Made In Mexico — August 3, 2021 | John Moran Auctioneers by johnmoranauctioneers

Tuesday, August 3, 2021

Tuesday, August 3, 2021—12pm Sale 194 145 East Walnut Avenue, Monrovia CA 91016 Public Previews: Friday, July 30th - Monday, August 2nd 12-4 pm Or by appointment

Meet the Team Maranda Moran Head of Sale maranda@johnmoran.com Anne Spink Fine Art Cataloguer anne@johnmoran.com

Shannon Dailey Decorative Arts Cataloguer shannon@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

Carlos Estrada-Vega

(b. 1955, Mexican) “Sofia 2,” 2007 Oil, oleopast, pigment on woodblocks, magnetic attachments on steel Signed, titled, and dated on the wood backing: Carlos Estrada-Vega 8.5” H x 8.5” W $600-800 Provenance: William Siegal Gallery, Santa Fe, NM, according to notation on the wood backing

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Rodrigo Moya

(b. 1934, Colombian) “Hipotecados, Tlaltelolco. C. de Mexico,” 1963 Gelatin silver print on paper under glass Signed, titled, and dated verso Image: 14.37” H x 19” W; Sheet: 16” H x 20” W $800-1,200

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Rufino Tamayo

(1899-199 , Mexican) “Personaje en Gris,” 1980 (from “Rufino Tamayo 15 Aguafuertes 1980” series) Etching in colors on Guarro paper under Plexiglas; Ediciones Poligrafa, Barcelona, pub. and prntr. Edition 41/99, signed lower right: R. Tamayo Image/Sheet: 29.5” H x 21.75” W $2,000-3,000 Provenance: MLA Gallery, Los Angeles, CA The Collection of Dr. Denis Bettencourt, acquired from the above, 2009 Literature: Pereda, 273.

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Francisco Toledo

(1940-2019, Mexican) Bat and fish Mixed media on paper under Plexiglas Signed center: Toledo Sheet: 25” H x 19.75” W $2,000-3,000 Provenance: The Collection of Dr. Denis Bettencourt

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Francisco Toledo

(1940-2019, Mexican) Elephant Mixed media on paper under Plexiglas Signed center: Toledo Sheet: 25” H x 19.5” W $2,000-3,000 Provenance: MLA Gallery, Los Angeles, CA The Collection of Dr. Denis Bettencourt, acquired from the above, 2013

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Gunther Gerzso

(1915-2000, Mexico City, Mexico) Untitled,1980 Color lithograph on paper under glass Edition: 83/100, signed and dated lower margin at right: Gerzso, an unidentified chop mark lower margin at left Image: 13.5” H x 12.25” W; Sheet: 26.75” H x 22” W $800-1,200 Provenance: The Collection of Dr. Denis Bettencourt

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Roberto Matta

(1911-2002, Chilean) “Il Explose,” 1976-77 (from “Hom’mere III-L’Ergonaute”) Color etching and aquatint on Japan paper under Plexiglas; Georges Visat, Paris, pub. Edition 65/100, signed with the artist’s device lower margin at right Plate: 19.25” H x 14.5” W; Sheet: 21” H x 15.25” W $800-1,200 Provenance: MLA Gallery, Los Angeles, CA The Collection of Dr. Denis Bettencourt, acquired from the above, 2009 Literature: cf. Germana Ferrari, 204-213.

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David Alfaro Siqueiros

(1896-1974, Mexican) “Flight,” 1968 (plate VIII from “Mexican Suite”) Color lithograph on paper under glass, Atelier Mourlot, Paris, prntr./pub. Edition: E.A., signed lower margin at right: D A Siqueiros Image: 19.75” H x 16.25” W; Sight: 21.75” H x 17.25” W $600-800 Notes: The edition was 300.

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Roberto Matta

(1911-2002, Chilean) “The Moon Catcher,” 1960 Color etching and aquatint on paper under glass Edition 33/50, signed and numbered in pencil lower margin: Matta Image: 14.5” H x 18.75” W; Sheet: 19.75” H x 25.75” W $500-800 Provenance: The Collection of Dr. Denis Bettencourt Literature: Sabatier, 51. Notes: ”[Roberto Matta] was the most energetic, enthusiastic, poetic, charming, brilliant young artist that I’ve ever met... He gave me a ten year education in surrealism.” – Robert Motherwell

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David Alfaro Siqueiros

(1896-1974, Mexican) “Mexican Mother,” 1968 (plate X from “Mexican Suite”) Color lithograph on paper under glass, Atelier Mourlot, Paris, prntr./pub. Edition E.A., signed lower margin at right: D A Siqueiros Image: 21” H x 15.75” W; Sight: 23” H x 16.75” W $600-800 Notes: The edition was 300.

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David Alfaro Siqueiros

(1896-1974, Mexican) “America Latina” (“Hombre Atado a un Arbol”), 1945 Lithograph on paper under glass, Taller de Grafica Popular, prtr. Edition: E/E, signed lower margin at right: D A Siqueiros, signed again and inscribed lower margin at left: E/E Para Ronald con un abrazo 19-8-67 Image: 11.5” H x 8.5” W; Sight: 14” H x 9.75” W $400-600

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Francisco Zúñiga

(1912-1998, Mexican) “Dos Mujeres,” 1963 Patinated bronze on wood plinth Signed and dated: Zuniga / 1963; titled by repute 9” H x 12” W x 9” D $8,000-12,000

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Francisco Zúñiga

(1912-1998, Mexican) “Grupo de mujeres sentadas, II,” 1976 Color lithograph on paper under Plexiglas; Kyron Press, Mexico City, prntr. Edition: ‘Bon a Tirer,’ signed and dated lower left: Zuniga and ‘Agosto 10 de 1976’ Image/Sheet: 24.75” H x 35.75” W $600-800 Literature: Brewster, 27. Notes: The edition was 125.

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Francisco Zúñiga

(1912-1998, Mexican) “Pilar en la ventana,”1984 Etching, aquatint and drypoint on paper under Plexiglas; Brewster Editions, New York, pub.; Eldindean Press, New York, prntr. Edition 10/50, signed lower right: Zuniga and dated Plate: 10” H x 11.75” W; Sight: 11.75” H x 13.7” W $300-400 Literature: Brewster, 101.

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(1912-1998, Mexican) “La Calera” (“The Lime Seller”), 1977 Lithograph in black and tans on paper under Plexiglas; Brewster Editions, New York, pub.; Kyron Press, Mexico City, prntr. Edition: 1/46, signed and dated lower left: Zuniga, with the printer’s blindstamp lower right Image/Sheet: 20.25” H x 15” W

(1912-1998, Mexican) “Mujer con olla,” 1983 (from “H Color lithograph on paper under Edition 69/100, signed and date Image/Sheet: 22.25” H x 29.75”

Francisco Zúñiga

$400-600 Literature: Brewster, 34.

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Francisco Zúñiga

$500-700 Literature: Brewster, 90.

Hommage aux Prix Nobel”) r Plexiglas; Galerie Borjeson, Malmo pub. ed lower right: Zuniga ”W

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Francisco Zúñiga

(1912-1998, Mexican) “Doncella,” 1984 Color lithograph on paper under Plexiglas; Brewster Editions, NY, pub.; American Atelier, NY, prntr. Edition 42/135, signed and dated lower right: Zuniga, the American Atelier blindstamp lower left Image/sheet: 29.75” H x 21.75” W $600-800 Literature: Brewster, 96.

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Marcel Vertes

(1895-1961, Hungarian) Two works “Trois Mexicanos” Second-quarter 20th Century Watercolor and gouache on Canson & Montgolfier card under glass Signed in pencil upper left: Vertes, wetstamped “Atelier Vertes” lower right 12” H x 9” W “Trois Mexicanos” Second-quarter 20th Century Watercolor and gouache on Canson & Montgolfier card under glass Unsigned, wetstamped “Atelier Vertes” lower right 12” H x 9” W $800-1,200 Provenance: Estate of the artist Sale: Christie’s East, New York, NY, May 9, 1989, Lot 91 Property of a Rancho Mirage Collection Notes: Each: with an unfinished work verso.

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verso

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Alfredo Ramos Martinez

(1871-1946, Mexican) Jesus and Mary - The Crucifixtion Conte crayon and pastel on paperboard under glass Signed lower left: Ramos Martinez, titled on an exhibition label affixed to the backing paper: “Jesus and Mary - The Crusifition [sic]” 47.75” H x 38.5” W $30,000-50,000 Provenance: The Larkin House Collection, Monterey, CA Exhibitions: Ecclesiastical Exhibition, Golden Gate Notes: Louis Stern has confirmed the authenticity of this work. It will be included in the catalogue raisonné of works on paper, to be published by the Alfredo Ramos MartÌnez Research Project.

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Roger Kuntz

(1926-1975, Laguna Beach, CA) “Puerto Vallarta” Oil on canvas Signed lower left: Kuntz, titled in pencil on the stretcher 24” H x 30” W $4,000-6,000

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(1879-1947, Santa Barbara, CA) “Market, Tegucigalpa, Honduras” Oil on canvas laid to canvas Signed lower left: Carl Oscar Borg, titled on a card affixed to the backing board 20” H x 16” W

(1889-1976, Santa Ana, CA Taxco scene with figures a Oil on board Signed and inscribed lowe 24” H x 30” W

Carl Oscar Borg

$2,000-3,000 Provenance: The May Gallery, Scottsdale, AZ Private Collection Palm Springs, CA, acquired from the above,1987 Exhibitions: Palm Springs, CA, Palm Springs Art Museum, “Treasures of the West,” 2007

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John W. Orth

$600-900

A) and cathedral

er left: J. W. Orth / Taxco

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Sergio Bustamante

(b. 1949, Mexican) Hanging cockatoo Brass and bronze Signed and numbered: Sergio Bustamante / 22-100 30.5” H x 14.5” W x 30” D $600-800

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Arlene Cisneros Sena

(b. Late 20th Century, Santa Fe, NM) “La Huida a Egypto,” 2001 Color pigments and gold leaf on carved wood panel Signed, titled, dated, and inscribed verso: Arlene Cisneros Sena, “homemade gesso, pigments, pinon varnish, 23K gold leaf,” “(February 17),” and “Protection of travelers” 17” H x 11” W x .5” D $800-1,200

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Arlene Cisneros Sena

(b. Late 20th Century, Santa Fe, NM) “San Ysidro Labrador,” 2005 Color pigments and gold leaf on carved wood panel Signed, titled, dated, and inscribed verso: Arlene Cisneros Sena, “homemade gesso, pigments, pinon varnish, 23K gold leaf,” “(May 15),” and “Patron of farmers, laborers and gardeners; Invoked against drought and pests” 17” H x 11.25” W x .75” D $800-1,200

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Arlene Cisneros Sena

(b. Late 20th Century, Santa Fe, NM) “Nuestra Senora de la Soledad,” 2000 Color pigments and gold leaf on carved wood panel Signed, titled, dated, and inscribed verso: Arlene Cisneros Sena, “homemade gesso, pigments, pinon varnish, 23K gold leaf,” and “Patroness against loneliness; Consolation in bereavement; Happy death; Protection in general” 12” H x 7.25” W x 1” D $800-1,200

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Early 19th Century Mexican School

“St. Felipe” Oil on canvas laid to gessoed wood panel Unsigned, titled and dated on a label affixed verso 13” H x 9 “ W $300-500 Provenance: Gloria List Art and Antiques, Santa Fe, NM

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19th Century Mexican School

“St. Ysidro Labrador” (“St. Isidore the Farmer”) Oil and gold leaf on wood panel Unsigned, titled from didatic material attached verso 15.5” H x 10.75” W $300-500

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A Saint Joseph and infant Jesus santos figure

19th Century The polychrome-painted carved wood santos figure of Saint Joseph with glass eyes holding an infant Jesus wrapped in ribbon 18” H x 6.5” W x 4.875” D $300-500

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A Saint Francis santos figure

19th Century The polychrome-painted carved wood and papier-mache santos figure of Saint Francis with the stigmata 11.375” H x 4.625” W x 4” D $500-700

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A Matl Nuestra Señora de la Asunción in Tonaya silver santos figure Circa 1980-2006; Mexico City, Mexico Marked: Matl / Rocrdo Salas / M. Regis / 14-2093 / Mexico / 925 / MS12 Likely the Nuestra Señora de la Asunción in Tonaya, set with turquoise, coral, and amethyst 9.25” H x 6.375” W x 2.875” D 363.1 grams $1,500-2,000

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A Matl-style sterling silver picture frame

1978 or later; Mexico City, Mexico Marked: MR-39 / Mexico / 925 The oval sterling silver picture frame with dove motif and set with amethysts, turquoise, and coral Frame: 5.25” H x 4.125” W x 2.5” D; Opening: 2” H x 1.5” W 126 grams $300-500 Provenance: The Collection of Dr. Denis Bettencourt

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Janna Thomas de Velarde (20th Century, Mexican)

“Twig” box, circa 1970 Sterling silver Marked: Janna / Sterling / Mexico / 70-07 / 925 / Flaming torch 1.375” H x 4.25” W x 3.125” D 10.475 oz. troy approximately $1,000-1,500

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Janna Thomas de Velarde (20th Century, Mexican) “Orange” box, circa 1970 Gilt sterling silver Marked: Janna / Sterling / Mexico / 198 3.125” H x 3.5” Dia. 9.145 oz. troy approximately $800-1,000

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Andrés Nagel

(b. 1947, Spanish) Smoking box, 1987 Fiber glass, wood, paint, and straw Signed indistinctly; numbered: 1000-900-8097 37.75” H x 32” W x 28” D approximately $600-800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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Alberto Gironella

(1929-1999, Mexican) “Octavio Paz,” 1990 Collage on paper under glass Signed, inscribed, and dated lower right: Gironella / Mexico 90, titled lower center, inscribed lower left: P/A Para Alberto / Octavio Paz 47” H x 29.5” W $2,500-3,500 Notes: A certificate of authenticity from Victor Alfonso Varela Perez accompanies the lot.

