ode
in•
exco
Sunday, August 16, 2020
JOHN
MORAN SINCE
AUCTIONEERS
1969
ode in.
exco
Sunday, August 16, 2020—12pm Sale 173 145 East Walnut Avenue, Monrovia CA 91016 Private Previews Available By Appointment
Meet the Team Maranda Moran Head of Sale Specialist marandam@johnmoran.com
Jardine Gates GIA G.G. Junior Specialist, Jewelry Cataloguer jardine@johnmoran.com
Morgana Blackwelder Senior Vice President Director Fine Art morgana@johnmoran.com
Alexis Sutcliffe Furniture & Decorative Arts Cataloguer alexis@johnmoran.com
Mike Hook Fine Art Cataloguer mike@johnmoran.com
Client Services Mario Esquivel Office Manager mario@johnmoran.com
Ella Fountain Client Services ella@johnmoran.com
1001
Three Enrique Ledesma silver and gem-set bracelets
1955-1979; Taxco, Mexico Each stamped: Ledesma / Sterling / Taxco; One stamped: Eagle 3; Each further numbered Comprising a silver and carved frog bracelet with pin clasp (6.74” C x 1.325” H), an azurmalachite and silver panel bracelet (7” L x 1” H), and a green stone and silver bracelet with halfspheres (7” L x .875” H), 3 pieces 270.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1002
Three Enrique Ledesma silver and gem-set bracelets
1955-1979; Taxco, Mexico Each stamped: Ledesma / Mexico / Taxco / 925 / Eagle 60 or 3 Each designed with aventurine quartz, comprising a rounded triangle-link bracelet (6.75” L x 1.25” H), a stylized featherlink bracelet (7” L x 1.25” H), and a stylized barrel-shaped link bracelet (6.5” L x 1.125” H), 3 pieces 241.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1003
An Enrique Ledesma dyed tiger’s eye and sterling silver belt buckle 1955-1979; Taxco, Mexico Signed: Ledesma / Mexico / Taxco / 925 / Eagle 60 The rectangular buckle with polished dyed tiger’s eye 2.125” H x 3” W x .625” D 103.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1004
A group of Enrique Ledesma silver and obsidian jewelry
1955-1979; Taxco, Mexico Each stamped: Ledesma / Taxco / Mexico / 925 / Eagle 3 Comprising a bracelet (6.25” L x 1.125” H), a fringe necklace (16.75” L x 1” H), and screw-back earrings (.875” H x .325” W), 4 pieces 226.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1005
A group of Enrique Ledesma silver and gem
1955-1979; Taxco, Mexico Each stamped: Ledesma / 925 / Taxco / Eagle 3 Each set with synthethic color-change sapphires, c 6.75� C x 1.625� H), a ring (7.5), and a pair of scre 162.0 grams $500-700
Provenance: The Collection of Cindy Tietze-Hodo
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m-set jewelry
comprising three hinged bangle bracelets (6.25” C x 1” H; 6.5” C x 1.325” H; ew-back earrings (1” H x .5” W), 6 pieces
osh and Stuart Hodosh
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1006
José Luis Cuevas
(1934-2017, Mexican/American) “Visons in Charenton,” 1965 Ink and watercolor on card under glass Signed lower center: Cuevas, titled and dated lower left, signed, titled and dated again verso: December 13-1965 10” H x 12” W $1,000-1,500 Provenance: Silvan Simone Gallery, West Los Angeles, CA The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1007
José Luis Cuevas
(1934-2017, Mexican/American) “Funerale de un Dictador,” 1960 Ink and watercolor on paper under glass Signed, dated, titled and indistinctly inscribed lower left: Cuevas / 21 Dic. 1960 24” H x 35.25” W $1,500-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1008
A William Spratling sterling silver necklace
1944-1946; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Sterling The interlocking swirl necklace with graduated fringe 16� L x 2.325� H 63.0 grams $1,000-1,500 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh
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1009
A group of William Spratling silver jewelry
1933-1939 and 1940-1944; First Design Period; Taxco, Mexico Each stamped for William Spratling; Others variously stamped for: Made in Mexico / Silver / Taxco / 980 / 925 Comprising three animal-themed brooches (2.25” Dia, 2” H x 2.125” W, and 1.875” H x 2.5” W) and two rings (size: 7.25 and 12), 5 pieces 93.0 grams $700-900 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: This design illustrated: Mexican Silver, by Penny Morrill and Carole Berk, p. 43, image III-30.
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1010
Three William Spratling silver and gem-set cross necklaces
1933-1939 and 1940-1946; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver / Sterling / 980 Comprising an amethyst necklace (19.5” L x 1.325” H x 1.25” W), an azurmalachite necklace (19.25” L x 2.25” H x 1.325” W), and a silver cross (28.5” L x 2.5” H x 1.625” H), 3 pieces 89.5 grams $1,500-2,000 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh
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1011
A Valentin Vidaurreta sterling silver belt buckle
Pre-1948; Taxco, Mexico Stamped: Sterling Designed with repousse flowers with applied spherical stamens 2.625” H x 4.875” W 56.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This buckle illustrated: Stuart Hodosh et. al. “Silver Seduction: the Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” Fowler Museum at UCLA, 2008, pg. 88, plate 71.
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1012
A set of Margot de Taxco “Pointed Face” silver and enamel jewelry Third quarter 20th Century; Taxco, Mexico Each stamped: Margot de Taxco / Hecho en Mexico / Eagle 16; Each further numbered: 5414 Designed by Margot Van Voorhies, comprising a necklace and a brooch each with copper, silver, and black enameled stylized pointed faces, 2 pieces Necklace: 15.25” L x 2.25” H; Brooch: 2.25” H x 2.125” W 106.5 grams $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1013
Rafael Canogar
(b. 1935, Spanish) A collection of abstract color lithographs, 1972 (five works) Each: Color lithograph on paper Each: edition 57/75 (one marked XVI/XXV), each signed and dated lower margin: Canogar Each: 30” H x 22” W or 22” H x 30” W (depending on orientation) $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1014
An assembed set of Fred Davis silver and amethyst jewelry
Pre-1948 and Post-1948; Mexico City, Mexico Stamped FD for Fred Davis; Necklace stamped: Eagle 22; Further stamped: Sterling / Mexico / Silver Comprising a collar necklace (13” C x 1.75” H) designed with rows of round cabochon amethyst alternating with silver flat links and a wide bracelet (7” L x 1.75” H) designed with rectangular clusters of amethyst and silver segments, 2 pieces 140.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1015
A set of Fred Davis silver and amethyst jewelry
Pre-1948; Mexico City, Mexico Bracelet stamped: FD for Fred Davis; Further stamped: Silver / Mexico; Necklace attributed to Davis no visible hallmarks Comprising a wide-link bracelet (7.75” L x 1.625” H) designed with large bezel-set amethyst cabochons set on top of clusters of silver half spheres together with matching necklace (17” L x 1.125” H), 2 pieces 216.5 grams $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1016
A set of Fred Davis silver and amethyst jewelry
Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Further stamped: Made in Mexico / Silver / Mexico Comprising a chevron link necklace (17.5” L x 1” H) centering a large cushionshaped amethyst cabochon together with a matching bracelet (7.25” L x 1.125” H), 2 pieces 155.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1017
A set of Fred Davis silver and amethyst jewelry
Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Further stamped: Silver / Mexico Comprising a collar necklace (16.25” L x 1.125” H) and bracelet (7.5” L x .875” H) en suite designed with circular clusters of amethyst alternating with stylized shieldshaped panels, 2 pieces 158.0 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1018
An assembled set of Fred Davis silver and amethyst jewelry
Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Further stamped: Mexico / Silver / Sterling Comprising a round stylized scallop-link necklace (16” L x .5” H) set with amethyst cabochons together with a similar but non-matching bracelet (6.5” L x .625” H), 2 pieces 88.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1019
A group of Fred Davis silver and amethyst rings
Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Further stamped: Silver / Made in Mexico / LVED Comprising a faceted oval amethyst ring (6), an oval cabochon ring (7), a rectangular cabochon with I-shape (7), and a rectangular cabochon ring with half-sphere design (10.25), 4 pieces 47.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1020
Rafael Coronel
(1932-2019, Mexican) “Man with Cap and Beard” Mixed media on Fabriano paper under Plexiglas Signed lower right: Rafael Coronel, titled on a gallery label affixed to the backing paper, numbered verso: #178 39” H x 27.5” W $3,000-5,000 Provenance: B. Lewin Galleries, Beverly Hills, CA
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1021
A Matl Nuestra Señora de la Asunción de Tonaya silver santos figure
1950-1970; Taxco, Mexico Stamped: Matl / Taxco / Mexico / 925 / Salas / M Reg / 148093 / 10500 Likely depicting Nuestra Señora de la Asunción de Tonaya, set with turquoise, coral, and amethyst raised on a cloche base 11” H x 7.5” W x 3.5” D 509.5 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1022
A Matl Virgen de Guadelupe silver santos figure
1934-1948; Taxco, Mexico Stamped: Matl Designed by Matilde Poulat, adorned with abalone, turquoise, coral, simulated diamonds and a simulated ruby 7.625” H x 4” W x 1.5” D 230.5 grams $1,500-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1023
A Matl Nuestra Señora de la Asunción de Tonaya silver santos figure 1950-1970; Taxco, Mexico Stamped: Matl / Mexico / 925 / Salas / M. Reg Likely depicting Nuestra SeÒora de la AsunciÛn in Tonaya adorned with turquoise and coral cabochons 4.75” H x 3.5” W x 1.75” D 96.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1024
A Matl silver crèc
1934-1948; Taxco, M Stamped: Matl Designed by Matild of the Holy Family w Joseph raised on a 6.5” H x 5” W x 2.5 437.5 grams gross $800-1,200
Provenance: The Co
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che of the Holy Family
Mexico
de Poulat, the silver shadowbox enclosing a crèche with baby Jesus in the manger flanked by Mary and rectangular base adorned with turquoise and coral 5” D
ollection of Cindy Tietze-Hodosh and Stuart Hodosh
1025
A Matl gem-set sterling silver table cross
1934-1948; Taxco, Mexico Stamped: Matl / Sterling / 925 Designed by Matilde Poulat, set with turquoise cabochons, faceted amethysts, and orange stones on a cloche base 4” H x 2.75” W x 1” D 32.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1026
A Matl dinner bell
1935-1948; Taxco, Mexico Applied Matl tag to bell top Designed by Matilde Poulat, the handle desgined with doves flanking a coral cabochon and turquoise garland 4” H x 3” W; Bell: 1.875” Dia. 73.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1028
Three Matl gem-set cross pendants
1934-1940 and 1980s; Taxco, Mexico Each stamped: Matl; One stamped: MS-12 / Mexico / 925; One signed: M. Reg / Patiente 10463 / Silver / Esterune Comprising a large cross pendant on possibly later-added chain (29” L x 3.25” H x 2.25” W), an amethyst pendant/ brooch (1.625” H x 1.25” W), and an amethyst and turqoise pendant on chain (24.5” L x 3.5” H x 2.25” W), 5 pieces 89.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1027
Two Matl bookmarks
1934-1948; Taxco, Mexico Each signed: Matl / 925; One further stamped: Hecho en Mexico Designed by Matilde Poulat, each with a rosette to one end and a kneeling angel to the other, sewn to a velvet ribbon Each approximately: 10.5” L x 1.125” H x .75” W 15.0 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1029
Alberto Gironella
(1929-1999, Mexican) “Octavio Paz” Collage on paper under glass Signed, inscribed and dated lower right: Gironella / Mexico, titled lower center, inscribed lower left: P/A Para Alberto / Octavio Paz Sheet: 47” H x 29.5” W $15,000-25,000 Notes: A certificate of authenticity from Victor Alfonso Varela Perez accompanies the lot. w w w. j o h n m o r a n . c o m
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1030
A William Spratling “Amarres Disco” sterling silver flatware service
1965-1967, Third Design Period Each samped for William Spratling; [Eagle 63] Wire banded shafts with applied flat discs and ball tips referred to as “Heavy Disc Pattern” by Spratling; Comprising 12 knives (8.875”), 12 flat-handled butter spreaders (6.25”), 12 dinner forks (7.375”), 12 salad forks (6.125”), 12 oval dessert/soup spoons (7.875”), and 12 teaspoons (5.5”), 72 pieces 137.59 weighable oz. troy approximately $10,000-15,000 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh
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1031
Four William Spratling ‘’Buttons & Bows’’ sterling silver items
1949-1952; Second Design Period; Taxco, Mexico Including stamps for William Spratling and sterling: [Conquistador Shield] / [Eagle 13] / 925 / Sterling Also referred to as the “Disco” pattern, comprising a tray, a sauce boat, a spoon, and a ladle, 4 pieces Tray: .875” H x 10.75” W x 8.75” D 24.645 oz. troy approximately $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1033
An assembled William Spratling spirit cup set
Circa 1930s Each marked to base for William Spratling: [WS Print] / Taxco; Nine further stamped: 920; Three further stamped: 900 The assembled set of twelve band-waisted cups with a flared foot in a wooden box with branded lid, 13 pieces Each cup: 2” H x 2.625” Dia.; Box: 3.375” H x 9.625” W x 6.5” D $1,500-2,000
1032
A William Spratling sterling silver chocolate set
•
1933-1946; First Design Period Two stamped for William Spratling and Sterling including: Taxco Mexico / 925; One stamped: Spratling Silver The assembled set comprising a chocolate pot, a cream jug and a sugar bowl with sterling and wood handles, 3 pieces Chocolate: 6” H x 5.25” W x 7” D 17.035 oz. troy approximately $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1034
A William Spratling silver and azurmalachite brooch
1940-1944; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped; Made in Mexico / Spratling Silver The stylized owl brooch with two cabochon azurmalachite gem-set eyes 2” H x 1.75” W 28.0 grams $400-600 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C Morrill and Carole A. Berk. Mexican Silver: 20th Century Handwrought Jewelry & Metalwork. Schiffer, 1994. pg. 44, fig. III-32.
