fagankemper@gmail.com 803.207.0241
selected works
Kemper Fagan
20122019
a co n f lu e n ce of emo t i on & a rc h i te c t ure
index
ci r cu m s tan c e
aggregate
cl im a te
temporarily bazaar 11
con tex t
library 13
pro c es s
amalgamated paper lantern 27
03
queens, ny | fall 2018 | individual
site to be determined | fall 2018 | individual
six mile, south carolina | spring 2016 | individual | clemson undergraduate prize in design | student award for best project
clemson, south carolina | fall 2013 | individual
developing space through film 29 clemson, south carolina | fall 2013 | individual
ex p er ien c e
midtown public library
pro g r a m
pendleton eco-industrial park 35
app lica t i o n
31
atlanta, georgia | spring 2014 | individual
pendleton, south carolina | fall 2015 | team
university of st. andrews adjunct library st. andrews, scotland | spring 2015 | individual
37
professional work boulder, colorado | 505design | team
43
T E M P O R A R I LY B A Z A A R : A CITY HALL FOR THE BURNING MAN PROJECT site to be determined institutions studio | individual fall 2018 A temporary city is formed by active participants with similar needs. While Black Rock is a temporary city, the community of Burners exists year round. Tom Price saw Burners Without Borders (BWB) as a way in which the community is able to fulfill the lack of the Ten Principles of Burning Man in the other 355 days. Price frequently tells people it “is like boot camp for disaster relief.” and it is great way to attend Burning Man year round. Not only do Burners learn to build temporary structure quickly and live off the necessities, but they also create one of the largest experiments in community and art the way fun and entertainment manifests. Human connections are one of the most important pieces of the Burning Man ideals and this is reflected in the way people interact at Burning Man. Focusing on Burning Man as a temporary city, but also a permanent community, I asked myself who is included in the consideration of ‘citizenry’ and what defines the ‘institution’ accountable to these citizens. When a communities needs are intangible, the people are desperate for human connection and emotional support, can a city hall deviate from it’s typical program? If the needs are simple and basic, how does a city hall support the community? My project is exploring the role and importance of a city hall to communities and temporary cities with non-traditional needs.
3
circumstance
4
theme camp: distribution center 10,267 SF (7,165 SF of program) donation distribution [customer service]: 2,250 SF lost & found [permits, licensing, registrations]: 650 SF storage [systems planning]: 1,900 SF reception: 865 SF donation drop-off: 1,500 SF
5
ELECTROMA
theme camp: local coordination center 10,267 SF (8,400 SF of program) organizational clerk [city clerk]: 150 SF office head volunteer organizer [mayor] & staff: 250 SF BWB volunteers [human resources] public relations administrator [city administrator]: 250 SF office + 250 SF space for staff ethical behavior enforcement [city attorney]: 250 SF office + 1,000 SF space for staff
AGNETICWAVE circumstance
6
ELECTROMA WILDLA
theme camp: recovery center camp 10,267 SF (9,500 SF of program) digital lab [infrastructure records]: 900 SF accessibility coordination team [traffic]: 1,000 SF training center [public meeting rooms]: 1,000 SF heavy equipment parking: 1,500 SF storage: 1,500 SF long-term volunteer housing : 3,600 SF (sleeps 36-55 people)
7
theme camp: community center for commodities 10,267 SF congregation room [city council chambers] restrooms cafeteria shower house sanctuary soup kitchen generator check-out first aid center
AGNETICWAVE AND FIRE circumstance
8
ELECTROMA WILDLA EARTH
theme camp: community center for education & entertainment camp 10,267 SF child care center educational center [parks & recreation] game room & projection screen [parks & recreation] barrack housing
9
column nesting
staff: 44
DISTRIBUTION CENTER CAMP: CONSTRUCTION PARTS MATERIAL
USE
QUANTITY
SIZE
WEIGHT
DURA-TRAC HPDE PLASTIC HERCULITE FABRIC
FLOOR
657 PANELS
ROOF
6
4’L X 4’W X 2 3/4”D APPROX. 96” W
32, 850 LBS (50 LBS PER PANEL) 855 LBS (18 OZ PER LINEAR YD)
COST
AGNETICWAVE AND FIRE HQUAKE DISTRIBUTION CENTER CAMP: SECONDARY MATERIALS, TOOLS AND EQUIPMENT
OBJECT
QUANTITY
PUSH PINS
2,050
SIZE
STORAGE SHELVES
347
36.5”L X 14”W X 72”H
T
CHURCH TABLES
44
60”L X 30”W X 30”H
1,320 LBS
FOAM CHAIR - CORNER
1
31.5”L X 31.5”W X 13.75”H
FOAM CHAIR W/ BACK
17
31.5”L X 31.5”W X 13.75”H
FOAM CHAIR W/O BACK
25
31.5”L X 31.5”W X 13.75”HT
