POR TFO LIO K A L E N
F R E E D
KALEN FREED I n t e r i o r
D e s i g n
CON TACT 575.937.8967 kalenfreed@gmail.com
INVOLVEM ENT
https://www.linkedin.com/in/kalen-freed/
AMERICAN SOCIETY OF INTERIOR DESIGNERS (ASID) TEXAS TECH STUDENT CHAPTER President May 2019-May 2020 President Elect May 2018-May 2019 Student Member August 2015-Present INTERNATIONAL INTERIOR DESIGN ASSOCIATION (IIDA) TEXAS TECH CAMPUS CENTER Student Member August 2015-Present Secretary August 2016-May 2017 ALPHA LAMBDA DELTA / PHI ETA SIGMA Student Member December 2014-Present TECH ACTIVITIES BOARD OUTREACH COMMITTEE Member January 2015-May 2017
AC HIEVEM ENTS UNDERGRADUATE RESEARCH CONFERENCE PARTICIPANT Texas Tech University Spring 2020 IIDA STUDENT CHARRETTE PARTICIPANT NeoCON
June 2019
PORTFOLIO WAS RETAINED FOR CIDA REVIEW Texas Tech University Fall 2016- Present
S KILL S AUTOCAD REVIT MICROSOFT SUITE ADOBE ILLUSTRATOR ADOBE INDESIGN ADOBE PHOTOSHOP
EDUCAT I ON TEXAS TECH UNIVERSITY BACHELOR OF INTERIOR DESIGN CIDA Accredited Minor in Architecture LORENZO de MEDICI INSTITUTE FLORENCE, ITALY
Graduation: May 2020 GPA 3.9
August 2017-May 2018
EXP ERI EN CE DRAFTING ASSISTANT August 2018-Present PROFESSIONAL DRAFTING AND DESIGN Developed working drawings and construction drawings for client residences Adapted to client demands and reflected changes efficiently and accurately Inspected drawing sets for clarification and precision before construction INTERIOR DESIGN INTERN Summer2019 TEXAS TECH UNIVERSITY ENGINEERING SERVICES Produced and presented the cost-efficient redesign of on-campus bathrooms Observed and participated in the planning and selection process of design elements for projects under $2 million Assembled documentation and compelling research for an application for the Federal Historic Preservation Tax Credit Program STUDENT ASSISTANT January 2019-May 2019 TEXAS TECH UNIVERSITY DEPARTMENT OF DESIGN Composed and edited various presentation media Reviewed assignments for errors and inconsistencies during grading Advanced understanding and execution of the AutoCAD software STUDENT ASSISTANT February 2016-May 2017 TEXAS TECH UNIVERSITY OPERATIONS DIVISION PLANNING AND ADMINISTRATION Conducted site visits to various campus buildings to confirm construction updates Patrolled databases used for campus operations for inaccuracies and visual discrepancies Followed the technical role of interior design in maintaining building use
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AMARAN
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AMARAN:
A S S I S T E D
L I V I N G
F A C I L I T Y
THE PROJECT Amaran is an assis ted living f acility that util ize s Mo n t e sso r i p r in c ip l e s t o gu id e res idents as the y trans ition into their last p l an e o f d e v e l o p m e n t . A m aran is in Albuquerque, Ne w Mex ico, adjacent to the Mo n t e sso r i O n e A c ad e m y ’s NIDO building. Vie ws of the Sandia Mountains are op t im ize d f o r re sid e n t e n j o y m e n t an d relax ation. The facility houses memory care u n it s, re sid e n t ial u n it s, c o m m u n it y spaces , areas for employees , as well as areas to ac c o m m o d at e an d p r o m o t e m u l t igenerational interaction. The building s imul t an e ou sl y in c o r p o rat e s Mo n t e sso r i p rinciples, as well as health, safety, and wel f are e l e m e n t s t h at are e sse n t ial f o r t h e well-being of residents and e veryday occu p an t s.
PROGRAMS USED Hand Drafting Ph o t o sh o p Re vit M ic r o so f t S u it e InDesign RESPONSIBILITIES Concept De velopm e n t RC P De v e l o p m e n t Codes Summary Re n d e r in gs Block ing Presentation De velopment Floorplan De velop m e n t GROUP / INDIVIDUAL Group Project -Small Team Re se arc h Gr ou p s -L arge Team Pr o j e c t De sign D U R AT I O N 15 week s
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RESEARCH
PROJEC T ON E
CODES SUMMARY
CLIENT INTERVIEW
p r o g r a m m i n g
PROJECT STATEMENT
CONCEPT STATEMENT & GOALS s c h e
Third Floor Display Kitchen Third Floor Elevator Lounge
Second Floor Display Kitchen Second Floor Elevator Lounge
Resident Rooms
One-Bedroom Suite Private Terraces
Two Bedroom One-Bedroom (Deluxe, Suite, Standard) Studio
Cyber Lounge Cyber Cafe Art Studio
Staff Offices
Reception
Memory Care Lounge Memory Care Room & Memory Box
SCHEMATIC DRAWINGS
m a t i c
REFLECTED CEILING PLANS
FLOORPLAN DEVELOPMENT
d e s i g n
d e v e l o p m e n t
PROJECT RENDERINGS
CLIENT PRESENTATION
P RO JEC T O N E
AMARAN: FIRST FLOOR T h e f a c i li t y i s ba se d on Mon t es sori principles. The design is simple and e l e gan t , in c o r p o rat in g Mo n t e sso r i pr i n c i pl e s by use of w ood, st r ong furniture, flex ible spaces, and unobs t r u c t e d v isu al ac c e ss t o t h e d e sign . Mo n tes s ori ha s a st ron g con nection to natural elements, s o the f irst flo o r was in sp ire d by wat e r. T h is was a b s tra c te d i n t o t he de si g n t hrough color choice, wall details, and ceiling d e t ail s in al l m aj o r sp ac e s.