1035
A William Spratling sterling silver and azurmalachite cuff bracelet
1944-1946; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Sterling / Made in Mexico The edged silver cuff with applied azurmalachite and silver dots 6.5” C x 1.625” H; Wrist opening: .875” 109.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C. Morrill, William Spratling and the Mexican Silver Renaissance: Maestros De Plata, Harry N. Abrams, in Association with the San Antonio Museum of Art, 2002, pg. 234. fig. 366
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1036
A William Spratling sterling silver and azurmalachite necklace 1949-1952; Second Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: De Mexico / Sterling The geometric pendant necklace with inlaid azurmalachite arrows 17” L; Pendant: 2.875” H x 1.5” W 161.0 grams $1,800-2,500 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: Phyllis M. Goddard, Spratling Silver: a Field Guide: Recognizing a William Spratling Treasure, Keenan Tyler Paine, 2003, pg. 73, fig. 2-210. This design illustrated: Penny C. Morrill, William Spratling and the Mexican Silver Renaissance: Maestros De Plata, Harry N. Abrams, in Association with the San Antonio Museum of Art, 2002, pg. 242. fig. 376
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1037
A group of William Spratling silver and azurmalachite jewelry
1949-1952 and 1949-1956; Second and Third Design Period; Taxco, Mexico Each stamped for William Spratling; Each variously stamped: Eagle 3 / Eagle 13 / 925 Comprising two azurmalachite-set arrow link bracelets (First bracelet: 6.5” L x .875” H; Second bracelet: 7.25” L x .5” H) and a pair of matching screw back earrings (1.5” H x .875” W), 4 pieces 95.5 grams $1,500-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Phyllis M. Goddard, Spratling Silver: a Field Guide: Recognizing a William Spratling Treasure, Keenan Tyler Paine, 2003, pg. 75, fig. 2-216.
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1038
Arnold Belkin
(1930-1992, Canadian/ Mexico City) “Proceción Fúnebre,” 1951 Oil on masonite Signed and dated lower right: Arnold Belkin, signed and dated again, titled and inscribed verso: 9 Julio-1951 / Mexico, DF 34.25” H x 47.5” W $6,000-9,000
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1039
Arnold Belkin
(1930-1992, Canadian, Mexico City) “El Maguey,” 1951 Oil on masonite Signed and dated lower left: Arnold Belkin, signed and dated again and titled verso 32” H x 24” W $6,000-9,000
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1040
A Matl sterling silver four-strand coral necklace
1934-1948; Taxco, Mexico Stamped: Matl / 0.925 / Hecho en Mexico Designed by Matilde Poulat, the four-strand necklace set with coral branches suspended by an ornate doublestrand silver necklace set with coral cabochons 18.5� L x 1.25� H 120.0 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1041
Three pairs of gem-set silver earrings
1934-1948; Taxco, Mexico Two stamped: Matl and for sterling; One stamped: Silver Mexico Two designed by Matilde Poulat, comprising a pair of coral and turquoise bow-motif screw-back earrings (1.75” H x 1.125” W), a pair of coral “S”-form ear clips (1.5” H x 1” W), and a pair of turquoise fringe screw-back earrings (1.75” H x 1” W), 6 pieces 54.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1042
A Matl sterling silver fish necklace
1934-1948; Taxco, Mexico Stamped: Matl / Sterling / 925 Designed by Matilde Poulat, the turquoise-set swirl necklace designed with repousse fish fringe 17� L x 3� H 144.0 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 43
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1043
A Matl link bracelet
1934-1948; Taxco, Mexico Signed: Matl Designed by Matilde Poulat, the repousse figural hinged bangle bracelet centering an amethyst cabochon 6.75� L x 1.75� H 82.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m
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1044
A Matl gem-set necklace
1934-1948; Taxco, Mexico Signed: Matl Designed by Matilde Poulat, the elaborate dove-motif centerpiece with coral, amethyst, and turquoise fringe 15.5” L x 3.325” H x 4” W 84.0 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1045
Two Matilda Poulat bird brooches
1935-1948; Taxco Mexico Each stamped: Matl; One further stamped: Mexico / Sterling / 925 Comprising a large amethyst-set brooch with a turquoise and coral garland (2.75” H x 3.125” W) and a coral brooch with doves flanking a rose basket (3.625” H x 3” W), 2 pieces 87.0 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1046
A Matl silver gem-set bracelet
1934-1948; Taxco, Mexico Stamped: Matl Designed by Matilde Poulat, set with amethyst, turquoise, and coral 6.625” C x 2.5” H 97.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1047
Rodolfo Nieto
(1936-1985, Mexican) “Personaje,” 1966/1967 Collage on paper Edition P/P #20, signed lower center: Nieto, numbered, dated and inscribed verso: Paris 66-67, titled by repute 25.5” H x 39.25” W $10,000-15,000
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1048
A group of Fred Davis silver and obsidian jewelry
Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Each variously stamped: Made in Mexico / Sterling; Earrings attributed to Davis, no markings Comprising a wide bangle bracelet (6.75” C x 2” H) featuring a carved obsidian mask with matching necklace (14.5” L x 1.875” H) and screw-back earrings (.875” H x .875” W), 4 pieces 182.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1049
A suite of Fred Davis silver and obsidian mask jewelry
Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis: Further stamped: Silver / Made in Mexico; Earrings attributed to Davis Comprising a carved obsidian mask-motif necklace (17” L x .875” H) en suite with a brooch (1.325” H x 2.25” W) and a pair of screw-back earrings (.875” H x 1” W), 4 pieces 145.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1050
Three Fred Davis silver and obsidian boxes
Second-quarter 20th Century; Mexico City, Mexico Each stamped for Fred Davis Comprising three hinged boxes in graduating sizes, each set with a carved obsidian head, 3 pieces Largest: 1.5” H x 3.625” W x 3.25” D; Smallest: .625” H x 1.125” W x .875” D 9.820 oz. troy approximately $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: Davis was said to have introduced obsidian into the silver designs of Mexico City in 1945.
51
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1051
Three Fred Davis silver and obsidian mask brooches
Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Each variously stamped: Made in Mexico / Silver / Mexico Each with carved obsidian masks, one a pendant/brooch with a leaf headress (2.5” H x 2.25” W), one with a half-sphere headress (3” H x 2.5” W), and one with an Aztec-inspired headress (1.75” H x 2.5” W), 3 pieces 103.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
52
1052
Rodolfo Nieto
(1936-1985, Mexican) Untitled abstract Pastel on paper Signed upper right: Nieto, inscribed upper left: “A Yancy, la mejor athleta de la Universidad de California,” Nieto 39.5” H x 27.5” W $5,000-7,000
53
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1053
A Mexican sterling silver and wood tea and coffee service
Circa 1940s, Mexico Each stamped: Sterling / 925 / Hecho en Mexico / DF / RJ Comprising a wood-handled tipping kettle (15” H x 10.5” W x 6.75” D), a wood-handled coffee pot (9.25” H x 13.25” W x 3.75” D), a woodhandled tea pot (7.75” H x 12.5” W x 4.25” D), a cream jug (5.5” H x 6.75” W x 2.75” D), a sugar pot (5.25” H x 8” W x 3” D), a waste bowl (3.375” H x 4.25” W x 3” D), and a tray (2” H x 31” W x 20” D), 7 pieces 324.445 gross oz. troy approximately $5,000-7,000 w w w. j o h n m o r a n . c o m
54
- -1054
A Conquistador Mexican sterling silver tea and coffee pot
Mid-20th Century; Mexico City; Mexico Each stamped: Conquistador / Sterling Mexico / 925/1000 / [Eagle 13] Comprising a sterling silver coffee pot and tea pot with streamlined handles and bulbous tapered bases, 2 pieces Coffee: 8” H x 6.5” W x 5.25” D; Tea: 7” H x 7.125” W x 5.75” D 47.390 oz. troy approximately $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
55
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
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1055
A Mexican sterling silver and wood serving set
1947-1979 Stamped: A.E.M (in heart) / [Eagle 23]; Further stamped indistinctly Comprising a salad serving set with half-round sterling silver handles Each: 11.5� H 4.900 gross oz. troy approximately $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
56
1056
1057
Third-quarter 20th Century; Mexico City, Mexico Stamped for Juvenito Lopez Reyes: Hecho en Mexico (eagle head) / Sterling / 925 / [Eagle 9] /JLR (conjoined) / 33 The pitcher with rolled rim and tapered repousse body 11.675” H x 8” W x 5.5” D 27.100 oz. troy approximately
1960-1980; Taxco, Mexico Stamped: Ric / Taxco / 925 / Hec The shaped rosewood with silve 6” C x .75” W, wrist opening: 1.1 66.0 grams
A Juvenito Lopez Reyes sterling silver pitcher
$400-600
57
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
An Erika Hult de Corral rose
$300-500
Provenance: The Collection of C
ewood and silver cuff bracelet
cho en Mexico / Eagle 3 er cage 125”
Cindy Tietze-Hodosh and Stuart Hodosh
1058
An Erika Hult de Corral brass and sodalite necklace
Third-quarter 20th Century Stamped: Ric / Hecho en Mexico / Laton / 035 The Mixtec-inspired links suspending a stepped pendant and further set with sodalite cabochons 25.5” L x 2.325” H x 2.325” W $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m
58
1059
Felipe Castañ eda
(b. 1933, Mexican) “Mujer en Reposo,” 1982 Carved black marble Signed and dated: F. Castanada / 1982 15” H x 10.5” W x 16” D $2,000-3,000
59
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1060
A pair of Antonio Pineda sterling silver candlesticks
Circa 1955; Taxco, Mexico Crown mark for Antonio Pineda; [Eagle 17]; Further stamped: Hecho en Mexico / 970 / Silver Each square columnar candlestick raised on an intersecting rectangular support, 2 pieces 20” H x 5” W x 4” D 99.550 oz. troy approximately $6,000-9,000 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh Literature: This pair illustrated: Stuart Hodosh, et al. “Silver Seduction: the Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” Fowler Museum at UCLA, 2008, pg. 164, plate 234. Notes: By repute one of three sets made. This is the second set being sold by Moran’s.
w w w. j o h n m o r a n . c o m
60
1061
Antonio Pineda modernist silver tumbler
1962-1963; Taxco, Mexico Stamped for Antonio Pineda [Crown] and Los Castillo [Soc Coop Sec 2]; Further stamped: 925 / Hecho en Mexico / [Eagle 58] The oval tumbler with cut-out center grip 4.25” H x 4” W x 3.625” D 15.375 oz. troy approximately $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1062
Four Antonio Pineda sterling silver salt and pepper shakers
1962-1963; Taxco, Mexico Each stamped for Antonio Pineda and Los Castillo: [Crown] / Hecho en Mexico / Soc Coop Sec 2 Los Castillo / [Eagle 58] Antonio Pineda for Los Castillo geometric sterling silver salt and pepper shakers, 4 pieces Each: 2.375” H x 2.25” Dia. 11.455 oz. troy approximately $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This set illustrated: Stuart Hodosh, et al. “Silver Seduction: the Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” Fowler Museum at UCLA, 2008, pg. 167, plate 241.
