ROCK LYNX Magazine Issue #3 by Rock Lynx Magazine

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CONTENTS COMInG UP

12 Skarlett riot

06 08 10 12 14

IN 2021

Saviours The Velvet Queens Hell’s Ditch Skarlett Riot Kill The Ideal

Up & coming 22 up & coming 2021

22 24 25 26

in 2021

G.L. Shelley Hideout Kings & Bears Owl Rose

TOne talk

27 28 29

06 Saviours

Get your gear gig ready

Guitars & Basses Drums Mics & Cables

10 Hell’s ditch 08 The velvet queens

Cover Photo: Steven Haddock

Rock Lynx Editor Jordan Merrett

“There’s a light at the end of the tunnel now. Let’s keep on rocking ‘til we get to a gig... and then rock some more!”

- @bigjordsguitar

- Big Jords Guitar

Editor’s notes The wheels on this music machine we call Rock Lynx are really starting to gain speed as we welcome several new Writers, and a brand-spanking new Editorial Team, all focused on highlighting the incredible rock scene we have here in Lincolnshire. I have two of the most hardworking and enthusiastic people working with me who love what we’re about just as much as I do. Both of them are at the top of their field; Gemma - a distinguished writer and experienced publisher, she’ll be taking care of our website and scheduling the regular blog posts that you may have already seen on our social media. Jordan Bell PR and social media afficianado, he will be looking after our Facebook, Instagram and Twitter, and has already massively improved things on that front. With all that talent alongside our community of dedicated writers and a local music scene brimming with potential, we really do have exciting times ahead of us! Now we’re just holding our breath for a chance at some live music, because we plan to make the absolute most of every opportunity to report on gigs, big and small throughout the county.

Gemma Baker - Online Editor

The Rock Lynx team are such good fun to work with, and they’re all super-passionate about what they do. I’m thrilled to be working as the Online Editor, whipping our web-presence into shape, and bringing you the latest local news, reviews, and interviews to our Blog. Keep an eye on: www.rocklynx.co.uk over the coming months, we’ve got big plans to expand the site, and don’t forget to subscribe so that all that juicy fresh music news goes straight to your inbox!

Jordan Bell - Social Media & PR

This is such an exciting time for the magazine, I’m thrilled to be working alongside the entire team. I feel like this is the start of something incredibly special for the Lincolnshire music scene. I will be running all of our social media platforms, be sure to follow our Facebook, Instagram, Twitter and YouTube pages for even more great content going forward. We have also launched the ‘Rock Lynx Discovery’ Spotify playlist. Here you can find brand new releases from Lincolnshire and surrounding areas. It is truly a playlist to light up your parties!

Special Thanks To This Issue’s Contributors!

Coming up in

2021

n “So I met Johnny o e what we call onlin band dating” Words: Ella Fearnley

band that has been in the making for some time and which some would call fate. Finally forming mid 2019 and then having a global pandemic to compete with, Lincolnshire group Saviours are ready and raring to get back in the studio and on stage. The Alt rock band consists of Jonny Bilton – Guitar/Vocals, Sam Gosiewski – Bass Guitar/Backing Vocals, Alex Staton – Bass Guitar/Backing Vocals and Nathanial Weatherall – Drums/ Percussion. A band that are full of character and enthusiasm, every bandmember is regarded as an equal with all input and opinions shared and considered. The band were a joy to interview and are prepped and ready to hit the ground running. They’re just waiting for the day they can finally reunite and dive straight back in. With gigs previously booked and having to be cancelled it’s not been an easy ride for the group but that’s not stopping them, with plans of honouring cancelled shows and finally being able to showcase their debut EP ‘Faces for Radio.’ The EP was released November 9th and consists of 4 tracks that are available across multiple streaming services including Spotify, Apple Music and Amazon. The Tracks are inspired by everyday emotions, love and the hardships of life making the lyrics certainly relatable, particularly during one of the most difficult times experienced by a generation. Johnny talks

about how he wants listeners to be able to “interpret the songs how they see fit.” Listening to the tracks you can tell there’s definitely a story behind each one. Lay It Down and If I Could See providing all the feels especially with the unique raspy, powerful vocals that draw you in. What Could’ve Been/ Criminals In Suits and Last Ones Standing are the songs that’ll be getting the crowd going, shouting and head banging along. Although only having performed a few gigs, Saviours are already no strangers to getting some airplay. The EP has already had tracks played on BBC Radio Lincolnshire Introducing and Sounds. The group collectively enjoy listening to BBC Introducing and supporting other local bands/artists anyway but after spending hours writing and practicing Jonny talked about the band’s own songs and how ‘nothing compares with hearing it on the radio’. Before the release of Faces For Radio the group released two singles ‘Baby Don’t Go’ and ‘For Me’. Both of which have also had some air play. The songs provide listeners with an insight of the band’s musical talents and really showcase their technical ability. Check out their

quarantine edition of ‘Baby Don’t Go’ on Facebook. Saviours are a band to watch out for and a group you want to experience live. The energy and how solid the group are, not ony as band, but as friends really shines through. With talks of a potential new EP or maybe even an album forming when the band can head back into the studio and plans of lining gigs up as soon as possible. I really hope this year turns out to be easier for everyone and that we all get an opportunity to support Saviours on their journey.

I know you’ve had a few plays on the radio now but can you remember what you were all doing and how you felt, when you were first played on the radio? Jonny: “I was nervous and excited, I couldn’t wait for one of our songs, that we’d written and spent hours practicing, to be played on air! Mental feeling when Hannah (presenter) introduced our song! Even though we’d listened to our recorded tracks time and time again; nothing compares to hearing it on the radio” Sam: “I was at home with the other half tuning in and having a few drinks too! We enjoy listening to BBC introducing anyway and the local bands/artists that are on there so was great to hear Saviours get some airplay.” Have you struggled at all with a creative block at times during lockdown or has it helped in some ways? Jonny: “Yes, definitely. Lack of inspiration is a massive factor for me personally. I need a good balance in life to feel creative. I’m sure once I’m back with the lads it’ll come flooding back” Sam: “Personally for me it’s helped in a way as I’ve had time to not be rushing around and get my head down into writing. I’ve been making sure I’m productive in lockdown otherwise I’d have gone mad by now! It’s helped with learning new things and getting better as a musician on a personal level.” If you could play anywhere in the world, where would it be and why? Sam: “For me it’d have to be Madison Square Garden in New York. It’s just got so much history and most of my favourite artists have played there. The Rolling Stones, Bruce Springsteen, Eric Clapton, Roger Waters, Bon Jovi, The Who, ZZ Top, Van Halen to name a few, it’s an iconic venue!” Jonny: “Japan! The Japanese music culture is something else” That would be incredible! Would you say any of those artists

have inspired your music? Or what would you say is your biggest inspiration for your tracks? Jonny: “For the tracks that I’ve written, I take everyday emotions, hardships of life, love, real things into consideration. Mainly based upon my own interactions with people and my own life. I try and write a song so people can relate to it and interpret it how they see fit. None of the artists that Sam mentioned inspire me, maybe Rolling Stones.”