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I M P O RTA N T S PAC E S 1. Rec e p t io n 2 . Art S t u d io 3. C y be r C af e / L ou n ge 4. M ain Din in g 5 . Me m o r y C are Win g 6. M ain Of f ic e s
PROJEC T ON E
Waterfall Detail Glass extrudes from the ceiling towards the entry. Blue glass cascades down walls towards floors like a waterfall.
RECEPTION Amaran is an u p sc al e assist e d l iv in g an d m e m o r y care facil it y. T h e e n t ran c e e v o k e d t h is f e e l in g through c l e an l in e s, qu al it y m at e r ial s, an d a statement p ie c e . T h e wal l f e at u re o n t h e re c e p t io n was inspire d t rail in g wat e r as p ar t o f t h e f ir st f loor’s them e . T h e gl ass r ibbo n s we re c h o se n in f avor of a f ou n t ain . T h is was d u e t o bo t h t h e age o f the buildi n g o c c u p an t s as we l l as gl ass’s abil it y t o continue in t o a c e il in g d e t ail .
Reception Desk
Color blocked with material to provide spa tial definition. Light to dark and to light in the open spaces.
P RO JEC T O N E
CYBER CAFE / LOUNGE T he ce il in g d e t ai l i n t h i s s p ac e w a s i n s p i red b y w a t er d r o p let s . I t , li k e m o s t o f t h e f acilities ceilin g d etails, is acou stic to he l p mit ig at e s ou n d w h i l e p r o vi d i n g u n o b s t r u c t ed v i e w s . T he ba r em p l o y s n at u ral t e x t u re s a n d t o n es t o a li g n w i t h Mo n t es s o r i p r i n c i p les a n d th e A lbu qu erqu e style.
Copper Penny Tile Wall The copper penny tiles act as a statement piece to complement the vie w of the Sandia Mountains.
Open Shelving
Open shelving allows for glassware and other items to act as artwork in the space.
Cabinetry
Nesting cabinet doors for maximum visual access when in operation. Center cabinet is temperature controlled for kegs.
PROJEC T ON E
MEMORY CARE UNIT T h e me mory ca re un i t is comprised of 16 resident u ni t s, a loun g e spa ce , a dining room, and staff s pace s. The ce i li n g de t ail in the lounge space s een a b ove i s i n spi re d by w aves. It is acous tic to help re d uce soun d a n d ove rall s tress f or the res idents . T h e re m a i n de r of t he rendering was de veloped by a f e l low colla bora t or.
MEMORY CARE BOX E ach re si de n t room i s set back f rom the lounge with a spa ce for t he i r pe rson al belongings. The items on th e she lf a re me a n t t o remind them of their lives a nd a ct a s a be a con t o t h eir rooms.
P RO JEC T O N E
AMARAN: SECOND FLOOR T h e s e c o n d floor of t he fa ci lity continues to ref lect Montes sori princip l e s an d t h e sim p l e e l e gan c e o f t h e des i g n . I n a ccorda n ce w i t h t ho se project goals , the s econd f loor was ins pire d by n at u re . Re sid e n t ap ar t m e n t s di f f er to offe r re si de n t s choi ce and control. The y still howe ver maintain a c o h e siv e n e ss t h at al l o ws re sid e n t s to c o m f ort a bly t ra n si t i on homes within the facility. The floor also hous e s so c ial sp ac e s t o p r o m o t e so c ial i n tera c tion a m on g t he re si de n ts.
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I M P O RTA N T S PAC E S 1. Ou t d o o r Te r rac e 2 . Sec o n d Fl o o r Disp l ay K it c h e n 3. Sec o n d Fl o o r E l e v at o r L ou n ge 4. Typ ic al O n e Be d r o o m S u it e 5 . Typ ic al O n e Be d r o o m S t an d ard 6. Typ ic al S t u d io 7. Typ ic al Two Be d r o o m PROJEC T ON E
S E C O N D F L O O R D I S P L AY K I T C H E N The ceiling d e t ail f o r t h is sp ac e was in sp ire d by p l an t cells . The m at e r ial s an d c o l o r s in t h e so c ial are a ref lect bot h Mo n t e sso r i p r in c ip l e s an d t h e se c o n d f loor’s insp irat io n , n at u re . T h e re m ain d e r o f t h e rendering was d e v e l o p e d by a f e l l o w c o l l abo rat o r.
