Joachim Daetz - Portfolio by joachimdaetz

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Portfolio Architect Joachim Daetz

Portfolio

Content

Résumé

Tectonics Experiencing space through models

Museum „Staged Reality“ Exhibition at Stadtmuseum Dornbirn Follow the Surfaces, Openair Exhibition at Dessaus Industrial Area Undefined Borders, Photography Museum in Ljubljana

Topography Ode to the View, Haifa

Experimental House in Nowhere, Lissabon

Urban Planning Bridges of Kalalinn, Tallinn Artist River, Cortina

Résumé Joachim Daetz LIFELINE 08.08 - 06.10 Leaving Certificate Sligo Grammar School, Ireland 09.10 - 01.11 Interior Design Studies Kingston University, London 03.11 - 10.11 Mailman German Post, Munich 11.12 - 03.12 Electornic Music Production Dubspot, New York City 06.12 - 08.12 Construction Worker Probat Construction Firm, Munich 09.12 - 02.16 Bachelor of Science in Architecture University of Liechtenstein, Vaduz 07.13 - 09.13 Construction Worker Probat Construction Firm, Munich 08.14 - 02.15 Intern for mainly Residential Buildings KBNK Architects GmbH, Hamburg 05.15 - 11.15 Barkeeper and Doorman Miami Bar JB, Feldkirch, Austria 02.16 - 05.16 Service Worker at Highway Rest Area Tank&Rast GmbH, Vaterstätten 05.16 - 08.16 Intern for Urban Analysis & Competitions Dragomir Urban Planning, Munich 09.16 - 09.18 Master in European Architecture Tallinn University of Technology & Universidade Autónoma de Lisboa

DESIGN SKILLS Adobe InDesign Adobe Photoshop Adobe Illustrator Vectorworks ArchiCAD Microsoft Excel Microsoft Word SketchUp Rhino Ableton Live

INTERESTS

Photography

Jogging

Music and Music Production

Layout and Documentation

Skiing

Hiking

MASTER PROGRAMME

PERSONAL STATEMENT

09.16 - 09.16 DR01 - Analysis of Process, Dagmar Jäger Tallinna Tehnikaülikool 10.16 - 11.16 WS01 - Urban Strategies, Emil Urbel Tallinna Tehnikaülikool 11.16 - 12.16 WS02 - Architecture Project, Irina Raud Tallinna Tehnikaülikool 01.17 - 02.17 WS03 - Urban Intervention, Marusa Zorec Univerza v Ljubljani 03.17 - 04.17 WS04 - Transforming Context, Michal Baroz The NB Haifa School of Design 04.17 - 05.17 WS05 - Spatial Strategies, Dagmar Jäger Bauhaus, Dessau 05.17 - 06.17 WS06 - Prog. Architecture, Maria Schneider Universität Innsbruck 09.17 - 10.17 WS07 - Prog. the City, Ricardo Carvalho Universidade Autónoma de Lisboa 10.17 - 12.17 WS08 - Experim. Design, Franc. Aires Mateus Universidade Autónoma de Lisboa 01.18 - 09.18 WS09 - Master Thesis, Emil Urbel Aalto Yliopisto & Tallinna Tehnikaülikool

Hans Joachim Daetz Born 18.11.1991 Munich, Germany

I am 26 years old, studying European Architecture at TTU and UAL. This dual master program is designed to physically experience different cities as architects to understand how different they work, due to history, language and culture. My personal strength in architecture lays within the analysis and the creating of programs as well as the design phase. The passion to photography helped me to zoom into details of life and architecture, which pushes me to also apply them in my design process. LANGUAGES

Contact +49 157 55841210 JoachimDaetz@hotmail.com

GERMAN

mother-tongue

ENGLISH IELTS 7.5

Adress Jahnstraße 29 85521 Ottobrunn

Tectonics Prof. Gu Daqing

Obtained Skills

4. Semester Bachelor

finding a concept that is strong in itself

This semester was about experiencing space through models, with the help of tectonic actions. This project was an extremely important work in my studies because I always thought that this is how architecture worked. By experiencing space through the creation of something physical. You can touch, rotate, examine and improve the model, but at the same time, it is important to update the floor plans, to not to lose the sense of scale.

