Art of the American West — May 24, 2022 | John Moran Auctioneers by johnmoranauctioneers

Tuesday, May 24, 2022

SINCE 1969

AUCTIONEERS & APPRAISERS

Tuesday, May 24, 2022—10am Sale 215 145 East Walnut Avenue, Monrovia, CA 91016 Previews: Friday, May 20th: 12-4pm Saturday, May 21st: 12-4pm Monday, May 23rd: 12-4pm Or by appointment

Meet the Team Maranda Moran Head of Sale maranda@johnmoran.com Anne Spink Fine Art Cataloguer anne@johnmoran.com

Sally Andrew Decorative Arts Cataloguer sally@johnmoran.com Shannon Dailey

Senior Furniture & Decorative Arts Cataloguer

shannon@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

2001

Doug Hyde

(b. 1946, American) Two standing women Patinated bronze Edition 11/35; signed in the casting: D. Hyde [cipher] / © / [“B” in box] 18.5” H x 10.5” W x 5” D $1,500-2,500

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

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2002

A Jody Naranjo Santa Clara Pueblo sgraffito vessel

(b. 1969, Santa Clara Pueblo) Signed and dated to underside: Jody Naranjo / 2002 The miniature sgraffito pottery vessel with undulating rim, burnished gradient slip glaze top going brown to red with shallow carved peacock design, and a matte bottom with “X” pattern 3” H x 4.5” Dia. $300-500

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2003

A Jody Naranjo Santa Clara Pueblo sgraffito vessel

(b. 1969, Santa Clara Pueblo) Signed and dated to underside: Jody Naranjo / 1999 The sgraffito pottery vessel with red burnished slip glaze with “X” pattern and a band of shallow carved peacocks to the waist 7.375” H x 4.5” Dia. $800-1,200

2004

A Susan Folwell Santa Clara Pueblo sgraffito vessel

(b. 1970, Santa Clara Pueblo) Signed and dated to underside: S. Folwell / 95 The sgraffito pottery bowl with red burnished slip glaze with black fire-clouding and shallow carved geometric designs 4” H x 8.75” Dia. $600-800 Provenance: Gallery 10, Santa Fe, NM, 1997 The Collection of Susan & Eliot Black, Greenwich, CT and Scottsdale, AZ Acquired from the above by present owner

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2005

Three Santa Clara Pueblo miniature sgraffito pottery vessels Three works:

A Joseph Lonewolf seed pot (1932-2014, Santa Clara Pueblo) Signed and dated to underside: Joseph Lonewolf [wolf cipher] / 258 / 1976 With burnished red slip glaze and shallow carved dragonfly motif 2.25” H x 2.25” Dia. A Grace Medicine Flower bottle (b. 1938, Santa Clara Pueblo) Signed and dated to underside: Grace Medicine Flower / ‘93 With burnished red slip glaze and shallow carved hummingbird motif 2.5” H x 1.625” Dia. A Rosemary Apple Blossom Lonewolf seed pot (b. 1953, Santa Clara Pueblo) Signed to underside: Apple Blossom [with flower cipher] / HHBAR With burnished red slip glaze and shallow carved butterfly and flower motifs 1.125” H x 1.375” Dia. $1,000-1,500

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2006

A large Jody Naranjo Folwell Santa Clara Pueblo vessel

(b. 1942, Santa Clara Pueblo) Signed to underside: Jody The large, micaceous pottery jar in matte light brown with black fire-clouding, decorated with high relief bison encircling the neck 14” H x 18” Dia. $800-1,200 Provenance: Gallery 10, Santa Fe, NM, 1996 The Collection of Susan & Eliot Black, Greenwich, CT and Scottsdale, AZ Acquired from the above by present owner

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

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2007

Joseph Henry Sharp

(1859-1953, Taos, NM) “Concha” Monotype on paper under glass With the artist’s initials in the image lower left: JHS; titled by repute; inscribed in another hand verso: Cheyenne Image: 5” H x 4” W; Sheet: 11” H x 7” W $1,500-2,000 Provenance: Zaplin Lambert Gallery, Santa Fe, NM

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2008

Joseph Henry Sharp

(1859-1953, Taos, NM) “A Cheyenne” Monotype on paper laid to paper under glass Signed lower left: J.H. Sharp; titled on gallery label affixed to the backing of the frame Image: 8” H x 5.25” W; Sheet: 13.25” H x 9.5” W $2,000-3,000

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2009

An early Santa Clara Pueblo blackware pottery vessel

Fourth-Quarter 19th Century Unsigned Possibly by Sara Fina Tafoya (1863-1949, Santa Clara Pueblo), the twin-handled jar with diagonally swirled ribs from the top of the handles to the bottom of the jar in burnished slip glaze 12.5” H x 9” W x 8.5” D $1,000-1,500

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2011

A Nathan Youngblood Santa Clara Pueblo blackware vessel (b. 1954, Santa Clara Pueblo) Signed to underside: Nathan Youngblood [with artist’s cipher] The blackware pottery jar with highly burnished slip glaze 6.25” H x 7” Dia. $800-1,200

2010

A Santa Clara Pueblo blackware wedding vase

20th Century Unsigned Attributed to Margaret Tafoya, the large blackware pottery vessel with burnished slip glaze and deep carved sun pattern to the shoulder 19.5” H x 12” Dia. $2,000-4,000

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2012

Edgar Samuel Paxson

(1852-1919, Missoula, MT) “Portrait of Indian,” 1871 Watercolor on paperboard under glass Faintly signed and dated lower right: E S Paxson; inscribed in pencil Shoshone and #154, possibly in another hand, verso; titled on a gallery label affixed to the frame’s backing paper 11.5” H x 8.25” W $4,000-6,000 Provenance: Midwestern Galleries, Cincinnati, Ohio Notes: The inscription, verso, refers to the Shoshone peoples and their cultural/linguistic divisions in Wyoming, Idaho, Nevada, and Utah.

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2013

Two Santa Clara Pueblo pottery pitchers Two works:

A Mela Tafoya Youngblood blackware vessel (1931-1991, Santa Clara Pueblo) The blackware pottery pitcher with burnished slip glaze and melon ribs to the body Signed and dated to underside: 8/19/76 / Mela Youngblood / Santa Clara Pueblo 5.5” H x 4.75” W x 4.5” D A Shirley Tafoya miniature blackware pitcher (1947-2010, Santa Clara Pueblo) Signed and dated to underside: Shirley Cactus Blossom Tafoya The miniature blackware pottery vessel with burnished slip glaze and concave-style trim to shoulder 2.75” H x 2.5” Dia. $500-700 Exhibitions: Small pitcher: Santa Fe, NM, “Southwestern Association for Indian Arts,” August 22, 2003, First Place winner Notes: This lot is accompanied by a First Place ribbon. 18

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2014

A Donna Tafoya-Gutierrez Santa Clara Pueblo blackware wedding vessel

(20th/21st Century, Santa Clara Pueblo) Signed: Donna Tafoya-Gutierrez / Santa Clara Pueblo The double-spouted blackware vessel with carved Avanyu serpent motif and twisted handle 10.5” H x 8.5” W x 6.25” D $300-500

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2015

Three Santa Clara Pueblo pottery vessels Three works:

A Toni Roller blackware jar (b. 1935, Santa Clara Pueblo) Signed and dated to underside: Toni Roller / Santa Clara Pueblo / 6/07 The blackware pottery melon jar with burnished slip glaze 5” H x 5.25” Dia. A Toni Roller blackware jar (b. 1935, Santa Clara Pueblo) Signed and dated to underside: Toni Roller / Santa Clara Pueblo / 11-82 The blackware pottery bowl with burnished slip glaze and deep carved walking bear track pattern to the rim 3” H x 5.5” Dia. A Cliff Roller blackware jar (b. 1961, Santa Clara Pueblo) Signed and dated to underside: Cliff Roller / Santa Clara / San Juan / 8-95 The blackware pottery jar with burnished slip glaze and deep carved geometric key pattern to the shoulder 3.25” H x 4.75” Dia. $600-900

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2016

Two Linda Tafoya Santa Clara Pueblo blackware pottery items

(b. 1962, Santa Clara Pueblo) Orb signed: Tafoya Oyenque; Egg signed: Linda Tafoya-Oyenque By Linda Tafoya Oyenque Sanchez, each blackware pottery with burnished slip glaze and deeply cut designs, comprising a micro miniature swirled melon orb (0.75” Dia.) and an egg-shaped seed pot with hummingbirds (2.75” H x 2.5” Dia.), 2 pieces $200-300

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2017 Al Bahe

(20th Century, Diné) Figure in red robe with yellow trim, 2006 Acrylic on canvas Signed lower left: Bahe and with the artist’s device; dated on the backing paper: 09/05/06 20” H x 16” W $500-700 Provenance: Private Collection, Poway, CA

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2018 Al Bahe

(20th Century, Diné) Green figure with dance rattle, 2006 Acrylic on canvas Signed lower left: Bahe and with the artist’s device; dated on the backing paper: 09/12/06 20” H x 16” W $500-700 Provenance: Private Collection, Poway, CA

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2019 Al Bahe

(20th Century, Diné) Standing ghost figure in landscape Acrylic on canvas Signed lower right: Bahe and with the artist’s device 16” H x 12” W $300-500 Provenance: Private Collection, Poway, CA

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2020

A Margaret Tafoya Santa Clara Pueblo redware vessel

(1904-2001, Santa Clara Pueblo) Incised signature with pencil to underside: Maraget Tafoya The redware pottery jar with burnished slip glaze and deep carved Avanyu serpent pattern to the shoulder 9” H x 9” Dia. $4,000-6,000

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2021

A LuAnn Tafoya Santa Clara Pueblo redware water jar

(b. 1938, Santa Clara Pueblo) Signed and dated to underside: LuAnn Tafoya / Santa Clara Plo [sic] / NM The redware pottery vessel with burnished slip glaze, solid neck, and deep carved panels in alternating red and sienna colors 13.75” H x 10” Dia. $2,000-3,000

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2022

A Vickie Martinez Tafoya Santa Clara Pueblo redware vessel

(b. 1967, Santa Clara Pueblo) Inscribed signature in pencil to underside: Vickie Mrtz. Tafayo / Santa Clara Pueblo The redware pottery jar with burnished slip glaze and deep carved feather and Avanyu serpent pattern to the shoulder and neck 7” H x 5” Dia. $400-600 Provenance: Private Collection, Poway, CA Notes: This lot is accompanied by paperwork on the artist.

2023

A Rose Naranjo Santa Clara Pueblo redware vessel

(1917-2004, Santa Clara Pueblo) Signed to underside: Rose The redware pottery jar with burnished slip glaze and deep carved stepped and swirl pattern to the shoulder 5.5” H x 6.75” Dia. $300-500

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2024

Veloy Vigil

(1931-1997, Taos, NM) “Rider’s Tide,” 1994 Acrylic on canvas Signed lower right: Veloy Vigil ©; signed again, titled and dated verso 42” H x 60” W $3,000-5,000

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2025

Dan Namingha

(b. 1950, Hopi-Tewa) “Fetish Doll,” 1982 Acrylic on canvas Signed lower right: Namingha; titled and dated verso 60” H x 48” W $3,000-5,000

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2026

Ben Wright

(b. 20th Century, American) “Red Rider in Hollywood,” 1982 Oil on canvas Signed and titled lower left: B Wright; signed and titled again, and also dated 4/82, verso 35.875” H x 35.875” W $1,000-2,000

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2027

Randall Sahmie

(1950-2008, Hopi) Yei portrait with bone mouth, 2002 Acrylic on canvas with applied bone Signed and dated lower right: R. Sahmie 16” H x 20” W $500-700 Provenance: Private Collection, Poway, CA

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2028

Randall Sahmie

(1950-2008, Hopi) “Shell Priest,” 1992 Acrylic on canvas Signed and dated lower right: R. Sahmie; titled on the backing board 16” H x 20” W $500-700 Provenance: Private Collection, Poway, CA

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2029

A pair of horse dance staffs by Nathan James Little Wounded

(b. 1955, Lakota Sioux) One signed to underside: JLW A pair of carved and painted wood leaping horses, each with various attached figures, feathers and horsehair, one with an orange quilled buffalo figure and bells and feathers at the tail (4” H x 42.75” W x 1.5” D), and one with a striped face and attached black beaded horse figure (5.25” H x 36.25” W x 1.5” D), 2 pieces $1,000-1,500 Provenance: Purchased from Prairie Edge, Rapid City SD in 2005 Private Collection, Poway, CA Notes: This lot with information on the artist and purchase receipts

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2030

A Nancy Youngblood Santa Clara Pueblo blackware vessel

(b. 1955, Santa Clara Pueblo) Signed and dated to underside: Nancy Youngblood Lugo / 1996 The blackware pottery lidded melon jar with burnished slip glaze and deeply ribbed body 6.5” H x 6.5” Dia. $3,000-5,000 Provenance: Gallery 10, Santa Fe, New Mexico, 1997 Acquired from the above by present owner

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

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2031

A Richard Zane Smith polychrome pottery vessel

(b. 1955, Kansas) Signed and dated to underside: Richard Zane Smith / ‘91 The pot with a corrugated exterior featuring handprints and an orange rim 11.5” H x 13” Dia. $3,000-5,000

2032

A Richard Zane Smith polychrome pottery vessel

(b. 1955, Kansas) Signed to underside: R. Zane Smith The star-shaped pot with a corrugated exterior and an orange rim 5.5” H x 6” W x 5.25” D $1,000-1,500

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

Pictured with lot 2170

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2033

Two Hubert Candelario San Felipe Pueblo micaceous vessels (b. 1965, San Felipe Pueblo) Two works:

A miniature micaceous vessel Signed and dated to underside: Hubert / S.F.P. / NM / 1997 The miniature orange, micaceous pottery melon jar with deeply ribbed swirls 2.5” H x 2.75” Dia. A micaceous vessel Signed to underside: Hubert Candelario / San Felipe / NM The orange, micaceous pottery melon jar with deeply ribbed swirls 4” H x 5.75” Dia. $800-1,200

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

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2034

Fritz Scholder

(1937-2005, Scottsdale, AZ) “Indian with Pigeon,” from the “Indians Forever” portfolio, 1970-71 Lithograph in brown and black on Arches paper under glass Edition 40/75; signed lower right: Fritz Scholder; Tamarind Institute, Albuquerque, prntr, and with their blindstamp; Janus Gallery, Santa Fe, pub. Image/Sheet: 22.5” H x 30” W $800-1,200

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2035

Fritz Scholder

(1937-2005, Scottsdale, AZ) “Sioux Burial at Mouse River,” 1979 Color lithograph on Arches paper under glass Edition 65/100; signed in pencil: Scholder and with the artist’s blindstamp in the lower margin; Tamarind Institute, Albuquerque, prntr. and with their blindstamp in the lower margin Image: 26” H x 36.25” W; Sheet: 30” H x 40” W $1,000-1,500

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2036

A Maria and Julian Martinez San Ildefonso Pueblo blackware vessel (1887-1980 and 1879-1943, San Ildefonso Pueblo) Signed to underside: Maria + Julian The blackware pottery jar with burnished slip glaze and matte slip painted geometric band to the shoulder 6.25” H x 7.5” Dia. $2,000-3,000

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2037

A Maria and Julian Martinez San Ildefonso Pueblo blackware plate

(1887-1980 and 1879-1943, San Ildefonso Pueblo) Circa 1925-1943 Signed to underside: Marie + Julian The blackware pottery plate with burnished slip glaze ground decorated with matte slip painted geometric band to the shoulder motif and triple-ringed border 1” H x 12.375” Dia. $1,500-2,000

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2038

Two San Ildefonso Pueblo redware vessels Two works:

A Juanita Wo-Peen vase (1909-1988, San Ildefonso Pueblo) Signed to underside: Juanita Wo-Peen The tall redware vase with deep carved geometric pattern to shoulder 9” H x 6” Dia. A globular redware vase Unmarked Mid-20th Century With wide mouth and deep carved geometric stepped pattern to shoulder 6” H x 7.5” Dia. $500-700 Provenance: The James M. Cole Collection, Visalia, CA

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2039

A John Gonsalez San Ildefonso Pueblo sgraffito plate

(b. 1955, San Ildefonso Pueblo) Signed and dated to underside: John Gonsalez / 1998 / San Ildefonso Pueblo The sgraffito pottery plate with matte black and buff slip glaze and shallow carved feather pattern surrounding rainclouds and an Avanyu serpent with inlaid olive heishi shell border and turquoise cabochon eye 1” H x 10.25” Dia. $200-300

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2040

A John Gonsalez San Ildefonso Pueblo sgraffito vessel

(b. 1955, San Ildefonso Pueblo) Signed and dated to underside: John Gonsalez / 1998 / San Ildefonso Pueblo The sgraffito pottery jar with matte red and buff slip glaze and shallow carved feather band to the neck and path of Kokopelli flute players with inlaid turquoise heishi border 6” H x 7” Dia. $100-200

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2041

Ernest Morton Baber

(b. 1949, American) “Zia Pot & Fruit” Oil on canvas Signed lower left: E. Baber; titled on the stretcher 18” H x 21” W $1,000-1,500

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2042

A Zia Pueblo pottery vessel

Fourth-Quarter 19th Century The polychrome jar with avian and foliate motifs on a buff slip glaze with red foot and black fire-clouding 9.75” H x 10” Dia. $1,000-1,500

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2043

A Seferina Bell Zia Pueblo pottery vessel

(1920-1986, Zia Pueblo) Signed and dated to base: [Bell cipher] / Zia / Pueblo The polychrome jar with roadrunners and geometric motifs on a buff slip glaze with red foot 7” H x 10” Dia. $400-600

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2044

An Acoma Pueblo polychrome pottery olla

20th Century The pottery vessel with polychrome geometric and avian motifs with fineline details on white slip glaze 6.25” H x 7” Dia. $800-1,200

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2045

An Acoma Pueblo polychrome pottery vessel

20th Century The pottery bowl with polychrome butterfly and geometric motifs on buff slip glaze 4.5” H x 6.25” Dia. $600-800

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2046

An Acoma Pueblo polychrome pottery olla

20th Century The pottery vessel with polychrome geometric motif and fineline details on white slip glaze 6” H x 7.5” Dia. $800-1,200

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2047

2048

20th Century The large polychrome pottery vessel with black geometric motif and fineline details on buff slip glaze with red foot 8.25” H x 10.5” Dia.

