESE CRUET. Mt. Washington Burmese cruet has vertically ribbed body and is decorated with yellow and white spider mums as well as delicate leaves and stems. The cruet is finished with an applied Burmese glass handle and vertically ribbed stopper. Unsigned. SIZE: 7” t. PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: Very good to excellent. 52654-13 (800-1,200)

Lot 1714 1715.

MT WASHINGTON BURMESE DECORATED BOWL. Mt. Washington Burmese bowl has enfolded sides and applied drip trim around the lip. The bowl is further decorated with delicate enameled flowers in red, yellow, and white as well as shadowy leaves around the flowers. Unsigned. SIZE: 6” l. PROVENANCE: From an Unreserved Ohio collection. CONDITION: Very good to excellent. 52815-8 (500-700)

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294

1716. MT. WASHINGTON BURMESE SYRUP. Mt. Washington Burmese syrup pitcher is decorated with yellow, white, and blue spider mums along with delicately painted leaves and stems. The pitcher is finished with an applied Burmese handle along with a sliver plated collar, spout, and lid. Unsigned. SIZE: 6-1/4” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Some wear and discoloration to silver plating, otherwise very good to excellent. 52654-14 (1,200-1,600)

Lot 1716

1717. PEACH BLOW LILY VASE. Peach Blow lily vase shades from deep pink to creamy white with good color gradation. The flaring lip rolls to form a tricorn top. Unsigned. SIZE: 9” t. PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: Very good to excellent. 52654-11 (500-700) 1718. WEBB BURMESE DECORATED FAIRY LAMP. Thomas Webb & Sons Burmese fairy lamp has Lot 1717 rolled sides on the base with a beaded and ribbed candle holder complete with clear glass candle cup and original Clarke’s pyramid candle. The lamp is finished with original decorated shade. The base and shade are decorated with floral designs in colors of green, brown, blue, yellow, and red.

Base is signed on the underside “S. Clarkes Patent Trademark Fairy”, also signed “Thos Webb & Sons Quality Burmese Ware Patented”. SIZE: Base 6” sq. 6-1/2” t. overall. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Very good to excellent. 52654-31 (1,000-1,500)

Lot 1718 1719.

LOT OF VICTORIAN GLASSWARE. 1) Webb Burmese lily vase is decorated with enameled green and yellow leaves descending from the lip against the pink shading to yellow background. Unsigned. 2) Webb Burmese vase has ruffled and pinched rim. The vase is decorated with enameled flowers in blue, yellow, mauve, and orange with green, brown, and blue leaves. Unsigned. 3) Webb cabinet vase has bulbous body and slightly flaring neck leading to the pinched and ruffled lip. The vase is decorated with green and brown acorns and oak leaves against the pink shading to yellow background. Signed in the polished pontil “Thos Webb & Sons”.

4) Webb Burmese rose bowl is decorated with grape leaves, vines, and a grape cluster set against the Burmese background. The bowl is finished with a rolled and ruffled lip. 5) Pair of Mt. Washington chick salt and pepper shakers, the salt with enameled daisies and the pepper decorated with enameled petite blue flowers. Unsigned. SIZE: Sizes ranging from 2-1/2” t (chick shakers) to 9” t (large vase). PROVENANCE: From an Unreserved Ohio estate. CONDITION: All are very good to excellent; the head on the chick pepper shaker is loose. 52633-6 (1,200-1,800) 295

Lot 1719

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1720.

SIX PIECES OF VICTORIAN ART GLASS. 1) Burmese pitcher has six horizontal rows of raised ovals with nice color of pink shading to yellow. The pitcher is finished with an applied reeded yellow glass handle. Unsigned. 2) Burmese pitcher has bulbous body with flaring ruffled rim and applied reeded glass handle. The body and neck of the pitcher have random air bubbles throughout, some short and oval others elongated forming veins around the pitcher. Unsigned. 3) Burmese decanter has nice color gradation and is complete with pink glass stopper. The decanter is finished with an applied reeded yellow glass handle. Unsigned. 4) Peach Blow pitcher Lot 1720 has pink shading to white body with a crimped and ruffled rim. The pitcher is finished with an applied frosted clear glass reeded handle. Unsigned. 5) Burmese finger bowl has slightly rolled ruffled lip. Unsigned. 6) Burmese vase shades from pink to yellow with very nice color gradation. The vase rim is tightly crimped and the vase carries a sticker on the interior from Brookside Antiques, New Bedford, Mass. SIZE: 1) 10” t. 2) 9” t. 3) 8-1/2” t (to top of stopper). 4) 7” t. 5) 4-1/2” dia. 6) 3” t.

PROVENANCE: From an Unreserved Ohio estate. CONDITION: 1) Very good to excellent. 2) Very good to excellent. 3) Stopper is not a correct fit, otherwise very good to excellent. 4) Very good to excellent. 5) Very good to excellent. 6) Very good to excellent. 52633-8 (1,500-2,000) 1721. LOT OF FOUR DECORATED WEBB BURMESE VASES. Lot is made up of three vases and a rose bowl, each decorated with enameled berries, flowers, stems, and leaves, all against the Burmese pink shading to yellow background. All are unsigned.

SIZE: Sizes range from 2-1/4” to 6” t. PROVENANCE: From an Unreserved Ohio estate. CONDITION: All are very good to excellent. 52633-5 (1,000-1,500)

Lot 1721 1722.

LOT OF FIVE VICTORIAN GLASS ITEMS. 1) Burmese compote has rich pink border shading to yellow in the bowl with a yellow foot and stem. The compote has a glossy finish. Unsigned. 2) Pair of Webb Burmese vases have applied foot, squat bulbous body, and slightly flaring neck with ruffled rim. The pink rims Lot 1722 shade nicely to yellow and the vases have a glossy finish.

Unsigned. 3) Webb Burmese top hat has pink brim shading to yellow body. Done in matte finish. Unsigned. 4) Peach blow rose bowl shades nicely from pink to creamy white. The bowl has a rolled and ruffled rim. Unsigned. SIZE: Sizes range from 2-1/2” t. (hat) to 6” t. (vases). PROVENANCE: From an Unreserved Ohio estate. CONDITION: All very good to excellent. 52633-7 (1,000-1,500)

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1723. TWO AMBERINA VASES. 1) Libbey Amberina vase has vertically ribbed body leading to a slender neck and flaring rim with the ribs becoming more pronounced. The vase has good color gradation. Signed on the underside with etched mark “Libbey”. The vase also retains an original paper Libbey label. 2) Amberina vase (attributed to Libbey) has rich fuchsia top shading to amber with light vertical ribbing, the lip flares and ruffles creating a tri-corn rim. Unsigned. SIZE: 1) 13-1/2” t. 2) 11-3/4” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Both are very good to excellent. 52654-28 (1,100-1,500) 296

1724. PLATED AMBERINA PITCHER. Plated Amberina pitcher has rich fuchsia color at the top shading to amber at the bottom with nice color gradation.

The pitcher has strong ribbing and is finished with an applied dark amber glass handle. Unsigned. SIZE: 7� t (to top of handle). PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: Very good to excellent.

52654-2 (3,500-4,000)

Lot 1724

1725.

PLATED AMBERINA SYRUP PITCHER. Plated Amberina syrup has nicely ribbed round body with rich fuchsia shading to amber and nice color gradation. The pitcher is finished with a silver plated collar, handle, and hinged lid. Unsigned. SIZE: 5-1/2� t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: The silver plated hardware is slightly loose and the silver plate has some minor discoloration, otherwise very good to excellent. 52654-6 (2,500-3,500)

Lot 1725 297

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1726. PLATED AMBERINA CREAMER. Plated Amberina creamer has light ribbing with rich fuchsia shading to amber with nice color gradation. Finished with applied amber glass handle. Unsigned. SIZE: 2” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Very good to excellent. 52654-5 (2,500-3,500)

Lot 1726 1727.

PLATED AMBERINA SUGAR BOWL. Plated Amberina sugar bowl has nicely ribbed body in deep fuchsia color shading to amber. The sugar bowl is finished with two applied amber glass handles. Unsigned. SIZE: 2” t. PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: Very good to excellent. 52654-7 (2,500-3,500)

Lot 1727

1728. PLATED AMBERINA TUMBLER. Plated Amberina tumbler has nice fuchsia color at the top shading to amber with nice color gradation and ribbing. Unsigned.

SIZE: 3-3/4” t. PROVENANCE: From an Unreserved Ontario, Canada collection.

CONDITION: There is a small burst bubble on the white interior and a scratch about 1/4” long on the exterior approximately 3/4” above the foot, otherwise very good. 526544 (1,000-1,500)

Lot 1728 1729. LOT OF VICTORIAN GLASSWARE. Lot is made up of eleven pieces, consisting of: five miniature decorated pitchers in cobalt blue glass, yellow glass, cranberry glass, and light blue glass; three pieces of Mary Gregory including a blue powder jar, a red rose bowl, a miniature cranberry scent bottle; a Moser scent bottle in cranberry glass with brightly enameled oak leaves and stems along with six applied acorns; amber rose bowl with brightly enameled flowers; miniature powder box with white enameled flowers on bright blue glass. SIZE: Moser scent bottle: 5” t. Miniature powder jar: 1-1/4” t. Mary Gregory powder jar: 4-1/4” dia. PROVENANCE: From an Unreserved Ohio estate. CONDITION: All are very good to excellent.

