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C A R L A M O L I N S P I TA R C H D I G I TA L A R T D I R E C T I O N |
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GRAPHIC DESIGN
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WHERE AM I?
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H
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C I S
O C SMO L A
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LO
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MOLO O T G IS
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PLANET NINE DARK M AT T E R
DARK FLUID
QUANTUM PHYSICS
BLACK HOLE
DARK ENERGY A N T I M AT T E R
DARK FLOW
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DOMAINS
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QUANTUM PHYSICS
DOMAINS
INVISIBLE
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V I S U A L I Z AT I O N
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RESEARCH
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I N V I S I B L E D A R K M AT T E R M A K E S U P M O S T O F T H E U N I V E R S E – B U T W E C A N O N LY D E T E C T I T F R O M I T S G R A V I TAT I O N A L E F F E C T S - C E R N
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I L L U S T R AT I O N B Y S A N D B O X S T U D I O , C H I C A G O W I T H A N A K O VA
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D A R K M AT T E R ? ?
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I L L U S T R AT I O N B Y S A N D B O X S T U D I O , C H I C A G O W I T H A N A K O VA
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V I S I B L E M AT T E R
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5%
D A R K M AT T E R
23%
DARK ENERGY
72%
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WHY?
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HOW COULD SCIENCE BE MORE U N D E R S TA N D A B L E A N D AT T R A C T I V E ?
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I A M S T U D Y I N G D A R K M AT T E R B E C A U S E I W A N T T O FIND OUT HOW TO EXPLAIN BETTER THE MEANING OF THE IMMENSITY OF THE GALAXY IN ORDER TO HELP MY A U D I E N C E U N D E R S TA N D I N G T H E H I D D E N A N D U N K N O W N STRUCTURE OF THE UNIVERSE.
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RESEARCH QUESTIONS
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- W H AT M E TA P H O R S H A V E I L L U S T R AT E D U N K N O W N / N E W C O N C E P T S O F T H E U N I V E R S E I N T H E PA S T ? - HOW ARTISTS WORK WITH ABSTRACTION/ NOTHINGNESS/ABSENCE/VOID? - HOW ARTISTS ENCOUNTER COMPLEXITY? - W H AT A R E P H Y S I C I S T C R E AT I N G / R E S E A R C H I N G T O P R O V E D A R K M AT T E R E X I S T E N C E ?
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PRECEDENTS
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T H E S PA C E T I M E E X P L O R E R , A P R O T O T Y P E M U S E U M E X H I B I T F O R L E A R N I N G A S T R O P H Y S I C S . A D I E L F E R N A N D E Z . M F A D E S I G N + T E C H N O L O G Y, T H E S I S 2 0 1 4
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THE SENSES: DESIGN BEYOND THE VISION COPPER HEWITT 2018
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TA C T I L E D O M E E X P L O R AT O R I U M .
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‘ D A R K M AT T E R ’ , 2 0 1 4 , W O O D , A L U M I N I U M , B L A C K F L O C K , 2 3 7 . 5 X 2 3 7 . 5 X 2 3 7 . 5 C M TROIKA
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D A R K M AT T E R F O R 9 E 2 , K I N G S T R E E T S TAT I O N , S E AT T L E , W A X 4’. ZOCCOLA
2016. NYLON AND LIGHTS. 9’ X 4’
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R A D I U S , 2 0 1 2 , W H E A T S T R A W , W O O D , F O A M , P L A S T I C , P A P E R , S C R E W S , A N D A C R Y L I C P A I N T, 8 3 . 7 5 X 83.75 X 27 INCHES. HEMBREY
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REFERENTS
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W I N D O F B O S T O N : D ATA PA I N T I N G S REFIK ANADOL
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W I N D O F B O S T O N : D ATA PA I N T I N G S REFIK ANADOL
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N AT U R A L H Y G R O S C O P E ZALÁN SZAKÁCS
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SOUNDWAVE ALEX DE GRAAF
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PROCESS
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D E S I G N VA L U E S
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H O N E S T Y, C U R I O S I T Y, W H I M S I C A L I T Y, A N D P L A Y F U L N E S S A R E T H E C O R E Q U A L I T I E S O F T H E P R O J E C T. COMPLEXITY IS BROKEN DOWN INTO SMALLER SIMPLER P I E C E S . E X P E R I M E N TAT I O N , A L O T O F M AT E R I A L S , T E X T U R E S TO OFFER A SEAMLESS AND WHIMSICAL EXPERIENCE. I W A N T M Y W O R K T O B E P O E T I C A N D M E M O R A B L E .Â
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DESIGNING EXPERIENCE
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QUESTIONING USERS
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NEXT STEPS
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C R E AT I N G M O R E A R T I F A C T S
DEFINING INTERACTION
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COMMUNITY OF PRACTICE
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