FOAM STOOL
12
15.75”L X 15.75”W X 13.75”H
FOLDING CHAIRS
33
WEIGHT
COST
NOTES
$20
25 PER COLUMN
$2,200
$50 PER TABLE // 30LBS PER TABLE
$362
$110 PER 10 PK
circumstance
10
A G G R E G AT E R E - I M A G I N I N G I N C A R C E R AT I O N long island city, new york propositions studio | individual spring 2019 Aggregate will serve as an informative, knowledge-based sharing space that develops resident’s understanding of the brain and decision making processes. The goal is to positively shape student’s emotional intelligence, specifically within it’s empathy dimensions and how they relate to decision making. Emotional intelligence is the ability to understand your own personal feelings and those of other people, and to consider other people’s feelings when making decision. After teaching the resident’s the tools to enhance their emotional intelligence, the facility provides a safe space that allows the students to practice their informed, empathetic decision making in a low cost environment. There are opportunities for the residents to learn the power of both their own and communal decision making.
Emotional Well-being Career
Education
Family
Physical Health
Aggregate provides design that encourages, creating an environment that fosters an individual’s ability to make the decision to be rehabilitated without undergoing additional hardship. The resident’s decision is supported by the opportunities provided by the facility to elevate their own emotional intelligence.
nstra te hu demo
d fo rget py ou rc om mit ot me he rs nts
Ke e
He lp
feedback
gize and
Empathy
ou
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ab
Th in Self-awareness
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tio ula
ip
an
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na
io
ive an
Give helpful
Apolo
Forg
Praise others
nticity authe
e empathy Demonstrat
Show
us c Fo
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lin
tf ee
se u Pa
Ben
ts gh
ic crit
on
ou th ur yo
a or g kin ea
re fo be
sp
from efit
in ct
g
ism
mility
Friends & Community
ot
em
m
elf
fro
e ot Pr
its
ab
rs
u yo ct
yh lth
ice
a he
ct
ely tiv
Relationship Skills
pra
Ac
Self-regulation
t
ec
Re fl
Self-motivation
There are FIVE areas of emotional intelligence. Improving these five areas is the gateway to better learning, friendships, academic success, and employment.
11
Marketability of Emotional Intelligence
Typologies of modules available to be re-arranged and designed by the residents
floor use: empathy programming: 3 typology modules of study space 2 typology modules of group space 2 typology modules of leisure space *can be used as visiting space if residents wish qualities: kit of parts logic access: residents staff public
“Emotional intelligence is the aggregate of abilities and skills that represent a collection of knowledge meant for coping with life effectively.�
floor use: self-awareness programming: dorms rooms for resident elected programming qualities: safe clean access: residents staff floor use: self-awareness programming: dorms rooms for resident elected programming qualities: safe clean access: residents staff floor use: self-regulation programming: outdoor space gymnasium music room qualities: trustworthy dignity access: residents staff floor use: self-motivation programming: outdoor space technology lab therapy rooms classrooms library learning kitchen offices qualities: respect caring calm access: residents staff public floor use: relationship skills programming: offices convienance store barber shop gallery and performance space cafeteria + industrial kitchen volunteer area parking qualities: welcoming transparent access: residents staff public climate
12
L I B R A RY: A N AC A D E M I C S A N C T U A R Y O F S PAC E six mile, south carolina synthesis studio | individual spring 2016 Defining a library not by its specific use, but by its spatial quality while in use is the innovative approach to this library research. The project serves as a study to incorporate this idea through the use of a forest. Six Mile’s branch library would serve as a serene, academic sanctuary to the community by emulating a wood encompassed by nature. The skylights and columns are key components to the emotion felt inside this library. The placement of the columns is meant to replicate the disorganization of tree trunks in a forest. The skylights are arranged to simulate light filtering through the lush canopy of a wood. The use of concrete, both polished and rough, helps to create a sense of rural serenity which supports the library’s programming.
