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EDITOR-IN-CHIEF & FOUNDER Ekaterina Dokuchaeva GRAPHIC DESIGNER Nikita Eliseev CONTRIBUTORS Nicolas Le Forestier Sena AurĂŠlia Matija Tomc Agne Bekeraityte Alessandra Genualdo Adam Jones Ann Lin Allegra Ghiloni Alexander Garcia Diana Nikishina Magdalena Czajka Maximilian Hetherington Magdalena Slowik Simeron Kaler Sista studio Signe INTRO Selection The True Illusion Yuji Watanabe EDITORIAL editorial@just-magazine.com ADVERTISING info@just-magazine.com www.just-magazine.com
PLEASANT SENSE OF FASHION INJECTION
Photographer Maximilian Hetherington / Stylist James Oxley / Makeup Sophie Cox / Models Daria @Milk, Brynja @Nevs
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MIDDAY 18 Nicolas Le Forestier PLATINE 30 Hui Shen INTRO SELECTION 42 intervew SLIPPY 54 Maximilian Hetherington PUNK MOOD 70 Alyona Kosmina ALESSANDRA GENUALDO 80 intervew YUJI WATANABE 94 HOME STORY 106 Diana Nikishina SIMERON KALER 120 intervew INFLATED/DEFLATED 138 Agne Bekeraityte
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AKAI 154 Ann Lin SIGNE 168 intervew LIKE HER 186 Nala Luuna & Sena Aurelia
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RETRO LAUNDERETTE Diego Ricci 196 BENGAL FLARE ROAD TRIP Matija Tomc 212 SWELTERING IN THE CONCRETE JUNGLE Alexander Garcia 230 JUST LAUGH Magdalena Czajka 244 A FRAGILE FORCE Adam Jones 252 NEW PLANET Magdalena Slowik 266 GLOSSY COLLECTION Sista studio 274 VILA Jessica Imhoff 292 FRAGILE Amber Marie Barker 310 PASTEL PRINCESS Ekaterina Dokuchaeva 320
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R E T T E SL HERE IS THE SPRING ISSUE, ORIGINALLY INTENDED TO BE RELEASED IN EARLY MARCH BUT CONSIDERING A LARGE AMOUNT OF THE MATERIAL WE RELEASED IT A BIT LATER. ANYWAY, IT’S FINALLY HERE! THIS ISSUE FOCUSES ON THE PLAYFULNESS OF SPRING SEASON AND THE VARIOUS KINDS OF FASHION. BEAUTY AND SPRING WALK TOGETHER LIKE SYNONYMS. NOW WAKING UP GOES FROM THE INSIDE IT FULLY INSPIRE EVERYTHING AROUND. WITHIN THE PAGES OF JUST COVERED BY LONDON-BASED PHOTOGRAPHER MAXIMILIAN HETHERINGTON, THERE ARE SOME VERY BRIGHT ARTICLES, INTERVIEWS WITH THE GREAT ARTISTS SUCH AS ALESSANDRA GENUALDO AND SIMERON KALER, STORIES SHOT EXCLUSIVELY FOR JUST MAGAZINE BY NICOLAS LE FORESTIER, MATIJA TOMC, YUJI WATANABE AND ENDLESS PAGES OF INSPIRING PHOTOGRAPHS TURNING US TO LOOK AT THINGS WITH A NEW ANGLE. IN THIS SPRING 2016 ISSUE OF JUST MAGAZINE, WE TRIED TO FEATURE ALL TYPES OF BEAUTY AND HOPE YOU’LL ENJOY IT.
