The Traditional Collector — April 12, 2022 | John Moran Auctioneers

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The Traditional Collector Tuesday, April 12, 2022—10am

SINCE 1969

AUCTIONEERS & APPRAISERS

The Traditional Collector

Tu e s d a y, A p r i l 1 2 , 2 0 2 2 — 1 0 a m Sale 213 145 East Walnut Avenue, Monrovia CA 91016 Sale Previews: Friday, April 8th, Saturday, April 9th, Monday, March 11th 12pm-4pm pst or by Private Appointment

Meet the Team Roland Rynkiewicz Head of Sale, Vice President Furniture & Decorative Arts Director maranda@johnmoran.com Shannon Dailey Furniture & Decorative Arts Cataloguer shannon@johnmoran.com

Anne Spink Fine Art Cataloguer anne@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

1001

An Austrian traveling silver breakfast service

19th Century Each with Diana mark for 800 silver, double-headed eagle mark, and maker’s marks for Josef Carl Klinkosch; Each with imperial-style crowned “X” monogram With foliate motifs and carved wood handles, comprising a teapot (5.5” H), a sugar dish (2.5” H), a creamer (2.5” H), a tea strainer (3.5” H), a bread and butter plate (5.625” Dia.), a breakfast plate (8.5” Dia.), a tray (11.75” Dia.), a porridge bowl (4.5” H), a porridge spoon (7.5”), an egg spoon (4.625”), an egg cup (2.875” H), presented in an original fitted box, 11 pieces 85.87 oz. troy approximately $4,000-6,000

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1002

A Chinese enameled and jeweled vermeil filigree box

Late 19th/Early 20th Century Impressed: Silver The gilt-silver lidded jar with polychrome enamel flowers and set with semi-precious stones and a carved nephrite medallion to the lid 4.25” H x 3.75” Dia. 406.9 grams gross $600-800

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1003

A Tiffany & Co. sterling silver tray

Circa 1892-1902, directorship of Charles L. Tiffany Marked: Tiffany & Co. / 14291 Makers 2529 / Sterling Silver / 925-1000 / T The oval footed tray with scrolled rocaille motifs and two handles 1.5” H x 12.625” W x 6.375” D 11.255 oz. troy approximately $600-800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1004

A French champlevé and porcelain tray

Fourth-Quarter 19th Century Signed: S Paul The gilt-bronze handled tray centering a painted porcelain plaque of a woman and a putto enclosed by a champleve enamel border 2.5” H x 14.25” W x 9.375” D $800-1,200

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1005

A French onyx and champlevé inkwell

Late 19th/Early 20th Century The gilt-bronze inkwell with pen holder and champleve enamel lidded well and border surrounding inset green onyx 3.75” H x 8.75” W x 4.875” D $600-800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1006

A Sèvres-style porcelain and gilt-bronze inkwell

19th Century The gilt-bronze inkwell with two lidded wells and a central compartment over a drawer and lower surface, inset with cobalt blue porcelain plaques decorated with flowers and putti 5” H x 12” W x 6.5” D $800-1,200

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1007

Constantin Kluge

(1912-2003, French) “La Charrue” Oil on canvas Signed lower right: C. Kluge; titled on a label affixed to the stretcher 46” H x 32” W $1,500-2,500

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1008

Paul Emile Lecomte

(1877-1950, French) Waterwheel mill in a French landscape, 1926 Oil on canvas Signed lower left: Paul Emile Lecomte; dated and illegibly titled verso 24” H x 30” W $1,000-2,000

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1009

Two small Continental porcelain cabinet vases Fourth-Quarter 19th Century Two works:

A Royal Vienna portrait vase Marked with blue painted Bindenschild; Signed: Riemer; Inscribed in German in black: Amor’s [illegible] The tall-neck vase centering a painted reserve of Diana and Cupid with gilt highlights on a cobalt blue ground 5.75” H x 3.25” Dia. A Sevres-style portrait vase Marked with blue underglaze double “L” containing “R” and inscribed in red: Mre Imple de Sevres The baluster-from vase centering a painted lozenge of a woman and putto against a red and gilt lattice motif ground with gilt-bronze mounts 5.5” H x 3.25” Dia. 2 pieces $600-800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1011

A Charles Schneider Le Verre Français glass “Chardons” lamp

Circa 1918-1932; Epinay-sur-Seine, France Base with engraved signature: Le Verre Francais; Base and shade etched: France The acid-etched cameo glass thistle motif table lamp cut from purple to mottled clear frost with conical shade and illuminated base, electrified Overall: 19” H x 10.5” Dia. $2,000-3,000

1010

A pair of Bohemian cut-glass lusters

Late 19th/Early 20th Century Each art glass luster cut from opaque white to translucent red with enameled floral motifs and gilt highlights, suspending crystal drops, 2 pieces Each: 9.75” H x 5.25” Dia. $800-1,200

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1012

A Gallé cameo glass landscape vase

Late 19th/Early 20th Century; Nancy, France Signed: Galle The acid-etched cameo glass cylindrical vase with bulbous base cut from amber to white frost with forest and mountain motifs 12.5” H x 3.5” Dia. $1,000-1,500 Provenance: The Alan Schneider Collection

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1013

A set of Baccarat “Mermoz” water goblets

Circa 1955-1970 Each etched: Baccarat / France Each crystal water goblet with clear glass bowl and hexagonal-cut flared base, 6 pieces Each: 7.375” H x 3” Dia. $600-900

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1014

An early Louis Vuitton steamer trunk

First-Quarter 20th Century Interior paper label: Paris 1 Rue Scribe / Louis Vuitton / 149 New Bond Street W / London / 134310; Marked for Louis Vuitton to tacks With checkered canvas wrapped exterior, wood slated to the lid, stripped paper lined interior with later-added strapping, branded tacking, and iron hardware and lockplates, personalized with “G.W.” on each side 20.125” H x 24” W x 17” D $3,000-5,000

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1015

A L.C. Tiffany Favrile glass bowl

Circa 1904-1921; New York, NY Engraved signature: L.C.T. The gold iridescent Favrile glass dish ribbed sides and scalloped rim 2.25” H x 4.75” Dia. $500-700

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1016

A Tiffany Studios “Zodiac” desk set

Circa 1902-1919; New York, NY Each signed: Tiffany Studios / New York; Further numbered: 1000 / 1072 / 1095 Each patinated bronze with “Zodiac” motif depicting the astrological signs in cartouches surrounded by interlace, comprising an inkwell (3.5” H x 7” Dia.), a pen tray (10” L x 3.25” W), and a paper knife/letter opener (10.5” L x 1” W), 3 pieces $600-800

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1017

A Tiffany-style leaded glass floor lamp

20th Century Base and shade bear Tiffany Studios mark The green leaded glass shade with pink peony band on a six-light patinated bronze base with reeded column raised on a circular foot with spiral motifs, electrified Overall: 69” H x 24.25” Dia.; Shade: 12.25” H x 24.25” Dia. $7,000-9,000

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1018

Francisco de Goya

(1746-1828, Spanish) “Los Caprichos,” 1799 Complete set of 80 etchings with aquatint, drypoint and engraving printed in warm-black ink on thick, fairly stiff, wove paper, without watermark. Bound as one volume along the top margin edges, in the original, cream, pasteboard covers with the Self-portrait (H. 36) on the front Fifth Edition, printed between 1881 and 1886 by the Calcographia Nacional for the Real Academia, Madrid Plates: 8.5” H x 6” W approximately; Sheets: 11.75” H x 8.5” W $4,000-6,000 Provenance: Charles D. Seeberger, Lugt 2339a Edward Gordon Craig Estate of William Emboden Literature: Delteil 38-117 Harris 36-115 Notes: 210 sets of these images were printed for the Fifth Edition.

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1019

Attributed to Bernardo Strozzi

(1581-1644, Italian) Galatea with putti Pen and ink, wash and chalk on paper under glass Appears unsigned Sight: 6” H x 5.375” W $300-500

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1020

A Richard Ginori “Castello” porcelain dinner service

Fourth-Quarter 20th Century Each with green underglaze mark for Richard Ginori Italy Each with cobalt blue rim and gilt border with urns and bows, comprising 16 dinner plates (10.375”), 16 crescent salad plates (9”), 14 bread and butter plates (6.5”), 16 saucers (5.25”), 15 flat cups (2.25”), 2 creamers (4”), 2 mini covered sugar bowls (2.25”), 1 teapot (7”), and 1 individual covered gravy boat (3.75”), 83 pieces $800-1,200

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1021

An International “Royal Danish” sterling silver flatware service

20th Century Each marked for International and sterling Designed 1939 by Alfred G. Kintz, comprising 17 hollow-handled Modern place knives (9”), 11 hollowhandled butter spreaders (6.125”), 1 hollow-handled cheese server (6.25”), 16 place forks (7.25”), 17 salad forks (6.375”), 8 cocktail forks (5.625”), 1 pickle/olive fork (5.875”), 11 cream soup spoons (6.5”), 15 teaspoons (6”), 10 demitasse spoons (4.25”), 1 jelly spoon (6.5”), 1 salad serving spoon (9.375”), 2 tablespoons (8.5”), 2 pierced tablespoons (8.5”), 1 cold meat serving fork (7.75”), 1 tomato server (7.75”), 2 gravy ladles (6.5”), 1 sugar tongs (4”), 1 hollow-handled poultry shears (10”), and 1 hollow-handled bottle opener (5.125”), 120 pieces Weighable sterling: 126.635 oz. troy approximately $2,500-3,500

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1022

Three International “Royal Danish” sterling silver serving dishes

20th Century Each with impressed cipher, titled, marked for sterling, and variously numbered Designed 1939 by Alfred G. Kintz, comprising an oval vegetable bowl (1.75” H x 12.25” W x 7.75”), a sandwich plate (11.5” Dia.), and a large round bowl (2.5” H x 11.75”), 3 pieces 63.49 oz. troy approximately $600-800

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1023

A Royal Vienna porcelain portrait plate

Fourth-Quarter 19th Century Marked with blue underglaze Bindenschild; Signed: Wagner; Illegible German inscription in gilt; Numbered in red: 34004 The porcelain plate centering a painted Classical scene of a woman and Cupid, enclosed by a gilt and red rim with scrolled foliage alternating with architectural scenes 1” H x 9.625” Dia. $600-800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1024

A Continental porcelain charger plate

19th Century With printed blue backstamp of an “R” under a crown; Signed: R. Volk The porcelain charger centering a painted genre scene of two women at a market with a dog encircled by a cobalt blue rim with gilt highlights 2.25” H x 15.125” Dia. $1,200-1,800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1025

Three Russian Imperial porcelain plates

Circa 1825-1855, Period of Nicholas I Each marked with blue printed imperial monogram for Nicholas I, one faded; two with gilt inventory numbers Each porcelain plate with a scalloped rim and gilt scrolled foliage enclosing floral sprays on a light blue ground, centering roundels of fruit, 3 pieces Each: 1” H x 9.25” Dia. $1,800-2,400

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1026

A Russian silver and enamel egg

Late 19th/Early 20th Century With Russian domestic hallmark and marked for 88 silver; Cyrillic maker’s mark for Nikolay Alekseyev With red stars on a celeste blue ground and a floral waist 2.5” H x 1.75” Dia. 72.9 grams gross $1,200-1,800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1027

A Russian silver and enamel egg

Late 19th/Early 20th Century With Russian domestic hallmarks for 84 silver; Cyrillic maker’s mark for Pavel Fedorovich Sazikov With red, blue, and green floral motif 2.5” H x 2” Dia. 57.5 grams gross $1,000-1,500

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1028

An Austrian sterling silver and guilloché vanity box

First-Quarter 20th Century Marked: Made in Austria / 3 / Sterling Silver The sterling silver rectangular vanity box with a hinged lid decorated with a painted enamel pastoral courting scene over light blue guilloche enamel sides and raised on four feet 1.75” H x 5.375” W x 4.125” D $1,500-2,500

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1029

A Thomae Company sterling silver and guilloché enamel vanity set

Circa 1920s Most pieces marked for Thomae Company, sterling, and further numbered Each with light blue guilloche enamel centering pink floral bouquets with ribbons, comprising a hand mirror, three brushes, three powder jars, a nail buffer, a nail file, a cuticle pusher, scissors, a button hook, a clock, and the original handle for a comb, 14 pieces Larger: 13.25” L x 5.625” W; Smaller: 3.625” L x 2.125” W $1,500-2,500

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1030

A French guilloché enamel and onyx box

First-Quarter 20th Century Impressed: France; Plaque signed: L.C. The onyx, lidded box with green guilloche enamel lid centering an enamel portrait roundel and mounted with gilt bronze 1.625” H x 5” W x 4.375” D $600-800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1031

A Reed & Barton “Francis I” sterling silver flatware service

20th Century Each marked for Reed & Barton and sterling Designed 1907 by Ernest Meyers, comprising 13 hollow-handled New French dinner knives (9.5”), 6 hollow-handled New French place knives (9.125”), 6 hollow-handled Modern place knives (9”), 12 hollowhandled bevel blade steak knives (9.125”), 14 hollow-handled steak knives (8.75”), 36 teaspoons (5.875”), 1 five o’clock teaspoon (5.5”), 12 demitasse spoons (4.25”), 24 cream soup spoons (6”), 13 fruit/orange spoons (5.875”), 12 iced tea spoons (7.625”), 12 place forks (7.75”), 12 luncheon forks (7.25”), 25 salad forks (6.125”), 24 ice cream forks (5.25”), 13 oyster forks (5.625”), 2 strawberry forks (4.875”), 1 lemon fork (4.875”), 2 pierced lemon forks (5”), 1 hollow-handled child’s knife (7”), 1 child’s fork (4.5”), 1 child’s spoon (4.625”), 1 youth fork (6”), 1 hollow-handled meat carving knife (13.5”), 1 hollow-handled meat carving fork (11.125”), 1 hollow-handled wedding cake knife (12”), 1 solid cake server (9.375”), 2 hollowhandled cake servers (10.25”), 1 hollow-handled serrated pie server (10.375”), 1 hollow-handled cheese server/knife (7.25”), 1 hollow-handled cheese cleaver (6.75”), 1 hollow-handled cheese knife (7.75”), 1 master butter knife (7.125”), 2 hollow-handled master butter knives (7”), 2 hollow-handled cube butter cutters, 19 butter spreaders (5.875”), 4 tablespoons (8.375”), 1 pierced tablespoon (8.375”), 1 pierced forked tablespoon (8.375”), 2 salad serving spoons (9.5”), 1 salad serving fork (9.5”), 4 cold meat serving forks (7.875”), 1 tomato server (8.25”), 2 gravy ladles (6.875”), 1 cream ladle (5.75”), 1 hollow-handled ice scoop (8.875”), 1 hollow-handled ice cream scoop (7.75”), 2 hollow-handled tea strainers (6.625”), 2 sugar shell spoons (6.125”), 1 olive spoon (5.75”), 1 pierced bon bon spoon (4.75”), 1 mustard spoon (5.5”), 1 jelly spoon (5.875”), 13 salt spoons (1.375”), 1 hollow-handled cocktail jigger (9”), 1 asparagus tongs (4.75”), 1 sugar tongs (4.125”), and a small spoon lapel pin (2.875”), 322 pieces Weighable sterling: 315.565 oz. troy approximately $3,000-5,000 Provenance: Proceeds to benefit the Society of St. Francis de Paul, Los Angeles, CA

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1032

A Nain area rug

Fourth-Quarter 20th Century Wool on silk foundation, with blue floral motifs on a cream field 216” L x 138” W $3,000-5,000

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1033

A Persian area rug

20th Century Silk on silk foundation, with polychrome floral motifs and central medallion on ivory field 151.5” L x 106.5” W $2,000-3,000

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1034

An EJ Victor dining room suite

Fourth-Quarter 20th Century Some pieces with EJ Victor shop label; Table with plaque: The Newport Historic Collection: From The Mansions / The Preservation Society of Newport County MCMXLV The Neoclassical-style set with parcel gilt decoration, comprising an extendable dining room table with three leaves (30” H x 90” W x 50” D; extended: 217” W), fourteen side chairs (38.5” H x 22” W x 21” D), two armchairs (38.5” H x 25” W x 21” D), a credenza (36.5” H x 101” W x 19.25” D), and a vitrine cabinet (91.5” H x 82.75” W x 19.25” D), 19 pieces $3,000-5,000

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1035

A French needlepoint tapestry folding screen

Late 19th/Early 20th Century The four-paneled screen with a polychromed tooled leather border enclosing needlepoint panels depicting biblical scenes in cartouches surrounded by foliate motifs and finished with brass hardware Overall: 116” H x 136” W x 1.25” D $1,200-1,800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1036

A Continental gilt-bronze chandelier

Mid-19th Century With all-over foliate motifs issuing eighteen scrolled arms terminating in faux candle sleeve light sockets, electrified 30.25” H x 28” Dia. $1,200-1,800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1037

A pair of Chinoiserie lidded porcelain ginger jars

Fourth-Quarter 19th Century Each impressed to base: MD Each vase with gilt-bronze mounts and polychrome glazed floral and avian motifs to an ivory ground, raised on a tripod base with dolphin feet, 2 pieces 13.5” H x 7” Dia. $2,500-3,500

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1038

A pair of French Louis XV-style chenets

Late 19th/Early 20th Century Each impressed: 488 Each gilt-bronze chenet in the form of scrolled acanthus and rocailles surmounted by a putto, 2 pieces Each: 16.5” H x 17” W x 6” D $800-1,200

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1039

A French Louis XV-style gilt-bronze fire screen

Late 19th/Early 20th Century With scrolled foliate motifs and wire mesh screen centering crossed torches 31” H x 26.5” W x 8” D $600-800

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1040

A pair of Sèvres-style porcelain vases

Late 19th/Early 20th Century One marked with “MA” or “VW” [blue underglaze] and “VJ” [incised] Each baluster-form centering pastoral themed painted reserves of pheasants, a bagpipe, straw hat, wheat, and scythe and decorated with enamel gilt highlights on a celeste blue ground, with opposed gilt-bronze handles and raised on a gilt-bronze footed support, 2 pieces Each: 11.5” H x 7.25” W x 6.75” D $800-1,200

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1041

1042

Eisendieck (1908-1998, Polish/French) “’La Loge’ d’aprés Renoir” Oil on canvas Signed lower left: Suzanne Eisendieck / d’apres Renoir; titled by repute 32” H x 25.5” W

(1847-1918, German) Classical-style mother and daughter on a terrace near the se Oil on canvas Signed lower right: Herm. Schneider 32.5” H x 40.5” W

Suzanne

$2,000-3,000

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

Hermann Schneider

$1,000-1,500

ea

1043

Georges Emile Capon

(1890-1980, French) “La Finlandaise” Oil on canvas laid to canvas Signed lower right: Capon; signed again and titled, possibly in another hand, verso 21.25” H x 17.625” W $3,000-4,000 Notes: This painting comes in a Mayen Olson frame.

