The Traditional Collector — December 7, 2021 | John Moran Auctioneers by johnmoranauctioneers

The Traditional Collector Tuesday, December 7, 2021

SINCE 1969

AUCTIONEERS & APPRAISERS

SINCE 1969

AUCTIONEERS & APPRAISERS

The Traditional Collector Tuesday, December 7, 2021—12pm Sale 205 145 East Walnut Avenue, Monrovia CA 91016 Previews: Friday, December 3rd - Monday, December 6th 12-4pm Or by appointment

Meet the Team Roland Rynkiewicz

Furniture & Decorartive Arts Director, Vice President roland@johnmoran.com

Shannon Dailey

Furniture & Decorartive Arts Cataloguer shannon@johnmoran.com

Anne Spink

Fine Art Cataloguer anne@johnmoran.com

Client Services Mario Esquivel

Office Manager mario@johnmoran.com

Ella Fountain

Client Services ella@johnmoran.com

1001

A Royal Copenhagen “Flora Danica” porcelain dinner service

1966 Each marked for Royal Copenhagen Each porcelain dinner plate with a gilt rim centering various botanical motifs, 9 pieces Each: 10.25” Dia. approximately $4,000-6,000

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1002

A Royal Vienna portrait mug

Fourth-Quarter 19th Century Marked with blue underglaze Bindenschild; Further numbered: 26319 The porcelain lidded tankard with gilt-metal bezels, hinges, and crown-style thumb grip covering the cup with cobalt blue glaze and gilt and white enamel tracery, centering an oval painted portrait panel of an imbibing jolly monk figure 6.25” H x 5.25” W x 3.5” D $800-1,200

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1003

A Chinese gilt-silver and cloisonné jar

First-Quarter 20th Century Marked: Silver The lobbed, gilt-silver lidded jar with cloisonné enamel floral motifs on a metal mesh ground and finished with a nephrite collar 7” H x 3.5” Dia. $1,000-1,500

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

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1004

A French crystal and gilt-bronze jewelry box

Fourth-Quarter 19th Century The crystal jewelry box with Art Nouveau-style foliate gilt-bronze mounts and two Empire-style eagles with glass eyes to the hinged lid 4.75” H x 5.25” W x 4” D $800-1,000

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1005

Jacques Villon

(1875-1963, French) “La Baignoire,” 1946, after Pierre Bonnard Color lithograph on paper under glass; Louis Carre, Paris, pub. Edition 28/80; signed and initialed in the stone only: Bonnard / PB; numbered in pencil in the lower margin at left Image: 19.75” H x 26” W; Sheet: 21” H x 26” W $1,000-1,500 Provenance: The Estate of Jane Reisman and Neil Peter Jampolis, Los Angeles, CA Literature: Bouvet 120; Ginestet / Pouillon 690

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T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1006

A Jaeger-LeCoultre “Atmos” anniversary clock

Fourth-Quarter 20th Century Dial signed: Atmos / Jaeger-LeCoultre / Swiss / 540; Further numbered: 145/3000 The Limited edition clock celebrating the 150th anniversary of Jaeger-LeCoultre, with stock box, polished brass clock with white enameled dial and black Roman numeral hour markers and outer minute track with glass dome Overall: 13” H x 7.5” Dia. $2,000-3,000

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T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1007

A framed KPM porcelain portrait plaque

Fourth-Quarter 19th Century Marked: KPM [scepter] / Sz / 4 / A; Plaque singed: Greiner [Julius Greiner] The oval painted porcelain plaque after Angelo Asti’s (1847ñ1903, French) “Erbluth” in a carved giltwood frame with blue velvet matting Sight: 8.375” H x 6” W $3,000-4,000

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1008

A Louis Vuitton hardshell suitcase

First-Half 20th Century Partial Louis Vuitton label to inside The rectangular logo canvas-wrapped exterior opening to a linen interior, personalized with red X motif and initials “E.B.W.M.” 18” x 29.75” x 8.5” $1,000-1,500

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1009

Alexei Stepanovich Stepanov (1858-1923, Russian) Two children studying Oil on artist’s board Initialed in Cyrillic lower right 9.5” H x 11.625” W $1,000-1,500 Provenance: The Estate of Jane Reisman and Neil Peter Jampolis, Los Angeles, CA

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1010

A near-pair of Tiffany & Co. sterling silver tazzas

Circa 1892-1902, directorship of Charles L. Tiffany Each marked: Tiffany & Co. / 14291 Makers 2529 / Sterling Silver / 925-1000 / T Each tazza with an openwork, scalloped rose border, one centering a rosette, and raised on a flared foot with roses, 2 pieces Each: 3” H x 7” Dia. 13.43 oz. troy approximately $800-1,200

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1011

A set of Venetian Murano glass goblets

First-Half 20th Century Each goblet with a clear glass bowl decorated with gilt enamel highlights and raised on a pink, trumpet-form, threaded stem, 14 pieces Each: 8” H x 3.25” Dia. $800-1,200

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1012

A Wedgwood “Golden Florentine” porcelain dinner service

Circa 1961-1986 Each marked for Wedgwood Each with a figural gilt rim, comprising 28 dinner plates (10.75” Dia.), 16 salad plates (8.125” Dia.), 12 bread plates (6” Dia.), 24 peony footed cups (2.25” H), 23 saucers (5.75” Dia.), 103 pieces $1,000-1,500

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1013

A large carved nephrite picture frame

First-Half 20th Century Signed: Yamanaka / Made in Japan The rectangular nephrite frame with carved floral and avian motifs with applied metal butterflies and floral sprays Frame: 1.75” H x 13.125” W x 6.75” D; Opening: 13” H x 10” W $600-900

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1014

Clarence Braley

(1854-1927, New Bedford, MA) Sailboats Pastel on paper under Plexiglass Signed lower left: C. Braley 16” H x 19.5” W $400-600 Provenance: Clark Cierlak Fine Art, Sherman Oaks, CA The Estate of Jane Reisman and Neil Peter Jampolis, Los Angeles, CA

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1015

A French gilt-bronze and champlevé enamel centerpiece

Fourth-Quarter 19th Century The centerpiece dish with a gilt-bronze and polychrome champleve enamel border enclosing an onyx center and raised on four reverse acorn feet 3.875” H x 12.125” Dia. $1,500-2,500 w w w. j o h n m o r a n . c o m

1016

Auguste-Maximilien Delafontaine (1813-1892, French) and FrancisqueJoseph Duret (1804-1865, French) Two works: Two dancing Neapolatian youths Each: Patinated bronze Each signed in the cast: Delafontaine / Duret F. Larger: 17” H x 7.25” W x 6” D; Smaller: 17” H x 6” W x 5.75” D $1,500-2,500

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1017

A set of Lalique “Roxane” stemware

Circa 1978-Present Each etched to base: Lalique Æ / France Each clear crystal glass featuring a frosted detail of two entwined figures on the stem and scalloped beveling on the base of the chalice, comprising 7 tall water goblets (8.375”), 7 water goblets (7.875”), 13 fluted champagne glasses (8.75”), 13 burgundy wine glasses (7.5”), 13 bordeaux wine glass (6.875”), 53 pieces $2,000-3,000

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1018

A Lalique “Crèmieu” opalescent glass bowl

Circa 1928-1945 Signed: R. Lalique / France Designed 1928, model no. 400, the glass bowl in the form of a large flower head with an opalescent rim and polished basin with radiating vertical petals and dotted underside 3.75” H x 12” Dia. $500-700

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1019

A Russian icon of the Virgin and Child with brass oklad

Late 19th/Early 20th Century With underpainting depicting the Virgin and Child under a repousse and embossed brass oklad, or riza, with applied high-relief halo 13.5” H x 10.75” W x 2.5” D $800-1,200

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1020

A Tiffany Studios gilt-bronze Pine Needle frame

Circa 1902-1919; New York, NY Signed: Tiffany Studios / New York / 946 The rectangular gilt-bronze frame with white and amber mottled slag glass, pine needle motif gilt-bronze overlay, and beaded border enclosing an oval opening Overall: 10” H x 8.125” W x 4.625” D; Opening: 5.25” H x 3.75” W $800-1,000 Notes: In the Tiffany Studios catalogue, the pattern was originally referred to as “Etched Metal and Glass.”

1021

A Tiffany-s

20th Centur Base and sh The green le six-light pat on a circular Overall: 69”

$15,000-20,

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

style leaded glass floor lamp

ry hade bear Tiffany Studios mark eaded glass shade with pink peony band on a tinated bronze base with reeded column raised r foot with spiral motifs, electrified ” H x 24.25” Dia.; Shade: 12.25” H x 24.25” Dia.

,000

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1022

1023

(1939-2013, British) “The Old Pub, Graham Terrace SW1,” 1991 Oil on canvas Signed and dated lower right: Julian Barrow; titled on the stretcher verso 8” H x 10” W

(1939-2013, British) “The Hat Shop, Jermyn St Oil on canvas Signed lower right: Julian 10” H x 8” W

Julian Barrow

$1,000-1,500

Provenance: The Estate of Jane Reisman and Neil Peter Jampolis, Los Angeles, CA

Provenance: The Estate of Los Angeles, CA

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1024

Julian Barrow

t., London” Barrow; titled on the stretcher verso

f Jane Reisman and Neil Peter Jampolis,

(1939-2013, British) Street view, London Oil on canvas Signed lower right: Julian Barrow 10” H x 8” W $1,000-1,500 Provenance: The Estate of Jane Reisman and Neil Peter Jampolis, Los Angeles, CA

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1025

An English orrery clock by Eric Watson

1986; Saddleworth, UK Plaque inscribed: Eric Watson Saddleworth; Clock marked: Made for Herbert and Ann Gold / Los Angeles / 1986 The polished brass planetary model displaying the Sun, Mercury, Venus, Earth and the moon, Mars, Jupiter, and Saturn, with silvered metal dials displaying time, date, astrological divisions, and planetary motion with chain and fusee spring barrel drive, 8-day, pivoted detent balace wheel escapment, set in a custom glazed mahogany standing floor case Overall: 43” H x 25.25” W x 21.75” D $3,000-5,000 Notes: Design sketches, correspondences between Herb Gold and Eric Watson, and purchase order all dated to 1985.

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

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1026

1027

Circa 1970s With Dent plaque; Serial no. 141 / Andrew Fell / Dell 1973 The congreve clock with three silvered dials, black Arabic numerals, a fuse movement, and fifteen second table, rotating cylindar seconds gate, raised on a wood-over-green marble base with acrylic dome cover Overall: 17.5” H x 19.25” W x 14.5” D

Circa 1970s Signed: E. Dent and Co. The brass skeleton clock numeral hour markers, d movement with a massiv chronometer escapemen

A Dent congreve clock

An E. Dent and Co. s

$2,500-3,500

Overall: 17.5” H x 10.5”

Notes: Previously restored by David Walter in 1998.

$1,500-2,500

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skeleton clock

1028

A Frank Monk orrery clock

. Ldt. / England; Serial number: 031 k with silvered metal dials and black Roman dial divided for clock and zodiac signs, ve horizontal balance wheel with Earnshaw dent nt, raised on a marble base with glass dome

1960’s The skeletonized clock surmounted by an orrery on top with divisions and planetary motions, silvered metals dials with black Roman numeral hour markers, and fusee movement, 14 day, raised on a plum velvet plinth within an ebonized wood base within a glass dome

” W x 8.5” D

Overall: 24” H x 12.5” Dia. $3,000-5,000 Notes: Previously restored by Henry Horne and Leon Tokatlian.

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1029

Julian Barrow

(1939-2013, British) “Baker & Son Jewellery Shop, Southgate Street, Gloucester,” 1980 Oil on canvas Signed and dated lower right: Julian Barrow; titled by repute 12” H x 10” W $1,000-1,500 Provenance: The Estate of Jane Reisman and Neil Peter Jampolis, Los Angeles, CA

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1030

Julian Barrow

(1939-2013, British) “Cheyne Row” Oil on canvas Signed lower right: Julian Barrow; titled on the stretcher verso 10” H x 8” W $1,000-1,500 Provenance: The Estate of Jane Reisman and Neil Peter Jampolis, Los Angeles, CA

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1031

A French Sèvres-style and gilt-bronze gueridon

19th Century Porcelain bears double “L” mark containing “A” and signed: Attété; Bronze stamped “A” or “V” The side table with a Sevres-style porcelain charger top centering a figural scene of musicians atop a gilt-bronze tripod base suspending figural masks and floral swags with painted porcelain miniatures raised on claw feet 32.75” H x 20.75” Dia. $4,000-6,000

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1032

A French figural gilt-bronze table clock

First-Quarter 20th Century Movement signed: Samuel Marti, Medaille D’or Paris 1900 Surmounted by a Maenad holding grapes flanked by putti over a clock face set with a white porcelain dial with Roman numeral hour markers and Arabic numeral sub-seconds over a white marble base raised on toupie feet 15.5” H x 11.25” W x 7.75” D $1,200-1,800

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1033

A carved giltwood wall-mounted console table

20th Century The wall-mounted console table with a demi-circle green marble top over a scrolling rocaille carved giltwood base 37” H x 33” W x 9.75” D $800-1,200

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1034

A carved giltwood wall mirror

Late 19th/Early 20th Century The giltwood wall mirror with openwork carved scrolling acanthus leaves surrounding a rectangular mirror 58” H x 47.5” W x 1.5” D $1,500-2,500

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1035

Otto Ritter von Thoren

(1828-1889, Austrian) Cows with shepherd in a pasture Oil on cradled panel Signed lower right: O. v. Thoren 32.5” H x 35.5” W $1,000-1,500

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1036

A Meissen “Bologner Hund” porcelain dog 19th Century Marked for Meissen [Blue Crossed Swords underglaze]; Further marked: 2841 / 49 After the 18th century model by Johann Joachim Kandler (1706-1775), the porcelain figure in the form of a Bolonese Terrier with light brown and white fur 9.5” H x 10.5” W x 5.5” D $2,000-3,000

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

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T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1037

A German Jugendstil porcelain jardinière with stand

Late 19th/Early 20th Century Planter marked for Royal Bonn and numbered: 976 / 32 / 3114 Each Art Nouveau-style with gilt rocaille motifs centering polychrome and gilt enamel floral sprays, comprising a handled jardinere on a flared pedestal stand, 2 pieces Planter: 16.5” H x 21” W x 16” D; Stand: 24” H x 14.5” W x 14.5” D $800-1,200

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1038

A Viennese enameled gilt-silver horse and carriage centerpiece

20th Century Marked: 925 The enameled gilt-silver figural group of a carriage with driver and lone horseman with trumpet, set with semi-precious stones, agate, and quartz with a red velvet covered wood underbase 9.5” H x 26” W x 11” D $8,000-12,000

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

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T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1039

A Viennese enameled and gilt-silver nef centerpiece Late 19th/Early 20th Century Marked: 925 Possibly Austrian, the gilt-silver ship centerpiece with enameled hull set with semi-precious stones 24” H x 17.5” W x 8” D $6,000-8,000

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1040

A Viennese enameled gilt-silver presentation dagger

20th Century Appears unmarked The enameled gilt-silver ceremonial dagger or letter opener set with semi-precious stones 11.75” H x 2.5” W x1.5” D $1,000-1,500

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1041

A Viennese parcel-gilt horse

20th Century Appears unmarked The parcel-gilt, silvered metal horse raised on a malachite base with brass feet 5.25” H x 5” W x 2.75” D $300-500

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1042

A framed KPM porcelain portrait plaque

First-Quarter 20th Century Marked: KPM [scepter] / F The rectangular painted porcelain plaque after Wilhelm Kray’s (1828-1889, German) “Psyche” in a carved giltwood frame Sight: 16” H x 11.75” W $15,000-20,000

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

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1043

A French Louis XVI-style table vitrine

Fourth-Quarter 19th Century The metal-mounted vitrine surmounted by a mirrored back panel with a wreath crest over a hinged, inset glass panel top cabinet with velvet interior, supported on four tapered legs joined by an undershelf with a mirrored back panel, all raised on four pole feet 43.5” H x 27.75” W x 16” D $3,000-5,000

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1044

A Kerman area rug

Mid-20th Century Wool on cotton foundation with central medallion and polychrome floral motif on a cream field with light blue border 191” L x 141.5” W $2,500-3,500

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1045

A French Louis XVI-style settee with yellow damask upholstery Late 19th/Early 20th Century The tall rectangular back over a wide seat and twisted legs 43.75” H x 56.5” W x 26” D $600-800

1046

A pair of Louis XVI-style carved giltwood armchairs First-Quarter 20th Century Each armchair with carved giltwood frame with curved crest rail, pointed finials, and acanthus leaf and rosette motifs atop pink floral silk upholstery and elbow pads, raised overall on four tapered fluted legs, 2 pieces Each: 37” H x 28” W x 23” D $1,500-2,500

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1047

A pair of Louis XVI-style carved giltwood armchairs

First-Quarter 20th Century Each with parcel gilt and polychromed wood carcass with green silk damask upholstery, issuing an oval upholstered backrest with carved bead and spindle trim surmounted by a rose crest, over two scrolled arms with elbow pads and an upholstered seat raised on four fluted pole legs, 2 pieces Each: 37” H x 28” W x 23” D $1,500-2,500

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1048

18th/19th Century Continental School Portrait of a woman in blue with pearls Oil on canvas laid to canvas Appears unsigned 30.5” H x 24.5” W $2,000-3,000

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1049

Louis Tocque

(1696-1772, French) Portrait of a lady gathering flowers Oil on canvas Signed lower right: pinxit L. Tocque 39.75” H x 32” W $10,000-15,000

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1050

A Robert Robin French crystal regulator mantel clock

Mid-19th Century Dial marked: Robin; Movement signed: Robin h.ger du roi The mantel clock with an enameled metal dial, black Roman numeral hour markers and outer minute track, sub-seconds dial, and 8-day two train movement over a moon phase calendar, each set in a glazed giltbronze case 19.75” H x 12” W x 8.25” D $2,500-3,500

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105

A Ger

FourthPlaque Possibl a Class frame Plaque

$600-8

Literatu Insight

rman painted porcelain plaque

-Quarter 19th Century e signed indistinctly to lower left; Verso marked: 107 ly KPM “Lady by the Pool,” the painted porcelain plaque depicting sical woman with a mirror enclosed in an openwork carved giltwood

e approximately: 5.875” H x 4” W; Frame: 13.5” H x 11” W x 3.25” D

800

ure: Sean Shakrovski and Vera Rininberg, “KPM Plaques: Gaining an into the Art of Painting on Porcelain,” 2005, p. 110, fig. 032.