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Photographer Nicolas Le Forestier Stylist Anne-Catherine Frey Models Lola Hendrickx @oui management Nolween Faijean @oui management
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JACKET THE KOOPLES / SHIRT COMME DES GARCONS COLLAR MARNI / ACCESSORIES GUCCI/YSL/RITA+ZIA
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DRESS FAITH CONNEXION / TIGHTS DI FABIO / NECKLACE AGATHA / RING GUCCI / RING YSL
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SCARF THE KOOPLES / BLOUSE MARNI / BROOCH VINTAGE
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ON NOLWENN: DRESS CARVEN / NECKLACE AGATHA / RINGS GUCCI / RING YSL ARTY / RING MAISON NTONYM ON LOLA: AS SEEN BEFORE
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JACKET ALEXANDER WANG / SHIRT RALPH LAUREN / COLLAR MARNI / PANTS THE COOPLES / RING YSL / RING GUCCI
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www.nicolasleforestier.net annecatherinefrey.com
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ON LOLA: JACKET VINTAGE BALENCIAGA / SKIRT COMME DES GARCONS / RING YSL ARTY / RING RITA+ZIA ON NOLWEEN: JACKET THE KOOPLES / SHIRT COMME DES GARCONS
P LAT I Fashion Editor /AD Sena Aurelia Photographer Hui Shen Models Lidia & Marli @MarilynAgency MUA Lea Toussaint HairStylist Auriane Lhermitte Place Le Platine Hotel Paris 30
BOMBER SCOTT / DRESS AMERICAN APPAREL TIGHTS DIM / SHOES TEXTO SUNGLASSES LANVIN
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FAKE FUR SUD EXPRESS / BOXER DIM / SNEAKERS PRETTY / JEWELS UNO DE 50
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JUMPSUIT AMERICAN APPAREL / BRA LOVE STORIES / EARRINGS VIVEKA BERGSTRÖM / RING HÉLÈNE ZUBELDIA / BELT SHOUROUK
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TSHIRT MAJESTIC FILATURES / JEANS HEARTLESS JEANS / SKIRT FAITH CONNEXION / NECKLACE PHILIPPE FERRANDIS / SHOES TEXTO
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TOP/ SHORT ELISABETTA FRANCHI / VEIL LAURENCE BOSSION / KNEE HIGH SOCKS FALKE / SOCKS DIM / SHOES FREE LANCE
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www.senaaurelia.com
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«The project Intro was born out of true passion for putting together vintage pieces of different genres and inspirations: classic, ethnic, minimalist, pop…» I N T E R V I E W
INTRO SELECTION Who is behind the INTRO allow us to develop a strong at the peak of modernity. Selection? Tell us briefly taste for pieces of character. about your brand. Each item of clothing is meIntro is like a cross between We (Ilana and Charlotte) introspection, into past trends, are longtime friends; having and introduction to a néo-rétro both studied fashion, the two fashion. We want to borrow encompass all areas of design, iconic elements from past cengraphic design, marketing and turies that marked our memcommunication. We had some ory and reinterpreting them numerous experiences within with a contemporary spirit, to french fashion maisons which the extent of hoisting vintage
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ticulously chosen for its character, its shape, its finish and its general state. Selected with outmost care, but without affecting our products’ accessibility, the pieces are presented in an off the wall and multi-inspirationnal setting.
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ÂŤFashion has always been a great area of experimentation and expression, in which I need to feel freeÂť How did you discover an interest in fashion design? Charlotte: When I was a child, my grandmother was a dressmaker in Alger. She is the one who taught me everything me about couture, and transmited me her passion. Later, my dad encouraged me to draw to express myself though art. From then, I knew I wanted to become a stylist; I left south of France when I was 19 years old to study in a fashion school in Paris.
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Ilana: I have always enjoyed dressing up with quirky outfits, it was a way to stand out from the crowd ( even if it was sometime a bit strange). I liked to mix genres and styles. I used to cut out my mom’s cocktail dresses and associate it with my grand dad 70s jacket. Fashion has always been a great area of experimentation and expression, in which I need to feel free. Charlotte and I both share the same fashion vision: a way of expressing a strong desire for singularity.
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"VINTAGE IS OFTEN A MISCONCEIVED WORLD"
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What is the concept behind “Women and Playground” collection? « Women & Playground » stages various characters’ life moments, child-like women on a bright colored set posing edgily in direct reference to 60s/70s. This collection was inspired by the pop movement and the art of banging colors together. Subtly and quirkly, with a playful approach to clothing, styling oneself is made into a playground where freedom and self-derision prevail. We wanted the silhouettes to be feminine and colorful, half way between vintage and modernity. This first collection is about little girls who dress up with their mom’s outfits.
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Our video was shot in Brasserie Barbes, a new trendy place located near Pigalle. Sophisticated silhouettes move around in a bourgeois setting, where as we can the overground of this popular district. The girls gang stare at the camera, self-assured and assertive, almost defiantly, as if interrupted mid-sentence by the intrusive lens of the photographer.
What do you want to express with your concept, and what is your pieces selection process ? Vintage is often a misconceived world. For a lot of us, it feels difficult and unnatural to thrift shop and to imagine looks that can be modern and retro all at once.
