International Beaux-Arts and the City Beautiful Movement

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International Beaux-Arts and the City Beautiful Movement








Railroad network, mid-19th century



Fordist economic geography: Large scale of investment in fixed capital (factory buildings, machines) and fixed transportation networks (waterways, railroads) concentrates employment and workers densely at production points near sources of power and transportation.


“Long waves� in North American urbanization Major eras of economic and technological development Frontier mercantilism Early industrial capitalism National industrial capitalism

up to 1840 1840-1885 1885-1935

commercial city industrial city corporate city

Mature industrial capitalism Global capitalism

1935-1975 1975-present

megalopolis global city


Napoleon LeBrun & Sons, Metropolitan Life Insurance Building, New York NY, 1909


Gilman & Kendall, with George B. Post as engineer, Equitable Life Assurance Building, New York, 1868-70

Elisha Otis, safety elevator, early 1850s


Richard Morris Hunt, Tribune Building, New York, 1873-75 9 stories 260’ tall iron cage construction


George B. Post, Western Union Building, New York, 1873-75 10 stories 230’ tall


Tall office building technologies: Metal frame / terracotta fireproofing / foundations / safety elevator


William Le Baron Jenney, Home Insurance Building, Chicago, 1883-85 First metal skeleton building


Holabird & Roche, Tacoma Building, Chicago, 1886-89 First use of floating raft or “grillage� foundation


Burnham & Root, Reliance Building, Chicago, 1890 / 1894-95 early exploration of aesthetic potential of curtain-wall construction



“Haussmannization� of Paris, 1853-1870

Restructuring of the city through construction of boulevards, civic institutions, and commercial enterprises urban renewal / apartment buildings / department stores / boulevard culture

Baron Georges Haussmann, Prefect of the Department of the Seine


Félix Duban, École des Beaux-Arts, Paris, 1832-64 École: founded 1819, closed 1968 Combined and replaced the Royal Academies of Painting, Sculpture, and Architecture


Sansovino, Libreria di San Marco


View from first court through the toward the Palais des Etudes


View from second court back toward first court


Surgery School


Ecole pedagogy: Studio (atelier) competition sketch charette rendered project


Ecole pedagogy: Studio (atelier) competition sketch charette rendered project


Ecole composition: parti (parti pris) = “position taken� point = primary volume marche = sequence circulation = movement through



Henri Labrouste, Bibliothèque Sainte-Geneviève, Paris, 1842-50


Charles Garnier, Opera, Paris, 1861-75


Charles Garnier, Opera, Paris, 1861-75


Avenue de l’ Opéra










Municipal Theater, Rio de Janeiro, Brazil, 1905

Herbert Baker, Union Buildings, Pretoria, South Africa, 1910-13


Meiji Restoration, 1867 ended the Tokugawa Shogunate / Edo period and restored imperial rule Tokuma Katayama, Nara National Museum, Nara, Japan, 1894 originally Nara Imperial Museum


Tokuma Katayama, Kyoto National Museum, Kyoto, Japan, 1889-95 originally Kyoto Imperial Museum French Renaissance revival, Beaux-Arts planning


Tokuma Katayama, Kyoto National Museum, Kyoto, Japan, 1889-95

tympanum features sculptures by Takeuchi Hisaichi depicting Buddhist gods of the arts: Visvakaraman and Mahesvara


Tokuma Katayama, Hyokeikan, Tokyo National Museum, Tokyo, Japan, 1909 Followed 1881 building by British architect Josiah Conder (destroyed 1923), Katayama’s teacher


Jin Watanabe, Honkan, Tokyo National Museum, Tokyo, Japan, 1932-38


“Haussmannization� of Paris, 1853-1870

Restructuring of the city through construction of boulevards, civic institutions, and commercial enterprises urban renewal / apartment buildings / department stores / boulevard culture

Baron Georges Haussmann, Prefect of the Department of the Seine


Vienna Ringstrasse, 1860-1880s


Parliament Rathaus (city hall) University Burgtheater (city theater)


McKim Mead & White (Stanford White), George Washington centennial arch, Washington Square, New York NY, 1889


Soldiers and Sailors Arch, Grand Army Plaza, Brooklyn NY. 1889-92, 1896 arch: John H. Duncan; sculptures: Frederick MacMonnies; plaza: MMW




“Measuring Uncle Sam for a New Suit,” Puck Magazine, 1900


World Columbian Exposition, Chicago, 1893 Daniel Burnham: Chief of Construction; Charles B. Atwood: Designer-in-Chief F.L. Olmsted: Consulting Landscape Architect; Augustus St. Gaudens : sculpture advisor





Burnham and Root, Woman’s Temple, Chicago, 1890-92 Woman’s Christian Temperance Union est. 1874


Burnham & Root, Masonic Temple Building, Chicago, 1890-1892


Chicago: height ordinance passed 1893


Werner Hegemann and Elbert Peets, The American Vitruvius: An Architect’s Handbook of Civic Art, 1922: “The fundamental unit of design in architecture is not the separate building but the whole city… If the office building is to stand on a corner there may happen to be a building of similar mass on the other corner to which, in color, scale, and dominant lines, the building may be made to respond, thus creating a pair of entrance pylons for the street. Every new piece of street architecture should be designed as part of the block or street in which it stands, or if the existing buildings are hopeless, it can at least sound a note which is suited to serve as the keynote in the future rebuilding of the block.”


D. H. Burnham & Co.: Conway Building, Chicago, 1912

Flatiron Building, New York, 1903

McKim Mead & White, Municipal Building, New York NY, 1907-13


Clinton Square, Syracuse NY, ca 1900


Senate Parks Commission (McMillan Commission), Replanning of the Mall, Washington DC, 1902 Burnham, McKim, Olmsted, and Augustus St. Gaudens






D. H. Burnham & Co., Union Station, Washington DC, 1905


Carrère & Hastings, New York Public Library, New York NY, 1897-1911

Reed & Stem (planning and engineering)

Warren & Wetmore (design), Grand Central Terminal, New York NY, 1903-13


Daniel Burnham and Edward H. Bennett, Plan of Chicago, 1909 Sponsorship by Commercial Club of Chicago; renderings by Jules Guerin






Partial model for the Plan of Chicago: Victor Laloux, winning entry in competition for the Grand Prix de Rome, Ecole des Beaux Arts, 1903



Burnham, plan for Baguio, summer capital of the Philippines, 1905


Sir Edwin Lutyens New Delhi new capital of colonial India 1911





Sir Edwin Lutyens, Viceroy’s Palace, New Delhi, India, 1911


Sir Edwin Lutyens, Viceroy’s Palace, New Delhi, India, 1911 with dome, colonnade, etc. plus chajjas and chattris


Sir Edwin Lutyens, Viceroy’s Palace, New Delhi, India, 1911


Sir Edwin Lutyens, Viceroy’s Palace, New Delhi, India, 1911


Sir Edwin Lutyens, Viceroy’s Palace, New Delhi, India, 1911


Herbert Baker, Secretariat Buildings, New Delhi, India, 1912-


Colonialist villa district, New Delhi, India, 1911


The Garden City movement Ebenezer Howard, Tomorrow: A Peaceful Path to Real Reform, 1898


Walter Burley Griffin and Marion Mahony Griffin, Plan for Canberra, Australia, 1912


Tony Garnier, CitĂŠ Industrielle (project), 1901-1917



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