20th Century Art + Design

20th Century Art + Design Sale 127 November 13, 2018—2pm 145 East Walnut Avenue, Monrovia CA 91016 Previews November 9-12: 12pm-4pm November 13: Doors open 10am

Pg. 58 2103 A Venini/Vetri Murano art glass plate

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Decorative Arts Department Roland Rynkiewicz Furniture & Decorative Arts Director Vice President roland@johnmoran.com

John Simon Taylor Furniture & Decorative Arts Specialist jsimon@johnmoran.com

Jardine Bruce Furniture & Decorative Arts Cataloguer jardine@johnmoran.com

Kim Jarand Furniture & Decorative Arts Specialist kim@johnmoran.com

Fine Art Department Morgana Blackwelder Fine Art Director Vice President morgana@johnmoran.comÂ

David Trujillo Fine Art Specialist david@johnmoran.com

Bobby Cullen Fine Art Cataloguer bobby@johnmoran.com

Jeff Moran President jeff@johnmoran.com

Pg.75 2129 A ceramic tea service, Alphonse Cytère

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2001 Rodolfo Nieto (1936 - 1988 Mexican) “Samurai Esfumado,” 1963 Oil on masonite Signed upper left: Nieto, titled and dated on an exhibition label affixed verso 25.5” H x 19.5” W $7,000/9,000 Provenance: Property from the Collection of Nancy Nieto, California.

Exhibitions: The Museo Chicano, Phoenix, AZ, “Nieto & Nancy,” n.d.

Notes: This work is accompanied by a letter of authenticity from Nancy Nieto.

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2002 Alfredo Garcia-Salazar (20th Century Mexican) Indy cars, 1969 Oil on canvas Signed and dated lower right: Garcia-Salazar, signed and dated again and indistinctly titled verso 39.5” H x 49.5” W $1,000/1,500

2003 A Mexican oversized ceramic chess set Circa 1970s Some pieces initialed: LM Comprising brutalist ceramic chess pieces together with a fabric board, 33 pieces Chess board: 48” H x 47.5” W; largest chess piece: 10” H x 4” W x 3.125” D $600/900

2004 Sergio Bustamante (1949 - * Mexican) “El Tigre” Brass and tin Incised above right ear: Sergio Bustamante / 12/100 21” H x 31.5” W x 15.25” D $600/800

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2005 Victor Salmones (1937 - 1989 Mexican) “Los dioses del agua,” circa 1975 Bronze Signed and numbered: V. Salmones 13/110 61” H x 71” W x 19” D $1,500/2,500 Provenance: Property from the Estate of Nancy Chandler.

2006 Victor Salmones (1937 - 1989 Mexican) “Lineas” Bronze Incised: Victor Salmones 3/10 44” H x 46” W x 15” D $1,500/2,500 Provenance: Property from the Estate of Nancy Chandler.

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2007 Twelve Mexican sterling silver buffet plates Mid-20th century Each stamped: Sterling 925 Mexico; indistinctly stamped for maker Each with notched rim, 12 pieces Each: .5” H x 11.25” Dia. 220.290 oz. troy approximately $1,500/2,000

2008 Two Mexican sterling silver table items Mid-20th century Each stamped: Sterling / [Eagle 1]; each indistinctly stamped for maker Comprising a modern-style coffee pot with wood handles and a streamlined caviar bowl on footed stand, 2 pieces Coffee pot: 10” H x 9.25” W x 3.75” D; caviar bowl on stand: 5.875” H x 5.5” Dia. 37.755 oz. troy approximately $600/900

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1969

2019

2009 Gustavo Montoya (1905 - 2003 Mexican) “Girl in Pink Dress” Oil on canvas Signed lower right: gustavo montoya, titled on a gallery label affixed to the backing board 22” H x 18” W $6,000/8,000 Provenance: William Karges Fine Art, Beverly Hills, CA.

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2010

2011

2010 Rafael Coronel (1932 - * Mexican) “Man in Red” Pencil and chalk on board under Plexiglas Signed and inscribed lower right: Rafael Coronel Mex Sight: 29.75” H x 39.75” W $3,000/5,000

2011 Francisco Zúñiga (1912 - 1998 Mexican) Kneeling woman, 1962 Ink on paper under glass Signed and dated lower left: Zuniga, inscribed in another hand verso Sight: 12.25” H x 18” W $1,500/2,000 Provenance: Estate of Millard Sheets.

Thence by descent through the family.

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2012 Felipe Castañeda (1933 - * Mexico) Untitled (Woman Sitting), 1990 Bronze Signed, dated, and numbered: F. Castañeda / 1990 II/VII 47” H x 24.25” W x 23.75” D $7,000/9,000

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2013 Felipe Castañeda (1933 - * Mexico) “Seated lady,” 1984 Bronze on clear acrylic base Signed and dated to base: F Castañeda 1984 P/A Bronze: 26.5” H x 25.25” W x 17.75” D $5,000/7,000

2014 Felipe Castañeda (1933 - * Mexico) “Seated Nude,” 1984 Bronze on black ebonized wood swivel base Signed and dated: F. Castañeda 1984 Bronze: 27.25” H x 20.375” W x 16.125” D $5,000/7,000

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2015 Felipe Castañeda (1933 - * Mexican) Standing woman Carved onyx Signed to base: F. Castañeda / 1976 29” H x 10” W x 7” D $3,000/5,000

2016 Ignacio Castañeda (20th Century Mexican) “Seated Woman” Carved black marble on lacquered wood plinth Signed and dated: Ignacio C.J. / 1984 Marble: 19.75” H x 23” W x 14” D $1,000/2,000

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2017 A sterling silver covered vegetable tureen, K.C. Hermann Copenhagen 1939 Stamped: K.C.H. (for K.C. Hermann); further stamped with “Three Tower” mark and JS (for assayer Johannes Siggaard) The berry-form finial over a wide bell-shaped lid flanked by curved carved wood handles over a bowl on ring foot 6” H x 10.625” W x 8.125” D 29.485 gross oz. troy approximately $1,500/2,000

2018 A group of Scandinavian sterling silver table items Mid-20th century The bowl signed: NW / Sterling / Made in Finland / Kasityo [handmade]; the ladles signed: Cohr Sterling Denmark Comprising a Finnish oblong serving bowl and a pair of Cohr sterling and wood ladles, 3 pieces Bowl: 1” H x 16.75” W x 5.25” D; larger ladle: 14.5” H x 3.5” D 23.410 gross oz. troy approximately $1,000/1,500

2019 A teak salad bowl with two tongs, Bob Stocksdale 1983 Signed: Bob Stocksdale 1983; further inscribed: Teak from Thailand The circular teak bowl with ring foot and two three-prong tongs, 3 pieces Bowl: 4.25” H x 11.5” Dia.; each tong approximately: 8.75” H x 3.875” W x .75” D $800/1,200

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2020 Claude Venard (1913 - 1999 French) Abstract still life, 1955 Oil on canvas Signed and dated lower left: C. Venard 39.5� H x 39.25� W $5,000/7,000 Provenance: Property from the Estate of Nancy Chandler.

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2021 Louisa Robins (1898 - 1962 Darien, CT) “Lobster” Gouache on board Signed lower right: Louisa Robins, titled on an exhibition label affixed verso 16” H x 20” W $400/600 Exhibitions: Connecticut Water Color Society Annual Exhibition, n.d.

2022 Paul John Wonner (1920 - 2008 San Francisco, CA) “Flowers in Bottles: Pansies #4,” 2003 Watercolor on paper under Plexiglas Signed lower right: Paul Wonner, titled and dated on a gallery label affixed verso Sight: 17.25” H x 7” W $1,500/2,500 Provenance: John Berggruen Gallery, San Francisco, CA.

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2023 Six Preben Schou Danish teak dining chairs Mid-20th century All but one with label marked for Preben Schou Danish Furniture Aps Each with a slightly curved slatted back over a rectangular cream hopsack-upholstered seat, on rounded-corner squared legs, 6 pieces Each: 39.5” H x 19.5” W x 22.5” D $500/700 Provenance: Sale: John Moran Auctioneers, Decorative Art Auction, lot 1121, June 18, 2016.

2024 A Danish Modern dining table Mid-20th century The circular top with inlaid center medallion, raised on tapering post legs, together with two leaves, 3 pieces Table: 29.75” H x 46” Dia.; each leaf: 46” H x 12.25” W x .75” D $700/900

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1969

2025 A Sam Maloof-style walnut rocking chair Late 20th century The curved backrest over a molded seat on post supports terminating in curved rails 31.5” H x 26.25” W x 40.25” D $800/1,200

2019

2026 Asger Jorn (1914 - 1973 Danish) Untitled (Abstract Figural), 1968 Oil crayon on tan paper under glass Signed and dated lower center: Jorn Sight: 13.5� H x 10.5� W $8,000/12,000

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2027 A sterling silver candy bowl, Georg Jensen 1927 Stamped to bottom for Georg Jensen; further stamped with the “Three Towers” mark; CFH (for assayer Christian F. Heise); 925 S / 197 B Designed by Georg Jensen, the hammered bowl raised on an openwork foliate base on a widening foot 4.25” H x 5.75” Dia. 9.320 oz. troy approximately $3,000/4,000

2028 A sterling silver serving bowl, Georg Jensen 1930s Stamped for Georg Jensen; GP (for artist Gustav Pederson); 925.S / Sterling / Denmark / 618 The hammered bowl with scrolled stylized iris handles, on ring foot 3.5” H x 12.5” W x 11.5” D 42.580 oz. troy approximately $2,000/3,000

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2029 A sterling silver water pitcher, Johan Rohde for Georg Jensen Post-1945 Stamped for artist Johann Rohde; Georg Jensen; Dessin / Denmark / Sterling / 432 / C The angled spout issuing a hollow handle over a hammered bulbous body 11.5” H x 6.75” W x 5.5” D 31.415 oz. troy approximately $1,500/2,500 Provenance: Property from the Estate of Lee Vandervelde, Beverly Hills, CA; sold to benefit charities.

2030 A silver pitcher, Georg Jensen 1933-1944 Stamped for Georg Jensen; further stamped: 925.S / Sterling / Denmark / 385 A Designed 1923 by Jorgen Jensen, the flared rim with notched spout issuing a ribbed wooden handle over a hammered bulbous body adorned with a berry cluster 6.75” H x 6.25” W x 5.25” D 18.220 oz. troy approximately $800/1,200 Provenance: Property from the Estate of Lee Vandervelde, Beverly Hills, CA; sold to benefit charities.

2031 A group of sterling silver table items, Georg Jensen 20th century Each stamped for sterling and for Georg Jensen Comprising a hinged mustard pot no. 236, a “Rosebud” oval handled sugar bowl no. 235 designed by Georg Jensen, and eight “Blossom” demitasse spoons no. 84, 10 pieces Mustard pot: 3.75” H x 3.125” Dia.; sugar bowl: 3.5” H x 5.125” W x 4” W; each demitasse spoon: 3.375” L 11.515 oz. troy approximately $1,200/1,800

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2032 Richard Haines (1906 - 1984 Los Angeles, CA) “Sisters,” 1962 Oil on canvas Signed lower left: Haines, signed again and dated in Roman numerals verso: LXII and with the artist’s device, titled on a gallery label affixed to the stretcher 15” H x 18” W $300/500

2033 Carl (Wilhelm Emile) Milles (1875 - 1955 Swedish/American) “Systrarna [sisters]” Bronze Signed to base: C. Milles; further stamped: Post*ex Carl Milles; stamped with foundry mark 33” H x 11.75” W x 8.5” D $10,000/15,000 Provenance: Estate of Millard Sheets.

Thence by descent through the family.

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2034 Sam Maloof (1916 - 2009 Alta Loma, CA) Spindle-back rocking chair, 1981 Walnut Incised to seat: No. 4 1981 / Sam Maloof F.A.C.C. 45” H x 26.5” W x 44” D $15,000/25,000 Provenance: Property from the Estate of Nancy Chandler.

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2035 Sam Maloof (1916 - 2009 Alta Loma, CA) Game table with four low-back chairs Walnut and black leather The table stamped: Design Made / Maloof / California; each chair with upholsterer’s label to underside of seat Table: 29.625” H x 35.125” W x 35.125” D; each chair: 30.125” H x 21.5” W x 19” D $15,000/20,000 Provenance: Estate of Millard Sheets.

Thence by descent through the family.

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2036 Constantin Terechkovitch (1902 - 1978 Russian) Still life with fruit on yellow table, 1950 Oil on canvas laid to canvas Signed and dated lower right: C. Terechkovitch, indistinctly inscribed on the stretcher 21.75” H x 30.25” W

2037 Marcel Gromaire (1892 - 1971 French) “Pêcheur et Filet” 1946 Watercolor on paper under glass Signed and dated lower right: Gromaire, dated again and titled verso Sight: 12.5” H x 16.75” W

$2,000/3,000

$2,000/4,000

Provenance: Galerie Paul Petrides, France.