Finding a piece according to our taste can even feel time consuming. We wanted to stage key pieces that are engraved within the collective memory and to re-interpret them with a contemporary state of mind, to the point of hoisting vintage at the peak of modernity. Intro Selection is like a mediator between the consumer and the vintage world, offering a refined selection of pieces according to current trends. The consumer is thus oriented on how to put together the pieces. The selection process doesn’t follow an ensemble of rules but rather relies on intuition. Their wish is to satisfy a desire for aestheticism and individuality, but also to recover the sense that used to be given to each item of clothing in the past. We give a great attention to noble fabrics such as 100% cotton, virgin wool or silk. The touch is really important as well, we want our client to feel comfortable wearing our pieces. The pieces are then staged in a subtle and quirky manner, and presented each season in the form of a collection with a theme and specific references according to their style and period.
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How does your cultural environment influence your way of working? We are both living in the 9th district of Paris, located between two emblematic neighbourhoods: Pigalle is a busy district, renowned for its cabaret, and Montmartre is a symbol of the old and authentic Paris. Those two areas have always been exposed to an artistic environment, with big names such as Picasso, Dali, Rimbaud, Verlaine or Edith Piaf. We like to explore the city to find some rare pieces, from french brands such as Thierry Mugler or Céline. You can’t deny the fact that Paris is very inspiring city, because of it architecture, theatres, museums, shops and flea markets. All of those fantastic places stimulate our imagination in our shooting set up. « 80 Ecclectic Eccentricity » photoshoot has been shot at historical cabaret Madame Arthur, in art-déco setting in Pigalle.
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"WE ARE DEEPLY COMMITTED TO SURREALISM"
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What fascinates you about the art world today? What are your main inspirations? Art has long been seen as the preserve of an elite, but now it’s freer and wilder. We highly appreciate the merger between these different fields of creation, whether it is visual art, fine art, architecture, cinema, music or fashion. Anyone is allowed to express its creativity by detaching themselves from the established rules. Some artists truly stand out and offer a bold and colorful vision fo the world we live in. We are deeply committed to surrealism. Its symbolic dimension definitely remains an inspiration with artists such as Max Ernst, Dali, Miro or Frida Kahlo. The idea of a harmony of colours and shapes is a very important issue in particular in Gary Hume or Hernan Bas works of art. Finally, we love Eugenia Loli’s collage boldness vand fun aspect.
What upcoming projects can we expect to see from you? We are going to be a part of Paris Vintage Fair on March 12th and 13th which is a major meeting in the heart of the trendy district : Le Marais. This year’s theme will be « Space Age ». Likewise, we will exhibit for events hosted by an organization subsidised by Paris City Hall, promoting urban agriculture. Beyond its search for estheticism and singularity, Intro responds to an undeniable current concern: transforming based on what already exists, and also satisfies the need for responsible and economical shopping habits. We are willing to provide trendiness and contemporaneity to the ecology field in order to reach as many people as possible. We are also thinking about holding a contest with parisian fashion schools students in which they will have to transform and modernise vintage pieces
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Photographer Enzo Orlando
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apher Photogr rington e h t e H n ia Maximil Oxley s e m a J t Stylis phie Cox o S p u e Mak @Milk a i r a D s Model Nevs Brynja @
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sophiecoxmakeup.com jamesoxleyhair@gmail.com
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K N U P Photographer Alyona Kosmina Production The True Illusion Stylist Olga Romanenkova Makeup Olesya Ivanina Model Kate
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PINK BODYSUIT AND BOOTS SVETLANA KUSHNEROVA / COAT PHILIPP PLAIN / RING KOJEWELRY
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DRESS N-DUO / LOAFERS STUART WAITZMAN / LEATHER SHORTS PROPERTY STYLIST / RINGS KOJEWELRY
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JACKET SOFI STROKATTO / PANTS - VILSHENKO / BRACELET KOJEWELRY
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DRESS CHRISTIAN DIOR VINTAGE / SKIRT-CORSET SVETLANA KUSHNEROVA /CAFES EAR KOJEWELRY
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LEATHER DRESS SVETLANA KUSHNEROVA / CHOKER ASOS / RING KOJEWELRY
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I N T E R V I E W
We are happy to introduce you
A LE S SAND RA G E NUAL DO illustrator living and working in London with Kira the English Setter and John the English man
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Who is Alessandra Genualdo? Tell us briefly about yourself and how did you discover your passion for illustration. I’m from a small town in Italy, but I have been living in London for the past six years. Drawing has always been a part of my life, and at some point I realised I wanted it to become my job.
