Twelve mag june 2013

For Connoisseurs & Conscious Living This magazine is called TWELVE to note it’s monthly presence, only TWELVE times a year.

Also, and more importantly, TWELVE is a symbol of time. So it represents timely information and the central point by which life events are measured. And of course, time pieces are part of the finer things, perfect for our core readers in pursuit of sophisticated living.

Welcome to TWELVE.

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Volume I, Issue VI

COVER

JUNE 2013

 Anthony Saunders

BLACK MUSIC MONTH

DON’T MISS  Visit KCSoul.com for the Summer Guide

Welcome to No. VI! It’s finally June. We’ve been waiting for this.

School’s out, the weather’s nice, vacation plans are being executed. Plenty to celebrate including Father’s Day and Juneteenth too.

TWELVE Magazine is part of the kcsoul.com network. Owned by H.G.E. Marketing, LLC.

INSIDE

Our Music

CONNECTED

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This month is also Black Music Month. Considering that, you’ll find articles highlighting some of our talent and treasures making a name for themselves, and Kansas City, nationwide. We’ve got much more in store for you. After all, this isn’t just a magazine. It’s a movement!

As always, we highlight the people to watch, key tips and places to go. So enjoy the features.

Remember, this is your magazine. You have an opportunity to contribute to the content by writing, submitting story suggestions, and of course, attending the launch events and more.

Contact us at twelve@kcsoul.com to get involved and send us feedback too!

Sincerely,

Shani INSPIRED

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Ken L kcsoul.com

#TWELVEKC

Dads & Daughters 28

What’s Different? Read It & Experience it Live Kerwin from PE

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Anthony Saunders 40

VOLUME

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Though a lifestyle publication isn’t unique, TWELVE evolves the genre. It’s the only magazine that you both read and live. We set out to create more than a literary piece. We’ve merged both the online world and the live event into the “magazine experience”. Once a month, we release a new issue of the magazine. The release is paired with a live launch event on First Fridays, where the feature elements and characters of our magazine are brought to life for you to touch, taste, feel and experience. The live experience becomes part of gathering ground of additional stories, photos, and more for the final written magazine.

Because sometimes they need it. Other times they deserve it.

CLOSER TO MY DREAMS GIFT PAGES PROVIDE:

Plan now for Spring Graduation! Establish a Gift page today for the graduating student.

Enable friends and family to easily make a contribution to salute their well-deserved accomplishment. Help toward future expenses such as travel plans, a new car, or a new suit for interviews or jobs. Chances are a little extra money toward the tuition bill would be useful too!

It’s FREE to start your page. Log on today.

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Real-time direct payments

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Customized donation amounts

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Goal meter option for tracking

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Social media sharing

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Email & contact invitations

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Personalized gift page urls

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Picture & video additions

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Reporting

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Specials & bonuses

Where The Nation Goes to Give

SPECIAL THANKS To all of Our Writers, Designers, Planners, Contributors, Advertisers & Supporters of TWELVE!

Ken L. W. Sarah Fletcher DJ Franklin

Join the team: Email: twelve@kcsoul.com

Raye Jackson Danielle Jones Clarence Lomax Iman Lott Sherry Lumpkins LeAndrea Mack Randi McCreary Gary Mitchell Casie Murff Earl Smith Michele Watley Jessikha Williams Christopher White Salute To: AEH Photography Blue Symphony, LLC BLACK MUSIC MONTH

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Music

By LeAndrea Mack Photos: Jessikha Williams

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ansas City is rich in talented and revered music but when Kansas Citians hear the word “local” what’s the insinuation? Does local equate to inferior, defining a sound that doesn’t warrant taking a few seconds to check out the music? Or do many individuals just not know how to engage in a local artist’s project? After all, KC has become accustomed to the limits of what the radio airs and what programs like MTV, VH1 and BET expose. However, this city abounds with talent that has never been heard and KC has also lost out on untold talent because of the anemic opportunities for exposure. TWELVE Magazine is answering the call! In addition to bringing Kansas City exceptional individuals, connoisseurs, and encouraging a conscious lifestyle, we will bring you talent!

LEE LANGSTON Talents such as Lee Langston, a local independent artist, who produces his own shows and gives genuinely entertaining performances. Coming a long way from the boy band that he started with in his early years, Lee Langston’s memorable voice, original style, and distinguished material has become a staple in the urban art culture of Kansas City.

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Lee Langston

One of KC’s Top Voices

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ADRIAN RAY’MON SMITH Ready to Be Next Photo: Jessikha Williams

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His genres include a distinct fusion of traditional R&B, Neo-Soul, and new age rhythm and blues. Whatever the style, he has always chased his passion for his God-given talent: singing. Langston, who is finishing a project to be released later this year, admits that performing in Kansas City is difficult but says, “This is the show-me state and Kansas City holds true to that! You have to do what you love and when you are pursuing your purpose, the connection is so strong it envelopes your spirit.”

Langston has parlayed his passion into a fulltime profession. Kansas City has come to know and love his soulful music and performances like his popular Tribute Series during which he performs songs by popular artists to sold out crowds.

ADRIAN RAY’MON SMITH Another artist who is making a lot of incisive noise in the Kansas City area is Adrian Ray’mon Smith, known in Kansas City as Adrian Truth, a charming R&B artist with Npursuit Alliance Records that just released an album called, “Euphoria.” The album flows seamlessly along a strong R&B theme, includ(Continued on page 23)

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Here’s to the Dads And The Memories They Create.

By: Randi McCreary

Gil Lowe wants to maintain a strong relationships with his boys..

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ne in three children are living in the United States without the presence of their biological fathers. Many are young boys, just starting out in life; trying to adapt to a challenging world. Realities like these give reason to celebrate those fathers that are unwaveringly present. Moments where grandfather, son and grandson can be together show a great line of heritage and what loving family dynamics can do.

There is nothing like being a father. It is a responsibility, a blessing and a challenge all rolled up into one purposeful experience. It serves a vast and essential purpose--to develop well rounded men that can prosper and contribute in the world with confidence and

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drive. This of course, is taught in the midst of love and the presence of family. The end result ? An unforgettable collection of human beings that know they are laying a foundation and watching a legacy unfold.

Edward Lamothe was close to his father Andrew growing up. He wants the same experience with his son. He considers one of his blessings to be that his son can still spend time with grandfather in Kansas City. Now living in Virginia, Edward contributes the good relationship to the lessons, morals and values that his father passed down to him. “ My dad taught me how to survive and how to take care of my home. As a result I believe I was able to succeed on my own and deal with adversity, “ Edward says. “ My

goal is to show my son what it means to be a man.