STA N DA R D R E S I D E N T A PA RT M E N T All resident ap ar t m e n t s h av e a st an d ard Mo n t e sso r i built in at t h e e n t ran c e . T h is bu il t in is a p l ac e t o leave outsid e be l o n gin gs. It al l o ws f o r t h e re sid e n t to enter th e n e w sp ac e ‘ c l e an’ . T h e re m ain d e r o f t h e rendering was d e v e l o p e d by a f e l l o w c o l l abo rat o r.
P RO JEC T O N E
AMARAN: THIRD FLOOR T h e th i rd floor e m ploys t he sa me qualities of the s econd floor. The third f l o o r p r o v id e s sm al l e r, m o re in t im at e s o c i a l s pa ce s. The re si de n t rooms also have s lightly more privacy than lowe r f l o o r s. T h e t h ird f l o o r was al so i n s pi red by t he n a t ura l e le m e nt earth.
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I M P O RTA N T S PAC E S 1. Ou t d o o r Te r rac e 2 . Th ird Fl o o r Disp l ay K it c h e n 3. Th ird Fl o o r E l e v at o r L ou n ge 4. Typ ic al O n e Be d r o o m De l u xe 5 . Typ ic al O n e Be d r o o m S t an d ard 6. Typ ic al S t u d io 7. Typ ic al Two Be d r o o m PROJEC T ON E
LUXURY RESIDENT APARTMENT L u xu r y re sid e n t ap ar t m e n t s in c o r p o rat e bett e r v ie ws, a h igh e r c o n c e n t rat io n o f win d o ws, an d h igh e r qu al it y f in ish e s. All re sid e n t be d r o o m s in c o r p o rat e a cus t o m izabl e c l o se t . T h e re m ain d e r o f the re n d e r in g was d e v e l o p e d by a f e l l o w col l abo rat o r.
RESIDENT APARTMENT CLOSETS Resid e n t s c l o se t s are c u st o m izabl e t o e ac h res id e n t s n e e d s. T h e c l o se t s are d e sign e d o n 36” st an d ard s wit h in t e rc h an ge abl e p ie c e s.
ADA Closet Rod
Closet rod is placed at 46”, 2” below max ADA reach height. When pulled down the hanging rod sits at 46”. The pull down handle does not need to be used.
Drawer Unit
Drawers for clothing storage. All handles above minimum ADA reach height.
Shoe Cubby
Shoe cubby standard size of 8” by 8”.
P RO JEC T O N E
P R O J E C T
T W O
HOMELESS TO
HOMEFULL
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HOMEFULL:
SENIOR CAPSTONE RESEARCH PROJECT THE PROBLEM There are nearly 600,000 people in the United States that are homeless. On any given night around 200,000 of those are unsheltered. These numbers come from winter months where there are pop-up or emergency shelters. These usually run in colder months so that fewer people have to attempt to survive unsheltered in harsh weather conditions. That means that the unsheltered numbers for the homeless the remainder of the year are higher than we get from research. The biggest issue when it comes to housing the homeless is cost. It costs approximately $10,000 to house 100 homeless individuals for 30 nights. That is just for bare minimum basics, like an emergency shelter in the winter. To house the total homeless population for one month it would cost $60 million. With those numbers, it makes sense that so many people remain without shelter. What if we could take cost out of the equation?
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PROGRAMS USED Hand Drawing Ph o t o sh o p Re vit M ic r o so f t S u it e InDesign RESPONSIBILITIES Initial Res earch C o n c e p t De v e l o p m e n t Synthes is of Res earc h Fl o o r p l an De v e l o p m e n t Pres entation of Re se arc h Pr o j e c t De sign Application of Res e arc h GROUP / INDIVIDUAL Individual D U R AT I O N 9 months - to be c o m p l e t e d M ay 2 02 0
GR OW TH
RESEARCH SUMMARIES
PROJEC T TWO
EXPERT INTERVIEWS
PRECEDENT STUDY
r e s e a r c h
SITE ANALYSIS
USER NARRATIVE
Typical Resident Apartment
Typical Resident Room
Typical Resident Room
Typical Resident Room
Typical Family Room Typical Resident Room
Resident Living Room Resident Fitness Center Classrooms
Counseling Services Suite
Essential Building Offices Social Workers Office
Dining
Pay-at-Will Cafe
DESIGN CONSIDERATIONS
CODES SUMMARY & INVENTORY OF SPACES
p r o g r a m m i n g
CONCEPT DEVELOPMENT
APPLICATION OF RESEARCH
d e s i g n
d e v e l o p m e n t
PROJECT DEVELOPMENT
P RO JEC T T WO
D E S I G N C O N S I D E R AT I O N S De s i g n c on si de ra t i on s for t he project were de veloped by s ynthesizing the issu e , p r o bl e m , o r n e e d id e n t if ie d th r ou g h re se a rch a n d de t e rmi ning goals for the project. All of the design c o n sid e rat io n s re l at e t o a sp e c if ic pr o j e c t g oa l. B e low a re t he issue, problems, and needs the project shou l d ad d re ss an d t h e go al t h at was de v e l o pe d for t he m .
