Made In Mexico — February 15, 2022 | John Moran Auctioneers by johnmoranauctioneers

Tuesday, February 15, 2022

SINCE 1969

AUCTIONEERS & APPRAISERS

Tuesday, February 15, 2022—10am Sale 207 145 East Walnut Avenue, Monrovia CA 91016 Previews: Friday, February 11th – Monday, February 14th, 2022 12pm-4pm

Meet the Team Maranda Moran Head of Sale maranda@johnmoran.com Anne Spink Fine Art Cataloguer anne@johnmoran.com

Shannon Dailey Decorative Arts Cataloguer shannon@johnmoran.com

Sally Andrew Silver Jewelry Cataloguer sally@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

Four devotional tin wall crosses

Three groupings: A Nicolas Madrid reverse-painted glass and tin cross 2006 Signed and dated: Nicolas Madrid / 2006 The glass panels with a polychromed swirl motif encased in hand-formed tin 13.25” H x 8.25” W A Nicolas Madrid oxidized tin cross 2018 Signed and dated: Nicolas Madrid / 2018 With repousse designs 4.25” H x 3” W Two Kevin Burgess-Chavez embossed tin crosses 21st Century Each with embossed and repousse stippled designs, 2 pieces Larger: 8” H x 5.375” W; Smaller: 6.25” H x 4.625” W 4 pieces $200-300

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A group of devotional wood wall crosses

20th/21st Century Each ocotillo cross illegibly inscribed in black ink [one possibly signed “BC 18”] Comprising three barnwood crosses, two crosses with chased tin over wood, and three ocotillo spine crosses, 8 pieces Larger: 24.25” H x 1.5” W; Smaller: 9” H x 5.5” W $300-500

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An Antonio Pineda sterling s

1953 or later; Taxco, Mexico Crown mark for Antonio Pineda; Silver / CMC / 970 / PD 100 A quatrefoil pendant set with car black velvet cord with fixed silver Pendant: 2.75” L x 2.35” W 64.5 grams gross $600-800

Provenance: The Collection of Ci

An Antonio Pineda sterling silver and synthetic star sapphire pendant 1962-1963; Taxco, Mexico Stamped with crown mark for Antonio Pineda; Further stamped: Los Castillo / Soc Coop Scl Sec 2 / 970 / Hecho en Mexico / [Eagle 3] Comprising a modernist cross-style pendant set with a round synthetic star sapphire suspended on a fixed black velvet cord with silver spherical tips Pendant: 2.625” L x 2.375” W; Cord: 27” L 41 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 33, plate 20.

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silver and amethyst pendant Further stamped: Hecho en Mexico /

rved amethyst arches suspended from a r spherical tips

indy Tietze-Hodosh and Stuart Hodosh

Three Matl silver and stone cross pendants, by Matilde Poulat Two groupings: A silver, turquoise, and amethyst cross pendant with circular nimbus or Celtic cross motif Second Half 20th Century; Mexico City, Mexico Etched: Patente 10593 / Mexico / 925 / Matl 3.75” H x 2.5” W

Two similar silver, turquoise, amethyst, and coral cross pendants with hinged lower points Second Half 20th Century; Mexico City, Mexico One etched: Patente 10464 / Mexico / 925 / Matl / MREG 14207; One stamped: Matl / Mexico 925 / SALAS Larger: 4” H x 2.625” W; Smaller: 3.5” H x 2.625” W 3 pieces 81.3 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Antonio Pineda sterling

Three works: An obsidian Maltese cross pendant on a Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Further Mexico / Silver / 970 19” L x 1.5” H

A modernist cross pendant set with a sy Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Further 2” L x 2.25” W

An arrow brooch with starburst rays, set change sapphire Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Further 1.125” L x 2.5” W 3 pieces 65.5 grams gross $800-1,200

Provenance: The Collection of Cindy Tie

A group of Antonio Pineda silver and stone Maltese cross pendants

1953 or later; Taxco, Mexico Each stamped with crown mark for Antonio Pineda / [Eagle 17]; Each variously stamped: Hecho en Mexico / Silver / 970 / Mexico; Small cross: YY470 A group of stylized Maltese cross pendants comprising a mixed-cut blue stone cross suspended by attached chains (20.25” L x 2.75” H), an amethyst set cross suspended on a detachable chain (20” L x 2.125” H), and an amethyst cross ( 2” H x 1.625” W) 4 pieces 117.5 grams gross $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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g silver and gemstone jewelry

attached neck chain

r stamped: [Eagle 17] / Hecho en

ynthetic star sapphire

r stamped: [Eagle 208] / JVL / Taxco

t with a round synthetic color

r stamped: 970

etze-Hodosh and Stuart Hodosh

Two Mexican silver cross necklaces

Two works: A necklace with four silver crosses of various ages and designs attached to a silver bead and green glass necklace Second Half 20th Century Crosses stamped variously: Sterling; ERE / 925 / [Eagle 3]; JCB / Taxco / Mexico / 925 / Eagle 3; JA / [candelabra] / Ster / © 19.5” L x 4.25” H A necklace of a single strand of silver beads supporting an angel cross, finished with dangling balls and crosses Second Half 20th Century Appears unmarked 27” L x 5.25” H 2 pieces 239.3 grams gross $500-700 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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Jorge Marín

(b. 1963, Mexican) “Superficie de Argon II,” 1997 Zacatecas polychrome clay, and glass on wood base Appears unsigned; titled to gallery label on underside 33.5” H x 14” W x 11” D $5,000-7,000 Provenance: Couturier Gallery, Los Angeles, 1997 Notes: This lot is accompanied by a receipt of sale from Couturier Gallery, Los Angeles, dated May 1, 1997.

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A pair of sand-weighted tin candelabra

Circa 1940s; Mexico Each three-light candelabrum with floral and leaf motifs and chased designs, 2 pieces Each: 13.25” H x 13” W x 4.75” D $200-300

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A Guatemalan wood dowry chest

Circa 1940s; Guatemala The lidded wood chest raised on a stand with a single drawer, 2 pieces Chest: 20” H x 39.5” W x 21” D; On stand: 40.25” H x 42.5” W x 22.25” D $500-700

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Mexican School

(19th Century) Saint Joseph and young Jesus Polychrome tin retablo 9.25” H x 7.25” W $200-300

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Mexican School

(19th Century) Madonna and Child Polychrome tin retablo 12” H x 9” W $400-600

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Mexican School

(19th Century) Saint Ysidro de Labrador Polychrome tin retablo 14” H x 10” W $400-600

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A painted wood “nicho” cabinet

Circa 1970s; Mexico The small niche cabinet painted green with a single glazed door 14.75” H x 11” W x 7” D $200-300

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A set of Fred Davis silver and amethyst jewelry

Pre-1948; Mexico City, Mexico Each stamped with conjoined FD for Fred Davis; Necklace further stamped: Mexico A necklace comprised of caviar-motif links each centering a cabochon amethyst, together with a matching bracelet 2 pieces Necklace: 16.5” L x 0.875” H; Bracelet: 7” L x 0.875” H 102.0 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A set of Fred Davis silver and amethyst jewelry

Pre-1948; Mexico City, Mexico Each stamped with FD for Fred Davis; Further stamped: Silver / Mexico / Made in Mexico Comprised of a chevron link necklace featuring a large cushion-shaped cabochon amethyst and a matching link bracelet with clasp closure 2 pieces Necklace: 16.5” L x 1.125” H; Bracelet: 7.25” L x 1.125” H 115.25 grams gross $1,500-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A set of Fred Davis silver and amethyst jewelry

Pre-1948; Mexico City, Mexico Each stamped with conjoined FD for Fred Davis; Further stamped: Silver / Mexico; Necklace further stamped: [Eagle 22] Comprising a collar necklace with amethyst cabochons set on linked clusters of silver half spheres, together with a similar style double-wide clasp bracelet and a narrow clasp bracelet 3 pieces Necklace: 16.25” L x 1” H; Bracelets: 6.75” L x 1.875” W and 7.25” L x 1.125” W 237.1 grams gross $1,500-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Fred Davis silver and turquoise jewelry

Pre-1948; Mexico City, Mexico Each stamped with FD for Fred Davis; Further stamped: Silver / Mexico / Made in Mexico Comprising a matching pair of stylized medallion and cluster-set turquoise link bracelets (Each: 7.25” L x .75 and 0.875” H) with matching cluster-set turquoise ring (ring size: 5.75), and a wide row-set turquoise link bracelet (7.5” L x 1.5” H) 4 pieces 188.6 grams gross $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Fred Davis silver, obsidian, and onyx mask jewelry

Pre-1948; Mexico City, Mexico Each stamped with FD for Fred Davis; Each variously stamped: Sterling / 925 Comprising a carved obsidian and onyx mask necklace (17.5” L x 1” H) with matching obsidian bracelet (7.25” L x 0.875” H), together with a silver mask necklace of similar design (18” L x 0.625” H) 3 pieces 246.5 grams gross $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Fred Davis silver and turquoise necklace Mid-20th Century; Mexico City, Mexico Stamped: FD [conjoined] / Sterling / Mexico Comprising a collar necklace consisting of openwork links with square clusters of silver half-spheres and central cabochon turquoise, with a clasp closure 15.5” L x 1.125” H 130.7 grams $600-800

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A Fred Davis silver and obsidian necklace

Pre-1948; Mexico City, Mexico Stamped with conjoined FD for Fred Davis A necklace comprised of alternating set obsidian and silver architectural panels suspended on a narrow silver link chain with hook clasp 19” L x 1” H 68.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Felipe Castañeda

(b. 1933, Mexican) Seated woman, 1968 Patinated bronze on wood base Edition 11/111; signed and dated in the cast 8.5” H x 7.5” W x 8.75” D $2,000-3,000

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A set of Fred Davis silver and green hardstone bracelets

Pre-1948; Mexico City, Mexico Each stamped FD for Fred Davis; Further stamped: Silver / Mexico / Made in Mexico One bracelet comprised of octagonal shaped green hardstone links alternating with rectangular silver bars (7.25” L x 1.125” H) and one bracelet comprised of marquiseshaped green hardstone links (7.25” L x 1.375” H), each with clasp closure 2 pieces 213.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Fred Davis silver and hardstone jewelry

Pre-1948; Mexico City, Mexico Each stamped with FD for Fred Davis; One brooch further stamped: Silver / Made in Mexico Comprising one carved onyx mask brooch, three carved obsidian mask brooches, and an obsidian carved mask ring 5 pieces Largest brooch: 1.625” H x 2” W; Ring size: 6 97.5 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Fred Davis silver and amethyst brooches

Pre-1948; Mexico City, Mexico Each stamped with FD for Fred Davis; Further stamped: Silver / Mexico / Made in Mexico Consisting of four silver brooches with carved amethyst flowers and leaves, comprising a large sprig of leaves with single bloom and tiny bud (3” H x 4” W), a sprig with three blooms (2.75” H x 3.25” W), a wirework sprig with amethyst leaves (2.5” H x 2.25” W), and a small wirework sprig with single bloom (1.75” H x 3.25” W) 4 pieces 132.6 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Fred Davis silver and green hardstone jewelry

Pre-1948; Mexico City, Mexico Each stamped with FD for Fred Davis; Further stamped: Mexico / Silver / Made in Mexico Comprising a pyramidal green hardstone link bracelet (7.5” L x 0.5” H); a Pre-Columbian-style carved green hardstone pendant (1.875” L x 0.5” W); a row-set turquoise brooch (0.625” H x 2.25” W); and two turquoise rings: one rectangular with central row-set stones (1.25” H, ring size: 7) and one round with cluster-set stones (ring size: 6.25) 5 pieces 68.6 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Three Fred Davis sterling silver and gem-set vanity boxes

Second-Quarter 20th Century; Mexico City, Mexico Each marked for Fred Davis; Two further marked: 925; One further marked: Sterling / Mexico Each rectangular silver box centering a Wedgwood-style porcelain plaque, one with a pan figure, one with a woman holding grapes aloft, and one with musical wreath, each enclosed in an amethyst and purple stone frame, 3 pieces Larger: 1.375” H x 5.375” W x 4.25” D; Smaller: 1.875” H x 3.5” W x 2.5” D 22.385 gross oz. troy approximately $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Two Fred Davis sterling silver and gem-set vanity boxes

Second-Quarter 20th Century; Mexico City, Mexico Each stamped for Fred Davis; Further stamped 925 or sterling Each rectangular silver box centering a Wedgwood-style porcelain plaque, one with a pan figure and one with a woman playing cymbols, each enclosed in an amethyst and purple stone frame, 2 pieces Each: 1.875” H x 3.5” W x 2.375” D 9.07 gross oz. troy approximately $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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An Eddie’s sterling silver tea service

20th Century; Mexico Each marked: Eddies / Sterling / Mexico / 0.925 Comprising a coffee pot (10.5” H x 11” W x 5.25” D), a teapot (9.5” H x 10” W x 6” D), a covered sugar bowl (7.25” H x 7.5” W x 4.5” D), a creamer (5.625” H x 4.625” W x 3.75” D), and a tray (28.25” W x 17.75” D), 5 pieces 202.03 oz. troy approximately $2,500-3,500

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31◊

A William Spratling “Jaguar” coffee and teapot

1956-1964, Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Eagle 30 Comprising a coffee pot (8.25” H x 9.75” W x 3.625” D) and a teapot (6.5” H x 9.5” W x 4.25” D), 2 pieces 45.250 oz. troy approximately $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C. Morrill, “William Spratling and the Mexican Silver Renaissance: Maestros De Plata” (New York: Harry N. Abrams, in Association with the San Antonio Museum of Art, 2002), 177, fig. 177.

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Two Pre-Columbian Jalisco ceramic figures

Circa 100 BCE-250 CE Each earthenware painted with red and cream slips, comprising a kneeling female figure with one outstretched hand and one hand behind her head and a hunchback crouching male figure holding a rattle, 2 pieces Larger: 14” H x 10.5” W x 8.5” D; Smaller: 8.5” H x 7” W x 5.5” D $750-1,000 Provenance: Sale: Bonhams, San Francisco, “Native American and Pre-Columbian Art,” June 4, 2007, Lot 4549 Property from the collection of Fred Wessman, Houston

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A Pre-Columbian Jalisco ceramic figure

Circa 100 BCE The earthenware figure depicting a seated warrior wielding a club and wearing striped armor and helmet 13.5” H x 7” W x 9” D $750-1,000 Provenance: Sale: Bonhams, San Francisco, “Native American and Pre-Columbian Art,” June 4, 2007, Lot 4553 Property of various owners

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A Pre-Columbian Colima pottery jar Circa 200 BCE-100 CE Designed with applied faces to the body 7.5” H x 10.5” W x 10.5” D $1,000-1,500

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A Pre-Columbian Colima ceramic dog effigy

Circa 250 BCE-250 CE The hollow, earthenware dog figure with bent legs and bulbous belly 9.625” H x 14” W x 7.5”D $600-900

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Two hand-formed ceramic Tesuque Rain God figures

Pre-1965 Comprising two seated figures, one holding a vessel, 2 pieces Larger: 6.25” H x 3” W x 3.5” D; Smaller: 6” H x 2.75” W x 3.25”D $400-600

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Three Mexican pottery jars

Three works: A rawhide-bound pottery jar Mid-20th Century or Earlier; Tarahumara people, Chihuahua, Mexico With narrow neck and flared waist 11” H x 12” Dia. A rawhide-bound pottery jar Mid-20th Century or Earlier; Tarahumara people, Chihuahua, Mexico With wide shoulder 14.5” H x 15” Dia. A micaceous jar with fire clouding Mid-20th Century or Earlier; Pai Pai people; Baja, Mexico 16” H x 10” Dia. 3 pieces $200-300

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A Héctor Aguilar silver and amethyst pendant necklace 1948 or later; Taxco, Mexico Each stamped with conjoined HA for Héctor Aguilar; Further stamped: 940 / Taxco / [Eagle 9] Comprised of an elaborate, incised paper-clip style chain suspending a large amethyst cabochon with silver ball surround. 2 pieces Necklace: 17” L; Pendant: 2.125” H x 1.375” W 142.7 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Héctor Aguilar silver necklace

1940-1945; Mexico Stamped: HA / Sterling / Made in Mexico The delicate necklace designed with alternating spade and point-form links with raised linework, strung on thin rope wire with a hook clasp 18” L x 1” H 119.3 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Héctor Aguilar silver and copper necklace

1948-1962; Taxco, Mexico Stamped with conjoined HA for Héctor Aguilar; Further stamped: .940 / Taxco Mexico / [Eagle 9] A collar necklace formed of silver and copper chevron links with a hook clasp 17” L x 1” H 167.6 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A suite of Héctor Aguilar silver jewelry

1948-1962; Taxco, Mexico Each stamped: HA [conjoined] / Taxco; Further variously stamped: [Eagle 9] / .940 / 940 / Mexico; Earring stamped: Silver Comprising a matching set formed of silver knotted or ribbon motif links consisting of a necklace (16.5” L x 0.75” H), two clasp bracelets (7.5” L and 7.75” L x 0.75” H), and a pair of screw-back earrings (0.875” H) 5 pieces 257.5 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Héctor Aguilar silver jewelry

1948-1962 and 1953-1962; Taxco, Mexico Each stamped: HA [conjoined] / [940 or .940] / Taxco / [Eagle 9] Each piece designed with stylized blossom links joined by link chains, comprising a necklace and a pair of bracelets 3 pieces Necklace: 17” L x 1.25” H; Bracelets: 7” L x 1.25” H 271.3 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A set of Héctor Aguilar silver jewelry

1948-1962; Taxco, Mexico Each stamped: HA [conjoined] / Taxco; Further variously stamped: .940 / [Eagle 9]; Necklace: [Eagle 3]; Bracelet: 940 Comprising a necklace of circular links and wire elements (16.5” L x 0.5” H), a matching bracelet (7” L x 0.5” H), and a pair of matching screw-back earrings with dangles (1” L) 4 pieces 135.8 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A set of Héctor Aguilar jewelry

1940-1945 and 1948-1962; Taxco, Mexico Stamped for Héctor Aguilar; Further stamped: Taxco / Mexico / 940 / [Eagle 9] Comprising a triple-ball and S-link necklace and a complimentary bracelet with similar S-link and ball links alternating with dot spacers 2 pieces Necklace: 16.5” L x 0.75” H; Bracelet: 6.5” L x 0.5” H 123.2 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Héctor Aguilar silver link necklace

1953-1962; Taxco, Mexico Stamped: HA / Taxco / 940 / [Eagle 9] The heavy necklace designed with circular plates and ribbed spacers, with a hook closure 20” L x 1” W 246.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Héctor Aguilar silver crosses Five works: An incised cross brooch Post-1940; Taxco, Mexico Stamped: HA [conjoined] / Taxco / 940 2.5” H x 2.75” W

A cross pendant with five black onyx and obsidian cabochons Post-1940; Taxco, Mexico Stamped: HA [conjoined] / Made in Mexico / Sterling 2.125” H x 2.5” W An openwork quatrefoil cross pendant on a satin cord Post-1940; Taxco, Mexico Stamped: HA [conjoined] / Sterling / Taxco / Mexico 2.25” H x 1.875” W

A small cross pendant Post-1940; Taxco, Mexico Stamped: HA [conjoined] / Taller Borda / Taxco / Mexico / .940 / [Eagle 9] 1.75” H x 1” W A small decorative cross pendant Post-1940; Taxco, Mexico Stamped: Taxco; inscribed: Glenna 10-7-58 1.75” H x 1” W; Chain: 15.5” L 5 pieces 72.2 grams gross $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Mata Ortiz pottery jar, by Juan Quezada

(b. 1940, Mata Ortiz, Mexico) Signed to the inside of the neck: Juan Quezada The duotone, earthenware jar with a crisscrossing “elastic” design 6.75” H x 9.5” Dia. $2,000-3,000 Literature: Rick Cahill, “The Story of Casas Grandes Pottery” (Tucson, AZ: Boojum Books, 1991), 54. The development of Pueblo pottery of Casas Grandes, as well as of Hohokam, Mogollon, and Anasazi cultures, represents a long history of pottery production and evolution dating back more than 1500 years. Mata Ortiz pottery is a Northern Mexico pueblo pottery inspired by pre-historic pottery shards found at architectural digs at Casas Grandes or present-day Mata Ortiz. The iconography of these early pottery shards, along with the white clay found on Juan Quezada Celado’s property, would influence the entire re-creation of Mata Ortiz pottery in the mid-20th Century. Inspiration quickly evolved and led to an entirely new emergence of pottery from Northern Mexico and ultimately led to the development of a thriving community of artists. Juan Quezada Celado produces pottery in the traditional way, by hand, using traditional pigments, and in earthen pits with materials found on his land. It is estimated that his process takes him about 40 hours of work to produce one pot. A Renaissance man who left school in the third grade, Juan Quezada is now known as the “Maestro”. His pottery is complex in its creation and in its finished decorations. His abilities with clay have allowed him to not only mentor his family and community but influence an entire generation of ceramicists that have understudied with him. “Before Juan can make a pot, he rides his horse into the mountains in search of good clay; he digs it and packs it out in gunny sacks. He buys nothing; everything comes from the earth. He even paints with brushes made with the hair of his children.”

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A group of Mata Ortiz pottery vessels

A Dami·n E. Quezada vessel 20th Century; Mata Ortiz, Mexico Signed: Damian Quezada The bulbous jar with polychrome snake motif on buff s 8.5” H x 7.5” Dia.

The bulbous jar with polychrome avian motifs on buff slip glaze 7.75” H x 7” Dia.

A Rafael Ledezma vessel 20th Century; Mata Ortiz, Mexico Signed: Rafael Ledezma The tall neck jar with polychrome geometric bands 7.5” H x 7” Dia. 4 pieces

Four works: A Mauro Quezada vessel 20th Century; Mata Ortiz, Mexico Signed: Mauro Quezada

A Tony Silveira vessel 20th Century; Mata Ortiz, Mexico Signed: Tony Silveira / HQEZ The urn-form jar with polychrome fish motif 6” H x 5” Dia.

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$300-500

slip glaze

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A large Mata Ortiz blackware pottery olla, by Jesus Peña Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Jesus Peña The black-on-black vessel with all-over geometric motifs 13.5” H x 15.5” Dia. $300-500

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Four Mata Ortiz pottery vessels

Four works: A Naty D. Ortiz and Cesar Nuñez blackware pottery vase Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Naty D. Ortiz / Cesar D. Nuñez With tapered spiral design 5” H x 6.5” W A Naty D. Ortiz and Cesar Nuñez polychrome pottery vase Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Naty D. Ortiz / Cesar D. Nuñez With polychrome geometric and figural motifs on blackware 4.75” H x 6” Dia.

A Susy D. Martinez blackware pottery vase Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Susy D. Martinez The black on black vase with geometric lattice pattern 3.75” H x 4” Dia. A blackware pottery vase Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Fernando G. The black on black vase with geometric lattice pattern 4” H x 4.5” Dia. 4 pieces $400-600

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Two Mata Ortiz pottery jars

Two works: A large Gloria Hernandez pottery jar 20th Century; Mata Ortiz, Mexico Signed: Gloria Hernandez The black-on-red pottery jar with geometric motifs on custom raised metal stand Jar: 14” H x 14” Dia. A large Nicolas Silveira pottery jar 20th Century; Mata Ortiz, Mexico Signed: Nicolas Silveira The black-on-red pottery jar with geometric motifs on custom raised metal base Jar: 10” H x 11” Dia. 2 pieces $400-600

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Two Mata Ortiz pottery vessels

Two works: An Efren Ledezma vessel Late 20th/Early 21st Century; Mata Ortiz, Mexico Signed: Efren Ledezma The bulbous, ovoid jar with polychrome moth motif and all-over geometric field 9” H x 8” Dia. A Yolanda “Yoly” Ledezma vessel 20th Century; Mata Ortiz, Mexico Signed: Yoly Ledezma The squat, wide-shouldered jar with black geometric motif and sgraffito ants on a burnished red slip glaze 4” H x 6.5” Dia. 2 pieces $300-500

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Three Mata Ortiz pottery vessels

Three works: A Trini Silveira redware bowl Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Trini Silveira With black geometric feather motif on burnished red slip glaze 5.25” H x 5.75” Dia. An Olga Quezada redware bowl Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Olga Quezada With black geometric checkered motif on burnished red slip glaze 4.75” H x 7” Dia. A Julio Ledezma redware bowl Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Julio Ledezma The squat, wide-shouldered vessel with black geometric feather motif on burnished red slip glaze 4.75” H x 7” Dia. 3 pieces $300-500

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Two Héctor Aguilar silver and onyx jewelry items

1940-1945 and 1953-1962; Taxco, Mexico Each stamped: HA [conjoined] / Taxco / 940; Ring: [Eagle 9]; Bracelet: 990 A link bracelet set with round onyx cabochons with silver barbell spacers and a ring set with an oval onyx cabochon 2 pieces Bracelet: 7” L x 0.875” H; Ring size: 8 100.6 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Héctor Aguilar silver cuff bracelet

1940-1945; Taxco, Mexico Stamped: HA / Taxco / 940 A cuff with an alternating zig-zag motif and ball spacers, with rounded terminals 7.375” total inner C x 1.375” H, wrist opening: 1.125” 86.7 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A Héctor Aguilar silver link bracelet

1948-1962; Taxco, Mexico Stamped: HA [conjoined] / Taxco / Mexico / .940 / [Eagle 9] A foliate and ball-motif linked bracelet with pin closure and chain guard 7” L x 1.25” H 102.1 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Héctor Aguilar braided silver cuff bracelet

1940-1945; Taxco, Mexico Stamped: HA / Taxco / 940; Etched: Mexico A cuff with a heavy rope braid overlay within a border of flattened twisted wire, finished with ball terminals 6.5” total inner C x 1.25” H, wrist opening: 1.125” 73.6 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A Héctor Aguilar silver and amethyst bracelet

1948-1962; Taxco, Mexico Stamped: HA / Taxco / 940 / [Eagle 9] A link bracelet featuring a large sunflower set with an oval hardstone, with pin closure and chain guard 6.5” total inner C x 1.375” H 54.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Two Héctor Aguilar silver cuff bracelets

1943-1948; Taxco, Mexico Each stamped for Héctor Aguilar; Each further stamped: Made in Mexico / Sterling Comprising an openwork bracelet with curved terminals and silver balls (6.75” total inner C x 1.5” W, wrist opening: 1”) and a solid ridged bracelet with curved incised terminals (7” total inner C x 2.375” H, wrist opening: 1.125”) 2 pieces 141.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Tlaquepaque pottery pulque pitcher

Circa 1920s; Tlaquepaque, Mexico The polychrome glazed pottery pitcher with a hen and chicks 11.5” H x 8” W x 6” D $400-600 Provenance: Acquired from Kate & Daniel McCauley, Scottsdale, AZ Literature: Amanda Thompson, “Cerámica: Mexican Pottery of the 20th Century” (New York: Schiffer, 2000), 55.