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Carlos Merida

(1891-1984, Mexican) “Abstraction, No. 3,” 1976 Gouache, ink, and graphite on Arches paper under Plexiglas Signed and dated lower center: Carlos Merida, titled on an exhibition label affixed to the backing paper Image/Sheet: 30” H x 22” W $20,000-30,000 Provenance: The Collection of Dr. Denis Bettencourt Exhibitions: Irvine, The University of California, “Mexican Masters from the ‘Lodi Art Galleries’ Coll., 230 W. Lake Av.[sic], Pasadena, CA 91101,” August 1992, no. 37 Seattle, Art Attack / Alternative Space in Collaboration with the Mexican Consulate of Seattle, WA, “Three Generations of Mexican Masters from the ‘Lodi Art Galleries’ Coll.,” April 7-May 20, 1995, no. 12

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Carlos Merida

(1895-1984, Guatemalan) Two abstract figures Oil on board Signed lower right: Carlos Merida 18” H x 13.25” W $10,000-15,000

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Carlos Merida

(1891-1985, Guatemalan) Untitled, 1948 Oil on paper laid to board Signed and dated lower right: Carlos Merida 15.5” H x 24” W $6,000-8,000 Provenance: Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles, CA The Collection of Dr. Denis Bettencourt

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(1941-2009, Mexican) Pink figure with candle, 2003 Oil on board Signed and dated lower right: Byron / 03 28” H x 19.75” W

(1941-2009, Mexican) Blue figures with candles, 2003 Oil on canvas Signed and dated lower right: Byron / 03 47.25” H x 39.25” W

Byron Galvez

$3,000-5,000

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Byron Galvez

$6,000-8,000

Byron Galvez

(1941-2009, Mexican) Nude with watermelon and moon, 2007 Mixed media on board Signed and dated lower right: Byron ‘07 31.5’’ H x 23.5” W $3,000-5,000

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Rick Wolfryd

(b. 1953, American) After Jeff Koons, “Sea of Desire (Peeing Dog),” 2021 Acrylic resin and beads Signed and dated: Rick Wolfryd / T.P. / 2021 / .0013; titled to underside 15.25” H x 15” W x 8” D approximately $1,500-2,000

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Rick Wolfryd

(b. 1953, American) After KAWS “Companion (Red)” 2004, 2021 Vinyl and beads Signed and dated: Rick Wolfryd / T.P. / 2021 / .0003; further marked: KAWS / ..04 / Medicom Toy / 2004 / China 14” H x 6.5” W x 4.5” D approximately $1,200-1,800

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(b. 1953, American) After KAWS “Resting Place (Black)” 2013, 2021 Vinyl and beads Signed and dated: Rick Wolfryd / TP / 2021 / .0003; further marked: KAWS / ..13 / Medicom Toy / 2013 / China 8.5” H x 8.5” W x 9.5” D approximately

(20th/21st Century, Me Huichol beaded jaguar Beads on wood in acry 9” H x 4.5” W x 26” D

Rick Wolfryd

$1,200-1,800

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Victor Cueva

$800-1,200

Provenance: The Colle

exican) r ylic case D

ection of Dr. Denis Bettencourt

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Raul Farco

(b. 1953, Argentinian) “Mask and Feathers,” 1989 Mixed media on paper Signed and dated lower right: R Farco, inscribed “NY;” signed, titled, dated and inscribed again verso Sheet: 36” H x 17” W $700-900 Provenance: The Collection of Dr. Denis Bettencourt

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Raul Farco

(b. 1953, Argentinian) “The Foundry #1, Mercury,” 1989 Mixed media on paper Signed and dated in the image lower left: R Farco, inscribed “NY;” signed again and titled verso Sheet: 27.25” H x 18” W $700-900 Provenance: The Collection of Dr. Denis Bettencourt

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Vladimir Cora

(b. 1951, Mexico/California) “Estudio de Caballo No. 3,” 2000 Pastel and charcoal on green paper under glass Signed and dated lower right: Vladimir Cora, signed and dated again and titled on the backing paper Sheet: 19.5” H x 25.5” W $300-500 Provenance: The Collection of Dr. Denis Bettencourt

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Gustavo Montoya

(1905-2003, Mexican) Pack of dogs Mixed media on paper under glass Signed lower right: Gustavo Montoya Sight: 8.5” H x 11.5” W $400-600

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Rodolfo Nieto

(1936-1985, Mexican) “Animales” (five works) Brown ink on cream wove paper One signed lower left: Nieto Four works: 9” H x 13” W; One work: 9” H x 11.5” W $3,000-4,000

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Leonardo Nierman

(b. 1932, Mexican) Abstract moon Acrylic on Masonite Signed lower right: Nierman 30.75” H x 23” W $1,000-2,000 Provenance: The Estate of Dr. Peter K. Thomas, Beverly Hills, CA

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Leonardo Nierman

(b. 1932, Mexican) “Solar Influence” Acrylic on Masonite Signed lower left: Nierman, titled verso 31.5” H x 23.75” W $1,000-2,000

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Leonardo Nierman

(b. 1932, Mexican) “Eclipse,” 1975 Acrylic on Masonite Signed lower left: Nierman, titled verso, titled again and dated on a gallery label affixed verso 31.5” H x 23.75” W $1,000-2,000 Provenance: Galeria Tasende, Acapulco, Mexico

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Leonardo Nierman

(b. 1932, Mexican) “Cosmic Kaleidoscope” Acrylic on Masonite Signed lower left: Nierman, titled verso 31.5” H x 23.75” W $1,000-2,000 Provenance: The Estate of Dr. Peter K. Thomas, Beverly Hills, CA

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Leonardo Nierman

(b. 1932, Mexican) “Magico” Acrylic on Masonite Signed lower left: Nierman, titled verso 24.5” H x 32.25” W $1,000-2,000

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A Southwest Árbol de la Vida tree of life

20th Century Appears unsigned The ceramic tree of life sculpture on a central trunk issuing abundant flowers, leaves, birds, and spheres on wire supports raised on a flared foot decorated with incised floral friezes 44” H x 35” W x 9” D approximately $500-700

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A Don Shoemaker for Señal, S.A. “Sling Swinger” lounge chair

Mid-20th Cenutry; Mexico With paper label: Senal, S.A. / Hecho En Mexico; Further labeled: Boomerang for Modern [Palm Springs] The lounge chair with a solid carved cocobolo frame with wide arms and X-form sides, black leather upholstered pivoting sling seat and back, finished with leather buttons to top rail 32” H x 31.25” W x 29” D $1,200-1,800

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A Los Castillo sterling silver and lacquered wood wall plaque

Third-quarter 20th Century; Taxco, Mexico Marked: Los Castillo / Taxco The black lacquered wood wall plaque depicting an embracing couple in inlaid sterling silver 11.75” H x 5” W x .5” D $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Los Castillo silver sauce bowl and ladle

Circa 1948-1955; Taxco, Mexico Each marked: Los Castillo / Taxco / Handwrought / Eagle 15 / Sterling / Mexico; Bowl numbered: 101; Ladle numbered: 119 The hand-hammered sterling silver bowl with scrolled foliate motif handle, spout, and flared foot with applied buttons, with conformingly decorated ladle, 2 pieces Bowl: 4.125” H x 6.5” W x 4.25” D 10.01 oz troy approximately $400-600

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A group of Los Castillo mixed-metal nautical trays

Circa 1950-1970; Taxco, Mexico Each marked for Los Castillo; Further marked: Taxco / Handwrought / Metales Castillo / Hecho en Mexico; Further numbered variously; One marked: Metales Blanche; One marked: Metales Casados / B 14; One marked: Hechoamano / Platerdo / 38 Comprising six abalone-shaped trays, two fish-shaped trays, two small squares trays, a rectangular tray, an oblong free-form tray, and a small scalloped bowl with fish feet, one with inlaid mother-of-pearl and one with inset stone eye, 13 pieces Largest: 2” H x 12.75” W x 10.25” D; Smallest: 2.125” H x 4.5” Dia. $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Hector Aguilar copper and brass drink set

Circa 1940; Taxco, Mexico Each marked for Hector Aguilar; Further marked: Taxco / Mexico; Seven numbered: 994 Comprising a pitcher and twelve matching cups, each designed with a copper body with brass straps, 13 pieces Pitcher: 12.25” H x 6.5” W x 5.75” D; Each cup: 5.5” H x 5.5” W x 3.75” D $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Hector Aguilar copper tea service

Circa 1939-1962; Taxco, Mexico Each marked for Hector Aguilar; Further marked: Made in Mexico / Taxco / 994 The hand-hammered copper tea service comprising a teapot (8” H x 8” W x 6” D), a creamer (4.25” H x 4.625” W x 3.625” D), a sugar bowl (3.625” H x 6” W 3.75” D), and a tray (.5” H x 22” W x 14” D), 4 pieces $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Three Salvador Terán mosaic and brass pepper trays

Third-quarter 20th Century One marked: Handwrought / Salvador / Hecho en Mexico / 409; Two unmarked Each pepper-shaped brass tray with polychrome glass mosaic center panel, two with figural motifs and one with parrot motif, 3 pieces Largest: 1” H x 23.5” W x 7.5” D $300-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Salvador Terán mosaic and brass table items

Third-quarter 20th Century Each marked: Handwrought / Salvador / Hecho en Mexico; Further numbered: 415 / 424 / 432 Each polychrome glass mosaic on brass, comprising two lidded boxes with rooster motifs, two tea caddies, and one ash tray with rosette motif, 5 pieces Largest: 1.75” H x 8.375” W x 6” D; Smallest: 4.25” H x 3.25” W x 2.375” D $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Four Mexican inlaid mixed-metal boxes

Third-quarter 20th Century; Taxco, Mexico One marked: Sigi / Tasco [sic]; Three marked for Los Castillo; Further marked: Taxco / Hecho en Mexico / Handwrought Each wood-lined box with inlaid mosaic stone, comprising one Sigi Pineda footed box with hinged lid and three Los Castillo boxes, one footed box with hinged lid, one box personalized “V.G.” to the lid, and one box in the style of the Mexican flag with mother-of-pearl and applied eagle finial, 4 pieces Largest: 1.625” H x 5.5” W x 4.25” D $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Salvador Terán mosaic and brass boxes

Third-quarter 20th Century Each marked: Handwrought / Salvador / Hecho en Mexico; Further numbered: 415 / 89 Each polychrome glass mosaic on brass, comprising two lidded boxes with rooster motifs and one tea caddy with eagle motif, 3 pieces Larger: 1.75” H x 8.25” W x 6.125” D; Smaller: 4.375” H x 3.125” W x 2.375” D $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Twelve William Spratling “Amarres Disco” butter spreaders

Circa 1965-1967, Third Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Eagle 63 Comprising twelve flat-handled butter spreaders with wire banded shafts, applied flat discs, and ball tips, also referred to as “Heavy Disc Pattern” by Spratling, 12 pieces Each: 6.25” 20.475 oz. troy approximately $2,000-4,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A William Spratling sterling silver salad serving set

Circa 1944-1946, First Design Period; Taxco, Mexico Marked for William Spratling; Further marked: Sterling Comprising a serving spoon (9.5”) and fork (9.625”) with feathered motif to handles, 2 pieces 7.23 oz. troy approximately $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of William Spratling silver salt and pepper shakers

Circa 1964-1967, Third Design Period; Taxco, Mexico Each stamped for William Spratling Each silver shaker top over a carved barrel-form ebony body with applied silver disks, 3 pieces 2.25” H x 2” Dia. 8.1 gross oz. troy approximately $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A near-pair of William Spratling master salt dishes