outdoor amphitheater atmosphere
13
spacial quality studies
form | carve | extrude shadow study
roof relationship study
floor plate skylight pattern shadow inspiration
tree-column relationship
context
14
ard rty
p
ty
he
arc
u co e:
r
da
un
bo
n
sio
an
xp ye
de
sli
ion
dit
rid
ad
g
m
r fo
ate riv
.p cv
bli
pu
15
column purpose
courtyard
site section
context
16
01 02 03 04 05 06 07 08
bioswale water drainage covered multi-use space bosque permeable waffle-paved parking constructed wetland sheltered amphitheater plaza permeable paved foot path 08
01 07
02
03 06
05
04
site plan
17
live oak
southern magnolia
deodar cedar
dogwood
crape myrtle
evergreen landscaping
willow oak
london plane
river birch
deciduous landscaping
floor one
ground floor
circulation desk main stacks study stacks children’s area presentation classrooms community meeting space think tank workspace idea generator space traditional classroom auditorium restroom
01 02 03 04 05 06 07 08 09 10 11
context
18
parti
grid + views evolution of program
circulation + program skylight pattern
circulation desk main stacks children’s area presentation classrooms auditorium restroom
19
community meeting space think tank workspace idea generator space traditional classroom study stacks
children’s book forest
lobby column forest context
20
technical section/elevation relationship
structural/non-structural concrete us formliner 2/123 tennessee precast concrete panels
concrete interiors
21
us formliner 2/156 steinwald
structural + spacial delineation 22’ HVAC column 12’ HVAV column one floor one 22’ structural column 12’ structural column on floor one 12’ structural column on ground floor
context
22
bb
aa
aa
program section bb
23
HVAC section aa lighting section aa
context
24
entry
25
site rational
site + program relationship
entrance development
context
26
AMALGAMATED PAPER LANTERN clemson, south carolina foundation studio one fall 2013 The visible form architecture takes on influences it’s surrounding location and the people who use those spaces. It works in tandem with space to create places for society to interact. Although space and form conflict in definition, together in use, they generate emotion thru architecture. This adhesive-less paper lantern was developed to naturally create openings within itself. It is meant to hold itself together structurally while still demonstrating a porous quality. The relationship between the opaque paper, which yields the lantern’s form and structure, is essential to the space created both within the design and surrounding the lantern. The iterative process used to construct this object was the origination of my interest in spatial architecture. size variance lantern design
27
01
02
03
04
05
06
07
08
09
10
11
12
process
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A N A LY TI CA L ST U DY O F S PAC E T H R OU G H F I L M c l e m s o n , s o u t h c a ro l i n a fo u n d a t i o n st u d i o o n e fa l l 2 0 1 3 Society had fostered an idea that some people just are not creative. I argue that inspiration surrounds all of us, we have to choose to accept the challenge of embracing it. I have learned that a designer’s vision is not limited to the architectural world, but expanded by the world they study. This project opened my eyes to all the possible concepts and solutions that surround us daily. This series of studies were developed based on the 2004 Paul Haggis movie, Crash. First, the movie was analyzed through diagrams of important scenes. These scenes evolved into booklets that conveyed the emotion of the illustrations. The accordion pamphlets were the inspiration for a model of three spaces reflecting the emotion of the film. It was my goal to coordinate these emotions into one architectural piece, similar to how a human experience many different emotions inside one confined body. The idea is that one could travel through the evocative spaces and replicate the emotional journey the characters felt throughout the film.