1051

A pair of Louis XV-style commodes

20th Century Each commode with marble top over two long drawers with floral marquetry veneer and gilt-bronze mounts raised on slightly outswept legs with sabots to the feet, 2 pieces Each: 33” H x 34.25” W x 16.5” D $1,200-1,800

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1053

A Royal Vienna portrait plate

Late 19th/Early 20th Century Marked with blue underglaze Bindenschild; Further marked: Germany / Zigeunerin The porcelain plate with a green and enamel gilt rim centering a portrait of a woman in traditional costume 1” H x 9.5” Dia. $1,200-1,800

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1054

A pair of giltwood-framed reverse-painted glass panels Two works: Figures strolling on the formal grounds Reverse-painted oil on glass Sight: 14.5” H x 17” W Appears unsigned Figures strolling on the formal grounds Reverse-painted oil on glass Sight: 14.5” H x 17.5” W Appears unsigned 2 pieces $1,500-2,500 w w w. j o h n m o r a n . c o m

1055

Early American Primitive

Portrait of two young children Oil on canvas Unsigned 30” H x 25” W $1,500-2,000

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1056

A large French parcel-gilt trumeau mirror

19th Century The painted carved wood frame with gilt cornice over an oil on canvas courting scene enclosed by a parcel-gilt rocaille motif surround, atop a conformingly designed mirror 92” H x 54” W x 3” D $2,000-3,000

w w w. j o h n m o r a n . c o m

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1057

A Continental porcelain urn

Late 19th/Early 20th Century Appears unmarked Possibly French with German porcelain, the round vessel with painted figural scenes and floral sprays, surmounted by a putto with wine, flanked by opposed putti handles, and raised on a bronze footed support with putti and laurel leaf border 19” H x 17” W x 12.5” D $3,000-5,000

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1058

A pair of gilt-bronze and marble garniture urns

20th Century Each a gilt-bronze urn flanked by opposed figural handles over a white marble columnar plinth atop a brown variegated marble base raised on four ball feet, 2 pieces Each: 16.5” H x 12” W x 8.75” D $1,000-2,000

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1059

A pair of Bohemian art glass vases

Fourth-Quarter 19th Century Each baluster-form vase acid-cut from opaque white to translucent cranberry glass centering polychrome floral sprays with gilt highlights, 2 pieces Each: 17” H x 6.375” Dia. $1,500-2,500

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1060

A Viennese enameled and gilt-silver nef centerpiece

Late 19th/Early 20th Century Appears unmarked Possibly Austrian, the gilt-silver ship centerpiece with enameled hull and sails, the hull set with semi-precious stones 13” H x 10.25” W x 4” D $3,000-5,000

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

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1061

A Viennese enameled gilt-silver music box

20th Century Marked: 925; Further marked with Austrian-style hallmarks The enameled gilt-silver music box in the form of a barrel organ set with semiprecious stones 6.25” H 9.25” W x 3” D 46.615 gross oz. troy approximately $3,000-5,000

T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1062

A Viennese enameled gilt-silver table clock

20th Century Marked: 925; Further marked with Austrian-style hallmarks The suspended clock with a painted dial with black Arabic numeral hour markers centering a landscape scene behind a glazed bezel set in an enameled gilt-silver case with semi-precious stones 9.25” H x 5.25” Dia. 26.595 gross oz. troy approximately $2,000-3,000

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1063

A pair of Bohemian art glass vases

Fourth-Quarter 19th Century Each tapering vase acid-cut from opaque white to translucent cranberry glass decorated with panels of polychrome floral sprays alternating with diamond-cut panels against a field of gilt highlights, 2 pieces Each: 13.25” H x 3.5” Dia. $1,500-2,500

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1064

A Bohemian art glass epergne centerpiece

Fourth-Quarter 19th Century Underside rim with wheel engraved “XI” The centerpiece with a detachable center vase set on a stand with turn-down collar, acid-cut from opaque white to translucent cranberry glass decorated with panels of polychrome floral sprays alternating with diamond-cut panels against a field of gilt highlights 15.5” H x 6.25” Dia. $1,000-1,500

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1065

Gustave Louis Nast

(b. 1826, French) “La danse des oeufs (The Dance of Golden Eggs)” Patinated and gilt bronze Signed in the cast: G. Nast 76” H x 25” W x 21” D $20,000-30,000

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1066

A Flemish-style brass wall mirror

Fourth-Quarter 19th Century The rectangular wood frame with repousse brass overlay and beveled mirrored sides surrounding a central beveled mirror 40.5” H x 30.5” W x 2.5” D $600-900

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1068

A pair of rock crystal compotes

20th Century Each rock crystal compote with a spiral scalloped design, 2 pieces Each: 5.125” H x 9.125” Dia. $1,000-1,500

1067

A French carved alabaster mantel clock

Mid-19th Century Movement marked: 155 D The clock with a gilt-brass dial with black Roman numeral hour markers, outer minute track, and an 8-day two train key wind movement with silk suspension set in a carved alabaster case in the form of a Gothic cathedral with half rose window, column-lined triforium, openwork carved pointed arches with tracery, and quatrefoils, raised overall on a black lacquered wood stand with glass dome 21.75” H x 8.75” W x 4.5” D $1,500-2,500 Notes: This lot is accompanied by a receipt from Solvang Antique Center and Horology services, dated December 23, 1998.

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1069

A French Art Deco gilt-bronze chandelier

Second-Quarter 20th Century The gilt-bronze chandelier with all-over Art Deco geometric motifs, issuing six arms suspending a seven-light hexagonal basin with frosted clear glass panels and decorated with fan and bird motifs, electrified 43” H x 23” Dia. $3,000-5,000

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1070

A set of French armchairs

19th Century Each chair with a carved wood carcass, gilt-bronze mounts, and modern faux-leather upholstery, issuing a squared upholstered backrest surmounted by a rocaille crest, flanked by two channeled scrolled arms with elbow pads, and a stuffed seat, finished with nail head trim, raised on four cabriole legs with paw feet, 4 pieces Each: 39” H x 25.75” W x 23” D $4,000-6,000

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1071

A pair of malachite obelisks

20th Century Each with malachite veneer on a tiered pedestal base, 2 pieces Each: 31.5” H x 6.25” W x 6.25” D $2,000-3,000

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1072

A bronze-mounted malachite box

20th Century The malachite veneer box with rounded top and bronze lid latch, strapping, and corner bumpers 6” H x 7.5” W x 5.75” D $500-700

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1073

Miyao Eisuke

(Meiji Period, Japanese) Okimono figural candlestick Parcel gilt bronze Signed in Japanese characters 26.5” H x 11” W x 6.5” D $15,000-25,000

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1074

A Japanese Satsuma square dish

Circa 1890, Meiji Period (1868-1912) With artist’s mark to underside [possibly by Kizan] The gilt and polychrome decorated square porcelain dish with raised corners depicting various registers of figures, an ocean landscape, birds, and flowers 1.375” H x 6.375” W x 6.375” D $1,500-2,000 Provenance: Sale: Michael E. Bound Gallery, London, UK, May 12, 2001 Notes: This lot is accompanied by a recepit of sale from Michael E. Bound Gallery, London, dated May 12, 2001.

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1075

A Japanese Satsuma bowl with wood stand

Circa 1880, Meiji Period (1868-1912); Kyoto With artist’s mark to underside [possibly signed: Kyoto Satsuma] The gilt and polychrome decorated round porcelain bowl depicting various figural scenes raised on a carved wood stand, 2 pieces Bowl: 3.25” H x 5” Dia.; On stand: 5” H $1,500-2,000 Provenance: Sale: Kevin Page Oriental Art, London, UK, March 2, 2001 Notes: This lot is accompanied by a recepit of sale from Kevin Page Oriental Art, London, dated March 2, 2001.

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1076

A Japanese Satsuma incense burner

Fourth-Quarter 19th Century, Meiji Period (1868-1912) With artist’s mark to underside The gilt and polychrome decorated porcelain footed incense burner depicting various figures and with openwork metal lid 5.5” H x 5.25” Dia. $600-800

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1077

Terazaki Kogyo

(1866-1919, Japanese) Kakei (Gorge in Summer) Black and colored inks on a paper-lined, silk, hanging scroll Signed lower right: Kogyo and sealed Terasaki Kogyo and another seal. Together with wooden box, signed, sealed and titled by the artist Painting: 52” H x 19.75” W; Scroll: 89” H x 26” W $1,000-1,500 Exhibitions: Kakunodate Municipal Museum of Art, Akita, “Terasaki Kogyo Ten”, November 3-December 5, 1982.

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1078

A Japanese painted folding screen

Fourth-Quarter 19th Century, Meiji Period (1868-1912) The large folding screen with six panels in three parts decorated with herons, rocks, red flowers, and a snow laden pond on gold leaf and paper ground with silk trim Overall: 68” H x 150” W x 1” D $6,000-8,000

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1079

A Shinto Period Japanese Wakizashi sword

Circa 18th Century, Edo Period (1603-1867) Scabbard and sleeve later inscribed in black ink: Nobuyoshi Attributed to Minamoto Nobuyoshi, the curved, single-edged blade mounted in a wood “fuchi” sleeve and “saya” scabbard Blade: 18.375” L; Overall: 25.75” L $2,000-2,500

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1080

A Japanese carved wood table

Meiji Period (1868-1912) Signed in Japanese within a cherry blossom cartouche Ebonized wood, the circular top over an apron carved in high relief with blooming irises over six conformingly carved cabriole legs raised on casters 34.75” H x 70.25” Dia. $1,500-2,500

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1081

A Japanese carved wood figural bell

First-Quarter 20th Century Signed to verso The carved and polychromed wood bell depicting a seated and robed fox 8” H x 13.5” W x 8” D $600-900

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1082

A French console table

First-Quarter 20th Century The breakfront-form marble top over a parquetry veneered apron with a long frieze drawer and gilt-bronze mounts raised on four slightly outswept legs 34” H x 64.25” W x 15.5” D $1,200-1,800

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1083

A pair of gilt-bronze wall sconces

First-Quarter 20th Century Each gilt-bronze wall sconce with an architectural back plate decorated with acanthus leaves and suspended from a stylized drapery-form support with a tied ribbon, issuing five scrolled arms terminating in faux candle sleeves, electrified, 2 pieces Each: 35” H x 19.5” W x 9” D $1,500-2,000

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1084

Edouard Toudouze

(1848-1907, French) Courting couple in a spring landscape Oil on canvas Signed lower left: E. Toudouze 20” H x 29” W $2,000-3,000 Provenance: Sold: Skinner Inc., Boston, MA, American and European Paintings and Prints, February 1, 2013, Lot 422 Notes: Inscribed in ink on the stretcher: 111 [illegible] E. Toudouze / 21 Boulevard des Batignolles / Paris. A chalk inscription on the central stretcher bar reads: Mr. [illegible]. A stencil dating to the 19th Century on the canvas verso reads: Maison Ange Ottoz / Ch. Bertaux / 58 Rue de Chehy, Paris

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1085

A French marquetry vitrine cabinet

Late 19th/Early 20th Century The gilt-bronze mounted vitrine with a glazed, single-door cabinet with mirrored interior and two shelves over a long frieze drawer with floral marquetry, raised on four outswept legs with paw feet and joined by an undershelf 71” H x 52” W x 17” D $6,000-8,000

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1086

A pair of rock crystal obelisks

20th Century Each with tiered pedestal base, 2 pieces 31” H x 5.5” W x 5.5” D $2,000-3,000

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1087

A Guyerdet Aine gilt-bronze clock

Mid-19th Century Dial signed: Guyerdet Aine Paris With a white porcelain dial with black Roman numeral hour markers and minute track, two train movement, surmounted by a gilt-bronze putto finial with scrolling foliage forming two handles on a metal urn-form body, upon an ornamental gilt-bronze base with floral motifs and two putto figures, raised on toupie feet 22” H x 19” W x 7” D; Dial: 4” Dia. $1,500-2,500

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1088

A French Victor Raulin Louis XV-style parlor table Fourth-Quarter 19th Century Signed to plaque inside drawer The parquetry veneered parlor table with circular top over an apron with floral marquetry, two frieze drawers, and two extendable surfaces with gold foil-stamped leather raised on four cabriole legs with sabots to the feet 28.25” H x 41.25” Dia. $7,000-9,000

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1089

A French Louis XV-style bureau plat

19th Century The marquetry veneered desk with inset gilt-foil stamped leather writing surface over a gilt-bronze mounted apron with rocaille motifs on three frieze drawers raised on four cabriole legs with figural masks and sabots to the feet 31” H x 70” W x 37.5” D $4,000-6,000

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1090

A French Louis XV-style kneehole desk

Fourth-Quarter 19th Century The marquetry veneered desk with a rectangular top over an apron with a hidden, button-release frieze drawer flanked by three short drawers on each side, with all-over gilt-bronze mounts and polychrome painted porcelain medallions, raised on eight toupie feet 30.75” H x 54.25” W x 30.5” D $3,000-4,000

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1091

A gilt-bronze and marble centerpiece

Late 19th/Early 20th Century The gilt-bronze mounted, red marble centerpiece with an ovoid dish flanked by two scrolled handles with lion’s masks, raised on a pedestal base with figural masks 12” H x 14” W x 11.5” D $3,000-5,000

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1093

A French gilt-bronze and marble mantel clock

Late 19th/Early 20th Century Dial marked illegibly, movement unmarked The mantel clock with a white enameled dial, blue Roman numeral hour markers and outer minute track, and two train movement set in a gilt-bronze figural case surmounted by a Classical woman and putto raised on a marble base atop four feet 21” H x 26” W x 9.5” D $6,000-8,000

1092

A pair of gilt-bronze and marble candle lamps

20th Century Each six-light, gilt-bronze candelabrum with a red marble column issuing five scrolled arms and one central light with faux candle sleeves raised on a tri-form base, electrified, 2 pieces Each: 35” H x 10.5” Dia. $3,000-5,000

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1095

A Chinese wood tray with silver inlay

Late 19th/Early 20th Century Indistinctly marked The rectangular wood tray with silver inlay and handles centering a coastal landscape scene with boats and birds 3.5” H x 29.25” W x 18.75” D $800-1,200

