JIE XU Male B.O.D: Aug. 15, 1987 Tel: +1(858)8880041 Email: xj87815@gmail.com Address: Apt.B4 414 S 44th St. Philadelphia. P.A.19104 Personal Website: http://jie815.wix.com/jiexu
EDUCATION University of Pennsylvania Dual Master of Landscape Architecture +Architecture 2011.09-2015.5(expected) China Academy of Art Bachelor of Art Architecture and Environmental Design 2006.09-2010.07
The portfolio of Jie Xu
LANDSCAPE + URBAN DESIGN 1.MILLING - UEBAN DESIGN
Jan 8.- Jan 17.2013 ULI Gerald D. Hines Student Urban Design Competition Project Location: Minneapolis.MN.USA Group work Jie Xu(main designer)
ARCHITECTURE 6.DANCE WITH SHACKLES - PERFORMANCE PLACE DESIGN Nov.8.- Dec.2012 PennDesign ARCH 501 studio,Fall 2012 Instructor: Josh Freese Rhino / Cinema4D / Papakura Solo Work
2.LIFELINE - URBAN DESIGN
7.BLOSSOM NATURE - INTERIOR DESIGN
3.EMBRACE - PARK DESIGN
8.BLOSSOM CHAIR - FURNITURE DESIGN
Jan 8.- Jan 17.2013 1st Place Winner Schenck-Woodman Memorial Scholarship Competition Group work Jie Xu(main designer)
Mar-Apr.2012 PennDesign LARP 502 Studio,Spring 2012 Instructor: Karen M’Closkey Solo work
Sep.27-Oct.22. 2012 PennDesign ARCH 501 Studio,Fall 2012 Instructor: Julie Beckman Rhino / T-spline / V-ray Solo Work
Sep.2-Oct.26. 2012 PennDesign ARCH 501 Studio,Fall 2012 Instructor: Julie Beckman Rhino / T-spline / V-ray Group work Jie Xu(main designer)
4.GARDEN NO GARDEN - GRDEN DESIGN Feb.- Mar.2012 PennDesign LARP 502 Studio,Spring 2012 Instructor: Karen M’Closkey Solo work
5.UNDER THE HIGHWAY - PARK DESIGN Feb.- Mar.2011 PennDesign LARP 501 Studio,Fall 2011 Instructor: Dilip da Cunha Anuradha Mathur Group work Jie Xu(main design)
ART WORK 9.THE CHARM OF ZEN - SCULPTURE
Dec.2008 excellent work prize of the 3rd student birdhouse competition 2008 Instructor: Hui Li Solo Work
10.RORSCHACH FLYING MACHINE
Dec.2013 PennDesign Digital Blast II,Summer 2012 Solo Work Rhino / V-ray
11.COLORFUL DAY - PAINTING MACHINE ANIMATION Dec.2013 PennDesign Visual Study,Fall 2012 Instructor: Simon Kim Rhino / Grasshopper / Cinema4D / AE/ Premiere Solo Work
12.HAND DRAWINGS
1. Lujiazui old brick building - ink 2. Girl portrait - pencil 3. Sequential sketches - pencil Solo Work
1
MILLING - UEBAN DESIGN
Jan 8.- Jan 17.2013 University of Pennsylvania ULI Gerald D. Hines Student Urban Design Competition Project Location: Minneapolis.MN.USA Group: Jie Xu(main designer), Yao Lu, Xiwei Zhang, Wenmo Zhang, Kuan Gao My work part: Main Idea,Landscape Plan and Architecture building design, digital model rendering.