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1045

A pair of gilt-bronze wall sconces

First-Quarter 20th Century Each gilt-bronze wall sconce with an architectural back plate decorated with acanthus leaves and suspended from a stylized drapery-form support with a tied ribbon, issuing five scrolled arms terminating in faux candle sleeves, electrified, 2 pieces Each: 35” H x 19.5” W x 9” D $1,000-1,500

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1046

A French gilt-bronze cartel wall clock

Late 19th/Early 20th Century The clock with a white porcelain dial, black Roman numeral hour markers and outer minute track, and two train movement with a glazed bezel set in a gilt-bronze case with laurel leaf boughs and birds surmounted by an urn finial and terminating with a figural mask, finished with pierced, floral motif side panels 24” H x 11” W x 4.75” D $600-800

1044

An Art Nouveau-style terracotta bust, after Goldscheider

20th Century Impressed to back: Reproduction Reservee / 1803 / 80 / 24 / [Goldscheider mark]; Signed in the casting After Goldscheider of Vienna, the earthenware bust depicting a woman in a wide hat with flowers 31.5” H x 18.5” W x 12” D $1,000-1,500

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1047

A Russian silver and enamel egg

Late 19th/Early 20th Century With Russian domestic hallmark for 84 silver With red and blue floral motif on adjoined pedestal base 3.75” H x 2” Dia. 115.9 grams gross $1,500-2,500

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1048

A Russian silver and enamel egg

Late 19th/Early 20th Century With Russian hallmarks for St. Petersburg and 84 silver; Maker’s mark illegible With red and blue floral motif 2.25” H x 1.75” Dia. 72.9 grams gross $1,000-1,500

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1049

A pair of Russian icon panels

18th/19th Century or Later Likely from a polyptych, the polychrome painted wood icon panels with gilt details, 2 pieces Each: 57.25” H x 19.5” W x 1.5” D $10,000-15,000 Provenance: Denis Martin du Nord, Paris The Blake Byrne Collection, acquired from above

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1050

Issac Snowman

(1874-1950, British/Israeli) “Peasant Girl with Fruit Basket” Oil on canvas Signed lower left: I. Snowman; titled on a label affixed verso 38.25” H x 27.25” W $8,000-12,000 Provenance: Charles Hecht Galleries, Palm Desert, CA

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The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1051

A Portuguese silver tea and coffee service

Mid-20th Century Each with domestic hallmarks for 833 silver and illegible maker’s mark Each with elaborate rocaille motifs, comprising a coffee pot (12.5” H x 10.5” W x 6.125” D), a teapot (11.125”H x 11.75” W x 6.875” D), a covered sugar bowl (9.75” H x 9” W x 5.75” D), a creamer (10” H x 8” w x 5.25” D), and a serving tray (2.5” H x 32.25” W x 20.25” D), 5 piece 338.975 oz. troy approximately $5,000-7,000

70

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es

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1052

A Portuguese sterling silver tureen and platter

Circa 1985-1998 Each with domestic hallmark for Lisbon and unidentified maker’s mark The tureen with gadrooned lid and basin raised on paw feet and surmounted by a foliate finial, together with a conformingly designed platter, 2 pieces Tureen: 10” H x 14.125” W x 8.5” D; Platter: 17.5” H x13.125” W x 0.75” D 135.79 oz. troy approximately $2,000-3,000

72

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74

The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1053

Artemi Ober

(1843-1917, Russian) A Cossack figure on horseback Patinated bronze and leather Signed in the casting; A. Ober; with Cyrillic foundry mark 14” H x11.5” W x 5.5” D $6,000-8,000

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1054

A Horner dining room suite

Fourth-Quarter 19th Century; England Each elaborately carved with figures, winged lions, and scrolling foliage, comprising a large table (30.5” H x 60” Dia.), two armchairs (each: 52.25” H x 31” W x 25.25” D), two side chairs (47.5” H x 20.25” W x 18” D), a vitrine cabinet (34.375” H x 66.25” W x 20.5” D), and a sideboard with a mirrored back (92” H x 82.5” W x 28” D) $15,000-20,000

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1055

A Dent Congreve Clock

Circa 1970s With Dent plaque; Serial no. 109 / Andrew Fell / DEL. 1973 The congreve clock with three silvered dials, black Arabic numerals, a gilt-brass fuse movement, and rotating cylinder seconds gate, raised on a wood-over-green marble base with acrylic dome cover Overall: 18.75” H x 19.25” W x 14.5” D $2,000-3,000

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1056

An Omega “Deluxe” gilt-brass table clock, no. 5506

Circa 1940s Dial marked for Omega; Movement marked for Omega and numbered: 10600782 The clock with a matte silvered-metal dial with gilt Roman numeral hour markers, black Arabic numeral outer minute track, 20 jewel time only chronometer movement, Ref. 5506, Cal. 120 (59.8-D SCS), in a gilt-brass case with pierced foliate plate over lacquer background and brushed sides 5.5” H x 5.125” W x 2” D $1,000-2,000

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1057

A Murday-style electric table clock, by Carlo Croce

Circa 1993; Italy Plaque engraved: Croce / 1993 / 23 The clock with glass dial, black Roman numeral hour markers and outer minute track, gilt-brass movement, and electro-mechanical driven balance wheel raised on a wood base with glass dome, electrified Overall: 15” H x 12” Dia. $1,000-1,500

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1060

A Tiffany & Co.

Circa 1920s Dial marked: Tiffa 150558 The ship’s clock w black Arabic num set in a polished b 5.5” H x 4.125” W $400-600

1058

An Art Deco Belgian School regulator clock

1930 Dial marked: Ecole Prof Elle de Mecanique de precision et d’Electricite / de Bruxelles / Rene Gianfreda / 1930 The clock with a silvered-metal dial with black Roman numeral hour markers, outer minute track, and a time only regulator single train movement surrounded by a gilt bezel set in a glazed, Art Deco mahogany case 21.5” H x 13.75” W x 6.5” D $1,000-1,500

82

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. ship’s chronometer

any & Co. / New York; Bottom impressed:

with brushed silvered-metal dial with meral hour markers and sub-seconds dial brass case W x 3.25” D

1059

A Leroy Chronomètre de Bord Marine ship’s clock

1999 Dial marked: L. Leroy / No. 2311; Bezel impressed: Horloger de la Marine / L. Leroy; Mounting impressed: 1er Prix St. Tropez / 1999 The clock with matte silvered-metal dial with black Arabic numeral hour markers, outer minute track, and sub-seconds dial set in a brass, hinged case with pivoting housing and mounted to a wood stand 5.5” H x 9.5” W x 7.625” D $1,500-2,500

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1061

A Horner bedroom suite

Fourth-Quarter 19th Century; England Each elaborately carved with scrolled foliage and figural masks, comprising a five-drawer vanity with mirror (65” H x 48” W x 25.25” D), a side chair with leather upholstery (43.5” H x 19.5” W x 19” D), a four-drawer dresser with mirror (78” H x 60.25” W x 26.5” D), a cheval mirror (78” H x 34.5” W x 25” D), and two beds (each: 47” H x 51.5” W x 81” D), 6 pieces $3,000-5,000

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1062

A large Horner-style carved wood armchair

Late 19th/Early 20th Century The carved wood carcass with figural putti and lion’s masks and with modern circle motif upholstery 50.25” H x 36” W x 28” D $1,500-2,000

10

Am

Late Imp The folia 7.5”

$50

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1064

A Bavarian carved limewood automaton whistling man

Second-Quarter 20th Century With carved “B” on base behind lamp post; Unmarked Likely by Karl Griesbaum, the German chip carved and painted wood figure of a hobo leaning on a lamp post with an articulating head and whistling internal mechanism 18.5” H x 5.5” W x 4” D $600-900

063

mahogany and repoussé silver letter tray

e 19th/Early 20th Century pressed to underside: 866 A e mahogany tray with eight compartments and an applied band of scrolled ate silver repousse ” H x 21” W x 7.5” D

00-700

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87

88

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1065

A Nicole Frères Geneve Swiss music box

Fourth-Quarter 19th Century Marked: Nicole Freres / Geneve / 46637 or 46632; Comb further marked twice: Nicole Freres The spring driven mechanism plays one of eight airs with a fixed winding lever on the left, on the right there are the two operating levers, the lid of the box with floral marquetry veneer and music motif, the music box together with corresponding table that hold the additional airs on either side of a sliding writing drawer, 2 items Overall: 41” H x 56” W x 30.5” D $6,000-8,000

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1066

A Hereke prayer rug

20th Century Silk on silk foundation, with polychrome floral motifs and central medallion 32.5” L x 20” W $600-800

90

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1067

A Tabatabai Tabriz area rug

Fourth-Quarter 20th Century Wool on cotton foundation, with polychrome floral motifs and central medallion with orange accents 148” L x 103” W $2,000-3,000

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1068

An Iranian flatweave runner

Mid-20th Century Wool on cotton foundation, polychrome geometric motif on a light blue field 375” L x 33” W $1,200-1,800

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1069

An English Scully & Scully satinwood breakfront

20th Century With three shelved cabinets behind glazed doors over conforming lower cupboards centering painted roundels of floral still-lifes 93” H x 89” W x 18” D $3,000-5,000

94

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1070

A Thomas Webb & Sons Victorian cameo glass oil lamp

Fourth-Quarter 19th Century Appears unmarked The acid-etched cameo glass oil lamp with cut from opaque white to frosted cranberry red and decorated with hawthorn tree motif with leaves, berries, and flowers, set on brass base with burner 15.5” H x 5.5” W x 5.5” D $1,500-2,000

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1072

A Coalbrookdale Company

Circa 1875; England The Victorian cast iron garden roundel of Venus surrounded b 42.5” H x 72.5” W x 20” D $1,500-2,500

Notes: An example of this benc Victoria and Albert Museum, Lo

https://collections.vam.ac.uk/it

1071

A Mappin & Webb silver plate and uranium glass pickle castor

First Half 20th Century Silver plate marked for Mappin & Webb; Further marked: Triple Deposit / Princes Plate / London & Sheffield / [G in shield] With two uranium glass, or Vaseline glass, lidded jars set in a silver plate caddy with loop handle and two pickle forks 9.5” H x 9.75” W x 4.75” D $400-600

98

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y “Medallion” cast iron garden bench

bench, from the “Medallion” pattern line, centering a by openwork scrolled vines with perched songbirds

ch pattern is in the ironworks collection at the ondon.

tem/O380051/bench-coalbrookdale-company/

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1073

A Bohemian cut-glass vase

Late 19th/Early 20th Century The art glass vase intaglio cut from ruby to clear with floral motifs centering stags and castles 13.125” H x 5.75” Dia. $800-1,200

1075

A pair of Bohemian cut-glass vases

Late 19th/Early 20th Century Each art glass vase intaglio cut from ruby to clear with floral motifs centering a stag and windmill, 2 pieces Each: 9.25” H x 4.875” Dia. $600-800

1 0 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1074

A Bohemian cut-glass lidded vase

Late 19th/Early 20th Century The art glass vase intaglio cut from ruby to clear with floral motifs centering deer, dogs, and castles 17.5” H x 5.5” Dia. $800-1,200

w w w. j o h n m o r a n . c o m 1 0 1

1076

André Paul Arthur Massou

(1851-1901, French) “Le Travail” Patinated bronze Signed in the casting: A. Masso 31” H x 16” W x 10” D $1,500-2,500

1 0 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1077

A French gilt-bronze and marble inkwell

Fourth-Quarter 19th Century The inkwell centering a gilt-bronze seated figure flanked by two wells and raised on a rouge marble base with pen holder 10” H x 15” W x 8.25” D $800-1,200

ulle

oulle

w w w. j o h n m o r a n . c o m 1 0 3

1078

A French gilt-bronze inkwell

Fourth-Quarter 19th Century With rocaille motifs centering two putti with a scroll and a globe flanked by two shell-form wells 7.75” H x 14.25” W x 7.625” D $600-800

1 0 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1079

An Italian pietra dura and bronze wall plaque

Fourth-Quarter 19th Century The inlaid marble plaque with morning glory vines centering a patinated bronze portrait bust of Torquato Tasso and enclosed by a carved giltwood frame 21.75” H x 19.5” W x 3” D $2,000-3,000

w w w. j o h n m o r a n . c o m 1 0 5

1080

1081

First-Quarter 20th Century The painted vellum hanging globe lanterns with a continuous polychrome scene of figures in a landscape, retaining original metal hanging chains, now mounted to fitted wood bases, electrified, 2 pieces Each: 17” H x 14” Dia.

First-Quarter 20th Cen Each polychromed cab foliage and birds with pieces Each: 41.5” H x 35” W

A pair of Chinese vellum globe lanterns

$600-800

1 0 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

A pair of Chinese c

$1,500-2,500

carved wood cabinets

ntury binet constructed of mixed hardwoods with intaglio carved h two doors concealing one shelf over an interior drawer, 2

W x 22” D

w w w. j o h n m o r a n . c o m 1 0 7

1082

A Chinese wood tray with silver inlay

Late 19th/Early 20th Century Indistinctly marked The rectangular wood tray with silver inlay and handles centering a coastal landscape scene with boats and birds 3.5” H x 29.25” W x 18.75” D $600-800

1 0 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1083

A small Chinese carved hardwood stand First-Quarter 20th Century With scrolled sides atop stepped corbels 14” H x 10.75” W X 9.5” D $500-700

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1084

A set of Chinese mother-of-pearl inlaid panels

20th Century Each fruitwood panel inlaid with mother-of-pearl and hardstones depicting a crane, a chicken, and peacocks in low relief, 4 pieces Each: 76” H x 20” W x 1.375” D $600-800

1 1 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1085

A Chinese carved zitan wood bench

19th Century or Earlier The bench with a red silk upholstered cushion over a carved rare zitan wood frame raised on four straight legs 13” H x 46.5” W x 23” D $2,000-3,000

w w w. j o h n m o r a n . c o m 1 1 1

1086

A pair of Chinese porcelain vases

20th Century Each with pseudo Kangxi reign mark Each vase with a flared rim and decorated with polychrome figural and dragon motifs, 2 pieces Each: 16.625” H x 8.375” Dia. $600-800

1 1 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1087

A monumental Chinese carved wood floor screen

Circa 1970s-80s With three high-relief carved panels depicting scenes of women in architectural surroundings, enclosed in openwork carved borders, and raised on a conformingly designed base with dragons and guardian lions 97” H x 116.5” W x 23.25” D $6,000-8,000

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1088

A pair of large Chinese cabinets

20th Century Each with illegible wax seals to verso Each red painted cabinet decorated with dragon motifs, with a smaller two-door cupboard stacked atop the larger two-door cupboard with three shelves and two short drawers, 2 pieces Each: 98” H x 49” W x 21.5” D $1,000-2,000

1 1 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1 1 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1089

A Russian silver and enamel egg

Late 19th/Early 20th Century Appears unmarked With red and blue floral motif on adjoined pedestal base 4” H x 2” Dia. 131.3 grams gross $1,500-2,500

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1090

A Russian silver and enamel egg

Late 19th/Early 20th Century With Russian hallmarks for St. Petersburg and 84 silver; Cyrillic maker’s mark for Pavel Ovchinnikov With red, blue, and green scrolled motif 2.75” H x 2” Dia. 94.1 grams gross $1,200-1,800

1091

A large French parcel-gilt trumeau mi

19th Century The painted carved wood frame with gilt co canvas courting scene enclosed by a parcel surround, atop a conformingly designed mi 92” H x 54” W x 3” D $1,200-1,800

1 1 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

irror

ornice over an oil on l-gilt rocaille motif irror

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1092

An Italian carved giltwood console table

19th Century The shaped, peach-colored inset marble top with lobed corners over an openwork carved rocaille motif apron raised overall on four cabriole legs on scrolled feet joined by an X-stretcher centering a foliate finial 40” H x 62.25” W x 20” $1,200-1,800

1 2 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1093

Pietro Barzanti

(1842-1881, Italian) After the “Venus de’ Medici” by Cleomenes White marble Signed to back: P. Barzanti / Florence Including base: 17” H x 9.5” W x 7.75” D $1,000-1,500

w w w. j o h n m o r a n . c o m 1 2 1

1094

A French Empire-style mantel clock

Second-Quarter 19th Century Movement marked: H [obscured] MON / a Paris The clock with gilt-metal dial with black Roman numeral hour markers and two train movement set in a tired metal case surmounted by a standing figure with lyre and gilt-bronze mounts 20.5” H x 14.5” W x 5.5” D $1,500-2,500

1 2 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1095

A pair of Sèvres-style porcelain urns

Late 19th/Early 20th Century Each tripod urn centering pastoral courting scenes surrounded by gilt highlights on a light blue ground flanked by squared handles and raised on three scrolled feet, 2 pieces Each: 16” H x 12” W x 10” D $800-1,200

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1096

A Sèvres-style porcelain dessert service

Late 19th/Early 20th Century Each signed: Le Brun The celeste blue set with hand-painted friezes of flowers and courting couples, comprising ten plates and one oval platter, 11 pieces Each plate: .5” H x 8.5” Dia.; Platter: 1.75” H x 14.25” W x 9.75” D $800-1,200

1 2 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1097

A Kazak area rug

First-Quarter 20th Century Wool on wool foundation, with polychrome geometric motifs and crosses on a red field 80” L x 47.5” W $1,000-1,500

1 2 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1098

A Caucasian area rug

First-Quarter 20th Century Wool on wool foundation, with polychrome geometric motifs and central medallions on a red field 84” L x 59” W $1,000-1,500

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1099

Joseph Bail

(1862-1921, French) Lacemakers in an interior Oil on canvas Signed lower right: Bail Joseph 28.5” H x 36.5” W $6,000-8,000 Notes: The large stencilled logo on the verso of this canvas, now slightly worn or obscured, is that of the Parisienne art supply company, Lefranc et Cie. Located for many years near the Louvre Museum, it’s origins date back to 1720.

1 2 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1100

Arthur David McCormick

(1860-1943, British) Consulting the oracle Oil on canvas Signed lower right: A. D. McCormick; titled by repute 22” H x 30.5” W $1,000-1,500

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1 3 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1101

A pair of Meissen “Schneeballen” porcelain covered urns

19th Century or earlier Each marked for Meissen with blue underglaze crossed swords over a dot or asterisk [Marcolini Period or earlier] Each baluster-form lidded vase encrusted with white mayflower blossoms, surmounted by a parrot perched on fruiting vines, and flanked by twisting branch handles issuing “schneeballen” floral clusters with various colorful nesting songbirds, 2 pieces Each: 24” H x 12” Dia. $8,000-12,000 Provenance: Sale: Sloan’s, “Estate Sale,” September 11, 12 & 13, 1998, Lot 1296 Notes: This lot is accompanied by a Sloan’s printed auction catalogue and a photograph.

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1102

Émile Louis Picault

(1833-1915, French) “La Cigale” Patinated bronze Signed in the casting: E. Picault; illegible foundry mark and titled to sculpture 30.5” H x 14” W x 8” D $1,000-2,000

110

A Fre

Fourth With g silk lin 68.25”

$2,000

1 3 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

04

ench Louis XV-style vitrine cabinet

h-Quarter 19th Century gilt-bronze mounts and a single-door glazed cabinet with ned interior atop three floral marquetry inlaid panels ” H x 35” W x 18.5” D

0-3,000

1103

A French Louis XV wall mirror

18th Century The carved gilt-wood frame with flowering vines and rocaille motifs 75.5” H x 41” W x 3” D $2,000-3,000

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1105

A French Sèvres-style gilt metal-mounted porcelain centerpiece

Late 19th/Early 20th Century Indistinct Sèvres-style mark to the bowl The oval bowl with cobalt blue body adorned with transfer-printed friezes with hand-painted highlights, one signed: Fournier, enclosed in a gilt metal frame with scrolled handles over a porcelain support raised on a breakfront base raised overall on scrolled feet 13” H x 19” W x 9.5” D $800-1,200

1 3 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1106

A Sèvres-style lidded box

Late 19th/Early 20th Century Bears Sevres-style double “L” blue underglaze mark with “E” The lozenge-shaped box with gilt enamel highlights on a cobalt blue ground, the lid centering a courting scene over reserves of lakeside landscapes 4.5” H x 12” W x 7” D $800-1,200

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1107

Jules Taupin

(1863-1932, French) “La Toilette de la Mariée” Oil on canvas Signed lower right: J. Taupin; titled on the frame plaque 38” H x 30” W $10,000-15,000

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1108

Giuseppe Grimaldi

(19th/20th Century, Italian) “At the weekly Marcha’ du Beer StiabQ [sic]” Oil on canvas Signed lower right: G Grimaldi; titled on the stretcher bar 21.5” H x 36” W $600-800

1 3 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1109

Rudolf Otto von Ottenfeld

(1856-1913, Austrain) Bedouin rider at prayer Oil on panel Signed and indistinctly inscribed lower left: R. Ottenfeld / 579 [indistinct] 9.875” H x 7.25” W $1,000-1,500 Provenance: “Waldesova obrazarna” [translation from Czech: Waldes’ Picture Gallery] label, hand-numbered 797, affixed verso “Narodni galerie Praze” [translation from Czech: National Gallery of Prague] label, with the printed number O2200, affixed verso Notes: A quick comparison online with other works bearing this same “Waldesova obrazarna” label, each with different hand-numbering, indicates that it was an ex libris / collector’s inventory system used by the industrialist and art collector Jindrich Waldes (1876-1941). w w w. j o h n m o r a n . c o m 1 3 9

1110

A Nain area rug

20th Century Silk and wool on cotton foundation, with polychrome floral motifs and central medallion on ivory and blue field 193” L x 125” W $3,000-5,000

1 4 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1111

A Najafabad Isfahan rug

Second Half 20th Century Wool on cotton Wool on cotton foundation, with polychrome floral motifs and central medallion on a blue field 136” L x 83” W $1,500-2,500

w w w. j o h n m o r a n . c o m 1 4 1

1112

An Islamic embroidered tapestry

Late 19th/Early 20th Century Silk and metal thread on green velvet, with all-over arabesques and floral designs 90.5” H x 55.5” W $2,500-3,500 Provenance: By repute, from the Danny Thomas Estate, Beverly Hills, CA to present owner 1 4 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1113

Middle Eastern folio

Black and red pigments on vellum under glass Folio comprised of three joined sections containing text interspersed with occasional schematic images 78” H x 4” W $600-800

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1114

Paul-Louis-Narcisse Grolleron

(1848-1901, French) “The Encounter” Oil on canvas Signed lower right: P. Grolleron; titled by repute 36.5” H x 29” W $5,000-7,000

1 4 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1115

Luther Emerson Van Gorder

(1861-1931, American) “Tea in the Garden” Gouache and watercolor on paper laid to board under glass Signed lower left: L. E. Van Gorder; titled on a label affixed to the verso of the support board 8.625” H x 10.75” W $2,000-3,000 Provenance: Hazel Sebring Cliff, daughter of Oliver H. Sebring (one of the five brothers that founded the town of Sebring, Ohio) Gifted by the above to Cory Julyn Phalen, her great grandchild, 1969 Notes: The very faint ink notations on the label affixed to the verso of the support board read: Title: Tea in the Garden / Artist: L. E. Van Gorder / Address: 501 Euclid Ave, Toledo, OH / Agent: Wm S Budworth & Son. William Sylvester Budworth was described in his 1938 “New York Times” obituary as an artist and former head of the New York packing and shipping company of the same name.