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A Tlaquepaque hors d’oeuvres platter, by Josefina Arias

Circa 1920s; Tlaquepaque, Mexico Marked: Arias / Made in Mexico The glazed, polychrome pottery platter with figural pig to the center, pierced to hold toothpicks, decorated with campesino and floral motifs 6” H x 17.25” W x 14.5” D $400-600

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A group of Tlaquepaque campesino pottery serving items

Circa 1920s-1940s; Tlaquepaque, Mexico Three marked: Mexico Each decorated with glazed, polychrome campesino motifs, comprising an oval platter (11.125” W x 8.5” D), a small salad plate (7” Dia.), a charger attributed to Baxter with campesino and cactus (12” Dia.), a cobalt blue charger with campesino carrying water (11.25” Dia.), a charger with antelope and a pineapple (10.25” Dia.), and pig-form salt and pepper shakers with floral decoration (Each: 3.75” H x 3.25” W x 3.5” D approximately), 7 pieces $200-400

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Two Tlaquepaque pottery serving pieces

Two works: A tripod bowl Circa 1930s; Tlaquepaque, Mexico The glazed pottery bowl with a polychrome campesino scene on the interior and vines and acanthus leaves on the exterior 4” H x 10.5” Dia. A Josefina Arias serving plate Circa 1925-1935; Tlaquepaque, Mexico Marked: Arias / Made in Mexico The octagonal glazed pottery plate with burro, agave, and cactus scene 9.75” W x 9.75” D 2 pieces $300-500

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A Tlaquepaque pottery pulque pitcher, attributed to Balbino Lucano

Circa 1920; Tlaquepaque, Mexico Marked: Mexico Attributed to Balbino Lucano (1892-1964, Mexican), the glazed pottery pitcher with polychrome campesino and floral motifs bordered by Aztec-style banding at the rim and base 11.75” H x 8.75” W x 6.25” D $400-600 Provenance: Collection of Alan Ryave Acquired from the above

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A group of Tlaquepaque pottery serving items

Circa 1930s; Tlaquepaque, Mexico Pitcher marked: Made in Mexico; Each plate marked: Mexico Each glazed cream pottery with polychrome campesino and animal motifs, comprising a charger (2” H x 14” Dia.), four Baxter salad plates (Each: 7.75” Dia.), and two Delicate Dan dessert plates (Each: 6.5” Dia.), each with fluted blue rims, and a Donkey Blues pitcher (9” H x 8” W x 6.25” D), 8 pieces $200-400

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A Tlaquepaque pottery dinner service, by Josefina Arias

Circa 1940s; Tlaquepaque, Mexico Some with impressed Josefina Arias mark The pottery service for six wih variously designed polychrome floral motifs on highgloss red glaze, comprising six divided dinner plates (11.375” Dia.), six salad plates (8” Dia.), six bowls (6” Dia.), six tumblers (5.25” H x 3.75” Dia.), one meat serving platter (3” H x 21.75” W x 15” D), one small platter (17” W x 10.5” D), one flower arranging bowl (4” H x 10” Dia.), one large salad serving bowl (6.75” H x 13.25” Dia.), one gravy boat (4.5” H x 8” W x 6.5” D), one large pitcher (11.5” H x 10.25” W x 6.75” D), one 4-cup teapot (4.75” H x 8.25” W x 5.5” D), one 2-cup teapot (4.5” H x 7.5” W x 4.5” D), and one two-light candelabrum (5.75” H x 8.25” W x 5.25” D), 33 pieces $1,200-1,500

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A Héctor Aguilar silver armadillo

1943-1948; Mexico Each stamped: HA / Made in Mexico Comprising a black suede leather bel (buckle: 2.75” H x 6.5” W; belt: 33.25 a silver cuff bracelet in a similar desig wrist opening: 1.675”) 2 pieces 226.5 grams gross $600-800 Provenance: The Collection of Cindy

A Héctor Aguilar silver and suede concho belt

1953-1962; Taxco, Mexico Buckle stamped: HA / Taxco / [Eagle 9] / 940 The black suede belt with ten silver swirled slide/conchos and two-piece buckle 13 pieces Each concho: 2.25” H x 2.75” W; Buckle: 1.75” H x 1.25” W; Leather belt: 38.25”L x 1.375” H 238.9 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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o belt and cuff

/ Sterling lt with attached silver latch buckle 5” L, with buckle 2.125” H) and gn (6.5” total inner C x 2.125” H,

Tietze-Hodosh and Stuart Hodosh

A Héctor Aguilar silver concho belt

1948-1962; Taxco, Mexico Buckle stamped: HA / Taxco / 940 / [Eagle 9] Four narrow incised silver figure eight conchos on a black suede belt strap with fixed buckle 5 pieces Each concho: 1” H x 4.75” W; Leather belt: 29” L x 0.75” W 98.5 grams gross $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Héctor Aguilar silver concho belt

1948-1962; Taxco, Mexico Buckle stamped: HA / Taxco / Mexico / 940 / Taller Borda / [Eagle 9] A belt formed of five X-form slides/conchos on a black suede detachable belt with a clasp buckle 6 pieces Each concho: 1.5” H x 2.125” W; Belt: 29” L x 1.375” W 129.1 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Héctor Aguilar “Armadillo” silver belt buckle with belt

1940-1945; Taxco, Mexico Stamped: HA / Taxco / 940 A two-piece clasp belt buckle of graduated hammered silver concave discs with rivet accents and ridged edges, attached to a removable soft black leather belt 3 pieces Buckle: 2.75” H x 6.25” W; Leather belt: 30.75” L x 3.75” H 119 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Héctor Aguilar silver and turquoise peacock brooch

1948 or later; Taxco, Mexico Stamped with [conjoined] HA for Héctor Aguilar; Further stamped: 940 / Taxco / [Eagle 9] The stylized peacock brooch set with small turquoise cabochons 4” H x 3.5” W 38.8 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Héctor Aguilar silver floral brooches

1940-1945; 1943-1948; 1948-1962; Taxco, Mexico Each stamped: HA [conjoined]; Further variously stamped: Made in Mexico / Sterling / Taxco / Mexico / .940 / [Eagle 9] A group of floral and foliate silver brooches, comprising a large fern leaf (2” H x 5.25” W), a floral spray (2.5” H x 3.75” W), an orchid flower (3.75” H x 2.75” W), a bud and leaf sprig (2” H x 3.5” W), and an abstract wirework leaf (1.5” H x 3.625” W) 5 pieces 135.5 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of silver brooches by Héctor Aguilar

1940-1945 and 1955-1962; Taxco, Mexico Each stamped for Héctor Aguilar; Further stamped: 940 / Taxco; Grasshopper stamped: [Eagle 9] Comprising a large butterfly brooch (2.5” H), two small butterfly brooches (Each: 1” H), an onyx set floral brooch (2” Dia.), and a grasshopper brooch (0.75” H x 3” W) 5 pieces 61.5 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Héctor Aguilar silver brooches

1940-1945 and 1955-1962; Taxco, Mexico Each stamped for Héctor Aguilar; Each further stamped: Taxco / 940; Knot brooch stamped: [Eagle 9] Comprising a woven knot brooch (2” Dia.), a sculpted floral wire brooch (2.5” Dia.), a three-ball brooch (1.125” H x 3” W), and an interlaced “V” motif brooch (1.25” H x 1.875” W) 4 pieces 95.5 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Héctor Aguilar silver belt buckles

1940-1945 and 1948-1952; Taxco, Mexico. Three works: A single buckle with arabesque and silver ball edge Stamped for Héctor Aguilar with conjoined HA; Further stamped: Taller Borda / Taxco / Mexico / 940 / [Eagle 9] 1.875 “ H x 2.375” W A single buckle with incised geometric edge Stamped for Héctor Aguilar with conjoined HA; Further stamped: Taxco / 940 1.375” H x 1.875” W A double-sided buckle with central clasp hook Stamped for Héctor Aguilar with conjoined HA; Further stamped: Made in Mexico / Sterling 1.125” H x 4” W 3 pieces 123.5 grams gross $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Héctor Aguilar hardstone jewelry 1940-1945 and 1948-1962; Taxco, Mexico Seven works:

A floral brooch with green stone central cabochon Stamped for Héctor Aguilar; Further stamped: [Eagle 9] / Taxco / 940 2” Dia. A silver box with rectangular stone top Stamped for Héctor Aguilar; Further stamped: [Eagle 9] / Taxco / 940 0.75” H x 1.25” W x 0.875” D Two rings with green stones Stamped for Héctor Aguilar; Further stamped: Taxco / 940 Oval, ring size: 8.25; Rectangular, ring size: 6 A pair of oval stone earrings Stamped for Héctor Aguilar; Further stamped: Taller Borda / Mexico / [Eagle 9] / Taxco / 940 1” L A pair of square stone earrings Stamped for Héctor Aguilar; Further stamped: [Eagle 3] / Taxco / 940 0.625” L A pair of incised silver ‘X” earrings Stamped for Héctor Aguilar; Further stamped: [Eagle 9] / Mexico / Taxco / 940 0.75” L 10 pieces 125.7 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A large group of Héctor Aguilar earrings

1940-1945, 1943-1948, and 1948-1962; Taxco, Mexico Variously stamped for Héctor Aguilar, Taxco, Silver, 940, or Sterling Comprising fifteen pairs of silver screw-back earrings in a variety of classic styles, including geometric motifs and stylized botanical motifs 30 pieces Size range: 0.75” L to 1.75” L 182.3 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Felipe Castañeda

(b. 1933, Mexican) “Los Amantes,” 1971 Onyx on wood base Signed and dated: F. Castaneda / 1971 11.5” H x 11” W x 9” D $3,000-5,000

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Francisco Zúñiga

(1913-1998, Mexician) “Grupo,” 1982 Mixograph on handmade paper under plexiglas Edition: 47/100; signed, dated and numbered in pencil lower left: Zuniga; Taller de Grafica Mexicana, Mexico City, prntr; Mixografia Workshop, Los Angeles, pub. Image/Sheet: 11.75” H x 16.5” W $800-1,200 Literature: Brewster 88 Notes: The Mixograph printing process is a proprietary process invented and patented by Luis Remba and Shaye Remba. According to their website, “the process begins when the artist creates a model or ‘maquette’ out of any combination of materials from which the edition will be produced. A sequence of plates is then cast and molded from the maquette, resulting in a reverse threedimensional cooper printing plate. The plate retains the shape and fine detail of the artistís original concept. The printing inks are applied by hand on the plate by the Master Printers, and moist paper pulp, produced entirely in-house from pure cotton fibers, is laid over the inked plate. The paper and printing plate are then run through the press under extremely high pressure...registering every nuance on its surface and transferring the ink to the paper. Because the paper is still wet as it runs through the press, the ink is absorbed into the paper’s fibers, giving the prints extremely rich, saturated color and fresco-like qualities.” This lot is accompanied by a printout of an email correspondence dated August-September 2016 with Ariel Zuniga, the artist’s son, confirming the authenticity of this work.

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Francisco Zúñiga

(1912-1998, Mexican) “Familia Indigena, I,” 1976 Color lithograph on paper under glass Edition 4/125; signed, dated and numbered in pencil at the lower right: Zúñiga; with the blindstamp of Kyron, Mexico, prntr.; Graphic Arts Council, LACMA, pub. Image/Sheet: 25” H x 35” W $800-1,200 Literature: Brewster 26

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Francisco Zúñiga

(1912-1998, Mexican) “La Abuela,” 1981 Color lithograph on wove paper, watermark Guarro, under glass Edition 7/100; signed, dated and numbered lower left: Zuniga; titled on a tag affixed to the backing paper; Poligrafa, Barcelona, prntr./pub. Sheet: 29.75” H x 21.5” W $800-1,200 Literature: Brewster 63

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A group of Salvador Terán mosaic and brass pepper plates

Circa 1950s; Mexico Two marked: Handwrought / Salvador / Hecho en Mexico; Three stamped/inscribed: Mex Each pepper-shaped brass tray with a polychrome glass mosaic center panel depicting hu Each: 21.5” H x 7.75” W x 1.25” D approximately $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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xico uman and animal motifs, 5 pieces

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A Matl sterling silver and gem-set necklace

1934-1955; Mexico City, Mexico Stamped to clasp: Matl / Sterling / 925 Designed by Matilde Poulat, the silver filigree necklace with double-strand links supporting a segmented dove-motif centerpiece with coral, amethyst, and turquoise and silver fringe, with a box clasp 17.5” L x 3.5” H 102 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl silver and coral necklace

1935-1948; Taxco, Mexico Stamped: Matl; Further stamped: Hecho en Mexico / .0925 Designed by Matilde Poulat, the four-strand necklace set with coral branches suspended by an ornate double-strand silver necklace set with coral cabochons 15” L x 3” H 120 grams $3,000-5,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl silver and turquoise necklace

1934-1948; Mexico City, Mexico Stamped: Matl Designed by Matilde Poulat, the repoussé rose and dove-motif necklace accented with turquoise-set eyes and seven silver and turquoise drops 19” L x 2.25” H 105.8 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl silver repoussé brooch/pendant

1934-1948; Mexico City, Mexico Stamped twice: Matl Designed by Matilde Poulat, a large silver repoussé medallion of a tree of life with bird surrounded by abstract repoussé scrollwork and silver drop fringe 3.5” H x 3.25” W 46.7 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl gem-set and silver bracelet

1934-1948; Mexico City, Mexico Stamped: Matl Designed by Matilde Poulat, the bracelet centering a heavy matrix turquoise cabochon set into a hollow scrolled frame flanked by stylized half-moon links 7” L x 1.75” W 71.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Matl silver, onyx, and obsidian jewelry

1934-1948; Mexico City, Mexico Each stamped for Matl; Further variously stamped: 0.900 / 925 / Made in Mexico Designed by Matilde Poulat, comprising a bracelet centering a carved obsidian mask set into a hollow scrolled frame flanked by stylized half-moon links (7.125” L x 1.75” H), a bracelet centering a carved onyx mask in a handmade frame with stylized incised crescent moon-shaped links (7.25” L x 2” H), and three onyx mask set brooches with stylized mounts (Each: 1.25” H to 2” H) 5 pieces 181.3 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl coral and sterling silver bracelet

1934-1948; Mexico City, Mexico Signed: Matl / 925 / Hecho en Mexico Designed by Matilde Poulat, the bracelet features scrolled links set with coral beads, with a clasp closure 7” L x 1.5” H 68 grams $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl snake-motif silver bracelet

1934-1948; Mexico City, Mexico Stamped: Matl / Hecho en Mexico / 0.925 Designed by Matilde Poulat, a bracelet of articulated links set with coral and turquoise to head and tail, with clasp closure and chain guard 7.5” L x 0.875” H 78.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Matl silver and hardstone brooches, by Matilde Poulat Five works: A silver repoussé eagle brooch 1934-1960; Mexico City, Mexico Stamped: Matl [script] / 925 2” H x 2.125” W

A dove brooch with turquoise set to the lower cloud 1934-1960; Mexico City, Mexico Stamped: Matl / 0.900 1.75” H x 1.625” W A brooch of a pheasant with lower rose drop and stone set eye 1934-1960; Mexico City, Mexico Stamped: Matl 2.25” H x 1.375” W A silver repoussé dove brooch 1934-1960; Mexico City, Mexico Triple-stamped: Matl 1.375” H x 1.75” W A silver repoussé and wirework dove barrette with stone set turquoise eye Stamped: Matl / Mexico / Silver 1” H x 2” W 5 pieces 62.2 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh 1 0 6 M ade I n Me x ic o l Tu e s d a y, F e b ru ary 1 5 , 2 0 2 2

A group of Matl silver seahorse jewelry items, by Matilde Poulat

Three works: A pair of repoussé seahorse earrings with coral-set bellies and turquoise spine/tails 1934-1948; Mexico City, Mexico Stamped: Matl / Hecho en Mexico / 0.925 Each 2” L x 1” W A repoussé seahorse brooch with coral-set belly and spine and turquoise eye 1934-1948; Mexico City, Mexico Stamped: Matl; Further partially stamped: 925 / Mexico 2” H x 1” W A larger silver repoussé seahorse brooch with grey hardstone eye 1934-1948; Mexico City, Mexico Stamped: Matl / Mexico / Silver 2.5” H x 1.25” W 4 pieces 37.8 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Matl silver and hardstone jewelry items, by Matilde Poulat Four works: A small hand mirror with a set green stone and amethyst border 1934-1960; Mexico City, Mexico Stamped: Matl / M. REG / 142093 / Mexico / 925; 5” H x 2.5” W

A filigree brooch with doves and set-turquoise above an articulated cloud with dangles 1934-1960; Mexico City, Mexico Stamped: Matl 3” H x 2.5” W An openwork brooch set with amethyst, turquoise, and coral 1934-1960; Mexico City, Mexico Stamped: Matl 2.5” H x 1.5” W A round ring with orange stone cabochon surrounded by small turquoise stones 1934-1960; Mexico City, Mexico Stamped: Matl Ring size: 8 4 pieces 99.7 grams $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A pair of Matl silver and coral dove earrings

1934-1940; Mexico City, Mexico Stamped: Matl / 0.980 / Mexico Designed by Matilde Poulat, a pair of screw-back earrings of silver doves each suspending articulated cloud motifs and dangles, with coral accents 2 pieces 2.25” L x 1” W 17.8 grams $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A Matl owl brooch

1934-1938; Mexico City, Mexico Stamped: Matl Designed by Matilde Poulat, an incised repoussé owl face brooch with cabochon turquoise eyes 1.5” H x 1.75” W 15.7 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Two Matl-style silver and gem-set rings

1934-1948; Taxco, Mexico One stamped: Matl [on plaque] Comprising a Matl silver ring with stone-set onyx mask, designed by Matilde Poulat, together with an unmarked Matl-style ring, gem-set with amethyst and turquoise 2 pieces Each ring size: 6.25 25.3 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Circa 1930; Tlaquepaque, Mexico Marked: Mexico The bulbous vessel with skinny neck decorated with duotone black and cream figural campesino registers, floral motifs, and petatillo crosshatching 12.5” H x 7.5” Dia.

Circa 1920s-1940s; Tlaquepaq One marked: Made in Mexico; Each with polychrome glazed c bottle (11” H x 8.6” Dia.), a vas 3 pieces

A Tlaquepaque pottery water jar

$200-300 Provenance: Lucina and David Lee Collection, Boston, MA Acquired from the above

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Three Tlaquepaque campe

$200-300

esino pottery items

que, Mexico ; One inscribed: Mexico campesino motifs and petatillo crosshatching, comprising a water se (8.5” H x 4.5” Dia.), and a “Yellow Brick Road” charger (12.25” Dia.),

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100

Three Tlaquepaque campesino pottery items

Three works: A Tlaquepaque pottery plate Circa 1920s; Tlaquepaque, Mexico Marked: Made in Mexico The polychrome glazed pottery plate with a campesino, barking dog, and burro a outside home 9.5” Dia. A Tlaquepaque pottery pitcher Circa 1930s; Tlaquepaque, Mexico Marked: Made in Mexico The squared body, polychrome glazed pottery pitcher with a campesino scene to both sides 13.5” H x 6.75” W x 3.25” D A Tlaquepaque pottery vase Circa 1930s; Tlaquepaque, Mexico Marked: Made in Mexico The polychrome glazed pottery vase with pinched neck decorated with campesino scenes and petatillo crosshatching 10.5” H x 6.5” Dia. 3 pieces $300-500

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101

A Tlaquepaque pottery canteen

Circa 1930s; Tlaquepaque, Mexico With partially faded stamp: Mexico The double-sided, polychrome glazed canteen depicting Nuestra Senora de San Juan de los Lagos on one side and the Basilica de San Juan de los Lagos, Jalisco, on the other 7.25” H x 5.5” W x 3.25” D $200-400

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102

103

Two works: A Tlaquepaque vase, attributed to Balbino Lucano Circa 1920s, Tlaquepaque, Mexico Marked: Made in Mexico [further marked with illegible faintly impressed mark] Attributed to Balbino Lucano (1892-1964, Mexican), the polychrome glazed pottery vase with petatillo crosshatching and depicting a fruit harvest 6.75” H x 4.75” Dia.

Circa 1920s-1930s; Tlaquepaque, Mexico Three marked: Made in Mexico; One marked: Mexico Each glazed pottery with polychrome campesino motifs, com Blues lidded teapot (8” H x I0” W x 6” D), a Delicate Dan co baluster-form vase with petatillo crosshatching, 4 pieces

Two Tlaquepaque pottery vases

A Tlaquepaque vase Circa 1920s, Tlaquepaque, Mexico The polychrome glazed pottery vase with floral motifs and dotted diagonal designs 6.25” H x 3.5” Dia. 2 pieces $300-500

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Four Tlaquepaque campesino pottery items

$200-400

mprising a small Desert plate (6.5” Dia.), a Donkey orked coffee pot (6” H x 7.5 W x 6.5” D), and a

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105

A William

104

A group of William Spratling silver and amethyst pill box/pendants

1933-1939 and 1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; variously stamped: Taxco / 980 / Made in Mexico / Silver / Sterling Comprising three amethyst set pill box/pendants with twisted rope detail, consisting of one with a long rectangular stone (2” L x 1.25” W) and two double-faced stone set boxes (2” L x 1.5” W x 1.5” D and 1.75” L x 1.5” W x 1” D) 3 pieces 214.2 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 37, figs. 2-40.

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1933-193 Stamped Mexico / Designed 7” total in 105.0 gra

$1,000-1,

Provenan and Stuar

m Spratling “River of Life” silver cuff bracelet

39, First Design Period; Taxco, Mexico d “WS” for William Spratling; Further stamped: Taxco / 980 d as silver waves with roped Aztec rings nner C x 1.75” H, wrist opening: 1” ams

,500

nce: The Collection of Cindy Tietze-Hodosh rt Hodosh

106

A William Spratling “River of Life” silver cuff bracelet 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Designed as silver waves with Aztec rings 6.625” total inner C x 1.5” H, wrist opening: 1” 85.9 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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107

A William Spratling silver link bracelet

1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Composed of five large stylized links 6.75” L x 1.875” H 134 grams $800-1,200 Provenance: The Collection of Cindy TietzeHodosh and Stuart Hodosh

108

A William Spratling sterling vermeil bracelet

1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver A gold wash silver bracelet with alternating geometric links and silver balls with clasp closure and chain guard 7.5” L x 1” H 68.6 grams $300-500

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109

A William Spratling silver and amethyst bracelet

1940-1944, First Design Period; Taxco, Mexico Stamped: Spratling Silver / Made in Mexico A bracelet with alternating square silver and set amethyst links with a pin clasp and chain guard 7.5” L x 0.75” H 55.7 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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110

A William Spratling silver bracelet

1964-1967, Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Taxco / Mexico / .925 A bracelet designed with links of applied raised discs and stepped rectangles, with clasp closure and chain guard 7” L x 1” H 101 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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111◊

A William Spratling silver and rosewood cuff bracelet

1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver A cuff comprised of alternating rosewood and silver stepped crescent shaped panels with ball rivet terminals 6.5” total inner C x 1.625” H, wrist opening 1.125” 84.9 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 97, plate 87.