L
MI ING
L
REVITALIZE THE MILLING DISTRICT IN DOWNTOWN MINNEAPOLIS
RAW MATERIALS
PROCESS
SYMBOLIC SMART
SOCIETY
OFFICE
STATION
LIGHT RAIL
RETAIL
PEDESTRIAN
PARKING
RESIDENTIAL
BIKE SHARE
FAST LANE
GOVERNMENT CENTER
ZERO OUT DOOR
ACCESSIBLE
TRANSPOTATION
ZERO OUT DOOR
INTEGRATED
RECREATION
LUDIC
SUSTAINABILITY INFORMATIVE
MILLING
SUSTAINABLE
INTEGRATED GARAGE QUICK TRANSIT
BY: JIE + YAO TIME-BASED INTERACTIVE MEDIA
BILLBOARD
OFFICE
STATION
CELEBRATION RETAIL
SKYWAY
MULTI-MEDIA ARCADE
OVERPASS
RESIDENTIAL
ROOFTOP GREEN
SYMBOLIC SKYWAY
UNDERPASS
GOVERNMENT CENTER
BICYCLE
OFFICE
BUS STOP
RETAIL
PEDESTRIAN
RESIDENTIAL
RAIN WATER
BIKE SHARE
GOVERNMENT CENTER
SOLAR PANEL
RETAIL
OPEN SPACE
BUILDING PHASING
PRODUCTS
INGREDIENTS
PHASE ONE
SMART STREET
OFFICE
PARKING
BILLBOARD
BUS STOP
GALLERY
SKYWAY
RAIN WATER
GENERAL HOSPITAL
ZERO OUT DOOR
GOVERNMENT CENTER
ROOFTOP GREEN
SOLAR PANEL
HISTORIC PLAZA
RETAIL
BILLBOARD
OFFICE
CORRIDOR DEVELOPMENT S E R V I C E PA R K I N G L O T, RENOVATED SHOPPING MALL, R E L O C AT E D N E W S PA P E R BUILDING
TERRITORIAL PRODUCTION COMPLEX
RESIDENTIAL
PHASE TWO
INFORMATIVE SERVICE BUILDING COMPREHENSIVE SCHOOL
RESIDENTIAL
SKYWAY
HOSPITAL
ROOFTOP GREEN
RAIN WATER
HEALTH CENTER
CIVIC CENTER
HISTORIC ATTRACTION
SOLAR PANEL
EXCHANGING OFFICE CENTER
GALLERY RETAIL
RAIN WATER
SPORTS VENUE
SOLAR PANEL
BY: KUAN
LUDIC PLAYGROUND
RELATIVE MIX STRUCTURES AFFORDABLE HOUSING, SKYWAY, PARANOMA HOTEL, COMMUNITY CENTER, SENIOR HOUSING DISTRICT
SKYWAY
BY: JIE +XIWEI
ROOFTOP GREEN
RAIN WATER
RIVERFRONT
SOLAR PANEL
SYNTHETIC GARDEN WATER OVERLOOK
PHASE THREE
DESIGN PROCESS
SECONDARY CONNECTION
PRIMARY CONNECTION
BY: JIE
WATERFRONT
SIGNATURE BULDING SIGNATURE MILL CITY RETAIL R O W, C O M M U N I T Y S E R V I C E BUILDING, HOUSING COMPLEX
ARMOTORY
PHASE FOUR
+
+
+
+
METRODOME
+
+
+
+ +
+
+ +
+ +
+ BY: JIE
ICONIC TOWER MULTI-MEDIA ARCADE, TERRITORIAL PRODUCTION COMPLEX, MISCELLANEOUS SKYWAY
BIRD VIEW
GREEN BUILDING
RAINWATER CATCHMENT ROOF GARDEN
EASEMENT
EASEMENT
green rooftop
hot air chimney
NATURAL VENTILATION
PROPERTY LINE
WATER FILTRATION
SUN SHIELD
SOLAR PANELS
MATURE TREES
water collection
RAIN GARDEN
STREET SECTION BY: XIWEI
0 ft
25 ft
150 ft 75 ft
BY: KUAN
RAINWATER COLLEECTION TANK
BY: JIE
2
LIFELINE - URBAN DESIGN
Jan 8.- Jan 17.2013 University of Pennsylvania 1st Place Winner Schenck-Woodman Memorial Scholarship Competition Project Location: Grays Ferry.Philadelphia.PA.USA Group: Jie Xu(main designer), Yelena Zolotorevskaya, Natasha Chamilakis,Nicole Cabezas My work part: Landscape Plan and architecture building,Pod design, digital model making and rendering.