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1116

A large German silver footed centerpiece

Second Half 19th Century Marked for German 800 silver; Maker’s mark for M.H. Wilkens & Sohne; Numbered: 87989 The 800 silver shell-style centerpiece with scrolled foliate motifs surmounted by a putto, personalized 14.25” H x 18.25” W x 10” D 68.285 oz. troy approximately $5,000-7,000

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1119

A pair of Sèvres-

Fourth-Quarter 19t Each with blue und signed: L. Bertren Each baluster-form courting scene with scrolled gilt-bronze marble pedestal ba Each: 63” H x 16” W $6,000-8,000

1117

A large Christofle silver plate candelabrum

Fourth-Quarter 19th Century Marked: Christofle [with scales and stars mark] / 1565913 In the form of three jovial putti issuing seven scrolled foliate arm pedestal base 29” H x 18” Dia. $4,000-6,000

1118

A Ferdinand Bar

Fourth-Quarter 19t Signed: F. Barbedie The ovoid, gilt-bro over botanical festo instruments flanked insert and raised on 7” H x 22.5” W x 1 $2,500-3,500

1 4 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

-style porcelain urns

th Century derglaze double “L” mark containing “E;” Each

m urn centering a painted reserve of a pastoral h gilt highlights on a cobalt blue ground, with e handles, and raised on a carved wood and ase, 2 pieces W x 16” D

ms and raised on a

rbedienne gilt-bronze jardiniËre

th Century enne onze jardiniere with coin molding trim oons centering figural masks and musical d by two scrolled handles with frosted glass n six scrolled feet 10.5” D

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1120

A set of Neoclassical-style bergère armchairs

20th Century Each with a carved giltwood carcass and floral upholstery finished with nail head trim and ram’s head arms, 6 pieces Each: 32” H x 26.5” W x 26” D $800-1,200

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1121

A French Louis XV-style refectory game table

Circa 1920s-30s The carved wood table with an extendable rectangular top with inset velvet surface over a rocaille-motif carved apron with gilt highlights raised on four cabriole legs 28.5” H x 39.5” W x 24.125” D; Extended: 67.25” W $600-800

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1122

A Royal Vienna portrait plate

Late 19th/Early 20th Century Marked with blue underglaze Bindenschild; Further marked: Germany / Zigeunerin The porcelain plate with a green and enamel gilt rim centering a portrait of a woman in traditional costume 1” H x 9.5” Dia. $800-1,200

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1123

A carved giltwood wall-mounted console table

20th Century The wall-mounted console table with a demi-circle green marble top over a scrolling rocaille carved giltwood base 37” H x 33” W x 9.75” D $600-800

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1124

An Italian carved giltwood stand

Late 19th/Early 20th Century In the form of two gilt putti balancing on a trunk 42” x 13” Dia. $600-800

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1125

A French Louis XV-style cartel wall clock

Second Half 19th Century Movement marked: 1592 / 5 2 / Medaille d’Argent / 1855 / Vencenti et Cie The clock with a white enameled dial with blue Roman numeral hour markers, black Arabic numeral outer minute track, and two train movement set in a gilt-bronze scrolling rocaille motif case 39” H x 13” W x 4” D $800-1,200

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1126

A Caucasian area rug

First-Quarter 20th Century Wool on wool foundation, with polychrome geometric motifs and floral border on a cobalt blue field 96” L x 59” W $1,200-1,800

1 5 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1127

A Caucasian area rug

First-Quarter 20th Century Dated in weaving Wool on wool foundation, with polychrome geometric motifs and central medallions on a blue and red field 101.5” L x 54.5” W $1,500-2,500

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1128

A Chinese carved wood cabinet

20th Century The cabinet constructed of mixed hardwoods with two doors carved with low-relief symbols, fish, and bats, the interior fitted with two drawers and a shelf 35.5” H x 62” W X 18.5” D $800-1,200

1 5 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1 6 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1129

A pair of large Chinese porcelain ginger jars

20th Century Each large, lidded urn with blue underglaze floral and avian motifs, 2 pieces Each: 21” H x 11” Dia. $800-1,200

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1130

A pair of Chinese carved wood stands

20th Century Each tall stand with carved apron and undertray decorated with flowers and meandering scrolls, 2 pieces Each: 41.5” H x 14.75” W x 19” D $800-1,200

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1131

A Chinese mother-of-pearl inlaid table mirror

20th Century The mirror in a carved hardwood frame inlaid with branches and raised on a conformingly designed stand 23.5” H x 16” W x 7.25” D $500-700

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1132

1133

20th Century The carved hardwood chair inlaid with scenes of branches, flowers, and birds 33” H x 21” W x 21” D

First-Quarter 20th Century Each depicting figures riding a lio Each: 26” H x 17” W x 6.25” D

A Chinese mother-of-pearl inlaid corner chair

$500-700

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Two Chinese carved wood ar

$600-800

rchitectural elements

on, 2 pieces

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1134

Attributed to Jean-Joseph-Xavier Bidauld

(1758-1846 France) Pastoral landscape with shepherds Oil on canvas laid to canvas Signed and indistinctly dated lower right: [indistinct] Bidauld 19.5” H x 23.75” W $12,000-18,000

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1135

Attributed to Guillaume FranÁois Colson

(1785-1850, French) Landscape with ducks and a woman resting beneath a tree Oil on canvas laid to board Signed lower left: Colson; the artist’s full, attributed name in a typed informational paragraph affixed to the frame’s backboard.

Sight: 23.25 x “ H 35.25” W $1,000-1,500

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1136

After Jean-Baptiste-Camille Corot (1796-1875, French) Landscape with cows Oil on canvas Appears unsigned 7.25” H x 10.25” W $2,000-3,000

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1137

An Italian wrought-iron console table

First-Quarter 20th Century The openwork scrolled frame with gilt acanthus leave and marble top 33.5” H x 50” W x 17.5” D $1,200-1,800

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1138

A wrought iron and marble console table

20th Century The grey marble top over an openwork scrolled iron base with acanthus leaves 31.25” H x 72.5” W x 18” D $800-1,200

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1 7 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1139

A Continental woven tapestry

20th Century The wool tapestry woven with a polychrome landscape scene with a deer 80” H x 81.5” W $1,000-1,500

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1140

A Sèvres-style porcelain compote

Fourth-Quarter 19th Century The circular compote centering a figural reserve and with polychrome floral motifs on a celeste blue ground with gilt-bronze mounts and pedestal base 12.25” H x 17.5” W x 13.75” D $1,200-1,800

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1141

A pair of gilt-bronze and marble candle lamps

20th Century Each six-light, gilt-bronze candelabrum with a red marble column issuing five scrolled arms and one central light with faux candle sleeves raised on a triform base, electrified, 2 pieces Each: 35” H x 10.5” Dia. $2,000-3,000

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1142

A gilt-bronze and marble centerpiece

Late 19th/Early 20th Century The gilt-bronze mounted, red marble centerpiece with an ovoid dish flanked by two scrolled handles with lion’s masks, raised on a pedestal base with figural masks 12” H x 14” W x 11.5” D $2,000-3,000

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1143

A French Louis XVI-style console table and mirror

20th Century The carved giltwood table with a breakfront-form, inset marble top over an apron with acanthus leaf border centering a bow and suspending floral swags, raised on four fluted legs joined by a stretcher, accompanied by a conformingly designed trumeau mirror centering a painted panel of winged putti, 2 pieces Table: 40” H x 47.5” W x 18” D; Mirror: 73.5” H x 45.25” W x 3” D $1,500-2,000

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1144

A pair of French Empire-style gilt-bronze and marble pedestals

Late 19th/Early 20th Century Each with a square white marble top over a gilt-bronze column with figural sphinx masks and rosette motifs raised on a stepped white marble base with gilt-bronze feet corners, 2 pieces Each: 42.75” H x 13.125” W x 13.125” D $1,500-2,500

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1145

A Caucasian area rug

Late 19th/Early 20th Century Wool on wool foundation, with polychrome geometric diamonds and central medallions on a cobalt field 105” L x 52” W $1,500-2,500

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1146

A Caucasian area rug

First-Quarter 20th Century Wool on wool foundation, with polychrome geometric motif and crosses 92” L x 53” W $1,000-1,500

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1147

A pair of French Limoges porcelain vases, by Henri Ardant and Co.

Late 19th/Early 20th Century Each impressed: HA & Cie. Each baluster-form vase centering a reserve of a pastoral figural scene and floral sprays with gilt highlights on a lilac ground flanked by bisque putti handles terminating in figural masks, 2 pieces Each: 21.25” H x 10” W x 6.5” D $1,000-1,500

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1148

A Royal Vienna porcelain portrait urn

Late 19th/Early 20th Century Marked with blue underglaze Bindenschild (possibly for Ackermann and Fritze Volkstedt); Further marked in red overglaze: Germany / 2547 / [crown with “COD”] The porcelain urn-form vase with central register depicting a bucolic courting scene enclosed by gilt-highlights against an iridescent blue ground 10.75” H x 5.25” Dia. $600-800

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1149

A Manchester “Southern Rose” sterling silver flatware service

20th Century Each marked for Manchester and sterling Designed 1933, comprising, 12 hollow-handled New French dinner knives (9.75”), 12 butter spreaders (5.375”), 12 place forks (7.375”), 11 salad forks (5.875”), 12 cream soup spoons (6.125”), 36 teaspoons (5.75”), 1 sugar spoon (5.625”), 1 gravy ladle (5.75”), 1 pierced pie server (9.75”), 4 tablespoons (8.125”), 1 hollow-handled carving knife (13”), 1 hollow-handled carving fork (10.75”), and 1 hollow-handled blade sharpener, 105 pieces Weighable sterling: 97.825 oz. troy approximately $2,000-3,000

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1150

A Wallace “Meadow Rose” sterling silver flatware service

20th Century Each marked for Wallace and sterling Designed 1907 by Joseph E. Straker, Jr., comprising 12 hollow-handled Modern place knives (9”), 12 hollow-handled butter spreaders (6.125”), 11 place forks (7.25”), 9 salad forks (6.125”), 12 cream soup spoons (6.25”), and 12 teaspoons (5.75”), 68 pieces Weighable sterling: 54.405 oz. troy approximately $1,200-1,800

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1151

A Wallace “Grand Baroque” partial sterling silver flatware service

Second Half 20th Century Designed 1941 by William S. Warren, comprising 5 hollow-handled Modern dinner knives (9.75”), 5 dinner forks (8”), 7 salad forks (6.5”), and 11 teaspoons (6.25”), 28 pieces Weighable sterling: 34.905 oz. troy approximately $800-1,200

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1152

A French console table

First-Quarter 20th Century The breakfront-form marble top over a parquetry veneered apron with a long frieze drawer and gilt-bronze mounts raised on four slightly out-swept legs 34” H x 64.25” W x 15.5” D $800-1,200

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1153

A pair of gilt-bronze glazed bedside tables

First-Quarter 20th Century Each with a rocaille motif openwork back panel atop a rectangular inset glass top over a drawer and single-door glazed cabinet with mirrored interior raised on four rocaille feet, 2 pieces Each: 27.5” H x 21” W x 13.5” D $1,500-2,500

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1154

A Hereke prayer rug

20th Century Silk on silk foundation with gold thread, with polychrome floral motifs and prayer bands 43” L x 29.5” W $2,000-3,000

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1155

A Hereke prayer rug

Fourth-Quarter 20th Century Silk on silk foundation, with polychrome floral motifs and prayer script 68” L x 46” W $2,000-3,000

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1156

A Bohemian cut-glass lidded vase

Late 19th/Early 20th Century The art glass vase intaglio cut from ruby to clear with floral motifs centering a stag and a castle 15” H x 15” Dia. $600-800

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1158

A Bohemian cut-glass vase

Late 19th/Early 20th Century The art glass vase intaglio cut from ruby to clear with floral motifs centering stags and castles 11.5” H x 5.625” Dia. $600-800

1157

A pair of Bohemian cut-glass lusters

Late 19th/Early 20th Century Each art glass luster cut from ruby to clear with floral motifs centering a stag, a squirrel, and a castle, 2 pieces Each: 11.75” H x 6.25” Dia. $800-1,200

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1159

Maximilien Luce

(1858-1941, French) Figures on a beach Oil on canvas laid to canvas Signed lower right: Luce 6.75” H x 9.25” W $3,000-5,000

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1160

Arbit Blatas

(1908-1999, Lithuanian) View of Venice from the Grand Canal Oil on board Signed lower left: Blatas Sight: 6” H x 10.25” W $1,000-1,500 Notes: The structure in the left foreground appears to be the Church of San Stae.

Lot 1161 has been withdrawn.

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1162

A French gilt-bronze chandelier

Fourth-Quarter 19th Century The gilt-bronze chandelier in the form of scrolling acanthus foliage issuing six drooping arms, each with floral sockets and frosted clear glass shades, centering a single pendant light, electrified 40 H x 33” Dia. approximately $800-1,200

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1163

E. Battiglia

(19th/20th Century, Italian) Standing figure with scythe and wheat Carrara marble Signed: E. Battiglia / Firenze 49” H x 18” W x 12” D $1,500-2,500

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1164

An Italian Rococo-style carved giltwood vitrine cabinet

19th Century The carved giltwood cabinet with all-over rocaille motifs, the glazed two-door upper cabinet with mirror back and centering a foliate mask over a bombe-form lower portion with a single drawer and centering an avian motif scene, raised on four legs with acanthus feet joined by an X-stretcher 88” H x 50” W x 18” D $5,000-7,000

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1165

A French Louis XV-style folding paravent screen

19th Century The three-panel carved giltwood folding screen with inset glass panes atop pleated ivory silk panels, all surrounded by rocaille motifs 66.25” H x 67” W x 1.5” D $1,000-1,500

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1166

A Venetian wall mirror

20th Century The Italian multi-panel mirror in octagonal form with a scrolled foliate crest 51” H x 28.5” W x 3” D $600-800

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1167

A Milet cobalt porcelain lidded urn

Late 19th/Early 20th Century Lid marked: MP Sevres The mottled blue porcelain urn with gilt-bronze mounts and figural masks, raised on a pedestal base 13” H x 13” Dia. $1,500-2,500

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1168

A pair of Continental cobalt glass vases

Late 19th/Early 20th Century Each slender vase with blown cobalt blue glass body with gilt-bronze floral mounts centering portrait roundels, 2 pieces Each: 12.75” H x 3.75” Dia. $1,500-2,500

1170

A pair of French figural chenets

Late 19th/Early 20th Century Each gilt-bronze chenet in the form of scrolling rocaille with flowers and surmounted by a music-making putto, one with bagpipes and one with tambourine, 2 pieces Each: 14.5” H x 14” W x 8” D approximately $800-1,200

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1169

A pair of French bronze wall sconces

First-Quarter 20th Century Each with a column adorned with leaves, a foliate finial, and a central festoon, issuing two curved arms emerging from fanned foliage and each terminating in a stylized torch capital with a light socket, surmounted by a decorative lidded urn with drapery festoons, electrified, 2 pieces 29” H x 21” W x 10” D $1,200-1,800

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1171

A Bohemian cut-glass lidded vase

1886 Signed and dated: Stice / 1886 The art glass vase intaglio cut from ruby to clear with floral motifs centering a stag and castles 12.75” H x 4.75” Dia. $800-1,200

1172

A Bohemian cut-glass vase

Late 19th/Early 20th Century Engraved signature: MS The art glass vase intaglio cut from ruby to clear with floral motifs centering a stag 8.125” H x 4.125” Dia. $500-700

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1173

A Bohemian cut-glass vase

Late 19th/Early 20th Century The art glass compote intaglio cut from ruby to clear with stags 7.75” H x 7.25” Dia. $400-600

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1174

A Comodex long library cabinet

Circa 1970s; Romania With Comodex shop label and Russian import labels The large, bookmatch parquetry veneered cabinet with three cupboards alternating with two glazed cupboards over three drawers 64.25” H x 113” W x 18” D $1,000-1,500

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1175

A French Louis XV-style bureau plat

19th Century The parquetry veneered desk with inset gilt-foil stamped leather writing surface over a gilt-bronze mounted apron with rocaille motifs on three frieze drawers and two extendable writing surfaces to the sides, raised on four cabriole legs with sabots to the feet 29.25” H x 55” W x 34” D $1,500-2,500

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1176

A French carved wood fire screen

Late 19th/Early 20th Century The carved wood frame with laurel wreath and ribbon crest surrounding a glass panel 50.25” H x 27.75” W x 14.25” D $600-800

2 1 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1177

A monumental Meissen porcelain mantel clock

Late 19th/Early 20th Century Marked for Meissen with blue underglaze crossed swords and impressed numbers; Movement marked: Japy Freres et Cie / Med. d’Honneur The clock with a gilt-metal dial, inset porcelain hour markers with blue Roman numerals, and two train movement set in polychrome glazed porcelain case with all-over high relief floral decoration and figures of Zeus and Prometheus 33” H x 20” W x 12” D $5,000-7,000

1178

A Continental porcelain urn

Late 19th/Early 20th Century Appears unmarked Possibly French with German porcelain, the round vessel with painted figural scenes and floral sprays, surmounted by a putto with wine, flanked by opposed putti handles, and raised on a bronze footed support with putti and laurel leaf border 19” H x 17” W x 12.5” D $2,000-3,000

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1179

A Turkish Hereke rug

20th Century Signed Silk on silk foundation, with polychrome floral medallion 73.5” L x 48.5” W $2,000-3,000

2 1 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1180

A small Sultanabad area rug

First-Quarter 20th Century Wool on cotton foundation, with polychrome floral motifs on a cobalt blue field 48.5” L x 37” W $500-700

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1181

A Chinese gilt-metal Guanyin

20th Century Signed with pseudo Xuande Period mark in casting verso The gilt-metal sculpture depicting a seated Guan Yin on a crescent moon 25” H x 13.5” W x 7.75” D $600-800

1182

A pair of Chinese carved hardwood armchairs

Mid-20th Century Each carved of mixed hardwoods with a carved figural motif backsplat, rep below the arm rests and on the apron, with upholstered cushions, 2 pieces Each: 38” H x 24” W x 19” D $600-800

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peated s

1183

A Chinese carved hardwood cabinet

20th Century Constructed of mixed hardwoods with carved polychrome figural scenes, with a staggered arrangement of open shelves, a sliding door compartment, a cupboard, and a drawer 52.5” H x 36.5” W x 13.5” D $800-1,200

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1185

A Chinese carved wood kang table

Second Half 20th Century The rectangular, low table carved of mixed hardwoods with a meander apron and inward curved legs 13” H x 46” W x 18” D $600-800

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1184

A near-pair of Chinese celadon ceramic plates

Late 19th/Early 20th Century Each earthenware plate with a celadon crackle glaze, 2 pieces Each: 2.25” H x 10.5” Dia. approximately $500-700

1186

A set of Chinese mother-of-pearl inlaid nesting tables

20th Century Each carved hardwood with inlaid scenes of branches, flowers, and birds, 4 pieces Largest: 26” H x 19.25” W x 14” D $500-700

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1187

A pair of Burmese carved wood seated monks

19th Century Each carved and gessoed wood with gilt and polychrome painted details, 2 pieces Larger: 15” H x 10.5” W x 13” D $2,000-3,000 Provenance: Gump’s, San Francisco, CA The Blake Byrne Collection, acquired from above

2 2 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1188

A Chinese bronze vase

Late 19th/Early 20th Century Marked with Chinese characters in the casting to underside The baluster-form vase with reserves of bas-relief songbirds perched on blossoming branches flanked by figural dragon handles 14.5” H x 10.25” W x 7” D $400-600

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2 2 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

w w w. j o h n m o r a n . c o m 2 2 3

1189

A Bohemian cut-glass apéritif set

Late 19th/Early 20th Century The art glass liquor set intaglio cut from amber to clear, comprising a decanter with silver collar floral motifs and twelve cordial glasses with stags and castles, 13 pieces Decanter: 10.25” H x 6” W x 3.125” D; Each glass: 5.25” H x 2.5” Dia. $600-800

2 2 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1190

A Bohemian cut-glass decanter

Late 19th/Early 20th Century The art glass decanter intaglio cut from amber to clear with stags and trees with a ribbed band to the foot 13.25” H x 5” Dia. $400-600

2 2 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1191

A Bohemian cut-glass compote

Late 19th/Early 20th Century The art glass compote intaglio cut from amber to clear with stags along a scalloped rim 7.125” H x 10.125” Dia. $600-800

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1192

A French carved giltwood wall mirror

Fourth-Quarter 19th Century With gilt floral and rocaille motifs against a grey ground 73” H x 43” W x 2” D $800-1,200

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1193

A French Louis XV-style marquetry commode

Fourth-Quarter 19th Century With a marble top over two long drawers with floral marquetry veneer and gilt-bronze mounts raised on out-swept legs 37” H x 48.5” W x 20.5” D $1,000-1,500

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1194

A pair of carved giltwood curule benches

20th Century Each with X-frame support and leopard-motif upholstered seat raised on paw feet, 2 pieces 18.5” H x 26” W x 19” D $800-1,200

2 3 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1195

A pair of gilt-bronze candelabra

Late 19th/Early 20th Century Each armorial theme, gilt-bronze figural candelabrum in the form of an armored knight bearing a standard with flags and weapons issuing five arms and raised on a hexagonal base, 2 pieces Each: 25.5” H x 11.25” W x 9” D approximately $1,200-1,800

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1196

1197

(1850-1924, British) Young family viewing sailboats in a bay Oil on canvas Signed lower right: W. B. Fortescue 30” H x 50” W

(1882-1959, French) Hunter with dog and elk Oil on canvas laid to board Signed lower right: M. Dupuis 39.5” H x 59” W

William Banks Fortescue

$2,000-3,000

2 3 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

Maurice Dupuis

$1,500-2,500

1198

George Morland

(1763-1804, British) “The Fishermanís Wife,” 1791 Oil on canvas Signed and dated lower left: G. Morland; titled on the frame plaque 20.5” H x 24.25” W $2,000-3,000