52633-11 (1,000-1,500)

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298

Lot 1729

1730.

SEVEN VICTORIAN SATIN GLASS VASES. 1) Harrach blue satin glass vase has coin dot pattern and is decorated with enameled limbs, flowers, and leaves descending from the lip with a butterfly flying below. Signed on the underside with Harrach propeller mark and numbered. 2) Victorian vase has gilded vines descending from the lip onto the front side of the vase against a brown shading to yellow satin glass background. The back is decorated by a single gilded butterfly. Unsigned, attributed to Webb. 3) Victorian vase is decorated with gilded flowers, stems, and leaves against a brown shading to yellow satin glass background. A single butterfly flies above the flowers and the vase is decorated on the backside with another gilded butterfly. Unsigned, attributed to Webb. 4) Victorian blue satin glass vase is decorated around the neck with gilded flowers and vines, as well as a gilded Lot 1730 band of flowers around the foot. Unsigned. 5) Victorian shaded blue satin glass vase has gilded vines and flowers descending from the lip on the front of the vase. Backside is undecorated. The vase is finished with a ruffled lip. Unsigned. 6) Victorian satin glass rose bowl is decorated with gilded flowers and vines descending from the rolled and ruffled lip against a brown shading to tan satin glass background. The backside of the bowl is decorated with a single gilded butterfly. Unsigned, attributed to Webb. 7) Victorian cabinet vase has vertically striped red and pink satin glass body with pinched lip. The vase is decorated on the front and back with gilded vines, flowers, and leaves descending from the lip. The vase rests on an applied frosted glass foot. Unsigned. SIZE: Ranging from 2-1/2” (rose bowl) to 12” t (vase). PROVENANCE: From an Unreserved Ohio estate. CONDITION: All are very good to excellent. 52633-3 (1,200-1,800)

Lot 1731 1732.

1731. ASSORTED LOT OF AMBERINA GLASSWARE. Lot includes a round, d.q. toothpick; square d.q. toothpick; an inverted thumbprint toothpick with applied reeded handles; a small d.q. pitcher; an inverted thumbprint reverse Amberina pitcher; a slant tankard; a small mustard jar with silver plate collar, lid, handle, and spoon; an inverted thumbprint vase in an Aurora Triple Plate handled holder; a condiment set with cruet and salt and pepper shakers on a silver plated, handled stand; a decorated bowl with wide rim enameled with colorful flowers and gilt stems and leaves, the bowl has an applied amber rim and gilt metal handle in the shape of a dragon. SIZE: Tallest item 9-3/4” t. Shortest 2-1/2” t. Decorated bowl 10-1/2” dia. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: The slant tankard has a small flake to outside edge of rim. 52654-16, 52654-17 (1,400-1,600)

FOUR WHEELING PEACH BLOW ITEMS. Lot consists of three Wheeling Peach Blow tumblers with nice fuchsia shading to amber coloration and good color gradation. Each tumbler is cased on the interior with white. The lot also includes a Wheeling Peach Blow cabinet vase in gourd shape. All items are unsigned. SIZE: Tumbler 3-3/4” t. Vase 3-5/8” t. PROVENANCE: From an Unreserved Ohio estate. CONDITION: One tumbler has a tiny shell shaped flake to inside rim, one tumbler has a bruise or filled chip to the inside rim, the other is very good to excellent. Vase is very good to excellent. 52633-10 (1,000-1,500)

Lot 1732

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1733. FIVE VICTORIAN GLASS ITEMS. 1) Cranberry glass pitcher has inverted thumb print pattern and is finished with am applied clear glass reeded handle. Unsigned. 2) Victorian glass overshot pitcher shades from cranberry to clear and is finished with an applied clear glass reeded handle. 3) Aqua colored glass overshot pitcher has bulbous body and is finished with an applied amber glass reeded handle. Unsigned. 4) Amber glass pitcher (attributed to Stevens & Williams) has applied purple glass branch with green applied leaves and various applied fruits. The pitcher is finished with an applied amber glass handle along with a silver plated rim and spout. Unsigned. 5) Victorian fan vase is done in white glass with a cased pink interior and decorated with applied glass flower, stem, and leaves in amber and red glass. The vase is finished with an applied amber lip. Unsigned. SIZE: 1) 7” t. 2) 10” t. 3) 7-1/4” t. 4) 8-5/8” t. 5) 11-1/2” t. PROVENANCE: From an Unreserved Ohio estate. CONDITION: All pieces are very good to excellent. 52633-13 (1,000-1,500)

Lot 1733 1734.

SIX VICTORIAN GLASS ITEMS. 1) Victorian center bowl has pink satin glass bowl decorated with blue and white enameled flowers with gold stems. The bowl is further decorated with two gilded birds in flight and is housed in an openwork metal frame with two handles and three legs with a male mask at the top and stylized paw feet. The metal work has a gilded finish. Unsigned.

2) Victorian glass basket is done in pink shading to white glass with silver foil inclusions. The basket is finished with a crimped and ruffled rim and applied clear glass twisted handle. Unsigned. 3) WMF compote has pink shading to cream satin glass bowl that is supported by a silver plated foot and stem. The glass bowl has a ruffled and Lot 1734 crimped rim and the compote is stamped on underside of foot “WMF”. 4) Victorian vase has pink shading to white glass body with silver foil inclusions forming swirling stripes around the vase. Unsigned. 5) Blue glass vase has hobnail exterior with a flaring crimped and ruffled rim and cased white interior. 6) Cranberry rose bowl has textured body with white highlights on the texture and is finished with a rolled crimped rim. Unsigned. SIZE: 1) 13” w (handle to handle). 2) 7” t (to top of handle). 3) 5-3/4” t. 4) 6-3/4” t. 5) 5-1/2” t. 6) 3-1/2” t.

PROVENANCE: From an Unreserved Ohio estate. CONDITION: 1) Wear to gilding on metal and some bending to the openwork trim, otherwise good. 2) Very good to excellent. 3) Very good to excellent with some typical wear and tarnish to foot. 4) Very good to excellent. 5) Very good to excellent. 6) Very good to excellent. 52633-14 (800-1,200)

1735.

FIVE VICTORIAN GLASS ITEMS. 1) Satin glass jelly jar is decorated with mauve, green, and gilded flowers, leaves and stems. All against a mottled white satin glass background. The jar is finished with a silver plated collar, handle, and lid. Lid is stamped on the underside (TW&S 9421). 2) Blue satin glass vase has applied frosted glass foot. The round vase has a pinched lip creating a tri-corn top. 3) Satin glass vase has pink vertical ribbons with the lip pulled down to meet the shoulder on each side. The vase is decorated with gilded flowers, stems, and leaves on front and back. 4) Rose bowl shades from red to pink and is decorated with gilded flowers, stems, and leaves on the front and a single gilded butterfly on the back. Unsigned (attributed to Webb). 5) Mother of Pearl rose bowl is light blue shading to a darker blue at top with Lot 1735 a random pattern encircling the bowl. Unsigned. SIZE: 1) 6-1/4” t (to top of handle). 2) 3” t. 3) 3-3/8” t. 4) 3”. 5) 3-1/4” t. PROVENANCE: From an Unreserved Ohio estate. CONDITION: Some discoloration to silver plate on jelly jar, otherwise very good to excellent. 52633-12 (1,000-1,500)

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1736.

TWO INDIVIDUAL SALT DIPS. 1) Burmese salt dip has rich pink interior shading to yellow and carries a glossy finish.

Salt rests in a silver plated stand with three legs and two handles.

Unsigned. 2) Salt dip is done in pink shading to amber slightly opalescent glass. The oval bowl has slightly flaring lip which is pulled to the shoulder on each side. Unsigned. SIZE: 1) 3-1/4” w (handle to handle). 2) 2-1/4” l. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: 1) Very good to excellent. 2) Very good to excellent. 52654-36 (200-400) 1737.

Lot 1736

WO VICTORIAN GLASS VASES. 1) Victorian art glass vase has gilded pattern T of stylized flowers, stems, and leaves all with beaded decoration. The vase is further decorated with a peacock in flight at the base of the neck. All set against a mottled orange, pink, and cream background. The vase is cased on the interior in white.

Unsigned. 2) D.q. satin glass vase is decorated with a gilded bird resting on a branch with gilded leaves on the sides and enameled foliage below. All against a cream shading to pastel yellow d.q. background. The vase has a ruffled lip that is pulled on the sides to create two handles. The back of the vase is decorated with colorful enameled cattails. Unsigned. SIZE: 1) 12” t. 2) 13-3/4” t. PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: 1) Very good to excellent. There is a small internal air bubble visible at the lip but does not break the surface. 2) Very good to excellent. 52654-35 (300-500)

Lot 1737 1738.

PAIR OF RUBY GLASS WALL LAMPS. A pair of wall lamps have brass brackets which hold the ruby glass oil lamps with duplex burners. The burners have had their guts removed and been electrified. The lamps are complete with clear glass chimneys along with frosted and etched shades. Shades are decorated with pressed cupids, each cupid is surrounded by the etched stems and leaves. Lamps are unsigned.

SIZE: 9-1/2” from wall to widest point. 19” from bottom of bracket to top chimney.