EMERGENCY TIME PLAN BY: JIE XU
DIAGRAM BY: YELENA
DESIGN PROCESS BY: JIE
CHUNK OF WETLAND
AXON BY: JIE XU
BY: JIE XU
life line
life line
circulation
UPENN MEDICAL SCHOOL
industrial area
BIRDVIEW BY: JIE
GREEN STREETS
green field green street
residential district
Greenworks Plan
CITY OF PHILADELPHIA 2010 Sustainability plan for philadelphia,it builds on the 2007 Local Action Plan for Climate Change and Green PLan. Green2015 Plan CITY OF PHILADELPHIA Create 500 Acres of open space by 2015.It identifies Vacant land.
PERSPEVTIVE barrier WETLAND RESTORATION
PODS TYPES BY: JIE
CNew Tida/Non - Tidal Wetland creation PWD,SRDC,PARKS RECRERTION Gives 200+barrels to residents to connect to gutter downspouts
Philadelphia Watershed Mitigation Registry
TOP
PERPECTIVE
PWD 2008 Urban Ecological Restoration is the goal, it focuses in restoring wetland,daylighting streams, and restoring waterways
GROUP
Urban Wetland Registry
First in the nation, to facilitate wetland banking
TYPE 0
TYPE 1
TYPE 2
EVERYDAY PLAN BY: JIE
TYPE 3
ICOSA segment 1 bend 90 angle 40
ICOSA segment 2 bend 140 angle 40
TETRA segment 3 bend 90 angle 40
TETRA segment 3 bend 140 angle 40
ICOSA segment 2 bend 90 angle 40
ICOSA segment 2 bend 180 angle 40
city grid
city topo
BY: JIE XU
3
EMBRACE - PARK DESIGN
Mar-Apr.2012 University of Pennsylvania LARP 502,Spring 2012 Project Location: Bridesburg.Philadelphia.PA.USA Instructor: Karen M’Closkey Designer: Jie Xu Tasks: Free Hand Rendering, Physical Modeling,Montage
N
EMBRACE
To motivate an isolated and abandoned place.Releasing people from the stastic urban grid and promoting the social vitality.
EMBRACE THE CITY -Break and unravel the grid -permeable edge -promote social viality
SITE CONDITIONS AREAS
EMBRACE THE NATURE
-Water management,such as clean the Frankford creek -Create cological habitate, like grassland and wetland
EMBRACE HUMANLIFE
-Let people “get lost” -various spatial experience,circulation,sghtview -diverse programs
DESIGN PHASES POLLUTIONS AND SEWERS
PRIMARY
N
SECONDLY
TRITIARY
PLANS PHASE1+PHASE2 PLANTING+ MONSOON
PATHS
CITY GRID
TRANSPORTAION
PHASE 1 PATTERN
PHASE 2 PATTERN
ZONES biking
ACCELERATE
private space playground performance
WIND
sailing camping skidding
ACCELERATE
fishing habitats hiking observing birds boating
WATER MANAGEMENT
SECTIONS
TIDES SEWERS GROUNDWATER UNDERGROUND WATER
50-YEAR
WATERSPOUT
FLOWS
SECTION
BIRD VIEW
HISTORY DATA
100-YEAR
4
GARDEN NO GARDEN - GRDEN DESIGN
Feb.- Mar.2012 University of Pennsylvania LARP 502,Spring 2012 Project Location: Bridesburg.Philadelphia.PA.USA Instructor: Karen M’Closkey Designer: Jie Xu Tasks: Free Hand Rendering, Physical Modeling,Montage
This is a garden lying at a fork in the road. The zigzag path runs through the meadow slope with undulating X and W-shape. Meadow grows in sparsity, blurring your eyes: She is glistening yet shaded, she is enchanting yet gloomy; Meadow sprawls, obscuring the path: She has brushed past but is yet to come, she has arrived but has already gone. What you see is invisible, what you pass is not a road. No matter how you choose to depart, There was ever a garden, here, there was never a garden, here.