scene analysis
29
movement analysis | back emotion analysis | front
analysis integration process model integrated social, individual and group space design
process
30
M I DTOW N PUBLIC LIBRARY a t l a n t a , g e o rg i a fo u n d a t i o n st u d i o t wo spring 2014 The programmatic development of an architectural space is significant for the capacity of a building. The relationship of spatial programming to plan and elevation, as well as its relation to building elevations can elevate the framework of the building. The use of program as an actual space one can inhabit and not just a layout on a plan helped me to understand how design can influence the user. Society does not experience the world as paper dolls, therefore we should not design for one. The circular tower element to this project became my tool for designing for the dweller. Interactions can be made with this architectural piece in layers. First, one sees it from the road, as an icon of place. Then one feels how the element influences the interior feel of the library. The tower is programmed to facility movement in the library and indicate the location of the check out and information center. The tower also serves to filter and alter light as it enters the open room. Upon checking out, the tower acts as the division between the librarians and the user, making sure the user is aware of its presence. My objective in this library study was to understand the interactions between building and user through the use of an architectural component.
31
ponce de leon branch library peachtree branch library morrow library clayton county library headquarters riverdale library
number of books in library
juniper street
library square footage
4th street
miles from 4th st. & peachtree st.
5th street
midtown public library
A C
July 04, 2014
B
peachtree stree
t ne
78 dB(A)
70 dB(A)
B
A
lutheran church of the rede
ank wells fargo b
st. ma rk
uni te
dm eth odi
st c h
urc
emer
h
D
C
8.1 mph 82.4 °F
20,608 cars northbound 23,324 cars southbound
35 mph
public transit
experience
32
peachtree street elevation
section aa
33
01 02 03 04 05 06 07
front entrance circulation desk book stacks reading area restrooms offices meeting room
04 07
04
4
03 06 02
aa
3
01
04 05
experience
34
SITTON BREWERY E C O - I N D U S T R I A L PA R K pendleton, south carolina fluid studio | two person team fall 2015 Architecture without a relationship to its context loses some of the power to influence the public. I chose to participate in a landscape - architecture fluid studio to expand my understanding of how the two are able to support each other. A well-developed design in the context of an entire neighborhood can affect the surrounding community. We need to create spaces that help to expand and progress the culture of the people we are designing for. Developing this historic site into one of the first eco-industrial parks in the state would help the small-town atmosphere of Pendleton to become a prominent city in the state. Our goal was to use design to create an identity for the community. Most of this project was based on research into how to create net-zero, or low energy, communities. We presented to neighborhood association for feedback and they welcomed this idea. My biggest take away from this park study was how to use landscaping strategies and site programming to enhance design
visioning
site programming operational system
35
diagramming and drawings by Kemper Fagan ideas in collaboration with Jonathan Johnston
plan drawing by Kemper Fagan and Jonathan Johnston
04 07 02
08 03
09
03
06 05
01
14
10
11 03
12
13
01
14 03
development signage 01 townhouses 02 orchards 03 railroad buffer 04 green-way extension 05 restaurant & market 06 sculpture garden 07
compost & biodiesel 08 maintenance storage 09 streetscaping 10 street parking 11 brewery, perry, and cidery 12 outdoor community space 13 constructed wetland & bioswales 14
program
36
expanded elevations
U N I V E R S IT Y OF ST. ANDREWS A DJ UNT LIBRARY st . a n d rews , s co t l a n d st ra t h c l yd e st u d y a b ro a d st u d i o spring 2015 Understanding the context of an architectural space provides the opportunity to create a more refined design. Integrating the surrounding sentiment of an area into new concepts can influence the community to respond positively to a specific design. Considering detailing and construction during the design phase helps to create iterations of a building that can become a reality. I wanted to take influences from the surrounding dense architecture and include them in my own design for this project. The repetitive roof form is meant to continue the swift rhythm of storefronts in Saint Andrews. The dark oak and gray brick of the library are supposed to create a passive material transition from the historic gray stone of surrounding buildings. I was able to understand how concept, construction, and environmental aspects develop hand-in-hand to create a complete design.
north elevation
37
ground floor
first floor
program
38
detail aa
detail dd
detail bb
detail ee
detail cc
detail ff
39
detail dd
detail aa
detail ee
detail bb
detail cc
detail ff
program
40
section aa
41
WHY
A
NATURAL
LIGHTING
FOCUS?