1094

A Chinese carved zetan wood bench

19th Century or Earlier The bench with a red silk upholstered cushion over a carved wood frame raised on four straight legs 13” H x 46.5” W x 23” D $2,500-3,500

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1096

A pair of large Chinese-style terracotta paperweights

Possibly First-Quarter 20th Century The large, glazed terracotta paperweights in the form of Chinese printer’s chops with dragon handles, 2 pieces Each: 7.25” H x 8.25” W x 8.25” D $1,000-1,500

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1097

A Chinese area rug

1920s Wool on cotton foundation, with polychrome floral sprays surrounded by a double border 159” L x 120” W $1,200-1,800

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1098

19th Century Chinese School

Ancestral portrait Mixed media heightened with gold and white on paper laid to board 64” H x 39.5” W $1,000-2,000

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1099

A large Chinese Famille Rose-style porcelain urn

20th Century The large, baluster-form lidded urn with polychrome floral sprays and birds surrounded by geometric and floral borders centering small reserves of architectural landscape scenes, surmounted by a guardian lion finial 45” H x 16” Dia. $1,000-1,500

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1100

A Chinese cloisonné charger plate

First-Quarter 20th Century The cloisonne enamel on bronze charger with polychrome avian motifs and geometric banding 3.125” H x 19.375” Dia. $600-800

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1101

A French Charpentier figural bronze mantel clock

Fourth-Quarter 19th Century Movement signed: Charpentier Ft de Bronzes a Paris / 473 The clock with a patinated bronze dial with gilt Roman numeral hour markers and two train movement enclosed in a patinated bronze architectural column case surrounded by laurel branches and surmounted by a Greco-Roman warrior, raised overall on a pedestal base 26.75” H x 14” W x 12” D $3,000-5,000

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1102

A François Linke ladies bureau plat

First-Quarter 20th Century Signed to one bronze mount: F. Linke The parquetry bureau plat with inset gilt foil stamped leather writing surface and fitted glass top over a gilt-bronze mounted apron with vernis Martin-style painted figural scenes and three frieze drawers raised on four cabriole legs with sabots to the feet 30” H x 36” W x 22.25” D $6,000-8,000

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1103

Albert-Emile Artigue

(1850-1927, French) “Feuillantine, Grande Liqueur du Monastere de Limoges” Color lithograph on paper under glass; Champenoi, Paris, pub. Signed in the plate left center: Artigue Sight: 28” H x 12.5” W $800-1,200

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1104

An Art Nouveau settee set

First-Quarter 20th Century Each with a carved wood frame with Art Nouveau floral motifs, an openwork back splat, and floral embroidered velvet upholstery with nail head trim, comprising a settee, two armchairs, and two side chairs, 5 pieces Settee: 38.25” H x 44” W x 22” D; Each armchair: 38.25” H x 21.5” W x 22” D; Each side chair: 35.5” H x 16.5” W x 18” D $6,000-8,000

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1105

A pair of French Art Nouveau gilt-bronze chenets

Late 19th/Early 20th Century Each gilt-bronze chenet with two openwork floral medallions on a conformingly designed support, 2 pieces Each: 28” H x 14.75” W x 17” D $1,200-1,800

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1106

Paul Eugène Breton

(1868-1932, French) Art Nouveau figural centerpiece Patinated bronze Signed: P. Breton; Further marked: Alexis Rudier / Fondeur Paris 16” H x 25” W x 12.5” D $2,000-3,000

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1107

A pair of large Baccarat-style crystal urns

First-Quarter 20th Century One bears mark for Baccarat Each cut crystal, krater-form urn mounted with gilt-bronze leaf borders and opposed figural mask handles, raised on a footed support with bead trim, 2 pieces Each: 24.5” H x 15.5” Dia. $2,500-3,500

1109

A Continental carved oak coffer

17th/18th Century The carved oak coffer with a rectangular hinged lid atop a frieze of rosettes and two drawers with metal drop handles over four front panels with portrait roundels and foliate garlands, partitioned by coin and foliate moldings and four side panels with linenfold parchemin plisse carvings, centering an openwork filigree lock plate with portrait heads, raised overall on a pedestal base 35” H x 47.5” W x 26” D $500-1,000

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1108

A pair of Continental carved wood armchairs

Late 19th/Early 20th Century Each chair with pink silk damask upholstered back and stuffed seat on a carved wood frame with figural putti arm supports and raised on four scrolled legs joined by an H-stretcher, 2 pieces Each: 45” H x 29” W x 30” D approximately $1,500-2,000

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1110

A Continental carved giltwood coffee table base

Late 19th/Early 20th Century The giltwood table base with four upward reaching arms with all-over scrolled acanthus leaf motifs, joined by an X-stretcher 17.25” H x 35” W x 20.25” D $1,000-1,500

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1111

A Chinese gilt-metal Guan Yin

20th Century Signed in Chinese characters The gilt-metal sculpture depicting a seated Guan Yin on clouds 31” H x 16.5” W x 9” D $600-800

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1112

A pair of large Chinese porcelain ginger jars

20th Century Each large, lidded urn with blue underglaze floral, figural, and dragon motifs, 2 pieces Each: 28” H x 14” Dia. $800-1,200

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1113

A near-pair of Chinese celadon ceramic plates

Late 19th/Early 20th Century Each earthenware plate with a celadon crackle glaze, 2 pieces Each: 2.25” H x 10.5” Dia. approximately $600-800

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1114

A Chinese sancai glazed ceramic horse

Circa 15th/16th Century, Ming Period (1368-1643) The ceramic horse figure with sancai green and amber glaze standing atop an unglazed integral plinth 9” H x 12.5” W x 4” D $2,500-3,500 Provenance: Sale: Glade Antiques, Buckinghamshire, UK, August 4, 2001 Notes: This lot is accompanied by a recipt of sale from Glade Antiques, Buckinghamshire, dated August 4, 2001 and a thermoluminescence analysis report from Oxford Authentication Ltd. confirming the object’s age, dated November 1, 2000.

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1115

A Thai antefix with five-headed “Naga” serpent

Circa 1100 CE; Khmer People, Buri Ram or Surin, Thailand The carved sandstone, inward-leaning antefix depicting a five-headed rearing Naga serpent, the central serpent clasping a jeweled garland in its mouth as an offering, mounted on a black wooden base 31.5” H x 24” W x 13” D $1,500-2,000 Provenance: Private collection, San Francisco, CA Notes: This antefix is similar to an example in the collection of the Norton Simon Museum in Pasadena, California (accession number F.1983.23.S).

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1117

A Chines

20th Centu Signed wit The sculpt clouds ove 26” H x 15

$1,000-2,0

1116

A Japanese painted fan

Early Meiji Period (1868-1912) Signed at right: Shibata Zeshin [in Japanese] Thick rice paper fan decorated with ink, gouache and gold pigment, mounted to a raw silk-covered backing Fan: 7” H x 19.75” W; Sight: 15” H x 23.25” W $600-800

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se carved wood and stone sculpture

ury or Earlier th Chinese characters ture surmounted by a carved wood figure surrounded by scrolling er a unfinished stone base with carved cartouche 5” W x 9” D

000

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1118

A carved rose quartz Guan Yin 20th Century Raised on a carved wood base 22.5” H x 12” W x 7” D $1,000-2,000

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1119

A Chinese carved wood and red lacquer armchair

Late 19th/Early 20th Century The red lacquered chair with openwork carved back with avian and foliate motifs atop a painted seat with floral sprays, over a carved apron depicting architectural landscape scenes, and raised on four straight legs $400-600

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1120

A Chinese pottery figure

Han Period (202 BCE-220 CE) The earthenware attendant figure with traces of polychrome 18.25” H x 5.5” W x 5” D $500-700

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1121

A Chinese hanging scroll depicting a rocky landscape (20th Century, Chinese) Chop marks in red at upper right Black and color inks on paper-lined silk

Painting: 39.75” H x 16.75” W; Scroll: 71” H x 21” W $200-400

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1123

A French Louis XVI-style parquetry table vitrine

First-Quarter 20th Century The parquetry veneered table vitrine with hinged inset glass pane top and gilt-bronze rope border over a cabinet with tufted silk int raised on four cabriole legs with gilt-bronze mounts and sabots 29.5” H x 26” W x 14.25” D $600-800

1122

A Chinese carved stone tiger

Late Qing Period (1644-1912) The carved roaring tiger in ochre-colored stone with a pink vein running through the head, engraved tiger stripes, and painted yellow eyes 3.75” H x 5.125” W x 2.875” D $400-500

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el terior,

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112

A Fren

FourthVerso s The vit shelves toupie 77” H x

$1,500

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nch Empire-style vitrine cabinet

-Quarter 19th Century stamped for Haentges FrÈres, Paris trine with a single-door glazed cabinet with mirrored interior and three glass s centering a gilt-bronze mount of a putto driving a chariot, raised on four feet x 45.5” W x 17” D

0-2,500

1125

A French giltwood wall table

Fourth-Quarter 19th Century The shaped marble top over an openwork carved apron of scrolling foliage raised on a single cabriole leg 36.5” H x 24.5” W x 13” D $1,500-2,000

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1126

A French bronze sculpture of a woman with snakes

Fourth-Quarter 19th Century Signed illegibly in cast Depicting a dancing woman in traditional costume with cobras 36” H x 14” W x 15” D $5,000-7,000

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1127

After Claude Michel

(1738-1814, French) Figural group of putti riding a goat Patinated bronze Signed: d’apres Clodion / [artist’s cipher] 15.5” H x 16” W x 11” D $2,000-3,000

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1129

An oak Welsh dresser

19th Century The oak dresser with a hutch with three plate rack shelves atop a rectangular cabinet with three short drawers over two cupboards centering three faux drawers, finished with brass pulls 75.5” H x 64” W x 19.25” D $1,000-2,000

1128

A French Charles X bronze mantel clock

19th Century The mantel clock with a metal dial, black Roman numeral hour markers, and two train movement set in a patinated and gilt-bronze case with Classical motifs, surmounted by a seated figure of a philosopher and raised on scrolled feet 21” H x 17” W x 7” D $1,500-2,500

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1130

A large gilt-bronze and wood vitrine display case

20th Century The glazed, gilt-bronze case with mirrored interior and one shelf, over a wood console with three compartments fitted with pull-out shelves 81” H x 81.5” W x 28.5” D $2,000-3,000 Provenance: Sale: Sotheby, Parke-Bernet Los Angeles, October 25-28, 1976, Lot 923 Through decent in the family

1131

A French bonheur du jour marquetry desk

19th Century The metal-mounted desk with a marble-topped upper cabinet centering a two-door compartment flanked by two side compartments, all fronted with a faux-book finish, over a rectangular top with a pull-out writing surface with inset leather panel and a single frieze drawer raised on four fluted tapering legs 43” H x 34.5” W x 19.5” D $2,500-3,500

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1132

Henri Detrixhe

(1715-1775, French) Floral Still life, 1745 Oil on canvas laid to canvas Signed, dated, and inscribed lower left: H. Detrixhe / “fait par” 42” H x 51” W $2,500-3,500

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1133

19th Century Continental School

Floral still life, style of Jan Van Huysum Oil on panel Appears unsigned 31.5” H x 23.25 W $3,000-5,000 Notes: The wooden panel appears to be a repurposed cabinet door.

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1134

1135

First-Quarter 20th Century Wool on cotton foundation, with polychrome floral motifs and central medallion 155” L x 104” W

Late 19th/Early 20th Century Wool on cotton foundation, w and central medallion 71” L x 49” W

A Kashan area rug

$1,500-2,500

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A Kerman area rug

$1,000-1,500

with polychrome floral motifs

1136

A Tabriz area rug

First-Half 20th Century Wool on cotton foundation, with polychrome floral motifs and central medallion 68” L x 43”W $600-800

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1137

A Georg Jensen sterling silver tea and coffee service

Mid-20th Century Each marked: Georg Jensen / Sterling / Denmark; Further numbered: 321 A Each with a hammered body, scrolled handles, and a stepped foot, comprising a coffee pot with wood handle (8.25” H), a teapot with wood handle (5.75” H), a sugar bowl (4.125” H), and a creamer (4” H), 4 pieces 56.04 gross oz. troy approximately $2,500-3,500

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1138

A group of Georg Jensen-style sterling silver table items

20th Century Each marked: Sterling / [B or 3]; Further marked: 33 / 81 Each with foral motifs and applied ball designs, comprising a compote (6” H x 10.25” Dia.) and two matching candlesticks (10.25” H x 4.125” Dia.), 3 pieces 48.115 oz. troy approximately $700-900

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1139

A set of Baccarat “Grand Bordeaux” stemware 20th Century Each etched: Baccarat / France Each crystal glass with plain, slender stem, 18 pieces Each: 9.625” H $800-1,000

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1140

A set of Baccarat “Saint Remy” tall water goblets

20th Century Each etched: Baccarat / France Each crystal tall water goblet with smooth stem, 18 pieces Each: 9.125” H $500-700

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1141

A set of Baccarat “Saint Remy” claret glasses

20th Century Each etched: Baccarat / France Each crystal claret glass with smooth stem, 18 pieces Each: 7.75” H $500-700

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1142

A set of Baccarat “Saint Remy” port glasses

20th Century Each etched: Baccarat / France Each crystal port glass with smooth stem, 18 pieces Each: 6.875” H $400-600

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1143

A set of Baccarat “Saint Remy” champagne flutes

20th Century Each etched: Baccarat / France Each crystal champagne flute with smooth stem, 18 pieces Each: 8.625” H $400-600

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1144

A set of Baccarat “Saint Remy” cordial glasses

20th Century Each etched: Baccarat / France Each crystal cordial glass with smooth stem, 18 pieces Each: 4.625” H $300-500

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1145

A Sèvres-style porcelain urn

Late 19th/Early 20th Century Lid bears blue underglaze double “L” mark containing “L”; Signed: E. Grisaro The baluster-form centering a painted reserve of a pastoral courting scene and decorated with enamel gilt highlights on a cobalt blue ground, with opposed acanthus and laurel bough handles, raised on a bronze footed support 39” H x 12” W x 9” D $2,000-3,000

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1146

A Sèvres-style porcelain wick lamp

19th Century With blue underglaze double “L” mark containing “BB” and “S” The baluster-form urn centering a painted portrait roundel of a woman in fancy dress atop a landscape frieze of playing putti, decorated with enamel gilt highlights on a cobalt blue ground, flanked by opposed acanthus handles with figural masks, raised on a bronze square foot, surmounted by an oil burning wick lamp with clear glass hurricane 37.5” H x 11” W x 8” D $1,500-2,500

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1147

A French gilt-bronze and porcelain mantel clock and candelabra set

Circa 1889 Movement signed: Marti et Cie. [Samuel Marti] / Medaille d’Argent / 1889 / 21 20 / 6 4 The mantel clock with a painted porcelain dial, black Roman numeral hour markers, and two train movement enclosed in a glaze bezel and set in a gilt-bronze case with all-over scrolling foliate motifs and inset painted porcelain plaques, accompanied by two conformingly designed candelabra, 3 pieces Clock: 19.5” H x 10.5” W x 4.5” D; Each candelabrum: 19.25” H x 8.5” W x 9” D $1,500-2,500

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1148

Pierre-Jules Cavelier

(1814-1894 France) “Sleeping Penelope” Patinated bronze Impressed with mark for J. Cavelier and foundry mark for A. Collas; Further marked: F. Barbedienne Fondeur 24.5” H x 12” W x 22” D $2,500-3,500

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1149

Attributed to Hermann Kern

(1838-1912, Austro-Hungarian) “Weinprobe” Oil on cradled panel Unsigned; titled on the frame plaque 18.75” H x 13” W $800-1,200

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1150

Conrad Beckmann

(1846-1902, German) “The Champion,” 1869 Oil on canvas laid to canvas Signed and dated lower right: Conrad Beckmann, titled on the frame plaque 44” H x 62” W $5,000-7,000 Provenance: Sold: Sotheby’s / Parke-Bernet, Los Angeles, CA, Collection of the University of Southern California, Los Angeles, CA, May 3, 1982, lot 51 Fred Bruckmeier, San Gabriel, CA, acquired from the above, 1982 Estate of Fred Bruckmeier, Oregon Literature: F. von Boetticher, “Malewerke des Neunzehnten Jahrhunderts,” Leipzig, 1848, vol. 1, p. 64, no.1.

