Ладислав Цветковски / Ladislav Cvetkovski

LADISLAV CVETKOVSKI

LADISLAV CVETKOVSKI

MUZEJ NA GRAD SKOPJE - OTVORENO GRAFI^KO STUDIO

MUSEUM OF THE CITY OF SKOPJE - OPEN GRAPHIC ART STUDIO

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LADISLAV CVETKOVSKI LA D I S LAV C V E T KO V S K I

MUZEJ NA GRAD SKOPJE - OTVORENO GRAFI^KO STUDIO

MUSEUM OF THE CITY OF SKOPJE - OPEN GRAPHIC ART STUDIO

11 - 12 / 2006

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Attachment, digitalen pe~at na platno / digital print on canvas 70 x 100 2005

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Ladislav Cvetkovski vo svoite digitalni grafiki ja ukinuva fiksiranosta na svoite likovni znaci, ja ukinuva nivnata tematska prepoznatlivost. Namesto, takvata tradicionalna hierarhija i mehani~kiot gest, Cvetkovski vo elektronskiot prostor upotrebuva vizuelna pove}esloevitost, virtuelna deskripcija, kade ~itaweto na samite digitalni kompozicii e pove}e "topografsko", otkolku, tematsko od eden pogled.

Blagodarenie na kompjuterskiot operativen metod na obrabotka, Cvetkovski gi pro{iruva grafi~kite znaci vo digitalni nivoa von prostata dimenzija na linearniot tek; gi prodol`uva vo strukturi i ekspresii {to gi presekuvaat tradicionalnite klasifikacii na likovnata grafika. Kreira do`ivuvawa na semanti~ki mre`i, kade linearnosta na zna~enieto se izmestuva vo eden ~ist proces na beskone~ni asocijativni vrski, sozdava transformacii od ni-edna tema koja dominira vrz site ostanati. Namesto prostornoto i direktnoto, tuka imame rabota so mentalnoto i digitalnoto. Se namaluva razlikata me|u avtorot i gleda~ot, me|u vooblikuva~ot i korisnikot, odnosno, se dobiva mo`nost za nivna me|usebna prelociranost vo tolkuvaweto na deloto; delo koe sega stanuva realnost na mentalnite ogledala.

Kontrolata vrz samoto do`ivuvawe na digitalnite grafiki na Cvetkovski preminuva vo raznovidna igra. Namesto prepoznatlivite striktni subordinacii i supstituti, ovie grafiki se kombinirano digitalno tkaewe na vizuelnoto, koegzistencija na mno{tvo ednakvo vredni zna~ewa i dvi`ewa. De-spacijalizacija na pogledot od tradicionalniot medium vo ~itaweto za povrzanosta i podvi`nosta na samite elektronski znaci.

Negovite grafiki neprekinato proizveduvaat mobilni kodovi, ~ija{to funkcija e da bidat fluidni, "konkretni" vo svojata razli~na sloevitost, da bidat efekti na nesovr{eni linii, da bidat vo dvi`ewe.

Fragmentarni formi, zamena i promenlivost na fragmentarnite mesta vo nivnite me|usebni teksturi, strukturalizacija na avtorskite idei vo znakovni mo`nosti {to se vo soglasnost so kompjuterskite "principi", odnosno, so principite na slobodnata protivre~nost i dovolnata pri~ina. Mno{tvo na odnosi i dejstva {to mo`at da se tolkuvaat odvoeni od svoite "zadadeni" elementi. Na toj na~in, ne se menuva samo "prostorot" na tvorewe, tuku, se menuva i na~inot na ~itawe, odnosno, se zdobivame so poinakvi iskustveni modaliteti vo procesot na mentalizacija na vizuelnoto.

Deloto na Cvetkovski ne e ve}e vizuelizacija na mislite, tuku rementalizacija na boenite i apstraktni povr{ini, intenzivirawe na metafori~nosta na crte`ot, na segmentiranite kadri i izvle~enite figuracii, voop{to, potencirawe na izmestenata sloboda vo avtorskoto do`ivuvawe na znakovnoto...

Vo digitalnite zapisi na Ladislav Cvetkovski dobivame redefinirani relacii so klasi~niot medium, odnosi polni so dvosmislenosti i ambivalencii pome|u gleda~ot i avtorot, dinami~no i monta`no prenesuvawe na privatnite raspolo`enija/vpe~atocite od stvarnosta vo digitalnata procesualnost na znakovnoto.

Dejan Bu|evac

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With his digital graphics Ladislav Cvetkovski revokes the stationary nature of his figurative symbols, he revokes their thematic recognisability.

In their place, that of the traditional hierarchy and mechanical gesture, Cvetkovski uses the visual multilayeredness of the electronic space, a virtual description in which the very reading of the digital compositions themselves is more ‘topographical’ than thematic from a certain point of view.