112◊

A William Spratling silver and rosewood cuff bracelet

Post-1979; Taxco, Mexico Stamped for William Spratling / Taxco / Mexico / 925 / TS-24 A William Spratling design curved silver cuff with riveted rosewood central element 6.5” total inner C x 1.625” H, wrist opening: 1.25” 76.2 grams gross $500-700 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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113◊

A William Spratling silver and rosewood necklace

1940-1944, First Design Period; Taxco, Mexico Stamped with conjoined WS; Further stamped: Spratling / Made in Mexico A necklace of a single strand of silver balls supporting six rosewood carved hands 15.75” L x 1.5” H 26.5 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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114

A set of William Spratling silver jewelry

1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Made in Mexico Comprised of a heavy chain link chunky necklace and matching bracelet, each with hook closure 2 pieces Necklace: 15” L x 1” H; Bracelet: 7.5” L x 1” H 348.5 grams gross $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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115

A group of William Spratling silver shell jewelry

1933-1939 and 1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Made in Mexico / Silver Comprising a shell link necklace with matching ear clips and two additional larger shell ear clips 5 pieces Necklace: 16.5” l x 0.75” H; Ear clips: 0.75” L and 1.5” L 72.0 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

116

A William Spratling sterling silver and amethyst pendant

1964-1967, Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped 925 / Taxco / Mexico / [indistinct eagle] A stylized cross with narrow inlaid carved amethyst 2.375” H x 2.25” W 39.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 1 2 7

117

A William Spratling “Lenguas” sterling silver and vermeil necklace 1951, Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: 925 A silver and gold-wash tongue-motif necklace with round bead chain 16” L x 1.75” H 63.9 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 93, plate 81.

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119

A group of William Spratling silver jewelry

1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Others variously stamped for: Sterling / Silver / Made in Mexico Four works comprising a domed teardrop link necklace (16.5” L x 0.5” H) with matching screw-back ear clips (1” H) and two additional pairs of silver earrings, one of silver pitchers (1.5” L), and one of crescent discs and silver balls (1.75” L) 7 pieces 109.2 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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118

Carlos Merida

(1895-1984, Guatemalan) Two abstract figures Oil on board Signed lower right: Carlos Merida 18” H x 13.25” W $5,000-7,000

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120

A William Spratling silver and amethyst brooch

1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Designed as a stylized jaguar set with six amethyst cabochons 2.75” H x 4.5” W 49.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Phyllis M. Goddard, “Spratling Silver: A Field Guide; Recognizing a William Spratling Treasure” (Altadena, CA: Keenan Tyler Paine, 2003), 41, figs. 2-64.

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121

A William Spratling “Chupamirto Azteca” silver brooch

1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver A brooch with a Pre-Columbian influenced design 2.375” H x 2.875” W 56.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

122

A William Spratling silver and obsidian brooch

1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped; Made in Mexico / Silver A stylized owl brooch with two obsidian cabochon gem-set eyes 2.25” H x 1.75” W 34.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C. Morrill and Carole A. Berk, “Mexican Silver: 20th Century Handwrought Jewelry & Metalwork,” (Atglen, PA: Schiffer, 1994), 44, figs. III-32.

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123

A group of William Spratling silver jewelry

1940-1944 and 1964-1967, First Design Period and Third Design Period; Taxco, Mexico Each stamped for William Spratling; Brooch: Taxco / Mexico / 925; Earrings: Made in Mexico / Silver / TS-94 Comprising a brooch and a pair of post earrings, all with basket weave motif 3 pieces Brooch: 2.5” H x 3” W; Each earring: 1.25” L x 1” W 59.6 grams gross $300-500 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

125

A pair of William Spratling silver and copper brac

1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Ma Consisting of two link bracelets, each with silver and copp abstract overlay lozenge links alternating with silver balls ( multiple interlinked small domed silver and copper eleme 2 pieces 130 grams gross $700-900

Provenance: The Collection of Cindy Tietze-Hodosh and S

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124

A pair of William Spratling silver cuff bracelets

1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Made in Mexico / Silver Each bracelet composed of a dog bone design with a centered rope motif 2 pieces Each: 6.625” total inner C x 1” H and 1.25” H, wrist opening: 1” 82.0 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

celets

ade in Mexico / Silver per elements, comprising one with (7.5” L x 0.875” H), and one with ents (7.5” L x 1” H)

Stuart Hodosh

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126

A pair of William Spratling silver bracelets

1940-1946, First Design Period; Taxco, Mexico Both stamped for William Spratling; Further stamped: Made in Mexico / Silver Comprising two bracelets, each designed as alternating silver cone and triple ball links with pin closures and chain guards 2 pieces 7.25” L and 7.75” L x 0.875” H 73.5 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C. Morrill and Carole A. Berk, “Mexican Silver: 20th Century Handwrought Jewelry & Metalwork,” (Atglen, PA: Schiffer, 1994), 43, fig. III-30.

127

A pair of William Spratling silver and copper cuff bracelets

1940-1944, First Design Period; Taxco, Mexico Each stamped: Spratling Silver / Made in Mexico A pair of narrow silver pyramid cuff bracelets, one in all silver and one with copper 2 pieces Each: 6.5” total inner C x 0.5” H, wrist opening: 1.375” 144.0 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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128

A pair of William Spratling silver bracelets

1933-1939 and 1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; One stamped: Made in Mexico / Sterling; One stamped: Taxco / 980 Each bracelet designed with chased silver stylized cross links, with pin clasps and chain guard 2 pieces 7.25” L and 7” L x 0.75” H 218.0 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C. Morrill and Carole A. Berk, “Mexican Silver: 20th Century Handwrought Jewelry & Metalwork,” (Atglen, PA: Schiffer, 1994), 43, fig. III-30.

129

A pair of William Spratling silver cuff bracelets

1942, First Design Period; Taxco, Mexico Each stamped: Spratling Silver / Made in Mexico Each bracelet in chased silver designed with overall intertwined Aztec motifs 2 pieces Each: 6.5” total inner C x 1.25” H, wrist opening: 1.25” 179.8 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C. Morrill and Carole A. Berk, “Mexican Silver: 20th Century Handwrought Jewelry & Metalwork,” (Atglen, PA: Schiffer, 1994), 39, fig. III-18.

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130

A group of William Spratling silver rings

1933-1939, 1940-1946 and 1949-1956, First and Third Design Period; Taxco, Mexico All stamped for William Spratling; Each variously stamped: 980 / 925 A group of silver rings of various designs comprising five with chased silver designs, two domed-shaped rings, and one with chunky cross-hatched silver “cabochon” top 8 pieces Size range: 11.5 to 6 71.0 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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131

A group of William Spratling silver and amethyst jewelry

1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Bracelet stamped: Taxco / 980 / Made in Mexico; Ring and earrings stamped: Made in Mexico / Silver Comprised of a cabochon amethyst set bracelet (7” L x 0.75” H); a pair of round silver with central amethyst cabochon screw-back ear clips (1.125” Dia.) and a cabochon set ring (ring size: 8.25) 4 pieces 97.5 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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132

A group of William Spratling silver and obsidian brooches

1933-1939 and 1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Each variously stamped: Made in Mexico / Silver / 930 / 980 / Sterling A group of four whimsical silver brooches, comprising a butterfly (1.5” H x 2.5” W), a hummingbird (1.5” H x 1.5” W), a large flower (2” H x 3.25” W) and stylized arrows (0.75” H x 3” W), as well as an obsidian set abstract swirl brooch (1.75” H x 1.75” W) 5 pieces 91.5 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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133

A group of William Spratling silver and amethyst jewelry

1933-1939 and 1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Three stamped: Made in Mexico; One stamped: Taxco / 980 Comprised of four works set with round amethyst cabochon stones, comprising an amethyst bow brooch (2” H x 4.5” W), a pair of cufflinks (0.625” Dia.), a pair of screw-back earrings (0.75” Dia.) and a ring (ring size: 5.5) 6 pieces 83.0 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: The bow brooch design illustrated: Penny C. Morrill and Carole A. Berk, “Mexican Silver: 20th Century Handwrought Jewelry & Metalwork,” (Atglen, PA: Schiffer, 1994), 45, figs. III-33.

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134

A group of William Spratling silver accessories

1933-1939, First Design Period; Taxco, Mexico All stamped for William Spratling; Five stamped: Taxco / 980; One stamped: Taxco / 925 Comprising four belt buckles of various designs and one money clip with chased motif 6 pieces Buckle size range: 2.25” H x 2.25” W to 1.5” H x 3” W; Clip: 1.5” H x 1.25” W 136.5 grams gross $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: Two designs illustrated: Penny C. Morrill and Carole A. Berk, “Mexican Silver: 20th Century Handwrought Jewelry & Metalwork,” (Atglen, PA: Schiffer, 1994), 35, figs. III-7.

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135◊

A group of William Spratling silver and rosewood jewelry

1940-1944, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver; Earring posts marked: Sterling Comprised of a brooch with faceted rectangular rosewood set into a curled silver frame (1.75” H x 2.25” W); a pair of unmarked wave motif screw-back earrings (0.625” L x 1.5” W) and two rosewood set rings, one round (ring size: 9) and one rectangular (ring size: 9.5) 5 pieces 77.5 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: Penny C. Morrill, “William Spratling and the Mexican Silver Renaissance: Maestros De Plata” (New York: Harry N. Abrams, in Association with the San Antonio Museum of Art, 2002), 229, fig. 357 Notes: This lot may require a CITES permit if being shipped outside the United States. Please contact your preferred shipping company for information.

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136◊

A group of Spratling-style silver and rosewood buttons

Mid-20th Century; Mexico Unmarked, attributed to William Spratling A group of octagonal rosewood buttons each with central silver disc and small wire shank on reverse 8 pieces Two: 2.375” H x 2.375” W; Four: 1.125” H x 1.125” W; Two: 0.875” H x 0.875” W 69.1 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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137

A group of William Spratling silver and onyx jewelry

1949-1956 and 1964-1967, Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: [Eagle 30] Comprising a tapering cuff bracelet tipped with cabochon onyx (6.75” total inner C x 1.5” H, wrist opening: 1.125”), a geometric ring with small cabochon onyx (ring size: 5.75), and a pair of drop onyx-set earrings (Each: 2.125” L) 4 pieces 86.0 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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138

A group of William Spratling silver and copper jewelry

1940-1946 and 1950-1967, First and Third Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Made in Mexico / Sterling / Silver; One stamped: Eagle 63 A group of silver bracelets, comprising a dog bone-shaped cuff (6.625” total inner C x 1” H), a chased silver abstract link bracelet with silver ball accents (8.5” L x 1.125” H), a bracelet with rectangular tile-shaped links (6.25” L x 0.75” H) and a bracelet with interlinked domed silver and copper elements (8.5”L x 0.875” H) 4 pieces 249.5 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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139

A group of William Spratling silver ID bracelets

1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Made in Mexico / Silver / Sterling Comprising four ID bracelets of varying weights, designs and chain sizes, with two being personalized 4 pieces Size range: 7” L to 8.5” L 181.0 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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141◊

A William Spratling rosewood and sterling silver cream and sugar set

1945-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Sterling Each smooth silver body with applied silver ribbing and issuing carved rosewood handles, further adorned with carved rosewood accents, 2 pieces Creamer: 3.128” H x 5.25” W x 3.875” D; Sugar: 4.25” H x 6.125” W x 3.875” D 19.255 oz. troy approximately $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Notes: This cream and sugar set was part of a larger tea and coffee service produced by Spratling y Artesanos after Spratling’s resignation from the company, wherein he agreed to provide sixty-five new designs before fully leaving the company. The service was designed in October 1945 and produced until 1946, it is believed few pieces from this service made it to production.

140

A William Spratling “Aztec Duck” spoon

1951-1956, Third Design Period; Taxco Mexico Stamped for William Spratling; Further stamped: [Eagle 30] The spoon in the form of a stylized duck 5.25” L x 1.375” W 39.1 grams $600-900

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142◊

A William Spratling rosewood and silver box

1933-1938, First Design Period; Taxco, Mexico Silver marked: [WS print mark] / 920; Wood branded to underside: TAXCO The rosewood box with applied sterling silver plumed serpent 1.5” H x 4.5” W x 3.25” D 6.255 gross oz. troy approximately $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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143

A monumental Shipibo-Conibo masato effigy vessel

Fourth-Quarter 20th Century; Shipibo-Conibo people, Peru The large vessel with polychrome, stylized geometric patterning 34” H x 41” Dia. $2,000-3,000 In the most sincere form of family homage to the matriarchal family tradition of pottery design, young women are expected to create their own unique geometric pattern that incorporates the patterns of their mothers and grandmothers. These unique patterns will be used throughout the woman’s life becoming her signature. Design motifs are painted typically with fine brushes made from their own hair. The thickest lines or peshtin were applied first, then the thinner complex structures or wirish followed lastly with the heavy lower sections and rim called the quenea. The thin walls of this monumental coiled jar are slip glazed prior to the many of hours that it undoubtedly took to organize the complex line-work present in this example of the art.

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144

Two Shipibo-Conibo pottery vessels

Fourth-Quarter 20th Century; Shipibo-Conibo people, Peru Each with polychrome, stylized snake geometric patterning, comprising an effigy vessel (14” H x 9” Dia.) and a stew bowl (4” H x 9” Dia.), 2 pieces $300-500

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145

Three Karaj· pottery figures

Circa 1950s; Karaj· people, Brazil Each seated figure with duotone red and black decorations and fabric, corn husk, and feather embellishments, comprising two male figures (Each: 14” H x 8” W x I0” D approximately) and one female figure (Each:15” H x 8” W x I0.5” D approx.), 3 pieces $600-800

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146

Ed Gilliam

(b. 1941, Jalisco, Mexico) Horse and riders, 1973 Oil on canvas Signed and dated lower right: Gilliam 37.5” H x 37.5” W $600-800

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147

A Salvador Terán mosaic and brass coffee service

Third-Quarter 20th Century Each marked: Handwrought / Salvador / 408; Three further marked: Hecho en Mexico; Tray further marked: Mexico The coffee service with light blue and brown glass mosaic on brass, comprising a fitted tray (16.75” W x 13.75” D), a coffee pot (8.875” H x 7.5” W x 4.25” D), a creamer (4.25” H x 5” W x 3.5” D), and a sugar bowl with lid and spoon (3.325” H x 5” W x 4.25” D), 5 pieces $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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148

A group of Salvador Terán mosaic and brass table items

Third-Quarter 20th Century Each marked: Handwrought / Salvador; Further variously marked: Hecho en Mexico / Mexico Each with polychrome glass mosaic on brass depicting various figural and geometric motifs, comprising a pitcher and five oval trays, 6 pieces Pitcher: 8.375” H x 6.75” W x 5.25” D; Each tray: 1.5” H x 1.75” W x 5.875” D approximately $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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149

A group of Los Castillo mixed-metal and mosaic humidor boxes

Third-Quarter 20th Century; Taxco, Mexico Three marked for Los Castillo / Taxco; Further variously marked: Hecho en Mexico / Hecho a Mano; One unmarked Each wood-lined box with stone mosaic and mixed-metal inlay, decorated with figural Aztec themes to the lids, 4 pieces Larger: 2.125” H x 11.625” W x 4.5” D; Smaller: 1.125” H x 5.125” W x 3.75” D $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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150

An Antonio Pineda silver and onyx collar necklace

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Taxco / [Eagle 17] / Sterling / Mexico / Silver / 970 Comprising a diamond-shaped segmented collar necklace with faceted diamond-shaped onyx 14” L x 2.125” H 144.5 grams $2,000-3,000 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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151

An Antonio Pineda silver and amethyst necklace

1953-1979; Taxco, Mexico Stamped: Taxco / Mexico / CM / 970 / [Eagle 121] Designed as curve X-form links suspending pear shaped amethyst drops 16.25” L x 1.75” H 147.1 gram $800-1,200 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI Literature: Hallmark referred to as an Antonio mark in: Bille Hougart, “The Little Book of Mexican Trade and Silver Hallmarks,” 3rd ed. (Washington, D.C.: TBR International, 2013), 129.

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152

A set of Antonio Pineda sterling silver and amethyst jewelry

1953-1979; Taxco, Mexico Each with crown mark for Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / Silver / 970 / ZZ700 Comprising a bracelet with stylized “X” links set with teardrop cabochon amethysts (7” L x 1.25” W) and with a pair of matching clip-back earrings (1” L x 0.75” W) 3 pieces 116.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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153

An Antonio Pineda silver and onyx necklace

1953-1979; Taxco, Mexico Stamped with crown mark for Antonio Pineda and Eagle 17; Further stamped: Hecho en Mexico / Silver / 970 / YY Comprising tubular silver and onyx segments alternating with concave tapering silver panels, inspired by roof tiles 16.75” L x 1.75” H 210.0 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This piece is similar in design to a piece illustrated in: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 119, plate 139.

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154

A set of Antonio Pineda silver and simulated aquamarine jewelry

1953-1979; Taxco, Mexico Each stamped with crown mark for Antonio Pineda; Further stamped: Mota Tasco / 970 / [Eagle 3]; Necklace further stamped: Hecho en Mexico Comprising a necklace with concave silver tube hinged segments centering faceted rectangular-cut simulated aquamarine suspended from chain terminals (15.5” L x 0.375”H) and a matching ring (ring size: 4.75) 2 pieces 109.5 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 109, plate 117.

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155

An Antonio Pineda sterling silver and onyx necklace

Post-1953; Taxco, Mexico Stamped with crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / 970 Designed with silver geometric links accented with faceted rectangular onyx 14.75” L x 0.75” H 127.5 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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156

An Antonio Pineda silver and turquoise necklace

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Mexico / 970 / Mota / Tasco / [Eagle 183] A stylized swoop link necklace topped with bezel set oval turquoise 15.5” L x 0.5” H 79.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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157

An Antonio Pineda silver and blue stone necklace

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / 970 / [Eagle 17] A modernist abstract necklace on narrow silver links suspending a spray of three blue stones 16” L x 2.25” H 57.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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158

An Antonio Pineda silver necklace

1948-1953; Taxco, Mexico Stamped: Silver by Tono / Taxco / Mexico / YY455 A dimensional articulated silver necklace comprised of stylized ‘V’ links with a hook and bar closure 16.5” L x 1” W 190.8 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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159

An Antonio Pineda silver and onyx necklace

1962-1963; Taxco, Mexico Crown mark for Antonio Pineda / [Eagle 3]; Further stamped: Los Castillo / Soc Coop Scl Sec 2 A stylized wave link necklace set with oval onyx 15” L x 0.75” H 104.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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160

Two Antonio Pineda sterling silver and hardstone jewelry pieces

Two works: A wire collar necklace suspending undulating silver shapes set with oval green stone cabochons, with clasp closure and chain guard 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 17] / 970 16.5” L x 1.125” H A ring with similar style claw mount holding an oval green stone cabochon 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 208] / [illegible 9__] Ring size: 6.75 2 pieces 60.8 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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161

Three Tonalá Bruñido pottery items, by Amado Galvan

(1893-1954, Tonalá, Mexico) Two signed Comprising a lidded “pomegranate” jar with avian and floral motifs (9” H x 7” Dia.) and two dove figures decorated with floral motifs (Each: 5.5” H x 8” W x 3.25” D), 3 pieces $400-600

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162

Two large Tonalá Bruñido pottery jars

Circa 1970s; Tonalá, Mexico Goose jar signed: Jimon M Each jar with polychrome floral and figural motifs, comprising one with cranes (25.125” H x 9.5” Dia.) and one with a goose and deer (20.75” H x 7.5” Dia.), 2 pieces $200-300

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163

Two Tonalá Bruñido pottery vases

Circa 1920s; Tonalá, Mexico One marked: Made in Mexico Comprising an urn-form jar with cream floral motifs and sawtooth bands on red (11” H x 7” Dia.) and a bulbous jar with polychrome floral motifs (11” H x 9” Dia.), 2 pieces $300-500 Provenance: Acquired from the Kate and Dan McCauley Collection

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164

A group of Tonalá pottery items Six works: Charger with two cranes Circa 1970s; Tonalá, Mexico 9.375” Dia.

Charger with dove, by Antonio Solis Circa 1960s; Tonalá, Mexico Signed: Solis / Mexico 9.75” Dia. Small charger with lone campesina Circa 1970s; Tonalá, Mexico 5.375” Dia. An owl figure, by Antonio Solis Circa 1960s; Tonalá, Mexico Signed: Solis / Mexico 14” H x 6.5” W x 7.5” D A toucan figure Circa 1960s; Tonalá, Mexico 6.75” H x 5” W x 12” D A grey cat figure, by Elena Jimón Circa 1980s; Tonalá, Mexico Signed: E. Jimón / Tonala Jal / Mexico 14.25” H x 6” W x 5.5” D 6 pieces $200-400

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165

Three Tonalá bruñido pottery items, by Angel Ortiz, Sr. Three works: A bruñido bottle Fourth-Quarter 20th Century; Tonalá, Mexico Signed: A. Ortiz, Mexico With campesino sitting on a rock with a full moon 12.5” H x 5.5” Dia.

A bruñido vessel Fourth-Quarter 20th Century; Tonalá, Mexico Signed: A. Ortiz, Mexico, Tonalá With a calaca man and donkey on one side and a calaca woman on the other 11” H x 9” Dia. A bruñido nahual figure Fourth-Quarter 20th Century; Tonalá, Mexico Signed: A. Ortiz, Mexico The figure of a nahual transforming into an angry steer 9.375” H x 9.25” W x 4.25” D 3 pieces $200-300

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166

Three Tonalá pottery bird figures Three works: A large duck figure Circa 1970s; Tonalá, Mexico 12.125” H x 14.5” W x 7.25” D

A medium duck figure Circa 1970s; Tonalá, Mexico Signed: Tonala / Jal. / Mexico / B.M.L. 8” H x 5.25” W x 7.75” D A small duck figure, by Antonio Solis Circa 1960s; Tonalá, Mexico Signed: Solis / [partially illegible] Nos 4.75” H x 4” W x 7.5” D 3 pieces $150-250

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167

Three Tonalá bruñido pottery items, by Amado Galvan

(1893-1954, Tonalá, Mexico) Each signed Comprising a pitcher with a dove and a deer (10.5” H x 5” W x 5.5” D), a duck figure (6” H x 5” W x 11.25” D), and a small bird figure (4.25” H x 3” W x 6.75” D), 3 pieces $300-500

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168

Three Tonalá bruñido pottery items Three works: A large duck figure Circa 1970s; Tonalá, Mexico Marked: Mexico 13” H x 8” W x 16.5” Dia. A nahual figure Circa 1960s; Tonalá, Mexico 9” H x 15.5” W x 7.5” Dia. A large jar with a deer framed by floral motifs, by Antonio Solis Circa 1960s; Tonalá, Mexico Signed: Solis / Mexico 19” H x 7” Dia. 3 pieces $300-500

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169

A group of Antonio Pineda silver, onyx, and enamel jewelry

Two works: A bib style necklace featuring black enamel crescent shapes and abstract silver segments 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: JVL / Taxco / 970 / [Eagle 3] 16” L x 1.25” H A heavy hinged link bracelet with crescent shaped onyx motifs with clasp closure and chain guard 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / Silver / [Eagle 17] 7” L x 1.625” H 2 pieces 281.4 grams gross $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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170

An Antonio Pineda silver and moonstone pendant and chain

1962-1963 and 1953-1979; Taxco, Mexico Each stamped with crown for Antonio Pineda / Hecho en Mexico; Pendant further stamped: [Eagle 17] / 658; Clasp further stamped: Los Castillo Soc Coop Scl Sec 2 / 970 / [Eagle 3] A pendant/brooch of a stylized branch suspending a cluster of set moonstones with attached chain 20” L x 2.5” H 43.0 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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171

An Antonio Pineda silver, coral, and pearl pendant necklace

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / 970 / [Eagle 17] Comprising a starburst pendant centering oval coral tipped with pearls suspended from a signed silver chain 2 pieces Pendant: 2.75” H x 1.75” W; Chain: 20” L 22.0 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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172

An Antonia Pineda silver, amethyst, and pearl necklace

1953-1979; Taxco, Mexico Stamped with crown mark for Antonio Pineda / [Eagle 17]; Further stamped: Hecho en Mexico / 970 Designed as an abstract pendant featuring a pear-shaped cabochon amethyst accented with a cultured pearl suspended on an attached chain 20” L x 2.375” H 49.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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173

A set of Antonio Pineda silver and amethyst jewelry

1953-1979; Taxco, Mexico Each stamped with crown mark for Antonio Pineda; Each variously stamped: Sterling / Mexico / Silver / 970 / Hecho en Mexico / [Eagle 17] Comprising a link necklace and matching bracelet, each designed with teardrop amethysts wrapped in geometric silver frames, and each with a clasp closure 2 pieces Necklace: 17” L x 0.5” H; Bracelet: 7.25” L x 0.5” H 114.0 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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174

Two Antonio Pineda silver and amethyst jewelry items

1953-1979; Taxco, Mexico Each stamped with crown mark for Antonio Pineda; Each further stamped: Hecho en Mexico / [Eagle 17]; Necklace: YY564; Bracelet: ZZ694 / Silver A necklace comprised of oval amethyst cabochon links and a bracelet of teardrop cabochon amethyst links with clasp closure and chain guard 2 pieces Necklace: 16” L x 0.625” H; Bracelet: 8” L x 0.75” H 218.5 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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175

A group of Antonio Pineda silver and aventurine quartz jewelry

1953-1979; Taxco, Mexico Each stamped with crown mark for Antonio Pineda and Eagle 17; Each variously stamped: Hecho en Mexico / 970 Comprising a link necklace with oval aventurine cabochons (16.5” L x 0.625” H), a link bracelet of square stone cabochons edged with silver No. ZZ869 (7” L x 0.625” H), and a link bracelet with square set stones with applied filigree leaf design ZZ895 (7” L x 0.5” H), each with a clasp closure 3 pieces 175.8 grams gross $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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176

Two Antonio Pineda sterling silver jewelry items

Two works: A stylized heart link collar necklace with clasp closure 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / 970 / YY523 / [Eagle 17] 16” L x 0.75” H A bracelet consisting of abstract wave links with clasp closure and chain guard 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / 970 / Los Castillo / Soc Coop SCL Sec 2 / ZZ777 / [Eagle 58] 7.75” L x 1” H 2 pieces 204.3 grams gross $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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177

An set of Antonio Pineda silver and pearl jewelry

1953-1979; Taxco, Mexico Each stamped for Mexico and crown mark of Antonio Pineda / 970; Necklace: Sterling / [Eagle 17] / Silver; Cuff: Taxco / VJ / [Eagle 3] A silver disk choker necklace with three inset pearls and a cuff bracelet accented with five pearls 2 pieces Necklace: 11.375” L x 0.5” H; Cuff: 6.25” total inner C x 0.5” H, wrist opening: 1” 112.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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178

A group of Antonio Pineda silver and mother of pearl jewelry

1953-1979; Taxco, Mexico Each stamped with crown mark for Antonio Pineda and Eagle 17; Each necklace further stamped: 970 Comprising two matching necklaces with multicolored mother of pearl and abalone leaf segments (15.25” L and 14.5” L x 0.75” H), with two pairs of matching screw-back earrings (each approx. 1” L), and a matching foliate design brooch (1.5” H x 3.5” W) 7 pieces 186.8 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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179

Two Antonio Pineda silver and aventurine quartz necklaces

1953-1979; Taxco, Mexico Each stamped with crown mark for Antonio Pineda and Eagle 17; Each variously stamped: Sterling / Mexico / 970 / Silver / Hecho en Mexico Comprising two silver and aventurine quartz cabochon necklaces, one with links of stylized waves, and one with arabesque links, each with clasp closure 2 pieces 16” L x 0.625” H and 15.75” L x 0.875” H 220.0 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: The stylized wave necklace is similar in design to a piece illustrated in: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 135, plate 161.

