LE KAP - Winter 2014 edition

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SOUTH AFRICA’S PREMIER LIFESTYLE MAGAZINE

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publishing editor Steve Swanepoel creative Le Mag Publications Group proofreaders Marion Pfeiffer l Moira Theart wine route correspondent Margi Hoffe international research & correspondents Howard Linsee-Tutill - Mark Kumleben - Liz Webber advertising enquiries sales@lemagpublications.com marketing Richard Wagner editorial enquiries info@lemagpublications.com event enquiries info@lemagpublications.com website Warren Richardson printing Colourtone Aries cover in house design publisher Le Mag Publications Group editor editor@lemagpublications.com email info@lemagpublications.com web www.lemagpublications.com tel 021 829 7120 / 021 829 7205 fax 086 554 5580 COPYRIGHT © 2014 - LE MAG PUBLICATIONS GROUP

The opinions and views expressed herein are not necessarily those of the Le Mag Publications Group. The publisher and editor regretfully cannot accept any liability for omissions or errors contained in this publication. The ownership of registered trademarks is duly acknowledged. No part of this publication or any of its content may be reproduced, digitally stored or transmitted in any format without the express and written permission of the publishing editor.

08 FROM THE EDITOR 11 INSPIRATIONAL ICON 16 MONT BLANC CELEBRATES 22 THE HISTORY OF JEANS 26 LAMBORGHINI HURACÁN 32 WHAT’S HOT. WHAT’S NOT 37 THE LEOPARD 51 POWERCAT

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CONTENTS 43 ALPHERA RECORDS GROWTH

73 ANDY GREEN - PUSHING THE LIMITS

47 DRESS TO IMPRESS YOURSELF

78 THE GRANDE ROCHE

50 GUCCI’C NEW COLLECTION

80 PRAGUE - CITY WITH SOUL

54 TIMELESS CLASSIC

85 DESIGNER EATERY

56 A SENSORIAL DELIGHT

88 BATHING MACHINES

62 LE KAP LIFESTYLE FAIR

68 PROPHYLACTIC MASTECTOMY

68 THE VEUVE CLICQUOT POLO MASTERS

94 DRINKING SMART

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Le Kap | Winter 2014

From the Editor Hello! - I am Steve Swanepoel, the founder, publisher and the editor-in-chief of the Le Mag Publications Group.

After months of anticipation, preparation and announcements, I am delighted to welcome you to the very first edition of ‘Le Kap Magazine’. What began as a vision during 2010 to create a national magazine that would provide its readership with content that would illuminate to the finer things in life has now resulted in this publication.

I cannot convey an adequate amount of gratitude for the encouragement we have received and the enthusiasm expressed to me to make ‘Le Kap Magazine’ a reality. I extend a special thanks to its contributors, including, but not limited to, authors, photographers, our creative team, family and friends, all of whom have suffered the temperamental consequences of my commitment to task.

In addition to its intelligent and engaging content, ‘Le Kap Magazine’ is a powerful niche marketing platform for both national and international brands, without which there would not be publications of this calibre. We thank our advertisers as well as their respective media agencies for their faith and support in this inaugural edition of ‘Le Kap Magazine’.

‘Le Kap Magazine’ is for sale in select stores throughout South Africa and draws benefit from a national ‘smart distribution’ system. Complimentary copies of the magazine are also placed in various premium locations, such as luxury hotels, exclusive boutiques and restaurants, airports, private jets and a variety of luxury ‘slow lounges’ throughout South Africa and select cities in Africa. As with its sister publication, ‘Le Helderberg’ complimentary copies of ‘Le Kap Magazine’ are also made available to a significant number of High Net Worth Individuals.

Enjoy the read.

Steve Swanepoel Publishing Editor - Le Mag Group

www.omegawatches.com

THE DARK SIDE OF THE MOON

The Apollo 8 astronauts were the first people to see the dark side of the moon with their own eyes. The black ceramic [ZrO2] Co-Axial Speedmaster salutes the pioneering spirit that took them to a place no human had ever been and it pays homage to the Speedmaster Professional chronographs worn by every Apollo astronaut. OMEGA is a proud partner in mankind’s greatest dreams.

Personality Le Kap | Winter 2014

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She is South Africa’s first female mining magnate and most successful female entrepreneur. Featuring on the Sunday Times ‘Rich List’, this formidable business woman is the star of a true rags to riches story and a fashion icon to boot. Vanessa Gounden seems to have it all: brains, beauty, heart, business sense, political conscience and style. However, is it really possible to be the master of all trades? It seems so, as we find out more about this remarkable woman and her meteoric rise to fame.

CONTENT | MARIA-ELENA CACACE

Vanessa Gounden Inspirational Icon

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Currently, Vanessa flits seamlessly between her various roles. Chief Executive Officer (CEO) in the high-powered and male-dominated corporate world, fashion designer and creative director in the equally frenetic fashion world, matriarch and driving force alongside a dynamic husband and business partner and mother of two children with many philanthropic interests.

avid reader, books and magazines were my window to a world beyond the township. I read well because I slept in a room with five older cousins who read to me by candlelight before bedtime.’ Her entrepreneurial spirit motivated her from a young age. She earned extra pocket money during weekends by picking roses on her grandfather’s rose farm which she sold at the market.

Vanessa is originally from Durban and grew up in poverty as the great-grandchild of a sugarcane plantation labourer.

Her enduring spirit and die-hard character were cemented from an early age. At the age of 4 years, Vanessa’s mother smuggled her into Grade 1 classes. As the eldest of three siblings, Vanessa was encouraged to give of her best at all times and this has developed her personality into one who continues to push the boundaries and strive for excellence.

When Vanessa was ten years old she watched her grandfather being financially crushed and the family devastated as they lost their freedom and livelihood under the Apartheid government. They were evicted from their home and relocated to the Shallcross Township with the implementation of the Group Areas Act. Witnessing this anguish sparked the beginning of her political consciousness and Vanessa became actively involved in the Trade Union Movement, contributing by mobilizing supporters in protests throughout high school and university.

She was able to read from the age of two and she remembers fondly her library trips, ‘Every week my mother and I would walk for an hour to the segregated municipal library where they allowed us Indians a maximum of two books. I was an

After she had graduated with a university degree and while working as a primary school teacher, Vanessa married her high-school sweetheart, Sivi Gounden who had completed a PhD in Engineering. Together they started a lifelong partnership of sharing their passions and motivating each other as a dynamic duo, living by the mantra: ‘fortune favours the brave’. Vanessa and Sivi were politically very active and when the ANC came to power in 1994 they received a personal call from Nelson Mandela requesting their assistance in the rebuilding of South Africa. Vanessa was appointed as the Director of Change Management in the police and later headed up Human Resources for the National Intelligence Agency. Sivi was made Director General of Public Enterprises and served under both Presidents Mandela and Mbeki.

Having been fortunate enough to work directly with Nelson Mandela, Vanessa holds him in high regard and credits Madiba as having been one of the inspirational figures in her life. According to her philosophy nothing is impossible; she is living proof of the famous quote: ‘it seems impossible until it is done’. This mantra spurred her on in the next stage of her life. She and Sivi then moved out of the political arena and started HolGoun Investment Holdings with their life savings. After a discouraging start with devastating financial losses and investment failures, Vanessa refused to be beaten. ‘We decided to specialise in things Sivi understood as an engineer and positioned ourselves as high-risk takers in the mining sector. I worked from a desk in our bedroom, but it was a sharp learning curve and in the beginning we burned our fingers and ran up huge debts,’ says Vanessa.

Personality Le Kap | Winter 2014

One of their ventures was the purchase of platinum mining rights on a few farms before the metal became popular, which worked out in their favour and marked the start of HolGoun’s mining success. ‘We turned R1 million into R200 million, which gave us the cash base to invest in coal, uranium and chrome,’ she says. ‘Today HolGoun has an asset base valued at more than R2 billion.’ HolGoun is the second largest shareholder in Samancor Chrome,

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one of the largest integrated ferrochrome producers in the world and has many other exploratory mining assets.

HolGoun has since ventured into various other industries such as healthcare, fashion, music, movies and security. In the financial services sector it has become the controlling shareholder in Daly Debt Corporation, South Africa’s biggest debt collection agency.

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Le Kap | Winter 2014

Personality Le Kap | Winter 2014

Not one for complacency and spurred on by her childhood dream and passion for fashion, Vanessa entered the fashion arena in March 2011. This was when she launched her designer luxury label, VANESSA G LONDON in London at Fashion Week to a star-studded crowd with model Jourdan Dunn opening and closing the catwalk show. The Vanessa G brand has broken the mould and has grown exponentially, thanks to Vanessa’s creative vision and determination.

The fashion industry is notoriously ruthless and seemingly impossible to infiltrate; however, ‘impossible’ is not a word in Vanessa’s vocabulary.

