duchess. When she meets Jacopo, an apprentice to the painter commissioned to create her portrait, she finds a soul mate who perhaps offers a way out of her imprisoning marriage. Several grim scenes make clear the mortal consequences of any attempt to escape Alfonso’s clutches: Will Lucrezia take the risk? The rollbacks to earlier periods spark some impatience as Lucrezia’s 1561 dilemma becomes more pressing, but O’Farrell’s vivid portrait of a turbulent age and a vibrant heroine mostly compensate for an undue lengthening of suspense as Lucrezia struggles to defy her fate. A compelling portrait of a young woman out of step with her times.
JOLLOF RICE AND OTHER REVOLUTIONS A Novel in Interlocking Stories
Ogunyemi, Omolola Ijeoma Amistad/HarperCollins (256 pp.) $27.99 | Sept. 13, 2022 978-0-06-311704-4
A novel in stories that orbits four girls who meet in boarding school in Nigeria. Remi, Nonso, Aisha, and Solape become fast friends as schoolgirls. The book’s title refers to an incident that occurs on campus in 1986 and changes their lives irrevocably. When an acrimonious principal fires several teachers beloved by their pupils, students revolt. Some girls participate in the protest and some don’t, but they all experience lasting consequences from the choices they make in this single moment of their childhoods. The first of the book’s connected stories takes place long before the uprising and centers a grandmother of one of the girls in an origin story of sorts that demonstrates this writer’s capacious vision. The stories that follow trace the trajectories of the girls’ lives as they grow into ambitious, cosmopolitan, globe-trotting women and introduce others who populate their worlds. One story, narrated by Remi’s college sweetheart, takes place in the Bronx; a story narrated by Solape’s mother and another by Nonso’s housekeeper are set in Nigeria nine years apart. In this way Ogunyemi widens the aperture beyond the tight-knit friendship among the central characters to address family dynamics, race relations, changing political landscapes in the United States and Nigeria, and the ways in which women and girls adapt, endure, and thrive. These stories both collapse and reconstruct the coming-of-age arc in a refreshing way. The final story shines brightest in imagining a near future for the elders the girls become, and for the U.S. and Nigeria, that exceeds Aristotle’s maxim that a good ending be surprising yet inevitable. Ogunyemi explores myriad themes, from religion and fundamentalism to grief and resilience, capitalism and corruption, with aplomb. This kaleidoscopic narrative features engaging sociopolitical drama alongside a charismatic cast of characters.
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15 july 2022
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fiction
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kirkus.com
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TOUCH
Olafsson, Olaf Ecco/HarperCollins (272 pp.) $28.99 | Aug. 16, 2022 978-0-06-322698-2 A pandemic novel reunites an Icelandic man and a Japanese woman who had lost contact for a half-century after a brief but significant romance. There is a lot going on in the mind of 75-year-old Kristófer, which is where most of this novel takes place. He has decided to close his successful restaurant, with Covid intensifying and no end to the lockdown in sight. He’s lost his wife to an unspecified illness, and tension remains with his stepdaughter. A friend with whom he had been to school in London has just died. His brother both depends on him and nags him. And his doctor has ordered a brain scan, suspecting some cognitive issues. He tends to avoid what he would rather not confront and isn’t much for acknowledging his feelings, even to himself. As the first-person narrator, he is not the most reliable. Out of the blue he receives a Facebook message from Miko, the Japanese woman with whom he had fallen in love in London 50 years ago and who changed the course of his life before leaving him after a few months with no explanation or warning. Now she has the virus and is not sure she will survive it. In a novel that is a little too reliant on coincidence—that the death of Kristófer’s friend from London and the reconnection with his girlfriend from London should happen concurrently—Kristófer decides without telling Miko that he will go see her in Japan, a journey that requires a stopover in London. It is there that he revisits his memories and recounts how he had forsaken his education, changed his life and his values during the radical late 1960s, and found his path forward after working at a restaurant with Miko that was owned by her father. They had identified with John and Yoko and explored the darker undercurrents of Hiroshima. Then she had left England, with her father, leaving no forwarding address. Why had she left? Why has she contacted him now? Will they have a future after 50 years apart? A ruminative novel that’s propelled by the narrator’s psychological reflections.
TI AMO
Ørstavik, Hanne Trans. by Martin Aitken Archipelago (200 pp.) $18.00 paper | Sept. 13, 2022 978-1-953861-44-3 A husband and wife living in Italy confront the man’s imminent death from cancer in a meditation on relationships, loss, and identity in every facet of existence. Noted Norwegian writer Ørstavik’s new, novella-length work hints at autobiography, introducing an unnamed narrator