Circa 1940-1944, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Spratling Silver Each master salt dish with wire loop-style base and ball details Larger: 2” H x 4” Dia. 7.545 oz. troy approximately $400-600

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Two Mexican sterling silver tea strainers

Circa 1940-1944 and 1949-1962; Taxco, Mexico One marked for William Spratling; Further marked: Spratling Silver; One marked for Hector Aguilar; Further marked: Sterling / Taxco / Mexico / Eagle 9 Comprising a William Spratling swivel basket strainer and one Hector Aguilar pour-over strainer with flared handles and ball tips, 2 pieces Larger: 2.125” H x 2.375” Dia. 3.13 oz. troy approximately $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Sanborns sterling silver centerpiece bowl

Mid-20th Century; Mexico City, Mexico Marked: Hecho en Mexico / 0925 / Sanborns / Mexico / Sterling / [illegible makers mark, possibly AA] The Georg Jensen-style footed bowl with a scalloped and crimped rim atop an openwork leaf-stye base raised on a stepped circular foot 7.375” H x 9.5” Dia. 39.28 oz. troy approximately $1,200-1,800

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A Jose Anton sterling silver and wood pitcher

Circa 1940s; Taxco, Mexico Stamped for Jose Anton; Further stamped: 925 / Sterling / Taxco The smooth-finish bulbous body issuing a carved walnut handle in the form of a stylized eagle head terminating in a hobnail handle junction 5” H x 8” W x 5.5” D 19.96 gross oz. troy approximately $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl silver and turquoise necklace

Circa 1935-1948; Mexico City, Mexico Stamped twice: Matl and Matl to applied plaque Designed by Matilde Poulat, the repousse rose and dove-motif necklace accented with turquoise-set eyes and seven silver drops 19” L x 2.75” H 113.9 grams $2,500-3,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl silver and gem-set dove bracelet

Circa 1934-1948; Mexico City, Mexico Stamped: Matl / 0.925/ Hecho en Mexico Designed by Matilde Poulat, the central panel designed with two doves flanking a coral set basket, and with scrolled links set with coral and turquoise 7” C x 2” H 83.6 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl sterling silver turkey-motif pendant/brooch

Third-quarter 20th Century; Mexico City, Mexico Stamped: Matl / M. Regis14-2093/ Mexico 925/ MS-12 Repousse silver set with amethyst, coral, and turquoise with turkeys motif 3.5” L x 2” W 29.6 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Two Matl silver link bracelets

Circa 1934-1948; Mexico City, Mexico Stamped: Matl; One further stamped: 0.925/ Hecho en Mexico Designed by Matilde Poulat, comprising a bracelet designed with repeating links set with turquoise and coral (7” x 1.5” W) and a similarly-styled bracelet (6.5” L x 1.5” W), 2 pieces 142 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Two Matl silver brooches

Circa 1935-1948; Mexico City, Mexico One stamped: Matl [in script] / Mexico 925 / MS-12; One stamped: Matl [in script on plaque] / 925 / Mexico Designed by Matilde Poulat, comprising a large silver repousse floral pendant/ brooch set with an oval cabochon amethyst suspending six silver drops (3.25” L x 2.75” W) and a silver repousse floral brooch with turquoise cabochon and five silver drops (3” L x 2” W), 2 pieces 63 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl sterling silver pendant/brooch

Circa 1934-1955; Mexico City, Mexico Stamped: Matl in script; further marked: Matl/ 0.925/ Hecho en Mexico Designed by Matilde Poulat, the elaborate dove-motif centerpiece with coral, amethyst, and turquoise fringe 3.25” L x 2.5” W 36.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Matl silver and gem-set necklace

Circa 1934-1948; Mexico City, Mexico Stamped: Matl / Mexico / 925 Designed by Matilde Poulat, the scrolled links issuing a central pendant suspending fringe, set with coral and turquoise cabochons 15.25” L x 2.25” H 85 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Three Matl gem-set brooches

Circa 1934-1955; Mexico City, Mexico Each stamped: Matl [in script] / Matl / 0.925 / Hecho en Mexico Comprising a knife-form brooch set with coral and turquoise (4” L x 1.4” W), a pendant/ brooch set with turquoise, coral, and amethyst (2.5” L x 1.25” W), and a brooch set with coral, turquoise, and quartz (2.5” L x 1.5” W), 3 pieces 57.3 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Matl and Mexican jewelry items Mid-20th Century Four groupings

A Matl brooch Stamped: Matl / 925 / Mexico / 142093 Suspending fringe set with amethyst, coral, and turquoise 3” L x 2.25” W A Matl turkey brooch Stamped: Matl / 925 / Mexico Set with coral and turquoise 1.25” L x 1.50” W A Matl mirror Stamped: Matl / 925 / Mexico / MS 12 Set with amethyst and turquoise 4.50” L x 2.10” W A pair of amethyst cufflinks Unmarked 2 pieces 1.25” L x 1.50” W 5 pieces total 58 grams gross $500-700 w w w. j o h n m o r a n . c o m 1 0 5

Three Matl silver bracelets

Circa 1940; Mexico City, Mexico Stamped: Matl Each designed by Matilde Poulat, comprising a bracelet centering an onyx mask flanked by Aztec-inspired links (6” L x 2” H), a repousse link bracelet of eleven scroll links (7.5” L x .4” H), and a repousse linked bracelet centering a swirled plaque (7.5” L x 1” H), 3 pieces 183 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Matl sterling silver jewelry

Circa 1935-1948; Mexico City, Mexico Stamped: Matl on a plaque / M REGIS / 14 - 2093 / Mexico / 925 / MS - 12 Comprising a repousse bracelet with rose and bird motif with turquoise eyes (7” L x 1.25” W), a similar pair of clip-back rose earrings suspending silver drops (2.25” L x 1.25” W), and a ring topped with a repousse bird with turquoise eye (ring size: 7.75), 4 pieces 81 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

A group of Matl silver and onyx mask brooches

Circa 1935-1948; Mexico City, Mexico Variously stamped: Matl [in script] / Matl [in box] / 0.900 Comprising a brooch centering a carved onyx mask (2” L x 2.25” W), a brooch centering a carved onyx mask suspending ear pendants (1.5” L x 1.5” W), and a brooch centering a carved onyx mask (1.25” L x 1.5” W), 3 pieces 60 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Matl silver hair combs

Circa 1935-1948; Mexico City, Mexico Stamped: Matl [in box] / Matl [in script] Comprising a pair of hair combs with scroll and serpent motifs and with plastic combs (2.25” L x 2” W) and a silver three-pronged comb set with three round cabochon amethysts (4” L x 2” W), 3 pieces 52 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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An Enrique Ledesma gold and agate brooch

Third-quarter 20th Century; Taxco, Mexico Stamped: Ledesma / 14k The circular brooch with sun-motif further set with blue-green agate 1.5” Dia. 9.8 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A William Spratling silver necklace

Circa 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Designed as two stylized turkeys suspending four elongated fringes 17.5” L x 1.75” H 37 grams $1,000-1,500 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C Morrill and Carole A. Berk. “Mexican Silver: 20th Century Handwrought Jewelry & Metalwork,” 1994. p. 32, fig. III-3. Stuart Hodosh, et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 86, plate 65.

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A William Spratling silver necklace

Circa 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver With a Pre-Columbian inspired intertwined “X-O” design 12” L x 1.25” H 121 grams $1,500-2,000 Literature: This design illustrated: Stuart Hodosh, et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 92, plate 79.

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A William Spratling “Rive

Circa 1940-1946, First Design Stamped for William Spratling Designed as silver waves and 6.5” C x 1.5” H, wrist opening 77 grams $800-1,200

A William Spratling silver and amethyst pendant/brooch

Circa 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Designed as an Aztec sunburst inset with eleven cabochon amethyst 3” Dia. 82 grams $1,000-1,500 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

A William Spratling “River of Life” silver cuff

Circa 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Designed as silver waves with roped Aztec rings 7.5” L x 2” W, wrist opening: 1.5” 177 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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er of Life” silver cuff

n Period; Taxco, Mexico g; Further stamped: Spratling Silver d Aztec rings g: 1”

A William Spratling sterling silver cuff bracelet

Circa 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Sterling Narrow Aztec bracelet with twisted framed buttons 7.125” C x .75” H, wrist opening: 1.125” 79.5 grams $700-900 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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Four Mexican silver brooches Four pieces

A William Spratling bar pin Circa 1933-1940, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Taxco With Aztec motifs 3” L x .7” W A William Spratling figure-eight-style brooch Circa 1940-1944, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Spratling Silver 1.50” L x 2.50” W A William Spratling “U” shaped brooch Circa 1944-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Sterling 1.25” L x 1.50” W A Taxco brooch 20th Century; Taxco, Mexico Stamped: Taxco / 980 1.55” L x 3.25” W 70.4 grams gross $800-1,200

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A William Spratling silver bracelet

Circa 1933-1939, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Taxco / 980 Composed of an Aztec-motif motifs 7” L x 1.25” W 82 grams $600-800

A William Spratling silver and copper bracelet

Circa 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver / Sterling Designed with polished silver rectangular links alternating with copper spheres 6.85” L x .5” W 63.9 grams $500-700

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Two William Spratling silver jewelry items

Circa 1949-1956, Third Design Period; Taxco, Mexico Stamped for William Spratling; One stamped: 925 Comprising a geometric link necklace inlaid with a green hardstone (19” L x .425” W) and a bracelet with inlaid azurmalachite (7” L x .425” W), 2 pieces 88.5 grams $700-900 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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A William Spratling for Conquistador “Pendiente Estrella” pendant necklace

Circa 1949-1952, Second Design Period; Taxco, Mexico Pendant stamped for William Spratling; Further stamped: Sterling / De Mexico / Eagle 13 Large north star pendant with inlaid azurmalachite suspended from a chain 19.75” L x 3.625” H x 2.875” W 61 grams $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C. Morrill, “William Spratling and the Mexican Silver Renaissance: Maestros De Plata,” 2002, p. 239, fig. 372.

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102

A pai

Circa 1 Each s Each r Each a 132.5

$1,000

100

A William Spratling silver necklace

Circa 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Silver Featuring four silver plaques on a bead-set chain necklace 15.5” L x 1” H 19.9 grams $400-600 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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Proven

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A William Spratling silver and azurmalachite bracelet

Circa 1949-1952, Second Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Sterling / De Mexico / [Eagle] Likely Spratling for Conquistador, designed as an arrow-link bracelet inset with azurmalachite 7.25” L x .625” H 47.5 grams $600-800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

ir of William Spratling sterling silver and rosewood cuff bracelets

1956-1962, Third Design Period; Taxco, Mexico stamped for William Spratling; Further stamped: Taxco / Mexico / 925 rosewood cuff designed with inlaid silver discs in varying sizes, 2 pieces approximately: 6.125”-6.25” C x 1.325” H, wrist openings: 1.325”-1.5” grams

0-1,500

nance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of William Spratling silver and rosewood jewelry

Circa 1949-1956 and 1964-1967, Second and Third Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: 925 / Taxco Mexico / [indistinct eagle] / Eagle 30 Comprising two rosewood and silver link necklaces and a pair of vermeil screw-back earrings, 4 pieces Longer necklace: 51” L x .25” H; Shorter necklace: 17.75” L x .25” H; Each earring: .75” H x .25” W 158.5 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A set of William Spratling silver jewelry

Circa 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico Comprising a curbed link necklace designed as a heavy link chain (14.5” L x .75” W) en suite with bracelet (8” L x .75” W), 2 pieces 341.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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A William Spratling “Lorenzo” sterling silver and amethyst brooch Circa 1940-1946, First Design Period; Taxco; Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Sterling A stylized parrot profile set with a large cabochon amethyst 4.75” H x 1.25” W 62 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C Morrill and Carole A. Berk, “Mexican Silver: 20th Century Handwrought Jewelry & Metalwork,” 1994, p. 38, fig. III-16.

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106

A William Spratling silver and amethyst pendant necklace

Circa 1940-1944, First Design Period; Taxco Mexico Pendant stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver The cross set with five carved amethyst suspended from a chain, 2 pieces Chain: 2” L; Pendant: 3” H x 2.5” W 118 grams $800-1,200 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

107

A pair of William Spratling silver cuff bracelets

Circa 1933-1939, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Taxco / 980 Each oxidized concave cuff topped with six polished silver spheres, 2 pieces Each approximately: 7.75”-8” C x .45” H, wrist openings: .75”-1” 57 grams gross Each approximately: 6.125-6.25” C x 1.325” H; Wrist openings: 1.325-1.5” 57 grams gross $600-800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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Two William Spratling silver bracelets

Circa 1933-1939 and 1940-1946, First Design Period; Ta Stamped for William Spratling; Further stamped: Taxco Comprising a bracelet designed with triple cabochon tu polished silver spherical sections (6.75” L x 1.1” W) and spherical links (6.75” L x 1.65” W), 2 pieces 102.5 grams $800-1,200 Provenance: The Collection of Cindy Tietz-Hodosh and

108

A William Spratling “Tree of Life” silver and copper brooch

Circa 1940-1946, First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped Made in Mexico / Silver Designed as a polished silver abstract foliate motif topped with copper elements 4.25” L x 2” W 55 grams $1,200-1,800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C. Morrill, “William Spratling and the Mexican Silver Renaissance: Maestros De Plata,” 2002, p. 214, fig. 365.