She has driven her fashion label forward in her own way, emanating integrity and style, refusing to be dictated to by ‘rules’, or to conform to the expectations of society. She has given birth to her own fashion concept coining the term and design aesthetic of: ‘Art’Outure’. As Vanessa says, ‘I’m inspired by what’s not been done before, bringing together fashion and original art. I call it ‘Art’Outure’ or ‘wearable art’, and the idea is that every garment pushes the boundaries

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collection in New York, the Vanessa G label shows no sign of slowing down in the quest for global domination with plans to expand into Africa this year. She has an international celebrity following including Jade Jagger, Poppy Delevigne, Natalia Vodianova, Yasmin Le Bon and local stars such Jeannie D and Jen Su have both worn Vanessa G at local events.

Constantly looking for new opportunities, in 2013 Vanessa fulfilled a life-long dream by taking over and revamping the D’Oré Sandton City boutique department store. She has turned it into a multi-brand fashion house associated with luxury, exclusivity and sophistication. Last year Vanessa’s contribution to the fashion industry was recognised when she was awarded the 2013 Mbokodo Award for Fashion Design & Innovation. This award recognizes the enduring spirit of South African women in the arts and their perseverance and contribution to society. As a role model and inspirational success story for South African females and women in the business world internationally, she has the following advice:

Nothing comes without very hard work, commitment and dedication. Don’t be held back by cultural norms. Do not limit your ability to venture out and to try new things. I have always encouraged women to travel as travelling opens the mind to opportunities. What is interesting today is the utilization of the internet. It is an amazing educational tool that broadens the perspective to be able to understand the evolution of society. of fashion and art and becomes a talking point.’ Drawing on her rich life experiences and remaining conscious of her roots, Vanessa’s extensive travels have exposed her to a wide array of art forms ranging from community-based art to young emerging talent, which she uses as inspiration for all her collections.

She has also taken inspiration from a myriad of elements of nature; the image of the rose, which played a large part in her childhood features strongly in the Vanessa G designs, which also incorporates flowers such as the Gauteng jacarandas, together with other bold and thought-provoking prints.

With a strong belief that dress sense should reflect a woman’s inner beauty and confidence, the ‘Vanessa G’ brand is aimed at the contemporary woman of today who has an appreciation of the arts and wants her clothes to reflect her sensibility. With an annual presence at London Fashion Week and having recently launched her latest

As queen of both the corporate and fashion world (she is the only South African with a true international fashion label) Vanessa is also a ‘Queen of Hearts’ being actively involved in many charities alongside her husband, Sivi. With first-hand experience of poverty, Vanessa acknowledges the importance of education as a pivotal factor in the upliftment of lives. She started the HolGoun Development Trust with Sivi, supporting over 100 underprivileged students over the last five years by paying for their education and assisting financially in training and employment.

Forever focused on continuous progress and expansion, Vanessa’s career aims are to grow HolGoun into a multibillion dollar diversified multi-national company with a conscience, and her sights are firmly fixed on turning the Vanessa G fashion brand into a global powerhouse. The sky is the limit for Vanessa Gounden, a modern inspirational story of triumph against all the odds, and an icon for aspiring entrepreneurs and career women alike. Le

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Stephen Baldwin

MONTBLANC CELEBRATES 90 YEARS During April 2014 Montblanc celebrated 90 years of their 'Meisterstück', the timeless fountain pen, at an exclusive reception and dinner at Guastavino’s in New York hosted by Jérôme Lambert, Chief Executive Officer of Montblanc International. Guests including Stephen Baldwin, Edward Norton, Rosario Dawson, Penn Badgley, Olivia Palermo, Johannes Huebl, Chanel Iman, Sebastian Stan, Tyson Beckford, Anthony Mackie, Alex Wek, and Madalina Ghenea were introduced to the Meisterstück 90th Anniversary Collection featuring four new writing instruments.

Feature Le Kap | Winter 2014

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Le Kap | Winter 2014

Additionally, celebrities and enthusiasts were able to view an exhibition featuring a display of writing instruments from the past nine decades and enjoy the opportunity of receiving personalised messages from the world-renowned calligrapher, Nicolas Ouchenir. The exhibition also paid tribute to prominent international leaders, distinguished authors and celebrities, such as President Barak Obama, John F. Kennedy, former German Chancellor Konrad Adenauer, Prince Charles and Princess Diana, all of whom had marked a precious moment in their lives with their very own Meisterstück.

To further demonstrate their commitment to the culture of writing, Montblanc announced their plans for the future; a partnership with the Tribeca Film Institute and the Nelson Mandela Foundation. Montblanc shares Nelson Mandela’s lifelong commitment to writing and belief in the power of words.

Last year, Montblanc presented ‘Midnight Moments: A Digital Gallery’ which synchronised creative content videos that were broadcast in Times Square. At the 90th anniversary celebration, Montblanc announced that they would continue to support the Power of Words project and screened a sneak peak of the 2014 short film project.

Olivia Palermo & Johannes Huebl

True to the ‘Meisterstück spirit’, the unveiled Meisterstück Collection features the quintessential 149 Fountain Pen, the Classique and Legrand Fountain pens and a Rollerball and Ballpoint, each artfully crafted with red gold fittings. The ‘Limited Edition 90’ (limited to 90 pieces) Fountain Pen and Rollerball collection features exquisite designs with a cap ring set with 90 diamonds and elegant guilloche engraving. A Special Edition assortment of writing instruments further highlights Montblanc’s savoir-faire Fountain Pen, Rollerball and Ballpoint Pens in Classique sizes. A Skeleton Fountain Pen is also presented to celebrate this anniversary paying homage to the first Skeleton Pen created in 1999 for the Meisterstück 75th anniversary. This pen comes with a delicately skeletonized, ruthenium-plated cap and barrel topped by a quartz Montblanc emblem.

In addition to the writing instruments the Meisterstück Collection also includes a unique selection of sensuous leather goods, meticulously crafted timepieces and refined jewellery.

MEN’S JEWELLERY Further celebrating the Meisterstück, a collection of men’s jewellery and accessories underlines Montblanc’s passion for timeless design. Distinguished cufflinks, bracelets and key holders are presented as a new source of discreet elegance.

Inspired by the Meisterstück’s iconic details, the collection features refined engravings, lustrous black resin embellished with black onyx and a red gold-coloured finish. The stainless steel collection pays tribute to the Meisterstück style with platinum accents and genuine Montblanc engravings on the rim, a hint of elegance that shines through.

Mont Blanc ceo Jerome Lambert & actress Madalina Ghenea

TIMEPIECES The Montblanc Meisterstück Heritage Collection is inspired by the spirit of the Meisterstück with classical design and sumptuous decorations. These refined timepieces, manufactured in Villeret and Le Locle Switzerland, manifest the values of the Montblanc Meisterstück and the tradition of fine Swiss watchmaking in every detail.

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LEATHER GOODS Matching the timeless beauty of the Montblanc Meisterstück Writing Instruments, a new line of leather goods further extends the prestigious collection: Meisterstück Soft Grain.

These leather goods have been launched as collectibles, handcrafted in Montblanc’s Pelletteria in Florence and are elegantly lined with a graphic, historical Jacquard pattern based on Montblanc’s 1924 logo.

For over 100 years, Montblanc has embraced the traditions of lasting value and exquisite craftsmanship. The Maison’s uncompromising principles of design, style, quality and workmanship have allowed them to create heirloom collections that are passed from generation to generation.

The iconic Montblanc emblem is a symbol of excellence – the pinnacle of luxury writing instruments, timepieces, jewellery, leather, fragrances and sunglasses – and with its roots in writing, the brand has made an enduring commitment to encourage excellence through cultural initiatives.

Through various international activities, the company makes a creative contribution to modern cultural life: Montblanc itself writes a small piece of cultural history. Le For further information visit www.montblanc.com

Unik Ernest, actress Rosario Dawson & Stephen Baldwin

The History of Jeans CONTENT | STEVE SWANEPOEL

'A Canvas For Personal Expression' Marlon Brando

History Le Kap | Winter 2014

No item of clothing has been as widely embraced as jeans. We all wear them; heads of state, movie stars, musicians, rebels and royalty.

What started out as workwear has evolved to become the most popular apparel on earth to the degree that half of the world’s populations wear jeans every day.

During 1969 a writer for an American fabric publication said, ‘Denim is one of the world’s oldest fabrics, yet it remains eternally young’.

If the consistent use of an item makes it ‘eternally young’ then this writer’s statement was certainly appropriate. From as early as the 16th century denim fabric was made into upholstery, tents and sails, and worn as either the fabric of labour or possibly as an expression of rebellion.

The history of jeans is extraordinary. One would assume that jeans started as an American trend, but research indicates that the source of the fabric from which jeans are made originated in Nîmes, France and in Genoa, Italy as far back as the 1500s, long before the 1870s when wearing pants made out of denim fabric became the order of the day.

Most people may presume that the term denim and jeans refers to the same item; in fact denim is the name of a fabric and used to make pants which are known as jeans. In reality they are completely different, the first is the fabric and the second is the term for the end product.

The origin of the names denim and jean is to some extent interwoven amid fact and myth. Generally historians agree that the word denim was adapted from the French fabric known as ‘serge de Nîmes’. Serge is the name of a strong fabric (a type of twill fabric of silk and wool) made in Nîmes in France.