(b. 20th Century, Ari “Harmony” and “Be Each: Oil on Masoni Each: Signed lower shared frame Each: 7.875” H x 6.8

An Acoma Pueblo pottery olla

$500-700 Provenance: Purchased from Louis Russel, Tulare, CA, in 1980 by present owner The James M. Cole Collection, Visalia, CA

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Rose Ann Day

$500-700

izona/New Mexico) eauty” ite right: R. A. Day ©; signed again and titled on the verso of the

875” W

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2049

Two Hopi pottery vessels

Two works : A Helen “Feather Woman” Naha vase (1922-1993, Hopi) Signed to underside with feather cipher The tall vase with polychrome avian motif on burnished white slip glaze 8.25” H x 4.25” Dia. A Joy “Second Frog Woman” Navasie wedding vase (1919-2012, Hopi-Tewa) Signed to underside with frog cipher The wedding vase with polychrome geometric motifs on burnished white slip glaze 7” H x 4.375” W x 3.375” D $500-700

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2050

A Fannie Nampeyo Hopi pottery olla

(1900-1987, Hopi) Signed to underside: Fannie Nampeyo [with corn cipher] The vessel with polychrome avian motifs on buff burnished slip glaze 6” H x 7.5” Dia. $400-600

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2051

A Fawn “Little Fawn” Navasie Garcia Hopi pottery vessel

(b. 1959, Hopi) Signed to underside: Fawn [with hoof print cipher] The wide-shouldered jar with flared neck and polychrome geometric motifs on buff burnished slip glaze 6.5” H x 7.5” Dia. $200-300

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2052

Two Preston Duwyenie Hopi miniature micaceous pottery items

(b. 1951, Hopi) Each with artist’s cipher to underside Each miniature, orange, micaceous pottery with inlaid sterling silver “shifting sands” medallion, comprising a plate (0.25” H x 3.5” Dia.) and a seed pot (3.75” H x 2.25” Dia.), 2 pieces $200-300

2053

A Garnet “Flower Girl” Pavatea Hopi pottery canteen

(1915-1981, Hopi-Tewa) Signed to underside: Garnet Pavatea; Numbered in a different hand: 406 The large canteen with long spout, two handles, and polychrome avian motifs on buff burnished slip glaze 8.5” H x 12” W x 12” D $400-600

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2054

Michael Gentry

(1940-1994, Washington) “Crazy Horse - Sacred Warrior,” 1993 Oil on canvas Signed and dated lower right: Michael Gentry / WAA and with the artist’s device and © ; titled by repute 30” H x 48” W $3,000-5,000 Provenance: Private Collection, Poway, CA

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

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2055

A Rafaelita Aguilar Santo Domingo Pueblo pottery vessel

(b. 1937, Santo Domingo Pueblo) Signed to underside: Raphaelita Aguilar [with postal address and floral cipher] The large black-on-black jar with matte black slip painted geometric pattern in burnished black slip glaze 13.75” H x 10.5” Dia. $400-600 Provenance: Private Collection, Poway, CA

A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2056

A Robert Tenorio Santa Domingo Pueblo pottery bowl

(b. 1950, Santa Domingo Pueblo) Signed and dated to base and underside: Robert Tenorio / Kewa / 2000 / [sun and moon ciphers] The large, polychrome pottery dough bowl with black geometric pattern and red foot to exterior, hummingbird motif and scalloped border to interior, on buff slip glaze 8.75” H x 16” Dia. $300-500

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A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

2057

A Virgil Ortiz Cochiti Pueblo ceramic opera singer

(b. 1969, Cochiti Pueblo) Signed and dated to the underside: Virgil Ortiz / Cochiti Pueblo / Renegade Clay / [artist’s cipher] / 07 The polychrome painted earthenware mono figure depicting an opera singer 21.5” H x 12.5” W x 5.75” D $3,000-4,000

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2058

Harry Fonseca

(1946-2006, Sante Fe, NM) “Shuffle Off to Buffalo,” 1987 Color lithograph and glitter on paper under glass Edition 66/75; signed and numbered near the lower corners of the image: Fonseca Image/Sheet: 36” H x 27” W $700-900

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2059

A Mary Janice Ortiz Cochiti Pueblo ceramic circus figure

(b. 1954, Cochiti Pueblo) Signed and dated to underside: M.J. Ortiz / Cochiti / 1998 The polychrome painted earthenware mono figure depicting a circus ring master 17.375” H x 6” W x 4.25” D $600-800

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2060

A Juanita Inez Ortiz Cochiti Pueblo ceramic sculpture

(1960-2008, Cochiti Pueblo) Signed to underside: J. Ortiz / Cochiti N.M. The polychrome painted earthenware sculpture depicting a seated figure playing a slot machine, 3 pieces Slot machine: 8.75” H x 6” W x 3” D $300-500

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2061

A Navajo ceramic raven and slot machine sculpture

Late 20th/Early 21st Century; Diné Appears unmarked The two piece clay sculpture of a raven playing a slot machine, 2 pieces Raven: 15” H x 6.75” W x 14.5” D; Slot machine: 17.75” H x 4.5” W x 6.25”D $400-600 Notes: Collectors notes attribute this work to Matt Downey.

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2062

Glen La Fontaine

(b. 1947, Cree/Ojibwe) Mother and child Glazed ceramic Signed with incised artist’s cipher to base and interior inscribed: Susan M. and I watched the comet from the street in front of my house last week 9.75” H x 7.5” W x 8” D $100-200

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2063

Delbert Buck

(b. 1976, Diné) American eagle driving a train Carved and polychrome wood Unsigned 13” H x 14.5” W x 9.5” D $100-200

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2064

A large Lorraine Williams-Yazzie Navajo pottery bowl

(b. 1955, Diné) Signed to underside: Lorraine Williams [LW cipher] The pottery vessel with red oxide slip glaze and a band of incised, polychrome figures and serrated chevrons to the shoulder 9” H x 16” Dia. $400-600

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2065

A Samuel Manymules Navajo pottery wedding vase

(b. 1963, Diné) Signed to underside: [SM cipher] / 92 The vessel with burnished buff slip glaze and dark fire-clouding 8.5” H x 6.25” W x 5” D $500-700

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2066

An Annie Fields Mojave double-headed effigy vessel

(1884-1971, Mojave) Signed to underside: A.F. The buff earthenware jar with geometric designs in red pigment and two protruding heads with bead necklaces over two side spouts 11” H x 11” W x 8.5” D $1,000-1,500

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2067

An Ida Sahmie Navajo pottery vessel

(b. 1960, Diné) Signed and dated to underside: Ida Sahmie / ‘98 / Navajo The squat, wide-shouldered polychrome jar with flared neck and two registers of roundels framing male and female Yeibichai in stepped medallions on a speckled, burnished buff slip glaze ground 9.5” H x 13” Dia. $800-1,200

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2068

An Ida Sahmie Navajo pottery wedding vase

(b. 1960, Diné) Signed and dated to underside: Ida Sahmie / 99 / “Navajo” The polychrome vessel with matte slip painted depictions of wedding baskets and cornstalks on a burnished buff slip glaze ground 11” H x 7.75” W x 5” D $200-400

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2069

An Ida Sahmie Navajo pottery vessel

(b. 1960, Diné) Signed and dated to underside: Ida Sahmie / ‘99 / “Diné” The tall, wide-shouldered polychrome jar with flared neck and depicting a Nightway healing ceremony on a matte brown slip painted field over a burnished buff slip glaze ground 11.5” H x 9” Dia. $800-1,200

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2070

Two Hopi kachina figures Two works:

Darrell Youvella (20th/21st Century, Hopi/Tewa) Owl kachina Signed to underside: Darrell Youvella / [illegible] owl / Hopi Tewa [corn cipher] 12” H x 4” W x 6.5” D A large Koyemsi Mudhead kachina Mid-20th Century or Later Unsigned In carved and polychromed cottonwood with feathers, hide, shells, metal, and bells under a fitted glass case on wood base Overall: 22” H x 12” W x 12” D $600-800

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2071

Randall Sahmie

(1950-2008, Hopi) “Yellow Corn Maiden” Carved and polychromed cottonwood Signed and titled to underside: R. Sahmie / Hopi / Nation 15.25” H x 5.25” W x 3.25” D $200-400 Provenance: Private Collection, Poway, CA

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2072

Lowell Talashoma Sr.

(1950-2003, Hopi Pueblo) Native American dancer Oil on canvas board Signed lower left: Lowell Talashoma Sr. 14” H x 11” W $300-500

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2073

Jaune Quick-To-See Smith

(b. 1940, Salish) Teepee Acrylic and collage on paper under glass Signed lower center: Jaune S. Smith; signed again and inscribed verso: Happy New Year Dear Marilyn and Ken / Love, Jaune 5” H x 5” W $500-700

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2074

2075

20th Century; Southwest United States Twined wicker tray basket plaque with eagle motif in orange, black, yellow, and white 20” H x 19.5” W

20th Century; S A group of eigh mask motifs, inc Mana, 8 pieces Size range: 10.5

A large polychrome Hopi Second Mesa wicker plaque

$600-800

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A collection o

$2,000-3,000

of polychrome Hopi Second Mesa wicker plaques

Southwest United States ht twined wicker tray basket plaques with various Kachina (Katsina) cluding Crow Mother, Butterfly Maiden, Mud Head, and Kokopelli

5” H to 14.25” H

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2076

Harmon Percy Marble

(1870-1945, American) A large collection of photographs of Navajo, Puebloan, and Southwest subjects Black and white photographs From the editions of unknown sizes; unsigned; variously titled and dated in pencil; others with various typed descriptions and corresponding series numbers Larger: 19.75” H x 15.75” W; Smaller: 5” H x 7” W $1,000-2,000 Notes: Large format sleeve images include: Sioux Women, 10.75” H x 14” H; Hopi Figures, photo 7112, dated 1917; Navajo woman, children and horse, photo 61830, dated 1912, (15.75” H x 19.75” W); Navajo Talking God, photo 1203, dated 1911 (19.75” H x 15.75” W); Possibly Crow Chief White Swan with tipi, photo 155 (15.75” H x 19.75” W). Multi-photo sleeve images include: (7112, 6341, 12276, 15); (11321, 6341, 4312, 3356, 3993); (155, 9, three unknown); (231, 11309, two unknown); (12343, 92119, 22129, Navajo Reservation 1924, Navajo 1911, unknown); (11811 Missionary Butler dated 1911, 12323 Cedar Ridge Trading Post, 61531 Happy, 81801 dated 1912, 12432 dated 1926 Pueblo Bonita Kayenta; unknown); (82283 dated 1913 Snake Dance, 188, 11121 Cow Kachina, unknown); (6335 dated 1911, 91098 dated 1917, 11951 Snake Dance, 21063, 11176 dated 1911); (11741 Winter in Summer Hogan, 2793 dated 1911, 12356 Wupakt, 5570 dated 1926, 2986 Navajo Resting in Desert, 11541).

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2077

A group of polychrome Navajo wedding baskets

Mid-20th Century; Diné Five coiled round baskets with central radiating star motif, and one basket with additional pictorial flute players, 5 pieces Largest: 14.5” Dia. $200-400

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2078

Carol Hamilton

(b. 1948, California) Still life with Native American blanket and basket with acorns Watercolor on paper under Plexiglas Signed lower left: Carol Hamilton 11” H x 15” W $400-600

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2079

Carol Hamilton

(b. 1948, California) Still life with Native American baskets and blan Watercolor on paper under Plexiglas Signed lower right: Carol Hamilton 10.5” H x 15” W $400-600

nket

2080

Carol Hamilton

(b. 1948, California) Still life with Native American baskets and blanket Watercolor on paper under Plexiglas Signed lower right: Carol Hamilton 10.5” H x 15” W $400-600

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2081

A polychrome Yokuts basket

First-Quarter 20th Century; Central California Coiled boat shape with twelve centipede arms issuing from base 4.5” H x 13.5” L X 10” W $800-1,200 Provenance: Purchased from Betty Seals The James M. Cole Collection, Visalia, CA

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2082

A large Pima basket

First-Quarter 20th Century; Akimel O’odham, Southwest United States Coiled large bowl with a radiant squash blossom design with a concho button hanger in the center 6.5”H x 20.5” Dia. $1,200-1,800

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2083

A Pima basket

First-Quarter 20th Century; Akimel O’odham, Southwest United States Coiled tray with an eleven point star center surrounded by six frets adorned with sawtooth edges 3.5” H x 12.75” Dia. $700-900

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2084

A Pima basket

First-Quarter 20th Century; Akimel O’odham, Southwest United States Coiled tray with black central coil issuing swirled, stepped and bent bands in an allover motif 3” H x 12.75” Dia. $700-900

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2085

A miniature Pima basket

First-Quarter 20th Century; Akimel O’odham, Southwest United States Coiled tray with three radiating stepped bands issuing from black center 1.5” H x 8.5” Dia. $300-500 Notes: With an attached tag stating: Pima / T Fitzwater / Small Maize Plate / Mariposa County Fair / 198 / Not for Sale

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2086

A small Karuk basket

Second-Quarter 20th Century; Northern California A small twined bowl with seven stepped diagonal columns to waist, and tiny stitched felt accents. 2.75” H x 3.75” Dia. $200-400 Notes: Likely woven by Amy Smoker

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2087

Carl Kauba

(1865-1922, Austrian) “Mounted Brave with a Rifle” Cold painted and patinated bronze Signed in the casting: C. Kauba; underside impressed: GESCHUTZT 12.5” H x 15” W x 5” D $3,000-5,000 Provenance: Private Collection, Monrovia, CA Notes: Carl Kauba, working with Ferdinand Bergmann’s foundry in Vienna, Austria, is often credited with the creation of Native American bronzes. This example bears the foundry stamp “GESCHUTZT,” or “Copyright,” and was cast in three separate castings before painting and assemblage.

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2088

David Lemon

(b. 1945, Montana/California) “Stalking Bear” Patinated bronze on wood base Edition 9/15; signed and numbered: Lemon ©; titled to plaque 22” H x 21” W x 10” D $1,000-1,500

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2089

Hubert Wackermann

(b. 1945, German) “Montana Plains, 1860,” 2020 Oil on canvas Signed lower right: HF Wackermann and with the artistís device and ©; signed again, titled and dated verso 16” H x 20” W $800-1,200

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2090

Charles Marion Russell

(1864-1926, Great Falls, MT) “Buffalo Rubbing Rock,” modeled 1921 Patinated bronze on marble base Signed and dated in the casting: CM Russell [with artist’s cipher] 6.625” H x 6.5” W x 3.5” D $500-700 Provenance: The Estate of Edward Butterworth, Arcadia, CA Literature: Rick Stewart, “Charles M. Russell: Sculptor” (Fort Worth, TX: Amon Carter Museum, 1994), 262, no. R-25B. Notes: “Buffalo Rubbing Rock” is a revised version of Russell’s earlier “Buffalo Book End.”

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2091

Marian Brackenridge

(1903-1999, American) National Pony Express Centennial Association commemorative plaque, 1960-61 Patinated bronze Signed and dated in the casting: Marian Breckenridge / © 1960; verso impressed: Frank La Haye Metal Works / Sonoma California 17.25” Dia. x 1.5” D $800-1,200

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2092

Alexander F. Harmer

(1856-1925, Santa Barbara, CA) “Land of Sunshine” Ink and wash on paper under glass Signed lower right: A.F. Harmer; titled by repute; photocopy affixed verso: “The forms were [indistinct] and [indistinct] until they came between him and the light” 7.75” H x 5.375” W $1,000-1,500

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2093

Alexander F. Harmer

(1856-1925, Santa Barbara, CA) Two sketch books: First: A Water Color Sketches book with sketches of Native American textiles and jewelry; The second: A Cambridge “Press” Sketch Book with military costume designs and furniture sketches, circa 1900s Each with various mediums throughout: watercolor, pencil, charcoal, and colored pencil Unsigned The first: 4.75” H x 6.25” W x 0.5” D; The second: 7.25” H x 4.5” W x 0.5” D $2,000-3,000 Notes: Each in a clam shell case by David Weinstein Bookbinder, previously with Heritage Books, Beverly Hills, CA. This lot is accompanied by a prior listing from Michael Sharpe Rare & Antiquarian Books, Pasadena, CA.

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2094

An Apache basket

First-Quarter 20th Century; Southwest United States Coiled tray with two concentric six-pointed stars, arrowheads and a ticked rim 2.25” H x 18” Dia. $800-1,200

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2095

A large Apache basket

First-Quarter 20th Century; Southwest United States Coiled tray with a four-part central lozenge, floating diamonds and a larger four-part checkered motif issuing from rim 4” H x 18.75” Dia. $1,500-2,000

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2096

A polychrome Apache basket

First-Quarter 20th Century; Southwest United States Coiled tray with arms radiating from black center, further enhanced with red crosses and stars 3.5” H x 16.5” Dia. $1,200-1,800

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2097

A polychrome Apache basket

First-Quarter 20th Century; Southwest United States Coiled tray with a triple-banded four-petal element with checkered areas below rim 2.5” H x 11” Dia. $800-1,200

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2098

An Apache basket

First-Quarter 20th Century; Southwest United States Coiled tray with alternating double and triple stepped swirling rows 4” H x 17.5” Dia. $800-1,200

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2099

An Apache pictorial basket

First-Quarter 20th Century; Southwest United States A large coiled olla with four figures stacked into geometric columns with a lattice motif. 10.25” H x 13” Dia. $500-700 Provenance: Purchased from Daphne Russell, Redwood City The James M. Cole Collection, Visalia, CA

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2100

An Apache basket

Second-Quarter 20th Century; Southwest United States Coiled tray with five undulating double arrowhead elements pointing toward the solid center and finished with a ticked rim 2” H x 12.75” Dia. $800-1,200

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2101

An Apache basket

Late 19th/Early 20th Century; Southwest United States Coiled tray with rim ticking and three sets of concentric bands finished by a checkered band below the rim 3.5” H x 14.5” Dia. $800-1,200

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2102

An Apache basket

First-Quarter 20th Century; Southwest United States Coiled shallow bowl with a circular start, enclosed in a four point star with diamond-shaped “snake heads,” and finished with rim ticking 2.5” H x 9” Dia. $500-700

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2103

A polychrome Apache pictorial burden basket

Second Half 20th Century; Southwest United States Large twined basket featuring four Gaan dancers encircling the body of the basket above a geometric band, and adorned at the sides and base with fringe and tin jingles 17” H x 20” Dia.; Overall height with fringe: 35” $400-600 Provenance: Acquired from Gilbert Ortega in the 1980s. Exhibitions: A Craftsmen’s Award of Merit from Gilbert Ortega Indian Arts Collection, Phoenix, AZ.

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2104

A polychrome Mono basket by Rose Baga

Second Half 20th Century; Central California Coiled bowl with four columns of stacked arrows with top knots 5” H x 8.75” Dia. $300-500 Provenance: The James M. Cole Collection, Visalia, CA Notes: Rose Baga was of the Monachi Tribe in Central California.

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2105

A polychrome Mono basket by Rose Baga

Second Half 20th Century; Central California Coiled bowl with three polychrome columns of stacked arrowheads and top knots 5” H x 8.25” Dia. $200-300 Provenance: The James M. Cole Collection, Visalia, CA Notes: Rose Baga was of the Monachi Tribe in Central California.

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2106

Two Mono baskets by Rose Baga

Fourth-Quarter 20th Century; Central California Two works: A coiled bowl with four ant trail designs issuing from base 4.75” H x 8.5” Dia. A coiled bowl with four columns of quail plume design 5.75” H x 9” Dia. 2 pieces $500-700 Provenance: “Ant Trails” design purchased from weaver in 1990 The James M. Cole Collection, Visalia, CA Notes: Rose Baga was of the Monachi Tribe in Central California. Quail plume basket purchased in 1978

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2107

A polychrome Mono”Ant Trails” lidded basket by Rose Baga Fourth-Quarter 20th Century; Central California Coiled jar with lid with four radiating arms of sawtooth steps 8” H x 9.5” Dia. $500-700 Provenance: Purchased from Dorean Baga in 1990 The James M. Cole Collection, Visalia, CA Notes: Rose Baga was of the Monachi Tribe in Central California.

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2108

Two polychrome Mono baskets by Rose Baga Fourth-Quarter 20th Century; Central California Two works:

A coiled bowl with double star motif to bottom and four columns of arrowheads accented with top knots 5” H x 9.5” Dia. A coiled bowl by with ticked edge, rattlesnake banding to waist, and zigzag ring to base 4.75” H x 9” Dia. $400-600 Provenance: Purchased from the weaver in late 1970s and in 1991 The James M. Cole Collection, Visalia, CA Notes: Rose Baga was of the Monachi Tribe in Central California. A photo of the weaver accompanies this lot.

