l k hickling | portfolio | interior architecture

L.K.

hickling

LAUREN HICKLING Portfolio 2014

Masters of Interior Architecture | 2015 Graduate (pending) | Bachelor of Architectural Studies, Maj. Interior Architecture | 2013 Graduate | Victoria University of Wellington

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THE MOST BEAUTIFUL THINGS GENERALLY COME AS A SURPRISE Peter Zumthor: Atmospheres

LAUREN HICKLING Curriculum Vitae

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Key Skills Presentation and Design Programs:

Information: +64 27 6965 605 | laurenhickling@live.co.uk 18 Colombo St, Newtown, WELLINGTON 24 years old | NZ Citizen Full portfolio at: issuu.com/laurenhickling Personal Profile and Experience I am formally trained with a Bachelors of Architectural Studies majoring in Interior Architecture at Victoria University of Wellington where I am currently working towards my Masters in Interior Architecture, due to finish between December 2014 and February 2015.

Through my education I have become proficient in the Adobe Suite, Revit and 3ds Max, using these programs to design, render and present designs from retail and hospitality to large scale public interiors. For the thesis year I am focusing on the design of contemporary fine dining spaces, using notions of surprise and atmosphere to create beautiful, memorable space reflective of the cuisine served. I have a particular interest in materials and how their inherent qualities can fuel the design and perception of space. I have a keen eye for graphic design, believing a well presented piece of work is key to its reception.

In 2009 I spent a year in England working as a Gap Student at Rendcomb College, Cirencester. As part of this role I spent a large amount of my time in administration working under the Headmasters PA, Bursars Secretary and within administration itself where I learnt the ins and outs of office life and the importance of well communicated, organised work ethics. Within this role I completed anything asked of me such as photocopying, filing, being on front desk, compiling documents and typing up small pieces of writing.

As a previous summer and holiday job, I have travelled home to Gisborne to work on the family sheep and cattle farm as Head-Shepherd. This type of physical work has taught perseverance, commitment and the importance of being a team player to complete a job properly and safely, qualities which have stuck with me throughout my university career.

•

• •

•

Adobe Creative Suite: confident in all programs from Photoshop to InDesign and Illustrator. 7 years’ experience Google SketchUp: confident with 4 years’ experience Autodesk Revit: confident in design stages with 3 years’ experience.

Minmal documentation experience.

3ds Max: Confident in rendering with 4 years’ experience. Minimal modelling experience

Administration: • •

•

Confident with programs within the Microsoft Office bundle.

One years’ part-time experience as a front of house admin assistant, completing tasks such as compiling documents, photocopying, filing, and most day-to-day requirements of working within an administration role.

Moderate typing speed.

Education •

•

•

2013-current, Masters of Interior Architecture at Victoria University of Wellington, finishing December 2014, due to graduate December 2015 2010-2013, Bachelors of Architectural Studies Maj. Interior Architecture at Victoria University of Wellington, graduated 2013.

2003-2008, Secondary school at Woodford House, Hawkes Bay. NCEA to Level 3 achieved with Merit and University Entrance.

Communication:

• I have fantastic communication skills, visual and verbal, perfected over

my five years at university through presentations of final design

work. My time on the farm also taught the importance of clear, concise

verbal communication.

• I am a confident writer achieving highly in essays written as part of my degree.

Time-management: •

•

Being a recent graduate and now undertaking post-graduate study I am confident with my time management and ability to juggle many things at the same time I like to be punctual and see lateness as impolite.

Attitude: •

•

I have a good attitude to work and am willing to help with anything asked of me.

I pick up skills easily with good initiative and common sense.

Past Employment + Referee’s Please contact me for referee’s details: •

2014: Semester One, Tutor for SARC111: Design Research, Victoria Univeristy of Wellington. Part time

•

2009: January to December, Senior School GAP Student, Rendcomb College, Cirencester, UK. Full time

• 2008-2014: Head Shepherd, The Falls Station Ltd. Full time / Casual •

Character Referee’s: Tane Moleta and Mark Southcombe, 2014 Masters Supervisors, Victoria University of Wellington

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THE MENU selected Undergraduate + Postgraduate work 2010-2014

++ ZERO (0):

++ ONE (1): 1 A401

AN INTERIOR OF MEMORY + SURPRISE Contemporary Fine Dining in New Zealand Paper: SARC591 Description: Thesis - Research through Design Supervisors: Tane Moleta + Mark Southcombe Year: Feb 2014 - Feb 2015