Teach him to respect others, to compete, win or lose, how to survive, how to tie a bow tie….overall the goal is to arm him with the information and skills that he can use for the rest of his life”.

Gil Lowe, a resident of Chicago, has memories and lessons from his father that come with encouragement and participation.

“One project I remember the most was building a basketball blackboard and goal from scratch with wood from Sutherlands. We poured the cement and drilled the holes for the goal. Every time the basketball goal would get wear and tear or be torn down we would always be fixing it. I spent many hours playing ball and staying close to home because of this”.

Today, Gil has an amazing relationship with his two sons Greyson and Lawson, who love spending time with their grandfather in Kansas City.

“ My dad taught me how to survive and how to take care of my home. …”

Edward Lamothe Knows a father’s role is to be there.

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W. Sarah Fletcher Photograph: Raye Jackson

LOVE W. Sarah Fletcher twelvekc.com 12

STARTING WITH YOURSELF W. SARAH FLETCHER twelvekc.com

NATIONAL MUSIC INDUSTRY \ HEAVY HITTERS FROM KC When it comes to National Music, Kansas City is well-connected!

They make the stars! [Partial List]

Check The List of Artists They’ve Worked With on Page 48.

Anthony Saunders Songwriter/Producer

Earl “Punch” Wight Choreographer

LaShawnna Stanley Model Talent Management

Bishop Singer/Songwriter

George Forte A&R, Cash Money

Lil Ronnie Producer

Brian Kennedy Musician/Producer

Janelle Monae Singer

Prof T Songwriter/Producer

Charmelle Coffield Songwriter/Vocalist

Jo Blaq Singer/Producer

Richard “Swoop” Whitebear Choreographer

D. Baker Producer

K Stylis Rapper

Saisha Beecham Celebrity Make-Up Artist

Damon Thomas Producer

K. Briscoe Producer/Songwriter

Tech N9ne Hip-Hop Artist

Dewain Whitmore, Jr. Songwriter/Vocalist

Kerwin Young Producer/Composer

Tone Henderson Record/Artist Promotions

DJ Pooh Producer/Filmmaker

Lance Alexander Producer/Songwriter

Warnae Watkins Booking Agent

We held an industry roundtable with a few of our industry experts and all-stars. Below are just a few highlights on the state of the industry.

Prof T, Producer “The industry is pretty transparent.

Art as a whole is struggling, but especially Black music. There’s good music out there, the problem is that it’s all the same. That’s what we need to change.”

Tone Henderson, Promotions “Henderson Entertainment Artists have to market themselves.

You can’t rely totally on the internet.

You have to get back in the streets, to make more money.”

George Forte, A&R “Today, the marketing budgets are lower. A lot of artists get signed for Singles vs. full contracts. “Stick and Move” is the name of the game. Record labels want to see how well you’ll do. They limit their exposure to lower budgets, maybe $250,000 where years ago it would have been a two million dollar deal.”

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Anthony Saunders, Producer “When it comes to music, “Style is going to change.” Genres are ongoing and evolving.”

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Industry ROUNDTABLE

Warnae, Watkins, Booking Agent “Artists need to manage to their market sometimes to make money. You can’t outprice yourselves, not considering the market .”

D.Baker, Producer “Artist Development is lacking.

Labels are not spending to prepare an artists. The sweet spot in this industry is film scores.”

Saisha Beecham, Make-up Artist “Record labels cut budgets which impacted promotion features like music videos for artists. Back in the day, if there was song, the music video made you listen to song. Now, music videos are limited.

Everything’s about reality TV shows.

Ashot

By Randi McCreary | Photo Jessikha Williams

When you ask Karam “Ashot” Johnson what the hip hop sound was when he first discovered music he can’t help but smile. As a young artist and music lover growing up in Kansas City, Missouri, hip-hop was raw and unfiltered.

“You had to have your own direction,” he recalls.

That love led to the discovery that he had his own gift for performing. By the age of fifteen Ashot knew that he was ready to battle with the best of them. The early nineties sound gave way to a conscious vibe and lyrical content with more awareness and eventually opportunities for himself and his group “The Hungry Coterie”. By the early nineties Ashot was opening for artists like Keith Murray.

Today’s hip -hop sound is much different than the vibe brought by artists like Murray.

Techno beats, dance tracks and lyrics that are missing what was once a powerful message, cause emcees like Ashot to get it back to where it was. This doesn’t mean he can’t appreciate the evolution. After all, music has a tendency to reciprocate and take on a new art form while still revisiting the past.

In addition to being an emcee, Ashot is an emerging visual artist with work to be featured on his upcoming album. The portrait, which doubles as the title for his new project Anti-Everything explores the social, economical and moral plague of our society. It speaks to the youth and the elders. It uncovers that which is often pacified. All in ten hard hitting tracks that are, most fittingly, raw and unfiltered.

His former project “Streetlights for Dark Blocks”, includes songs like 4Dem and Hunger Pains that shadow the content of AntiEverything. Ashot is an independent artist whose music can be found on Bandcamp.com, YouTube, and itunes.com. For inquiries about his work he can be reached at facebook.com/ karamashotjohnson.

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Sound Off

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Saisha

Beecham

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Saisha puts those finishing touches on Gladys Knight

By Randi McCreary

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f you’ve ever watched The Real Housewives of Atlanta and wondered how Kenya Moore gets those billowing eyelashes , or Kandi Buress’s complexion seems to remain smudge free all of the credit goes to celebrity stylist and makeup artist Saisha Beecham.

Saisha, a Kansas City native, has been a heavyweight in the styling industry for over ten years.

“I was always the designated friend to do everyone’s makeup when going out, even in high school so I guess I knew I had somewhat of a gift at a young age but never once thought it would be my destiny, “ explains Beecham.

Saisha continues to wow audiences and makeup lovers around the country with her accessible trends and go-to tips. With her wealth of knowledge, Saisha has even had the privilege of seeing some of her clients like Nia Long and Janelle Monae walk the red carpet. She describes the experience as feeling like a proud mother.

At this stage of the game Saisha is accustomed to getting a last minute call to pack her bags and head half way around the world to work on a project. The freedom of being creative and making her own schedule keep her satisfied and allows her to keep the inside track on what is trending in makeup.

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The summer season proves no different. With women wondering exactly what makeup trends will land them on the hot list, Saisha guarantees that the key word for summer is color.

“The trend right now is bright color lips! This trend is sticking around, only this time, the lips aren't glossy. Try it matte or with a light sheen in colors like coral, orange, pink, hot pink, and even bright purple!”

For women that want more makeup advice than how to shade their lips, Saisha provides some makeup basics that will keep any woman looking beautiful and feeling sexy.

