between her and Cillian, she’s compelled to reevaluate the person she’s become during her marriage and must decide whether her time in Paris will prove life-altering or nothing but a brief, beautiful mirage. Though its plot sometimes proves predictable—the love triangle at the book’s center is its almost-exclusive focus, and it presents few unexpected turns (or character developments, at least on the men’s parts)—this is a smoothly written, enjoyable novel that gives due to the social and emotional complexities of middle age. Vincent is a lovable protagonist; the narrative is also interspersed with her diary entries and letters, creating a self-aware, three-dimensional character. Cross-Smith sensitively explores the many permutations of romantic and platonic love and the idea that, especially in Paris, one’s love may not be limited to a single other person. Charming and lively, if somewhat predictable.
THE MISSING WORD
De Gregorio, Concita Trans. by Clarissa Botsford Europa Editions (112 pp.) $16.00 paper | July 5, 2022 978-1-60945-762-4
Inspired by a heartbreaking true story, De Gregorio’s remarkably restrained novel follows the events that ripple out in the aftermath of tragedy. The story is simple but mysterious. Shortly after Italian attorney Irina separates from her controlling Swiss husband, Mathias, he disappears with their twin 6-year-old daughters. Five days later, he kills himself, and the girls are nowhere to be found. The police are of little help, and Irina is left to try to assemble a new life for herself, always hoping the children will somehow be located. By the time the novel takes place, several years have passed, and Irina, though still grief-stricken, has fallen in love with gentle Spaniard cartoonist Luis and is surprised to find that suddenly “everything feels like a surprise and a gift.” De Gregorio constructs her brief but potent novel out of sharp fragments: There are letters from Irina to her beloved grandmother and to the marriage counselor who refused to speak to her after Mathias disappeared, Irina’s matter-of-fact recollections of the events leading up to the kidnapping, and lists of things that make Irina angry (the inefficiency of the police) or happy (humpback whales and “red wine, when it’s good”). There are also sections labeled “Me About You,” in which the narrator, a writer who has become close to Irina, lets loose her own emotions about the case and her feelings about how Irina has survived. It’s a story about that “missing word” of the title, a word lacking in most languages, a word for parents who have lost children, and the narrator affirms that “losing a child is the touchstone of grief, the gold standard of pain.” The daring of the novel is that Irina is not defined simply by that loss, as she might be in a lesser one: Her life is shaped by the disappearance of the children but not destroyed by it. A quietly devastating but somehow hopeful tale.
THE SHEHNAI VIRTUOSO And Other Stories Dhumketu Trans. by Jenny Bhatt Deep Vellum (336 pp.) $15.95 paper | July 26, 2022 978-1-646051-68-7
A curated collection of 26 stories from Dhumketu (1892-1965), a celebrated Gujarati writer who wrote more than 500 in his lifetime. The book begins with “The Post Office,” Dhumketu’s most anthologized work, about an elderly man waiting for a letter from his daughter, who’d married and moved to her husband’s faraway town years earlier. The opening line sets the tone: “The 10
|
1 june 2022
|
fiction
|
kirkus.com
|