++ TWO (2):

South Facade Elevation 1:200 @ A3

IN THE EAVES I ESCAPE

TECHNICAL DRAWING

Wellington City Gallery as Media Library

Wellington City Gallery as Media Library

Paper: INTA412 Description: Interior Architecture Design Research Lecturer: Daniel Brown Year: Semester 2, 2013

Paper: INTA421 Description: Integrated Technologies Lecturer: Christina Mackay Year: Semester 2, 2013

2

44mm

A102 Cowdroy Heavy Duty Triumph TT820 Aluminium Track @ 1100mm long 42mm

Cowdroy Heavy Duty Triumph TT831 Wheel Assembly with Top Fix Bracket M6 Hex bolt, Stainless Steel Class 8.8, metric thread with M6 Class 8, metric thread Stainless Steel nuts.

14mm

v

14mm

66mm +/- 7mm

75x50x5mm Right Angled Mild Steel @ 490mm long.

Powdercoated in white after weld fabrication.

22mm

50x3mm Plate Stainless Steel @ 490mm long

40mm

45mm

M10 Stainless Steel Wingnut 25mm

M10 Mild Steel threaded rod @ 40mm long, factory welded to angled steel on North face, grinded flush with angle.

35mm

++ FOUR (4):

++ THREE (3): 30mm

Interchangeable Screen.

Projected material widths range from 3-9mm.

Max weight 150kg 2440mm high @ 490mm wide

++ FIVE (5): 105mm

30mm

++ SIX (6):

35mm

490mm

TWO HALVES MAKE A HOLE National Pavilion for the Federal Republic of Germany

1

South Elevation 1:1

AN AFFAIR WITH A WELL GROOMED FOX

Well Groomed Fox Retail Store Interchangable, Movable Screen Details Lauren Hickling 300209898

TECHNICAL DRAWING

OF THE HIDDEN SIDE

Moveable Wall Detailing Sheet Number: Scale:

Hotel Refit for the John Chambers Building

Paper: INTA321 Description: Interior Fit-Out Technologies Lecturer: Christina Mackay Year: Semester 2, 2012

Paper: INTA311 Description: Interior Architecture Design Lecturer: John Daish Year: Semester 1, 2012

2

Section 1:1

Drawings:

Date:

1 South Elevation 2 Section

19th October 2012

1:1

Retail Design using Brand Identity for Well-Groomed-Fox Paper: INTA411 Description: Interior Architecture Design Lecturer: Danielle Abreu e Lima Year: Semester 1, 2013

Paper: INTA312 Description: Interior Architecture Design Integration Lecturer: Dr Maibritt Pedersen Zari Year: Semester 2, 2012

A102

++ ZERO (0):

001

AN INTERIOR OF MEMORY + SURPRISE SARC591_Research through Design Full year, 2014 Fine Dining Atmosphere Exploration

002 Surprise, as in to astonish or amaze, is the tool; memorable experience is the purpose; and beautiful interior atmosphere is the product.

This design research started with an interest in kinetic architecture, with pieces that could engage and surprise to form unique, memorable experience. It soon became apparent that interest was not with the kinetic itself but the experience it created. This experience and surprise can also be seen in Peter Zumthor’s atmospheric, ephemeral spaces which provoke the senses, surprise the inhabitant and become memorable for their sheer beauty. With an aim to understand and recreate these atmospheres the design research looks at the contemporary fine dining interior, a space where beauty and exceptional atmosphere are expected, and memorable experience is valued for its ability to help bring the customer back time and time again.

PLATE

Sight | Touch | Sound After analysis using Zumthor’s nine principles of atmosphere the impact of sensory interaction as reception of atmosphere fuelled design. The design engages sight through the application of a central hole, sound through a hollow shell where sound resonates and touch through a hidden texture applied to the underside of the plate, creating a multifaceted design capable of generating surprise and creating memory 003

Stool or leaner An element to pearch on High set, harder outer materials, soft interior materials Stool or leaner An element to pearch on First Course High set, harder outer materials, soft interior Macaron + French 75 materials Semi Formal

5.

comte + black garlic

4.

valrhona textures

First the table surface, plus the actors which take part in the ritual of dining, are analysed used Zumthors nine principles of atmosphere. This creates a suggested placement design, a small dip suggested where the plate will sit. In a second design phase the table and chair are considered as a pair that also play a part in a series which respond to the course served. Using Gastronomic Analogy, material choices are made according to the meals experiential qualities.