What does mean “beauty� for you? I consider something beautiful in the sense of it being visually pleasing and having the potential to be turned into a picture. Beauty is quite an open concept for me, it can be anything associated with a positive feeling.
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How did you choose the subjects for your illustrations? Who are the main characters of your pictures? What or who I draw is always really personal to me, it almost comes instinctively. Because it is so personal, most of my characters are women; sometimes women I would like to be, sometimes someone I have met and I forgot about, sometimes it’s me.
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What fascinates you about the art world today? What are your main inspirations? I like how accessible art is, which has got its pros and cons. It is easy to find inspiration, but it can also be quite overwhelming. I do admire the work of many illustrators, but I also seek inspiration in the work of photographers, video-makers, poets, sculptors, textile designers.
What are the most important values you share as an artist? I try and share my very personal vision of things, and I try and be completely myself when I do so.
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Where do you aspire to be in the near future? I would love to illustrate another book sometimes soon, and to find new application for my work.
Which contemporary illustrators or artists do you follow? There are many, some of them are Pipilotti Rist, Jonas Mekas, Golden Cosmos, Carson Ellis.
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E B A N A T WA Yuji Watanabe a photographer based in Paris and Tokyo 95
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Photography: Diana Nikishina Style: Alexandra Osina Muah: Svetlana Tikhonova Model: Hanna
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Body Bershka / Leggins Oasap Socks H&M / Shoes Oasap
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Bra H&M / Skirt Terranova Coat Lightinthebox Boots Lightinthebox
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Top H&M / Top above New Yorker Bag Pieces / Shorts Hiero Emme
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vk.com/din_photography styledbyalexandra.blogspot.ru
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SIMER O N K A L ER Simeron Kaler, London, UK. Multi-disciplinary artist and designer Simeron Kaler explores themes of memory and honesty in her work, presenting it as visual storytelling.
www.simeronkaler.com contact@simeronkaler.com
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Who is Simeron Kaler? Tell us briefly about yourself and how did you discover your interest for illustration.
subject to choose the outcome. I’ve been drawing since I can remember and have always loved, and been encouraged by my family, to create art, so over the years I’m a London-based artist and illustrating emotions naturally bedesigner that works in a range of came an organic output. It wasn’t different mediums. I’m most com- something I discovered it’s somefortable with illustration but I like thing thats always been there, it’s to experiment and play with differ- grown with me. ent textures and tend to allow the
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"CONTINUOUS LINE AND MEMORY WILL ALWAY How can you describe your own way of making art? How would you define your personal style? My personal practise is always developing and being refined. There’s never really one way of making a piece as I don’t like to define myself too much to one medium, so each piece will have a different journey. I would say the common elements are being in a good creative headspace, shutting myself in the studio with a good soundtrack and minimising distractions. For a while now my personal style and passion focuses around minimal line, but it’s always evolving. I think continuous line and memory will always be a common theme in my work though.
FACE
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YS BE A COMMON THEME IN MY WORK THOUGH" THE BIGGER PERSON
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What does mean “beauty� for you? Something that makes you stop and feel something; it goes deeper than the visual aesthetic. I think the world is full of so many tiny moments of it that go un-noticed. The beauty of unconventional things should be appreciated more.
Which concepts or ideas do you most enjoy conveying through your work? I like to convey truth and honesty, making my work relatable to people’s experiences. For someone to view my work and link it to a memory they have had makes each piece personal to them for different reasons, I love that.
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How does your cultural environment influence your way of working? Being part of an Arts University has really helped me push myself and see new ways of working. It’s a hub of creative talent and you really feel you’re part of the new generation of artists. It also makes you realise the need for joint collaboration. I think it is important to share successes and help others network. In terms of living in London, ask anyone I know and they’ll tell you how much of a die-hard Londoner I am. There are so many opportunities and causes for inspiration that I’ll never tire of this city.
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What fascinates you about the art world today? What are your main inspirations? I went to a talk last month about the role of the modern gallery and how it has changed in recent years with the rise of social media. It showed just how accessible the art world has become and how artists are really able to utilise platforms for exposure that they just wouldn’t have had before. I’m so inspired by artists Amalia Ulman and Rupi Kaur that use Instagram not only as a gallery for their work but also to create a whole new conversation about important contemporary topics.