N Plan 1"=40' N
This is a garden lying at a fork in the road. At the confluence of X and W-shape meadow slope, is where you fall in deeper and deeper. The ground under your feet is gradually above and hide you away; You come with the light while flee away in seeking the light. No matter how you choose to depart, there was ever a garden, here, there was never a garden, here.
This is a garden lying at a fork in the road. No matter which way you take, there are two paths to leave: One exit is called remember, another is called forgetting. No matter how you choose to depart, there was ever a garden, here, there was never a garden, here.
MONTAGE WORK- LOST
THE REGION WAS KNOW IN COLONIAL TIME AS POINT- NO-POINT,DUE TO THE DECEPTIVE APPEARANCE OF THE BLUNT CAPE AT THE MOUTH OF THE CREEK.WHEN FIRST SEEN GOING NORTHWARD IT APPEARED TO BE A POINT,BOLDLY JUTTING OUT INTO THE STREAM AND UPON COMING NEARER,IT LOST ITS CHARACTER AND SEEMED TO BE AN ORDINARY PORTION OF THE RIGHT BANK; ON FURTHER APPOACH IT SEEMED TO AGAIN JUT OUT INTO A POINT.
HISTORY
POINT - NO - POINT THAT IS THE POINT - FOCUS ON HOW THINGS CHANGE ACHIEVE SELF-ORGANIZED
PHENOMENA
CONCEPT
- STH - NO - STH -TO DESIGN A GARDEN WHICH CONTAINS ALL THE PHENOMENA SO IT CAN BE THE MININATURE OF THE WHOLE SITE
STRATEGY
WALKING - ROAD NO ROAD
HORIZONTAL COVERING - ROAD NO ROAD
VIEWING - SIGHT NO SIGHT SPACE - LIGHT NO LIGHT VEGETETION - GROUND NO GROUND
VERTICAL SHADING - EYE LEVEL CHANGE DARKNESS TO BRIGHTNESS - NARROW TO OPEN DIRECTION OF GROWTH - GROUND CHANGE
- A QUOTE FROM JAMES CORNER IN “REPRESENTATION & LANDSCAPE”, “SPACING ALSO IMPLIES A CONCEPTUAL ABILITY TO ‘THINK ACROSS‘ SPACE. AS HEIDEGGER HAS SHOWN, THINKING CAN ‘PERSIST THOUGH‘ DISTANCE AND TIME THAT PERSON IS GOING ‘SOMEWHERE‘, HE/SHE HAS A DESTINATION, AND, TO ANY THING OR PLACE. WHEN ONE MOVES THOUGH LANDSCAPE SPACE, IN A PHENOMENOLOGICAL SENSE, PART OF THE INDIVIDUAL IS ALREADY THERE, OCCUPYING, THINKING, PERVADING.”
SPIRITUALLY YOU HAVE ALREADY CROSSED THE WHOLE SITE
PATTERN
HASADESTINATION PHYSICALLY GET LOST - THE GARDEN SHOULD LET PEOPLE NOT SIMPLY FOLLOW THE PATH WHICH EXSITS DIRECTLY AND CLEARLY. IT SHOULD BE THE ONE THAT LET PEOPLE INITIATIVELY FIND THE ROAD. SECTIONS SECTION 4
SEC TIO N5
SECTION 3
SE CT ION 4
ARMATURE MODEL
SKETCHES
SECTION 1
DIAGRAM
N
2
SECTION 2
IO
I
CT
CT
SE
SE
3 ON
C SE
TIO
Site
Road
Drainage
Vegetation
N1 SECTION 5
SITE
ROAD
DRAINAGE
VEGETATION
5
UNDER THE HIGHWAY - PARK DESIGN
N
Feb.- Mar.2011 University of Pennsylvania LARP 501,Fall 2011 Project Location: Bala Cynwyd.Philadelphia.PA.USA Instructor: Dilip da Cunha Anuradha Mathur Group: Jie Xu(main design), Yifang Zhang Tasks: Free Hand Rendering, Physical Modeling,Montage
PLAN + SECTIONS
To Belmont Ave.