“Three essential items that a woman should always have are a great lip moisturizer, a great mascara and a great blush or bronzer. I love Kinerase Ultimate Volume Lip Conditioner.

With this, your lips are being moisturized and they also have a shiny lip gloss look! You can never go wrong with Smashbox Bionic Mascara in Jet Black. This will really open your eyes and make you look finished even if you didn’t have time to do much! For blush or bronzer try NARS Orgasm.

This is a classic that never fails!!

Lonnie & Gina McFadden.

Music is in the blood.

“I was always around musicians. My father taught us how to tap dance before I even knew what that was.�

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daughters, Gina and Chloe, are singers pursuing their own dreams and touching lives through music.

Lonnie McFadden credits his gifts and love of music to God and his father, Jimmy McFadden, who danced with the best big bands of the ‘20‘s, 30‘s and 40‘s. Dizzy Gillespie asked Jimmy and his group to perform with his band, in addition to performing with Louie Armstrong and Nat “King” Cole. As a tap dancer, Jimmy danced in Kansas City during the 20‘s and ‘30‘s when jazz was big in Kansas City.

Influenced by his father’s friends Count Basie, Lester Young, Mary Lou Williams, Charlie Parker, and very close friend Sammy Davis, Jr., Lonnie remembers that he was immersed in the arts. “I was always around musicians. My father taught us how to tap dance before I even knew what that was.”

Ronald McFadden on sax.

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ansas City’s rich music heritage is recognized across the country for its true musicians. The sound is so distinctive that it gives listeners pause. No matter the form - jazz, blues, R&B, rap or other - Kansas City’s music style is unique and trained ears always pick up on it.

Integrated within the very fabric of our musical history and culture were legends and iconic figures that would all pass through, playing and jamming in the 18th & Vine district. Kansas City still has many living legends among us and the McFadden’s are a part of that legacy.

The McFadden family is and has been an integral part of our musical history, passing on musicality, showmanship, and pure passion and love for the art from generation to generation.

The McFadden Brothers, continue to wow crowds with their jazz performances. Lonnie plays the trumpet and Ronald plays the alto saxophone. Both brothers sing and tap dance.

However, it is no longer just the brothers sharing an intense love of music, but also, Lonnie’s

Lonnie equates doing what you love to living and breathing your passion. He is intensely grateful for all of his experiences including his world travels. In many ways, he feels he is not just living his dream but a dream filled with second chances. From touring the world, he found that others held Kansas City in high regard. He’s humbled to be such an intricate piece in the scene and sound of Kansas City jazz and music. When Lonnie talks about his passion and love for music he is joyful and very much like a kid in a candy store. However, when he starts to talk about his daughters, his whole being radiates and beams. He swells with the pride found in the pure simplicity of being a dad.

In awe of his girls, Lonnie feels their talents exceed his each in her own right. Gina, with the notes she hits and her vocal range and Chloe, with her natural ability to entertain. The McFadden girls have performed locally and in other cities with their father for as long as they can remember. Gina’s passion for music and the opportunity to make a difference in the lives of others thorough song is what inspires her. A singer since the age of 4, Gina is accustomed to being on stage. She sang at her high school graduation, competed on American Idol, and still sings locally. She says she wasn’t pushed into music, but knew at a very early age that she wanted to sing. A blended vocal styling of R&B, blues, and jazz, Gina loves the R&B blended style. And, sometimes love hurts. “Music broke my heart when I didn’t make [American] Idol. I auditioned three times. It broke my heart again when I didn't [win]. I stopped singing but I still love music. I’m married to R&B.” Gina is often amazed and overwhelmed by the love and support she feels from her hometown. While she knows her family is a part of Kansas City music history, she doesn’t often see herself in that light. At the beginning of the day, “I’m just a girl who loves to sing, purs(Continued on page 27)

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TONE HENDERSON Photo: Jessikha Williams

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(Continued from page 8)

ing a hit song, “Vice”, that local fans are raving over. Like Langston, Adrian Truth recognizes the struggles that local KC artists endure but his love for music is rooted so deeply, that the struggle is but a mere distraction. As a matter of fact, it was a driving force to get him to where he is now. Reflecting on his efforts to hone his craft locally, Adrian says, “This is my city and I love to bring it music that we can all relate to and honestly, Kansas City has shown me that they love to hear it, too.”

TONE HENDERSON Kansas City’s local music has serious connections to key players in the industry on a national level.

Even when KC overlooks our own talent, heavy hitters are noticing, including Tone Henderson, a former A&R and Marketing representative for seven years at LaFace Records and plaques from superstars including Usher, TLC, and Donnell. Henderson, who now owns the lucrative Henderson Entertainment, working with all of the major record labels, was raised right here in KC and visits often. Living in Atlanta now, Henderson says he is still very connected to Kansas City and will continue to seek out talent from this region. As a former DJ, he feels that the radio is an important outlet for artists but reminds them that it is not the only one. Supporters of local artists have the power to launch them into to stardom.

TWELVE Magazine is proud to be an avenue through which connoisseurs find gems in their own community. Local artists will once again propel our city into the major hub that it once was.

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Tone has been hard at work., a force behind making the stars you know and love today..

Shani Tate

Developing Sprint Center & Touching Lives

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Building A Better World

By W. Sarah Fletcher

Photo: AEH Photography

Radiant. Passionate. Driven. Shani Tate is a connector, creator, a facilitator, if you will, of what we most treasure: our dreams and memories.

As Vice President of Marketing, Communication and Ticket Sales at the Sprint Center, she has been integral in the revitalization process and growing pains of Kansas City through music & entertainment. For the last five years, Tate has brought a host of big names and attractions to the Sprint Center; an arena which she says belongs to the people of Kansas City; an arena that, against all odds and widespread doubt of success, has ranked among the top arenas, both nationally and internationally for the last five years, and currently is ranked third nationally and 11th globally. Clearly, under Tate’s leadership, she and her team specialize in making memories and dreams come true for all who see the world-renowned names and performances hosted at the Sprint Center.

A native of Kansas City, Shani Tate has traveled the world and has had opportunities to live in other cities across the country, yet, it is her love for Kansas City that keeps her here. Grounded in her faith and centered by family, friends, and mentors, it’s easy to understand Tate’s passion and success, after spending a little time with her.

Xii: Shani, Thanks for taking time to meet with us and allowing us this opportunity to learn more about you. First, what’s your purpose in both life and career?

Tate: My personal purpose is to be a Connector. Whether through entertainment, life, sports, etc., life is about making connections, so I (Continued on page 26)

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SUCCESS

Tate helps host some of the biggest artists in the world.

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am very privileged that in my job, I get to see people’s dreams come true when they come here.