Which contemporary illustrators or artists do you follow?
I’M A MUG
To name a few of my favourites: Rob Ryan, Grayson Perry, Rupi Kaur, Victo Ngai, Hanna Barczyk, Marina Abramović.
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www.simeronkaler.com contact@simeronkaler.com
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I N F L AT E D / Photography Agne Bekeraityte Fashion editor Elvija Vitola Muah Helena Haciepiri Videographer Claire Smith Designers Domenica Abram Szczerba, Lieu Le Fujing Hy, Chunyin Marc Mok, Sarah Lai En Models Derya and Jenny @GTM Models London
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GLOVES AND TOP: FUJING HY/ SOCKS: & OTHER STORIES/ SHOES: TOPSHOP
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www.agnebeke.com www.elvijavitola.com www.helenahaciepiri.com www.lieule.com www.pandoradeluxe.com
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JACKET ZARA / LEGGINGS: PANDORA DELUXE/ BOOTS: TOPSHOP
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COAT: DOMENICA ABRAM SZCZERBA / TROUSERS: ZARA / SHOES: TOPSHOP
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AKAI WANWEI HUANG'S COLLECTION IS A JOYFUL EXPRESSION OF A QUIRKY, ARTISTIC SENSIBILITY. INSPIRED BY THE ARTIST YAYOI KUSAMA, THE COLLECTION IRREVERENTLY EXPLORES THE CONCEPT OF INFINITY EXPRESSED THROUGH DOTS, MASTERFULLY DEPICTED IN ORIGINAL TEXTILES AND INVENTIVE PATTERN CUTTING. THE SERIES TITLED [AKAI] MEANING RED IN JAPANESE PRONUNCIATION. THE PHOTOGRAPHS BY ANN & SABRINA CAPTURES A VISUAL TENSION THROUGH RECONSTRUCTION OF OBJECTS AND FORMS THAT MIMICS THE ULTIMATE ELEMENT IN WANWEI'S COLLECTION.
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Sustainable womenswear made in Denmark
SIGNE IS A NEW DANISH FASHION BRAND DESIGNING HONEST AND FEMININE EASYWEAR. THE BRAND APPROACHES AN HONEST DESIGN PROCESS, FOCUSING ON WORKING WITH HIGH QUALITY MATERIALS WHILE MINIMIZING THE ENVIRONMENTAL IMPACT. FABRICS ARE SOURCED WITH SUSTAINABILITY IN MIND, AND ALL GARMENTS ARE HANDMADE AND SHIPPED DIRECTLY FROM THE BRAND'S STUDIO IN DENMARK. CREATING 'REAL CLOTHES FOR REAL WOMEN' IN THE MOST HONEST WAY POSSIBLE, THE BRAND IS HOPING TO EXPRESS A MOOD AND APPEAL TO EMOTIONS, WHICH ARE FREE FOR ANYONE'S INTERPRETATION. 168
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Signe Rødbro, Denmark www.bysigne.com email: info@bysigne.com instagram: bysigne
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Tell us about your creative background and story as an designer. How you discovered your passion for design? Well I guess the interest in fashion started early, as a child I remember copying the same model over and over again, drawing new clothing and patterns on her every time. I wish I had those drawings still, they would have made an awesome inspiration today.. After finishing high school I went to a small private tailoring school in Denmark. This was were I really realised that fashion was my path to follow. However, this school was very old-fashioned and there was not much room for any imagination and creativity, so the year after I moved to Spain and studied fashion at university there.
What is the concept behind your “Homegirl” collection? We just launched our first collection named ‘homegirl,’ as a reference to the feeling of freedom and safety within what we describe as ‘home’. The collection is based on a study of what makes the feeling of home, and it is aimed to make the wearer feel the same kind of comfort. It consists of modern basics and statement pieces, all in slightly oversized yet feminine silhouettes; clean and comfortable garments made to enhance the natural woman in a modern culture.
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Where do you find your inspirations? I seriously find inspiration everywhere, and in the most unexpected places. At the moment I am obsessed with old books telling all kinds of stories of women. In general I find inspiration as well in my own feelings as in all visuals around me; this could be in museums or movies or when I travel. I take photos everywhere though! Last week I photographed a trashcan in an old classroom. Yesterday I took a photo of my neighbour’s door. I think that even my dog must be tired of me asking her to wait while I take a photo of something. Mostly they are random things that just sort of speak to me. Eventually I gather them all and suddenly they fit into some sort of context.