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1151

A French Louis XV-style bureau plat

19th Century The parquetry veneered desk with inset gilt-foil stamped leather writing surface over a gilt-bronze mounted apron with rocaille motifs on three frieze drawers raised on four cabriole legs 30.25” H x 58.5” W x 32.5” D $1,200-1,800

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1152

A Sèvres-style porcelain dessert service

Late 19th/Early 20th Century Each signed: Le Brun The celeste blue set with hand-painted friezes of flowers and courting couples, comprising ten plates and one oval platter, 11 pieces Each plate: .5” H x 8.5” Dia.; Platter: 1.75” H x 14.25” W x 9.75” D $1,200-1,800

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1153

A French Louis XV-style refectory game table

Circa 1920s-1930s The carved wood table with an extendable rectangular top with inset velvet surface over a rocaille-motif carved apron with gilt highlights raised on four cabriole legs 28.5” H x 39.5” W x 24.125” D; Extended: 67.25” W $800-1,200

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1154

A French Louis XV-style rock crystal chandelier

20th Century The gilt-metal chandelier with a scrolled cage frame issuing eight upward arms, each terminating in a candle sleeve light socket, decorated with rock crystal and cut glass pendalogues, glass bead chains, and glass rosettes, electrified 43” H x 25.5” Dia. approximately $3,000-5,000

1155

A French marquetry commode

Late 19th/Early 20th Century The marble top over two long drawers with floral marquetry veneer and giltbronze mounts raised on slightly outswept legs with sabots to the feet 34” H x 48.5” W x 21.5” D $1,200-1,800

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1156

A French gilt-bronze figural mantel clock

Second-Half 19th Century Movement signed: Vincenti et Cie / Medaille d’Argent / 1855 / 20 The clock with a white enameled dial with black Roman numeral hour markers, Brueget hands, and two train movement set in a bead trimmed bezel enclosed in a gilt-bronze case with inset white marble panels, scrolling foliage, floral festoons, wavescroll border, and openwork scalloped bottom surmounted by two Classical female figures with the attributes of a scroll and basket of flowers, raised overall on a floral motif base 26” H x 27” W x 11” D $5,000-7,000

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1157

A framed KPM porcelain portrait plaque

Fourth-Quarter 19th Century Marked: KPM [scepter] / A / 4; Plaque signed: Greiner [Julius Greiner] The oval painted porcelain plaque after Angelo Asti’s (1847ñ1903, French) “Solitude” in a carved giltwood frame Sight: 8.125” H x 6.375” W $1,500-2,000

1158

A pair of Thèodore Millet bronze figural chenets

Late 19th/Early 20th Century One signed: Millet a Paris Each gilt-bronze chenet with a patinated bronze recumbent figure atop a rocky ground framed by scrolling foliage, 2 pieces Each: 13.75” H x 17” W x 5” D $2,500-3,500

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1159

A pair of gilt-bronze girandoles

First-Quarter 20th Century Each flat-backed girandole suspending clear glass pendalogue drops and issuing five scrolled arms with faux-candle sleeves raised on a gilt-bronze tripod base, electrified, 2 pieces Each: 35” H x 16.5” W x 10” D $1,000-1,500

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1160

A pair of gilt-bronze girandoles

First-Quarter 20th Century Each flat-backed girandole suspending clear and translucent purple glass pendalogue drops and issuing three scrolled arms with faux-candle sleeves raised on a gilt-bronze tripod base, electrified, 2 pieces Each: 27” Hx 14” W x 10” D $800-1,200

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1161

An Italian carved alabaster sculpture

19th Century Unsigned Depicting a standing Classical-style woman lean winged lion pedestal 33” H x 10” W x 11” D $600-800

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ning on a

1162

A pair of Baccarat “Maxim” champagne ice buckets 20th Century Each etched: Baccarat / France Each crystal ice bucket with sterling silver handles, 2 pieces Each: 9” H x 10” W x 8” D $1,000-1,500

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1163

1164

20th Century Each etched: Steuben Comprising twelve crystal double Old Fashioned glasses, 12 pieces Each: 4.625” H

20th Century Each etched: Baccarat / Comprising a large flow a large cake stand (13.3

A set of Steuben crystal barware

$700-900

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A group of Baccarat

$800-1,200

t “Mille Nuits” crystal items

/ France wer vase (23.25” H x 7.25” Dia.), a large pedestal fruit bowl (15” H x 11.375” Dia.), 375” H x 11.25” Dia.), and a small cake stand (5.375” H x 11.375” Dia.), 4 pieces

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1165

An English-style Chinoiserie writing desk

20th Century The kneehole writing desk with rectangular top over two square drawers centering a single long drawer with metal hardware raised on four turned legs, painted red with all-over figural and floral Chinoiserie motifs 30.75” H x 47.25” W x 23” D $600-800

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1166

A pair of carved wood figural candelabra

19th Century Each carved and polychromed giltwood in the form of a figure in traditional costume holding aloft two foliate-style arms with floral capitals, 2 pieces Each: 33” H x 14” W x 15” D approximately $1,500-2,000

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1167

A pair of gilt-bronze and crystal wall sconces

First-Quarter 20th Century Each gilt-bronze wall sconce with a fluted column surmounted by a ribbon bow, issuing five arms with foliate motif capitals terminating in a faux candle sleeve light socket and scrolled arm backs, each suspending a glass drop with rosette, electrified, 2 pieces Each: 26.5” H x 14.5” W x 9” D $800-1,200

1168

An English Edwardian marquetry cabinet

First-Quarter 20th Century The oak cabinet with two upper cupboards surmounted by gallery rails an centering a beveled glass mirror with shelf and baluster supports, over a cabinet with three drawers with brass pulls atop two cabinets flanking a c pigeonhole, raised on six carved legs joined by an undershelf, with all-ov kingwood, fruitwood, and satinwood inlay depicting various Classical ves 81.5” H x 48” W x 15” D $2,000-3,000

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nd lower central ver ssels

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1169

A pair of French Limoges porcelain vases, by Henri Ardant and Co.

Late 19th/Early 20th Century Each impressed: HA & Cie. Each baluster-form vase centering a reserve of a pastoral figural scene and floral sprays with gilt highlights on a lilac ground flanked by bisque putti handles terminating in figural masks, 2 pieces Each: 21.25” H x 10” W x 6.5” D $2,000-3,000

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1170

An English Queen Anne-style lowboy

Mid-18th Century The lowboy with walnut burl veneer and oak construction, the rectangular top over three drawers with brass pulls atop a shaped apron raised on four cabriole bracket legs 26.75” H x 26.125” W x 18.125” D $1,000-2,000

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1171

A French gilt-bronze cartel wall clock

Late 19th/Early 20th Century The clock with a white porcelain dial, black Roman numeral hour markers and outer minute track, and two train movement with a glazed bezel set in a giltbronze case with laurel leaf boughs and birds surmounted by an urn finial and terminating with a figural mask, finished with pierced, floral motif side panels 24” H x 11” W x 4.75” D $800-1,200

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1172

A pair of Baccarat “Harcourt Our Fire” candlesticks, by Philippe Starck

20th Century Each etched: Baccarat / By Starck / Flos Tech / France; Numbered: 512 / 366 Designed by Philippe Starck, each crystal candle lamp with a knopped column and smoked glass shade, 2 pieces Each: 12.75” H x 6” Dia. $1,000-1,500

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1173

A Baccarat crystal “Mille Nuits” candelabrum

20th Century Etched: Baccarat / France The crystal candelabrum with a ribbed stem issuing two scrolled arms suspending drops 16.25” H x 18.75” W x 3.75” D $800-1,200

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1174

A Baccarat crystal “Spirale” vase, by Thomas Bastide

20th Century Etched: Baccarat / France / Thomas Bastide; Numbered: 288/500 Designed by Thomas Bastide, the crystal vase with an openwork helical spiral body 15.5” H x 8.5” Dia. $3,000-4,000

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1175

A Baccarat crystal “Diva” vase

20th Century Each etched: Baccarat / France The crystal vase with a laydown-style 4.25” H x 16” W x 6.75” D $600-900

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1176

Two silver and glass basket centerpieces

Late 19th/Early 20th Century One marked: 880/1000 Comprising two silver handled baskets with foliate and floral repousse motifs and glass insert, 2 pieces Larger: 12” H x 12” W x 8.5” D; Smaller: 9” H x 9.5” W x 5” D 39.64 oz. troy approximately $1,200-1,800

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1177

1178

(1880-1910, American) Bust of a woman, retailed by Tiffany & Co. Patinated bronze Singed: Ant Nelson [with cipher]; further stamped with partial Tiffany & Co. mark 28” H x 16” W x 11” D

(1832-1927, French) Bust of a woman with rib Patinated bronze Signed: Hip Moreau 26” H x 15” W x 10.5” D

Anton Nelson

$1,500-2,500

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Hippolyte François M

$1,200-1,800

Moreau

bbons

1179

A patinated bronze statue

Late 19th/Early 20th Century Signed: Societe Des Bronzes Depicting a standing Grecian woman 26.25” H x 7.875” W x 6.75” D $1,000-1,500

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1180

A Continental polychrome painted cabinet on stand

First-Quarter 20th Century The two-door cabinet painted with Classical figural landscape scenes concealing two interior shelves over a carved wood stand with a long frieze drawer atop ogee scrolled slab sides with foliate motifs joined by a stretcher 73.5” H x 42.5” W x 18.5” D $1,500-2,000

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1181

A Pietra Dura marble table

20th Century The rectangular top with various specimen marbles inlaid in a polychrome scrolling floral design with bees, raised on a conformingly designed pedestal base 31.25” H x 535” W x 34.25” D $3,000-5,000

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1182

A pair of large Venetian glass sconces

First-Quarter 20th Century Each large, tiered wall sconce with a scrolled gilt-metal frame issuing six scrolled arms terminating in floral bobeches and faux candle sleeves, with all-over glass drops and beaded chains, electrified, 2 pieces Each: 48” H x 18” W x 11” D approximately $1,000-1,500

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1183

An Italian marquetry cylinder desk

18th Century The parquetry veneered desk with a raised rectangular surface with a pierced gallery rail over a cylinder top opening to a leather-lined writing surface and an arrangement of eight short drawers, flanked by two pull-down side panels, each concealing three drawers atop three frieze drawers, raised on four tapered straight legs 42” H x 45” W x 23.5” D $3,000-5,000

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1184

An Italian hand-painted commode

18th Century The commode with rectangular top over two short drawers and two long drawers, raised on four reeded legs, with all-over polychrome painted foliate wreaths, festoons, and ribbons flanked by figural courting scenes to the sides 33.25” H x 44.25” W x 21.75” D $1,500-2,000

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1185

A pair of Italian carved wood armchairs

Late 19th/Early 20th Century Each chair with beige suede upholstered back and stuffed seat on a carved wood frame, finished with nail head trim, flanked by scrolled arms and raised on four legs joined by an H-stretcher, 2 pieces Each: 43.75” H x 26” W x 28” D $1,000-1,500 2 1 2 T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

1186

A pair of Italian carved giltwood chandeliers

First-Quarter 20th Century Each carved giltwood chandelier with knopped column issuing five scrolled arms terminating in faux candle sleeves with all-over scrolling foliate motifs, electrified, 2 pieces Each: 28” H x 26” Dia. approximately $700-900

1187

An Italian carved wood trestle table

19th Century The carved wood table with a rectangular top raised on trestle-style sides with scrolling foliate and figural motifs 28” H x 61.5” W x 22” D $1,000-1,500

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1188

E. Battiglia

(19th/20th Century, Italian) Standing figure with scythe and wheat Carrara marble Signed: E. Battiglia / Firenze 49” H x 18” W x 12” D $1,500-2,500

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1189

An Italian carved marble figural group bust

Late 19th/First-Quarter 20th Century Signed: G. Biagiotti Depicting three children’s busts with one playing the accordion and two reading sheet music 15” H x 18.5” W x 11” D $800-1,200

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1190

A Baccarat crystal “Architecture” vase

20th Century Etched: Baccarat / France The crystal vase with a square, open beam body 9.5” H x 5.125” W x 5.125” D $600-900

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1191

A group of Baccarat crystal items

20th Century Each etched: Baccarat / France Comprising a “Pavot” decanter (14.75” H x 5” Dia.), a “Wave” coaster (0.75” H x 5.25” Dia.), a “Giverny” bud vase (9.875” H x 3” W x 3.25” D), and a pedestal cake stand (5.125” H x 13.125” Dia.), 4 pieces $400-600

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1192

A group of Baccarat crystal items

20th Century Each etched: Baccarat / France Comprising a tall “Vega” candlestick (10.375” H x 4” Dia.), a pair of short “Vega” candlesticks (each: 5.25” H x 2.75” Dia.), a bud vase (8.25” H x 2.5” W x 2.5” D), and an ink well (2.375” H x 4.125” Dia.), 5 pieces $300-500

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1193

Two Baccarat crystal items

20th Century Each etched: Baccarat / France Comprising an “Oenologie” decanter (10.5” H x 7.5” Dia.) and a “Vega” compote (3.875” H x 9.375” Dia.), 2 pieces $300-500

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1194

A pair of hand-painted urns

Fourth-Quarter 20th Century or Later Each baluster-form, resin urn with hand-painted figural courting scenes and gilt highlights, flanked by opposed swan handles and raised on a square base, 2 pieces Each: 33.5” H x 15” W x 10.5” D $1,200-1,800

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1195

A pair of Bohemian art glass vases

Late 19th/Early 20th Century Each acid-cut, bluster-form vase cut from white to clear glass, adorned with gilt highlights, 2 pieces Each: 11.325” H x 5” Dia. approximately $1,000-1,500

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1196

A pair of gilt-bronze girandoles

First-Quarter 20th Century Each flat-backed girandole suspending clear glass pendalogue drops, translucent purple glass fruit-shaped drops, and chains issuing five arms with faux-candle sleeves raised on a gilt-bronze pedestal base, electrified, 2 pieces Each: 36” H x 18” W x 13” D $1,500-2,500

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1199

A pair of French gilt-bronze and opaline glass candle lamps

First-Quarter 20th Century Each gilt-bronze lamp with a tapered and ribbed opaline column raised on three scrolled foliate feet atop a tri-form stepped pedestal base with egg and dart border and issuing five candle arms with a central standard terminating in two electrical light sockets with pull chains, electrified, 2 pieces Each: 29” H x 9.5” Dia. $1,200-1,800

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1198

A Japy Frères figural porcelain mantle clock

Second-Half 19th Century Movement signed: Japy Freres et Cie / Med. D’Honnuer / 57452; Porcelain signed: E. Jammes; marked indistinctly to underside and numbered: 1627 The clock with a white painted metal dial, black Arabic numeral hour markers and outer minute track, polychrome floral festoons, gilt hands, and two train movement set in a gilt-bronze bezel with bead trim enclosed in a figural porcelain case with three putti atop stylized clouds surrounded by flowers and doves, atop an oblong base with relief floral festoons and gilt scrolling foliage raised overall on four toupie feet 12.25” H x 12” W x 5.5” D; Dial: 3.125” Dia. $1,000-1,500

1197

A French Louis XVI-style vitrine cabinet

Fourth-Quarter 19th Century The gilt-bronze mounted vitrine cabinet with baluster-form gallery rail topped with plume finials over inset wavescroll and foliate borders atop a single-door glazed cabinet with beveled glass, applied gilt-bronze foliate scrolls, rosette pateras, and a mirror-backed fitted interior with one shelf, raised overall on eight tapering fluted legs on toupie feet joined by two rectangular undershelves 58.75” H x 41.125” W x 13.75” D $4,000-6,000

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1200

A pair of French Louis XV-style marquetry commodes

Late 19th/Early 20th Century Each with a brown marble top over two long drawers with floral marquetry veneer and gilt-bronze mounts raised on slightly outswept legs with sabots to the feet, 2 pieces Each: 35.25” H x 48.5” W x 20.5” D $5,000-7,000

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1201

A François Linke gilt-bronze mounted marble urn

Fourth-Quarter 19th Century Signed to mount: F. Linke The gilt-bronze mounted carved purple fleur de pecher marble urn with radial foliate trim, flower bud finial, and two scrolling cattail handles raised on a square stepped pedestal with foliate border 25” H x 19” W x 12” D $6,000-8,000