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2038 Fernand Léger (1881 - 1955 French) “Aprés le Déluge,” 1948 (from “Les Illuminations de Rimbaud”) Ink and gouache on paper under glass Initialed lower right: F.L. and dated, inscribed verso “Gouache originale de Fernand Léger exécuté par l’artiste et remise au soussigné pour les Illuminations de Rimbaud en décembre 1948” and signed “L Grosclaude” Image: 12.5” H x 9.75” W $15,000/25,000 Provenance: Estate of Ruth and Allen Ziegler, Brentwood, CA.

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2039 Nyoman Gunarsa (1944 - 2017 Indonesian) Two Balinese dancers, 1995 Oil on canvas Signed and dated lower right: Gunarsa 37.25” H x 37.25” W $2,000/3,000 Provenance: Agung Rai Art Gallery, Ubud, Bali.

Notes: The work retains its original custom frame hand carved by the artist.

2040 Nyoman Gunarsa (1944 - 2017 Indonesian) Two Balinese dancers, 1990 Oil on canvas Signed and dated lower right: Gunarsa 37.25” H x 37.25” W $2,000/3,000 Provenance: Agung Rai Art Gallery, Ubud, Bali.

Notes: The work retains its original custom frame hand carved by the artist.

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2041 Three American modern studio pottery pieces Fourth quarter 20th century Each signed or initialed to bottom: RH Comprising a free-form tall vase, a baluster-form vase decorated with torsos, and a free-form wide-rim bowl, 3 pieces Largest: 11.5” H x 7.75” W x 7.125” D $600/900

2042 A group of contemporary pottery vases Late 20th/early 21st century The first incised and dated with copyright symbol: TMS 2005; the remaining stamped for Jonathan Adler Pottery Comprising a “Dora Maar Perpetual Face”-style vase and three diminutive ribbed black diminutive vases, 4 pieces Largest: 9.5” H x 8.5” Dia. $400/600

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2043 An Indonesian funerary marker 19th century, Flores Island (Lesser Sunda Islands) Carved and polychrome-painted ironwood mounted to later-added metal display stand Overall: 53.75” H x 9.125” W x 9” D

2044 A South Asian figural sarangi/musical instrument Early 20th century, North Indian or Nepalese Surmounted by four carved figures over a carved body, not strung 35” H x 6” W x 4.875” D

$600/900

$400/600

2045 A Trobriand Islands canoe splash board Early 20th century, Papua New Guinea The carved and polychrome-painted panel of typical form with later-added wire for hanging 31” H x 31.625” W x 1.75” D $400/600

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2046 Jean Dubuffet (1901 - 1985 French) “Arbre,” 1969 Felt-tip pen on wove paper under glass Signed and dated lower right: J. Dubuffet Image: 10” H x 7.5” W $15,000/25,000 Provenance: Gift from the artist to the present owner.

Literature: M. Loreau, “Catalogue des travaux de Jean Dubuffet, Fascicule XXVI: Dessins 1969/1972,” Lausanne 1975, fasc. XXVI, p. 13, no. 9, illustrated.

Notes: This lot is accompanied by a copy of a letter from Armande de Trentinian, head of Dubuffet’s secretariat, dated February 24, 1972.

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2047 A Sepik River carved wood panel Early 20th century, New Guinea Possibly a men’s house decoration, of carved and polychrome-painted wood 68” H x 27.25” W x 5” D $700/1,000

2049 A Dogon plank mask Early 20th century, Mali The carved wood mask with later-added metal display mount 90.5” H x 7.5” W x 6” D

2048 A Dogon Kanaga mask Early 20th century, Mali Polychrome-painted and carved wood, mounted for hanging 32.5” H x 15.25” W x 8.5” D

$600/900

$400/600

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Provenance: Property of a Southern California collection, acquired at a New York auction circa 1970.

1969

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2050 Anthony Quinn (1915 - 2001 Los Angeles, CA) “Sebah” Carved white marble, black marble plinth Signed: A. Quinn; titled to plaque fixed to plinth: “Sebah” / Anthony Quinn Marble: 20.5” H x 7.5” W x 8.125” D $2,000/3,000

2051 Erwin Binder (1934 - 1993 California/Pennsylvania) Winged woman, 1984 Carved onyx raised on a black stone plinth and a lacquered wood base Signed and dated with copyright symbol: Binder ‘84 Sculpture: 15.75” H x 20.5” W x 16” D $500/800

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2052 Erwin Binder (1934 - 1993 California/Pennsylvania) Embracing abstract figures Bronze with stone plinth Signed, numbered, and dated with copyright symbol: Binder 2/3 85 Bronze: 75” H x 31” W x 33” D $6,000/9,000

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2053 Gbenga Offo (1957 - * Nigerian) “Bonding,” 1999, mother and child Acrylic and gouache on canvas Signed and dated lower left: Gbenga Offo, titled verso 21.5” H x 17.75” W $3,000/5,000

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2054 An Asmat shield Early 20th century, Irian Jaya people, New Guinea Of carved and polychrome-painted wood with later-added metal mount 61.75” H x 16.125” W x 8” D $800/1,200

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2055 A West African figural chair Early 20th century, Dan or Senufo The curved backrest over a rectangular seat flanked by figural supports raised on stacked ball legs 24” H x 21” W x 19” D

2056 A Mossi mask Early 20th century, Burkina Faso Carved and polychrome-painted antelope mask with later-added metal display stand Overall: 61.5” H x 22” W x 10” D

$500/700

$700/1,000

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2019

2057 Peter Krasnow (1887 - 1949 Los Angeles, CA) “K-10,” 1963 Oil on board Signed lower left: Krasnow, signed again, titled and dated verso 36” H x 18” W $800/1,200

2058 Susan Bright Lautmann Hertel (1930 - 1992 Cerillos, NM) “Goat tied to bush” Bronze on wood plinth Titled on card affixed to plinth Overall: 8.125” H x 18.25” W x 3.75” D $500/700

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2059 Peter Voulkos (1924 - 2002 Los Angeles, CA) Abstract vase Glazed stoneware Incised to bottom: Voulkos 9.5” H x 6.875” W x 4.75” D $3,000/5,000

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2060 Peter Voulkos (1924 - 2002 Los Angeles, CA) Hot water pot with lid Glazed stoneware Incised to bottom: Voulkos 11.5” H x 8” W x 3.25” D $1,000/1,500

2061 Peter Voulkos (1924 - 2002 Los Angeles, CA) Lidded jar Glazed stoneware Signed to bottom: Voulkos 5.875” H x 5.25” Dia. $800/1,200

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2062 Polia Pillin (1909 - 1992 Los Angeles, CA) Girl and boy flying kites Watercolor with tempera on paper under glass Signed lower right: Polia Pillin Sight: 12.5” H x 17” W $600/800

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2063 James Strombotne (1934 - * American) Figures in white, 1970 Mixed media on paper under Plexiglas Signed lower center: Strombotne, dated in another hand on the backing paper Sight: 18” H x 23.25” W $600/800

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2019

2064 Fritz Bultman (1919 - 1985 New York, NY) “Dialogue of Hills,” 1957 Oil and pencil on panel Signed, titled and dated verso: Fritz Bulman / Jan-57 18” H x 22.75” W $3,000/5,000

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2065 A Modernist Aubusson tapestry 1956 Signed and dated: Gisele MCMLVI; further initialed: NK [owl] JH; metal French import tag sewn to back Depicting stylized religious figures 87” H x 164” W $1,000/2,000

2066 Macario Vitalis (1898 - 1990 Filipino) Three figures holding bowls, 1948 Oil on canvas Signed and dated lower left: Vitalis 21” H x 25.75” W $2,000/4,000

Provenance: Property from the Estate of Nancy Chandler.

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2067 Carol Gold (1937 - * American) Woman and horse Bronze on black granite plinth Apparently unsigned Bronze: 23.375” H x 17.25” W x 22.5” D $3,000/5,000

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2068 Marcel Gromaire (1892 - 1971 French) Two nudes, 1926 Pastel on paper under glass Signed and dated upper right: Gromaire Sight: 16” H x 11.25” W $2,000/3,000

2069 Pablo Serrano Aguilar (1910 - 1985 Spanish) “Infanta Margherita” Patinated bronze Inscribed to base: Infanta Margarita Velázquez (Las Meninias) 65/68 8.125” H x 5.5” W x 5.25” D $800/1,200

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2070 Michele Cascella (1892 - 1989 Italian) “Field of Flowers with Yellow Mimosa” Oil on canvas Signed lower left: Michele Cascella 16” H x 20” W $1,500/2,000 Provenance: Galerie Juarez, Inc., Los Angeles, CA.

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2071 Grigory Gluckmann (1898 - 1973 Los Angeles, CA) “At the Mirror,” ballerina backstage Oil on panel Signature incised lower right: Gluckmann 17” H x 13” W $12,000/18,000 Provenance: Manhattan Galleries, Pasadena, CA.

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2072 Sterett-Gittings Kelsey (1941 - * Roxbury, CT) “Vanessa (Ballerina)” with chair Patinated bronze Initialed and dated with copyright symbol to barrette: K 1985; numbered to foot: 3 58” H x 49” W x 37” D $1,000/2,000

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2073 William Frederick Foster ANA (1883 - 1953 New York, NY) “California Goddess,” 1937 Oil on canvas laid to canvas Signed left center: Will Foster a.n.a.

23.25” H x 20” W $800/1,200 Literature: P. Settecase Barton, “William Frederick Foster, A.N.A.: Portrait of a Painter,” Los Angeles, CA, 1987, plate 91, p. 355, illustrated.

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2074 William Frederick Foster ANA (1883 - 1953 New York, NY) “Brunette Nude Seated on a Yellow Chair,” circa 1940s Oil on canvas Signed lower right: Will Foster 40” H x 28.25” W $800/1,200 Literature: P. Settecase Barton, “William Frederick Foster, A.N.A.: Portrait of a Painter,” Los Angeles, CA, 1987, plate 118, p. 382, illustrated.

2075 William Frederick Foster ANA (1883 - 1953 New York, NY) “Lady in Green with Mandolin,” circa 1940s Oil on canvas Signed lower right: Will Foster a.n.a.

28.5” H x 36” W $800/1,200 Literature: P. Settecase Barton, “William Frederick Foster, A.N.A.: Portrait of a Painter,” Los Angeles, CA, 1987, plate 109, p. 373, illustrated.

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2076 Two clear crystal cat sculptures, Robert Rigot for Baccarat Circa 1980s Each signed: Baccarat / R Rigot; the smaller numbered: 392/500 Comprising one large and one small stylized seated cat, 2 pieces Larger: 21.25” H x 6.25” W x 6.5” D $1,500/2,500

2077 A Lucite sculptural side table Contemporary Squared top with rounded apron issuing curved legs and base 17” H x 16.5” W x 11.5” D $500/700

2078 A Lucite bench Circa 1985 Signed: Raul 85 The curved sides supporting an upholstered three-section seat 19.875” H x 60” W x 17.75” D $1,000/2,000

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2079 Charles Levier (1920 - 2003 French) “Saltimbanque et sa Femme” Oil on canvas Signed lower right: Levier, titled verso 40” H x 30” W $1,000/1,500

2080 Charles Levier (1920 - 2003 French) Seated nude Oil on canvas Signed lower right: Levier 40” H x 30” W $1,000/1,500

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2081

2082

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2081 Roger Kuntz (1926 - 1975 Laguna Beach, CA) Cityscape, 1960 Oil on canvas Signed lower right: Roger Kuntz, dated on the stretcher: April 29, 1960 22.5” H x 34.5” W

2082 Jean Nerfin (1922 - * Canadian) Canal scene with boats Oil on canvas Signed upper left: Nerfin 24” H x 36” W

$5,000/7,000

$300/500

1969

2019

2083 Elliot Offner (1931 - 2010 American) Great Blue Heron (miniature), 1987 Patinated bronze Signed with copyright symbol: Offner; incised: Smith College / Edition of 150 7.5” H x 4.5” W x 5.25” D $1,000/1,500

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2084 An Olga Fisch "Caverna" area rug Mid-20th century Woven signature lower left: O Fisch Woven with abstract animals, inspired by the cave paintings at Lascaux, on ivory ground 11’6” H x 8’9” W $3,000/5,000

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2085 A Colima dog effigy vessel Proto-classic, circa 100 BC - 250 AD The plump dog depicted standing, with spout tail 6.875” H x 13.625” W x 7” D $1,000/1,500

2086 Beatrice Wood (1893 - 1998 Ojai, CA) Vase with applied stylized figures Ceramic with luster glaze Signed to bottom: Beato 5.5” H x 4.125” Dia. $2,000/3,000