How did you all meet/form as a band? Sam: “So I met Johnny on what we call online band dating Join My Band brought us together in 2015 and we met up, jammed and had a duo for a couple of years. Alex and I met over 10 years ago from gigging in local bands around Gainsborough and being in other bands together and Nathanial I’ve known for quite a while, technically met his mum first at my part time job in my teen years and she used to show me videos of his drumming! We’ve jammed a bit over the years. I’ve been in a few bands but it was getting to a point where I was struggling to find a band where everyone was an equal and everyone’s ideas etc count. I had enough so I brain stormed the best guys I knew for the job and luckily they said yes!” Bet it’s been hard over lockdown not just sorting out band stuff but not being able to just hang out together too. What’s the first thing you’re all going to do when lockdown ends?

Nathanial: “It’s been awful! Just want to get back in the practice room and continue to be loud and obnoxious, while annoying the others! Perks of being the drummer and being the youngest” Sam: “I want to get back to practice and writing but 100% just hanging out with the lads and seeing them not through a video call will be the first thing for me can’t wait to see them all again!” Jonny: “Soon as this is all over the first thing we’ll do as a band is make some noise! It’s at the top of my priority list for sure, I love these guys to bits. We’re all so different in personality but somehow, when we start strumming and banging instruments, it all comes together” When you get back to doing gigs does anyone in the group have any party tricks or useless talents that you all enjoy? Jonny: “Haha now you’re asking! Sam does the Nokia ring tone, Alex pops his ear! Nathanial has to strap the drum sticks to his hands! #butterfingers. Myself and Sam do a great John Lennon and George Harrison impression.” Can you tell me what was the best part of 2020 for you guys? Sam: “The gap when Boris let people see each other in the autumn so we took advantage and got our debut EP recorded. Literally the week after, we had another lockdown” Jonny: “The best part of 2020 has got to be recording the EP and releasing it!” Nathanial: “100% agree, recording and releasing the EP was mint!”

Find Saviours on Spotify

‘Faces for Radio’ Stream the EP HERE

Photos: Tyler Rayner

Words: Sue-Anne Bright

’m a blind-fan. Not meaning that I’m actually blind - I do need glasses but when it comes to music, I grasp onto songs for their feel and then discover the band. I haven’t always been the biggest supporter of the classic rock genre, but for recommendations though their sound hits the spot. The Velvet Queens have an alluring mystery to their band with just one single released so far, but proven experience in the rock community and music industry. The Lincoln rock populous is far greater and expansive than I realised, being new to Lincoln, it’s everything I’d hoped for when I moved here. I had almost lost hope of finding a way to revisit my teenage goth years without sitting on a train for 8+ hours. My interest peaked with Jordan Merrett (Scorpio), ‘Lead Singer and Axe Swinger’, during my short time here, I’ve observed his proclivity to amalgamate people. In times of uncertainty and great change, it has never been more important for leaders to ensure their people feel connected and included. Through his work with Rock Lynx he seems to have managed You have an affinity for the modern take of vhs style movie-making, what other kinds of music videos could be expected? Jordan: “Yeah, unfortunately the November lockdown cancelled the music video shoot and the plan was to record it in January but when the new lockdown was announced, we decided to do the live playthrough style vid instead. Ben: We could do a re-release of ‘Losing My Mind’ with a proper video and maybe a lyric video too.”

Where would you most want to perform

to engage effectively and with empathy, providing a feeling of psychological safety even when apart. The mystery of The Velvet Queens speaks for itself, my usual stalking techniques have failed me and that… offends me. I had to ask the name of Drummer Jay Makin (Aquarius), ‘Song Writer & Nipple Biter’, his majorette skills with drum sticks and and Bonham style beats lend themself perfectly to what they’re trying to achieve musically. Ben Tyler (Scorpio) provides a heavy bass tone, Lemmy style handlebar moustache, and seemingly a geometrically shaped bass guitar. All three sharing a similar luminosity alongside humorous banter on The VQ Facebook page. Their debut single ‘Losing my Mind’ can be found on YouTube, I’ve had it on repeat as I find myself fixated by its message. Their music is reminiscent of classic rock with solo riffing similar to the likes of Sabbath and Nirvana. They’re “the band Lincoln deserves, but not the one it needs right now”. The rock community feels safe within its societal offenses by showing that it is ok to not be ok, and that is truly beautiful. in Lincoln when we’re allowed outside? Ben: “The Jolly Brewer.” Jordan: “Don’t you mean Bentleys Bar?!” Ben: “It’ll always be brewer!” Jordan: “Engine Shed for me. Big room engine shed I mean, not just platform!” Would you be interested in switching musical roles in the band at any point and will the singer be keeping their shirt unbuttoned? Jordan: “Unbuttoned shirts ‘til the day I f***ing die!” Ben: “I think you should lose the unbuttoned shirts and just wear spandex!

entation

res Oddly Carnal, a good rep of adult men.

But yeah, I wouldn’t mind jumping on vocals a bit.” Jordan: “I’d love to just focus on guitar for a couple of songs for sure!” What do you do on the days that it’s just not ok? Ben: “I sleep or I play music, sometimes both. If I’m really not feeling ok I reach out to friends and try to talk to people.” Jordan: “I can agree with that, I had a really rough time last year and I ended up extending my support circle out quite a lot by talking to people who I wouldn’t normally and I wasn’t very close with.” Photos: Sam Freeman

” ! x e d n a p s r a e tw

“Jus

Friendship and bonding

is good.

Find The Velvet Queens on Spotify

‘LOSING MY MInD’ Stream it HERE

How soon can we hope for another single? Jordan: “We have the next single mostly recorded already, we just need to wait ‘til after lockdown to get back into the studio to finish it off! Everything about recording and releasing music has been delayed by covid. But, Exciting news... Jay and his girlfriend Emma have just had a baby! So naturally, we’ll be a month or two while they settle in with the new Velvet Queens mascot!”

e h t d n a t a c y e l l A e “Th ” West End Tap (RIP!)

he past year has been one that so many people might want to forget when it comes to the music scene. With music venues not being allowed to operate, recording studios facing restrictions and artists finding it so hard to release new music due to the hurdles a global pandemic throws their way. It is no surprise that so many artists have lost the way on their musical journey. One band that have soaked up all that pressure and overcome those obstacles is Lincoln Punk Rock band ‘Hells Ditch’. Not only have they kept momentum high, but they have set the tone for what is going to be a stella future for the band. Hailing from Lincoln, Hell’s Ditch formed in 2019 having met each other while touring the UK and Europe in previous bands Bad Ideas, River Jumpers, Dearest, Knock Our Kaine and more. Previously sharing the stage with the likes of Anti-Flag, H20, Reel Big Fish, Mad Caddies and gracing the stages at Download, Groezrock and Rebellion Festivals. It is clear that the members of Hell’s Ditch are experienced enough to overcome anything that might get in their way.