Daylight design considers how to provide the most effective light to a space without undesirrable side effects. It involves carefully balancing heat gain and loss, glare control, and variations in daylight eastern avaliability. It is important that natural light in a space is adaptable to individual situations. Natural lighting is ideal for a library, but glare is problematic.
lighting effects
ONE. Psychologically, daylight and a good view are much desired. TWO. The ability to control lighting for maximum efficiency is ideal in public spaces. THREE. Treated, glazed glass is best to avoid glare but still let light permeate. SOURCE:http://www.wbdg.org/resources/daylighting.php
air source heat pump
Venting skylights in the roofing system have a variety of benefits for the library. The roof windows can be opened give admission to natural light and fresh air. Aside form providing natural air flow of fresh air to the space, these skylights can contribute to temperature control and proper moisture balance by releasing stale and humid air. At a minimal cost, the overall comfort in the building is increased. These roofing windows can be designed to operate either manually or automatically. Modern technology allows for the windows to be operated by either remote control, electric on/off switch, or by automatic sensors.
hot water tank
ENVIRONMENTAL PLANNING: Natural and Efficie heating HOT H2O PUMP
WHY
Daylight design considers how to provide the most effective light to a space without undesirable side effects. It involves carefully balancing heat gain and heat loss with glare control and variations in daylight availability. Natural lighting is ideal for a library, but glare is problematic.
ONE. Psychologically, daylight and a view are much desired. TWO. The ability to control lighting for maximum efficiency is ideal in public spaces. It is important that natural light in a space can be adapted to individuals. THREE. Treated, glazed glass is best to avoid glare but still let light permeate.
AIR
SOURCE
HEAT
PUMPS?
They are cheaper than ground source heat pumps and require little
heating maintenence.heat The typicalpumps cost is between £7,000 Air source Air source are- £11,000. cheaper
WHY AIR SOURCE HEAT PUMPS? They are cheaper than ground source heat pumps and require little maintenence. The typical cost is between £7,000 - £11,000. Air source heat pumps generate lower amounts of CO2. For every unit of electricity used by the pump, three to four units of heat are produced for heating . ONE. Air source heat pump takes in air from outside. TWO. Using electricity, the pump compresses the air and releases it at a higher temperature. THREE. Heat is sent to radiators and underfloor heating - the remainder is stored in a hot water cylinder. FOUR. Stored hot water can be used for showers, baths, and taps.
than Using natural ventilation is healthier and heat pumps generate lower amounts of CO . For every unit of electricity used by the pump, threeheat to four units of heat are produced for heatingrequire . ground source pumps and essentially free compared to mechanical SOURCE:http://www.which.co.uk/energy/creating-an-energy-saving-ho ONE. Air source heat pump takes in air from outside. TWO. Using me/guides/air-source-heat-pumps-explained/ little maintenance. cost is ventilation. Natural ventilation provides electricity, the pump compresses The the air and typical releases it at a higher temperature. THREE. Heat is sent to radiators and underfloor heating between £7,000 £11,000. Air source a low cost, zero energy the remainder is stored in a hot-water cylinder. FOUR. Stored hot water WHY running NATURAL VENTILATION? can be used for showers, baths, and taps. Using natural ventilation is essentially free compared to using heat pumps generate lower amounts consumption, low maintenance and a naturalof ventilation mechanical ventilation. Natural ventilation allows for a low SOURCE: cost, zerocost. energy consumption, low maintenence CO2. For every unit of electricity used by lowerrunning initial Natural ventilation and lower initial cost. It is also regarded as healthier. Most even prefer natural areas where there there is a is a the pump, three to four units of heat are is preferred in ventilation areas in where consistant amount of wind. produced for heating. consistent amount of wind. ONE. Windows along the building designed to open and 2
http://www.which.co.uk/energy/creating-an-energy-saving-home/guides/ai r-source-heat-pumps-explained/
close allows for manual operation of air flow horizontally. TWO. Stack ventilation is used through manually operated windows (opening and closing) at the top of the building. THREE. Mechanical ventilation will be used in bathrooms
ONE. Air source heat pump takes in air ONE. Windows along the building SOURCE:http://www.architecture.com/RIBA/Aboutus/SustainabilityHub/ Designstrategies/Air/1-2-1-2-Naturalventilation-stackventilation.aspx from outside. TWO. Using electricity, the designed to open and close allows for pump compresses the air and releases it manual of airLIGHTING flow horizontally. WHYoperation A NATURAL FOCUS? Daylight designventilation considers how to provide the most effective at a higher temperature. THREE. Heat is TWO. Stack is effects. used through It involves lighting effects light to a space without undesirrable side eastern carefully balancing heat gain and loss, glare control, and sent to radiators and underfloor heating manually operated windows (opening variations in daylight avaliability. It is important that natural - the remainder is stored in a hot water and closing) atadaptable the totop ofsituations. the building. light in a space is individual Natural lighting is ideal for a library, but glare is problematic. cylinder. FOUR. Stored hot water can be THREE. Mechanical ventilation will be ONE. Psychologically, daylight and a good view are much used for showers, baths, and taps. used desired. in bathrooms TWO. The ability to control lighting for maximum efficiency is ideal in public spaces. THREE. Treated, glazed glass is best to avoid glare but still let light permeate.