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2087 Harrison McIntosh (1914 - 2016 Claremont, CA) Charger Glazed stoneware Incised to bottom: McIntosh 2.5” H x 14” Dia. $500/700

2088 Gertrud and Otto Natzler (1908 - 1971 and 1908 - 2007, Los Angeles, CA) Gray vase Glazed terracotta Underside signed: Natzler 3.375” H x 4.875” Dia. $1,000/2,000

2089 Frederick Carlton Ball (1911 - 1992 Tacoma, WA) Vase Stamped and glazed stoneware Signed to bottom: F. Carlton Ball 4” H x 4.75” Dia. $300/500

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2090 A sterling silver abstract bird brooch, Betty Cooke Third quarter 20th century Stamped: Cooke / Sterling The stretched abstract bird-form brooch with applied vermeil ball 4” H x .5” W 9.30 grams $300/500

2091 Marina Núñez Del Prado (1910 - 1995 Bolivian) “Bird” Carved and polished stone Signed to base: M. Núñez / Del Prado 10.875” H x 13.75” W x 6” D $10,000/15,000

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2093

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2092 Jack Laycox (1921 - 1984 San Francisco, CA) “Holiday at the Pier” Watercolor on Arches paper Signed lower right: Jack Laycox, signed again twice, titled and numbered verso: 72069 Sight: 21.5” H x 29.25” W

2093 Jack Laycox (1921 - 1984 San Francisco, CA) “Mast and Wharf Nostalgia” Watercolor on Arches paper Signed lower right: Jack Laycox, signed again twice and titled verso Sight: 21.5” H x 29.25” W

$3,000/5,000

$1,000/1,500

1969

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2095

2094 Jack Laycox (1921 - 1984 San Francisco, CA) “End of the Wharf” Watercolor on Arches paper Signed lower right: Jack Laycox, signed again twice, titled and numbered verso: 72055 Sight: 21.5” H x 29” W

2095 Jack Laycox (1921 - 1984 San Francisco, CA) “Limehouse Docks” Watercolor on Arches paper Signed lower right: Jack Laycox, signed again twice, titled and numbered verso: 72115 Sight: 21.5” H x 29” W

$2,000/3,000

$1,000/1,500

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55

2096 A Murano glass sculpture, Archimede Seguso 1970s Signed: Archimede Seguso / Murano Multicolor freeform sculpture with integral black glass base 13.25” H x 12” W x 4.125” D

2097 A Murano glass vase, Archimede Seguso Second half 20th century Signed and with label: Archimede Seguso / Murano Multicolored urn-form vase with wide shoulders and short neck 9.375” H x 5.5” Dia.

$800/1,200

$600/900

2098 An Eames/Herman Miller lounge chair 670 & ottoman 671 Circa 1970s Each with long black Herman Miller label to underside Walnut veneer shell, brown leather cushions, 2 pieces Chair: 34.25” H x 32.75” W x 32.75” D; ottoman: 17.25” H x 25.75” W x 22.125” D $1,500/2,500 Provenance: Property from the Estate of Nancy Chandler.

56

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2099 An Eames/Herman Miller lounge chair 670 & ottoman 671 Fourth quarter 20th century Apparently unsigned Rosewood veneer shell, black leather cushions, 2 pieces Chair: 30.125” H x 36.5” W x 33.25” D; ottoman: 16.75” H x 25.5” W x 21.25” D $1,500/2,500 Provenance: Property from the Estate of Lee Vandervelde, Beverly Hills, CA; sold to benefit charities.

2100 An Eames/Herman Miller lounge chair 670 Rosewood veneer shell, black leather cushions 32.75” H x 33.75” W x 32.75” D $1,000/1,500 Provenance: Property from the Estate of Lee Vandervelde, Beverly Hills, CA; sold to benefit charities.

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57

2101 A pair of Italian art glass cranes, Seguso Oggetti Third quarter 20th century Each incised: Seguso A.V. Por Oggetti; each with Oggetti sticker Each stylized crane with neck outstretched, 2 pieces Larger: 6” H x 18.25” W x 3.5” D $400/600

2102 An Italian art glass vase Third quarter 20th century Apparently unsigned, attributed Aureliano Toso The wide rim over an elongated neck widening to a squared body 16.125” H x 4.25” W x 4.25” D

2103 A Venini/Vetri Murano art glass plate 1983 Etched to bottom: Venini Italia 1983/03; with Venini Murano and Vetri stickers to rim Pressed red and black glass, geometric pattern 1” H x 10.5” Dia.

$500/700

58

$1,000/1,500

1969

2019

2104 A life-size glazed ceramic figure Late 20th/early 21st century Signed: Jon Standing girl with ponytail 52.75” H x 18.25” W x 18.75” D $800/1,200

2105 A life-size glazed ceramic figural group Late 20th/early 21st century Signed: Jon Boy and girl 30” H x 46.5” W x 22” D $800/1,200

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59

60

2106 Mario Russo (1925 - 2000 Italian) “Autoritratto [Self-Portrait],” 1957-58 Oil on canvas Signed and dated lower right: M. Russo, signed and dated again verso 39” H x 27.5” W

2107 Philippe Henri Noyer (1917 - 1985 French) Boy, girl and dog in a cafe, 1953 Oil on canvas Signed and dated lower right: P.H. Noyer 36.25” H x 23.75” W

$1,000/1,500

$1,000/2,000

1969

2019

2108 Fabienne Delacroix (1972 - * French) “La Promenade des Anglais à la Tombée de la Nuit,” 1995 Oil on canvas Signed lower left: Fabienne Delacroix, signed again, titled and dated verso 21.25” H x 25.5” W $1,000/2,000 Provenance: Axelle Fine Arts, Ltd., New York, NY. Notes: A certificate of authenticity from Axelle Fine Arts, Ltd., New York, NY, is affixed verso.

2109 Clare Rojas (1976 - * San Francisco, CA) Untitled (Girl and bear with colorful mountain), 2004 Gouache and latex on panel Unsigned 18” H x 14.5” W $1,000/2,000 Provenance: Deitch Projects, New York, NY. Estate of Ruth and Allen Ziegler, Brentwood, CA.

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61

2110 An Art Deco cigarette lighter and holder, Ronson Art Metal Works Second quarter 20th century Stamped to bottom for Ronson Art Metal Works The touch-tip lighter flanked by cigarette holders in the shape of a bar, further decorated with a bartender 6.5” H x 6” W x 2.75” D $500/700

2111 A clown-form amusement park refuse bin cover Second quarter 20th century Embossed: Game-Time / Litchfield Mich.

The novelty polychrome-painted double-faced clown-form cover with opening at mouth for refuse 25” H x 20.75” W x 18” D $800/1,200

62

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63

64

2112 Carlo Canevari (1922 - 1996 Italian) Figures at ice cream stand, 1968 Oil on wood panel Signed lower right: Carlo Canevari, signed again and dated verso 13” H x 8.5” W

2113 Carlo Canevari (1922 - 1996 Italian) Clown with cello, 1969 Oil on wood panel Signed lower right: Carlo Canevari, signed again and dated verso 12” H x 8” W

$1,000/1,500

$1,000/1,500

1969

2019

2114 A cobbler automaton, Nelson & Wallace Second quarter 20th century Partial label to inside panel: Serial No. 258 / Manufactured by / Nelson & Wallace Mfg. / Pat Pending / 2446 Claremont Ave. Los Angeles Depicting a shoe cobbler at work with a hammer 28.5” H x 19.25” W x 10.5” D $2,000/3,000

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65

2115 An Art Deco ceramic vase Second quarter 20th century Signed to bottom: Lori***** / [satyr playing flute] The wide rim over a conical body raised on a winged and ringed stem atop a widening cylindrical base 9.875” H x 4.75” Dia. $300/500

2116 An Art Deco glazed pottery vase, Gouda Circa 1920s Signed to underside: Koninklyk / Goedewaagen / Gouda / Holland / 59 Zon.; sticker to body: Royal Gouda Goedewaagen Bulbous, two-handled, painted throughout with a multi-color abstract design 9” H x 8.5” W x 7.5” D $300/500

66

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2117 Françoise Gilot (1921 - * French) “Iris, I” 1941 Pencil on paper under glass Monogrammed lower right: FG, titled, dated and inscribed verso Image: 18” H x 15” W $5,000/7,000

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67

2118 A French Art Deco wrought iron and art glass lamp, Lorrain First quarter 20th century Partially rubbed signature to shade: Lorrain The two-light lamp with flattened art glass shade and Art Deco wrought iron base 8.75” H x 10.5” W x 10.5” D

2119 William Frederick Foster ANA (1883 - 1953 New York, NY) “Tina,” circa 1940 Oil on canvas laid to board Unsigned 11.25” H x 12” W

$800/1,200

Literature: P. Settecase Barton, “William Frederick Foster, A.N.A.: Portrait of a Painter,” Los Angeles, CA, 1987, plate 46, p. 330, illustrated.

$800/1,200

2120 An Indian rug Mid-20th century Wool on cotton foundation, the repeating heart border enclosing a stylized tree center 16’3” H x 10’3” W $600/800 Provenance: Property from the Estate of Lee Vandervelde, Beverly Hills, CA; sold to benefit charities.

68

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69

2121 Enoch Bolles (1883 - 1976 New Jersey/New York) Seated pin-up girl Oil on canvas laid to canvas Signed lower right: Enoch Bolles 30” H x 22” W $12,000/18,000

70

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2122 A Lalique "Soleil" art glass hanging light fixture 20th century Apparently unsigned The clear and frosted glass pendant with sunflower motif hanging from a later-added fitting Overall: 33.5” H x 12.5” Dia. $1,500/2,500

2123 A "Chevrefeuille Factice" art glass perfume bottle, Lalique Fourth quarter 20th century Etched to side: Lalique (R) France; further etched: FAC.0517 and with Factice clear label Released to promote the “Lalique de Lalique” fragrance in 1992, the clear glass bottle surrounded by frosted glass panels of honeysuckle vines topped with a half moonshaped stopper with conforming decoration 10.5” H x 7.375” W x 2.5” D $300/500

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71

2124 A French Art Deco art glass vase Second quarter 20th century Signed to bottom: [three-pronged star within a circle] FCS / France The orange and white blown glass vase within a wrought iron frame 12.25” H x 7.25” Dia. $1,000/1,500

2125 A late Art Deco hammered copper stand Second quarter 20th century Apparently unsigned Cylindrical, depicting Jesus and a cross with two winged angels, raised on a stylized figural plinth, on ring foot 49.375” H x 16.875” Dia. $500/800

72

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2126 Charles Green Shaw (1892 - 1974 New York, NY) “Quartet III” Oil on canvas laid to board Signed lower left: Shaw, titled verso 20” H x 16” W $4,000/6,000

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73

2127 Henri Ilhe (1925 - 1982 French) “Le Camp” Tapestry Woven signature lower left: Ilhe; label verso: “Le Camp” / carton de: Henry Ilhe / Édité par Tabard Frères et Soeurs / Aubusson No. 2286 41.25” H x 51” W $700/1,000

2128 Edmond Lachenal (1855 - 1948 French) Two decanters, six wine and six aperitif glasses, 14 pieces In the Art Nouveau taste, glass and enamel in mistletoe design Each decanter signed: E. Lachenal; most glasses signed: EL Each decanter approximately: 12” H x 4.125” Dia.; each wine glass: 5” H x 5.625” Dia.; each aperitif: 4.625” H x 2.25” D $800/1,200

74

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2129 A ceramic tea service, Alphonse Cytère First quarter 20th century Rambervillers factory, each stamped: A Cytere / Unis(?) France Each of turquoise luster glaze, comprising a lidded teapot (4.5” H x 8” W x 4.5” D), a cream jug (3.875” H x 4.5” W x 3” D), a covered sugar bowl (3.875” H x 5.5” W x 4” D), six saucers (each approximately: .75” H x 5.625” Dia.), and six cups (each approximately: 2” H x 4.125” W x 3.25” D), 15 pieces $400/600

2130 A Continental oak and metal streamlined side cabinet Second quarter 20th century Unsigned Surmounted by a curved back panel with inset still life painting of pomegranates, the rectangular top over two short drawers flanking a single hinged cabinet with pierced Art Nouveau-style metal door, flanked by three curved shelves 54” H x 49.25” W x 20.625” D $800/1,200

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75

2131 Michel Beck (1928 - * French) “Le Grand Maître,” life-sized abstract standing figure Brass on a black marble base Signed to base: FFAHR 2/7, and with artist’s monogram 70” H x 31” W x 27.5” D $4,000/6,000 Provenance: The Estate of Harry J. O’Connor III.