Words: Jordan Bell They have truly earnt the success that is set for them. The band formed with intentions to make Hell’s Ditch their most ambitious and defining work to date. As we sit here one week on after the release of their brand new single ‘The Scrape’, we look back at what has been a short but definitive period for the band. Since announcing the band in December 2019 fans have feasted on three killer singles, The Likes of Us, Hope Is Hope and Vacant hearts. After launching it was evident that there was something special about Hell’s Ditch. Having turned heads of key industry figures and picking up an illusive radio play from the king of rock radio himself Daniel P Carter, of the BBC Radio 1’s ‘Rock Show’. Not only was Hell’s Ditch proving that they were capable of joining others that have reigned the local scene for a few years but also holding their own on a national and international scale. Since then we’ve seen the band supported by the likes Kerrang Magazine, Idiot EQ , BBC Music Introducing in Lincolnshire and many more respectable publications. Now here we are in March 2021 with the potential thought of normal life slowly being re-introduced again. It seems fitting that Hell’s Ditch have made their biggest

move yet and signed to Berlin based punk rock label ‘Krod Records’ to release their new single ‘The Scrape’. Hell’s Ditch join an impressive roster that features the likes of Bloodsport, Cold Reading, Colour Me Wednesday, Hightower and many more. It is well worked from both parties and this seems like the perfect time for the band and label to be joining forces. Jordan Bell of Rock Lynx Magazine sat down to talk to band about their journey to this point and what we can expect to see from them in the upcoming future. Congrats on joining forces with Krod Records! What’s the journey been like building up to announcing that you’re now working with them? It’s been great! Jordan and the team at Krod were recommended to us by our friends in Bloodsport from Hull (check them out!) and after speaking to them it seemed like things could work out. One of our main goals in the short term is to get back to Europe. All our old outfits have experience playing on the mainland and it’s always a delight. Having a German-based label on-side, as well as an agent out there, should make that prospect a little more realistic - despite the hurdles of Brexit. Photos: Steven Haddock

What’s the response been like off the back of the first 3 singles? Really cool! We came into this with zero expectations, and the response to the first single was mad. We booked a bunch of shows and festival slots, before Corona put the brakes on all the fun. It would have been easy to sit back and do nothing, but we carried on putting out music regardless and luckily it bore some fruit. BBC Radio 1 airtime, Kerrang magazine coverage, and a shout out from Frank Turner was a triple whammy that we couldn’t have foreseen.

For us it was definitely hearing our music on BBC Radio 1’s The Rock Show. We’re regular listeners and to hear our own song was a total ‘fist pump the air’ moment.

and Badlands Punk Festival, and we’ve used a lot of different venues that we love. We’re big fans of The Scene, and The Jolly Brewer, and previously The Alleycat and the West End Tap (RIP!).

From a song-writing aspect, what were the main influences behind the new single ‘The Scrape’ We have a blueprint for the band that arches over everything we do, and we try to stick to that as much as possible in the development of songs. We listen to a really varied bunch of music, but as a bunch of guys that grew up on Epitaph and Fat Wreck releases, that’s always going to bleed through into our music. But we do try and mix things up, and make our music more nuanced. Lyrically, the song is a reflection on the struggle of making ends meet, and how the cards often seem stacked against normal people from the off. Something highlighted with the insulting NHS pay rises offered by the government last week.

How has the band managed with the global pandemic? Did this have an effect on building up to this release? It’s been strange. We started last year with some grand plans. We put out one single, played two shows and then everything quickly fell apart. We’d been planning everything in meticulous detail for just shy of two years, so it was a bit of a sucker punch when cancellations started filling up our inbox, and we had to cancel our hometown release. We had boxes of vinyl in storage, t-shirts printed, and all of a sudden no gigs and total uncertainty. I think we’re grown up enough though to realise that it wasn’t the end of the world, and the priority at the time was everyone’s health and well being. We ploughed on doing as much as we could from home. We filmed a music video in isolation which our talented pal / videographer, Steve Haddock pieced together, and kept releasing music periodically. Things have built well, and we’re really grateful to (fingers crossed) be coming out the otherside in a stronger position than before.

What can we expect to see from Hell Ditch in 2021? Well, our latest single, ‘The Scrape’ is out now, which makes four singles in total for people to hear, and we’ll be back in the studio as soon as we physically can. First chance for Lincoln folk to catch us will be at The Scene on Wednesday December 1st with Kali Masi from Chicago, and we’ll be joining them for a UK tour that month. We also have some cool one-off shows lined up and some other bits and pieces in the works to keep an eye out for.

The band seemed to have achieved a lot since the release of the first single ‘Vacant Hearts’, but what’s been the biggest achievement so far?

Favourite Lincoln venue to play and why? It’s really hard to choose! Two of the band are active promoters in the city involved with Call of the Wild Festival

Could you give us 3 Lincolnshire based artists that people should watch out for? We’re huge fans of GUTS. Sam is a killer songwriter, and their music just gets better and better with each release. Northern Captives are bloody brilliant, and we can’t not mention our friends in Amateur Ghost too - we played with them in Hull last year and they’re a great bunch.

Listen on Spotify

‘THE SCRAPE’

Stream it HERE

y, r r e p y t a ,k e n g i v a l “Avril t” f i w s r o l tay Words: Sue-Anne Bright

iscovering an already well known artist from the suggestion of a trusted rock fan after being told “they might not be your cup of tea” insults me sir. I don’t know what I like, but with the excitement exploring their content I’m already all-in! At the start of my search I often head to YouTube, it’s always telling in how obscure a band is, and without any scrolling necessary it was relieving to find that Skarlett Riot just might be my, and millions of other fans’ “cup of tea”. Tapping first on ‘Humans’ posted 11 months ago, (listed under their main page and another video ‘Gravity’) I’m met with a vocal range that’s powerful introduced by suspenseful soft notes, intricate guitar and incredible drums. There’s the right amount of screaming from both guitarist and vocalist which pleasantly surprised me. For the kind of days I’ve been having recently (attempting to wade through the torrential storms of adult responsibilities) this is the kind of taste that soothes my soul, bringing peace to those heartpalpitating episodes. I’m trying to say it makes me feel a lot better... in my feels.