To Cynwyd Heritage Trail
To Main St. Manayunk
ORIGINALPLAN
ORIGINALSECTIONS
DESIGNED PLAN
DESIGNED SECTIONS
6
DANCE WITH SHACKLES - THE PERFORMANCE PLACE DESIGN Nov.8.- Dec.2012 University of Pennsylvania ARCH 501,Fall 2012
Instructor: Josh Freese Designer: Jie Xu
We are all born with shackles. At first, we are limited by too many factors: the rigid rules, the old habit, the idol ... Then, we try to struggle in our life, facing our limitation and develop our potential, we follow the signal and decode the fate. “ ... man is something that must be surpassed. —That man is a bridge and not a goal...” (Thus Spake Zarathustra) Finally, Dionysus is calling, he throws the cloak of dream and inebriation around us which keep us from being ruined by the truth. We begin to create the future of our own, we sing as we want and dance as we want. Now, we break through the gate, leaving the twilight of the idol behind and welcome the dawning of the freedom.
BAR
STAGE
First Floor 1/64’’ UP
UP
Second Floor 1/64’ BATTLE WITH SURROUNDINGS
N
INTERIOR VIEW
SECTIONS
SITE PLAN VIEW
bar
dining
seat
stage kitchen
Section I 1/32’’
restroom
LOOKING SOUTH VIEW stage
seat
bar
dining
kitchen
restroom
dining
bar
stage seat
Section II 1/32’’
kitchen restroom
PROGRAM EVOLUTION
LOOKING WEST VIEW
Section III 1/32’’
7
BLOSSOM NATURE - INTERIOR DESIGN
Sep.27-Oct.22. 2012 University of Pennsylvania ARCH 501,Fall 2012
Instructor: Julie Beckman Designer: Jie Xu
ENJOYMENT
SECTIONS
crystallize the glass (distort transpant) when get soild the mud then become to
ROCK
enclesed wall
movable windows (aperture)
AIR
TRANSITION OF EACH NATURE ELEMENT
furnitures
The dune whill become to MUD DUNE
roof
occupied area
WATER
transparent and reflected
walking system
“WATER” - GETING THINGS TOGETHER CONNECTING SPACE
CREATION
HAZY + HALF AWAKEN
windows
MEDITATION study
ENTERTAINMENT
sleeping and meditation
reading
“DUNE” - GETING THINGS SLOWLYDOWN OCCUPY THE SPACE
CIRCULATIONA + DRAINAGE
“AIR” - ALLOW THINGS TO BREATH MOTIPLE USING THE SPACE
creation center
social
meditation
sleeping
north side
2 floor DRAINAGE study
exhibititon
1st floor and south side
“ROCK” - LET THINGS SETTLE DOWN ENCLOSED THE SPACE
AXSON
8
BLOSSOM CHAIR - FURNITURE DESIGN
Sep.2-Oct.26. 2012 University of Pennsylvania ARCH 501,Fall 2012
Instructor: Julie Beckman Designer: Jie Xu, Leah Liu
structural glass
cushion
screw stainless steel stainless steel adjuster hole for adjust height stainless steel frame stainless steel for ratation
DEISNG PROCESS
the back of a chair 15’’
AXON
the back of a chair 30’’
the back of a chair 10’’ 60 DEGREE DIVIDED
PIPING - 2D-3D
ANCHOR - SUPPORTING DENSITY - CENTRIPETAL
SUBDIVID - ORGANIC
PLAN
the back of a chair 15’’
sleeping
1 PERSON
axis buckle
2 PERSON
the back of a chair 10’’ interview
chat
chess
axis
3 PERSON reading
darwing tutorial
cushion 4 PERSON play station
dinner with guest
FRONT axis axis
bridge playing
5 PERSON
family meeting
6 PERSON bottom frame lounge
9
THE CHARM OF ZEN - SCULPTURE
Dec.2008 Excellent work prize of the 3rd student birdhouse competition 2008 Project Location: Shanghai,China Instructor: Hui Li Designer: Jie Xu Tasks: Free Hand Rendering, sculpture
Working Process
Phase 1
The Charm of Zen Relevant Conception： Taoism’s freedom & Buddhism’s Mercy We choose “protection” out of two considerations: one is the mercy upon the protected; the other is the guiltiness about human’s selfishness.