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axco, Mexico / Made in Mexico / 980 / Silver urquoise links alternating with d one bracelet designed with triple

Stuart Hodosh

110

A pair of William Spratling silver bracelets

Circa 1940-1946, First Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Made in Mexico / Silver / Sterling Both designed as diagonal links topped with silver balls, 2 pieces Each: 7.5” L x 1.25” W 134 grams $800-1,200 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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A Hector Aguilar amethyst bracelet

Circa 1943-1948; Taxco, Mexico Stamped for Hector Aguilar; Further stamped: Made in Mexico / Sterling Designed as scrolled links topped with bezel-set tear drop-shaped cabochon amethysts 7”L x 1.5” W 143.5 grams $800-1,200

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112

A Hector Aguilar silver bracelet

Circa 1940-1945; Taxco, Mexico Stamped for Hector Aguilar; Further stamped: Taxco / Sterling Designed with stylized circular and scrolled links 7.25” L x 1.1” W 107.2 grams $800-1,200

113

Three Hector Aguilar silver bracelets

Circa 1940-1945; Taxco, Mexico Stamped for Hector Aguilar; Further stamped: Taxco Comprising a bracelet designed with studded links with ball-form hinges (6” L x 1” W), a bracelet designed with “V” shaped links topped by triple spheres (7” L x 1.5” W), and a bracelet of rectangular links joined by triple bails (6.5” L x 1” W), 3 pieces 274 grams gross $800-1,200

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A Los Castillo silver necklace

1940; Taxco, Mexico Stamped: Los Castillo / Sterling / Made in Mexico / Sterling / 262 Designed with stylized swirl links, ball joints, and hook and eye closure 17” L x 1” H 180 grams $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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115

An assembled set of Los Castillo Jewelry

Circa 1940; Taxco, Mexico Each stamped: Los Castillo / Taxco / Sterling / Made in Mexico; Necklace numbered: 262 Comprising a necklace designed with stylized swirl links, ball joints, and with hook and eye closure (18” L x 1.75” H) and a similarly-styled rigid cuff (7.75” C x 1.75” H, wrist opening: 1.25”), 2 pieces 362 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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116

Four Hubert Harmon stone-set rings

Circa 1942-1948; Taxco, Mexico Stamped with winged feet for Hubert Harman; Further stamped: Made in Mexico Comprising a ring set with a high domed amethyst (ring size: 8 with adjustable back), a ring set with three elongated cabochon amethysts (ring size: 7.75), a fish scale ring topped with a round cabochon amethyst (ring size: 7.5), and a serpent-style ring topped with domed turquoise (ring size: 5.75), 4 pieces 80 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

119

Two Hubert Harmon mixed-metal cuff bracelets

Circa 1942-1948; Taxco, Mexico One stamped: Hubert Harmon / Mexico; One stamped with winged feet for the artist Each designed with copper spheres on a brass cuff, 2 pieces Larger: 7.75” C x 3” H x 2.75” D, wrist opening: 1.75”; Smaller: 7.75” C x 3” H x 1.75” D, wrist opening: 1.65” 214 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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118

A Hubert Harmon mixed-metal bomb-motif necklace

Circa 1940; Taxco, Mexico Stamped: Hubert Harmon Mexico The brass link neck chain suspending two brass and copper “bomb” pendants 16” L x 3.75” H 102.8 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

117

A Hubert Harmon silver and metal belt

Circa 1944-1948; Taxco, Mexico Stamped for Hubert Harmon; Further stamped: Sterling / Made in Mexico Designed as two hands pulling a silver chain suspending two metal spheres on a black suede strap, 2 pieces 11” W x 6” H $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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120

Two Piedra y Plata silver jewelry items

Third-quarter 20th Century; Taxco, Mexico Each stamped: Martinez / Piedra y Plata / Taxco / No. 101 Designed by Felipe Martinez, comprising a necklace of concave polished silver links alternating with graduated turquoise tablets (14.5” L x .9” H) and a bracelet of similar design set with obsidian, carnelian, lapis lazuli, tiger’s eye, turquoise, and amethyst (7” L x .6” W), 2 pieces 173 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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121

An assembled set of Piedra y Plata obsidian jewelry

Third-quarter 20th Century; Taxco, Mexico Each stamped: Martinez / Piedra y Plata; Numbered: 75 / 230; Ring with indistinct marks Designed by Felipe Martinez, comprising a necklace of graduated obsidian tablets flanked by polished silver curb links (16” L x 1” H), a bracelet of similar design (6.5” L x 1” W), a similar pair of screw-back earrings (.75” Dia.), and a similarly-styled ring (ring size 5.25), 5 pieces 235.5 grams gross $1,500-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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122

An Antonio Pineda sterling silver and amethyst cuff bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antion Pineda; Further stamped: Eagle 17 / Hecho en Mexico / Silver / 970 / ZZ733 The rigid concave design centering a line of ‘spiked’ amethyst cones 6.25” C x 1.425” H, wrist opening: 1” 86 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Stuart Hodosh, et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 149, plate 194.

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123

An Antonio Pineda sterling silver and amethyst cuff bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 / Silver The rigid cuff with silver latticework design interspersed with ‘spiked’ silver and amethyst domes 6.5” C x 1.75” W, wrist opening: 1.25” 129 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Stuart Hodosh, et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 148, plate 191.

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124

A set of Antonio Pineda sterling silver and amethyst jewelry

Circa 1953-1979; Taxco, Mexico Crown for Antonio Pineda; Each variously stamped: Eagle 208 / JVL Taxco / 970 / Sterling Comprising a necklace of silver stylized rectangular links alternating with loaf shaped amethysts (15” L x .65” W) en suite with a bracelet (7” L x .65” W), 2 pieces 258 grams $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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125

A set of Antonio Pineda sterling silver and onyx jewelry

Circa 1953-1979; Taxco, Mexico Necklace stamped: Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 / Silver Comprising a collar necklace with links consisting of two opposing onyx triangles set into silver bars (17.5” L x 1.25” H) with a pair of unmarked post-back earrings of matching design (1.5 L x .65” W), 3 pieces 193 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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126

An Antonio Pineda sterling silver and obsidian cuff bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / Silver / 970 / ZZ751 Topped with kite-shaped inlaid obsidian 6.75” C x 1.425” W, wrist opening: 1.25” 108.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This bracelet illustrated: Stuart Hodosh, et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 145, plate 185.

127

A set of Antonio Pineda sterling silver and onyx “Matchstick” jewelry Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Sterling / Mexico / Silver / 970 / YY436 Comprising a necklace designed with graduated silver bars with plateau-shaped onyx tips threaded by three chains (16” L x 1.5” H) en suite with a pair of clipback ear pendants (2” L), 3 pieces 167 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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128

A set of Antonio Pineda sterling silver and onyx “Matchstick” jewelry

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17/ [indistinct eagle] / Hecho en Mexico / Silver / 970 / ZZ514 Comprising a bracelet designed with matchstick silver segments tipped with onyx tablets (7” L x 1.75” W) en suite with matching screw back ear pendants (2.125” L), 3 pieces 129.5 grams $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This necklace and earrings illustrated: Stuart Hodosh, et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 50, plate 39.

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129

An assembled set of Antonio Pineda sterling silver and onyx jewelry

Circa 1941-1950 and 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: Eagle 208 / Eagle 17 / AP / Mexico / Silver / ZZ219 / Sterling / 970 / JVL / Taxco Comprising a necklace consisting of concave silver links alternating with convex onyx (15” L x .85” H), a similar style bracelet (6.4” W x 1” W), and a pair of screw-back concave earrings (.85” L x .65” H), 4 pieces 307 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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131

A set of Antonio Pineda sterling silver and obsidian jewelry

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / silver / 970 / ZZ700 The bracelet with “X” shaped curved bars terminating with teardrop cabochon obsidian (7” L x 1.5” W) en suite with a pair of screw-back earrings (1.5” L x 1” W), 3 pieces 101.4 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

130

Three Antonio Pineda sterling silver and onyx bracelets

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further variously stamped: Eagle 121 / Eagle 17 / Eagle 58 / Hecho en Mexico / 970 Comprising a bracelet of carved onyx domed links (6.75” L x .9” W), a link bracelet alternating with square tablet-cut onyx (7” L x 1” W), and a “U” link bracelet alternating with round tablet-cut onyx (6.75” L x .75”W), 3 pieces 286.3 grams $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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132

An Antonio Pineda silver and amethyst necklace

Circa 1941-1950; Taxco, Mexico Stamped for Antonio Pineda; Further stamped: Mexico / Silver The rectangular-link chain suspending amethyst drops alternating with teardrop silver bells 16.5” L x 3.125” H 115 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This necklace illustrated: Stuart Hodosh, et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 116, plate 133.

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133

An Antonio Pineda silver and amethyst necklace

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / YY468 / Made in Mexico / Silver / YY468 Designed with stylized curved links alternating with round cabochon amethysts 15”L x 1” W 218.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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134

An Antonio Pineda sterling silver, synthetic sapphire, and pearl necklace

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 Comprising a modernist pendant featuring a pear-shaped synthetic color changing sapphire and cultured pearl suspended from an attached bar link chain, 2 pieces 19” L x 2.5” H 53 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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135

An Antonio Pineda sterling silver and amethyst bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / Silver / 970 / ZZ781 Designed as stylized latch-shaped links set with elongated domed amethysts 7” L x 1.25” W 126.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

136

An Antonio Pineda sterling silver and moonstone bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Sterling / Mexico / 970 An abstract link bracelet set with eight oval cabochon moonstones 6.75” L x .85” W 82 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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137

An Antonio Pineda sterling silver and amethyst bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Silver / 970 / Hecho en Mexico The tapered bracelet of stylized silver arrow motif links alternating with elongated oval cabochon amethysts links 6.75” L x .55”-.75” W 74 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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139

An Antonio Pineda silver and amethyst bracelet

Circa 1949-1953; Taxco, Mexico Stamped: Silver by Tono / ZZ242 / Mexico The stylized triangular-link bracelet set with onyx cabochons 7.75” C x 1.25” H $500-700

138

An Antonio Pineda sterling silver and amethyst bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 Stylized horse shoe motif set with round cabochon amethysts 6.5” L x .75” W 70 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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140

A set of Antonio Pineda sterling silver jewelry

Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 / Silver Comprising a bracelet with square links offset with rectangular-cut synthetic blue spinel (6.75” L x .75” W) en suite with a pair of screw-back earrings (.75” L x .65” W), 3 pieces 97 grams $600-800

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141

An assembled set of Antonio Pineda silver jewelry

Circa 1941-1950 and 1949-1953; Taxco, Mexico Stamped for Antonio Pineda; Jewels by Antonio; Further stamped: Silver / Mexico / PR495 Comprising a necklace with the attached pendant backed with a pin, together with a brooch designed with Pre-Columbian motifs, each suspending bell fringe, 2 pieces Necklace: 17” L x 6” H x 1.625” W; Brooch: 2.5” H x 1” W 78.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This brooch illustrated: Stuart Hodosh, et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 38, plate 28.