Relationships and community are key elements in successful transitions in the homeless community. These qualities are also lacking in many shelters, feeling more like detention centers that local community members avoid. The project should incorporate spaces or features that make the residents want to participate in the community of the shelter and develop relationships, as well as promote involvement and interaction from the local community. KEYWORDS:
RELATIONSHIPS, COMMUNITY INVOLVEMENT, AUTONOMY
Homeless individuals own very little, what they do have they can carry around. Residents in shelters are given a place to sleep, but not anything that gives them a “sense of home”. Shelters lack the ownership and pride of the home through privacy, quality of space, and feelings of dignity and pride. The shelter should be a place that residents feel like they belong to and that it belongs to them. It should feel like a home. Ownership in the shelter, in all aspects, will help the shelter succeed and hopefully also help the resident in the next stages of their transition. KEYWORDS:
SENSE OF BELONGING, SENSE OF HOME, DIGNITY, OWNERSHIP, PRIDE, PRIVACY
Many homeless individuals end up in a cycle of repeat homelessness. Some of this is due to their past and potential lack of skills (life and job) and/or lack of education. The shelter should be the last stop on a resident’s way to permanent housing. This can be strived for by incorporating services the residents need like medical care, social work, and education. The shelter also needs to promote well-being and prevent stress. This can be accomplished through life skills like cooking and gardening, as well as spaces that are homey and relaxing. KEYWORDS:
PERMANENT TRANSITION, EDUCATION, SKILLS
Many homeless individuals have lost control over their lives. The design should aim to give residents control in as many ways as possible. KEYWORDS:
CONTROL
Homeless individuals lack feelings of safety and security when they are on the street, in a park, or even a car. The design should focus on bringing in elements of security throughout the design, this in turn should promote feelings of safety in the residents. KEYWORDS:
SAFETY, SECURITY
Many homeless individuals have pets and most shelters do not allow them. The design should allow for pets. KEYWORDS:
PROJEC T TWO
ANIMALS
C O N C E P T A N D I N S P I R AT I O N M OTI VATED
U N DE R STA N D
What is the purpose?
How is it achieved?
The purp o s e of th e s pa ce is transformat io n a n d s u s ta in a b ility. L ike nature, the res iden ts w ill pers is t a n d grow. The des ig n w ill h a v e s pa ces f o r growth like ren t- a b le a pa rtm en ts .
The re side nts will unde rsta nd how the proj e ct will be a chie v e d. The ste ps will be cle a rly de fine d, lik e a m a rk e d pa th for rock clim be rs. Diffe re nt v a lue orie nta tions will be incorpora te d into the pra ctice s of the re side nce through the de sign.
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I N VOLV E D How to par ticipate? L ike a sing le b ee co n tribu tes to th e hone ycomb , res iden ts w ill b e in v o lv ed in the opera tio n o f th e s h elter a n d th e structure of th eir liv es .
SEE How is it experienced?
The shelter res iden ts w ill b e a b le to witness gro w th , like in th e rin gs o f a tree. Comm u n ity lea ders w ill b e th o s e who are excellin g a n d receiv e “ u pg ra des” in the shelt er like a la rg er ro o m .
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Change, like time and nature, is infinite. It re volves and repeats endlessly in continuous cycles. This project will empower residents as the y transition in their lives and will reflect the cycles found in the environment, sustainability practices, and in life. “Nature” refers to the phenomena of the physical world and to life itself. It focuses on areas that are untouched by man or that persist despite man. This project will e voke an attitude of persistence by access to nature, natural materials, and natural colors. The cyclical focus of this project is sustainability, both in operation and in effective transition from homeless to permanently housed. The atmosphere of the project will be natural and homelike, creating quality spaces through function, materials, and longe vity. The shelter should conjure feelings of ownership and permanence, while simultaneously reminding residents that the space is still transitory. Like the interconnection of mushrooms in nature, each condition of change is a necessary link the in the residents’ transition. The layout of the space will reflect these conditions and effectively represent each stage, creating an environment that supports change.
A L IG N E D
How is it organized? The orga niza tion of the proj e ct will be lik e a clock , cle a rly de fine d into se ctions a nd re fle ctions of the conditions of cha nge .
C A PA BL E
How to learn? Lik e the conne ction of m ushroom s pa ssing inform a tion, re side nts will be supporte d a nd e duca te d for e a ch ste p. The re will be a cce ss to com m unity se rv ice s, he a lth se rv ice s, a nd e duca tion.
P RO JEC T T WO
FIRST FLOOR PLAN
I M P O RTA N T S PAC E S 1. Din in g 2. Disp l ay K it c h e n 3. Pay - at - Wil l C af e 4 . Visit n g Ve t 5. Pr iv at e S t air we l l 6 . M ain Of f ic e s
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“Family Style Seating” is created through large tables set up to encourage socialization. This table set up is meant to invoke a home-like feel. Different table sizes give residents choice and control over where they sit and how many people are next to them. The cafe is a pay-at-will cafe. It will provide residents with job skills and the shelter with some operating income. It will also provide residents access to the community. PROJEC T TWO
Display kitchen for cooking lessons or residents to cook during non-meal times. Vets can be a social mitigator between the homeless and researchers, or people that are percieved as a threat. The space can be used to reach “common ground”. The elevator provides public access to the second floor only. Resident floors are keycard access only.
