Jinwoo jung pf2018

Architectural Portfolio

jinwoo jung.

Melbourne School of Design University of Melbourne

2014-2018

the hinge.

formal settelments old town batavia

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B

informal settelments Kampung Tongkol

B EXPOSURE OF LOCAL CAPACITY

SOCIAL EMPOWERMENT

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Design Thesis Semester 2 2017 Masters of Architecture

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C’ TOURIST ATTRACTION

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ECONOMIC OPPORTUNITY

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MULTI-ETHNIC LIVING QUARTER

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Amongst Jakarta’s discordant urban duality and social threshold between formal and informal settlements lies a unique case study of Kampung Tongkol. Through voluntarily cutting back their household along the riverside in 2015, the community exemplified resilience and capacity to take control of their livelihood yet still faces constant threats of eviction.

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RELIGIOUS ESTABLISHMENTS

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MARKETS

ATTRACTORS

ground floor plan 1:200 1. kali besar promenade 2. public platforms 3. warung market

first floor plan 1:200 4. rumah akar courtyard 5. boat & onthel tourism office

6. cafe 7. central courtyard 8. staff circulation

9. WC 10. operable market entry 11. market/bazaar

12. dining area 13. open stage

1. rentable gallery 2. renteable gallery 3. prayer room

HETEROGENOUS SOCIAL COMPOSITION

4. ablution zone 5. staff lobby 6. WC

7. meeting room 8. office 9. workshops

10.collaborative studio 11. lobby/historical gallery

12.amphitheatre 13. youth hall REVERBERATIONS

The thesis aims to empower such community through the usage of architecture as a ‘hinge’, initiating interaction between the socio-political impact of municipalities, kampung communities and tourists.

Through temporal and appropriated spaces of encounter, the ‘hinge’ acts as a communal/economic/ municipal connector where the relevance of the community in the livelihood of Kota Tua is reinforced.

Canal promenade/public pockets

Activated bazaar frontage

North-east perspective

Activation of walkable access and water access via kali besar canal, using site as an attractor point for the kampung and fatahillah square

Central courtyard

Rumah Akar gallery

Public amphitheatre

Inter-connected functions & spaces

internal circulation & zoning public public/communal services & staff commercial

communal ‘hinge’ points communal circulation

Sectional perspective C-C’

INTIMACY & LIVELIHOOD

THE HINGE

Adaptive central courtyard

ECONOMIC OPPORTUNITIES

the maker’s farm.

Design Studio E Semester 1 2017 Masters of Architecture

THE Maker’s Farm is a collaborative space in which artists and the public engage to take part in living a healthier urban lifestyle.

Central laneway

The Maker’s Farm houses an external and internal orchard that grows pear and fig trees with the capacity to gr ow up to 150 trees per type.

Each tree will produce approximately 260-300 fruits per year, and will complement each other throughout the season. These orchards become a responsibility for not just the harvesters but by the makers, being trained and educated during their residency.

Artist’s residence

Eastern orchards

Northern workshops C

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Ground floor plan

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Section B-B’

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1. Processing room 2. Market lane 3. Storage

4. Retail stores 5. Eastern orchards

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C’

12. Maker studios 13. Gallery 14. Northern orchard (pears) 15. Outdoor exhibition area 16. Workshops 17. Buffer garden 18. Pick-up zone 19.Irrigation pond

B’

1. Artist’s residence 2. Artist’s courtyard 3. Western orchard (pears) 4. Restaurant 5. Eastern orchard (figs) 6. Retail stores 7. Processing room 8. Cooling room 9. Central laneway 10. Markets 11. Eastern orchard(figs)

Section C-C’ 1. Gallery 2. Maker’s studios 3. First floor gallery/storage

4. Eastern orchards 5. Northern workshops

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the young old.

Design Studio Semester 2 2016 Masters of Architecture

When we think of accommodation for the elderly, quite often it is easy to think of retirement villages or nursing homes, or other facilities in which there is a controlled environment with staffs and carers. There is a stigma towards these typologies that is associated with a sense of incapability and restricted living, as well as being very expensive.

Northern elevation

The truth of the matter is, despite the relationship of accommodation for the aged with an age-care facility, only a minority of the aged population in Australia resides in these facilities whilst many continue to live independently, often in detached houses and in isolation along outer suburban areas.