Dining Chair Normal Height More recline, more comfortable materials, leathery in nature with fresh details

Dining chair / lounger mix Lower set, comforting but not high recline lounger.

Smooth and spongy all over, elements of cold smoothness.

Dining Chair

More recline, more comfortable materials, Venison + Watercress leathery in nature with Formal fresh details

Dining chair / lounger mix Lower set, comforting Fourth Course but not high recline lounger.

Smooth and spongy all Valrhona Textures over, elements of cold Relaxedsmoothness.

Formal / Lounge

NormalCourse Height Third

Little individual space First Course Stool or leaner needed. Most likely a large An element to pearch on or long shared space High set, harder outer Macaron + French 75 materials, soft interior Widthx400mm Semi Formal materials

Large table to accommodate Second DiningCourse Chair dinner plate, cutlery, two Normal Height glasses and a butter plate Little Recline.

Elements Duck + Riddichio of crunch and a hard 850x800mm Formal exterior. Soft interior elements.

Standard size table for Third DiningCourse Chair only dinner plate, Normal Height cutlery and two glasses More recline, more Venison + Watercress comfortable materials, 750x750mm Formal leathery in nature with fresh details

Smaller table for dessert Fourth Dining chair /Course lounger mix plate, cutlery and two Lower set, comforting but glasses. notValrhona high recline lounger.

Textures Smooth and spongy all 500x650mm Relaxed Formal / over, elements ofLounge cold smoothness.

Little individual space needed. Most likely a large orFirst long Course shared space

Large table to accommodate dinner plate, cutlery, two Second glasses and Course a butter plate

Standard size table for only dinner plate, Thirdand Course cutlery two glasses

Smaller table for dessert plate, cutlery and two Fourth Course glasses.

Widthx400mm Macaron + French 75

Duck850x800mm + Riddichio

750x750mm Venison + Watercress

500x650mm Valrhona Textures

Semi Formal

Formal

Formal

Relaxed Formal / Lounge

Little individual space needed. Most likely a large or long shared space

Large table to accommodate dinner plate, cutlery, two glasses and a butter plate

Widthx400mm

850x800mm

Standard size table for only dinner plate, cutlery and two glasses 750x750mm

venison + watercress

DINING TWO

ast hio

ONE

venison + watercress

3.

Little Recline. Elements of crunch and a hard Duck +Soft Riddichio exterior. interior Formal elements.

DINING FOUR

Suggested Placement

Dining Chair

NormalCourse Height Second

DINING THREE

TABLE + CHAIR

Dining Chair Normal Height Little Recline. Elements of crunch and a hard exterior. Soft interior elements.

Smaller table for dessert plate, cutlery and two glasses.

500x650mm

004

FINE DINING FIT-OUT Il Casino | 168 Tory St, Wellington, NZ

Taking the multilevel, ground floor of Il Casino, the design investigation started with massing studies around how processional dining to match a degustation could fit and function, then how it could take advantage of Zumthor’s atmospheric principles in full scale. The design also looked to take advantage of the double height spaces in comparison to the lower ceilings around the mezzanine.

005

S1

Section through Dining 1, 2 + 3, and the Kitchen

Level One (Bar, Dining) + One A (Bathrooms + Offices)

MEAL TO MATERIAL Gastronomic Analogy

Using Gastronomic Analogy and parts of a seven course degustation from Clooney, Auckland, each course was analysed to find the characteristics of the meal or parts of the meal which could then be translated into a set of materials applied to one of the spaces.

1. macaron + goats cheese

passionfruit sorbet

2.

3.

4.

5.

duck breast + radicchio

venison + watercress

valrhona textures

comte + black garlic

006

ENTRY // HALL

BAR

HALL // PALATE CLEANSER

DINING ONE

DINING TWO

DINING THREE

DINING FOUR

007

JESSIE ST FACADE glimpses of the table as you walk past

008

ENTRY glimpses of whats to come through a long hall

009

BAR Macaron + Rosebud

DINING ONE

010

Duck Breast + Radicchio

Radicchio -

++ SECOND COURSE Duck Breast, Radicchio + Red Fruits

Freeze-dried Raspberriessss sssssssssssssssssssssssssss sssssssssssssssssss ssssssssssssssssssssssssssss