SOURCE:http://www.wbdg.org/resources/daylighting.php
remote light
WHY LIGHT EMITTING DIODE [LED] LIGHTING? The DOE estimates that lighting accounts for relatively 20% of and wind electricity use (on average). LED lighting will decrease this western amount to approximately 5% lowering the total energy cost. ONE. LED lighting lasts up to 50,000 hours [8 times longer than CFL lighting] TWO. They contain no hazardous materials. THREE. The lightbulbs create less heat during use which does not increase cooling coasts. FOUR. Over the lifespan of one bulb, an LED will prevent approximately half a ton of greenhouse gases from entering the atmosphere. SOURCE : http://www.greenerpittsburgh.com/greener-life/articles-and-tips-life/35-the-pros-and-cons-cfl-vs-led-lights
program
42
PROFESSIONAL WORK | TEAM PROJECTS
UNIVERSITY TOWN CENTER SEARS REDEVELOPMENT san diego, california This project is a full design project with an architect of record for Seritage Growth Properties. I have been working closely with a project lead thru schematic design, design development, and our current phase, construction documentation. I helped to develop the pattern and design of the metal screen and the tenant portals. It was my responsibility to create all the leasing study designs used to attract specific tenants as well. During material development and selection, I took lead. I also helped to detail the material transitions in our design for the architect of record. My main role was to develop our design alongside construction documentation. It was my job to make sure the design intent was supported throughout the entire process.
team: Orgain McCullough, Aggie Drelich, Kemper Fagan, LDA Design Group renderings by Dane Spangler
43
BOWIE SEARS REDEVELOPMENT bowie, maryland team: Aggie Drelich, Kemper Fagan
RESI
TOWN CENTER BLVD.
RESI
[C]
BUILDING c (6 LEvELs tOtAL) REtAIL - 18,100 sF REsI - 178,600 sF - 178 UNIts PARKING - 332 sPAcEs (5 LEvELs) 340 REqUIRED
EXISTING
tOtAL REtAIL - 65,300 sF - 261 REq. PARKING REsI - 498 UNIts - 747 REq PARKING
DECK [B]
RTL. EXISTING
0’
200’
DECK [C]
tOtAL REtAIL - 65,300 sF - 261 REq. PARKING REsI - 498 UNIts - 747 REq PARKING
DECK [B]
PARKING tOtAL - 1167 sPAcEs 1009 REq
400’
aerial rendering by Dane Spangler eye-level renderings & plan by Kemper Fagan 200’
BUILDING c (6 LEvELs tOtAL) REtAIL - 18,100 sF REsI - 178,600 sF - 178 UNIts PARKING - 332 sPAcEs (5 LEvELs) 340 REqUIRED
tOtAL REtAIL - 65,300 sF - 261 REq. PARKING REsI - 498 UNIts - 747 REq PARKING DECK [A] RTL. PARKING tOtAL - 1167 sPAcEs 1009 REq
PARKING tOtAL - 1167 sPAcEs 1009 REq
0’
BUILDING B (6 LEvELs tOtAL) REtAIL - 18,200 sF REsI - 204,200 sF - 204 UNIts PARKING - 453 sPAcEs (4LEvELs) 379 REqUIRED
RESI
DECK [C]
DECK [B]
OPtION 1 BUILDING A (6 LEvELs tOtAL + 2 BELOW GRADE) REtAIL- 29,000 sF REsI - 116,000 sF - 116 UNIts PARKING - 382 sPAcEs (BELOW GRADE x 2) 290 REqUIRED
BUILDING c (6 LEvELs tOtAL) REtAIL - 18,100 sF REsI - 178,600 sF - 178 UNIts PARKING - 332 sPAcEs (5 LEvELs) 340 BJ’SREqUIRED BEST BUY
RETAIL
RTL. EXISTING
RESI
RETAIL
RTL.