61
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1063
An Antonio Pineda condiment server
1953-1978; Taxco, Mexico All but two spoons and the caddy with crown mark for Antonio Pineda; [Eagle 17]; Further stamped: Hecho en Mexico / 925 or 930 Comprising a handled caddy, three lidded pots with stylized acorn finials, and three spoons, 7 pieces 6.5” H x 6.25” W x 6.25” D 23.400 oz. troy approximately $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
62
1065
An Antonio Pineda silver brac
1064
José Luis Cuevas
(1934-2017, Mexican/American) “Retrato de Julieta,” 1954 Watercolor and ink on paper laid to board Signed, dated twice, titled and inscribed lower right: Cuevas / Marzo 08 - 1954 / Nueva York Sight: 20.5” H x 10.25” W $1,500-2,500
63
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; E stamped: Made Mexico / Silver / Z Designed with concave hinged tra 7.75” L x 1.5” H 183.0 grams $800-1,200
Provenance: The Collection of Cin and Stuart Hodosh
celet
Eagle 17; Further ZZ519 apezoidal links
ndy Tietze-Hodosh
1066
Two Antonio Pineda silver bracelets
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Indistinct eagle; Each variously stamped: Hecho en Mexico / Silver / 970 / ZZ616 Comprising an open stylized leaf-motif bracelet (6.5” L x 1” H) and a interlocking link bracelet (6” L x .875” H), 2 pieces 242.0 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1067
An Antonio Pineda silver bracelet
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle mark; Further stamped: Hecho en Mexico / Silver / 970 Designed with half-circle links centering silver spheres 6.75” L x 1” H 128.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
64
1068
An Antonio Pineda silver bracelet
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Silver / Made in Mexico / ZZ570 Designed with four architectural hinges between curved links 6.5� L x 1.25� H 104.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
65
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1069
An Antonio Pineda silver and green stone bracelet
1962-1963; Taxco, Mexico Crown mark for Antonio Pineda; Indistict eagle; Further stamped: Hecho en Mexico / Los Castillo Soc Coop Scl Sec 2 / ZZ515 The comma-link bracelet with round green enameled panels 6.75� L x 1.325� H 127.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
66
1071
Two Antonio Pineda silver brooches
1070
An Antonio Pineda silver bracelet
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Indistic eagle marks; Further stamped: JVL Taxco Designed with “V”-shaped links 6.5” L x .875” H 84.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
67
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Indistinc eagle; Each variously stamped: Made in Mexico / Silver / PR531 / Hecho en Mexico Comprising one with inset tubes (2.75” H x .875” W and one set with onyx (1” H x 2.25” W), 2 pieces 41.5 grams $500-700
Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
ct
W),
1072
An Antonio Pineda silver and carnelian ring 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: 970 The modernist-style ring set with four oval-shaped carnelian Ring size: 8.25 12.9 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
h
w w w. j o h n m o r a n . c o m
68
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1073
José Luis Cuevas
(1934-2017, Mexican/American) “Worm Pit #2,” 1965 Ink and watercolor on paper collaged on board under glass Signed upper left: Cuevas, titled lower right, signed and titled again and dated verso: December 13, 1965 9.75” H x 6.25” W $1,000-1,500 Provenance: Silvan Simone Gallery, West Los Angeles, CA The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
69
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1074
José Luis Cuevas
(1934-2017, Mexican/American) “Double Self Portrait in Charenton,” 1965 Watercolor and ink on paper laid to Arches paper under glass Signed and dated lower left: Cuevas, titled upper right, signed again, titled and dated verso Sight: 9” H x 5.75” W $1,500-2,000 Provenance: Silvan Simone Gallery, Los Angeles, CA The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
70
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José Luis Cuevas
(1934-2017, Mexican/American) “Pagina De Estudios (Sketches Page),” 1965 Ink and watercolor on paper under glass Signed and dated upper right: Cuevas, signed and dated again and titled verso: 28 December 65 8” H x 11” W $1,000-1,500 Provenance: Silvan Simone Gallery, West Los Angeles, CA The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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w w w. j o h n m o r a n . c o m
72
1076
A William Spratling smoky quartz and silver necklace
1951-1956; Third Design Period; Taxco, Mexico WS Script mark with 925 The graduated bib-style necklace tipped with smoky quartz suspended from T-form drops 18.25� L x 2.75� L 86.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 73
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1078
A William Spratling silver and rosewood hinged bangle bracelet 1940-1946; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Alternating rosewood and silver studded with silver balls 7.25” C x .875” H 70.8 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1077
A William Spratling silver and ebony cuff bracelet 1940-1946: First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico Designed with seven silver circles inlaid into a studded ebony cuff 6.5” C x 1.5” H; Wrist opening: 1.25” 50.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
74
1079
An assembled set of William Spratling silver and rosewood jewelry
1940-1946; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver Comprising a set of screw-back earrings (1.325” H x .75” W) with matching brooch (.75” H x 2.75” W) together with a ring (6.5), 4 pieces 39.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
75
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1081
A near pair of William Spratling sterling candlesticks
1940-1944; First Design Period; Taxco, Mexico Each stamped for William Spratling and Sterling: [WS Print Circle] / Spratling Silver Each floriform candleholder over a rope-motif waist raised on a widening cloche-form base with incised stripes, 2 pieces Each approximately: 2.125” H x 2.25” Dia. $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1080
Three William Spratling sterling silver champagne goblets
1956-1962; Third Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped Eagle 30 Each goblet with a twisted spiral wire stem and silver bead decoration, 3 pieces Each: 5.875” H x 4.5” Dia. 26.210 oz troy approximately $1,000-1,500 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
76
1082
A group of William Spratling wood and silver items
1956-1962 and 1964-1967; Third Design Period; Taxco, Mexico Each stamped for William Spratling; Butter dish stamped for sterling: [Eagle 30] Comprising a pair of hardwood candlesticks with sterling buttons and terminals (said to have been made for a five year period), a butter dish and knife in hard wood, and two pepper shakers with buttons, 6 pieces Butter dish: 1” H x 9.5” W x 2.875” D $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1084
Six William Spratl
1940-1946; First Des Each stamped for W / Made in Mexico Comprising six assem Each approximately: 2.765 oz. troy appro $400-600
Provenance: The Co
77
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
I
1083
A William Spratling sterling silver cocktail shaker
1964-1965; Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: [Eagle 30] The cocktail shaker with an internal strainer and conjoined ball stem 5.25” H x 5.125” W x 4.5” D 12.975 oz. troy approximately $400-600 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh
,,,
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ling sterling silver pepper shakers
sign Period; Taxco, Mexico William Spratling; Various further stamps: Sterling / Spratling Sterling
mbled pepper shakers with looped wire bases, 6 pieces : 1.5” H x 1.125” Dia. oximately
ollection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
78
1085
A Matl sterling silver turkey-motif necklace
Third-quarter 20th Century; Taxco, Mexico Stamped: Matl / Mexico 925 / Salas / Eagle 129 / YOD-PAT 10961 / M. Regis The repousse necklace set with chip coral and turquoise adorned with turkeys 23.75” L x 2.125” H x 7” W 117.9 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
79
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1086
A pair of Matl gem-set cufflinks
1934-1948; Taxco, Mexico Each stamped: Matl / 925 Designed by Matilde Poulat, each centering a faceted amethyst surrounded by coral set into a scrolled backing .875” H x .75” W x 1” D 19.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1087
A Matl silver and gem-set dove ring
1934-1948; Taxco, Mexico Etched: Mexico, 925, Matl Designed by Matilde Poulat, the two doves set with turquoise eyes in a coral, turquoise, and amethyst frame with a scrolled ring shank Ring size: 10.75; Panel: 1.325” H x 1.25” W 19.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
80
1088
A set of Matl snake-motif silver jewelry
Circa 1980s; Taxco, Mexico Each signed: Matl / M. Reg / 142093 / Mexico / 925 Comprising a snake-form necklace (15.125” L x .75” H), and a pair of screw-back earrings (1.75” H x .5” W), set with natural and faux turquoise, 3 pieces 170.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
81
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1089
A Matl silver and gem-set dove bracelet
1934-1948; Taxco, Mexico Signed: Matl Designed by Matilde Poulat, the central panel with two dovers and a basket flanked by scrolled links set with coral and turquoise 7� L x 1.75� H 52.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
82
1090
Francisco Toledo
(1940-2019 Mexican) “La Rana” Ceramic with glaze Incised on bottom: Toledo 4.25” H x 3.75” W x 3.125” D $10,000-15,000
83
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
w w w. j o h n m o r a n . c o m
84
85
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1091
Francisco Toledo
(1940-2019, Mexican) Abstract face Watercolor and gouache on paper under glass Signed lower right: Toledo Sight: 13.75” H x 15” W; Sheet: 16” H x 18.25” W $1,500-2,000
w w w. j o h n m o r a n . c o m
86
...........__
1092
A Hector Aguilar sterling silver water pitcher
1940-1945; Taxco, Mexico Stamped for Hector Aguilar; Further stamped: Made in Mexico / Sterling / [Indistinct Eagle] The smooth-finished pitcher with bulbous body and streamlined geometric handle 7.5” H x 7.75” W x 6.5” D 32.785 oz. troy approximately $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
87
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1093
A Hector Aguilar sterling silver creamer and sugar
1940-1945; Taxco, Mexico Each stamped for Hector Aguilar; Further stamped: Taxco / 940 Comprising a cream jug and lidded sugar both with a round, half-disc designed foot Cream jug: 3.75” H x 5.125” W x 3.5” D; Sugar: 4.5” H x 5.375” W x 3.25” D 14.770 oz. troy approximately $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
88
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1094
109
1940-1945, 1948-1955, and 1955-1962 Each stamped for Hector Aguilar; some stamped: 940; some stamped: 925 Each twisted rope-form handle issuing a rounded scoop, 10 pieces Each: 9.5� 19.355 oz. troy approximately $600-800
1940-1 Each c Taxco The se liners a Each c 10.405
Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
$500-7
Ten Hector Aguilar sterling silver long-handled spoons
A set
Proven Stuart
89
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
95
of Hector Aguilar sterling silver salt cellars
1945 (cellars);1948-1962 (spoons); Taxco, Mexico cellar stamped for Hector Aguilar; Further stamped: / [Eagle 9] / 940 et of eight Mexican sterling silver cellars with wood and six spoons, 14 pieces cellar: 1.125” H x 1.75” Dia.; Each spoon: 2.75” H 5 oz. troy approximately
700
nance: The Collection of Cindy Tietze-Hodosh and Hodosh
w w w. j o h n m o r a n . c o m
90
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1096
A group of Hector Aguilar ‘Aztec’ serving pieces
1948-1962; Taxco, Mexico Each stamped for Hector Aguilar; Various further stamps: Sterling / Taxco / Mexico / Taller Borda / Made in Mexico / [Eagle 9] Comprising two rosewood-handled carving knives (15.25”), one carving fork with rosewood handle (13.625”), one carving fork with sterling handle (12.75”), and a sterling candle snuffer (13”), 5 pieces Weighable sterling: 3.520 oz. troy approximately $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
91
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
'-
1097
A Hector Aguilar sterling silver lidded pitcher
Third-quarter 20th Century Stamped: Eagle 9 / Sterling / 3522 The ball finial over a hinged lid covering a smooth-finish body issuing a handle terminating in a stylized wing design 9.75” H x 7” W x 5.5” D 39.615 oz. troy approximately $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
92
1098
A group of Mexican sterling silver trays and dishes
Mid-20th Century; Mexico City and Taxco, Mexico Each stamped for maker including: William Spratling, Los Castillo, Hector Aguilar, and Sanborns Comprising six William Spratling dishes with bird, serpent, Aztec for Spratling Conquistador, fish, and loop motif (First, Second, and Third design periods), a Los Castillo fish dish with green stone eye, a Los Castillo oval tray, a Hector Aguilar round tray, and a Sanborns small round dish with animal etchings, 10 pieces Largest tray: 11� Dia.; Smallest: 2.375� Dia. 53.100 oz. troy approximately $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
93
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1099
Six Hector Aguilar sterling silver vanity items
1940-1945; Taxco, Mexico Each stamped for Hector Aguilar and sterling; Various further stamps: Taxco / 940 / Made in Mexico / Sterling Comprising one large and one small round vanity box, a rectangular vanity box, a silver matchbook, a round dish, and a studded doublesided chalice, two items personalized, 6 pieces Largest box: 2.25� H x 5.375� Dia. 46.340 oz. troy approximately $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
94
1100
A group of Fred Davis silver and turquoise jewelry
Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Each variously stamped: Mexico / Silver Comprising a link bracelet (7.25” L x .75” H), two turquoise set cuff bracelets (6.75” C x .75” H, wrist opening: 1.25”; 6.5” C x .625” H, wrist opening: 1.125”), two turquoise set brooches (2” Dia,; 1.325” H x 1.75” W) and a stylized abstract brooch (1.75” H x 3.325” W), 6 pieces 137.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
95
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1101
A pair of Fred Davis silver, obsidian and jade bracelets
Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis: Further stamped: Sterling / Made in Mexico Each designed with alternating links of jade and obsidian-set panels, 2 pieces Each approximately: 7.325� H x 1.125� H 154.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
96
1102
A suite of Fred Davis silver jewelry
Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis: Further stamped: Silver / Mexico; Necklace attributed to Davis Comprising a caviar link necklace (16.5” L x .75” H) with two matching bracelets (7.5” L x .75” H), 3 pieces 105.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
97
M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1103
Group of Fred Davis silver boxes
Second-quarter 20th Century; Mexico City, Mexico Each stamped for Fred Davis; Five stamped for sterling: 925 Comprising five hinged silver boxes in various designs, one larger box with an embossed bear relief and hammered pattern, one smaller box with a central stone, 6 pieces Largest: 1.375” H x 3.675” W x 2.25” D; Smallest: .5” H x 1.125” W x .75” D 9.155 oz. troy approximately $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m
98
1104
Rodolfo Nieto
(1936-1985, Mexican) “Animales” (five works) Brown ink on cream wove paper One signed lower left: Nieto Four works: 9” H x 13” W; one work: 9” H x 11.5” W $4,000-5,000
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(1936-1985, Mexican) Untitled abstract, 1965 Ink on paper Signed and dated lower right: Nieto / 11-XI-65 17.75” H x 22” W
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1106
Two Antonio Pineda
1953-1979; Taxco, Mex Crown mark for Antonio stamped: Hecho en Me Comprising a silver belt (1.625” H x 4” W) and a (2.125” H x 3.75” W), 2 154.0 grams $400-600
Provenance: The Collec Stuart Hodosh
1107
Three Antonio Pineda silver belt buckles
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Eagle 208; Each variously stamped: 970 / JVL Taxco / Silver / Hecho en Mexico / PZ126 / PZ123 Comprising a ridged buckle (1.5” H x 2.5” W) an openwork belt (1.125” H x 2.75” W), and a silver and enamel buckle (1.25” H x 2.25” W), 3 pieces 151.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1 0 3 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
a silver belt buckles
xico o Pineda; Eagle 17; Further exico / 970 / PZ 191 / Silver / PZ144 t buckle with stylized wave design a geometric-motif belt buckle 2 pieces
ction of Cindy Tietze-Hodosh and
1109
A group of Antonio Pineda silver jewelry
Post-1953; Taxco, Mexico Crown mark For Antonio Pineda; Eagle 17; Each variously stamped: 970 / Hecho en Mexico / Silver Comprising a pair of round cufflinks (1.325” Dia. x .75” H), a pair of oval cufflinks (1.25” H x .875” W x .875” D), a pair of parrot-head cufflinks (.75” H x .75” W x .875” D) and one tie clip (1.75” W x .6” H x .625” D), 7 pieces 72.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1108
A group of Antonio Pineda silver and gemstone cufflinks
Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 208; Eagle 3; Eagle 17; Each variously stamped: 970 / Taxco / 925 / Silver / Mexico / Sterling Comprising a pair of onyx cufflinks (.875” H x .5” W x .875” D), turquoise cufflinks (1.125” H x .625” W x .75” D), black enamel cufflinks (1” H x .875” W x .75” H), and synthetic sapphire cufflinks (.875” H x .875” D), 8 pieces 69.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 1 0 4
1110
1111
1949-1953; Taxco, Mexico Stamped: Jewels by Antonio; Further stamped: Taxco / Mexico / PZ115 Comprising stylized “X”-motif belt buckle with three silver conchos on a black suede belt, 5 pieces Buckle: 2.625” H x 5.5” W; Concho: 2.625” H x 2.5” W; Belt: 39” L x 2.125” H 301.0 grams gross $600-800
1949-1953 and 1953-1979; Ta Stamped: Jewels by Antonio; Pineda; Eagle 17; Indistinct E Sterling / Mexico / 970 / YY68 / ZZ521 Comprising a stylized wave b 1.125” H) with matching hing and two-piece belt buckle (3. 325.5 grams
Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
$1,200-1,800
An Antonio Pineda silver and suede belt
A suite of Antonio Pineda
Provenance: The Collection o Stuart Hodosh 1 0 5 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
a silver jewelry
Taxco, Mexico ; Crown mark for Antonio Eagle; Each variously stamped: 80 / Made in Mexico / PZ119
bib collar necklace (15” C x ged bangle (7” C x 2.125” H) .3.25” H x 4” W), 4 pieces
of Cindy Tietze-Hodosh and
1112
An Antonio Pineda Lasxcaux-inspired mixed-metal necklace
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Hecho en Mexico / Silver / 970 / YY593 The silver pendant designed with a Lascaux-inspired motif with copper wrapping on a black velvet cord with spade shaped endcaps 23.5” L x 3” H x 2.75” W 74.0 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 1 0 6
1113
A suite of Antonio Pineda silver and copper jewelry
1941-1948; Taxco, Mexico Stamped: AP for Antonio Pineda; Further stamped: 980 / Taxco / Silver / Mexico The suite of stylized link jewelry detailed with copper comprising two bracelets (7.75-8.5” L x .875” H) and one necklace (15.75” L x .875” H), 3 pieces 180.0 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1 0 7 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1114
An Antonio Pineda Mexican and aventurine quartz necklace
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Hecho en Mexico / 970 Comprising a necklace with oval cabochon aventurine quartz links alternating with stylized waves 14.5” L x .625” H 112.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This assembled set illustrated: Stuart Hodosh, et al. “Silver Seduction: the Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” Fowler Museum at UCLA, 2008, pg. 136, plate 161. w w w. j o h n m o r a n . c o m 1 0 8
1115
An Antonio Pineda silver, brass and aventurine quartz necklace
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: 970 Necklace comprised of silver channels centered with brass wire alternating with oval cabochon aventurine quartz 15.25” L x .5” H 91.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This necklace illustrated: Stuart Hodosh, et al. “Silver Seduction: the Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” Fowler Museum at UCLA, 2008, pg. 136, plate 162.