The name jean actually refers to the name of a cotton, linen and/or wool blend fabric made in the city of Genoa in Italy around the same time as denim. This jean fabric was initially used

by Genoese sailors to cover and protect goods awaiting shipment; this was prior to their using the jean fabric to make pants which were then called jeans after the fabric. Therefore the claim that the first ‘jean’ pants were worn and also exported throughout Europe by the Genoese sailors is not correct. Another view is that the French name for Genoa, ‘Gênes,’ is likely to be the origin of the word ‘jeans’.

Research indicates that in the 19th century the fabrics known as jean and denim were remarkably different. Fine trousers, topcoats and short jackets were made from blue jean material while overalls and work trousers were manufactured from blue denim.

However, the two men responsible for making jeans or denims an international wardrobe staple are

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two American immigrants, Loeb Strauss (aka Levi Straus) and Jacob Youphes.

Levi Strauss, originally named Loeb Strauss was a Bavarian immigrant of German Jewish descent who arrived in the United States during 1847 aged 18 to join his brothers, Jonas and Louis, who owned a dry goods wholesale business (textiles, clothing, and sundries) in New York City.

In 1853 at the age of 23 he moved to San Francisco, the commercial hub of the Californian Gold Rush, to start his own ‘dry goods business’, Levi Strauss & Co; this would become one of the world’s largest clothing companies.

Levi Strauss, who never married, also parlayed his incredible business acumen in advancing social progress at the time by giving back to the community. He established a company tradition which was committed to impact positively upon society.

Jacob Youphes was born in Latvia and emigrated to the United States in 1852 at the age of 23.

Two years later he changed his name to Jacob Davis. After working as a tailor in New York and Augusta, Davis moved to Canada in 1858 in pursuit of a more lucrative career. There he met his wife Annie Parksher and they returned to San Francisco in January 1867 and moved to Virginia City where he opened a cigar shop, however after three months he reverted back to working as a tailor.

This nomadic tailor moved to Reno in Nevada in 1868 and invested in a brewery, but this investment failed. In 1869 he opened a tailor shop and produced tents and wagon covers made from a heavy duty cotton duck cloth and a hard wearing cotton denim fabric, which he bought from Levi Strauss & Co. During 1870 a female customer asked Davis if he could make a cheap pair of pants for her husband, a miner, who regularly had to replace his pants as these were being worn away during his working hours. He decided to fasten the pocket-ends with copper rivets for added strength to prevent the pockets from tearing as a result of miners putting gold nuggets in their pockets. Within 18 months Davis had sold 200 pairs of riveted pants.

In 1872 Jacob Davis wrote to Levi Strauss who was already a millionaire and explained that he had come up with the unique idea of putting copper rivets at the pockets-ends and other points of stress in ‘waist overalls’.

Davis told Straus that he could not keep up with the demand for his jeans and that he wanted to patent the idea of selling clothing reinforced with rivets, but that he required a business partner to fund it. Strauss agreed and in 1873 they obtained a patent for ‘Improvement in Fastening Pocket-Openings’.

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Davis moved to San Francisco in April 1873 to start working for Strauss and overseeing the manufacturing of the copper riveted ‘waist overalls’, the initial name for their flagship product which became known as jeans. Contrary to popular belief the denim material for the first Levi ‘waist overalls’ was not imported from France or Genoa, but supplied by Amoskeag Manufacturing Company in Manchester on the East Coast of the United States.

By the 1920s, Levi’s ‘waist overalls’ were the foremost type of work pants in the Western states. The cowboy movies of the 1930s had captured the American imagination and real cowboys wearing Levi’s® jeans were elevated to mythical status. Jeans became synonymous with a life of freedom and individuality.

Denim transcended its image as clothing for workers and became the fabric of the authentic American, as symbolised by Hollywood stars, such as John Wayne and Gary Cooper amongst others.

Jacob Youphes

Eastern Americans seeking an authentic cowboy experience headed to the cattle ranches of California, Arizona and Nevada to buy their first pair of Levi’s, as they were only sold west of the Mississippi. In taking the jeans home the trend expanded through the country and eventually abroad.

The onslaught of the second world caused the manufacture of ‘waist overalls’ to be limited as raw materials were needed for the war effort. When the war ended in 1945, the changes in society saw denim pants becoming increasingly associated with the leisure activities of a prosperous post-war America.

Jeans, no longer called ‘waist overalls’ in the 1950’s, became a symbol of teenage rebellion as influenced by legendary actors such as James Dean in ‘Rebel Without A Cause’ and Marlon Brando in the film ‘The Wild One’.

Hollywood film producers dressed all the bad boys in denim and the portrayal of denimclad ‘juvenile delinquents’ resulted in many American schools banning pupils from wearing jeans to school as it was feared that such ‘rebel-like’ attire would lead students to rebel against authority.

The hippy movement between 1960 and 1970 initiated the trend to personalise and decorate jeans. Hipsters, bell bottoms and pre-washed jeans became fashionable. Those countries behind the Iron Curtain viewed jeans as representative of western decadence and individuality and jeans were seen by many as highly desirable. Jeans were even associated with the demise of communism!

Levi Strauss

In the 1980s‘designer jeans’ fashioned for style rather than practicality made their appearance. Some readers will remember how these skin-tight jeans made from combinations of cotton, spandex, Lycra and even of suede and leather were designed to mould on to bodies

History Le Kap | Winter 2014

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to accentuate curves. These ‘designer jeans’ were allowed in most upscale venues where jeans were not previously permitted. Various designers’ brands entered this market, such as Gloria Vanderbilt, Sergio Valente, Girbaud, EJ Gitano, Jordache, Guess, Chic, Zena and Sassoon.

During the 90’s jeans were no longer regarded as high fashion, although still extremely popular, but trends changed to combat style pants, khakis and chinos as well as a variety of branded sportswear.

Currently jeans are back on the international stage with various high-end ‘designer jean’ fashion labels, such as Escada, APO, Dolce & Gabbana, Gucci, Paige Denim, and G-Star amongst many others dominating the international catwalks.

Designer jeans are seen as an investment by their proud owners as they can be rather expensive, ranging from R1500 upwards. The world’s most expensive jeans ‘Secret Circus’ with 15 large diamonds sewn on to back pockets will set you back R14 million rand.

The top silhouette for 2014 is still the ‘skinny jean’ but the so called ‘boyfriend’ jeans with a wider leg are becoming extremely popular.

The story of jeans continues... Le

James Dean World’s oldest pair of Levis valued at $ 150, 000

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‘a time machine’ CONTENT | STEVE SWANEPOEL

The Huracán LP 610-4 was officially launched in Geneva during March 2014 and early indications are that this futuristic supercar will be an instant sensation and success. Word has it that over 1500 orders have already been placed for this attention-seeking Italian supercar, following more than 130 exclusive private showings in 60 cities around the world, including South Africa.

The Huracán is probably the most exiting supercar announcement of 2014 and had motoring enthusiasts waiting with baited breath to catch sight of the anticipated replacement for the 10 year old Lamborghini Gallardo which has now been discontinued.

The Lamborghini engineers and design team under the leadership of Filippo Perini had their work cut out to produce a vehicle, which would not only match the outgoing Gallardo, but also supersede the car in all aspects.

The Gallardo, which is the most successful Lamborghini to date, achieved staggering sales figures in excess of 14 000 units, which

accounts for nearly half of the 30 000 Lamborghini’s sold in the company’s 51 year history.

The Lamborghini team situated in Sant’Agata Bolognese in northern Italy where these luxury cars are manufactured seems very optimistic that the Huracán will exceed the success of the Gallardo on all fronts.

According to the car’s manufacturer, the Huracán is positioned as the ‘entry level’ vehicle into Lamborghini ownership and that there is nothing that rivals the technology of the Huracán, which admittedly looks like the ultimate futuristic ‘time machine’ crossed with a stealth fighter jet.

As with most Lamborghinis the name of this car originates in the world of bull-fighting; Huracán was the name of a Spanish fighting bull from the Spanish ‘Conte de la Patilla’ breed frenowned for its superior strength and courage. >

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The 610-4 part of the name is representative of the 610-horsepower that is produced from a newly developed naturally aspirated ‘longitudinally mid-mounted’ 40-valve 5.2-litre V10 engine, fitted with Lamborghini’s new ‘Iniezione Diretta Stratificata’ (stratified direct injection) fuel system. Stratified injection basically means that a combination of direct and indirect fuel is delivered to the pistons. This method provides for cleaner combustion and more power from lower fuel consumption.

The Huracán also boasts a new seven-speed, LDF dual-clutch transmission, named ‘Lamborghini Doppia Frizione’ driving all four wheels through an electronically controlled differential. In my opinion this is a major improvement from the single-clutch gearbox fitted to the Gallardo as gear changes in the Gallardo, although extremely exhilarating, can be rather brutal.