Xii: Nice, and your passion?

Tate: I’m passionate about service. Whether it is service to others or service in the smallest way, but really serving each other; really knowing who you are and your place in the universe and world. When you are personally centered, you have a better idea of how you can be a better asset to the world.

Xii: Does your purpose and passion get you out of bed each morning or is there something extra?

Tate: My passion is seeing people’s dreams come true and that gets me out of bed every single morning. It doesn’t matter if it’s seeing people spend their hard earned money to come here and see Tina Turner or to see Garth Brooks or who whomever 26

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their favorite artists may be. Quite honestly, when I see fathers and daughters dressed up in tuxedos and princess outfits for Disney on Ice,

“When you are personally centered, you have a better idea of how you can be a better asset to the world.”

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ing my passion, and chasing my dream. I still see me on stage, winning Grammys but more importantly touching the lives of other little girls.” “I’ll be known as the girl who didn’t give up, who didn’t let go of her dream.”

It’s clear that the McFadden legacy, a legacy richly intertwined in the fabric of Kansas City, is being passed like a torch, from generation to generation, with one very important note. “I just want my girls to do what they love”, said Lonnie. “I want them to be successful.” He beams, “I’m just proud to be their dad.”

You haven’t experienced the McFadden Brothers until you’ve seen them tap dance. Lonnie McFadden pictured here.

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Dance With My Father When there’s a bond like this between Dads and Daughters…it’s something to sing about.

Photo: AEH Photography

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By Iman Lott

LOTT of LOVE “Inseparable, that’s what we are…” sings Tucker Lott. “ I think that would be a song I would use to describe you, parts of it at least”. I smile at the thought of my dad knowing that even though one day I will move on and start my own family, he and I, his little girl, will always be inseparable.

From the day daughters are born we each become the apple of our father’s eye. They watch us grow and develop into young women and hesitate to let us go when they walk us down the aisle. They pick us up when we fall and mend our broken hearts after the first of many times it will break. They offer wise counsel and lay the foundation for what we hope our future husbands will be like. My dad is my hope.

“Daughters, in particular, are always in the foremost part of your mind. We fathers want to give them everything they need.” he says, “Foundation starts by setting an example in your home. It was my responsibility to be present, to be a good and effective parent”.

That he is. What I admire most about my father is that he was always there to pick up the pieces of the absolute mess I was. He always seemed to know exactly what to do or say. Everything seemed better and brighter after one of his hugs.

“The affection that you give a daughter changes when she becomes an adult. At least it did for me. When you were younger I think I gave more hugs and kisses, however, when you grew older that changed and I wish it didn’t. I believe my children know I love them I just wish I would’ve been more affectionate longer”.

I wonder how he could think that. To me, there was no wrong he could do. His hugs inspired me to be better, to forgive, to keep moving.

“Ain’t no stopping us now…” I hum in my head.

“I think if I had to pick a song for us I would say ‘Ain’t no stopping us now’ by McFadden and Whitehead” my

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By LeAndrea Mack H. Ervin Photography AEH Photography

father blurts out unexpectedly.

“Dad! That is exactly what I was just thinking!”

“Confirmation.” We nod our heads in agreement.

I’m sitting on my parents’ living room couch beginning to get into what I call my “writing zone” when I hear my dad walking towards me.

He’s reading something out loud that sounds familiar. “ ‘Many nights we prayed with no proof anyone could hear; in our hearts a hope for a song we barely understood. Now we are not afraid, although we know there's much to fear, we were moving mountains long before we knew Read It. There can be miracles, when you we could.

Wear It.This depicts what I think about you in believe’. terms ofIt.faith. You believe in miracles. Your Dream life is a miracle. I encourage you continue to live your life this way; Believing and achieving.”

He does it again without even knowing it. I’m immediately encouraged. I grin. My dad is still my hope.

LAMBERTS...BETTA WATCH THOSE TWO “Kristen is hard working and dedicated. One of the things I taught my children was if you have the desire to achieve something you stick with it. She absolutely exhibits that.” states Charles Lambert about his daughter Kristin Lambert.

Kristin smiles warmly in complete admiration as her father talks about his one and only girl.

“That’s definitely something I got from my dad: the ability to trust in myself and the decisions that I make. If you know it’s something you want, go for it. I appreciate him for instilling that in me”.

Mr. Lambert seems to blush as Kristin expounds on the philosophy she inherited from him.

“I think it’s easy to quit when something is hard or appears hard to achieve but my dad never did. He’s overcome so much. His ability to adapt is admirable. I’ve never seen him (Continued on page 38)

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magazine

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A

t the next concert you attend in town, the MC might say, “When I say Legendary Hip-Hop you say Kansas City!” Or maybe this one, “Put one fist in the

sky like this, and if you’re Public Enemy fan, say DJ drop the Mozart.” Confused? You’d be wisest among men to figure out the connection…but here it is…Kerwin Young. KC now has claim to one of the foremost producers in Hip-Hop, Mr. Kerwin Young of the legendary Bomb Squad, the groundbreaking producers for Public Enemy (PE) whose members included pioneers Hank Shocklee, Keith Shocklee, Chuck D, Eric "Vietnam" Sadler, Gary G-Wiz along with the man himself, Kerwin "Sleek" Young. We find today, that Young’s music interests and capabilities have no bounds and are definitely not limited to Hip-Hop. When it comes to Kerwin’s music, legendary is the appropriate descrip-

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LOVE HUDSON & JANE Velvet Blazer, Pants, Shirts, and Pocket Square.

BANANA REPUBLIC Boots HALLS Pin

Kerwin Young ROCKSTAR STATUS

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Kerwin Young Came to UMKC to Master music!

tion. He’s got at least 25 years in the game and now, he shares in one of the most laudable honors in the music industry with Public Enemy’s induction into the Rock and Roll Hall of Fame on April 18, 2013 in Los Angeles.

Though outside of the traditional realm of “Rock”, the Hip-Hop and R&B influence on music in general and Rock in particular is being acknowledged as demonstrated by PE’s induction along with fellow 2013 inductee, powerhouse, Quincy Jones. Now, the world is taking notice.

Contributors like Kerwin should be proud.

Heavyweight Kerwin holds an impressive discography. He’s been a ghostwriter with his music featured in the first season of the TV drama, New York Undercover and during the second season of reality series, Flavor of Love. His work extends to the silver screen, appearing in hit movies like Sister Act 2 and The Green Card. And of course, he’s earned numerous production credits from working with top names ranging from his East coast cohorts of PE to the West Side with Ice Cube and Dr. Dré. With national hit music, TV and movie placements, the presumption is that if he’s in Kansas City, he must be a guest professor or lecturer, right? No. Kerwin actually came to UMKC to learn.