1 0 9 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1116
Francisco Zuñiga
(1912-1998, Costa Rican/Mexican) “Muchacha en la silla,” 1978 Lithograph in colors on paper under glass Edition 21/100, signed, dated and numbered in pencil lower left, with the Kyron blindstamp lower right 23” H x 31.5” W $800-1,200
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1117
Francisco Zuñiga
(1912-1998, Mexican) “La Abuela,” 1981 Lithograph on Guarro paper under glass, Poligrafa, Barcelona, pub./prntr. Edition 7/100, signed, dated and numbered lower left: Zuniga, titled on a tag affixed to the backing paper and with the blindstamp for Guarro paper lower right 29.75” H x 21.75” W $800-1,200 Literature: Vlady, 295
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1118
A Peruvian mixed-metal mask
Mid-20th Century; Peru Apparently unmarked (possibly Graziella Laffi) The abstract mask with long curved horns and tusks 21” H x 25” W x 15” D $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m 1 1 2
1119
Three mixed metal Peruvian masks
20th Century The three masks with expressive faces and surrounding designs with differing patinas, possibly Graziella Laffi Largest: 15” H x 14.375” W $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1120
Three Graziella Laffi jewelry items
Third-quarter 20th Century; Peru Each stamped: Laffi / Peru / Sterling or 925 Comprising a bib necklace (16.75” L x 1.25” H), a bird-motif cuff bracelet (7” C x 2.24” H, wrist opening: 2.125”), and a cuff bracelet with geometric design (7.25” C x 1.25” H, wrist opening: 1.25”), 3 pieces 232.5 grams $800-1,200 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh
1 1 3 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1121
Two Graziella Laffi sterling silver jewelry items
Second-quarter 20th Century; Peru Each stamped: Laffi / Peru / 925 Each designed with stylized animals, comprising a fringe necklace (17.5” L x 1” H) and a bracelet (6.875” L x 1” H), 2 pieces 124.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m 1 1 4
1122
A group of Graziella Laffi bird-motif silver jewelry items
Third-quarter 20th Century; Peru Each stamped: Laffi / Peru/ Sterling or 925 Comprising eleven brooches (1.125” H x 2.625” W-2” H x 2.325” W) together with a pair of screw-back earrings (1.75” H x 1.125” W), 13 pieces 154.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1 1 5 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1123
A group of Graziella Laffi silver jewelry items
Second-quarter 20th Century; Peru Each stamped: Laffi / Peru / 925; Four further stamped: k18; The chain apparently unmarked but likely Laffi Comprising a mixed-metal gold and silver pendant (1.75” H x 2.5” W), a gold and silver bird pin (1.125” H x 1.325” W), a gold and silver pendant on a silver chain (20.5” L 1.5” H x 1.25” W), a silver and gold cuff bracelet (7” C x 1.5” H, wrist opening: .875”), and a two-toned silver bracelet (6.25” C x .75” H, wrist opening: .75”), 6 pieces 193.0 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 1 1 6
1124
Three Graziella Laffi silver cases
Third-quarter 20th Century; Peru Each stamped: Laffi / Peru / Sterling or 925 Each with a hammered ground, comprising a humidor with figural motif (3.325” H x 3.75” W x 1” D), a case with applied bird (4.75” H x 3.25” W x .325” D), and a case with applied feather and snake (4” H x 3/125” W x .325” D), 3 pieces 450.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1 1 7 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1125
An Antonio Pineda silver cross necklace
1949-1953; Taxco, Mexico Stamped: Jewels by Antonio; Further stamped: Mexico / Silver / YY473 The stylized cross pendant suspended by a ball and oval link attached neck chain 17” L x 2.25” H x 1.875” W 40.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Stuart Hodosh, et al. “Silver Seduction: the Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” Fowler Museum at UCLA, 2008, pg. 33, plate 20.
w w w. j o h n m o r a n . c o m 1 1 8
1126
Two Antonio Pineda silver cross pendants
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Silver / 970 / Sterling / Mexico / YY594; Chain unmarked Comprising a stylized cross with a backed star quartz cabochon suspended from a detachable later-added chain (24” L x 2.875” H x 2.875” W) together with a stylized cross on black velvet cord with silver endcaps (23” L x 2.75” H x 2.75” W), 3 pieces 68.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1127
An Antonio Pineda
1953-1979; Taxco, M Crown mark for Anto Silver / 970 The quatrefoil penda with round silver tips 32.5” L x 2.875” H x 52.5. grams $500-700
Provenance: The Coll Hodosh 1 1 9 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1128
Three Antonio Pineda silver and gemstone rings
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Each variously stamped: Partial F. Gomez 970 / Silver / Hecho en Mexico / PP485 Comprising a dyed tiger’s eye ring (6.75), an Art Deco-style onyx ring (5.75), and a three-stone onyx ring (6.25), 3 pieces 45.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
a silver and onyx quatrefoil necklace
Mexico onio Pineda; Eagle 17: Further stamped:
ant of onyx and silver on black velvet cord 2.24� W
lection of Cindy Tietze-Hodosh and Stuart w w w. j o h n m o r a n . c o m 1 2 0
1129
An Antonio Pineda silver and moonstone ring
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle mark The modernist-style flared ring set with three round moonstone cabochons Ring size: 6.5 18.7 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1131
A Group of William Sprat items
1940-1946, 1949-1951, and 1 Design Periods; Taxco, Mexic Each stamped for William Spr stamps including: [Eagle 13] / Spratling Silver; Taxco / Mexic Comprising four salt cellars, t small ashtrays, one dinner be 13 pieces Honey pitcher: 3.375” H x 1.2 15.910 oz. troy approximately $500-700
Provenance: The Collection o Hodosh
1130
A William Spratling serving tray
1940-1944; First design period; Taxco, Mexico Stamped for William Spratling [WS Print Circle] and Sterling: Spratling Silver The large heavy rectangular tray with rope edge .75” H x 14.5” W x 13” D $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1 2 1 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
tling sterling silver table
1964-65; First, Second, and Third co ratling / Sterling; Various further / [Conquistador]; [Eagle 30]; co / 925 three salt spoons, four assembled ell, and one small honey pitcher,
25” W x 1.75” D y
of Cindy Tietze-Hodosh and Stuart
1132
A group of William Spratling sterling baby cups
1933-1938 and 1944-1946; First Design Period; Taxco, Mexico Larger stamped for William Spratling and Sterling: [WS Print Circle] / Sterling; Two smaller stamped: [WS Print] / Taxco / Mexico / 925 The three baby cups with handles, stamped and applied design to the base of cup and foot, one personalized, 3 pieces Larger: 3” H x 3.125” W x 2.375” D; Smaller: 2.625” H x 3” W x 2.375” D 9.430 oz. troy approximately $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m 1 2 2
1133
Two William Spratling sterling silver boxes
1940-1944; First Design Period; Taxco, Mexico Each stamped for William Spratling / Sterling: Spratling Silver Each sterling silver vanity box with hinged and scalloped ‘pillow’ lid, 2 pieces Each approximately: 2.375” H x 3.25” W x 3” D 13.255 oz. troy approximately $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1134
A William Spratling sterling silver and rosewood pitcher
1940-1946; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Spratling Silver The pitcher with rolled rim and scrolled wood handle on a small foot 7” H x 7.75” W x 4.75” D 21.600 gross oz. troy approximately $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1 2 3 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1135
Two William Spratling silver and rosewood boxes
1933-1938; First Design Period; Taxco, Mexico Each stamped for William Spratling; One futher stamped: Taxco / 920; one branded to bottom: Taxco Comprising two lidded rosewood boxes, one lid with applied silver eagle and one with applied silver serpent, 2 pieces Each approximately: 1.625” H x 4.75” W x 3.5” D $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m 1 2 4
1136
Three William Spratling rosewood and silver items
1940-1946; First Design Period; 1965-1967; Third Design Period; Taxco, Mexico Each stamped for William Spratling; Various further stamps: Sterling / [Eagle 63] Comprising a ‘walrus’ letter opener in rosewood and silver from 1945, a sterling silver cheese knife with wide blade and simple scroll handle (First Design Period), and a spear shaped letter opener with sterling and rosewood handle (19651967), 3 pieces Largest 7.75” H x 2.25” W 6.370 gross oz. troy approximately
1137
$800-1,200
1964-1965; Third Design Period; Tax Each stamped for William Spratling; Each pointed letter opener terminati 1814) each personalized, 2 pieces Each: 5.5” H x 1.675” W
Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
Two William Spratling letter ope
$400-600
Provenance: The Collection of Cindy
1 2 5 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
eners
xco, Mexico Further stamped for sterling [Eagle 30] ing in an 8-reale copper coin (date
y Tietze-Hodosh and Stuart Hodosh
1138
A William Spratling “Aztec Duck” sterling silver sugar spoon 1951; Third Design Period; Taxco Mexico Stamped for William Spratling; Further stamped: 925 In the form of a stylized duck 5” H x 1.325” W 1.450 oz. troy approximately $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m 1 2 6
1139
A set of William Spratling silver jewelry
1940-1944; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Comprising a bracelet (7.25” L x 1.25” H), and a necklace (17.75” L x 1.125” H) designed as diagonally wrapped links topped with silver spheres, 2 pieces 201.0 grams $1,500-2,000 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: Sandy Cedarwall, et al. Spratling Silver. Chronicle Books, 2000. Page 153.
1 2 7 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1140
A William Spratling silver necklace
1933-1939; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: 980 / Taxco Comprised of curved open links each centered with a silver ball 28.5� L x .875� H 131.5 grams $1,200-1,800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: Penny C. Morrill, and Carole A. Berk. Mexican Silver: 20th Century Handwrought Jewelry and Metalwork. Schiffer, 1994, pg. 62, fig. IV-2.
w w w. j o h n m o r a n . c o m 1 2 8
1141
A William Spratling silver and amethyst necklace
1940-1944; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Designed as cavier links finished with an in-set cabochon amethyst clasp 22.75� L x .75� H 188.5 grams $800-1,200 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh
1 2 9 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1142
An assembled set of William Spratling and gem-set jewelry
1933-1939 and 1940-1944; First Design Period; Taxco, Mexico Both stamped for William Spratling; Necklace stamped: 980 / Taxco; Ring stamped: Made in Mexcio / Silver Comprising an obsidian-set triple-strand necklace (14.25� L x 1.125� H) and a carved onyx ring (7.75), 2 pieces 55.0 grams $700-900 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m 1 3 0
1143
A suite of William Spratling silver and amethyst jewelry
1940-1944; First Design Period; Taxco, Mexico All stamped for William Spratling; Further stamped: Made in Mexico / Silver Each designed with hands with amethyst motif, comprising a necklace (16.5” L x 1.125” H), a brooch (2” H x 1.125” W), and a pair of screw-back ear clips with amethyst drops (1” H x 1.125” W), 4 pieces 96.0 grams $1,200-1,800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C Morrill and Carole A. Berk. Mexican Silver: 20th Century Handwrought Jewelry & Metalwork. Schiffer, 1994. pg. 40, fig. III-21. 1 3 1 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1144
A William Spratling silver and amethyst hinged bangle bracelet
1940-1944; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Designed as a hinged bangle of crossover design terminating with two amethyst teardrops 6.75” C x 1.25” H, wrist opening: 1.5” 73.0 grams $1,500-2,000 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh
1145
A William Spratling sterling silver and amethyst bangle bracelet
1964-1967; Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: 925 / Taxco Mexico / indistict eagle The bamboo-link hinged bangle bracelet with cylindrical tapered amethyst 6.5” C x 1.25” H 71.5 grams $600-800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C. Morrill, William Spratling and the Mexican Silver Renaissance: Maestros De Plata, Harry N. Abrams, in Association with the San Antonio Museum of Art, 2002, pg. 252. fig. 391.