2132 Karl Springer (1931 - 1989 German/American) A two-sided vanity mirror, 1970s Brass and chrome Apparently unsigned 19” H x 25.75” W x 6” D $800/1,200 Provenance: The Estate of Harry J. O’Connor III.

76

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2133 Karl Springer (1931 - 1989 German/American) Cocktail table Polished gunmetal finish with brass trim and inset glass top Apparently unsigned 16.125” H x 59.625” W x 47.5” D $1,000/2,000

2134 Karl Springer (1931 - 1989 German/American) Side table Lacquered goatskin, composite board Paper label to bottom from Karl Springer with order information 20.375” H x 18” W x 18” D $600/800 Provenance: Estate of Ruth and Allen Ziegler, Brentwood, CA.

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77

2135 Fong Chung-Ray (1934 - * Chinese) “89-32,” 1989 Acrylic on canvas Signed, numbered and dated in Chinese lower right, signed and dated again verso: Chung-ray Fong 36” H x 48” W $15,000/25,000 Provenance: Carmel Gallery of Modern Art, Carmel, CA. Acquired from the above by the present owner, 1990.

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2136 Fong Chung-Ray (1934 - * Chinese) “84-3,” 1984 Acrylic on canvas Signed, numbered and dated in Chinese lower left, signed, titled and dated verso: Chung-ray Fong 30” H x 42” W $15,000/25,000 Provenance: Carmel Gallery of Modern Art, Carmel, CA. Acquired from the above by the present owner, 1990.

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79

2137 Wei Jia (1975 - * Chinese) “Chinese Calligraphers Series #46,” 2005 (based on the work of Yan Zhen-Qing) Graphite, pastel, xaun paper and collage on canvas Signed, titled and dated verso: Wei Jia, signed, titled and dated again in Chinese verso 40” H x 40” W $2,500/3,500

2138 A pair of Le Corbusier LC3 club chairs, Cassina Fourth quarter 20th century With LC3 pamphlet from Cassina Designed 1928 by Le Corbusier, Pierre Jeanneret and Charlotte Perriand, each blue steel frame enclosing rectangular linen cushions, 2 pieces Each: 24.5” H x 39.5” W x 29” D $800/1,200 Provenance: Property from the Estate of Lee Vandervelde, Beverly Hills, CA; sold to benefit charities.

80

1969

2019

2139 Philip and Kelvin LaVerne (1907 - 1987 and 1937 - *, New York, NY) A pair of “Kuan Su” occasional tables, circa 1965 Acid-etched and enameled brass, 2 pieces Each signed to top for Philip and Kelvin Laverne Each: 16” H x 17.875” W x 17.75” D $2,000/2,500 Literature: This decorative pattern illustrated: "The art of Philip LaVerne," studio catalog, pg. 17.

2140 A metal and slate coffee table Circa 1960s Attributed to Paul Evans, apparently unsigned Copper, brass, and pewter plates topped with a slate slab raised on post legs 16” H x 68” W x 32” D $1,500/2,500 Provenance: Property from the Estate of Nancy Chandler.

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81

2141 Jack Zajac (1929 - * American) Bound goat Bronze Incised to belly: Zajac 20” H x 36” W x 23” D $2,000/4,000 2142 A Modernist leather sculpture Third quarter 20th century Faded label verso: Tenth All-California Exhibit Festival of Arts Laguna Beach; indisctinctly signed: Mel*** ***est* Freeform leather-wrapped sculpture 39” H x 24.25” W x 17” D $600/900

82

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83

2143 Robert Harley Seyle (1938 - * American) “Nail Relief #123,” 1975 Nails and wood Titled, signed and dated verso and to copper plaque to side 11” H x 11” W x 2.5” D $1,500/2,500 Provenance: Property from the Estate of Nancy Chandler.

84

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2144 Paul Maxwell (1925 - * American) Untitled Ceramic on canvas laid to board Signed lower right: P. Maxwell 36” H x 36” W

2145 A Del Campo rectangular dish Third quarter 20th century Signed to bottom: Del Campo / Italy Upswept rectangular form with raised bronze and enamel design raised on a ring foot 3” H x 13” W x 8.25” W

$500/700 Provenance: Estate of Ruth and Allen Ziegler, Brentwood, CA.

$400/600 Provenance: Estate of Ruth and Allen Ziegler, Brentwood, CA.

2146 A Modernist ceramic lamp base Third quarter 20th century The two-light standard set into a cylindrical ceramic lamp with incised zig-zag design raised on a circular black base 36” H x 9.75” Dia. $600/900 Provenance: Estate of Ruth and Allen Ziegler, Brentwood, CA.

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85

2147 A burnished steel medical-style cabinet Late 20th/early 21st century The glazed two-door cabinet opening to two glass shelves over one steel shelf, raised on squared post legs 66.875” H x 49” W x 15.75” D $1,000/2,000

86

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2148 A Western Union ticker tape machine and JFK assasination announcement First half 20th century Stamped to mechanism: M.F.D. by / T.A. Edison, Inc. / 6407; case signed: Quotations Furnished by the Western Union Telegraph Co., Apply to Local Manager Western Union Edison Ticker and News Tape machine, lacquered base set with glass dome enclosing a brass and steel mechanism, the news ticker tape announcing the assasination of President John F. Kennedy 14.75� H x 7.25� Dia. $3,000/5,000

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87

2149 Saul Steinberg (1914 - 1999 New York, NY) “The Milwaukee Braves,” 1954 (from the “Steinberg at the Bat” series) Mixed media on paper under glass Signed and dated lower left: Steinberg Sight: 21” H x 22.5” W $10,000/15,000 Notes: The "Life" Magazine from July 11, 1955, in which “Steinberg at the Bat” appears, accompanies the lot.

88

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2150 Saul Steinberg (1914 - 1999 New York, NY) “Pitcher,” 1954 (from the “Steinberg at the Bat” series) Mixed media and collage on colored paper under Plexiglas Signed and dated lower right: Steinberg Sight: 21.5” H x 13.75” W $5,000/7,000

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89

2151 A Revolution/Killerspin regulation-size Ping-Pong table Fourth quarter 20th century Each side with acrylic top over a giclee print of “Missile Map”

by Andy Warhol (1928 - 1987 New York, NY), raised on a curved red base Overall: 36.5” H x 108” W x 60” D $1,000/2,000

2152 A mixed-metal modernist wall sculpture, Curtis Jere Third quarter 20th century Signed on metal tag verso with copyright symbol: C. Jere The stylized metal sculpture depicting tennis players in a court with fence and trees 29.5” H x 53” W x 4.5” D $300/500

90

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2153 A patinated and enameled metal owl, Curtis Jere 1967 With metal tag to base: (c) C. Jere 67 The stamped owl with crinkle-cut metal feathers and enameled eyes, raised on a wooden plinth Overall: 16.5” H x 12.75” W x 7.75” D $500/800

2154 An "Owl Family" wall sculpture, Curtis Jere Second half 20th century Signed to one owl: C. Jere The enameled metal sculpture depicting five owls on a branch 12” H x 41.5” W x 1.5” D $500/700

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91

2155 Two Dutch art glass vases Second half 20th century The smaller signed: Leerdam / 4 / M Comprising two wide-shouldered vases of striped opaque and transparent glass, 2 pieces Larger: 4.75” H x 7.625” W x 2” D $400/600

2156 Two Dutch art pottery vases, Rozenburg 1890 - 1914 The first signed: Rozenburg / 871 / Den Hauge / [stork] / W395 V; the second signed: Rozenburg Den Haag / 96 / WS [stork] [crown] Each double-handled vase decorated with Art Nouveau designs of stylized flowers and geometric patterns, 2 pieces Each approximately: 9.375” H x 8” W x 6.5” D $600/900

2157 Three French art pottery vases First half 20th century The first stamped: Made in France; the second signed: L. Page / Made in France; the third signed: E Metenier Comprising a bulbous green vase with applied orange segment and leaf decoration, a wide jardinière with variegated green and orange glaze, and a variegated gray and blue vase with a later-added wooden plinth, 3 pieces Largest: 10.25” H x 6.25” W x 6.75” D $600/900

92

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93

2158 Robert Vickrey (1926 - 2011 Naples, FL) Nuns with balloons Tempera on board Signed lower right: Robert Vickrey 20.25” H x 24” W $6,000/8,000

94

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2019

2159 Robert Vickrey (1926 - 2011 Naples, FL) Portrait of a nun against a wall, 1990 Tempera on board Signed and dated lower left: Robert Vickrey 16� H x 21.5� W $4,000/6,000

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95

2160 Loet Vanderveen (1921 - 2015 Dutch/American) Horse Polished and patinated bronze Signed and numbered with copyright symbol: Loet A.P. 3/20 37.5” H x 14.5” W x 38” D $3,000/4,000

2161 Loet Vanderveen (1921 - 2015 Dutch/American) “Bull,” 2001 Polished and patinated bronze Signed and numbered with copyright symbol: Loet 01 / 189/750 9.125” H x 20.25” W x 9” D $700/900

96

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2162 William Penhallow Henderson (1877 - 1943 Tesuque, NM) “Woman on a Path” Pastel on paper under glass Unsigned, titled by repute Sight: 7.25” H x 9.75” W $1,500/2,500

2163 William Penhallow Henderson (1877 - 1943 Tesuque, NM) “Ter Hautes, Pyrenees,” 1911 Pastel on brown paper under glass Initialed lower right: W.P.H., titled, dated and inscribed on a previous backing board verso: Gold and Blue Sight: 9” H x 7” W $2,000/3,000 Provenance: Owings-Dewey Fine Art, Santa Fe, NM.

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97

2164 An oval "Tulip" dining table Third quarter 20th century The oblong wood veneer top raised on a hammered brass oval pedestal base 28.75” H x 76” W x 47.625” W $1,000/2,000

2165 A brass and glass two-part vitrine, Mastercraft Circa 1980s Each with metal maker’s tags stating: Mastercraft / of Grand Rapids Brass and beveled glass with painted wood adjoining sides, constructed in two parts, of overall oblong form, each half with two sets of double-doors enclosing two pot lights over one fixed and three adjustable glass shelves, with smoky rose-colored mirrored back and curved plastic side panels, electrified Overall: 87.75” H x 83.5” W x 18” D $4,000/6,000

98

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99

2166

2167

2166 Vincent Farrell (1928 - 2008 Laguna Beach, CA) Still life with flowers Oil on canvas Signed lower left: Vincent Farrell 30” H x 40” W $1,000/1,500

2167 Paul John Wonner (1920 - 2008 San Francisco, CA) “Apples and Figs on Red Cloth,” 2002 Acrylic and charcoal on paper under Plexiglas Signed lower right: Paul Wonner, signed again, titled and dated verso Sheet: 9.25” H x 14.75” W $1,500/2,500 Provenance: DC Moore Gallery, New York, NY.

100

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2168 An O’Keefe & Merritt stove Circa 1950s Stove labeled: O’Keefe & Merrit; each oven knob: Robert Shaw The six-burner stove over two glazed ovens over two broilers set with hour and 60 minute timers and an overhead light 53.75” H x 39” W x 28.125” D; range height: 36” $800/1,200

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101

2169 William Frederick Foster ANA (1883 - 1953 New York, NY) “Renaissance Girl” Oil on canvas Signed upper right: Will Foster, inscribed verso by Benton Scott: This painting is the work of Will Foster A.N.A. 14” H x 13” W $800/1,200 Literature: P. Settecase Barton, “William Frederick Foster, A.N.A.: Portrait of a Painter,” Los Angeles, CA, 1987, plate 50, p. 331, illustrated.

Notes: Stamped on the stretcher: Restored by Charles Hulett, North Hollywood. 1970. According to the book “William Frederick Foster, A.N.A.: Portrait of a Painter,” the signature upper right is likely in the hand of Hulett.

2170 Alan Lowndes (1921 - 1978 British) Woman in hat at the counter, 1958 Oil on canvas Signed and dated lower left: Alan Lowndes 30” H x 22” W $3,000/5,000

102

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2171 Harry Marinsky (1909 - 2008 New York, NY) Lounging man Bronze Signed and numbered: Marinsky 2/7 40.25” H x 51.75” W x 20.75” D $3,000/5,000

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103

2172 Albert Rousseau (1908 - 1982 Canadian) Figures on a beach Oil on canvas Signed lower right: A. Rousseau 19.75” H x 23.75” W $1,500/2,000

104

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105

2173 A Gianfranco Frattini ‘’Kyoto’’ coffee table Fourth quarter 20th century Stamped to one leg with artist’s cypher Designed 1974, Manufactured by Ghianda, Italy, distributed by Knoll, the beech and ebony coffee table of grid construction with removeable legs 13.75” H x 35.625” W x 35.625” D $1,500/2,500

2174 A bentwood table lamp, Hans-Agne Jakobsson Circa 1950-1960 Sticker to underside: AB Ellysett / Markaryd Made in Sweden The two-light table lamp comprised of thin wood rings raised on a cylindrical standard on wide base 36.5” H x 7.75” Dia. $400/600 Provenance: Property from the Estate of Nancy Chandler.