Their new hit ‘Stronger’ was released 12th March 2021 and was anticipated with

a 15 second teaser clip on their Facebook page. The sheer amount of videos catalogued in their library has stunned me, it takes 3 full minutes to scroll through their pictures to find the first one, it features “an awkward hug” and it was worth it for the chuckle. As a new fan I can say while I’m typing this I’ve let their YouTube channel flow freely, with ‘Gravity’ currently playing. Released 3 months ago on 11th Dec 2020, it has a vibe of war from the very start of the track so we’re already winning. The Metal-genre I’d placed them in from my recommendations follow The Pretty Reckless and Dragonforce however their own description gives us “elements of Asking Alexandria, In this moment and Bullet for my Valentine” which yes, I absolutely agree with. The graphics… OMFG this bands graphics are amazing and match the talents all four band members; Chloe Drinkwater - lead vocals and rhythm guitar, Danny Oglesby backing vocals and lead guitar, Luke Oglesby on drums and Tim Chambers on bass guitar. Having performed at Bloodstock, Download and more, their stage presence has been missed through the last year but with their consistent posting

on all social media platforms, their fans appetite has been satisfied online. I’m squealing inside though, as I’ve found they’ve performed with Sumo Cyco and my teenage heart is crying! Skarlett Riot previously known as Fuzion have a plethora of information available for any avid fan, alongside plenty of Merchandise, several prominent albums and even their own Wikipedia page. In my books that means you’re of notoriety, should be checked out immediately, and put straight into the Spotify playlist. I’ve added their shirt to the list of band tees I’m patiently waiting to buy once I’ve found somewhere to send them to... and theirs is the first one I’ll be wearing to honor the celebration. Interview: Jordan Merrett

karlett Riot. Hard, driven, and now… fast paced! The band are pushing their sound into new realms of heavy and, bringing their anthemic hooks with it to create some truly head-banging melodic metal. We caught the band ahead of their forthcoming album ‘Invicta’ to find out the story behind it: The two singles ‘Human’ & ‘Gravity’ you’ve dropped so far from the forthcoming album Photos: Zzero Visuals

‘Invicta’

are both fast-paced, hard and driven can we expect the same from the whole album? There’s some hidden surprises on the album, maybe not what you’d expect. There’s a mixture of fast paced tracks along with tracks with more dynamic but.. you’ll have to wait until the 7th May to hear it! Pre orders are live now from our label’s store at Despotz Records. You won’t be disappointed! What’s the story behind the Zardonic remix of ‘Human’, how did that come to fruition? Our label already had contact with Zardonic and introduced us when he firstly remixed ‘Feel’. To start with we were a little sceptical to let someone remix one of our songs we wrote as we are quite protective over our music haha, but after hearing what he did with Feel, we actually loved his take on it. We were both super excited to collaborate again with Human and come up with an exciting remix. I love hearing what he does with the songs, transforming them into a new style! You collaborated with Zardonic on a remix of ’Feel’ too, who decides which song to remix? Our label suggested Zardonic to do our first ever remix of ‘Feel’ which was the first single we released through Despotz Records, which is why ‘Feel’ was chosen. We loved the remix that much that I actually asked for ‘Human’ to be remixed! What’s your dream show, where would you love to play?

Ooo that’s difficult, if we had to pick one, headlining and selling out Wembley arena would do. What have you guys been doing to keep busy during lockdown? When lockdown first hit a year ago, we were actually in the middle of recording our new album. Once we were able to go back and finish the album a few months later, we made the final finishing touches. Since then we’ve been busy working behind the scenes on music videos, promotion, press, artwork and social media content. We’ve also been creating limited edition merchandise lines which have been selling out on our webstore. Our fans have been super supportive throughout lockdown which we really appreciate! Do any of you have any surprising hobbies outside of music? Haha well Skarlett does pet portrait commission drawings, her business is called Skarlett’s Sketches, she also does a little modelling. Apart from that we mainly spend time practising our instruments and working on band related things behind the scenes! Rock Lynx is a Lincolnshire focused magazine, what advice do you have for other Lincolnshire musicians who aspire to achieve the level of success of Skarlett Riot? Have patience, it really doesn’t come over night! The business is tough, and we have so many ups and downs behind the scenes and it’s easy to get disheartened. Stick with it and find band members who are equally as passionate and want the same thing. Make sure you enjoy

the music you play, because then all that matters is that you are playing the music you enjoy live with your best friends. No better feeling! \m/ With up and coming musicians in mind, Dan how would you recreate your tone on a beginner budget? I’m a big advocate of buying used equipment. Most of my collection was bought second hand so I’d highly recommend looking on FB market etc to snap up some quality gear for a bargain. I generally use Gibson Les Pauls but you can pick up a good Epiphone/LTD for next to nothing which would get you in the ball park. For amps I’m endorsed by a British company called Victory Amps but I aim for a mid gained 5150 type sound. You can pick up a Peavey Valveking for very little money and with a good overdrive pedal would get you very close to my kind of sound. Do you have any ‘guilty pleasures’ you listen to? Absolutely.. Avril Lavigne, Katy Perry, Taylor Swift. Luke’s also a big John Mayer fan! Did the woman in the ‘Human’ music video really cut her hair?! Haha no they were extensions and good camera angles, we didn’t pressure her into cutting her locks off don’t worry! Listen on Spotify

‘stronger’ Stream it HERE

“We got knocked off the 7th place by queen” Words: Jordan Merrett

ince their inception into my consciousness, Kill The Ideal have relentlessly wormed their way into my heart and mind. With anthemic tracks like ‘Save The World’, and their audacious, and frankly ballsy cover of the iconic ‘Immigrant Song’, these guys have truly defined their sound and are now seemingly setting their sights on taking the world of rock by storm. Their new EP ‘Against the World’ is aptly named, cementing KTI’s defiance and determination to cause waves within the industry. Over the last few years these Boston boys have toured all over Europe. With an especially prolific 2019 firmly securing their place on the UK music scene, they’ve shared the stage with the likes of Arcane Roots and Black Peaks. The band have got some big things in store for the future, and have already been featured on every major rock radio station, even hosting their very own takeover show on Kerrang Radio. The music really does speak for itself, it’s heavy yet soulful, driven yet not overpowering, and has throwbacks to classic rock routes with perfectly placed synths blended seamlessly into what could be defined as alt rock, or even the ever-growing new wave of classic rock. With such an accomplished history, and such accolades as Radio 1 play, a rock

