+
+
+
+
+
+
C A R L A M O L I N S P I TA R C H D I G I TA L A R T D I R E C T I O N |
+
GRAPHIC DESIGN
| MOTION GRAPHICS
+
+
+
SIMPLEX COMPLEXUS + D A R K M AT T E R +
+
+
WHERE AM I?
+
H
Y
C I S
O C SMO L A
Y
LO
G
Y
P
P E
MOLO O T G IS
+
PLANET NINE DARK M AT T E R
DARK FLUID
QUANTUM PHYSICS
BLACK HOLE
DARK ENERGY A N T I M AT T E R
DARK FLOW
+
DOMAINS
+
+
QUANTUM PHYSICS
DOMAINS
INVISIBLE
+
V I S U A L I Z AT I O N
+
RESEARCH
+
+
+
I N V I S I B L E D A R K M AT T E R M A K E S U P M O S T O F T H E U N I V E R S E – B U T W E C A N O N LY D E T E C T I T F R O M I T S G R A V I TAT I O N A L E F F E C T S - C E R N
+
+
I L L U S T R AT I O N B Y S A N D B O X S T U D I O , C H I C A G O W I T H A N A K O VA
+
+
D A R K M AT T E R ? ?
+
+
I L L U S T R AT I O N B Y S A N D B O X S T U D I O , C H I C A G O W I T H A N A K O VA
+
+
V I S I B L E M AT T E R
+
5%
D A R K M AT T E R
23%
DARK ENERGY
72%
+
+
+
WHY?
+
+
+
+
HOW COULD SCIENCE BE MORE U N D E R S TA N D A B L E A N D AT T R A C T I V E ?
+
+
+
+
M Y T H E S I S E X P L O R E S T H E U N D E R S TA N D I N G O F COMPLEX PHENOMENA, IN THE CASE OF THIS STUDY D A R K M AT T E R , I N A P L AY F U L W AY T H AT A L L O W S I N T E R A C T O R S T O U N D E R S TA N D T H E U N E X P L A I N A B L E UNIVERSE.
+
+
+
+
+
+
RESEARCH QUESTIONS
+
+
+
+
- W H AT M E TA P H O R S H A V E I L L U S T R AT E D U N K N O W N / N E W C O N C E P T S O F T H E U N I V E R S E I N T H E PA S T ? - HOW ARTISTS WORK WITH ABSTRACTION/ NOTHINGNESS/ABSENCE/VOID? - HOW ARTISTS ENCOUNTER COMPLEXITY? - W H AT A R E P H Y S I C I S T C R E AT I N G / R E S E A R C H I N G T O P R O V E D A R K M AT T E R E X I S T E N C E ?
+
+
+
+
+
+
PRECEDENTS
+
+
+
+
THE SENSES: DESIGN BEYOND THE VISION COOPER HEWITT 2018
+
+
+
+
TA C T I L E D O M E E X P L O R AT O R I U M .
+
+
+
+
‘ D A R K M AT T E R ’ , 2 0 1 4 , W O O D , A L U M I N I U M , B L A C K F L O C K , 2 3 7 . 5 X 2 3 7 . 5 X 2 3 7 . 5 C M TROIKA
+
+
+
+
+
+
PROCESS
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
I ’ M C R E AT I N G A N I N T E R A C T I V E I N S TA L L AT I O N I N T H E C O N T E X T O F A S C I E N C E M U S E U M T H AT A I M S T O O P E N U P A C O N V E R S A T I O N B Y C R E A T I N G A S A F E S P A C E T O P L A Y, E X P E R I M E N T A N D T R Y T O U N D E R S TA N D B E T T E R D A R K M AT T E R .
+
+
+
+
+
+
D E S I G N VA L U E S
+
+
+
+
H O N E S T Y, C U R I O S I T Y, W H I M S I C A L I T Y, A N D P L A Y F U L N E S S A R E T H E C O R E Q U A L I T I E S O F T H E P R O J E C T. COMPLEXITY IS BROKEN DOWN INTO SMALLER SIMPLER P I E C E S . E X P E R I M E N TAT I O N , A L O T O F M AT E R I A L S , T E X T U R E S TO OFFER A SEAMLESS AND WHIMSICAL EXPERIENCE. I W A N T M Y W O R K T O B E P O E T I C A N D M E M O R A B L E .Â
+
+
+
+
+
+
DESIGNING EXPERIENCE
+
+
+
+
+
+
+
+
+
+
DEFINING THE JOURNEY
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
D E F I N I N G T H E N A R R AT I V E
+
+
+
+
+
+
+
+
+
+
+
+ D A R K M AT T E R C O N V E R S AT I O N W I T H :
- F R A N C I S - YA N C Y R - R A C I N E C O S M O L O G I S T AT H A R V A R D - TA N S U D AY L A N , A C O S M O L O G I S T AT M I T - V K D H A W A L , D I R E C T O R O F T H E I N D I A N I N S T I T U T E O F S PA C E S C I E N C E A N D T E C H N O L O G Y, A H M E D A B A D - D . K . D A S , D I R E C T O R O F T H E S PA C E A P P L I C AT I O N S C E N T R E - E P O N D A R K M AT T E R D O C U M E N TA R Y AT A M N H - - > C A R T E R E M M A R T, V I Z E X P E R T - S E R G I O J A R I L L O D E L A T O R R E , A N T H R O P O L O G I S T AT A M N H - JANNA LEVIN , THEORETICAL COSMOLOGIST & DIRECTOR OF S C I E N C E S AT P I O N E E R W O R K S +
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+
F U T U R E I T E R AT I O N S
+
+
+
+
P O L I S H I N G N A R R AT I V E DEFINING SPECIFIC INTERACTIONS C R E AT I N G T E C H N I C A L P R O T O T Y P E S GO BIG
+
+