model materiality extending my layout knowledge laser-cutter experience self reflection in design process

It is important to study each model closely to avoid the errors or bumps in the next model. This studio was divided into different stages. The first step was to understand what tectonic means in architecture; this was done using case studies. My example was the Barcelona Pavilion by Mies van der Rohe. Our professor, Gu Daqing, has simplified tectonics in architecture into 3 types: slab, stick and block. After studying our examples, the idea was to create a design concept based on the Barcelona Pavilion. I started by cutting and folding paper. This technique lead me to the next stage - materiality. This was the stage of playing with different model materials, to show that cardboard is not the only material and that the materials in real life have textures and characteristics. By using different materials, I quickly realized how many possibilities there were. After endless variations, it was important to get back on the ground and regain a foothold in the next stage - simplification. For me, this step of simplification is enormously important because it proofs again and again that less is more. The build of a 1:20 model was the final step that showed us that materials have strengths and weaknesses, are sometimes thicker or thinner and look sometimes better if they run from left to right and sometimes better from right to left. An incredibly valuable studio where I learned a lot about myself, the design process and architecture.

Cut

Fold

Correct

Concept

Design

Materiality

Reduction

Construction

Groundfloor

1. Floor

2. Floor

3. Floor

Elevation - West

Elevation - South

Elevation - North

Elevation - East

Staged Reality Prof. Kathrin Aste

Obtained Skills

5. Semester Bachelor

teamwork spirit

The exhibition â&#x20AC;&#x153;Staged Reality - Private Chronicles of a Frontâ&#x20AC;? aims to stimulate a critical and simultaneously mediating engagement with the actual and staged reality of photography. When looking at photographs, one understands these mostly carelessly as an image of reality, without questioning the truth content of the represented.

realization of a project search for sponsors metal working experience criticizing fellow students project reduction due to budget cuts layout skills expanded

At a slight distance from the city museum a wooden backdrop with truss bracing is located, which optically occupies a large part of the facade and thus refers to their reference. The design undergoes a slight horizontal bend, as if it had been subjected to torsion. The scenery is the bearer of a picture of Franz Beers, which shows a gathering of uniformed men facing away from the photographer. By extracting the image from the Beers Collection, photography is decontextualized for the viewer. The group of people now no longer seem to be facing the viewer of the picture, they seem turn away from the them. Through this shifting of the context the viewer becomes part of the picture and the picture becomes part of the viewing. In the alignment of the scaffold is an inclinated platform that acts as a tribune. This breaks down in two levels with different inclination. Both, the platform and the pedestal of the scaffold, are painted white. A white-sprayed surface provides the base for this architectural installation and blends into an interacting ensemble through the optical unity. This newly generated space is intended as a temporary, public meeting place to generate a place of exchange. Through this optical manipulation in the form of magnification and sharpening, the photographed moments from the past are brought into the presence and allow the viewer to become part of the picture. Through this observation, it is now also on the viewer and not the photographer to choose the focus. The recipient becomes the observer of a past observation.

+14.455

+11.12

+8.30 +7.785

+4.75

+3.00

+0.93 +0.73 Â±0.00

Schnitt Mst. 1:100 GSEducationalVersion

Design outside space

Construction outside space

Vernissage

Design inside space

Detail tripod

Construction inside space

Vernissage

Follow the Surfaces Prof. Dagmar Jäger Rhys Martin

Obtained Skills

2. Semester Master

public space understanding

The workshop “Spatial Strategies” aims to investigate selected artistic, urban and architectural topics with a local, but superordinate European relevance like transformation of modern heritage or industrial sites out of function. The tracing of the historical, partly destroyed representations and related sites of the Bauhaus period until 1933 will be connected in a “Public Space Exhibition” to bridge the modern architecture, historical designs, performances and concepts of the Bauhaus interventions to the new buildings like the Museum 2019, activities of the city and the contemporary artistic projects of the Bauhaus foundation nowadays. An urban network of interventions for knowledge transfer revealing the modern heritage in Dessau.

identification of public space knowledge transfer thr. public objects exhibition conceptions