The driver can choose from three driving modes, namely STRADA, SPORT and CORSA (road, sport and race/ speed) from a button positioned at the bottom of the steering wheel. Selection to SPORT or CORSA mode results in an extensive modification to the gearbox, engine, the All Wheel Drive system and even the exhaust sound of the Huracán, drastically transforming the car from a normal driving configuration to an extreme performance race track ready machine.

Whereas the Gallardo had an aluminium chassis, the Huracán weighing just over 1400kg, features a new rigid hybrid chassis constructed from a combination of aluminium and carbon fibre resulting in a power to weight ratio of 2.33 kg/hp, which combined with the aforementioned specifications makes for a blistering performance capability.

Pirelli P Zero’s are the tyres of choice (front 245/30 R20 and rear 305/30 R20) with 20-inch wheels, which were specifically developed for the Huracán. Carbon-ceramic brakes are fitted with 380mm brake discs at the front and 356mm discs at the rear. The ‘Lamborghini Dynamic Steering’ variable steering ratio system and magnetorheological suspension damper control are available as options for further customisation of the Huracán. >

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I have not had an opportunity to test-drive the Huracán, but Lamborghini claims the supercar delivers 448kw at 8250 rpm and hence achieves a blistering 0-100km/h in 3.2 seconds with a top speed of 325km/h. It is also claimed the Huracán has a fuel consumption of 12.5 litres per 100km EU-rating, partially due to its idle-stop function. Based on my experience with the Gallardo's I have good reason to believe this to be well within its scope.

The Huracán’s stunning exterior design certainly speaks for itself with its pure lines and unique design. Filippo Perini, the head of design at Lamborghini says he is inspired by crystals and in particular in the way that crystals intersect, hence the car's hexagonal design. He said everything in the Huracán is shaped around some form of hexagon, the body shape, interior gauges, rear view mirrors and headlights.

The most important factor in the silhouette of the car is that the design follows on line from the front of the car merging the cockpit to the rear, so that everything, front, middle and rear is connected in one fluid line. The lateral windows come together to create a hexagonal form like a crystal in the car's profile.

A state-of-the-art, driver focused cockpit offers more space and

better visibility to both driver and passenger than did the Gallardo. A 12.3 TFT display positioned in front of the driver can be configured in various different modes and provides the driver with a plethora of options and information such as; rev counter, navigation maps and all the infotainment functions etc.

The Huracán is offered in a selection of exterior colours, which can be combined with seven interior options that can be customised as per its owner’s individual preferences. One thing is for certain - your Huracán will be noticed in the parking lot.

I don't have much doubt that the Huracán will live up to all the claims made by Lamborghini in that this supercar is far superior to the Gallardo and I look forward to confirming this to our readers once I have driven the new bull in the Lamborghini stable.

It is clear to me that the Huracán will be an instrumental part of the Lamborghini arsenal in the very competitive supercar arena.

For a car manufacturer that started out by manufacturing tractors and then ventured in building its first car, the 350GTV in 1963, Lamborghini has certainly come a long way and in super-fast time - pardon the pun. Le

Elegance is an attitude Kate Winslet

Conquest Classic

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THE SOCIAL SCENE

WHAT’S HOT. WHATS NOT

Social Le Kap | Winter 2014

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‘Some people think luxury is the opposite of poverty. It is not.

It is the opposite of vulgarity.’ Coco Chanel, 1930 CONTENT | ANINA MALHERBE-LAN

As we suddenly find ourselves in the middle of yet another year, we look back on the first half of 2014. We think back to what has happened in the social scene in Cape Town (and South Africa) over the last few months and who and what has made the hot list.… I’ve seen, done and been involved with the organisation of many top events over the years, from small bespoke (and very exclusive) events for brands like Patek Philippe and Bentley, to luxury store launches for brands like Gucci, Jimmy Choo, Burberry and Gerard Darel, to large scale public events affairs like the Veuve Clicquot Polo Masters and the Le Kap Lifestyle Fair.

So many events take place throughout the seasons. However most of these cannot be compared to the quality of events we see taking place in cities such as New York, London, Milan and Paris. If like me, you are able to travel internationally during the year and attend some of the top fashion weeks such as Milan and Paris, this does create a change in perspective. Simply having the opportunity of shopping at the world’s top luxury boutiques alters your view on fashion, style, celebrity and changing trends. In understanding how international trends are created, the realisation emerges of how far we are from keeping up with some of these trends at the southernmost tip of Africa.

In assessing the past summer season, it’s clear that although that Cape Town is fast becoming one of the coolest cities on the planet this means always keeping up to date with international styles and trends. In 2010 the World Cup ensured that all eyes were focused on Cape Town and South Africa and last year it announced that Cape Town would be the host for the World Design Capital 2014. Cape Town also recently made it onto the New York Times Hot List as the number one city to visit in 2014.

Consequently international brands started exploring our country in search of new markets in a time where there was little growth if any in Europe and the US and trend analysts began looking at Cape Town and South Africa, searching for new sources of inspiration and offering new markets to global luxury brands.

In South Africa, the L’Omarins Queen’s Plate kicked off a year of events in Cape Town. This annual horseracing event with a dress code of blue and white attracts socialites from all over the country, but it is debatable whether you can expect a really elegant display of fashion when all attendees are wearing the same colours. I noted and approved of a few interesting ‘off white’ ensembles while walking the grounds of Kenilworth Racecourse in my denim-blue Prada pumps (my contribution to the blue and white theme), but those were few and far between.

The next noteworthy event, which is historically Cape Town’s oldest annual large-scale social horseracing event, is the J&B Met that took place at the end of January. I must confess that this is not one of my favourites and an event that I swore I would never attend again, but it’s an event that continues to attract socialites from far and near. The theme for 2014 was ‘Made to Conquer’ and some of the outfits chosen by some ‘socialites’ were difficult to grasp; some looked like glitzy, ‘theme party’ hand-sewn outfits reminiscent of 16th century stage plays. To me this seemed hardly appropriate for Cape Town’s biggest horse racing event, but those, strangely, seemed to be the rule of thumb on the day. One couple looked decidedly frightening in what looked like outfits made by an overeager housewife for the local school play; one Johannesburg ‘celeb’ was tastelessly dressed in a ‘just below the bum’ gold kitsch number (complete with tiara and sceptre in hand), while another looked ready to ‘conquer’ with a headdress resembling a Mardi Gras outfit.

Enough said.

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Next up on the calendar was one of chicest events of the year, particularly known for its sense of style, The Veuve Clicquot Masters Polo, which takes the crown as South Africa’s most stylish social sporting events and i’m not just saying it because my company co-owns the event. Taking its cue from the Veuve Clicquot LA Classic, the famous UK Gold Cup and Veuve Clicquot’s other international polo events; this 4-year-old event inspires true elegance in South Africans. This year’s dress code inspiration was ‘polo chic’. Thank goodness, we saw no glitzy evening gowns at the event (yes, some Capetonians think it appropriate to wear eveningwear to a daytime sporting event!).

There were some fine examples of ‘polo chic’ and many celebs and socialites were seen wearing on-trend ready-to-wear from brands such as Escada, Cavalli, Vanessa G and Elie Tahari et al. The Veuve Clicquot Masters can definitely be considered as South Africa’s most stylish occasion.

This year’s top international social events include the Oscars, which in my view showcases style and elegance at its best. One of my favourite style icons, Cate Blanchett did not disappoint in Armani Privé; Angelina Jolie glittered in Elie Saab and our own Lupita Nyong’o looked stunning in sky-blue Prada.

Then it was the Met Gala with its formal theme of ‘white tie’!

Anne Hathaway was pretty in red Calvin Klein, while Victoria

Cate Blanchett

Charlize Theron

Beckham looked striking in white. Katie Holmes’ Disney style yellow Marchesa gown was an unfortunate choice and the media reports were not kind to her.

Another top event in terms of the style stakes was the Cannes Film Festival. This festival takes glamour to a whole new level, in what is often described as the ‘chicest film festival of all’ and did not disappoint. Kirsten Steward was seen looking ultrachic in Chanel pants, a daring choice, while Marion Cotillard looked ravishing in Christian Dior and Uma Thurman dreamy in Marchesa.

And that wraps up some the most important events of the season, as there have been no other real notable red carpet events in South Africa thus far. Local fashionistas should up their ‘fashion stakes’ and learn from their international counterparts.

I remain hopeful and wait with anticipation for the SA Style Awards and other noteworthy annual events, to see what local fashion influencers will put forward.

I remain cautiously optimistic… Le EDITOR’S NOTE: The author of this editorial Anina Malberbe-Lan is the Founder and CEO of VIVID LUXURY, an award-winning African based communications agency specialising in luxury and premium brands.

Katie Holmes

Lupita Nyong’o

Anne Hathaway

porsche design

Porsche Design Johannesburg | Hyde Park Corner | +27 11 325 5706 | Shop at: shopza.porsche-design.com facebook.com/porschedesignsouthafrica | twitter.com/PorscheDesignSA | www.porsche-design.com

Yachting Le Kap | Winter 2014

L E O PA R D P O W E R C A T CONTENT | LE MAG PUBLICATIONS

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Drawing upon the success of two previous power catamarans, the expert team of Leopard Catamarans has collaborated to produce an all new luxury PowerCat with the focus on stability, blue-water performance and efficiency.