Eastern elevation

Sectional perspective

Kitchen

Living/dining Ground floor

First floor

The aim of the project is to develop an independent multi-residential housing for the aged community that is not focused on the aim of ‘protection and care’ but to promote higher standard of wellbeing and liveability through accessibility, sociability, and security.

Second floor

Bathroom (post-adaptation)

Distance Intimacy

Bedroom

North-east perspective

‘Home-ness’: memory/warmth/personalization

Integration of elegance & ergonomics

First floor atrium

Groud floor atrium

Typical unit floor plan

wave hill pavilion.

Design Studio Semester 1 2016 Masters of Architecture

The Bower Studio 2016 celebrated the 50th anniversary of the Wave Hill Walk-Off in the Northern Territory, by designing and building 3 bough shelters along key locations of the walk-off trail (Kalkarindji, Gordi Creek & Jinbarak).

1. Excavation of ground for installation of footings.

2. Creating timber moulds for pouring of concrete.

3. Mixing & pouring wet concrete into timber moulds.

4. Setting and curing concrete overnight.

5. Installation of steel ribs onto exposed concrete footings using dynabolts.

6. Each ribs were welded together with its relevant joining plates in accordance to its panel location prior to the installation.

7. Perforated/corrugated/blank steel framed panels bolted onto rib structure.

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The individual panel orientation and typologies allow different light quality to shine through in each pavilion and create shadings from the harsh sun.

The design of the shelter was derived from the stories told by the community elders and traditional owners, as well as some abandoned artefacts found on site.

The students were thoroughly involved in the construction process, ranging from installing pad footings to fabricating benches and tables to be installed below the shelters.

A wide variety of tools and constructoin techniques were introduced, and exposed the students to the real-life construction process which involved constant problemshooting and setting deadlines to finish the project in time.

Wave Hill pavilion, Gordi Creek

Wave Hill pavilion, Jinbarak

Karukanji art centre.

Design Studio Semester 1 2016 Masters of Architecture

As a continuation of the built Wave Hill pavilions, the Karunkarni Art Centre proposal for the town of Kalkarindji aims to redevelop the relationship between the local artists, residents and tourists through place-making and the local artworks, generating income revenue and reconnection between the tradition and culture of the land to the wider public.

The art centre takes on a semienclosed form that activates peripheral zones around the centre of the town and articulates existing socio-spatial use.

It collectively aims to give active opportunity for the local culture and history of the Wavehill Walkoff to be recognized and passed down through generations, through celebrating the importance of cultural production.

Ground floor plan

North elevation

Heritage gallery West elevation

Gallery entrace

Exhibition/function

1. wave hill pavilion 2. entrance/verandah 3. office 4. heritage & art gallery 5. artist’s workshope

6. storage 7. exhibition area/function space 8. bush plant & medicine garden 9. existing art centre

outré gallery.

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Design Studio Semester 2 2014 Bachelor of Environments

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The new design proposal for the Outré Gallery aims to undertake the gallery’s philosophy of ‘breaking out of traditional gallery setting’.

The traditional setting of a gallery is reversed where the peripheral area is emphasized, with all activities revolving around the central void.

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Ground floor plan

Sitting along the corner of Albert St. and Sydney Rd., The Outré Gallery intricately works within the urban framework of Brunswick but still aim to maintain a vibrant, eccentric nature within; the exposed glu-lam frames and the brick screen wall recognizes the prominent active zone along Sydney road, and evokes a sense of curiosity by giving glimpse of the internal environment.

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Internally, the circulation weaves around throughout the structure continuously for a consistent spatial flow, with each zones being distinguished through drastic contrast of its internal environment; the glue-lam frames dictates the circulation of the cafe, supported with custom-des igned kitchen and bar tables.