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2109

John Coleman

(b. 1949, California/Arizona) “Little Hopi Clowns,” 2011 Patinated bronze on rotating wood base Edition 15/35; signed, titled, dated, and numbered in the casting: John Coleman / CA [Cowboy Artists of America] / © 14.5” H x 7.5” W x 11” D $4,000-6,000 Notes: The Cowboy Artists of America is an exclusive organization of artists that was founded in 1965 by four prominent western artists, Joe Beeler, Charlie Dye, John Hampton and George Phippen.

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2110

John Coleman

(b. 1949, California/Arizona) “Little Medicine Girl,” 2005 Patinated bronze on rotating wood base Edition 18/35; signed, titled, dated, and numbered in the casting: John Coleman / CA [Cowboy Artists of America] / © 15.57” H x 12” W x 6” D $3,000-5,000 Notes: The Cowboy Artists of America is an exclusive organization of artists that was founded in 1965 by four prominent western artists, Joe Beeler, Charlie Dye, John Hampton and George Phippen.

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2111

A Woodlands beaded cradle cover

First Half 20th Century A red wool cover attached to a foliate beaded hide bonnet with beaded, fringed tab, bonnet and tab lined with printed fabric Overall: 34” H x 16.5” W (at wool edge); Beaded hood: 15.5” W x 6” D $800-1,200

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2112

Two Plateau beaded floral bags Two works:

A Nez Perce/Plateau beaded bag First-Quarter 20th Century With a spray of tiger lilies against a white ground, velvet border and cloth backing 14.75” H x 13.5” W A Nez Perce/Plateau beaded hide bag Mid-20th Century With a branch of five large blossoms against a white ground, with hide fringe at bottom edge 16” H x 14’’ W; fringe: 7” H $600-900

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2113

Two Plateau beaded elk motif bags Second-Quarter 20th Century Two works:

A Nez Perce/Plateau beaded bag With two flowers on either side of a stag’s head all against a yellow ground 13.25” H x 12” W A Nez Perce/Plateau beaded bag With two flowers and an elk in the foreground against a mountain-scape background 14.5” H x 12.5” W $800-1,200

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2114

Two Plateau beaded hide bags Two works:

A Nez Perce/Plateau beaded hide bag Second-Quarter 20th Century With a heraldic eagle in flight and an American flag shield on a lime green ground 13.5” H x 12” W A Nez Perce/Plateau beaded hide bag Early 20th Century With a peacock perched on a branch of flowers against a white ground 13.75” H x 12.25” W $600-900

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2115

A group of Nez Perce/Plateau floral beaded hide bags

Mid-20th Century Three beaded bags including a bag with a basket of flowers and a butterfly against a blue ground (14” H x 12.5” W), a bag with a single rose against a yellow ground (10.5’’ H x 10” W), and a bag with a branch of three large blossoms against a white ground and hide fringe to bottom edge (16” H x 14” W; fringe: 6” H), 3 pieces $800-1,200

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2116

A Plateau beaded blanket strip

20th Century A blanket strip beaded in a palette of purple, green, white, rust, pink, yellow and navy with four medallions and long hide tassels, beaded to waxed canvas with sinew stitched edges 5.5” H x 63.75” W $7,000-9,000

142

2117

A Plains Indian beaded blanket strip

Fourth-Quarter 19th Century Blanket strip with a white beaded field, green, blue, and red geometric motifs and two medallions, with hide tassels and mounted to hide backing with further fabric backing 3.875” H x 34.75” W $700-900

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2118

Three pairs of Northern Plains baby moccasins

First-Quarter 20th Century Comprising a pair of Northern Plains beaded baby’s moccasins, resoled with leather (3.75” L x 1.75” H x 1.75” W), a pair of Northern Plains beaded baby’s moccasins with beaded soles (4” L x 1.5” H x 1.75” W), and a pair of Lakota child’s moccasins with hide soles (5.25” L x 1.75” H x 2.25” W), 6 pieces $600-800

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2119

A Lakota Sioux velvet opera cape

(1858-1910, Lakota/Minneconjou Sioux) Attributed to Edith Claymore, the velvet cape with detailed beaded floral and butterfly designs around the body, with floral vining around the collar, and lined in a black floral brocade, with hook closure at neck 22.5” H at center front; 24.5” H at center back; 95” total hem circumference $4,000-6,000 Provenance: Sale: Sotheby’s, 2001 Susan and Eliot Black of Greenwich, CT and Scottsdale, AZ Acquired at auction by current owner Literature: A photograph of the cape accompanies: F. Dennis Lessard, “Pictographic Sioux Beadwork: A Reexamination,” “American Indian Art Magazine,” (Autumn 1991): 71 Notes: Most likely acquired at Sotheby’s Pre-Colombian and American Indian Art Sale, May 2001, session 4, Lot #604. This cape is featured in a photograph held at the State Historical Society of North Dakota. The photograph depicts Edith and her husband set up to sell their beadwork and the cape is draped over the table on the right side.

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2120

Michael Coleman

(b. 1946, Provo, UT) “Buffalo Song (Blackfoot),” 1992 Gouache on paper under glass Signed lower left: Michael Coleman ©; titled and dated on an artist’s label affixed to the backing paper Sight: 12.25” H x 8.25” W $1,000-1,500 Provenance: Settlers West Galleries, Tucson, AZ Purchased, Buffalo Bill Art Show, Cody, WY

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2121

A Navajo Germantown Moki blanket

Fourth-Quarter 19th Century, Diné Finely woven in black, red, cream, blue, and purple wool, with a striped ground, bands of serrated diamonds at center and either end, alternating with bands of ticked rectangles 86.25” H x 57.5” W $6,000-8,000

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2122

A Puebloan twilled Manta

Late 19th/Early 20th Century Likely Hopi Pueblo, woven in wool with diamond twill borders in dark blue, possibly indigo, with a diagonal twill central field in black 38.5” H x 56” W $1,500-2,000

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2123

A Navajo Germantown-style Sunday saddle blanket

Second Half 20th Century; Diné Woven in red, grey, black, cream, taupe, yellow, blue, and green wool, with central panel of a radiating sawtooth diamond, with zigzag sawtooth border, and remnant fringe and tassels 30” H x 40” W; With fringe: 33” H $800-1,200

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2124

A Navajo Germantown Sunday saddle blanket

Fourth-Quarter 19th Century; Diné Woven in red, black, cream, blue, green, and salt and pepper wool, with central serrated X-motif, additional geometric motifs, and a zigzag border, with multicolored fringe to both ends and a three-tiered tassel to each corner 33.5” H x 24.5” W; With fringe: 40” H $1,500-2,500

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2125

A small Navajo Germantown blanket

Late 19th Century; Diné Finely woven in red, black, cream and green wool with remnant fringe 38” H x 31” W (excluding fringe) $800-1,200

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2126

A Navajo Chief variant rug

Second-Quarter 20th Century; Diné Woven in red, cream, grey, and dark brown wool on wool with a row of stepped diamonds with cross motifs 66” H x 53” W $1,000-1,500

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2127

A Navajo Transitional pictorial rug

First-Quarter 20th Century; Diné Woven in red, brown, cream, and natural grey wool with three conjoined serrated diamonds and a floating checkerboard border 92” H x 55.75” W $2,000-3,000

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2128

A Navajo sandpainting textile with Yei figures

Second-Quarter 20th Century; Diné A sandpainting pictorial depicting the whirling log Yei placed within the protective Rainbow Guardian, woven in brown, tan, red, cream, green, purple, and orange wool on a grey ground 36” H x 38” W $1,000-1,500

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2129

A Navajo Gallegos pictorial Yei weaving

First-Quarter 20th Century; Diné Woven in red, grey, browns, dark orange, pink, and green wool, depicting a standing American Indian man with concho belt, coral necklace and jacla drops surrounded by feathers and arrows on a red field 51.5” H x 31.5 W $1,000-1,500

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2130

Kenneth Allen Ferguson

(b. 1958, Arizona/Illinois) “War Medicine” Watercolor and gouache on paper under glass Signed lower left: K. Ferguson; titled on an information card stored on the verso of the frame 28.25” H x 22.25” W $700-900

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2131

Kenneth Allen Ferguson

(b. 1958, Arizona/Illinois) “The Daughter of Little Rock: Mo-nah-see-tah” Watercolor and ink on paper under glass Signed lower right: K. Ferguson; titled on an information card stored on the verso of the frame 14.5” H x 11.875” W $700-900 Notes: Mon-nah-see-tah was taken captive in 1868 after her father, Cheyenne Chief Little Rock, among others, was killed by the 7th U.S. Cavalry during the Battle of Washita River.

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2132

Kenneth Allen Ferguson

(b. 1958, Arizona/Illinois) “The Vision Seeker: Sitting Bull” Watercolor and ink on paper under glass Signed lower right: K. Ferguson; titled on an information card stored on the verso of the frame 14” H x 10.875” W $700-900

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2133

Hernando Gonzallo Villa

(1881-1952, Los Angeles, CA) Navajo / Diné man in profile, 1932 Mixed media on paper under glass Signed and dated lower right: Hernando G. Villa 16” H x 12” W $1,000-1,500

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2134

A Navajo Crystal rug

Second-Quarter 20th Century; Diné Woven in grey, brown, tan, red, and cream wool with two panels of stacked diamonds enclosed by diamond borders 73.5” H x 46.25” W $600-800

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2135

A Navajo Transitional blanket

First-Quarter 20th Century; Diné Woven in red, cream, grey and dark brown wool with a central radiating X-motif 88.5” H x 50” W $800-1,200 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family to the present owner Notes: Edward T. “Buck” Owen was a linguist, an author, an eminent professor of languages and linguistics at the University of Wisconsin, a real estate developer, a conservationist, and a collector. He was born to a wealthy family of abolitionists in Hartford, Connecticut, in 1850. Educated at Yale, his nickname came from his habit of riding from his walled home on State Street, in Madison, Wisconsin: all 6 feet 6 inches of him, astride his gigantic bay steed, wearing white buckskin chaps to protect his white linen suit. He and his wife Emilie Pratt Owen collected Chinese and Japanese arts and crafts, Navajo rugs, Art Nouveau glassware, European porcelain, and American silver plate. Owen was a founder of the Madison Park and Pleasure Drive Association, a group of philanthropists who created the network of parks and nature preserves that make Madison uniquely charming. In 1892 he bought a fourteen-acre tract of what was then wooded land along a commanding height about a mile south of Lake Mendota. He donated it to the city as a pleasure drive dedicated to the memory of his daughters. w w w. j o h n m o r a n . c o m 1 7 1

2136

A Navajo Transitional blanket

Fourth-Quarter 19th Century; Diné Woven in heavy homespun wool in red, orange, cream and light purple with a column of conjoined, serrated diamonds 69” H x 45” W $500-700

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2137

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in red, cream, tan and light grey wool with bands of crosses 53.5” H x 24.5” W $700-900 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family to the present owner

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2138

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in red, grey, cream, brown and blue wool with a central stepped concentric diamond motif with a central cross, and additional crosses to corners 69.5” H x 43.5” W $700-900 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family

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2139

Leland Holiday

(b. 1974, Diné) Spirit figure Acrylic on Masonite Signed lower right: Leland Holiday 48” H x 12” W $300-500

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2140

Eileen Monaghan Whitaker ANA

(1911-2005, San Diego, CA) Portrait of a Native American figure in profile Watercolor on paper under glass Signed lower left: Eileen Whitaker, A.N.A. Sight: 13.25” H x 21.5” W $600-800

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2141

A Navajo Regional rug

Second-Quarter 20th Century; Diné Woven in grey, black and cream, with negative/positive banded fields and a meandering “vine” bifurcating each band 76” H x 57.5” W $1,500-2,000 Provenance: Acquired from Mark Winter, 2005

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2142

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in black, cream and natural grey wool with an overall zigzag motif 78” H x 50.5” W $500-700

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2143

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in brown, red, tan and cream wool with banding and zigzag motif 65.75” H x 42.5” W $500-700

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2144

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in cream, grey, red and dark brown wool with zigzag columns and floating serrated diamonds 63.5” H x 45” W $500-700 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family to the present owner

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2145

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in grey, cream, red, tan, dark orange, and dark brown wool with a stepped diamond motif and sawtooth border 62” H x 38.5” W $400-600 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family to the present owner

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2146

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in red, cream, and grey wool with three columns of conjoined diamonds and red border 82.5” H x 43” W $600-800 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family to the present owner

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2147

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in red, dark brown, cream and grey wool with two columns of conjoined and stepped diamonds 73” H x 47.5” W $500-700 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family to the present owner

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2148

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in red, cream, dark brown, and grey wool in an all-over stepped diamond motif 75.5” H x 45.5” W $600-900 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family to the present owner

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2149

A Navajo Regional rug

Second-Quarter 20th Century; Diné Woven in red, natural grey, tan, dark brown and cream wool, with two columns of stacked diamonds, an alternating hooked central divider with a serrated edge and double border 88” H x 60” W $800-1,200

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2150

A Navajo storm pattern variant rug

First-Quarter 20th Century; Diné Woven in red, dark brown, grey and cream wool with a stylized storm pattern motif 68.5” H x 62.5” W $1,000-1,500 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family to the present owner

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2151

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in red, cream, grey, orange, and dark brown wool with two conjoined serrated diamonds 66.5” H x 47” W $700-900 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family to the present owner

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2152

A Navajo Regional rug

First Quarter 20th Century; Diné Woven in orange, grey, tan, cream and dark brown wool, with a triple serrated diamond motif and meandered border 72” H x 45” W $800-1,200 Provenance: Acquired by Edward T. Owen, Late 19th/Early 20th Century Thence by descent through the family to the present owner

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2153

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in brown, cream and natural grey wool with a central double latched diamond motif 68” H x 46” W $500-700

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2154

A Navajo Regional rug

Second-Quarter 20th Century; Diné Woven in red, black, cream, and tan wool in a double diamond with an elaborate hooked border 89” H x 53” W $800-1,200 Notes: Owner’s notes indicate likely purchased from R.M. Bruchman and Son, Winslow, AZ in the early to mid-1950s.

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2155

20th/21st Century American School

Wrangling a wild horse Colored photograph on paper under Plexiglas From the edition of unknown size; appears unsigned Sight: 19.75” H x 13” W $400-600

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2156

Edward Borein

(1872-1945, Santa Barbara, CA) Vaquero on horseback India ink on paper Unsigned 8” H x 9.25” W $500-700 Literature: Nicholas Woloshuk Jr., “Edward Borein: Drawings and Paintings of the Old West, Volume II: The Cowboys” (Santa Fe: Santa Fe Village Art Musuem, 1974), 50.

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2157

Edward Borein

(1872-1945, Santa Barbara, CA) Cowboy on horseback with a steer India ink on onion skin-type paper under glass Unsigned Sight: 7.5” H x 6” W $600-800 Provenance: Signature Galleries, Scottsdale, AZ Notes: This drawing is accompanied by a letter of authentication prepared and signed by Harold Davidson of Santa Barbara, CA in September of 1973. It is also accompanied by a copy of a Scottsdale, AZ gallery sales invoice from February of 1978.

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2158

Edward Borein

(1872-1945, Santa Barbara, CA) Cowboy on horseback chasing a calf India ink on onion skin-type paper under glass Unsigned Sight: 8.375” H x 6.375” W $500-700 Provenance: Signature Galleries, Scottsdale, AZ Notes: This drawing is accompanied by a copy of a Scottsdale, AZ gallery sales invoice from February of 1978.

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2159

Paul Grimm

(1891-1974, Palm Springs, CA) “Eucalyptus” Oil on board Signed lower right: Paul Grimm; titled on label affixed verso 16” H x 12” W $800-1,200

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2160

Paul Grimm

(1891-1974, Palm Springs, CA) “Green Hills” Oil on board Signed lower left: Paul Grimm; titled on label affixed verso 16” H x 12” W $800-1,200

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2161

A Navajo Crystal rug

Second-Quarter 20th Century; Diné Woven in dark brown, cream, and natural grey wool with feathers, crosses, hooked diamonds in an all-over geometric motif 82.5” H x 50” W $600-800

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2162

A Navajo Crystal rug

Second-Quarter 20th Century; Diné A Navajo rug woven in speckled gray, cream, black, red, and tan wool with a central cross and stepped motif and various floating motifs to sides and corners, with red, white, and black dots throughout 77” H x 53” W $2,500-3,500

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2163

A Navajo Crystal rug

First-Quarter 20th Century; Diné Woven in natural light brown, brown, red, tan and cream wool with overall geometric floral shapes and a stepped border 81.5” H x 37.5” W $1,800-2,200 Provenance: Acquired from Mark Winter, 2004

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2164

A Navajo Regional rug

Second-Quarter 20th Century; Diné Woven in polychrome wools on cream ground with central latched diamond and elaborate delicate motifs overall 60” H x 32” W $1,000-1,500 Provenance: Acquired from Alexanian Rugs in 2006

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2165

A Navajo Regional rug

Mid-20th Century; Diné Woven in red, dark brown, light natural brown, and cream wool with central radiating stepped diamond 72.25” H x 37” W $1,000-1,500 Provenance: Acquired from Alexanian Rugs in 2003

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2166

A Navajo Regional rug

Second-Quarter 20th Century; Diné Woven in red, cream, grey, and black wool with three columns of serrated diamonds 72” H x 42” W $1,200-1,800 Provenance: Acquired from Alexanian Rugs in 2008

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2167

A Navajo Regional rug

Mid-20th Century; Diné Woven in red, cream, grey and black wool with all-over stepped diamond motif within a stepped border 68” H x 48” W $500-700 Notes: Owner’s notes indicate likely purchased from R.M. Bruchman and Son, Winslow, AZ in the early to mid-1950s.

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2168

A Navajo Red Mesa rug

Second Half 20th Century; Diné Woven in multicolored wools with serrated diamond interior and multi-layered border 152” H x 91.5” W $3,000-5,000

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2169

A Navajo Teec Nos Pos Rug

Mid-20th Century; Diné Woven with multicolored wools in an all-over design of concentric serrated diamonds, with a heavy geometric border of black, cream and brown wool 74” H x 55.25” W $1,000-1,500

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2170

A Navajo Teec Nos Pos rug by Cora Tom

Second Half 20th Century/21st Century; Diné A wool rug woven in jewel tones including turquoise and coral with black within an elaborate double border and all-over geometric motif 86” H x 52.5” W $2,000-3,000 Provenance: Acquired from Gallery 10, February 1996

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2171

Charles Marion Russell

(1864-1926, Great Falls, MT) “The Snake Priest,” modeled 1914 Patinated bronze on marble base Signed and dated in the casting: CM Russell [with artist’s cipher] / © 1914 / B. Zoppo Foundry, N.Y [Benjamin Zoppo] 3.875” H x 8.25” W x 4” D $2,000-3,000 Provenance: The Estate of Edward Butterworth, Arcadia, CA Literature: Rick Stewart, “Charles M. Russell: Sculptor” (Fort Worth, TX: Amon Carter Museum, 1994), 208, no. R-14. Notes: Russell sculpted several works that featured a flat, dish-like form and were originally intended to serve as ashtrays. An example of this bronze can be found in the C.M. Russell Musuem’s 2019 benefit auction, page 84: https://cmrussell.org/2019-catalog/files/basic-html/page84.html

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2172

Edward Borein

(1872-1945, Santa Barbara, CA) Four figures on horseback - War party India ink on onion skin-type paper under Plexiglas Appears unsigned Sight: 8” H x 10” W $800-1,200

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2173

Edward Borein

(1872-1945, Santa Barbara, CA) Native American with spear on a charging horse Conte crayon on paper under glass Appears unsigned Sight: 7.75” H x 7.875” W $600-800

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2174

Edward Borein

(1872-1945, Santa Barbara, CA) Two Native Americans on galloping horses India ink on onion skin-type paper under glass Appears unsigned Sight: 7.125” H x 8.875” W $600-800

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2175

Edward Borein

(1872-1945, Santa Barbara, CA) Figure with buffalo horns and spear on horse Charcoal on paper Appears unsigned Sight: 7.75” H x 7.75” W $500-700

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2176

Edward Borein

(1872-1945, Santa Barbara, CA) A Native American figure with feathered bonnet and staff on horseback India ink on paper Appears unsigned Sight: 6.5” H x 4.25” W $500-700

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2177

A Navajo Two Grey Hills storm pattern rug

Second-Quarter 20th Century; Diné Woven in natural grey, cream, tan and black wool with a central storm pattern motif and ribbon border 64” H x 45.5” W $2,000-3,000

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2178

A Navajo Two Grey Hills rug

Second Half 20th Century; Diné Woven in black, tan grey, cream, and variegated brown wool with central diamond and elaborate stepped border 39” H x 23” W $300-500

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2179

A Navajo Two Grey Hills rug

Second Half 20th Century; Diné Woven in black, brown, cream and grey wool with radiating central stepped diamond, stepped corners and interlaced border to two sides 47.25” H x 34.75” W $500-700

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2180

A Navajo Klagetoh rug

Third-Quarter 20th Century; Diné Woven with dark brown, natural brown, yellow, cream, and red wool with two stepped diamonds and stepped border to two sides 65.75” H x 39.75” W $500-700

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2181

A Navajo Klagetoh rug

Second-Quarter 20th Century; Diné A Navajo rug woven in red, cream, light brown, dark brown, and grey wool with a central hooked diamond 71.5” H x 42.5” W $700-900

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2182

A Navajo Regional rug

Second-Quarter 20th Century; Diné Woven in red, cream, grey and black wool with a central diamond and half diamonds, with a serrated diamond border 63.5” H x 50.5” W $500-700 Notes: Owner’s notes indicate likely purchased from R.M. Bruchman and Son, Winslow, AZ in the early to mid-1950s.