Phase 2
Chuang-Tzu*: Nature has spectacular beauty but never boasts. Bird is the sign of the forest, and there’s no better place than the forest for them to live in. Thus, it is not my priority to seek a certain form or its function. Just like a sculpture at a certain place, I make a nest for anyone who’d like to live in. out of consideration of nature concervation and humanism, following Master Hong Yi*, who created the painting album Protection of Life, I name it “Nest Protecting Life” to let people cultivate their compassion and mercy upon life.
Phase 3
*Chuang-Tzu A famous anciant chinese taoist philosopher. He greatly influenced the history of China. *Protection of Life The painting album of cartoon series,produced by Master Hong Yi, a famous Buddhist in the early 20th century, and his student Feng Zikai, whose gist is to publicize benevolence of Buddha Dharma and the thoughts of stoping killing and protecting life.
Phase 4
Photo taken in the Sculpture Workroom
Phase 5
10
BLOSSOM NATURE - INTERIOR DESIGN
Sep - Nov. 2012 University of Pennsylvania Visual Study,Fall 2012
Instructor: Simon Kim Designer: Jie Xu
Rorschach (born Walter Joseph Kovacs) is a fictional character and an antihero of the acclaimed 1986 DC Comics miniseries Watchmen. His mask displays a constantly morphing inkblot that is based on the ambiguous designs used in Rorschach inkblot tests.
Rorschach Mask
IFM Plan
STORY LINE
11
COLORFUL DAY - PANTING MACHINE DESIGN - ANIMATION
PART 1
Sep - Nov. 2012 University of Pennsylvania Visual Study,Fall 2012
MODEL In part 1, I was interested in the different rotation derived of composed gears .Based on the mechanism of Ferris Wheel and Planing Machine,I created this painting machine. Although a lot of gears could offer various rotation,but it also has the limitation of the direction of rotation and it seems antiquated and heavy.
Instructor: Simon Kim Designer: Jie Xu
the core
Visual S
main body
Visual Study
COLORFUL DAY
els and guns
whole body rotation
Visual Study
COLORFUL DAY
STORY LINE CAMERA intro
oke shooting
water shooting
audio
PART 2
CAMERA composed
main body
RFUL DAY PART
3
DEVELOPED MODEL
Visual Study
COLORFUL DAY audio
ANIMATION
fireworks shooting
the core
In part 3, I made an animation to show the components and how these components work together and the animation also showed what can this cute guy do. He is shooting, includs colored smoke,water,and also the fireworks !
STORY LINE
STORY LINE
main body
CAMERA
CAMERA
body movement
intro
audio
audio
wheels and guns
whole body rotation
CAMERA
CAMERA
shooting
composed
Visual Study
COLORFUL DAY
water shooting
audio
audio
the core STORY LINE
main body
smoke shooting
CAMERA
body movement
CAMERA intro
audio
audio
wheels and guns
whole body rotation fireworks shooting
CAMERA
CAMERA
shooting
composed
audio
audio
the core
main body
smoke shooting
water shooting
water shooting
In part 2 in order to make the machine clean, light and flexible while enlarge the painting area driven by the rotation from the whole body. I used the structure of Rubic’s cube to replace the gears. And array the unit to make it organic.
COL
12
HAND DRAWINGS 1. Lujiazui old brick building - ink 2. Girl portrait - pencil 3. Sequential sketches - pencil
LUJIAZUI OLD BRICK BUILDING
SEQUENTIAL SECTIONS
SEQUENTIAL SKETCHES
GIRL PORTRAIT
AW AR
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The portfolio of Jie Xu