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1199

A pair of French silver plate convertible candelabra

Late 19th/Early 20th Century Each three-arm, four-light candelabrum with foliate swags and lion’s masks, with removable top to convert to a candlestick, 2 pieces Each: 18” H x 11.5” W x 11.5” D $600-800

2 3 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1200

A Matthew Boulton-style silver plate candelabrum

19th Century Unmarked The two-arm, three-light candelabrum with reeded arms and foliate motifs 24” H x 16.75” W x 6” D $500-700

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1201

Five Elkington & Co silver plate game domes

Fourth-Quarter 19th Century Each marked for Elkington to lower rim Five game domes surmounted by a foliate handle, one with a beaded handle, and personalized with Latin motto and heraldic mark, 5 pieces Largest: 10.5” H x 18.5” W x 14.25”D; Smallest: 8” H x 15.5” W x 11.25” D $1,200-1,800

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1202

A Sèvres-style gilt-bronze and porcelain chandelier

Fourth-Quarter 20th Century The eighteen-light celeste blue porcelain chandelier dropping from a baluster urnform column with all-over gilt highlights and gilt-bronze mounts, centering painted reserves of courting scenes, electrified 41” H x 36” Dia. approximately $1,500-2,500

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2 3 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1203

A French Louis XV-style writing desk

Late 19th/Early 20th Century Clock movement marked: 297 / SH Paris / 27 / Medaille d’Argent / Vencenti et Cie / 1855 The gilt-bronze mounted parquetry desk with upper compartment with four drawers and two cabinets centering an inset clock and flanked by two mounted candelabra over an inset leather writing surface and three short drawers 52” H x 56” W x 27” D $1,200-1,800

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1204

An Italian giltwood wall mirror

Late 19th/Early 20th Century The tapered mirror centering a reverse-etched figure of Apollo 23” H x 16.25” W x 2.75” D $800-1,200

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1205

An Art Nouveau bronze table lamp base

Fourth-Quarter 19th Century Signed in the casting: L. Alliot The patinated bronze base after Lucien Charles Edouard Alliot (1877-1967, French) in the form a woman standing on a lily pad and holding two floriform light sockets, electrified 25” H X 9.5” W x 9.5” D $800-1,200

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1206

An Albert Marionnet Art Nouveau bronze inkwell

Fourth-Quarter 19th Century Signed in the casting: A. Marionnet The bronze inkwell centering a foliate mask flanked by two wells raised on a green marble base 6.25” H x 14.75” W x 8.5” D $800-1,200

2 4 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1207

A French bronze and marble inkwell

Fourth-Quarter 19th Century The bronze inkwell with all-over acanthus motifs centering four wells and four pen slots raised on a green marble base 7” H x 13” W x 5.5” D $800-1,200

1208

A French inlaid flip-top game table

Mid-20th Century With all-over brass, pewter, and boulle inlay with hinged top revealing an inlaid bone backgammon board and with gilt-bronze mounts 29.25” H x 22.75” W x 17.75” D $2,000-3,000

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1209

A group of Continental gilt-glass goblets

First Half 20th Century As pictured: the first and third engraved “W “ [illegible]; the second inscribed “D 1909” Each variously shaped, gilt-glass goblet with enamel floral motifs, one set with blue and red glass jewels, 4 pieces Larger: 8.25” H x 3” Dia.; Smaller: 7” H x 2.75” Dia. $500-700

2 4 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1210

Anna Rosenkrantz

(1863-1944, Danish) “Rosenborg,” 1917 Oil on canvas Signed, titled and dated in the lower right corner: Anna Rosenkrantz $800-1,200 Provenance: Private Collection, Denmark Private Collection, California, acquired from the above Notes: “Rosenborg” most likely refers to Rosenborg Castle. Originally built in 1606 as a country retreat for Danish King Christian IV, it today stands less than two miles from downtown Copenhagen’s central railway station.

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1211

Anna Rosenkrantz

(1863-1944, Danish) Interior with paintings, 1918 Oil on canvas Signed and dated lower left: Anna Rosenkrantz 14.5” H x 9.75” W $800-1,200 Provenance: Private Collection, Denmark Private Collection, California, acquired from the above

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1212

A pair of Bohemian cut-glass lusters

Late 19th/Early 20th Century Each art glass luster cut from amber to clear with floral motifs centering a rabbit, a deer, and castles, 2 pieces Each: 14.125” H x 6.25” Dia. $800-1,200

2 4 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1213

A Bohemian cut-glass lidded vase

Late 19th/Early 20th Century The art glass lidded vase intaglio cut from amber to clear with floral motifs centering a stag and castles 12.5” H x 4.25” Dia. $400-600

1214

A Bohemian cut-glass vase

Late 19th/Early 20th Century The art glass vase intaglio cut from amber to clear with stags 8.875” H x 5.5” Dia. $400-600

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1215

A French gilt-bronze and crystal chandelier

Late 19th/Early 20th Century The ten-light, gilt-bronze chandelier with glass bead chains, foliate swags, and ribbon motifs, electrified 46” H x 27” Dia. $1,500-2,500

1216

A French provincial vitrine

Late 18th/Early 19th Century With remnants of two paper e The carved wood cabinet with surmounted by a floral basket shelves over a double-door cu 97” H x 57.5” W x 23.5” D $1,000-2,000

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e cabinet

export labels: Orrouy-Glaines h a glazed, double-door vitrine t crest and fitted with two upboard with one interior shelf

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1217

A French Louis XV-style armchair

Fourth-Quarter 19th Century The carved wood carcass with rocaille motifs and needlepoint upholstery depicting Diana with her hound surrounded by nail head trim 42” H x 27” W X 30” D $600-800

2 5 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1218

A French bouillotte table lamp

Fourth-Quarter 19th Century The three-light lamp with painted metal shade on a bronze base issuing three figural bird arms terminating in faux candle sleeves, electrified Overall: 23.5” H x 15.5” Dia. $400-600

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1219

A Caucasian area rug

First-Quarter 20th Century Wool on wool foundation, with polychrome geometric motifs and central medallions on cobalt field 108” L x 61” W $1,200-1,800

2 5 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1220

A Caucasian area rug

Late 19th/Early 20th Century Wool on wool foundation, with polychrome geometric motif and central medallions on a dark field 118.5” L x 50” W $1,000-1,500

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1221

George Paul Chalmers

(1833-1878, Scottish) Portrait of a man Oil on canvas Signed lower left: G. P. Chalmers 24” H x 20” W $800-1,200

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1222

John Watson Gordon

(1788-1864, Scottish) “The Duke of Atholl” Oil on board laid to board Appears unsigned; inscribed in pencil on the verso of the support board and again in ink on the frame’s backing board and on a label affixed to that same board: Sir John Watson Gordon P.R.S.A.; titled in pencil on the verso of the support board; an alternate title or perhaps the name of a previous owner on the label affixed to the frame’s backing board: “Colonel MacDonald of St. Martin’s” 17.75” H x 10.625” W $500-700

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2 5 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1223

A pair of English George III library armchairs

Second Half 18th Century Each with carved wood carcass with floral and acanthus motifs, ochre-hued herringbone upholstery, and raised on cabriole legs with scrolled feet, 2 pieces Each: 37.5” H x 29” W x 32” D $3,000-5,000 Provenance: Sale: Bonhams, Los Angeles, “Fine European Furniture & Decorative Arts,” June 10, 2013, Lot 6 Notes: This lot is accompanied by the Bonhams sale announcement, in which the lot is illustrated.

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1224

1225

Fourth-Quarter 19th Century With circular top on a tripodal pedestal base 27.5” H x 20.25” Dia.

Late 18th/Early 19th Centu The three-drawer stand wit pulls raised on an associate 35.5” H x 69” W x 20.75”

An English mahogany tea table

$500-700

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An English stand

$500-700

ury th brass hardware and swan neck ed wrought iron base D

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1226

A ship’s model of the “Sovereign of the Seas NY”

First-Quarter 20th Century The carved and painted wood miniature three-masted clipper ship with silk sails housed within a custom glazed wooden case 18.75” H x 34” W x 12” D $3,000-5,000

2 6 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1227

A ship’s model of the “USS Constitution’

First-Quarter 20th Century The carved and painted wood miniature three-masted, wooden-hulled heavy frigate housed within a custom glazed wooden case 44” H x 35” W x 16” D $2,000-4,000

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1228

An English carved oak bridal chest

18th Century or Earlier With paper label verso: Reeve’s Depositories / Wokingham & Camberley The hinged-top chest with carved panels of floral medallions, with an upper compartment over three drawers 33” H x 63” W x 24.5” D $1,500-2,500

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1229

An English Georgian chest-on-chest

Late 18th/Early 19th Century With a five-drawer upper chest raised on a lower footed chest consisting of one long drawer and three short drawers, with brass hardware 58.75” H x 39” W x 21” D $800-1,200

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1230

An English mahogany tiered tea table

Fourth-Quarter 19th Century With two round tiers raised on a tripodal pedestal base 38” H x 29.5” Dia. $800-1,200

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1231

A George III-style corner chair

Late 19th/Early 20th Century The carved wood corner chair with pierced back splats and scrolled outset arms over green damask-style velvet upholstery 32.125” H x 31.25” W x 28.75” D $600-800

2 6 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1232

An English Chinoiserie corner cupboard

Fourth-Quarter 19th Century The hanging cabinet with two doors decorated with lacquered, Chinoiserie figural scenes concealing two interior shelves 36.25” H x 23.5” W x 15.5” D $600-800

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1233

An English Georgian-style mahogany corner cupboard

Fourth-Quarter 19th Century The hanging cabinet surmounted by a broken pediment and fretwork carved band over a single-door concealing three scalloped shelves 53.75” H x 31.5” W x 17” D $600-800

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1234

A Persian runner

Mid-20th Century Wool on cotton foundation, with polychrome geometric and floral motifs on a dark field 120.5” L x 46.5” W $800-1,200

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1235

A Heriz area rug

Fourth-Quarter 20th Century Wool on cotton Wool on cotton foundation, with a cream, tan, and black petal medallion on a red field 60” L x 36.5” W $500-700

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1236

A Charageh area rug

Fourth-Quarter 20th Century Wool on cotton foundation, with polychrome geometric motifs and three central medallions on a red field 60” L x 35” W $500-700

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1237

Longworth Nicholas Powers

(1835-1904, Italian/American) Bust of a woman, 1879 Marble Signed and dated: Longworth Powers / Sculp. 1879 26” H x 17” W x 9” D $2,000-3,000 Provenance: The Alan Schneider Collection

1238

An Italian marquetry cylinder desk

18th Century The parquetry veneered desk with a raised rectangular surface with a pierced gallery rail over a cylinder top opening to a leather-lined writing surface and an arrangement of eight short drawers, flanked by two pull-down side panels, each concealing three drawers atop three frieze drawers, raised on four tapered straight legs 42” H x 45” W x 23.5” D $2,000-3,000

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1239

An Italian hand-painted commode

18th Century The commode with rectangular top over two short drawers and two long drawers, raised on four reeded legs, with all-over polychrome painted foliate wreaths, festoons, and ribbons flanked by figural courting scenes to the sides 33.25” H x 44.25” W x 21.75” D $1,000-1,500

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1240

Eugene Vail

(1857-1934, French/American) “Les Femmes de Venise no. 10” Oil on canvas Signed lower left: Eugene Vail; titled verso 44” H x 84” W $10,000-15,000 Provenance: An indistinct, round, ink stamp near the upper right corner, verso

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1241

Continental School

19th Century The Reconciliation of the Romans and Sabines, after Peter Paul Rubens (1577-1640, Flemish) Oil on canvas laid to canvas under glass Appears unsigned Sight: 26” H x 36” W $1,000-2,000 Provenance: Ex. coll. Oakland Art Museum, Oakland, CA

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1242

A Heriz area rug

Mid-20th Century Wool on cotton foundation, with polychrome geometric motifs and central medallion on a red and cream field 131” L x 100” W $1,000-2,000

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1243

A pair of Tabriz area rugs

Fourth-Quarter 20th Century Each signed “Azerbaijani” in cartouche Each wool and silk on cotton foundation, with polychrome floral motifs and central medallion, 2 pieces Larger: 83” L x 58” W; Smaller: 81.5” L x 58” W $3,000-5,000

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1244

A French gilt-bronze chandelier

First-Quarter 20th Century The six-light, gilt-bronze chandelier with acanthus leaves and floral festoons issuing three out-swept arms, each terminating in a drop pendant light, surrounding a central basin with glass bead chains containing three interior lights and decorated with laurel wreaths and crossed torches, electrified 33” H x 22” Dia. approximately $2,000-3,000

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1245

A French carved giltwood wall mirror

Late 19th/Early 20th Century The rectangular mirror enclosed by a carved giltwood frame surmounted by a laurel wreath, ribbons, and floral swags 72” H x 40” W x 3” D $1,200-1,800

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1246

A French gilt-bronze and porcelain mantle clock

Fourth-Quarter 19th Century The clock with celeste blue porcelain dial with black Roman numeral hour markers and two train movement set in a giltbronze case with inset porcelain plaques and surmounted by a seated putto 15.5” H x 12.25” W x 4.25” D $1,200-1,800

1247

An Italian carved giltwood console table

Late 19th/Early 20th Century The rectangular peach-colored marble top with squared corners over a Vitruvian scroll frieze with two frieze drawers and an openwork carved scrolling foliate apron with festoons centering a shell, raised overall on four legs with coin molding on scrolled feet 31.5” H x 67” W x 25.5” D $1,500-2,500

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1248

A pair of French Sèvres-style porcelain table lamps First-Quarter 20th Century Each two-light, baluster-form porcelain lamp centering figural and floral reserves on a pink ground with gilt highlights mounted with gilt-bronze trim and raised on an openwork gilt-bronze foot, electrified, 2 pieces Each: 27” H x 8” Dia. $500-700

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1250

Carlo Nicoli

(1843-1915, Italian) “Le Travail” Patinated bronze Signed in the casting: Carlo Nicoli; titled to sculpture 37” H x 13” W x 17” D $3,000-5,000

1249

A pair of French

First-Quarter 20th C Each chair with car and blue striped sil floral wreath crest fl elbow pads and rai 37.25” H x 27.25” $800-1,200

2 8 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

h Louis XVI-style fauteuils

Century rved giltwood carcass and pink lk upholstery, surmounted by a flanked by two scrolled arms with ised on four fluted legs, 2 pieces W x 25” D

1251

A Japanese mother-of-pearl inlaid cabinet

Meiji Period (1868-1912) With a staggered arrangement of open shelves, cupboards, and a drawer, the doors with mother-ofpearl and bone inlaid gilt figural panels, finished with openwork carved foliate and animal motifs 44.25” H x 39” W x 13.75” D $1,000-1,500

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1252

Junichiro Sekino

(1914-1988, Japanese) “The Puppet Manipulator Bungoro in the Greenroom,” 1956 Color woodblock on paper under glass Edition: 13/50; Signed in white ink and with red chopmark in the image at lower left: Jun. Sekino; signed again, dated, numbered and inscribed in pencil in the lower margin: Junichiro Sekino/ IIme Ètat; titled by repute Image: 29” H x 18.375” W; Sight: 30” H x 19” W $700-1,000 Notes: Variants of this printmaker’s name include: Sekino Jun’ichiro, Sekino Junichiro, and Jun-ichiro Sekino.

Yoshida Bungoro IV (1869-1962) was a renowned Japanese puppeteer. In 1955, he was officially recognized as a “Living National Treasure.” The pencil inscription is an abbreviated form of the French words “douziËme Ètat” (second state).

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1253

Attributed to Okochi Yako

(1892-1957, Japanese) White bird on a branch Ink on paper under glass Illegibly signed or inscribed along the lower portion of the left edge; appears to be either signed or annotated in pencil under the sheet, on the back mat: Yako Image/Sheet: 6.25” H x 3.25” W $600-900 Notes: This artist’s name sometimes appears as Yako Okochi.

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1254

A pair of Chinese hardwood lamp tables

20th Century Each square table with openwork carved aprons, 2 pieces 20.25” H x 20.5” W x 20.5” D $500-700

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1255

A Chinese porcelain lidded tea jar

Late 19th/Early 20th Century The square, glazed white porcelain jar with blue underglaze ocean scenes 13” H x 8.675” W x 8.675” D $800-1,200

1256

A Chinese carved wood altar table

First-Quarter 20th Century or Earlier Impressed to underside: China With scrolled terminals, openwork carved scrolling apron, and intertwined legs 34” H x 38.5” W x 13.5” D $1,000-2,000

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1257

A pair of Chinese lamp tables

Late 19th/Early 20th Century Each carved hardwood with inset blue and white porcelain plaque depicting an architectural landscape scene, 2 pieces Each: 30” H x 16.25” W x 16” D $1,000-1,500

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1258

A pair of white and blue porcelain urns

20th Century Marked to bottom of plinth: PMP / 1817 / Handpainted / Echt Kobalt Each surmounted by a pierced lid adorned with putti flanking a rocaille frame over a body of typical form flanked by Neoclassical figures and raised on a conformingly designed plinth, 4 pieces 30” H x 14” W x 11” D $1,200-1,800

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1259

Two Meissen porcelain centerpiece bowls

Late 19th/Early 20th Century Each marked with blue underglaze crossed swords; Each with various impressed and inscribed numbers Each with molded, bas-relief foliate motifs and gilt highlights, one centering a floral spray, 2 pieces Larger: 2” H x 12” Dia.; Smaller: 2.25” H x 11.25” Dia. $800-1,200

2 9 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1260

A group of Meissen porcelain plates

Late 19th/Early 20th Century Each marked for Meissen with blue underglaze crossed swords and various impressed numbers Each glazed white porcelain centering a painted vignette of putti enclosed by a gilt cavetto and molded rim with low-relief scenes of putti and other creatures, 5 pieces Each 1” to 1.25” H x 9.125” Dia. $600-800

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1261

1262

First-Quarter 20th Century Each with a circle of caryatid figural supports on a pedestal base, together with contemporary ivory silk shades, electrified, 2 pieces Overall: 31” H x 16” Dia.

Late 19th/Early 20th Century Each with a carved wood ca seats with nail head trim, rai side chairs, 6 pieces Armchairs: 38.5” H x 24.25”

A pair of French Empire-style bronze table lamps

$800-1,200

2 9 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

A set of French Louis XV

$600-800

VI-style dining chairs

y arcass and ribbon crest, with floral upholstered backs and ised on reeded legs, comprising two armchairs and four

” W x 23” D; Side chairs: 38.5” H x 19.5” W x 19” D

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1263

A French gilt-bronze mantel clock

Second Half 19th Century Movement marked: A1 / 6448 / 9 2 / Medaille d’Arge The clock with a white enameled dial, black Roman nu numeral minute markers and outer minute track, and t a gilt-bronze case flanked by two seated figures readin eagle, raised on a green marble base 20” H x 24” W x 5.75” D $1,500-2,500

1264

A French marquetry commode

Late 19th/Early 20th Century The marble top over two long drawers with floral marquetry veneer and gilt-bronze mounts raised on slightly out-swept legs with sabots to the feet 34” H x 48.5” W x 21.5” D $800-1,200

2 9 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

ent / 1855 / Vincenti et Cie umeral hour markers, Arabic two train movement set in ng and surmounted by an

1265

A carved giltwood wall mirror

19th Century The carved giltwood frame with a hat and musical instrument crest against a spray of oak leaves over a conformingly designed frame with an arched rectangular mirror surrounded by inset mirror panels 62.5” H x 34.5” W x 4.5” D $800-1,200

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1266

A French Empire-style gilt-bronze mantel clock and candelabra set

First-Quarter 20th Century Movement signed: H&H / Made in France / G. Mégnin Medaille d’Argent [Georges MÈgnin] / 2026 / 64 The mantel clock with white enameled dial, black Roman numeral hour markers and outer minute track, and two train movement, set in a gilt-bronze Empire-style architectural case in the form of a temple colonnade with anthemion border and surmounted by an eagle, accompanied by two conformingly designed candelabra, 3 pieces Clock: 18” H x 10.5” W x 8.25” D; Each candelabrum: 19.375” H x 7.5” W x 6” D $800-1,200

2 9 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1267

A French Louis XV-style commode

Late 19th/Early 20th Century With a brown marble top over three long drawers with floral marquetry veneer and gilt-bronze mounts raised on slightly out-swept legs with sabots to the feet 34.25” H x 42.75” W x 18.75” D $1,200-1,800

w w w. j o h n m o r a n . c o m 2 9 9

1268

A French Charles X bronze mantel clock

19th Century The mantel clock with a metal dial, black Roman numeral hour markers, and two train movement set in a patinated and gilt-bronze case with Classical motifs, surmounted by a seated figure of a philosopher and raised on scrolled feet 21” H x 17” W x 7” D $1,000-2,000

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1270

A pair of French bronze lamps

Late 19th/Early 20th Century Each large lamp in the form of a patinated metal woman and putto supporting a six-light, giltmetal candelabrum and raised on a pedestal base, electrified, 2 pieces Each: 45” H x 15” Dia. $3,000-5,000