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2183

A Navajo Regional rug

Third-Quarter 20th Century; Diné Woven in red, cream, dark brown and natural grey wool with a latch hook border 61” H x 38.5” W $400-600

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2184

A Navajo Regional rug

Mid-20th Century; Diné Woven in red, cream, yellow, natural grey, and dark brown wool, with an all-over serrated diamond pattern 67.5” H x 43.5” W $800-1,200

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2185

A Navajo Regional rug

Mid-20th Century; Diné Woven in red, cream, grey and dark brown wool in an alternating stepped motif within a double band 67” H x 49” W $500-700 Notes: Owner’s notes indicate likely purchased from R.M. Bruchman and Son, Winslow, AZ in the early to mid-1950s.

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2186

A Navajo Chinle Eye Dazzler rug by Rita Teller

Fourth-Quarter 20th Century; Diné Woven in dark red, grey, black, cream, and light grey in an all-over serrated diamond Eye Dazzler motif 36.5” H x 29” W $500-700 Provenance: Purchased at Hubbell Trading Post, Ganado, AZ Notes: This lot is accompanied by a retail label from Hubbell Trading Post and a photograph of the weaver.

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2187

Edward Borein

(1872-1945, Santa Barbara, CA) “Race to the Wagon, No. 1” Etching and drypoint in dark-brown on paper under glass From the edition of unknown size; signed in pencil in the lower margin, at right: Edward Borein Plate: 5” H x 6.75” W $700-900 Literature: Galvin 42

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2188

Edward Borein

(1872-1945, Santa Barbara, CA) “Grass Hunters, No. 1” Etching and drypoint in dark-brown on paper under glass From the edition of unknown size; signed in pencil in the lower margin, at right: Edward Borein Plate: 8” H x 10” W; Sheet: 9.5” H x 13.25” W $1,000-2,000 Literature: Galvin 28

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2189

Edward Borein

(1872-1945, Santa Barbara, CA) “La Cantina de las Palomas, No. 2” Etching and drypoint in brown on paper under glass From the edition of unknown size; signed and with the artist’s remarque in pencil in the lower margin Plate: 8.875” H x 11.75” W; Sheet: 12.375” H x 15.75” W $1,000-2,000 Provenance: Cornell Norby Fine Art, Newport Beach, CA Literature: Galvin 271

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2190

Edward Borein

(1872-1945, Santa Barbara, CA) “Emigrant Train” Etching and drypoint in dark-brown on paper under glass From the edition of unknown size; signed and with the artist’s remarque in pencil in the lower margin: Edward Borein Plate: 5.875” H x 14” W $700-900 Literature: Galvin 148

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2191

Edward Borein

(1872-1945, Santa Barbara, CA) “Trail Herd, No. 2” Etching and drypoint on paper under glass From the edition of unknown size; signed and with the artist’s remarque in pencil in the lower margin: Edward Borein Plate: 7” H x 12.625” W $700-900 Literature: Galvin 101

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2192

Rick Terry

(20th Century, Montana) “The Bullride,” 1985 Patinated and cold painted bronze on wood base Edition 3/20; signed and dated in the casting: Rick Terry / © 85; titled to plaque 12” H x 7” W x 11” D $800-1,200

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2193

Sid Burns

(1916-1979, Arizona) “Bronc Buster Busted,” 1979 Patinated bronze on wood base Edition 8/24; signed and dated: Sid Burns © [artist’s cipher] / 1979; further marked: JHM Classic Bronzes; titled to sculpture, titled again to plaque 16” H x 19” W x 10.5” D $600-900

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2194

2195

Second-Quarter 20th Century; Diné Woven in red, brown, orange, cream and grey wool, a pictorial rug with a central eagle and side arrows framed by an outlined fret border 41” H x 57” W

Second Half 20th Three works:

A Navajo pictorial weaving

$1,000-1,500

A group of Na

A pictorial mat d Woven in grey, b 23.5” H x 27.5”

A pictorial weavi Woven in reddis 30.5” H x 24” W

A pictorial samp Woven in grey, b 14” H x 15” W $600-800 2 4 0 A r t o f t h e Am e r i c a n We s t l Tu e sd ay, M ay 2 4 , 2 0 2 2

avajo pictorial weavings

h Century; Diné

depicting a spread-winged Thunderbird brown, black, tan, cream and reddish-brown wool W

ing of a heraldic eagle sh-brown, grey, cream, brown and green wool W

pler depicting a perching eagle brown, cream and red wool, with lightning and feather motifs

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2196

A Navajo pictorial rug

Second-Quarter 20th Centuy; Diné Woven in brown, grey, red and cream wool, with pictorial foliate elements left and right of center 66.5” H x 43” W $2,000-3,000

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2197

A Navajo pictorial rug

Third-Quarter 20th Century; Diné Woven in light blue, red, rust, cream and black with feathers, stars, crosses and an elaborate hooked border 51” H x 38” W $700-900

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2198

A Navajo Yei weaving

Mid-20th Century; Diné Woven in polychrome wools with a cream ground, featuring four standing Yei figures, with cornstalks and Rainbow Guardian 39” H x 65” W $1,200-1,800

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2199

A Navajo Yei weaving

Second-Quarter 20th Century; Diné Woven in blue, green, black, red, dark yellow, orange and cream wool, a homespun pictorial with alternating cornstalks, Yei and two vertical bands of morningstar crosses 42” H x 59” W $1,200-1,800

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2200

A Navajo Yei Bi Chei weaving

Third-Quarter 20th Century; Diné Woven in red, tan, dark brown, yellow, black, blue, and light grey on a dark grey ground, with ten standing figures and double serrated border to two sides 58” H x 71” W $1,200-1,800 Provenance: Acquired from Russell Foutz Indian Room in 1978

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2201

A Navajo Yei Bi Chei weaving

Third-Quarter 20th Century; Diné Woven in cream, purple, green, pink, red, blues, yellow, orange, black, grey, and brown wool with ten Yeibichei dancers and a narrow sawtooth border 35” H x 52” W $800-1,200

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2202

A Navajo Yei weaving by Frida Kee

Late 20th/ 21st Century; Diné Woven in grey, cream, brown, red, blue, green, and black wool with four standing Yei figures and a border of floating feather motifs 34.5” H x 46.5” W $1,000-1,500 Exhibitions: O’Odham Tash Casa Grande, 2/12/2004, Second Place winner Notes: This lot is accompanied by a Second Place red ribbon. Label on ribbon denotes Frida Kee as weaver, with date 2-12-04.

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2203

Tom Darro

(b. 1946, Arizona/Illinois) Native American woman seated in a field at sunset Oil on canvas Signed lower left: Tom Darro © 18” H x 25” W $3,000-5,000

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2204

Karen Thayer

(20th/21st Century, Oregon) “Reina” Oil on canvas Signed lower right: Karen Thayer; titled on the artist’s business card affixed to the verso of the frame 24” H x 20” W $400-600

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2205

Karen Thayer

(20th/21st Century, Oregon) “Twinkle of Mischief” Oil on canvas Signed lower right: Karen Thayer; titled on the stretcher 24” H x 18” W $400-600

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2206

A Navajo storm pattern variant rug

Second-Quarter 20th Century; Diné Woven in natural grey, dark brown, cream, and red wool in a storm pattern 78” H x 52.25” W $1,800-2,200

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2207

A Navajo Regional rug

Second-Quarter 20th Century; Diné Woven in natural black, grey, and cream wool in a storm pattern with central motif and pictorial feather border 73.75” H x 56” W $800-1,200

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2208

A Navajo storm pattern rug

First-Quarter 20th Century; Diné Woven in brown, red, tan, and grey wool on a cream wool field in a storm pattern with waterbugs and sawtooth border 60” H x 35.5” W $400-600

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2209

A Navajo Ganado storm pattern rug by Alice Jones

Third-Quarter 20th Century; Diné Woven in red, grey, cream, and black wool in a storm pattern motif, with other elements including corn stalk motifs 53.5” H x 35” W $500-700 Provenance: Purchased from Don Watson’s Trading Post, Cortez, Colorado Exhibitions: Gallup, NM, “Inter-tribal Indian Ceremonial Show,” 1969, First Prize winner Notes: Rug is accompanied by retail tag from Don Watson’s Indian Trading Post, Cortez, Colorado. Tag reads: Ganado Red, Alice Shaunder. This lot is accompanied by a First Prize ribbon. Blue Ribbon label indicates Alice Jones as exhibitor

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2210

A Navajo storm pattern rug

Fourth-Quarter 20th Century; Diné A storm pattern rug with sawtooth side borders, woven in black, grey, light grey, white, and terracotta wool, with black knotted fringe at each corner 73” H x 52” W $600-800

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2211

A Navajo Third Phase-style Chief’s rug

Mid-20th Century; Diné Woven in red, brown and cream wool with serrated conjoined diamonds to center and sides, on a field of alternating brown and cream banding 65.75” H x 102.5” W $2,000-3,000

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2212

A Navajo Regional rug

Third-Quarter 20th Century; Diné Woven in red, cream, grey and black wool in a banded motif 67.5” H x 44.5” W $500-700

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2213

A Navajo Two-Faced Yei saddle blanket

Late 20th Century; Diné Double-faced blanket woven in red, black, grey, and cream wool, with four Yei figures and eleven diamond motifs on one side 28.5” H x 40.5” W $200-300

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2214

A Navajo pictorial weaving

Third-Quarter 20th Century; Diné Woven in browns, black, red, yellow, tan, dark green, and cream wool, depicting a pictorial landscape scene of life on the Navajo reservation with hogans, cars, trees, and cattle 58.25” H x 37” W $700-900

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2215

A Navajo pictorial weaving by Isabel John

Fourth-Quarter 20th Century; Diné Signed in weave: IJ Woven in tan, blue, browns, green, pinks, black, grey, and white wool, depicting a view of life on the reservation, with hogans, figures including a weaver, trees, sheep, cows and the desert landscape with stream, sky and clouds 25” H x 41.5” W $700-900

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2216

A Navajo Tree of Life pictorial variant weaving

Third-Quarter 20th Century; Diné Woven in green, reds, pinks, yellows, peach, and blues, greys and black wool in a Tree of Life variant design with birds on tulip stalks rather than corn stalks, with a stepped border to sides 36” H x 22.75” W $600-800 Provenance: Acquired at Las Vegas show in 1974

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2217

George Rozen

(1895-1973, New York) Pulp fiction magazine cover: Mexican vaquero with young woman Oil on canvas laid to board Signed lower left: G. Rozen 30” H x 21” W $2,000-3,000 Notes: In addition to the other pulp magazine series for which he worked, George Rozen became one of “The Shadow” magazine’s most renowned cover artists starting in the 1930s. He spent the few decades of his life in Arizona and Ohio.

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2218

Lorna Dillon

(b. 1940, California) “Yellow Slickers” Oil on canvas Signed lower right: Lorna Dillon; titled on the frame plaque 30” H x 24” W $1,000-1,500

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2219

Walt La Rue

(1925-2010, Burbank, CA) “No Spot for a Greenhorn,” 2001 Oil on canvas Signed and dated lower left: Walt La Rue © ; titled verso; inscribed on the frame verso: For Merritt + Sara / Your friend Walt La Rue / Dec 6 - 01 12” H x 16” W $1,000-1,500

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2220

Marjorie Reed

(1915-1996, Vallecito, CA) Stagecoach in a landscape Oil on canvas board Signed lower left: Marjorie Reed 15.5” H x 19.75” W $1,500-2,000

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2221

Marco Antonio Gomez

(1910-1972, Manhattan Beach, CA) “The Drifter” Oil on canvas Signed lower right: M.A. Gomez and with the artist’s device; signed again and titled verso 20” H x 24” W $1,000-2,000

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2222

A Navajo pictorial saddle blanket

Mid-20th Century; Diné Woven in red, pink, brown, and white wool, with green selvage edges, with a central banded stepped motif, steer heads at two corners, and MZ monogram to each side 22” H x 33” W $300-500

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2223

A Navajo double saddle blanket

Late 19th/Early 20th Century; Diné Woven in red, tan, cream, brown, and variegated brown wool with ghost center and an outlined stepped border 50.5” H x 32” W $700-900

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2224

A Navajo double saddle blanket

First-Quarter 20th Century; Diné Woven in dark brown, tan, cream and variegated brown wool with a ghost center and an outlined fret border 52’’ H x 31” W $600-800

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2225

2226

Fourth-Quarter 20th Century; Diné Woven in grey, reddish-brown, black/dark grey and cream wool with six rows of geometric banding 33.5” H x 60.75” W

First-Quarter 20th Century; Diné Woven in dark brown/black and cream wool center and Anasazi-style motif corners 57” H x 34” W

A Navajo Chinle-style double saddle blanket

$300-500 Provenance: Acquired from Dinnebito Trading Post in 1990

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A Navajo double saddle blanket

$1,000-1,500

l, with ghost

2227

A Navajo single saddle blanket

Mid-20th Century; Diné Woven in browns, red, black, cream, green, and orange wool, with central double diamond and walking fret border 28” H x 36” W $200-300

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2230

Olaf Wieghorst

(1899-1988, El Cajon, CA) Cowboy on a horse, 1969 Watercolor with gouache on blue-co Initialled lower left and with artist de in the margins: Merry Xmas, Mae x O Board: 6.75” H x 4.75” W $800-1,200

Provenance: Estate of Paul Weaver ( Publishing Flagstaff, AZ)

2228

Joe De Yong

(1894-1975, Great Falls, MT) “To accompany ‘Chapettes’” Indian ink on paper under glass Signed and titled along the lower edge: Joe De Yong 8.5” H x 5.5” W $1,000-1,500

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olored paper laid to board evice; inscribed and dated Olaf

(owner of Northland Press

2229

Olaf Wieghorst

(1899-1988, El Cajon, CA) Bucking Bronco with rider India ink and watercolor on paper Signed lower left: O. Wieghorst and with the artist’s device Sight: 12” H x 10” W $800-1,200

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2231

Two Navajo Germantown woven squares

First-Quarter 20th Century; Diné Two Germantown squares with gray ground, one woven with red, black, and green wool on grey with a double diamond motif (18.25” x 19.5” W) and one woven with navy blue, red, and green wool on grey with a conjoined stepped diamond (18” H x 20” W), 2 pieces $400-600

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2232

Two Navajo Germantown woven squares

First-Quarter 20th Century; Diné Two Navajo Germantown sampler squares, one woven in blue, green and cream wool with a central sawtooth diamond motif and one woven in red, black, cream, and grey wool with sawtooth diamonds within a central sawtooth cross, 2 pieces Each: 21” H x 21” W $400-600

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2233

Two Navajo Germantown loomers First-Quarter 20th Century; Diné Two works:

A Germantown loomer Woven in purple and cream wool with the acronym BPOE for Benevolent & Protective Order of Elks, with cotton warps and wooden loom bars and rod 16” H x 13.75” W A Germantown loomer Woven in green, cream, yellow, and red wool, with Shriner’s symbol on a green ground, with cotton warps and wooden loom bars and rods 15.75” H x 11.5” W $100-200

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2234

Three Germantown loomers

Late 19th/Early 20th Century; Diné Three works: A Germantown loomer with weaver’s comb Woven in orange, red, green, and purple wool, with cotton warps and wooden loom bars and comb 16.5” H x 15” W A narrow Germantown loomer Woven in black, red, cream and purple wool with cotton warps an wooden loom sticks 16” H x 8.25” W A large Navajo loomer Woven with Germantown designs in green, blue, and cream wool, with a homespun red wool ground, wool warps, and wooden loom bars and batten 22.5” H x 22” W $600-900 Provenance: Black and red loomer acquired from Alexanian Rugs in 2002 w w w. j o h n m o r a n . c o m 2 8 1

2235

Two Navajo rugs Two works:

A Navajo Two Grey Hills rug Fourth-Quarter 20th Century; Diné Woven in browns, greys, black and cream wool with a central stepped diamond and stepped motifs to the corners 30.25” H x 23.25” W A Navajo Germantown table runner First-Quarter 20th Century; Diné Woven in grey, black, red, and cream wool with central stepped hooked diamond 37” H x 18.75” W $500-700

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2236

A loom with a Navajo Two Grey Hills weaving sample

Fourth-Quarter 20th Century; Diné Comprised of a loom formed from a natural wood branch, with a Two Grey Hills weaving sample attached, as well as various tools and implements, such as a wool carder, spindle, weaver’s comb and batten 19” H x 23” W x 7” D $200-400

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2237

A Navajo Wide Ruins table runner

Fourth-Quarter 20th Century; Diné Woven in brown, grey, beige, dark blue, light blue, light green, yellow, purple and red wool with five serrated diamond motifs with alternating bands 50” H x 15” W $300-500

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2238

A Navajo table runner weaving

Second Half 20th Century; Diné Woven in multicolor wools on grey ground with ten serrated conjoined diamonds 61.5” H x 21.5” W $500-700

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2239

A group of Navajo rugs

Fourth-Quarter 20th Century; Diné Four works: A Wide Ruins-style rug Woven in rusts, oranges, grey, olive green, and cream wool with geometric banding 42” H x 29” W A Navajo Regional rug Woven in red, grey, black and cream wool, with a central stepped diamond and stepped corner motifs 39.5” H x 26.75” W A Two Grey Hills-style rug Woven in tan, brown, greys, black and cream wool with a central stepped diamond and stepped corner motifs 35.5” H x 24” W A Navajo Regional rug Woven in multiple greys, black, red, and cream wool with all-over conjoined sawtooth diamond motifs 37” H x 25” W $800-1,200

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2240

Joe Waano-Gano

(1906-1982, Los Angeles, CA) “From the Land of the Sky-Blue” Oil on canvas Signed lower right: J. Waano-Gano; signed again and titled on the backing board 30” H x 25” W $1,000-1,500 Exhibitions: Painters & Sculptors Club, Greek Theatre, Los Angeles, CA, n.d.