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180

Two Mexican sterling silver pheasants

Mid-20th Century; Mexico City, Mexico Each marked: Hecho en Mexico / Sterling / JMS [José Marmolejo] Each with cabochon ruby eyes, 2 pieces Larger: 8” H x 12.5” W x 2.5” D; Smaller: 7.5” H x 12.5” W x 2.75” D 79.925 gross oz. troy approximately $1,800-2,500

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181

A Guatemalan Nahualá carved wood altar table

Circa 1940s; Guatemala The carved wood altar table with rectangular top over three short drawers and raised on curved legs, decorated with star and avian motifs 24” H x 49.75” W x 18.5” D $800-1,200

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182

Three Mexican pottery items

Three works: A Tlaquepaque pottery effigy pitcher Circa 1950; Tlaquepaque, Mexico Possibly inscribed: Recuerdo de Calpulalpan [further inscribed illegibly] The footed pitcher standing on four raised feet with portrait mask to spout and polychrome floral necklace 13” H x 8” W x 10” D A Michoacán pottery candelabrum Second Half 20th Century; Michoacán, Mexico The candelabrum with applied floral roundels issuing five arms finished in a high gloss black glaze on terracotta foundation 12” H x 11” W x 4.5” D A Michoacán pottery plate Second Half 20th Century; Michoacán, Mexico The polychrome plate with an intricate floral border and central avian design 1” H x 10” Dia. 3 pieces $200-300 Provenance: Plate: Acquired by owner in Michoacán, Mexico in 1993

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183

A group of Mexican pottery serving items Six works: A Tlaquepaque creamer Circa 1940s; Tlaquepaque, Mexico Marked: Mexico Possibly by Baxter, with a campesino scene Creamer: 3.75” H x 3.75” W x 2.75” D

A pair of Tlaquepaque divided dinner plates, attributed to Baxter Circa 1930s; Tlaquepaque, Mexico With campesino scenes, 2 pieces Each: 11” Dia. A pair of Tlaquepaque luncheon plates, by Josefina Arias Circa 1920s; Tlaquepaque, Mexico Each marked: J / Arias / P / Made in Mexico Each with burro scene, 2 pieces Each: 8” Dia.

A pair of Tlaquepaque Babyface bowls Circa 1940s; Tlaquepaque, Mexico Each marked: Mexico Each with campesino water carrier scene, 2 pieces Each: 2” H x 8.25” Dia. A Tlaquepaque Babyface tile Circa 1940s; Tlaquepaque, Mexico With a campesino and burro scene 5.75” W x 5.75” D A Patzcuaro serving platter Circa 1970; Patzcuaro, Mexico The glazed brown platter with cream fish motif 1.25” H x 13.25” Dia. 9 pieces $300-500

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184

A group of Mexican pottery items

Four groupings: Nine Tlaquepaque pottery table items Circa 1930s; Tlaquepaque, Mexico Four marked: Mexico; Variously numbered Comprising a cup and saucer, a tripod jar, a pig salt and pepper shaker set, a demitasse cup with two saucers, and a syrup pitcher decorated with campesino scenes, 9 pieces Larger: 3.75” H x 4” Dia.; Smaller: 3.25” Dia. A drip ware pitcher Circa 1980s; Oaxaca, Mexico Marked: Mexico With polychrome floral motifs 4.75” H x 3” W A small donkey planter Circa 1940s Marked: Mexico In the form of a donkey pulling a cart 4” H x 8.25” W x 3.25” D A campesino salt and pepper set with cactus stand Circa 1950s Each marked: Mexico; Stand further marked: Japan With two figural shakers on a saguaro stand 3.875” H x 5” W x 2.25” D 12 pieces $200-300

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185

Jorge Leguizamo

(20th Century, Mexican) Standing figure with a woven poncho, 1976 Charcoal and conte on tan paper under glass Signed, dated and inscribed lower right: J Leguizamo Image/Sheet: 23.25” H x 19.75” W $300-500

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186

Attributed to Rufino Tamayo

(1899-1991, Mexican) “Mujer con Mallas Negras,” 1969 Color lithograph on Japon nacre paper under glass Signed in pencil in the lower margin at right: R Tamayo; bears pencil numbering in the lower margin at left: P/A II/X Image: 27.5” H x 21.25” W; Sheet approx. 30.25” H x 22.5” W $1,500-2,500 Literature: Pereda 111 Notes: This image was included in the “Mujeres” portfolio printed by Atelier Desjobert, Paris and published by Touchstone Publishers, NY in 1969. According to Pereda, the signed and numbered edition was 150, plus 25 numbered I/XXV-XXV/XXV, plus some HC impressions.

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187

Latin American School

(20th/21st Century) Four works: Untitled, 2002; “Vida y eternidad en Los Angeles;” “Pure Lovers [sic] Lane,” 1998; and “In the musical zone” Two black and white, and two color prints of various types and on various papers Variously signed, titled, dated, numbered and inscribed in pencil in the lower margins; Untitled with La Mano Press red ink stamp in the lower margin; “Pure Lovers [sic] Lane’ with the Self Help Graphics blindstamp in the lower margin Largest image: 23.75” H x 17.75” W; Smallest image: 18” H x 14” W ; Largest sheet: 22.75” H x 30” W; Smallest sheet: 20” H x 26” W $800-1,200

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188

Roberto Gil de Montes

(b. 1950, Mexican) “Untitled,” 1992 Pastel on paper under glass Initialed in the lower right corner: RGM Sight: 27” H x 19” W $800-1,200 Provenance: Jan Baum Gallery, Los Angeles, CA

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189

Esperanza Perez Martinez

(1934-1998, Hacienda Heights, CA) Portrait of two women, 1964 Pastel on black paper under glass Signed, dated and inscribed lower left: Experanza Sight: 18.5” H x 24.75” W $300-500

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190

Jose Lozano

(b. 1959, Fullerton, CA) “La familia que nunca fue,” 1995 Color screenprint on paper Edition 17/47; signed, titled, dated and numbered in pencil in the lower margin: José Loranzo; also with the blindstamp of the publisher, Self Help Graphics, Los Angeles, in the lower margin Image: 33.5” H x 26.25” W; Sheet: 39” H x 30” W $600-800

Notes: Dressed as they are, these paper doll-like figures are also reminiscent of lucha libre wrestlers. According to Wikipedia, characteristics of this style of wrestling include competitors wearing colorful masks, sequences of holds which often include high-flying maneuvers, and so on. In July of 2018, Mexican lucha libre was declared “an intangible cultural heritage of Mexico City.” It has also been said that in pieces such as this, Lozano is looking at contemporary life and the disintegration of the traditional family. His use of the masks symbolize the “...anonymous, downtrodden masses or ‘the plight’ of everyman’ because they rob the wearer’s individuality.” https://www.latimes.com/archives/la-xpm-1995-07-08-ca21525-story.html

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192

20th Century; Michoacán, Mexico Unsigned A lidded pottery jar in the form of a pineapple 23” H x 9.5” Dia.

20th Century; Mexico The painted writing des frieze drawer and raised 31.25” H x 41.25” W x

$300-500

A Michoacán pottery pineapple jar, by Hilario Alejos Madrigal

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A painted wood wri

iting desk

sk with rectangular top over one d on four turned wood legs 26.5” D

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193

A Salvador Terán mosaic and brass dr

Third-Quarter 20th Century Each marked: Handwrought / Salvador / He Each with polychrome glass mosaic on brass pitcher and eight cups, 9 pieces Pitcher: 7.25” H x 8.25” W x 6” D; Each cup $300-500

Provenance: The Collection of Cindy Tietze-

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rink set

echo en Mexico s depicting jaguars and figural motifs, comprising a

p: 5” H x 3” Dia. approximately

-Hodosh and Stuart Hodosh

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194

A Salvador Terán mosaic and brass drink set

Third-Quarter 20th Century Each marked: Handwrought / Salvador / Hecho en Mexico Each with polychrome glass mosaic on brass depicting jaguar motifs, comprising a pitcher and six cups, 7 pieces Pitcher: 7.375” H x 8” W x 6” D; Each cup: 3” H x 3.25” Dia. approximately $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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195

A group of Salvador Terán mosaic and brass table items

Third-Quarter 20th Century Each marked: Handwrought / Salvador / Hecho en Mexico Each with polychrome glass mosaic on brass depicting figural motifs, comprising a water pitcher (7.25” H x 8.5” W x 5.5” D), four tumblers (Each: 5.125” H x 3” Dia. approximately), and two small trays (Each: 1.75” H x 13.25” W x 5.75” D), 7 pieces $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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196

An Antonio Pineda silver and amethyst bracelet

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / 970 / Silver / ZZ529 / [Eagle 17] A concave cuff with raised amethyst cabochons 6.375” total inner C x 2.125” H, wrist opening: 1.125” 199.5 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 52, plate 40.

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197

An Antonio Pineda silver and amethyst bracelet

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: 970 / JVL Taxco / [indistinct eagle] A thin concave amethyst bead eternity bangle 8” total inner C x 0.25” W 24.2 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

199

An Antonio Pineda sterling silver and amethyst bracelet

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / 970 / Silver Designed with trapezoid links, each set with an oval cabochon amethyst 6.45” L x 1.85” W 79 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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201

An Antoni

1948-1953; Stamped: S A bracelet f panels, with 6.75” L x 1. 99.5 grams $500-700

Provenance

198

An Antonio Pineda silver and amethyst bracelet

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: 970 / Sterling / JVL Taxco / [indistinct eagle] An architectural-style hinged bangle bracelet with amethyst closure 6.125” inner C x 1.375” H 83.4 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 139, plate 167.

200

An Antonio Pineda sterling silver and onyx bracelet

1953-1979; Taxco, Mexico Stamped with crown mark for Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / Silver / 970 The ornamental bracelet featuring hinged links set with faceted round onyx, alternating with smaller silver links 7.125” L x 1” H 101.1 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

io Pineda silver and onyx bracelet

; Taxco, Mexico Silver by Tono formed of alternating rectangular silver and stone set onyx h pin clasp closure and chain guard .375” H

e: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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202

An Antonio Pineda silver bracelet

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / 970 / Silver / [Eagle 17] A chunky link bracelet in a thumbnail design with clasp closure and chain guard 7” L x 1” W 111.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 125, plate 146B.

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203

An Antonio Pineda silver “Wave” bracelet

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / Silver / 970 / [Eagle 17] A chunky silver wave motif link bracelet with a clasp closure and chain guard 7.25” L x 1.375” H 167 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This piece similar to a bracelet illustrated in: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 128, plate 152A-D (B).

204

An Antonio Pineda silver bracelet

1953 or later; Taxco, Mexico Stamped with crown for Antonio Pineda; Further stamped: 970 / Hecho en Mexico / [Eagle 17] / ZZ622 A wave design heavy silver link bracelet with clasp closure and chain guard 7” L x 1” H 150.6 grams $700-900 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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205

An Antonio Pineda silver bracelet

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda / [Eagle 17]; Further stamped: Silver / Hecho en Mexico / ZZ728 A chunky bracelet with apostrophe-shaped links and a clasp closure with chain guard 7” L x 1” W 88.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This piece similar to pieces illustrated in: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 128, plates 152A-D.

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206

An Antonio Pineda silver and amethyst bracelet

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Silver / Sterling / Mexico / 970 / [Eagle 17] A link bracelet comprised of teardrop amethysts, each wrapped in a geometric silver frame, with a clasp closure and chain guard 8” L x 0.75” H 47.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

207

An Antonio Pineda sterling silver bracelet

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 17] / Sterling / Silver / 970 / ZZ888 A bracelet designed with concave rectangular links, with a clasp closure and chain guard 7” L x 1.125” W 111.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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208

An Antonio Pineda silver link bracelet

1953-1980; Taxco, Mexico Stamped with crown for Antonio Pineda; Further stamped: Taxco / JVL / Sterling / [Eagle 208] / 925 A heavy silver bracelet with “C” shaped links and clasp closure with chain guard 8” L x 0.75” H 120.2 grams $600-800

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209

An Antonio Pineda silver and turquoise bracelet

1953-1979; Taxco, Mexico Stamped with crown for Antonio Pineda; Further stamped: Hecho en Mexico / 970 / Silver / [Eagle 17] Designed with chunky geometric silver links set with oval cabochon turquoise stones 6.75” L x 0.75” H 95.2 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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210

211

Circa 1960s; Mexico Lining inscribed in red pen: M. B 7 For a conquistador dance, the cape with polychrome synthetic sequins, mirrored appliques, and fringe on purple and magenta velvet, with natural fiber fabric lining 33” L x 25.5” W approximately

First-Quarter 20th Century One black with yellow embroidery, one black embroidery, 2 pieces Larger: 49” H x 49” W; Smaller: 35.5” H x 35”

A Mexican ceremonial dance cape

$300-500

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Two embroidered silk piano shawls

$800-1,200

Provenance: The Collection of Cindy Tietze-H

k with yellow, green and pink

”W

Hodosh and Stuart Hodosh

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212

Two embroidered silk piano shawls

First-Quarter 20th Century Comprising a grey scarf with blue fringe and a white scarf with polychrome embroidery, 2 pieces Grey: 48” H x 53.5” W; White: 62” H x 62” W $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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213

Two embroidered silk piano shawls

First-Quarter 20th Century Comprising two polychrome embroidery shawls on cream backgrounds, 2 pieces Larger: 59” H x 59” W; Smaller: 50” H x 50” W $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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214

Two Antonio Pineda sterling silver bracelets

Two works: A wave-style cuff with multiple dot elements 1962-1963; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Los Castillo / Sec 2 [obscured Soc Coop Scl] / 925 / Hecho en Mexico / [Eagle 3] 6.875” total inner C x 1” H, wrist opening: 1.5” A tapered architectural concave hinged bangle 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: 970 / Sterling / Mexico / [Eagle 17] 7” inner C x 0.5” to 1.25” H 2 pieces 125.8 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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215

An Antonio Pineda bangle bracelet 1953 or later; Taxco, Mexico Stamped with crown for Antonio Pineda; Further stamped: Taxco / 970 / [Eagle 58] A round narrow bangle with raised segments 7.5” inner C x 0.25” H 28.7 grams $200-400

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216

Two Antonio Pineda silver and onyx bracelets

Two works: A hinged silver and onyx bracelet with oval onyx cabochons 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / 970 7” L x 0.5” H A hinged silver and onyx bracelet set with round onyx stones 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 3] / Taxco / Mexico / VJ 7.25” L x 0.75” H 2 pieces 111.9 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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217

Two Antonio Pineda sterling silver and turquoise bracelets

Two works: A geometric-styled link bracelet set with oval turquoise cabochons 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 58] / Hecho en Mexico / 970 6.375” L x 0.5” H A rectangular link bracelet with oval turquoise cabochons 1962-1963; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [indistinct eagle] / ZZ940 / Los Castillo / Soc Coop Scl Sec 2 / Silver 7.25” L x 0.375” H 2 pieces 117.6 grams gross $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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218

A group of Antonio Pineda silver and amethyst jewelry

Four works: A bracelet with three-bar links alternating with set amethyst links 1953-1979; Taxco, Mexico Further stamped: [Eagle 17] / Hecho en Mexico / 970 7.5 “ L x 0.75” H A bracelet with narrow rectangular links with center inset bar amethysts 1953-1979; Taxco, Mexico Marked for Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / 970 / Silver / ZZ302 7” L x 0.675” H A hinged ring with inset bar amethysts 1953-1979; Taxco, Mexico Marked for Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / Silver Ring size: 7.5 A pair of screw-back earrings 1948-1953; Taxco, Mexico Marked for Antonio Pineda; Further stamped: Silver by Tono / [Eagle 17] / Hecho en Mexico 0.75” L 5 pieces 165.2 grams gross $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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219

Two Antonio Pineda sterling silver bracelets

1953-1979; Taxco, Mexico Each stamped with crown mark for Antonio Pineda; Each further variously stamped: Hecho en Mexico / [Eagle 17] / 970 / Mexico / Sterling / Silver Comprising a link bracelet with design reminiscent of Pre-Colombian rattlesnake tail (7” L x 1” H) and a stylized chevron link bracelet (6.25” L x 0.75” H) 2 pieces 221.6 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: Rattlesnake tail-style bracelet similar in design to the piece illustrated in: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 129, plate 154.

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220

A group of Antonio Pineda sterling silver and onyx jewelry

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: [Eagle 17] / Hecho en Mexico / 970 / Silver / ZZ515 / Made in Mexico Comprising two similarly-styled bracelets consisting of silver waves alternating with round onyx (7” L x 1.75” H and 7” L x 1.5” H) and a matching pair of screw-back earrings (1.125” L) 4 pieces 269.5 grams gross $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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221

A group of Antonio Pineda silver and amethyst bracelets

Two works: A hinged bracelet with alternating silver and amethyst links and pin clasp 1948-1953; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Silver by Tono 6.625” L x 0.625” H A hinged bracelet with convex long silver links with central inset amethysts 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / Silver / 970 7.25” L x 0.625” H 2 pieces 122.2 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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222

A set of Antonio Pineda silver and onyx bracelets

Two works: One bracelet featuring rectangular stone set onyx links alternating with incised foliate-style ‘X’ links, with clap closure and chain guard 1948-1953; Taxco, Mexico Stamped for Antonio Pineda; Further stamped: Silver by Tono / Mexico / [indistinct eagle] 7” L x 1.25” H

One bracelet designed with silver ‘X’ links alternating with openwork links with oval onyx, with clap closure and chain guar 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Sterling / Mexico / Silver / 970 / [Eagle 17] 7” L x 1” 2 pieces 153.0 grams gross $1,200-1,800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Literature: One bracelet illustrated: Gobi Stromberg et al., “Silv Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 103, plate 102.

223

Two Antonio Pineda silver b

Post-1953; Taxco, Mexico Each with crown mark for Anton Sterling / Silver / Hecho en Mex Comprising a two-sided swirl pa (6.5” L x 0.75” H), each with cla 2 pieces 179.7 grams gross $1,000-1,500

Provenance: The Collection of C

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224

A group of Antonio Pineda sterling silver and hardstone jewelry

Two works: A jade locket suspended from a detachable chain 1962-1963; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Los Castillo / Soc Coop Scl Sec 2 / Hecho en Mexico / [Eagle 58] / 970 20” L x 1.625” H A delicate silver link bracelet with turquoise cabochons 1941-1950; Taxco, Mexico Stamped: AP / Taxco / 980 7.5” L x 1” H 3 pieces 92.4 grams gross $600-800

rd Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

ver s

bracelets

nio Pineda; Each variously stamped: JVL / Taxco / 970 / xico / [indistinct Eagle] anel link bracelet (6.5” L x 1” H) and a zig-zig link bracelet asp closure and chain guard

Cindy Tietze-Hodosh and Stuart Hodosh

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225

Two Tonalá bruñido vases

Circa 1920s; Tonalá, Mexico Comprising an urn-form jar with cobalt blue floral motifs and stylized star pattern with a sawtooth band on red (8” H x 6.25” Dia.) and a jar with polychrome animal motifs stylized star pattern (11” H x 7” Dia.), 2 pieces $300-500

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226

A group of Tonalá pottery items Five works: A donkey figure Circa 1970s; Tonalá, Mexico Signed: R. Mateos / Mexico 14.25” H x 5.25” W x 8” D

A black cat figure Circa 1970s; Tonalá, Mexico 9.875” H x 7.25” W x 5.5” D An orange flat-bodied pitcher, by Simeon Galvan Circa 1960s; Tonalá, Mexico Signed: S.G. 10.25” H x 6” W x 2.5” D

An orange duck figure, by Simeon Galvan Circa 1960s; Tonalá, Mexico Signed: S.G. 5.25” H x 3.25” W x 5.25” D A small red cat figure Circa 1970s; Tonalá, Mexico Bears possible Amado Galvan signature 5.75” H x 3” W x 2.25” D 5 pieces $200-300

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227

Four Tonalá bruñido pottery pieces

Four works: A triangular ashtray adorned with a rabbit figure and avian motifs Circa 1950s; Tonalá, Mexico 3.625” H x 6.5” W x 6375” D A frog figure with floral motifs Circa 1970s; Tonalá, Mexico Marked: Tonala / Mexico 4.5” H x 8.5” W x 8.5” D A vase with avian motifs Circa 1980s; Tonalá, Mexico Marked: Mexico 8.625” H x 5” Dia. A fish figure with floral and animal motifs Circa 1970s; Tonalá, Mexico 12” H x 7.5” W x 20” D 4 pieces $200-300

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228

Three Tonalá bruñido pottery items, by Amado Galvan

(1893-1954, Tonalá, Mexico) Each signed Comprising a large flat-sided pitcher with avian and sun motifs (15.5” H x 9.5” W x 4” D), a small flat-sided pitcher with a deer and floral motifs (11” H x 6.5” W x 3.25” D), and a trinket box with a stork and floral motifs (2.25” H x 4.5” W x 4.75 D), 3 pieces $400-600

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229

A group of Tonalá pottery items

Eight works: A large orange pitcher with avian motifs Circa 1970s; Tonalá, Mexico Signed: J.P. / Mexico 12.5” H x 8” Dia. A small pitcher with daisies Circa 1970s; Tonalá, Mexico 10.75” H x 7” Dia. A water jar with deer motifs Circa 1970s; Tonalá, Mexico Marked: Tonala Jal 10.5” H x 8” Dia. A two-handled vase with avian motifs Circa 1970s; Tonalá, Mexico 10.25” H x 6.5” W x 6” D A peacock figure

Circa 1970s; Tonalá, Mexico Marked: Mexico [illegible] 5.75” H x 3.5” W x 9.25” D A small gourd vase, by Pablo Jimon Circa 1950s; Tonalá, Mexico Signed: Pablo Jimon 5.875” H x 4” Dia. A tile with campesino scene, by Angel Ortiz, Sr. Circa 2000; Tonalá, Mexico Signed: A. Ortiz Mexico 3.875” H x 4” W x 0.75” D A small charger with white bird, by Florentino Jimón Barba Circa 1990s; Tonalá, Mexico Signed: Jimón / Mexico 4.625” Dia. 8 pieces $200-300 Literature: Amanda Thompson, “Cerámica: Mexican Pottery of the 20th Century” (New York: Schiffer, 2000), 78.