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ateWhat techniques and m colrials did you use for the lection and why? organic We have used as many irl’ collecfabrics for the ‘homeg ve this is tion as possible. I belie e are apthe future in fashion. W sign proproaching an honest de working cess where we focus on ials while with high quality mater ental imminimising the environm ced with pact. All fabrics are sour this goes sustainability in mind, ethical vihand in hand with the ts being sion of all our garmen directly handmade and shipped ark. from our studio in Denm
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are Which particular work hat you most proud of? W ur yo would you say are biggest strenghts? right I think my biggest strength s on the now is, that I don’t focu o when garments in a still phot k and loo working, but on how they cceed in feel in real life. When I su costumthis, and it shows on my think it is ers, I am proud. Also I followed important that I always at ’s what my gut feeling, really th w having has brought me to no started my own brand.
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What upcoming projects can Who would you most like to we expect to see from you? collaborate with from within the visual arts and fashion At the moment I am working spheres? un the upcoming ss16 collection which will be presented in the beginning of the new year. Also I am working on a vision of making accessories and lingerie from our waste cuttings in the future.
I am always looking to work with creative photographers and stylists from all over the world, and I would love to collaborate with textile-designers who has a cool new take on organic fabrics and
dyes. Besides that, I am playing with an idea about working with “real” girls who have their own signature on their social media and selfies etc. It would be interesting to do a project where they are free to style and capture the clothes in their own way. Then I would gather the photos and maybe use it as a second “real-life” lookbook.
THE COLLECTION IS AVAILABLE EXCLUSIVELY ONLINE AT WWW.BYSIGNE. COM AND SHIPS WORLDWIDE. SPECIAL ORDERS CAN BE REQUESTED DIRECTLY THROUGH THE STUDIO.
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Photographer Nala Luuna Stylist Sena Aurelia Model Therese @Laprod2
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Make up Fanny Jakubowicz Hairstyslist Irya Cisse Photo assistant Carl Seven
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JACKET VIVIENNE WESTWOOD / DRESS BA&SH EARRINGS SOULEIADO / NECKLACE TOUBAB PARIS BRACELETS (LEFT HAND) BOKS & BAUM / FASHION VICTIME / BRACELETS (RIGHT HAND) SYLVIA TOLEDANO / FASHION VICTIME
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SCARFS (IN HAIR) MACADAM PARIS DRESS BA&SH / EARRINGS HÉLÈNE ZUBELDIA NECKALCE FASHION VICTIME / RIGHT HAND CUFF/ RING SYLVIA TOLEDANO BRACELET TOUBAB PARIS / LEFT HAND BRACELETS FASHION VICTIME/ SYLVIA TOLEDANO RING FASHION VICTIME
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SCARFS (IN HAIR) MACADAM PARIS/ MEESHA LONG TSHIRT BA&SH LACE SLIP DRESS AGENT PROVOCATEUR EARRINGS HÉLÈNE ZUBELDIA TORQUE/ NECKLACE SYLVIA TOLEDANO BRACELETS FASHION VICTIME / SHOES FREE LANCE
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SCARF (IN HAIR) MEESHA / JACKET LAURENCE BRAS / DRESS VIVIENNE WESTWOOD EARRINGS SOULEIADO / NECKLACE /CUFF BOKS & BAUM LONG PENDENT /BRACELETS SYLVIA TOLEDANO
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METALLIC SWEATER: IVORIES / FLORAL CHOKER NECKLACE: LISA C BIJOUX
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Photographer Diego Ricci Stylist Allegra Ghiloni Hair & Make Up Artist Valentina Macrì Model Siobhan VanDerKley @Boom Models
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BACKLESS TOP MARIOS / RED LACE TROUSERS STELLA JEAN JEWELED NECKLACE LISA C BIJOUX / GOLD HEEL SHOES L72
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CACTUS EMBROIDERED JACKET: STELLA JEAN CAT PRINT DRESS: MARCO CORSO