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DINING ROOM FLOORPLAN
The dining room achieves several of the research goals for the shelter. It creates an “at-home� environment and allows for choice and control with variable seating options. The space develops a sense of community by encouraging socialization. The dining area is adjacent to the kitchen and the display kitchen. As the residents cook meals for the shelter, this area provides job skills and life skills to the residents. P RO JEC T T WO
LIVING ROOM | SECOND FLOOR xxx
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The living room with provide a sense of home by giving the residents a space to relax. Residents also gain control with lighitng controls over small areas, size of seating arrangements, and type of seating. The living room also has spaces where pets are allowed, and some where they are not. This gives all residents control their proximity to animals. The living room also provides a sense of community, giving residents a place to gather and socialize.
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Family bedrooms provide for a homelike atmosphere by having separate rooms. This also affects the residents control because it allows families to gain some distance from each other. All resident rooms have a space that can accommodate a pet crate if desired. The locked door with individual rooms gives residents a sense of safety and security. This applies to both their person and their possessions. P RO JEC T T WO
P R O J E C T
T H R E E
S A LT F O R K
W I N E R Y
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S A LT F O R K W I N E R Y:
CORPORATE | RETAIL & TASTING | RESTAURANT | BANQUET THE PROJECT S alt Fork Winery is located in Post, Tex as . It is a f ou r - bu il d in g c o m p l e x t h at i ncludes corporate of f ices, a tasting room and re t ail sh o p , an u p sc al e re st au ran t , and a banquet facility. All of the buildings ma in t ain a c o n n e c t io n t o t h e ou t d o o r s while promoting a lux urious atmosphere. T h e c o r p o rat e o f f ic e s in c l u d e an employee lounge, private and open office s p ac e s, se v e ral c o n f e re n c e r o o m s, as well as an owner’s suite with a private tas ting r o o m an d win e v au l t . T h e t ast in g r ooms and retail shop hos t a large wine dis pl ay, a t ast in g bar, t wo p r iv at e t ast in g r ooms, and various lounge groupings . The re st au ran t h as t abl e se at in g f o r u p t o 60 patrons , a wine and cock tail bar, and p r iv at e c h e f ’s t abl e s. T h e ban qu e t facility is a large, open space with private brid e an d gr o o m su it e s.
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PROGRAMS USED Hand Drafting AutoC AD Re vit RESPONSIBILITIES Client Intervie w Res earch Program Document at io n Concept De velopm e n t GROUP / INDIVIDUAL Individual D U R AT I O N 12 week s
In De sign Ph o t o sh o p M ic r o so f t S u it e S c h e m at ic s Bu il d in g De v e l o p m e n t Fl o o r p l an De sign Pr o j e c t Re n d e r in gs
ELEGAN T
RESEARCH
PROJEC T TH R E E
CLIENT INTERVIEW
WINERY SITE VISITS
p r o g r a m m i n g
DESIGN CRITERIA MATRIX
PROGRAM DEVELOPMENT
Owner’s Suite Private Office Open Office Area Employee Lounge Banquet Hall Banquet Hall Bridal Suite Retail Tasting Bar & Lounge Chef’s Tables Chef’s Tables Restaurant Bar
S i t e
P l a n
Banquet Facility
Corporate Offices Outdoor Lounge Areas
Outdoor Restrooms Retail & Tasting
Restaurant
CONCEPT STATEMENT
SCHEMATIC DRAWINGS
s c h e m a t i c
BUILDING DEVELOPMENT
FLOORPLAN DEVELOPMENT
d e s i g n
d e v e l o p m e n t
PROJECT RENDERINGS
P RO JEC T T HR E E
C O R P O R AT E O F F I C E S T h e c o r p ora t e offi ce s w e re la id out according to hierarchical principles pu l l e d f r o m a st u d y o n t h e c o n c e p t s o f a c c o mm oda t i on .
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C O N C E P TS O F AC C O M M O DAT I O N 1. Movement 4 . H ie rarc h y 2 . Individual 5. In v it at io n 3. C ommunity 6 . Re j e c t io n
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I M P O RTA N T S PAC E S 1. Reception 4 . Ty p ic al O p e n Of f ic e 2 . Typical Private Of f ice 5. O wn e r ’s S u it e 3. Typical Shared C onfere n c e
PROJEC T TH R E E
OWNER’S SUITE T he ow n e r’s sui t e complements the atmos phere of the winery throu gh l u xu r y an d bran d in g. T h e o f f ic e h as a l ou n g e , a con fe re n ce a n d tasting area, and a private res troom. The sp ac e al so h as p r iv at e ac c e ss t o a c at e r in g k i tche n a n d t he ma i n co nf erence room.
T Y P I C A L O F F I C E G R O U P D E TA I L T h e corpora t e offi ce s a t Salt Fork Winery have three identical office g r oup blocks. W hi le d ifferent w o rk a n d re spon si bi li ties are c a r ri e d out i n e a ch g r ouping, a l l of t he se blocks con si s t of five di s t i n ct spa ce s. The re a re three pr i va t e offi ce s, a sma ll, shared c o n fe re n ce room, a n d an open o f fi ce w ork st a t i on for up to s ix i n t he ce n t e r. A ll t he offices are en t e re d from t he si de s, along th e e xt e ri or w a lls a n d a re in the c o re of t he bui ldi n g .
