A Lesson Plan for Woodturning (2nd edition)

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W O O D T U R N I N G

S T E P - B Y - S T E P I N S T R U C T I O N S

F O R M A S T E R I N G W O O D T U R N I N G F U N D A M E N T A L S A L E S S O N P L A N F O R

S E C O N D E D I T I O N

J A M E S R O D G E R S

A Lesson Plan for Woodturning

2nd EDITION

Step by Step Instructions for Mastering Woodturning Fundamentals

JAMES RODGERS

Fresno, California

2

e Basic Tools

Lathes should be equipped with a set of ve basic turning tools. Other tools less frequently used can be purchased later or shared with other turners. Here is the basic set:

• Spindle roughing gouge. 1" diameter approximately.

• Skew chisel, not round or oval stock. 3/4" to 1".

• Parting tool. 3/16" to 1/4".

• Shallow uted 3/8" spindle gouge .

• Deep uted bowl gouge 3/8" to 1/2".

Other accessories that each lathe will require:

• Four jaw scroll chuck with screw chuck accessory.

• 3/8" collet chuck with draw bar.

• Jacobs chuck with Morse taper #2 adapter and selected drill bits.

• Calipers, rulers, pencils, and various measuring tools.

• Safety glasses.

Choosing Tools

ese lessons focus on the use of traditional woodturning tools. Building skills with these tools will provide the learner with competencies that can serve for a lifetime. However, there is a learning curve that leads to these skills. Modern tools are made from high-speed steels of many formulations. ese tools stay sharp longer and require less resharpening than older carbon steel tools which should be avoided. Carbide cutter tools are popular because they are quick to learn. However, the traditional tools covered in this book will give the woodturner more variety of cuts, smoother surfaces, and

access to cuts not otherwise achievable. A discussion of carbide tools is included in Appendix IV.

Traditional woodturning tools, properly sharpened and properly presented by a skilled woodturner will produce quality results quickly.

The Basic Tool Set

The Spindle Roughing Gouge (Photo 1)

e spindle roughing gouge is the rst tool that turners use, and it is easy to develop skill and con dence with.

e tool is named spindle roughing gouge to indicate that this tool is not to be used for roughing out bowls or any hollowing applications! is misuse has led to many cases of serious injury.

e tool is ground straight across and with a bevel angle of about 45° optimizing it for turning round spindles from a square piece of stock. e tool can be rotated to use all the edge rather than just the portion in the center. is reduces the need to resharpen as frequently.

1 Spindle roughing gouge.

In furniture construction, a round chair leg may need to be cut against a square mounting shoulder. Here the tool is rolled up on its side to allow rounding the leg cleanly next to the square mounting shoulder. (Photo 2)

The Skew Chisel (Photo 3)

e skew chisel is a double-beveled cutting tool with the cutting edge skewed in one direction at about 70°.

Skew chisels are manufactured in di erent con gurations from oval or rectangular stock. ere is a general preference for skew chisels made from rectangular stock, as they are sti er and develop less vibration during cuts and are easier to sharpen. Skews with a radiused edge are best reserved for use in smoothing rough stock.

A skew chisel of about 3/4 to 1" in width is most exible from cutting beads to pen turning.

e length of the ground bevel should be 1½ times the thickness of the stock (sha ) and ground at a 70° angle to the sha . e edge of the tool on the long point side, sometimes called the toe, should be square to allow for easy “V” cuts. e edge on the shorter point side, sometimes called the heel, should be rounded over to assist in rolling the tool during the cutting of beads. (Photo 4)

e skew chisel is your most versatile tool and is capable of many di erent uses.

3 The Skew chisel.
4 Skew edges up close.
2 Spindle roughing gouge making a cut to a square corner.

3

Keeping Your Tools Sharp

OBJECTIVES

» Review sharpening system components and Jigs.

» Learn to sharpen the ve basic tools.

» Develop skill at hand sharpening.

» Select the grinds and bevel angles for your tools.

Why sharpen frequently?

Wood is abrasive, some woods more so than others. As we work, tools get less capable, so we push harder and the results show it. How can we tell when to sharpen our tools?

• We work harder and get poorer cut surfaces.

• e nished surface becomes rougher, more ragged, and more torn grain shows up.

• Vibration increases as the tool “bounces” over the wood bers and cuts less producing more “dust” and less “chips and curls”.

• Tools get warmer as they try to cut (partially due to us pushing harder).

• As we become more familiar with the sound of the cutting process, we will hear that the sound changes as the tools get dull.