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1202

A Samuel Marti French gilt-bronze and marble mantel clock

Second-Half 19th Century Movement signed: S. Marti et Cie / Medaille de Bronze / Made in France / 15; Dial signed: Gille L’aine a Paris The clock with a white glazed ceramic dial with black Roman numeral hour markers, Arabic numeral outer minute track, gilt hands, and two train movement set in a gilt-bronze bezel with scroll border and enclosed in a gilt-bronze mounted white marble urn-form case with opposed lion head handles and egg-and-dart border, surmounted by a pinecone final, and raised on a flared foot with laurel leaf trim atop a square flared base with oak festoons on four toupie feet 23.5” H x 11.75” W x 10.25” D $3,000-5,000

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1203

A pair of gilt-bronze glazed bedside tables

First-Quarter 20th Century Each with a rocaille motif openwork back panel atop a rectangular inset glass top over a drawer and single-door glazed cabinet with mirrored interior raised on four rocaille feet, 2 pieces Each: 27.5” H x 21” W x 13.5” D $2,000-3,000

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1204

A carved giltwood wall mirror

19th Century The carved giltwood frame with a hat and musical instrument crest against a spray of oak leaves over a conformingly designed frame with an arched rectangular mirror surrounded by inset mirror panels 62.5” H x 34.5” W x 4.5” D $1,200-1,800

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1205

A pair of French onyx and champlevÈ enamel pedestals

Fourth-Quarter 19th Century Each onyx stand with square top over a round column and raised on a stepped square base, finished with gilt-bronze and champleve enameled mounts, 2 pieces Each: 40.75” H x 14” W x 14” D $6,000-8,000

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1206

A Persian-style area rug

Late 20th/Early 21st Century Silk on silk foundation, with polychrome floral motifs and central medallion 72” L x 47” W $800-1,200

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1207

19th Century European School

“Sibyl Holding a Book,” after Giovanni Francesco Romanelli Oil on canvas Appears unsigned 20” H x 15.5” W $1,000-2,000

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1208

Late 19th Century English School Young child at an easel in a red gown Oil on canvas laid to canvas Appears unsigned 29.25” H x 21.25” W $500-700

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1209

A pair of green Bohemian glass portrait vases

Late 19th/Early 20th Century Each forest green glass vase centering a hand-painted portrait panel further adorned with gilt highlights, 2 pieces Each: 11” H x 4.75” Dia. $700-1,000

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1210

A pair of Ferdinand Barbedienne bronze table lamps

19th Century Each signed: F. Barbedienne Each patinated bronze, baluster-form lamp centering a Classical figural scene with opposed square handles raised on a red marble footed base and surmounted by a contemporary shade with gilt highlights, electrified, 2 pieces Each base: 39.5” H x 9” W x 9” D; Each shade: 13.5” H x 20” Dia. $3,000-5,000

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1211

A French Louis XVI-style parquetry buffet

20th Century The marble top over two long drawers and a two-door cabinet flanked by two reeded columns, with all-over giltbronze mounts and centering a figural mask with crossed torches and flags, raised on four ball-and-claw feet 39” H x 63.5” W x 21.5” D $1,500-2,500

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1212

A French Louis XVI-style gilt-bronze and marble mantel clock

Second-Half 19th Century Movement numbered: 735 / 6 9 / C The clock with a white enamel dial with blue Roman numeral hour markers, black Arabic numeral outer minute track, gilt hands, and two train movement enclosed in an architectural gilt-bronze case with allover scrolling foliate motifs, floral festoons, and S-scrolls surmounted by two allegorical putti representing the arts of sculpture and painting, raised overall on a rouge marble base 22” H x 25.75” W x 7.75” D; Dial: 4.25” Dia. $6,000-8,000

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1213

A pair of Sèvres-style porcelain vases

Late 19th/Early 20th Century One marked with “MA” or “VW” [blue underglaze] and “VJ” [incised] Each baluster-form centering pastoral themed painted reserves of pheasants, a bagpipe, straw hat, wheat, and scythe and decorated with enamel gilt highlights on a celeste blue ground, with opposed gilt-bronze handles and raised on a gilt-bronze footed support, 2 pieces Each: 11.5” H x 7.25” W x 6.75” D $1,000-1,500

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1214

A large French Empire-style table

20th Century The large round top with parcel-gilt floral apron raised on a flared, parcel-gilt pedestal base with scrolled foliate panels 32.25” H x 73” Dia. $2,000-3,000

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1215

A French Louis XVI-style console table and mirror

20th Century The carved giltwood table with a breakfront-form, inset marble top over an apron with acanthus leaf border centering a bow and suspending floral swags, raised on four fluted legs joined by a stretcher, accompanied by a conformingly designed trumeau mirror centering a painted panel of winged putti, 2 pieces Table: 40” H x 47.5” W x 18” D; Mirror: 73.5” H x 45.25” W x 3” D $2,000-3,000

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1216

Arthur Davenport Fuller

(1899-1966, American) “Prospectors” Oil on canvas Signed lower right: Arthur Fuller [and with an indistinct date or artist’s device] 24” H x 36.5” W $2,000-3,000

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1217

A pair o

Mid-20th Each typi and floral and scrol Each ove

$25,000-3

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of Continental monumental malachite urns on stands

h Century ical form monumental malachite veneer and gilt-bronze footed urn set with gilt-bronze scrolled l swag handles flanking an ornate frame enclosing a neoclassical scene raised on a gadrooned lled support on an associated glass-topped Corinthian columnar pedestal, 2 pieces erall: 88” H x 26” W x 21” D

35,000

1218

A French satin wood table

Late 19th/Early 20th Century The table with an oval top with book-match parquetry over an apron with a single frieze drawer and gilt-bronze mounts, raised on four legs with sabots to the feet 29.875” H x 35.25” W x 23.25” D $500-700

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1219

A Tabriz-style rug Second-Half 20th Century Wool on cotton foundation, with polychrome floral motifs and central medallion 143” L x 105” W $1,000-1,500

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1220

A Kashan area rug

First-Quarter 20th Century Wool on cotton foundation, with polychrome floral motifs and central medallion 80” L x 51.5” W $800-1,200

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1221

Lajos Bruck

(1846-1910, Hungarian) “The Bride” Oil on panel Signed upper right: Bruck Lajos; titled by repute 17.25” H x 12.5” W $4,000-6,000

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1222

Richard Burfoot

(1866-1939, Luthersburg, PA) Orientalist soldier looking through a loggia Watercolor on paper under glass Signed lower left: R. H. Burfoot Sight: 27.25” H x 18” W $800-1,200

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1223

A Persian Isfahani wall clock

20th Century The clock with an inset painted metal dial with black Arabic numeral hour markers surrounded by blue arabesque motifs and enclosed in a glazed wood frame with gilt highlights 15.5” H x 18” W x 2.375” D $800-1,200

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1224

An English sterling silver tea and coffee service

Circa 1860-1868 Each with English hallmarks for London and various maker’s marks “RH” and “DH CH” Each with ornate repousse floral motifs and strapwork raised on acanthus feet, comprising a coffee pot (10.75” H), a teapot (8.25” H), a sugar bowl (5.75” H), and a creamer (6.25” H), 4 pieces 85.76 oz. troy approximately $2,500-3,500

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1225

A Scottish sterling silver tea pot

Circa 1820 Marked with Scottish hallmarks for Edinburgh The rectangular-form tea pot with chased foliate borders and floral sprays, a flat-topped handle, and raised on ball feet 19.145 oz. troy approximately $600-800

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1226

An English sterling silver chocolate pot Circa 1773 Marked with English hallmarks for London The footed chocolate pot with a repousse architectural landscape scene 8.25” H x 5.5” W x 4” D 12.840 oz. troy approximately $800-1,200

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1227

An English sterling silver tea and coffee service by Charles Thomas Fox

Circa 1834-1838 With marks for London / George IV / Charles Fox [CF] Each with repousse and embossed foliate decoration with floral knobs and raised on pedestal feet, comprising a coffee pot (7.875” H x 9.75” W x 7” D), a teapot (5.875” H x 11” W x 7” D), a creamer (4.625” H x 7” W x 4.75” D), and a sugar bowl (3.25” H x 9.5” W x 6” D), personalized, 4 pieces 83.29 oz. troy approximately $5,000-7,000

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1228

Two English sterling silver berry spoons

1910-1911 Each with English hallmarks for London; Maker’s mark for Wakely & Wheeler Each berry spoon with a chased foliate motif to the bowl and variously patterned handles with figural masks, with fitted and lined case, 3 pieces Each: 10.25” L 6.390 oz. troy approximately $400-600

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1229

An Italian carved and polychromed giltwood figure Second-Half 19th Century Depicting a male gondolier holding oar wearing traditional costume raised on a square, footed base 23” H x 6.5” W x 7.5” D $1,000-2,000

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1230

A framed porcelain portrait plaque

Late 19th/Early 20th Century Apparently unsigned After “Countess Sophie Potocka” by Elizabeth Louise Vigee-LeBrun (1755-1842 French) enclosed in a giltwood frame Sight: 4.75” H x 6.75” W $700-1,000

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1231

A pair of French Sèvres-style porcelain and champlevÈ urns

19th Century Each porcelain signed: Luigi Each brass mounted baluster-form urn with lid and polychrome champleve enamel neck atop a tapered painted porcelain body decorated with pastoral courting scenes and gilt highlights mounted with two scrolled foliate handles over a flared polychrome champleve enamel column with laurel leaf border raised on an octagonal foot, 2 pieces Each: 11.5” H x 4” W x 3.5” D $1,500-2,000

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1232

A French gilt-bronze chandelier

19th Century The gilt-bronze chandelier with all-over floral and foliate motifs issuing six arms with laurel swags and bow ribbons, terminating in a faux candle sleeve light socket atop figural masks, electrified 38” H x 23” Dia. approximately $800-1,200

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1233

A pair of gilt-bronze sconces

First-Quarter 20th Century Each wall sconce with a rectangular back plate with rocaille motifs issuing a scrolled foliate arm and a single light with a foliate socket fitted with a contemporary frosted glass shade, electrified, 2 pieces Each: 18” H x 6” W x 9.5” D $500-700

1234

A French vernis Martin-style vitrine cabinet

19th Century The Louis XV-style gilt bronze-mounted vitrine with a single-door glazed cabinet with mirrored interior and two glass shelves atop three vernis Martin-style painted pastoral figural scenes raised on four splayed feet with sabots 62.25” H x 32.75” W x 17” D $7,000-9,000

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1235

Early 20th Century Continental School

Garden party Oil on canvas Appears initialed and indistinctly inscribed lower right: M. T. A. 88” H x 114.5” W $8,000-12,000

1236

A French parquetry co

First-Quarter 20th Century The marble top over two l parquetry veneer and giltslightly outswept legs with 34” H x 51” W x 21.75” D $4,000-6,000

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1237

A French gilt-bronze and marble mantel clock

Late 19th/Early 20th Century Dial marked: V.or Paillard [Victor Paillard] / Fab.t. de Bronze / Paris; Movement marked: Vincenti et Cie / Medaille d’Argent / Rodier a Paris / B66 / 194 / 313 The clock with an enameled metal dial with blue Roman numeral hour markers, outer minute track, and two train movement set in a gilt-bronze and white marble case surmounted by two recumbent female figures, possibly the muses Urania and Calliope, raised on four toupie feet 18” H x 25.5” W x 6.25” D $6,000-8,000

ommode

y long drawers with book-match -bronze mounts raised on h sabots to the feet D

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1238

A pair of gilt-bronze candle lamps

Late 19th/Early 20th Century Each six-light gilt-bronze candelabrum with a foliate column issuing six arms terminating in foliate-style capitals with faux candle sleeves and raised on a footed base with putti masks, electrified, 2 pieces Each: 31.5” H x 15” W x 14” D approximately $2,000-3,000

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1239

A French handwoven tapestry

19th Century The wool tapestry woven with polychrome scene of fisherman in harbor with sail boats, modern fringe 88.5” H x 94.5” W $1,500-2,000

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1240

A Persian area rug

First-Quarter 20th Century Wool on cotton foundation, with polychrome floral motifs and central medallion 83” L x 51” W $600-800

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1241

A pair of French Empire-style carved giltwood trumeau mirrors

19th Century Each carved wood mirror with foliate cornice over a figural hand-colored lithograph under glass, surmounting the original rectangular mirror, 2 pieces Each: 48” H x 33.375” W x 5.25” D $2,000-3,000

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1242

A Royal Vienna portrait vase

Late 19th/Early 20th Century Signed to bottom: La Rose 7671; With blue overglaze Bindenschild The pine cone finial over a cobalt blue and gilt-highlighted body flanked by grotesque masks enclosing a portrait of a scantily clad woman raised on a stepped pedestal base 23.75” H x 10.25” W x 8.25” D $1,200-1,800

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1243

A pair of gilt-bronze candelabra

Late 19th/Early 20th Century Each armorial theme, gilt-bronze figural candelabrum in the form of an armored knight bearing a standard with flags and weapons issuing five arms and raised on a hexagonal base, 2 pieces Each: 25.5” H x 11.25” W x 9” D approximately $2,000-3,000

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1244

A giltwood side table with Royal Vienna porcelain plaques

Late 19th/Early 20th Century Centering a portrait of Louise BÈnÈdicte de Bourbon, Duchesse de Maine with a border of ten portrait plaques of various queens and Duchesses of Europe set into a carved giltwood table with cabriole legs joined by a carved stretcher 30.5” H x 20.5” Dia. $3,000-5,000

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1245

A Sèvres porcelain and gilt-bronze side table

Late 19th/early 20th Century Sèvres mark to base; Illustration signed: LeBrun Centering a platter enclosed in gilt-bronze mounts raised on a white porcelain pedestal on a scrolled gilt-bronze base 31.25” H x 20” Dia. $2,500-3,500

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1247

A pair of French Empire-st marble pedestals

Late 19th/Early 20th Century Each with a square white marb column with figural sphinx mas on a stepped white marble bas corners, 2 pieces Each: 42.75” H x 13.125” W x $2,000-3,000

1246

A Sèvres French Empire-style bisque porcelain figural mantle clock

1878 Movement signed: L.P. Japy et Cie / 1878 / 4231 52; Dial signed: Cauch[...] / Paris; Porcelain bears incised Sevres mark; Further marked: 16 / r The clock flanked with white bisque porcelain Greco-Roman figures holding flowers and surmounted by Cupid with bow and quiver standing among floral garlands centering a white painted metal dial with black Arabic numeral hour markers and outer minute track, openwork gilt hands, and two train movement set in a gilt-bronze bezel with bead trim surrounded by applied gilt-bronze foliate elements, over a glazed porcelain base with painted floral motifs and raised overall on six gilt-bronze toupie feet 17” H x 14” W x 6.125” D $2,000-3,000 Literature: James David Draper, “New Terracottas by Boizot and Julien,” Metropolitan Museum Journal, v. 12, 1977, p.143, fig. 2. Notes: This design is after the figural group “Le Larcin de la rose” by Simon-Louis Boizot, completed in 1788.

