125_MICROCOSM

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Urban design competition 2020 - Stage 1

vu9w6vsk@hotmail.com

TAKSIM MICROCOSM

12 + 1 Interventions for public life


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Taksim as endangered space Taksim barracks project, AKM destruction, the construction of Taksim TĂźnel and Taksim Camii: a series of recent events have attracted national and international attention. In their symbolism, these actions have made Taksims relevance to the city of Istanbul and beyond unmistakably clear. However, what has suffered in their wake is Taksims nature as open and public place for everyone. The competition area is a highly complex space, dominated by the couple of Gezi park and Taksim square, triangulated by landmarks of republicanism, religion, capitalism and state authority. Taksim is witness to a long history of private construction on public ground: Great areas of what once was “Park no.2â€? have been consumed, also many cultural institutions have disappeared, the most recent one to be AKM. It is therefore appropriate to call Taksim endangered. Gezi Park was once a gift to the public. An open green space free of charge, in the place of military barracks. The plans for their reconstruction as commercial area in 2013 have provoked an outrage. The following protests have shown broad public discontent about the intransparence with which over-dimensioned, unsustainable and highly expensive projects were exercised with no regard to public opinion. That Gezi Park is still there has therefore become an achievement of the public and Taksim has inscribed itself even deeper in the collective memory of people. The modern heart of Istanbul Taksim is not only significant for its symbolical value, it is also an important ground for everyday life. It is a major node for public transport in the city: metro, bus, funicular, taxis and shuttles form a dense and at times confusing web across the site. Many people cross the square on their way to work or university, it is a major recreational area in the dense city fabric, street vendors sell flowers, bread, water or chai and public celebrations and demonstrations are held. The surrounding neighbourhoods feed the square with a great diversity of people from different backgrounds, ages, nationalities and interests. With the plurality of everyday performance, Taksim celebrates life and Istanbul as Metropolis. In order for it to grow as civic and democratic space, it has to be treated with respect, safeguarding multitude and flexibility and heightening quality of use and stay. Microcosm as a method To meet the challenge of working with Taksim, it is crucial to manage its complexity. By applying the metaphor of a microcosm, it is possible to subdivide the project into smaller units that are more easily grasped and handled, without breaking its integrity as a whole. Central criteria for the definition of micro habitats are spatial perception, surface composition, characteristic elements and possibilities for uses. By naming them, they are constituted as intervention zones. Alterations of reasonable size are used to work on their individual character and improve their friendliness of use, resulting in a project that can heighten diversity instead of destroying it.

Istanbul as Macrocosm of Neighbourhoods

Taksim as Microcosm of Public Spaces 03


12 spaces for public life The Square, a big open space for gatherings and events The Balcony, a remnant of state heroism offering a tribune toward the square The Avenue, a wide, recently pedestrianized street for flaneurs The Slope, a soft green slope on the west side of Gezi park, much liked to hang out in the sun The Heart, an especially secure space for children to play, enclosed on three sides The Fountain, symmetrical center and water element of Gezi park The Quiet Edge, a place to stroll of classical design with big trees and a cafĂŠ. The Garden, a somewhat hidden and underestimated remnant of Taksim Garden The gate, where Taksim and Istiklal meet, location of Taksims name-giving water distribution The meeting point, a central point of orientation with the republican monument as state symbol The Forum, the empty platform of a removed monument The Station, main public transport intersection zone Building trust: A process The initiation of an international design competition is the first big step the municipality took to meet the public demand of more qualitative and transparent planning processes. The conception of a participation framework generating feedback all along the design process is key to overcome topdown design implementations and create trust and cohesion in society. Furthermore, the inclusion of collective intelligence can help make the projects more precise, pleasurable and long-living, and build a sense of shared responsibility for the public good. The complexity of this task needs coordinated multidisciplinary work. As a specialist of spacial organisation and coordination, the architect plays a key role as mediator between the fields of landscape design, urban sociology, art and curatorial practice. This team of experts prepare suggestions that are then put to test in the evaluation of public opinion and subjected to input from public workshops. Parallel to the development of building interventions, a framework to facilitate the programming of spaces is developed. +1: the public archive Istanbul is yours is an ambitious project addressing not only Taksim but further public spaces in the city. The experiences gained in the project for Taksim should be made accessible for future projects, in order for them to learn from the successes and failures of this case study. Therefore it is necessary to pay great attention to the documentation of all stages of the project, starting with the competition, the participation process, the implementation and including the maintenance work and programming that will follow. The public archive acts as a container gathering and displaying this information in a transparant way and opening an environment for public debate. By using an existing building on site that is already state-owned and functioning as a gallery, the archive is created in a sustainable and simple way that avoids the temptation of yet another representative state building on the square. If set up right at the beginning of the process, it can play a central role in the participation process and establish itself as a contact zone between municipality and citizen, communicating their new relation of caring and daring.