w w w. j o h n m o r a n . c o m 1 3 2
1146
A group of William Spratling silver and amethyst jewelry
1940-1946; First Design Period; Taxco, Mexico All Stamped for William Spratling; One stamped: Silver; One stamped Sterling Comprising a ring (8), pair of screw-back ear clips (1.25” H x .75” W) and a pair of post-back earrings (2.25” H x .625” W), 5 pieces 46.5 grams $500-700 Provenance: The Collection of Cindy TietzHodosh and Stuart Hodosh
1147
A group of William Spratling silver and gemset rings
1933-1939, 1940-1946 and 1949-1956; First and Third Design Period; Taxco, Mexico Each Stamped for William Spratling; Others variously stamped: Taxco / 980 / Made in Mexico / Silver Comprising a cushion-shaped rose quartz ring (7.25), a round rose quartz ring (7), a domed silver ring (9), and a ridged silver ring (8.25), 4 pieces 51.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1 3 3 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1148
A Mexican folk art papier-mâché sun sculpture
20th/21st Century Indistictly signed and editioned from an edition of 150 The yellow, orange, and red sculpture in the Talavera-style with pronounced facial features and decorated rays 37” Dia. x 5.5”D $200-300
w w w. j o h n m o r a n . c o m 1 3 4
1149
A Matl Mixtec-style vermeil pendant/brooch
1934-1948; Taxco, Mexico Signed: Matl Designed by Matilde Poulat, centering a Mixtec-style figure in an elaborate surround 3.125� H x 2.25� W 40.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 1 3 5 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1151
A Matl sterling silver link bracelet
1950-1960; Taxco, Mexico Etched: Matl / m.regis / 142093 / Mexico / 925 The repeating links set with turquoise and amethyst 7” L x 1.5” H 50.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1150
A Matl sterling silver and gem-set bracelet
Third-quarter 20th Century; Taxco, Mexico Stamped: Matl / Salas / Mexico / 925 Designed by Ricardo Salas, the double bird panel with coral and turquoise flanked by scrolled gem-set links 7.25” L x 2” H 73.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
w w w. j o h n m o r a n . c o m 1 3 6
1152
1153
1935-1948; Taxco, Mexico Signed to plaque: Matl Designed by Matilde Poulat, the silver necklace in a birds and roses motif 19” L x 1.875” H 184.5 grams
1934-1948; Taxco Stamped: Matl / 9 Designed by Mat with whispy tail se 4.25” H x 2.25” W 38.0 grams
A Matl silver necklace
A Matl bird bro
$800-1,200
$500-700
Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
Provenance: The and Stuart Hodos
1 3 7 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
ooch
o, Mexico 925 tilde Poulat, the hollow silver bird et with a faceted stone eye W
Collection of Cindy Tietze-Hodosh sh
1154
Four Matl silver aquatic-themed jewelry items
1934-1940 and 1934-1948; Taxco, Mexico Each stamped for Matl Designed by Matilde Poulat, comprising an angelfish brooch (1.625” H x 2” W), a fish brooch with scrolled tail and two turquoise cabochons (2.25” H x 2.5” W), a fish brooch with scrolled tail (2” H x 2.25” W), and a seahorse clip (2.5” H x 1.25” W), 4 pieces 77.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1155
Four Matil gem-set jewelry items
1934-1940, 1934-1948, and third-quarter 20th Century; Taxco, Mexico Each stamped for Matl; One stamped: Salas Three designed by Matilde Poulat, comprising an obsidian and turquoise repousse brooch (2” Dia.), a turquoise and repousse brooch (1.5” H x 2.325” W), a floriform clip (1.125” Dia.), and an obsidian, glass and turquoise stylized quatrefoil brooch (2” H x 2” W), 4 pieces 75.5 grams $500-700 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh
1157
A Matl hair comb
1934-1940 Stamped: Matl Designed by Matilde Poulat, centering two kissing doves with a hollow silver frame attached to a faux tortoise-shell comb Overall: 2.5” H x 4.325” W; Silver: 1.5” H 28.0 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 1 3 9 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1156
Two Matl gem-set and silver bracelets
1934-1940; Taxco, Mexico Stamped: Matl; One stamped: 0.900 Each designed by Matilde Poulat, comprising a bracelet centering a carved green stone mask set into a hollow scrolled frame flanked by stylized half-moon links (6.75” L x 1.5” H), together with a bracelet centering a carved pre-Columbian mask in a handmade frame with stylized crescent moon-shaped links (7” H x 1.75” H), 2 pieces 130.5 grams $700-900 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh
1158
A Matl silver and gem-set hair comb
1934-1940; Taxco, Mexico Stamped: Matl Designed by Matilde Poulat, the repousse lovebirds flanking an amethyst cabochon and further set with natural and faux turquoise cabochons 2.25” H x 4.125” W 32.5 grams gross
/
$400-600 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh
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1159
A William Spratling sterling silver articulated fish box
1956-1962; Third design period; Taxco, Mexico Stamped for William Spratling and Sterling: [WS Script Circle S] / [Eagle 30] The fish box with nine articulated body elements, a hinged head opening to reveal a small storage cavity, smaller and more sophisticated than an earlier version from the 1940s 1.875” H x 6.625” W x 1” D $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: This design was included in the 1965 traveling U.S. museum exhibit, “The World of William Spratling.”
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1160
A William Spratling sterling silver cream and sugar set
1933-1940; First design period; Taxco, Mexico Each stamped for William Spratling: Taxco / Mexico / 925 The cream jug and sugar bowl each with rosewood handles, 2 pieces Sugar bowl: 2.375” H x 5.375” W x 3.5” D; Cream jug: 2.375” H x 4.75” W x 3.5” D 8.030 gross oz. troy approximately $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1161
A William Spratling sterling silver cream and sugar set
1956-1962; Third Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped for sterling: [Eagle 30] The simple circular cream jug with slightly elongated and flattened spout, both with bulbous bases, 2 pieces Cream jug: 2.125” H x 4.125” W x 2.75” D; Sugar: 2” H x 2.75” Dia. 6.105 oz. troy approximately $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 1 4 3 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
1162
A William Spratling sterling silver bowl
1931-1946; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Spratling Silver The scalloped bowl with hand-hammering 2.375” H x 6” W x 5” D 8.6 oz. troy approximately $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1163
A group of William Spratling sterling silver items
1933-1938, 1940-1944, and 1949-1951; First and Second Design Periods; Taxco, Mexico Each stamped for William Spratling and sterling; Various further stamps: [Eagle 13] / [Conquistador] / Sterling Mexico; Taxco Mexico / 925; Taxco / 980 Comprising eight rope-banded shot cups, four liquor cups with square malachite bases marked for Spratling Conquistador line, two globular footed liquor cups, one small footed dish, and four coasters with rope edge, 19 pieces Largest cup: 2.25� H x 2.5� Dia., 19 pieces 37.265 gross oz. troy approximately $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1164
Five William Spratling items
Second and Third Design Periods; Taxco, Mexico All stamped for William Spratling including: [Eagle 30], [WS Script Square], [WS Script Circle], [WS], and [WS Sterling / Mexico] Comprising one ebony and silver butter tray, a silver taper stick (“Supper”) with ebony ball and inset silver buttons, a match holder with silver inset buttons to waist, a small wood urn with three wire bands to waist, and a swirled wire spiral silhouette candlestick, 5 items Butter dish: .5” H x 9.5” W x 2.75” D $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1165
A William Spratling “Mayan Cross” silver collar necklace
1940-1944; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Designed with intertwined pre-Columbian X-O motif strung on a metal wire 16.625” L x 1.325” H 127.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: This design illustrated: Stuart Hodosh, et al. “Silver Seduction: the Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” Fowler Museum at UCLA, 2008, pg. 92, plate 79. This design illustrated: Penny C. Morrill, William Spratling and the Mexican Silver Renaissance: Maestros De Plata, Harry N. Abrams, in Association with the San Antonio Museum of Art, 2002, pg. 167. fig. 239
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1166
A William Spratling sterling silver cuff bracelet
1940-1946; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Sterling The Aztec-inspired design bordered with circular wire loops 6.75” C x 2.25” H; Wrist opening: 1” 126.0 grams $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: Phyllis M. Goddard, Spratling Silver: a Field Guide: Recognizing a William Spratling Treasure, Keenan Tyler Paine, 2003, pg. 36, fig. 2-38. Notes: This bracelet was offered for sale in the Montgomery Ward Fall 1944 catalog for $17.95. The catalog refers to the bracelet as “an ancient Aztec design.”
1167
A William Spratling “Petate” silver brooch
1940-1944; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver The cushion-shaped brooch with molded knot pattern 2.5” H x 3” W 70.0 grams $500-700 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: Phyllis M. Goddard, Spratling Silver: a Field Guide: Recognizing a William Spratling Treasure, Keenan Tyler Paine, 2003, pg. 59, fig. 2-175.
1168
A William Spratling/Conquistador sterling silver belt buckle
1949-1951; Second Design Period; Taxco, Mexico Stamped for William Spratling/Conquistador; Further stamped: Sterling / De Mexico / Eagle 13 Depicting two hands with thumbs intertwined 2.25” H x 4.75” W 55.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1169
A William Spratling silver necklace
1940-1944; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Taxco Designed with nine silver balls alternating with flat rectangular links 27.5� L x .325� H 66.0 grams $600-800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh
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1170
Two Mexican silver and obsidian bracelets
1940-1945 and second quarter 20th Century; Taxco, Mexico; Mexico City, Mexico Stamped FD for Fred Davis; Stamped for Hector Aguilar; Further stamped: 990 / Taxco Comprising a Fred Davis bracelet (6.5” L x 1.5” H) comprised of a marquise shaped cabochon obsidian together with a Hector Aguilar round cabochon obsidian bracelet (6.25” L x 1.125” H), 2 pieces 199.0 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 1 5 0
1171
A set of Hector Aguilar silver jewelry
1940-1945 and 1948-1955; Taxco, Mexico Stamped for Hector Aguilar; Eagle 9; Further stamped: 940 / Taxco Comprising a triple ball and wave-link necklace (16” L x .75” H) with a matching bracelet (7” L x .5” H), 2 pieces 184.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1172
A Hector Aguilar sterling silver and green hardstone bracelet 1948-1955; Taxco, Mexico Stamped for Hector Aguilar; Eagle 3; Further stamped: 940 / Taxco Designed with oval green hardstone alternating with silver rod and ball segments 6.5� L x 1.5� H 102.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 1 5 2
1173
A group of Hector Aguilar “Georgia O’Keefe” silver belt mounts 1940-1945; Taxco, Mexico Two stamped for Hector Aguilar; Further stamped: 940 / Taxco; The remainder unmarked A group of matching belt mounts designed with an “X” motif, 9 pieces Each approximately: 2.25” H x 3.5” W 377.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1174
A group of Hector Aguilar copper items
Circa 1940s; Taxco, Mexico Each stamped for Hector Aguilar: HA; Some further stamped: Taxco / Mexico / 994 Comprising three ball-footed dishes, two mixed-metal bowls, two cream jugs, one cream jug with wood handle, one sugar bowl, and one two-ring handled bowl, 10 pieces Largest: 2.75” H x 12” Dia. $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1175
A Hector Aguilar copper and brass drink set
Third-quarter 20th Century; Taxco, Mexico Stamped for Hector Aguilar; Further stamped: Taxco / 994 Comprising a pitcher and six handled cups, 7 pieces Pitcher: 13” H x 6.325” W x 5.75” D; Cups: 5.125” H x 5.625” W x 3.75” D $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1176
A set of Antonio Pineda silver jewelry
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Cufflinks stamped: Eagle 17 / Hecho en Mexico / 970 The round bead link necklace suspending a stylized hand (32” L x 1.25” H x 1” W) with matching cufflinks (1.125” H x .875” W x .875” D), 3 pieces 77.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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I
1177
A suite of Antonio Pineda silver and smokey quartz jewelry
1953-1979 and 1962-1963; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 58; Eagle 208; Each variously stamped: 970 / JVL Taxco / Hecho en Mexico / Los Castillo Soc Coop Scl Sec 2 Comprising a pair of screw-back ear pendants (3.5” H x .625” W), a pendant with attached silver neck chain (1.5” H x 1.125” W x 19” L), and a ring (size: 7.75), 4 pieces 88.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1178
A pair of Antonio Pineda silver and amethyst earrings
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda, Eagle 7 The stylized wishbone-motif screw-back earrings featuring teardrop amethysts, 2 pieces Each: 2.25” H x .75” W 14.5 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1179
A pair of Antonio Pineda silver earrings
1941-1948; Taxco, Mexico Stamped: Toni’s Silver Mexico AP Each screw-back earring designed with three overlaid V shaped panels each tipped with silver beads, 2 pieces Each: 1.75” H x 1” W 23.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: These earrings illustrated: Stuart Hodosh, et al. “Silver Seduction: the Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” Fowler Museum at UCLA, 2008, pg. 105, plate 106.
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1181
An Antonio Pineda silver flower brooch
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Silver / Made in Mexico / PR248 Designed as a stylized flower 2.875” H x 3” W 50.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1180
A group of Antonio Pineda gem-set jewelry
1948-1953 and 1953-1979; Taxco, Mexico Each with crown mark for Antonio Pineda; Further stamped: Eagle 3 or 53; Brooch stamped: Hecho en Mexico / 970; Ring stamped: Silver by Tono Comprising a pair of cage screw-back ear pendants enclosing loose cultured pearls (2.125” H x .5” Dia.), a brooch with oval amethyst cabochon (1.5” Dia.), and an amethyst ring (7.25), 4 pieces 63.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1182
1183
1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 3; Eagle 17; Eagle 15; Each variously stamped: 970 / Partial VJ / 925 / Sterling / Mexico / Silver Comprising seven bangle bracelets of various designs, 7 pieces Each approximately: 7.75” C x .25” H 209.5 grams
1940-1946; First design Period; Taxco, M Stamped for William Spratling; Further s Designed as an abstract “Tree of Life” w 4.5” H x 4.75” W 70.5 grams
Seven Antonio Pineda silver bangle bracelets
$600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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A William Spratling “Tree of Life”
$800-1,200
Provenance: The Collection of Cindy Tie
Literature: This design illustrated: Penny the Mexican Silver Renaissance: Maestro Association with the San Antonio Museu
silver and copper brooch
Mexico stamped: Spratling / Silver with a double-pin
etze-Hodosh and Stuart Hodosh
y C. Morrill, William Spratling and os De Plata, Harry N. Abrams, in um of Art, 2002, pg. 214. fig. 365
1184
A pair of William Spratling silver and copper cuff bracelets
1940-1944; First Design Period; Taxco Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Comprising pair of pyramid cuff bracelets of silver and copper Each approximately 6.5”-6.75” C x .325”, wrist opening: 1.5”-1.325” 114.0 grams $600-800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: This design illustrated: Phyllis M. Goddard, Spratling Silver: a Field Guide: Recognizing a William Spratling Treasure, Keenan Tyler Paine, 2003, pg. 50, fig. 2-114.