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tyle gilt-bronze and

ble top over a gilt-bronze sks and rosette motifs raised se with gilt-bonze feet 13.125” D

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1248

A pair of Louis XVI-style gilt-bronze and marble candelabra

19th Century Each candelabrum in the form of a putto holding aloft a bouquet of naturalistic rose stems issuing five candle arms terminating in floriform capitals raised overall on a rouge marble pedestal with inset figural bas-relief panels and foliate borders atop four toupie feet, 2 pieces Each: 31.25” H x 14” Dia. $3,000-5,000

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1249

A French gilt-bronze chandelier

First-Quarter 20th Century The six-light, gilt-bronze chandelier with acanthus leaves and floral festoons issuing three out-swept arms, each terminating in a drop pendant light, surrounding a central basin with glass bead chains containing three interior lights and decorated with laurel wreaths and crossed torches, electrified 33” H x 22” Dia. approximately $3,000-5,000

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1250

A Flemish woven tapestry

18th Century The wool tapestry woven with a polychrome landscape scene with a castle and a peacock 85” H x 104” W $3,000-5,000

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1251

A pair of patinated metal putti figures

19th Century Each patinated metal putto holding a bird and seated atop a lace-style festoon, mounted to a painted wood base, 2 pieces Each: 16.5” H x 12” W x 7” D approximately $600-800

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1252

A French gilt-bronze mounted wood mantel clock

Second-Half 19th Century Movement signed: Vincenti et Cie / Medaille d’Argent / 1855 / 1089 / 9 2 The clock with a brass dial with black Arabic numeral hour markers and black openwork hands set in a bookmatch parquetry veneered wood case with anthemion trim and scrolling acanthus leaf motifs, flanked by two low relief figural panels, centering a cartouche, and surmounted by a wavescroll frieze, two opposed griffins, and urn-form finial with figural masks, raised overall on four bracket feet 30” H x 15.25” W x 11.875” D $2,500-3,500

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1253

A pair of Sèvres-style porcelain urns

Late 19th/Early 20th Century Each tripod urn centering pastoral courting scenes surrounded by gilt highlights on a light blue ground flanked by squared handles and raised on three scrolled feet, 2 pieces Each: 16” H x 12” W x 10” D $1,000-1,500

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1254

A tabletop Columbia Swiss cylinder music box

Fourth-Quarter 19th Century Marked to Columbia label inside with song list: No. 75804 The music box with a marquetry inlaid wood case enclosing one 13.5” cylinder playing twelve airs with hand crank and repeat/change switch 7.75” H x 26.75” W x 11.25” D $1,500-2,000

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1256

A French Empire-style gilt-bronze mantel clock and candelabra set

First-Quarter 20th Century Movement signed: H&H / Made in France / G. MÈgnin Medaille d’Argent [Georges MÈgnin] / 2026 / 64 The mantel clock with white enameled dial, black Roman numeral hour markers and outer minute track, and two train movement, set in a gilt-bronze Empire-style architectural case in the form of a temple colonnade with anthemion border and surmounted by an eagle, accompanied by two conformingly designed candelabra, 3 pieces Clock: 18” H x 10.5” W x 8.25” D; Each candlestick: 19.375” H x 7.5” W x 6” D $1,200-1,800

1255

A Regency-style table with marble top

20th Century The table with a round, green marble top over a carved giltwood pedestal with acanthus leaves raised on a triform base with claw feet 30.25” H x 45” Dia. $1,500-2,000

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1258

A set of gilt-bronze wall sconces

First-Quarter 20th Century Each gilt-bronze wall sconce with an architectural plate designed with scrolling foliage, an urn finial figural masks issuing three conformingly designed terminating in faux candle sleeve light sockets, el pieces Each: 18” H x 15” W x 11” D $600-800

1257

A pair of French Sèvers-style porcelain table lamps First-Quarter 20th Century Each two-light, baluster-form porcelain lamp centering figural and floral reserves on a pink ground with gilt highlights mounted with gilt-bronze trim and raised on an openwork gilt-bronze foot, electrified, 2 pieces Each: 27” H x 8” Dia. $600-800

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1259

A French Louis XV-style bureau plat

19th Century The parquetry veneered desk with inset gilt-foil stamped leather writing surface over a gilt-bronze mounted apron with rocaille motifs on three frieze drawers and two extendable writing surfaces to the sides, raised on four cabriole legs with sabots to the feet 29.25” H x 55” W x 34” D $2,000-3,000

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1260

Four Elkington & Co silver plate game domes

Fourth-Quarter 19th Century Each marked for Elkington to lower rim Each game dome surmounted by a foliate handle and personalized with Latin motto and heraldic mark, 4 pieces Largest: 10.5” H x 18.5” W x 14.25”D; Smallest: 8” H x 15.5” W x 11.25” D $1,200-1,800

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1261

A sterling silver repoussé picture frame

First-Quarter 20th Century Marked for sterling with indistinct maker’s mark The rectangular table top picture frame with Romantic-style repousse putti and floral sprays centering an oval cartouche mounted to a blue velvet backing Frame: 8.625” H x 10.75” W x 4.5” D; Opening: 3.25” H x 4.625” W 28.105 gross oz. troy approximately $600-900

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1262

A Continental silvered metal tea caddy

Second-Half 19th Century The silvered metal tea caddy with a rectangular hinged lid concealing an oval fitted interior and four side compartments with button-release hinged covers, decorated with chased strapwork and four stylized gilt-metal figures mounted to notched corners 6.5” H x 9.25” W x 7” D $600-900

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1263

A pair of gilt-bronze wall scones

Late 19th/Early 20th Century Each gilt-bronze wall sconce in a stylized drapery-form designed as a hanging tassel joined by a tied ribbon and issuing three reeded arms terminating in fluted bobeches, electrified, 2 pieces Each: 39” H x 17.25” W x 9” D $1,000-1,500

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1264

A carved giltwood altar frame

Fourth-Quarter 18th Century The giltwood altar frame/niche with carved putti and cornucopias issuing grapes and wheat, surmounted by festoon swags, surrounding a fitted pedestal base with missing central element 51” H x 32” W x 8.5” D $3,000-5,000

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1265

A Dutch marquetry drop leaf table

19th Century The table with a rectangular, drop-leaf top with marquetry depicting floral sprays, scrolling foliage, birds, and vases atop a conformingly designed apron with a frieze drawer and raised on four tapered straight legs 28.25” H x 18.75” W x 30” D; Extended: 39” W $600-800

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1266

A Frederick Marquand silver tea service

Second-Quarter 19th Century Each signed: F. Marquand Each Rococo Revival-style with floral banding, gadrooned bodies, and C-scroll handles raised on an ovoid foot, comprising a tea pot (10” H x 12” W x 5.5” D), a lidded sugar bowl (9.5” x 8.5” W x 5.25” D), and a creamer (7.75” H x 7” W x 4” D), 3 pieces 78.99 oz. troy approximately $2,250-3,000

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1267

A set of Gorham sterling silver weighted candlesticks

20th Century Each marked for Gorham and sterling; Numbered: A2898 Each candlestick with a tapered column, removable bobeches, and chased meander trim on a square weighted foot, 4 pieces Each: 9.25” H x 3.75” W x 3.75” D $600-800

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1268

A group of American Brilliant cut glass and sterling silver items

First-Half 20th Century Each marked for sterling and various makers With various cut-glass motifs, comprising a tall handled carafe sterling spout (12.875” H x 5.75” W x 5” D), an ice bucket with sterling collar and handle (6” H x 5.625” Dia.), a decanter jug with sterling stopper (9.375” H x 5.5” W x 4.75” D), and a tiered centerpiece tray with and pierced sterling rim (3” H x 12” Dia.), makers include Reed & Barton, 4 pieces 197.1 gross oz. troy approximately $800-1,200

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1269

An International “Wedgwood” sterling silver flatware service

20th Century Each marked for International Sterling Designed 1924, comprising 11 hollow-handled New French place knives (9.125”), 8 butter spreaders (5.75”), 23 place forks (7.25”), 12 salad forks (6.125”), 12 oval soup spoons (7.25”), 12 round soup spoons (5.5”), and 7 teaspoons (5.875”), 85 pieces Weighable sterling: 89.695 oz. troy approximately $1,200-1,800

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Consign Today

The Traditional Collector Spring 2022

A large Chinese silver and cloisonné enamel vase, Wang Hing

Price Realized: $50,000

Consignment and Auction Inquiries: roland@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 3 0 0 T he Tr ad it io n a l C o l l e c t o r l Tu e sd ay, De c e mb e r 7 , 2 0 2 1

Consign Today

Fine Jewelry & Timepieces Spring 2022

A large Chinese silver and cloisonné enamel vase, Wang Hing

Price Realized: $23,125 (two-lot aggregate)

Consignment Inquiries: jewelry@johnmoran.com

bid in person - a bsentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 w w w. j o h n m o r a n . c o m 3 0 1

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Condition Reports

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1001 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The almond and sweet pea plates with very minor chips to one point around rim. No evidence of repairs or restorations under blacklight. 1002 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Approximately one white enamel dot missing from lid. 1003 Overall good condition with shelf wear, scuffs, scratches, and tarnishing commensurate with age. 1004 Overall good condition with minor scuffs, scratches, and darkening/oxidation to bronze commensurate with age. One eagle missing eye. 1005 Generally good condition. The full sheet, deckled all around. Time staining showing in the deckle edges. Framed floating and mounted to the back mat. Not examined out of the frame. Frame: 29” H x 34” W x 2” D

Condition Reports

1006 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Includes original box. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

304

1007 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Frame with nicks, cracks, losses, and restorations. Not examined out of frame. Frame: 19” H x 17” W x 1.25” D

1008 Overall fair to good condition with scattered scuffs, prominent wear to the leather, oxidation, and scratches commensurate with age. Canvas exterior with scratches and surface losses throughout. Luggage handle has been replaced. Modern reinforcements and metal repair patch to exterior. Leather with drying and flaked losses. Interior linen with soiling/staining, lacking fitted tray. Lacking key. 1009 Visual: Generally good condition. A pea-sized area of pigment flaking with visible touch-up in the lower left hem of the girl’s dress Blacklight: Scattered very small touch-ups throughout. Frame: 15” H x 17” W x 2.25” D 1010 Each overall good condition with tarnishing and light scratches commensurate with age. One lacking the center rosette. 1011 Each overall good condition with minor shelf wear, scuffs, rubbed wear, and light scratches commensurate with age. Six with minor fleabites to bottom rim. One with possible repair to stem at base of bowl. 1012 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. One cup with a chip to the rim. 1013 Overall good condition with wear, scuffs, inherent surface-reaching fractures, inclusions, and abrasions commensurate with age. Joined nephrite panels slightly loose. Edges with very minor chips/fleabites. 1014 Occasional very small paper losses and stains scattered along the sheet edges. A .75” vertical tear in the lower sheet edge at right. A .375” horizontal tear at the left sheet edge. Backboard staining as well as patches of old glue from previous mounting verso. The sheet is loose, not mounted. Frame: 23.25” H x 27.5” W x 1.5” D

1016 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. 1017 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. 1018 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With three minor chips to rim. 1019 Overall good condition with minor scuffs, scratches, tarnishing, and darkening to underpainting commensurate with age. Applied halo with scattered areas of bending. Painting with craquelure, darkening, and minor chips in paint. Lifting to edges of brass from wood. 1020 Overall good condition with shelf wear, minor scuffs, and tarnishing commensurate with age. Each bottom corner with resoldering and repairs to lead on verso. 1021 Overall good condition with wear, minor scuffs, and oxidation with verdigris to bronze commensurate with age. Approximately five glass panels with cracks. Wiring should be checked by a qualified electrician prior to use. 1022 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 12” H x 14” W x 1.5” D

1023 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 14.5” H x 12.5” W x 1.25” D 1024 Visual: Generally good condition. Two very slight, reverse pressure marks lower left, visible only in raking light, the longest .5”. Blacklight: No evidence of restoration under blacklight. Frame: 14” H x 12” W x 1.75” D 1025 Overall good condition with minor scuffs, scratches, and darkening/oxidation to metal commensurate with age. Case with drilled hole to base for securing. Includes key. 1026 Overall good condition with scattered scuffs, light scratches, and minimal oxidation commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1027 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Glass dome with flea bites to edge. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1028 Overall good condition with scuffs and darkening/ oxidation commensurate with age. Glass dome with scattered chips to edge. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1029 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 16” H x 14” W x 1.5” D

Condition Reports

1015 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Even rubbed wear to gilt. Stone with inherent surfacereaching fractures, inclusions, and abrasions with a professional repair to center.

305

1030 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 15” H x 13” W x 1.75” D 1031 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Porcelain with inherent firing flaws commensurate with age and rubbed wear with flaked losses to gilt. No evidence of repairs or restorations under blacklight. Some suspended swags and porcelain miniatures loose with modern reinforcements. Table wobbles slightly.

1037 Each overall good condition with rubbed wear, scattered minor scuffs and scratches, and inherent firing flaws commensurate with age. Issues include, but are not limited to: planter with chipped losses to each foot, crazing to glaze, and a repair to stand’s upper edge.

1032 Overall good condition with scattered scuffs and light scratches, commensurate with age. One arrow slightly bent. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1038 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Stones with inherent surface-reaching fractures, inclusions, and abrasions. Enamel with scattered spots of crazing/hairlines.

1033 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chips to the gilt surface with areas of repainting/regilding. More prominent worn abrasions to the giltwood shelf corners. Marble with inherent surface-reaching fractures, inclusions, and abrasions.

1039 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Stones with inherent surface-reaching fractures, inclusions, and abrasions.

Condition Reports

1034 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear and darkening to gilt surface. Carved elements with restorations and chipped losses throughout. Replacement glass.

306

1036 Overall good condition with shelf wear and light scratches commensurate with age. Issues and repairs include, but are not limited to: painted repairs to the dog’s fur above the nose on the right and over the right eye; scattered minor chips to the glazed surface throughout; loss to a tendril of fur on the dog’s back; possible repair to back right paw; and two crack-like surface imperfections to the lower verso.

1035 Visual: Generally good condition. Surface grime, scattered craquelure, paint shrinkage and varnish discoloration.

1040 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Stones with inherent surface-reaching fractures, inclusions, and abrasions. 1041 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Stones with inherent surface-reaching fractures, inclusions, and abrasions.

Blacklight: Small spots of touch-up scattered throughout. Difficult to read under varnish.

1042 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Frame with nicks, cracks, and losses. Not examined out of frame.

Frame: 38” H x 43” W x 3.5” D

Frame: 28” H x 21” W x 1.75” D

1044 Overall good condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: areas of soiling and staining commensurate with use, a 2’ area of soiling to fringe edge and scattered areas to underside with fragments of joint compound. 1045 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor soiling and wear to fabric, especially to armrests. 1046 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Each refinished and reupholstered. Each with wear and chipped losses to gilt surface. 1047 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and soiling commensurate with age. Each refinished and reupholstered. Each with wear and chipped losses to gilt surface. 1048 Visual: Craquelure throughout. A .25” H x .375” W area of paint loss at upper right. Frame abrasion along the upper and left edges, with attendant horizontal cracks near the upper edge. Blacklight: Touch-ups throughout, including the woman’s face and hands. Frame: 39” H x 33” W x 3” D

1049 Visual: Generally good condition. Minor frame abrasion along the upper edge. Isolated areas of fine craquelure scattered throughout. A 3” crease to the canvas lower left corner. A repaired tear lower center with corresponding patch verso. A tiny chip of paint loss lower right edge. An area of rubbed wear surrounding the subject’s right hand. Minor surface dirt throughout. Blacklight: Small spots, dots and lines of touch-up scattered throughout. The largest, a 3” line lower center in the location of the repaired tear. Frame: 50” H x 43” W x 4.5” D 1050 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Weight drive modified and likely not original and previous restoration by David Walter. Dial with minor spot or restoration to enamel. Front glass panel with scattered chips to edges. Weight drive modified and likely not original. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1051 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Veneer with some sun fading. Heavier wear and chipped losses to the feet. Marble with inherent surfacereaching fractures, inclusions, and abrasions with minor chipped losses to edges. Includes key. 1052 Overall good condition with scuffs and light scratches commensurate with age. Plaque verso with remnants of “Made in Germany” paper label. Issues include, but are not limited to: giltwood frame with evidence of regilding throughout, scattered losses and repairs to carved details, and separation at joints on verso. 1053 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered losses to enamel gilt dots on rim.

Condition Reports

1043 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Some mounts with lifting. Top mirror with spots of desilvering and a hairline crack. Evidence of repairs to mount around mirror.

307

1054 Each: Spots of light yellow and dark staining scattered throughout. This is more pronounced in the first example.

1060 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Front sail with break to wire. Stones with inherent surface-reaching fractures, inclusions, and abrasions.

Frame of each: 20” H x 23” W x 1.75” D 1055 Visual: Surface grime and craquelure throughout. A few horizontal creases to the canvas, possibly due to being previously rolled. Stretcher bar creases showing slightly along all four edges. Frame abrasion along the upper edge. Blacklight: Scattered very small areas of touch-up showing in the young girl’s face and neck. Touchups also showing near the lower edge. Touch-ups throughout the background. Difficult to read under uneven varnish. Frame: 34.25” H x 29.5” W x 2” D 1056 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Restorations and repairs to carved elements. Painting with darkening, dirt and grime, and craquelure throughout.

Condition Reports

1057 Overall good condition with rubbed wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: a repair to the putto’s raised hand with wine glass and putti handles loose.

308

1058 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with chipped losses to edges. 1059 Each overall good condition with shelf wear, scuffs, light scratches, and rubbed wear commensurate with age. Each with ruptured air bubbles and very minor fleabites.