Four tasks: [1] Mapping and analysis of previous results, lectures, site visits [2] Selection of sites, connection with the network, pathway concept [3] Design of spatial concepts of selected sites (scale between 1:200/1:5) [4] Individual working mock-ups and visualization in drawings and graphical representations I started my work with the help of the book “Die unsichtbare Bauhausstadt - Eine Spurensuche in Dessau” by Andreas Butter as the only reference to my work. All of my work is based on the knowledge I gained from the book. This was due to the short period of only two weeks. After analysing the book and making first drafts of my own pathway I started to analyse the urban spatial qualities that my chosen buildings had to offer. Six main buildings around Dessau became part of my path, from which I wanted to detail four a bit more. Reading boards, surface boards, a chimney as viewpoint, photos on building walls and mock ups of past urban situations became part of my elements for the knowledge transfer.

History of the Industry in Dessau

Chosen stations

1 2 5 3

1. Station, Junkerswerke

2. Station, Tischlerwerkstatt

3.&4. Station, Zuckerfabrik

5. Station, Arbeitslosen Amt

Public Space of my open air exhibition

1. Station, Intervention

3.&4. Station, Intervention

Undefined Borders Prof. Marusa Zorec

Obtained Skills

2. Semester Master

understanding layers of a city

My favourite technique in photography is reflection. Photography became part of the art scene worldwide and is appreciated until today. It can just portrait exactly what is there, but with some techniques it can twist the reality. Galleries are spread around Ljubljana containing photography. Photography is a crucial topic for the society of today, everybody owns a smartphone and takes many pictures each day, even sharing them on social media.

reflection in architecture and photography modelling materials and characteristics museum architecture circulation in public buildings

This museum, could help appreciate “Photography” again. Make the people conscious of what photography means, to make them aware of the overflow of pictures we see each day. Facebook and other social media contain billions of pictures which we watch each day, spending probably less than a second on watching one picture. Our attention span has badly decreased over the years. Pictures need to be very special so we even think about looking at them for more than a second. Thus, it can already be enough if pictures in a gallery hang in different heights, to make people stop just walking by quickly. However, to even go a step further I would like to work with the layers that Ljubljana has to offer. I think it’s important for the people to stop looking just into their phones to see virtual realities and start appreciating the reality again. Ljubljana has many layers, three of which are close to my intended building site: Plečnik (Bridge); Medieval City (with the castle) and the ‘modern part’ (including people of today). (And also the river could become a layer of history.) To work with these layers it would be interesting to treat each of these topics on one floor of the photography (museum). Each floor could have some sort of reflection on the facade which reflects a different layer of the city. All together could become a nice assemblage which, when treated separately, can isolate and show one layer at a time, but when seen all together from outside may just seem like a ‘mess’ or an interesting collage of different bits and pieces of the city.

Undefined

Borders

Existing Floorplan

Demolition of one wall

Adding walls

Wall doubling for circulation

Concept Sketch

Concept Model

Circulation Model

Working Model

Final Model

Reflection Plexiglas

Reflection Wood

Reflection Transparent Film

Reflection Sketchpaper

Reflection Cardboard

Floorplan Concept Section

Model

Ode to the View Arch. Prof Horacio Schwartz Arch. Lenka Cederbaum Arch. Michal Baroz

Obtained Skills

2. Semester Master

working with topography

My proposal was to create a performance centre for artists, soon I realised that the building has a lot more to offer than just that. So I kept thinking until I got to the point where I wanted to continue the shuk (market) on the south side of the building, which faces the Sirkin street, which at the same time is the market street of Hadar. Facing north, opens up a beautiful view over the sea. The park continues outside of the shell to continue also the topography of the site. This park which leads up to the shuk, or down from it, creates a shortcut through a public space, by doing that I am creating a reason for people to use the space, even if itâ&#x20AC;&#x2122;s just by walking through it, instead of around it. The building becomes a Connector, due to the great accessibility.

urban planning knowledge working with existing buildings lifestyle of local people history of Israel

The shuk on the south side along the building offers a great opportunity for markets, cafes and small restaurants to open up a place to continue to beautiful flow of the market that already exists. The first floor then can be used as a view point over the market, on which you can sit out side on to enjoy your coffee above the busy street of the shuk. Walking out north a small path could lead you to the top of a building, which is converted to a rooftop terrace/open space. One floor above, the roof, will be the viewpoint floor. Even this rooftop terraces has an opportunity for a cafe to open up to sell beverages to people who like to enjoy the view over the entire neighbourhood of Hadar, up the Hill Mount Carmel and of course the sea. The building has its biggest opening on the North-West corner where it is completely opened to ensure the maximal view for visitors. A white/black box found its place in the center of the building, for practicing and performing for events. The stage can be continued outside of the shell since it is at the same level as the topography outside. By opening up this building so greatly on the north-west faĂ§ade it of course opens up the view to the sea but at the same time create a reason for people to also look up the hill for the first time ever.