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The Leopard 51 PowerCat brings with it a multitude of exciting features, including a sleek design, a large forward cockpit, multiple lounging areas, an expansive flybridge and a completely redesigned interior upgraded with modern appliances.

This contemporary catamaran is economically efficient, using less fuel than her predecessors, which is due to the superior performance of the two Yanmar 8LV 370hp engines and a redesigned underbody. A brilliant ergonomic layout makes manoeuvring around the yacht comfortable, whilst spacious side decks and the open plan concept allows for easy passage between the front and back of the yacht.

The yacht boasts a large and open saloon, a galley with the latest appliances, three cabins and three heads, with the entire starboard hull being dedicated to the owner’s suite. The enormous flybridge includes enough seating for up to eight and has an outdoor kitchen. This yacht also features an outside lounging platform, directly accessed from the flybridge, which is perfect for relaxing and sunbathing. In addition to the exterior helm station located on the flybridge an interior steering station is optional.

The 51 PowerCat integrates the best from the Leopard sailing fleet combined with the ease of a power yacht. Designed by Simonis Voogd Design and built by world-renowned Robertson and Caine, this PowerCat is built to the highest standards. The sleek hulls allow the yacht to achieve a top speed of 25 knots and she has the capacity to easily navigate through turbulent conditions.

Alexander Simonis recently went out for a sea trial in Table Bay during a severe winter storm with swells as high as 7 meters.

Alexander felt these were ‘Ideal conditions to show the power and ability of the Leopard’. He went on to say, ‘We headed out into the swell going full bore (20+ knots).

The boat had nice dynamic stability at the speed and was launching off the crests, landing smoothly, keeping up to speed and taking on the next one. There was no water coming over the deck and only minor spray could be noticed at the bows as we were riding down the waves’.

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The Leopard 51 PowerCat is unsurpassed in comfort by traditional monohullpowerboats. Owners can choose a three or four cabin layout, with the option of separate crew cabins. The yacht’s interior can be personalised to individual requirements.

The three cabin layout features a master cabin in the starboard hull with a queen sized bed. A private ensuite head is located just outside the master cabin in the forward part of the hull.

Also located in the starboard hull is a comfortable lounge area and desk with an abundance of hanging lockers, drawers and shelves.

Well-ventilated guest cabins with opening hatch ports are located in the port side hull and have been designed with comfort and practicality in mind. They offer an abundance of storage, excellent lighting and full-sized hanging lockers. The forward guest cabin also features a storage area in the forepeak or an optional berth. The heads are spacious with separate shower stalls, Corian washbasins with mixer taps, a mirrored vanity unit and a domestic-sized marinetoilet.

The interior of the yacht centres on spacious open plan living and comfort. Recessed lighting under the cabinets and bench seating, as well as new cabinetry, appliances and additional storage space in the galley, are just a few of the exciting luxury’s that this PowerCat has to offer.

The saloon area, with seating in a wide U-shape, is filled with natural light from the panoramic windows and has enough room for eight guests. This area also promotes outdoor living with direct access to the forward and aft cockpits.The galley offers you a sophisticated and complete kitchen; enjoy prepping for each meal in this modern area with Corian countertops and deep side-by-side sinks. With plenty of storage and cabinet space, one can have all the luxuries on board.

The Leopard 51 PC clearly offers advantages far outside the scope of a traditional monohullpower boat – this together with its pedigree and remarkable amount of usable space makes for exceptional value at a base price of $ 619,000. Le Length Overall: 15.54 m Waterline Length: 14.96 m Beam: 7.64 m Draft: 0.98 m Displacement: 18,500 kg Fuel Capacity: 1,500 L Water Capacity: 780 L Engines: 2 x 150 hp (Optional 370 hp)

Finance Le Kap | Winter 2014

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ALPHERA records impressive growth in a tough retail environment...

Despite the fact that South Africa’s new passenger car market grew by less than 2% in 2013, Alphera Financial Services’ turnover increased by over 40% – indicating significant growth of market share in the fiercely competitive premium vehicle finance market. >

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A

lphera offers a wide range of innovative finance and insurance solutions for premium passenger and light delivery vehicles.

'As a member of the BMW Group, Alphera Financial Services has a wealth of experience when it comes to dealing with premium customers,‘ says Rhys Long. ‘We understand these customers’ high expectations of service delivery and our product development initiatives and service ethos are geared to meet these exacting customer and dealer requirements.’

Alphera Financial Services is a global player and has a presence in 23 countries around the world. The local Alphera operation, which opened its doors in 2001, ranks highly in the group’s network, maintaining 5th place in worldwide new business volume chase in 2013.

Alphera deals with customers through two key channels, either one of the 125 approved Alphera Dealers located around South Africa or ‘Alphera Connect’, the company’s direct sales division, situated at its Midrand, Gauteng head office. The fact that Alphera is not locked into a specific brand makes it easier to retain customers when they switch brands.

Its carefully selected dealer network is a key competitive differentiator for Alphera. The company targets like-minded dealers that are driven to offer superior customer service and enter into sustainable business partnerships with the financier. Alphera enjoys long standing partnerships with several premium branded dealerships, including Land Rover, a relationship that dates back to the days when Land Rover was part of the BMW Group.

Product innovation is key to Alphera’s success and the company has brought to market several exciting industry firsts. One such example is Edge, a product aimed specifically at customers wanting to pay cash for their vehicles. Edge calls for a 50% deposit and a 50% balloon payment due at the end of the three-year term; the interest on the balloon payment is serviced by low monthly payments over 36 months. So it’s a win-win for the customer: a 50% deposit means the vehicle can easily be ‘liquidated’ should the need arise and the remaining 50% of the cash remains available to the customer to invest, This method of financing is especially appealing to business customers who know that, by keeping the funds in their business, they can generate a far higher return than what they are being charged from an interest perspective.

Alphera’s insurance products also bear the hallmark of innovation, with products like Care and Cosmetic, Tyre Cover and Return to Invoice allowing customers to tailor their insurance portfolio to suit their very specific needs. And of course the company also offers traditional comprehensive vehicle and household insurance cover.

Looking to the future, Long says that Alphera will always be a niche player. ‘We are not looking to be ‘all things to all people’, we operate in a space that we understand well and we will be looking to capitalise and enhance our strengths going forward,’ says Long.

This includes extending our offer to more premium dealer partners and customers who value premium service.

‘Service delivery will always be the cornerstone of what we do and this not only means the relentless pursuit of service excellence but also constantly providing exciting new insurance and finance products that underscore the value of doing business with Alphera’.

Four Pin Plug 6955

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You’ve worked hard to attain success and have spent a lifetime accumulating assets that reflect your achievements. Isn’t it time that you protect you possessions with tailored cover? ALPHERA Financial Services caters for discerning clientele, offering wide cover, minimal exclusions and highly personalised customer service.

We understand the demands placed on successful individuals and aim to be an invaluable partner. You reap the rewards; we’ll give you peace of mind.

Contact ALPHERA Financial Services on 0861 257 437 for a personalised, insurance solution or visit alpherafinance.co.za.

ALPHERA Financial Services is a division of BMW Financial Services (South Africa) (Pty) Ltd., an Authorised Financial Services and Registered Credit Provider NCRCP2341. Alphera Comprehensive and Alphera Combined is underwritten by Alexander Forbes Insurance Company Ltd, FSP No.30414 an Authorised Financial Services Provider. Alphera Comprehensive and Alphera Combined is administered

by Alexander Forbes Administration Services, FSP No.34557 an Authorised Financial Services Provider. Debt Relief Insurance (CPI), Top Up, Top Up Plus Cover, Tyre Cover and Care & Cosmetic Repair is underwritten by Guardrisk Insurance Company Ltd., Licence 75 an Authorised Financial Services Provider. Debt Relief Insurance (CPI), Top Up, Top Up Plus Cover and Tyre Cover is administered by PinnAfrica Insurance Underwriting Managers (Pty) Ltd, FSP No 39123, an Authorised Financial Services Provider. Care and Cosmetic Repair is administered by Small Area Repair Technology Underwriting Managers (SMART). FSP No.9861 an Authorised Financial Services Provider.

Style Le Kap | Winter 2014

Why do we wear what we wear and what does what we wear mean? Apart from being a tongue-twister, that’s a weird question because the answer to at least the former should be pretty trivial – we wear stuff because we like it. We like the colour/style/warmth/ comfort/price/etc, and so we own it and put it on. And we all have our own priorities for what we want, right? And if you calculate those private priorities, then in theory we’re pretty much rational (in an ’80s-UChicago economic sense) about what we wear.