• Assume that most new tools from the store are really a “kit ready for assembly” and will require some reshaping and sharpening.

Sharpening Station

Generally, a slow speed (1750 RPM) grinder equipped with aluminum oxide (Al2O3) wheels is preferred. e aluminum oxide wheels cut high-speed steel (HSS) cleanly as their surfaces are friable, they chip o , leaving sharp cutting edges. Most used are two wheels; one wheel with 80 grit for scrapers and spindle roughing gouges, and one wheel with 120 grit for gouges and skews. some grinders come with gray carborundum wheels, which will not cut the tool steel and should be immediately replaced. e aluminum oxide wheel colors are codes to the wheel composition:

• White stones are aluminum oxide (Al2O3), most commonly with a friable surface which stays sharp.

• Blue stones are similar but with cobalt added for a harder surface. ey are used where a lot of grinding is done.

• Pink stones are the hardest wheels, with chromium oxide added for additional hardness. ey require more pressure to use and load with sharpening chips more quickly.

An inexpensive industrial diamond wheel dresser will help you keep the sharpening wheels free of clogging metal waste and cutting more coolly. (Photo 1)

A mono-crystalline diamond impregnated sharpening card for touching up edges (generally 600-grit) is handy and inexpensive. (Photo 2) Always wear your safety glasses and a dust mask when dressing the wheels and sharpening your tools.

• Keep the sharpening wheels clean and running true, frequently using the wheel dresser to clean the surface of the accumulated gray matter. Sharpen with a light touch; we are only dressing up the edge, not grinding away metal. If the tool discolors, you may be applying too much pressure; lighten your touch and clean the grinding wheel. (Photo 3)

• Mount your grinder near your lathe so you will be willing to go to it more frequently. It should be at about the same height as your lathe and equipped with a good light source.

Safely setting up a new grinder or replacing a wheel

• Test the wheels for soundness by removing them from the new grinder, placing them on a wooden dowel or tool and lightly tapping the edge with the wooden tool handle. ey should ring; if they don’t, return them to the vendor as they are damaged and will be unsafe to use. (Photo 4)

1 Wheel dressers.
2 A diamond sharpening card.
3 A wheel dresser in action.
4 Testing a wheel for integrity.

5 CBN wheels on a grinder.

• Break in a new grinder or wheel by turning on the grinder for a few seconds, checking for vibration. If you encounter serious vibration, power down the grinder, loosen one wheel and rotate it. Retighten it and try it again to minimize the vibrations.

• True the wheels by placing your wheel dresser on the sharpening platform, and with a light touch remove the out-of-round vibrations. Be sure you have your dust mask in place, as dust is bad for your lungs!

CBN Wheels

Cubic Boron Nitride sharpening wheels are becoming more popular due to their inherent safety, balance, and long life. e Boron Nitride is fused to a steel substrate and does not require balancing or cleaning, and has a very long life. e user is also protected as these wheels will

not cut the user in cases or slippage or an accident. (Photo 5)

Sharpening techniques are identical to those methods used with traditional Al2O3 wheels. Wheel dressers are NEVER used as they will damage the CBN wheels.

When is the tool sharp?

• As you sharpen a tool look for sparks to start coming over the top of the cutting edge. is indicates that the nal edge is near.

• When you are close, hold the tool to the bright light and see if you can see an edge. If you can see the edge, there is no edge. ere is a small at area that is re ecting the light; when the edge is achieved there will be no glint re ected.

• Learn the feel of a sharp edge; it will catch in the folds of your ngerprint and cut paper easily.

5

Your First Projects

OBJECTIVES

» Introduce new accessories to aid building projects.

» Apply basic cuts to a few simple projects.

» Create increasing complexity in the projects.

Projects

• Custom screwdriver handles.

• Bottle stoppers.

• Wooden kit pens.

• Napkin rings.

• Bud vases.

Introducing the Four Jaw Scroll Chuck

Many of the following projects require access to the tailstock end of the work piece for drilling holes or parting o . To prepare for this activity, the four jaw scroll chuck is required.

e four jaw scroll chuck is the rst and most important accessory for the wood turner. It provides a method to hold the project wood from only one end, allowing for work to be performed on the other end while mounted on the lathe.

Actions such as completing a tool handle end, drilling a hole, or turning the interior of a bowl can be safely completed. Scroll chucks must be matched to your lathe’s headstock thread. When purchasing a chuck, the thread diameter and pitch of your lathe are needed to select a matching chuck thread.