1269

A French Louis XVI-style parquetry buffet

20th Century The marble top over two long drawers and a two-door cabinet flanked by two reeded columns, with all-over gilt-bronze mounts and centering a figural mask with crossed torches and flags, raised on four ball-and-claw feet 39” H x 63.5” W x 21.5” D $800-1,200

w w w. j o h n m o r a n . c o m 3 0 1

1271

Charles Bertrand D’Entraygues

(1850-1929, French) Family in an interior, 1885 Oil on canvas over Masonite Signed and dated lower left: D’Entraygues 18.5” H x 24.75” W $2,000-3,000

3 0 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1272

Luigi Giorgio Baldero

(1800-1900, Italian) Barrel wine tasting Oil on canvas Signed lower right: G. Baldero 15.25” H x 18.25” W $600-800

w w w. j o h n m o r a n . c o m 3 0 3

1273

Continental School

19th Century Courting couple seated on a park bench Oil on canvas Appears unsigned 27” H x 21.75” W $600-800

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1274

A pair of gilt-bronze and marble garniture urns

20th Century Each a gilt-bronze urn flanked by opposed figural handles over a white marble columnar plinth atop a brown variegated marble base raised on four ball feet, 2 pieces Each: 16.5” H x 12” W x 8.75” D $800-1,200

w w w. j o h n m o r a n . c o m 3 0 5

1275

A pair of Meissen French Empire-style urns

Late 19th/Early 20th Century Each marked for Meissen with blue underglaze crossed swords and impressed numbers No. E 153, each baluster-form vase with reserves of floral sprays and gilt highlights on a cobalt blue ground flanked by serpent handles, 2 pieces Each: 10.5” H x 6.25” W x 4.75” D $1,500-2,500

3 0 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

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1276

Two gilt-bronze sculptures of Napoleonic French soldiers

19th Century One signed indistinctly and dated 1832; further marked: 2 December 1805 Each a French Napoleonic infantry soldier, possibly depicting soldiers from the Battle of Austerlitz, 2 pieces Larger: 17.75” H x 7.125” W x 5.5” D; Smaller: 15.25” H x 7.125” W x 5.5” D $1,000-1,500

3 0 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1277

A pair of French Empire-style carved giltwood trumeau mirrors

19th Century Each carved wood mirror with foliate cornice over a figural hand-colored lithograph under glass, surmounting the original rectangular mirror, 2 pieces Each: 48” H x 33.375” W x 5.25” D $1,200-1,800

w w w. j o h n m o r a n . c o m 3 0 9

1278

A large French Empire-style table

20th Century The large round top with parcel-gilt floral apron raised on a flared, parcel-gilt pedestal base with scrolled foliate panels 32.25” H x 73” Dia. $1,200-1,800

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1279

A pair of Austrian cobalt glass cornucopia vases

Late 19th/Early 20th Century Each base impressed: Austria Each cornucopia-form with cobalt blue and clear cut-glass vase set in a gilt-metal base with ram’s heads, 2 pieces Each: 7” H x 5.5” W x 3” D $800-1,200

w w w. j o h n m o r a n . c o m 3 1 1

1280

A pair of malachite obelisks

20th Century Each with malachite veneer on a tiered pedestal base, 2 pieces Each: 31.5” H x 6.25” W x 6.25” D $1,500-2,500

3 1 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1281

A pair of rock crystal compotes

20th Century Each rock crystal compote with a spiral scalloped design, 2 pieces Each: 5.125” H x 9.125” Dia. $800-1,200

w w w. j o h n m o r a n . c o m 3 1 3

1284

A pair of gilt-bronze girandoles

First-Quarter 20th Century Each flat-backed girandole suspending clear glass pendalogue drops, translucent purple glass fruit-shaped drops, and chains issuing five arms with faux candle sleeves raised on a gilt-bronze pedestal base, electrified, 2 pieces Each: 36” H x 18” W x 13” D $1,000-1,500

1282

A French Empire-style marble specimen table

20th Century The round marble top with various inlaid marble specimens in a radiating pattern raised on a giltbronze tripod base with winged demi-figure supports 32” H x 29” Dia. $3,000-5,000

1283

A French Empire-style vitrine cabinet

Fourth-Quarter 19th Century Verso stamped for Haentges Freres, Paris The vitrine with a single-door glazed cabine shelves centering a gilt-bronze mount of a p toupie feet 77” H x 45.5” W x 17” D $800-1,200

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t

et with mirrored interior and three glass putto driving a chariot, raised on four

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1285

A Taba Tabriz area rug

Fourth-Quarter 20th Century Wool on cotton foundation, with a central cream, orange, and light blue concentric medallion on an orange field and with a repeating human figural border 137.5” L x 108” W $2,000-3,000

3 1 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1286

A Najafabad area rug

Second Half 20th Century Wool on cotton foundation, with polychrome floral motifs and central medallion on a red field 146” L x112” W $1,500-2,500

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1287

A pair of Heriz area rugs

Fourth-Quarter 20th Century Wool on cotton Each wool on cotton foundation, with a cream, tan, and black petal medallion on a red field, 2 pieces Larger: 62.5” L x 36” W; Smaller: 60” L x 36” W $500-700

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1288

Bruno Zach

(1891-1945, Austrian) “Dancer with Hoop” Patinated bronze on marble and slate base Signed in the cast: Zack 11” H x 7.375” W x 7.5” D $1,200-1,500

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1289

A French Louis XV-style inkwell

Late 19th/Early 20th Century Incised in the casting: MB With veneered wood and gilt-bronze mounts featuring two wells with porcelain lids 5.25” H x 8.125” W x 8” D $1,000-1,500

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1290

A patinated bronze figural inkwell

Late 19th/Early 20th Century The trefoil shaped inkwell with a single lidded well surmounted by a putto and supported by satyrs 9.5” H x 6.5” Dia. $400-600

w w w. j o h n m o r a n . c o m 3 2 1

1291

Continental School

19th Century Portrait of a noblewoman Oil on canvas Appears unsigned 24” H x 19.75” W $1,000-1,500

1292

German Schoo

18th Century o A Pair of his and Each: Oil on can Each: Appears u His: Andonis Ern Sternegg / Aeta Hers: Anna Mari Gebochrne Frey [indistinct]- 4 jah 33” W $1,000-2,000

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ol

or later d hers portraits nvas unsigned; inscribed verso: nestus / S. R. J. Eques De atis Suae zg. An: / 1744 ia Edle V / Sternegg ylle / freyin Dingenau hr / 1744 Each: 42” H x

1293

German School

Late 19th/Early 20th Century “Eine Alte Frau,” after Balthasar Denner Oil on what appears to be ivorine under glass Unsigned; with the title, number 824, and Balthasar Denner’s name all carefully written in block letters with ink on the verso of a thin sheet of leather or paper used to encase the drawing under glass 4.875” H x 3.5” W $600-800 Notes: This small painting, with reference information written very precisely on the verso of its original wrapping/backing, appears to be a tourist souvenir.

The original oil painting, “Alte Frau” by Balthasar Denner (1685-1749), is typically dated to before 1721, measures 14.5” H x 12.25” W, and is in the collection of the Kunsthistorisches Museum in Vienna.

w w w. j o h n m o r a n . c o m 3 2 3

1294

A carved wood console table

First-Quarter 20th Century With veined black marble top over a fitted drawer and raised on curved legs with a stretcher, designed with acanthus leaves and rosettes 34.5” H x 54.25” W x 22” D $600-800

3 2 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1295

A pair of Baroque-style his and her chairs

Late 19th/Early 20th Century Each chair with carved floral crest over grey velvet upholstered seat and tall back on turned legs with X-stretcher, comprising an armchair and side chair, 2 pieces Armchair: 58” H x 28” W x 26” D; Side chair: 55” H x 21” W x 18” D $800-1,200

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1296

An English Gothic Revival carved wood court cupboard

Fourth-Quarter 19th Century The raised, two-door cabinet with elaborately heraldic and foliate Gothic motifs, fitted with iron hardware and two latch locks over an undertray 55.75” H x 37” W x 17.75” D $600-800

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1297

A Continental Baroque chest of drawers

18th Century or Earlier The four-drawer chest with brass hardware and drop pulls raised on bun feet 33.25” H x 37.25” W x 22.25” D $1,000-2,000

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1298

A Gothic Revival carved wood court cupboard

First-Quarter 20th Century The raised, single-door cabinet with elaborately carved figural and foliate Gothic motifs, fitted with iron hardware and latch lock over an undertray and with a hinged drop-down back door 60” H x 41.5” W x 22.5” D $1,500-2,000

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1299

A pair of Baroque-style carved wood and cane chairs

18th Century Each carved wood carcass with scrolled foliate motifs enclosing a cane back and seat, 2 pieces Each: 48.75” H x 27.5” W x 20” D $800-1,200

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1300

A Kashan area rug

Fourth-Quarter 20th Century Wool on cotton foundation, with polychrome floral motifs and central medallion on red and blue field 125.5” L x 80” W $1,000-2,000

3 3 0 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1301

A Kerman area rug

Second-Quarter 20th Century Wool on cotton foundation, with polychrome floral motifs on an ivory field 221” L x 140.5” W $1,200-1,800

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1302

A Sèvres-style porcelain urn

19th Century The cobalt blue vase with enamel gilt swags, floral garlands, and musical instruments centering a painted panel that wraps around the belly of a courting couple in an overgrown landscape 35.5” H x 9.5” Dia. $2,500-3,500

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1303

A pair of gilt-bronze lidded urns

Fourth-Quarter 19th Century Each lidded urn with all-over acorn and oak leaf motif, raised on black marble pedestal bases, 2 pieces Each: 14” H x 8” W x 6.25” D $400-600

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1304

1305

19th Century; Damascus, Syria With hinged top revealing a fitted interior with various compartments raised on an octagonal pedestal base, with mother-of-pearl and brass inlay 25.75” H x 21” Dia.

First-Quarter 20th Century Each satinwood chair with green painted accents, with ins a painted wood panel of a woman and putto over channe velvet upholstered seat, 4 pieces Each: 33.5” H x 22.5” W x 21” D

A Damascene inlaid wood sewing table

$1,000-1,500

3 3 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

A set of Sheraton Revival armchairs

$800-1,200

set cane back surrounding el carved arms and gold

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1306

A French marquetry game table

First-Quarter 20th Century Applied tag to underside: Colby’s / C 41321; Paper label: Made in France The round, bronze-mounted table with floral marquetry, foil-stamped inset leather surface, two pull-out side surfaces, and two short drawers 30.25” H x 35.75” Dia. $600-800

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1307

A Polish woven tapestry

20th Century The polychrome wool tapestry depicting a modernist-style Shakespearean theater scene 104.5” H x 69” W $1,000-1,500

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1308

A German porcelain “Mignon” portrait plaque

Fourth-Quarter 19th Century Round paper label: Kunstinstitut Fur Porzellan-Malerei / Merkel-Heine, Wiesbaden; Fragments of paper label to verso: Mignon [illegible text] Hom; Impressed: 388 The porcelain plaque depicting a young girl with tambourine, after “Mignon” by Georg Hom (1838ñ1911, German) 9.75” H x 5.75” W $800-1,200 Notes: Mignon is a character in Johann Wolfgang von Goethe’s novels “Wilhelm Meister’s Apprenticeship” and “Wilhelm Meister’s Journeyman Years.”

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1309

A German porcelain “Ruth” portrait plaque

Fourth-Quarter 19th Century Unmarked and unsigned; Verso impressed “34” and inscribed: Ruth / aft Landelle After “Ruth,” 1886, by Charles Zacharie Landelle (1812ñ1908, French) Plaque: 8.375” H x 5.5” W $800-1,200

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1310

A set of Kittenger Queen Anne-style dining chairs

Fourth-Quarter 20th Century Each with metal tag to underside: Kittenger / Buffalo / Furniture Craftsmen Since 1866 / Pattern 79 [illegible] Each with carved seashell crest and knees, seats upholstered with floral silk, and raised on triffid feet, comprising two armchairs and ten side chairs, 12 pieces Armchairs: 42.25” H x 32” W x 18” D; Side chairs: 42.25” H x 20” W x 18” D $1,000-2,000

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1311

A Kittenger Chippendale-style dining table

Fourth-Quarter 20th Century With paper label to underside: Kittenger / Buffalo / 01601 AA / 3 Rectangular top with rounded corners over two pedestal tripodal supports terminating in claw feet raised on casters, with two leaves 29.5” H x 78” W x 48” D; Extended: 114” W $1,000-2,000

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1312

A carved mahogany table vitrine

Late 19th/Early 20th Century With hinge-top glass case, red velvet inte corbels 29.25” H x 16” W x 16” D $800-1,000

3 4 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

erior, and fretwork carved borders and

1313

An International “Du Barry” sterling silver flatware service

Circa 1968-2009 Each marked for International and sterling Designed 1968 by Siro R. Toffolon, comprising 12 hollow-handled place knives (9”), 12 place forks (7.5”), 12 salad forks (6.625”), 11 place spoons (7.125”), 12 teaspoons (6”), 59 pieces Weighable sterling: 83.635 oz. troy approximately $1,500-2,500

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1314

A Gorham “Chantilly” partial sterling silver flatware service

20th Century Each marked for Gorham and sterling Designed 1895 by William C. Codman, comprising 8 hollow-handled Modern place knives (9”), 8 butter spreaders (5.875”), 2 place forks (7.5”), 6 luncheon forks (7”), 14 salad forks (6.5”), 1 cream soup spoon (6.25”), 14 teaspoons (5.75”), and 1 gravy ladle (6.75”), 54 pieces Weighable sterling: 52.44 oz. troy approximately $1,000-1,500

3 4 4 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1315

A Towle “D’Orleans” sterling silver partial flatware service

Circa 1923-1996 Each marked for Towle and sterling Designed 1923 by Harold E. Nock, comprising 2 hollow-handled New French dinner knives (9.5”), 3 hollow-handled New French place knives (8.875”), 4 place forks (7.125”), 6 luncheon forks (6.125”), 2 tablespoons (8.25”), and 5 teaspoons (5.875”), 22 pieces Weighable sterling: 20.25 oz. troy approximately $400-600

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1316

1317

1895 Signed to corner: MD 1895 Wool on cotton foundation, with floral patterning on ivory and orange field 158” L x 113” W

Fourth-Quarter 19th Century The flatweave wool textile with polyc 89” L x 63” W

An English flatweave rug

$4,000-6,000 Provenance: Sotheby’s Lot 333, 22 February 1999

3 4 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

A Shahsevan flatweave area rug

$500-700

g

chrome stripes

1318

An Indian paisley textile with silver thread

Late 19th/Early 20th Century The cotton on cotton textile woven predominantly in red with polychrome paisley pattern and finished with swirled silver thread border and fringe, with silk backing 45” L x 32” W approximately $600-800

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1319

An Alvin “Chased Romantique” sterling silver flatware service

20th Century Each marked for Alvin and sterling Designed 1933 by F. Russell Woodward, comprising 12 hollow-handled New French place knives (8.875”), 11 butter spreaders (5.5”), 12 place forks (7.25”), 12 salad forks (6.5”), 12 cream soup spoons (6.375”), 24 teaspoons (6”), 1 small cold meat serving fork (7.25”), 2 sugar spoons (6.125”), and 2 tablespoons (8.5”), 88 pieces Weighable sterling: oz. troy approximately $1,500-2,000

3 4 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, A p ril 1 2 , 2 0 2 2

1320

A Gorham “Etruscan” sterling silver flatware service

Circa 1913-1991 Each marked for Gorham and sterling Designed 1913 by William C. Codman, comprising 6 hollow-handled New French dinner knives (9.5”), 1 hollow-handled Modern place knife (8.5”), 7 butter spreaders (5.75”), 7 place forks (7.625”), 2 luncheon forks (7.125”), 6 salad forks (6.25”), 2 pastry forks (6”), 1 small cold meat fork (6.125”), 5 place spoons (7”), 1 cream soup spoon (6.25”), 10 bouillon spoons (5.25”), 11 teaspoons (5.875”), and 1 sugar spoon (5.875”), 60 pieces Weighable sterling: 58.455 oz. troy approximately $1,200-1,800

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1321

A Victorian sterling silver tea and coffee service

1839 and 1843 Each with English sterling hallmarks for London, Tea and coffee maker’s mark: W [dot] H; Sugar and cream maker’s mark: WH Each with elaborate foliate motifs, comprising a matching coffee pot (10” H x 10” W x 6” D) and teapot (7.12” H x 11” W x 6.75” D) and a matching covered sugar bowl (6” H x 8.5” W x 6.125” D) and creamer (4.75” H x 7” W x 4.5” D), 4 pieces 79.69 gross oz. troy approximately $2,000-2,500

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1322

Two silver and glass basket centerpieces

Late 19th/Early 20th Century One marked: 880/1000 Comprising two silver handled baskets with foliate and floral repoussé motifs and glass insert, 2 pieces Larger: 12” H x 12” W x 8.5” D; Smaller: 9” H x 9.5” W x 5” D 39.64 oz. troy approximately $800-1,200

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1323

A French onyx and champlevé letter rack

Fourth-Quarter 19th Century The onyx letter rack with three compartments topped by champleve enamel borders 9” H x 11.25” W x 6.375” D $600-800

1325

A Continental porcelain inkwell

Late 19th/Early 20th Century Glazed white porcelain decorated with pa sprays, with central lidded inkwell and five 4.75” H x 6” W x 4.75” D $500-700

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1324

A group of French champlevé desk items

Fourth-Quarter 19th Century Each with champleve enamel decoration, comprising an onyx lidded inkwell with griffins, a lidded inkwell with attached tray, and a small painted porcelain tray, 3 pieces Larger: 5.75” H x 3” Dia.; Smaller: 0.875” H x 5.25” W x3.5” D $600-800

ainted enamel floral e pen holders

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1326

James Wilcox

(possibly 19th Century British) “The Farmstead” Oil on canvas Signed lower right: J. Wilcox, with full name and titled on a worn, partially obscured label affixed to the stretcher; alternately titled on the frame plaque: “The Surrey Homestead” 23” H x 36” W $1,000-1,500 Provenance: Leggatt Brothers Fine Art Dealers, London, England

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1327

Willem Tjarda van Starkenborgh

(1823-1885, Dutch) Farmer with cattle at watering hole Oil on canvas laid to panel Signed lower right: W. T. v Starkenborgh 9” H x 12.25” W $800-1,200 Provenance: Sold: Fairfield Auction, Monroe, CT, “Spring 2020 Estates Auction,” March 25-April 29, 2020, Lot 101

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1328

Carl Amann

(1908-1971, German) Horses and covered wagon with figure Oil on canvas laid to canvas Signed lower right: Carl Amann 20” H x 30” W $800-1,200

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1329

A carved and polychromed wood Russian or Greek icon

19th Century or earlier Depicting Christ enthroned and flanked by two angels Extensive writing in what appears to be Cyrillic on the verso 36” H x 27.5” W $1,000-2,000

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1330

1331

19th Century In polychromed wood with gilt highlights 24.5” H x 15.5” W x 4.75” D

Second Half 19 With metal tag The Italian table 31.5” H x 48” W

A Spanish carved wood crucifix

$600-800

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A Venetian-st

$1,500-2,000

tyle carved wood trestle table

9th Century to underside: 717 e with deeply carved scrolled foliate legs, apron, and stretcher W x 28.5” D

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1332

A Renaissance-style carved oak cabinet

19th Century or Earlier Centering a carved heraldic panel displaying a crowned rose with a dog and lion supporter flanked by two side cupboards with iron hardware and trefoil pulls 32” H x 57.5” W x 19” D $800-1,200

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1333

Gustavo Obiols Delgado

(1858-1910, Spanish) “Idylle” Patinated and gilt bronze Signed and inscribed in the casting: g. Obiols / Salon de Bx Arts; titled to sculpture 22.5” H x 10” W x 6.5” D $1,000-2,000

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1334

Two Meissen porcelain figures

Second Half 19th Century Marked with blue underglaze crossed swords Each polychrome painted porcelain, depicting the god Mars, no. 559 (6” H x 3” W x 2.25” D) and an allegorical figure of America, no. 1690 (5.75” H x 2.5” W x 2.125” D), 2 pieces $600-900

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1335

Two Meissen porcelain figural groups

Late 19th/Early 20th Century Each marked for Meissen with blue underglaze crossed swords and impressed and inscribed numbers Each polychrome painted porcelain, comprising Cupid with two dachshunds, no. Q 182 (5.75” H x 5.5” W x 3” D) and a soldier on a horse, no. L 635 (7.25” H x 6.5” W x 3” D), 2 pieces $500-700

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1336

A Sèvres-style porcelain and gilt-bronze side table

Late 19th/Early 20th Century With blue overglaze double “L” mark containing “L” over “S” and red overglaze “France;” Signed: LeBrun Centering a platter enclosed in gilt-bronze mounts raised on a white porcelain pedestal on a scrolled gilt-bronze base 31.25” H x 20” Dia. $2,000-3,000

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1337

A pair of gilt-bronze candle lamps

Late 19th/Early 20th Century Each six-light gilt-bronze candelabrum with a foliate column issuing six arms terminating in foliate-style capitals with faux candle sleeves and raised on a footed base with putti masks, electrified, 2 pieces Each: 31.5” H x 15” W x 14” D approximately $1,500-2,500

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1338

A French Lyonnaise Louis XIII-style armoire

18th Century The large provincial cabinet with foliate carved doors concealing three shelves 91” H x 69” W x 24.5” D $2,000-3,000 Provenance: Purchased by present owner from Inessa Stewartís, Dallas Texas, November 2006