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142

An Antonio Pineda 14k yellow gold pendant/brooch

Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: 14k yellow gold An ornamental style brooch featuring a bird head holding a medallion-style panel suspending teardrop bells 2.5” L x 1” W 15.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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143

A set of Antonio Pineda sterling silver and synthetic sapphire jewelry

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: Eagle 2 / Eagle 17 / Sterling / Mexico / Silver / 970 / JVeles / Taxco Mexico A necklace designed with open teardrop links and round bezel-set color change synthetic sapphires (17” L x .65” W) en suite with a bracelet (6.5” L x .65” W), 2 pieces 132.5 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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144

A set of Antonio Pineda sterling silver and aventurine quartz jewelry

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: Eagle 17 / Hecho en Mexico / Silver / 970 Comprising a necklace set with oval cabochon aventurine quartz offset by stylized scalloped silver framework (14” L x .75” H) en suite with a bracelet (7.5” L x .75” W), 2 pieces 238 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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145

A set of Antonio Pineda moonstone jewelry

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 / Z658Z Comprising a bracelet with trapezoidal links topped with oval cabochon moonstones (6.5” L x .85” W) en suite with a pair of screw-back ear pendants (1.2” L x .85” W), 3 pieces 125.5 grams gross $1,000-1,500

146

A set of Antonio Pineda silver, moonstone, and pearl jewelry

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: JVL Taxco / [indistinct eagle marks] Comprising a bracelet of a circular links offset with cabochon moonstone and cultured pearls (7.25” L x .75” W) and a matching ring (ring size: 7), 2 pieces 84.5 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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147

An Antonio Pineda sterling silver and cat’s eye moonstone necklace

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Silver / 970 / Hecho en Mexico Comprising of trapezoid panels inset with cabochon cat’s eye moonstone 16” L x 1” H 213.5 grams $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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148

Two Antonio Pineda sterling silver and moonstone bracelets

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: Eagle 17 / Hecho en Mexico / 970 / Silver / Sterling / Mexico Comprising a curved link bracelet set with oval cabochon moonstone (7” L x .6” W) and a rectangular openwork bracelet set with oval cabochon moonstones (6.5” L x .9” W), 2 pieces 154.5 grams $1,500-2,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

150

An Antonio Pineda sterling silver and pearl cuff bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 / ZZ864 Designed as an undulating cuff with applied silver wave and a single gray cultured pearl 7” C x 1.1” H, wrist opening: 1” 78 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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149

An Antonio Pineda sterling silver and moonstone necklace

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / 970 / Hecho en Mexico A collar necklace featuring square stylized links inset with ten round cabochon moonstones 15” L x .75” W 108.6 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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151

An Antonio Pineda silver bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / Silver Designed with polished half circle links centering silver spheres 7.5” C x 1” W 130.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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152

An Antonio Pineda sterling silver cuff bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 / ZZ8 A tapered stylized twist open cuff 7.25” C x 3.50” H, wrist opening: 1.5” 105.9 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

153

An Antonio Pineda sterling silver and azurmalachite cuff bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 The tapered rigid cuff featuring diamond shape inlay of azurmalachite 6.75” C x .5”-1.1” W, wrist opening: 1.5” 49.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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154

Two Antonio Pineda sterling silver and hardstone bracelets

Circa 1953-1970; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: Eagle 17 / Hecho en Mexico / 970 / ZZ767 / Sterling / Mexico / Silver Comprising an onyx bracelet in a stylized latch motif topped by spheres and alternating with dome onyx tablets (7” L x 1” W) and a bracelet alternating with polished concave links alternating with domed obsidian segments (7.25” L x .75” W), 2 pieces 137 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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155

A group of Antonio Pineda sterling silver bangle bracelets

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Each variously stamped: Eagle 17 / Eagle 3 / Silver / Hecho en Mexico / 970 / Mexico / Sterling / Taxco / 925 / JHT Comprising two pairs of polished bangle bracelets (8” C x .25” W and 7.85” x .125” W) and four bangle bracelets detailed with a half round cut-out pattern (8” L x .125” W), 8 pieces 195.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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156

An Antonio Pineda silver and glass ashtray

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Hecho en Mexico / Eagle 17 / Silver / 970 The black glass ashtray flanked by curved silver plates raised on a wood base 1.125” H x 9.5” W x 3.25” D 22.55 gross oz. troy approximately $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This piece illustrated: Stuart Hodosh, et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 170, plate 245.

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157

An Antonio Pineda sterling silver and obsidian belt buckle

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / Silver / 970 / PZ174 The oval belt buckle designed with seven bars of obsidian 5.75” W x 2” H 146.5 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This belt buckle illustrated: Stuart Hodosh, et al., “Silver Seduction: The Art of Mexican Modernist Antonio Pineda; from the Collection of Cindy Tietze and Stuart Hodosh,” 2008, p. 142, plate 178.

158

An Antonio Pineda mixed-metal belt buckle

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / Silver / 925 / PZ135 The sterling silver and mixed-metal belt buckle with a stylized brass “X” motif 3” L x 5.35” W 95 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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159

An Antonio Pineda Lascaux-inspired sterling silver necklace

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 / Silver / YY581 The pendant designed with a Lascaux-inspired hunting scene on a black velvet cord with silver endcaps, 2 pieces Pendant 2.5” L x 5” W 99 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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160

An Antonio Pineda Lascaux-motif sterling silver necklace

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 The trapezoid pendant designed with a Lascaux-inspired hunting scene suspended from an attached curved bar silver neck chain 18” L x 2.25” H 74.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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161

An Antonio Pineda silver and suede belt

Circa 1949-1953; Taxco, Mexico Stamped: Jewels by Antonio; Further stamped: Taxco / Mexico / PZ115 Comprising stylized “X” motif belt buckle with three silver conchos on a black suede belt, 5 pieces Buckle: 2.6525” H x 5.5” W; Concho: 2.625” H x 2.5” W; Belt: 39” L x 2.125” H 301 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Previously sold John Moran Auctioneers, Inc., Lot #1110, August 16, 2020

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162

An Antonio Pineda sterling silver, tiger’s eye, and pearl pendant

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Sterling / [partially rubbed Taxco] / 925 Designed as an abstract cross centering an oval cabochon tiger’s eye with three cultured pearl accents on velvet cord with silver spherical tips, 2 pieces Pendant: 3” L x 1.75” W 62.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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164

An Antonio Pineda sterling silver and carnelian bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 A stylized knot link bracelet alternating with inlaid oval carnelian links 7” L x .85” W 59 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

163

An Antonio Pineda sterling silver and tiger’s eye bracelet

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [indistinct eagle] / Hecho en Mexico / Silver / 970 A geometric hinged bracelet set with square pyramidal tiger’s eye 7” L x .75” W 106.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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165

A assembled set of Antonio Pineda sterling silver and tiger’s eye jewelry

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 208 / Sterling / 970 / JVL Taxco Comprising a graduated necklace designed with interlocking links topped with oval cabochon tiger’s eye and centering two larger dyed blue tiger’s eye stones (18” L x .65” H) with a similarly-styled bracelet ( 7” L x .75” W), 2 pieces 243 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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166

An Antonio Pineda silver, obsidian, and onyx necklace

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: [indistinct eagle] / JVL Taxco / Sterling / 970 Comprising cylindrical links of onyx and obsidian alternating with ribbed silver segments 16” L x .25” W 106 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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167

An Antonio Pineda sterling silver necklace

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Silver / 970 / Sterling / Mexico The hinged, rigid collar comprising diagonal silver strips tipped with spheres 16” L x 1” H 136 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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168

An Antonio Pineda sterling silver figural necklace

Circa 1962-1963; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: 970 / Los Castillo / Soc Coop Scl Sec 2 A round bead link necklace suspending a stylized hand pendant 34” L x 1.5” H 61.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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169

An Antonio Pineda silver and copper necklace

Circa 1941-1950; Taxco, Mexico Stamped: AP [Antonio Pineda] / Mexico / Silver A stylized silver necklace detailed with copper and silver dot patterning 17” L x .85” W 125.1 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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170

An Antonio Pineda sterling silver and multi-gemstone brooch

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 17 / Hecho en Mexico / 970 Designed as an abstract wheat sheaf brooch set with oval cabochon moonstone and speckled blue/green stones 3.75” L x 3” W 42 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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172

An Antonio Pineda sterling silver and chrysoprase ring

Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: 925 / [illegible markings] The modernist ring features an oval cabochon chrysoprase Ring size: 5.75 10 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

171

Four Antonio Pineda sterling silver rings

Circa 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Further stamped: Eagle 3 / Eagle 17 / Hecho en Mexico / 970 / JVL Taxco / Silver / 925 Comprising a ring topped with four elongated cabochon amethyst tablets (ring size: 9.25), a ring topped with a rectangular-cut amethyst (ring size: 7.5), a polished dome ridge ring (ring size: 8.75), and a zig-zag ring (ring size 6), 4 pieces 57.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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173

A Margot de Taxco Mexican silver and enamel necklace

Third-quarter 20th Century Stamped: Margot De Taxco / Hecho en Mexico / No. 5586 Designed with white enamel and silver dot patterned rectangular links 14” L x 1” H 140.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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174

A Margot de Taxco Mexican silver and enamel pendant/brooch

Third-quarter 20th Century Pendant stamped: Margot De Taxco / Hecho En Mexico/ No. 5752 Comprising a yellow-brown circle pendant/brooch with detachable chain, 2 pieces 21” L x 2.5” H 84.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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175

A suite of Margot de Taxco “Serpent” silver and enamel jewelry

Third-quarter 20th Century; Taxco, Mexico Bracelet and bolo stamped: Margot de Taxco / Hecho en Mexico; Some stamped: Sterling; Each stamped and numbered: Eagle 16 / 5554 Designed by Margot van Voorhies, comprising a bolo tie (2.625” Dia.), a bracelet (6” C x 1.5” H), two flexible rings (sizes 9.5 and 11.25), and a pair of ear clips (1.75” H x 1” W), 7 pieces 105.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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177

A group of Margot de Taxco Mexican silver “Zodiac” charms

Third-quarter 20th Century Stamped: Margot De Taxco / Hecho En Mexico; Further numbered: 5230 / 5223 / 5221 / 5232 / 5229 / 5224 / 5233 / 5226 / 5225 / 5227 / 5228 Comprising six circle charms and five blue circle charms, one suspended on an attached chain, 12 pieces Chain: 25” L; Charms: 1.5” Dia. 282.5 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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176

A pair of Margot de Taxco silver bracelets

Third-quarter 20th Century Each stamped: Margot De Taxco / Hecho in Mexico / 5201 Comprising two matching “AM PM” bracelets suspending hour glass charms, 2 pieces Each bracelet: 7” L x .65” W; Charm: 1.95” L x 1” W 124 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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178

A suite of Margot de Taxco Mexican silver jewelry

Third-quarter 20th Century Stamped: Margot de Taxco / No. 5580 Comprising a hinged cuff swirl necklace (12” L x 1.25” H), a matching hinged bangle (6.5” L x 2.5” W), a similar pendant/brooch (1.5” L x 1.25” W), and pair of post-back earrings (each: 1.25” H x .75” W), 5 pieces 151.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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179

A set of Margot de Taxco silver and enamel jewelry

Third-quarter 20th Century Stamped: Margot de Taxco / Made in Mexcio / No. 5623A Comprising a crown link necklace embellished with green, yellow, and red enamel (15” L x 1.75” H) en suite with a pair of screw-back ear pendants ear clips (1.1” L x 1” W), 3 pieces 76.4 grams gross $400-600 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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180

181

Third-quarter 20th Century Stamped: 5899; Chain attributed to Taxco Comprising a green and black enameled pendant/brooch with detachable chain (20” L x 2” H), a hinged plaque bracelet (7.5” L x 1” W), and a pair of matching screw-back earrings (1” L x .5” W), 5 pieces 122.5 grams

Third-quarter 20th Cent Variously stamped: 5870 Comprising two criss-cro (7.5” L x .75” W), a knot three pairs of various scr 242.5 grams

A suite of Margot de Taxco “Stepped Curl” silver and enamel jewelry

$600-800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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A group of Margot d

$1,000-2,000

Provenance: The Collect

de Taxco silver jewelry

tury 0 / 5708 / 5195 / 5709 / 5433 / 5357 oss bib necklaces (17” L x 1.5” H and 16.5” L x 1.5” H), a similar style criss-cross bracelet t style hinged bangle bracelet (7” L x .75” W), an “X” link bracelet (7” L x .75” W), and rew-back earrings (largest: 1.5” L x .8” W), 11 pieces

tion of Cindy Tietze-Hodosh and Stuart Hodosh

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182

A group of Margot de Taxco Mexican hammered silver jewelry

Third-quarter 20th Century Variously numbered: 5195 / 5684 / 5417 / 5634 Comprising a two-tone hammered bib necklace (13.5” L x 2” H), a wide hinged bangle bracelet (7” L x 2” W), a knotted pendant brooch (2” L x 2.75” W), and a pair of clip-back ear clips (1.25” L x .45” W), 5 pieces 233 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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183

A group of Margot de Taxco silver and enamel jewelry

Third-quarter 20th Century Comprising seven figural brooches consisting of two donkeys, one cowboy, one man with a hat, one farmer on a cart with a donkey, one juggler with umbrellas, and a matador bolo tie, 7 pieces Cowboy brooch: 2.5” L x 1.5” W 109 grams (with bolo tie) $800-1,200 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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184

A group of Margot de Taxco silver and enamel jewelry

Third-quarter 20th Century Comprising two Aztec figure pendant/brooches with detachable chains (18” L x 1.75” H and 20” L x 2” H), a round dragon brooch (2.6” Dia.), and male profile portrait (3.5” L x 2.25” W), 6 pieces 208.5 grams $700-900 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

186

A group of Margot de Taxco “Plump Fish” silver and enamel jewelry

Third-quarter 20th Century Stamped: Margot de Taxco / Hecho en Mexico / 5844 Comprising a fish pendant/brooch with detachable chain (20” L x 2” H), a pair of screw-back ear pendants (1.25” L x 1” W), and two brooches (1.5” L x 2” W and .85” L x 1” W), 6 pieces 83.5 grams $500-700 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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185