Celeriac -

Duck Breast ---------------------------------------------------------------------------------------------------

DINING TWO

011

Venison + Watercress

Watercress fresh, so, slight crunch

++ THIRD COURSE Venison + Watercress

Plate - black cold, slightly rough, backdrop to the meal - Carrara marble

Wholemeal Cruton - hard crunch, dry - oiled American Black Walnut Veal/Venison - so, squishy - lambs leather seats

Nuts - Hard, crunchy - porcelian plate

Sauces - Smooth, thick - brass details

DINING THREE

012

Valhrona Chocolate Textures

Macerated Cherries -

++ FOURTH COURSE Valrhona Chocolate textures, Fennel sorbet + Cherries

Freeze dried Red Fruit �

Fennel Sorbet -

Chocolate Textures: - Sponge ---------------- Moose -

��

DINING FOUR

013

Comte + Black Garlic

Black Garlic --------------------------------------------------

++ FIFTH COURSE Comte + Black Garlic

Comte----------------------------------------------------------------------------

Rye Ciabatta ------------------------------------------------------------------------

AN INTERIOR OF MEMORY AND SURPRISE : an understanding of atmosphere in a fine dining experience

Surprise, to astonish or amaze, is the tool;

To look at Zumthor moves beyond the surface and to the architectural elements as whole. To understand

memorable experience is the purpose;

the application of Zumthor’s nine principles of atmosphere the design lead research starts with a small

and beautiful interior atmosphere is the product.

scale plate, applying Zumthor’s principles to analyse then design a soup plate. Through the analysis, Zumthor’s interest in sensory interaction as reception of atmosphere became clear, thus the design was

This design lead research started with an interest in kinetic architecture, with pieces that could engage

supplemented by research and application of theory around the senses, in particular sight, touch and

and surprise to form unique, memorable experience. It soon became apparent the interest was not

sound in relation to food design.

with the kinetic itself but the experience it created. This experience and surprise can also be seen in Peter Zumthor’s atmospheric, ephemeral spaces which provoke the senses, surprise the inhabitant and

This methodology, analyse using Zumthor’s nine principles of atmosphere to understand the scale,

become memorable for their sheer beauty. With an aim to understand and recreate these atmospheres

identify holes where alternative theory could supplement the design phase, then iterative design to

the design research looks at the contemporary fine dining interior, a space where beauty and exceptional

resolve the scale, is used throughout four scales of design investigation; the plate, the table surface and its

atmosphere are expected, and memorable experience is valued for its ability to help bring the customer

actors, the table and chair, and fine-dining restaurant design.

back time and time again.

Within the larger scale investigations of table and chair, and restaurant design, Zumthor’s principle What is atmosphere? How is it generated? Is it tactile, ephemeral, material? Looking to theorists

‘Material Compatibility’ provided a hole in the theory where the principle itself was not strong enough

interested in atmosphere we could start with Julieanna Preston and her introduction to AD’s June 2008

to inspire material selection. To supplement Zumthor, Gastronomic Analogy is used to provide material

issue Interior Atmospheres. Here Preston struggles to define atmosphere, instead choosing to use mist as

inspiration based around a piece of cuisine served in fine dining restaurant Clooney, Auckland. From

its physical trace element; “Its slippery ephemeral body refuses to be captured, and yet its pervasiveness

the degustation, each course is analysed in terms of it components and the sensory experience of

suggests it is everywhere but nowhere” . Instead Preston chooses to refer to Mark Wigley’s essay “The

enjoying that course. These sensuous qualities are used to identify materials with similar qualities which

Architecture of Atmosphere” and Peter Zumthor’s short book Atmospheres. If we look to Wigley’s work

are applied to a space or scale. At this point Zumthor’s ‘Material Compatibility’ can be reintroduced to

first we would find a description of atmosphere as sensuous emissions of light, smell and heat seeping

balance and place the chosen materials within the space. It is important to understand that the course is

out of the thinnest material object, the inhabitant enveloped by atmosphere . Yet Wigley’s theory of

used to influence the spaces atmosphere and would not necessarily be consumed in that space, rather it

atmosphere assesses it as a singular, as a thin surface of material surrounding atmosphere like a balloon.

is a design tool used to support Zumthor’s principles of atmosphere.