Photographer: Matija Tomc Stylist: Spela Jambrek Hair: Ziga for Mare Dresura Frizure MUA: Maja Drab Model: Marusa Jerse for Immortal Models Management Location: The quarry of Sadinja vas
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MAGAZINE FOR GENER A L INQUIRIE S, ADVERTISING A ND COLLABORAT ION QUE ST IONS I NFO@JUS T- MAGA ZINE . COM
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SWELTERING IN THE CONCRETE JUNGLE by Alexander Garcia
Photographer Standa Merhout @ Wilhelmina Artist Model Heidy Allende @ IMG Models Make up Renee Garnes @ Next Artists Hair Muriel VanCauwen @MAM agency, using INDI HAIR extensions & Label. Manicure Vanessa Casas Fashion asstnt Suspira Fuerte 230
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CAPELET GIULIETTA / TOP OLIVIER BORDE / SKIRT ANTONIO MARRAS / RING PARME MARIN
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лю T S JU UG lena Czajka a d g a M : g n li & sty photography awadzka Z a n le a d g a M ir: make-up & ha go Models n a M / . B a r d n model: Aleksa
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FR AG I L E F OR CE Photography Adam Jones Styling Gemma Silcock Make Up Faye Aydin Le Jeune, Using Chanel and Nars and Mac Hair Kash Ali Model Jessica Gagen @Boss Model Management
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photographer: Magdalena Slowik designer: Sarah Innes Fashion Design model: Venedela Gebbie 1st assistant: Rachelle Muir 2nd assistant George C. Gebbie
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«G L O S S Y» C O L LE CT IO N Fashion designer Amandine Armand Graphic designer Lise Armand Photographer Johanna Eclancher Model Elodie Be Pattern maker Laura Corneloup Make up artist Marine Buffet
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SISTA STUDIO IS AN EXPERIMENTAL CREATIVE WORKSHOP CURATED BY TWO FRENCH SISTERS: AMANDINE ARMAND (ART DIRECTOR / FASHION DESIGNER) AND LISE ARMAND (ART DIRECTOR / GRAPHIC DESIGNER).
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GLOSSY COLLECTION SS15, FUTURE OR NEW KITSCH: THE GLOSSYFIXION ANY FORM OF ART, BE IT FASHION, DESIGN OR GRAPHICS, BELONGS TO A PERIOD AND REPRESENTS IT. THE GLOSSY PROJECT IS THE STILL IMAGE OF A TURN IN THE HISTORY OF AN ERA AND A GENERATION: THAT OF THE DIGITAL NATIVES OF TODAY. WITH SECOND DEGREE, THE GLOSSY SS15 CLOTHING COLLECTION APPLIES THIS POPULARIZED AND OBSOLETE EFFECT ON HUMANS THEMSELVES. AS A GENERATIONAL SIGNATURE, GLOSSYFIXION IS EXPRESSED FUTURISTICALLY AND CARICATURALLY IN THIS CAPSULE COLLECTION TO FREEZE THESE AESTHETIC STEREOTYPES UNIQUE TO OUR GENERATION.
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V ILA Photographer: Jessica Imhoff Designer: Yoyo Han Hair and Makeup: Miyako Johnson Manicurist: Monica Rehayem using Essie “Ridge Filling Base Coat”, “All Eyes on Nudes” and “No Place Like Chrome” Model: Sasha T at APM Models Assistant Stylist: Parisa Wang Photo Assistant: Erik Ellingson Digi-Tech: Livingston Maclake Typographer: Colin Nichols Flowers: Seasons Floral Design NYC
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BLACK FUR AND LACE GARMENT BY YOYO HAN
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«BUTTERFLY» RAINBOW FUR CAPE AND LACE SKIRT BY YOYO HAN / SHOES BY STEVE MADDEN
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Manicurist: Monica Rehayem using Essie “Ridge Filling Base Coat”, “All Eyes on Nudes” and “No Place Like Chrome”
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MESH AND FUR DRESS / POMPOM BY YOYO HAN / SHOES BY SHOE CULT FOR NASTYGAL
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GIVING FOCUS TO AN EXPRESSION OF SOFT EMOTIONS. THE SUBJECT IS PLAYFUL, FEMININE AND TENDER. GENTLE COLOURS OF CREAMS, PINKS AND BLUES ARE PRESENTED IN FLUID, ETHEREAL FABRICS. SENSITIVITY, VULNERABILITY, FRAGILITY AND DELICACY ARE PORTRAYED IN THIS PORTRAIT SERIES.
Photographer Amber Marie Barker Model Jodie @ J’adore Models Stylist Allegra Ghiloni Hair & Make Up Artist: Jess Marie
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