Maksem Gallery as public archive of Taksim

Maksem Archive as rescource for Istanbul 04


THE GARDEN

THE FOUNTAIN THE SLOPE

THE AVENUE

THE HEART

THE FORUM

THE STATION

THE BALCONY

THE SQUARE THE MEETING POINT

THE GATE

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THE QUIET EDGE


SPATIAL CHARACTERISTICS LEGEND OF SYMBOLES

slow movement, strolling, exploring, non linearity

programmable space, time dimension, event character

vegetation, trees, shade

water element, refreshment

formal composition, geometry, aesthetics, intense designing

topography

overview, viewpoint, undistrupted viewlines

historic, cultural or symbolic value and significance, educational quality

gathering area, feeling of community

multiple levels

hard surfaces

linear space

soft surfaces, grassy ground

high frequentation, crossroads, busy area

enclosed space, bay

Presence of institutions, Info point

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landmark, point of orientation

transition space

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THE SQUARE

Witness of many history-making gatherings and mass events over the last 60 years, the square is undoubtably of strong political character and symbolically inscribed in the collective memory of turkish people. It is crucial to free this major open space of elements that disturb the movement of people on the square, like decorative surfaces and barriers of all kind. No permanent construction is necessary, as the square lives in temporality, finds its meaning in actions, is structured by user choreography.

“I like how they do open air operas now. Its free and always full of people. I might even regret once the building is completed and they move back inside...”

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

THE BALCONY “I still remember the times when this place was blocked by police trucks and shut off with fences... I like to sit here now and watch the movement of people on Taksim square.”

Gezi Parks most monumental side, the balcony, is constructed upon the rubble of Topçu Kışlası and overlooks Taksim square with a taste of authoritarian selfrepresentation that is amplified by the improvised police base installed in 2013. By removing this base and replacing the wall on its complete length with a cascading stairway, it becomes a tribune for the events on Taksim and an inviting sitting landscape for the everyday. The small pavilions on top offer a further possibility of enjoying this elevated point while being sheltered.

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

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THE AVENUE

By moving major traffic axis Cumhuriyet Caddesi underground, the city has made a great effort to further pedestrianise Taksim area. The avenue is a wide urban street and linear public space that can be enjoyed as such as well as diversely programmed: street festivals, markets or sport events like marathons can be imagined to take place here. The newly gained flexibility and openness should not be cluttered by decorative elements. Urban furnature and trees should be pushed to the sides to help define the space and to keep it free, instead of subdividing it.

“The thursdays market has become a must-go for us. We like to buy ice cream afterwards and sit down on the wide bench by the slope.”

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

THE SLOPE

This side of Gezi park is closely linked to the street below and also affected by its pedestrianization. The Slope is defined by its topography as well as its exposure to sun and street life. It is already appreciated as people like to lay down on the grass since the decorative platations have been removed. By removing remaining hedges around it and introducing a generous seating zone at the lower edge, its accessibility is improved. A redesign of the café is necessary and would include a covered seating area, acessibility from both sides, public toilets and extended storage space.

“In summer its almost a bit like on the beach. You can borrow umbrellas at the kiosk and stay all day, reading and bronzing.”

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

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THE HEART

Enclosed by the elevated outer areas of Gezi park and separated fom the bustle of the square, the heart is a grassy area dotted by young trees. Due to its topography and unobstructed viewlines it is easily superviseable but pleasant. By removing excess paths the green areas used for picknicking are enlarged, drinking fountains are offered, the playground improved and a ramp provides access for people with young children. A high level of maintainance is needed to keep the area clean and healthy.

“I come here with my children because I feel it is a safe place. They are still too young to pay attention but have so much energy... Here I can watch them comfortably from the shade.”