PROVENANCE: From an Unreserved Ontario, Canada collection. CONDITION: Good with one bracket having a small dent to a brass arm and some paint on the bracket, one chimney with a large chip out of the fitter, the other with a ground lower rim. The ruby glass is all very good to excellent. 52654-34 (200-400)

Lot 1738 1739. W HITING LILY / FLORAL STERLING FLATWARE SET. Set of Whiting sterling silver flatware in the lily pattern (or floral pattern) consists of 12 dinner forks, 12 salad forks, 12 teaspoons, 12 soup spoons and 12 dinner knives. All are marked with the Whiting logo and “Sterling”. Total weight of silver not including the dinner knives is 2180 grams. Complete with wooden flatware chest with lock and key. SIZE: Knives: 9” l. Teaspoons: 6” l. Salad forks: 6-3/8” l. Soup spoons: 6” l. Dinner forks: 7” l. Silverware box: 16” w x 11-3/4” d x 4 “ h. CONDITION: Very good to excellent.

Chest has a few light scratches to top and sides. 52638-3 (800-1,200)

Lot 1739

~ End of Auction ~

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Notes

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Considering Selling?

Whether you have one important item to sell or an entire collection, there are a number of reasons why you should contact James D. Julia’s:

Reputation for Honesty & Fair Dealings Over the years we have established a sterling reputation with both buyers and sellers. For the seller, this means their goods will be properly and professionally handled with hassle free straight forward dealings. The buyer has also learned to trust the Julia reputation for honest descriptions. This means they can place their ultimate bid with confidence that the goods will be as represented.

North America. The use of special press releases provided to key publications throughout North America also maximizes exposure. Advance notices and the ­complete catalog with photos are loaded onto our website available to the world.

We have a special arrangement with Invaluable, Bidsquare (Lamp & Glass and Fine Art Auctions only) and Proxibid (Firearms Auctions only) so our catalogs are also loaded on their websites. This allows all Invaluable, Bidsquare (Lamp & Glass and Fine Art Auctions only) and Proxibid (Firearms Auctions only) clients to bid on the items in our auction whether as an absentee bid or in live-time the day of the auction via their ­computer. We also represent our clients’ goods at various key antique shows throughout the country, and in ­addition have an aggressive telemarketing program to promote your goods. We spend a tremendous amount of money and energy making certain that your goods have the maximum exposure to potential buyers.

Record Prices

Expertise Our expertise as auctioneers is unrivaled and extends over a period of nearly thirty-five years. In addition, each Julia specialty auction is cataloged by a nationally renowned expert within that field. In order to be part of the Julia team, these experts have to enjoy a similar reputation for honesty and fair dealings and be fully k­ nowledgeable in their specific field. Our specialists have 15-35 years of experience in their chosen fields. This not only instills confidence in the seller, but even more importantly instills confidence in our buyers, many of whom don’t attend the auctions but utilize our catalogs freely knowing that they can trust our catalog descriptions.

The Julia Auction Firm has established records in numerous specialty fields over the years. In some cases, both national and world record prices are set at our auctions. In short, our experience, sterling reputation, hard work, and aggressive marketing plans add up to the ultimate return to you, the seller. We have one of the most ­competitive commission rates in the country. If you have an individual expensive item or high quality items you will find that no one will beat our commission rates.

Promotional Package

Innovative Programs

We utilize a highly diversified and structured promotional campaign for each auction. This includes, but is not limited to, professionally prepared, fully detailed and illustrated catalogs, and a tremendous diversity of a­dvertisements in various types of media all over North America. A highly detailed and fully illustrated ­promotional brochure is sent out to our mailing list. Our mailing list includes numerous specialty departments including a vast number of names of special collectors and dealers all over

We are always striving to serve our customers better, both buyers and sellers. Some current innovations include our Trade Up Program.

This is a new program at Julia’s which essentially allows the collector to obtain new and exciting items for their collection and at the same time dispose of unwanted items from their ­collection.

The net result can be no cash outlay on the collector’s behalf to obtain items he/she desires to add to their collection. To our knowledge we are the only auction firm in North 303

America providing this p ­ rogram. The concept or ­ possibilities are virtually limitless. Parties wishing to explore this should call our office for more details. Arrangements to p ­ articipate in this program must be made prior to the actual purchase at ­auction.

Web Presence: We utilize our website to load advance notices of our clients’ goods to be included in upcoming auctions. In addition, we load our entire auction catalog, complete with photos, on our website so that the world can preview the catalog free of charge. We also have an arrangement with Invaluable, Bidsquare (Lamp & Glass and Fine Art Auctions only) and Proxibid (Firearms Auctions only). The end result is that usually our entire catalog with photos is loaded onto these platforms two weeks prior to the auction where any customer in the world can submit a bid. The day of the auction our entire catalog is offered on these platforms.

The innovative technology allows a person to sit at their computer regardless of where they are in the world and view the progression of the auction. If they have registered in advance they can bid on anything in the catalog the moment it is being offered at auction. This has proven to be a convenience for some of our absentee bidders and it also increases the exposure for our sellers. Our online auctions are a very successful method of marketing certain types of goods. It greatly benefits buyers and sellers alike. However, our live catalogs are still the best way to auction better quality and more desirable items, particularly the rare and choice items.

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Firearms Division

Consignments Wanted for our Spring 2018 Auction

Historic Colt SAA SN 5773 Proven to Have Been Used During Battle of the Little Bighorn (est. $175,000-275,000) | Sold for $460,000

True Pair Ivo Fabbri Best Pinless Sidelock 20 ga Game Guns | Sold for $299,000

100 Guinea Lloyd’s Patriotic Fund Pres. Sword For Hero of Battle of Trafalgar (est. $150,000-250,000) | Sold for $270,250 Whether you have one item or an entire collection please contact Tony Wilcox or Jeremy Hatch at firearms@jamesdjulia.com Visit www.jamesdjulia.com for more information

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Rare Lamps, Glass & Fine Jewelry Division Consignments Wanted for our Spring 2018 Auction

Tiffany Studios Wisteria Leaded Window (est. 100,000-150,000) | Sold for $257,850

Outstanding Tiffany Studios Dragonfly Chandelier (est. 100,000-150,000) | Sold for $228,100

Daum Nancy Swan Vase (est. 2,000-3,000) | Sold for $6,655

Whether you have one item or an entire collection please contact Mike Fredericks at lg@jamesdjulia.com 305

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Fine Art, Asian & Antiques Division

August 16, 17 & 18, 2017

Ogden Minton Pleissner A Big One Hooked (18” x 27-1/4”)

Important, Rare and Historic Solid Gold Presentation Freedom Box Given to Captain Stephen Decatur

Rare & Important Paul Howard Manship Bronze Sculpture Depicting “Sagittarius”

Whether you have one item or an entire collection please contact Bill Gage, Tony Greist or Megan Noyes at antiques@jamesdjulia.com Visit www.jamesdjulia.com for more information

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Satellite Office

Historic 1790 House in Woburn, Massachusetts

Historic 1790 House in Woburn, MA at 827 Main Street

Serving our clients from Massachusetts and beyond

Bill Gage

Joshua Chamberlain

Allyson Lee

Rebekah Kaufman

Division Head Fine Art, Asian & Antiques

Asian Art Specialist

Fine Art Specialist

Marketing & Business Development Coordinator for the Boston Area

Please call ahead as we are frequently on house calls 781-460-6800

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Estates & Collections Department What will happen to your collection? Plan ahead with our unique “Plan in Place” The numerous benefits derived from collecting do come with an important responsibility–the eventual dispersal of our collection. The James D. Julia “Plan in Place” addresses exactly this responsibility–the planned dispersal of our collections. Unfortunately, many passionate collectors never make plans for the dispersal of their collection. They simply don’t want to think about it.

This, however, is not a smart, practical or considerate approach. We all know that someday we will die and most smart and considerate mates prepare wills and/or trusts to deal with their personal assets after they are gone. (If you haven’t yet, it is very important that you do.)

It is not often that a collector has a documented, well-laid-out plan for the disposition of their collection after they are gone or become unable to handle their own affairs. The lack of a “Plan in Place” can prove to be a great burden and hardship for our survivors in their time of greatest stress and loss. A collector, as they say, might “roll over in his/her grave” if he/ she knew what stress, confusion, or significant financial loss the dispersal of their collection generated due to the absence of a well laid-out plan.

Julia’s is renowned for their expertise and appraisal services. They regularly provide appraisals for insurance, estate and auction purposes. Here, President Jim Julia discusses the value and significance of some outstanding sporting guns with longtime Firearms Consultant J.R. LaRue.

A unique service department serving collectors of antiques and featuring our “Plan in Place” 1. Based on gross sales, James D. Julia, Inc. is one of the top ten antique auction houses in North America. Our sales in 2014 were over $54 million.

2.

We have an impeccable reputation for honesty and fair-dealing.

4.

We provide three types of expert appraisals: a) Estate Appraisals for Probate Purposes, b) Insurance Appraisals for Retail Replacement Values, and c) Verbal Appraisals for Auction Purposes.

3. Julia’s has a wide area of expertise. We regularly utilize 40 specialty expert consultants and advisors to evaluate and catalog our clients’ goods.

5.

6.

Our three specialty catalog auction divisions are the finest of their type, not only in the United States but in the world. Julia’s divisions are: a) Rare Firearms and Militaria, the world’s leading auctioneer in rare firearms, b) Rare Lamps, Glass & Fine Jewelry, one of the top three in the world, and c) Fine Art, Asian & Antiques, one of the nation’s leaders.

Our Estates & Collections Planning Department featuring our “Plan in Place” is one of the only departments of its type in North America today, providing special, formal planned dispersals of collections and valuable estates.