Back in the Day Let’s go back. We start back in 1989 in Roosevelt, a community in Long Island, NY, home of Kerwin, Chuck D, and Flavor Flav. There, Kerwin cites that baseball was really his first love. He had dreams of going to the pros and had actually been in training at baseball camp in Midland, MO for a few years. However, a bad shoulder injury in high school forced him to redirect his energy to his other interest, music. “After I messed up my shoulder, I started DeeJaying and selling tapes in school,” says Young.

At only 18, Young got a gig as a backup DJ. “I worked Wednesday through Sunday, 7:30pm to 4:00am, at a club in East Meadow Long Island, the Spectrum Café. I was underage. It was a 23 & older club,” says Young, reminiscing. Every Thursday, for Ladies Night, I’d see Bomb Squad 35

members like Keith Shocklee, and Drew from the S1W’s (Security First World), PE’s Security team. “In addition to DeeJaying, I was also in the NAACP Youth council. I met two guys in through there who were from British Guiana.

They had a session at Public Enemy’s studio in early summer of ’87 with Eric Satler from Bomb Squad, so I started going to the studio with them.”

Young developed an insatiable thirst for music and the studio experience. He recalls walking the three-mile roundtrip to and from the studio nearly every day from 17 to age 24. By the time he was 19, you would even find Young sleeping overnight at the studio.

Starting from the Bottom First, I watched and sat around. The studio was owned by Dr. Gant, a dentist. The studio was on the 2nd floor. In early ’89, they’d have me go get food or tell me to push a button here or there for production. When they were doing “Fear of a Black Planet”, Ice Cube came with Jinx to do their album, AMERIKKKAS Most Wanted, so I worked on that. I was in charge of keeping the sample log.” “(Professor) Griff had been kicked out in ’89. I went down to Miami with him to produce Pawns in the Game.

But still I worked on every Public Enemy album from Fear of a Black Planet, except Apocalypse in ’91. I was asked to, but Bomb Squad had broken up. Hank Shocklee and Eric Sadler had “a thing”. I was loyal to Eric, so I didn’t work on that. Instead, I worked on Eric B. & Rakim’s album, Don’t Sweat The Technique (1992). “I stayed busy with PE full time,” says Young, and got demo projects, like for the Gravediggaz and Mobb Deep’s first album.”

Learned Behavior Young’s father was a musician and his mother was also a performer, so he was well groomed in the arts. “I could always read music. I started playing the sax when I was nine years old. I taught myself how to write music. I was only familiar with treble clef growing up so I had to learn alto, tenor clef, bass clef, and then learn all the ranges of all the instruments. I learned that on my own. In New

“I worked on every Public Enemy album from Fear of a Black Planet, except Apocalypse in ’91.” twelvekc.com

(Continued from page 35)

York, I would go to Adelphi University and Hofstra University. I’d visit the library or the bookstore and buy books, then I’d go home and study and teach myself.”

He continued his self-study he moved to Atlanta in 1999 where Chuck D had established a new studio. Young’s trip to Atlanta began as a visit. He stayed for 10 years. “I would hang out at Spelman or Clark University all day in the library and going through music scores.”

KC, Here I Come Young’s quest for learning was driven by his belief that he hadn’t realized his full potential. He’d learned a lot on his own through books and hands-on training and had made real contributions, but, he dreamed of bigger 36

Congratulations to Public Enemy on their induction into the Rock and Roll Hall of Fame.

“I’m writing a percussion concerto about this Black Korean who was the first or second Shogun.”

things, more money, and making a bitter impact with his music. Orchestration, film score work, those were to be his future, but he felt those heights required more formal training.

“In 1994 I started writing music, on my own, without training. By 2002 I felt confident enough to apply for schools to fine tune my work. In Atlanta, I was meeting members of the Atlanta Symphony. I met with the librarians, the one’s that prepare the music, edit and prepare the parts. I’d have them review and critique my compositions and they didn’t find anything wrong. Even without software or computer 22”x24” staff paper… everything by hand.” With that, I applied to the Paris Conservatory, and they told me I was too old, and that’s

being in the music conservatory, you have to be able to hear the exact interval. If the note is wrong is it sharp or flat? You have to be able to tell a musician, you played C sharp and it’s a C natural. I don’t have that skill yet. But that’s why I’m taking classes.

Young always considered himself a musician, but pulling samples and playing one-handed chords are a long way from what he’s doing at the conservatory. “We have to play four semesters of piano. Here man, its two hands and sight reading at a specific tempo. It’s Bach, Mozart, and Hayden. I had to take one course twice.”

Young goes on to describe symphonies and concertos that are part of his program. “It could take anywhere

PE’s own, Flavor Flav & Chuck D, the legends.

after I paid the application fee.”

Not one to be deterred, Young took his search online which led him to Professor Chen Yi at UMKC’s toprated conservatory. “I met Chen Yi on MySpace. She’s like the top female composer in the world,” exclaims Young. I emailed her about visiting UMKC to study orchestration for one month.” The conservatory was impressed with Young’s résumé and convinced him to officially enroll. Now, a few years, later, he has his Bachelor’s degree and has moved to on the graduate program.

Making Music and Knowing Music…There is a Difference Hearing Young describe music, you realize there’s a depth and sophistication in music much greater than an understanding of a bass line and a hook. He credits his former days of being a DJ and knowing what to play for his ability to create music today. Now he’s mastering techniques. “I can hear when something’s wrong. But 37

from a week to ten years to write. It depends on the number of movements. Most of mine take six to eight months to write. It could involve a story line, subject matter, current events or a person, so you have to research the person, find the sound, draft out sound. I’m writing a percussion concerto about this Black Korean who was the first or second Shogun, Sakanouye Tamuramaro, from the 8th Century. It will be music that fits that period but speaks now, infusing Afro-Asiatic steel drum and winds.”

Where to Go From Here What’s the ultimate goal for the man who’s done it all?

That’s a pretty quick answer for Young, “Teach composition and orchestration on a collegiate level, score major films, and get commissions for orchestration. We’re sure, with his skill set, all of that will be realized in the short term. Go head on…Rock Star. Bach Star.

By Danielle Jones

‘Cause Women Love A Well-dressed man!

People of Color are often less aware that while their risk of developing skin cancer from over exposure to the sun is lower than that of Whites, the rate of death is higher because often times when the disease is diagnosed it is already at an advanced stage. While the melanin in our skin is our front line barrier to UVA/UVB rays there are several steps we can take to minimize our risk even further.

It’s Summer.

Watch The Rays.