charts top 10, and their recent release’s success, contemplating on the future of this band is exciting, and with their selfconfessed love for their home county of Lincolnshire, it could spell great things for our local rock scene. I caught up with the band to get an inside look at how the release went and what they’ve got planned for the future: How did it feel when you found out that ‘Let’s Get Excited’ climbed to number 8 on the iTunes rock chart? Such an amazing feeling! We never imagined that we’d be a band that charted a single so, this was a very special feeling. Let’s Get Excited was the first single on the ‘Against The World’ EP campaign and once we found out that it reached number 8 we knew that this EP was going to be different from the two we had previously released. We got knocked off the 7th place by Queen, but it’s fine we forgive them! You were brave to take on such an iconic song ‘Immigrant Song’ as a cover, did you have any doubts about how it would be received? It was a massive risk for us to take on a very daring cover of such an iconic song as it could have easily been considered ‘sacrilege’ but we believe Led Zeppelin made us the band we are today so doing the cover in tribute to them made it feel

like a risk worth taking - we just hope we did it justice! How did it feel to be asked to host your own show on Kerrang radio?! This was an absolute tick of the bucket list for sure. Every single one of us grew up listening to Kerrang aswell as buying the magazine so to even have our songs played on there is insane. Our new single ‘Save The World’ got playlisted for 5 weeks running and we freaked at that so to be asked to have our own show was truly insane!

What do you want to see happen for KTI in 2021? Shows, shows and more shows! We’ve released so much music in the 2020 and 2021 already that we just want to get out there and play it live for people! We’ve released a whole EP that we haven’t even played live yet! We’re playing a run of headline shows around the UK as well as festivals like HRH road trip in Ibiza (if it still goes ahead)

e m a n r i e h t g n i r a “mishe ‘gary the clown’” Do you have any advice for up-and-coming musicians to reach your level of success? Even we are unsure what level we’re at because it’s a never ending journey however, one thing we always had and hopefully will always have is a constant drive and thirst for success. The one thing that I would say to any band is never give up, believe in what you’re doing and just know if someone doesn’t like it there will be 10 more that do.

There’s something extremely satisfying about these pefectly co-ordinated and well thought out single artworks... and the dragon on the cover of ‘against the world’ is awesome!

s we listen through the new record, we can really get a sense of the messages the band are conveying, the opening track ‘Let’s Get Excited’ says exactly what it means; at 165bpm it ain’t a slow burner and using a melody reminiscent of the schoolyard it somehow manages to capture a childlike feeling of excitement. It’s easy to see why it climbed to number 8 on the iTunes rock chart. Moving through another hard-hitting track, ‘Scream For Me’ helps to set the scene of this truly rocking record before arriving at ‘Save The World’. For me this is the standout track of the EP, offering a slight change of pace and slowing a little into a noble, anthemic, dare I say it… heroic ballad of a song that to me says “let’s ‘Save The World’ with great music!” How do you follow that on a record? Well, their bold cover of ‘Immigrant Song’ now makes complete sense. To cover something as coveted, almost sacrosanct as Led Zeppelin, you need to be sure of two things: firstly, the accompanying tracks have to be absolutely on point or they will pale in comparison… check. Secondly, you’d better be damn sure you do a decent cover, because people WILL make sure you know about it if Who is your favourite Lincolnshire band and why? Those 4 hyperexcitable young studs in ‘Carry The Crown’ go down as our favourite band as their infectious personalities off stage shine through keeping their stage show entertaining - that paired with a bunch of catchy tunes means they’re always good fun to watch. Side note - our photographer mishearing their name for ‘Gary The Clown’ always gives us a laugh!

you don’t. Kill The Ideal have certainly managed it, staying true to the feel of the song while giving it a new lease of life, with the energy of modern rock. Journeying towards the end of the record with ‘Ten’ and ‘Meds’, we settle into a vibe where we’re met with reassuring notions and calm, familiar-sounding melodies, contrasted with fast rhythms and heavy vocals to create the dynamic telling of different sides of the same story, perhaps symbolic of an internal struggle? The closing track ‘Timebomb’ holds an endearing message to a ‘one true love’ where powerful high-end vocals drive home the lyric ‘I’m like a train wreck when I’m not with you’, a line that resonates with me in a spookily relatable sentiment, going on to express a ‘ticking timebomb’ - a great example of writing lyrical content that’s ambiguous enough for you to draw your own conclusions from, yet firm enough to guide you to that conclusion, like a maître d’ politely showing you to your table. A great closing track for an EP that plays through with the same enjoyability as a full-length album, starting as a raging party before arriving at the more serious messages being expressed. If you could choose a famous Rockstar from history for Prime minister who would it be? Freddie Mercury. He was a passionate individual and if the no goods in Parliament got out of hand then he would just say. “AHHHHH OHHHHHH!!!” What would be your dream show to play? Our dream show would be having the Foo Fighters support us at Wembley and Jared Leto as Ash’s guitar tech.

When can we expect an album? We alway had in our mind when recording ‘Against The World’ that we want this EP to be the one that puts us in the position to release an album. You only ever get one chance at your first ever studio album so we want to be completely ready for it when that time comes. We’re blown away with reception of the EP so hopefully an album won’t be far away!

Photos: Steven Haddock

Youtube SPOTIFY MERCH

We were lucky enough to catch up with Kill The Ideal for a beer and a chat, watch it here.

Stream ‘Against The World’ along with all of Kill The Ideal’s other great tunes on Spotify here.

Check out all of Kill The Ideal’s exclusive clothing, CDs and lots of other merch on bigcartel here.

Follow Comic Sans on Instagram: @com.ic.sans

Presents 2021. New year, New music! With a new year of hope and a new lease of life, let’s look into the wonders that are the Lincolnshire up and coming artists. Finding new music has never felt better, and you’re definitely in the right place. Words: Lauren Mcdonagh & Rachel Mayers

ith a brand spanking new single ‘Keep Me Waiting,’ George Shelley has been a highlight in the Lincolnshire music scene; getting his name out there and creating awesome content. If you haven’t checked out the music video, well, you definitely should! If you’ve seen George live before, then you can agree with us when we say he can captivate an audience. From his awesome mash-up covers to his very own rock songs, he has the audience boogying in no time. His music suggests influence from some of the greatest; The Stone Roses, Arctic Monkeys etc. Here’s what the man himself has to say about his music, his creative process and more...

Your new track ‘Keep Me Waiting’ gives us Oasis/Arctic Monkey vibes, which is excellent, but who would you say has been a recent musical inspiration to you? Recently I’ve been listening to lots of Beck, Gorillaz and drum n bass music. I’ve been using elements of that to make my music; my method of mixing and how I record has changed with lots of electronic beat sequencers and different techniques. It has helped to add a bigger energy and atmosphere to the new songs, which is what gives this track the catchy hooks and patterns which wasn’t as present in my older music.