A 40 year tradition of success based on honesty, expertise, professionalism and personable service.

James D. Julia, Inc., 203 Skowhegan Road, Fairfield, ME 04937 email: ecd@jamesdjulia.com www.jamesdjulia.com Tel: (207) 453-7125 Fax: (207) 453-2502 Auctioneer: James D. Julia Lic#: ME: AR83 NH: 2511 Visit www.jamesdjulia.com for more information

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The James D. Julia, Inc. Stimulus Plan The auction process is a powerful marketing device. A quality selection of goods with realistic estimates will assure a cadre of buyers and sometimes the results can be exciting. Auctions still represent the very best way to turn a quality collection, an entire estate or a large inventory into a respectable sum of cash with minimal effort on the owner’s behalf. Now is a great time to consider selling at auctions. “Cash is King.” For the first time in many years, there are extraordinary buying and investment opportunities so it makes great sense to consider consigning to our upcoming auctions. But there is also another reason to consider…

1.

seller’s commission. That’s right, only 0% c­ ommission on ­expensive items. Also very ­competitive rates on less expensive items. Julia’s has a­ lways ­tendered some of the best terms in the industry and this is, in part, just one of the many reasons why we are one of the leading auction houses in North America.

Successes

Colt Walker A Co. 210 Sold for $920,000 (est. $500,000-1,000,000)

World record for the most expensive ­single firearm sold at auction in history, at the time

2.

Cash advances. On important collections or consignments.

3.

Finder’s fees. We pay significant fees for leads on large and important ­collections (one agent received a check for $165,000 for his lead on a ­single collection). As Abraham Lincoln is credited with once s­ aying, “…knowledge is your stock in trade.” If you know about a collection that could possibly be coming to market, call us i­mmediately. How could you ever make a significant amount of money in an easier way?

4.

Free pick up on large collections and large consignments, anywhere.

5. The finest marketing and promotion plan in the ­business. Our promotion and marketing efforts are the most aggressive in the business. Our ­catalogs are the finest within the industry. We work for you and we do everything we can to ­maximize your return.

6.

7.

We are auctioneers only, not dealer/auctioneers. Our time, energy, money and efforts are all ­expended on you. We do not c­ ompete with our buyers’ buying or with our sellers’ ­selling. We work for you only!

Financial security. James D. Julia’s is solid as a rock: in the business for over 40 years with our last 5 being the most s­uccessful in our history. Banking references available from our banker of many, many years.

Washington’s Personal Map for the Siege of Yorktown Sold for $1,150,000 World record for the most expensive map ever sold at auction.

Record for most expensive antique sold at auction in Maine.

8. The strongest rate of return! For a matter of years now, our firm has ­consistently ­conducted the highest ­grossing firearms ­auctions in history. In addition, we have m ­ aintained the h ­ ighest average sale value per lot on a c­ onsistent basis. The last couple of auctions have averaged around $10,000 per lot, per sale. Our Firearms, Rare Lamps, Glass & Fine Jewelry and Fine Art, Asian & Antiques Divisions are all leaders in their fields.

If you are considering consigning, your primary goal should be to obtain the greatest net return for yourself. In order to do that, two things must be in play 1) select the auctioneer who will get the ­greatest return for your goods, and 2) select the ­auctioneer that will give you the lowest commission terms. Julia’s does e­xactly that; the greatest rate of return for the lowest cost. This means the most money for you. Call today. All inquiries are ­confidential and without obligation.

Taffany Drop-Head Dragonfly Table Lamp Sold for $515,475 (est. $120,000-180,000) 309

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Hotels and Lodging Waterville (5 miles South)

Augusta (25 miles South)

Best Western Plus/Waterville Grand Hotel (4 miles away) (Formerly Holiday Inn) 375 Main Street, Waterville, ME 04901 (207) 873-0111 Indoor pool & health club, restaurant Auction attendees eligible for special low rate, mention Julia Auctions

Senator Inn & Spa (26 miles South) 284 Western Ave., Augusta, ME 04330 (877) 772-2224 Restaurant, indoor pool & health facility Best Western Plus-Civic Center (23 miles South) 110 Community Drive, Augusta, ME 04330 (207) 622-4751 Restaurant & lounge

Fireside Inn & Suites (4 miles away) 356 Main Street, Waterville, ME 04901 (207) 873-3335 or (800) 528-1234 Fitness center and seasonal outdoor pool Auction attendees eligible for special low rate, mention Julia Auctions

Comfort Inn (22 miles South) 281 Civic Center Drive, Augusta, ME 04330 (207) 623-1000 Restaurant, indoor pool & health club Fairfield Inn & Suites (22 miles South) 14 Anthony Avenue, Augusta, ME 04330 (207) 623-2200 Indoor pool

New Holiday Inn Express & Suites (4 miles away) (Formerly Comfort Inn & Suites) 332 Main Street, Waterville, ME 04901 (844) 306-6086 Indoor pool & exercise room

Hampton Inn Augusta 388 Western Ave, Augusta, ME 04330 (207) 622-4077

The Pleasant Street Inn (5-1/2 miles away) 84 Pleasant Street, Waterville, ME 04901 (207) 680-2515 Bed & Breakfast

Homewood Suites by Hilton Augusta 377 Western Avenue, Augusta, ME 04330 (207) 480-2050

Hampton Inn (8 miles away) 425 Kennedy Memorial Drive, Waterville, ME 04901 (207) 873-0400 Indoor pool and fitness center

Other Area Lodging Wings Hill 9 Dry Point Drive, Rome, ME 04963 (207) 495-2400

Oakland (approx. 7 miles away) Pressey House Bed & Breakfast 32 Belgrade Road, Oakland, ME 04963 (207) 465-3500

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Village Inn 157 Main Street, Belgrade Lakes, ME 04918 (207) 495-3553

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Restaurants Waterville (5 miles South)

Fairfield (1 mile South)

Restaurants, franchises and take-out • 18 Below (D) (207) 861-4454 • Amici’s Cucina (L, D) (207) 861-4440 • Applebee’s (L, D) (207) 872-6702 • Buen Apetito (Mexican) (207) 861-4649 • Burger King • Cancun Mexican Restaurant (207) 872-7400 • Eric’s (207) 859-8761 • Governor’s (B, L, D) (207) 872-0673 • Jewel of India (207) 877-1957 • Jin Yuan (L, D) (207) 861-4488 • Joseph’s Fireside Restaurant (steak house) (207) 877-8385 • Kentucky Fried Chicken • Last Unicorn (L, D) (207) 873-6378 • McDonald’s • Mainely Brews Tavern (207) 873-2457 • Mirakuya (sushi & hibachi) (207) 616-0088 • O’Brien’s Restaurant (207) 873-0111 • Pad Thai Too (207) 859-8900 • The Proper Pig (207) 616-3975 • The Pub (207) 873-5255 • Ruby Tuesday’s (L, D) (207) 859-8991 • Sam’s Italian Foods (207) 861-9090 • Selah Tea Cafe (B, L, D) (207) 660-9181 • Silver Street Tavern (L, D) (207) 877-8300 • Taco Bell • Thai Bistro (207) 872-2200 • Wendy’s

Home Cooking • Flatlanda’ Diner (207) 238-9300 (400 yards from auction facility) • The Purple Cow (1 mile South) (207) 453-1371 Restaurants, take-out & sandwich shops • Belanger’s (take out) • Cheung Lee Express (L, D) (207) 453-8088 • Fairfield House of Pizza (L, D) (207) 453-9896 • Sonny’s Pizza (L, D) (207) 453-7624

Oakland (5 miles away) •

Skowhegan (18 miles North) •

Heritage House (L, D) (207) 474-5100

Augusta (25 miles South) Fine Dining • The Senator Inn (207) 622-0320 Franchises • 99 Steak House (L, D) (207) 623-0999 • Applebee’s (207) 623-8255 • The Ground Round (B, L, D) (207) 623-0022 • The Olive Garden (L, D) (Italian) (207) 621-9930 • Margarita’s (D) (Mexican) (207) 622-3465 • Texas Roadhouse (207) 621-8383

Winslow (3 miles away) • • • • •

Riverside Farm Market & Café (L, D-Seasonal) (207) 465-4439

Lobster Trap & Steakhouse (L, D) (207) 872-0529 Asian Café (207) 877-6688 Big G’s (B, L, D) (unique sandwiches) (207) 873-7808 The Pointe Afta (207) 872-0521 McDonald’s

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Conditions of Sale - Please Read

Rare Lamps, Glass & Fine Jewelry Division Please be sure to read the conditions before participating in the sale.

For years, we have worked hard to develop a reputation for honesty and fairness. We have tried to apply this same principle in preparing this ­particular sale. So that you might know what the limitations are for this sale, we have tried to clearly outline the conditions below, which will specifically ­indicate how various circumstances will be handled.

1. Guarantee We have attempted to make a consistent effort in cataloging and correctly describing the property to be sold. The catalog descriptions carry a limited guarantee. Please be sure that you know that. It is a guarantee to protect you against major discrepancies that would have a major effect upon the value of the item. Under no circumstances do we guarantee against anything less than a major discrepancy that would have less than a major effect upon value.

This limited guarantee covers authenticity. It also covers any major restoration or repair not described. Also we guarantee against fakes, reproductions or major fabrications. As outlined above, our guarantee is limited, however, it is almost unique in a business that operates “Caveat Emptor”. This is not a perfect system, however, and it is important to be aware of that.