Private Office Private Office Open Office Area Small Conference Room Private Office P RO JEC T T HR E E
R E TA I L S H O P & TA ST I N G LO U N G E T h e re ta i l shop a n d t a st i n g ro oms were designed f or increas ing degrees o f p r iv ac y t h e f u r t h e r in t o t h e sp ac e c u s to m e r s g o. The re t a i l shop was als o placed at the entrance to encourag e pu rc h asin g as c u st o m e r s e xit t h e ta s ti n g l oun g e .
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I M P O RTA N T S PAC E S 1. R e ta i l S h op 2 . Ta s ti n g L oun g e 3 . Ta s ti n g Ba r 4. Ty pi c a l Pri va t e Ta st i n g R oom
R E TA I L S H O P T h e reta i l shop i s a la rg e ope n area designed with i m pu l s e i t e ms n e a r t he re g i st e r and feature pieces a l o n g th e ba ck w a ll. Thi s i s t o help guide cus tomers th r ou g h the e n t i re spa ce a n d e ncourage purchas es. PROJEC T TH R E E
TA ST I N G LO U N G E The tasting lou n ge was d e sign e d t o f it v ar y in g p ar t y s izes . M any of t h e gr ou p in gs h av e so m e f l e xibil it y provided with m o bil e f u r n it u re . T h e e n t ire sp ac e is outf itted wi t h gas f ire p l ac e s t o p r o m o t e l u xu r y and relax ation .
R E STAU R A N T T h e re st a ura n t ha s t a bl e s eating for up to 60 patrons, a wine and c o c k t ail bar, an d p r iv at e c h e f ’s t abl e s. T h e si t e w a s de si g n e d so that the main k itchen could als o s erve th e t ast in g r o o m s an d t h e ban qu e t f ac il it y ef f i ci e n t ly a n d pri va t e ly.
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I M P O RTA N T S PAC E S 1. Cockt a i l a n d Wi n e B a r 2 . Ta ble Se a t i n g 3 . Che f ’s Ta ble s 4. K i t che n ( N IC)
BAR T h e w i n e a n d cockt a i l bar is the larges t bar on the pr o pe rt y. Thi s i s t o a ccommodate single pers ons or s ma lle r g roups. I t a lso h elps encourage cus tomers to st a y a ft e r a w i n e t a st ing without a res ervation to t he re st a ura n t .
C H E F ’ S TA B L E S The chef ’s t abl e s in t h e re st au ran t se at u p t o 1 2 . A glass wall c o n n e c t in g t h e k it c h e n t o t h e re m ain d e r of the res t au ran t al l o ws f o r p at r o n s p assin g by t o glimpse insid e . P RO JEC T T HR E E
B A N Q U E T FAC I L I T Y T h e b a n que t fa ci li t y house s both bride and groom suites, a catering k itchen , an d ad e qu at e st o rage t o f ac il it at e di f f eren t e ve n t s.
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I M P O RTA N T S PAC E S 1. Br id al S u it e 2. M ain Ban qu e t H al l 3. Gr o o m ’s S u it e
B A N Q U E T FA C I L I T Y L AYO U T S
BRIDAL SUITE T h e b r i d a l sui t e i s loca t e d on the oppos ite side of th e f a c i li t y t ha n t he g room ’s s uite. It is located at th e f r o nt , w i t h di re ct a cce ss to the aisle headed to th e a l ter. The room holds m u ltiple vanities and a f u n f e a ture w a ll. PROJEC T TH R E E
Re ce p t io n
Wed d i n g
L ecture
The banquet f ac il it y is sh o wn wit h t h re e p o ssibl e seating arrangem e n t s.
OUTDOOR AREAS A ma i n con si de ra t i on d uring the des ign of Salt Fork Winery was t h e c l ie n t ’s d e sire t o m ain t ain a c o n st an t c o n n e ct i on t o t he out do ors f rom e very building. There are two id e n t ic al ou t d o o r sp ac e s. O n e be t we e n t h e b a n que t fa ci li t y a n d t he res taurant, and the other between the cor p o rat e o f f ic e s an d t h e re t ail an d t ast in g l oun g e . The se spa ce s i n clude table seating, an outdoor bar, and lou n ge gr ou p in gs.
D E TA I L O U T D O O R S PAC E T h i s de t a i l i s t he out doo r area between the corporate offices and the re ta i l a n d t a st i n g loun g e. It is mirrored across the y-ax is between th e ot he r t w o bui ldi n g s in the Salt Fork complex .
OUTDOOR BAR & DINING T h e out door ba r a n d dining areas are both near th e fron t of house for both the tasting rooms a n d re st a ura n t , ma ki n g outdoor s ervice an eas y tra n si t i on . The out door s pace begin congregated a n d publi c a n d flow out to more private spaces.