A group of Margot de Taxco Mexican silver and enamel jewelry

Third-quarter 20th Century Stamped: Margot De Taxco / Hecho en Mexico; Further numbered: 5644 / 5693 / 5693 Comprising an enameled swirl link necklace centering a fish (14.5” L x 1.65” H), a cord bolo tie with enameled silver fish and fish tips (17.5”L), and two green enameled fish brooches (each: 1” L x 1.75” W), 4 pieces 138 grams gross $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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187

A Fred Davis silver Matador brooch

Pre-1948; Mexico City, Mexico Stamped: FD [Fred Davis] / Silver / Mexico A three-dimensional bull and matador scene brooch 3” H X 4” W 44.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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188

A suite of Fred Davis silver and turquoise jewelry

Pre-1948; Mexico City, Mexico Stamped: FD [Fred Davis] / Silver / Mexico; Ring and earrings attributed to Davis Comprising a collar necklace consisting of rectangular clusters of silver half-spheres and cabochon turquoise (15.1” L x 1.5” H) en suite with a wide bracelet (6.5” L x 1.75” W), a plaque ring (ring size: 10), and a pair of screw-back earrings (1” L), 5 pieces 308 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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189

An assembled suite of Fred Davis silver and amethyst jewelry

Pre-1948; Mexico City, Mexico Stamped: FD [Fred Davis] / Silver / Mexico Comprising a necklace with oval silver and cabochon amethyst segments (16” L x .85” H) together with a cushion cabochon amethyst link bracelet (9” L x .85” W) and a pair of screw back earrings (.75” W), 4 pieces 171.5 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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192

A suite of Fred Davis silver and turquoise jewelry

Pre-1948; Mexico City, Mexico Stamped: FD [Fred Davis] / Silver / Mexico; Earrings attribut Comprising a stylized caviar link necklace set with cabochon en suite with a matching bracelet (6.5” L x .75” W) and a pa L x .75” W), 3 pieces 117 grams $1,000-2,000

Provenance: The Collection of Cindy Tietze-Hodosh and Stu

190

A group of Fred Davis silver figural brooches

Pre-1948; Mexico City, Mexico Stamped: FD [Fred Davis] / Silver / Mexico / Made in Mexico Comprising a dancer (3.5” L x 2” W), two women bearing fruit baskets (3” L x 2.25” W & 2.35” L x 1.5” W), and a guitar player (2.5” L x 1.5” W), 4 pieces 91.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

191

A pair of Fred Davis sil

Pre-1948; Mexico City, Me Stamped: FD [Fred Davis] Comprising a pair of stylize 2 pieces Each: 4” L x 2” W 47 grams $400-600

Provenance: The Collectio

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ted to Davis n turquoise (16” L x .75” W) air of screw-back earrings (1”

uart Hodosh

lver and amethyst hair combs

exico / Made in Mexico / Silver ed hair forks, each featuring three cabochon amethysts,

on of Cindy Tietze-Hodosh and Stuart Hodosh

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193

A set of Fred Davis silver and amethyst jewelry

Pre-1948; Mexico City, Mexico Stamped: FD [Fred Davis] / Made in Mexico / Silver / Mexico Comprising a chevron link necklace featuring a large cushion shaped cabochon amethyst (13.5” L x 1” W) and a matching bracelet ( 7.5” L x 1.1” W), 2 pieces 152 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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194

A group of Fred Davis silver bracelets

Pre-1948; Mexico City, Mexico Stamped: FD [Fred Davis] / Mexico / Silver / Made in Mexico Comprising a wide hinged bangle with a stylized deer open panel motif (7.5” L x 1.75” W), a rectangular panel bracelet with wave patterning (7.25” L x 1.25” W), a rectangular link bracelet with dot patterning (7” L x .75” W), and a domed ridged link bracelet (7” L x .5” W), 4 pieces 310 grams $1,000-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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195

Three Fred Davis silver and turquoise bracelets

Pre-1948; Mexico City, Mexico Stamped: FD [Fred Davis] / Silver / Made in Mexico / Mexico Comprising a bracelet designed with twin rows of polished silver domes flanked by round cabochon turquoise (7.5” L x 1.5” W), a bracelet designed with a single row of polished rectangular silver links flanked by a triple dot motif set with round cabochon turquoise (6.5” L x 1.25” W), and a bracelet designed with polished hour glass shaped links alternating with twin rows of round cabochon turquoise (7” L x 1” W), 3 pieces 179.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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196

A group of Fred Davis silver and obsidian mask jewelry

Pre-1948; Mexico City, Mexico Variously stamped: FD [Fred Davis] / Made in Mexico / Silver / Mexico Comprising three carved obsidian mask brooches of various motifs and sizes and a carved obsidian ring (ring size: 7.5), 4 pieces Largest: 3” L x 2.5” W 95 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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197

A group of Fred Davis jewelry

Second-quarter 20th Century; Mexico City, Mexico Each stamped: FD [Fred Davis] Comprising a bracelet designed with carved black onyx mask links alternating with polished silver triangular links (6” L x .65” W) en suite with a pair of screw-back earrings (.75” L x .75” W) and a ring (ring size: 7), a fruit basket figural brooch (2.25” L x 1.75” W), and a flower brooch (2” L x 3” W), 6 pieces 74 grams gross $500-700

198

A group of Fred Davis silver and amethyst jewelry

Pre-1948 and Post-1948; Mexico City, Mexico Variously stamped: FD [Fred Davis] / Made in Mexico / Silver / Mexico / Eagle 22; One earring set attributed to Davis with hallmark covered by screw backing; One earring set attributed to Davis with no hallmarks Comprising a stylized medallion amethyst set link bracelet (7” L x 1” W) together with two matching brooches (2” L x 1.75” W and 1” L x 1” W), a pair of matching screw-back earrings (1.25” Dia.), and a pair of round cabochon amethyst screw-back earrings (.75” Dia.), 7 pieces 101.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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199

Two pairs of Mexican silver and amethyst earrings

Circa 1939-1953 Stamped: Toni’s Silver AP Mexico; Further stamped: AP Comprising a pair of curved panel screw-back earrings set with three faceted amethysts (.75” L x .75” W) and a pair of “L” shaped screw-back earrings centering an elongated domed amethysts (.75” L x .5” W), 4 pieces 25.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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201

Three Mexican silver bracelets 20th Century Three pieces

A four-panel bracelet Stamped for Los Ballesteros With Aztec styled figures 7” L x 2” W A stylized “X & O” bracelet Unmarked 7” L x .75” W A cushion plaque link hinged bangle bracelet Unmarked With weave patterning 7.5” L x 2” W 357 grams gross $500-700

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200

Two hinged Mexican sterling silver bangle bracelets Mid-20th Century Two pieces

A Villasana repousse cuff Stamped: Villasana / Hecho en Mexico / Eagle 3 / Sterling / 925 7” C x 3” W A Balladeres swirl and sphere patterned bracelet Stamped: Balladeres / Mexico / Sterling / 925 6.75” C x 2” H 78.9 grams gross $300-500

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202

A group of Mexican silver jewelry Mid-20th Century

A Los Castillo brooch with simulated sapphire cabochon Circa 1950-1965; Taxco, Mexico Stamped for Los Castillo; Further stamped: Eagle 15 2.75” L x 2” W A Los Castillo blue glass cabochon bracelet Circa 1940-1945; Taxco, Mexico Stamped for Los Castillo; Further stamped: Taxco / Sterling / Mexico / 695 6.5” L x .75” W A Hubert Harmon sterling silver figurative brooch Mid-20th Century; Mexico City, Mexico Stamped indistinctly; Further stamped: Hecho en Mexico / 925 Set with onyx 2.5” L x 2.75” W A Margot de Taxco sterling silver Virgo pendant Circa 1948-1978; Taxco, Mexico Stamped for Margot de Taxco; Further stamped: Sterling / Made in Mexico / 5228 / Eagle 16 With a neck chain, 2 pieces Pendant: 1.50” Dia. A pair of Margo de Taxco sterling silver earrings Circa 1948-1978; Taxco, Mexico Each stamped for Margot de Taxco; Further stamped: Sterling / Made in Mexico / 5460 / [indistinct eagle] 2 pieces Each: 2” L x 1.35” W An blue stone figural perfume bottle Mid-20th Century Unmarked 1.25” L x 1” W 7 pieces total 133 grams gross $500-700

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203

A group of silver jewelry 20th Century Four groupings

A set of Mexican sterling silver and domed copper jewelry Stamped: Hecho en Mexico / Silver / 925 / EMF Comprising a necklace (16.5” x .75” W), a bracelet (7” L x 1.75” W), and a pair of screw-back earrings (.75” L x 1” W), 4 pieces A Mexican sterling silver and amethyst bracelet Stamped: Sterling / Mexico 7” L x 1.25” W A Mexican cast silver domed bracelet Stamped: Silver / Made in Mexico 7” L x .75” W” A set of silver Danecraft leaf jewelry Stamped: Danecraft / Sterling Comprising a necklace (16” L x 0.75” W) with matching clip-back leaf earrings (each: 1.25” H x .75” W), 3 pieces 9 pieces total 240 grams gross $400-600

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204

Four Mexican silver and stone necklaces 20th Century Four pieces

A tablet necklace of turquoise Stamped: BR / Hecho en Mexico 14.5” L x .5” W A tablet necklace of onyx Stamped: 925 / Hecho en Mexico 15” L x .5” W A tablet necklace of amethyst Stamped: sterling / Mexico 18” L x .75” W An arrow link necklace of amethyst Stamped: BR / Hecho en Mexico 15” L x .75” W 243 grams gross $400-600

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205

A group of Mexican silver jewelry

Third-quarter 20th Century Each stamped: Mexico; One stamped: VKE / Agua / Mexico / Sterling; One stamped: Silver Comprising a jasper bracelet (7.325” L x 1.75” H) and a silver and purple glass bracelet (5.75” L x .75” H) with matching screw-back earrings en suite (.5” H x .325” W), 4 pieces 87 grams gross $300-500

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206

A group of Raphael Melendez jewelry

Circa 1940; Taxco, Mexico Stamped for Raphael Melendez; Further stamped: Taxco / 980 Comprising a floral link necklace topped with round cabochon turquoise (16” L x 1” W) en suite with a bracelet (6.5” L x 1” W) and a rigid cuff bracelet topped with a round cabochon turquoise (6.75” C x 1” W, wrist opening: 1.1”), 3 pieces 188.5 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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207

Two Salvador Terán sterling necklaces

Third-quarter 20th Century Each stamped: Salvador / Mexico / Silver Comprising an abstract squiggle necklace set with seven cultured pearls (15.5” L x 1” H) and a necklace with puzzle piece links set with eleven cultured pearls (16” L x .75” H), 2 pieces 177 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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208

A set of Salvador Terán sterling jewelry

Third-quarter 20th Century Each stamped: Salvador / Mexico / Silver Comprising a collar necklace designed with central circle patterning (15” L x .75” H) en suite with a hinged bangle bracelet with personalized engraving on the reverse (6.5” C x .75” W), 2 pieces 126 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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209

Two Horacio de la Parra amethyst jewelry pieces

Second-quarter 20th Century; Taxco, Mexico Stamped: Parra [Horacio de la Parra] / Mexico / 925 Comprising a necklace centering repousse links suspending oval cabochon amethysts attached by a link chain (17”L x 1.25” H) and a bracelet of curved links centering round cabochon amethysts (6.75” x 1.5”), 2 pieces 159.6 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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210

Two Horacio de la Parra amethyst jewlery pieces

Second-quarter 20th Century; Taxco, Mexico Stamped: Parra for Horacio de la Parra, Mexico / 925 Comprising a necklace of double curbed link chains suspending round cabochon amethysts (15.5” L x 1” W) en suite with a bracelet (6.5” L x 1” W), 2 pieces 168 grams gross $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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211

A Pre-Columbian pottery shard necklace

Pre-historic or later With diminutive vessel-shaped beads and a central carved stone fish pendant 31” L; Case: 16.125” H x 12.125” W $500-700

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Consign Today

Art of the American West August 31, 2021

A Navajo Germantown blanket, 1904 Consisting 12 sampler panels, 60” x 80” $4,000-6,000 Consignment and Auction Inquiries: marandam@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

Consign Today

Fine Jewelry & Timepieces September 21, 2021 A pair of sapphire and diamond earrings $8,000-12,000

Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

Condition

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n Reports

w w w. j o h n m o r a n . c o m 2 2 1

1 Generally good condition Overall: 8.5” H x 8.5” W x 1.25” D 2 Generally good condition. Very slight cockling along the sheet edges presumably attendant with the original drying process. Frame: 27” H x 32” W x 1.5” D 3 Generally good condition. The full sheet deckled on all sides. Framed floating and mounted to the back mat. Not examined out of the frame. Frame: 45.25” H x 37.5” W x 1.5” D 4 Generally good condition. Artist pinholes in all but the bottom corner. Occasional very soft creasing showing mostly at the tips of the top and bottom sheet corners. A small loss to the tip of the left sheet corner (probably attendant with the manufacture). Not examined out of the frame. Frame: 35” H x 29.5” W x 3” D 5 Generally good condition. Artist pinholes in all but the bottom corner. The paper slightly raised down the center and across the middle due to mounting process. Framed floating and mounted to the back mat.