1061 Overall good condition with minor scuffs, rubbing, and darkening/oxidation to bronze commensurate with age. Stones with inherent surface-reaching fractures, inclusions, and abrasions. Music box winds and runs. 1062 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Stones with inherent surface-reaching fractures, inclusions, and abrasions. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1063 Each overall good condition with shelf wear, scuffs, light scratches, and rubbed wear commensurate with age. Each with ruptured air bubbles. 1064 Overall good condition with shelf wear, scuffs, light scratches, ruptured air bubbles, and rubbed wear commensurate with age. Central insert with a small chip to underside. 1065 Overall good condition with minor scuffs, scratches, and darkening/oxidation to bronze commensurate with age. 1066 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Brass overlay with tarnishing/oxidation, lifting, and losses. Mirror with spots of desilvering.

1074 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With crazing to the glaze. No evidence of repairs or restorations under blacklight.

With base and dome: 24” H x 13.25” W x 9.25” D

1075 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With crazing to the glaze. No evidence of repairs or restorations under blacklight. Wood stand with scuffs.

1068 Each overall good condition with wear, minor scuffs, scratches, and inherent surface-reaching fractures and inclusions commensurate with age. Each with scattered minor chips to edges and repaired/filled surface cracks.

1076 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With crazing to the glaze and scattered rubbed wear to gilt. No evidence of repairs or restorations under blacklight.

1069 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Some mounts loose. Two glass panels with cracks. Lamp has been rewired. Wiring should be checked by a qualified electrician prior to use.

1077 Generally good condition. Very minor wear and dust accumulation commensurate with age. Mounted to original dowels and with the ribbons for storage and/ or hanging.

1070 Each overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each has been previously refinished and reupholstered. Rubbed wear and losses to surface finish throughout. Upholstery with extensive cracking and flaked losses to faux leather. Some with paint transfer scuffs. 1071 Each overall good condition with shelf wear, scuffs, and scratches commensurate with age. Stone with inherent surface-reaching fractures, inclusions, and abrasions. 1072 Overall good condition with tarnishing and scratches commensurate with age. Felt protector pads to underside. 1073 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Wood base with scuffs and scratches.

Box: 3” H x 3.25” W x 29.5” D 1078 Overall fair to good condition with scattered scuffs and scratches commensurate with age. Issues include, but not limited to: chipped/flaked losses to the painted frame verso, fraying and losses to the silk border, warping and lifting to the paper with areas coming apart from the frame at sides, scattered scuffs to the painted surface, and a 4” repaired tear to one panel upper right corner. 1079 Overall good condition with scattered scuffs, scratches, and light indentations to wood commensurate with age. Scabbard with areas of darker finish, the surrounding area possibly faded. 1080 Overall good condition with shrinkage cracks to carved elements, nicks, scratches, separation at joints, and chips commensurate with age. The largest chip to the end of one iris carving: .75” approximately. The top with a 5.75” long deep impression. The feet with scuffs and scratches. The wheels show oxidation.

Condition Reports

1067 Overall good condition with shelf wear and scuffs commensurate with age. Stone with inherent surfacereaching fractures, inclusions, and abrasions. Chipped abrasions to corners, more prominent chips to midlevel corners, and a minor chip to the front left leg. Prior repairs to each corner tower, central tower, and various columns visible under blacklight. Includes pendulum, lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

309

1081 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. Scattered minor surface rubbed wear and flaking/chipped losses to painted surface.

1087 Overall good condition with wear to gilt commensurate with age. Working condition unknown. Minor loosening to bronze mounts. Moran’s does not guarantee the working condition of clocks and watches.

1082 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with restorations. Veneer with areas of raised grain, buckling/lifting, and chipped losses. Some mounts loose. Heavier wear and scratches to feet.

1088 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each leather surface with rubbed wear and soiling/ staining, one with fading. Veneer with raised grain, buckling/lifting, surface abrasions, and scattered chipped losses. Possible moisture damage visible to underside. Lacking key.

1083 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Each with arms slightly loose. Wiring should be checked by a qualified electrician prior to use.

1089 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with raised grain, buckling/lifting, surface abrasions, indentations, and chipped losses; heavier chipping to the the legs. Oxidation and darkening to bronze mounts. With a fitted glass top.

1084 Visual: Minor surface grime and scattered craquelure. Occasional small spots of pigment loss, showing mostly in the sky. A few delicate flecks of what appears to be stray white pigment in the sky. Stretcher bar creases along all four edges. Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce, however these appear to be in the hand of the artist.

Condition Reports

Frame: 23.25” H x 32.5” W x 1.5” D

310

1085 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with raised grain, lifting, losses/repairs, and fading. Mirrors with spots of desilvering. Glass shelves with scatter chips and fleabites. Includes key. 1086 Each overall good condition with shelf wear, scratches, and scuffs commensurate with age. With inherent surface-reaching fractures, inclusions, and abrasions. Each with scattered minor chips to edges.

1090 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with scattered minor surface abrasions and indentations. One porcelain medallion cracked. Button-release mechanism is delicate, will pop open. 1091 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with small chipped losses and repairs. One handle loose. 1092 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions; each with repairs. Wear to faux candle sleeves. Columns wobbly on bases. Lamps have been rewired. Wiring should be checked by a qualified electrician prior to use.

1094 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Modern reinforcements to underside. Upholstery with fading, soiling/staining, and tears.

1100 Overall good condition with shelf wear and minor scuffs commensurate with age. Scattered minor recesses/pinholing and chips to the enameling throughout. Bronze with tarnishing visible to rim. 1101 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Light verdigris patination throughout. Minor scratching to bezel glass. Includes pendulum. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1095 Overall good condition with tarnishing, scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Modern reinforcements. Some lifting to inlay.

1102 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear, craquelure, and possible toning to the varnish on the painted scenes. Minor chip to back left corner of glass top. Leather top with visible areas of wear. Scattered minor chips and abrasions to veneer. Lacking key.

1096 Each overall good condition with shelf wear, scattered scuffs, and inherent firing flaws commensurate with age. Each with scattered minor chipped losses to relief decoration and inherent crazing/cracking.

1103 Generally good condition. Spots of foxing scattered throughout. A few tears to the paper scattered along the edges. A small spot of loss left center. A few areas of repair to the paper along the left side.

1097 Overall fair to good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: pilewear with localized areas of low spots, staining, spots of fraying and breaks to selvage edge. Irregular edge. 1098 Toning to the paper. Gouges and scratches to the paper scattered throughout. Pindot spots of paint loss throughout the black pigments. A 9” x 3” area of restoration in the lower right corner. Surface dirt and grime throughout. Frame: 63” H x 48” W x 1” D

1099 Overall good condition with rubbed wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered restorations to painted designs.

Frame: 36” H x 20.5” W x 1.5” D 1104 Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with evidence of woodworm. Upholstery with wear commensurate with age and use, issues include: fading, soiling/staining, lost stitches, scattered areas of losses to weft, and losses to nailhead trim. Each with updated dust cover to underside. 1105 Each overall good condition with scuffs and darkening/oxidation to bronze commensurate with age. Rusting to support legs. 1106 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

Condition Reports

1093 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with scattered cracks. Dial with crazing and rubbed wear. Rear door lacking glass. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

311

1107 Each overall good condition with wear, scuffs, light scratches, and tarnishing commensurate with age. With minor abrasions and chips/fleabites to raised decoration. 1108 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Had been previously reupholstered and with new dust covers. Upholstery with light soiling/staining. With scattered chipped losses to carved elements. Wood refinished with painted wood grain finish. 1109 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. With modern reinforcements. Bottom pedestal possibly a replacement or later addition. Hinged lid disconnected from hinges. Scattered losses to front panels and top. Top with spots of discoloration and wear marks/indentations commensurate with use. Evidence of wood worm. Lacking key. 1110 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Rubbed wear to gilt surface and scattered minor chips to carving.

Condition Reports

1111 Overall good condition with scattered scuffs, scratches, pitting, and oxidation commensurate with age.

312

1112 Each overall good condition with wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered minor pinholing to the glaze. One with minor chips to the lid’s interior flange that appear to be old with darkening. 1113 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with inherent crazing and spots of oxidation to the glaze.

1114 Overall good condition with wear, scattered scuffs, scratches, and inherent firing flaws commensurate with age. Rubbed wear and flaked/chipped losses to the glaze. A small chip to one ear. No evidence of repairs or restorations under blacklight. 1115 Overall good condition with wear, scuffs, weathering, and rubbed and chipped losses to stone commensurate with age. Painted wood base with scratches and chipping along lower edge. With bases: 34.5” H x 24” W x 14.5” D 1116 Generally good condition. Unobtrusive dust accumulation. Minor staining showing through to the recto from the mounting verso. Occasional surface rubbing to the paper and flaking to the gouache along the fan’s original fold, primarily at right. Frame: 16.25” H x 24.25” W x 1” D 1117 Overall good condition with scattered scuffs, scratches, and nicks commensurate with age. Scattered minor chips to carved elements and minor loss to figure’s hand. Stone with inherent surfacereaching fractures, inclusions, and abrasions. 1118 Overall good condition with wear, scuffs, scratches, nicks/chips, and inherent surface-reaching fractures and inclusions commensurate with age. Wood base with scuffs and scratches. A prior repair to the neck. With base: 25.5” H x 14.75” W x 9.25” D 1119 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, separation at joints, and small chipped losses commensurate with age. 1120 Overall good condition with wear, scuffs, small chips to bottom edge, and inherent firing flaws commensurate with age.

Box: 2” H x 2.5” W x 25.25” D 1122 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. One eye with crack in glaze. Inherent surface-reaching fractures in the stone. Repaired break to the front foot and repair to the verso. 1123 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Lid hinges very loose. Scattered areas of buckling/ rippling and lifting to veneer. Includes key. 1124 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Mirrors with scattered spots of desilvering. Glass shelves with small chips to corners. Has been refinished. Includes key. 1125 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered areas of chipped losses to gilt surface and scattered repairs/restorations to carved elements. Marble with inherent surface-reaching fractures, inclusions, and abrasions with scattered chips along edges. 1126 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Joined pieces loose and figure wobbly on base.

1128 Overall good condition with scuffs, scratches, and darkening/oxidation to bronze commensurate with age. Movement and dial off-set in case. Rear glazed door with crack to glass. Fitter rim of rear door illegibly inscribed in black ink. Movement obscured so as to not see any markings. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1129 Overall good condition with scattered scuffs, scratches, nicks, prominent shrinkage cracks, indentations, and separation at joints commensurate with age. Has been refinished and with restorations and modern reinforcements. Moisture rings and spots to the top. More prominent nicked abrasions and chipped losses to the feet. Hardware replaced. Includes key. 1130 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, separation at joints, and darkening/oxidation to bronze commensurate with age. Lacking key. 1131 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to mounts. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Faux-books with wear and losses to applied finished. Possible repairs to front leg. Includes key. 1132 Visual: Fine craquelure throughout. Frame abrasion along the four edges. A tiny drip of light blue paint upper center. A quarter-sized spot of scattered paint loss left center. A .5” gouge with paint loss in the center. A .5” scratch lower left. Blacklight: Touch-up along the four edges. A 4” x 3” area of touch-up lower center. Difficult to read under heavy varnish. Frame: 47.5” H x 56.75” W x 2.25” D

1127 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

Condition Reports

1121 Generally good condition. Very minor wear to the backing and creases and dust accumulation commensurate with age. Mounted to original wooden dowels and with the ribbons for hanging and/or storage in a cardboard box of the period.

313

1133 Visual: Generally good condition. Surface dirt and grime. A pea-sized touch-up in the tulip upper right, however, this appears to be in the hand of the artist. A pea-sized area of paint loss near the lower left edge and a .25” scrape near the lower right edge. Abrasions in places along the panel edges. Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish. Unframed 1134 Overall good condition with soiling and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading and extensive pilewear to one-third with fading, localized pile-wear, and wear to fringe edge. 1135 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: abrash to a quarter of the rug and wear to fringe edges. 1136 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to fringe edges. 1137 Each overall good condition with tarnishing and light scratches commensurate with age.

Condition Reports

1138 Each overall good condition with tarnishing and light scratches commensurate with age. One candlestick with dent to ball on base.

314

1141 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original packaging. 1142 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original packaging. 1143 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original packaging. 1144 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original packaging. 1145 Overall fair to good condition with shelf wear, scattered scuffs, scratches, and inherent firing flaws commensurate with age. Rubbed wear to gilt. With restorations throughout, has been reglazed. Glaze with craquelure, lid with chipped losses to glaze. Urn wobbly on base. 1146 Overall good condition with shelf wear, scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: a 2” area of chipping to bottom edge of wick lamp oil well, not visible when inserted; areas of repainting/touch-up to gilt highlights; rubbed wear to decorations; urn is wobbly; and one handle is loose.

1139 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original packaging.

1147 Each overall good condition with scuffs and darkening/oxidation to bronze commensurate with age. Porcelain with rubbed wear and inherent firing flaws. Some mounts loose. Rear door lacking glass. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1140 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original packaging.

1148 Overall good condition with minor scuffs, scratches, and darkening/oxidation to bronze commensurate with age.

Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish. Frame: 24” H x 18.75” W x 1.5” D 1150 Visual: Generally good condition. Craquelure throughout. Blacklight: Two vertical lines of touch-up spanning the entire height of the painting on the left and right edges due to the painting being re-stretched to its original size after previously being reduced. A 2.5” scattered line of touch-up lower right. A dime-sized spot of touch-up lower left. Difficult to read under uneven varnish. Frame: 51” H x 69” W x 3” D 1151 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Scattered areas of chipped losses to the veneer. The feet and legs with heavier wear, chipped losses, and repairs. Repaired breaks to underside. Lacking key. 1152 Overall good condition with scattered scuffs, light scratches, and rubbed wear commensurate with age. Six plates with restorations. 1153 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Velvet surface of primary top with prominent fading, staining/soiling, and worn losses with rubbed wear to gilt-leather trim. Has been refinished.

1154 Overall good condition with scuffs, scratches, and oxidation to metal commensurate with age. Stones inherent surface-reaching fractures, inclusions, and abrasions. Glass elements with scattered chips and fleabites. Two interior scrolled details missing the applied glass rosettes. Wiring should be checked by a qualified electrician prior to use. Height measurement reflects the length from the top mounting ring to the tip of the lower drop, does not account for any added hanging chain. 1155 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marquetry veneer with scattered areas of raised grain, buckling/lifting, surface abrasions, and chipped losses. Evidence of woodworm. Oxidation and darkening to bronze mounts. Marble with inherent surface-reaching fractures, inclusions, and abrasions with small chips along back edge. Lacking key. 1156 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Possible areas of regilding. Light crazing to dial. Includes key and pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1157 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Frame with nicks, cracks, losses, and restorations. Not examined out of frame. Frame: 19” H x 16” W x 3” D 1158 Each overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Each with rubbed wear to patination on figure. 1159 Each overall fair to good condition with minor scuffs, dust accumulation, shelf wear, and darkening/ oxidation to bronze commensurate with age. Glass drops with scattered abrasions, flea bites, and large chips throughout. Wiring should be checked by a qualified electrician prior to use.

Condition Reports

1149 Visual: Scattered craquelure. At least two old horizontal cracks with attendant pigment discoloration. Discolored areas in the gentleman’s head and clothing, and also in the wall and shutter behind him.

315

1160 Each overall fair to good condition with minor scuffs, dust accumulation, shelf wear, and darkening/ oxidation to bronze commensurate with age. Glass drops with scattered abrasions, flea bites, and large chips throughout. Wiring should be checked by a qualified electrician prior to use. 1161 Overall good condition with wear, scuffs, minor chips, inherent surface-reaching fractures, inclusions, and abrasions commensurate with age. Restorations to the head and hand. 1162 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Light tarnishing to handles. With original packaging. 1163 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original packaging. 1164 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with felt pads to the underside. With original packaging.

Condition Reports

1165 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Prominent shrinkage cracks to top. Painted decoration with rubbed wear, losses, and restorations throughout. Includes key.

316

1166 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Issues include, but are not limited to: wear and flaked/chipped losses to gilt and painted surface throughout, scattered minor chipped losses to carved elements.

1167 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Glass drops with scattered minor chips and fleabites. Wiring should be checked by a qualified electrician prior to use. 1168 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with areas of lifting and losses. With restorations/ repairs to joined elements, including one corbel. Top gallery rail detached but accompanies the piece. Lacking key. 1169 Each overall good condition with rubbed wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: spots of retouching to gilt and one with a small chip to the foot. 1170 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to brass mounts. Scattered areas of minor lifting, cracks, and surface abrasions to veneer. Likely has been refinished. Evidence of woodworm. Center drawer with a 1” splintered loss to bottom front corner. Lacking key. 1171 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Pierced side panels with breaks. Dial with rubbed wear and a chip around one winding hole. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1172 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with felt pads to underside. With original packaging. 1173 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Felt pads to the underside. With original packaging.