014

++ ONE (1):

015

IN THE EAVES I ESCAPE INTA412_Daniel Brown Semester Two 2013 Wellington City Gallery as Media Library

016

“From within the safety of the house, I can venture to its edges, its perimeters, and, undetected, experiment with facing my fears of the dark, of the adults, of a large noisy world. In the eaves I escape, I huddle, I frighten myself, I cry and whisper and laugh and plot. In this hollow between the self I know and see and the one I do not know and cannot see yet, but sense I test my own limits and learn my own secrets. In these hollow walls dwells the unknown, the in-between, the impossible, the unseen. Exploring them, I am hero and master of the unknown; I stare fear in the face and survive.�

Inside Fear: Secret Places and Hidden Spaces in Dwellings, Anne Troutman

017

Wellington City Gallery: Civic Square, Wellington Previously the Wellington Central Library This elegant stripped Classical building, erected in 1939, was the result of a collaboration between the celebrated Auckland partnership of Gummer and Ford, and New Plymouth architects Messenger Taylor and Wolfe, after a competition was held to decide a winning design. Between 1990 and 1992 a new Central Library was built on Victoria Street and the old library successfully adapted for use as the City Gallery.

Wellington’s Old Shoreline Heritage Trail

018

019

020

021

022

023

024

++ TWO (2):

TECHNICAL DRAWING

027

INTA421_Christina Mackay Semester Two 2013 Wellington City Gallery as Media Library

1 A401

South Facade Elevation 1:200 @ A3

Lauren Hickling INTA412 City Gallery, Civic Square, Wellington

028

Lauren Hickling Designs.

INTA412 Assignment 2 VS 2.01

Revisions:

Date:

09/10/2013

Job#:

002

Job:

Wellington City Gallery: Library Refit 2013 Civic Square, Wellington 6011

Drawing:

P1 -

Exterior Elevation: South Face/Civic Square 1:200 @ A3

Exterior Elevation: South Face/Civic Square

Scale:

1:200 @ A3

Drawing #:

A001

Revision #: A

Lauren Hickling Designs.

INTA412 Assignment 2 VS 2.01

Revisions:

E1 -

Reception Counter Front Elevation

S1

S2

S3

S4

A005

A005

A006

A006

1:20 @ A3

10mm thick toughened glass top with ground and polished edges and holes for 10mm threaded planar fixings

Granite top, polished finish to sides and top with rough back bottom.

Allow drilling of holes for rod support

Exposed conduit to back face of laminated beam

15 threaded rod into pre-drilled holes in granite

100x100 MS angle fixing cleat to match beam size with holes for M10 fixings hammer paint finish.

Provide rebate in u/s laminated beam for electrical conduit connection from existing counter.

Conduit to be totally concealed

100x100 continuous MS angle to line with existing.

Allow for bolt connection to 60x5mm MS cleat behind

100x50MS channel supports with welded nuts for threaded rod

M10 nut welded to 100x100 MS angle support with 40 MS tube welded over nut

100x100 MS angle support

10mm toughened glass end panel set into 10x10 groove in Tawa plank and alum. head channel with gasket fixings

10mm thick toughened glass with SS planar fixings back to angle. Edges for glass to be ground and polished

Laminated Tawa plank 30mm thick fixed to MS TFC rebate as required for cleat and glass end closers

Reception Counter Section One 1:10 @ A3

09/10/2013

Job#:

002

Job: 40 MS tube welded to 100x100 angle over welded nuts for threaded rod fixings finish as for angles

100x100 continuous MS angle with nut welded for threaded rod thickness and finish to match existing

S2 -

Reception Counter Section Two 1:10 @ A3

Wellington City Gallery: Library Refit 2013 Civic Square, Wellington 6011

Drawing:

50mmx10mm thick SS foot welded to 15 threaded SS rod

S1 -

Date:

Existing Reception Desk Studio Pacific Fit-out

Scale:

As Specified @ A3

Drawing #:

A005

Revision #: A

Lauren Hickling Designs.

INTA412 Assignment 2 VS 2.01

Key: Existing columns Exterior Walls: Reinforced Conrete Existing partition walls Precast concrete shells

Revisions:

Timber construction, gib board lined walls

N

P1 A012

RR001 FFL500

RR002 FFL500

RR003 FFL500

RR008

RR009

RR007

RR010

RR006

RR011

RR005

RR012

D1 A031

RR004 FFL500

BR001

West Library

BR002

RR013

BR003

East Library

BR004

BR005

Date:

09/10/2013

Job#:

002

Job:

FFL000

P1 -

Proposed Floor Plan: Ground Floor

Wellington City Gallery: Library Refit 2013 Civic Square, Wellington 6011

Drawing:

1:200 @ A3

Proposed Floor Plan: Ground Floor

Scale:

1:200 @ A3

Drawing #:

A011

Revision #: A

75

75 645

500

75

75

N

645

200

700

1030

700

200

75

75 3030

Lauren Hickling Designs.