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2241

Hubert Wackermann

(b. 1945, German) “Cree Chief,” 2021 Oil on canvas Signed lower left: HF Wackermann and with the artistís device and ©; signed again, and titled and dated, verso 14” H x 11” W $500-700

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2242

Hubert Wackermann

(b. 1945, German) “Rain in the Face, Hunkpapa Sioux,” 2019 Oil on canvas Signed lower left: HF Wackermann and with the artistís device and ©; signed again, titled and dated verso 16” H x 12” W $600-800

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2243

Adam Sherriff Scott

(1887-1990, Canadian) Portrait of a Native American Oil on canvas board Signed lower right: A. Sherriff Scott R.C.A. 24” H x 18” W $600-800 Provenance: Reverend Joseph M. Kelchak Collection, according to notation on the stretcher

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2244

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in red, brown, cream, orange, and variegated brown wool, with Vallero stars in orange and brown and red and brown ticking centering a band of small diamonds 50.25” H x 31” W $700-900

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2245

A Navajo Regional rug

First-Quarter 20th Century; Diné Woven in variegated brown, dark brown, red, grey and cream wool, with a banded motif and diamond banding to ends 62.25” H x 32.75” W $300-500

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2246

A group of Navajo rugs

Four works: A Navajo Chinle-style rug First-Quarter 20th Century; Diné Woven in red, cream, brown, and natural light brown wool with geometric banding of various types 37.25” H x 18.5” W A Navajo homespun square with warp fringe Mid-20th Century; Diné Woven in brown, red, and cream wool with sawtooth motif and warp fringe 18.5” H x 19” W

An Early Navajo simple Teec Nos Pos rug First-Quarter 20th Century; Diné Woven in brown, cream, red, orange and natura conjoined diamond motif 27” H x 20.5” W

A Navajo Regional mat Second-Quarter 20th Century; Diné Woven in tan, pale yellow, cream and natural bro diamonds and banded ends 24.5 “ H x 18.25” W $300-500

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al brown wool with central

rown wool with floating

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2247

A Navajo Chinle revival blanket

Second-Quarter 20th Century; Diné Woven with brown, blues, and pink wool on a cream ground with alternating striped banding and multi-diamond banding 82.75” H x 56.5” W $500-700

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2248

A Navajo Wide Ruins saddle blanket by Ruth Tsosie Second-Quarter 20th Century; Diné Woven in yellow, grey and cream wool in a banded motif 54” H x 32.5” W $400-600 Exhibitions: Gallup, NM, “Inter-Tribal Indian Ceremonial Show,” 1949, First Prize winner, Arts-Crafts Notes: Tags accompanying rug: Ruth Tsosie, Kimmel (Kimbel?) Trading Post, Wide Ruins, Arizona. This lot is accompanied by a First-Place ribbon.

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2249

Two Navajo Wide Ruins rugs Mid-20th Century; Diné Two works:

A Wide Ruins rug by S or N. Begay Woven in black, yellow, ochre, orange, and natural grey-brown wool, with alternating bands of diamonds and stripes 72.5” H x 48” W A Wide Ruins rug, possibly by Ella B. James Woven in grey, green, black, ochre and cream wool with sawtooth and striped banding 43.5” H x 32” W $400-600

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2250

A Navajo Chinle-style rug

Mid-20th Century; Diné Woven in tan, cream, grey and black wool in serrated diamond bands 67.25” H x 45.25” W $300-500

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2251

Three Navajo Wide Ruins rugs Mid-20th Century; Diné Three works:

A Wide Ruins rug, possibly by Maggie Roan Woven in brown, tan, beige, cream, ochre, and yellow wool with alternating banded diamond motifs 64” H x 31.5” W A Wide Ruins rug, possibly by Maggie Roan Woven in ochre, beige, brown, cream, tan, and green wool with a central sawtooth band flanked by additional diamond banded motifs 54” H x 32.5” W A small Wide Ruins rug Woven in tan, coral, pink, beige, terracotta, and grey wool in banded motifs with sawtooth diamonds 42.5” H x 27.5” W $600-800 Provenance: Two purchased from Don Watson’s Trading Post, Cortez, Colorado Notes: Two weavings are accompanied by retail tags from Don Watson’s Indian Trading Post, Cortez, Colorado. One tag reads: Pine Springs Vegetable Dye, Maggie Roan; the other: Wide Ruins Vegetable Dye, Maggie Roan

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2252

Two Navajo loomers

Second Half 20th Century; Diné Two works: A pictorial loomer with a central dancing figure and sawtooth edging Woven in red, orange, cream, grey and black wool with cotton warps and wooden loom bars and sticks 21.75” H x 27” W A Regional loomer with fret border Woven in grey, red, black, cream, and green wool with wool warps and wooden loom bars and rod 24.5” H x 22” W $600-900

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2253

A group of Navajo weaver’s tools

19th Century; Diné Comprising a cotton bag with a wooden spindle, batten, heddles, and four combs, 11 pieces Larger: 34.5” L; Smaller: 18.375” L $300-500

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2254

Paul Grimm

(1891-1974, Palm Springs, CA) Snow capped mountains with a lake Oil on board Signed lower left: Paul Grimm 12” H x 16” W $800-1,200

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2255

Paul Grimm

(1891-1974, Palm Springs, CA) “Oak & Sycamore,” 1967 Oil on canvas board Signed lower right: Paul Grimm; titled and dated verso 12” H x 16” W $800-1,200

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2256

Peter Fillerup

(b. 1953, Wyoming) “War Chief,” 1978 Patinate bronze on wood base Edition 5/28; signed and dated in the casting: Peter M. Fillerup / © 78; titled to plaque 18.25” H x 17” W x 7” D $800-1,200

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2257

James P. Regimbal

(b. 1949, Washington/California) “The Story Teller,” 1980 Patinated bronze on wood base Signed and dated in the casting: Jim Regimbal © / 1980; titled to sculpture 4.25” H x 6.25” W x 4.5” D $300-500

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2258

After Carl Kauba

(1865-1922, Austrian) Seated Native American figure Patinated bronze on marble base Signed in the casting: C Kauba 5.5” H x 4.5” W x 4.25” D $500-700

2260

Charles Marion Russell

(1864-1926, Great Falls, MT) “The Last Laugh,” modeled in 1916 Patinated bronze on marble base Signed and dated in the casting: CM Russell [with artist’s cipher] / © 1916 / B. Zoppo Foundry, N.Y [Benjamin Zoppo] 4” H x 7.25” W x 4.75” D $2,500-3,500 Provenance: The Estate of Edward Butterworth, Arcadia, CA Literature: Rick Stewart, “Charles M. Russell: Sculptor” (Fort Worth, TX: Amon Carter Museum, 1994), 222, no. R-17. Notes: Russell sculpted several works that featured a flat, dish-like form and were originally intended to serve as ashtrays.

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2259

Charles Marion Russell

(1864-1926, Great Falls, MT) “Will Rogers,” modeled 1926 Patinated bronze on marble base Signed in the casting: CM Russell [with artist’s cipher] 10.75” H x 10.75” W x 5” D $1,000-1,500 Provenance: The Estate of Edward Butterworth, Arcadia, CA Literature: Rick Stewart, “Charles M. Russell: Sculptor” (Fort Worth, TX: Amon Carter Museum, 1994), 318, no. R-38.

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2261

Hubert Wackermann

(b. 1945, German) “Arapaho Scout,” 2019 Oil on canvas Signed lower right: HF Wackermann and with the artistís device and ©; signed again, and titled and dated, verso 8” H x 10” W $400-600

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2262

A Jennings Tic-Tac-Toe Chief slot machine

Circa 1951 Metal impressed: U.S.A. Patent Nos. 1659878-1912802 / 1403933-1562771 / 1623945; Wood side with burned number: 166299 By O. D. Jennings & Co., the slot machine with a nickel finished metal and wood upright standard cabinet with pull lever 25.5” H x 15.25” W x 15.75” D $600-800

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2263

Loris Marazzi

(20th Century, Italian) “Shirt with Hanger,” 2004 Wood, metal, and buttons Edition 6/8; signed and dated: Loris Marazzi / 2004 39” H x 24” W x 7” D $600-800

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2264

A hand-tooled saddle and bridle, D. Hulbert

Mid-20th Century; Arboles, CO Marked: D. Hulbert, Maker, High Country Cowboy Company, Arboles, Colorado; Further Marked: Custom Boots and Saddles/Hulbert/OK; Saddle bags with impressed mark: Andy Incardona, Maker, Saddle and Gear, Cave Creek, AZ A hand-tooled leather saddle and fenders with leather cinch, latigos, open stirrups, six slotted conchos with tie strings, sheepskin padding, as well as detachable tooled saddle bags and a detachable rifle carrier, with a leather headstall and metal bit, all on a custom wooden stand, 5 pieces Saddle: 39” H x 22” W x 28” D; On stand: 44” Height x 29” Width x 28” D $800-1,200

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2265

An American Hercules Powder dynamite box First-Quarter 20th Century 10.5” H x 18.25” W x 11.75” D $100-200

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2266

A pair of Geno D’Ambrose leather chaps

Late 20th/Early 21st Century; Phoenix, AZ With impressed G.D’Ambrose mark In black and tan leather with brass accents and fringe presented on a wood stand Leg: 40” L; Waist: 39” Dia. $300-500

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2267

A pair of rope and concho accented chaps

In medium brown leather with rope-style trim, fringe, and silver metal concho accents Leg: 35” L; Waist: 38” Dia. $200-400

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2268

A pair of hand-tooled spurs, by Andy lncardona

20th Century; Cave Creek, Arizona Each with impressed maker’s mark to leather The silvered metal spurs with large star rowels and chased designs to the shank and heelband, 2 pieces Each: 3” H x 4.25” W x 9.5” D $300-500

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2269

A pair of spurs

20th Century Appears unmarked The metal spurs with small rowels and inset, chased silvered metal designs to the shank and heelband, 2 pieces Each: 2” H x 4.5” W x 9” D approximately $300-500

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2270

A pair of Arts and Crafts oak chairs

Circa 1930s; New Mexico Each quarter-sawn solid oak with cut-out heart-style designs to the back raised on straight legs, 2 pieces 38” H x 16.5” W x 19” D $300-500 Provenance: Lane Coulter, Santa Fe, NM Susan & Eliot Black of Greenwich, CT and Scottsdale, AZ, acquired from the above in 1998 Acquired from the above by present owner

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2271

Eli Harvey

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2272

Jerome H. Johnson

(20th Century, American) “Muley Country,” 2003 Oil on canvas Signed and dated lower right: JH Johnson; titled on the frame plaque 28” H x 36” W $2,000-3,000

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2273

Bob Kuhn

(1920-2007, American) Portrait of a man, 1944 Watercolor on board Signed, dated, and inscribed upper left: Bob Kuhn / 44 / “Sketched on the broad Atlantic for my friend - Steve.” 13.5” H x 10” W $600-800 Provenance: Private Collection, San Mateo, CA

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2274

Charles Marion Russell

(1864-1926, Great Falls, MT) Big Horn Sheep Patinated bronze on marble base Signed in the casting: CMR 7.625” H x 6” W x 4.5” D $700-900 Provenance: The Estate of Edward Butterworth, Arcadia, CA

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2275

A carved wood Black Forest bighorn sheep

Late 19th/Early 20th Century The carved, solid wood ram depicted standing on a rocky outcrop 26.75” H x 13.5” W x 6.5” D $800-1,200

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2276

A carved wood Black Forest bear

Late 19th/Early 20th Century The carved, solid wood bear with polychrome details and inset glass eyes 9.25” H x 14” W x 6.5” D $500-700

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2277

Donald Polland

(1932-2003, California) “Prong Horns,” 1970 Patinated bronze on wood base Edition 44/50; signed and dated: Polland © / 70; titled to sculpture 2.75” H x 5.75” W x 4.125” D $300-500

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2278

A Haudenosaunee beaded Glengarry cap

Fourth-Quarter 19th Century; Iroquois The cap with multicolored floral beadwork motifs on dark brown velvet with rickrack trim and bound edges in red, with red ribbons 4.5” H x 6” W x 11” D $300-500

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2279

A Haudenosaunee beaded bag

Fourth-Quarter 19th Century; Iroquois A finely beaded fabric bag with floral designs 6” H x 6.75” W $800-1,200

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2280

A group of Haudenosaunee beaded whimseys

First-Quarter 20th Century; Iroquois A group comprising a large beaded whimsey boot (11.5” H with fringe x 7.25” W x 3” D), a beaded whimsey wall pocket slipper (7” H x 2.5” W x 1.75” D; hanger: 4” L), a beaded red velvet coin purse red bag (2.75” H x 3.75” W x 1.75” D), and a small beaded whimsey boot on red felt (3.5” H x 2.5” W), 4 pieces $200-400

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2281

Three Haudenosaunee beaded whimsey cushions

Late 19th/Early 20th Century; Iroquois Comprising a whimsey beaded heart cushion (7” H with fringe x 6” W; hanger: 5” L), a whimsey beaded cushion with a bird motif (7.5” H x 6.75” W; hanger: 3.75” L), and a whimsey pillow (7.5” H x 11.5” W x 3” D), 3 pieces $200-400

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2282

A Haudenosaunee beaded souvenir whimsey cush

First-Quarter 20th Century; Iroquois A hanging whimsey cushion with multicolored and high-rel fringing and the words: “Souvenir 1903” in white beads With fringe: 15.5” H x 12” W x 3.5” D; hanger: 7.5” H (from $500-700

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hion wall decoration

lief floral beadwork with

m top of cushion)

2283

Four Haudenosaunee beaded bags

Third-Quarter 19th Century; Iroquois Comprising four bags with floral motifs and fabric trim, including a beaded bag with large beads and red fabric trim (7” H x 7” W), a beaded bag with primarily clear beads and brown fabric trim (6” H x 5.5” W), a beaded bag with bead fringe (6” H with fringe x 5” W), and a smaller beaded bag with bead fringe (5.5” H with fringe x 4.5” W), 4 pieces $300-500

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2284

Oreland C. Joe

(b. 1958, Diné) “Blessing of White Corn,” 1999 Alabaster on rotating marble base Signed and dated to verso: O C Joe / CA [Cowboy Artists of America] / © / ‘99; titled to plaque 18.5” H x 7.75” W x 6.5” D $800-1,200 Notes: The Cowboy Artists of America is an exclusive organization of artists that was founded in 1965 by four prominent western artists, Joe Beeler, Charlie Dye, John Hampton and George Phippen. Oreland C. Joe was inducted to the CAA in 1993.

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2285

A Vallero star Rio Grande textile

Fourth-Quarter 19th Century; New Mexico Woven in yellow, red, orange, cream, pink, light blue, and black with a central diamond with radiating chevrons and Vallero stars to corners and seamed to center 85.5” H x 49” W $1,500-2,500 Literature: An image of a similar blanket appears in: Nora Fisher, “Vallero Blankets,” in “Rio Grande Textiles,” ed. Nora Fisher (Santa Fe: Museum of New Mexico Press, 1994), 101, plate 82 Notes: “Brilliantly colored, flamboyant and characterized by eight-pointed stars, the Vallero blanket has been described as the “last fling of native weaving.” The Vallero-style Rio Grande blanket is named for the small village of El Valle, located in a small canyon east of Trampas, New Mexico. While El Valle locals credit Patricia Montoya, a weaver working in the 1890s, with the introduction of the eight-pointed star as a motif, it seems that the Vallero stars had in fact appeared many years earlier. In addition to pre-1890 examples featuring indigo and cochineal dyes as well as some with early three-ply yarns, Valleros are found in such large numbers that it is unlikely one woman is responsible for weaving all of them. Most Valleros are made of two widths with a seam down the center, are highly colorful and feature strong vertical emphasis in the side borders, as well as the ubiquitous eight-pointed stars. Some have hand spun warps and wefts, and some are made with commercial yarns. The Vallero form and its many variants rapidly spread and became extremely popular. Some later designs, highly stylized and laid out in a grid pattern, strongly resemble quilt squares. Valleros diminished in influence around 1900, with the increased popularity of more pictorial designs as well as of the Chimayo-style blankets. Not entirely forgotten, the influence of the Vallero style can still be seen in examples from the 20th Century onwards. “Indeed, it is one of the few traditional forms of the Rio Grande blanket to have been retained by the commercialscale Chimayo-style Spanish weavers. For this reason, the Vallero style might be considered transitional between the earlier Rio Grande style and the twentieth-century Chimayo style.” From: Nora Fisher, “Vallero Blankets,” in “Rio Grande Textiles,” ed. Nora Fisher (Santa Fe: Museum of New Mexico Press, 1994), 97-103

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2286

A Rio Grande blanket

First-Quarter 20th Century; New Mexico Woven in orange-red, pale pink, dark pink, burgundy, brown, yellow-green, orange and cream wool, with diagonal sawtooth stripes, a central diamond element, banded ends and a center seam 81” H x 50.5” W $800-1,200 Provenance: Acquired from Sarah & Joe Alexanian

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2287

A Rio Grande textile

First-Quarter 20th Century; New Mexico Woven in red, purple, orange, and pink wool with central sawtooth diamond and radiating sawtooth chevrons either side 85” H x 41.25” W $500-700

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2288

A Rio Grande textile

Fourth-Quarter 19th Century; New Mexico Woven in pink, red, orange, and indigo wool in a banded motif 91.5” H x 52.5” W $700-900

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2289

A Rio Grande textile

Fourth-Quarter 19th Century; New Mexico Woven in dark pink, orange, yellow, green, coral, and cream in a banded motif and seam to center 95.5” H x 51.5” W $800-1,200

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2290

A Mexican banded blanket

First-Quarter 20th Century Woven in red, blue, pink, orange, and purple wool in a banded motif 87” H x 50” W $700-900

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2291

A Rio Grande textile

Fourth-Quarter 19th Century; New Mexico Woven in pink, yellow, cream, dark blue and brown wool in a banded motif 74.5” H x 45.5” W $700-900

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2293

A Rio Grande banded blanket

Late 19th/Early 20th Century; New Mexico Woven in red-on-red wool with subtle banding throughout 85” H x 57” W $700-900

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2292

Tim Washburn

(b. 1965, Diné) Navajo Chief, 1980 Alabaster Signed and dated to verso: T. Washburn / 80 25.5” H x 10.5” W x 6” D $500-700

2294

A Rio Grande textile

First-Quarter 20th Century; New Mexico Woven in red, green, dark grey and brown wool in a banded motif 68” H x 48” W $400-600

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2295

A group of Mexican textiles

First Half 20th Century Comprised of three multicolor striped wool blankets woven in predominately browns, pinks and reds, including one with dark brown and pink stripes with twisted fringe (88” H x 42” W ), one with purple, green, and brown stripes with knotted fringe (83” H x 52” W ), and one with cream, red, and orange stripes (80” L x 45” W), 3 pieces $200-300

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2296

Two Rio Grande textiles

First-Quarter 20th Century; New Mexico Comprised of two striped wool blankets, one woven in pink on pink stripes, (74.5” H x 48.25” W), the other woven with maroon and tan stripes (82” H x 48.5” W), 2 pieces $400-600

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2297

A Rio Grande textile

Fourth-Quarter 19th Century; New Mexico Woven in cream, blue and pink wool in a banded motif with a central seam and folded ends 83.25” H x 66.25” W $600-800

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2298

Leonard Archuleta

(20th Century, Taos Pueblo) Bison, 1988 Alabaster and jet on a wood base With incised signature and date to underside: Leonard Archuleta / Taos Pueblo 1988 6” H x 8.5” W x 3” D $300-500