Scroll chucks operate by turning a key or operating two opposing levers that open and close four concentric jaws that securely hold the project at the exact center of the lathe. Most important in using a scroll chuck is making a matching tenon on the project wood to t into the chuck’s jaws securely. is tenon is cut to t snugly into the chuck jaws while resting on the top of the jaws for maximum alignment and support.

ere are two di erent styles of chuck jaws in use today. One uses a square tenon and another uses a dovetail shaped tenon. Either style is acceptable.

1

Using a chuck with straight jaws; cutting square tenons (Photo 1)

• e chuck pictured requires a square shouldered tenon so that the jaws bite evenly into the wood.

• Measure the internal diameter of the chuck jaws when they are partially closed. Transfer that measurement to the end of the project wood and pencil in a circle.

• Measure the depth of the chuck jaws and mark that dimension minus 1/16" onto the side of the project wood. (Photo 2)

• Using your parting tool, remove all the wood between the marks.

• Examine the nished tenon to determine if the remaining shoulder is straight and the new smaller diameter is square to that shoulder. (Photo 3)

• When mounting the wood into the chuck the top of the jaws should rest rmly on the shoulder just created. (Photo 4)

Chuck using the straight, square jaws system. 2 The tenon area is penciled in.
3 Cutting away the tenon area.
4 The tenon mounted in a Talon chuck.

Using a chuck with dovetail shaped jaws; cutting dovetail tenons

• Other manufacturers of chucks require that the tenon be cut into a dovetail shape to t their chuck jaws. (Photo 5)

• Measurements are taken and transferred in the same manner as with the square tenon.

• Cut the tenon by laying a skew chisel on its side with the long point facing away from the tailstock.

• Complete a cut with the skew chisel to remove the wood between the pencil lines leaving a dovetail shape. (Photo 6)

• Examine the resulting dovetail tenon to determine if its shoulder is square and if the dovetail shape matches the chuck. (Photo 7)

Drilling with a Jacobs chuck

When holes are drilled, the most accurate method is to use a Jacobs chuck mounted on a Morse taper inserted into your lathe’s tailstock. (Photo 8) e resulting hole will be centered and aligned in the project wood.

7

6 The skew chisel removing wood for a dovetail jaw chuck.
5 A chuck with dovetail jaws.
8 A Jacobs chuck on a Morse taper #2 and a drill bit.
Dovetail tenon and chuck

FIRST PROJECT

Tool handles for screwdrivers

Objectives

• Apply basic cutting skills to a simple project.

• Learn to mount a project in a four jaw scroll chuck.

• Learn to drill a hole using the lathe and a Jacobs chuck accessory.

• Complete a rst project successfully.

Supplies (Photo 9)

• Hardwood stock 2" x 2" x 7".

• Inexpensive plastic handled four-way cheap screwdriver prepared for the project.

• Coping saw to cut o the plastic screwdriver handle.

• Medium CA (cyanoacrylate) super glue or epoxy.

• Sandpaper: 80, 120, 180, and 220 grit.

Tools

• Live center.

• Spur drive.

• Spindle roughing gouge.

• Shallow uted gouge.

• Skew chisel.

• Calipers.

• Four jaw scroll chuck.

• Jacobs chuck and selected drill bits.

• Safety glasses.

9 Project supplies.

Discussion is project introduces the new wood turner to a basic roughing and shaping activity. e four jaw scroll chuck and Jacobs chuck needed for drilling the holes are the two most required accessories to become familiar with.

Buy a 4 or 6-way screwdriver (Photo 10); you will have to remove a small metal collar from the plastic handle by using a coping saw to cut o the plastic and remove the metal part.(Photo 11) is component, into which the reversible sha slides, must be mounted into the new handle then a second hole will be drilled into which the screwdriver sha will later be inserted. Some purchased screwdrivers will have a hexagonal collar that should be ground round before the drill bit for the rst, larger hole is selected.

Activity

• Mount the handle blank between centers, set the lathe speed to 1200 RPM, and turn it round with the spindle roughing gouge.

• Add an appropriate tenon to the tailstock end of the project to t your chuck using a parting tool or skew chisel and a set of calipers.

• Replace the spur drive center with your four four jaw chuck, making sure the chuck is secured tightly against the headstock.

• Remount the project by inserting the tenon into the partially closed chuck jaws, tightening the jaws while pressing the project into the chuck. Be sure the chuck jaws are well tightened.