1175 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original packaging. 1176 Each overall good condition with tarnishing, light scratches, and indentations commensurate with age. The smaller with a 3.5” crack with prior repair and scattered chips to glass insert. Weight does not include glass inserts. 1177 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. 1178 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. 1179 Overall good condition with scattered scuffs and light scratches, commensurate with age. Scattered drops of house paint throughout. 1180 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Painting with darkening, yellowing, craquelure, areas of flaked/ chipped losses, and evidence of restorations under blacklight. Evidence of woodworm. Includes key. 1181 Overall good condition with scuffs and scratches commensurate with age. Marbles with inherent surface-reaching fractures, inclusions, and abrasions. Scattered areas of minor chipped losses, mostly localized to corners and of top and pedestal base.

1182 Each overall good condition with scuffs, dust accumulation, and wear to gilt surface commensurate with age. Glass drops with scattered abrasions, flea bites, and chips throughout. Wiring should be checked by a qualified electrician prior to use. 1183 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, indentations, and areas of chipped losses. The cylinder top is stiff and the lock plate is loose. Evidence of woodworm. Possible modern restorations to framework that fluoresce under blacklight. Includes key. 1184 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. painted surface with rubbed wear, losses, and restorations throughout. Evidence of woodworm. Modern reinforcements. Lacking locks, has holes and screw marks. With modern fabric lining in drawers. 1185 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Have been previously reupholstered and with restorations. Scattered chipped losses to carved elements. Arms with tack holes from prior upholstered elbow pads. 1186 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wiring should be checked by a qualified electrician prior to use. 1187 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Top with heavier scratches, indentations, and scuffs. 1188 Overall good condition with scuffs, inherent surfacereaching fractures, inclusions, and abrasions to stone commensurate with age.

Condition Reports

1174 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Felt pads to underside. With original packaging.

317

1189 Overall good condition with scattered scuffs, scratches, nicks, and chips to the marble commensurate with age. Break to accordion player’s pinky finger. Signed to back as stated.

1197 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered minor lifting of bronze mounts throughout.

1190 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original packaging.

1198 Overall good condition with shelf wear and light scratches commensurate with age. Issues include, but are not limited to: light crazing to dial, lower putto with chip to fingers, rubbed wear to gilt decoration, and repair to flowers on lower left. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1191 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Decanter, pedestal, and coaster with felt pads to underside. With original packaging. 1192 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With original packaging. 1193 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Each with felt pads to underside. With original packaging. 1194 Each overall fair to good condition with scattered scuffs and scratches commensurate with age. Each with extensive chipped losses to painted surface throughout and scattered cracking to relief elements, including handles.

Condition Reports

1195 Each in overall good condition with minor rubbed wear.

318

1196 Each overall good condition with minor scuffs, dust accumulation, shelf wear, and darkening/oxidation to bronze commensurate with age. Glass drops with scattered abrasions, flea bites, and minor chips. One with breaks to chains and possible replacement fruit drops. Wiring should be checked by a qualified electrician prior to use.

1199 Each overall good condition with shelf wear, minor scuffs and oxidation to bronze commensurate with age. Each with evidence of conversion to electricity with later-added lower platform. Each with adhesive felt pads to underside and wear to gilded surface of lower platform. Lamps have likely been rewired. Wiring should be checked by a qualified electrician prior to use. 1200 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marquetry veneer with scattered areas of raised grain, buckling/lifting, surface abrasions, and chipped losses. Possible woodworm. Drawers with shrinkage cracks to interior. Restorations throughout, some mounts contemporary. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Marble tops a near-pair, slightly different vein patterns. Includes key. 1201 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. A 2” area of minor chipping to the urn foot. Two chips to the urn foot under the edge of one bronze mount. Scattered areas of minor rubbed surface abrasion to the marble. One side of bronze pedestal with inward indentation. Visible inherent surface-reaching fractures in stone.

1203 Each overall good condition with minor scuffs, scratches, darkening/oxidation to bronze, and dust accumulation commensurate with age. One with loosening to one side glass panel. 1204 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear to gilt surface. Carved elements with restorations and chipped losses throughout. Mirror with small spots of desilvering. 1205 Each overall good condition with wear and scuffs commensurate with age. The stone with inherent surface-reaching fractures and inclusions with scattered minor chipped abrasions commensurate with age. Each with restorations/repairs to stone visible under blacklight. 1206 Overall good condition with even pile-wear, light soiling, and typical signs of wear commensurate with age and use. 1207 Visual: Generally good condition. Surface dirt, grime and varnish discoloration. Stretcher bar creases along all four edges. Touched-in areas near the lower edge, the largest approximately .5” x .5” Blacklight: Various touch-ups throughout. Difficult to read under uneven varnish. Frame: 30” H x 25” W x 3.5” D

1208 Visual: Fine craquelure throughout. Scattered lines and patches of the varnish lifting from the canvas showing mostly in the upper half, the largest approximately 2.25” W x 1” H. Blacklight: A few very delicate lines of touch-up in the cheek of the child. Difficult to read under varnish. Unframed 1209 Each overall good condition with scattered rubbed wear commensurate with age. 1210 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Finials are a marriage. Lamps have been rewired. Wiring should be checked by a qualified electrician prior to use. 1211 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Veneer with scattered areas of raised grain, buckling/lifting, and chipped losses with repairs and restorations throughout. Some mounts loose. Lacking key. 1212 Overall good condition with scuffs, scratches, and oxidation to bronze commensurate with age. Two chipped cracks to the dial. Two minor splits in the bronze casing to verso. Possible areas of regilding. Minor chip to back edge of marble base. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1213 Each overall good condition with tarnishing, shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with minor surface chips in glaze. One with spots of heavier chips to relief elements above painted reserve. One with repair to handle and reaffixing to footed support visible under blacklight, and lacking base plate.

Condition Reports

1202 Overall good condition with shelf wear, minor scuffs, and oxidation to bronze commensurate with age. Minor crazing a rubbed wear to dial. Possible repairs to glass bezel. Areas of loosening to gilt-bronze mounts throughout. The marble with scattered minor nicked abrasions and chips, heaviest to the corners and lower edge, and a 1.5” x 1.5” area of possible repair to verso. Lacking key, includes pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

319

1214 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. 1215 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with small chips along edges. Scattered minor losses/chips to giltwood throughout. Mirror with restorations and chips to carved elements, spots of desilvering to mirror, and possible woodworm. 1216 Visual: Generally good condition. Minor surface grime and craquelure. Stretcher bar creases showing slightly along all four edges. Blacklight: Scattered small touch-ups throughout. Frame: 34” H x 46” W x 4” D 1217 Each in overall good condition with minor scuffs and chips to malachite with some oxidation, denting, and visible seams to bronze elements commensurate with age.

Condition Reports

Each urn: 39” H x 26” W x 21” D Each pedestal: 49” H x 19” W x 19” D

320

1218 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with lifting and chipped losses with restorations throughout. 1219 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered pulled stitches, possible moth damage with grazing, and light fading. Irregular edge.

1220 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized areas of pile-wear down to foundation and wear to fringe edge. 1221 Visual: Generally good condition. Surface grime and craquelure throughout. A pinhead-size loss as well as a 1” scattered scratch in the varnish layer upper left. Frame abrasions along the four edges. Blacklight: Crack-fill in the face, primarily at right. Occasional touch-ups in the woman’s hair and neck. Difficult to read under uneven varnish. Frame: 30” H x 26” W x 3.5” D 1222 Generally good condition. A tiny and unobtrusive foxmark in the blank at upper right. Not examined out of the frame. Frame: 39.5” H x 30” W x 1.25” D 1223 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1224 Each overall good condition with tarnishing, indentations, and scratches commensurate with age. 1225 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor dents. Handle slightly loose. 1226 Overall good condition with tarnishing and light scratches commensurate with age. A 1” dent to the side.

1228 Each overall good condition with tarnishing and light scratches commensurate with age. Case lining with slight fading. 1229 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With wear and flaked/chipped losses to gilt and painted surface throughout. Hand with loss to finger and consequently the oar is not attached. 1230 Overall good condition with minor scuffs and rubbed wear commensurate with age. Scattered nicks, separation at joints, and glued repairs to the frame. Frame: 14” H x 10.25” W x 2.5” D 1231 Each overall good condition with shelf wear, scuffs, light scratches, and oxidation to brass commensurate with age. Issues include, but are not limited to: one with heavier grime and discoloration to champleve enamel. 1232 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Lacking one candle sleeve. Possibly an older chandelier later wired for electricity. Wiring should be checked by a qualified electrician prior to use. Height measurement reflects the length from the top mounting ring to the tip of the bottom finial, does not account for any added hanging chain. 1233 Each overall good condition with scuffs, scratches, and darkening/oxidation to bronze commensurate with age. Each shade with minor chips to the fitter rim. Wiring should be checked by a qualified electrician prior to use.

1234 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Painted panels with craquelure, yellowing, and small chipped/ flaked losses. One glass shelf with chips to back corner. Lacking key. 1235 Visual: Surface dirt, grime and uneven varnish discoloration throughout. Stretcher bar creases through the center and on all four sides. Pressure marks, often broken through as punctures, and with attendant paint losses, primarily in the lowest, onefoot-wide portion of the canvas. A pea-sized area of paint loss attendant with the stretcher bar crease at center. A small, 3” x 3” abraded area at the lower left corner. A 1” tear in the edge of the canvas upper right. Other minor defects. Blacklight: No evidence of restoration under blacklight. Unframed 1236 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with scattered areas of lifting and chipped losses. Oxidation and darkening to bronze mounts. Marble with inherent surface-reaching fractures, inclusions, and abrasions with chips along back edge. 1237 Overall good condition with scattered scuffs, light scratches, and oxidation/darkening to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with repaired breaks throughout. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1238 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Lamps have been rewired. Wiring should be checked by a qualified electrician prior to use.

Condition Reports

1227 Each overall good condition with tarnishing, light scratches, and minor indentations commensurate with age. Knob on teapot loose. Three personalized: HCK.

321

1239 Overall good condition with wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: extensive even fading and repairs throughout. 1240 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: localized areas of low pile-wear and fading. 1241 Each overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Chipped losses, restorations, and repairs throughout. Evidence of woodworm. Mirrors with desilvering. One lithograph with uneven toning; one with insect damage, reverse foxing, toning, and staining. 1242 Overall good condition. Each handle has been re-gilt, likely covering restoration, difficult to determine under paint. Rubbed wear and losses to the applied decoration. The figure with a 1.5” scuff to the body. Later-added museum putty to the lid. The vase is slightly loose from the base.

Condition Reports

1243 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. One lacking the sword and one lacking a torch, with evidence of previous attempt to reattach the missing elements. Adhesive felt pads to underside.

322

1244 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Ninon de Lenellos and Mad de Sevigne with crazing and restoration. Scattered porcelain plaques with missing jewels, rubbed wear, and light scratches. 1245 Overall good condition with scattered scuffs, scratches, oxidation and rubbed wear commensurate with age. Mounts are slightly loose.

1246 Overall good condition with shelf wear, light scratches, scuffs, and oxidation to bronze commensurate with age. Issues include, but are not limited to: loosening of one foot, verso glass panel loose, rubbed wear and .75” area of two scratches to the painted dial, scattered areas of scuffs and discoloration to the bisque porcelain, rubbed wear and losses to the gilt decoration, and repairs to Cupid’s bow, wings, and drapery. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches. 1247 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. 1248 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each with scattered minor chips, repaired chips to the marble, and possible areas of regilding. One with loosening of floral bouquet segment from base and one repaired corner to the marble. One with loosening of putto from base. 1249 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Lacking shades for the drop pendants. Glass beads with scattered minor chips and scratches. Wiring should be checked by a qualified electrician prior to use. 1250 Overall fair condition with typical signs of wear commensurate with age and use. Issues include, but not limited to: extensive fraying and losses throughout with holes, repairs, and reweaving; fading/discoloration; and soiling. Modern backing. 1251 Overall good condition with scuffs, scratches, and darkening/oxidation to bronze commensurate with age. With losses to patination. Wood bases with scattered scuffs and scratches. The metal figures possibly originally decorative crests, now mounted to wood bases for display.

1253 Each overall fair condition with wear, scuffs, scratches, and inherent firing flaws commensurate with age. Restorations throughout. Issues and repairs include, but are not limited to: scattered restorations to gilt and painting throughout, figural scenes with flaked losses and subsequent repainting, and one with a repaired crack to side visible in interior.

1254 Overall good condition with scattered scuffs, scratches, nicks, indentations, shrinkage cracks, and separation at joints commensurate with age. Repairs to inlaid veneer at front. Lacking key. 1255 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Fading and wear to giltwood surface. More prominent scratches and nicks to feet. 1256 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Clock is slightly wobbly and off-center. Adhesive felt pads to underside. Lacking key, includes pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1257 Each overall good condition with rubbed wear, scattered scuffs, inherent firing flaws, and darkening/ oxidation to bronze commensurate with age. Lamps have been rewired. Wiring should be checked by a qualified electrician prior to use. 1258 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. One socket lacking a candle sleeve. Wiring should be checked by a qualified electrician prior to use. 1259 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Scattered areas of small chipped losses to the veneer. Evidence of woodworm. Possible modern reinforcements to underside. Lacking key. 1260 Each overall good condition with tarnishing and light scratches commensurate with age. Each with minor indentations, light surface wear to base metal, and pitting to plate. 1261 Overall good condition with tarnishing and light scratches commensurate with age. 1262 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. One mounted figure loose. 1263 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Wiring should be checked by a qualified electrician prior to use.

Condition Reports

1252 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and oxidation to metal commensurate with age. Minor chipped losses to the veneer on verso around back opening. A 3” chipped loss to the cornice and a 2” loss to the upper molding. Slight loosening of the cartouche mount. Possible glued repairs to numerals seven and twelve. Mounting putty residue to feet. Includes pendulum. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

323

1264 Overall fair to good condition with weathering, scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Darkening to gilt surface. Scattered chipped losses to carved elements. Evidence of woodworm. Previously used a mirror frame with modern reinforcements. 1265 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with raised grain, buckling/lifting, and chipped losses with restorations throughout. Modern reinforcements. Lacking key. 1266 Each overall good condition with tarnishing and light scratches commensurate with age. Each monogrammed: EHR. 1267 Each overall good condition with tarnishing, light scratches, and indentations commensurate with age. Wax residue commensurate with use.

Condition Reports

1268 Overall good condition with tarnishing, shelf wear, scuffs, and light scratches commensurate with age. Each with scattered minor fleabites throughout, ice bucket and centerpiece with chips to bottom edge. Jug with indentations to stopper. Centerpiece personalized: MA.

324

1269 Overall good condition with tarnishing and light scratches commensurate with age. Each personalized to verso.

Is your collection Do you need a formal appraisal for insurance scheduling, estate tax ﬁling, gift or charitable donation? Moran’s team of USPAP compliant appraisers is here to meet your needs. • USPAP

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers: A Chinese silk and metal thread area rug

Price Realized: $15,000

SINCE 1969

AUCTIONEERS & APPRAISERS

Condition Reports

protected?

325

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Senior Vice President, Fine Art Director Morgana Blackwelder AAA Furniture & Decorative Arts Department Manager / Junior Specialist Danielle Kim Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Fine Art Cataloguer Anne Spink Furniture & Decorative Arts Cataloguer Shannon Dailey Fine Art Administrator Angela Bryant Western, American Indian Specialist Maranda Moran Silver Jewelry Cataloguer Sally Andrew 20th Century Design Specialist John Simon Taylor Jewelry Director Mollie Burns Keith, G.J.G

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Consignment Coordinator Julia Hamilton Operations Coordinator Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Jacob Baer

MARKETING

Advertising & Marketing Director, Art Design Nathan Martinez Graphic Designer Brian Olivas

PHOTOGRAPHY

Photographer Keith Berson Photographer Madison Torres

TRUSTS & ESTATES

Department Manager Noelle Valentino AAA Department Administrator Allison Allyn

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

SINCE 1969

AUCTIONEERS & APPRAISERS

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