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1185
A William Spratling “River of Life” silver cuff bracelet
1940-1944; First Design Period Stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver Designed as silver waves with roped Aztec rings 7.5” C x 1.875” H; Wrist opening: 1.5” 170.5 grams $800-1,200
Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hod
1186
A pair of William Spratling silver cuff bracelets
Both 1940-1944; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Each designed with a linear zig-zag motif terminating with six silver spheres, 2 pieces Each approximately: 7-7.325” C x 1.125” H, wrist opening 1-1.125” 123.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1187
A set of Carmen Beckmann water opal jewelry
1960-1980; San Miguel de Allende, Mexico Each stamped: Beckmann / Sterling / Mexico Comprising a necklace with spiral links centering an oval water opal (16” L x .625” H) with a pair of matching screw-back earrings en suite (.75” C), 3 pieces 96.0 grams $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1188
A group of Carmen Beckmann jewelry items
1960-1980; San Miguel de Allende, Mexico Each stamped: Beckmann / Sterling / Mexico Comprising a synthetic color change sapphire necklace (15.75” L x .625” H) and a pair of synthetic color change sapphire and citrine screw-back earrings (.75” H x .5” W), 3 pieces 89.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1189
Three Carmen Beckmann sterling silver jewelry items
1960-1980; San Miguel de Allende, Mexico Each stamped: Beckmann / Sterling / Mexico Comprising a green stone bracelet (7.875” L x 1.125” H), a cuff bracelet (7” C x 1.325” H, wrist opening: 1.125”), and a silver band (10.25), 3 pieces 223.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1190
A Rafael Dominguez silver and amethyst necklace
Pre-1948; Taxco, Mexico Stamped: Taxco / 980 / RD The ball and rod bead neck chain suspending amethyst-set fringe 16.5� L x 1.25� H 113.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1191
A Sergio Gomez amethyst and sterling silver pendant Third-quarter 20th Century; Mexico Stamped: Sergio Gomez / Mexico / 925 The swirled setting centering a faceted amethyst 1.5” H x 1.5” W 37.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
1192
A Sergio Gomez silver cuff bracelet
Third-quarter 20th Century; Mexico Stamped: Sergio Gomez / 980 Centering an Aztec-style figure set with turquoise and a brown stone 6.25” C x 1.5” H, wrist opening: 1” 109.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1193
A Sergio Gomez silver and gem-set pendant necklace
Third-quarter 20th Century; Mexico Stamped: Sergio Gomez / 980 / 18K Centering a large pendant with carved glass face flanked by stylized parrots suspended from a gold and silver chain set with green stones 21.25” L x 4.875” H x 5” W 386.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1194
A group of Los Castillo silver “Mosaico Azteco” zodiac jewelry
1950- 1965; Taxco, Mexico Stamped: Los Castillo; Eagle 15; Each variously stamped: Taxco / Mosaico Azteca / Hecho en Mexico / Made in Mexico / 114 Comprising one belt buckle (1.25” H x 1.325” W), seven pendant/brooches (1.5” H x 1.325” W-1.625” H x 1.5” W), and one brooch each with chrysocolla and azurmalachite inlay with zodiac motifs of leo, gemini, taurus, aries, sagittarius, pisces, scorpio, and capricorn, 9 pieces 191.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1195
A group of Pre-Columbian-style items and Los Castillo mounts
20th Century or earlier Two stamped for Los Castillo: Los Castillo Taxco / Metales Castillo Comprising two metal archer figures with terracotta Pre-Columbian-style faces and one Pre-Columbian/Mayan-style small face on a marble base, 3 pieces Largest: 11” H x 7.5” W x 3.5” D $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1196
A group of Latin American jewelry items
20th Century One stamped: Maya / Mexico; One stamped: Laffi / Peru Comprising a Maya Mexico figural pendant (4.625” H x 1” W), a Graziella Laffi brooch with pottery animal (2.625” H x 3” W), a Mexican brass cuff with pottery head (7.25” C x 2.75” H, wrist opening: 1.325”), and a cuff bracelet set with pottery head with abalone teeth (8” C x 1.625” H, wrist opening: 1.25”), 4 pieces $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1197
Nancy (Hoskins) Glenn-Nieto
(b. 1944, American/Mexican) “Skull Tree,” 2020 Acrylic on canvas Signed lower right: Nancy Nieto, signed again, dated and titled verso 39.5” H x 31.5” W $400-600
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1198
A Mexican sterling silver tea and coffee set
Third-quarter 20th Century; Mexico City, Mexico Each piece stamped for sterling [Eagle 1]; Futher stamped: Sterling 0924 / Hecho en Mexico / MERJ Comprising a personalized tray (1.5” H x 22” W x 12.5” D), a tipping kettle (15” H x 9” W x 7.25” D), a coffee pot (9.625” H x 10.25” W x 6.25” D), a tea pot (9” H x 10.25” W x 6.5” D), a sugar pot (6” H x 5.25” W x 3.75” D), a cream jug (5.25” H x 4.75” W x 3.25” D), and a small dish (2.5” H x 4.5” Dia.), 7 pieces 245.745 gross oz. troy approximately $3,000-5,000
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1199
A pair of Mexican sterling silver trays
First-half 20th Century; Mexico One stamped: Sterling / 925 Each tray with four recessed shell compartments and ornate rim, 2 pieces Each approximately: 1.25” H x 17” W x 11.5” D 71.470 oz. troy approximately $1,000-1,500
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1200
A set of Los Castillo sterling silver teacups
Fourth-quarter 20th Century; Taxco, Mexico Each stamped: Los Castillo (eagle 15) Taxco / [Eagle 15] / Sterling / Made in Mexico Each cup issuing a carved rosewood handle, 10 pieces Each approximately: 2.25” H x 4” W x 3” D 51.165 gross oz. troy approximately $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 1 7 6
1201
A group of Los Castillo furniture hardware
Third-quarter 20th Century; Taxco, Mexico Each stamped: Los Castillo Taxco / Hecho en Mexico; Some numbered Comprising fifteen items with mother of pearl, abalone, and malachite inlay in various shapes including shamrocks, fish, and star motif, 15 pieces Largest: 6” H x 11.75” W x 1.75” D; Smallest: 1.25” H x 3” W x .75” D $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1202
Four Los Castillo mixed metal and silver boxes
Third-quarter 20th Century; Taxco, Mexico Each stamped: Los Castillo Taxco; Some further stamped: Hecho A Mano / Plateado Comprising four mixed metal and silverplate boxes with hinged malachite lids and wood interiors, one with mixed metal inlaid design, 4 pieces Largest: .875” H x 8.125” W x 4.25” D; Smallest: .75” H x 2.125” W x 1.25” D $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1203
Four Los Castillo mixed metal boxes
Second-quarter 20th Century; Taxco, Mexico Three stamped for Los Castillo; Various further stamps: Handwrought / Hecho en Mexico / Metales Castillo Comprising four mixed metal boxes with stone and metal inlaid lids, one with butterflies one with hunting scene, 4 pieces Largest: 1” H x 8.375” W x 4.375” D; Smallest: 1.5” H x 4.675” W x 3.375” D $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1204
Two Los Castillo silverplate fish items
Circa 1950s; Taxco, Mexico Each stamped: Los Castillo / Taxco; One further stamped: Hecho A Mano / Mexico Comprising a two-handled bucket with applied silver and abalone fish motif and a reticulated fish bottle opener with shell eyes, 2 pieces Bucket: 4.25” H x 5.25” W x 4.125” D; Fish: 1” H x 8.25” W x 2.75” D $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1205
A group of Sigi Pineda silver jewelry
Third-quarter 20th Century; Taxco, Mexico Each stamped: Sigi / Sterling / Hecho en Mexico / Eagle 3 Comprising a silver and aventurine quartz collar necklace (16” C x 1.25” H), an aventurine quartz pendant necklace (32.125” L x 2.5” H x .875” W), a turquoise hinged bangle (6.5” C x 1.25” H), and a brooch (1.125” H x 1.875” W), 4 pieces 227.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1206
A group of Sigi Pineda silver jewelry items
Second-quarter 20th Century; Taxco, Mexico Each signed: Sigi / Tasco / Sterling / Eagle 3 Comprising a bib necklace (17.75” L x 2.75” H x 3” W), a hinged bangle bracelet (7” C x 1.125” H), and a pair of ear clips with adjustable screw backs (.875” H x .625” W), 4 pieces 194.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1207
Two Enrique Ledesma sterling silver ne
1955-1979; Taxco, Mexico Stamped: Ledesma / Hecho en Mexico / Taxc Comprising a necklace designed with turquo joined by double ring links (17” L x .75” H) to designed with widening tablets of jasper with .625” H), 2 pieces 143.0 grams $500-700
Provenance: The Collection of Cindy Tietze-H
1208
Two Enrique Ledesma gold jewelry items
Third-quarter 20th Century; Taxco, Mexico Each signed: Ledesma / 14k Comprising a floriform pendant with blue stone (1” Dia.) and sun-motif blue stone brooch (1.5” Dia.), 2 pieces 16.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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ecklaces
co / 925 / 256 / Eagle 3 oise-blue enamel panels ogether with a necklace h silver caps (15.25” L x
Hodosh and Stuart Hodosh
1209
An Enrique Ledesma sculptural plaque
Third-quarter 20th Century Stamped to back: Taxco / Mexico / Ledesma The mixed-metal and stone sculptural profile attached to a black-painted wood plaque 13” H x 10.625” W x 1.5” D $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1210
Two Mexican sterling silver pie servers
Mid-20th Century; Taxco, Mexico One stamped for Hector Aguilar: Taxco / 940; One stamped: Los Castillo Taxco / Sterling Mexico / 106 Comprising one Hector Aguilar pie server with ridged handle and pierced and etched design circa 1940-1945 (8.25” H x 2.75” W) and one Los Castillo leafshaped pie server with wooden handle (9.5” H x 3” W), 2 pieces 6.505 gross oz. troy approximately $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1211
A group of Los Castillo sterling silver serving utensils
Third quarter 20th Century Each stamped for Los Castillo All but one with wire wrapped handles comprising six ice tea spoons, two cocktail stirrers, and one candle snuffer, 9 pieces Longest: 15� 15.120 oz. troy approximately $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1212
1213
1980-2000; Taxco, Mexico Stamped: Los Castillo Taxco / TA-01 / Plateado The hammered silverplate pitcher with mixed-metal and malachite inlay parrot handle 11.5” H x 8.25” W x 7” D
Mid-20th Century Various stamps fo Codan, Artemio N Comprising seven Artemio Navarett Codan shot glass Largest: 2.625” H 33.780 oz. troy ap
A Los Castillo silverplate parrot pitcher
$800-1,200
A large group
$600-800 Provenance: The
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of Mexican sterling silver items
y; Taxco and Mexico City, Mexico or sterling, Taxco, Mexico City, and different makers: Maciel, Navarrete, Juvenito Lopez Reyes, Rafael Melendez, and P Lopez n Maciel shell shaped salts, four J.L. Reyes large tumbers, three te small shot glasses, one P. Lopez footed cup, one salter, twelve ses, six Raphael Melendez shot glasses, 34 pieces H x 2� Dia. pproximately
Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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1215
A set of sterling silver and co
Third-quarter 20th Century; Taxco Each stamped: 925 / Rancho Aleg The set of sterling and copper tu each with a glass liner, 6 pieces Each approximately: 4.75” H x 3. $200-300
1214
A Sanborns sterling silver salad set
Second-quarter 20th Century; Mexico City, Mexico Each stamped: Sanborns / Mexico / Sterling [Owl] Comprising a serving fork and spoon, 2 pieces Each: 9” H x 2.75” W 7.705 oz. troy approximately $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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opper tumblers
o, Mexico gre / Giles umblers in grape vine design
.25� W x 2.75� D
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1216
Two Mexican silver jewelry item
Fourth-quarter 20th Century; Taxco, M Each stamped: 925 / Mexico; Each fu Comprising a bib necklace set with sy L x 4.5” H) and a rigid collar necklace enamel and malachite (16” C x 1.5” H 223.0 grams $500-700
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ms
Mexico urther stamped for maker ynthetic turquoise (21.25” e with turquoise-colored H), 2 pieces
1217
A Sanborns silver and amethyst hinged bracelet
Circa 1948; Mexico City, Mexico Stamped: Sanborns Mexico; Further stamped: Sterling; Design attributed to Fred Davis / Eagle 22 Designed with eight carved amethyst frog links 6.5” C x .5” H 60.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh
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Condition Reports
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1001 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered frogs slightly loose in setting. The second bracelet with later-added safety chain (detached) and chips to scattered stones.
1013 Each: Generally good condition. Minor toning to the paper. The paper is loose, not mounted.
1002 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered links with visible glue. Scattered cabochons with minor abrasions.
1014 Each in overall good condition with tarnishing and light scratches commensurate with age. Approximately two amethyst cabochons in the necklace with breaks and one to the bracelet with a chip.
1003 Overall good condition with tarnishing and light scratches commensurate with age. Approximately two shallow nicks to the tiger’s eye.
1015 Overall good condition with tarnishing and light scratches commensurate with age. Necklace is not marked, as stated. The amethysts show typical, natural eye-visible inclusions and surface-reaching fractures.
1004 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with minor abrasions. The bracelet with later-added safety chain partially detached. The bracelet with chips to scattered obsidians and visible glue.
1016 Overall good condition with tarnishing and light scratches commensurate with age. The bracelet and the necklace have different clasp mechanisms, cannot be linked together.
1005 Each in overall good condition with tarnishing and light scratches commensurate with age. Each bracelet with a later-added safety chain (one detached). Each clasp apparently tight. Scattered stones with minor abrasions.
1017 Each in overall good condition with tarnishing and light scratches commensurate with age. Can be linked together to form one long necklace. Amethysts with typical, natural eye-visible inclusions and surface-reaching fractures and minor abrasions.
1006 Generally good condition. Toning to the paper. The artist uses found and distressed materials and the present works condition is commensurate with materials used. Hinged to the recto mat with brown paper tape along the four edges.
1018 Overall good condition with tarnishing and light scratches commensurate with age. One amethyst with a break.
Frame: 17” H x 20.5” W x 1” D 1007 Toning to the paper. The paper is rippled at the upper edge right and lower edge left. Isolated areas of scattered brown spots of staining, the largest is quarter-sized right center. The paper is creased in the dark figures lower right and along the lower right edge. The recto mat and back mat are glued together. Frame: 32” H x 43” W x 1.75” D 1008 Overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks likely dating to time of manufacture.
Condition Reports
1009 Each in overall good condition with tarnishing and light scratches commensurate with age. One ring with minor dents to the top. The round brooch with a minor dent to the edge. The clasp of the repousse brooch does not close easily.
195
Each: unframed
1010 Each in overall good condition with tarnishing and light scratches commensurate with age. The amethyst cross’ neckchain appears to be later-added. Chips to the back of the amethyst cross and to the edges of the azurmalachite. Minor dents to the filigree work on the silver cross and visible solder marks possible dating to time of manufacture.
1019 Each in overall good condition with tarnishing and light scratches commensurate with age. Amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Each amethyst with minor abrasions. Each shank slightly out of round. The faceted amethyst is slightly loose in setting. The I-shaped amethyst with a small chip. 1020 Generally good condition. A .75” tear upper edge right that has been glued verso. Minor handling creases concentrated mostly along the upper edge. Both upper and the lower left corners are creased. The right edge is deckled. The paper is loose, not mounted. Frame: 47” H x 35” W x 2” D 1021 Overall good condition with tarnishing and light scratches commensurate with age. The base partially pushed down, tilts to one side as a result. Some festoons slightly bent. 1022 Overall good condition with tarnishing and light scratches. Bend to the top. Scattered eye-visible fractures to some stones. 1023 Overall good condition with tarnishing and light scratches commensurate with age. Base partially pushed down, tilts to one side as a result. Some festoons slightly bent.