Thanks to his computerised method of operation, Cvetkovski expands the graphic symbols on the digital level towards a pure linear course; he extends these into structures and expressions that sever the traditional classifications of the graphic print. He creates experiences of semantic networks, where the linearity of their significance moves towards a pure process of endless associative links, creating transformations from no one theme dominating over all the rest. In place of spatial and direct treatment what we have here is mental and digital treatment. The distinction between the artist and the viewer is reduced, as is that between the shaper and the user; that is to say, there is a possibility of their mutual relocation in the interpretation of the work, a work which becomes the reality of mental mirrors.

Cvetkovski’s control of the experience of digital graphics itself becomes a varied game. Instead of recognisable strict subordinations and substitutions, these graphics are a combined digital interweaving of a

Povtorno povrzan Reconected, digitalen pe~at na platno / digital print on canvas, 70 x 100, 2005

Luzna Scar, digitalen pe~at na platno / digital print on canvas 70 x 100 2005

Ednosmerno Oneway, digitalen pe~at na platno / digital print on canvas, 70 x 100, 2005

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multiplicity of equally valid meanings and movements, a despatialisation of the view of the traditional medium in the reading of the interlinking and mobility of the electronic signals themselves.

His graphics unceasingly produce mobile codes, the function of which is to be fluid, ‘concrete’, in their varying stratification, to be effects of uncompleted lines, to be in motion. The fragmentary forms, their alteration and mutability in the fragmentary places of their combined texture, the structuralisation of the artist’s ideas within the semantic possibilities offered by computer ‘principles’, that is to say the principles of free contradiction and sufficient cause. The multiplicity of relationships and activities that can be interpreted apart from their ‘given’ elements. In this fashion not only is the creative ‘space’ changed but also the method of reading it, that is to say we receive different experiential modalities in the process of our mental reception of the visual.

Cvetkovski’s work is no longer the visualisation of thoughts but the mentalisation of the coloured and abstract spaces, an intensification of the metaphoric quality of the drawing, of segmentary shots and the extended figurations as a whole, an emphasis on the dislocated freedom in the artist’s experience of what is signalled…

In Ladislav Cvetkovski’s digital transcripts we have redefined relations to the classical medium, relationships full of ambiguity and the ambivalence between the viewer and the artist, a dynamic and montage-like conveying of private moods and impressions from reality in the digital process of signification.

Dejan Budjevac translated into English

by Graham W. Reid

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Sredba vo belo Mitting in white, digitalen pe~at na platno / digital print on canvas 70 x 100, 2005

LADISLAV CVETKOVSKI e roden 1965 g. vo Skopje.

Vo 1990 g. diplomiral na oddelot za grafika i grafi~ki dizajn na Fakultetot za likovni umetnosti vo Skopje vo klasata na prof. Dimitar Malidanov. Kaj istiot profesor 2003 g. gi zavr{uva i postdiplomskite studii. Od 1991 g. e ~len na DLUM u DLUPUM. Od 1990 g. Ladislav Cvetkovski osven so likovna umetnost se zanimava i so grafi~kiot dizajn. Sorabotuva so Kinotekata na Makedonija, so Muzejot na sovremenata umetnost, so Muzejot na grad Skopje i so Umetni~kata galerija Skopje, Makedonskata akademija na naukite i umetnostite kako i so drugi ustanovi i izdava~ki ku}i vo Makedonija, a raboti i proekti za Ministerstvoto za kultura na Republika Makedonija, Sobranieto na Republika Makedonija i dr. Dizajnira proekti i za UNDP, USAID, OSCE, ICE i drugi me|unarodni institucii. Dizajner e na zna~ajni monografski izdanija: Makedonska Karikatura, Arhitekturata i monumentalnata umetnost vo Skopje, Demokratska Makedonija, @ivotot vo Skopje (1918-1941), The Republic of Macedonia, Blagoja ^u{kov, Ikoni od Muzejot na Makedonija i dr.

Od 1994 do 1999 g. be{e vraboten kako dizajner vo Muzejot na sovremena umetnost vo Skopje, a od 1999 g. raboti vo dizajnerskoto studio Skenpoint AD vo Skopje.