Condition Reports

Frame: 33.5” H x 28.5” W x 3”D

222

8 Generally good condition. The paper slightly toned. Not examined out of the frame. Frame: 34” H x 27.25” W x 1.25” D 9 Generally good condition. The paper with full margins deckled on all sides. The paper very slightly toned. A 1.5” crease in the lower margin at left. Minor handling creases lightly scattered throughout. Framed floating and hinged to the back mat. Frame: 26.25” H x 32.25” W x 1.75” D 10 Generally good condition. The paper slightly toned. Not examined out of the frame. Frame: 34” H x 27.25” W x 1.25” D 11 Generally good condition. A few tiny, very unobtrusive foxmarks showing mostly in the margins. Not examined out of the frame. Frame: 25” H x 21” W x 2” D 12 Overall good condition with minor scuffs and oxidation to bronze commensurate with age. Wood plinth with scattered scuffs, scratches, and indentations. With base: 51” H x 14” W x 11” D

6 Generally good condition. Framed floating and mounted to the back mat. Not examined out of the frame.

13 Generally good condition. The full sheet, deckled on all sides. Soft creasing in the lower sheet corners (more noticeable at the lower left than lower right). Framed floating and mounted to the back mat. Not examined out of the frame.

Frame: 33.5” H x 28.5” W x 1.25” D

Frame: 35.5” H x 45.75” W x 2” D

7 Generally good condition. Not examined out of the frame.

14 Generally good condition. Not examined out of the frame.

Frame: 31.5” H x 26” W x 1.75” D

Frame: 24.25” H x 22” W x 1.25” D

15 Generally good condition. The full sheet, deckled on all sides. Extremely unobtrusive, soft creasing at the very tip of the bottom left and top right sheet corners. Framed floating and mounted to the back mat. Not examined out of the frame. Frame: 28” H x 22.5” W x 1” D 16 Generally good condition. Framed floating and mounted to the back mat.

21 Visual: Generally good condition. Stretcher bar creases along the four edges. Craquelure scattered throughout, concentrated center and lower left. Blacklight: Spots, dots and lines of touch-up scattered throughout. Frame: 28.25” H x 24.25” W x 2.75” D 22 Visual: Generally good condition.

Frame: 31” H x 38.25” W x 1.5” D

Blacklight: No evidence of restoration under blacklight.

17 Generally good condition. Full sheet with deckled edges. The colors fresh. Framed floating and mounted to the back mat. Not examined out of the frame.

Frame: 30.5” H x 36.5” W x 1.5” D

Frame: 37” H x 29” W x 1.5” D 18 Each: Generally good condition. Minor toning to the paper. The first: A small loss to the board upper left corner. The second: A small loss to the board lower right corner.

23 Overall good condition with scattered scuffs, light scratches, indentations, and oxidation/tarnishing commensurate with age. Localized area of loss to metal wrapping on perch. Small areas of separation to soldering on wings, tail, and crest. 24 Generally good condition. Two drilled holes with leather cord for hanging, presumably attendant with the original manufacture, at upper center.

Frame of each: 20.25” H x 17.25” W x 1.25” D 19 Generally good condition. Small nicks and scratches to the paperboard upper center, upper right and right center. Reminants of brown paper tape scattered along recto edges, with a concentration to lower edge.

25 Generally good condition. An unobtrusive, pin head sized scuff upper right. A pea sized spot of unrelated white paint on the outside right edge of the panel. Two drilled holes with leather cord for hanging, presumably attendant with the original manufacture.

20 Visual: Generally good condition. Blacklight: No evidence of restoration under blacklight. Frame: 33.5” H x 39.5” W x 2.5” D

26 Generally good condition. An unobtrusive 2” scuff lower right, two drilled holes with leather cord for hanging, presumably attendant with the original manufacture, at upper center.

Condition Reports

Frame: 50” H x 40.75” W x 1.25” D

223

27 Visual: Craquelure scattered throughout. Losses along the lower edge, affecting the lowest .5” to1.25” of the image. Additional, smaller losses scattered along the other three edges of the panel. A few losses in the image, primarily at left, the largest approximately pea-sized. Uneven varnish discoloration throughout. Surface dirt and grime. Blacklight: Scattered touch-ups throughout.

28 Visual: Generally good condition. Surface dirt and grime. Uneven varnish discoloration throughout. The wooden panel warped and with a few short, partial cracks at the upper and lower edges, not affecting the image. One vertical partial crack, upper edge at left, extending approximately 2” into the ochre background. Six old nails of various lengths (the tallest .25”) protruding from the outermost border. A seventh nail hole, outermost border at left, lacking its nail. Blacklight: Scattered touch-ups throughout. Overall (with integral carved hanger upper edge): 16” H x 10” W x .5” D

Condition Reports

29 Overall good condition with wear, grime, scuffs, and scratches commensurate with age. Wear to painted surface with areas of chipping/flaking throughout. Infant not properly secured to figure’s hand; held with ribbon. Losses to infant’s hands and feet, possible repairs to infant’s face.

224

30 Overall good condition with wear, grime, scuffs, and scratches commensurate with age. Wear to painted surface with areas of chipping/flaking throughout. Areas of minor tearing to pleats on painted habit. Chipped losses to hands, repair to right hand that fluoresces under blacklight.

33 Overall good condition with tarnishing and light scratches commensurate with age. 34 Overall good condition with tarnishing and light scratches commensurate with age. 35 Overall good condition with minor scuffs and dust accumulation commensurate with age. 36 Generally good condition. Not examined out of the frame. Frame: 57.25” H x 40.25” W x 4.25” D 37 Visual: Generally good condition. Artist score marks with unobtrusive, partial paper separation upper center (approx. 3.5” horizontal line) and upper right (approx. 1” vertical line). A small spot of paint loss near the deckled edge upper right. Slight surface soiling and occasional pale staining, including a 4.5” line from a previous piece of cellophane tape, verso. Traces of old linen hinges in places along the sheet edges verso. Framed floating and mounted to the back mat. Blacklight: A nickel-sized spot of fluorescence upper left, however, most likely in the slightly darker pigment used by the artist. Frame: 38.25” H x 30.5” W x 1.25” W 38 Visual: Generally good condition. A tiny fleck of paint loss upper left. A tiny fleck of paint loss right center. Minor surface dirt throughout. Blacklight: No evidence of restoration under blacklight. Frame: 22.25” H x 17.25” W x 1” D

31 Overall good condition with tarnishing and light scratches commensurate with age. Abrasions to stones. Light bending to some radiating prongs. 32 Overall good condition with tarnishing and light scratches commensurate with age. Abrasions to stones. Adhesive label residue to verso.

39 Visual: Generally good condition. A .75” scratch and a series of tiny chips of paint loss in the center. Blacklight: No evidence of restoration under blacklight. Frame: 23.5” H x 32.25” W x 1.75” D

Blacklight: Splashes of grime visible under blacklight lower right. Frame: 30” H x 21.75” W x 1” D 41 Visual: Generally good condition. Tiny flecks of paint loss scattered throughout. Blacklight: Small dots of grime fluoresce under blacklight lower left. Unframed. 42 Generally good condition. A few unobtrusive surface scuffs visible only in raking light. Small pigment losses in places along the edges and corners of the board. A 1” diagonal scrape with attendant pigment loss near the right edge. Frame: 34” H x 26” W x 1.25” D 43 Overall good condition with shelf wear commensurate with age. 44 Overall good condition with shelf wear commensurate with age. Scattered minor losses to beading throughout, a .25” patch of bead loss to the verso. 45 Overall good condition with shelf wear commensurate with age. 46 Overall good condition with shelf wear and minor scattered losses to beading commensurate with age. Tail is detachable. Acrylic case with minor scratches. With case: 12.25” H x 29.5” W x 7.25” D

47 Generally good condition. The full sheet deckled on all sides. A very unobtrusive .25”diagonal tear near the tip of the lower left corner. The sheet loose and unmounted. Unframed 48 Generally good condition. The full sheet deckled on all sides. A few small and unobtrusive areas of paint loss in the thick impasto layers lower center (the largest approx. 1” H x .25” W) all presumably attendant with the manufacture. The sheet loose and unmounted. Unframed 49 Generally good condition. Very minor surface skinning at the tips of the upper sheet corners. Framed floating and mounted to the back mat. Not examined out of the frame. Frame: 31” H x 36.5” W x 1.25” D 50 The paper is rippled. Minor handling creases lightly scattered throughout. Tiny dots of yellow staining upper center and upper right. The tape used for the hinge is bleeding through the paper upper center. Hinged to the recto mat with masking tape along the upper edge. Not examined out of the frame. Frame: 13.5” H x 16.5” W x 1.5” D 51 Generally good condition. Scattered slight handling creases and faint toning to sheets. On sheet with signature, heavier toning to upper left quadrant. The smaller sheet with a pale stain at the right edge. Four sheets with their upper and lower sheet corners rounded, as issued. Unframed. 52 Visual: Generally good condition. A tiny fleck of paint loss upper left. A .25” area of instability lower right edge. A 2” light surface scratch left center. The lower left corner is creased. Blacklight: No evidence of restoration under blacklight.

Condition Reports

40 Visual: Generally good condition. A .25” gouge to the board upper center and lower center. Tiny flecks of paint loss lightly scattered throughout.

Frame: 39” H x 31.5” W x 1.75” D 225

53 Visual: Generally good condition. Isolated tiny chips of paint loss along the lower edge. A 4” line of varnish discoloration lower left. Minor surface dirt.

59 Overall good condition with scattered scuffs and scratches commensurate with age.

Blacklight: No evidence of restoration under blacklight.

60 Each overall good condition with tarnishing and light scratches commensurate with age.

Frame: 38.5” H x 30.75” W x 1.75” D 54 Visual: Generally good condition. Small chips to the board with paint loss scattered along the upper edge. Blacklight: No evidence of restoration under blacklight. Frame: 38.5” H x 30.5” W x 1.75” D 55 Visual: Generally good condition. Small chip of paint loss upper right. Small chip to the board with paint loss left edge center. Blacklight: No evidence of restoration under blacklight. Frame: 38.5” H x 30.75” W x 1.75” D 56 Visual: Generally good condition. Two .25” chips of paint loss upper edge right and upper right corner. A tiny chip of paint loss left edge center. Surface dirt and grime throughout. Blacklight: No evidence of restoration under blacklight.

Condition Reports

Frame: 35.25” H x 43” W x 1.75” D

226

57 Overall good condition with scuffs and inherent firing flaws commensurate with age. Scattered chipping and minor losses to protruding elements. 58 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Drying, cracking, and typical signs of wear to leather. More prominent separation of joints at arms and back. Heavier scratches with restaining to right arm interior. Chair wobbles slightly.

61 Each overall good condition with minor scuffs, scratches, light indentations, and darkening/ oxidation to metal commensurate with age. Two small abalone dishes lacking applied metal pearl. 62 Each overall good condition with tarnishing, indentations, and light scratches commensurate with age. Teapot with an 1.5” faint semicircular indentation to the side. Heavier tarnishing and verdigris to tray. 63 Each overall good condition with minor scuffs, scratches, indentations, and darkening/oxidation to metals commensurate with age. Each with spots of verdigris throughout. Each cup’s basin slightly out of round. Pitcher and one cup foot slightly out of round, trim on cup’s foot pushed up. Seven cups with more prominent indentations to sides. Five cups with separation of soldered seam at base below handle. One cup with heavier tarnishing to interior. One cup with 1.5” depression to rim. 64 Each overall good condition with scattered scuffs, scratches, light indentations, and oxidation commensurate with age. Each with possible glued repairs to select tesserae that fluoresce under blacklight. 65 Each overall good condition with minor scuffs, scratches, and darkening/oxidation to brass commensurate with age. The orange tea caddy and orange lidded box with possible glued repairs to scattered tesserae, fluoresce under blacklight. 66 Each overall good condition with minor scuffs, scratches, and darkening/oxidation to brass commensurate with age. Lidded boxes with minor indentations to brass surface; one with adhesive pads to feet.