Our i­ntention is to be as fair as possible in our catalog descriptions but it is virtually impossible to adequately describe an antique or collectible item that has been used and shows signs of wear.

Imperfections, slight damages, handling marks, natural imperfections that are inherent with the manufacturing of the objects are the types of things that we absolutely do not guarantee against. These are commonplace with antiques and with most buyers this is understood and accepted, however, if you are a discerning, highly particular customer, expecting mint or near mint condition, it is advisable that you not ever submit absentee bids here or at any auction house without seeing the item in person, since your definition of condition might be far more particular than what any cataloger would have time or space to specify. The entire purpose of our catalog description is to give our readers a general description and idea of what the lot is and we will stand behind that description regarding a major discrepancy only. If the discrepancy is less than a major discrepancy, under no circumstances would any adjustment or refund be made. Should the need arise, the auctioneer reserves the right to make verbal ­ corrections and provide additional information from the block at the time of the sale. Absentee bids will not be executed on items that are found to be other than described in the catalog unless we were able to contact you prior to the lot being sold and advise of this discrepancy. If we are unable to reach you or if time does not Visit www.jamesdjulia.com for more information

permit, we will not execute your bid. Please Note: the only thing we guarantee is what is in print in the catalog and what is announced from the block at the time of sale. Absolutely nothing discussed over the telephone or in person prior to the auction shall be construed as part of the guarantee. Since opinions can differ, ­particularly in the matter of condition, the auctioneer will be the sole judge in the matter of refunds.

This guarantee is limited to the following time ­duration and limits. Please read: A. Time Limit For live bidders it is expected that you have examined the items before you purchased them and that as you pick them up, you will re-examine them one last time. If there is a problem regarding condition, it is expected that you would notify us immediately before leaving the auction facility. If you are an absentee bidder then it is your responsibility to examine the lot immediately upon receipt. If a major discrepancy should be discovered, it is your responsibility to contact us immediately. Please note: All guarantees and options for refunds or adjustment become null and void 45 days after the auction. We pay consignors on the 45th day. Once we have paid our consignors we no longer have control for the payment and under no circumstances can we consider any refunds. If you suspect that there is a major discrepancy or ­problem with authenticity of your lot, it is your responsibility to contact our office before the 45 days are up and let us know that you need some extra time. We can usually make arrangements to extend the guarantee for a few days if you personally advise us. Please note: If you pay late and thus, receive your items late, it does not qualify for special privileges. The guarantee is null and void 45 days after the auction. It is your responsibility to pay for and acquire your purchases in a timely fashion. So if there is a major discrepancy, you have time to notify our office. Please remember that if you call us 46 days after the auction, there is nothing we can do about a major discrepancy except apologize to you. If you want to be considered for an adjustment or refund, it is your responsibility to notify us within 45 days after the auction.

B. Limit of Restitution Under no circumstances will the auctioneer be responsible for lost profits or other financial damages. Refunds requested on the grounds of authenticity must be accompanied by at least a supporting written statement from an authority ­recognized by the auctioneers. Auctioneer will not be responsible for shipping costs, after auction appraisal fees, testing or any other post auction costs. If it is agreed that an item may be 312

returned, it is the buyer’s responsibility to return it in the same condition as received.

C. Type of Restitution An item that qualifies for an adjustment is limited to one of the following options: 1) Major problems, (i.e. fakes, significant alteration, major unannounced restoration, etc.) will result in a refund in sale price, adjustment in sale price or repair by the auctioneer. The auctioneer shall be the judge as to the final resolve.

2) Less than major problems or discrepancies are not part of the guarantee and no refund or adjustment will be considered for less than major problems.

2. Receipt of Goods All goods sold will be tagged and can be claimed upon presentation of paid receipts ONLY. All items to be wrapped will be wrapped by the purchaser, unless the items are to be shipped.

3. Protested Bids In case of a disputed bid, the Auctioneer is the sole determinant as to who is the successful bidder and at his d ­ iscretion may re-offer and resell the article in dispute.

4. Tax State of Maine sales tax is 5.5% and will be collected at time of payment unless a current sales tax certificate is on file or if shipped anywhere except Maine and Massachusetts. If purchases are shipped to a Maine address, sales tax of 5.5% shall be collected unless a current sales tax certificate is on file. If purchases are shipped or delivered to a Massachusetts address, sales tax of 6.25% shall be collected unless a current sales tax certificate is on file.

5. Nominal Bids The Auctioneer may reject nominal bids, small opening bids or very nominal advances made with purpose of ­disparaging an item. If a lot fails to open for 25% to 30% of the low estimate, the item may be passed from the block by the Auctioneer and may not be re-offered until a later sale.

6. Absentee Bids Phone, fax or mail bids will be accepted with a 20% deposit, late bids or last minute bids can be confirmed with a Visa, MasterCard, Discover or American Express number, in many cases. In such case, the bookkeeper will execute such bids competitively. It is entirely possible to buy items by absentee bid for less than your top bid price.

Please Note: Absentee bids are a service provided

to our customers free of charge. Every effort is made to execute all absentee bids; however, you must know that this is not a perfect system neither here nor at any other auction house. In the event of an error of omission or failure to properly execute absentee bids, the auctioneer shall not be held liable.

7. Terms All items are to be paid for in American funds at the day of the auction. Non-residents who have not established an account with us and wish to pay by check, must do so prior to the beginning of the auction by presenting a current letter of reference from their bank or by providing references which are suitable to the auctioneer.

Absentee Bidders - Directly after the auction a bill will be sent to you for the items you purchased and a total amount due. This bill is due upon presentation and must be paid immediately. The auctioneer reserves the right to hold merchandise purchased by personal check until the check has cleared the bank, if the auctioneer deems such action necessary to protect his interest. For bidders located outside of the United States we only accept payment by checks drawn on U.S. banks or wire transfer.

8. Interest and Default Payment is due upon receipt. If the buyer’s invoice is not paid in full within 15 days of the auction, James D. Julia, Inc. has the right and will charge the buyer’s credit card of record on file for the total invoice amount. Interest will be charged on all balances not paid at the rate of 1-1/2% monthly (18% APR) effective 15 days from the date of purchase/auction. All goods not retrieved by Buyer within 120 days after the last day of the auction, shall be subject to a storage fee of $50 per item per month. Buyer authorizes auctioneer to sell any goods not retrieved after the 120 day period in any manner deemed appropriate by the auctioneer and the proceeds will be applied to all sums owed by the buyer to the auctioneer under this or any other agreement between the parties. If the sale is conducted by the auctioneer, in addition to all sums due hereunder, buyer shall pay the auctioneer’s standard commission fees and 1% insurance fee. Buyer specifically authorizes any such sale to be held without reserve. Buyer shall be responsible for any deficiencies between the sale price and all sums due hereunder.

9. Reserves Some items in this auction may carry a conservative reserve. Therefore, the auctioneer may bid on behalf of the owner or for the auction house. The purchaser will be the highest bidder acknowledged by the auctioneer. Please note that when a lot carries a reserve, the reserve is usually somewhere below the low estimate in the catalog. Actual reserve figures cannot be divulged, but we will tell you if an item carries a reserve should you ask.

10. Withdrawal We reserve the right to withdraw any property before sale and shall have no liability whatsoever for such withdrawal.

11. Title A title passes upon the fall of the Auctioneer’s hammer. It will then be the responsibility of the buyer to make full payment prior to removing the goods from the premises. It is both the buyer’s risk and expense for removal and must be made at the conclusion of the sale unless other arrangements are made with the Julia’s Operations Manager. Please note any lots we might make arrangements for moving or storing are solely at the risk of the owner and any damage or loss occurring after the fall of the hammer becomes that of the buyer.

12. Phone Bids At the discretion of the auctioneer, phone bidding may be arranged on more expensive items, (i.e. $500 or more). In order to make arrangements to bid on the telephone at the time a lot is being sold, you must contact our office in advance of the auction. We will make arrangements to call you just prior to the lot being sold so that you may bid over the telephone. There are usually a limited number of phone lines available into the room, so if you wish to bid over the telephone, it is important for you to make your arrangements early. “Cover-me Bids”: if you wish to bid by telephone, you might also want to consider a “cover-me bid” at the time you make arrangements for phone ­bidding. A “cover-me bid” allows your phone contact here at Julia’s to still execute a predetermined bid amount for you in the case that they cannot get through to you on the telephone. Your phone agent is the only person who will have this bid and will only use it to bid in the event that he/she cannot reach you. Assuming you are reached via telephone, they would not use your bid, but rely on your verbal instructions. “Cover-me bids” are not mandatory, you can place one at your discretion, they are simply a safety device in the event you cannot be reached by telephone in time.

13. Agent Responsibility If you are registering or executing a bid for someone else under your number, please bear in mind that you are responsible for the settlement of that account with us regardless of whether the person you’re executing or registering for pays you or not.

in addition shall be 22% of the final bid price over $100,000 which will be applied to each lot sold, to be paid by the buyer as part of the purchase price. Winning bids placed through a third-party online platform may be subject to a higher buyer’s premium. If the Buyer’s Premium set forth on any such platform exceeds the Buyer’s Premium set forth herein, Buyer agrees to pay such additional premium charge.