INTA412 Assignment 2 VS 2.01

Key: Existing columns Exterior Walls; Reinforced Conrete Precast concrete shells

Revisions:

Timber construction, gib board lined walls

RR001 FFL500

E2 A021

RR002 FFL500

E1 A020

E1 A021

RR003 FFL500

Date:

09/10/2013

Job#:

002

Job:

Wellington City Gallery: Library Refit 2013 Civic Square, Wellington 6011

Drawing:

P1 A011

Enlarged Setcut Plan: Reading Rooms 1:50 @ A3

Enlarged Setcut Plan: Reading Rooms

Scale:

1:50 @ A3

Drawing #:

A012

Revision #: A

Key: Precast Reinforced Concrete Fleltex Carpet, Merito II, 100% wool, Slate Black Strucutral Plywood Lining, 3ply x 7mm Plasterboard 13mm

Lauren Hickling Designs.

INTA412 Assignment 2 VS 2.01

Revisions:

Resene Ceiling Paint in Merino Radiata Pine timber structure

D2 A030

Reading Room Inner Shell: Wall to Ceiling Joint 1:10 @ A3

Precast Reinforced Concrete Precast Reinforced Concrete Spacer Resene Contractor in Merino applied to ‘roof’ face also 13mm Plasterboard 60x140mm Radiata Pine ceiling joists 80x40mm Radiata Pine top plate Resene Contractor in Merino applied to Plasterboard

80x40mm Radiata Pine bottom plate

D2 A030

Fleltex Carpet, Merito II, 100% wool, Slate Black

Timber Construction “Inner” Shell

Strucutral Plywood Lining, 3ply x 15mm

Revolving Concrete Door

60x140mm Radiata Pine floor joists

Precast Conrete “Outer” Shell

Strucutral Plywood Lining, 3ply x 15mm Precast Reinforced Concrete Spacer

09/10/2013

Job#:

002

Job:

Wellington City Gallery: Library Refit 2013 Civic Square, Wellington 6011

Resene Contractor in Merino applied to under side of floor also

D3 A030

D1 A020

Date:

Precast Reinforced Concrete

Reading Room Inner and Outer Shell Elevation 1:50 @ A3

D3 A030

Drawing:

Partition Details: Reading Room Inner Walls

Reading Room Inner Shell: Wall to Floor Joint

Scale:

As Specified @ A3

1:10 @ A3

Drawing #:

A030

Revision #: A

Key: Precast Reinforced Concrete High Tensile Stainless Steel

Lauren Hickling Designs.

INTA412 Assignment 2 VS 2.01

Revisions:

D1 A060

Reading Room Rotating Door: Plan 1:20 @ A3

Micro Metals Brass Tube, 31.8x1mm, cut to 15mm. Centred and welded to the brass plate.

Micro Metals Brass Tube, 76x4mm, cut to 15mm.

Centred and welded to Brass Plate.

Micro Metals Brass Rod, Alloy360, 28.58mm. Sits within 31.8mm tube.

Farrel Bearing Stainless Steel Bearings, 18mm, sit in channel.

Micro Metals Brass Plate, 1260x150x12.5mm.

D4 A060

D3 A060

Reading Room Rotating Door: Pivot Joint Plan 1:2 @ A3

Micro Metals Brass Plate, 1260x150x12.5mm. Inset into Precast Concrete Panel Farrel Bearing Stainless Steel Bearings, 18mm.

Micro Metals Brass Tube, 31.8x1mm, cut to 15mm. Welded to brass plate.

Micro Metals Brass Tube, 76x4mm, cut to 15mm.

Centred and welded to Brass Plate.

Micro Metals Brass Rod, Alloy360, 28.58mm. Centred

Precast concrete shells.

700x140mm Precast reinforced concrete sheet, 2300x1020x150mm.

Micro Metals Brass Tube, 76x4mm, cut to 15mm.

Centred and welded to Brass Plate.

Farrel Bearing Stainless Steel Bearings, 18mm.