As a solo artist, how do you manage your own brain to be able to create such wellstructured songs? I try to remove any thought and let the song find its own way when it comes to structure. I feel like for me, if I have a structure in mind that I try and follow, it always feels forced so I try to ignore thinking about structure and just start creating and go where the song takes me; that tends to have a more natural and honest feel to it.

UP & COMING

2021

G.L. Shelley

Obviously, lockdown has been a big part of everyone’s life, but as a musician, would you say your creative process to create your new single has been different to before? If so, did you face any new struggles? At first, I thought it would be a struggle because I started out by playing jam nights and feeding off of people, but with this change I’ve been able to experiment with beat sequencers and hip-hop

sounds. I used this at the core of my most recent music, and it’s been a great process and has allowed me to make music in a more refined style to what I’d like. Photos: Sam Freeman

Do you think lockdown has been good for you, in terms of writing and creating music? I found that creatively, lockdown has had a really positive effect. I was originally studying for A-Levels and was really busy, but then straight away in lockdown I took up a temp job in the supermarkets and did nothing but write in my free time so I found myself with about two new tracks every day and I’m still working on new stuff all the time now. Do you write songs for yourself or with the intention of stirring certain emotions or vibes for the listeners? Or both? For me, I just write songs I want to hear. If I’m wanting to hear new music from a certain artist or a certain sound I think could be tweaked or combined with a different one I enjoy, I just kinda make it myself so I don’t have to wait for my favourite artists to release stuff; I can just make what it is I’m wanting to hear myself.

I like to start with some electronic beat sequencers, and then from the beats build and structure the song as it comes. I guess that takes me back to my jam nights, improvising and moving with others but this time moving with my own sound created electronically. Which is nice but I do miss that interaction with other musicians.

This year hopefully we might be able to get a few live gigs in, what kind of plans do you have in terms of new music for 2021 and 2022? Any plans for gigs when Covid allows? I have a few gigs lined up but they’re all dependent on the situation at the time, I can’t really see much happening this year but if it’s safe, I’d love to put something on locally with a few other acts in a small venue! I love the intimacy and energy of those gigs, especially when you get a bit of collaboration and improv. I would love to get one going this year so fingers crossed things will become safer soon.

Last year you released ‘Feeling The Heat’, and it’s really unique and certainly a good one to boogie to, what was the meaning behind this track? When making this track, I just wanted something with a real big energy and upbeat nature to it; the kind of thing you could whack on at full volume and couldn’t help dancing too. The song itself is just about that feeling and energy just surrounding nights out in the club or pub crawls. What does your process of writing music look like? Do you find yourself writing lines down as they come to you or do you prefer sitting down and creating something in one go? For me it all comes in one go. So I’ll just start messing around musically and if I hit something I like, I don’t stop till it’s 100% complete. It’s quite a fast and fluid process, all from improvisation as well as recording and tweaking as I go.

in Lincoln so great. My favourite artists at the moment would have to be Serena Joy, Current Climate and Mary’s Dream; I think they all have a great sound.

What are your thoughts on the growing rock community in Lincoln? Which local artists are you loving at the moment? It’s great seeing such a large amount of great music coming from the city but I feel like what makes the music community in Lincoln great transcends the music; it’s the people and the atmosphere that makes this city great. Despite the fact I’m not much of a rock artist, I just kinda have the odd rock element, and the community has been overwhelmingly welcoming and supportive ever since I first started, and that attitude towards different and new music is what makes the rock community

For anyone wanting to get into music but not sure where to start, what advice would you give them? My advice would be to go out and immerse yourself in the music around you. Even if you’re not comfortable performing yet, go out to some open mics and jams see what’s going on! Watch the artists and meet some people. Don’t be shy about performing no matter what your ability because everyone is so supportive and helpful. I could barely play any instruments let alone sing when I first started getting involved, but I really wanted to be able to do it and just threw myself at it and I think without that I wouldn’t be able to play now. And finally, what is your ‘pre-gig hype song’? For me it’s always Black Skinhead by Kanye west, the raw energy and power behind that track is just perfect to get yourself going! Listen on Spotify

‘KEEp me waiting’ Stream it HERE

Photo: S L Hillman

he Rock genre brings us a wonderfully eclectic range of awesome music, from hard rock, psychedelic rock, indie and punk rock. One Punk Rock band to watch in 2021 is Lincoln’s very own Hideout. Established in their hometown of Lincoln, the group released their first studio EP ‘What Came Before’ in 2018. With the music community in desperate need to live alongside music once again, Hideout seem to be preparing to do JUST that... “...maybe people being starved of gigs for a year will be the perfect opportunity to give them some ace shows to bang their heads to” Tracks such as ‘Going Nowhere’ and ‘Close Your Eyes’ capture the true sound of 90’s and 2000’s rock music, with clear influence from rock legends Nirvana and Green Day. Here’s what the band had to say about their post-pandemic plans... including a second EP: What are your plans for 2021? There’s so much that we planned to do this year which has been dampened by the pandemic. We have plenty of songs already written which need to be recorded but given that we all live in separate cities, it’s pretty hard to find

Photo: Ethan Crabb

the time or place given that everything is closed. But who knows, if restrictions are lifted, we might have the chance to get into a studio, and you better believe we’re going to be taking the opportunity as soon as it comes up! So, main plans this year are writing more music and recording the music that’s already written, and then hopefully getting a second EP released with four maybe five tracks on there. Post pandemic, who knows! We are absolutely going to get back into gigging, and maybe people being starved of gigs for a year will be the perfect opportunity to give them some ace shows to bang their heads to!

hideout

As a band, who would you say influences your music? In terms of influences, we all like wildly different stuff. Zach’s pretty into metal and hardcore, so he’s inspired by bands like Cane Hill and Architects, you’ve got Jack who is big into Royal Blood the minute, Connor is really into metal and alternative, so he’a always listening to bands like Enter Shikari, and Alex said his favourite was a bit of a Biffy Clyro. So we cover a pretty wide Listen on Spotify range of stuff, and it all ‘WHAT Came comes together in a big before’ melting pot which we stick Stream it HERE a Hideout label on!

