DETAIL DESIGN COMPILATION

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PHASE 4A PREMIUM - 22’X80 BASIC - 22’X75

Phase 4A design is conceptually derived from basic architectural elements – planar surface, vertical and horizontal elements, solid and void, material type and shading. The exploration and combination of these elements in terms of composition, framing, intrude and extrude, solid and void creates different types of designs that are simple, clear and modern.The exploration of the basic architectural elements are firstly focused within the front façade of the building, and further developed and explored to create hierarchy and language within the overall housing composition. The overall scheme for Phase 5A is intended to feature a modern contemporary design with the essence of reflection of the balanced modern life-style cultured society that is always progressing ahead towards a better and developed society ; symbolizing Gamuda Gardens as a whole.

SIGN-OFF FINAL DESIGN (PREMIUM TYPE - 22’X80’)

DETAIL DESIGN SKETCH

CONCEPTUAL DESIGN SKETCH


SPECTRUM CAPING

CLEAN COLORBOND®

CLEAN COLORBOND® SPECTRUM CAPING

CLEAN COLORBOND® SPECTRUM SWISSMA

COLORBOND® SPECTRUM SWISSMA

CLEAN COLORBOND® SPECTRUM SWISSMA SNAPWELT ® ROOF

CLEAN

CLEAN COLORBOND® SPECTRUM SWISSMA SNAPWELT ® ROOF

5mm THK SWISSMA P.E. FOAM

5mm THK SWISSMA P.E. FOAM

0.42mm BST (0.47mm TCT) ZINCALUME® SANKO SPEED DECK® UNDERLINER

0.42mm BST (0.47mm TCT) ZINCALUME® SANKO SPEED DECK® UNDERLINER

CLEAN COLORBOND® SPECTRUM SWISSMA

CLEAN COLORBOND® SPECTRUM SWISSMA SNAPWELT ® ROOF

5mm THK SWISSMA P.E. FOAM ®

0.42mm BST (0.47mm TCT) ZINCALUME® SANKO SPEED DECK® UNDERLINER

CLEAN COLORBOND® SPECTRUM FLASHING

SCALE 1:20

DETAIL 9

DETAIL 10

DETAIL 11

SCALE 1:20

SCALE 1:20

SCALE 1:20

CLEAN COLORBOND® SPECTRUM FLASHING CLEAN COLORBOND® SPECTRUM CAPING

CLEAN COLORBOND® SPECTRUM SWISSMA SNAPWELT ® ROOF

0.42mm BST (0.47mm TCT) ZINCALUME® SANKO SPEED DECK® UNDERLINER CLEAN COLORBOND® SPECTRUM CAPING

CLEAN COLORBOND® SPECTRUM SWISSMA SNAPWELT ® ROOF

CLEAN COLORBOND® SPECTRUM SWISSMA SNAPWELT ® ROOF

5mm THK SWISSMA P.E. FOAM

5mm THK SWISSMA P.E. FOAM

CLEAN COLORBOND® SPECTRUM SWISSMA SNAPWELT ® ROOF

5mm THK SWISSMA P.E. FOAM 0.42mm BST (0.47mm TCT) ZINCALUME® SANKO SPEED DECK® UNDERLINER

0.42mm BST (0.47mm TCT) ZINCALUME® SANKO SPEED DECK® UNDERLINER

0.42mm BST (0.47mm TCT) ZINCALUME® SANKO SPEED DECK® UNDERLINER

CLEAN COLORBOND®

SPECTRUM FLASHING

CLEAN COLORBOND® SPECTRUM FLASHING

CLEAN COLORBOND®

SPECTRUM CAPPING

® CLEAN COLORBOND®

SPECTRUM ZED SPACER

®

DETAIL 12 SCALE 1:20

DETAIL 13

DETAIL 14

SCALE 1:20

SCALE 1:20

0.42mm BST (0.47mm TCT) ZINCALUME® SANKO SPEED DECK® UNDERLINER

CLEAN COLORBOND® SPECTRUM SWISSMA SNAPWELT ® ROOF

0.42mm BST (0.47mm TCT) ZINCALUME® SANKO SPEED DECK® UNDERLINER

®

DETAIL DRAWING

DETAIL 15

DETAIL 16

SCALE 1:20

SCALE 1:20


CONCEPTUAL DESIGN SKETCH

DETAIL DESIGN SKETCH SIGN-OFF FINAL DESIGN (BASIC TYPE - 22’X75’)

DETAIL 6a

® CLEAN COLORBOND® SPECTRUM FLASHING

DETAIL DRAWING


PHASE 4A MC OFFICE

‘APPRECIATING THE NATURE’ Appreciating the nature not only means by the building being responsive to the surrounding context, but also how the human activities relate back to the surrounding nature. Strategies:- Control the activity and movement of people in the site with proper zoning by considering the overall site context (site entrance; surrounding building; linkage) - Playing with soil level and ‘in-between’ green area to differentiate and enhance the zoning. - Minimalism architecture approach in terms of space planning and building form (spatial organization and spatial quality) in response to the surrounding nature.