D1 A060

D4 A060

D2 A020

Micro Metals Brass Rod, Alloy360, 28.58mm.

1:20 @ A3

09/10/2013

Job#:

002

Job:

Wellington City Gallery: Library Refit 2013

Micro Metals Brass Tube, 31.8x1mm, cut to 15mm. Centred and welded to brass plate.

D3 A060

Micro Metals Brass Plate, 1260x150x12.5mm. Inset into Precast Concrete panel Precast concrete steps.

Reading Room Rotating Door: Front Elevation

Date:

D4 A060

Reading Room Rotating Door: Pivot Joint Section 1:2 @ A3

Civic Square, Wellington 6011 Drawing:

Joinery Fitting: Reading Room Rotating Door

Scale:

As Specified @ A3

Drawing #:

A060

Revision #: A

++ THREE (3):

035

TWO HALVES MAKE A HOLE INTA411_Danielle Abreu e Lima Semester One 2013 National Pavilion for the Federal Republic of Germany

036

“we should be more conscious that we are talking about the remaining effects of Germany’s division, not the consequences of its reunification”

037

The East

German Democratic Republic After the Berlin Wall was built on the 13th of August, 1969, people from the communist East were soon trapped within the regime, often trying and failing to break out to the West or other parts of Europe. People seen as suspicious to the Government were watched by the ‘Stasi’, the secret police, with people living under constant oppression. Although change was fast compared to other communist countries, it was slow in comparison to the consumer driven West Germany fuelled by the allies.

038

039

The West

Federal Republic of Germany West Germany was a country of quick change and development fuelled by the allies during the Cold War. During its separation from the East the West underwent a ‘Wirtschaftswunder”, an“economic miracle” in which inflation halted, the values of international trade doubled and huge economic upturn occurred with help from the allies, America in particular. Along with this people were also free to express themselves as they wished, with ‘punk’ filtering in from London.

040

Reunified Yet Divided

1989 saw the fall of the Berlin wall after 40 years of separation under opposing governing structures and cultures that developed through this. Germans agreed to reunification with open arms hoping it would solve their problems to create a happier life. It soon became apparent that this was only a honeymoon phase and problems such as unemployment, rising prices, a looming recession and East Germans being treated as second rate citizens caused divisions between the East and West. These aversions to one another still divide the country mentally with over half of the population feeling the country isn’t united.

++ FOUR (4):

041

AN AFFAIR WITH A WELL GROOMED FOX INTA312_Dr Maibritt Pedersen Zari Semester Two 2012 Retail Design using Brand Identity for Well-Groomed-Fox

042

“I am the mysterious act. You watch me but do not interact with me. You think you know me, how I work, why I draw attention to myself. I mislead you, but only so you want to explore me more. I suggest what is to come but only in a twisted truth.�

the bait:

entrance

I am the bait; inviting, quirky and attractively unusual.

I have odd accents that lead your eye and your body toward me.

I give you clues to whats inside but do not fully reveal my intentions.

043

044

045

046

047

PHYSICAL MODEL

048

++ FIVE (5):

TECHNICAL DRAWING

049

INTA312_Christina Mackay Semester Two 2012 Moveable/Inter-Changeable Wall Detailing

2

44mm

A102 Cowdroy Heavy Duty Triumph TT820 Aluminium Track @ 1100mm long 42mm

Cowdroy Heavy Duty Triumph TT831 Wheel Assembly with Top Fix Bracket M6 Hex bolt, Stainless Steel Class 8.8, metric thread with M6 Class 8, metric thread Stainless Steel nuts.

14mm

14mm

66mm +/- 7mm

22mm

50x3mm Plate Stainless Steel @ 490mm long

40mm

45mm

75x50x5mm Right Angled Mild Steel @ 490mm long.

Powdercoated in white after weld fabrication.

M10 Stainless Steel Wingnut 25mm

M10 Mild Steel threaded rod @ 40mm long, factory welded to angled steel on North face, grinded flush with angle.

35mm

Interchangeable Screen.

Projected material widths range from 3-9mm.

Max weight 150kg 2440mm high @ 490mm wide

105mm

30mm

35mm

490mm

2

Section 1:1

050

Refer to A002: E1. South Elevation & S1. Section, for assembly and component details

Entrance

Cowdroy Heavy Duty Triumph TT820 Aluminium Track @ 1100mm long

Central Display Area

Location of movable screen wall detailed

2440mm

Interchangeable Screen. Max weight 150kg

Outline of furniture lazer cut out of projected material.