106

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2175

2176

2175 Dennis McNaboe (20th Century American) Ocean overlook, 2002 Acrylic on canvas Signed and dated upper left: McNaboe 36” H x 24” W $700/900

2176 Dennis McNaboe (20th Century American) Santa Barbara nocturnal street scene, 1988 Acrylic on canvas Signed and dated lower left: McNaboe 35.75” H x 35.75” W $700/900

2177 Dennis McNaboe (20th Century American) Santa Barbara scene, 1989 Acrylic on masonite Signed and dated lower left: McNaboe 24” H x 18” W $500/700

2177

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107

2178 A Hans Wegner "Cube Bar’" Circa 1960s Signed: Andr. Tuck / Design. Hans J. Wegner / Made in Denmark / Danish Furnituremakers Control Teak, the hinged top opening to a divided compartment with removable access panel opening to a drawer set into the body 19.5” H x 19.625” W x 21” D $3,000/5,000

108

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2179 Claude Pissarro (1935 - * French) “Le Pre Fadette” Oil on canvas Signed lower right: Claude Pissaro, signed again and inscribed verso: Le Petit Fils / 30 Fig 29” H x 36” W $6,000/8,000

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109

2180 Hugh Acton (1925 - 2018 Augusta, MI) Slat bench, circa 1955 Walnut and brass Apparently unsigned 14” H x 58” W x 18” D $1,000/1,500

2181 A Danish modern wall unit Mid-20th century An arrangement of four shelves suspended from turned wood panel supports over a three-drawer commode, two drawers with dividers, and a two-door cabinet enclosing a single shelf 72.625” H x 70.75” W x 18” D $1,000/1,500

110

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2182 Eyvind Earle (1916 - 2000 Carmel, CA) Trees in a landscape, 1966 Watercolor on Arches paper under glass Signed and dated lower right: Eyvind Earle Sight: 29.75” H x 21.75” W

2183 20th Century Continental School Copenhagen Barracks, Nyboder District Oil on panel Signed with conjoined initials lower right: HG 33” H x 33” W

$1,000/1,500

$1,500/2,000

2184 An Eero Saarinen for Knoll "Tulip" dining table Fourth quarter 20th century The table with maker’s metal tag to underside: Eero Saarinen / Knoll Associates / 1958 Circular top raised on a white powder-coated aluminum pedestal base 28.75” H x 41.75” Dia. $600/900

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111

2185 Ben Abril (1923 - 1995 Los Angeles, CA) “Newport Harbor” Oil on masonite Signed lower right: Ben Abril, titled by repute 48” H x 36” W $2,000/3,000

112

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2186 Vasa Velizar Mihich (1933 - * Los Angeles, CA) Untitled (five quadrilaterals) Laminated cast acrylic Signed and dated with copyright symbol: Vasa 2014 Each: 12.375” H x 6.25” W x 1.25” D $5,000/7,000

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113

2187 Vasa Velizar Mihich (1933 - * Los Angeles, CA) Untitled, 2014-2015 (three tapered quadrilaterals) Laminated cast acrylic Each signed and dated with copyright symbol: Vasa 2014; Vasa 2015 Largest: 11” H x 6.75” W x 1.25” D $2,000/3,000

114

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2019

2188 Vasa Velizar Mihich (1933 - * Los Angeles, CA) Untitled, 1993 (Sphere) Laminated cast acrylic Incised: #5498 Vasa 1993; base with personalized plaque 7.75� Dia. $2,000/3,000 Provenance: Estate of Ruth and Allen Ziegler, Brentwood, CA.

2189 Vasa Velizar Mihich (1933 - * Los Angeles, CA) Untitled (Star of David in sphere) Laminated cast acrylic on stand Incised: ILR / LA89 / E/250 Vasa 4.875� Dia. $700/900 Provenance: Estate of Ruth and Allen Ziegler, Brentwood, CA.

November 13, 2018 - 20th Century Art + Design

115

2190 Ben Abril (1923 - 1995 Los Angeles, CA) “Mr. Hilligus,” 1920s Rolls-Royce Oil on canvas Signed lower right: Ben Abril, titled on the stretcher 22” H x 20” W $400/600

2191 Ben Abril (1923 - 1995 Los Angeles, CA) “West Adams House” Oil on canvas Signed lower left: Ben Abril, titled by repute 24” H x 33” W $2,000/3,000

2191

116

1969

2019

2192 Ben Abril (1923 - 1995 Los Angeles, CA) “Bunker Hill House” Oil on masonite Signed lower left: Ben Abril, titled by repute 36” H x 18” W $3,000/5,000

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117

2193

2194

2193 Ben Abril (1923 - 1995 Los Angeles, CA) “Gulmarg Golf Club - Kashmir, India” Oil on canvas Signed lower left: Ben Abril, titled on the stretcher 24” H x 30” W $1,000/1,500

2194 Ben Abril (1923 - 1995 Los Angeles, CA) “The Ganges River, India” Oil on canvas Signed lower right: Ben Abril, titled and inscribed verso: Sacred to all Hindus / Hindu temples line the riverbank 44” H x 60” W $1,000/1,500

118

1969

2019

2195

2196

2195 Ben Abril (1923 - 1995 Los Angeles, CA) “Bhutan” Oil on canvas Signed lower left: Ben Abril, titled and inscribed on the stretcher: Para Valley with Rinpung Dzong above the main Dzong is the Ta Dzong housing the National Museum, snow-covered Himalayas in background 13” H x 19.25” W

2196 Ben Abril (1923 - 1995 Los Angeles, CA) “Boat Builders on the Banks of the Li River, China” Oil on canvas Signed lower right: Ben Abril, titled on the stretcher 30” H x 36” W $1,000/1,500

$1,000/1,500

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119

2197 Peter McIntyre (1910 - 1995 New Zealand) Hong Kong Harbor Sampans Watercolor on paper laid to board under glass Signed lower right: Peter McIntyre Sight: 20.75� H x 28.75� W $3,000/5,000

120

1969

2019

2198

2199

2198 An Edward Fields rug 2001 Signed, numbered and dated verso: Edward Fields / 16903 / 10-1-01 Wool on wool foundation, depicting swimming koi in a pond 10’7.5” H x 7’ W

2199 An Edward Fields rug 2001 Signed, numbered, and dated verso: Edward Fields / 16708 / 10/2001 Wool on wool foundation depicting koi in a pond with snail border 10’1” H x 6’6.25” W

$1,500/2,500

$1,500/2,500

Provenance: Estate of Ruth and Allen Ziegler, Brentwood, CA.

Provenance: Estate of Ruth and Allen Ziegler, Brentwood, CA.

November 13, 2018 - 20th Century Art + Design

121

2200 A brass and malachite veneer coffee table, P.E. Guerin Mid-20th century Signed: P.E. Guerin Inc. New York The rectangular malachite-veneered table with beveled brass frame 14.5” H x 49.375” W x 25.375” D $5,000/7,000

2201 A pair of brass and malachite veneer wall mirrors, P.E. Guerin Mid-20th century Each signed: P.E. Guerin Inc. / New York Each rectangular plate enclosed in a malachite veneer and brass frame, 2 pieces Each: 54.25” H x 30” W x 1.5” D $3,000/5,000

122

1969

2019

2202 Alexis Smith (1949 - * Los Angeles, CA) “Beauty is in the eye of the beholder,” 1975 Ink on paper laid to paper under Plexiglas Signed on the mounting paper lower right: Alexis Smith, dated and titled on the mounting paper in the center Sheet: 2” H x 2.25” W $2,000/4,000 Provenance: Acquired directly from the artist by the present owner.

2203 Paul Wunderlich (1927 - 2010 German/French) “Minotaurus” Bronze Edition 80/200, signed, dated and numbered to base: Wunderlich / 89 17.25” H x 6.25” W x 4.5” D $600/900

November 13, 2018 - 20th Century Art + Design

123

2204 A pair of Marbro St. Marceaux Jester table lamps Mid-20th century One with a partial Marbro label; each with a Underwriters Laboratories Inc. label; each signed: St. Marceaux / 1879 Each masked harlequin figure with folded arms, raised on a square base, 2 pieces Each approximately: 46.25” H x 13” W x 14” D

2205 A group of Modernist porcelain pieces, Rosenthal for Ronson Third quarter 20th century Each stamped: Rosenthal / Fashioned for Ronson; further stamped with pattern titles In the “Plaza”, “Birds on Trees”, “Scandia”, and “Harold Sitterle for Ronson” designs, comprising ten table lighters, one covered trinket bowl, one cigarette holder, two accessories trays, and two shallow footed bowls, 16 pieces Largest: 8.375” H x 4.125” Dia.

$800/1,200

$400/600

2206 A pair of Hollywood Regency-style bachelor’s chests Late 20th/early 21st century Each black lacquered carcass fitted with three parchmentveneered drawers with protruding X design, 2 pieces Each approximately: 30.25” H x 38.25” W x 18.25” D $1,000/1,500

124

1969

2019

November 13, 2018 - 20th Century Art + Design

125

2207 Robert Dowd (1936 - 1996 San Francisco, CA) “$20 Bank,” 1968 Mixed-media sculpture on cardboard Signed and dated lower right: Dowd, signed and dated again and titled on the backing board 21” H x 20” W

2208 An industrial chromed metal counter lamp Mid-20th century The bell-form shade suspended from a curved standard held in place by a saucer-form base fitted with an on/off switch 22.75” H x 12.5” W x 10.25” D $300/500

$2,000/4,000

2209 A pair of Knoll "Barcelona" chairs Third quarter 20th century Each with Knoll Associates cushion tag Designed 1929 by Ludwig Mies van der Rohe, comprising two lounge chairs with rectangular tufted gray leather foam-filled cushions supported by conforming leather straps stretched over a chrome-plated steel X-form frame Each: 31” H x 30” W x 30.5” D $2,000/3,000 Provenance: Property from the Estate of Lee Vandervelde, Beverly Hills, CA; sold to benefit charities.

126

1969

2019

2210 Four Ludwig Mies van der Rohe "Brno" chairs Last quarter 20th century Designed 1929-1930 by Ludwig Mies van der Rohe and Lilly Reich for Knoll, fabric and chromed steel, 4 pieces Each: 31.75” H x 22.75” W x 22.125” D $1,200/1,800 Provenance: Property from the Estate of Lee Vandervelde, Beverly Hills, CA; sold to benefit charities.

2211 A chrome and brass credenza, J. Robert Scott Fourth quarter 20th century With paper label to back stating: J. Robert Scott / SSL “Jason” Cabinet Chromed cabinet with brass accents, black granite top over a four short drawers (two divided and lined for cutlery) and two double-door cabinets 32.625” H x 84.5” W x 20.125” D $1,000/2,000

November 13, 2018 - 20th Century Art + Design

127

2212 Frederick Elliott Hart (1943 - 1999 District of Columbia/Virginia) “Light Whispers,” 1985 Acrylic resin on acrylic plinth Initialed, dated and numbered with copyright symbol: 37/300 / 85 FH RNA; signed to plinth: Hart 16.75” H x 14” W x 5.125” D $1,500/2,500

2213 An opposing pair of pink Murano glass cockatoo sculptures Third quarter 20th century Apparently unsigned Each bird with pink and gold iridescent body covered by dotted clear glass raised on a clear gold-flecked integral glass base, 2 pieces Each approximately: 16” H x 6” W x 4.5” D $500/700

128

1969

2019

2214 Three Italian art glass bowls Third quarter 20th century Apparently unsigned, attributed to Venini; the shell-form bowl with a partial paper label: KB Comprising a thin-walled lattice and twisted stripe squared bowl, a thick-walled lattice and twisted stripe square bowl, and a shell-form lattice and twisted stripe bowl, 3 pieces Largest: 2.875” H x 7.5” W x 6.625” D $500/700

2215 Three Italian art glass bowls Third quarter 20th century Apparently unsigned, attributed to Venini Comprising a threaded gold and white spiral stripe bowl, a handkerchief-edge striped and twisted glass bowl, and a threaded spiral covered bowl with leaf-form handle, 3 pieces Largest: 3.75” H x 7.25” Dia. $500/700

2216 Three Italian art glass bowls Attributed to Venini Lattice & Cane Comprising one striped bowl with pinched corners, one gold iridescent ruffled rim bowl, and one blue lattice bowl, 3 pieces Largest: 4.25” H x 4.5” W x 4.25” D $500/700

November 13, 2018 - 20th Century Art + Design

129

2217 Proferio Grossi (1923 - 2000 Italian) Still life with dice, 1965 Oil on masonite Signed and dated lower right: Proferio Grossi 19.75� H x 27� W $1,500/2,000

130

1969

2019

November 13, 2018 - 20th Century Art + Design

131

2218 Paul Maxwell (1925 - * San Diego, CA) “Blue Horizon” Mixed media on panel Signed and dated lower right: PMaxwell - 95, signed and dated again and titled verso 71” H x 36” W $2,000/3,000

2219 Roman "Ron" Pastucha (20th Century American) "Sunset Blvd," circa 1990 Unframed mixed media collage on canvas Signed in the image: Pastucha, titled by repute 40” H x 132” W $1,500/2,500

132

1969

2019

2220 Richard Mann (20th Century American) “P285” Acrylic on panel Signed lower center: R. Mann, titled verso 36” H x 48” W $1,000/2,000

2221 Bendel Hydes (1952 - * Cayman Islands/New York, NY) “Wave Inflection I,” 2004 Oil on board Signed and dated twice, titled and inscribed verso: Bendel Hydes / Oil, 2004 / Hydes 2004 40” H x 36” W $600/800 Provenance: Acquired directly from the artist June 3, 2005.