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1339

A French Louis XVI carved wood foot bench

18th Century Impressed: Jacob / D / R / Meslef; With a crown over “CP” burn mark With upholstered cushion over reeded legs and rosette pateras 12.5” H x 34” W x 16.25” D $1,000-1,500

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1340

An Albert Marionnet Art Nouveau bronze inkwell

Fourth-Quarter 19th Century Signed in the casting: A. Marionnet; Impressed underside: A Marionnet / Bronzes / Paris / France / Depose The gilt-bronze inkwell with nasturtiums centering a single lidded well over inset wood panel, together with a stamp 3.25” H x 7.125” W x 3.75” D $1,000-1,500

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1341

A gilt-bronze figural inkwell

Late 19th/Early 20th Century The inkwell depicting a bucolic young boy holding a sickle and wheat bundle, with one well and two pen holders 4.75” H x 7” W x 4” D $600-800

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1342

A French bronze bust of Mercury

Fourth-Quarter 19th Century Unsigned, inscribed in black ink to underside: [possibly L] T “ E / Bronze The patinated bronze bust of Mercury, or Hermes, wearing his winged helmet 18” H x 8.25” W x 5.5” D $600-800

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1343

A French Louis XVI-style cartel wall clock

19th Century Movement marked: H&F / Paris / 1484 The clock with a white enameled dial with blue Roman numeral hour markers, black Arabic numeral outer minute track, and two train movement set in a gilt-bronze case with urns and festoons 28” H x 13” W x 3” D $800-1,200

1344

A Continental repoussé wall mirror

19th Century With brass repousse overlay on a multi-panel beveled mirror 64.75” H x 40.5” W x 1.5” D $1,000-1,500

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1345

A framed KPM porcelain portrait plaque

Fourth-Quarter 19th Century Marked: KPM [scepter] / Sz / 4 / A; Plaque signed: Greiner [Julius Greiner] The oval painted porcelain plaque after Angelo Asti’s (1847ñ1903, French) “Erbluth” in a carved giltwood frame with blue velvet matting Sight: 8.375” H x 6” W $2,000-3,000

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1346

A Dutch marquetry drop leaf table

19th Century The table with a rectangular, drop-leaf top with marquetry depicting floral sprays, scrolling foliage, birds, and vases atop a conformingly designed apron with a frieze drawer and raised on four tapered straight legs 28.25” H x 18.75” W x 30” D; Extended: 39” W $500-700

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1347

An English Regency-style table with marble top

20th Century The table with a round, green marble top over a carved giltwood pedestal with acanthus leaves raised on a triform base with claw feet 30.25” H x 45” Dia. $1,000-1,500

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1348

A pair of French Louis XVI-style bergère chairs

Late 19th/Early 20th Century Each armchair with a carved giltwood carcass and purple velvet upholstery, 2 pieces Each: 43” H x 25” W x 24” D $1,000-1,500

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1349

A pair of hand-painted urns

Fourth-Quarter 20th Century or Later Each baluster-form, resin urn with hand-painted figural courting scenes and gilt highlights, flanked by opposed swan handles and raised on a square base, 2 pieces Each: 33.5” H x 15” W x 10.5” D $800-1,200

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1350

An Italian silver-clad sculpture of horses

Fourth-Quarter 20th Century Signed illegibly in casting; Marked: Sterling / 925 / Made in Italy [“Italy” appears to be double-striked with overlapping letters] Depicting a herd of galloping horses raised on a black lacquered wood base 9” H x 21” W x 10” D 491.745 gross oz. troy approximately $1,000-1,500

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1351

A French porcelain and gilt-bronze table clock

Late 19th/Early 20th Century Remontoir / a la Emeraude Lausanne / Aiguilles / Chevron / 8 Jours / Swiss The clock with a porcelain insert with gilt dial with Arabic numeral hour makers and decorated with a seated young girl and a dog, enclosed in a gilt-bronze frame 6.25” H x 3.75” W x 3.5” D $500-700

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1352

A pair of French gilt-bronze and porcelain candlesticks

First-Quarter 20th Century Each gilt-bronze with rocaille motifs and a painted porcelain body depicting architectural landscape scenes, 2 pieces Each: 9.375” H x 3.5” Dia. $300-500

1353

A pair of sculptural bronze Diana lamp bas

20th Century One signed and marked: A [Auguste] Seysses / Su A [Alexandre] Falguiere / Thiebaut Freres Fondeu Each patinated bronze depicting Diana raised on Each: 26.25” H x 9.5” Dia. $300-500

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1354

A pair of French bronze figural candlesticks

Late 19th/Early 20th Century Each patinated bronze candlestick in the form of one putto standing on another’s shoulders while balancing a wine barrel, 2 pieces Each: 10.125” H x 4” Dia. $300-500

ses

uisse Freres Editeurs Paris / fonte sur pl‚tre; One signed : urs Paris an octagonal painted wood base, electrified, 2 pieces

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1355

An Italian carved fruitwood cabinet

Late 18th/Early 19th Century Possibly Florentine, the cabinet with two short drawers over a two-door cupboard with pilasters and raised on paw feet 35.5” H x 43.5” W x 16” D $1,500-2,000

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1356

A carved wood Savonarola chair

Late 19th/Early 20th Century The armchair with carved lion’s head arms on an X-form support 39.5” H x 28” W x 22” D $600-800

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1357

A Continental polychrome painted cabinet on stand

First-Quarter 20th Century The two-door cabinet painted with Classical figural landscape scenes concealing two interior shelves over a carved wood stand with a long frieze drawer atop ogee scrolled slab sides with foliate motifs joined by a stretcher 73.5” H x 42.5” W x 18.5” D $1,000-1,500

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1358

An Italian carved wood trestle table

19th Century The carved wood table with a rectangular top raised on trestle-style sides with scrolling foliate and figural motifs 28” H x 61.5” W x 22” D $600-800

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1359

A Continental carved wood armchair

18th Century The wood carcass with carved floral motifs and inset tooled leather back splat and seat 47.25” H x 18.5” W x 20” D $500-700

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1360

An Indo-Sarouk area rug

Fourth-Quarter 20th Century Wool on cotton foundation, with polychrome floral motifs on a red field 162” L x 118” W $800-1,200

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1361

A Bessarabian area rug

20th Century The wool flatweave rug with polychrome stylized floral motifs 133” L x 102” W $500-700

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1362

A Gorham sterling silver tea and coffee service

1911 Each marked for Gorham and sterling; Numbered: A840; Date mark for 1911 [pipe] Each with foliate feet and ribbed banding, comprising a coffee pot (8.5” h x 9.75” W x 6” D), a teapot (6” H x 10” W x 6” D), a covered sugar bowl (4.75” H x 7.5” W x 5.5” D), and a creamer (5” H x 5” W x 4” D), personalized, 4 pieces 74.67 gross oz. troy approximately $1,200-1,500

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1363

A Wallace “Sir Christopher” sterling silver flatware service

20th Century Each marked for Wallace and sterling Designed 1936 by William S. Warren, comprising 16 hollow-handled Modern place knives (9.25”), 14 hollow-handled butter spreaders (6.125”), 3 butter spreaders (6.25”), 15 place forks (7.25”), 16 salad forks (6.375”), 14 place spoons (7”), 4 cream soup spoons (6” ), 25 teaspoons (5.875”), 1 jelly spoon (6.625”), 2 tablespoons (8.5”), 1 pierced tablespoon (8.5”), 1 gravy ladle (6.5”), 1 salad serving spoon (9.25”), 1 salad serving fork (9.5”), 1 hollow-handled cake server (10.75”), 1 hollow-handled steak knife (10.5”), 1 hollowhandled steak fork (8.875”), 1 hollow-handled carving knife (13.75”), and 1 hollow-handled carving fork (11”), 119 pieces Weighable sterling: 130.73 oz. troy approximately $2,000-3,000

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1364

An Austro-Hungarian silver flatware service

Late 19th/Early 20th Century Each with Diana or Greyhound mark for 800 silver and unidentified mark; Each with applied heraldic crest Each with a laurel leaf border and heraldic crest centering a rooster on an arrow, comprising 12 hollowhandled blunt dinner knives (10.125”), 9 hollow-handled blunt place knives (8.5”), 12 place forks (8.625”), 9 luncheon forks (7.25”), 9 tablespoons (8.625”), 12 teaspoons (5.875”), 3 salt spoons (3.125”), 2 serving forks (9.375”), 1 serving spoon (9.625”), 1 pierced serving spoon (9.5”), 2 hollow-handled cheese knives (8” approx.), and 3 salt cellars (1.125” H x 2” Dia.), 75 pieces Weighable sterling: 111.11 oz. troy approximately $1,800-2,400

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Condition Reports

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1001 Each overall good condition with tarnishing and light scratches commensurate with age. Box interior with staining, surface scuffs, and remains of paper label.

1002 Overall good condition with tarnishing and light scratches commensurate with age. Bottom’s flange rim slightly out-of-round with scattered indentations, lid still fits snuggly. The stones with typical, inherent surface-reaching fractures and abrasions. Some stones with regluing in setting, visible under blacklight. One pink flower on lid with a minor, eye-visible spot of restoration.

1003 Overall good condition with tarnishing and light scratches commensurate with age.

1004 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Porcelain with scattered light scratches, inherent firing flaws, and a 3” x 3” X-form hairline lower left-center.

1005 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures. Glass well insert with chips to rim.

1006 Overall good condition with shelf wear, scattered minor scuffs, oxidation, and inherent firing flaws commensurate with age. With as-is restorations to crack in one porcelain plaque.

Condition Reports

1007 Visual: Generally good condition. Dust accumulation commensurate with age. Scattered areas of unobtrusive craquelure, mostly near the right edge.

396

Blacklight: No evidence of restoration under blacklight.

Frame: 25.5” H x 41.5” W x 4” D 1008 Visual: Generally good condition. The canvas is loose and rippled in the lower right corner. Paint shrinkage scattered throughout the foliage of the trees. Surface dirt and grime throughout.

Blacklight: No evidence of restoration under blacklight.

Frame: 29.5” H x 35.5” W x 2.5” D 1009 Each overall good condition with rubbed wear to surface decoration, scattered minor scuffs, and inherent firing flaws commensurate with age.

1010 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

Drops with scattered minor chips and abrasions. Feet with minor fleabites.

1011 Overall good condition with shelf wear, scuffs, and scratches commensurate with age. Adhesive label residue to foot. With scattered minor chipped abrasions and imperfections along edges of raised acid-cut areas.

Shade with grime residue around rim. Possible updates to hardware. Light socket fixture with arms does sit securely. Wiring should be checked by a qualified electrician prior to use.

Base: 15” H x 10.5” Dia. Shade: 6” H x 10.25” Dia. 1012 Overall good condition with minor shelf wear and light scuffs commensurate with age.

1013 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1014 Overall fair to good condition commensurate with age and use. Issues include, but are not limited to: evidence of water damage and soiling to interior with areas of peeling and losses to lining, oxidation/rusting and wear to iron, two prominent shrinkage cracks to bottom, possibly missing front hardware element with two attendant holes to canvas, exterior canvas with all-over wear with scuffing and tears. Personalized as stated.

1015 Overall good condition with scuffs, light scratches and inherent air bubbles commensurate with age.

1017 Overall good condition with wear, minor scuffs, and oxidation with verdigris to bronze commensurate with age. Approximately five glass panels with cracks. Wiring should be checked by a qualified electrician prior to use.

1018 Good impressions on sheets with full margins. Surface soiling and edge wear commensurate with age and handling. Occasional pale, scattered foxing showing mostly in the margins and verso of each sheet. A slight damp stain showing in the top right margin corner of Plates 1 through 29, not affecting the images. This pale stain initially measures roughly 3.25” H x 1.25” W in the outer margin of Plate 1, then decreases steadily until it is only pea-sized by Plate 20, and is gone from Plate 30 onwards. Occasional short tears, measuring 0.25” or less and with attendant soft creases, at the extreme margin edges of Plates 1-4 and again on Plate 53. This same plate is nearly disbound from the stitches along its top margin edge. The thin, blank, front- and endpapers creased, and/or split. The original pasteboard covers worn, rubbed and with scattered scuffs, small stains and/or darkening overall. The cover’s spine nearly detached. A previous owner’s very small, black ink collector’s mark (L. 2339a) is stamped below the text on the cover and Plate 1, and then subsequently on the versos of Plates 2-80.

Overall: 12.5” H x 8.75” W x 1.75” D

1021 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. Some with slightly bent handles. Accompanied by painted wood case.

1022 Each overall good condition with tarnishing and light scratches commensurate with age.

1023 Overall good condition with rubbed wear to surface decoration, scattered minor scuffs, and inherent firing flaws commensurate with age.

1024 Overall good condition with rubbed wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: two holes drilled to the underside flange, possibly for hanging; and a small, pin-sized abraded hole/ imperfection in the glaze with dust/grime build-up at rim underside.

1025 Each overall good condition with rubbed wear to surface decoration, scattered minor scuffs, and inherent firing flaws commensurate with age. One with heavier rubbed wear and fading. No evidence of repairs or restorations under blacklight.

1026 Overall good condition with tarnishing and light scratches commensurate with age. Localized areas of crazing to the enamel. Does not include stand.

1019 Surface soiling and occasional creasing commensurate with age. A paper loss at the lower right corner. Not examined out of the frame.

1027 Overall good condition with tarnishing and light scratches commensurate with age.

Frame: 13.5” H x 12.75” W x 1.375” D

1028 Overall good condition with tarnishing, light scratches, and scuffs commensurate with age. One minor area of cracking to guilloche at upper right side band.

1020 Each overall good condition with light rubbed wear, scattered minor scuffs and scratches, and inherent firing flaws commensurate with age. One crescent plate with a minor U-shaped hairline to rim, visible from bottom but does not show through to top. Each cup with scattered minor, superficial losses/abrasions to gilt rim.

Teapot with heavier rubbed wear to gilt.

1029 Each overall good condition with tarnishing and light scratches commensurate with age. The comb lacking bristles, only the original handle is present. The nail buffer with a .25” chipped loss to surface guilloche at one end. Working condition of clock unknown. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

1016 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each has been previously finished with a gloss varnish, primarily to the underside but with traces on sides. Glass inkwell insert with a chip and fleabites to inner rim.

397

1030 Overall good condition with minor shelf wear, scuffs, light scratches, and tarnishing commensurate with age. Onyx with inherent surface-reaching fractures and abrasions with scattered minor chips to edges and corners. Visible restorations securing the bronze to the onyx, visible under blacklight.

1031 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1032 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1033 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: staining, fading, dye migration, fraying and losses to fringe, and scattered pulled/lost stitches through to foundation, nearly forming holes.

1034 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One chair with green stain to back rest. Vitrine counter surface with scattered imperfections in the finish.

1038 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1039 Overall good condition with scuffs and oxidation to bronze commensurate with age.

1040 Each overall good condition with tarnishing, shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with minor surface chips in glaze. One with spots of heavier chips to relief elements above painted reserve. One with repair to handle and reaffixing to footed support visible under blacklight, and lacking base plate.

1041 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Frame: 39.5” H x 33” W x 3” D 1042 Visual: Generally good condition. Scattered craquelure, dust accumulation, occasional grime, and varnish discoloration commensurate with age. Frame abrasions along the edges.

Blacklight: No evidence of restoration under blacklight.

Frame: 40” H x 48” W x 3” D

Condition Reports

1035 Overall good condition with scattered scuffs, scratches, and wear commensurate with age. Leather with scattered areas of drying with attendant cracking.

Tapestry with scattered pulled stitches, stitch losses, and areas of reweaving/repair at bottom edge. Screen is lacking a set of hinges and is currently in two pieces, with modern mounting hardware to verso, likely hung as two panels.

398

1036 Overall good condition with scuffs and oxidation to bronze commensurate with age. Approximately four arms inwardly bent. Wiring should be checked by a qualified electrician prior to use.

1037 Each overall good condition with shelf wear, scattered minor scuffs, inherent firing flaws, rubbed wear to decoration, and darkening/oxidation to bronze commensurate with age. Some mounts loose. No evidence of repairs or restorations under blacklight.

1043 Visual: Generally good condition. The painted canvas has been laid to canvas and strip-lined. Occasional, very small losses along the extreme outer edges of the original canvas. Scattered craquelure and delicate, old, horizontal, rolling creases.

Blacklight: An approximately 0.75” long, mostly-vertical line of touch-up, attendant with an old, irregular split in the canvas, near the upper edge, at left. A pinheadsized touch-up and a 1” long, delicate, horizontal line of crack-fill/touch-up in the model’s cleavage.

Frame: 27.75” H x 24.25” W x 3” D 1044 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered surface chips and repaired chips, predominantly to flowers.

1046 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. Pierced side panels with breaks. Dial with rubbed wear and a chip around one winding hole. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1047 Overall good condition with tarnishing and light scratches commensurate with age. Scattered crazing with minor chips to enamel.

1048 Overall good condition with tarnishing and light scratches commensurate with age.

1049 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With rust to preexisting iron hinges/hardware, with later-added mounts for wall hanging. Each with French paper export label to verso, one with wax stamp, possibly dated 1788.

1050 Visual: Generally good condition. Slight dust accumulation and grime commensurate with age.

Occasional craquelure, with a few unobtrusive, pea-sized areas of unstable craquelure in the folds of her sleeve, at the left Blacklight: Scattered small touch-ups, mostly near the edges. A larger, 5.5” x 2.5”, area of touch-up the woman’s raised elbow and forearm. An approximately 2” x 1.5” area of touch-up near the sleeve opening, lower right.

Frame: 45” H x 34” W x 2.5” D 1051 Each overall good condition with tarnishing and light scratches commensurate with age. Coffee pot with very minor indentation to lid.

1052 Overall good condition with tarnishing and light scratches commensurate with age.

1053 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. The sword with bending and attached sheath loose.

1054 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with scattered minor chipped losses and restorations.

Sideboard is accompanied by a chipped fragment and includes sideboard key; the front and rear right feet on castors, the middle and left feet lacking castors. One side chair slightly wobbly.

1055 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions. Incudes key. Lacking ball. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches 1056 Overall good condition with minor scuffs and oxidation commensurate with age. Working condition unknown.

Moran’s does not guarantee the working condition of clocks and watches.

1057 Overall good condition with minor scuffs, light scratches, and oxidation commensurate with age. Glass dial with minor fleabites. Wiring should be checked by a qualified electrician prior to use. Working condition unknown.

Moran’s does not guarantee the working condition of clocks and watches.

1058 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Dial with light tarnishing.

The front right foot slightly loose. Includes key and pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1059 Overall good condition with minor scuffs, light scratches, and oxidation to bronze commensurate with age.

Includes key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

1045 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

Each with arms slightly loose. Wiring should be checked by a qualified electrician prior to use.

399

1060 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1061 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with scattered minor chips to carved decoration and surface wear. Vanity with modern reinforcements and desilvering to the mirror. Chair slightly wobbly.

1062 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Modern upholstery.

1063 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, separation at joints, and tarnishing commensurate with age. Silver with scattered white residue in open spaces.

1064 Overall good condition with minor scuffs and shelf wear commensurate with age. Includes key.

1065 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear to the finish, slight buckling to wood veneers. Scattered surface scratches, largest approximately 4”.

Condition Reports

Music box: 11” H x 41” W x 15.5” D Table: 31.5” H x 56” W x 30.5” D

400

1066 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: heavy staining, localized heavy pile-wear, and areas of reweaving to selvage cord edge.

1067 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: scattered staining.

1068 Overall good condition with even wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: fading, minor fraying to the fringe edge, areas of minor separation to the selvage cords, and scattered patches of heavier wear to surface from wear.

1069 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with minor areas of lifting, surface abrasions, and chipped losses.

The painted roundels with inherent, typical craquelure.

The central upper cabinet door lock nonfunctioning, the interior of the door that would receive the lock is broken. Includes key.

1070 Overall good condition with minor shelf wear, scuffs, light scratches, and tarnishing commensurate with age.

A small, pea-sized surface chip to bottom rim’s white leaves, likely an impact chip. Scattered small, superficial fleabites and chips to points and edges of relief design.

Does not include hurricane.

1071 Overall good condition with tarnishing, shelf wear, scuffs, and light scratches commensurate with age.

Glass jars with minor fleabites and chips to rims and edges.

1072 Overall good condition with scattered scuffs, scratches, weathering, and oxidation with rusting commensurate with age and use. Verso of roundel with scattered areas of surface accretion with a pattern indicative of bubble wrapping, likely occurred during storage. With modern updates to hardware.

1073 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1074 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Foot, rim, and lid’s flange with minor fleabites.

1075 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

Each with very minor fleabites to the rim.

1077 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, abrasions, scattered chips to edges, and a repaired crack to the left side.

1078 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Some attached elements loose. With restoration to central lidded well, possibly not inherent to the piece, visible from the underside with resoldering.

1079 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. Stones with inherent imperfections. The frame with scattered minor chips and a 9” loss to the lower left, the fragments accompany the lot.

1080 Each overall fair condition with shelf wear, scuffs, scratches, and oxidation commensurate with age.

Vellum with inherent imperfections typical for the natural material and each with repaired tears and cracking. One globe’s metal fitter with attached chains protrudes over the top of the globe. Wiring should be checked by a qualified electrician prior to use.

1081 Each overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Restorations throughout, cracks to surface finish, and heavier wear to feet.

1082 Overall good condition with tarnishing, scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Modern reinforcements. Some lifting to inlay.

1083 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1084 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered minor chipped losses to inlay and carved decoration.