BUILDING B (6 LEvELs tOtAL) REtAIL - 18,200 sF REsI - 204,200 sF - 204 UNIts PARKING - 453 sPAcEs DECK(4LEvELs) 379 REqUIRED
RESI
RTL.
RTL. EXISTING
DECK [A]
EXISTING
BEST BUY
OPtION 1 BUILDING A (6 LEvELs tOtAL + 2 BELOW GRADE) REtAIL- 29,000 sF REsI - 116,000 sF - 116 UNIts PARKING - 382 sPAcEs (BELOW GRADE x 2) 290 REqUIRED
DECK [A]
EXISTING
BEST BUY
BUILDING B (6 LEvELs tOtAL) REtAIL - 18,200 sF PARKING (BELOW GRADE) REsI - 204,200 sF - 204 UNItsHIGHWAY 197 PARKING - 453 sPAcEs (4LEvELs) 379 REqUIRED
RTL.
RTL.
BJ’S
RETAIL
BJ’S
TOWN CENTER BLVD.
HIGHWAY 197
RTL.
TOWN CENTER BLVD.
PARKING (BELOW GRADE)
My work on this project focused on creating the visual representations for Seritage Growth Properties. This proposal is for a new mixed-use development in place of the current Sears store. I developed iterations of plans based on client feedback and designed the model for rendering. I was responsible for the two supplementary eye-level renderings as well. This project is still in the overall redevelopment phase pending approval from the city.
OPtION 1 BUILDING A (6 LEvELs tOtAL + 2 BELOW GRADE) REtAIL- 29,000 sF REsI - 116,000 sF - 116 UNIts PARKING - 382 sPAcEs (BELOW GRADE x 2) 290 REqUIRED
HIGHWAY 197
RESI
PARKING (BELOW GRADE)
400’
BOWIE SE A RS REDE V ELOPMENT
BOWIE SE A RS REDE V ELOPMENT
OVER ALL DE VELOPMENT PL AN OPTION 1 - LE VEL 1
0’
200’
OVER ALL DE VELOPMENT PL AN OPTION 1 - LE VEL 1
11.02.17
400’
11.02.17
4
4
BOWIE SE A RS REDE V ELOPMENT
OVER ALL DE VELOPMENT PL AN OPTION 1 - LE VEL 1
11.02.17
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SIMON MALL PLAY AREA VISIONING stanford & san diego, california team: John Ward, Kemper Fagan, Justin Pohl, Brianna Grimm Simon Property Group was interested in developing a new communityplay area in the two of their mall courtyards. Each member in our team of three had the opportunity to evolve one idea for Stanford Shopping Center and Fashion Valley Mall to show the opportunities available. These were individually done, but we used each other for discussion and feedback during the process. The intention was to create a place of rest and entertainment that could accommodate and engage people of all ages. renderings & plans by Kemper Fagan
DALLAS MIDTOWN DEVELOPMENT dallas, texas team: Aggie Drelich, Kendra Matrician, Kemper Fagan, Brandon Johnson, OMNIPLAN, Land Design Visioning for Dallas Midtown was a 3-week collaboration with OMNIPLAN and Land Design Inc for Seritage Growth Properties. We held a day long design charrette to develop an idea for the planning of the site. It was our goal to create a transformational project that will create a dynamic live-work-play environment featuring luxury residences and vibrant shopping, dining and entertainment areas in a lush walkable community. My responsibilities included developing the visioning presentation and the marketing book. I also helped to design and model the programming of the garden spaces. I modified the aerial rendering as well.
application
renderings by Dane Spangler & Brandon Johnson
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