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Dress to Yourself CONTENT | MARK KUMLEBEN

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Style Le Kap | Winter 2014

That’s hardly the whole story. Let’s put it together with another simple claim; everything we choose to do arises from our psyche. Forget Freud’s topographies for a moment and call the psyche for our purposes essentially monolithic, as Adler would have it. So, the entire way that we present ourselves to the world, including our clothes, arises from our inner state. However, it’s not exactly a reflection of our inner state, because part of that state is the desire to appear to others in certain ways. So, if you’re going to make accurate judgements about somebody based on their appearance, you’ve first got to see how they present themselves and then see how their presentation is caused by their desires to appear a certain way and then see from where those desires arise. This is the first reason to be well-presented well so that others will see you as you wish to be seen. That can be as a buttonedup professional or as a hippie who last shaved to protest the invasion of Iraq. But if you don’t present right, people won’t see you as you want to be seen, they’ll just see you as somebody who wants to be seen in a particular way. And you don’t want that.

Let’s take the above paragraph and reverse it. Who you are results in how you appear. Why can’t that work both ways?

If I’m somebody whose inner state causes him to wear Levis, then what happens if I start wearing Japanese artisan jeans?

Clearly, I’ve changed in some small respect. It’s obvious that we can change how we feel by how we act (for a related instance, standing in ‘power poses’ raises testosterone).

You could try and dress to a particular ‘model’ or ‘ideal’, but I think that’ll only result in you becoming the kind of person who emulates a model or ideal. In creating and perfecting an individual style, we improve our individual psychology.

That is to say, we make our psyche more consistent with its own values. When I look down, I see jeans that better reflect my values as a person. This sounds like something you’d hear from a particularly vapid celebrity, but it’s not. Everything we do is an expression of our selves. If you think it’s stupid to consider self-expression through self-presentation important, you’re not actually rejecting presentation, you’re just presenting yourself as someone who doesn’t care. Good for you, dude, that’s your personal style. Keep on rocking that sneakers & hoodie combo. How did I know? I’m a wizard, ‘arry.

Remember, not choosing is its own choice.

Anyway, I’m not trying to argue that, if you genuinely don’t care about particular ways of branding yourself as a certain kind of person, you should. I’m trying to say that if you do care, and you probably do, walk the walk. Notice I didn’t say ‘put your money where your mouth is’, because this isn’t

about ‘upgrading’. I’m getting a higher-quality pair of jeans because that’s relevant to my values, but yours are probably different. You might want to reject materialism or show off your Goldman internship or have the satisfaction of thrifting or whatever feeling wearing Rick Owens is supposed to give you (I don’t judge). And your sense of presentation has to be holistic in that you’ve got to take into account all aspects of yourself that others see because if you don’t, part of your presentation will be trying to hide that part of your identity. Having nothing to hide isn’t the starting point, but it is the end goal.

I’m writing about fashion here, but I mean it as a metaphor as much as a claim about fashion as such.

This isn’t to discount the importance of the archetype or ideal so much as to say that a cultural archetype like Americana or streetwear or casual or whatever can’t be accessed as a ‘ding an sich’. In approaching an archetype (that is to say, we emulate an archetype so that others can understand and relate to our self-presentation), we never ‘reach’ the archetype so much as allow others to see ourselves in relation to the archetype. The archetype is a screen on which the silhouette of the self is projected. This is what is called presentation. This is part of that nonverbal 90 per cent of communication.

And I don’t know what presenting well does. But it does something good to you. Go forth and find out. Le

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Le Kap | Winter 2014

GUCCI’S NEW COLLECTION

Radiates Opulent Nonchalance

Fashion Le Kap | Winter 2014

GUCCI’S Spring Summer 2014 collection depicts a decisively strong, eclectic woman. Seductive and sensual by nature. Spontaneous. Uncontrived. Pairing sleek, loose lineswithornatedecorativemotifs.Inspiredbyathleticstyle.

The silhouette for this collection primarily consists of fluid graphics on black such as geometric lines lightened by iridescent colours, lurex and patterns.

Deep slits, unexpected cuts, plunging necklines, and transparencies for accentuated femininity are the technical details used to seal the look this season.

Ethereal physicality, new tunics with pants and black chiffon illuminated with iridescent sequined embroidery recalling Art Nouveau designs are in order for evening wear.

This seasons handbags are characterised by relaxed fringing and tassels, the offering comprises of four signature shapes in glamorous colours and materials: the shoulder bag, the clutch, the the hobo and the shopper, all of which undergo embellishment, with an emphasis on Gucci’s beloved Bamboo symbol.Le

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Available exclusively at GUCCI Boutiques in Cape Town and Johannesburg. Tel: 021 421 8800 (V&A Waterfront, Cape Town) or 011-784 2597 (Nelson Mandela Square, JHB) or visit www.gucci.com

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Recently, strolling through The Cape Quarter Lifestyle Village in Green Point, I came across ‘Victorian Bathrooms’. This prestigious destination store is a montage of luxury bathroom ware interspersed with running water, soft music, fragrant bath products and gorgeous towels and gowns, all designed to awaken the senses. CONTENT | LIZ WEBBER

Timeless Classics Further investigation revealed that, in 2011, the Cape Quarter store was rated in the top one per cent of retail outlets when measured against stores in over 50 South African malls.

The Cape Quarter showrooms’ status as flagship store has recently been challenged by the opening of an exclusive Somerset West outlet. In addition, their Hyde Park showroom in Johannesburg has just undergone a revamp.

Victorian Bathrooms is a 24 year old South African brand, sourcing exclusive classically styled bathroom ware both locally and internationally. Their unique offering not only includes baths, basins, toilets taps and a select range of wall and floor tiles; there are also accessories such as bins, scales, mirrors and Perspex butlers trays for alongside the bath, and even fragrances and towels to compliment the look.

I have heard that other Victorian Bathroom stores may be opening, but if there’s not a showroom near you then this is one retailer I’d go out of my way to visit!

EDITOR’S NOTE: Visit www.victorianbathrooms.co.za or phone their Cape Quarter showroom on 021 418 0855

EST. 1989

COMFORT ZONE

victorianbathrooms.co.za Cape Town Level 1, Cape Quarter, Green Point , Tel: 021 418-0855 Somerset West No. 3 Lourensford Road, Tel: 021 852-3439 Johannesburg Shop 56, Hyde Park Cnr, Craighall Park, Tel: 011 325-5503 Head Office & Showroom 144 Wetton Rd, Wetton, Tel: 021 704-2340

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Sensorial

Delight

CONTENT | LE MAG PUBLICATIONS

Recently Cape Town based architects, SAOTA (Stefan Antoni Olmesdahl Truen Architects) received a design brief from a discerning client to create a building that would maximise the magniďŹ cent views, create a garden on the mountain side of the site and minimise views over neighbouring buildings.

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Le Kap | Winter 2014

Architecture Le Kap | Winter 2014

The SAOTA team rose to the challenge and created a magnificent residence. ‘The client also had a special request in that the main living space was to be breathtaking whilst also able to accommodate major social functions,’ says partner Stefan Antoni.

At street level the entrance hall is a dramatic, triple volume vertical gallery-like space providing a pleasing counterpoint to the living spaces on the levels above. The main living level is reached by a staircase or glass lift which also goes directly to the master bedroom suite located on the uppermost level. The master bedroom floats over and into the double volume living space with a striking soft s-curve cantilever, but is screened off from the living room by a set of adjustable walnut shutters.

The double volume living space is positioned on the second upper level and connects with the garden court to the east, the rear of the site and the mountain. This level enjoys 270 degree views from Lion’s Head to the Bantry Bay ridge in the north and the dramatic sea views over the Clifton beaches to the west.

The split-level design allows the rear spaces to enjoy views over the front spaces and the pool terrace. The pool deck is framed by a large Rheinzink clad buckle; in addition to working as a sun shading device this also adds drama to the terrace by creating a double height external space. The horizon pool creates a seamless connection to the ocean. As partner Greg Truen says: ‘With the doors open, the interior and exterior spaces connect seamlessly, giving one the feeling of infinite space floating in the sky,’ Bedrooms, family rooms, gym and cinema are located on the lower levels and are all accessible by lift and stairs.

The several levels create an emotional and sensorial journey when moving through the house. The location, the incredible geography and the astounding views provide drama at every turn. The interiors surprise as one moves from space to space. Moods shift, alter and emphasise the different roles of each zone from private and secluded areas to generous entertainment spaces.

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Adam Court of OKHA Interiors says, ‘The building provides a volumetrically dramatic and dynamic interior space on a grand scale. The objective of the interior décor is to create soft and intimate contrasts whilst not jeopardizing the clean, geometric lines of the architecture. These elements can harmoniously co-exist and work off each other’.

By utilising a broad base of textures and finishes, the décor feels natural and subtly organic. Comfort is of paramount importance at all times and the overall ambiance is one of calm and serenity. Colour is kept to a bare minimum. The interior has a light and ‘shade tonal’ range allowing the exterior views, the mountain, the ocean and the sky, as well as the artwork, to provide colour. Lighting is discreet and generally hidden.

The furniture and lighting is predominantly a combination of select designs from the OKHA product range in conjunction with bespoke pieces that were designed specifically for the

project. OKHA products are manufactured locally in South Africa and utilize only skilled local artisans and, wherever possible, locally sourced materials.