Notes: Together with original bill of sale from Bendel Hydes dated June 3, 2005.

November 13, 2018 - 20th Century Art + Design

133

2222 Robert Wyland (1956 - * Laguna Beach, CA) "Humpback Realm" dining table and six fin-back chairs Patinated bronze and glass Signed, dated and numbered to base with copyright symbol to table base: Wyland / 2002, 5/450; signed to back of each chair: Wyland Table: 29.625” H x 90.25” W x 50.125” D; each chair: 44.5” H x 20.75” W x 23” D $10,000/15,000

134

1969

2019

2223 Robert Wyland (1956 - * Laguna Beach, CA) Dolphin and child, 1997 Patinated bronze Signed, dated and numbered to base with copyright symbol: 161/450 / Wyland / 1997 14” H x 10” W x 6.25” D $1,000/2,000

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135

2224 A carved tree trunk sculpture of David Circa 1960 The head of David after Michelangelo (1475 - 1564 Italian) carved within a California tree trunk, raised on a customized iron base 78” H x 55” W x 35” D $2,000/3,000 Notes: By repute, this piece was displayed at the Millard Sheets-designed Home Savings Bank located at 60 East Huntington Drive, Arcadia, CA.

136

Artist Index

Artist

Lot

Artist

20th Century Continental School 2183 Abril, Ben 2185, 2190, 2191, 2192, 2193, 2194, 2195, 2196 Acton, Hugh 2180

Lot 2034, 2035 2220 2171 2144, 2218 2087 2197 2175, 2176, 2177 2186, 2187, 2188, 2189 2033 2009

Natzler, Gertrud and Otto Nerfin, Jean Nieto, Rodolfo Noyer, Phillippe Henri Núñez Del Prado, Marina

2088 2082 2001 2107 2091

Offner, Elliot Offo, Gbenga

2083 2053

Ball, Frederick Carlton Beck, Michel Binder, Erwin Bolles, Enoch Bultman, Fritz Bustamante, Sergio

2089 2131 2051, 2052 2121 2064 2004

Canevari, Carlo Cascella, Michele Castañeda, Felipe Castañeda, Ignacio Chung-Ray, Fong Coronel, Rafael

2112, 2113 2070 2012, 2013, 2014, 2015 2016 2135, 2136 2010

Delacroix, Fabienne Dowd, Robert Dubuffet, Jean

2108 2207 2046

Pastucha, Roman “Ron” Pillin, Polia Pissarro, Claude

2219 2062 2179

Earle, Eyvind

2182

Quinn, Anthony

2050

Farrell, Vincent Foster ANA, William Frederick

2166 2073, 2074, 2075, 2119, 2169

Garcia-Salazar, Alfredo Gilot, Françoise Gluckmann, Grigory Gold, Carol Gromaire, Marcel Grossi, Proferio Gunarsa, Nyoman

2002 2117 2071 2067 2037, 2068 2217 2039, 2040

Robins, Louisa Rojas, Clare Rousseau, Albert Russo, Mario

2021 2109 2172 2106

Haines, Richard Hart, Frederick Elliott Henderson, William Penhallow Hertel, Susan Bright Lautmann Hydes, Bendel

2032 2212 2162, 2163 2058 2221

Salmones, Victor Serrano Aguilar, Pablo Seyle, Robert Harley Shaw, Charles Green Smith, Alexis Springer, Karl Steinberg, Saul Strombotne, James

2005, 2006 2069 2143 2126 2202 2132, 2133, 2134 2149, 2150 2063

Terechkovitch, Constantin

2036

Ilhe, Henri

2127

Jia, Wei Jorn, Asger

2137 2026

Vanderveen, Loet Venard, Claude Vickrey, Robert Vitalis, Macario Voulkos, Peter

2160, 2161 2020 2158, 2159 2066 2059, 2060, 2061

Kelsey, Sterett-Gittings Krasnow, Peter Kuntz, Roger

2072 2057 2081

Lachenal, Edmond LaVerne, Philip and Kelvin Laycox, Jack Léger, Fernand Levier, Charles Lowndes, Alan

2128 2139 2092, 2093, 2094, 2095 2038 2079, 2080 2170

Wonner, Paul John Wood, Beatrice Wunderlich, Paul Wyland, Robert

2022, 2167 2086 2203 2222, 2223

Zajac, Jack Zúñiga, Francisco

2141 2011

Artist Index 138

Maloof, Sam Mann, Richard Marinsky, Harry Maxwell, Paul McIntosh, Harrison McIntyre, Peter McNaboe, Dennis Mihich, Vasa Velizar Milles, Carl (Wilhelm Emile) Montoya, Gustavo

1969

2019

Condition Reports

2001 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 27.5” H x 21.5” W x 1” D. 2002 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 47.5” H x 58” W x 3” D. 2003 Overall good condition with scattered losses, restorations and repairs throughout including: one blue rook with a glued repair to top with a corresponding .25” x .25” missing section and a small chip to separate area. The other blue rook with a 3”-long repaired break to top. One yellow rook with four glued repairs to top. The other yellow rook with one glued repair to top. One yellow knight with a .5” glued repair to foot. One blue knight with a 1.25” x 1.5” section of glued repair to neck and shoulders and chips to three fingers, the largest: .25” x .125”. One blue pawn with a possible repaired break to one foot and a chip to one corner measuring .375” x .375”. One blue pawn with a .625” x .5” chip to one foot. The yellow king with a repaired 1.25” break to crown.

2004 Overall good condition with tarnishing and light scuffs. Scattered dents including a 1.5” x .25” dent with corresponding 1.5” x 2” section of oxidation to bottom left edge. The back with a 4” dent with oxidation corresponding to the dent visible on front.

2005 Overall good condition.

2019 Overall good condition with scattered light scratches commensurate with age.

2020 Visual: Generally good condition. Craquelure scattered throughout. Minor surface dirt and grime. Blacklight: No evidence of restoration under blacklight.

Frame: 49” H x 49” W x 2” D. 2021 Generally good condition. Minor dirt and grime.

Frame: 23” H x 27” W x 1.75” D. 2022 Generally good condition. Not examined out of the frame.

Frame: 26.5” H x 16” W x 1.5” D. 2023 Overall good condition, with general minor sun fading, scratches and minor nicks commensurate with age. Upholstery with scattered spots of light soiling.

2024 Overall good condition with sun-fading, scattered scuffs, scratches and nicks commensurate with age. A .5” x .25” divot with discoloration to table top.

2007 Overall good condition with light scratches and tarnishing commensurate with age.

2025 Overall good condition with minor separation at joints, scuffs, and wear to the underside of rails commensurate with use.

2008 Each in overall good condition with scattered minor scuffs, scratches, and tarnishing commensurate with age.

2026 Generally good condition. A few handling creases scattered throughout.

Mounted to the recto mat with masking tape at the four center edges.

Sheet: 14” H x 11” W; Frame: 24” H x 20” W x 1.5” D.

2010 Generally good condition. The board is hinged to another board with linen hinge tape in the upper corners and upper center.

Board: 30” H x 40” W; Frame: 39.5” H x 49.5” W x 2.25” D. 2011 Generally good condition. Toning to the paper. Creases to the paper upper left, upper right and upper center. Hinged to the recto mat with archival tape in the upper corners.

Sheet: 13” H x 20” W; Frame: 21.5” H x 26.5” W x 1” D.

Condition Reports

2018 Each in overall good condition with light scratches and tarnishing commensurate with age. Weight includes wooden handles.

2006 Overall good condition with darkening to bronze and light scuffs commensurate with age.

2009 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 28.25” H x 24.25” W x 1.5” D.

140

2017 Overall good condition with light scratches and tarnishing. One very minor dent to bottom. Weight includes wooden handles.

2027 Overall good condition with tarnishing, scattered light scratches, and rubbed wear commensurate with age. A 1.25”-long dent to rim.

2028 Overall good condition with tarnishing and light scratches commensurate with age.

2029 Overall good condition with tarnishing, light scratches, and minor scattered dents commensurate with age.

2012 Overall good condition with scattered minor scuffs and oxidation.

2030 Overall good condition with tarnishing, light scratches and minor dents throughout. A series of deeper scratches with corresponding dent to body measuring approximately .375” x .25”. A .75” x .5” dent to body. One nick to the rim.

2013 The bronze in overall good condition. The base with scratches, nicks, abrasions, and scuffs primarily to top and bottom.

Plinth: 31.25” H x 28” W x 18.75” D

2031 Each in overall good condition with light scratches and tarnishing commensurate with age. The glass liner of the mustard pot with a chip to the rim with corresponding crack to body measuring 1.125”.

2014 Overall good condition. Scattered scratches and scuffs to base.

Base: 36.125” H x 22.375” W x 18” D

2032 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 18” H x 21” W x 1.25” D.

2015 Overall good condition. Shallow nicks to base, the largest: 1” x .5”.

2016 The sculpture in overall good condition. The wooden plinth with scattered chips to the lacquer along the top and bottom rim and scuffs to top. The longest section of loss to top edge: 1.25” x .375”.

Plinth: 44” H x 26” W x 17” D

1969

2033 Overall good condition with oxidation commensurate with age. The joint below one foot with a repaired crack. A corresponding crack below other foot where it joins to the base.

2034 Overall good condition with light wear to finish and scattered light scuffs and scratches. One rail with a series of teeth marks and corresponding gouges to a 4” section, the largest gouge: .375”.

2019

2036 Visual: Generally good condition. Spots of paint loss scattered throughout, the largest a .75” x 1.5” area upper left. Scratches and scuff marks scattered throughout. Minor surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Frame: 28” H x 37” W x 2.5” D. 2037 Generally good condition. Minor toning to the paper. The paper with deckled edges. Hinged to the back mat with clear tape along the upper edge.

Sheet: 12.75” H x 17” W; Frame: 20.5” H x 24.5” W x 3” D. 2038 Generally good condition. Light toning to paper consistent with age.

The lower edge is deckled. Brown paper tape along all four edges verso.

Scattered pindot foxing to verso not visible on recto. Toning to verso.

Hinged to paperboard backing with archival tape in the upper corners.

Sheet: 13.25” H x 10” W; Frame: 23” H x 19.5” W x .75” D. 2039 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 54” H x 54” W x 1.25” D. 2040 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 54” H x 54” W x 1.25” D.= 2041 Each in overall good condition. The baluster-form vase with waxy residue to base.

2042 Overall good condition with scattered minor scuffs and scratches throughout. The face vase with scattered nicks and shallow chips to rims.

2043 Scattered losses, cracks, and weathering to wood commensurate with age and outdoor display.

2044 Overall good condition with shrinkage cracks, losses to carving, and flaking to finish throughout. The longest shrinkage crack approximately 12.25”.

2045 Scattered shrinkage cracks, scuffs, nicks, and losses to carving. Evidence of old insect activity.

2046 Generally good condition. Minor toning to the paper. The paper is loose, not mounted.

Sheet: 10.5” H x 8.25” W; Frame: 20” H x 17.5” W x 1.5” D. 2047 Scattered scuffs, losses and old insect damage. Shrinkage cracks throughout, the longest: 30.25”.

2048 Scattered scuffs, nicks, shrinkage cracks, and losses to carving commensurate with age. Evidence of old insect activity. One wood panel re-glued to piece.

2049 Scattered shrinkage cracks, scuffs, losses to carvings and old insect damage throughout. Two areas of possibly repair, each approximately 4” long.

2050 Overall good condition.

Plinth: 4.125 H x 14” W x 10.125” D

2051 Overall good condition. One wing with two chips, the larger: .375” x .25”.

Rod support slightly loose from plinth. Scattered nicks and scuffs to the wood base. The top of the base with a 3.25” x 2.75” section of abrasions and losses to lacquer.