15. Endangered Species Act The laws of various countries and states regulate the import, export and transport of certain plant and animal items. Julia’s has taken steps to ensure that items offered for sale that are covered by the Endangered Species Act (ESA) meet the standards for sale under this Act. Transport of these items may require special permits or licenses for import, export or delivery into certain states. It is the bidder’s responsibility to obtain all such licenses or permits. Delay or failure to obtain any such permit or license does not relieve the buyer of paying for the item and obtaining title to the item. The company makes no representation or warranty and accepts no liability whatsoever to the seller, purchaser or any third party with respect to compliance with the ESA or with respect to the availability or issuance of valid import and export permits.

16. Legal Dispute Any legal disputes arising from this auction shall be settled in the court system in the State of Maine.

17. Uniform Commercial Code The Maine Uniform Commercial Code, Title 11, Section 2-328 applies to this auction sale.

18. Acceptance of Conditions Bidding on article(s) indicates your acceptance of all of the above terms.

19. Maine Auctioneer Rules and Regulations The Maine Auctioneer Rules and regulations are regulated by the Maine Board of Licensing of Auctioneers, 35 State House Station, Augusta, Maine 04333.

20. Auctioneer’s License Numbers Auctioneer: James D. Julia ME License #AR83; NH License #2511 Mass. License #1406 Not responsible for typographical errors or omissions.

14. Buyer’s Premium Shall be reduced to 21% of the final bid price up to and including $100,000 and reduced to 19% of the final bid price over $100,000 which will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. This is assuming the account is paid by cash, check or any equivalent of cash. If you settle your account by credit card, the Buyer’s Premium shall be the standard 24% of the final bid price up to and including $100,000 and 313

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Shipping Information Our Shipping Department here at James D. Julia, Inc. can package and ship most items anywhere in the world. We use a proven method of packaging your items which includes each item being individually wrapped in bubble wrap surrounded by packaging peanuts (in most cases) and double boxing. We use Federal Express as our preferred ­shipper however we are happy to a­ ccommodate just about any requests you may have.

Payment and Forms Please allow 14-21 days from the time your payment is received for shipping. You will find our shipping forms on our website. If you are a successful absentee, phone or internet bidder, our shipping forms will be mailed to you along with your purchase invoice. These forms must be completed and returned to our offices along with your payment if you request that we ship your purchases. Purchases paid for by credit card or other secure methods will expedite the shipping of your purchases. Items paid for by personal or business check will be held for 10 days before processing by the shipping department.

Cost Domestic Buyers We do charge for this service. You will be billed for labor at an hourly rate of $38.00 ($9.50 per 15 minutes). The material used in packaging your items includes bubble wrap, peanuts and

corrugated boxes. Insurance costs will be $.75 per $100.00 in value (based on the hammer price + the buyer’s premium). You may of course elect not to insure your items; in this case we will require you to sign a release absolving James D. Julia, Inc. of any liability. Federal Express or other shipper’s Charges will also be applied.

International Buyers We do charge for this service. You will be billed for labor at an hourly rate of $38.00 ($9.50 per 15 minutes). The material used in packaging your items includes bubble wrap, peanuts and corrugated boxes. Insurance costs will be $1.50 per $100.00 in value (based on the hammer price + the buyer’s premium). You may of course elect not to insure your items; in this case we will require you to sign a release absolving James D. Julia, Inc. of any liability. Federal Express or other shipper’s charges will also be applied. We will not declare less than the full sale price on any international paperwork.

Delivery of Larger Items and or Special Items Below you will find the delivery company that we use most often. Please feel free to contact them directly for a pre- or post-auction delivery quote. You will need the ­auction date, lot number and zip code of the delivery location along with any s­ pecial delivery requests. Any arrangements made with this company, whether arranged for

by James D. Julia, Inc. or the buyer, does not

Sales Tax Information The State of Maine charges a 5.5% sales tax which must be collected unless the following conditions apply.

A. State of Maine Dealers: must furnish a copy of their current year’s resale certificate in order to be exempt from sales tax. The business type must pertain to the items being purchased.

B. State of Massachusetts Buyers: 1. If you have a Massachusetts state resale certificate that pertains to the types of items you have purchased you are exempt from Sales Tax. 2. If you do not have a resale certificate and purchase and pick up your items at our offices in Maine, there will be a 5.5% Maine Sales Tax. 3. If you do not have a resale certificate and have your purchases shipped to you at a Massachusetts address there will be a 6.25% Massachusetts Sales Tax.

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C. Out of State Buyers: There are two ways to be exempt from the collection of Maine State Sales Tax according to Maine State law.

1. The buyer must furnish a copy of their current resale certificate as well as proof of b ­ usiness type (eg: invoice, business card, brochure, etc.) in order to be exempt from Sales Tax. The business type must pertain to the items being purchased.

2. If the item(s) are shipped or delivered out of state with a­ rrangements made

by James D. Julia, Inc. (this is very important) by common carrier or James D. Julia, Inc., the item(s) are not subject to State of Maine Sales Tax. If the buyer makes their own shipping ­arrangements, or if item(s) are picked up at our facility by the bidder or a designated proxy, the buyer will be required to pay Sales Tax according to Maine State law.

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involve James D. Julia, Inc. and any damages or delivery issues will be between you and them.

James D. Julia, Inc. may decline to ship large, fragile or problem items. In such case you would need to use this outside delivery company or make other arrangements.

Sure Express toll free 800-335-9996 or 877-877-0889 Making Your Own Shipping Arrangements If you are a successful bidder and would like to make your own shipping arrangements, or if your item(s) are picked at our facility by you or a designated proxy, you as the buyer will be required to pay sales tax according to Maine State Law and to sign an insurance waiver to release any item(s). Please note that Julia’s complies with all firearms rules and regulations and therefore cannot and will not release any modern firearms to a 3rd party shipper or proxy.

Pick-up of all items is required within 15 days of the close of the auction.

Contacts Please feel free to contact our offices at 207453-7125, or email s­hipping@jamesdjulia.com.

Understand that just prior to and immediately after auctions we are flooded with calls and requests for estimates and information. Rest assured your calls will be returned.

Frequently Asked Questions Concerning Bidding It’s always best to attend the auction in person to bid on the items you wish, but if for some reason you can’t attend, there is no reason that you can’t obtain some of the items that you would like to purchase. At Julia’s, absentee bidding is always a convenient, easy and safe means of acquiring items that you want. As you can see, our specialty catalogs illustrate all lots to be sold, and as well give a complete description which includes condition. These descriptions, as per the conditions of our sale in the front of your catalog, are guaranteed against major discrepancies with a major impact on the value.

If there are some items here that you think you would like to own but can’t attend the auction, we have many options to help you bid without being in the audience.

If you are the winning bidder, after the auction you will receive an invoice via email and then in the mail from us. Typically the email invoices are sent out within 24 hours after the auction, and the paper invoice is sent out 2 business days after the auction..

1. Bidding Options a. Leave a Bid Send in the form in your catalog or download a bid form from our website http://jamesdjulia. com/absentee-bidding/. You can bid by mail by simply filling out the form in the back of the catalog and sending along a 20% deposit check or credit card information. You can fax the form to us, email it to us, or call us with your absentee bid. A valid credit card is required. Your account is charged only if you are delinquent in making your payment. (There are additional fees associated with using credit cards.) If you provide us with your email address, we will send you a confirmation email to verify the lot numbers, description and amount of your bid.

Please review this confirmation to make sure that everything is entered properly.

Remember, at Julia’s, the way we conduct the absentee bids, it’s entirely possible to buy something for less than your top bid since your bids are executed competitively by our team in an attempt to buy the lot as reasonably as possible, just as though you were in attendance.

c. Live-time Bidding via the Internet Julia’s has partnered with third party online bidding platforms to offer customers the ability to bid live online from anywhere. Julia’s loads all the information contained in our printed catalog on the online bidding sites about two weeks prior to the auction. The lot number, an image of the lot, and a brief description with a presale low and high estimate will be shown on the screen.

Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform.

Julia’s may occasionally experience Internet and/ or Server service outages during which bidders may not be able to participate in the auction.

Julia’s policy is to continue to conduct the auction. d. Absentee Bidding via the Internet Julia’s loads all the information contained in our printed catalog on third party online bidding platforms about two weeks prior to the auction. You may view any of these items and submit bids up to 2 weeks prior to the auction by following their registration and absentee bid instructions. Specific information on how to do this is available on each of their sites. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform.

Julia’s may occasionally experience Internet and/ or Server service outages during which bidders may not be able to participate in the auction.

Internet absentee bidders are advised that their absentee bids may not be executed in the event of technological problems. Julia’s policy is to continue to conduct the auction.

2. How Do I Set Up a Phone Bid? Simply send in your bid form from your catalog

or download a bid form from our website www. jamesdjulia.com/absentee-bidding/ and mark the bid as a phone bid, email it to us at bid@ jamesdjulia.com, fax it to us at 207-453-2502 or call into the office 207-453-7125 to register for the lots for which you would like to bid on the telephone.

3. How Do I Register to Bid Online?

To register, contact the online bidding service, Invaluable at www.invaluable.com, www. bidsquare.com (included only during Lamps & Glass and Fine Art auctions) or www.proxibid. com (included only during Firearms auctions) at www.proxibid.com and register in advance of the auction. You will be notified that you have been approved to bid and your registration will be complete. Winning bids placed on third party online platforms may be subject to a higher Buyer’s Premium. Please read the Conditions of Sale on the third party online bidding platforms to find out the Buyer’s Premium for that platform.