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A group of Tonalá pottery items

Five works: A cat figure with heavy whiskers, by Pablo Jimón Circa 1960s; Tonalá, Mexico 14” H x 6.5” W x 5.25” D A cat figure with campesino, by Antonio Solis Circa I980s; Tonalá, Mexico Signed: A. Solis / Mexico 13.5” H x 6” W x 5.25” D A pitcher with a nahual, by Angel Ortiz, Sr. Circa 2005; Tonalá, Mexico Signed: A. Ortiz / Mexico 9.5” H x 7.5” W x 6.5” D

A recumbent cat figure Circa I970s; Tonalá, Mexico 6.5” H x 8” W x4.75” D A small seated cat figure, by Antonio Solis Circa I960s; Tonalá, Mexico Signed: Solis / Mexico 6.25” H x 3” W x 5” D 5 pieces $400-600

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231

A group of Tonalá pottery items

Four works: An effigy water jar, by Simeon Galvan Circa 1960s; Tonalá, Mexico Signed: S.G. 10.5” H x 7” Dia. A large head bank Circa 1970s; Tonalá, Mexico Marked: Mexico 6” H x 5” W x 5.5” D

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A medium head bank Circa 1960s; Tonalá , Mexico Signed: Solis / Mexico 5” H x 4” W x 4.5” D A small head bank Circa 1970s; Tonalá , Mexico Marked: Mexico 3.5” H x 2.5” W x 3.5” D 4 pieces $300-500

232

A group

Five grou A two-ha Circa 197 Signed: I. 9.25” H x

A large ch Circa 197 11” H x 7

A two-ha Circa 197 Marked: M 8.75” H x

p of Tonalá pottery items

upings: andled jar with dove and pink flower 70s; Tonalá, Mexico . J. J. / Mexico x 10.25” W x 8.5” D

halice sun face and flowers 70s; Tonalá, Mexico 7.75” Dia.

andled jar with dove, rabbit, and pink flower 70s; Tonalá, Mexico Mexico x 9.25” W x 8.75” D

A vase with dove and daisies Circa 1970s; Tonalá, Mexico Marked: Mexico 11.25” H x 5.25” Dia. A near-pair of candlesticks Circa 1970s; Tonalá, Mexico One signed: Lucano / Mexico 6.5” H x 3.125” Dia. approximately 6 pieces $400-600

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233

A group of Antonio Pineda silver and amethyst jewelry

1953 or later; Taxco, Mexico Each stamped with crown mark for Antonio Pineda; Each variously stamped: Silver / Hecho en Mexico / 970; Brooches: [Eagle 17] Comprising a stylized knot brooch suspending trumpet-style dangles tipped with amethyst drops (4.25” H x 1.125” W), a modernist abstract amethyst-set pin (2.625” H x 0.75” W), and a pair of screw-back earrings with amethyst dangles (2” L) 4 pieces 77.2 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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234

An Antonio Pineda 14 karat yellow gold, synthetic ruby, and pearl ring

1953-1979; Taxco, Mexico Stamped with crown mark for Antonio Pineda; Further stamped: 14K A spiral crescent-shaped ring set with graduated sizes of synthetic rubies and pearls. Ring size: 4.75 10.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

235

An Antonio Pineda silver and amethyst dress clip

1941-1948; Taxco, Mexico Stamped: AP / Taxco / 980 A stone set cabochon amethyst atop a wirework design with four bell dangles 2.5” H x 1.5” W 22 grams $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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236

Two Antonio Pineda amethyst and silver floral brooches

1948-1953; Taxco, Mexico Each stamped: Silver by Tono / Mexico Comprising two silver floral motif brooches with cabochon set amethysts, one with leaves and long stem (2.5” H x 4.25” W) and one as a flower sprig (2” H x 3.25” W) 2 pieces 108.7 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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237

A group of Antonio Pineda sterling silver and gemstone earrings

1948-1953 and 1953-1979; Taxco, Mexico Four works: A pair of silver and pearl starburst/claw screw-back earrings Attributed to Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / [Eagle 58] / 970 0.75” L A pair of silver and pearl earrings Marked for Antonio Pineda; Further stamped: [crown] / 970 / [Eagle 17] 0.5” L A pair of silver screw-back flower-bud earrings Marked for Antonio Pineda; Further stamped: Silver by Tono / [Eagle 17] / Made in Mexico 1.5” L A pair of moonstone and silver paisley screw-back earrings Marked for Antonio Pineda; Further stamped: [crown] / Sterling / Mexico / 970 1.125” L 8 pieces 45 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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238

A group of Antonio Pineda silver and gemstone cufflinks

1953-1979; Taxco, Mexico Each with crown mark for Antonio Pineda; Each variously stamped: [Eagle 17, indistinct eagle, or Eagle 183] / 970 / Hecho en Mexico / Mota Tasco / Silver / Sterling / Mexico Comprising a pair of contra luz opal and onyx cufflinks (0.75” H), a pair of onyx cufflinks (0.875” H), and a pair of dyed tiger’s eye cufflinks (0.625” H) 6 pieces 64.4 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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239

A group of Antonio Pineda silver and gemstone earrings

Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: [Eagle 17] / Hecho en Mexico / 970 / 925 / Silver Comprising a pair of silver wave earrings, a pair of silver wave and onyx earrings, a pair of synthetic star sapphire earrings, a pair of blue stone fish earrings and a pair of silver and pearl earrings, all with screw-backs 10 pieces Size range: 0.875” L to 2.375” L 71.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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240

A group of Antonio Pineda silver and hardstone jewelry

1953-1979; Taxco, Mexico Each with crown mark for Antonio Pineda; Each variously further stamped: [Eagle 17 or Eagle 3] / Hecho en Mexico / 970 / JVL Taxco / Silver Comprising two silver tie clips (2” H and 1.25” H), an obsidian money clip (2.25” H), a pair of silver cufflinks with geometric overlay (1.125” H) with matching tie clip (1.25” H), and a pair of hardstone inlay cufflinks (1.25” H) 8 pieces 87.5 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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241

A group of Antonio Pineda silver and moonstone jewelry Post-1953; Taxco, Mexico Each stamped with crown mark for Antonio Pineda and 970 Four works: A star shape brooch with four moonstones Further stamped: Silver / Hecho en Mexico / [Eagle 17] 2” H x 2” W A swirl brooch with a central moonstone Further stamped: [Eagle 208] / JVL / Taxco 1.625” Dia. A stylized “C” link bracelet set with moonstones and black enamel Further stamped: Sterling / Silver / Mexico / [Eagle 17] / ZZ805 6.5” L x 1” W A pair of stone set swirl screw-back earrings Further stamped: Silver / Hecho en Mexico 1.125” L 5 pieces 151.5 grams gross $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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242

A group of Antonio Pineda mixed-metal rings

1953-1979; Taxco, Mexico Each stamped with crown mark for Antonio Pineda; Each further variously stamped: [Eagle 17] / [Eagle 208] / [Indistinct Eagle] / Mexico / 970 / JVL Taxco / Hecho en Mexico Comprising three silver rings and one brass and silver ring, all in abstract geometric designs 4 pieces Ring sizes: 5.5, 6, 7, 8.25 44.0 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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243

A group of Antonio Pineda silver and hardstone jewelry

1953-1979; Taxco, Mexico Each with crown mark for Antonio Pineda; Each further variously stamped: [Eagle 17] / Hecho en Mexico / 970 / Sterling / Mexico / Silver Comprising a pair of abstract-style obsidian cufflinks, an inlaid onyx tie clip, and a pair of concave silver cufflinks with a concave silver tie clip 6 pieces Cuff links: 0.875” H and 0.75” H; Tie clips: 1.75” W and 1.375” W 69.0 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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244

A group of Antonio Pineda silver and gemstone cufflinks

1948-1979; Taxco, Mexico Each with crown mark for Antonio Pineda; Each variously further stamped: [Eagle 208 or Eagle 17] / Hecho en Mexico / 970 / Sterling / Mexico / Silver / JVL Taxco ; Small silver cufflinks attributed to Pineda Comprising two pairs of “thumbprint” silver cufflinks (1” H and 0.75” H), a pair of amethyst oval cufflinks (1.25” H), and a pair of onyx square cufflinks (0.75” H) 8 pieces 84.5 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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245

A group of Antonio Pineda silver jewelry

Post-1953; Taxco, Mexico Each with crown mark for Antonio Pineda; Each variously further stamped: [Eagle 17] / 970 / Hecho en Mexico / Silver / Sterling / Mexico; Buckle: PZ155 Comprising a Lascaux inspired belt buckle (1.125” H x 1.25” W) and a pair of screw-back earrings (Each: 1.25” L) as well as a Pre-Colombian-inspired round brooch and matching cufflinks (Each: 1.375” Dia.) 6 pieces 98.2 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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246

A group of Antonio Pineda Lascaux-motif sterling silver jewelry

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: [Eagle 17] / Hecho en Mexico / Silver / 970 Comprising a bolo tie with leather strap and spade-shaped endcaps (1.625” L x 1.375” W, strap: 38” L) and two pairs of swivel-back cufflinks (largest cufflinks: 2” L x .75” W) 5 pieces 93.5 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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247

A group of Antonio Pineda silver and onyx belt buckles

Four works: A silver buckle with inlaid black abstract design 1962-1963; Taxco, Mexico Marked for Antonio Pineda; Further stamped: [Eagle 58] / Hecho en Mexico / 925 / Los Castillo / Soc / Coop / SCL / Sec2 1” H x 2” W A buckle with lattice work design and onyx stones 1953-1979; Taxco, Mexico Marked for Antonio Pineda; Further stamped: [Eagle 17] / Silver / Sterling / Mexico / 970 / PZ195 1.125” H x 2.5” W A heavy silver buckle 1953-1979; Taxco, Mexico Marked for Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / Silver / 925 / PZ127 1.625” H x 2.25” W A smaller heavy silver buckle with wave design ends 1962-1963; Taxco, Mexico Marked for Antonio Pineda; Further stamped: [Eagle 58] / Hecho en Mexico / 925 / Los Castillo / Soc / Coop / SCL / SEC2 / PZ121 1.25” H x 2” W 4 pieces 193.5 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 2 6 1

248

An Antonio Pineda Lascaux-motif sterling silver belt buckle and belt

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [Eagle 17] / Hecho en Mexico / Silver / 970 / PZ105 A large rectangular belt buckle featuring a Lascaux-inspired hunting scene detailed with a single small cabochon turquoise eye, all on a detachable black suede belt 2 pieces Buckle: 2.75” H x 5.75” W 231.2 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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249

A group of Antonio Pineda Lascaux-motif silver belt buckles

1953-1979; Taxco, Mexico Each with crown mark for Antonio Pineda; Further stamped: Silver / 970 / Hecho en Mexico / [Eagle 17] Comprising three Lascaux-inspired belt buckles, consisting of a large oval buckle with detachable black leather belt PZ148 (2.5” H x 5.875”W, belt: 32” L); a large rectangular buckle PZ164 (2.25” H x 5.75” W); and an abstract plaque buckle with silver overlay figures and copper inlay accents PZ149 (2.25” H x 5.5” W) 4 pieces 560.5 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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250

Gustavo Montoya

(1905-2003, Mexican) Two works from “Los Niños Mexicanos” series, 1993-95 Girl with watermelon; and Girl with doll Each: Color screenprint on wove paper Each: Signed g montoya [sic], numbered 120/250P (the first) and 170/250 (the second), and inscribed “To my friends” all in pencil in the lower margin; an unidentified blindstamp in the lower margin at left; Enrique Cattaneo prntr Image of each: 23.5” H x 17.75”; Sheet of each: 27” H x 21.25” W $500-700

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251

Gustavo Montoya

(1905-2003, Mexican) Two works from “Los Niños Mexicanos” series, 1993-95 Girl with mandolin; and Girl with plate Each: Color screenprint on wove paper Each: Signed g montoya, numbered 205/250 (the first) and 41/250P (the second), inscribed “To my friends” (the first), all in pencil in the lower margin; an unidentified blindstamp in the lower margin at left; Enrique Cattaneo prntr Image of each: 23.5” H x 17.75”; Sheet of each: 27” H x 21.25” W $500-700

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252

Roberto Gil de Montes

(b. 1950, Mexican) Two works: “Boyhood Dreams,” 2007; and “’Napoleon’ The Lie,” 2007 Each: Acrylic on canvas over wood Each: Initialed, titled and dated verso: RGM Each: 12” H x 12” W $300-500

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253

Roberto Gil de Montes

(b. 1950, Mexican) Two works: Man with blue face, 2003; and “New Penitente”[sic], 2005 Each: Acrylic on canvas over wood The First: Signed, dated and inscribed verso: R Gil de Montes The Second: Initialed, titled, dated and inscribed verso: RGM Each: 12” H x 12” W $300-500 Literature: https://www.latimes.com/entertainment-arts/newsletter/2021-06-26/essential-arts-roberto-gil-demontes-pandemic-paintings-paul-soto-essential-arts

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254

A large group of Tonalá pottery chargers

Twelve groupings: Three Florentino Jimón Barba chargers Circa 2000; Tonalá, Mexico Two signed: Jimon / Mexico One with one white bird and a yellow border (8.25” Dia.), one with three birds (12” Dia.), and one with two deer (12.25” Dia.), 3 pieces Charger with a sleeping campesino, by Basulto Circa 1960s; Tonalá, Mexico Signed: Basulto / Tonala / Jal 9.375” Dia. Charger with a stork, by Simeon Galvan Circa 1950s; Tonalá, Mexico Signed: S.G. / Mexico 10.125” Dia. Charger with a crane, by Antonio Solis Circa 1960s; Tonalá, Mexico Signed: A. Solis / Mexico 10” Dia.

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Charger with a prone deer Circa 1970s; Tonalá, Mexico 11.75” Dia. Charger with an upside down crane Circa 1970s; Tonalá, Mexico 12.5” Dia. Charger with a seated campesino Circa 1970s; Tonalá, Mexico Marked: Mexico 12” Dia. Charger with two blossoms and four leaves Circa 1960s; Tonalá, Mexico 11.625” Dia. Charger with Mexican national seal, by Angel Ortiz, Sr. Circa 2000; Tonalá, Mexico Signed: A. Ortiz / Mexico 12” Dia.

Charger with white parrot Circa 1960s; Tonalá, Mexic Marked: Tonala / Mexico 12” Dia.

Charger with a deer and t Circa 1950s; Tonalá, Mexic Signed: Mexico / B.O. 12” Dia.

Charger with a faun lookin Victoria Silva Circa 1970s; Tonalá, Mexic Signed: V.S. / Mexico 11.75” Dia. 14 pieces $200-300

t co

two palm trees co

ng up, by

255

A group of Tonalá pottery items

Two groupings: Two Cirilo Lucano chargers Circa 1950s; Tonalá, Mexico Each signed: C. Lucano By Cirilo Lucano (1905-1988, Mexican), one with a soaring dove and one with a prancing antelope, 2 pieces Dove: 9.25” Dia.; Antelope: 8.75” Dia. A bruñido horse figure with floral motifs, by Antonio Solis Circa 1950s; Tonalá, Mexico Signed: Solis / Hecho en Mexico 8.375” H x 2.5” W x 13” D 3 pieces $200-300

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256

A group of Tonalá pottery chargers, by Angel Ortiz, Sr.

20th/21st Century; Tonalá, Mexico Each signed: A. Ortiz / Mexico / Tonala Each pottery charger decorated with polychrome figural and floral motifs, comprising one with a campesino harvesting mescal (10.375” Dia.), one with two cranes (10.25” Dia.), one with two campesinos (11.5” Dia.), one with a nahual (10.375” Dia.), one with a campesina carrying water (11.625” Dia.), and a large charger with campesinos and a burro (25.25” Dia.), 6 pieces $300-500

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257

A group of Tonalá pottery items

Four works: A large bruñido jar with bands of white flowers on orange, by Antonio Solis Circa 1970s; Tonalá, Mexico Signed: Solis / Mexico 18.5” H x 7” Dia. Charger with two doves and sunfaces, attributed to Antonio Solis Circa 1960s; Tonalá, Mexico 15.875” Dia. Charger with two deer, by Antonio Solis Circa 1950s; Tonalá, Mexico Signed: Solis / Mexico 16” Dia. Charger with a lone deer Circa 1960s; Tonalá, Mexico Marked: Mexico 15.75” Dia. 4 pieces $500-700 w w w. j o h n m o r a n . c o m 2 7 1

258

259

Four works: Opaque charger with polychrome floral motif Circa 1920s; Tonalá, Mexico Marked: Mexico 12.75” Dia.

Thirte Charg Circa 12.12

Four Tonalá pottery chargers

Charger with two doves and checkered border Circa 1970s; Tonalá, Mexico 15.5” Dia. Charger with campesino water carrier, by Florentino Jimón Barba Circa 2000s; Tonalá, Mexico Signed: Jimon / Mexico 16” Dia. Large charger with a parrot and floral design, by Florentino Jimón Barba Circa 1990s; Tonalá, Mexico Signed: Jimon / Mexico 19.75” Dia. 4 pieces $200-300

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A lar

Charg Circa 12.75

Charg Circa 12.25

Charg Circa Marke 12.75

Charg Circa 12.5”

Charg Circa Signe 15.75

rge group of Tonalá pottery chargers

een works: ger with an owl 1970s; Tonalá, Mexico 25” Dia.

ger with seated rabbit 1940s; Tonalá, Mexico 5” Dia.

ger with a blackbird 1940s; Tonalá, Mexico 5” Dia.

ger with a red breasted robin 1940s; Tonalá, Mexico ed: Made in Mexico 5” Dia.

ger with two deer 1980s; Tonalá, Mexico ” Dia.

ger with a squirrel, by Roberto Mateos 1940s; Tonalá, Mexico ed: R. Mateos / Mexico 5” Dia.

Charger with a prone deer Circa 1990s; Tonalá, Mexico 16” Dia. Charger with three birds Circa 1950s; Tonalá, Mexico 15.75” Dia.

Charger with a rabbit, by Antonio Solis Circa 1960s; Tonalá, Mexico Signed: Mexico / A. Solis 16” Dia. 13 pieces $300-500

Charger with a prone deer and flower Circa 1970s; Tonalá, Mexico Marked: Mexico 11.75” Dia. Charger with leaping rabbit Circa 1970s; Tonalá, Mexico 12” Dia. Charger with large central flower Circa 1990s; Tonalá, Mexico 15.25” Dia. Charger with a standing owl Circa 1960s; Tonalá, Mexico Signed: Nogal / Tonala / Jal / Mexico 16” Dia.

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260

A Mexican pottery jug

19th Century The handled jug with hand-painted eagle and snake emblem and an American flag to one side and an architectural scene to the other 8.875” H x 7” W x 2.75” D $200-300

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261

A suite of Hubert Harmon silver and amethyst jewelry

1944-1948; Mexico Each stamped: Hubert Harmon / Sterling / Made in Mexico; One bracelet and brooch further stamped with winged feet for Hubert Harmon Comprising a link necklace (14” L x 1.25” H); two link bracelets, one with chain guard (Each: 7” L x 1.375” H); a pair of earrings (Each: 1.375” L); an extra link of same design; and a pendant/brooch (2.625” H x 2.625” W); all of foliate silver motifs set with large amethyst cabochon stones 7 pieces 228.9 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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262

A Hubert Harmon silver hand belt buckle

1944-1948; Taxco, Mexico Each stamped: Hubert Harmon / Sterling / Made in Mexico Designed as two hands pulling a silver chain suspending two metal spheres on a black patent strap 2 pieces Buckle: 6” H x 11” W; Belt: 23.25” L 97.3 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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263

A Hubert Harmon silver belt buckle

1944-1948; Mexico Marked with winged feet for Hubert Harmon; Further stamped: Hubert Harmon / Made in Mexico / Sterling A whimsical “Sputnik” motif belt buckle 2 pieces 4.5” W x 3” H 102.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

264

A Hubert Harmon mixed-metal bomb-motif belt

Circa 1940; Taxco, Mexico Stamped: Hubert Harmon Mexico The brass link belt suspending two brass and copper “bomb” pendant ends, with hook closure 16” L x 3.75” H 157.3 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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265

Two Hubert Harmon silver repoussé serpent pieces

1944-1948; Mexico Each stamped: Hubert Harmon / Made in Mexico / Sterling; Buckle stamped with winged feet for Hubert Harmon Comprising a wide silver cuff bracelet with a double entwined repoussé fish or serpent design, and a matching belt buckle 2 pieces Cuff: 7.25” total inner C x 2.75” H; Buckle: 2.625” H x 3.625” W 117.3 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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266

Three Hubert Harmon silver accessory items

Three works: A brooch depicting a swan encircling a carved amethyst head 1942-1948; Taxco, Mexico Stamped for Hubert Harmon and sterling; Further stamped: [conjoined] HH / Hubertus / Handmade / Taxco / Mexico 2.25” H x 1.875” W A brooch or pendant of a turbaned figure with a carved amethyst face 1942-1948; Taxco or Mexico City, Mexico Stamped for Hubert Harmon and sterling; Further stamped: Made in Mexico 4” H x 1.625” W A silver belt buckle with carved onyx jester face and onyx cabochons to corners 1942-1948; Taxco or Mexico City, Mexico Stamped for Hubert Harmon and sterling; Further stamped: Made in Mexico 2.625” H x 4.375” W 3 pieces 160.4 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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267

A group of Hubert Harmon mixed-metal accessories

1942-1948; Mexico Most stamped for Hubert Harmon; Further variously stamped: Mexico / Sterling / Handmade Comprising a leather belt or necklace with silver serpent head hook clasp (clasp: 1.25” H x 2.5” W, leather: 24.5” L); a two-piece brass belt buckle with double serpent heads and dangling fish, all with green stone accents (1” H [buckle] to 3.5”H [fish] x 7.375” W); and three stone-set brass/bronze fish buckle halves in various designs, consisting of one with hook fastening (highest: 2.625” H; widest: 4.75” W; with hook: 8” W) 6 pieces 305.7 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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268

A group of Hubert Harmon brass and copper buckles and cuff links

1942-1948; Mexico Four works: A brass buckle with an applied copper repoussé double fish motif set with amethysts Stamped: Hubert Harmon / Mexico 3.25” H x 4.25” W An oval brass buckle with an applied copper repoussé fish motif with amethyst eye Appears unmarked 2.5” H x 3.5” W A larger brass belt buckle with two repoussé aquatic creatures set with black stone eyes on a wide leather detachable belt Stamped: Hubert Harmon / Made in Mexico Buckle: 3” H x 6.625” W; belt: 24.75” (max.) x 2.875” H A pair of matching round brass cuff links each with central black stone Each stamped: Hubert Harmon / Made in Mexico 1.125” Dia. 6 pieces 333.4 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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269

A group of Hubert Harmon cuff links with silver accessory

1942-1948; Taxco and Mexico City, Mexico Each stamped for Hubert Harmon; Most further stamped: Sterling / Made in Mexico; Foot set further stamped: Hubertus / Taxco; Brass set stamped with winged feet Comprising six sets of cuff links, consisting of an amethyst set, a dangling star set, a bare foot set, a fish set with turquoise eyes, a book set with hinged covers, and a round brass set with central onyx stones, together with a money clip with an applied silver reclining nude figure 13 pieces Largest: 1.5” H; Clip: 1” H x 2.625” W 101.3 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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270

Two Hubert Harmon silver and amethyst poodle brooches

1944-48; Mexico Each stamped with winged feet for Hubert Harmon; Further stamped: Hubert Harmon / Sterling / Made in Mexico Each poodle brooch made in silver with copper studs to collars and amethyst eyes, one with loop to front, and able to be worn together with opposing faces 2 pieces Each: 1.75” H x 1.5” W 26.2 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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271

Five Latin American festival masks

Circa 1940s Ox mask inscribed in ink: Sebastian [partially illegible] Each polychromed carved wood, comprising four Mexican masks, two with glass eyes and one with animal horns, and a Guatemalan mask depicting a man with a beard, 5 pieces Larger: 12.125” H x 7” W x 5” D; Smaller: 7” H x 6” W x 4.5” D $600-800

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272

A group of Los Castillo mixed-metal platters

Third-Quarter 20th Century; Taxco, Mexico Variously marked: Los Castillo / Taxco / Hecho en Mexico / Handwrought / Made in Mexico / Metales Castillo Comprising a large meat plate (0.5” H x 21.75” W x 14.75” D), a large serving tray (0.25” H x 17.75” W x 11.75” D), a small rectangular tray (0.25” H x 12” W x 7” D), and a small oval tray (0.25” H x 10.25” W x 5” D), 4 pieces $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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273

A group of Los Castillo mixed-metal table items

Third-Quarter 20th Century Each marked: Los Castillo / Taxco; Further variously marked: Handwrought / Metalles Castillo / Hecho en Mexico Each mixed-metal, comprising a cylindrical pitcher with figural pronghorn motif and wooden handle (10.75” H x 5.75” W x 3.625” D) and two tumblers (Each: 4.5” H x 3.5” Dia.), 3 pieces $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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274