First floor plan 1. Foyer 2. Contemplation space 3. Cafe 4. Storage

5. Gallery 6. Book store 7. Office 8. Loading bay

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9. Manager’s residence 10. Reading room 11. Staircase exhibit 12. Rentable gallery

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ROOF

Section A_A’ GALLERY

Sydney Rd/Albert St. Perspective

BOOKSTORE PRIVATE GALLERY GLASS PANEL

STEEL FRAME

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BRICK SCREEN

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CAFE

Section B_B’

PRAGMATIC/STRUCTURE EXPLODED AXONOMETRIC

Exploded axonometric

Main entrace

Cafe

Book store

1. Cafe 2. Gallery 3. Contemplative zone

4. Staircase exhibit 5. Workshop/drop-off zone 6. Entrance

LAGI initiative: Copenhagen

residual heat is used to heat swimming pools

extraction of solar energy via solar ponds

Design Studio Semester 1 2014 Bachelor of Environments

Rankine cycle generates electricty through turbogenerator, which in turn also generates residual heat energy

electricty produced is fed back into electric grids, or used for any other maintenance/functional reasons

energy distribution

The LAGI project for studio Air aims to reclaim and revitalize an empty industrial site into a public community space that will, through its technology, facilities and art, stimulate and challenge the minds of the users about renewable energy and resource generation & consumption.

form generation

The parametric design form aims to establish a new mindset to the visitors, allowing a revaluation of how creative art can be incorporated into creating awareness for a sustainable built form.

Solarpond energy analysis

The form embraces minimal surfacing tools, creating a vibrant, abstract environment where public functions and features are intertwined into a whole.

Using a solar pond energy generation system, the embodied energy is converted to electricity and sent back to the grid.

Material prototyping

3D-printed model

Solar pond

Central plaza

Swimming Pool

Plant room

Water features

the oddish.

Summer design elective 2017 Masters of Architecture

THE Oddish is a collaborative installation project undertaken with students of the University of Melbourne, United Make, and Cube Zero. Utilizing rapid prototyping, responsive design and collaborative process, The Oddish is a result of an intense 2 weeks process of designing, trouble-finding and fabricating.

The individual flower petals made with thin paper is connected to a customized gear mechanism with light sensors connected to an arduino board. 6 petals of varying sizes are connected onto another sub-structure, forming 10 sets of clusters. The form and position of the clusters were determined using motion mapping from Kinect, maximizing performance in terms of motion, interaction and response.

Gear mechanism assembly

The Oddish was exhibited as part of the NGV Design Week 2017, and was commissioned for another set of installation for White Night Ballarat 2018.

Flower module assembly

SOUTH ELEVATION SCALE1:25

0.5m

Elevation of module layout

1m

2.5m

virtual environments.

Design Studio Semester 2 2013 Bachelor of Environments

Virtual Environments focuses on the reflection of the self-organization of the natural world and its application within the design process, adapting and expressing such processes through digital fabrication.

The bark of a tree is consisted of the inner and outer bark. The outer bark is formed due to its incapability to keep up the pace of the trunk growth, and represents the tree’s maturity and growth, as well as a symbol of protection.

Top elevation

Through sketches, clay models and prototypes, the form was tested to incorporate the characteristics of both the inner and outer bark, the concept of the cycle of life and its ergonomic qualities.

After a series of prototypes testing the light exposure, joints, materials and strength, the final design was panelled and unrolled onto templates. After the fabrication of the model, 9 LED lights were embedded into the lantern, distributed around the ring-like form.

Front elevation

Right elevation

the precast tower.

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A5.1

Applied Construction, Semester 1 2016 Masters of Architecture

Applied Construction is a core subject from the University of Melbourne which explores construction methods and details of high-rise buildings.

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Roof Plan

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Scale 1:100 at A2

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This project was focused on the exploration of 3 main ideas: the usage of a triangular core with shear bands & outriggers, the usage of pre-cast concrete cladding material and the detailing of the core components of the crown, the body and the podium.

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A5.1

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Section Detail

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Scale 1:50 at A2

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Roof Plan

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Scale 1:100 at A2

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Roof Plan Scale 1:100 at A2

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Section Detail

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Scale 1:50 at A2

1:50 Scale model

Selected detail of crown,BMU system and precast panels

Section and typical floor plans

construction design.

Construction Design Semester 2 2013 Bachelor of Environments

Construction Design is a core subject which aims to undermine the relationships between the architect’s design intent with the constructional realization.

Through the analysis of the constructional process of the Dandenong Education Precinct, a 1:20 physical model, 1:20 detailed axonometric drawing and 2 detail drawings was produced to highlight the underlying constructional methods, architect’s design intents, functions and services of a selected section of the building.