OUTDOOR LOUNGE The outd o o r l ou n ge sp ac e h as a p at h way, l ar ge lounge gr ou p in gs wit h v ar iou s se at in g o p t io n s, firepits , a n d l ar ge p l an t e r s. It is a sp ac e t h at c an be enjoyed b o t h d u r in g t h e d ay an d at n igh t . P RO JEC T T HR E E
P R O J E C T
F O U R
D E PA R T M E N T
OF DESIGN
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DEPARTMENT OF DESIGN: F A C U L T Y
O F F I C E
R E D E S I G N
THE PROJECT T he Department of Design in the College o f Hu m an S c ie n c e s at Te xas Te c h University was in s earch of an up-to-date env ir o n m e n t . T h e f ac u l t y o f f ic e s we re i n a space with no windows and planned to re d e sign a se c t io n o f o l d st u d io s in t o a ne w departmental office s uite. The space in c l u d e s 1 2 o f f ic e s, an o p e n o f f ic e area to accommodate eight part-time s taff, a re c e p t io n are a, a d isp l ay are a, a f il e and s torage room, a k itchenette, and an ex it v e st ibu l e . T h e d e sign was t o re m ain aligned with the values of Tex as Tech Univers it y an d We st Te xas, wit h ou t o v e r t l y p ortraying that theme.
PROGRAMS USED Hand Drafting Re vit Photos hop RESPONSIBILITIES Concept De velopm e n t Schematic Drawings Demolition Plan Floorplan De velop m e n t RCP De velopment GROUP / INDIVIDUAL Individual
AD AP TA TI O
N
RE VOLUTION
M ic r o so f t S u it e
Fu r n it u re & Fin ish S e l e c t io n s Re n d e r in gs Schedules Presentation De velopment
D U R AT I O N 8 week s
TR AD I TI O N
OCCUPANCY CALCULATIONS
PROJEC T FO UR
CONCEPT STATEMENT
SCHEMATIC DRAWINGS
s c h e m a t i c
DEMOLITION PLAN
FLOORPLAN DEVELOPMENT
Typical Large Office Conference Room Copy Room
Typical Medium Office Kitchenette Entry & Reception
Typical Small Office Open-Office Area Mail Boxes
C O N C E P T STAT E M E N T T h e n e w De pa rt m e n t of Design of f ice s pace pr o j e ct w i ll re volve a round a f eeling of g r o w t h a n d cha n g e . Through repetition, v a r i e t y, a n d color t he space will emulate a c om ple t e cycle . This s pace will be repre se n t a t i ve of t he ri ch West Tex as history th a t flow s t hroug h Te xa s Tech. It will be s h o wca se d by a con st a n t state of motion and re v olut i on , a s se e n i n t he windmill. This f ee l i n g w i ll be a ccompli sh ed through the use o f ne w a n d a da pt a ble t e c hnologies and the u s e of re cycle d ma t e ri a ls, both natural and m a n - m a de . The i n t e ri or will be reminiscent o f th e We st Te xa s pla i n s with rich colors and th e i n t e g ra t i on of t he e xterior environment i n to t he offi ce spa ce .
REFLECTED CEILING PLAN
d e s i g n
FURNITURE & FINISH SELECTION
d e v e l o p m e n t
SCREEN DESIGN This s creen was a st u d y o n l igh t in sp ac e s. It c o n v e y s a windmill from belo w.
PROJECT RENDERINGS
SCHEDULES
PRESENTATION
P RO JEC T FO U R
DEPARTMENT OF DESIGN: FLOORPLAN T h e f l o o rpla n w a s de si g n e d t o reflect the motion of the windmill. The c o n f e re n c e r o o m is t h e m ain gr ou p f u n c ti o n of t he spa ce , so a ll the other s paces re volve around it. Of f ice l e v e l s we re d ic t at e d by n u m be r o f w i n do w s t o w hi ch t he occupa nt would have direct access to. All walls linin g m ain h al l way s are c u r t ain wal l s w i th th e a bi li t y t o be com e opa que, using a gas window technology, for priva c y. Dif f e re n t f l o o r in g t y p e s d e m ar k th e pu b l ic, se m i - pri va t e , a n d private zones of the office s uite.
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I M P O RTA N T S PAC E S 1. Rec e p t io n 2 . Dis p l ay S p ac e 3. Kit c h e n e t t e 4. C o n f e re n c e Ro o m 5 . Op e n - Of f ic e A re a 6. Typ ic al Me d iu m Of f ic e 7. Typ ic al L ar ge Of f ic e 8. Typ ic al S m al l Of f ic e PROJEC T FO UR
DEPARTMENT OF DESIGN: REFLECTED CEILING PLAN T h e ce i li n g of t he public spaces was left as an ex pos ed, industrial c e il in g. T h is was t o giv e t h e sm al l sp ac e g rea t e r de pt h t ha n could be provided with lower ceilings . Of f ice ceili n gs we re re d u c e d t o 8’ f o r a m o re in t im at e a nd pri va t e a t mosphe re . Acous tic lights were utilized in public s pac e s t o h e l p re d u c e sou n d re v e r be rat io n .
Exposed Ductwork
Spiral Detail
47” Light Art - Echo 2x2 LED
35” Light Art - Echo
P RO JEC T FO U R
CONFERENCE ROOM The round co n f e re n c e r o o m is an ad ap t abl e repres entation o f t h e sp ac e ’s c o n c e p t . T h e c u r t ain walls slide and st ac k in t o o n e an o t h e r, c o m p l e t e l y trans f orming the sp ac e in t o a l ar ge , o p e n are a. T h e tables and chairs in t h e sp ac e are m o bil e an d c an be placed into vari ou s c o n f igu rat io n s, d e p e n d in g o n need. To help w it h sou n d in t h e sp ac e , t h e l igh t f ix tures are acou st ic .