67 Each overall good condition with scattered scuffs, scratches, and oxidation/tarnishing commensurate with age. Stones with abrasions. Sigi box with 1.25” x 1.125” area of loss to mosaic on lid. Personalized box with losses to silvered finish of lid interior.

77 Overall good condition with light tarnishing and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surfacereaching fractures. Scattered stones with chips and abrasions.

68 Each in overall good condition with tarnishing and light scratches commensurate with age.

78 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with chipping and abrasions.

70 Each in overall good condition with tarnishing, minor dents, and light scratches commensurate with age. One with fading to wood finish. 71 Each overall good condition with tarnishing and light scratches commensurate with age. One with very minor warping/indentation to rim. 72 Each overall good condition with tarnishing, minor indentations, and light scratches commensurate with age. Hector Aguiar strainer with minor indentations around circumference of bowl. 73 Overall good condition with tarnishing and light scratches commensurate with age. 74 Overall good condition with tarnishing and light surface scratches commensurate with age and use. 75 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 76 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

79 Each with denting, tarnishing, and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. 80 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with chipping and abrasions. 81 Each in overall good condition with tarnishing and light scratches commensurate with age. Approximately two turquoise cabochons missing. Scattered turquoise with fractures. 82 Each with tarnishing and scratches commensurate with age. The quartz and amethyst with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. The pin backing on the last brooch is broken. 83 Each with evident tarnishing, scratches, and denting commensurate with age. The stones with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with chipping and abrasions. 84 Each in overall good condition with light tarnishing and scratches commensurate with age. 85 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

69 Each overall good condition with tarnishing and light scratches commensurate with age. Fork with slight sideways bend to center tine.

227

86 Each in overall good condition with light denting, tarnishing, and scratches commensurate with age. Scattered stones with abrasions.

96 Overall good condition with light tarnishing and scratches commensurate with age.

87 Each in overall good condition with light tarnishing and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions.

97 Overall good condition with light denting, tarnishing, and scratches commensurate with age.

88 Overall good condition. 89 Overall good condition with light tarnishing and scratches commensurate with age.

99 Overall good condition with tarnishing and light scratches commensurate with age. Minor abrasions and chips to the sides of the azurmalachite.

90 Overall good condition with light tarnishing and scratches commensurate with age.

100 Overall good condition with light tarnishing and scratches commensurate with age.

91 Overall good condition with light tarnishing and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surfacereaching fractures. Scattered stones with abrasions

101 Overall good condition with tarnishing and light scratches commensurate with age. One azurmalachite with a crack to the stone. The back side of one link with a smaller azurmalachite triangle glued in, likely a later-added repair.

92 Overall good condition with light tarnishing and scratches commensurate with age.

Condition Reports

93 Shows bending, light tarnishing, and scratches commensurate with age.

228

98 Chipping and major loss to the green hardstone. Silver with light tarnishing and scratches commensurate with age.

94 Overall good condition with light tarnishing and scratches commensurate with age. Needs to be professionally cleaned. 95 Each in overall good condition with light denting, tarnishing, and scratches commensurate with age.

102 Each in overall good condition with tarnishing and light scratches commensurate with age. Each cuff with a shallow shrinkage crack face up. 103 Overall good condition with tarnishing and light scratches commensurate with age. Scattered wood with shrinkage cracks and nicks. 104 Each in overall good condition with minor denting, light tarnishing, and scratches commensurate with age.

105 Overall good condition with tarnishing and light scratches commensurate with age. Amethyst with typical, natural eye-visible inclusions and surfacereaching fractures.

107 Each in overall good condition with bending, light tarnishing, scratches commensurate with age. 108 Evidence that the pin back has been replaced, with original clasp and solder marks still visible. There is bending, light tarnishing, and scratches commensurate with age.

109 Many broken and chipped turquoise stones. With evident tarnishing, scratches commensurate with age. 110 Each in overall good condition with light tarnishing and scratches commensurate with age. The bracelets have different coloring and finishes from one another. 111 Overall good condition with light tarnishing and scratches commensurate with age. With typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. 112 Overall good condition with light tarnishing and scratches commensurate with age.

113 Each in overall good condition with minor denting, light tarnishing, and scratches commensurate with age.

114 Overall good condition with light tarnishing and scratches commensurate with age.

115 Each shows discoloration, tarnishing, and scratches commensurate with age. The necklace needs to be professionally cleaned. 116 Each with denting, tarnishing and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Several stones chipped and broken. 117 Overall good condition with light, denting, tarnishing, and scratches commensurate with age. 118 Overall good condition with oxidation and light scratches commensurate with age. Scattered very minor dents to the bombs. Visible solder marks throughout likely dating to time of manufacture. 119 Each with tarnishing, bending, evident denting and heavy scratching. 120 Each in overall good condition with light tarnishing and scratches commensurate with age. The stone with typical, natural eye-visible inclusions and surfacereaching fractures and abrasions. One obsidian has a large chip on top. 121 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 122 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with feathers and abrasions.

123 Each in overall good condition with light tarnishing and scratches commensurate with age. Several silver domes are dented. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions.

Condition Reports

106 Overall good condition with tarnishing, abrasions, and light scratches commensurate with age. Scattered chips to the amethysts. A glued repair to the corner of one amethyst measuring approximately .25” x .125”. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures.

229

124 Each in overall good condition with light tarnishing scratches commensurate with age. Scattered stones with evident fractures and abrasions. 125 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

126 Each in overall good condition with light tarnishing and scratches commensurate with age. 127 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with minor shipping and abrasions. 128 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions 129 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

130 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

230

131 Overall good condition with light tarnishing and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. 132 Overall good condition with tarnishing and light scratches commensurate with age. Stones with typical, natural eye-visible inclusions. 133 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with fractures and abrasions.

134 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

135 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with feathers and abrasions. 136 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 137 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 138 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with fractures and abrasions. 139 Each in overall good condition with denting, light tarnishing, and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. 140 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 141 Each in overall good condition with tarnishing and light scratches commensurate with age. 142 Overall good condition with scratches commensurate with age. 143 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

145 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 146 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. Several pearls exhibit loss of nacre. 147 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 148 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 149 Overall good condition with light tarnishing and scratches commensurate with age. 150 Overall good condition with light tarnishing and scratches commensurate with age. Blemishes and loss of nacre to the pearl. 151 Overall good condition with light tarnishing and scratches commensurate with age. The safety chain is missing.

152 Overall good condition with light tarnishing and scratches commensurate with age. 153 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

154 Each in overall good condition with light tarnishing and scratches commensurate with age. The onyx shows chipping on the bottom edges. Scattered stones with abrasions. 155 Each in overall good condition with light tarnishing and scratches commensurate with age. 156 Overall good condition with tarnishing and light scratches commensurate with age. Scattered abrasions and minor nicks to the glass. 157 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with minor abrasions. 158 Overall good condition with bending, light tarnishing, and reverse scratches commensurate with age. 159 Overall good condition with light tarnishing and scratches commensurate with age.

160 Overall good condition with light tarnishing and scratches commensurate with age. 161 Overall good condition with light tarnishing and scratches commensurate with age. The suede is worn. 162 Overall good condition with tarnishing and scratches commensurate with age. Needs to be professionally cleaned. Scattered stones with abrasions. 163 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

Condition Reports

144 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

231

164 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 165 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

166 Overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions 167 Overall good condition with light tarnishing and scratches commensurate with age. 168 Overall good condition with light tarnishing, denting, and scratches commensurate with age. 169 Overall good condition with light tarnishing and scratches commensurate with age. 170 Overall good condition with light tarnishing and scratches commensurate with age.

Condition Reports

171 Each in overall good condition with light tarnishing and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions.

232

172 Overall good condition with light tarnishing and scratches commensurate with age. There is glue evident around the edges of the stone. 173 Overall good condition with light tarnishing and scratches commensurate with age. Enamel with abrasions and loss.

174 Overall good condition with light tarnishing and scratches commensurate with age. Scattered abrasions.

175 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered enamel with abrasions and minor crazing. The rings with rubbed wear, scratches, and losses to the enamel. 176 Each in overall good condition with light tarnishing and scratches commensurate with age. 177 Each in overall good condition with light tarnishing and scratches commensurate with age. Enamel with loss and abrasions.

178 Each in overall good condition with light tarnishing and scratches commensurate with age. The pin backing and pendant fixtures of the brooch are missing. 179 Evident loss to the enamel. Each in overall good condition with light tarnishing andscratches commensurate with age.

180 Each in overall good condition with light tarnishing and scratches commensurate with age. Minor abrasions to enamel. 181 Each in overall good condition with light tarnishing, bending, and scratches commensurate with age. 182 Each in overall good condition with light tarnishing and scratches commensurate with age. 183 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

184 Each in overall good condition with light tarnishing and scratches commensurate with age. Minor scattered abrasions to enamel work.

193 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with fractures and abrasions.

185 Each in overall good condition with light tarnishing and scratches commensurate with age. Minor abrasions to enamel

194 Each in overall good condition with light tarnishing and scratches commensurate with age.

187 Overall good condition with light tarnishing and scratches commensurate with age. Evidence the clasp has been repaired. Slight metal bending. 188 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

189 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with minor chipping, fractures, and abrasions.

190 Each in overall good condition with evident tarnishing, slight denting, and scratches commensurate with age. 191 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with fractures minor chipping and abrasions.

192 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

195 Each in overall good condition with light tarnishing and scratches commensurate with age. Many stones with chips, cracks and abrasions. Several stones have been switched out and are mismatched in color. 196 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions.

197 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 198 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with evident fractures and abrasions.

199 Each in overall good condition with slight bending, light tarnishing, and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. 200 Each in overall good condition with light tarnishing and scratches commensurate with age.

201 Each in overall good condition with light tarnishing and scratches commensurate with age.

Condition Reports

186 Each in overall good condition with light tarnishing and scratches commensurate with age. Enamel with abrasions.

233

202 Each in overall good condition with light tarnishing, and scratches commensurate with age. Scattered stones with abrasions. 203 Each in overall good condition with denting, light tarnishing, and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. 204 Each in overall good condition with tarnishing and scratches commensurate with age. The stones with typical, natural eye-visible inclusions and surfacereaching fractures. Scattered stones with abrasions. 205 Each in overall good condition with tarnishing and light scratches commensurate with age. The jasper bracelet with shallow nicks and chips to two of the carved tablets. The glass faces with scattered abrasions and shallow nicks, primarily to the earrings. 206 Each in overall good condition with light tarnishing and scratches commensurate with age. Scattered stones with abrasions. 207 Each in overall good condition with light tarnishing and scratches commensurate with age.

Condition Reports

208 Each in overall good condition with light tarnishing and scratches commensurate with age.

234

209 Each in overall good condition with light tarnishing and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions. 210 Each in overall good condition with light tarnishing and scratches commensurate with age. The amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered stones with abrasions.

211 Overall good condition with wear, chipped losses, and inherent firing flaws commensurate with age. Necklace has been restrung. Monted in a glazed case.

235

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Co-Head of Sale, Western, American Indian Specialist Maranda Moran Co-Head of Sale, Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz Senior Vice President, Fine Art Director Morgana Blackwelder AAA Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Furniture & Decorative Arts Cataloguer Shannon Dailey Fine Art Cataloguer Anne Spink 20th Century Furniture and Decorative Arts Specialist

John Simon Taylor

Jewelry Director

Mollie Burns Keith, G.J.G.

CLIENT SERVICES

Office Manager Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director Maha Darwish Consignment Coordinator Jean Rapagna Consignment Coordinator Julia Hamilton Operations Coordinator Ian Anderson Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

MARKETING

Advertising & Marketing Director, Art Design Graphic Designer

Nathan Martinez Brian Olivas

Photography

Photographer Keith Berson Photographer Madison Torres

TRUSTS & ESTATES

Department Manager Noelle Valentino AAA Department Administrator Angela Bryant

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide. The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer. BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others. AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized. AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy. LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016. ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers: Antonio Nicolo Gasparo Jacobsen (1850-1921 West Hoboken, NJ) The tugboat "E Heipershausen" on open waters, 1891 Price Realized: $46,875

145 East Walnut Avenue, Monrovia, CA 91016 | www.johnmoran.com · trustsandestates@johnmoran.com · (626) 793-1833

Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided. Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid. New bidders will be asked to provide financial account information as a reference. All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance. BUYER’S PREMIUM: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

Buyers outside of the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside of the United States.

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and requested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank. Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In the event of a tie bid, the Registration Form received first will be recognized as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Native American Objects Prints & Multiples

Telephone (secondary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

How did you hear about our services?

Sellers permit info: Contact office for verification Permit #

Modern & Contemporary Art

State:

Turn of the Century Design / Arts + Crafts Western Art Have a specific type of item you are interested in, let us know:

Exp:

I agree that I have read Moran’s Conditions of Sale and shall be bound by them. This affects my legal rights. Signature:

Date:

rev. 7/2018

Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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