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

THE FOUNTAIN “Mom takes us here on hot summer days. There always are lots of other children and we have fun playing with the water together!.”

In the original park design, this circular area was a non acessible green space. The water sculpture and its pathways were introduced later. It shows formal parallels to the monument to the republic, lacks however its symbolic and historic significance. As the summers hotten, especially in cities, the role of water in public spaces becomes more and more crucial to climate comfort. The fountain provides a water feature that is not only decorative but accessible and heightens the cooling effect, while respecting the formal composition of the park.

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

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THE QUIET EDGE “Inshallah there is still space for old men like me. I like to walk amongst these wise trees and then sit down to spend the afternoon playing tavla at the café.”

The quiet edge consists of a classical layout with several parallel paths, old trees and benches, and is generally used for the pleasure of strolling around. The far corner is marked by a balcony that contains a café and large seating terrace. It achieves a great general quality, but needs more care and attentions in the details: several trees are in bad state or dead, the pavement is cracking, the steps need handrail for the use of old or partly disabled people.

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

THE GARDEN

Tucked away in the back of Taksim, this area is vague and currently rather neglected. Because it is also not formally integrated into the rest of Gezi park it risks to fall for construction activities, of which the neighbouring Intercontinental Hotel is a warning example. The garden shows the potential that lies in this hidden space, using plantation to create winding paths and pockets of privacy. A space of curiosity and beauty, adding to the variety of Gezi park.

“If youre on a date, and you want a romantic place to go to feel a bit secret, this is not bad. Since they did all the new planting and nice water feautures, its quite beautiful here...”

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

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THE GATE “It really is the entrance to Taksim. You feel it. So much is happening, always. And this corner with the water tower and the gallery, I always walked past it, but now they take care of them its somehow an inviting place. ”

İstiklâl Caddesi and its side streets form a lively center with shops, restaurants and nightlife frequented both by locals and tourists. The corner where this area widens into a pre-square to the meet Taksim is of great complexity in its density of uses, details and activity. The gate is Taksims most urban entrance and its only two historical buildings are located here, one of them giving the square its name. In reactivating the public drinking fountain, moving the police guards and defining the entrance to the newly programmed Maksem gallery, there lies a chance for state representation beyond monuments and mosques.

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

THE MEETING POINT “I am waiting here for my relatives to arrive from the airport. Their Taxi should be here any moment! They don`t know the city so this is a convenient meeting point.”

The Cumhuriyet Anıtı is not only a symbol and historical artefact, but also serves as a landmark and structuring element for the vast square. It is used as a point of orientation by foreigners and locals and the buffered inner space acts as a meeting point. The nostalgic tram line circling around it recalls its past as roundabout in a then trafficdominated square. However, now that it is accessible, it should also become more user-friendly, providing seating instead of uncomfortable fences.

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

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Taksim is an important node for public transport in Istanbul. Taxis, airport shuttles, dolmus, metro and buses stop here. Changing here is not simple though, foreigners get lost and paths between underground areas should be improved. Upstairs, an effort has been made to define a waiting zone in a calm bay of Taksim square outside of the noisy tunnel. The Station suggests to add a covered waiting area around a pavilion including a tourist info, a ticket office with network map and timetables and a small police guard.

THE STATION “Before, I preferred not to be on duty at Taksim. Since we have our station, I feel people ask me for help instead of being scared or aggressive towards us policemen.”

VECTORWORKS EDUCATIONAL VERSION

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VECTORWORKS EDUCATIONAL VERSION

THE FORUM

Originally, this elevated platform should have served as a base for Inönü Monument. This sculpture has long ago been relocated and the platform is empty since, although still strict and imposing in its symmetrical axial setting and exposure. People feel uneasy and rather settle along its edges, looking outwards and thus remaining seperated. By lowering the platform and creating a slightly sunken area, their attention shifts towards the center, thus creating a forum where discussion is possible, as well as an intimate space of audience for small events.

“Saturdays, there are dance courses here. I have also seen some teachers taking their students here for open air classes. And often people just sit and discuss together.”