RECEPTION WAITING AREA This space acts as bo t h a wait in g are a f o r st u d e n t s, but also a quick bre ak- ou t m e e t in g are a. T h e wh it e board parallels a bo o k sh e l f wit h d e sign re sou rc e s o n the oppos ite wal l .
PROJEC T FO UR
TYPICAL MEDIUM OFFICE A l l t he offi ce s ha ve t he ex terior accent wall of re c la i m e d w ood. The fur niture varies bas ed office s i ze . Sma ll offi ce s ha ve only a desk , medium have a d e sk a n d si de cha i r, a nd large have a des k , s ide c h a i rs, a n d cre de n za s. All the curtain walls have th e opt i on t o be com e opaque. BREAK OUT SPACE A colum n i n t he ori g inal space could not be re move d a n d w a s i n st e a d trans f ormed into a table. Facult y ca n w ork, e a t , o r tak e a quick meeting in th i s spa ce . KITCHENETTE T h e ki t che n e t t e re st s o n the same curve as the c o n fe re n ce room . I t has a microwave, es presso m achi n e , a si n k, a n d a fridge.
P RO JEC T FO U R
P R O J E C T
F I V E
PROFESSIONAL
P R O J EC TS
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PROFESSIONAL PROJECTS:
P R O F E S S I O N A L D R A F T I N G & D E S I G N THE PROJECT All work in this s ection was produced while wo r k in g at Pr o f e ssio n al Draf t in g & Des ign in L ubbock , Tex as . Work is shown with p e r m issio n f r o m Dian e A d am s. Prof essional D rafting & Design is a collabora t iv e wo r k p l ac e wh e re d rawin gs are edited by multiple employees. The drawings sh o wn m ay h av e be e n al t e re d af t e r t h e initial phas e. I have work ed at Profes sional D rafting & Desig n f o r 1 8 m o n t h s an d am re sp o n sibl e for drafting all drawing types, editing and pr o o f in g d rawin g se t s, an d su p p l y in g feedback to ne wer employees .
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DA TI O
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E L ECTR IC AL
PROGRAMS USED AutoC AD Architec t u re Hand Sk etching RESPONSIBILITIES D rafting: - Floorplan Design - Dimens ioned Pl an s - E lectrical Plans - Front E le vation De sign - E x terior E le vat io n s - Site Plans - Foundation Plan s - 3D Sk etches D U R AT I O N 18 Months
Pr o o f in g Drawin g S e t s Pr o v id in g Fe e d bac k C l ie n t Me e t in gs (Rare )
D IM EN S I O N ED
FLOORPLAN DESIGN
PROJEC T F I V E
FRONT ELEVATION DESIGN
d e s i g n
ROOF DESIGN
DIMENSIONED PLANS
ELECTRICAL / LIGHTING PLANS
3D Sketch
EXTERIOR ELEVATIONS
t e c h n i c a l
SITE PLANS
FOUNDATION PLANS
3D SKETCHES
PROOF DRAWINGS
f i n i s h i n g
P RO JEC T F IV E
FLOORPLAN DESIGN For init ial f l o o r p l an d e s i g n t h e re a re t w o m a i n g o a ls : c li en t n eed s a n d s q u a re f o o tag e requ iremen ts. Fo r th is p ro ject, th e cl ie nt a s k e d f o r a 4 b e d , 4. 5 b at h h o m e w i t h a g a m e r o o m a n d v i e w s . Th e p la n h a s m in imal d etails so th at th e co n stru ctio n docume nts are o n l y d raw n o n c e an d er r o r s a re m i n i m i z ed .
PROJEC T F I V E
E L E VAT I O N D E S I G N R oof de si g n i s don e si m u ltaneously with ele vation desi g n . W he n de si g n i n g a f ront ele vation, the l o ca t i on , t he st yle , a n d inspiration all need to b e con si de re d.
P RO JEC T F IV E
F O U N DAT I O N P L A N A founda t i o n p l an i s t h e l as t o n e d ra w n i n t h e s et . C li en t c h a n g es a re n o lo n g er a l lo wed at th is stag e becau se mistakes o n t his pl a n are t h e m o s t c o s t l y i n t h e f i eld .
PROJEC T F I V E
DIMENSIONED PLAN Dim e n s i o n e d p l an s re q u i re a t t en t i o n t o d et a i l s o t h a t o n c e t h e d ra w i n g i s i n th e f ield th e f ramer can wo rk qu ickly with ou t ne e d i n g c l ar i f i c at i o n . T h e d i m en s i o n ed f lo o r p la n a ls o s h o w s t h e c ei li n g t reatmen ts an d n ames o f sp aces.
P RO JEC T F IV E
P R O J E C T
S I X
C R E AT I V E
W O R K S
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OIL PAINTING
PROJEC T S I X
D I G I TA L D R AW I N GS
HAND DRAWINGS
P RO JEC T SIX