KINGS & BEARS

s a duo ourselves, we’re fuelled by our love to create new sounds, even if it’s in the wonderful acoustic suite of our shared university kitchen. Power trio Kings and Bears are a Lincolnshire band, fuelled by their four pillars; “rock, soul, reggae and funk music!” Check out their glorious tracks on Spotify if you fancy, and get excited about their ideas for 2021: So, what is the plan for 2021? The main plan we have in our head is a broader mission really; to share our ethos that love is real and it can change the world. Having the time to reflect in 2020 (and there was a lot of that!) made me think about why is it that we are doing this thing? What, aside from our passion for music, is the reason we want to put our creative endeavours out to the world, what legacy do we want to create I suppose? We believe in the

transformative magic of music and the ability for love and positivity to change the world and this thing, this band, is our small way of manifesting that change, first and foremost within ourselves. Musically, we have now built up a lot of new material we will be looking to record for future releases, some of which we have been able to develop in the rehearsal room and other bits that are in demo form. As is always the plan with our music, our overriding thinking is to always make something better than the last thing we did. How much material we manage to release this year is ultimately down to when we are able to get back in a studio again and make it happen, but we’re optimistic we will at least be in a position to release two or three new tracks this year! We’re excited at the prospect of finding new spaces to play in and trying to create shows that are a bit special in this regard, not just repeating what we’ve done and playing in the same venues over and over. I’m also hopeful that there will be a bit of a revived desire for live music post-lockdown as I think everyone has really seen the value in these types of experiences since they have not been available to us. Who are the bands that you admire the most? The rock bands we admire are not just straight-ahead rock groups, they take influence from all over the place to inform what they’re doing. Led Zeppelin,

Jimi Hendrix and many of the original rock musicians are a key bedrock for what we’re doing, not so much that we want to exactly replicate what they did (although there is probably always going to be some of that happening) but their desire to continually experiment with the

form and try new things. The music of great artists like this is ultimately a reflection of who they are and we want to do that same thing using the musical tools we have available to us. Listen on Spotify

‘WHen the day’ Stream it HERE

owl rose A

nd here we have the finale of our 2021 watch list: Owl Rose. “Born and bred on alternative rock and punk”, his music conveys a passion for a range of music, with heavier aspects and dark themes, to beautiful acoustic tracks with an abundance of emotional lyricism. “Music that doesn’t reflect the times we live in is barely anything more than happy noise - sometimes, we need to have a long, hard look at ourselves and those around to ask what’s important to question and resist” Luckily for us, the Pterodactyls EP is “out on all major platforms for human consumption on the 25th of February”, and we certainly can’t wait to hear it on the airwaves: Listen on Spotify

‘PTerdactyls’ Stream it HERE

What are your plans to bring rock into 2021? It would’ve been great to start getting out this year and playing shows with a band behind me, but it’s not looking like that’s going to happen for a while! Until then, I don’t have any shows planned aside from a Livestream show at Nebula Festival April 30th-1st May (although I’m absolutely gagging to play). I also have my new EP, Pterodactyls, coming out in the next month on all major platforms, so I might do a release livestream or something closer to that time. Who are your main musical influences? Majorly Architects, Bring Me The Horizon, Enter Shikari, and letlive have all been huge influences on how I approach song writing (maybe not always

in the same genre), although bands like Stick to Your Guns, Stray From The Path, and The Clash have always helped to guide where I focus my lyrics. Music that doesn’t reflect the times we live in is barely anything more than happy noise sometimes, we need to have a long, hard look at ourselves and those around to ask what’s important to question and resist. With the knowledge that these talented artists are ready to bring rock music to 2021 with EP’s, livestreams and gigs, it’s safe to say these are THE musicians to watch this year. Luckily for us, you can check them out on most major music platforms, and keep up to date with their current releases and gig on their socials!

Article by: Alex Eardley-Scott Youtube.com/alexeardleyscott

k l a t e n tS Por i n g c l e a n i n g

GET your gear gig ready

ith the tantalising possibility of getting back to normality this summer, I decided to take a day out of my exciting furlough routine to give my gear a thorough clean. Typically, it’s not easy to find the time to do it properly, alongside working, making music and the time-consuming banalities of everyday life, so now seemed a perfect opportunity. Therefore, this seemed the ideal time to share my tips and favourite tools to clean up your instruments before we (possibly!) get back to recording and performing. I’m going to share how to care for the most common equipment in a rock band – guitars, basses, microphones, drum kits and electricals. Outside of these, I’d recommend you contact your local music supplier or instrument servicer. Firstly, have all of your parts, tools and a nice clean work station before you get started. You will preferably need a sturdy table with a cloth or clean towel on it, so you don’t scratch it. Have a few bowls or trays ready to hold any screws or bits and bobs you may take out your instrument. I’d also recommend getting settled down with either a podcast or some good music on and take your time because it will be worth it when you’ve finished!

Guitars & Basses Guitars and basses inevitably get dirty. If you play at home with clean hands and pack the instrument away afterwards, your guitar should be relatively clean. If, however, it needs a bit more than just a gentle wipe with a cloth, then these steps might help you get it back to looking and feeling a little more like the day you bought it.

To get started, get yourself a fresh set of strings, as you will want to take the old ones off and replace them at the end. Once you have removed the strings, note where any adjustable items - like bridge posts go - and their heights as you may knock them while you’re cleaning. Any parts you remove should be set aside for cleaning. Get a soft-bristled brush or cloth and brush away any dirt and dust from the instrument’s body before you start anything else.

The mixture will get rid of any dust or dirt. It should move more freely and not

make any noises when moving it. You can use this on amplifier controls, mixing

If a control or a switch crackles or cuts out when you use it, it could be just dirt. This is easily remedied at this stage with an electrical contact cleaner. Open the back of the guitar or expose the controls and spray into them with the contact cleaner. Once sprayed, move the control from one extreme to the other repeatedly. Photos: Sophie Burrell & Parkhurst Guitars

desks and anything else with crackly or noisy switches too. If this doesn’t work, the switch is likely broken and needs replacing.

hile the strings are off, it is a great time to clean the fingerboard of a guitar. If it is lacquered or is a blonde, light coloured wood, you should only clean it with a very slightly damp cloth. For fingerboards made from darker, unfinished woods, use lemon oil. Be sure to use something specifically for guitars, as essential oils or similar can damage the wood. Apply a small amount

to a rag and rub it into the entire length of the fretboard. If it dries up quickly, several applications may be necessary the wood might need the moisture! After

dullness in the finish. If your guitar has a satin finish, Taylor Guitars now make the world’s first satin finish cleaner, which I’d highly recommend for that type of finish. The approach is different if your guitar has no finish or one that is waxy or porous. In this case, only clean marks with a slightly damp cloth followed by a dry one to avoid getting moisture into the wood. Before putting the strings back on, clean any removed pieces like bridges or tailpieces with a cloth and polish before remounting. This is when you’ll thank

yourself that you made a note of where they all were and their heights! Next, check over the washers and screws to ensure none are loose. Be sure not to adjust any that alter string height,

a few minutes, take a dry part of the rag and go against the grain, removing any oil that may remain. Your fingerboard will smell and look great. The oil brings the darkness back to the wood and reduces the chance of the wood drying out, causing issues with frets and inlays.