1011 Overall good condition with tarnishing and light scratches commensurate with age. The loops bent. Scattered minor dents to the back of the frame.
1024 Overall good condition with tarnishing and light scratches commensurate with age.
1012 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered enamel with abrasions, shallow chips, and minor crazing.
1025 Overall good condition with tarnishing and light scratches commensurate with age. The base with a series of dents, the largest .5”, tilts slightly to one side as a result. Scattered turquoise with chips and surface-reaching fractures. Each amethyst with chips, abrasions, and nicks.
1026 Overall good condition with tarnishing and light scratches commensurate with age. Approximately one turquoise cabochon with a chip. The handle is pushed down slightly to one side
corners. Fine stable craquelure scattered throughout the upper left quadrant in the lighter pigments. Minor surface dirt and grime. Blacklight: No evidence of restoration under blacklight. Spots of grime fluoresce under blacklight. Frame: 42” H x 55.25” W x 2” D
1028 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions. Some turquoise appear to be faux. The first cross missing one coral and with breaks to some turquoise. The second cross with chips to approximately two amethysts. The third cross with a break to one amethyst. 1029 Generally good condition. Not examined out of the frame. Frame: 57.25” H x 40.25” W x 4.25” D 1030 Each in overall good condition with tarnishing and light scratches commensurate with age. 1031 Each in overall good condition with tarnishing and light scratches commensurate with age. Sauce boat: 2.675” H x 7” W x 4” D Ladle: 5.675” Small spoon: 3.5” 1032 Each in overall good condition with tarnishing and light scratches commensurate with age. Cream jug: 2.375” H x 3.875” W x 2.5” D Sugar bowl: 2.375” H x 4.375” W x 2.5” D 1033 Each in overall good condition with tarnishing and light scratches commensurate with age. Cups have been recently cleaned with steel wool. Box in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age and hand-manufacturing.
1039 Visual: Generally good condition. Nails and nail holes scattered around the perimeter. A tiny fleck of paint loss upper center and lower center. Blacklight: No evidence of restoration under blacklight. Frame: 39.25” H x 31.25” W x 3” D 1040 Overall good condition with tarnishing and light scratches commensurate with age. 1041 Each in overall good condition with tarnishing and light scratches commensurate with age. The first pair of earrings with a break to one turquoise cabochon. 1042 Overall good condition with tarnishing and light scratches commensurate with age. Approximately two turquoise cabochons missing. 1043 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor dents throughout. Visible solder marks throughout likely dating to time of manufacture. 1044 Overall good condition with tarnishing and light scratches commensurate with age. Later-added safety chain. Approximately one turquoise with a chip. Scattered tuquoise with surface-reaching fractures. 1045 Each in overall good condition with tarnishing and light scratches commensurate with age. Approximately two turquoise cabochons with chips. Each piece with visible solder marks verso likely dating to time of manufacture.
1034 Overall good condition with tarnishing and light scratches commensurate with age. Each azurmalachite with minor abrasions, natural inclusions, and surface-reaching fractures. One cabochon with a chip.
1046 Overall good condition with tarnishing and light scratches commensurate with age. Scattered abrasions and minor nicks to the amethysts. Approximately three amethysts with chips and breaks, one with a glued repair. Later-added safety chain.
1035 Overall good condition with tarnishing and light scratches commensurate with age. One azurmalachite with a chip and one with a surface-reaching fracture.
1047 Generally good condition. A .25” tear left edge center. Fading and staining along the left edge. A 2” crease/tear lower edge left. Minor handling creases scattered throughout. Unframed
1036 Overall good condition with tarnishing and light scratches commensurate with age. 1037 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions. Stones with typical, natural eye-visible inclusions and surface-reaching fractures. 1038 Visual: Generally good condition. Tiny flecks of paint loss in the upper
1048 Each in overall good condition with tarnishing and light scratches commensurate with age. The bangle is slightly bent. 1049 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered minor abrasions to the obsidian. One earring and two necklace masks with a chip to the upper right corner. 1050 Each in overall good condition with tarnishing and light scratches commensurate with age.
Condition Reports
1027 Each in overall good condition with tarnishing and light scratches commensurate with age. Each with minor wear to the velvet.
196
1051 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered half-spheres with minor dents. 1052 Generally good condition. Slight rippling to the paper. Light handling creases scattered throughout. Unframed
1067 Overall good condition with tarnishing and light scratches commensurate with age. Scattered half spheres with minor dents. Later-added safety chain.
1053 Each in overall good condition with tarnishing and light surface scratches commensurate with age. Small dent to teapot spout opening.
1068 Overall good condition with tarnishing and light scratches commensurate with age.
1054 Each in overall good condition with tarnishing and light surface scratches commensurate with age and use.
1069 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor nicks to the edges of the enamel panels.
1055 Each in overall good condition with tarnishing and light surface scratches commensurate with age. Slight separation to one area of fork.
1070 Overall good condition with tarnishing and light scratches commensurate with age. Later-added safety chain.
1056 Overall good condition with tarnishing and light surface scratches commensurate with age.
1071 Each in overall good condition with tarnishing and light scratches commensurate with age. The first with visible solder marks likely dating to time of manufacture. The second with one onyx slightly loose.
1057 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor shrinkage cracks to the wood. 1058 Overall good condition with oxidation and light scratches commensurate with age. Glue residue to the back of three links and the pendant. 1059 Overall good condition with minor scuffs and scratches commensurate with age. 1060 Each in overall good condition with tarnishing and light scratches commensurate with age. 1061 Overall good condition with tarnishing and light scratches commensurate with age. 1062 Each in overall good condition with tarnishing and light scratches commensurate with age.
Condition Reports
1063 Each in overall good condition with tarnishing and light surface scratches commensurate with age.
197
1066 Each in overall good condition with tarnishing and light scratches commensurate with age. Each with later-added safety chain. The first bracelet with nicks and creases to the silver work, some possibly dating to time of manufacture. The second bracelet does not clasp snugly.
1064 A separation and deterioration of the flaking varnish layer has left the paper exposed in multiple areas scattered throughout. A mounting nail has chipped the right edge of the board in the center.
1072 Overall good condition with tarnishing and light scratches commensurate with age. Scattered very minor abrasions to some carnelian stones. 1073 Generally good condition. Toning to the paper. The artist uses found and distressed materials and the present works condition is commensurate with materials used. Hinged to the recto mat with brown paper tape. Frame: 18.75” H x 15” W x 1” D 1074 Visual: Generally good condition. Toning to the paper. The Arches paper is hinged to the recto mat with brown tape along the upper edge. The paper is laid down, as stated. Frame: 18.75” H x 15” W x 1” D 1075 Generally good condition. Toning to the paper. The paper is slightly rippled. Mat burn to the four edges. Mounted to the recto mat with brown paper tape along the upper edge. Frame: 17” H x 20” W x 1” D 1076 Overall good condition with tarnishing and light scracthes commensurate with age. Glue residue to the back of the quartz setting. Minor abrasions to quartz. 1077 Overall good condition with tarnishing and light scratches commensurate with age. A minor, shallow shrinkage crack to the surface.
Frame: 28” H x 17.5” W x 1.5” D 1065 Overall good condition with tarnishing and light scratches commensurate with age. Scattered edges with minor dents
1078 Overall good condition with tarnishing and light scratches commensurate with age. A .125” x .125” section of wood missing from one joint. 1079 Each in overall good condition with tarnishing and light scratches commensurate with age. The ring with minor chips to the wood. The stamp on the brooch has almost completely rubbed away.
1081 Each in overall good condition with tarnishing and light surface scratches commensurate with age and use.
1094 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered handles bent. 1095 Each in overall good condition with tarnishing and light scratches commensurate with age. One wood liner broken at edge (approximately .5”), one with glued repair.
1082 Each in overall good condition with tarnishing, scuffs, and light scratches commensurate with age. Scattered wood with shrinkage cracks. Scattered small dents to the rim of one pepper shaker. Thin surface crack to wood body of one candlestick. Candlesticks: 3.5” H x 2.875” W x 2.875” D Butter spreader: 5.5” H Pepper shakers: 2” H x 1.75” Dia.
1096 Each in overall good condition with tarnishing, minor chips, light scratches, and wear to the wood commensurate with age and use.
1083 Overall good condition with tarnishing and light scratches commensurate with age. Two very minor small dents to the body.
1098 Each in overall good condition with tarnishing and light surface scratches commensurate with age.
1084 Each in overall good condition with tarnishing and light scratches commensurate with age. Four missing bottom stoppers, two with cut cork stoppers.
1099 Each in overall good condition with tarnishing and light surface scratches commensurate with age and use. Large round vanity box monogrammed: JSB; matchbook monogrammed: MJE. Round bowl: 1.875” H x 5.74” Dia. Rectangular box: 2” H x 5.125” W x 3” D Small round box: 1” H x 3.125” Dia. Matchbook: 2.125” H x 1.5” W x .375” D
1085 Overall good condition with tarnishing and light scratches commensurate with age. 1086 Each in overall good condition with tarnishing and light scratches commensurate with age. The amethysts with minor abrasions. Three coral with visible glue residue. 1087 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with minor abrasions. The ring cannot be sized without disrupting the pattern and removing part of the signature.
1097 Overall good condition with tarnishing and light scratches commensurate with age.
1100 Each in overall good condition with tarnishing and light scratches commensurate with age. One cuff bracelet with a break to one cabochon. Each cuff bracelet bent slightly out of shape. The pin backs are slightly bent. The abstract brooch with minor dents. 1101 Each in overall good condition with tarnishing and light scratches commensurate with age. One eye clasp slightly bent.
1088 Each in overall good condition with tarnishing and light scratches commensurate with age. The necklace with rubbed wear to the gold wash. Scattered turuqoise with fractures.
1102 Each in overall good condition with tarnishing and light scratches commensurate with age. Can be linked together to be worn as one long necklace. Minor dents to some half-spheres. Visible solder marks likely dating to time of manufacture.
1089 Overall good condition with tarnishing and light scratches commensurate with age. The amethyst with scattered minor abrasions.
1103 Each in overall good condition with tarnishing and light scratches commensurate with age. One small box with a loss to one corner.
1090 Overall good condition with minor scuffs and light scratches commensurate with age.
1104 Generally good condition. Scattered slight handling creases and faint toning to sheets. On sheet with signature, heavier toning to upper left quadrant. The smaller sheet with a pale stain at the right edge. Four sheets with their upper and lower sheet corners rounded, as issued.
1091 Toning to the paper. The paper removed from a spiral binding with perforations still attached along the lower edge. A 5”, “C”-shaped tear upper right backed by clear tape verso. A 1” visible loss to the paper and a .25” tear along the lower edge left. A .25” tear to the lower edge center. The paper is rippled and creased throughout. Mounted to the recto mat with artist’s tape along the four edges.
Unframed. 1105 Toning to the paper. Artist’s pinholes in the four corners. A 16” fold/crease to the lower right corner. Light handling creases scattered throughout.
Frame: 25.25” H x 26.75” W x 1.25” D
Unframed
1092 Overall good condition with tarnishing and light scratches commensurate with age.
1106 Each in overall good condition with tarnishing and light scratches commensurate with age.
1093 Each in overall good condition with tarnishing and light surface scratches commensurate with age.
1107 Each in overall good condition with tarnishing and light scratches commensurate with age. A small area of minor shallow losses to the enamel.
Condition Reports
1080 Each in overall good condition with tarnishing and light scratches commensurate with age. One goblet with a faint inscription to the underneath of the base: C Roberts
198
1108 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible glue residue to the turquoise cabochons. Abrasions and a shallow nick to the synthetic sapphires. 1109 Each in overall good condition with tarnishing and light scratches commensurate with age. The tie clip mechanism slightly loose. 1110 Overall good condition with tarnishing and light scratches commensurate with age. Minor rubbed wear to the suede. Scattered dents to the conchos and the buckle. 1111 Each in overall good condition with tarnishing and light scratches commensurate with age. The bracelet with a later-added safety chain. The buckle with two dents to the inner edge where the two pieces connect. 1112 Overall good condition with tarnishing, oxidation, and light scratches commensurate with age. 1113 Each in overall good condition with tarnishing, oxidation, rubbed wear, and light scratches commensurate with age. The smaller bracelet with more scratches and a possible repair to the clasp, also a small crack to the clasp. Visible solder marks to the back links of the necklace, possibly dating to the time of manufacture. 1114 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor abrasions to stones. 1115 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions. Stones with typical, natural eyevisible inclusions and surface-reaching fractures. 1116 Generally good condition. The paper with deckled edges. Framed floating and hinged to the back mat.
1123 Each in overall good condition with tarnishing and light scratches commensurate with age. The silver cuff bent on one side. 1124 Each in overall good condition with tarnishing and light scratches commensurate with age. 1125 Overall good condition with tarnishing and light scratches commensurate with age. 1126 Each in overall good condition with tarnishing and light scratches commensurate with age. The star gem with a transparent blue backing that enhances the color. 1127 Overall good condition with tarnishing and light scratches commensurate with age. Scattered nicks and abrasions to the onyx panels. Minor wear to the velvet cord. 1128 Each in overall good condition with tarnishing and light scratches commensurate with age. The Art Deco ring with a break to the side of one stone and nicks and chips to the corners of the stones. The three-stone ring with slightly loose stones. 1129 Overall good condition with tarnishing and light scratches commensurate with age. One moonstone with a gouge to the surface. 1130 Overall good condition with tarnishing and light surface scratches commensurate with age and use. 1131 Each in overall good condition with tarnishing and light scratches commensurate with age. Ashtrays: 4” Dia. Dinner bell: 4” H x 2” Dia. Salt cellars: 1.125” H x 1.75” Dia.
Frame: 32.75” H x 41.25” W x 1.25” D 1117 Generally good condition. Light handling crease lower left corner. Framed floating and hinged to the back mat. Not examined out of the frame.
1132 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered dents to each, especially to the body and rim of the largest. One smaller handled cup personalized: Peter Hans Emery / 1939.