Canvas-like slabs of pure white wall mouldings delineate the interior spaces and provide a consistent gallery feel throughout. Art and sculpture play a pivotal role in personalising the interior and act as an inspirational interactive catalyst.

The boldest decision was to use a dark colour externally to make the building visually recede into the background. This has been very successful and the building has a surprisingly low impact on the mountain.

This is certainly one of the iconic residences of the Atlantic Seaboard and the SAOTA design style has set a new standard in terms of modern architecture, which is recognised here in South Africa and internationally. Le

A HEART LIKE NO OTHER CONTINENTAL GT V8

Bentley Motors SA

The new Bentley Continental GT V8 redefines Grand Touring with an exhilarating twist of innovation: A 4.0-litre twin-turbocharged engine. Its turbochargers are mounted within the ‘V’ for efficiency and weight reduction, and variable displacement allows for a seamless switch from a visceral V8 to an effortless V4. It makes an awe-inspiring sound and gives the 8-speed transmission, all-wheel drive Continental GT V8 the power to combine dynamic sports performance with best-in-class Grand Tourer range.

DIFFERENTLY DRIVEN.

Suggested Retail Price: R3 300 000.00 (incl VAT), price excludes delivery fees and optional equipment, please contact your nearest dealer to book a test drive.

BENTLEY JOHANNESBURG

Corner William Nicol & Bryanston Drive, Johannesburg, Gauteng, South Africa For information call +27 (0) 11 361 6500 or visit www.imperialcollection.co.za

BENTLEY CAPE TOWN

10 Hospital Street, Harbour Edge Building, Cape Town, Western Cape, South Africa For information call +27 (0) 21 419 0595 or visit www.imperialcollection.co.za

JOHANNESBURG | CAPE TOWN

Fuel consumption figures for the Continental GT V8 in mpg (l/100km): Urban 18.4 (15.4); Extra Urban 36.7 (7.7); Combined 26.7 (10.5). CO2 Emissions (g/km): 246. Fuel consumption figures are provisional and subject to Type Approval. The name ‘Bentley’ and the ‘B’ in wings device are registered trademarks. © 2011 Bentley Motors Limited. Model shown: Continental GT V8.

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Le Kap Lifestyle Fair A feast for the senses A feast for the senses is an apt description of the Le Kap Lifestyle Fair, South Africa’s hottest annual luxury lifestyle and sporting event, co-owned by Le Kap Magazine (Le Mag Publications Group) and VIVID Luxury. The inaugural event was held against the picturesque backdrop of the Lourensford Wine Estate on Saturday, 9 November 2013.

CONTENT l MARIA-ELENA

With a perfect symbiosis of gourmet foods, fine wines, fashion and equestrian events, the hum of excitement was palpable at the start of the days’ events. The clean crisp air was invigorating; the sound of horses’ hooves pounding on the lush green grass alerted the senses; delicious smells wafted out of the KitchenAid Demo Kitchen; and the exclusive display of Bentley automobiles purred softly in the background, as glasses tinkled and socialites mingled.

Celebrity Chef PJ Vadas kicked off the day with a spectacular demo in the custom-designed demo kitchen. The globetrotting chef, who trained under Gordon Ramsay in the UK, has brought his talent home working at The Roundhouse and now heading up Camphors at Vergelegen. PJ Vadas expertly prepared one of his signature dishes of ‘Pea and Broad Bean Risotto with Buffalo Rockwood Cheese’ in front of an eager crowd of spectators and ‘foodie fundies’.

Fashionistas gathered on the wine estate’s scenic terraces, as leggy models lined up to strut their stuff as part of the Cape Town Fashion Council fashion show, flaunting the clothing collections from South Africa’s hottest new fashion talents; namely Stefania Morland, Jagadi Couture, Doreen Southwood and Michelle Ludek. Guests were treated to the exclusive and innovative ramp show that added an element of glitz and glamour to the chic affair. Unique to Le Kap Lifestyle Fair, the guests were able to shop the designers’ runway collection retailed at the Cape Town Fashion Council pop-up stores after the show.

Sumptuous décor and styling by Pavilion Interieur brought the décor of the Le Kap Lifestyle Fair to life and ensured that guests could socialise in style in the multi-themed lounges, bars and VIP areas. By incorporating hues of stone, beige, white and a pop of colour, Pavilion Interieur created a relaxed yet chic environment for guests to enjoy. Objets d’art were offset perfectly against the elegant minimalistic theme, with the country chic feel enhanced by delicate posies of green and white lisianthus, delphiniums and lace flowers dotted around the venu.

One of the more popular areas was the Whisky Lounge, where visitors languished on leather couches whilst sipping on fine Glenmorangie whisky, skilfully served by captivating young ladies.

In the VIP room, the twittering of celebrities intermingled with canaries in Asian-inspired ornate white cages. The plushly appointed VIP areas flashed with cameras and perfect white smiles, as celebrity guests such as Leigh-Anne Williams, Katlego Maboe, Kim Cloete, Kelly Parkhurst, Natalie Becker, Bjorn Steinbach, Ryan O Connor, and Tracey Lange, sipped on designer Belvedere cocktails and Moët & Chandon champagne.

Gustaaf Boshoff from Stir-Food fame provided some of the delectable savouries circulating the room and executed the second celebrity chef demonstration conjuring up a marvellous ensemble of ‘Cured Lourensford Trout, Fennel Ceviche, Asparagus Velouté, Goats Cheese and Cherry Tomato’. The Stir-Food stand on the terrace was a hive of activity, where guests were drawn to the fragrant prawn and chicken laksa meals served in hand-sized cups.

‘Tour de force’ behind Bistro Sixteen82 at Steenberg, Brad Ball served up the next delectable dish in a cooking demonstration in the Kitchen Aid Demo Kitchen.

Preparing a gastronomic combination of ‘Tallegio Fondue, Pommes Dauphine with Truffle and Shimeji’ Brad Ball upheld his reputation as one of Cape Town’s foremost bistro dining specialists; his impressive career spans some twelve years.

On the estate’s sprawling lawns, the Musical Kur dressage enthralled watchers in a spectacular show of horse and rider. Riders Nichola Mohr, Dawn Newman and Jessica Manning displayed astounding skill in the Musical Kur, which is a form of dressage where horse and rider perform a pattern of choreographed movements to music.

Expresso TV presenter, Leigh-Ann Williams & Kasper Kristoffersen

Le Kap Lifestyle Fair co-owner, Anina Malherbe

Steve Swanepoel, Le Kap Lifestyle Fair co-owner with Chrys Mammous & Thandi Kupe

Natalie Becker

Elrico Zarr Bellingan & Ritza Janse Van Rensburg

6-Bar winner, Michelle Jordaan on Huntingdon

Bentley Brand manager, Paolo Fra

TV and radio presenter, Kim Cloete

Dawn Newman & Kudu Callaho Fedelio

Event Le Kap | Winter 2014

In the 6-Bar showjumping competition which followed, grace, precision and perfection were magnificently displayed by eight female riders and their high-spirited horses. Elizabeth Bryant, Lauren Pick, Sasha Habib, Kim Meaker, Michelle Jordaan, Michaela Fair, Chandini Moneroon and Marissa Du Preez tackled the challenging showjumping course and entertained the crowds remarkably. The excitement proved a little too much at times with one or two dramatic refusals, adding to the overall atmosphere and entertainment on the day.

Michelle Jordaan on Huntingdon took first place in the showjumping competition, with Sasha Habib on Printing Press following a close second.

Inside the Lourensford Hall, chefs Gregory Czarnecki and Bertus Basson performed the penultimate cooking demonstrations of the day. Gregory Czarnecki, renowned for his work at The Restaurant at Waterkloof Estate and his contemporary approach to cooking, showcased his expertise and prepared a delicious dessert of ‘Jivara Cremeux and Peppermint with Milk Chocolate Sorbet’.

Highly acclaimed Bertus Basson, famed for the phenomenal success of Overture, executed an expert step-by-step display in front of an enthusiastic crowd, serving up ‘Pork Loin with Organic Beetroot’. As an integral part of the establishment of Overture, hailed as one of the finest restaurants in South Africa, Bertus’ commitment to great food made with fresh, local ingredients and an acute attention to detail is one of the keys to his culinary success.

One of the highlights of the day, much to the delight of the well-heeled ladies in attendance, was the luxurious Princess Diamonds competition. Princess Diamonds is a private jeweller supplying beautiful and unique diamond jewellery on a bespoke basis and added a touch of excitement to the Le Kap Lifestyle Fair by giving away a pair of diamond earrings to a lucky guest. Each hopeful winner had to purchase a glass of Moët & Chandon to enter into the give-away and each glass had a diamond replica with one diamond that was different from the rest. Colleen Zulich, co-owner of Princess Diamonds, was in attendance to present the overjoyed winner, Bradley Twaddle, with his sparkling prize worth R6 500.

Hot on the heels of international food trends, the Le Kap Lifestyle Fair also hosted a gourmet food market with

vintage food trucks, including the LOTUS Food Truck, The Grubbery, Die Wors-Rol and Tebb’s Kitchen who gave a fresh take on old favourites and complimented the range of wines on offer during the course of the day.