Adapted as nescessary

Back of House/ Studio

N 490mm

D1 -

Reflected Ceiling Plan 1:100 @ A3

D2 -

Lauren Hickling Designs.

INTA312 Assignment 2 VS 2.01

Date:

19/10/2012

Job#:

001

Revisions:

3D Assembled Axonometric 1:20 @ A3

Drawing:

Job:

D1. Reflected Ceiling Plan D2. 3D Assembled Axo Well-Groomed-Fox Retail Store

Interchangeable, Movable Screen Details:: No Site

Drawing #:

A001

Revision #: A

Scale:

As Specified @ A3

44mm

Cowdroy Heavy Duty Triumph TT820 Aluminium Track @ 1100mm long

Cowdroy Heavy Duty Triumph TT831 Wheel Assembly with Top Fix Bracket

S1 A102

42mm

M6 Hex bolt, Stainless Steel Class 8.8, metric thread with M6 Class 8, metric, thread Stainless Steel nuts

14mm

14mm

66mm +/- 7mm

75x50x5mm Right Angled Mild Steel @ 490mm long.

Powdercoated in white after weld fabrication.

22mm

50x3mm Plate Stainless Steel @ 490mm long

40mm

45mm

M10 Stainless Steel Wingnut 25mm

M10 Mild Steel threaded rod @ 40mm long, factory welded to angled steel on North face, grinded flush with angle.

35mm

Interchangeable Screen.

Projected material widths range from 3-9mm.

Max weight 150kg 2440mm high @ 490mm wide

30mm

105mm

30mm

35mm

490mm

E1 -

South Elevation

S1 -

1:1 @ A3

Lauren Hickling Designs.

INTA312 Assignment 2 VS 2.01

Date:

19/10/2012

Job#:

001

Revisions:

Drawing:

Job:

Section 1:1 @ A3

E1. South Elevation S1. Section Well-Groomed-Fox Retail Store

Interchangable, Movable Screen Details:: No Site

Drawing #:

A002

Revision #: A

Scale:

1:1 @ A3

M6 Hex bolt, Stainless Steel Class 8.8, metric thread with M6 Class 8, metric thread Stainless Steel nuts.

Interchangeable Screen.

Projected material widths range from 3-9mm.

Max weight 150kg 2440mm high @ 490mm wide

Cowdroy Heavy Duty Triumph TT831 Wheel Assembly with Top Fix Bracket

75x50x5mm Right Angled Mild Steel @ 490mm long.

Powdercoated in white after weld fabrication.

50x3mm Plate Stainless Steel @ 490mm long

M10 Mild Steel threaded rod @ 40mm long.

Factory welded to angled steel on North face, grinded flush.

D1 -

Exploded Axonometric 1:2 @ A3

Lauren Hickling Designs.

INTA312 Assignment 2 VS 2.01

Date:

19/10/2012

Job#:

001

Revisions:

M10 Stainless Steel Wingnut

Drawing #:

Drawing:

D1. Exploded Axonometric Job:

Well-Groomed-Fox Retail Store

Interchangeable, Movable Screen Details:: No Site

A003

Revision #: A

Scale:

1:2 @ A3

++ SIX (6):

055

OF THE HIDDEN SIDE INTA311_John Daish Semester One 2012 Hotel Refit for the John Chambers Building

056

The tectonics of the design draws on the placing of the John Chambers Building within its surroundings by using the aesthetic of forcing elements apart to create individual spaces, allowing the space to be fully exploited but never physically connected. This tectonic idea has led to private spaces being hidden behind layers of pushed and pulled on forms and public spaces to occur in the hollow voids between the fighting forms or the intervention and the existing exterior. These voids are often pushed into to create viewing platforms that then put the inhabitant on display before they slide back into a private crevice. To create a poly-vocal space the design draws on human curiosity and the need to find what is on the ‘hidden’ side of a form, to define the route through the crevices to the hidden or exposed alike.

057

058

059

2.

1.

Level One

1. Hotel lobby 2. Bar

060

3.

5.

4.

Level Two

1. Hotel lobby 2. Bar 3. Private dining interior 4. Secong oor walkway 5. Private dining exterior

061

Level Two

3. Private dining interior 4. Secong oor walkway 5. Private dining exterior

3.

5.

4.

062