4. How Do I Bid Live Through the Internet Bidding Platforms?

You will need to register for the auction with the third party online bidding platform first. Once you have been registered, watch for your lot. When the lot comes up for bid, a window will display a price the auctioneer is asking for. If the window is flashing $5,500, it means the auctioneer is asking for $5,500. As the auctioneer receives that bid and then asks for a higher bid a new amount will flash in that window. If you have registered to bid you may bid in the auction by simply clicking the bid button on your screen. Regardless of where you are in this country or where you are in the world it will automatically register on a computer at our auction site where a technician will see your bid and bid on your behalf. This innovation allows you to bid live-time during the auction.

Online bidding allows the bids to be almost instantaneously transferred to you and to us, so subsequently you can bid within the confines of that time. There are some people who like to bid

b. Phone Bids On the more expensive lots, ($500+ and up) if you feel you would really like to purchase them and not be restrained by the process of a written bid, we can make arrangements to call you at the time the lot is coming up and you may bid over the telephone on the lots as they are being sold.

Remember phone bids must be arranged well in advance of the auction (see instructions above on how to leave a bid). Also please remember there are a limited number of phones available, so if you would like to phone bid, you should make your arrangements early.

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this way and some of our clients have found it both interesting and convenient to do so. If you have any questions about this please don’t hesitate to call our office, or contact Invaluable, BidSquare (included only during Lamps & Glass and Fine Art auctions) or Proxibid (included only during Firearms Auctions).

Invaluable also provides a web tutorial on bidding for those who would like more details, along with an extensive FAQ section http:// www.invaluable.com/invaluable/help.cfm.

5. How Much Time Do I Have to Bid on a Lot? If the asking bid is something you are willing to pay, do not hesitate. For the most part, the auctioneer does not stop or slow down, he simply moves along at a very brisk pace. It is always assumed by the auctioneer that the bidder knows what they want to bid and if they do not bid or hesitate to bid, it means they are not interested.

The auction process moves very rapidly whether you are live at the auction, online or on the phone. For anyone wanting to be successful, it is important that you know or make up your mind before the lot is sold just how high you will bid on that particular lot. Those who wish to think about it while the auction is in process and bid on impulse, will find themselves not being as successful, being frustrated and sometimes even paying more than they normally intended to.

6. How Much Do I Bid? Bid whatever you wish, our online and printed catalogs as well as online listings offer item descriptions which include estimated low to high value range. These estimates are in no way an indication of what the items will definitely bring. If you will check our past catalogs, you will find some items bring less than low estimates, some items bring far more than the high estimate. So it’s totally dependent upon how badly people want the items.

7. Who Bids?

There are generally two categories of absentee bidders. a. The collector type, who seriously wishes to purchase a given lot or lots. To that buyer we encourage you to bid as high as you feel comfortable bidding. If you seriously want the lot you should not hesitate to consider going above the high estimate to ensure that you get it. b. The next type of absentee bidder is the person who is a dealer buying for stock or a collector willing to buy items only if they are at a real bargain. This type of bidder will often bid on a large number of items knowing full well that not everything will bring a strong price, there are bound to be some things that will fall well below our estimate and that bidder knows that if they leave a large number of bids that they have a chance of picking up a few things at a very Visit www.jamesdjulia.com for more information

reasonable price. Some bidders will leave 3, 4, 5 or 6 pages of bids with us, based with that theory in mind. And usually they are successful with a few items and the items they are successful with tend to be very good buys.

8. What Is a “Plus 1” Bid? Some bidders not wishing to lose a lot for the same price or just slightly above what their top bid was elect to use our “Plus 1” policy. What this does is empower our staff to go one more bid for you in the event someone in the audience has bid the exact same amount of your top bid or just slightly above it. The bookkeeper will then bid one more bid which sometimes is all it takes to get the lot. Typically the auctioneer raises the increments by 10%. If you submit a “Plus 1” Bid, we will increase your bid by 10% over your bid amount. A “Plus 2” bid will increase your bid by 20%.

9. What is a “Cover” Bid? The phone bidding system is not a perfect one.

You may be out mowing the lawn and forget about your bid. Or somehow, the phone number got transposed and the phone agent is desperately trying to reach you but unbeknownst to them, they are calling the incorrect number.

Or the phone system could break down. Any myriad of other issues can arise. If you seriously want a particular item, your best strategy is to leave a cover bid.

A cover bid is a bid which you leave along with your phone bid instructions. If for any reason at all, your phone agent is not able to get in contact with you, they are authorized to bid up to that amount. Please note, your agent does not use the cover bid if they have you on the telephone. You are in control when you are on the telephone.

The cover bid is only an insurance policy in the unlikely event that your phone agent is unable to make a connection with you. Subsequently, the only way your cover bid is utilized is if your phone agent cannot get through to you. They will bid up to your cover bid and no more.

Again, please remember, the cover bid means nothing if your phone agent gets ahold of you.

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Even though you left a $10,000, when your phone agent has you on the phone, you might decide not to go any higher than $4,000. That is your prerogative. On the other hand, you might change your mind and decide to go to $15,000.

That is still your prerogative and the benefit of being on the telephone.

If you choose to not leave a cover bid and if we do not reach you on the phone, there is nothing we can do at that point.

10. Will Julia’s Tell Me What the Top Bid is on a Lot? Absolutely not. At Julia’s we never ever divulge how much an absentee bid is or who has left bids. Under no circumstances do we ever divulge that information. We can advise you and assist you with your bids. For instance, if you only have $3,000 to spend but are interested in three separate lots all in the general value range of $3,000 and don’t know which one you should pursue, you may call our office and if two of the lots you are interested in seem to have a great deal of interest in them and the third lot has no interest whatsoever, we will gladly advise you of that. Remember, under no circumstances would we ever divulge who has bid or how much any of our absentee bids are.

11. Can I Leave an Unlimited Bid? Absolutely not. We cannot honor bids which do not have a set top amount. If you want a lot very badly, then we suggest you bid well above the estimate and pick a figure that you would feel comfortable owning it at should it go that high.

12. Does Absentee Bidding Work?

Absolutely. At our specialty auctions from anywhere to 25% to 45% of all merchandise is purchased by absentee bidders. And some items are acquired for well less than their top absentee bid.

13. Does the Auctioneer Reopen Bidding?

The James D. Julia Auctioneers must conduct their auctions in accordance with UCC statutes which specifically state that when the hammer

falls, the bidding is concluded and the winning bidder announced is the new owner. Because of this law, the auctioneer cannot and will not reopen the bidding because you decided too late to bid. This is a law and the auctioneer must abide by this. The only exception is “where a bid is made while the hammer is falling in acceptance of a prior bid. The auctioneer may in his discretion reopen the bidding or declare the good sold under the bid on which the hammer was falling.” This is the only exception. Therefore, if you seriously want a lot, do not hesitate to bid because once the hammer falls it is sold and there is nothing the auctioneer can do about it.

14. How Do I Know if I Won? After the auction is over with, our staff will send out bills to all the successful bidders on the next business day. Please do not attempt to call the auction facilities the day of the auction. Our lines are frequently busy with phone bidders and we cannot tie up the lines and the office staff when not on the phone with absentee bidders.

They are extremely busy cashing out customers and very rarely have time to check the records for bids at that time. If you must call, we would advise you to call the afternoon of the first business day following the auction.

15. What is a Late Bid? We frequently process thousands of bids for an auction. Please make sure your absentee bid form is received by Julia’s no later than 4:00 pm EST the date before the auction. If you are an international bidder, or first time bidder, please allow two additional days to establish your account with Julia’s If you are mailing or faxing bids we encourage you to phone our office before the auction to confirm that we received your bids. A while ago, we sent a group of eight letters out to people in various parts of the country and for some reason, the entire packet of eight letters took 14 to 16 days to get to their destination. Please be sure to call and confirm that we’ve received your bids if they’ve been sent out seven to ten days prior to the auction.

16. How Much Does it Cost? a. Absentee Bids processed by Julia’s are a service provided to our customers totally free of charge, there is no cost to you. b. Phone Bids processed by Julia’s are a service provided to our customers totally free of charge, there is no cost to you. c. When you win an item through an internet platform, there are additional service fees. Please see the Conditions of Sale for the third party online bidding platforms for more information.

the speaker system broadcasting everything the auctioneer is saying and in front of the phone bidders sits a myriad of auction participants, many of which may be speaking with one another. Bottom-line is that an auction is an incredible arena of activity and noise and very difficult for your phone agent. The best way for success is to be prepared and do not try to converse with your agent in the process; simply say a “Yes” bid or “No” bid. If you are silent your agent may think the call has been lost and so it is always best to let them know when you are “Out” and would like to stop bidding.

17. How Does the Phone Bidding Process Work the Day of the Auction? What Should I Expect?

Your phone agent will call usually a few lots early to be sure to get you on the telephone on time to bid for the lot. Your phone agent will remind you of a few important instructions on how to successfully bid.

18. What Can I Do When I am Phone Bidding to Better My Chances of being the Winning Bidder? a. Know what you want to bid in advance.