Plinth and rod: 9.25” H x 10.5” W x 10.5” D; Base: 34.25” H x 12” W x 11.875” D 2052 Overall good condition.

Plinth: 20” H x 36” W x 30” D 2053 Visual: Generally good condition. Craquelure scattered throughout. Spots of white residue upper left. The canvas is loose and bowed out lower left and upper right. Blacklight: No evidence of restoration under blacklight.

Frame: 22.25” H x 18.75” W x 1” D. 2054 With scattered shrinkage cracks, scuffs, losses and evidence of old insect damage. The longest shrinkage crack: 19”.

2055 Scattered nicks, chips, minor losses, and shrinkage cracks throughout.

Rubbed wear to seat design.

2056 With scattered shrinkage cracks, scuffs, and losses to commensurate with age. Evidence of old insect activity.

2057 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 38” H x 20” W x 1.25” D. 2058 Overall good condition with darkening and dust accumulation commensurate with age. An element apparently missing from plinth.

2059 Overall good condition with minor inherent firing flaws.

2060 Overall good condition. The rim of the lid with a series of abrasions and shallow chips, the longest section running approximately 3.25”. The rim of the pot with a .75” abrasion.

2061 Overall good condition with scattered inherent firing flaws.

2062 Generally good condition. Minor toning to the paper. Not examined out of the frame.

Frame: 21” H x 25” W x .75” D. 2063 Generally good condition. Minor toning to the paper. Not examined out of the frame.

Frame: 29.5” H x 34.25” W x 1” D. 2064 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 19” H x 23.75” W x 1.25” D. 2065 Overall good condition with even fading throughout. Scattered 2” x 2” patches verso.

2066 Visual: Generally good condition. Craquelure scattered throughout.

Blacklight: Small spots and lines of touch-up scattered throughout.

Frame: 26” H x 30.75” W x 1.5” D. 2067 Overall good condition.

2068 Generally good condition. Artist’s pinholes along the upper edge. A .5” tear at the lower center edge. Hinged to the back mat with archival tape on the upper edge.

Sheet: 17” H x 12.25” W; Frame: 30” H x 26.5” W x 2” D.

November 13, 2018 - 20th Century Art + Design

Condition Reports

2035 Overall good condition with minor scuffs and light scratches commensurate with age. Scattered wear to finish. The table with scattered shrinkage cracks to the top including a series of three running down the center. A condensation ring to the top. One chair with a 3”-long filled crack to back support with corresponding 1.5”-long hairline crack to backsplat.

141

2069 Overall good condition with darkening to bronze commensurate with age.

2086 Overall good condition with minor inherent firing flaws.

2070 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 23” H x 27” W x 2.75” D.

2087 Overall good condition with minor inherent firing flaws.

2071 Visual: Generally good condition. Crazing due to woodgrain throughout.

Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Frame: 29.5” H x 25.5” W x 4” D. 2072 Overall good condition with oxidation to bronze commensurate with age.

Hand detached from chair.

2073 Visual: Generally good condition. Craquelure scattered throughout.

Blacklight: Touch-up throughout, concentrated mainly on the woman’s body.

Frame: 29.5” H x 28” W x 3.5” D. 2074 Visual: Generally good condition. An area of craquelure left center. The canvas is slightly loose in the upper right and lower left corners. Blacklight: A 7” x 10.5” scattered area of touch-up right center with corresponding patch verso. Small spots of touch-up scattered throughout the woman’s body.

Frame: 48.25” H x 36.25” W x 3.25” D. 2075 Visual: Generally good condition. Craquelure and oxidation scattered throughout. Stretcher bar creases along the four edges. Blacklight: No evidence of restoration under blacklight.

Frame: 38” H x 46” W x 3” D. 2076 Each in overall good condition with light shelf wear to underside. The smaller cat with one fleabite to left ear.

2077 Overall good condition with scattered scratches and scuffs.

2078 Overall good condition with scattered scuffs and scratches, primarily concentrated to the bottom portion of the bench.

2079 Visual: Generally good condition. A small spot of paint loss left center.

Varnish discoloration scattered throughout. Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Frame: 42” H x 52” W x 2” D.

Condition Reports

2080 Visual: Generally good condition. Craquelure scattered throughout.

Stretcher bar creases across the center and down the middle. Blacklight: A 1.75” x 1” area of touch-up lower right beneath the signature. Difficult to read uner uneven varnish.

Frame: 54” H x 44” W x 2.75” D.

142

2081 Visual: Generally good condition. The canvas is slightly loose. Minor surface dirt, grime and residue. Blacklight: A pea-sized spots of touch-up in the center with corresponding patch verso.

Frame: 30” H x 42” W x 2.5” D. 2082 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 33.5” H x 44.5” W x 1.5” D. 2083 Overall good condition with darkening to bronze commensurate with age.

2084 Overall good condition with scattered areas of staining and soiling throughout.

2085 Overall good condition with scattered scuffs and light scratches throughout commensurate with age. One .5” x .375” chip to right ear.

1969

2088 Overall good condition. Old tape remnants to underside measuring 5” x .5” 2089 Overall good condition with minor inherent firing flaws.

2090 Overall good condition with light scratches and tarnishing commensurate with age 2091 Overall good condition. Several inherent fissures in stone commensurate with material; does not appear to affect integrity of stone. The largest fissure: 5”. Several minor chips along bottom rim.

2092 Generally good condition. Minor toning to the paper. Mounted to the recto mat with brown paper tape along the four edges.

Sheet: 23” H x 30” W. Matted but unframed.

2093 Generally good condition. Minor toning to the paper. Mounted to the back mat with plastic pocket corners.

Sheet: 23” H x 30” W. Matted but unframed.

2094 Generally good condition. Minor toning to the paper. Mounted to the recto mat with brown paper tape along the four edges.

Sheet: 23” H x 29.5” W. Matted but unframed.

2095 Generally good condition. Minor toning to the paper. Mounted to the recto mat with brown paper tape along the four edges.

Sheet: 23” H x 30” W. Matted but unframed.

2096 Overall good condition with minor shelf wear to bottom.

2097 Overall good condition with scattered very minor scuffs and scratches. Light shelf wear to bottom.

2098 Overall good condition with wear to leather commensurate with age.

2099 Overall good condition with scattered minor scuffs and scratches to veneers. The seat with minor cracking to leather 2100 Overall good condition with light scuffs and wear to leather commensurate with age.

2101 Each in overall good condition.

2102 Overall good condition with minor shelf wear to base.

2103 Overall good condition. Four shallow chips to the rim, the largest: .25” x .125”.

2104 Overall good condition with scattered inherent firing flaws.

2105 Overall good condition with scattered inherent firing flaws. Two shallow flakes of loss to glaze on one foot, the larger: .25” x .25”.

2106 Visual: Generally good condition. Craquelure scattered throughout.

Blacklight: No evidence of restoration under blacklight.

Frame: 42.5” H x 31” W x 2” D.

2019

2107 Visual: Generally good condition. Craquelure scattered throughout the boy’s pants. Frame abrasion with minor paint loss along the four edges. Tiny flecks of paint loss upper center and lower left. Blacklight: A 2” x .75” area of touch-up upper center. Difficult to read under uneven varnish.

Frame: 41.5” H x 29” W x 2” D. 2108 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 30” H x 34” W x 2.5” D. 2109 Generally good condition.

Unframed.

2125 Overall good condition with patination to copper, loose nails, scattered minor dents, and scuffs throughout. Scattered lifting to panels, the longest a 2.25” section of base. Scattered pushed-in sections throughout, the longest: 4”. Scattered nails missing.

2126 Visual: Generally good condition. Varnish discoloration scattered throughout. Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Frame: 22.25” H x 18.25” W x 1.25” D. 2127 Overall good condition. A 13”-long tear to one back support.

2110 Overall good condition with oxidation and rubbed wear to chromed metal.

Light scuffs, rubbed wear, and scratches to enamel. The bar with crazing to enamel.

2111 Overall good condition with oxidation to metal and scattered scuffs and scratches to paint. Repainted.

2112 Visual: Generally good condition. Blacklight: A small spot of touch-up upper center.

Frame: 18.75” H x 14” W x 2” D. 2113 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 17.5” H x 13.5” W x 2” D. 2114 Overall good condition with scattered scuffs and wear to paint including areas of hairline cracks and losses; the largest loss: .625” x .25”. Wear to the cord. Wiring should be checked by a qualified electrician prior to use.

2115 Overall good condition with waxy residue to bottom.

2128 Overall good condition with minor rubbed wear to the enamel. Each stopper with minor nicks to bottom rim. Each decanter with a series of abrasions to bottom foot.

2129 Overall good condition with minor inherent firing flaws throughout. The spout of the teapot with one .125” x .125” chip.

2130 Overall good condition with scattered nicks, losses to base and separation at joints commensurate with age. The top with condensation rings and scattered minor fading to finish. The shelves with an 11.25” and 13.5” glued separation crack at edge. A 2.5” x 1.25” hole to back panel; not visible from front. The still life painting with scattered areas of paint shrinkage.

2131 Overall good condition, with a few scattered drips of house paint and general dust accumulation and wear commensurate with age. Scattered nicks, chips and losses to edges of stone base.

2132 Overall good condition with minor oxidation to metal commensurate with age.

2133 Overall good condition with scattered minor scuffs, scratches and patination commensurate with age. Two condensation rings to gunmetal.

2117 Light toning to paper consistent with age. Mat burn along all edges of sheet. Otherwise appears in good condition.

Sheet: 21.5” H x 17” W; Frame: 31.25” H x 26.25” W x 1.25” D. 2118 Overall good condition with scattered scuffs commensurate with age. One shallow .25” x .25” chip to underside of shade. The socket glued in place.

Wiring should be checked by a qualified electrician prior to use.

2119 Visual: Generally good condition. Craquelure throughout the woman’s hair and face. Blacklight: Small spots of touch-up scattered throughout. A quarter-sized spot of touch-up left center. A 1” line of touch-up lower left.

Frame: 21” H x 21.5” W x 2.75” D. 2120 Overall good condition with soiling and dark spots scattered throughout.

Low spots to fringe and selvedge edges. Localized pile wear.

2121 Craquelure throughout. Tiny flecks of paint loss throughout the background.

Blacklight: Touch-up throughout.

Frame: 34” H x 26” W x 1.25” D. 2122 Overall good condition with oxidation to metal commensurate with age.

Wiring should be checked by a qualified electrician prior to use.

Fixture: 7.75” H x 12.5” Dia. 2123 Overall good condition. The stopper with one minor fleabite to edge of rim.

The rim of the bottle with a shallow chip.

2124 Overall good condition with scattered minor fleabites to rim.

2134 Overall good condition with scattered scuffs and scratches primarily to top and sides at base.

2135 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 36.5” H x 48.5” W x 2.25” D. 2136 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 30.5” H x 42.5” W x 2” D. 2137 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Unframed.

2138 Overall good condition with scattered scuffs to frames. Scattered losses to paint on frames. The cushions with scattered soiling and fading.

2139 Overall good condition with darkening to metal and light scratches commensurate with age.

2140 Overall good condition with minor oxidation commensurate with age.

2141 Overall good condition with oxidation and dust accumulation commensurate with age.

2142 Overall good condition with scattered scuffs and scratches to the leather.

The lowest quarter of the sculpture with water staining. Scattered small tears throughout, the longest: 1.75”.

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Condition Reports

2116 Overall good condition with scattered minor scuffs.

143

2143 Overall good condition with scattered scuffs and minor nicks to wood frame.

2144 Generally good condition.

Frame: 37.25” H x 37.25” W x 1.75” D. 2145 Overall good condition with darkening to bronze and light crazing to enamel commensurate with age.

2146 Overall good condition. Lacking shade. Wiring should be checked by a qualified electrician prior to use.

2147 Overall good condition with scuffs, scratches, and patination to metal throughout. Later-added lock to door; lacking key.

2148 Overall good condition with oxidation to metal, light scuffs, and scattered minor losses to the case commensurate with age. The steel gears with some red patina. Working condition unknown; Moran’s does not guarantee working condition of mechanical objects.

2149 Generally good condition. The paper is loose, not mounted.

Sheet: 21.25” H x 22.75” W; Frame: 25” H x 26.5” W x 1.5” D. 2150 Generally good condition. The paper is loose, not mounted.

Sheet: 22” H x 14” W; Frame: 25.5” H x 17.5” W x 1.5” D. 2151 Overall good condition with scattered scuffs, nicks and scratches commensurate with age. Wear and tears to the applied side panels particularly to center section where net attaches to base. Tears and discoloration to the ends of the mat where it mounts into the base.