Apply a broad spectrum SPF 30-50 at least 15-30 minutes before going outside and reapply every two hours if possible.

Wear protective clothing like a hat and sunglasses.

When protecting children, adults should spray the sunscreen onto their hands first before applying it to kids' faces.

Ensure your sunscreen is stored properly. The protective ingredients can degrade if left in a hot environment such as a car or lose its effectiveness if frozen. Also the majority of sunscreens are only good for up to 2 years so check your products expiration date.

Dads & Daughters (Continued from page 30)

sweat. I have a ring tone for my dad. James brown ‘I feel good’. He personifies that song. He has always shown me that it’s okay to live.

You got God. You are alive. Feel good about it. Life’s a party with my pop!” Kristin exclaims, “Because of that we would get in a lot of trouble with mom!” The two share a robust laugh.

“Celebrate good times, come on!”

The song begins to resonate from his IPad. They begin to move as though the music has put a spell on them.

Shoulders bounce and feet tap.

“Ahhh ‘Celebration’ by Kool and the Gang “ Kristin smiles, “Yeah, this would be our theme song since mom says we never acted right when she left the room. She swears up and down that we got into trouble everytime”.

Mr. Lambert laughs in agreement at more shared memories between the two.

Now is the time to celebrate fathers, protecting us through the bad times and cheering us through the good times.

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Walking Technique

Hold you Head high.

Look forward not at the ground.

Move your Shoulders Naturally.

Keep your chin parallel to the ground.

Gently tighten your stomach muscles.

Keep your back straight not arched forward or backward

Walk smoothly, rolling your foot from heel to toe.

Swing your arms freely with a slight bend in your elbows.

Reference: Mayo Foundation for Medical Education and Research

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Anthony Saunders

twelvekc.com

HE’S GOT THAT STAR POWER KINDA MUSIC Photo: Raye JJackson

Anthony Saunders is a producer, songwriter, singer and pianist whose music knows no limits. Saunders, a native of Kansas City, KS comes from a family rich in musical history dating all the way back to the time of Duke Ellington, Count Basie, and Lionel Hampton. His Great-uncles, both accomplished percussionists, can be seen on countless classic jazz albums of the 1930’s and 40’s. Anthony’s parents, both accomplished musicians in their own right, encouraged and coached Anthony at a very early age to develop his love of all things music and perfect his gift of singing writing and playing various musical instruments. As a kid, Anthony was well known in school as well as the community for his musical abilities.

After graduation, Anthony embarked on his musical journey traveling across the country to work with some of the best of the best in the business. Some of them would include artistic, writing, and production powerhouses like Grammy winning songwriter Adonis, Grammy winning producer Bangladesh, Grammy winning songwriter/production duo The Messengers, Singer-Songwriter Mario, and up-and-coming Songwriter Melanie Fontana as well as many others. Those lessons and experiences have made way for him to score major credits with the likes of artists in many genres. His credits include Pop sensation Justin Bieber’s “Fairytale” and “Just Like Them,” R&B legend Joe’s “Tonight,” and the song “Gone” for Brandy and Ray-J’s A Family Business, and 3 songs with smooth jazz artist Julian Vaughn “Be my girl”, “Always be together”, ”I’ll do it”. Anthony, an eclectic musician inspired by legends such as Prince, Stevie Wonder, Marvin Gaye, Michael Franks, Quincy Jones and Harry Connick, Jr. is in a class all his own, equipped with an appreciation for all forms of music that in turn shaped him into the musical brainchild he is today.

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Just a snapshot of events from the nonprofit calendar.

For complete listings, visit kcsoul.com

Malcolm X

JUNE 20-23, 2013

PARTIES | STEPSHOW | PICNIC Details and Tickets: kcsoul.com

Add your upcoming events and more to kcsoul.com. Just create a login or use your Facebook log-in.

Sat 05/18 KCKS Delta Sigma Theta Sorority, Inc. 2013 Jabberwock Pageant Event type: Fundraiser Venue: Ritz Charles: 9000 W. 137th Street Overland Park KS Time: 7:00 PM - 9:30 PM Producer: Kansas City KS Alumnae Chapter of Delta Sigma Theta Sorority Contact: KCKS Deltas Email: kcksdeltas@gmail.com Phone: Web: www.KCKSDeltas.org Sun 05/19 Wild N Out Comedy Tour Event type: Comedy Venue: The Juke House : 1700 E 18th Street Kansas City MO Time: 7:00 PM - 2:00 AM Producer: StanDaMan Prod & CoEd Inc Contact: Stanley Taylor Email: standaman1914@gmail.com Phone: Sun 06/09 The Mountain Top Event type: Fundraiser Venue: The Unicorn Theater: 3828 Main St Kansas City MO Time: 6:00 AM - 10:00 PM Producer: Elite Performance for Alpha 42 Kappa Alpha Sorority, Inc. Mu Om

VISIT NOW

Contact: Camille May Email: may.camille@gmail.com Phone: 816-820 -3117 Tue 06/11 2nd Annual NETWORK with the 100 Event type: Networking Venue: CBE at SPRINT CENTER: 1401 Grand Kansas City MO Time: 5:30 PM - 8:30 PM Producer: 100 Black Men of Greater KC Contact: Email: info@kcsoul.com Web: network100.kcsoul.com Sat 06/15 Taste of Art Event type: Community Action Venue: Negro League Museum: KCMO Time: 6:00 PM - 10:00 PM Producer: Alpha Kappa Alpha Sorority, Inc.- Xi Tau Omega Chapter Contact: Jamie Braden Email: jamie_braden1@hotmail.com Phone: Fri 06/21 NPHC-KC Party KC Greek Picnic Wknd Event type: Party Venue: Club Rain: 8015 Troost KCMO Time: 9:00 PM - 1:30 AM Producer: NPHC-KC KC Greek Picnic

Sat 06/22 Bold.New.Poets | Poetry The Soul of Kansas City | The Writers Place | Event type: Fundraiser Venue: THE WRITERS PLACE: 3607 Pennsylvania, Kansas City, Missouri MO Time: 6:00 PM - 9:30 PM Producer: T.L.WILLIAMS Contact: terance williams Email: kdpublishingdotcom@gmail.com Phone: 8166127640 www.themusicandmorefoundation.org Sat 06/22 NPHC Flag Football *& KC Greek Picnic Event type: Fundraiser Venue: Swope Park - Shelter 2: KCMO Time: 12:00 PM - 3:00 PM Producer: National Pan-Hellenic Council KC & KC Greek Picnic Contact: Joseph Jones Email: jterrelljones@yahoo.com

kcsoul.com KCs Urban Source. Add Your Events!