The most successful bidders are the ones that are prepared. To maximize success, you should study the lots and make a decision as to what your ultimate bid should be before you even get on the telephone. If you know you are willing to go to $10,000 and no more and the phone agent tells you that the auctioneer is looking for $5,500, you do not need to think about anything, you simply say “Yes.”Your agent will tell you and repeat one of two messages; either “We have it,” which means there is no need to bid at this moment or “The auctioneer is looking for $5,500, do you want to bid? The auctioneer is looking for $5,500, do you want to bid?” If you want to bid, do not hesitate, do not try to invoke a strategy, do not try to measure the “pulse” of the auction bidding; simply say “Yes, bid,” but say it loudly so there can be no question that your phone agent hears you and perhaps repeat yourself. You need to understand the auction environment for your phone bid agent. The phone bidder is at a table, sometimes there are as many as 10 or 20 other phone bidders on either side of your phone bidder speaking to their bidders. In the background and overhead is

c.

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b. During the bidding process, only communicate to your phone agent whether you want to bid when they ask you.

Speak loudly.

d. Do not hesitate. The auctioneer will not wait for you anymore than he would for someone in the audience. It is a fact that at every single auction, there are one or two phone bidders who complain and feel the auctioneer should have waited to give them more time to make their decision. If you want to bid, then you need to bid. e. Last of all, when arranging your telephone bids leave a cover bid as a form of insurance.

Good luck. If you have any questions concerning this service, please call before the auction and we will be glad to assist you in any way we can.

—Jim Julia

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Online Bidding James D. Julia, Inc. has partnered with Invaluable and Bidsquare to host its auctions live online

Register now at invaluable.com or bidsquare.com for James D. Julia’s upcoming auction and then login on the day of the auction to bid live on your favorite items!

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Absentee Bid Conditions

Please read if you are submitting absentee bids.

1. Important Note: Absentee bids are a service provided to our customers free of charge.

Every effort is made to execute all absentee bids.

However because of the thousands of bids that must be processed just prior to an auction, it is inevitable that a few mistakes will occur. Your best protection is to attend in person, but if you cannot, please understand that this is not a perfect system at any auction house. To better serve our absentee bidders, we have what’s referred to as a Plus One and on phone bids a Cover Bid. You should definitely read about both of these in below sections and consider using them to help ensure your participation.

We will do everything in our power to execute your bids properly, however, in the event of an error of omission, or failure to properly execute absentee bids, the Auctioneer shall not be held liable.

2. All absentee bids must be accompanied by a 20% deposit, which will be refunded immediately after the auction if your bid is unsuccessful. If your bid is successful, your 20% deposit will be applied to the purchase price and the balance due upon presentation of our bill. If time does not permit a 20% deposit, you may confirm your bid by your Visa, MasterCard, Discover or American Express. If you provide a credit card number, we would use your credit card number if you don’t pay by 15 days after the auction for the balance due.

3. To execute an absentee bid, fill out the absentee bid form that can be found in the auction catalog, call us at 207-453-7125, or you can also click the BID NOW button on our website that appears on every lot in the auction and use our online absentee bid form. All of these forms require your contact information, item information including lot number and description, as well as the top bid price (not including the buyer’s premium) and/or cover bid (phone bidders only) and Plus 1 bid (if desired) for each lot you would like to bid on.

We encourage you to submit your absentee bids as soon as possible. If two absentee bids are received with the exact same amount, the first one received will take precedence. Your absentee bid must be received by Julia’s no later than 4:00 p.m. EST the day before the auction. If you are an international bidder or first time bidder, please allow two additional business days to establish your account with Julia’s.

4. Bids are handled in a competitive manner by our staff who bids on your behalf in an attempt to buy the object for less than your top bid. If your bid is the only bid on a lot we will not start bidding, we will wait until the audience opens the bid and then compete with them until you have either won the lot or it has Visit www.jamesdjulia.com for more information

gone beyond your limit. It is therefore possible to buy a lot well under your top bid. If two or more bids are received on the same item from different people, the bidding will open at the next increment above the second highest bid.

5. All bids must be in even dollar amounts.

Bids in fractions of dollars or odd amounts will be rounded up to the next bid increment.

Therefore, if someone leaves a bid of $ 2,350 we will automatically round it off to $ 2,500.

The following is our standard increment table: Low

$0

High

$249.99

Increment

$25

$250

$499.99

$50

$500

$1,999.99

$100

$5,000

$9,999.99

$500

$2,000

$4,999.99

$250

$10,000

$19,999.99

$1,000

$50,000

$99,999.99

$5,000

$20,000 $100,000

$49,999.99 +

$2,500

$10,000

The auctioneer reserves the right to change any bid increment from the podium at their discretion.

6. Open bids or bids with no set top amount or orders to just simply buy the lot cannot be accepted by us. You must have a definite top limit before we can execute your bid. Some bidders concerned that their lot might just go for one bid above their top limit, leave a top bid Plus One bid. This works as follows: The top bid submitted might be $1,000, but not wishing to lose the lot for simply one more bid, the Plus One bid allows our staff to bid one more time on your behalf. So if you left a $1,000 bid plus 1 it would allow us to go $1,000 plus $100. If you said $1,000 plus 2 bids that would mean $1,000 plus $200. Pursuant to the above table, if you left a “Plus 1” bid for a $2,000 item, the next bid would be $2,250. If you left a “Plus 2” bid, it would be $2,500. (NOTE: One possible problem that occasionally arises with absentee bids is when someone in the audience bids exactly the amount which you specify is your limit. In such a case, we would not go one extra bid unless your bid sheet indicates Plus One bid.)

7. If you wish to bid by telephone, you might also want to consider a Cover Bid at the time you make arrangements for phone bidding. A Cover Bid allows your phone contact here at Julia’s to still execute a predetermined bid amount for you in the case that they cannot get through to you 320

on the telephone. Your phone agent is the only person who will have this bid and will only use it to bid in the event that he/she cannot reach you.

Assuming you are reached via telephone, they would not use your bid, but rely on your verbal instructions. Cover Bids are not mandatory, you can place one at your discretion, and they are simply a safety device in the event you cannot be reached by telephone in time.

8. Notification of Success: Only successful bidders are contacted. Winning bidders will receive a bill via email within one business day of the last day of the auction. A written bill is usually sent within three (3) working days after the auction. The bill will be accompanied by shipping information. Unsuccessful bidders are not contacted. Phone inquiries regarding your success cannot be answered until the afternoon of the first business day after the auction.

9. Shipping: If you are a successful bidder, a bill will be sent shortly after the auction. This bill is due upon receipt. Enclosed with the bill is a shipping form. If you wish to have us assist you with shipping, please complete this form. A charge for this service includes labor, packing materials, shipping and insurance.

We require that all shipping be paid for at the time of shipment, so we will need payment in full, or your credit card information to process the charges. The Auctioneer reserves the right to hold merchandise purchased by personal or business check until the check has cleared the bank, if the Auctioneer deems such action necessary to protect his interest. Use of certified funds, wire transfers or other form of guaranteed funds will expedite shipping. Payment by credit card is 3% higher than using wire transfers, certified funds or checks. Shipping typically takes 14 to 21 days after payment has cleared (depending on shipping department workload).

The Shipping Department may decline to execute instructions to ship items which are too large or too fragile to be shipped by common carrier. In such cases, the only way we can ship these special items is by way of a letter from the buyer releasing us from the responsibility of any damage that might occur in shipping 10. Confirmation of Bids: Typically within one business day of submitting an absentee bid, you will receive an email from Julia’s confirming the lot(s) and the bid information you provided.

If there is an error, please contact us immediately.

11. Bidding on any article(s) indicates your acceptance of these terms above and the Conditions of Sale. If you need additional information on any of the items, please contact our office.

Absentee Bid Form James D. Julia, Inc.

Office Use Only BIDDER #:

Auction Name & Date:

Date:

Employee taking bid:

Abs. Bid

Time: Phone

203 Skowhegan Rd. Fairfield, ME 04937 T: (207) 453-7125 F: (207) 453-2502 www.jamesdjulia.com email to bid@jamesdjulia.com

Both

Auth: RFC#:

Name Business Address Address City State Country Postal Code Email Phone 1 Phone 2 Cell Fax Credit Card # Exp. Date

Office Use Catalog Number

Description

Terms. In addition to the terms contained in this Absentee Bid Form, the Conditions of Sale and the Absentee Bid Conditions set forth in the catalog for this auction (online and printed versions) are incorporated by reference, just as though fully set forth herein.

Payment. Payment for all items purchased is due upon the earlier of (a) 15 days from the date of auction or (b) upon receipt of invoice.

If payment is not made within 15 days of the date of the auction, James D. Julia, Inc. is hereby authorized to charge my credit card for the total purchase price together with the applicable Buyer’s Premium and any accrued interest. Interest shall accrue on all amounts due at the rate of 1.5% per month (18% annually).

I desire to bid on the following items in the sale.

The bids are to be executed by James D. Julia, Inc. up to, but not exceeding the amount(s) specified on the below bids.

Bid Amount

Cover or +1

Office Use

Please make sure your bid sheet is received by Julia's no later than 4:00 p.m. EST the day before the auction. If you are an international bidder or first time bidder, please allow two additional business days to establish your account with Julia's.

Signature of bidder

Date 321

rev. 05-08-17

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BIDDER #: Office Use Catalog Number

Description

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Bid Amount

322

Cover or +1

Office Use

Lot 1013 323

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Lot 1143 Visit www.jamesdjulia.com for more information

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Lot 1541

James D. Julia, Inc. | 203 Skowhegan Road, Fairfield, ME 04937 | (207) 453-7125 | www.jamesdjulia.com