Existing Floorplan Current Situtaion

Current Situtaion

quite area

nn co r to ec

lively area

Concept Topography

-6

Section

-6

GF +1 m -6 m

-3

-2

-3 -2,5 -2 -1,5 -1 -0,5

-1,5 -1 -0,5

-7 m

-3 m -3 m

-3 m -6 m

UG -3 m UG -6 m UG -7 m

0m -3 m

Groundfloor Rooftop

1. Floor

1. Basement

2. Basement

Sections

Visualization Model

The House in Nowhere Prof. Aires Mateus

Obtained Skills handling concrete models designing on the model less is more light influences Importance of the studio atmosphere design process through self-reflection art and living exposure of art works circulation in the house

2. Semester Master The space in nothing. To create architecture without context seemed difficult to me, no colours, shapes or nature to adapt, to get inspired by. But then I realized: nothing means nothing. A quite space. Each room acts as an own instrument, it lets sound travel depending on the surface of the material, materials itself, size of the room and how the materials are fixed. If the room is already creating sounds by its own, how will I be able to enjoy the simple sound of running water in the sink or the noise that is created whilst cooking, loud metallic sounds of pots clinging on the stove and the frying noises my chicken creates in the pan. These sounds, the daily, normal sounds, made in a space, make it to a home. The idea for this project started with the interest in different ways of enlightening the inside spaces. From intense direct light to indirect and defused light, the spaces form different levels of enlightenment. With 5 separate spaces the journey to a successful connection was intriguing. Forming a pentatonic patio to arrange the spaces, facing the smallest sides to the middle and outside, proved to be the best solution. The very long entrance is the beginning of the circulation throughout the house, it begins in a dark space with almost no light but the opening at the end, where Masaccio is placed in the centre of the viewpoint. Arriving to the kitchen, which is higher to your left, you are faced with very direct light and openings. The following bathroom space is dropped back to the entrance hight and is a box in a box. In the middle a glassbox is paced in which all the wet activities of a bathroom take place, like showering and bathing. The rest of the bathroom needs are placed around the translucent glassbox alongside the walls, where the painting form Van Eyck is placed next to the mirror. This translucent box has a translucent ceiling which leads to an effect as if the middle of the bathroom is on a cloud. In the bedroom the hight remains the same, the space is endowed by indirect and defused lightening, which allows a comfortable sleep. The last and biggest space is the music room, in which Rothko is placed underneath an overhang that introduces light to the sidewalls which act as wall-washers. This way the painting is never to be in contact with direct light, just as in all the other rooms.

van Eyck

Richter

Masaccio

Rothko

Serra

dients eperate Ingredients5 Seperate Ingredients

+ + 5 Artworks ?

5 Separate Spaces ?

5 Enlightenments

ow heto Dish? prepare the Dish? How to prepare the Dish?

1 House ?

Concept Light studies 2,000m

2,000m

Light study Reflected Light

Direct Light

Indirect Light

Spacial indirect Light

Defused Light

Volumetric Studies

Floorplan Model

Atmospheric Sections

Bridges of Kalalinn Prof. Irina Raud Prof. Ignar Fjuk

Obtained Skills future oriented thinking designing on an urban scale competition orientated results designing without a model is difficult urban planning knowledge