1085 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Modern reinforcements to underside. Upholstery with fading, soiling/staining, and tears.

1086 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws and glaze imperfections commensurate with age. Adhesive label residue to rims, felt pads to undersides. One with small chip to rim.

1087 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Rear left with localized area of heavier scratching and chipped losses to surface.

Scattered minor chips to carving throughout.

1088 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With chipped losses and heavier wear to feet.

1089 Overall good condition with tarnishing and light scratches commensurate with age.

1090 Overall good condition with tarnishing and light scratches commensurate with age. Flange slightly out of round.

1091 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Restorations and repairs to carved elements. Painting with darkening, dirt and grime, and craquelure throughout.

Condition Reports

1076 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. Slight separation of arm at shoulder.

401

1092 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipping to gilt surface throughout. Has been refinished and regilt.

Evidence of woodworm. Marble with inherent surfacereaching fractures, inclusions, and abrasions, and repairs to center and both corners.

1093 Overall good condition with minor scuffs and light abrasions to edges commensurate with age.

1094 Overall good condition with scuffs, scratches, and darkening/oxidation to metal commensurate with age.

Dial with rubbed wear and loss to numerals. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1095 Each overall fair condition with wear, scuffs, scratches, and inherent firing flaws commensurate with age.

Restorations throughout. Issues and repairs include, but are not limited to: scattered restorations to gilt and painting throughout, figural scenes with flaked losses and subsequent repainting, and one with a repaired crack to side visible in interior.

1096 Overall good condition with scattered scuffs, light scratches, and rubbed wear commensurate with age. Six plates with restorations.

Condition Reports

1097 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: scattered staining and fraying with losses to fringe edge.

402

1098 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: fraying and losses to fringe, abrash, pulled stitches, and scattered areas of heavier wear to pile.

1099 Visual: Craquelure scattered throughout. Stretcher bar creases showing mostly along the upper edge. A 0.5” x 0.5” L-shaped split in the canvas in the upper section, left of center, with related scotch tape verso. A 0.5” long, vertical pressure mark with attendant pigment loss at the lower left and related scotch and masking tape verso. It appears that the signature area of this painting has been treated in some manner. It is a noticeably different color from the rest of the lower right corner.

Frame abrasions in places along all four edges.

Blacklight: Extensive areas of touch-up, primarily near the outer edges and in the background. One of these areas, at the upper left near the window, with a related canvas patch measuring 5.25” H x 4.5” W, verso.

Difficult to read under varnish.

Frame: 36” H x 43” W x 3.5” D

1100 Visual: Generally good condition. Craquelure scattered throughout. Frame abrasions along the upper edge.

Blacklight: Scattered tiny touch-ups and crack-fill, primarily in the seated figure at left. Touch-ups along most of the drum’s rim. A 1.5” H x 2” W area of scattered touch-up in the rumpled white bedding at left. An approximately 1” x 1” scattered area of touchup in the background near the upper right corner.

Difficult to read under varnish.

Frame: 32” H x 40” W x 4” D 1101 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: scattered chips and breaks to applied relief decorations; various restorations and repairs, more prominently to the handles and leaves; each with restorations to the joining where the foot meets the body, visible under blacklight. Each with mounting putty residue.

1102 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1103 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered restorations and losses to carved decoration throughout. Prominent area of breakage to the bottom of the frame. Mirror with areas of desilvering throughout.

1105 Overall good condition with rubbed wear, scuffs, light scratches, and oxidation commensurate with age. Wax residue to interior of the bowl. A shallow .5”-long crack to the upper lip of the bowl.

1106 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

No evidence of repairs or restorations under blacklight.

1107 Visual: Generally good condition. Surface dirt, grime and occasional craquelure. One very unobtrusive, stray fleck of particulate matter adhered to the surface at upper right.

Blacklight: No evidence of restoration under blacklight.

Frame: 47” H x 38.5” W x 3” D 1108 Visual: Generally good condition. Small areas of unobtrusive craquelure at the upper corners.

Blacklight: No evidence of restoration under blacklight.

Frame: 28.5” H x 43.5” W x 3” D 1109 Visual: Generally good condition.

Blacklight: A 0.5” H x 1.25” W area of touch-up in the horse’s mane. An approximately 1.375” H x 1.375” W area of scattered touch-up in the upper section of the horse’s rear legs. Scattered small flecks of touch-up, mostly about pinhead-sized, near the outer edges, primarily at right. Difficult to read under varnish.

Frame: 18” H x 15” W x 2.75” D 1110 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered light staining.

1111 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1112 Overall good condition commensurate with age. Issues include, but not limited to: scattered pulled stitches, stitch loss, oxidation to metal threads, and even fading throughout. Fitted on modern backing.

1113 Rippling, puckering, edge distortion and small creases attendant with the natural aging of the organic matrix.

Surface soiling, staining and wear commensurate with age and prior usage. A hand-stitched repair to a vertical tear extending 3.5” up into the red face near the center of the lower edge. Not examined out of the frame.

Frame: 85” H x 8.5” W x 1” D 1114 Visual: Surface dirt and grime. Craquelure scattered throughout, some of which is slightly unstable, such as in a 1.25” H x 0.375” W area near the center of the upper edge. Various soft, vertical and horizontal creases scattered throughout, visible mostly in a raking light.

Slight stretcher bar creases along all four edges. A 0.125” H x 0.375” W pressure mark or touched-up repair showing in the distant clump of trees at the far right.

Blacklight: No evidence of restoration under blacklight.

Difficult to read under varnish.

Frame: 42” H x 35.25” W x 3” D 1115 Generally good condition. The colors fresh. Pale, even toning throughout. Time staining at the extreme sheet edges. As described, the painting is laid to board.

Backboard staining to the verso of the support board.

Frame: 12.25” H x 14.25” W x 1.25” D 1116 Overall good condition with tarnishing and light scratches commensurate with age. Monogrammed “JIP.” 1117 Overall good condition with tarnishing and light scratches commensurate with age. Monogrammed: JSP.

Condition Reports

1104 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with sun fading, losses, and repairs. Door fits in opening with gaping due to shrinkage/expansions. Some mounts loose. Includes key.

403

1118 Overall good condition with minor scuffs scratches commensurate with age. Possibly regilt. Glass insert with a 1” x 1” chip to the rim with a subsequent 7” hair line running vertically into bottom.

1119 Each overall good condition with scattered minor scuffs, light scratches, tarnishing, and inherent firing flaws commensurate with age. Each mounted to the wood base. Each with inherent, typical crazing to the glaze.

One with a 0.25” chip to the glaze at bottom rim of lid.

Each urn wobbly on base.

1120 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Upholstery with fading to the backs and scattered areas of minor losses to the weft.

1121 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Velvet surface of primary top with prominent fading, staining/soiling, and worn losses with rubbed wear to gilt-leather trim. Has been refinished.

1122 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

Scattered losses to enamel gilt dots on rim.

Condition Reports

1123 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chips to the gilt surface with areas of repainting/regilding. More prominent worn abrasions to the giltwood shelf corners.

Marble with inherent surface-reaching fractures, inclusions, and abrasions.

404

1124 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered chipped losses and restorations.

1125 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Dial with minor crazing. Lacking key. Working condition unknown.

Moran’s does not guarantee the working condition of clocks and watches.

1126 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: minor losses to fringe and scattered areas of reweaving to selvage edges.

1127 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: staining and fading.

1128 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1129 Each overall good condition with wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

Each with scattered spots of oxidation and pinholing to the glaze. Each with superficial chipped abrasions along underside rim, likely inherent to the time of manufacture.

1130 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with loosening and prior repairs/restorations to carved elements.

1131 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Inlay with scattered minor chips/losses and inherent imperfects to the natural material.

1132 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With areas of minor buckling/lifting and small losses to inlay. Restorations visible to underside.

1133 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, weathering, and separation at joints commensurate with age. Scattered chipped losses.

1139 Overall good condition with typical signs of wear commensurate with age and use. Issues include, but not limited to: soiling/staining, fading, scattered holes to the top from hanging hooks, and scattered repairs.

1134 Visual: Generally good condition. Three wax patches and a paper mend, the largest 4” H x 2” W, verso

1140 Overall good condition with shelf wear, scattered minor scuffs, scratches, oxidation, and inherent firing flaws commensurate with age. More prominent localized scratching to interior bottom. Exterior with rubbed wear to decoration.

Blacklight: An approximately quarter-sized repair with attendant touch-up in the sky above the tree at the far left.

Frame: 24.5” H x 29” W x 1.75” D 1135 Visual: Generally good condition. Surface dirt and grime throughout. Occasional, approximately pea-sized or smaller, lumps in the support board, mostly near the edges.

Blacklight: A 4” H x 1.5” W area of touch-up near the upper left corner. Another touch-up, approximately pea-sized and attendant with a pinhead-sized hole in the canvas layer, at the center of the right edge.

Frame: 28.75” H x 40.75” W x 1.5” D 1136 Visual: Dirt, grime, varnish discoloration and craquelure throughout. Slight frame abrasions showing along the lower edge.

Blacklight: Scattered touch-ups throughout, mostly in the bank and the trees at the far left, and again in the trunk and some branches of the tree at the far right.

Difficult to read under varnish.

1141 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions; each with repairs. Wear to faux candle sleeves. Columns wobbly on bases. Lamps have been rewired. Wiring should be checked by a qualified electrician prior to use.

1142 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with small chipped losses and repairs. One handle loose.

1143 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with small chips along edges. Scattered minor losses/chips to giltwood throughout. Mirror with restorations and chips to carved elements, spots of desilvering to mirror, and possible woodworm.

1137 Overall good condition with oxidation to bronze commensurate with age. Marble with inherent surfacereaching fractures and abrasions to edges.

1138 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures and chipped abrasions to edges.

1144 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions.

1145 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: fraying and losses to fringe edges, abrash, and sewn-in fabric hanging loops to one edge.

Condition Reports

Frame: 16” H x 19” W x 3.5” D

405

1146 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: fraying to the fringe and selvage edges, scattered areas of reweaving, and dye migration.

1147 Each overall good condition with rubbed wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: spots of retouching to gilt and one with a small chip to the foot.

1148 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. A few minor losses to the gilt-enamel dots on the borders.

1149 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1150 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. One salad fork with bent tines.

Condition Reports

1151 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

406

1152 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with restorations. Veneer with areas of raised grain, buckling/lifting, and chipped losses. Some mounts loose. Heavier wear and scratches to feet.

1153 Each overall good condition with minor scuffs, scratches, darkening/oxidation to bronze, and dust accumulation commensurate with age. One with loosening to one side glass panel.

1154 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: light fading and tarnishing to thread.

1155 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1156 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Rim and lid flange with minor fleabites. Lid’s knob with a very small chipped abrasion to the tip.

1157 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

Drops with scattered minor chips and abrasions. One with a chip and fleabites to the rim.

1158 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1159 Visual: Generally good condition. The canvas has been strip-lined.

Blacklight: Three approximately pea-sized touch-ups at the lower edge, another at the center of the right edge and another at the center of the upper edge. A 1” horizontal line of touch-up near the lower edge, at center.

Frame: 12.5” H x 14.75” W x 1.25” D 1160 Visual: Generally good condition. Not examined out of the frame Blacklight: No evidence of restoration under blacklight.

Frame: 11” H x 15.5” W x 1.5” D 1161 Lot Withdrawn.

1162 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

Lacking one shade. Measurement is from the base to the top of the canopy, does not reflect variable hanging height from chain. Wiring should be checked by a qualified electrician prior to use.

1164 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered minor chips/ losses to carved decoration. Likely has been refinished/ regilt. Prominent spit to interior bottom. Later-added interior lighting. Wiring should be checked by a qualified electrician prior to use. Includes key.

1165 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Has been refinished/ regilt. Scattered chipping to the gilt surface throughout.

The silk panels with scattered areas of minor staining and soiling toward top.

1166 Overall fair to good condition with scuffs and scratches commensurate with age. Scattered fleabites and chips throughout, bottom right floral applique with break.

Desilvering to mirror throughout.

1167 Overall good condition with shelf wear, scattered minor scuffs, oxidation, and inherent firing flaws commensurate with age. Lowest porcelain foot with chips and a repaired chip to the top rim.

1168 Each overall good condition with minor shelf wear, scuffs, light scratches, and tarnishing commensurate with age. Each with fleabites and chips to the rim.

Each’s bronze mounted collar loose with attendant surface scratching and chipped abrasions from the mounts’ movement. One with modern reinforcement of foot visible to underside.

1169 Overall good condition with tarnishing and wear to bronze commensurate with age. One decorative urn topper loose. Wiring should be checked by a qualified electrician prior to use.

1170 Overall good condition with minor scuffs and scratches commensurate with age. Refinished water gilt.

1171 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1172 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1173 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Red with crazing. Minor fleabites to the foot.

1174 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One door with localized areas of lifting, surface abrasions, and chipping to the veneer at the corners.

1175 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Oxidation and darkening to bronze mounts. Scattered areas of small chipped losses to the veneer. Evidence of woodworm. Possible modern reinforcements to underside. Lacking key.

1176 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1177 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: scattered chipped losses to relief decoration throughout. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1178 Overall good condition with rubbed wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: a repair to the putto’s raised hand with wine glass and putti handles loose.

1179 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1180 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: abrash and areas of heavier wear to pile.

Condition Reports

1163 Overall good condition with scuffs, inherent surfacereaching fractures, inclusions, and abrasions to stone commensurate with age.

407

1181 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1182 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With restorations/reinforcements to underside, visible under blacklight.

1183 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Moisture ring to lower shelf.

1184 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with inherent crazing and spots of oxidation to the glaze.

1185 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1186 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with areas of buckling/lifting and small losses to inlay.

Condition Reports

1187 Each overall good condition with scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. Surface with weathering/dirt accumulation, rubbed wear to painted decoration, and fading to gilt.

408

1188 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1189 Each overall good condition with minor shelf wear, scuffs, light scratches, and tarnishing commensurate with age. Some glasses with very minor scattered fleabites to rims.

1190 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1191 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With very minor fleabites to the rim.

1192 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered chipped losses to carved relief decoration throughout. Prominent shrinkage crack to top.

1193 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble top with scratches and minor chipped abrasions along edges.

Veneer with fading, areas of lifting, and scattered chips.

1194 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Modern upholstery.

1195 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

One lacking the sword and one lacking a torch, with evidence of previous attempt to reattach the missing elements. Adhesive felt pads to underside.

1196 Visual: Generally good condition. Surface dirt, grime, craquelure and slight varnish discoloration. An unobtrusive, pea-sized pigment loss at the very bottom edge of the mother’s white skirt. Stretcher bar creases along the upper edge and down the center. Frame abrasions showing slightly along the lower section of the left edge.

Blacklight: No evidence of restoration under blacklight except for a possible 1” line of touch-up in the upper left corner. Difficult to read under varnish.

Frame: 42” H x 62” W x 4.5” D

Blacklight: Large areas of touch-up throughout the right side of the painting. The largest a 12” x 18” area right center. Touch-up scattered along the lower edge.

Touch-up to the eye of the elk.

Frame: 54.5” H x 74.5” W x 5.5” D 1198 Visual: Generally good condition. Surface dirt, grime and varnish discoloration. Scattered craquelure. Frame abrasions in places along all four edges.

Blacklight: A 7” x 6.5” area of scattered touch-ups in the upper right corner. A 3.5” x 2.5” area of scattered touch-ups in the clouds at upper left. A 0.25” repaired split with attendant 1” x 2” touch-up in the ground near the fisherwoman’s basket. Difficult to read under varnish.

1203 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, separation at joints, and tarnishing commensurate with age. Veneer with prominent sun fading, lifting, and chipped losses.

Leather surface with wear and staining. Evidence of woodworm. Lacking key. Working condition of clock unknown. Moran’s does not guarantee the working condition of clocks and watches.

1204 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chips and cracks to the carving. Mirror with desilvering.

1205 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Lamp has been rewired. Wiring should be checked by a qualified electrician prior to use.

Frame: 29” H x 33” W x 4” D

1206 Overall good condition with scuffs and variegated oxidation to bronze commensurate with age. Wear to gilt finish. Marble with scattered abrasions to edges and a chip to rear left corner.

1199 Each overall good condition with tarnishing, light scratches, and wax residue commensurate with age and use.

1207 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Adhesive felt pad to underside.

1200 Overall good condition with tarnishing and light scratches commensurate with age. Evidence of prior resoldering to both arms, one arm currently detached/ not secured.

1208 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, separation at joints, and tarnishing commensurate with age. Scattered restorations, cracking, and losses to inlay. Table is slightly wobbly,

1201 Each overall good condition with tarnishing and light scratches commensurate with age. Each with minor indentations, light surface wear to base metal, and pitting to plate.

1202 Overall good condition with minor scuffs, scratches, inherent firing flaws, and darkening/oxidation to bronze commensurate with age. Measurement is from the base to the top of the canopy. No evidence of repairs or restorations under blacklight. Wiring should be checked by a qualified electrician prior to use.

1209 Each overall good condition with shelf wear, scuffs, and light scratches commensurate with age. As pictured: the first with minor fleabites to rim and foot, with restoration to stem and associated repaired break to knop, stem has been secured with metal rod, visible adhesive under blacklight; the second with minor fleabites to rim; the third with minor fleabites to rim and foot; the fourth with minor chips to surface gilt and chips to the foot.

Condition Reports

1197 Visual: Craquelure throughout. Frame abrasion along the four edges. The edge of the original canvas is visible along the left edge. Stretcher bar crease along the left edge. A 1” tear to the canvas upper right. A network of heavy unstable craquelure upper right. Two small chips of paint loss lower left corner. Surface dirt and grime throughout.

409

1210 Visual: Generally good condition. The canvas is slightly loose. Scattered craquelure. Stretcher bar creases showing slightly along the vertical edges, with attendant, very slight, vertical surface scuffs in the varnish layer at left and right, visible mostly in raking light. An unobtrusive, pinhead-size pigment loss at the upper left, and approximately seven more near the lower left corner.

Blacklight: Apparently no restoration under blacklight.

Difficult to read under varnish.

Frame: 18” H x 15” W x 2.5” D 1211 Visual: Generally good condition. A 2.5” long, vertical, raised line, upper right, but this appears to be inherent in the weave of the original canvas.

Blacklight: Apparently no restoration under blacklight.

Difficult to read under varnish.

Frame: 19.125” H x 14.5” W x 1.75” D 1212 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1213 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Minor fleabites and chips to lid’s flange.

Condition Reports

1214 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With minor fleabites to foot.

410

1215 Overall fair to good condition with scuffs and oxidation to bronze commensurate with age. Glass beads with scattered chips and scratches, several beaded chains unstrung and with losses, some loose beads accompany the lot. Wiring should be checked by a qualified electrician prior to use.

1216 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Heavier wear to the feet and apron. Lower cupboard’s top is a modern addition.

Evidence of wood worm. Includes key.

1217 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of woodworm.

Upholstery with fading, soiling, staining, and scattered losses, repairs, and patches. Some nail heads loose. With modern reinforcements.

1218 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Lamp has been rewired. Wiring should be checked by a qualified electrician prior to use.

1219 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: losses to the fringe edges, scattered staining, and fading.

1220 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1221 Visual: Dirt, grime and craquelure throughout. Uneven varnish application. A small group of pinhead-size pigment losses near the lower left corner. Stretcher bar creases and frame abrasions around all four sides.

Blacklight: Very small areas of touch-up, mostly peasized, in the man’s left temple, to the left of his left nostril, and as a narrow, 0.5” vertical line of touch-up on his left cheek. Two, approximately 1” x 1” each, areas of scattered touch-ups near the man’s left lapel. Touchups scattered throughout the background, mostly near the edges of the canvas. Difficult to read under uneven varnish.

Frame: 38” H x 33” W x 2.5” D 1222 Visual: Dirt, grime, varnish discoloration and small surface nicks and wear commensurate with age.

Unobtrusive, pinpoint-size specks of unrelated paint scattered throughout. Frame abrasions, edge losses and general wear along all four edges.

Blacklight: A 0.5” H x 1.5” W area of touch-up in the sky, upper left. A 1.25 x 1” area of touch-up on the figure’s right hip. Occasional, scattered, tiny dots or flecks of touch-up, mostly in the background. Difficult to read under varnish.

Frame: 20.5” H x 13.75” W x 2” D

1224 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Top slightly wobbly and with more prominent shrinkage cracks.

1225 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Heavier surface wear and fading to the front top edge. Evidence of woodworm. Abrasions and minor chipped losses throughout. The iron stand is a modern marriage. Top with museum putty residue.

1226 Overall good condition with scattered scuffs and scratches commensurate with age.

1227 Overall good condition with scattered scuffs and scratches commensurate with age.

1228 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Top with moisture damage and fading. Heavier wear to feet/ bottom. Lacking key.

1229 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with lifting, cracking, and chipped losses. Apron and underside of bottom drawers with prominent cracks.

Modern reinforcements and repairs throughout.

1230 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Prominent shrinkage cracks to the lower tier.

1231 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Updated upholstery.

Shrinkage cracks with restorations to top rail, possible further restorations throughout. Heavier wear to feet.

1232 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Includes key. Oxidation to hardware. Scattered abrasions and chipped losses to wood throughout. Scattered chips to lacquered scenes. Possible period restorations to the verso.

1233 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Includes original key and lock but with an added modern push latch. Scattered restorations to veneer cracks and chips in carving.