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44

Celebrating Fatherhood It’s Tradition

I

t’s an age old tradition for new fathers to hand out cigars with the birth of a child.

Some trace the origin back to the American Indians who provided gifts and smoked at the birth of a child and other special occasions. This tradition was later adopted by the English and early American settlers when they arrived. Other references claim its roots may be in the fact that men weren’t always allowed in the birthing room, so cigar smoking, an extracurricular activity dominated by men, became an opportunity for them to bond outdoors while still marking the occasion.

We may never know all of the facts, but we can agree on it’s purpose—a gift of cigars marks an occasion to celebrate.

We stopped by Qudos to get some tips on the art of smoking cigars.

Finish Cigar smoking is about the flavor. Hickory taste with a spice finish. Cherry infused, blueberry, especially a treat for ladies.

Ring gauge This is the girth or circumference of a cigar. 35”, 50” and 60” are some common sizes. The larger tend to yield a longer smoke 45minutes to 1.5hours. Take in the moment with a nice conversation, drink and lounge chair.

Pairing Similar to pairing wine with a meal, you can pair a cigar with a drink. One popular pairing at Qudos is the Romeo y Julita with a Remy Martin V.S.O.P. Humidors Help retain the moisture in cigars to ensure a savory smoke.

Lighting You can use a lighter, but cigar enthusiasts will tend to use a wooden match. Light it holding it up and down when lighting so the sugars in the cigar flow to the tip.

Experience Don’t inhale. Savor without taking the smoke into your lungs, which experts claim makes cigar smoking healthier than cigarettes.

Women Too Not just bonding opportunity for men anymore.12% of cigar smokers are women. Join the experience. Celebrate the moment.

45

Chris Jones with the 100 Black Men connects with guests at the 100 table.

Let the networking begin!

Tonight’s event was also the official presentation affair for TWELVE Magazine’s Success Guide. TWELVE Magazine’s Iman Lott (l) and W.Sarah Fletcher (r) along with Andrea Hendricks, Ed.D, SVP of UMB (c)

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On Behalf of Music Superstars Everywhere...

Thank You

Producers and Writers from Kansas City

Jill Scott, Jordin Sparks, Ariana Grande, LeToya Luckett, B5, Al, Oceana, Snoop Dogg, Wiz Khalifa, Justin Bieber, Joe, Scotty McCreery, Lupe Fiasco, Trey Songz, R. Kelly, Brittney Spears, Mary J Blige, T.I., Usher, Bow Wow, T Pain, Ginuwine, Tupac, Ciara, Jennifer Hudson, Rihanna, Chris Brown, Faith Hill, Nick Jonas, Jordin Sparks, Young Jeezy, Jacob Latti48

Kansas City

Make the Hits For the World’s Largest Artists.

more, Lionel Richie, Omarion, J. Valentine, Justin Timberlake, Donell Jones, Olivia, Mario, JoJo, Mario Vasquez, Stacie Orrico, Jordin Sparks, Ruben Studdard, Fantasia, Katharine McPhee, Aretha Franklin, Jay Z, Timbaland, Keri Hilson, New Edition, Earth Wind & Fire, Jessica Simpson, Janet Jackson, Shanice Wilson, Alexander O’Neal, and Johnny Gill, to name a few.

49

STAFF CALL

12Mag

MOVEMENT

Kansas city GETS volume T

hank You KC! Producers and songwriters of Kansas City, on behalf of superstars everywhere, we say

We call it a movement because it’s massive— the written magazine, live events, videos, web, products and services and our overall reach.

Become an OFFICIAL member of our TWELVE Magazine staff. Writers, event planners, graphic artists, models, publicists, stylists, and more.

It doesn’t take a full-time commitment, just a little time each month. Or, sign up to be a one-time or periodic

Thank you. Thank you for the hits.

contributor. JOIN TODAY!

twelve@kcsoul.com 50

KC’s not new to the national scene.

Bloodstone, with hits like “Natural High” are worldwide favorites.

Take a look at page 48. The concept we envisioned was a page depicting all of the stars, outside of jazz, touched by producers and songwriters from Kansas City, BUT WE RAN OUT OF ROOM! However, I’m sure you get the idea! Take the collective portfolio of “Kansas City’s Own” and you’ll realize our influence is massive. Even beyond standard urban genres of R&B and hip-hop, our talent has produced the pop, rock and country hits, too.

The net is that hundreds of artists per year benefit from “Kansas City’s Own.” We’re not just behind the scenes. We’ve also got our own national performing celebrities for sure.

Janelle Monae is really blazing the charts and stages

(Continued from page 26)

or little kids first experience Sesame Street Live, those are the kinds of things that are most gratifying and rewarding, because it is not so much about the show, as it is making those family connections.

Whether you’re with family or your friends, we make memories here. You can’t take that away and neither can I. Xii: What’s important about being a woman and leader in corporate America?

Tate: I think it is very important to realize who you are, to surround yourself with positivity, and to be willing to accept criticism. Identify mentors and be willing to hear the difficult things that people say, that you may not be ready to hear. A wise person once told me just because you feel like saying it, doesn’t mean that people are ready to hear it.

Xii: How has that served you?

Tate: Especially being a type A personality, you have to realize what people are able to digest, knowing your environment, knowing your situation, and figuring out what is the best use of my talent and skill in this particular moment and space.

Xii: What do you love about KC? Tate: It’s located in the middle of the country. I think it is a great place to not only raise a family but also, a great place to grow up. It’s a great place to have a foundation, to go out and experience the world, and to come back and reinvest.

around the country. Let’s not forget the number one independent artist in the country, Tech N9ne.

We also recognize that our star power resides in other industry positions, beyond the music creators.

They too, deserve credit. Whether it’s the marketing and promotions pros that bring the awareness or those who manage the style and look, KC is wellrepresented.

Yet, we can’t help but wonder, can we do more?

Can we make more hits, create more superstars?

Of course we can. This music issue of TWELVE is just the first piece of a new campaign we call VOLUME to do just that. We’re about to turn things up!

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Xii: You have roots here and you continue dig deeper...

Tate: And it’s a choice for me to live here. AEG is a worldwide company. There are opportunities here that can’t be duplicated in other markets. I think there is a uniqueness here, and element of hospitality that we share in terms of passion. No one does hospitality like Kansas City. And, having traveled around the world I see it, making those connections are so meaningful here. For example, when I go to shows in other cities that I’ve seen play in our building; those shows have been completely different.