1. Semester Master The main idea was to create an axis from the entrance of Linnahall to the old Prison and maybe future residential complex. Among this axis there will be a curvy pedestrian bridge, starting at the top of the Suur-Paterei which then loops around through Kalalinn creating a nice pathway for people to walk on and to even enter some of the homes from above. Enabling them to exit their top apartments from just outside. Kalalinn would become a new city area with a lot of quality of life. It will be a mixture of luxury living, social living, working and visiting the main attraction of Kalalinn: the concert hall. The bridge system would underline the orientation for Businessman, Inhabitants and visitors to the Concert Hall. The main bridge will connect Suur-Patarei to Kalalinn all the way back to Vana-Kalamaja. The second Bridge would connect Linnahall and maybe the new Town Hall, designed by BIG Architects, with the bigger part of Kalalinn. Offices and Apartments will be mixed, so that at night a whole part of the city would be â&#x20AC;&#x153;deadâ&#x20AC;?. Small Cafes, Shops, Restaurants, Supermarkets and Kindergardens would improve the quality of life within Kalalinn. All of that should not be a reason to never leave this beautiful part of the city. The newly created pedestrian bridge should be a quick and nice connection from some of the front doors to the old town. The public square at the old pier will create a place for people to gather in the summer or before and after events in the concert hall. In nice conditions there might be even some events outiside on the square. The square is perfectly protected from the wind. Also the patios underneath the houses will create additional safe places from the wind and rain. When you would sit on the square you will have the perfect conditions to enjoy your hot beverage (or cold) to enjoy the view back to the beautiful old town. The few towers that raise themselves ofer up to 36 meters create landmarks to easily find your way to important buildings, like the concert hall or the new pier. The small pier will be a nice place for people to lay their boats there. It is angled just so that it blocks off the waves, which are created by the Northwest-wind. This pier, just like the one at Linnahall, creates an attempt to one day have a quick connection (by boat or even car) to Helsinki.

KA LA LI NN

Location

Bridge

Fishcity Kalalinn

Concept

Windbreaking Volumes

Masterplan Volumes

Perspectives

Figureground Section

[Zeichnungstitel]

Maßstab: 1:200

[Zeichnungstitel]

Maßstab: 1:200

2 2

Floorplans Section 4

[Zeichnungstitel] Maßstab: 1:200

Artist River - Uni fiume di artisti Prof. Maria Schneider

Obtained Skills

2. Semester Master

group dynamics

In our concept, we try to address as many different groups as possible. By connecting existing structures with new buildings, we want to create centres along the river, which will strengthen the new life of Cortina.

understandable concept development creation of various programs Urban planning knowledge coherent overall presentation

By creating working spaces for artists in Cortina, we aim to attract a completely new community. Giving artists the chance to reconstruct a forgotten area has proven to be very successful in the past. Soon, forgotten and ruined areas will be redesigned by artists to become new centres for locals and tourists. The area of the old train station was what we thought of, there artists can settle down in existing buildings, with newly created spaces inside to visualize their dreams. From there on a public square, as we call it, wriggles down to the new train station that we designed, which is located at the river, close to the church of Cortina. This connection will be visualized with one pavement structure from the old train station, through the city centre to the new train station. A tent structure will cover most of the paths from one side to the other. If this concept proves to succeed, there will be no stopping for the growth of Cortina. New living spaces can be created, new schools and public facilities can be easily added to our master plan. Building a University will also attract students from all over the world to spent a short period in Cortina. A research centre could be build for students and workshops. The other big bonus of Cortina will be the TV Station. Since the TV Industry is booming at the moment it will be very easy to create a TV show in Cortina, maybe just about the life in the alpine region. The small interventions along the river, or over the river, are made for sport activities or artist activities. These modules can vary along the river to reinforce the small riverbed with life. The river area is poorly accessible which is very unfortunate, all this beautiful land is wasted for nothing. To improve these areas we thought of the system of activities which can happen right on top of the river. This way unused land can be used, in a creative and innovative way. It can be just a half pipe on top of the river for skaters to use, or it can be a covered platform for artists to draw peacefully with the noise of the river rushing beneath them. All in all, Cortina has many possibilities to become a rural part of northern Italy. It is important that every member of the society believes in one Concept and is willing to invest for it. First up: A new Train connection, in combination with new artist spaces in Cortina!

Alto Adige

Corďż˝na Belluno

Trenďż˝no Belluno Treviso Venezia

Cortina

Concept

Sport %

Culture

Sport

Art

Center

Masterplan Atmospheres

Models

Masterplan Section

Visualizations by Tobias Hauer