Drum kits A

Lemon oil is also excellent for the dark wood bridges found on acoustic or semiacoustic instruments. Should your guitar be coated in a clear, hard lacquer, this is the time to polish it properly. I’d recommend the D’Addario kit mentioned above. It works superbly on any lacquer to bring out the shine and remove any dust and

clean and well looked after drumkit is a force to be reckoned with. The dusty, rust-covered, bent legged housekit at the back of a venue isn’t, but it probably was once! To avoid getting to the stage where you’re worried about it falling apart like a clown car, follow these basics to keep your kit sounding better for longer. Cleaning your hardware can seem tedious, but keeping it clean and the moving parts greased will save you headaches and money in the future. Firstly, make sure anything that you can polish (especially chromed

Photos: Sophie Burrell & Parkhurst Guitars

pickup height or are on the pickups themselves. Once everything is snug, replace the strings and clip their ends. Now everything is tight; it will rattle less, resonate more and may stay in tune better.

While all of the above will bring your guitar back to good condition, you can include a few necessary steps in your playing routine to reduce issues. Always wash your hands before playing. It sounds obvious, but you will be less likely to gather dirt and grime on your gear, especially strings. When you’re done, give everything a once over with a microfibre cloth and a string conditioner like XLR8. Now you will find a large portion of the grime will be kept away before it settles.

items) are clean. That way, they will be less likely to suffer any corrosion and go dull over time. Secondly, apply a small amount of lubricant to any threaded nuts, moving parts and tension rods. They will be easier to adjust and will move and perform much better overall.

Photo: Sam Freeman

Drum hoops should be tuned using a ‘cross lug’ pattern. If you aren’t familiar get a diagram from Google as it will be handy. This technique stops the hoop from bending and causing one of the leading reasons drum skins detune. Cymbals should be cleaned with a microfibre cloth to eliminate any fingerprints and dust before and after playing. If you need to give them a good polish, then some cymbal cleaner will really help. Be sure to buy a specialist cymbal cleaner from Zildjian, Sabian, Groove Always wipe down your hoops regularly, too, especially in humid rooms where they could become rusty and corroded.

Juice, Dunlop and the like, as these are formulated to be safe and non-corrosive to cymbal finishes. Otherwise, all your cleaning is very counter-intuitive.

Microphones and cables

t goes without saying that you should clean your vocal microphones regularly… but how many of us do? Very few of us, if we are honest! Those microphones you have borrowed at open mics, gigs and rehearsal rooms don’t bear thinking about. If you have a standard type microphone

like shown, unscrew the grill and wash only this with warm soapy water and a mic specific sanitiser. The rest of the microphone can be cleaned with a damp

Finally, the shells should be looked after with microfibre cloths and a drum polish on the glossier finishes. Use a bearing edge conditioner on them when replacing the heads This will make tuning them more straightforward and also give you better tonality from them. If you’re using an electric kit, it should be cleaned as per the manufacturer’s

instructions. Usually, this is a very slightly damp cloth for most non-electrical surfaces, an electrical contact cleaner for connections like jack inputs and speaker outputs, and some lubricating oils for the pedal gears or hinges. That way, the whole kit will be free of any dirt, and the moving parts will feel as good as new. Photos: Sam Freeman

cloth but avoid the capsule or electrical areas. Let it dry for at least 72 hours before reassembly. After this, you will have a shiny clean microphone that might even sound clearer too! If you have a more complicated or professional microphone, I would recommend a professional service. This would also be a great time to check

any cables you have. Plug them in and test them, and separate any dubious ones from your regular wires. This can save you the annoying crackling and cut-outs that happen at a gig or while you’re recording. When you have tested them, mark them so you can distinguish the working and the broken. I use coloured

electrical tape or masking tape and write what is wrong on there. Should you have any broken cables, check your records and the manufacturer to see if it still carries its guarantee or warranty. Companies like Ernie Ball, D’Addario (Planet Waves) and Fender often carry lifetime warranties. You could get a like-for-like replacement for free! If you haven’t got the receipt, contact the store you purchased it from, as it could be saved under your customer account if you have one. If the crackling is coming from using controls on your interfaces or mixing consoles, then use a contact cleaner, and it should solve most noisy issues with knobs and switches.

the likelihood of something major like a broken guitar neck or a bent drum stand leg or split shell. If you are not using a piece of equipment for long periods, loosen any tensioned parts, especially strings, to reduce any strain on them or the instrument. These issues, and the ones listed above, can be costly and require professional repair. Taking that bit of extra care can avoid much of that hassle and expenditure altogether.

n essential part of caring for your equipment is proper storage. I have seen far too many instruments come into the shop, damaged from being stored incorrectly or in the wrong environment.

Remember to wipe your instrument with a cloth after use and protect it with a case. It should be stored in an environment away from direct sunlight, extremes of temperature and moisture changes or accidental knocks. All musical equipment is susceptible to warping, unglueing, rust, corrosion, dust, electrical faults, colour changes and playability faults. All of these faults can be caused by improper storage. Exposure to UV light through sunlight causes chemical bonds to break down within the pigment on your instrument. The colour can fade enormously if left there regularly. Although I think a faded or ‘aged’ colour is cool, a red instrument may end up as washed out as those

pale pink illegible roadsigns if you leave it in the sun for long enough. When exposed to light, drum wrap can bubble and flake, while the shells can crack with the heat. Therefore, places like lofts, conservatories, basements or near radiators and fires are not appropriate, so steer clear of them. A secure stand and fitted cases or bags are the best to avoid a great deal of these problems. They’re worth investing in and taking the effort to place them safely away when not in use. Anything to help reduce

I hope these tips can give you some pointers in keeping your gear in a better condition when we can finally make some music together again. Until then: keep playing, live-streaming, recording or anything else you’re using to pass the time with. For those of you who haven’t been feeling very creative, don’t worry. Resting and coming back fresh and enthusiastic is just as important. Remember to look after yourself too, and keep these tips for when you’re feeling up to it again. If you require any other information on or help with your instruments, contact me or my colleagues in the Lincoln Musciroom or your nearest music retailer or instrument servicer. Take care; I hope to see you in the shop and in a venue very soon!

Tel: 01522 537141 Email: lincoln@musicroom.com Instagram: @musicroomlincoln

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Articles inside

Hell’s Ditch

Kill The Ideal

Hideout

Saviours