Modern reinforcements. Rear left back panels with more prominent warping/shrinkage with separation.

1234 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: abrash and a 2” patch to the selvage edge.

1235 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: staining, fraying to the fringe, localized areas of heavier pile-wear, and light fading.

1236 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: minor pulled stitches.

1237 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Minor nick to chest. Possible repaired patch to shawl.

1238 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The veneer with raised grain, buckling/lifting, surface abrasions, indentations, and areas of chipped losses. The cylinder top is stiff and the lock plate is loose. Evidence of woodworm. Possible modern restorations to framework that fluoresce under blacklight. Includes key.

Condition Reports

1223 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With restorations and modern upholstery.

411

1239 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. painted surface with rubbed wear, losses, and restorations throughout. Evidence of woodworm. Modern reinforcements. Lacking locks, has holes and screw marks. With modern fabric lining in drawers.

1240 Visual: Generally good condition. Dirt, grime, craquelure and varnish discoloration throughout. A pea-sized pressure mark with an attendant, 2.75” long, scattered line of white residue near the hand of the central woman in the pink dress. An unobtrusive, pinhead-size, stray speck of pigment near the upper right corner. Frame abrasions along all four edges.

Blacklight: Small touch-ups, the longest approximately 2,” in places along the extreme edges. Certain pigments in the face of the central woman in the white dress fluoresce slightly under blacklight, but these appear to be in the hand of the artist. Difficult to read under varnish.

Frame: 50” H x 84” W x 3” D 1241 Visual: Craquelure throughout, at times unstable and occasionally with attendant pea-sized pigment losses visible. Varnish discoloration. Assorted touch-ups visible under normal viewing conditions. Frame abrasions along all four edges. Wear or possibly some sort of white surface residue at the lower corners. Not examined out of the frame.

Blacklight: Extensive touch-ups throughout. Difficult to read under varnish.

Condition Reports

Frame: 39” H x 49” W x 2” D

412

1242 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: fading, abrash, and loss to fringe.

1243 Each overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: minor pulled stitches and minor localized dye migration. One with a slightly darker cream field.

1244 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

Lacking shades for the drop pendants. Glass beads with scattered minor chips and scratches. Wiring should be checked by a qualified electrician prior to use.

1245 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered minor chipped losses to carved elements and frame edge.

1246 Overall good condition with scuffs, scratches, oxidation to bronze, and inherent firing flaws commensurate with age. Minor rubbed wear to porcelain decoration.

Central plaque with a repaired vertical crack. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1247 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered chipping to gilt surface throughout. Areas of wear and a hole to underside of drawer. Marble with inherent surfacereaching fractures, inclusions, and abrasions, a 2” area of loss to underside of one corner. Lacking key.

1248 Each overall good condition with rubbed wear, scattered scuffs, inherent firing flaws, and darkening/ oxidation to bronze commensurate with age. Lamps have been rewired. Wiring should be checked by a qualified electrician prior to use.

1249 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, separation at joints, and soiling commensurate with age. Have been refinished and previously reupholstered. Upholstery with scattered stains and soiling, primarily to seats.

1250 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1251 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Scattered breaks, losses, and repairs to inlay and carved elements, restorations throughout.

Frame: 39” H x 27.75” W x 1” D 1253 Generally good condition. The sheet appears to be slightly toned overall. Mounted to the back mat along the verso of the upper sheet edge.

Framed: 14” H x 9” W x .5” D 1254 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered restorations.

1255 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

Issues include, but are not limited to: scattered pinholing and oxidation to the glaze, abrasions to the edges, and crazing. The lid possibly replaced.

1256 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Moisture rings to top.

Scattered breaks to carved decoration.

1257 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Porcelain plaques with spots of oxidation in the glaze and scattered fleabites/chips along edges.

1258 Each overall good condition with scuffs and losses to applied floral elements commensurate with age. Issues include, but are not limited to: one with evidence of repaired break to torso of right figure; one with possible repair to flower on plinth and break to flower stamen and crack to leaf on urn; putty on upper rims and to surface of both plinths; protective foam padding to feet of one plinth.

1259 Each overall good condition with minor rubbed wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Issues include, but are not limited to: the smaller with a spot of oxidation to the glaze on underside.

1260 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Two plates shallower than the others.

1261 Each overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Lamps have been rewired. Wiring should be checked by a qualified electrician prior to use.

Each base: 31” H x 6.5” Dia. Each shade: 11” H x 16” Dia. 1262 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with evidence of woodworm. Some chairs slightly wobbly.

1263 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Lacking front bezel glass. Loosening to some mounts. Marble with scattered minor chips and abrasions along edges and corners.

Rear left foot loose. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1264 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marquetry veneer with scattered areas of raised grain, buckling/lifting, surface abrasions, and chipped losses. Evidence of woodworm.

Oxidation and darkening to bronze mounts. Marble with inherent surface-reaching fractures, inclusions, and abrasions with small chips along back edge. Lacking key.

1265 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Wear to gilt surface.

Carved elements with restorations and chipped losses throughout. Mirror with small spots of desilvering.

1266 Overall good condition with minor scuffs and darkening/ oxidation to bronze commensurate with age. Clock is slightly wobbly and off-center. Adhesive felt pads to underside. Lacking key, includes pendulum. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

1252 Generally good condition. The paper appears to be slightly toned. Not examined out of the frame.

413

1267 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marquetry veneer with scattered areas of lifting, surface abrasions, and chipped losses. Possible woodworm. Scattered restorations throughout, rear left leg with repair. Marble with inherent surface-reaching fractures, chipped abrasions, and a repaired crack to left. Lacking key.

1268 Overall good condition with scuffs, scratches, and darkening/oxidation to bronze commensurate with age. Movement and dial off-set in case. Rear glazed door with crack to glass. Fitter rim of rear door illegibly inscribed in black ink. Movement obscured so as to not see any markings. Lacking key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1269 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions.

Veneer with scattered areas of raised grain, buckling/ lifting, and chipped losses with repairs and restorations throughout. Some mounts loose. Lacking key.

1270 Each overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age. Wiring should be checked by a qualified electrician prior to use.

Condition Reports

1271 Visual: Generally good condition. Varnish discoloration.

Frame abrasions along the edges and in the corners. A horizontal repair partially visible at the upper center. A 0.25” vertical surface scuff on the table apron. Wrapped around Masonite, the canvas does not lie completely flat in places.

414

Blacklight: An approximately 3” H x 6” W area of scattered touch-up, attendant with the horizontal repair already mentioned, above the three plates displayed on the rear wall. Difficult to read under heavy varnish.

1272 Visual: Scattered craquelure. At least three small paint losses at the upper right, the largest approximately peasized.

Blacklight: An approximately 2” H x 2.5” W area of scattered touch-up in the torso of the crouching figure right. A 1” H x 0.375” W line of touch-up to the left of the crouching figure at left. A few other, smaller, mostly pea-sized touch-ups in the background. Difficult to read under varnish.

Frame: 26.5” H x 29.5” W x 4” D 1273 Visual: Dust accumulation commensurate with age.

Varnish discoloration. Craquelure scattered throughout.

A few, unobtrusive specks of white house paint in the lower portion of the painting. Stretcher bar creases along all four edges. A pinhead-size pigment loss at the center of the left edge. An approximately 1.5” H x 1” W repair to the right of the statue’s legs, with related 4” H x 2.5” W canvas patch affixed verso.

Blacklight: An approximately 3” H x 2” W area of touch-up near the right edge, attendant with of the repair already mentioned. Difficult to read under heavy varnish.

Frame: 38” H x 33” W x 4” D 1274 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with chipped losses to edges.

1275 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. One vase loose on foot.

1276 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Each figure’s guns loose where the separate sections are joined together.

Frame: 30” H x 36” W x 5” D 1277 Each overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Chipped losses, restorations, and repairs throughout. Evidence of woodworm. Mirrors with desilvering. One lithograph with uneven toning; one with insect damage, reverse foxing, toning, and staining.

1279 Each overall good condition with minor shelf wear, scuffs, light scratches, and oxidation commensurate with age. Each vase wobbly on base. One vase with restorations at point of joining the metal base, visible under blacklight.

1280 Each overall good condition with shelf wear, scuffs, and scratches commensurate with age. Stone with inherent surface-reaching fractures, inclusions, and abrasions.

1281 Each overall good condition with wear, minor scuffs, scratches, and inherent surface-reaching fractures and inclusions commensurate with age. Each with scattered minor chips to edges and repaired/filled surface cracks.

1282 Overall good condition with scuffs and oxidation to bronze commensurate with age. One husk swag with losses and prior restorations. Marble with inherent surface-reaching fractures, abrasions, and scattered minor chips.

1283 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Mirrors with scattered spots of desilvering. Glass shelves with small chips to corners. Has been refinished. Includes key.

1284 Each overall good condition with minor scuffs, dust accumulation, shelf wear, and darkening/oxidation to bronze commensurate with age. Glass drops with scattered abrasions, flea bites, and minor chips.

One with breaks to chains and possible replacement fruit drops. Wiring should be checked by a qualified electrician prior to use.

1285 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: fading and losses to fringe.

1286 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: fading, staining, minor fraying with loss to fringe corners, and evidence of moth damage with a 5” x 2” area of loss to pile.

1287 Each overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: the larger with fraying to the fringe edge.

1288 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Slate with scuffing and attendant white residue transfer.

1289 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Wood with light scratches. One lid with a chip and a repair. Lids a likely marriage.

1290 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1291 Visual: Generally good condition. Dust accumulation and craquelure commensurate with age. Frame abrasions along all edges, visibly repainted.

Blacklight: Scattered touch-ups in the sitter’s dress and fur-lined cloak, mostly near the center of the lower edge, and also in the area of her shoulder and upper arm, at right. Additional touch-ups along the profile edge of her face and just into the nearby curls of her hair, at right.

A few pinhead-sized touch-ups in the background and perhaps one or two in the sitter’s lower lip. Difficult to read under heavy varnish.

Frame: 32” H x 28” W x 2.5” D

Condition Reports

1278 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

415

1292 Visual of each: The canvas slightly loose. Surface crazing throughout, with attendant, occasional, approximately pea-sized pigment losses. Surface dirt, grime and varnish discoloration commensurate with age. Stretcher bar creases and frame abrasions along all four edges. “Hers” with a dime-sized pressure mark and attendant pigment loss near the lower left corner.

Blacklight of each: No evidence of restoration under blacklight except possible touch-ups along the delicate line between the woman’s lips. Difficult to read under heavy varnish.

Frame of each: 48” H x 41” W x 2.5” D approximately 1293 Generally good condition. Examined out of the frame but not out from under the wrapped glass.

Frame: 9.75” H x 7” W x .75” D 1294 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with inherent surface-reaching fractures, chipped abrasions along edges, and a repair running through the depth of the top.

1295 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor chipped losses to carved decoration with attendant restorations.

Upholstery with light soiling/staining.

Condition Reports

1296 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of woodworm.

Top left door bracket lacking a screw. Scattered abrasion and small chipped losses throughout.

416

1297 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Moisture damage to top with attendant moisture rings, shrinkage cracks/separation, buckling at plank edges, and fading.

Restorations and repairs. Evidence of wood worm.

Lacking key.

1298 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered minor abrasions and chips to carved elements. Heavier wear to feet.

1299 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of woodworm.

1300 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1301 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: staining, abrash, fraying and losses to fringe edge, and localized areas of heavier pile-wear.

1302 Overall good condition with scuffs, rubbed wear to the applied gilt decoration, and tarnishing to bronze commensurate with age. Issues include, but are not limited to: repaired cracks to fluted base.

1303 Each overall good condition with dust accumulation and oxidation to bronze commensurate with age.

Marble bases with minor chips and abrasions to edges.

Joined elements slightly loose.

1304 Overall fair condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With scattered areas of lifting to metal trim and veneer with lifting, surface abrasions, and chipped losses. Top with spots of moisture damage. Table is wobbly. Interior compartments with wear and some lids detached.

Lacking key.

1305 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Rubbed wear and minor losses to painted decoration.

Upholstery with scattered staining. One with a slightly wobbly frame, arms are loose. Heavier wear and scratches to feet and arms.

1307 Overall good condition commensurate with age.

1308 Overall good condition with minor scuffs and inherent firing flaws commensurate with age. Adhesive residue and remnants of mounting material to the verso.

1309 Overall good condition with inherent firing flaws commensurate with age.

Frame: 13.5” H x 10.625” W 1310 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Seats with wear and light soiling/staining commensurate with use.

Approximately three side chairs slightly wobbly.

1311 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. With scattered surface imperfections to the varnished top.

1312 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. The right hinge nonoperational and lid subsequently loose. Velvet lining with wear.

Scattered restorations to openwork carvings. Table is slightly wobbly.

1313 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1314 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1315 Each overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1316 Overall fair condition with even pile-wear and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of unweaving to foundation.

1317 Overall fair to good condition with typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of repair and reweaving throughout, pulled stitches with separation to joined panels, and scattered holes/tears.

1318 Overall good condition with signs of wear commensurate with age and use. Issues include, but not limited to: soiling and visible moisture staining, fading, scattered minor holes and repairs throughout, and repairs to edges with sections of added backing fabric visible under the silver thread border.

1319 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. Accompanied by custom mahogany case.

1320 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. Some with slightly bent handles and tines. Two teaspoons with maceration.

1321 Each overall good condition with tarnishing and light scratches commensurate with age. Teapot and coffee pot handles loose and with scattered minor indentations.

1322 Each overall good condition with tarnishing, light scratches, and indentations commensurate with age. The smaller with a 3.5” crack with prior repair and scattered chips to glass insert. Weight does not include glass inserts.

Condition Reports

1306 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Bronze mounts with oxidation. Veneer with scattered areas of lifting and chipped losses.

417

1323 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Onyx with inherent surface-reaching fractures, abrasions, and minor chipping along edges. A repair to the top, rear left onyx corner.

1324 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age. Porcelain tray with a 2” x 1” X-form hairline lower left.

1325 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age and use. Scattered inherent imperfections and rubbed wear to painted decoration.

1326 Visual: Generally good appearance. Craquelure scattered throughout. Large portions of the surface appears to be slightly abraded, primarily at right. A speck of brown grime in the sky at center right. Frame abrasions along the upper edge.

Blacklight: Scattered, very delicate touch-ups throughout. An approximately 1” H x 3” W diagonal touch-up in the sky at center right, possibly attendant with an old repair. Other smaller, generally pea-sized touch-ups in places, including in the foliage of the trees at left and near the edges of the painting. Difficult to read under varnish.

Frame: 30” H x 43” W x 3.5” D 1327 Visual: Generally good condition. Stable craquelure throughout. The panel layer is backed with canvas.

Blacklight: Scattered touch-ups, primarily in the sky and clouds. A 0.25” horizonal band of touch-up along the extreme lower edge. Difficult to read under varnish.

Condition Reports

Frame: 18” H x 22” W x 4.5” D

418

1328 Visual: Generally good condition. Slight surface dirt, grime and varnish discoloration. Occasional craquelure.

Frame abrasions along all four edges.

Blacklight: Scattered touch-ups, mostly in the foliage near the left and right edges and in the horse on the left.

29” H x 39” W x 2.5” D

1329 Visual: Dust accumulation, craquelure, pigment losses, loosening at some of the joined areas, cracks and losses to some of the wood near the edges, and general overall wear commensurate with age and use. Evidence of a burned area in the upper 5” of the carved column at left and on the verso. The wood cornice appears to be of a later date. Two horizontal grooves cut into the verso for display purposes; the wooden hinging element retained in one but lacking in the other.

Blacklight: Extensive, mostly small, scattered touch-ups throughout, the largest approximately 6” H x 2” W in the lower portion of Christ’s robe, and the next largest approximately 3” H x 1” W in the lower third of the angel at right.

Overall: 35.5” H x 27.5” W x 3.5” D

1330 Overall fair condition with scattered scuffs, scratches, nicks, and shrinkage cracks commensurate with age.

Losses to painted surface. Evidence of woodworm.

Scattered chipped losses, prominent loss the right hand.

1331 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Top with heavier scratches from use.

1332 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Top with moisture damage and attendant buckling/raised grain, fading, and staining. Scattered spots of soiling/residue to interior.

1333 Overall good condition with scuffs, scratches, and oxidation to bronze commensurate with age. Lute detached from sculpture but accompanies the piece.

1334 Each overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with scattered losses.

Issues and repairs include, but are not limited to: Mars with loss to helmet feather, scepter, armor skirting, shield handles verso, and residue to skirting visible under blacklight; America with losses to object in right hand, headdress, parrot’s tail, and toe.

1336 Overall good condition with scattered scuffs, scratches, oxidation and rubbed wear commensurate with age.

Mounts are slightly loose.

1337 Each overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

Lamps have been rewired. Wiring should be checked by a qualified electrician prior to use.

1338 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of woodworm.

Prominent shrinkage cracks and chipped abrasions to edges throughout.

1339 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Evidence of woodworm. With updated upholstered cushion.

1340 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Wear to inset wood.

1341 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Central figure loose.

1342 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age.

1343 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Dial with localized crazing. Top urn finial element detached but accompanies the lot. Includes key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1344 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, separation at joints, and tarnishing commensurate with age. Repousse with scattered bending and tears the sheeting. Mirror with desilvering.

1345 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Frame with nicks, cracks, losses, and restorations. Not examined out of frame.

Frame: 19” H x 17” W x 1.25” D 1346 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Veneer with raised grain, buckling/lifting, and chipped losses with restorations throughout. Modern reinforcements. Lacking key.

1347 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions.

Fading and wear to giltwood surface. More prominent scratches and nicks to feet.

1348 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Updated upholstery.

1349 Each overall fair to good condition with scattered scuffs and scratches commensurate with age. Each with extensive chipped losses to painted surface throughout and scattered cracking to relief elements, including handles.

1350 Overall good condition with tarnishing and light scratches commensurate with age.

With base: 9.75” H x 24.5” W x 12.5” D 1351 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Porcelain with a 1” area of restorations above the 11, 12, and 1 numerals.

Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

1335 Each overall fair to good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with scattered losses.

Issues and repairs include, but are not limited to: soldier with losses to stirrup, reins, whip in hand, and repairs to bit and side of horse’s neck; Cupid with losses to bow, fingers, foliage, dog’s tail and collar, with repair to bow, a chip to the bottom rim, and breakage to twine leash.

419

1352 Each overall good condition with shelf wear, scattered minor scuffs, tarnishing, and inherent firing flaws commensurate with age.

1360 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Issues include, but not limited to: light staining.

1353 Each overall good condition with scuffs and oxidation to bronze commensurate with age. One with a repaired break to the arm. Each wood base with scuffs, scratches, and chips. Wiring should be checked by a qualified electrician prior to use.

1361 Overall good condition with soiling and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered staining.

1354 Each overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1355 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Includes key. Evidence of woodworm. Scattered chipped losses to wood throughout and modern reinforcements.

1356 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The chair is wobbly with loosening between the joined elements. Scattered chipped abrasions throughout. Lacking hardware coverings on the front of the seat, with visible wear around the metal pins where a cover once was.

Condition Reports

1357 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Painting with darkening, yellowing, craquelure, areas of flaked/chipped losses, and evidence of restorations under blacklight. Evidence of woodworm. Includes key.

420

1358 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Top with heavier scratches, indentations, and scuffs.

1359 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Leather upholstery with fading, drying, and cracking; more prominent cracking with heavy losses to seat. Scattered chipped abrasions to wood throughout. Modern reinforcements to underside.

1362 Each overall good condition with tarnishing and light scratches commensurate with age. Each monogrammed “B.” Teapot and coffee pot with minor indentations to sides.

1363 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items.

1364 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. Serving spoon with bent tine. One salt cellar with glass insert, not included in weight.

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers: Antonio Nicolo Gasparo Jacobsen (1850-1921 West Hoboken, NJ) The tugboat "E Heipershausen" on open waters, 1891 Price Realized: $46,875

145 East Walnut Avenue, Monrovia, CA 91016 | www.johnmoran.com · trustsandestates@johnmoran.com · (626) 793-1833

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Vice President, Furniture & Decorative Arts Director Senior Vice President, Fine Art Director Junior Specialist / Senior Fine Art Cataloguer Furniture & Decorative Arts Department Manager / Junior Specialist Furniture & Decorative Arts Cataloguer Fine Art Cataloguer

Roland Rynkiewicz Morgana Blackwelder AAA Bobby Cullen Danielle Kim Shannon Dailey Anne Spink

20th Century Design Specialist John Simon Taylor Western, American Indian Specialist Maranda Moran Silver, Western, American Indian Cataloguer Sally Andrew Post-War & Contemporary Fine Art Specialist Hayden Hunt Jewelry Director Mollie Burns Keith, G.J.G

CLIENT SERVICES

Office Manager

Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director

Maha Darwish Consignment Coordinator

Jean Rapagna Consignment Coordinator

Julia Hamilton Operations Coordinator

Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Jacob Baer

MARKETING

Advertising & Marketing Director, Art Design Graphic Designer

PHOTOGRAPHY

Photographer Photographer

Nathan Martinez Brian Olivas

Keith Berson Madison Torres

TRUSTS & ESTATES

Associate Director Noelle Valentino AAA Department Administrator Allison Allyn

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee.

This fee is not more than the cost of accepting these cards.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received

by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m · i n f o @ j o h n m o r a n . c o m · ( 6 2 6 ) 7 9 3 - 1 8 3 3