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2299

An alabaster figural sculpture

Circa 1990s Unsigned Depicting a Native American figure with draped garment and flowing hair on wood base 19” H x 11” W x 4.5” D $400-600 Provenance: Acquired by present owner in 1996

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2300

A Mayo textile

First-Quarter 20th Century; Mexico Woven in cream, brown and blue wool in a banded motif with turned under ends 81.5” H x 51.75” W $200-400

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2301

A Rio Grande textile

Second-Quarter 20th Century; New Mexico Woven in red, cream, brown and black wool with thirty-five Vallero stars set into a grid, seamed down the center 80” H x 51.5” W $800-1,200

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2302

Attributed to Manuel Alvarez Bravo

(1902-2002, Mexican) “Paisaje y Galop (Paisaje de Equitacion),” 1932 Platinum print on cream wove paper Edition of unknown size, printed later; bears a pencil signature, verso: M. Alvarez Bravo; faintly annotated in pencil in another hand, verso: MAB-08 Image: 6.75” H x 8.875” W; Sheet: 11.625” H x 15.25” W $1,000-2,000

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2303

Manuel Alvarez Bravo

(1902-2002, Mexican) “Frida Kahlo con Globo, Coyoacan, Mexico,” 1938 Silver gelatin print on photographic paper laid to board Edition of unknown size, printed later; initialed and inscribed in pencil on the verso of the support board, possibly by another hand: MAB / Frida con globo Image/Sheet: 8.875” H x 6.75” W; Support board: 12.5” H x 8.875” W $3,000-5,000

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2304

Manuel Alvarez Bravo

(1902-2002, Mexican) “Trabajadores del trÛpico,” 1943-44 Sepia-toned silver gelatin print on photographic paper tipped to a support sheet Edition of unknown size, printed later; signed, titled and inscribed in blue ink, verso: M. Alvarez Bravo. / Mexico Image / Sheet: 6.5” H x 8.125” W; Support sheet: 7.625” H x 11” W $1,000-1,500 Notes: Indistinct pencil notations on a small piece of brown paper affixed to the verso of the photographic sheet appear to read: Ejemplar 45-R / Fonoteca / 70 MN

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2305

Attributed to Manuel Alvarez Bravo

(1902-2002, Mexican) “Los Obstaculos,” 1929 Platinum print on cream wove paper Edition of unknown size, printed later; bears a pencil signature, verso: M. Alvarez Bravo. / Mexico. Image: 7” H x 8.875” W; Sheet: 11.5” H x 14.125” W $1,500-2,500

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2306

Attributed to Manuel Alvarez Bravo

(1902-2002, Mexican) “Caballo de Madera,” 1928 Platinum print on cream wove paper Edition of unknown size, printed later; bears a pencil signature, verso: M. Alvarez Bravo. / Mexico. Image: 8.875” H x 6.875” W; Sheet: 14.375” H x 11.375” W $2,000-3,000

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2307

Attributed to Manuel Alvarez Bravo

(1902-2002, Mexican) “Fruta Prohibida,” 1976 Platinum print on cream wove paper Edition of unknown size, printed later; bears a pencil signature, verso: M. Alvarez Bravo. Image: 6.875” H x 9” W; Sheet: 11.375” H x 13.5” W $2,000-3,000

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2308

A Chimayo/Saltillo Revival serape textile

Late 19th/Early 20th Century; New Mexico Finely woven blanket in cream, light green, rust, red, black, brown and purple wool with a central lozenge centering a vallero star 92.5” H x 51” W $3,000-4,000

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2309

A Mexican Transitional Saltillo serape textile

Fourth-Quarter 19th Century Woven in possibly indigo blue, red, cream, dark brown and mauve with an aggregate serrated diamond to center, finished with banded ends and later-added macrame fringe, seamed down the center 77.5” H x 44” W $1,500-2,500

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2310

A Mexican Saltillo serape textile

Late 19th/Early 20th Century The blanket woven in red, cream, green, yellow, orange, purple and black with an aggregate diamond motif to center on a red field and multicolor border 87” H x 47” W $800-1,200

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2311

A Mexican Bandera Saltillo textile

Late 19th/Early 20th Century Finely woven in red, green and cream with a lattice-work central diamond and floral surround further detailed with a red and cream lattice border finished with an elaborate knotted fringe 81.5” H x 45.5” W $700-900

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2312

A Mexican serape textile

Mid-20th Century Woven in cream, blue, red, green, tan and black wool with a Vallero star to the center, within a hooked diamond, and banded ends 75” H x 52” W $300-500

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2313

A Mexican serape textile

Second-Quarter 20th Century Finely woven in cream, blue, red and black wool with a Vallero star to the central diamond and banded ends 77.5” H x 55.5” W $600-800

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2314

A Mexican Saltillo serape

Mid-20th Century Woven in red, black, purple, light grey, yellow and green with a central diamond and banded ends scattered with multicolored floating elements 79” H x 64.5” W $400-600

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2315

A Mexican rainbow Saltillo serape

First Half 20th Century Finely woven in multicolored wool banding predominately in shades of green with a concentric diamond to center, and macrame fringe 77.75” H x 36.5” W $200-300

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2316

A Mayo serape textile

First Half 20th Century; Mexico Woven in cream, blue, brown, pink and yellow wool with a central diamond motif and flanked with columns of serrated zigzags on brown 69” H x 53” W $500-700

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2317

A Mexican Mayo textile

First-Quarter 20th Century Woven in green (faded dark blue), brown, cream, light ochre, and tan wool with a blue stripe to one end, on wool warp 75” H x 51” W $600-900

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2318

A group of Mexican textiles

First Half 20th Century Comprised of three Saltillo-style wool blankets, including one with pink, purple, orange, red, brown, and cream stripes and central diamond (88” H x 45” W), one with bright orange, red, green, blue, and multi motifs with turned edges (84” H x 44” W), and one in blue, cream, black, and red with central motif and banding to either side, with central seam (75.5” H x 60” W), 3 pieces $200-300

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2319

Two Mexican textiles

First Half 20th Century Comprised of a blanket woven in brown and cream wool with a central rectangular motif and central seam, with turned ends (74” H x 52” W), and a textile woven in dark grey, cream and red wool with a central serrated diamond and serrated border (80” H x 46” W), 2 pieces $200-300

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2320

A group of Latin American textiles First Half 20th Century Three works:

A striped Mexican wool blanket Woven in variegated brown, cream, and pink stripes, with a central seam 87.5” H x 47” W A Mexican wool blanket Woven with narrow multicolored wool banding and bands of motifs in yellow, pink, and green and brown 75” H x 52.5” W A striped wool blanket Woven with pink, orange and brown stripes 63” H x 65” W $200-300

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2321

A group of Mexican textiles

First Half 20th Century Comprised of four Mexican wool textiles, including two narrow variegated banded brown textiles, one with darker stripes (Each: 73” H x 25” W), a brown, cream and tan banded blanket (82” H x 48” W), and a brown, pink, yellow, and orange blanket with banded stripes and bands of motifs, with central seam (83” H x 51” W), 4 pieces $200-300

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2322

A Chimayo textile

Second-Quarter 20th Century; New Mexico Woven in red, cream, black, turquoise, blue and purple wool with central elaborate serrated diamond motif and floating feather and sawtooth motifs, with banded edges 85” H x 39.5” W $300-500

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2323

A Chimayo textile

Mid-20th Century; New Mexico A blanket woven in grey, red, white, turquoise and black wool, with a central diamond and bands to ends 71” H x 33.75” W $200-400

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2324

A Chimayo weaving

First-Quarter 20th Century; New Mexico Woven in red, black, cream wool with banded diamonds throughout 83” H x 48” W $300-500

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2325

A Chimayo rug

Second-Quarter 20th Century; New Mexico Woven in beige, cream, grey and ochre wool with alternating striped banding and stylized feather banding, with a grey wool knotted fringe and central seam 76.5” H x 56.5” W $400-600

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2326

Ralph Hulett

(1915-1974, Los Angeles, CA) Southwest mission with figures Watercolor and ink on paper under glass Signed lower right: Ralph Hulett Sight: 26” H x 21” W $600-800

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2327

Manuel Carrillo

(1906-1989, Mexican) “Guanajuato,” 1960 Gelatin silver print on photographic paper laid to a heavy, wove, cream-colored support sheet Edition of unknown size; signed in pencil in the margin, directly below the image, at right: M Carrillo Image: 9.125” H x 7.125” W; Sheet: 12.5” H x 9.5” W; Support Sheet: 17” H x 14” W $300-500

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2328

Emmy Lou Packard

(1914-1998, San Francisco, CA) “Diego Rivera on the pyramid he had built in Coyoacan,” 1941 Silver gelatin print on Agfa paper Edition of unknown size; signed, titled, dated and inscribed in pencil in the margin, directly below the image: photograph by Emmy Lou Packard Image: 10.5” H x 10.5” W; Sheet: 13.875” H x 11” W $300-500 Notes: As a child, Packard lived in Mexico City and was encouraged in her art interests by Diego Rivera. Years later, when the man she had met while an undergraduate at University of California, Berkeley, and then married, was tragically killed in an auto accident, Packard returned to Mexico City, grateful to have Rivera and his wife, Frida Kahlo, as close friends. She spent a great deal of time with Rivera and Kahlo, often eating and sometimes traveling with them. She is also known to have photographed them in Mexico. In 1940, Packard assisted Diego Rivera with his mural for the San Francisco World’s Fair.

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2329

Pedro Meyer

(b. 1935, Mexican) “El Vendado de Antequera,” 1981 Digital inkjet print on Agfa paper under glass Edition of unknown size; signed, titled, dated, and ©, all in pencil in the lower margin: Pedro Meyer Image: 6.125” H x 9” W; Sheet: 7.625” H x 9.875” W $300-500

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2330

Douglas Keats

(b. 1948) La Cueva, North of Las Vegas Color photograph on paper under Plexiglas From the edition of unknown size; signed on the overmat, at right:: Doug Keats Sight: 9.25” H x 14.25” W $200-300 Notes: This photograph was printed with the Fresson Process. A French printing process where a transparency is separated into four basic color groups - cyan (blue), magenta (red), yellow and black. This lot is accompanied by an exhibition catalogue from Leonor & Ernesto Mayans Galleries Ltd, photocopied papers, and a typed article, reading: “The Soul of the West, these images: nothing majestic, nothing pompous, reaching us with discretion rather than heaviness.”

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2331

Kenneth Miller Adams

(1897-1966, Albuquerque, NM) “Portfolio of Lithographs: New Mexico Artists Series No. 1,” The University of New Mexico Press, Albuquerque, 1950 The complete set of eight offset lithographs, title page and text, all on wove paper, loose as issued, and the original portfolio with printed cover From the edition of unknown size; each image unsigned, as issued, except for the printed signature and printed title in the lower margin Sheets: 16” H x 12” W; Portfolio: 16.5” H x 12.5” W x 0.375” D $1,000-2,000 Notes: The works are titled: “Harvest,” “The Spring,” “Doña Ascensione,” “Taos Indian Woman,”“House in the Sun,” “New Mexico Village Under Snow,” “Ranchos de Taos Church-Moonlight,” and “The Miner”

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2332

Kenneth Miller Adams

(1887-1966, Albuquerque, NM) “Card Players,” 1959 Lithograph on paper under glass Edition 95/100; signed lower right: Kenneth M. Adams; titled lower left Image: 17.5” H x 23.25” W $700-900

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2333

A stereoscope with assorted stereographs and photographs

First Half 20th Century A wood stereoscope with slide and eighteen stereographic cards depicting scenes of various Native American peoples, including Puebloan, Sioux, and Crow, together with an assortment of photographs and a large collection of vintage postcards, mostly depicting Puebloan peoples, 214 pieces approximately Stereoscope: 8” H x 7” W x 12.5” D $800-1,200 Notes: This lot is accompanied by various receipts of sale dated March 2010.

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2334

Harry B. Wagoner

(1889-1950, Phoenix, AZ) Desert landscape Oil on canvas Signed lower right: H. B. Wagoner 24” H x 30” W $3,000-5,000

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2335

Tom Browning

(b. 1949, Eugene, OR) “Quiet Morning” Oil on canvas laid to foam board Signed lower left: Tom Browning; signed again and titled verso 9” H x 14” W $1,000-1,500

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2336

Heinie Hartwig

(b. 1937, Santa Clara, CA) Mountain landscape Oil on panel Signature incised lower left: Heinie Hartwig © 5” H x 7” W $400-600

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2337

Grace Carpenter Hudson

(1865-1937, Ukiah, CA) Western landscape Oil on canvas Unsigned; authenticated by nephew on reverse 9” H x 7” W $800-1,000

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2338

Travis Humphreys

(b. 1965, Utah) “Cedar Sunset,” 2000 Oil on Masonite Signed lower right: T. Humphreys ©; signed again and dated verso; signed and dated again and titled on an artist’s label affixed verso 20” H x 30” W $400-600 Provenance: The Wickenburg Gallery, Wickenburg, AZ

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2339

Joseph Frey

(1892-1977, Southern California) Canyonland landscape Oil on canvas Signed lower left: Joseph Frey 20” H x 30” W $800-1,200

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2340

James P. Regimbal

(b. 1949, Washington/California) “Cheyenne,” 1988 Patinated and cold painted bronze on wood base Edition 11/50; signed and dated in the cast: Jim Regimbal © / 1988 / [JR cipher]; titled to sculpture, titled again to plaque 9.5” H x 8.5” W x 4.25” D $300-500

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2341

Cecil E. Wakefield

(1930-2003, Phoenix, AZ) Standing figure with quiver and spear, 1970 Cold painted bronze Edition 10/30; signed and dated in the casting: Wakefield © / 1970 14” H x 7” W x 6.75” D $200-300

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2342

Bud Boller

(1928-2012, Colorado/Wyoming) “Jeremiah,” 1974 Patinated bronze on wood base Signed and dated: Bud Boller © / 1978; further marked: Age of Bronze Proof 15” H x 8.5” W x 9.75” D $400-600

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2343

Bud Boller

(1928-2012, American) “Brother,” 1973 Cast sterling silver Edition 4/50; signed and dated: Bud Boller © / 1973; titled to sculpture; further marked: STER 7” H x 7” W x 5” D 66.13 oz. troy approximately $1,000-1,500

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2344

A group of Western bronzes Three works:

Bud Boller (1928-2012, Colorado/Wyoming) “My Horses Were Many,” 1974 Patinated bronze on wood base Edition 36/50; signed and dated in the casting: Bud Boller © / 1974; titled to sculpture Overall: 5.5” H x 4.5” W x 5.25” D

Donald Polland (1932-2003, California) “Jim Bridger: Trapper-Scout,” 1969 Patinated bronze Signed and dated in the casting: Polland © / 1969; titled to sculpture 4.5” H x 2.625” W x 2.5” D

Cecil E. Wakefield (1930-2003, Phoenix, AZ) Bust of a Native American man, 1969 Patinated bronze Edition 14/30; signed and dated in the casting: Wakefield © / 69 6” H x 4.25” W x 3.5” D

$400-600

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2345

Bill Dixon Jr.

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2346

P.K. Williams

(20th/21st Century, Diné) Navajo man with eagle and prehistoric pottery Acrylic on canvas Signed lower right: P.K. Williams 36” H x 24” W $300-500

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2347

Shep Chadhorn

(20th Century, Colorado) “Bargain for a Wife,” 1975 Oil on canvas laid to Masonite Signed and dated lower right: S. Chadhorn; titled on a gum label affixed verso 18” H x 24” W $300-500

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Condition Reports

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2001 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. 2002 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A superficial, pin-sized surface chip to matte bottom. No evidence of restorations under blacklight. 2003 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight. 2004 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight. 2005 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight.

Condition Reports

2006 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. A 4” black scuff to the side.

404

2007 Generally good condition. Even toning to the paper throughout. Small patches of surface skinning along the upper and lower edges and spots of staining verso from a previous mounting. Hinged to the back mat with archival tape in the upper corners. Frame: 16” H x 12.5” W x 1” D 2008 Generally good condition. Traces of old glue along the lower sheet edge. Scattered paper losses along the outer edges, not affecting the image. Hinged to the back mat with white cellophane tape from the verso of the support sheet’s upper edge. Frame: 16.5” H x 13.75” W x 0.75” D

2009 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered areas of scratches/flaking to slip glaze surface. The rim with minor chips, a 0.5” vertical hairline, and a 2.5” repair. Two localized areas of heavier scuffing/scratching to the sides and foot. Scattered areas of crazing to the slip glaze. 2010 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered areas of minor crazing and localized heavier scuffs to slip glaze. No evidence of restorations under blacklight. 2011 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight. 2012 Generally good condition. Extremely minor and unobtrusive paper toning echoing the oval mat opening. Very slight time staining at the outermost edges of the paperboard. The paperboard is loose, secured in the mat with temporary, removable, corners. Frame: 21.5” H x 19.5” W x 1.75” D 2013 Each in overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The first with four pin-sized raised air bubbles inherent to the slip glaze on the spout. No evidence of restorations under blacklight. 2014 Overall good condition with inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 2015 Each in overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Cliff Roller: a 0.75” surface scratch to side. First Toni Roller: scattered minor surface scratches to slip glaze, more heavily localized along bottom area. Second Toni Roller: two localized areas of pin-sized surface scratches to the slip glaze in the interior. No evidence of restorations under blacklight.

2016 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight. 2017 Visual: Generally good condition.

2024 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 44” H x 62” W x 2” D

Blacklight: No evidence of restoration.

2025 Visual: Generally good condition. Two small spots of grime lower right.

Unframed

Blacklight: No evidence of restoration. Unframed

2026 Visual: Generally good condition. Occasional dirt and grime. Scattered foxing verso. Blacklight: No evidence of restoration.

2019 Visual: Generally good condition.

Frame: 37.25” H x 37.25” W x 1.25” D

Blacklight: No evidence of restoration.

2027 Visual: Generally good condition.

Unframed

Blacklight: No evidence of restoration.

2020 Overall good condition with minor scuffs inherent firing flaws commensurate with age. No evidence of restorations under blacklight.

Frame: 22.5” H x 26.5” W x 2” D

2021 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A T-shaped hairline crack visible to the underside and runs partially up the sides, likely inherent to the time of creation and firing process. No evidence of restorations under blacklight.

Blacklight: No evidence of restoration.

2022 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered very minor scratches to edges of carving. No evidence of restorations under blacklight. 2023 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered minor surface scratches to the slip glaze, one localized area of chips with a sealed protective surface visible under blacklight.

2028 Visual: Generally good condition.

Frame: 22.75” H x 26.75” W x 2” D 2029 Overall good condition with light scratches, dust accumulation, and wear commensurate with age and use. 2030 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With replacement lid, original lid was broken. No evidence of further restorations under blacklight.

Condition Reports

2018 Visual: Generally good condition.

405

2031 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. Scattered superficial chips to the raised, corrugated surface. No evidence of repairs or restorations under blacklight.

2039 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered minor surface scratches to slip glaze. No evidence of restorations under blacklight.

2032 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight.

2040 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With scattered small, pin-sized surface chips to slip glaze throughout exterior and interior. No evidence of restorations under blacklight.

2033 Each in overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight. 2034 Generally good condition. A very slight handling crease upper right. Framed floating and mounted to the back mat. Not examined out of the frame. Frame: 33” H x 40.5” W x 1.25” D 2035 Generally good condition. Very minor toning to the paper. Framed floating and mounted to the back mat. Not examined out of the frame. Frame: 40.5” H x 50.5” W x 1” D

Condition Reports

2036 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some scattered minor surface scratches and tonal differences in the slip glaze. No evidence of restorations under blacklight.