2152 Overall good condition with scattered oxidation, darkening, and dust accumulation commensurate with age. Some rods bent slightly out of shape.

2153 Overall good condition with darkening to the metal commensurate with age. Scattered light scuffs to wood plinth.

2154 Overall good condition with oxidation commensurate with age.

2155 Each in overall good condition with light scratches commensurate with age.

2156 Each in overall good condition with minor scuffs, scratches, crazing to glaze, and inherent firing flaws throughout. The first with a minor shallow chip to rim measuring .25” x .125”. The second with flaking to glaze on the rim.

Condition Reports

2157 Each in overall good condition with minor inherent firing flaws and scuffs throughout.

Plinth: 4.375” H x 4.5” W x 4.25”

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2158 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 28.5” H x 32” W x 2.5” D. 2159 Visual: Generally good condition. Scattered pea-sized spots of surface grime in white pigments of the nun’s habit. Blacklight: No evidence of restoration under blacklight.

Frame: 24” H x 29.5” W x 2.5” D. 2160 Overall good condition with scattered minor scuffs and scratches commensurate with age.

2161 Overall good condition.

1969

2162 Generally good condition. Minor toning to the paper. Hinged to the back mat with artist’s tape in the upper corners.

Sheet: 7.5” H x 10” W; Frame: 17” H x 19.25” W x 2” D. 2163 Generally good condition. Hinged to the back mat with artist’s tape in the upper corners.

Sheet: 10” H x 7.5” W; Frame: 16.75” H x 14.75” W x 1.75” D. 2164 Overall good condition with scattered scuffs and scratches throughout.

Nicks, chips, minor losses, fading and general wear to the wood top. A 1.25” scratch to the top. The base with patination and light scuffs. A 10”long dent to base that may be a design feature.

2165 Each in overall good condition with scattered scratches, scuffs, gouges and wear to adjoining side panels. Minor oxidation to brass and scattered spots of minor lifting to brass panels commensurate with age.

2166 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 39” H x 49” W x 2.5” D. 2167 Generally good condition. Artist’s pinholes in the four corners. Framed floating and mounted to the back mat.

Frame: 18.5” H x 23.5” W x 1.25” D. 2168 Overall good condition with scattered scuffs and light scratches commensurate with age. A 2.25” x 1” section of abrasions and rubbed wear to cover. Minor spots of fill to enamel, the largest: 1.5” x .5”. Light crazing and gouges to the knobs. Minor losses to the enamel around the doors to the ovens and broilers. Scattered areas of oxidation to interior. Not tested for working condition.

2169 Visual: Generally good condition. Craquelure throughout. Stretcher bar creases along the four edges. An area of paint loss and instability right center on the woman’s face. Blacklight: No evidence of restoration under blacklight.

Frame: 23” H x 21” W x 3.5” D. 2170 Visual: Generally good condition. Craquelure scattered throughout.

Blacklight: No evidence of restoration under blacklight.

Unframed.

2171 Overall good condition with scattered minor scuffs.

2172 Visual: Generally good condition. An area of craquelure and instability in the center. Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

Frame: 27.25” H x 31.5” W x 2” D. 2173 Overall good condition with scattered minor scuffs and scratches commensurate with age. Scattered minor spots of blue paint residue to center squares.

2174 Overall good condition. Two outer rings lifting from standard. Two outer rings with breaks at seam. One inner ring with breaks. Wiring should be checked by a qualified electrician prior to use.

2175 Visual: Generally good condition. A 1.25” scuff mark upper center.

Blacklight: No evidence of restoration under blacklight.

Frame: 37.25” H x 25” W x 1.75” D. 2176 Visual: Generally good condition. Craquelure throughout the street and sidewalk. Blacklight: No evidence of restoration under blacklight.

Frame: 37” H x 37” W x 1.5” D.

2019

2177 Visual: Generally good condition. Light spots of surface grime scattered throughout. Blacklight: No evidence of restoration under blacklight.

Frame: 24.25” H x 18.25” W x 2” D.

2195 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 21” H x 27.5” W x 4” D.

2178 Overall good condition with scattered scuffs, nicks and minor scratches throughout. A .75” Dia. drilled hole with corresponding losses to interior access panel.

2196 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 39.5” H x 45.5” W x 4.5” D.

2179 Visual: Generally good condition. Craquelure in some of the thicker impasto of the white pigments. Blacklight: No evidence of restoration under blacklight.

Framed: 39.5” H x 46.5” W x 2” D.

2197 Generally good condition. The paper is laid down, as stated.

Sheet: 21.5” H x 29.5” W; Frame: 32.5” H x 40” W x 1.25” D.

2181 Overall good condition with scattered scuffs, nicks, scratches, and gouges commensurate with age.

2182 Generally good condition. Minor toning to the paper. The left and upper edges are deckled. The paper is loose, not mounted.

Sheet: 30” H x 22” W; Frame: 39.25” H x 31.25” W x 1.75” D. 2183 Visual: Generally good condition. Craquelure due to woodgrain scattered throughout. Blacklight: Touch-up scattered throughout the sky.

Frame: 36” H x 36” W x 1” D. 2184 Overall good condition with scattered minor scratches and scuffs. Scattered abrasions, nicks, and minor losses to finish along the edge of the table top.

2185 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 51” H x 39” W x 2” D. 2186 Each in overall good condition with scattered light scuffs, nicks, and scratches.

2187 Overall good condition with scattered minor scuffs and scratches throughout.

2188 Overall good condition with scattered light scratches throughout.

With base: 9.25” H 2189 Overall good condition with light scratches commensurate with age.

2190 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 31” H x 29” W x 2.25” D. 2191 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 33.5” H x 41.5” W x 3” D. 2192 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 46” H x 28” W x 2.25” D. 2193 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 33.5” H x 39.5” W x 2.5” D. 2194 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight.

Frame: 53” H x 69” W x 3” D.

2199 Overall good condition with minor soiling throughout.

2200 Overall good condition with light scuffs, nicks and scratches throughout.

The longest a 9.125”-long scratch to top. Scattered minor losses to veneer, the largest: .25” x .25”.

2201 Each in overall good condition with oxidation to brass commensurate with age. Each frame with minor cracks to malachite. Each with wear to the back panel and original hanging hardware. Each with later-added hanging hardware.

2202 Generally good condition. Toning to the paper. Uneven toning to the mounting paper. The mounting paper is loose, not mounted.

Frame: 12.25” H x 13.75” W x 1.25” D. 2203 Overall good condition with scattered light scuffs and verdigris.

2204 Each in overall good condition with scattered nicks, scuffs and losses to paint and plaster commensurate with age. One figure with a hairline crack running around its ankle. Each standard loose from base. Wiring should be checked by a qualified electrician prior to use.

2205 Each in overall good condition with scattered oxidation to metal. Some pieces with putty residue to bottoms. One footed bowl with a 1.75”-long crack to rim extending into bowl. The wood elements with flaking to surface. Working condition of lighters unknown.

2206 Overall good condition with scattered scuffs, scratches, nicks, wear to finish, and shrinkage cracks. Lacking key.

2207 Generally good condition.

Frame: 22” H x 20.5” W x 2.25” D. 2208 Overall good condition with oxidation and pitting to metal commensurate with age. Wiring should be checked by a qualified electrician prior to use.

2209 Overall good condition with scattered light scuffs and scratches to frames.

Scattered drying and cracking to leather straps. One snap closure missing.

One strap detached from the bottom. Each with scattered spots and streaks of blue and red paint.

2210 Each in overall good condition with light scratches and scuffs to frames commensurate with age. Upholstery with scattered stains, lost stitches and small tears commensurate with use.

2211 Overall good condition with scattered scuffs, scratches and minor nicks. The cabinet doors may need adjusting to close properly. One door with a .375”long deep scratch with corresponding scuffs and scratches. One drawer with gouges to interior.

2212 Overall good condition with dust accumulation and scattered spots of internal fractures to the acrylic, the largest area: 2.25” x 1.625” to base.

November 13, 2018 - 20th Century Art + Design

Condition Reports

2180 Overall good condition with scattered minor nicks and scuffs. Patination to the brass supports.

2198 Overall good condition. Scattered red stains along with minor soiling throughout.

145

2213 Overall good condition.

2214 Each in overall good condition.

2215 Each in overall good condition. The first with putty residue to bottom. The covered bowl with chips and fleabites along the lid and bowl rims.

2216 Overall good condition with scattered light scuffs. The striped bowl with one small chip to rim.

2217 Visual: Generally good condition. Minor frame abrasion along the four edges. Minor surface dirt and grime. Blacklight: A 3” line and a quartersized scattered spot of touch-up upper center. A couple of small spots of touch-up left center.

Frame: 28” H x 35” W x 2.5” D. 2218 Visual: Generally good condition. A small spot of loss in the upper right corner. Blacklight: No evidence of restoration under blacklight.

Unframed.

2219 Visual: Generally good condition. Dust accumulation throughout. Collage elements with various imperfections intrinsic to the artist’s creation.

Blacklight: No evidence of restoration under blacklight.

2220 Visual: Generally good condition. Craquelure scattered throughout.

Blacklight: No evidence of restoration under blacklight.

Unframed.

2221 Visual: Generally good condition. Wear in the corners and scattered along the edges. The extreme corners slightly bent. A 1.5” horizontal scratch near the lower left edge. Blacklight: No evidence of restoration under blacklight.

Unframed.

2222 Overall good condition. Each chair with minor scuffs and wear to the paint.

2223 Overall good condition.

2224 Overall good condtion with general wear commensurate with age and material.

Condition Reports

2225 Overall good condtion with general wear commensurate with age and material.

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Rare & Important Timepieces from a Private Collection December 11, 2018

Presenting a curated collection of over 120 rare and unusual American & European pocket and wristwatches

Bid in person - Absentee - Telephone - Live Online

An 18K yellow gold perpetual calendar wristwatch, Patek Philippe Model 5050 $40,000/60,000

1969

2019

1 4 5 E a s t Wa l n u t A v e , M o n r o v i a , C A 9 1 0 1 6 | w w w. j o h n m o r a n . c o m ¡ i n f o @ j o h n m o r a n . c o m ¡ ( 6 2 6 ) 7 9 3 - 1 8 3 3

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Furniture & Decorative Arts Specialist Kim Jarand Estate Specialist John Simon Taylor Furniture, Decorative Arts & Jewelry Cataloguer Jardine Bruce, GIA D.G., A.J.P. Vice President, Fine Art Director Morgana Blackwelder Fine Art Specialist David Trujillo Fine Art Cataloguer Bobby Cullen Jewelry Director Mollie Burns Keith, G.G.

TRUSTS & ESTATES

Consignment Director Greg Colley

CLIENT SERVICES

Office Manager, Client Accounting

Maha Darwish Client Services / Consignment Administration

Jean Rapagna Client Services Derek McLaughlin

OPERATIONS

Business Director / Auctioneer Stephen Swan Special Projects Maranda Moran Property Manager Mike Hook Art Handler Joe Miranda Art Handler Richard Corral

DIGITAL DESIGN

Advertising & Marketing Director, Art Design Nathan Martinez Webmaster / Network Administrator

Oscar Tsao Photographer Mido Lee

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

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This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 2% buyer’s premium.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

November 13, 2018 - 20th Century Art + Design

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AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer's premium. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors.

The lots auctioned may sell at prices above, within, or below estimate. (e) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of

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1969

2019

Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, Pasadena Branch located at 300 E. Walnut Street, Pasadena, California 91101 or the Federal Court Central District located at 312 North Spring Street, Los Angeles, California, 90012-4793.

CREDIT CARDS, CONTINUED Credit card payments will not be accepted from buyers outside of the United States. Buyers outside of the United States are required to submit payment via wire transfer.

TAXES Applicable California sales tax applies.

CONTRACT Except as otherwise stated, John Moran Auctioneers (Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

PAYMENT The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer's premium. Buyers outside the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside the United States.

SHIPPING Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third party services, Moran's may apply an administration charge of 15% of that service fee.

BUYERS PREMIUM The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer's premium. Buyers outside the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside the United States.

CONDITION Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction.

November 13, 2018 - 20th Century Art + Design

151

Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided.

Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid.

New bidders will be asked to provide financial account information as a reference.

All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance.

BUYER’S PREMIUM: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and requested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In the event of a tie bid, the Registration Form received first will be recognized as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Native American Objects Prints & Multiples

Telephone (secondary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

No

How did you hear about our services?

Sellers permit info: Contact office for verification Permit #

Modern & Contemporary Art

State:

Turn of the Century Design / Arts + Crafts Western Art Have a specific type of item you are interested in, let us know:

Exp:

I agree that I have read Moran’s Conditions of Sale and shall be bound by them. This affects my legal rights.

Signature:

Date:

rev. 7/2018

Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018