A group of Mexican mixed-metal table items

Five works: A Los Castillo mixed-metal and sterling silver cigarette case Third-Quarter 20th Century; Taxco, Mexico Marked: Sterling / Los Castillo / Taxco / [Eagle 15] The lidded cigarette case with “MRA” to the front 3.625” H x 2.375” W x 1.25” D 4.39 gross oz. troy approximately A Los Castillo mixed-metal footed tray Third-Quarter 20th Century; Taxco, Mexico Marked: Los Castillo / Taxco / Hecho en Mexico / Handwrought / 240 With scalloped sides 1.375” H x 11.25” W x 9.125” D A Los Castillo mixed-metal footed tray Third-Quarter 20th Century; Taxco, Mexico Marked: Los Castillo / Taxco / Hecho a Mano / 95 In a tear drop form 1.125” H x 10.5” W x 5.5” D

A mixed-metal oval tray Third-Quarter 20th Century Unmarked 0.125” H x 7.375” W x 5.75” D A Metales Casados mixed-metal humidor box Third-Quarter 20th Century Marked: E2 / Handwrought / Metales Casados The humidor box with hinged lid and wood interior 2” H x 7.75” W x 4.375” D 5 pieces $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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275

A group of Los Castillo mixed-metal and inlaid figural trays

Third-Quarter 20th Century Each marked for Los Castillo / Taxco; Further variously marked: Metales Castillo / Hecho en Mexico / Handwrought Comprising four partitioned avian dishes with inlaid stone eyes, a leaf dish with parrot head, an abstract triform dish, and a large clover dish, 7 pieces Larger: 1.125” H x 15.5” W x 18” D; Smaller: 0.5” H x 8” W x 7.25” D $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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276

A group of Salvador Terán Aztec-motif jewelry, for Marbel

1950-1960; Mexico Each with cast mark: Marbel / S. A. / Salvador / Mexico; Further variously marked with design number Each in 22K gold-plated base metal, comprising a pendant with green ceramic face and accompanying chain No. 15 (25” L x 4.5” H x 2” W), and a hinged collar necklace with an inset ceramic face No. 11 (15.25” L x 1.75” H) 3 pieces 164.3 grams gross $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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277

A group of Salvador Terán silver modernist jewelry

Mid-20th Century; Mexico City, Mexico Each marked: Salvador [script]; Further variously marked: Mexico / Silver / Sterling / Hecho en Mexico / [with design number] Designed with abstract figures set to an oxidized shadowbox backing, comprising a hinged collar necklace No. 171 (17.5” L x 2.25” H), a hinged bracelet No. 157 (6.5” L x 1.5” H), a pair of unmarked earrings (1.125” L), and a matching brooch/pendant (2” L x 1.75” W) 5 pieces 159.0 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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278

Three Salvador Terán interchangeable silver and hardstone pendants

1955-1970; Mexico Each stamped: Salvador / 124; Two further stamped: Sterling / Mexico; One further stamped: [Eagle 36] Each free-form modernist-style pendant/brooch is set with various colorful hardstones, each with pin on reverse and with one strung as a pendant on a black velvet cord with silver tips 3 pieces Size range: 2.75” L to 3” L x 2” W approx. 111.5 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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279

A group of Salvador Terán silver jewelry

Mid-20th Century; Mexico City, Mexico Each stamped: Salvador / Sterling / Mexico; Further variously stamped: Silver / [Eagle 36] / 132 / [indistinct eagle] Comprising a silver Mayan warrior-inspired collar necklace (14” L x 1.25” H), a matching bracelet (6.5” L x 1.325” H), a pair of screw-back earrings (1.125” L), and a money clip with chain ring to one end (1.125” H x 2.75” W) 5 pieces 142.9 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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280

Three Salvador Terán silver and hardstone pendant necklaces

1955-1970; Mexico Stamped: Salvador / Sterling / Mexico / [Eagle 36 or Eagle 3]; Further variously stamped with design number A trio of pendants, each suspended on a black velvet cord with applied silver tips, one with hook closure, comprising a brooch/pendant of a standing figure in bone on a rectangular plaque No. 510 (2.75” H x 1.25” W); an abstract figure with a ponytail holding a green stone (3” H x 1.375” W); and a brooch/pendant of an abstract figure holding a dark stone No. 123 (2.5” H x 2” W) 3 pieces 118.8 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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281

A group of Salvador Terán silver jewelry

Third-Quarter 20th Century; Mexico City, Mexico Each stamped: Salvador [script] / Sterling / Mexico / Eagle 36; further variously stamped with design number Comprised of a hinged collar necklace with bone inlaid hinges and detachable central inlaid figurative pendant/ brooch No. 518 (14” L x 1.5” H), a matching inlaid hinged bracelet with pendant No. 518 (6.25” L x 2” H); and two figurative warrior brooches set to hammered plaques, one triangular shaped No. 507 (2” H x 2.25” W) and one rectangular no. 504 (2.5” H x 1.25” W) 5 pieces 189.2 grams gross $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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282

A set of Los Castillo silver and amethyst jewelry

1940-1965; Taxco, Mexico Each necklace stamped: Los Castillo / Taxco / Sterling / 468 / [Mexico or Made in Mexico] Comprising two necklaces set with amethyst cabochons, which can be joined together (16.5” L x 0.5” H and 15.25” L x 0.5” H), and a pair of screw-back earrings (1.125” L x 0.5” W) 4 pieces 160.9 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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283

A Los Castillo silver and amethyst necklace

1942-1948, Taxco, Mexico Stamped: Los Castillo / Taxco / Sterling / Made in Mexico A necklace with each link set with a cabochon amethyst and S-scroll supports with a hooked clasp 16” L x 0.875” H 87.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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284

A Los Castillo silver and amethyst collar necklace

1940-1948; Taxco, Mexico Stamped: Los Castillo / Taxco / Sterling / Mexico A collar necklace suspending tumbled amethyst drops from a rigid hammered-silver collar with clasp closure 14.5” inner C x 3.25” H 114.4 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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285

A set of Los Castillo “Onix Negro” jewelry

1959-1965; Taxco, Mexico Each stamped for Los Castillo; Further stamped: Onix Negro / Hecho en Mexico / [Eagle 15] / 43 Comprising a necklace of inlaid stone and silver links suspending an inlaid stone and silver pendant with silver dangles, and a link bracelet of similar design with clasp closure and chain guard 2 pieces Necklace: 16.5” L x 3” H; Bracelet: 7.5” L x 0.625” H 139.1 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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286

A set of Los Castillo silver jewelry

1939-1945; Taxco, Mexico Each stamped: Los Castillo / Taxco / 980 / 184; Long necklace further stamped: Made in Mexico Comprising a long necklace or belt (27.5” L x 1.25: H), a collar necklace (16” L x 1.25” H), and a matching bracelet (7.5” L x 1.25” H), all formed of segmented silver stylized floral links, with fine hook closures 3 pieces 352.4 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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287

A group of Los Castillo silver jewelry

1939-1945 and 1945-1960; Taxco, Mexico Each stamped: Los Castillo / Taxco / 468; Further variously stamped: Made in Mexico / Sterling / [Eagle 15] / 925 Comprising a necklace with silver cabochons (17” L x 0.5” H), a double width bracelet (6.75” L x 1.875” H), and a smaller single width bracelet (6.5” L x 2” H) 3 pieces 216.1 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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288

A group of Los Castillo silver foliate jewelry

1940 or later; Taxco, Mexico Three works: A link collar necklace with clip closure No. 329 Stamped: Los Castillo / Taxco / [Eagle 15] / Hecho en Mexico / 32_ 15.5” L x 0.75” A matching link bracelet with clasp closure and chain guard No. 329 Stamped: Los Castillo / Taxco / [Eagle 15] / Made in Mexico / 925 / 329 6.25” inner C x 0.75” H A pair of leaf motif screw-back earrings Stamped: Los Castillo / Taxco / [Eagle 15] / 09S [obscured] 1.25” H 4 piece 152.8 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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289

A group of Los Castillo “Mosaico Azteca” silver jewelry

1950-1965; Taxco, Mexico Each stamped: Los Castillo / Taxco / Mosaico Azteca / Made In Mexico / Sterling / [Eagle 15]; Each further stamped with design number Designed with inlaid mother-of pearl, comprising a cross pendant with delicate chased openwork No. 118 (3.5” H x 2.125” W), a necklace of curved edge trapezoidal inlaid links No. 230 (14.5” L x 0.75” H), and a pair of abstract inlaid earrings No. 161 (0.75” H x 1” W) 4 pieces 171.3 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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290

A group of Los Castillo foliate design jewelry

1940-1945 and 1948-1950; Taxco, Mexico Each stamped: Los Castillo / Taxco / Sterling; Each variously further stamped: Made in Mexico / Mexico / 238 / [Eagle 15] Comprising an articulated link necklace and two cuff bracelets with spring hinges, all designed in an elaborate stylized feather/foliate motif 3 pieces Necklace: 17” L x 1” H; Each bracelet: 6.5” inner C x 2.5” H 279.2 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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291

A set of Los Castillo silver jewelry

1942-1948, Taxco, Mexico Each stamped: Los Castillo / Taxco / Sterling / Made in Mexico / 615 Necklace further stamped: A Comprising a segmented necklace with arabesque openwork motifs (15” L x 1.125” H) and two matching link bracelets with clasp closure and chain guard (8” L and 7.25” L) 3 pieces 218.9 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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292

A group of Los Castillo silver jewelry

Three works: A link collar necklace with incised arabesque motifs 1940 or later; Taxco, Mexico Stamped: Los Castillo / Taxco / Made in Mexico / Sterling / 475 17” L x 1.25” W A matching link bracelet with hook clasp and chain guard 1940 or later; Taxco, Mexico Stamped: Los Castillo / Taxco / Made in Mexico / Sterling / 475B 7.25” inner C x 1.25” H A foliate cuff bracelet with spring hinge 1940 or later; Taxco, Mexico Stamped: Los Castillo / Taxco / 925 / [Eagle 15] / 238 6” inner C x 4” H 3 pieces 278.1 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 3 0 7

293

A group of Los Castillo silver bracelets

1939-1945 and 1945-1960; Taxco, Mexico Each stamped: Los Castillo / Taxco / Sterling / Mexico; Further variously stamped: [Eagle 15] Comprising an alternating, double width silver bud bracelet (7” L x 2” H); an alternating, double floral spray bracelet No. 116 (7” L x 2” H); an alternating cone and ball link bracelet No. 626 (6.5” L x 1.5” H) with matching earrings Nos. 626 and 622 (Each: 1.375” L); and a swirl and dot link bracelet No. 615 (6.5” L x 1.125” H) 6 pieces 264.0 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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294

A group of Los Castillo hardstone portrait brooches

1940-1945 and 1948-1965; Taxco, Mexico Each stamped: Los Castillo / Taxco / Made in Mexico [but one] Six works: A small greenstone face with clasp pin Further stamped: Sterling 2.75” H x 2.5” W A large greenstone face with spring pin and pendant rings Further stamped: 980 / Sterling / 389 2.75” H x 3.625” W A large purple stone face with spring pin Further stamped: 980 / 147 2.625” H x 2.5” W

A black onyx face with clasp pin Further stamped: 980 / 465 2.875” H x 2.5” W A small purple stone face with spring pin Further stamped: 980 / 120 3.25” H x 2” W A pink stone side-view face with clasp pin and chain dangles Further stamped: [Eagle _5] 2.75” H, with dangles: 4.25” H 6 pieces 329.1 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: The black onyx brooch illustrated: Gobi Stromberg et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda” (Los Angeles: Fowler Museum at UCLA, 2008), 86, plate 66.

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295

A large group of Los Castillo foliate-style silver jewelry Seven works: A double width link bracelet with onyx cabochons No. 817 1940-1965; Taxco, Mexico Stamped: Los Castillo / Taxco / Made in Mexico / Sterling / 817 7.5” L x 2” H A smaller link bracelet No. 817 1940-1965; Taxco, Mexico Stamped: Los Castillo / Taxco / Sterling / Made in Mexico / 817 / [Eagle 15] 6.5” inner C x 1.375” H A pair of matching earrings No. 817 1940-1965; Taxco, Mexico Stamped: Los Castillo / Taxco / Sterling / Mexico / 817 / [obscured eagle] 1.125” L A narrow foliate design link necklace 1940-1965; Taxco, Mexico Stamped: Los Castillo / Taxco / Sterling / Made in Mexico 17” L x 0.625” H

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A matching narrow foliate link bracelet 1940-1965; Taxco, Mexico Stamped: Los Castillo / Taxco / Sterling / Made in Mexico 8” L x 0.625” H A foliate design cuff with spring hinge No. 238 1940-1965; Taxco, Mexico Stamped: Los Castillo / Taxco / 925 / 238; Later etched: Silver / Mexico 6.125” inner C x 3.75” H A matching foliate design brooch No. 238 1940-1965; Taxco, Mexico Stamped: Los Castillo / Taxco / Sterling / Made in Mexico / 238 / [Eagle 15] 2.5” H x 3.5” W 8 pieces 366.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

296

A group of Los Castillo silver and inlaid feather jewelry

1959-1965, Taxco, Mexico Each stamped: Los Castillo / Taxco / [Hecho en Mexico or Made in Mexico]; Each further variously stamped: Sterling / [Eagle 15] / Pluma / 925; Nine stamped: Pluma Azteca Two groupings: Nine Pluma Azteca items, consisting of a silver and brass mixed-metal eagle hinged bangle bracelet No. 37 (6.5” total inner C x 2.25” H); a parrot brooch No. 1 (2.375” H x 1.675” W); a butterfly brooch No. 52 (2.625” H x 1.25” W); a flower brooch No. 48 (2.75” H x 2” W); a round bird brooch No. 2 (2” Dia.); a hummingbird brooch No. 4 (3” H x 2.5” W) and matching clip earrings (1.625” H x 1.25” W); a silver jaguar brooch No. 51 (1” H x 2.5” W) with matching jaguar cuff links (0.625”H x 1.625” W) Two further works comprising a plumed serpent pendant No. 12 (2.5” H x 2.875” W) and a silver and brass mixed-metal eagle headed brooch with stone inlay (1.5” H x 1.75” W 13 pieces 302.8 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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297

A group of Los Castillo silver avian brooches

1940-1945, Taxco, Mexico Each stamped: Los Castillo / Taxco / Sterling / Made in Mexico; Further variously stamped with design number Comprising a double swan brooch/pendant No. 516 (2.75” H x 3” W), a brooch of a long-tailed bird eating fruit No. 642 (4” H x 2.5” W), a parrot brooch No. 525 (3” H x 1.75” W), and three brooches of a bird in flight in graduated sizes No. 622, 622-2, 622-3; (2” H to 1” H) 6 pieces 109.1 grams gross $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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298

A group of Los Castillo figural silver brooches

1940-1945; Taxco, Mexico Each stamped: Los Castillo / Taxco / Sterling / [Made in Mexico or Mexico]; Each further variously stamped with design number Comprising an elaborate stylized fish in waves with green glass cabochon No. 514c (2” H x 3.5” W), an angel fish brooch with green stone eye and brushed silver highlights No. 349 (3.25” H x 2.25” W), a similar style brooch of a long-tailed fighting fish No. 666 (3.75” H x 2” W), a stylized double swan brooch No. 516P (2.75” h x 2.75” W), a deer brooch with foliate backdrop No. 629 (3.875” H x 2.625” W), and a leaping antelope brooch No. 679 (2.375” h x 3.25” W) 6 pieces 183.7 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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299

A group of Los Castillo inlaid brass belt buckles

Mid-20th Century; Taxco, Mexico Each stamped: Los Castillo / Taxco; Each further variously stamped “Hecho en Mexico” and with design number Comprising a buckle with inlaid blue, green, and black enamel No. 3 (2.875” H x 5.125” W), a rectangular buckle with blue and green stone inlay No. 4 (2.375” H x 4.125” W), and an oval buckle with green stone inlay and removable fastener No. 20 (2.5” H x 4.125” W) 3 pieces 375.6 grams $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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300

A set of Los Castillo silver and amethyst jewelry

1940-1945; Taxco, Mexico Each stamped: Los Castillo / Taxco / Sterling / Made in Mexico; Further stamped: [Brooch] 298P / [earring] 298E A brooch and a pair of clip earrings designed with stylized petals and each set with a central amethyst cabochon. 3 pieces Brooch: 2” H x 1.875” W; Earrings: 0.875” L x 1” W 36.8 grams gross $200-400

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301

Two Los Castillo silver and glass jewelry items

1940-1965; Taxco, Mexico Each stamped: Los Castillo / Taxco / Sterling / Mexico / 514; Brooch further stamped: Made in Mexico / [Eagle 15] Comprising a large bib style necklace with stylized fish supporting three blue glass stones, and a matching brooch with one glass stone 2 pieces Necklace: 2.625” H x 5.5” W; Brooch: 1.625” H x 3.125” W 128.2 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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302

A group of Los Castillo silver jewelry

Two works: A two-headed plumed serpent cuff bracelet with spring hinge 1950 or later; Taxco, Mexico Stamped: Los Castillo / Taxco / Made in Mexico / Sterling / 425 / [faint eagle] 7.25” inner C x 4” H A pair of floral motif collar brooches, each with pin backing and a hook and eye tail to link together 1950 or later; Taxco, Mexico Stamped: Los Castillo / Taxco / Made in Mexico / Sterling / 181 / [Eagle 15] Each: 0.75” H x 4.675” L 3 pieces 151.1 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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303

A Guatemalan hand-painted wood trunk

Circa 1930s; Guatemala The lidded wood trunk with polychrome floral motifs on red 13.125” H x 25.125” W x 13.25” D $500-700

305

A hand-painted tin box

Circa 1970s; Mexico The lidded tin box painted red with polychrome avian and floral motifs, with perforated sides and twin handles 7.5” H x 11.5” W x 7.5” D $100-200

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304

A Guatemalan chip-carved painted wood trunk

Circa 1990; Guatemala The lidded trunk painted red with a blue knob and blue chip-carved diamond to front 15” H x 33” W x 18.75” D $400-600

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306

A turned wood child’s chair

Circa 1940s; Mexico With spool-turned finials, back spindles, legs, and stretcher 29.5” H x 16.5” W x 15” D $100-200

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307

Panamanian School

(Fourth-Quarter 20th Century) “PRD” (Partido Revolucionario Democrático Mola stitched from various fabrics under glass Attributed, by repute, to the Kuna people, San Blas Islands, Panama Sight: 12.25” H x 16.625” W $200-300 Notes: The Democratic Revolutionary Party, or the Partido Revolucionario Democrático (PRD), is a political party in Panama founded in 1979 by General Omar Torrijos.

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308

A contemporary Mexican rug

Late 20th/Early 21st Century; Oaxaca, Mexico The wool rug woven in orange centering a rust-colored panel dotted with polychrome geometric symbols 84.5” L x 58” W $400-600

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309

Two Margot de Taxco enamel necklaces

1948-1978; Taxco, Mexico Each stamped for Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; Further numbered Designed by Margot Van Voorhies, comprising a green and blue “Diamonds & Dots” necklace No. 5552 (14” L x 1” H) and a white “Wild Leaves with Flowers” necklace No. 5744 (17” L x 1.625” H x 4.5” W) 2 pieces 184.0 grams gross $1,000-1,500

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310

A set of Margot de Taxco silver jewelry

1948-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / 5307 Designed by Margot Van Voorhies, comprising an openwork articulated round link necklace with matching bracelet No. 5307 2 pieces Necklace: 16.5” L x 0.75” H; Bracelet: 8” L x 0.75” H 180.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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311

A group of Margot de Taxco silver and enamel jewelry

1955-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; each further stamped with design number Designed by Margot Van Voorhies, comprising a blue stylized foliate design bib necklace with link chain No. 5384 (16.25” L x 2.25” H) with matching link bracelet (7” L x 0.875” H) and a blue spiral design bib necklace with link chain No. 5357 (16” L x 1.5” H) 3 pieces 166.8 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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312

A set of Margot de Taxco “Fanciful Pendants” jewelry

1948-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; Bracelet further stamped: 5701 Designed by Margot Van Voorhies, comprising a link bracelet and matching clip earrings with turquoise enamel on silver drops 3 pieces Bracelet: 7.5” L x 1.5” H; Each earring: 1.375” L 65.0 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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313

314

1955-1978; Taxco; Mexico Pendant stamped: Margot de Taxco / Sterling / Made in Mexico; Each further stamped: Eagle 16 / 5242 Designed by Margot Van Voorhies, comprising a figural Cleopatra brooch/pendant with detachable enamel link chain and a pair of matching wing-motif ear clips 4 pieces Necklace with pendant: 20.5” L x 3” H x 2.25” W; Each ear clip: 1.75” L 119.4 grams gross

1953-1978; Taxco, Mexico Each stamped: Margot de Taxco / S number Comprising a stylized foliate blue e (16” L x 0.875” H) as well as a narro matching bracelet (7” L x 0.25” H) a 6 pieces 236.5 grams gross

A set of Margot de Taxco silver and enamel jewelry

A group of Margot de Taxco s

$500-700

$1,000-1,500

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance: The Collection of Cind

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silver and enamel jewelry

Sterling / Made in Mexico / [Eagle 16]; Each further stamped with design

enamel bib necklace No. 5384 (16” L x 2” H) and a matching link necklace ow blue enamel geometric link necklace No. 5403A (14” L x 0.25” H) with and pair of ear clips No. 5403 (0.625” L)

dy Tietze-Hodosh and Stuart Hodosh

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315

A suite of Margot de Taxco silver jewelry

1948-1978; Taxco, Mexico Each stamped: Margot de Taxco / Made in Mexico / Sterling / [Eagle 16] / 5240 Designed by Margot Van Voorhies, with repeating foliate-and-ball motifs, series 5240, comprising a link necklace with two matching double-wide link bracelets, a single-width link bracelet, a pair of ear clips and a single ear clip 7 pieces Necklace: 15.5” L x 0.75” H; Bracelets: 7.5” L x 1.5” H and 0.75” H; Ear clips: 1.25” L 324.0 grams gross $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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316

A large group of Margot de Taxco silver and enamel jewelry

1953-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; Each further stamped with design number Designed by Margot Van Voorhies, featuring blue and white enamel floral motifs, comprising a suite of “Hanging Flowers” jewelry No. 5837 & 5837A, consisting of a bracelet (7.5” L x 0.75” H ) and two brooches (1.5” and 1.25” H x 2” W); a blue and white flower necklace No. 5669 (17.25” L x 0.875” H); a pendant/brooch with two detachable enamel link chains No. 5734 (17.5” L x 1” H) with matching ear clips (1.5” L); and a pendant/brooch with two detachable link chains No. 5683 (16” L x 2.5” H) 12 pieces 244.5 grams gross $1,500-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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317

A group of Margot de Taxco silver and enamel jewelry

1953-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; Each further stamped with design number Designed by Margot Van Voorhies, comprising a green and white enamel link necklace No. 5692 (16” L x 0.375” H) with matching bracelet (7” L x 0.375” H) as well as a green and white enamel floral motif pendant/brooch with detachable chain No. 5604 (15.75” L x 2.75” H) with matching enamel screw-back earrings (1.5” L) and enamel ring (ring size: 4) 7 pieces 150.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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318

A group of Margot de Taxco silver jewelry

1948-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; Each further stamped with design number Designed by Margot Van Voorhies, comprising a crossover hinged bangle in a stylized foliate design No. 5339 (6.5” inner C x 3” H), a foliate design hinged collar necklace No. 5338 (13” inner C x 2.25” H), and a foliate-style brooch No. 5337 (1” H x 2.375” W) with a matching pair of ear clips (1.5” L) 5 pieces 180.0 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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319

A group of Margot de Taxco silver jewelry

1948-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; Each further stamped with design number Designed by Margot Van Voorhies, comprising two stylized foliate design necklaces No. 5337 (15” L x 1.25” H and 15.5” L x 1.5” H), a stylized leaf design hinged bangle No. 5474 (6.5” inner C x 1.5” H) with matching ear clips (1.75” L), and a pair of stylized flower and bow ear clips No. 5316 (1.625” L) 7 pieces 215.3 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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320

A suite of Margot de Taxco “AM-PM” silver jewelry

1948-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; Each further stamped with design number Designed by Margot Van Voorhies, comprising a Roman numeral link necklace No. 5201 (15” L x 0.875” H) with matching AM-PM bracelet suspending an hourglass charm (7” L x 0.625” H) and a pair of matching ear clips (0.875” L), along with a similar design hourglass brooch No. 5126 (1.5” H) 5 pieces 143.0 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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321

A group of Margot de Taxco silver jewelry

1948-1978; Taxco, Mexico Each Stamped: Margot de Taxco / Made in Mexico / Sterling / [Eagle 16]; Each further stamped with design number Comprising a link necklace with silver ball accents in a ribbon-style design No. 5247A (16.5” L x 1.5” H), a matching link bracelet No. 5247 (7.5” L x 0.875” H), and two pairs of ear clips No. 5247 (1” L and 1.75” L), along with a pair of hoop style screw-post earrings No. 5350 (2” L) 8 pieces 195.4 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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322

A large group of Margot de Taxco silver jewelry

1948-1978; Taxco, Mexico Most stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; each further stamped with design number Designed by Margot Van Voorhies, comprising a grape motif link necklace No. 5747 (16.25” L x 0.75” H) with matching bracelet (7.5” L x 0.75” H); a stylized foliate and ball link bracelet No. 5270 (8” L x 0.75” H) with matching unmarked earrings (1” L); two matching hinged bracelets No. 5337 (6.75” inner C and 7” inner C x 0.875” H); a stylized foliate wide link bracelet No. 5127 (6.5” inner C x 1.25” H); and five pairs of ear clips No. 5145, No. 5128, No. 5149, No. 5113, No. 5120 (range: 1.5” L to 0.75” L) 18 pieces 261.0 grams gross $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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323

A group of Margot de Taxco silver jewelry

1948-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; Each further stamped with design number Designed by Margot Van Voorhies, comprising an Aztec theme pendant necklace with attached chain No. 5605 (19” L x 1.75” H); a link necklace No. 5280 (16” L x 0.625” H) with matching bracelet (6.75” L x 1.375” H) and two unmatched ear clips No. 5285 (1.125” L); and a link bracelet No. 5464 (7” L x 1.25” H) 6 pieces 352.0 grams gross $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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324

A group of Margot de Taxco figural silver and enamel brooches

1955-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; Each further stamped with design number Designed by Margot Van Voorhies, comprising a group of figural brooches consisting of two standing figures: a woman with pot on her head and a man with a hat (each No. 5419); a matador with red cape (No. 5432); a seated couple with baby (No. 5814); and a farmer on flower cart with donkey (No. 5808) 5 pieces Size range: 1.5” to 2” H 68.2 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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325

A group of Margot de Taxco silver bracelets

1948-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16]; Each further stamped with design number Designed by Margot Van Voorhies, consisting of four crossover hinged bangles, comprising an openwork arabesque design No. 5635, (7” inner C x 3.5” H), a stylized leaf and silver ball wire design No. 5339 (6” inner C x 3.5” H), a solid curved design with wave terminals No. 5410 (6” inner C x 2.5” H), and a heavy all-over foliate design with silver ball cluster terminals No. 5316 (6.5” inner C x 2.5” H) 4 pieces 362.0 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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326

A pair of Margot de Taxco “Scrolls in Circles” silver and enamel hinged bangle bracelets

1955-1978; Taxco, Mexico Each stamped: Margot de Taxco / Sterling / Made in Mexico / [Eagle 16] / 5583 Designed by Margot Van Voorhies, comprising a matching pair of black and white elaborate overlay enamel hinged bangle bracelets No. 5583 2 pieces Each: 6.5 “ L x 1.125” H 201.0 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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327

Three Mata Ortiz pottery vessels

A large Rose López jar Circa 1990s; Mata Ortiz, Mexico Signed: Rose López

Three works: An Elvira Bugarini Tota seed pot 20th Century; Mata Ortiz, Mexico Signed: Elvira Bugarini Tota With duotone black and red geometric motifs on cream 2.5” H x 5.75” Dia.