VECTORWORKS EDUCATIONAL VERSION

VECTORWORKS EDUCATIONAL VERSION

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TOOLBOX KEY CONCEPTS AND METHODICAL APPROACH

spatial analysis mapping and visualisation of flows, relations, uses, urban context; understanding the spatial structure conceptual design subdivision of problem into smaller units; development of strategies to strengthen specific characters

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participation process understanding opinions through polls and interviews; profiting from collective memory and intelligence mock up testing building 1:1 elements in public space to test spatial and constructive ideas; create visibility and facilitate interaction performative exploration thinking out of the box with artistic methods; adding intuitive and multisensory approaches documentation creating an archive as scource for future projects; making planning processes transparent and to public construction development of concrete interventions; detailing and choice of materials; alteration of physical environment maintenance preserving usability, safety and hygiene through municipal care work; building collective respect for shared spaces programming enabeling appropriation by public; creation of collective memory; managing events + temporal uses of spaces 13


“ISTANBUL IS YOURS” political agenda to reclaim the public spaces of the city

COMPETITION BRIEF Taksim as a case study PROJECT: PHASE 1 attitude towards competition area and brief, problem identification, first idea sketches

DOCUMENTATION collection of film/photo/text/ plan/audio/object material

OPENING OF ARCHIVE exposition of collected documentation material in Maksem Galleresi, public review, open access

PROJECT: PHASE 2 extension of team: involvement of experts (see separate diagram) refinement of project

division into sub-projects PROJECT: PHASE 3 participatory phase: involvement of public through polls, interviews, discussions, workshops PROJECT: PHASE 4 digestion of input, refinement of project, presentation of detailed project to municipality PROJECT: PHASE 5 permission process, public announcement PROJECT: PHASE 6 commissions for construction, supervision of execution process, involvement of volunteers

MAINTENANCE tending of green spaces, cleaning and repair of constructed surfaces 14

EVENTS/PROGRAMME event calender, transparent permission processes for events, public funding for community projects


COMPETITION TEAM PHASE 2

CURATORIAL ADVISOR

LANDSCAPE ARCHITECT

conception of archive and exhibition format, advice on media + documentation processes

advice on appropriate plants, techniques and materials, assesment of existing conditions, design input

ARCHITECTS

PERFORMANCE ARTIST

coordination of experts synthesis into design constructive and spatial competence

methods of exploration, documentation and intervention in and of space, of time dimension

URBAN PLANNER analysis and design proposals concerning flows, urban sociology, context/bigger picture of city

COMMUNICATION ADVISOR conception of participation formats and public events, advice on communication strategies

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10 11 http://www.designcurial.com/news/post-worlds-end-architecture-4272082/ https://blog.iae.org.tr/en/other/history-of-the-taksim-promenade Taksim almanac reader, Istanbul municipality Vassil Donev/EPA (https://www.theguardian.com/commentisfree/2013/jun/18/turkey-standing-man) https://www.wikiwand.com/en/Bloody_Sunday_(1969) Taksim almanac reader, Istanbul municipality AndrĂŠ Winter (https://www.carto.net/andre.mw/photos/2014/11/08_istanbul_taksim_meydani/20141108-143552_simit-verkaeufer_am_taksim-platz.shtml) Taksim almanac reader, Istanbul municipality own picture Google Street View, screen capture https://www.archdaily.com/934719/taksim-pavilion-ind-inteationaesign Google Street View, screen capture https://nomadicniko.com/2018/10/11/istiklal-street-taksim-huseyin-aga/ https://www.nytimes.com/2019/03/22/world/europe/in-istanbul-erdogan-remakes-taksim-square-a-symbol-of-secular-turkey.html https://www.researchgate.net/figure/Taksim-barracks-revitalization-project-17_fig20_322595360 https://commons.wikimedia.org/wiki/File:Ceylan_Intercontinental_Istanbul.jpg https://www.hurriyetdailynews.com/new-opera-house-in-istanbul-to-open-in-2019-erdogan-122013 https://www.weloveist.com/engravings-ottoman-istanbul https://blog.iae.org.tr/en/other/history-of-the-taksim-promenade https://theculturetrip.com/europe/turkey/articles/these-beautiful-old-photos-of-istanbul-will-shock-you/ https://www.holidaycheck.at/m/der-gezi-park-zu-fuessen-des-hotels-intercontinental-istanbul/50ff5024-3b8b-33c8-a4b2-fb9ae0dd206d https://www.wikiwand.com/en/Republic_Monument Taksim almanac reader, Istanbul municipality https://www.tacvakfi.org.tr/en/activity/taksim-water-reservoir

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