Frame: 36.25” H x 28.25” W x 1.5” D
Condition Reports
1118 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.
199
1119 Each in overall good condition with minor scuffs and darkening to metal commensurate with age. 1120 Each in overall good condition with tarnishing and light scratches commensurate with age. 1121 Each in overall good condition with tarnishing and light scratches commensurate with age. 1122 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered enamel panels with minor chips. Scattered pin backs slightly bent.
1133 Each in overall good condition with tarnishing and light scratches commensurate with age. 1134 Overall good condition with tarnishing and light surface scratches commensurate with age and use. 1135 Each in overall good condition with minor scuffs, scratches, and tarnishing commensurate with age. One with slight separation to the wood edge underneath. 1136 Each in overall good condition with tarnishing and light scratches commensurate with age. 1137 Each in overall good condition with tarnishing, rubbed wear, and light scratches commensurate with age. Each with monogrammed plaque on blade: NCB.
1138 Overall good condition with tarnishing and light scratches commensurate with age.
1152 Overall good condition with tarnishing and light scratches commensurate with age.
1139 Overall good condition with tarnishing and light scratches commensurate with age. Scattered links to both the bracelet and the necklace slightly bent. Visible solder marks likely dating to time of manufacture.
1153 Overall good condition with tarnishing and light scratches commensurate with age. The gilt wash is almost completely rubbed away.
1141 Overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks likely dating to time of manufacture. Amethyst with eye-visible inclusions. 1142 Each in overall good condition with tarnishing and light scratches commensurate with age. The onyx with a crack, scuffs, and nicks. 1143 Each in overall good condition with tarnishing and light scratches commensurate with age. Amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered amethysts with minor abrasions. 1144 Overall good condition with tarnishing and light scratches commensurate with age. Amethysts with typical, natural eye-visible inclusions and surfacereaching fractures. With a pin clasp on safety chain. 1145 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions. Stones with typical, natural eyevisible inclusions and surface-reaching fractures. Scattered stones with chips. 1146 Each in overall good condition with tarnishing and light scratches commensurate with age. The amethysts with typical, natural, eye-visible inclusions and surface-reaching fractures. The ring with minor nicks to the amethysts. The ear clips with visible glue to the settings. An area of abrasions and a scratch to the amethyst teardrop of the post-back earrings. The post-back earrings are for pierced ears only. 1147 Each in overall good condition with tarnishing and light scratches commensurate with age. The rose quartz cabochons with typical, natural, eye-visible inclusions and surface-reaching fractures. Nicks to the surface of the ridged ring and a repair to the shank. 1148 Overall good condition with minor scuffs and scratches commensurate with age. 1149 Overall good condition with tarnishing and light scratches commensurate with age. The gold wash has mostly rubbed away. One corner slightly bent. One applied point of the figure’s headress partially detached from the background. 1150 Overall good condition with tarnishing and light scratches commensurate with age. One turquoise missing from the central panel. Scattered turquoise with fractures and breaks. 1151 Overall good condition with tarnishing and light scratches commensurate with age. Ten turquoise missing. Amethysts show typical, natural eye-visible inclusions and surface-reaching fractures as well as abrasions.
1154 Each in overall good condition with tarnishing and light scratches commensurate with age. Approximately three turquoise cabochons with a crack and corresponding break (one with attempted fill). 1155 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with minor abrasions. The second brooch with rubbed wear to the gilt wash. The faux finish to some turquoise beads of the fourth brooch has scratched off. 1156 Overall good condition with tarnishing and light scratches commensurate with age. The first bracelet links, particularly around the central panel, do not move freely as a result of manufacture and a stone with chips to the headress. The second bracelet with scattered minor dents throughout commensurate with hollow silver work. 1157 Overall good condition with tarnishing and light scratches commensurate with age. The top arched design bent. A possible soldered repair to the back of the frame. 1158 Overall good condition with tarnishing and light scratches commensurate with age. One turquoise with a crack. 1159 Overall good condition with tarnishing and light surface scratches commensurate with age, some scales slightly bent outward. 1160 Each in overall good condition with tarnishing and light scratches commensurate with age. Cream jug with reglued handle. 1161 Each in overall good condition with tarnishing and light scratches commensurate with age. 1162 Overall good condition with tarnishing and light scratches commensurate with age. 1163 Each in overall good condition with tarnishing and light surface scratches commensurate with age. Two malachite-based cups not stamped with maker’s mark. Malachite cups: 1.875” H x 1.375” Dia. Rope-banded shot cups: 1.625” H x 1.75” Dia. Footed dish: .625” H x 2.625” Dia. Coasters: 3.625” Dia. 1164 Each in overall good condition with tarnishing and light scratches commensurate with age. Silver taper: 3” H x 3” Dia. Match holder: 3.625” H x 2.75” W x 2.75” D Wood urn: 3” H x 2.75” Dia. Candlestick: 5” H x 4” Dia.
Condition Reports
1140 Overall good condition with tarnishing and light scratches commensurate with age. Scattered links with bends and dents. Some pieces with visible solder marks likely dating to time of manufacture.
200
1165 Overall good condition with tarnishing and light scratches commensurate with age. One bead with a tear at the seam, likely dating to time of manufacture. 1166 Overall good condition with tarnishing and light scratches commensurate with age. 1167 Overall good condition with tarnishing and light scratches commensurate with age. Scattered dents likely dating to time of manufacture. One area of the knot with visible solder. 1168 Overall good condition with tarnishing and light scratches commensurate with age. 1169 Overall good condition with tarnishing and light scratches commensurate with age. 1170 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions and scratches. 1171 Overall good condition with tarnishing and scratches commensurate with age. Darkening to some panels. The necklace and bracelet have different clasp mechanisms, cannot be linked together. 1172 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions. 1173 Overall good condition with tarnishing and scratches commensurate with age. One edge slightly unfinished. 1174 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Each footed dish: 1” H x 4.375” Dia. Each mixed metal bowl: 3.125” H x 11.75” Dia. Each cream jug: 4” H x 4.75” W x 3.75” D Sugar bowl: 3.75” H x 6” W x 3.5” D Ring bowl: 2.75” H x 12” Dia.
Condition Reports
1175 Each in overall good condition with oxidation, scattered dents, scratches, and scuffs commensurate with age. Most cups out of round.
201
1176 Each in overall good condition with tarnishing and light scratches commensurate with age. 1177 Each in overall good condition with tarnishing and light scratches commensurate with age. Each quartz with minor abrasions. 1178 Overall good condition with tarnishing and light scratches commensurate with age. The amethysts show typical, natural eye-visible inclusions and surface-reaching fractures. 1179 Overall good condition with tarnishing and light scratches commensurate with age.
1180 Each in overall good condition with tarnishing and light scratches commensurate with age. Minor abrasions and nicks to the faceted amethyst. 1181 Overall good condition with tarnishing and light scratches commensurate with age. 1182 Each in overall good condition with tarnishing and light scratches commensurate with age. 1183 Overall good condition with tarnishing, oxidation, rubbed wear, and light scratches commensurate with age. One pin slightly bent. 1184 Each in overall good condition with tarnishing, rubbed wear, and light scratches commensurate with age. One copper protrusion with silver solder to three sides. Approximately three protrusions with minor dents. 1185 Overall good condition with tarnishing, minor nicks, and light scratches commensurate with age. Each dome with dents, one pushed in. 1186 Overall good condition with tarnishing and light scratches commensurate with age. Each slightly bent out of shape. 1187 Each in overall good condition with tarnishing and light scratches commensurate with age. The necklace with approximately three opals with internal fracturing commensurate with sun exposure. 1188 Each in overall good condition with tarnishing and light scratches commensurate with age. Minor abrasions to the stones. 1189 Each in overall good condition with tarnishing and light scratches commensurate with age. One green stone with a break to one corner, the clasp does not close snugly. Minor rubbed wear to the ring. 1190 Overall good condition with tarnishing and light scratches commensurate with age. The amethysts show typical, natural eye-visible inclusions and surface-reaching fractures. 1191 Overall good condition with tarnishing and light scratches commensurate with age. The amethyst with minor abrasions to the facet junctions. 1192 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor nicks to the stones. 1193 Overall good condition with tarnishing and light scratches commensurate with age. Minor abrasions to the emerald. 1194 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions and minor chips. Scattered pieces of inlay missing. 1195 Each in overall good condition with wear, oxidation, and light scratches commensurate with age.
1196 Each in overall good condition with oxidation and light scratches commensurate with age. The pottery pieces with abrasions and minor losses. The Laffi brooch with a loss to the figure’s legs and head. The last cuff with bends to the setting. 1197 Visual: Generally good condition. Isolated abrasions to the edges of the canvas scattered around the perimeter. Blacklight: No evidence of restoration under blacklight. Unframed
1210 Each in overall good condition with tarnishing and light surface scratches commensurate with age. Minor separation to the Los Castillo server between the wood handle and silver. 1211 Overall good condition with tarnishing, oxidation, and light scratches commensurate with age. 1212 Overall good condition with tarnishing and light surface scratches commensurate with age.
1198 Each in overall good condition with tarnishing and light scratches commensurate with age. Tray personalized to center: FLL.
1213 Each in overall good condition with tarnishing and light scratches commensurate with age. Shell salts each: .625” H x 2.75” W x 2.375” D
1199 Each in overall good condition with tarnishing and light surface scratches commensurate with age.
1214 Each in overall good condition with tarnishing and light scratches commensurate with age.
1200 Each in overall good condition with tarnishing, minor dents, and light scratches commensurate with age. One with loosely attached handle.
1215 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.
1201 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Scattered chips and losses to the inlays.
1216 Each in overall good condition with tarnishing and light scratches commensurate with age. Minor abrasions to some stones.
1202 Overall good condition with scattered scuffs, light scratches, oxidation, and tarnishing commensurate with age. Scattered losses and breaks to the stone inlay.
1217 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions. Stones with typical, natural eyevisible inclusions and surface-reaching fractures.
1203 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Scattered cracks and losses to the stone inlays. 1204 Each in overall good condition with tarnishing and light scratches commensurate with age. 1205 Each in overall good condition with tarnishing and light scratches commensurate with age. The longer necklace with minor abrasions to the quartz and visible glue residue to the setting.
1207 Overall good condition with tarnishing and light scratches commensurate with age. The enamel necklace with approximately two enamel panels with chips, the larger: .125” x .125”. The jasper necklace with scattered minor abrasions to some jasper. Scattered panels with visible glue. 1208 Overall good condition with light scratches commensurate with age. The pin back with visible solder marks likely dating to time of manufacture. 1209 Overall good condition with minor scuffs and scratches commensurate with age.
Condition Reports
1206 Each in overall good condition with tarnishing and light scratches commensurate with age. The bracelet with a later-added safety chain.
202
Consign Today
Art of the American West September 29, 2020
AConsignment Late Classic Navajo child’s wearing blanket and Auction Inquiries: $15,000-20,000 mollie@johnmoran.com Consignment and Auction Inquiries: marandam@johnmoran.com
bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 2 0 3 M ade i n M e x ic o l S u n d a y, A u g u st 1 6 , 2 0 2 0
Consign Today
California & American Fine Art November 17, 2020
Granville Redmond (1871-1935, Los Angeles, CA) Landscape with poppies and lupine $80,000-120,000
Consignment and Auction Inquiries: morgana@johnmoran.com
bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833 w w w. j o h n m o r a n . c o m 2 0 4
John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran
SPECIALISTS
Head of Sale, Specialist Maranda Moran Senior Vice President, Fine Art Director Morgana Blackwelder Vice President, Furniture & Decorative Arts Director 20th Century Furniture and Decorative Arts Specialist Post War & Contemporary Fine Art
Roland Rynkiewicz John Simon Taylor Bree Hughes
Junior Specialist / Senior Cataloguer: Luxury, Furniture, Decorative Arts Furniture & Decorative Arts Cataloguer
Jardine Gates, GIA G.G. Alexis Sutcliffe
Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Fine Art Cataloguer Mike Hook Jewelry Director Mollie Burns Keith, G.J.G.
CLIENT SERVICES
Office Manager Mario Esquivel Client Services Ella Fountain
OPERATIONS
Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Property Manager Emmett Clements Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford
ADVERTISING, MARKETING, DIGITAL DESIGN
Advertising & Marketing Director, Art Design Nathan Martinez Photographer Madison Torres Graphic Designer Brian Olivas
TRUSTS & ESTATES
Department Manager Noelle Valentino
FOUNDERS
Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran
This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.
BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.
BIDDING INCREMENTS:
$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.
View Illustrated Catalogue Online @ www.johnmoran.com
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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the
purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.
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Registration Form (Attendee / Absentee / Telephone Bidding)
JOHN MORAN SINCE
1969
[For office use only]
AUCTIONEERS
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General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided. Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid. New bidders will be asked to provide financial account information as a reference. All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance. BUYER’S PREMIUM: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.
Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.
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Sellers permit info: Contact office for verification Permit #
Sale number
Please email or fax the completed Registration Form and requested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank. Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In the event of a tie bid, the Registration Form received first will be recognized as the winning bid.
Please list lots for absentee bidding on reverse
In order to better serve you, please mark the checkbox’s below for your auction interests.
Driver’s License number:
State:
Paddle number
State:
No
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18th & 19th Century Furniture & Decorative Art 20th Century / Modern Design American Art Asian Art & Objects Couture / Luxury Goods European Art Jewelry & Timepieces Modern & Contemporary Art Native American Objects Prints & Multiples Rugs & Carpets Silver Turn of the Century Design / Arts + Crafts Western Art Have a specific type of item you are interested in, let us know:
Exp:
I agree that I have read Moran’s Conditions of Sale and shall be bound by them. This affects my legal rights. Signature:
Date:
rev. 7/2018
Registration Form (Attendee / Absentee / Telephone Bidding)
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Paddle number [For office use only]
FOR OFFICE USE ONLY
General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion
Telephone Agent Name:
L=====-=-=---=-=-=-==== Bidder Name:
Primary Phone Number: Secondary Phone Number: Email Address:
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Absentee & Telephone Bidding Lot Number
Lot Description
***Absentee bids must be at least half of the low estimate*** Maximum Bid
(Excludes Buyer’s Premium) Absentee only
FOR OFFICE USE ONLY
Y/N
Last Bid $
PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid
Received By:
Date:
rev. 7/2018
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