406

2041 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 23.75” H x 26.75” W x 2” D

2042 Overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With scattered surface scratches and chipping to slip glaze, crazing throughout. Two hairlines with restorations visible from the interior under blacklight. 2043 Overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With scattered surface scratches and chipping to slip glaze, crazing throughout. Two 1.5” hairlines running vertically down from the rim. No evidence of restorations under blacklight.

2037 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight.

2044 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Heavier surface scuffs and scratches, primarily to waist. No evidence of restorations under blacklight.

2038 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Tall vase with minor craquelure to lower body. Each with scattered minor scuffs/surface scratches to slip glaze throughout.

2045 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Heavier surface wear with scattered surface scratches and chipping to slip glaze. No evidence of restorations under blacklight.

2047 Overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered minor surface scratches and superficial chipping. Crazing to slip glaze throughout. Lacquered finish throughout. A 1” x 1” restored chip to side. 2048 Visual of each: Generally good condition. Blacklight of each: No evidence of restoration. Framed together: 25.5” H x 14.5” W x 1.5” D 2049 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with light rubbed wear to surface decoration and minor surface scratches to slip glaze. No evidence of restorations under blacklight. 2050 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered surface scratches/chipping and rubbed wear to slip glaze. No evidence of restorations under blacklight. 2051 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With scattered minor scuffs and a touch-up to the shoulder. No evidence of restorations under blacklight. 2052 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight.

2053 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered surface scratches and chipping to slip glaze. Two prior created holes to sides under handles. Two hairlines to spout. No evidence of restorations under blacklight. 2054 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 42” H x 59.75” W x 3.5” D

2055 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With scattered abrasions and surface scuffing to waist. No evidence of restorations under blacklight. 2056 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With very fine crazing to slip glaze. No evidence of restorations under blacklight. 2057 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered very minor surfaces scratches/ flaking to painted surface. 2058 Generally good condition. Minor handling creases in the corners of the sheet. Unidentified blindstamp in the lower right corner. Framed floating and hinged to the back mat. Not examined out of the frame. Frame: 45.75” H x 36.25” W x 1.25” D 2059 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. 2060 Overall good condition with shelf wear, scuffs, and inherent firing flaws commensurate with age. Scattered minor surface scratches/flaking to painted surface.

Condition Reports

2046 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Heavier surface scuffs and scratches, primarily to waist. No evidence of restorations under blacklight.

407

2061 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Areas of a fluorescence to the yellow paint under blacklight, and possible repair to slot machine handle and coins in bird’s hand. 2062 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. 2063 Overall good condition with scattered minor surface scuffs, scratches, and shrinkage cracks commensurate with age. More prominent shrinkage crack to cowcatcher at front. 2064 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight. 2065 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight.

Condition Reports

2066 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. With a small surface chip with the right spout edge, unable to determine if it is a prior chip inherent to the time of manufacture or a subsequent chip.

408

2067 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight. 2068 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight.

2069 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of restorations under blacklight. 2070 Each overall good condition with shelf wear and wear to painted surfaces commensurate with age. The Youvella with losses to the feathers on the head. 2071 Overall good condition with shelf wear and wear to painted surfaces commensurate with age. Scattered horizontal indentations to the bottom edge. 2072 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 17.5” H x 14.5” W x 1.25” D

2073 Generally good condition. Framed floating and hinged to the back mat. Not examined out of the frame. Frame: 12.5” H x 12.5” W x 1.5” D 2074 Overall good condition with dust accumulation and wear commensurate with age and use. Even fading to front face. Rim band loose at a small area near top. Scattered white surface marks to reverse. 2075 Each in overall good condition with dust accumulation and wear commensurate with age and use. Each with even fading to front face. A few plaques with a few scattered single stitch losses. Small Crow plaque with 5” loss to edge/rim and scattered small spots to reverse face of same area. One with a minor surface spot of white reverse. 2076 Overall good condition. Some fading, marks, and rippling to paper. Loose, stored in clear display sleeves. Each: Unframed

2077 Each in overall good condition with dust accumulation and wear commensurate with age and use. Smallest with a few scattered stitch losses.

2086 Overall good condition with dust accumulation and wear commensurate with age and use. Missing one felt accent.

2078 Generally good condition. The paper with deckled edges. Framed floating and mounted to the back mat. Not examined out of the frame.

2087 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. With scattered small scuffs/flaking and rubbed wear to cold painting, primarily to horse.

Frame: 15” H x 19.5” W x 2.25” D 2079 Generally good condition. The paper with deckled edges. Framed floating and mounted to the back mat. Not examined out of the frame. Frame: 15” H x 19.5” W x 2.25” D 2080 Generally good condition. The paper with deckled edges. Framed floating and mounted to the back mat. Not examined out of the frame.

2088 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. With base: 23.75” H x 22.25” W x 10” D 2089 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 19” H x 23” W x 1.75” D

Frame: 15” H x 19.5” W x 2.25” D

2082 Overall good condition with dust accumulation and wear commensurate with age and use. One stitch loss to rim. Multiple scattered stitch losses to interior just below rim, largest area 0.75” L. Scattered stitch losses to exterior, largest area: 0.25” L. 2083 Overall good condition with dust accumulation and wear commensurate with age and use. Approximately eight scattered stitch losses to exterior. 2084 Overall good condition with dust accumulation and wear commensurate with age and use. Light fading to interior. Approximately three to four stitch losses overall. Slightly slumped from display. 2085 Overall good condition commensurate with age and wear. A thin wire is attached to center for hanging as well as an old tag. White surface soiling to underside center, possibly wall paint.

2090 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 7.625” H x 7.875” W x 5.375” D 2091 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. 2092 Generally good condition. Framed floating. Not examined out of the frame. Frame: 15” H x 12.5” W x 0.75” D 2093 Sketch Books: Overall good condition. Minor toning, surface soiling, scattered handling creases and fading commensurate with age and use. Cases: Overall good condition. Minor wear to corners. Slight fading to leather bindings. Each Case: 6” H x 10” W x 1.25” D

Condition Reports

2081 Overall good condition with minor rim break and evidence of formerly attached handle to each side.

409

2094 Overall good condition with dust accumulation and wear commensurate with age and use. Scattered stitch loss to rim, interior and exterior. Break to rim coil rods. Holes from wall mounting. 2095 Overall good condition with dust accumulation and wear commensurate with age and use. A single stitch loss and a section of stitch loss 0.25” L to interior. Approximately six stitch losses to exterior. Light shelf wear and a small area of white soiling, likely paint, to base. 2096 Overall good condition with dust accumulation and wear commensurate with age and use. Approximately five stitch losses to interior, and scattered stitch losses to exterior, largest area: 0.25.” Light shelf wear to base.

Condition Reports

2103 Overall good condition with dust accumulation and wear commensurate with age and use. A few scattered single stitch losses to exterior and to interior. A small area of surface soiling to one leather strip at side. A few minor tears to leather straps holding tassels, and to one section of headstrap. One side tassel lacking tin jingle. 2104 Overall good condition with dust accumulation and wear commensurate with age and use.

2097 Overall good condition with dust accumulation and wear commensurate with age and use.

2105 Overall good condition with dust accumulation and wear commensurate with age and use.

2098 Overall good condition with dust accumulation and wear commensurate with age and use. One stitch loss to rim. Approximately two to three stitch losses to interior, and scattered stitch losses to exterior and base. Thread remnants at center of exterior base.

2106 Overall good condition with dust accumulation and wear commensurate with age and use.

2099 Basket with damage and stitch losses to rim and body. Largest area of rim loss: 1.75” L. Evidence of earlier restoration to rim. Shelf wear to base.

410

2102 Overall good condition with dust accumulation and wear commensurate with age and use. Small hole to base from display. Approximately five stitch losses to rim. A few scattered single stitch losses to interior, and a few scattered single stitch losses to exterior and base.

2100 Overall good condition with dust accumulation and wear commensurate with age and use. Wire hanging loop to reverse. 2101 Overall good condition with dust accumulation and wear commensurate with age and use. Scattered stitch losses to rim. A couple of stitch losses to interior. Two to three small pin holes.

2107 Overall good condition with dust accumulation and wear commensurate with age and use. Lid with one stitch loss to interior 2108 Each in overall good condition with dust accumulation and wear commensurate with age and use. 2109 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. With base: 22” H x 7.5” W x 11” D 2110 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. With base: 18.5” H x 12” W x 6.5” D

2112 Each in overall good condition commensurate with age and use. Tiger lilies bag with scattered tiny holes to cloth backing. 2113 Each in overall good condition commensurate with age and use. 2114 Each in overall good condition commensurate with age and use. Eagle bag with losses to hide straps. 2115 Each in overall good condition commensurate with age and use. Fringed blossom bag with area of minor surface soiling to reverse. 2116 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: approximately four areas of minor bead loss, largest: 0.5” L primarily near one end, and overall soiling/staining to reverse canvas. 2117 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a couple of minor small splits to hide edging at one end, and overall staining/soiling to fabric backing. 2118 Each in overall good condition with dust accumulation and wear commensurate with age and use. Some creasing to hide laces and to tongues of largest pair. 2119 Overall good condition with dust accumulation and wear commensurate with age and use. A few scattered small areas of faint surface soiling.

2120 Generally good condition. Not examined out of the frame. Frame: 22” H x 18” W x 2” D 2121 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a couple of scattered tiny weft losses near one end, a couple of scattered minor pulls, and fabric sleeve stitched to one side for suspension. 2122 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2123 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2124 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: one very small area of weft loss near one edge, and areas of possible color variation in dye. 2125 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: weft and warps with breaks to center of fringed edge, wear to fringe, scattered small holes to one side with additional fading, and one corner lacking tassel. 2126 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a 2” x 2” hole to one corner, broken selvage to all sides, slight dye migration in some areas, and scattered minor soiling. 2127 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: A few scattered holes, largest: 1” x 1”; scattered breaks and loss to selvage cords on both side edges, light loosening to corners, and scattered areas of minor soiling/staining to both sides.

Condition Reports

2111 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered holes to red wool, and beaded tab slightly loose at back of bonnet.

411

2128 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered minor spots, slight fading to one side, a few scattered minor holes, and two lightly worn corners with loose wefts and broken selvage cords. 2129 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered small holes, a 2” x 1.5” area of loose and missing wefts near one corner, Side A with fading to the lower left edge approximately 3” deep, significant fading to Side B throughout, scattered staining concentrated to lower left corner (2.5” x 2.5”) and along left side. 2130 Generally good condition. Framed floating and mounted to the back mat. Not examined out of the frame. Frame: 38.25” H x 32.25” W x 2” D 2131 Generally good condition. Framed floating and mounted to the back mat. Not examined out of the frame. Frame: 21” H x 17” W x 1.5” D 2132 Generally good condition. Framed floating and mounted to the back mat. Not examined out of the frame.

Condition Reports

Frame: 21” H x 17” W x 1.5” D

412

2133 The paper light- and backboard stained, now rather dry and fragile as a result. A pinpoint-size hole near the upper left edge and a small series of similar holes near the upper right corner. Two horizontal, irregular tears at the center of the left vertical edge, the longer of which extends 1” into only the creamcolored background, not affecting the figure. A tiny loss at the extreme tip of the lower left corner. Minor nicks and tiny tears in places along the extreme edges, most of which appear to have been caused by old frame closures or insects. The sheet is loose, not mounted Frame: 14.5” H x 13.25” W x 1” D

2134 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of light surface soiling, a few scattered minor holes, largest 1” x 1”, a few areas of loose weave to selvage edges, with one area of minor repair, and one corner, and minor breaks to the selvage cords. 2135 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered light staining, thinning to grey areas, older repairs in reds, and fabric sleeve stitched to reverse. 2136 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: fading to both sides, scattered small holes, to one side, from possible moth damage, minimal fraying and a few small selvage breaks to edges. 2137 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: A 1.5” break to warps to one corner, Side B with scattered minor foxing, slight thinning to weave, and fabric sleeve stitched to one end. 2138 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Side A with overall fading, Side B with scattered minor foxing, and stitched fabric sleeve. 2139 Visual: Generally good condition. A few minor losses along the edges. Blacklight: No evidence of restoration. Unframed 2140 Generally good condition. Not examined out of the frame. Frame: 23.75” H x 32” W x 1” D

2142 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered minor staining/soiling to both sides, scattered small holes, loosening to selvage edges and scattered breaks to the selvage cords, wear and loss at one corner with broken warps, and center area near one edge with wear resulting in scattered holes to a 12” area. 2143 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: slight fading to both sides, scattered primarily to reds. 2144 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered dye migration, especially to one corner area, scattered areas of soiling/staining overall, slight fading to Side A, and fabric sleeve stitched to Side B. 2145 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: losses to one corner, a small hole, and fading to Side A. Side B with a couple of stains near one edge, minor dye migration along same edge, and fabric sleeve stitched to one side. 2146 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: one small hole near lower corner, fading to Side A, Side B with scattered minor foxing, light soiling and a fabric sleeve stitched to one end. 2147 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered breaks to selvage ends throughout, scattered areas of moth damage with grazing and small holes throughout, three quarter-sized holes to edges, loosening to corners, and sewn fabric sleeve to one end.

2148 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: breaks to selvage edges at top, bottom and to one side edge, Side A: overall fading throughout, Side B: 7” x 5.5 “ stain to upper corner, and sewn fabric sleeve to one end. 2149 Overall fair condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered small holes with largest: 1.25” L, fraying to edges and breaks to selvage cords, scattered soiling to one corner and foxing to center of same end. Dye migration to several red elements of the interior diamonds. One end sewn over 1” for suspension. 2150 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered light stains to border of lower half, scattered breaks to weft along selvage edges, and fabric sleeve stitched to reverse. 2151 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Side A with overall fading, and thinning to weave at lower corner, Side B with scattered stains, largest 0.75”, scattered minor foxing, and a fabric sleeve stitched to one end. 2152 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Side A with fading overall, Side B with scattered minor foxing, and fabric sleeve stitched to one end. 2153 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered small areas of soiling. 2154 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered minor staining/soiling to both sides, scattered areas of faint dye migration, and a few scattered minor breaks to selvage cords.

Condition Reports

2141 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: slightly loose threads to top center selvage.

413

2155 Generally good condition. Not examined out of the frame. Frame: 31” H x 23.25” W x 1” D 2156 Generally good condition. Toning throughout with darker toning to edges under matting. A 1.25” W spot of paper abrasion and discoloration to the lower left of the figure. Not examined out of the frame. Frame: 19.25” H x 20.5” W x 1.25” D 2157 Generally good condition. Not examined out of the frame. Frame: 16” H x 14” W x 0.75” D 2158 Generally good condition. Not examined out of the frame. Frame: 17” H x 14.5” W x 0.75” D 2159 Visual: Generally good condition. A few small spots of scattered loss in the upper right. Blacklight: No evidence of restoration. Unframed 2160 Visual: Generally good condition. Blacklight: No evidence of restoration.

Condition Reports

Unframed

414

2161 Overall fair condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: general scattered soiling and staining, scattered wear and loss to ends, scattered fraying with loss to selvage edge and breaks to the selvage cords, and a 1” warp break.

2162 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered faint spots, and very light wear to tassels and weave at corners. 2163 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered wear to wefts at edges, scattered loose wefts at one selvage, and scattered minor small areas of soiling. 2164 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2165 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2166 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of faint dye migration, slight color variation to cream wool in areas, small break to one selvage, and worn tassels to two corners. 2167 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: loosening to one corner, loose wefts at one end and a broken selvage to the other end, and faint dye migration near edges. 2168 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of soiling/staining to both sides, and scattered areas of faint dye migration. 2169 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: general soiling to one side with scattered areas of wax, and one corner lacking tassel.

2171 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 4.625” H x 9.75” W x 5.75” D 2172 Generally good condition. Slight toning throughout. Handling creases showing mostly along the right edge. Not examined out of the frame. Frame: 15.25” H x 17.25” W x 1” D 2173 Generally good condition. Scattered very soft and unobtrusive handling creases. Not examined out of the frame. Frame: 15” H x 15” W x 0.75” D 2174 Generally good condition. A very small and unobtrusive spot of staining at the upper left. Not examined out of frame. Frame: 14.5” H x 16.25” W x 1” D

2175 Generally good condition. Handling creases throughout. Not examined out of the frame. Frame: 15” H x 15” W x 1” D 2176 Generally good condition. Not examined out of the frame. Frame: 14” H x 11.5” W x 1” D 2177 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few minor small holes.

2178 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: one small hole at one end with warp loss, 0.25” x 0.25”, a couple of scattered minor holes to one side, and lightly worn tassels. 2179 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: slight dye migration to one part of border, on both sides near one edge and corner. 2180 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered spots to one side, scattered loose wefts and break to selvage to one edge, and lightly frayed corners. 2181 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2182 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to red warp of one side, selvage edge with breaks, and scattered light soiling. 2183 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered small spots to one side, breaks to the selvage cords to both sides and fraying to one corner. 2184 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: faint fading to one corner of one side.

Condition Reports

2170 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: very slight fading to tan wool on one side.

415

2185 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered minor staining/soiling to both sides, scattered minor loosening to corners and selvage edge, scattered breaks to the selvage cords, and area of loose weft to one corner, 1” x 1.” 2186 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Side A with localized area of surface soiling, near one corner. 2187 Generally good condition. An impression printed with a thin veil of platetone and delicate burr on the drypoint. The paper slightly toned. Not examined out of the frame. Frame: 14.5” H x 16.5” W x 0.5” D 2188 Generally good condition and with margins. A 0.5” line of staining near the upper left edge of the image. The paper slightly toned. Taped to the overmat with white paper tape from the verso of the margin edges. Frame: 14.5” H x 16” W x 0.5” D

Condition Reports

2189 A rich impression with burr on the drypoint and with carefully directed platetone. The sheet retains its wide margins, deckled at the upper and lower margin edges, while the vertical edges are slightly, and unevenly, trimmed. Distinct light- and old mat staining both recto and verso. Three patches of old glue and paper in the upper margin. Hinged to the back mat from the verso of the upper margin edge.

416

2191 Generally good condition. A good impression with rich burr scattered throughout. Not examined out of the frame. Frame: 13.5” H x 21” W x 0.5” D 2192 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 13.625” H x 7” W x 11” D 2193 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. With base: 18.75” H x 22.25” W x 13.25” D 2194 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: wear to corner tassels. 2195 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Heraldic eagle weaving with scattered pulled stitches at top end, and small sampler with a few scattered minor small areas of grazing from moths. 2196 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor scattered loose wefts to selvages.

Frame: 16.5” H x 19” W x 0.75” D 2190 Generally good condition. This impression printed with a delicate veil of platetone and still showing touches of burr on some of the drypoint lines. The paper slightly toned. Not examined out of the frame. Frame: 13.5” H x 21” W x .75” D

2197 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2198 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few minor faint spots near lower left edge on one side.

2199 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered minor surface soiling, and light wear to tassels at corners. 2200 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2201 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2202 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2203 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 22.25” H x 30.5” W x 2” D 2204 Visual: Generally good condition. A thin, 3” long, reverse crease in the canvas to the right of center, visible mostly in raking light. Blacklight: No evidence of restoration.

2207 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: overall fading to one side, scattered small holes throughout. 2208 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: dye transfer at one corner, broken selvage cords to both side edges, and both ends with scattered fraying and broken warps. 2209 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: an area of faint surface soiling to center of one side. 2210 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2211 Overall fair condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: general soiling throughout. Central area with stain 6” x 5” and other smaller stains scattered throughout. 2212 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

2205 Visual: Generally good condition.

2213 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

Blacklight: No evidence of restoration. Frame: 32” H x 26” W x 2” D 2206 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: fraying to tassels on two corners.