• Attach the tailstock live center and re-true the blank if needed.

• Measure the diameter of the collar removed from the plastic handle and select a drill that allows for the collar’s snug t.

• Reset the lathe speed to 500 RPM. Drill the hole in the unsupported end of the handle blank using a Jacobs chuck and an appropriate

drill bit. Do not drill deeper than the thickness for the metal collar. (Photo 12)

• Drill a smaller, centered hole to allow for the length of the screwdriver sha to t loosely into the handle.

• Test the t of both components.

• Return the lathe speed to 1200 RPM and turn a pleasing shape that ts your hand stopping to occasionally test the t to your hand. Add any decorations that you may want.

10 A 4-way screwdriver from the store.
11 The screwdriver disassembled.
12 Drilling the hole in the blank.

Introduction to Bowl Turning

OBJECTIVES

» Learn the basics of bowl turning.

» Learn about the tools used in bowl turning.

» Review mounting techniques for bowls.

Tools

• Four jaw scroll chuck with wood screw accessory.

• Faceplate with thread matching your lathe.

• Deep uted bowl gouge.

• Interior scrapers.

• Jam chuck and pad.

• Safety glass and face shield.

Introduction

Turning cross grain bowls requires a di erent set of tools and methods. e motions are larger and require more body movement. In many of the cuts the tool is not as well supported as in spindle turning where the tools are closer to the wood surface.

ere is a greater potential for injury to the lathe operator when turning wood bowls as the beginning cuts may be on larger, unbalanced wood blanks. e potential of the wood to separate from the lathe or for large pieces to y o demands the use of the full-face shield during all portions of the external bowl shaping. Do not rely on eye protection alone!

THIRD MOUNTING

Completing the foot (Photo 10)

A small block of wood is mounted in the chuck and shaped creating a square and at top shoulder, a jam chuck. (Photo 11) e hollowed-out bowl is again reversed onto this jam chuck and the tail stock is advanced to hold the project. e bowl is removed from the jam chuck and the remaining small area under the tail stock live center is removed and hand sanded.

Other techniques including special chucks and a vacuum can also aid in this step.

Cutting “downhill to the grain” in bowls

Cutting “downhill to the grain” requires some thinking as the grain direction appears di erently depending on whether you are inside or outside the bowl. Working on the outside, cut from the smaller diameter of the foot toward the larger diameter of the rim. Tailstock toward the headstock. (Photo 12). Inside it is the opposite, cutting from the rim toward the bottom or outside toward the middle. (Photo 13) Still from the tailstock towards the headstock.

10 The third mounting position using a a  c uc .
11 A jam chuck mounted in the four-jaw scroll chuck.
12 Cutting downhill on a bowl exterior.
13 Cutting downhill on a bowl interior.
“Downhill to the grain” Bowlexterior
“Downhill to the grain” Bowlexterior

Always point the ute of the deep uted bowl gouge in the direction of the cut. e shavings should come from the lower half of the tool, not the top portion.

Getting the surface round on a rough blank

Many beginners place the tool bevel against the irregular surface and attempt to remove the irregularities. Since the surface may be irregular, the tool tends to follow the pattern of the surface and the blank is not easily smoothed. e tool must be rmly held on the tool rest, the cutting edge only allowed to cut the most irregular, protruding wood bers. Allow the wood to come to the tool and cut itself. Early in the rough shaping it may be a process of cutting wood, then air, then wood. Cutting near the tip of the tool takes only small cuts and is easier to control at the beginning of the process.

Lathe speed

e speed of the lathe is very important. Too fast and the blank may y o or the lathe may dance around the room. Too slow and the tool cuts poorly. As the blank is brought into round, the lathe should be sped up, keeping its rotation below the vibration point. Start at a lower speed, generally about 500 RPM, and increase the lathe speed as the bowl blank comes into balance.

Bowl

shape

Continuous positive curve. (Photo 14) is is the traditional bowl shape with no straight lines, a continuous curve, and no sudden changes in curvature and an added foot to “li ” the bowl o the resting surface.

Ogee curve. (Photo 15) is is a more elegant shape in which there is one reversal of the curve direction, adding lightness to the top and interest and movement to the bowl. In attempting this shape be careful not to use two curve changes, as that may become confusing to the eye!

14 A positive curved bowl.
15 A simple ogee curved bowl.

Turning Your First Bowl

OBJECTIVES

» Learn the steps in mounting, turning, and completing a dry wood bowl.