The large vessel with black avian motifs on a burnished buff slip glaze 10.5” H x 11.5” Dia. 3 pieces

A Lupita Lucero jar 20th Century; Mata Ortiz, Mexico Signed: Lupita Lucero With duotone black and red geometric motifs on buff slip glaze 4” H x 4.5” Dia.

329

$200-300

Three Mata Ortiz pottery vessels

A Nancy Heras de Martinez polychrome vase Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Nancy Heras de Martinez With duotoned black and red animal medallions on burnished cream glaze 7.75” H x 4” Dia. 3 pieces

A Louis Martinez polychrome vessel Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Louis Martinez L With duotoned black and red animal medallions on burnished cream glaze 7” H x 5.5” Dia.

$200-400

Three works: An Ana Trillo redware wedding vase Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Ana Trillo With black avian and geometric motifs 7.5” H x 6” Dia.

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328

Four Mata Ortiz pottery items

Four works: A Dulces N. Melero figural animal vase Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Dulces N. Melero With duotoned black and red geometric designs on cream with a figural animal head opening 6.5” H x 4.25” Dia. An Ana Trillo redware pottery vessel Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Ana Trillo The diminutive redware vessel with black geometric and figural motifs 3” H x 3” Dia.

A Guillermina Corona redware roadrunner pottery vessel Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Guillermina Corona The redware roadrunner vessel with black geometric motifs 5” H x 7.5” W x 3.5” D An Elias Peña turkey pottery vessel Fourth-Quarter 20th Century; Mata Ortiz, Mexico Signed: Elias Peña With duotoned black and red geometric designs on cream 7” H x 6.5” W x 4.5” D 4 pieces $400-600

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330

A Piedra Y Plata silver and amethyst link bracelet

Second Half 20th Century; Taxco, Mexico Stamped: Piedra y Plata / Martinez / Taxco / Sterling / [Eagle 3] / 175 Designed by Felipe Martinez, the bracelet of amethyst tablets flanked by polished silver curb links, with clasp closure and chain guard 6.75” L x 1” H 74.4 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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331

An Erika Hult de Corral silver necklace with lapis lazuli

1960-1980; Taxco, Mexico Stamped: RIC [script] / Taxco / SA / Hecho en Mexico / 925 / [Eagle 2] A minimal silver collar necklace with narrow oval cabochon pendant and clasp closure 15” inner C (when closed) x 1” H 40.8 grams $300-500

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332

A Pal Kepenyes bronze shell necklace

Second Half 20th Century Stamped: Pal Kepenyes A necklace of articulated links suspending a central plaque with attached and linked scallop shell charms 16” L x 4.5” H 136.0 grams $400-600

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333

A Rafael Melendez silver and amethyst necklace

1942 or later; Taxco, Mexico Stamped with conjoined RM for Rafael Melendez; Further stamped: Taxco / 980 A wide silver plaque with central set stone suspended from two chains 19” L x 1.75” H 56.8 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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334

A Miguel Melendez stone-set link bracelet

Second Half 20th Century; Taxco, Mexico Stamped with conjoined MC; Further stamped: Taxco / Sterling / Hecho en Mexico / [Eagle 3] An openwork square link bracelet set with square tiger’s eye stones, with clasp closure and chain guard 7” L x 0.75” H 54.0 grams $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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335

A suite of Melesio Villarreal silver jewelry

Fourth-Quarter 20th Century Each stamped: Melesio Villarreal / Sterling / 5101; Further stamped: Taxco / TR-11 [necklace and earrings] / 950 [bracelet] Comprising a set designed with incised silver arabesques and ball spacer motifs, consisting of an articulated link necklace (18.5” L x 1.625” H), a hinged link bracelet with clasp closure and chain guard (6.5” inner C), and a pair of post-back earrings (1.5” L) 4 pieces 293.4 grams gross $300-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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336

A Los Ballesteros amethyst and silver set

1942-1980, Taxco, Mexico Necklace and one earring stamped with partial stylized B for Los Ballesteros; Further stamped: Taxco / Sterling [on clips] Comprising a silver geometric link collar necklace with eight suspended claw-set faceted amethysts and matching clip earrings 3 pieces Necklace: 16” L x 1” H; Earrings: 1.5” L x 0.5” W 116.5 grams gross $500-700

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337

A group of Carmen Beckmann silver jewelry

1960-1980; Mexico Each stamped: [Beckmann or Bekmann]; Further stamped: Mexico / Sterling Designed with applied wirework filigree and silver ball accents on large balls or other shapes, comprising a chain link bracelet with large ball and bell charms and T-bar closure (8” L x 1.25” H), a bracelet of ornate half-sphere links and clasp closure ( 7” L x 1” H) with a matching ring (ring size: 8.5), and a pair of screw-back ear clips (Each: 1.375” L) 5 pieces 185.3 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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338

A group of Abraham Paz silver jewelry

Circa 1940-1950; Mexico City, Mexico Each stamped: AP / Sterling / Mexico Comprising a necklace with obsidian and triangular silver links (16” L x 1.25” H), an onyx and silver mask bracelet of similar design (6.25” L x 0.875” H), a half-round onyx set mask brooch (2” H x 2.5” W), and a smaller onyx set mask brooch (1.5” H x 2.25” H) 4 pieces 170.4 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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339

Five Parra silver brooches

Second-Quarter 20th Century; Taxco, Mexico Each stamped: Parra [for Horacio de la Parra]; Each further variously stamped: Mexico / Silver / Hnos. / Hecho en Mexico / 925 / 1F / [Eagle 34] Comprising a bracelet with alternating set green stone and silver cushion links (6.75” L x 1” H), two stone-set dragonfly brooches (Each: 2.25” H x 3.375” W), and two stylized silver botanical brooches (1.25” H x 3.25” W and 2” H x 3.5” W) 5 pieces 163.1 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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340

A Victoria mixed-metal group of jewelry

1948-1958; Taxco, Mexico Each stamped: Victoria / Taxco / Mexico / Sterling / [Eagle 12]; Further stamped with various design numbers Designed by Ana Nuñez de Brilanti, known as Victoria, comprising a mixed-metal necklace No. 226 (15” L x 1.625” H) and matching bracelet (6.5” L x 1.5” H), both in a “Nobleman” motif, as well as a pair of mixed-metal concave portrait screw-back earrings No. 291 (1.25” L) 4 pieces 83 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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341

A trio of Victoria silver necklaces

1948-1958; Taxco, Mexico Each stamped: Victoria / Taxco / Mexico / Sterling / [Eagle 12]; Each further variously stamped with design number Designed by Ana MarÌa Nuñez Brilanti, comprising a necklace with filigree openwork overlay links with ball spacers No. 53 (16” L x 0.5” H); an openwork overlay link necklace with interlaced circles and silver spacers No. 62 (15.5” L x 0.5” H); and a necklace of coiled silver and copper crescent links No.186 (14.25” L x 1” H) 3 pieces 192.0 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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343

Two Casa Maya mixed-metal jewelry pieces

Second Half 20th Century Each stamped: Maya / Mexico Comprising a brass and copper collar necklace set with green stones and a matching link bracelet set with a large center plaque of carved green stone 2 Pieces Necklace: 16” L x 2” H; Bracelet: 8” L x 2.625” H 314.6 grams gross $300-500 Provenance: The Goodenough Estate, benefiting St. James Episcopal Church, Waimea, HI

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342

A group of Graziella Laffi Peruvian animal and human figural jewelry Third-Quarter 20th Century; Peru Most stamped: Laffi / Peru / 925 Eleven works: A large silver three figure overlay tapered cuff bracelet with blue glass eye 7.125” inner C x 2.75” H, wrist opening: 1.375” An openwork silver avian cuff bracelet Further stamped: Welsch 6.75” inner C x 2.25” H, wrist opening: 1.5” A silver cuff bracelet with two birds with green glass eyes and a fish 7” inner C x 1.175” H, wrist opening: 0.75” to 1.25” A small silver cuff bracelet with hand hammered wrap applied animal figures 7.125” inner C x 1.125” H, wrist opening: 1” A narrow silver cuff with a single overlay animal figure with blue glass eye 6.75” inner C x 0.75” H, wrist opening: 1”

An unmarked copper and silver cuff bracelet with avian motif 6.25” inner C x 2.25” H, wrist opening: 1” A round pendant with applied silver figure with cylindrical silver chain 30” L x 2.5” H A figurative brooch 2” H x 2.25” W A round blue inlay pendant/brooch with Pre-Columbian figure and long attached chain 25” L x 2.25” H A teardrop pendant with applied silver figure and inlaid plaque, with long detachable chain 24” L x 3” H x 1.625” W 11 pieces 744.0 grams gross $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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344

A group of Sigi Pineda silver and amethyst jewelry

Three works: A modernist abstract silver and amethyst cuff with oxidized shadowbox detail Second Half 20th Century Stamped: Sigi / Tasco / Sterling / Hecho en Mexico / [Eagle 3] / [illegible numbers] 6.75” inner C x 1.25” H A pair of matching screw-back earrings Second Half 20th Century Stamped: Sigi; One further stamped: Tasco / [Eagle 36] 1.25” L An abstract cross-over adjustable hinged bangle with amethyst cabochons to each terminal Second Half 20th Century Stamped: Sigi / Sterling / Made in Mexico / [indistinct eagle] / 232 6.5” inner C minimum x 1.5” H 4 pieces 133.7 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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345

A group of Sigi silver, enamel, and stone jewelry

1952 or later; Taxco, Mexico Each stamped: SIGI / Tasco / Hecho en Mexico / Sterling / [Eagle 3]; Each further variously stamped with design number Designed by Sigfredo Pineda, comprising of a necklace of double-sided inlaid stone graduated drops on a strand of silver balls No. 299 (15.5” L x 1.625” H) and a hinged cuff bracelet with enamel accent and tiger’s eye stone No. 84 (6.75” inner C x 1.375” H) with matching enamel and tiger’s eye ear clips (1.25” L) 3 pieces 126.6 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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346

A group of Los Castillo porcelain items

Third-Quarter 20th Century Each marked for Los Castillo / Taxco / Mexico; Two further marked: Pintado a Mano Each white glazed porcelain with variously colored organic and figural motifs, comprising two figural wall plaques (Each: 9.5” H x 5” W approximately), one waste bowl (3.5” H x 4.875” Dia.), one lidded dish (5.5” H x 7.625” W x 5.25” D), and one teapot with metal finial (5” H x 7.75” W x 4.625” D), 5 pieces $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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347

Two Los Castillo metal bar accessories

Third-Quarter 20th Century Each marked: Los Castillo / Taxco / Handwrought / Hecho en Mexico Comprising a copper water pitcher with frog motif turquoise inlay and carved amethyst frog to spout (9.75” H x 6.25” W x 5.75” D) and a brass ice bucket with tongs and strainer set with frog motif turquoise inlay (9.25” H x 6.375” W x 5.875” D), 2 pieces $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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348

A Victoria copper coffee service, by Ana MarÌa Nuñez de Brilanti

Third-Quarter 20th Century Each marked: Victoria / Mexico / Taxco; Two further marked: Copper / Cony Each copper with applied silver figures and chased Taxco town scenes, comprising a coffee pot (7.125” H x 6.25” W x 4.25” D), a creamer (2.75” H x 4” W x 2.5” D), a sugar bowl (3.375” H x 4.875” W x 3” D), and three mugs (Each: 4.625” H x 4.5” W x 3” D approximately), 6 pieces $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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349

A Los Castillo mixed-metal nautical drink set

Third-Quarter 20th Century Each marked for Los Castillo / Taxco; Pitcher and tray further marked: Handwrought / Hecho en Mexico The hand-hammered copper, brass, and silver drink set comprising a pitcher (9.5” H x 7.25” W x 5.5” D), eight highball glasses (Each: 5” H x 3.75” Dia.), and a tray (19.5” W x 14.5” D) decorated with boats, anchors, and various sea creatures, 10 pieces $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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350

A set of Mexican silver and green stone jewelry

Second Half 20th Century; Mexico Stamped with AE within heart-shaped “M;” Further stamped: Sterling / Mexico Comprising a link necklace with oval green cabochons alternating with stylized panels, along with a matching bracelet, similar to pieces designed by Fred Davis 2 pieces Necklace: 16” L x 1.125” H; Bracelet: 7.75” L x 1.125” H 146.4 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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351

A group of silver stone set jewelry items

Three works: A wide link bracelet with applied wire design and set stone cabochons, centering a carved stone profile serpent mask face Mid-20th Century Stamped with unknown mark [L_ma?]; Further stamped: Mexico / Sterling 7” L x 2.25” H A large silver pendant/ brooch with face supporting a mask with possible Pre-Columbian cylinder bead to top Mid-20th Century Appears unmarked 2.75” H x 4” W A silver brooch with bezel set carved greenstone mask Mid-20th Century Stamped with Thunderbird Shop eagle; Further stamped: Sterling 1.5” H x 2.625” W 3 pieces 211.1 grams gross $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh w w w. j o h n m o r a n . c o m 3 6 5

352

A large group of Mexican silver brooches

Mid-20th Century; Mexico Variously marked: Mexico / Silver / 925 / Sterling / Taxco / 980 / Plata / Made in Mexico; One marked: Martinez / [Eagle 3] Comprising various figural brooches in different techniques, consisting of figures in a landscape, some with tiny set-turquoise and copper accents, some with donkeys, a matador and bull, seated figures, and a few of the same motif with minor variations 13 pieces Size range: 2” H to 1.125” H and 3” W to 1” W 133.8 grams gross $100-200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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353

A group of Mexican mixed-metal jewelry

Second Half 20th Century Each stamped for Mexico; Bracelet stamped: Maya; Each cuff stamped: [CF] Betancourt Comprising “The Kiss” necklace (19” L x 1.875” H) and bracelet (7.5” L x 4” H) designed of hammered mixed-metal and enamel links; a mixed-metal and enamel serpent spiral cuff (8” inner C x 1.625” H); and a brass cuff with central green stone mask face, silver dangles, and green stone cabochons at terminals (6.875” inner C x 2.75” H, wrist opening: 1.375”) 4 pieces 267.9 grams gross $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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354

A group of JP silver and hardstone jewelry

Mid-20th Century; Mexico Four stamped: J.P. / Silver / Mexico; One further stamped: [Eagle 1] / 925; Chain marked: Sterling / © / Sara; Sword pin stamped: H. Santana / Silver / Mexico Comprising a large elaborate warrior pendant/brooch with green stone cabochon drops and carved portrait head with twisted link chain attached to a brooch adapter (brooch: 4.75” H x 1.75” W; chain: 32” L); two similarly designed hardstone and silver portrait brooches with carved stone mask, embellished turban, cabochon accents, and ear drops, one in onyx and one in green stone (Each: 4.25” H x 1.5” W); a different style carved onyx and silver portrait brooch with ear drops (4” H x 2” W); and a crossed swords and carved onyx mask brooch (2.25” H x 2.125” W) 6 pieces 197.1 grams gross $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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355

A group of Mexican silver jewelry

Three works: A large Los Castillo profile portrait brooch with elaborate plumes and articulated earring 1940-1945; Taxco, Mexico Stamped: Los Castillo / Taxco / Sterling / Mexico / [design no.] 487 3.75” H x 3.25” W A Los Castillo linked cuff-style bracelet with Aztec overlay motifs and green set stones 1948-1965; Taxco, Mexico Stamped: Los Castillo / Taxco / Hecho en Mexico / Sterling / 925 / [indistinct eagle] 6.25” L x 1/875” H An José Anton round pendant necklace with plumed serpent portrait figure in inlaid stone and silver on a thick chain Second Half 20th Century; Taxco, Mexico Stamped : Anton / Taxco / Sterling Pendant: 4.25” H x 3” Dia.; Chain: 18” L 3 pieces 254.2 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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356

A group of silver hair combs

Six works: Two Miguel silver three-pronged hair forks Mid-20th Century; Mexico Each stamped: Miguel / Sterling / Mexico / 925 3.75” H x 2.625” W Three Héctor Aguilar silver and plastic hair combs of various sizes and shapes Mid-20th Century; Mexico Two stamped: HA [cipher] / Made in Mexico / Sterling; One stamped: HA / Taxco / 940 / [Eagle 9] Size range: 1.5” H to 2” H x 3.5” W to 4.75” W One four-pronged silver and plastic comb with large and small silver balls in a hinged crown design Mid-20th Century; Mexico Appears unmarked 4.25” H x 5” W 6 pieces 245 grams gross $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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357

A Mexican silver and green stone link cuff bracelet

Mid-20th Century; Taxco, Mexico Stamped: ARS / Cuauthemoc / Taxco / Silver A wide link chased silver bracelet set with three large oval cabochon blue and green stones with heavy matrix, with clasp closure and chain guard 7” inner C x 1.625” H 124.7 grams $100-200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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358

A large group of silver and stone-set cuff links

Four pairs of Carmen Beckmann cuf and incised silver designs Mid-20th Century; Mexico Each stamped: [Beckmann or Bekm Size range: 0.625” H to 1” H 16 pieces 123.6 grams gross

A pair of Enrique Ledesma obsidian and silver cufflinks Mid-20th Century; Mexico Stamped: Ledesma / Taxco / Hecho en Mexico / 925 / [Eagle 3] / 289 0.875” H

$200-300

Eight works: Two pairs of Piedra Y Plata inlaid stone and silver cufflinks Mid-20th Century; Mexico Each variously stamped for Piedra Y Plata or Felipe Martinez; Further stamped: Taxco / Mexico / Sterling / 925 / [Eagle 3] / 760 0.75” H and 0.875” H

A pair of Héctor Aguilar geometric silver cufflinks Mid-20th Century; Mexico Stamped with conjoined HA; Further stamped: Taxco / Mexico / .940 / [Eagle 9] / Taller Borda 0.75” H

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Provenance: The Collection of Cind

fflinks, comprising stone-set agate, inlaid stone mosaic,

mann] / Sterling / Mexico

dy Tietze-Hodosh and Stuart Hodosh

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359

Martha Ewing

(20th/21st Century, Latin American) Our Lady of Guadalupe, 2003 Straw appliqué on panel set into a chased and repoussé tin frame Incised signature and date on verso of frame: Martha Ewing 5.25” H x 3” W $75-125

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360

Mexican School

(20th Century) “Castillo de Chapultepec,” circa 1930s Tinted straw appliqué to panel under glass Titled lower center, dated by repute 5.5” H x 7.25” W $200-300

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361

A Mexica calendar copper wall plaque

Mid-20th Century or Later Appears unmarked The repoussé copper hanging wall plaque after the Mexica sun stone calendar 16” Dia. $150-200

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The James M. Cole Collection of American Indian Tuesday, March 15, 2022

Featuring an exquisitely curated collection of over 300 lots of American Indian baskets and objects. Pictured: A polychrome California Mission rattlesnake basket, $5,000-7,000

SINCE 1969

AUCTIONEERS & APPRAISERS 145 East Walnut Avenue, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

Consign Today

The Traditional Collector Spring 2022

A large Chinese silver and cloisonné enamel vase, Wang Hing

Price Realized: $50,000

Consignment and Auction Inquiries: roland@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

Condition Reports

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1 Each overall good condition commensurate with age.

2 Overall good condition with inherent weathering and natural wear commensurate with age. 3 Overall good condition with light tarnishing and scratches commensurate with age and use. Light wear to cord.

11 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered areas of chips and abrasions, heavier wear to corners. Evidence of woodworm. Darkening/ staining to top. Interior with visible moisture staining.

4 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures. Large cross is missing two small stones.

12 Visual: Scattered paint losses, primarily near the outer edges. Holes from prior display at center of upper and lower edges. The tips of each corner very slightly bent. Rust showing primarily verso.

5 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. 6 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and visible inclusions.

Condition Reports

7 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. The arrow pin is slightly bent at the rays.

382

10 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Each with scattered areas of light bending.

8 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones and beads with scattered abrasions. Glass necklace missing hook at closure. 9 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered areas of rubbed wear to polychrome surface. With base: 37.25” H x 14” W x 11” D approximately

Blacklight: Scattered touch-ups, the largest approximately dime-size in Jesus’ hair. Unframed 13 Visual: Generally good condition. The sheet of tin very slightly warped. Two holes at center of upper edge from prior mounting. A 2” long, delicate, diagonal, surface scratch near the lower edge. Remains of old glue verso. Blacklight: Apparently no touch-ups under blacklight. Difficult to read under uneven varnish. Unframed 14 Visual: Generally good condition. Surface grime and occasional short scratches. Scattered unobtrusive paint losses throughout, mostly pinhead-size or smaller. Rust and general wear showing along the edges, corners and verso. Blacklight: Apparently no touch-ups showing under blacklight. Difficult to distinguish due to age and the condition features described. Unframed 15 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear and rubbed/chipped losses to the paint. More prominent shrinkage crack to the verso.

16 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, surface-reaching fractures and visible inclusions.

24 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and a few minor flea bites.

17 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and visible inclusions.

25 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Onyx mask stone has small surface chip below mouth area.

18 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures.

26 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, surface-reaching fractures and visible inclusions.

19 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, small chips and surface-reaching fractures. Some small stones with missing sections, and some with chipped crowns.

27 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface-reaching fractures. The greenstone with scattered minor flea bites.

20 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Penultimate mask of each end of necklace is onyx.

28 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions and chips. Stones with typical, natural eye-visible inclusions and surface-reaching fractures. Several plaques with scratches, scuffs, rubbed wear, and minor losses.

22 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. One obsidian with tiny chip to one corner. 23 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Wood base with scattered scuffs, scratches, and nicks. With base: 10.125” H x 8” W x 9” D

29 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions and chips. Stones with typical, natural eye-visible inclusions and surface-reaching fractures. Several plaques with scratches, scuffs, rubbed wear, and minor losses. 30 Each overall good condition with tarnishing and light scratches commensurate with age. Each with minor indentations, sugar bowl with bend to lid.

Condition Reports

21 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. Necklace is missing a stone.

383

31 Each in overall good condition with tarnishing and light scratches commensurate with age. A dent to the spout of the coffee pot. A .5” x .75” patched repair to the spout of the coffee pot. A minor dent to the spout of the teapot. This lot may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. 32 Each overall good condition with scattered scuffs, scratches, rubbed wear, inherent firing flaws, and weathering commensurate with age and use. The first with minor restoration. The second with losses to fingers. Each with painted accession numbers to underside. 33 Overall good condition with scattered scuffs, scratches, rubbed wear, inherent firing flaws, and weathering commensurate with age and use. 34 Overall good condition with scattered nicks and chips commensurate with considerable age. Scattered losses to the surface of the jar, the largest: 1.5” x .5”. 35 Overall good condition with wear, weathering, and inherent firing flaws commensurate with age. Repairs to one leg, foot, and ear.