Samostojni izlo`bi: 2002 - Kraw, Republika Slovenija, Galerija Dom 2003 - Skopje, Muzej na sovremenata umetnost 2004 - Skopje, Muzej na grad Skopje 2004 - Skopje, Francuski kulturen centar 2005 - Bitola, Umetni~ka galerija - Bitola Grupni izlo`bi: 1989 - Izlo`ba na mladi slikari, Dom na ARM, Skopje / 1990 - 7. Trienale na grafika, Bitola / 1990 - Esenski likoven salon, 68 makedonski avtori, mal format, Galerija Glam, Skopje / 1991 - 3. Bienale na mladite, Muzej na sovremenata umetnost - Skopje / 1992 - Nova generacija na DLUM, Galerija DLUM, Skopje / 1997 - 4.Trienale na grafiki od mal format vo [amalie, Francija / 2001 - Suva igla, Galerija na DLUM, Skopje / 2004 - Osjek, Mlada makedonska grafika, Foaje Hrvatskog Narodnog kazali{ta Osjek / 2005 - Zimski salon na DLUM, Muzej na grad Skopje, Skopje / 2006 - Grafi~ki imaginacii, Muzej na grad Skopje, Skopje Nagradi i priznanija: 1991 - Otkupna nagrada za crte` na 3. Bienale na maladi - Muzej na sovremenata umetnost, Skopje. / 2005 - Dobitnik na Nagradata za najdobro dizajnirana publikacija vo 2004 za Monografijata Ikoni od Muzejot na Makedonija, nagradata ja dodeli Institutot Otvoreno Op{testvo Makedonija.

Adresa: Franklin Ruzvelt 72/11, 1000 Skopje tel.: +389 (0)2 3166 734; e-mail: ladislav.cvetkovski@mt.net.mk

LADISLAV CVETKOVSKI was born in Skopje in 1965. In 1990 he graduated from the Department of Graphic Art and Design at the Faculty of Fine Arts in Skopje in the class of Prof. Dimitar Malidanov. In 2003 he completed the postgraduate studies with the same professor. Ladislav Cvetkovski is engaged in the fields of fine arts and graphic design. He cooperates with the Cinematheque of Macedonia, with the Museum of Contemporary Art, with the Museum of the City of Skopje and with the Art Gallery, as well as with the Macedonian Academy of Arts and Sciences and other institutions and publishing houses in Macedonia.

He was engaged in the projects of the Ministry of Culture of the Republic of Macedonia, the Parliament of the Republic of Macedonia, etc. He also designs projects for the UNDP, USAID, OSCE, ICE and other international institutions. He designed of significant monographic editions as: Macedonian Cartoon, Architeture and monumental art in Skopje, The life in Skopje (1918 - 1941), The Republic of Macedonia, Blagoja Cuskov, Icons from the Museum of Macedonia and others.

From 1994 to 1999 he worked as a designer at the Museum of Contemporary Art in Skopje, and since 1999 he's been working at the designing studio Skenpoint A. D. Skopje.

Solo exhibitions: 2002 - Kranj, Republic of Slovenia, Gallery "Dom" 2003 - Skopje, Museum of Contemporary Art 2004 - Skopje, Museum of the City of Skopje 2005 - Skopje, France Cultural Center 2005 - Bitola, Art Gallery - Bitola Group exhibitions: 1989 - Exhibition of Young Painters, Army Center, Skopje / 1990 - Seventh Triennial of Graphic Art, Bitola / 1990 Autumn Art Salon, 68 Macedonian Artists, small scale format, Gallery "Glam", Skopje / 1991 - Third Biennial of Young Artists, Museum of Contemporary Art, Skopje / 1992 - New Generation of DLUM (Association of Fine Art Artists of Macedonia), DLUM Gallery, Skopje / 1997 Fourth Triennial of Small Scale Graphic Prints, Chamallier, France / 2001 - DLUM Gallery (Graphic Workshop "Dry Point"), Skopje / 2004 - Young Macedonian print art, HNK, Osijek, Croatia / 2005 - Winter salon of DLUM (Association of Fine Art Artists of Macedonia), Skopje, Museum of the City of Skopje / 2006 - Graphic imaginations, Museum of the City of Skopje Awards: 1991 - Award for drawing at The Third Biennial of Young Artists - Museum of Contemporary art, Skopje 2005 - Award for the best designed publication in 2004, for the Monograph Icons from the Museum of Macedonia, the award was from the Open Society Institute Macedonia Address: Franklin Ruzvelt 72/11, 1000 Skopje, Republic of Macedonia, Tel.: +389 (0)2 3166 734; e-mail: ladislav.cvetkovski@mt.net.mk

Izdava~: Muzej na grad Skopje / Odgovoren urednik: Jovan [urbanovski / Organizacija: Atanas Botev / Tekst: Dejan Bu|evac / prevod na tekstot na angliski: Gream Rid / Dizajn: Ladislav Cvetkovski / Pe~at: Skenpoint / realizacija na izlo`bata: Muzej na grad Skopje, noemvri - dekemvri 2006 Publisher: Museum of the City of Skopje / For the publisher: Jovan Surbanovski / Organisation: Atanas Botev / Text: Dejan Budjevac / Text translatiot: Graham W. Reid / Design: Ladislav Cvetkovski / Print: Skenpoint / Realisation: Museum of the City of Skopje, November - December 2006 Katalogot e realiziran so podr{ka na Skenpoint The catalogue is realized with the support of Skenpoint ISBN 9989-156-33-6