Shows that play in our building don’t want to leave; shows in other cities are shorter than here and (Continued on page 53)

BUY GUIDE SEE MORE BLACK BIZ LISTINGS at kcsoul.com Purchase a listing: twelve@kcsoul.com

Andre Hayes AEH Photography 816.803.2575 drebo25@gmail.com Carlose Estes Prudential Financial Professional 170 English Landing Drive Suite 221A Parkville, MO, 64152 816-741-0022 fax: 816-746-1194 email: carlose.estes@prudential.com Christopher M. White Meddrin, Inc Fashion Styling/Image Consulting 816.529.1531 meddrininc@yahoo.com The College Basketball Experience and National Collegiate Basketball Hall of Fame 1401 Grand Blvd.

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Www.aggexecsearch.com Jessikha Williams Photographer iconjaiwill@gmail.com 816.589.8491 Raye Jackson Photographer 816.916.4711 Jayerax47@yahoo.com Sherry Lumpkins Blue Symphony, LLC Web & Software Design, IT Consultant 520 W. 103rd St. #176 Kansas City, MO 64114 816.260.8385 sherry@blueysymphony.com www.bluesymphony.com SPRINT www.sprint.com UMB Bank www.umb.com W. Sarah Fletcher Greatness Realized Professional Coach, Speaker and Development Specialist success@greatnessrealized.com www.greatnessrealized.com 913.890.3402 Facebook: Greatness Realized

SECURE an Ad or listing Today.

Email: twelve@kcsoul.com

(Continued from page 51)

that’s because artists feed off the love from fans. The passion that’s here, the knowledgeable fans, it just means so much in Kansas City and you can’t buy that.

Tate: Oh, working out, loved ones, spending time, and really knowing when to say when.

Everything is not always a “yes”. Making those difficult decisions…It may or may not be worthwhile for you to commit to something in that space and time.

Xii: What are you involved in outside of work?

Xii: That’s beautiful.

Tate: I am part of Event and Arena Marketers, I am a Jackson County Link. Because I work 80 hours a week, spending time with family and friends is especially important. It’s so important to make those meaningful connections. We are in times where we have social media, but how do you make and maintain those meaningful connections, throughout life changes, when you haven’t talked with your best friend? When I’m not at work it’s really about connecting.

Xii: List three key characteristics that have helped you get where you are.

Tate: Humility, Tenacity, Creativity.

Tate: That’s serious. All money is not good money.

Xii: What are words of wisdom or a quote that you live by, something someone has told you or that you love?

“But oftentimes we underestimate silence. It’s your times of silence that make your words more powerful.”

Xii: How so?

Tate: Humility in terms of knowing what you can do, what your skills are, realizing how to place your skill set in the environment you are in. In sports and entertainment, degrees aren’t necessarily valued, but achievement is. Your personal achievement is, but also realizing that others may not value that. Realizing what your personal contribution is and being willing to do something. There is nothing I would ask a member of my staff to do that I haven’t already done. It’s easy to see where you are now, but my first job, I was paid a whopping zero dollars, and I started off as an intern. You make the sacrifices so you can grow and elevate your game, but also rise to the top.

Tate: Really, that quote that my mentor said: just because you feel like saying something doesn’t mean that someone is ready to hear it. A lot of times we teach our women, especially our younger women of color, that we have to be the voice and always be heard. There is a time to be heard and seen and to let your voice speak volumes. But oftentimes we underestimate silence.

It’s your times of silence that make your words more powerful.

That’s something that we don’t - I didn’t necessarily get, until I was much older.

Xii: You work around music all day. How does it inspire you?

Tate: Music is really what makes the world go round. It sounds cliché, but I think about my first concert. My first concert was Michael Jackson when I was 5. It wasn’t so much about him or the Jacksons, or Dianna Ross who was also on that show, but about the fact I went with my parents. It was about the fact that my dad took off work to take me to see New Edition at Worlds of Fun. Music and the ability to play instruments really transcends color; it transcends race, transcends creed, and it really is

Xii: 80 hours a week, what keeps you centered?

(Continued on page 54)

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(Continued from page 53)

the ultimate unifier. You can’t take that away.

When you appreciate good music, it is the ultimate.

Xii: Why do you think that this arena is so important to Kansas City?

Tate: At the time of the groundbreaking in 2005, a lot of people believed this building wouldn’t come to fruition. When we opened people said we wouldn’t be busy. We’ve been amongst the top arenas in the world every year since opening. But, that’s not about the Sprint Center or Sprint Center operations per se, it’s because the Sprint Center building belongs to everyone in the city. And the thing we are most proud of is the diversity of our programming. Whether you are coming here to see rock, Latin, hip-hop, urban, it’s all here for you.

If you are coming to see a family show, if you want to the Globetrotters or the Miami Heat, whatever floats your boat, we look to try to book it here in Kansas City. The best part is that artists appreciate that.

Xii: What are some challenges and obstacles you’ve had so far in your career, and how have you overcome them?

Xii: Last question. What would you attribute your success to?

Tate: A total team effort. My success really isn’t about me. I'm fortunate to have a supportive husband and family, mentors and friends, all of which aren't afraid to provide honest feedback, even when it may not be the counsel I'm seeking. It’s a sum total of hard work, and there are a lot of people I don’t want to let down. I’m very cognizant that when I look at this industry, there aren’t too many people that look like me, I have a responsibility and obligation to open doors and I take it very seriously.

Xii: Beautiful. Thank you.

Tate: I think being centered in your faith is very important. A lot of time it is very easy to let too much pride get in the way; but understanding that a rising tide lifts all ships and one person can’t do anything alone is important. Also, it’s important to meet people where they are. It may not be where you are, but meeting people where they are, so that you can figure out what the commonality is, that common ground where everyone can work together to achieve common goals. It’s not rocket science.

Shani Tate’s passion for music and making memories is a gift she continues to give not just to Kansas City, but to all who enter our Sprint Center, as they experience, firsthand, the magic of memories to treasure. It’s no wonder our Sprint Center is ranked third in the country and 11th globally. With a driving force so focused, balanced with passion and grounded in faith and family, the imprint Shani Tate is making on Kansas City, our nation and globe, is only just beginning to be felt.

Xii: I love that you say it’s not rocket science. But it feels like it is rocket science.

Xii would like to offer a very special thank you to Shani for taking time to meet with us and share with our readership.

Tate: It can.

Xii: Why is that?

Tate: Because I feel like people aren’t cognizant of the importance of making personal connections. If you make personal connections with people, most 54

people will do whatever you need. It’s human nature, we want to help people, we want to move the ball across the line. We all want to succeed. If I see a child a trip over his own feet, like I did yesterday, fall on the concourse, and spill his popcorn and soda, it doesn’t really cost anything for me to replace that - $5 dollars. His mom may not have that, but it just saved that little kid from devastation. How can you move the ball forward? Whatever your playing field is, how can you move the ball forward down the field?

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