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MOOD DESIGN

SIGN-OFF FINAL DESIGN (MC OFFICE)


‘TIN-CITY’ INTERPRETIVE MUSEUM- IPOH (PROPOSAL)

The thesis study is about how to translate history, culture, identity and context of the city into a single museum that comprises externally (facade; building envelop; form) and internally (spatial quality; program) so as to recreate the Bilbao Effect in Ipoh Town.

PRELIMINARY SKECTH

PROGRESS SKECTH


Fig. 2: Directional lighting for the wall, diffuse lighting for the room

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Fig. 3: Supplementary directional lighting for objects in the room

SECTION B-B SCALE 1 : 250

Fig. 4: Indirect and direct components produce diffuse and directional lighting respectively

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TYPICAL RHS STEEL STRUCTURE CONNECTION

Diffuse/directional lighting In many applications, light cannot be clearly defined as wholly diffuse or wholly directional. This is the case where the surface radiating the light is neither large nor punctual – e.g. a spot with a diffuser disc. Depending on the diameter of the disc and on the lighting distance, shadows are narrower or wider, harsher or softer. Diffuse/directional lighting also occurs where a surface is illuminated or backlit to produce diffuse lighting and part of the light is

ular direction and is thus partially directional. The direction from which the light comes can be seen on the objects illuminated. However, the shadowing that occurs on exhibits is less clearly defined than if the light were entirely directional. The modelling is rendered more subtle by the brightening effect of the diffuse lighting component. Diffuse/directional lighting can also be produced, for example, by linear lamps in appropriately designed luminaires. Here, shadowing depends on the position of the luminaire in relation to

with tubular fluorescent lamps mounted horizontally or parallel to the upper edge of the wall produce hard-edged shadows beneath horizontal picture frames, whereas the shadows cast by the vertical part of the frame are barely discernible. Avoiding cast shadows Directional light produces form shadows. Where it also results in cast shadows on neighbouring objects, the hard contours and obscure origin of such shadows are disturbing. Cast shadows are avoided by ensuring an appropriate

Fig. 5: Solely directional light

al light, correct positioning of the light source producing the directional light or appropriate positioning of the illuminated objects in relation to one another.


TYPICAL ROOF CONSTRUCTION

rc column

c channel

OR EQUIVALENT

rc beam

waterproof canvass screen

wooden frame rc floor slab

TYPICAL FLOORING FINISH OR EQUIVALENT

vmzinc seamless metal deck waterproof canvass screen wooden frame vmzinc seamless metal deck side air-cond outlet electrical outlet Universal I-beam rc floor slab AC

electrical trunking

opening floor

LVL +24.75

LVL +4.95

LVL +1.65

LVL +1.65 LVL +0.0

LVL +1.65

LVL - 1.65

SECTIONAL PERSPECTIVE A-A


fire sprinkler

vmzinc seamless metal deck TYPICAL RHS STEEL ROOF STRUCTURE CONNECTION

c channel

RHS steel frame

75

LVL +24.

AC outlet

Power supply :Powercomponent supply component :1) Tnb substation 1) Tnb substation a. Transformer gear a. Transformer gear b. Switchb.gear room Switch gear room 2) Main switch 2) Mainroom switch room

rc floor slab

AC outlet

AC inlet

electrical trunking

electrical outlet

LVL +1.65 LVL +0.0

LVL -1.65

LVL -1.65

SECTIONAL PERSPECTIVE B-B


TNB HQ TOWER PUTRAJAYA (PROPOSAL)

Design proposal for new TNB HQ Tower. The proposal intended to give TNB a new modern outlook and image in this new era by using green technology design for its facade.


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NONG CHIK MOSQUE JOHOR BAHRU

The mosque potrays minimalist style of architecture in a modern way. The overall image of the building is to showcase modesty but yet elegance by using all the architectural elements in a thoughtful way of combination and composition in relation to the overall site context. One of the highlights is the louvers ‘kufi’ art design of the building that gives a unique character to the overall facade.

KUFI CALIGRAPHY


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