Condition Reports

36 Each overall good condition with wear, weathering, scattered minor chips, and inherent firing flaws commensurate with age. Figure without vessel has repairs to both legs.

384

37 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with minor chips to the rim. 38 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions and surface reaching fractures.

39 In overall good condition with light tarnishing and scratches commensurate with age and use. 40 In overall good condition with light tarnishing and scratches commensurate with age and use. One chevron with minor chips to copper. 41 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 42 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 43 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 44 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 45 In overall good condition with light tarnishing and scratches commensurate with age and use. 46 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. No repairs evident on cross pendant with stones. 47 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. No evidence of repairs or restorations under blacklight. 48 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. The Ledezma with chips to the neck under the rim, the largest: 0.5” x 0.5”.

50 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. 51 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. 52 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. 53 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. 54 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 55 In overall good condition with light tarnishing and scratches commensurate with age and use. 56 In overall good condition with light tarnishing and scratches commensurate with age and use. 57 In overall good condition with light tarnishing and scratches commensurate with age and use. There is a 0.25” split in the cuff at center edge. 58 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 59 In overall good condition with light tarnishing and scratches commensurate with age and use. Stone with few scattered abrasions.

60 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. With scattered minor surface chips/abrasions to glaze. Glaze with inherent crazing. Possible repair to rim. 61 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. With scattered minor surface chips/abrasions to glaze. Glaze with inherent crazing. Possible repair to rim. 62 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and chips/abrasions to glaze surface. Baxter charger with small 0.5” chip to rim verso. 63 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor surface chips/abrasions to glaze. Glaze with inherent crazing. Footed dish with a 1” chip to rim. 64 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. With scattered minor chips/ abrasions to glaze surface. Glaze with inherent crazing. 65 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor surface chips/abrasions to glaze. Glaze with inherent crazing. Pitcher with small chip to foot. Charger with possible repairs to rim, fluoresce under blacklight. 66 Each overall fair to good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered chips and minor surface chips/abrasions to glaze. Two salad plates, a bowl, and the large pitcher with more prominent chips. Small platter with more prominent scratching.

Condition Reports

49 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age.

385

67 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Light wear to the leather. 68 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Minor wear to the leather.

77 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures. 78 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

69 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Some wear and creasing to leather strap.

79 Overall good condition with minor scuffs, scratches, inherent surface-reaching fractures, and inclusions commensurate with age. Wood base with scattered scuffs, scratches, and nicks.

70 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Light wear to leather belt.

With base: 13” H x 13.75” W x 10.25” D

71 In overall good condition with light tarnishing and scratches commensurate with age and use. Minor light dents in places. Leather belt has light wear. 72 In overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. 73 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions. Large brooch with slightly bent wing tips

80 Generally good condition. Not examined out of the frame. Frame: 18” H x 23.5” W x 2” D 81 Generally good condition. The full sheet, deckled all around. Time staining showing primarily along the deckled edges. Framed floating and hinged to the back mat. Not examined out of the frame. Frame: 26.5” H x 37.5” W x 1.5” D 82 Generally good condition. Slight handling crease in the lower left corner. Framed floating and hinged to the back mat. Not examined out of the frame.

Condition Reports

Frame: 36.25” H x 28.25” W x 1.5” D

386

74 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 75 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 76 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

83 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Each with scattered bending to edges. 84 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 85 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions. One coral cabochon with a break.

87 In overall good condition with light scratches and tarnishing commensurate with age and use. 88 In overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions and surface reaching fractures. 89 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Small chip to onyx mask nose of one brooch. 90 Overall good condition with tarnishing and light scratches commensurate with age and use.The clasp with drilled holes likely for a later-added safety chain (missing). 91 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 92 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Eagle brooch has small dent at lower point. 93 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 94 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures. Small brooch has minor crack across largest stone.

95 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. 12K gold replacement screw backs. One back is missing screw grip. 96 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 97 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and a few surface reaching fractures. 98 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Glaze with inherent crazing. 99 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor surface chips/abrasions to glaze surface. Water bottle with two hairline cracks at rim. Charger with a 0.25” chip at rim. 100 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered surface chips/abrasions to glaze. Glaze with inherent crazing. 101 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. With scattered minor chips to rim and foot and chips/abrasions to glaze. Glaze with inherent crazing. 102 Each overall fair to good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered chips at rim and foot and scattered surface chips/ abrasions to glaze. Glaze with inherent crazing.

Condition Reports

86 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions.

387

103 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor surface chips/abrasions to glaze. Glaze with inherent crazing. Coffee pot with chip to the foot. 104 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, surface-reaching fractures and visible inclusions. Long stone with small chip. 105 In overall good condition with light tarnishing and scratches commensurate with age and use. 106 In overall good condition with light tarnishing and scratches commensurate with age and use. 107 In overall good condition with light tarnishing and scratches commensurate with age and use. 108 In overall good condition with light tarnishing and scratches commensurate with age and use. With replacement clasp.

Condition Reports

109 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and visible inclusions. Terminal stones each have small crack at one corner.

388

110 In overall good condition with light tarnishing and scratches commensurate with age and use. Lacking Eagle 30/63/TS numbering. 111 In overall good condition with light tarnishing and scratches commensurate with age and use.

112 In overall good condition with light tarnishing and scratches commensurate with age and use.

113 In overall good condition with light tarnishing and scratches commensurate with age and use. 114 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 115 Each in overall good condition with light tarnishing and scratches commensurate with age and use. The larger ear clips are slightly mismatched: one with open back, one with solid back. 116 In overall good condition with tarnishing and light scratches commensurate with age and use. Stones with scattered abrasions. One amethyst with a break. Minor dents to the silver. 117 In overall good condition with light tarnishing and scratches commensurate with age and use. 118 Visual: Generally good condition. A tiny fleck of paint loss upper left and another center right. Minor surface soiling. Blacklight: No evidence of restoration under blacklight. Frame: 22.25” H x 17.25” W x 1” D 119 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Disc earrings converted to pierced fittings. 120 In overall good condition with tarnishing and light scratches commensurate with age and use. Scattered stones with abrasions. Stones with visible inclusions and surface-reaching fractures. 121 In overall good condition with tarnishing and light scratches commensurate with age and use.

123 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 124 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 125 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 126 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 127 Each in overall good condition with light tarnishing and scratches commensurate with age and use. One copper pyramid point is slightly crushed. 128 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 129 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 130 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 131 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, surface-reaching fractures and visible inclusions. Ring with tiny chip near set edge. 132 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions. Clasp of swirl brooch is broken.

133 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, surface-reaching fractures and visible inclusions. 134 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 135 Each in overall good condition with tarnishing and light scratches commensurate with age and use. Scattered minor abrasions and a very shallow chip to the rosewood on brooch commensurate with age. 136 Each in overall good condition with tarnishing and light scratches commensurate with age. Some buttons appear paler in color. Some wire shanks slightly bent. 137 Each in overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 138 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 139 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 140 In overall good condition with light tarnishing and scratches commensurate with age and use. 141 Each in overall good condition with tarnishing, dents, and light scratches commensurate with age. 142 Overall good condition with scuffs, scratches, and tarnishing commensurate with age. One edge of lid appears unfinished or lighter toned finish, with repairs.

Condition Reports

122 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Slight bend to corner of tail.

389

143 Overall good condition with wear, scattered scuffs, scratches, and inherent firing flaws commensurate with age. With scattered chips, surface chips/ abrasions, and repairs to the rim.

151 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, inclusions and surface reaching fractures. Some polish residue.

144 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and surface chips/abrasions to glaze.

152 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and visual inclusions.

145 Each overall good condition with wear, scattered scuffs, scratches, and inherent firing flaws commensurate with age. Each with inherent firing cracks, scattered chips, and surface chips/abrasions. The female figure with a repaired crack. 146 Visual: Generally good condition. Scattered surface grime. A reverse pressure mark in the horse’s hindquarters, showing only in a raking light. Blacklight: No evidence of restoration under blacklight. Frame: 38.25” H x 38.25” W x 1.5” D 147 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Coffee pot lid hinge broken but still functions.

Condition Reports

148 Each overall good condition with minor scuffs, scratches, and darkening/oxidation to brass commensurate with age. Two with mounts for wall hanging.

390

149 Each overall good condition with scattered scuffs, light scratches, minor indentations, and oxidation commensurate with age. Stones tiles with inherent surface-reaching fractures, inclusions, and abrasions. 150 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions.

153 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. A few small scratches to onyx, and one stone with minor crack near top edge. 154 Each in overall good condition with light tarnishing, scratches commensurate with age and use. Scattered stones with abrasions.

155 In overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

156 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 157 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 158 In overall good condition with light tarnishing and scratches commensurate with age and use. 159 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. One stone with tiny short fracture at edge.

161 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor surface chips/abrasions. 162 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips, pitting, surface chips/abrasions. Goose jar with repaired 1.5” chip to foot. 163 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips at rim and foot and minor surface chips/ abrasions. 164 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with minor chips and scattered surface chips/abrasions. Owl with possible repair to one foot. Toucan with possible repairs to feet. 165 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Vessel with a 1” chip to foot. Nahual with minor chips to base and small surface chips throughout. 166 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and surface chips/abrasions.

167 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor surface chips/abrasions. Small bird with repaired chip to tip of beak. Pitcher with two chips to rim. 168 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and surface chips/abrasions. Jar with a 1.25” chip to foot. 169 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. One enamel section of necklace with small cracks and small losses at edge.

170 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Pin slightly bent. 171 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 172 In overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions and visible inclusions. 173 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and visible inclusions. 174 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions, surface reaching fractures, and visible inclusions. A few cabochons with small chips near edges.

Condition Reports

160 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures. Ring with minor flea bites and a minor crack to one edge.

391

175 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures. 176 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 177 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 178 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. 179 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures. A few stones with tiny chips. 180 Each overall good condition with tarnishing and light scratches commensurate with age.

Condition Reports

181 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipped losses throughout. Top with prominent indentations, scratches, and darkening/staining. Wobbles slightly.

392

182 Each overall fair to good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Pitcher with a 2” chip to the rim and to relief decorations. Candelabrum with scattered repairs to applied elements. 183 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered surface chips/abrasions to glaze. Glaze with inherent crazing. Patzcuaro platter with imperfections to glaze on underside. One Arias plate with 0.75” chip to rim. Tile with adhesive felt pads to underside.

184 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and fleabites/nicks, and scattered minor chips/abrasions to glaze surface and painted decorations. One small saucer with possible repair to edge. Donkey planter with more prominent chips. 185 Generally good condition. Not examined out of the frame. Frame: 29.5” H x 25.5” W x 1.5” D 186 The colors fresh. Presumably full margins. Taped to the overmat with masking tape along the verso of the margin edges. Various vertical and horizontal creases in the image, visible only in raking light and on the verso. Frame: 33.25” H x 26.25” W x 0.75” D 187 Each: Generally good condition. An occasional very minor handling crease in the margins. Loose, not mounted. Each: Unframed 188 Generally good condition. Not examined out of the frame. Frame: 35.75” H x 27.25” W x 1” D 189 Generally good condition. Not examined out of the frame. Frame: 29” H x 35” W x 2” D 190 Generally good condition. With full margins. Two small pressure marks to the left of the male figure, visible mostly verso. An occasional speck of surface grime near the margin edges. Very soft creasing at the tips of the margin corners. The sheet is loose, not mounted. Unframed

191 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered minor chips to glaze and chips to rim and foot. Glaze with inherent crazing.

199 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. One stone may have been replaced as it is a different color and luster than the others.

192 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Prominent shrinkage crack to top. Top with scattered staining/ dark spots. Wear and chipped losses to paint. Wobbles slightly.

200 Overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions.

194 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. One cup slightly out of round. 195 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Each cup rim slightly out of round. With scattered minor chipped losses to tiles. 196 In overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. 197 In overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and a few surface reaching fractures. 198 In overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions.

202 In overall good condition with light tarnishing and scratches commensurate with age and use. 203 In overall good condition with light tarnishing and scratches commensurate with age and use. 204 In overall good condition with light tarnishing and scratches commensurate with age and use. 205 In overall good condition with light tarnishing and scratches commensurate with age and use. 206 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and visible inclusions. 207 In overall good condition with light tarnishing and scratches commensurate with age and use. 208 In overall good condition with light tarnishing and scratches commensurate with age and use.

Condition Reports

193 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Three cup rims slightly out of round with bending. Scattered tiles with minor chipped losses and abrasions.

201 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and some flea-bite nicks in places. Some stone corners are nicked.

393

209 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 210 Overall good condition with soiling, light staining, and signs of wear commensurate with age. Some loose stitches and areas of fraying. Scattered minor losses to sequins, some sequins with bending. Interior with scattered small spots of staining. 211 Each overall good condition with minor pulled threads and lost stitches. Minor tangles to fringe. Possible repair to the edge of the lager with scattered minor spots of soiling. Smaller with some tangling to fringe and scattered minor spots of soiling. 212 Grey in overall good condition with scattered pulled and lost stitches and some pulls and losses to the fringe. White in overall good condition with scattered soiling and small areas of stitch loss. 213 Each in overall good condition with larger areas of water stains and soiling, slight oxidation, staining to the fringe, and pulled stitches throughout. 214 Each in overall good condition with light tarnishing, and scratches commensurate with age and use. Wave cuff slightly off true.

Condition Reports

215 In overall good condition with light tarnishing and scratches commensurate with age and use.

394

216 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. A few tiny chips to edges of round stones. Bracelet with round stones lacking a guard chain. 217 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions.

218 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, surface reaching fractures, and visible inclusions. Tiny nicks to edges of some stones. One stone of three-bar bracelet has chip on top surface. 219 Each in overall good condition with light tarnishing and scratches commensurate with age. 220 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. 221 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and visible inclusions. A few small chips to edges of some stones of chunky bracelet. 222 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 223 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 224 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. 225 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor surface chips/abrasions. Cobalt on red vase with prior repairs to rim. 226 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and surface chips/abrasions. Duck with chip to beak.

227 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and scattered surface chips/abrasions.

235 In overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions, surface reaching fractures and visible inclusions.

228 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor surface chips/abrasion. Box with small chip to one corner of lid and adhesive felt pads to underside.

236 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, surface-reaching fractures and visible inclusions.

230 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and surface chips/abrasions. 231 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and surface chips/abrasions. 232 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and surface chips/abrasions. Candlesticks with wax residue and one with a small chip to foot. 233 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions, visible inclusions and surface reaching fractures. 234 In overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions.

237 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions.

238 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 239 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. One onyx stone with small chip to one edge. 240 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 241 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 242 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 243 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 244 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions.

Condition Reports

229 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and surface chips/abrasions.

395

245 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 246 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 247 Each in overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Lattice buckle has large chip to one onyx stone. 248 Buckle in overall good condition with light tarnishing and scratches commensurate with age and use. Stone with a few scattered abrasions. Light wear to the belt. 249 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 250 Each: Generally good condition. Full margins deckled all around. Soft creasing in the upper left margin corner. The sheet is loose, not mounted.

Condition Reports

Unframed

396

251 Each: Generally good condition. Full margins deckled all around. Soft creasing in the upper left margin corner. The sheet is loose, not mounted. Girl with mandolin: A pale foxmark in the right margin near the deckle edge. Girl with plate: An unobtrusive fleck of stray white pigment in the chair stretcher just below the dress hem. Unframed 252 Visual of each: Generally good condition. Occasional very minor specks of grime. Blacklight of each: No evidence of restoration under blacklight. Each: Unframed

253 Visual of each: Generally good condition. Minor surface soiling. The First: Scattered, unobtrusive specks of grime. The Second: A 0.5” slight surface scuff near the upper edge. Blacklight of each: No evidence of restoration under blacklight. Unframed 254 Each overall good condition with shelf wear, scattered minor scuffs, surface scratches, and inherent firing flaws commensurate with age. One unsigned charger with minor chips to rim. One Barba charger with small nick to rim. 255 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and surface chips/abrasions. 256 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Large platter with two spots of possible touched-up scratches at rim. 257 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips and surface chips/abrasions. 258 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor surface chips/abrasions. Repaired chip to rim. 259 Each overall fair to good condition with shelf wear, scattered minor scuffs, surface scratches, and inherent firing flaws commensurate with age. Each with scattered chips and surface chips/abrasions/ pitting. Some with various minor repaired chips and touch-ups to painted decoration.

260 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered minor chips and surface chips/abrasions to glaze.

269 Each in overall good condition with light tarnishing, oxidation and scratches commensurate with age and use. Stones with scattered abrasions and visible inclusions.

261 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions, surface reaching fractures and visible inclusions. A few stones with tiny chips to the surface. Bracelet chain guard detached on one side.

270 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions.

263 Overall good condition with oxidation, dents, and light scratches commensurate with age and use. Largest dent: .125”. 264 In overall good condition with oxidation, rubbed wear, and scratches commensurate with age and use. Lacking belt strap. 265 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 266 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, surface-reaching fractures and visible inclusions. 267 Each in overall good condition with light tarnishing, oxidation, rubbed wear, and scratches commensurate with age and use. Stones with scattered abrasions. One brass snake head missing stone eye. Leather is fairly worn and cracking at attachment point. 268 Each in overall good condition with oxidation, rubbed wear, and scratches commensurate with age and use. Scattered stones with abrasions, surface reaching fractures and visible inclusions. Some black stones with small chips in places. Some wear to the leather.

272 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. 273 Each overall good condition with scattered scuffs, light scratches, minor indentations, and oxidation commensurate with age. Pitcher’s handle slightly loose. 274 Each overall good condition with scattered scuffs, light scratches, indentations, and oxidation commensurate with age. 275 Each overall good condition with scattered scuffs, scratches, minor indentations, and oxidation commensurate with age. 276 Each in overall good condition with light scratches commensurate with age and use. Ceramic with a few minor abrasions. Chain is separated at center, links intact. 277 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Condition Reports

262 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

271 Each overall fair to good condition with scattered scratches, nicks, shrinkage cracks, and wear commensurate with age. Scattered losses to painted surfaces.

397

278 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures. 279 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 280 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 281 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Missing inlay to small area of necklace pendant and to one bracelet hinge. Bone with polish residue in places. 282 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface reaching fractures.

Condition Reports

283 In overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions, surface reaching fractures and visible inclusions. One stone with minor chip to edge.

398

284 In overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and tiny chips in places. One drop missing from cluster, not noticeable when worn. 285 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stone inlay with scattered abrasions and tiny chips. Bracelet with a few minor areas of missing stone and silver inlay. 286 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Some polish residue present in areas.

287 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 288 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 289 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Inlay with scattered abrasions. Two necklace links with small missing area of inlay. 290 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 291 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 8” bracelet has replacement brass clasp. 292 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 293 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Chain guard of bracelet 116 is detached. 294 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. A few tiny chips to lower edge of pink stone face. 295 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. 296 Each in overall good condition with light tarnishing and scratches commensurate with age and use. A few brooches are missing feathers, particularly the round bird brooch and the parrot brooch. The clip from one earring is detached.

298 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Antelope brooch has slight bend to back hoof. 299 Each in overall good condition with oxidation, rubbed wear, and scratches commensurate with age and use. Scattered chips to the inlay, with some inherent flaws consistent with artist’s process. 300 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, surface reaching fractures and visible inclusions. One ear clip slightly bent.

306 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With areas of darkening to wood from use. 307 Generally good condition. The colors fresh. Not examined out of the frame. Frame: 17.5” H x 22” W x 1.5” D 308 Overall good condition with typical signs of light wear commensurate with age and use. Issues include, but not limited to: localized spots of light fading and a small patch/repair near one corner. 309 Each in overall good condition with tarnishing and light scratches commensurate with age and use. 5552 with greening to the enamel, may be replaced enamel.

301 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Glass stones with scattered minor abrasions. Necklace lacking chain.

310 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

302 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

311 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Enamel with abrasions. Clasp of foliate bib necklace is slightly bent and fails to fully engage.

303 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of woodworm throughout and minor moisture damage visible to interior.

312 Each in overall good condition with tarnishing and light scratches commensurate with age. and use. Scattered enamel with abrasions and minor crazing.

304 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered chips and abrasions, largest a 7” area of chipping to lid rear. Lacking key. 305 Overall good condition with scattered scuffs, scratches, indentations/bending, and oxidation commensurate with age. Scattered areas of chipping and loses to paint.

313 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Pendant with a few tiny hairline fractures to enamel in pale green areas. One earring with tiny chip to one feather tip. 314 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Enamel with abrasions. A few small chips and a few hairline fractures in places.

Condition Reports

297 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

399

315 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Narrow bracelet has small dent to one ball motif. 316 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Enamel with abrasions. Blue enamel with scattered small fractures and areas of loss, most notably on Hanging Flowers pieces. 317 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Enamel with abrasions and a few tiny chips in areas. 318 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Bangle missing one silver ball element. Bangle slightly off true. 319 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 320 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Condition Reports

321 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Bracelet chain guard is detached.

400

322 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Two bracelets lacking chain guard. 323 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 324 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Enamel with light abrasions in places, and a few tiny chips and tiny fine hairline cracks in places.

325 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 326 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Enamel with abrasions. Tiny chips and some minor loss to enamel in a few places. One bracelet with incomplete chain guard. 327 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Lupita Lucero jar with minor chips to rim. Rosa Lopez jar with staining to bottom from museum wax. 328 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. 329 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. 330 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and visible inclusions. 331 In overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions. and surface reaching fractures. 332 In overall good condition with oxidation, rubbed wear, and scratches commensurate with age and use. 333 In overall good condition with light tarnishing and scratches commensurate with age and use. Stone with scattered abrasions and visible inclusions. Three rings on pendant suggest missing elements.

335 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 336 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. One earring clip slightly distorted. 337 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 338 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 339 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Some crazing and discoloration to white stones of one dragonfly brooch. 340 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 341 Each in overall good condition with light tarnishing and scratches commensurate with age and use. 342 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Inlay and glass accents with scattered abrasions in areas. 343 Each in overall good condition with oxidation, rubbed wear, and scratches commensurate with age and use. Stones with scattered abrasions.

344 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions, surface-reaching fractures, and visible inclusions. 345 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. A tiny chip to center drop of necklace. 346 Each overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Teapot and wall plaques with inherent crazing to the glaze. 347 Each overall good condition with scattered scuffs, light scratches, minor indentations, and oxidation commensurate with age. Water pitcher with prior repair to carved amethyst frog. 348 Overall good condition with scattered scuffs, light scratches, indentations, and oxidation commensurate with age. One mug a near-pair to the other two and slightly out of round. 349 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Cups with scattered areas of indentations. 350 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface-reaching fractures. 351 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Large brooch with some dents to reverse. 352 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Some brooch pins slightly misshapen, and some clasps slightly loose.

Condition Reports

334 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions.

401

353 Each in overall good condition with oxidation and light scratches commensurate with age and use. Scattered stones with abrasions. 354 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. 355 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions. Some areas of heavier abrasion to the bracelet terminal stones. 356 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Plastic combs in fair condition, one is a repurposed hair comb. 357 In overall good condition with light tarnishing and scratches commensurate with age and use. Stones with scattered abrasions and surface reaching fractures. 358 Each in overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and a few tiny chips at edges. 359 Generally good condition. The straw lifting very slightly at the upper center edge.

Condition Reports

Overall: 5.25” H x 3” W x 0.625” D

402

360 Generally good condition. The colors somewhat attenuated. A few of the longest pieces of straw split or detached, mostly in the upper and lower sections. Not examined out of the frame. Frame: 8.75” H x I 0.75” W x 1” D 361 Overall good condition with minor scuffs and darkening/oxidation to copper commensurate with age. Scattered areas of verdigris throughout.

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art - jewelry - decorative objects - furnishings and more

SINCE 1969

AUCTIONEERS & APPRAISERS 403

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Western, American Indian Specialist Maranda Moran Senior Vice President, Fine Art Director Morgana Blackwelder AAA Silver Jewelry Cataloguer Sally Andrew Furniture & Decorative Arts Cataloguer Shannon Dailey Fine Art Cataloguer Anne Spink Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Furniture & Decorative Arts Department Manager / Junior Specialist Danielle Kim Post-War & Contemporary Fine Art Specialist Hayden Hunt Fine Art Administrator Angela Bryant 20th Century Design Specialist John Simon Taylor Jewelry Director Mollie Burns Keith, G.J.G

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Consignment Coordinator Julia Hamilton Operations Coordinator Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Jacob Baer

MARKETING

Advertising & Marketing Director, Art Design Nathan Martinez Graphic Designer Brian Olivas

PHOTOGRAPHY

Photographer Keith Berson Photographer Madison Torres

TRUSTS & ESTATES

Department Manager Noelle Valentino AAA Department Administrator Allison Allyn

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

SINCE 1969

AUCTIONEERS & APPRAISERS

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