2214 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2215 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered minor pulls to weave.

Condition Reports

Frame: 34.5” H x 31” W x 2” D

417

2216 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2217 Visual: Generally good condition. Dust accumulation and grime commensurate with age. Scattered craquelure. Stretcher bar creases along all four sides. Blacklight: No evidence of restoration under blacklight.

2223 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered loose stitches to sides, and slight fading to one side. 2224 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered small minor holes to each side, and slight fading to one side.

Frame: 36” H x 27” W x 1.5” D 2218 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 41.5” H x 35.5” W x 2” D

2219 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 20.5” H x 24.5” W x 3” D

2220 Visual: Generally good condition. Craquelure scattered throughout some of the lighter pigments. Blacklight: No evidence of restoration. Frame: 23” H x 27” W x 1.5” D

2225 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: very faint small area of minor dye transfer to one side. 2226 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered natural variation to cream wool. 2227 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of minor loosening to the weave, and very slight fading to one side. 2228 Generally good condition. Pale light-staining. Taped to the overmat with archival tape from the verso of the upper sheet edge.

Condition Reports

Frame: 11.75” H x 8.5” W x 0.75” D 2221 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 28.5” H x 32.5” W x 2” D

2222 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

2229 Generally good condition. Three unobtrusive small paper abrasions in the upper center. Not examined out of the frame. Frame: 19.25” H x 17.25” W x 1.5” D 2230 Overall good condition. Toning to the image. Hinged along the upper and lower edges with archival tape. Older tape remnants along the upper right and left edges. Frame: 11.25” H x 10.25” W x 0.5” D

418

2232 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: blue square with scattered minor small holes overall, on both sides, from possible moth damage, and red square with areas of loose weave and loose warps to the bottom edge. 2233 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few tangled warps, and BPOE loomer with fading to one side. 2234 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: large loomer with a few scattered small holes. 2235 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Runner with scattered areas of light wear/loosening to the weave. 2236 Overall good condition with dust accumulation and wear commensurate with age and use. 2237 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of white surface soiling. 2238 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered faint spots to both sides, a few scattered minor pulls to weave, and a few scattered minor areas of possible grazing from moths, to both sides of one half.

2239 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Wide Ruins style rug with fading to one side. 2240 Visual: Generally good condition. A very small scuff mark along the center of the left edge. Blacklight: No evidence of restoration. Frame: 35.75” H x 30.75” W x 2.5” D

2241 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 17” H x 14” W x 1.75” D

2242 Visual: Generally good condition. Blacklight: A 1” x 1.5” area of possible touch-up upper right, likely in the hand of the artist. Frame: 18” H x 14” W x 1” D

2243 Visual: Generally good condition. Dust accumulation and grime commensurate with age. A 3” long, diagonal, surface scuff at the lower center. Blacklight: No evidence of restoration. Frame: 34” H x 30” W x 1” D 2244 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered small areas of soiling/staining to each side, and color variation to one brown end. 2245 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered soiling to both sides, small faint area of dye migration to one side, loose area with reworking to one selvage end, and small area of broken selvage cord to one side.

Condition Reports

2231 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

419

2246 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Chinle-style with very light fading to one side, homespun square with a few scattered light small spots to one side, and Two Grey Hills variant with a couple of scattered faint spots.

2253 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and wear commensurate with age and use. Bag with fading, soiling, and staining.

2247 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of soiling/staining and color variation to dy , scattered dye migration and color variation to blue wool, scattered areas of possible reweaving to cream wool, and fraying to one corner.

Blacklight: No evidence of restoration.

2248 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use.

Unframed

2249 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: larger Begay rug with scattered soiling/staining to both sides, especially near one end, and scattered small holes to same end, primarily on one side.

Condition Reports

2250 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered minor surface soiling.

420

2254 Visual: Generally good condition.

Unframed 2255 Visual: Generally good condition. Blacklight: No evidence of restoration.

2256 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Slight bending to spear. With base: 20.5” H x 18” W x 8.25” D 2257 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. With base: 5.5” H x 8” W x 6.25” D 2258 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside.

2251 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: largest rug with one small area of moth grazing, smallest with scattered light surface soiling and scattered very minor pulls to one end.

With base: 6.75” H x 6.25” W x 6.25” D

2252 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Each with scattered tangled warps. Regional loomer with a few small holes

With base: 11.5” H x 11” W x 6.25” D

2259 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Reins have been replaced with twisted wire. Adhesive felt pads to underside.

With base: 4.75” H x 9” W x 6.75” D 2261 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 11.75” H x 13.75” W x 1” D 2262 Overall good condition with scattered scuffs, scratches, oxidation, and pitting to metallic surface commensurate with age. Working condition unknown. Includes key. 2263 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. A 0.5” chip to corner of one collar. 2264 Overall good condition with light scratches and wear commensurate with age and use. 2265 Overall fair to good condition with weathering, scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use. Losses to bottom planks. 2266 Overall good condition with minimal signs of wear commensurate with age. Legs with light scuffing/ scratches from use. 2267 Overall good condition with minimal signs of wear commensurate with age. Legs with creasing and light scuffing/scratches from use and color variation in the leather. 2268 Each overall good condition with typical signs of wear, scuffs, scratches, and tarnishing commensurate with age. Leather with drying and wear.

2269 Each overall good condition with typical signs of wear, scuffs, scratches, and tarnishing commensurate with age. 2270 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each chair slightly wobbly. 2271 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. 2272 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 35.25” H x 43.25” W x 1.5” D 2273 Generally good condition. The paper has several full width creases to the lower half. A spot of grime to the left of the subject’s head. Mounted to the recto mat with two pieces of artist’s tape along the upper edge. Frame: 21.25” H x 17.25” W x 1” D 2274 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 8.5” H x 8.125” W x 5.75” D 2275 Overall good condition with scattered scuffs, scratches, superficial nicks, shrinkage cracks, and inherent imperfections in the wood commensurate with age. A 0.5” chip to base. 2276 Overall good condition with scattered scuffs, scratches, superficial nicks, shrinkage cracks, and inherent imperfections in the wood commensurate with age. Uneven areas of varnish visible under blacklight.

Condition Reports

2260 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Adhesive felt pad to underside.

421

2277 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside.

2284 Overall good condition with minor scuffs commensurate with age. A series of small abrasions to stone at edge of cape, left.

With base: 3.75” H x 6.75” H x 5” D

With base: 19.75” H x 7.75” W x 6.5” D

2278 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. A few scattered small areas of loose or missing beads. Worn and missing areas of rick-rack trim. Scattered wear to velvet and wear and splitting to red trim. Interior lining split and detached on one side. ribbon creased and split in areas. Additional ribbon retained.

2285 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: general fading throughout., scattered areas of minor weft loss and loosening, and central seam with re-stitching and further losses.

2279 Overall good condition commensurate with age and use. Scattered minor losses to fabric at edges. Loose white beads and scattered losses to white bead trim, primarily at edges. Some loose beads retained. 2280 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Large boot with scattered light soiling to reverse. Red bag with detached half snap closure.

Condition Reports

2281 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Pillow with scattered splits to silk cover, and tape residue and a water stain to reverse, 4.5” x 2.”

422

2282 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. 2283 Each in overall good condition commensurate with age and use. Largest bag with small area of bead loss, and small split to fabric under flap, 1.25” L. Bag with clear beads with wear to fabric trim, and extensive wear, splits and loss to fabric lining at opening edge. Both fringed bags with scattered minor bead loss to fringe and/or scattered minor wear to fabric and ribbons.

2286 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a few scattered areas of light soiling, restitching to center seam within motif, a 1.5” x 1.5” area of repair near one edge, and a few scattered areas of loose wefts. 2287 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered multiple areas of fraying and loosening of weave at both ends and near edges, largest area 5” L x 2” W, even fading to both sides, and scattered areas of surface soiling to one side. 2288 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: unraveling to one corner edge and a nearby edge. Scattered minor staining. 2289 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered loose stitches to one end (1” x 1”) and three others throughout. Scattered stains to central area of one end. Loss to central seam connecting stitches. 2290 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered staining, largest: 5” 3” and 2” x 1.5” to one end. Central warp revealed to one end, scattered pulls, loosening to center of one end and scattered old repairs to edges.

2292 Overall good condition with minor scuffs and inherent imperfections in the stone commensurate with age. 2293 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: red dye has evenly faded to an orange, scattered breaks to selvage, minor holes, pulls and bunching to warp/weft. 2294 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: losses to fringe, loosening of weave in areas, and scattered warp breaks. 2295 Each in overall fair to good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: pink striped with broken stitching at one fringed end, and unraveled edge to opposite end. Purple striped with light fading to one side, scattered areas of dye migration throughout, a few scattered areas of loose weave, possible repair to one end, and each fringed end slightly felted to one side, with areas of discoloration. Cream striped with scattered areas of surface soiling, and scattered areas of loose weaving, holes and losses at both ends. 2296 Each in overall fair to good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: pink blanket with scattered fraying to all edges, and in center, with loosening weave and areas of loss, fading to one side, and a large area of soiling to one side; maroon blanket with scattered loosening of weave to ends and sides, largest area 7” x 2”, scattered holes throughout, and scattered surface soiling to both sides.

2297 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor staining and discoloration to one end, with minor holes to same end. A .5” hole to center of one edge. Ends rolled. 2298 Overall good condition with shelf wear and minor scuffs and scratches commensurate with age. Tip of one horn with a small chip. Wood base with scattered scratches. Stone with naturally occurring, inherent surface-reaching fractures and inclusions. With base:7.5” H x 8.5” W x 5.375” D 2299 Overall good condition with minor scuffs commensurate with age. With base: 20.5” H x 11” W x 4.5” D 2300 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered small stains/soiling, two holes to one end (largest: 1” x 1”), and one side with slight fading. 2301 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: faint dye migration to a few stars, a few scattered minor stains/soiling, a few scattered small holes, and scattered minor wear and loss to fringe. 2302 Generally good condition. The sheet retains its wide margins. The palest process staining showing slightly in the margins. Occasional minor surface soiling and a few small, pale stains at the margin edges and verso. The sheet is loose, not mounted. Unframed

Condition Reports

2291 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: a half dozen scattered small holes and slight discoloration from age.

423

2303 Generally good condition. The sheet has no margins and appears to have been dry mounted to a cream, acid free, rag-type support board. The sheet is lifting away from the support board very slightly in places, including along part of the extreme upper and lower edges. Very slight surface soiling near the outer edges and verso of the support board. Unframed 2304 Generally good condition. The sheet has no margins and is tipped down along the verso of the upper sheet edge to a cream, smooth, wove paper support sheet. The support sheet is very slightly time stained along the outermost edges. Unframed

2305 Generally good condition. The sheet retains its wide margins. Pale process staining in the wide margins. An unobtrusive, pinpoint-size stain in the right margin. A pale, nickel-size, slight stain in the upper left margin corner. The sheet is loose, not mounted. Unframed 2306 Generally good condition. The sheet retains its wide margins. The palest process staining showing slightly in the margins. An unobtrusive, pinhead-size black stain verso. The sheet is loose, not mounted.

2309 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: several scattered holes with largest to one edge (1.5” X 1.5”), losses and fraying to fringe, scattered selvage edges with wear and losses to each side. Velcro strips sewn to one end. 2310 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: both sides with fraying. A stain to one end of side A and scattered staining to end of side B. Seamed in the center. A dime-sized area of thinning to center. 2311 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered staining and dye transfer throughout, a small area of reweaving to one edge 1” x 1.25”, warp exposed in scattered areas, green end with weft loss (.5” x .5”), and with damages to fringe. One corner with stitched labels. 2312 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: seam to center has started to separate at one end. Folded and sewn ends with breaks and fraying with additional losses to selvage edges, largest: 3”. Scattered stains throughout with slight dye migration.

Unframed

Condition Reports

2307 Generally good condition. The sheet retains its wide margins. The sheet is loose, not mounted.

424

Unframed 2308 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: even fading, staining and holes scattered throughout. Largest break: 1.5” L. One corner with fraying. Velcro strip tacked to one side.

2313 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered stains to ends with dye migration scattered to red areas. A 1.5” x .5” hole to red corner. Both ends sewn under and seamed down the center. 2314 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered holes throughout, and to ends. Scattered areas of loosening of weave at fringed edges, largest 2” x 2”. Missing stitches at center seam. A few scattered minor spots.

2316 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: losses to fringe at one end. Velcro strips to one end. A few areas of loosening due to warp breaks. Scattered minor holes. Area of repair near one edge, 2” x 2.” Scattered areas of light color/dye transfer. A few scattered small spots. 2317 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: original blue dye having faded to green and tan. Scattered small holes throughout. Losses to fringe and each end. Center of one end with beginnings of a hole. 2318 Each in overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: purple striped with scattered small holes and areas of loss, scattered small areas of surface soiling, loose weaving and wear to each end, and scattered areas of hand and machine repair stitching. Red one with scattered surface soiling and small stains to both sides, scattered small holes throughout and a small areas of loss to weft in blue serrated center banding. Blue one with uneven light fading to one side, and loose stitching to central seam. 2319 Each in overall fair to good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Brown textile with scattered areas of soiling/ staining, scattered small holes, largest: 1” x 1,” areas of unraveled edge to one end, and a few areas of loose stitching to central seam. Dark grey textile with scattered small holes, scattered areas of soiling and minor spots to both sides, a small area of dye migration, and a few losses to fringe.

2320 Each in overall fair to good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: brown textile with fading to one side, scattered surface soiling, scattered holes and areas of loose weave, largest in center: 3” x 3;” largest at one end: 4” x 2,” and center seam stitching loss at one end. Green textile with fading to one side, turned edges and machine stitching to each side edge, loose weave and fraying edges overall, scattered holes and weft loss, largest: 2” x 2”; pink and orange textile with fading to one side, scattered areas of soiling/staining to both sides, scattered holes and losses to edges, largest: 3” x 3.” 2321 Each in overall fair condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: Brown banded with areas of loose weave and losses to all ends, scattered holes, some from moth damage, scattered areas of surface soiling and a few scattered stains. Tan striped with loose and unravelling ends, scattered breaks to selvages at sides, scattered small holes throughout, and scattered areas of small spots. Pink striped with scattered areas of surface soiling, scattered small holes, some from moth damage, scattered areas of wear to side selvages, scattered areas of repair stitching, and unravelling to one end. 2322 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: both ends with significant fraying, scattered small losses throughout. One side with even fading. 2323 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: three small holes scattered to center, largest: .5”. 2324 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Scattered areas of small stains overall as well as scattered larger stains to center area. Scattered small holes (largest 0.5”). Fringed edges appear to be rewoven.

Condition Reports

2315 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: damage to macrame fringe, a few scattered small holes, light surface soiling to one side at one end, and a small area of dye migration at same end.

425

2325 Overall good condition with dust accumulation and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered surface soiling and small spots to one corner area, and puckering to central seam. 2326 Generally good condition. A very unobtrusive 1” narrow line of a stray substance near the upper left edge. Not examined out of the frame. Frame: 39.5” H x 33.25” W x 1.5” D 2327 Generally good condition. The sheet retains its wide margins. A short and unobtrusive, 0.25” handling mark in the photographic paper prior to it being laid down to a support sheet. Unframed 2328 Generally good condition. The sheet retains wide upper and lower margins as well as narrower, 0.25” vertical margins. An approximately 0.5” arched handling crease in the image at lower left, visible mostly in a raking light; another handling crease of a similar size, but softer, in the image at lower right. The two features just described roughly correlate with two very small areas of extremely minor surface skinning, verso. The sheet is loose, not mounted. Unframed

Condition Reports

2329 Generally good condition. The glossy surface of the paper, in just the signature and title sections directly below the image, appears to have been very slightly rubbed prior to the pencil inscriptions. Visible only in raking light.

426

Frame: 15” H x 18” W x 0.5” D 2330 Generally good condition. Not examined out of the frame. Frame: 17.25” H x 21.25” W x .5” D

2331 Generally good condition. The sheets all retaining their full margins. Pale time staining along the margin edges. The “DoÒa Ascensione” and “Taos Indian Woman” sheets more toned than any of the others. “Taos Indian Woman” with noticeable scuff-gouges near the center of the image, the largest of which is approximately 0.125” H x 0.375” W. This same sheet with a few scattered brown stains along the right margin edge. Each of the first four works with one or two slightly skinned patches, verso, where previously mounted. All sheets are loose, as issued, inside original gray-green, paper-covered portfolio-boards. The outside surfaces of the portfolio with dust accumulation and toning commensurate with age. Unframed 2332 Generally good condition. Very minor toning to the paper. Not examined out of the frame. Frame: 22.5” H x 28” W x 1” D 2333 Each in overall good condition with general fading and edge wear commensurate with age and use. 2334 Visual: Generally good condition. Dust accumulation and varnish discoloration commensurate with age. Blacklight: No evidence of restoration. Scattered tiny specks of what appears to be either mold or mildew fluoresces under blacklight. Frame: 31.5” H x 37.5” W x 2” D 2335 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 15” H x 20” W x .75” D

2336 Visual: Generally good condition. Blacklight: No evidence of restoration. Frame: 12.5” H x 14.5” W x 2” D

2337 Visual: Generally good condition.

2345 Visual: Generally good condition.

Blacklight: No evidence of restoration.

Frame: 13.75” H x 11.75” W x 1.75” D

Unframed

2338 Visual: Generally good condition.

2346 Visual: Generally good condition.

Blacklight: No evidence of restoration.

Frame: 27” H x 37” W x 1.75” D

Unframed

2339 Visual: Generally good condition. Surface dirt and grime.

2347 Visual: Generally good condition.

Blacklight: A 1.25” H x 2” W area of touch-up near the upper edge, at right. Difficult to read under varnish.

Blacklight: No evidence of restoration. Frame: 24” H x 30” W x 1.5” D

Frame: 24.5” H x 34.5” W x 1.5” D 2340 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pads to underside. With base: 13.25” H x 9” W x 7” D

2342 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Break to barrel of gun, is accompanied by detached piece. Adhesive felt pads to underside. With base: 15.75” H x 9.5” W x 10.75” D 2343 Overall good condition with tarnishing and light scratches commensurate with age. 2344 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age.

Condition Reports

2341 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

427

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Western, American Indian Specialist Maranda Moran Senior Vice President, Fine Art Director Morgana Blackwelder AAA Decorative Arts Cataloguer Sally Andrew Senior Furniture & Decorative Arts Cataloguer Shannon Dailey Fine Art Cataloguer Anne Spink Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Furniture & Decorative Arts Department Manager / Junior Specialist Danielle Kim Fine Art Department Administrator/Junior Cataloger Ian Anderson Post-War & Contemporary Fine Art Specialist Hayden Hunt 20th Century Design Specialist John Simon Taylor Jewelry Director Mollie Burns Keith, G.J.G Arizona Regional Representative Deborah Davis

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Finance Administrator Julia Hamilton Art Handler Joe Miranda Art Handler Richard Corral Art Handler Jacob Baer

MARKETING

Advertising & Marketing Director, Art Design Nathan Martinez Brenda Smith PR Manager Graphic Designer Brian Olivas

PHOTOGRAPHY

Photographer Keith Berson Photographer Madison Torres

TRUSTS & ESTATES

Department Manager Noelle Valentino AAA

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

Consign Today Art of the American West Fall 2022

A polychrome California Mission rattlesnake basket

Price Realized: $29,250

Consignment and Auction Inquiries: marandam@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers: Gaspard de Latoix 1858-1918, English/American “Two Indians on horseback,” 1890

Price Realized: $37,500

SINCE 1969

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