» Learn more about the di erences in grain direction between bowls and spindles.

» Learn to use the deep uted bowl gouge.

» Learn to use the interior bowl scraper.

Supplies

• 9" x 9" x 4" dry wood bowl blank, such as poplar, maple, or another species sized to t your lathe.

• 3" x 3" x 4" scrap wood for jam chuck.

Tools

• 3/8"–1/2" deep uted bowl gouge.

• A parting tool.

• A four jaw scroll chuck with the wood screw chuck (supplied with the chuck).

• A power drill and bit to t the screw chuck’s dimension.

• A 1 1/2" bowl interior scraper.

• A bowl wall thickness calipers.

• A face shield and safety glasses.

Discussion

Bowl turning is more dangerous than turning spindles between centers. e possibility of injury is increased. erefore, a face shield should be worn. e lathe speed should be carefully monitored to assure that a safe operating speed is not exceeded. If the lathe vibrates or moves, the speed is too great, reduce it until the wood is brought into balance.

Prepare and mount the blank

It is desirable to create a roughly round shape on the band saw or by hand; this allows the blank to run as smoothly as possible when mounted on the lathe.

• Find the exact center of the trimmed bowl blank and mark it on both sides. On the face side, drill a 3/8" hole, 1" deep to mount the screw chuck. Note that some screw chucks may require a di erent size hole. Check the manufacturer’s literature. (Photo 1)

• Set the lathe speed to 500 RPM and mount the four jaw scroll chuck on the lathe headstock. Insert the screw chuck between the jaws and tighten securely. Measure the inside diameter of the closed chuck jaws and record that measurement for use in a later step. (Photo 2)

• Screw the blank onto the mounted screw chuck until the blank’s face rests on the face of the scroll chuck jaws. is is important for a tight hold while turning. Bring up the tailstock and secure it for additional support.

1 Drilling for the screw chuck.
2 Measuring the partially closed chuck’s ID.

Turn the exterior shape

• Using your deep uted gouge, turn a pleasing bowl shape beginning at the tailstock end and working toward the headstock. Remember that the ute of the bowl gouge always points in the direction of your cut, tailstock toward headstock. As the balance of the bowl improves, the speed of the lathe can be increased in steps.

• Use the Rule of 45’s.

ACTIVITY

Mastering the External Bowl Cut

The Rule of 45’s

Proper positioning of the body and gouge for the rst exterior cuts is important to best support the tool, reduce body fatigue and generate the most controlled cuts. (Photo 3)

• e tool rest is set across the blank at a 45° angle to the lathe bed.

• Hold the gouge with its handle held downward at 45° and against the turner’s hip.

• Rotate the ute of the gouge to 45° facing toward the headstock, the direction of the cut.

Shape the exterior of the bowl

• Complete rough turning the exterior shape from base to rim or tailstock end toward the headstock end. When the tool is in position against your body, you will have to rotate your body while transferring your weight from the right foot to the le foot during each cut.

• If the cut exceeds your reach, stop the cut, reposition your body, and then resume the cut from where you le o .

• e tool is held rmly on the tool rest and advanced in small steps taking light cuts until the exterior is round. Remember to advance the tool rest toward the blank as the surface is reduced. Turn the lathe o before every repositioning of the tool rest. (Photo 4)

3 Rule of 45’s illustrated.
4 Cutting the bowl exterior.

New and improved! A skill-building introduction that helps beginning woodturners master basic woodturning techniques on their own.

Written by a professional woodturning instructor with over two decade’s teaching experience, A Lesson Plan for Woodturning, second edition, is a systematic, skill-building introduction that helps beginning woodturners master basic woodturning techniques on their own.

The new and updated second edition provides a complete, self-directed course in woodturning safety, tools, and techniques that will help any beginning woodturner learn the basics on his or her own time. Using methods proven in the classroom, A Lesson Plan for Woodturning, provides the equivalent of three semester-length classes in one book!

Designed to give readers a thorough grounding in every essential woodturning technique, this book is systematically organized to teach basic skills that are building blocks for mastering more complex tasks. Each lesson features projects designed to develop the specific skill discussed.

James Rodgers is a professional educator who has been teaching woodturning to both adults and youths for over two decades. Rodgers holds California teaching credentials in both Adult Education and Career Technical Education focusing on woodworking. He is also the founder and senior instructor at the Mount Diablo Woodturning Center. Rodgers lectures throughout the United States, has published many articles on woodturning, and maintains a website with teaching and student support materials.

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