Nine of South Africa’s top wine estates exhibited collections of their finest wines, offering complimentary wine tasting and details of prestigious awards. To enable guests to fully experience the aromas and flavour of each wine, representatives from each wine estate explained the varied flavour complexities and provided guidance on how to pick up different notes and bouquets. Guests were delighted to receive explanations and recommendations from the wine experts and subsequently many bottles of wine were purchased on the day.

Wine estates on display included: Delaire Graff Estate, Quoin Rock Wines, Lourensford Wine Estate, Vergenoegd Wine Estate, Klein Constantia Wines, Creation Wines, Stellenbosch Vineyards, Blaauwklippen Vineyards and Radford Dale Wines.

For the non-drinkers, a bespoke Nespresso Coffee Bar offered guests a pick-me-up during the Le Kap Lifestyle Fair, both in the VIP Lounge and the Theatre of Gourmet.

The Nespresso trilogy is a unique combination of the world’s highest-quality Grand Cru coffees, smart and stylish coffee machines and second-to-none customer service.

The culmination of these three elements came to be known as the ‘Nespresso Ultimate Coffee Experience’, and a demonstration of these and the latest new Nespresso products took place in the Nespresso Theatre of Gourmet, concluding the day’s events.

As the sun started to sink behind the Helderberg Mountains, it is fair to say that the inaugural Le Kap Lifestyle Fair was a resounding success. Guests and exhibitors alike, and all that were present, left on a high after tantalizing their taste buds and thoroughly enjoying the day’s festivities.

With something for everyone the sold out capacity crowd promised to return this year, so be sure to get your tickets early for the 2014 Le Kap Lifestyle Fair. Le EDITOR’S NOTE: For more information about either attending the 2014 Le Kap Lifestyle Fair or for sponsorship opportunities please visit www.lekaplifestylefair.com

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With a range of properties and world-class amenities to suit the needs of every individual, no wonder it is known as the "Valley of Life".

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Le Kap | Winter 2014

2014 MASTERS POLO

CONTENT l VIVID LUXURY

Event Le Kap | Winter 2014

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ALL EYES WERE FOCUSED ON CAPE TOWN FOR THE 2014 VEUVE CLICQUOT MASTERS POLO, AN EVENT WHICH HAS AGAIN PLACED CAPE TOWN ON THE MAP FOR INTERNATIONAL MUST-ATTEND EVENTS.

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Le Kap | Winter 2014

T

he exact origin of polo, one of the oldest team sports, is unknown apart from the fact that it was a sport enjoyed by the nobility and originated in Persia (Iran); however over the years the game has become synonymous with flutes of champagne, celebrity appearances and exquisite fashion.

During past centuries it was regarded as the ‘sport of kings’ and its popularity was evident at the fourth annual Veuve Clicquot Masters Polo 2014 event which recently took place in Cape Town. Local and international guests who attended this occasion were dazzled by a star-studded line-up amongst inspiring, botanically themed spaces; this is one of the most sought-after sporting lifestyle occasions on the annual social calendar in South Africa. Co-owned and conceptualized by luxury marketing leaders VIVID Luxury and hosted by its own in-house team, Val de Vie Events, Veuve Clicquot Masters Polo has grown significantly in prestige over the last four years. This has taken it from being simply a regional South African event to being a truly international affair which attracts audiences from countries as far afield as Nigeria, Angola, Mozambique, Russia, France, Canada and England to name a few.

This year’s event witnessed the attendance of notable VIPs such as the Minister of Sport, Fikile Mbalula, business Tycoon, Tokyo Sexwale and world land-speed record

holder Andy Green along with the usual celebrity crowd.

Some of the stunning ladies who were present, included Jeannie D, Cindy Nell, Jen Su, Tanya van Graan and international supermodel Katryn Kruger Fashion icons; trend setters such as David Tlale, Malcolm Kluk, Christiaan Gabriel du Toit and Dion Chan were also in attendance to appreciate an afternoon of stylish conversation, perfectly chilled champagne, and of course, riveting polo.

In keeping with the English tradition of the sport, Bentley Motors was this year’s Associate Sponsor and Official Vehicle Partner. The luxury motoring brand did not disappoint as they introduced their recent campaign collaborator and world land-speed record holder, Wing Commander Andy Green from the UK to meet with VIPs. This was the first time in SA that the luxury vehicle brand has showcased the Mulsanne, Flying Spur and the Continental GT range side by side, although it was the new 331 Km/h Bentley Continental GT Speed displayed next to two rare vintage Bentley’s that were the main attraction.

And if the Veuve Clicquot Masters Polo was starting to sound like a very male orientated event, then you’ve clearly missed the highlight of the day… After all, no polo match would be complete without a good measure of couture and prêt-à-porter. Luxury department store D’Oré was the Official Fashion Partner for the event and showcased top

Event Le Kap | Winter 2014

fashion brands like Emilio Pucci, Escada, Cavalli, Armani Collezioni, Elie Tahari and Vanessa G on an outdoor runway before the main polo match. Celebrity names such as Jeannie D, Cindy Nell, Jen Su, Katryn Kruger and Tanya van Graan were just a few of those dressed in these key brands in keeping with the events international luxury status.

While fashion was perfectly presented, global beauty brand Elizabeth Arden assisted guests of the annual Veuve Clicquot Masters Polo by offering luxurious pampering treatments on request all day long. Their ‘Beautiful Colour’ touch-up stations, Prevage Antioxidant Bar and expert makeup artists offered indulgent treats to lady guests.

But more than any other sport, polo is at its best savoured live and the focus was on the main match of the day. The finale was an 8-goal tournament which included top local and international players resulting in a nail biting finish with winning team Veuve Clicquot, captained by Johan du Plooy, narrowly beating team Nigus with a 6/5 victory. The Official Timekeeper, Breitling for Bentley deserves thanks for their excellent service.

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As polo still seems to be a relatively new sport in Cape Town, the organisers of the Veuve Clicquot Masters Polo ensured that their guests never experienced a dull moment.

Educating an audience is a slow process, particularly with a sport which is more complicated than cricket. Fortunately, the handsome players in the attractive team clothing riding their beautifully trained polo ponies made up for the slight lack of knowledge some may have had of the game.

Veuve Clicquot sponsors prestigious international polo events around the world.

These include the Manhattan Classic in New York City, the LA Polo Classic and the United Kindoms’s Gold Cup. Having firmly established Africa’s leading polo lifestyle event on the African continent, Cape Town can now proudly compete and we look forward to seeing what is in store for this event next year. Le

Enjoy Responsibly. Not for Sale to Persons Under the Age of 18.

Technology Le Kap | Winter 2014

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IMAGES l STEFAN MARJORAN

Pushing theLimits CONTENT l MARK KUMLEBEN

For most people, taking a Bentley Mulsanne up to a speed of 320 KM/H would be a magnificent experience and after this encounter any regular car would seem sluggish and boring. For British Royal Air Force fighter pilot, Wing Commander Andy Green OBE MA RAF 1600 KM/H would not be that unusual. In 1997, he smashed through the sound barrier and the world land-speed record in the ‘Trust SSC ’ reaching speeds of 1,227 KM/H . But breaking this record was not enough; he wants to obliterate it and this time in will be making the attempt in South Africa. Green and his ‘Bloodhound SSC ’ team hope to reach 1 600 KM/H with a car which pushes the limits of modern technology, if not human ingenuity.

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The Bloodhound SSC car will use an experimental Eurofighter engine to drive it faster than any jet fighter has ever flown at low altitude. You’d expect this to be tremendously intimidating to the poor soul who is strapped into the cockpit and subjected to 3G of acceleration, but when Le Kap magazine put the question to Green during his recent visit to South Africa, he just smiled and shrugged, ‘compare it to my day job!’ An appropriate statement from a man who flies fighter jets for a living. In fact, as he pointed out, a supersonic car has its advantages. Whereas a fault in a jet would lead to a crash, a fault in a car may just leave it slowing to a stop. Green characterized the basic tasks of the car as quite simple: ‘Keep the wheels on the ground and stop before the end of the track’.

To further illustrate the nature of his task, he quoted the famous pilot’s mantra that ‘aviation in itself is not inherently dangerous. But to an even greater degree than the sea, it is terribly unforgiving of any carelessness, incapacity or neglect’. The same is true of high-speed driving. As he neatly put it, a crash would get a lot of YouTube hits, but it wouldn’t do much to inspire kids towards engineering; which, as far as he’s concerned, is the point of the program. Andy Green may exude quiet professionalism when dealing with the challenges of the record, but it’s replaced by a passionate optimism when discussing the

challenges of science in education. The team hopes to get a Bloodhound-based physics lesson into every school in the UK, so that students can be shown the potential of science and engineering in achieving real-world goals. While he admits that there are bigger challenges facing science and engineering education in South Africa, he believes that here, too, Bloodhound can play a part in overcoming them.

So what is it that sets Andy Green apart from the thousands of dare-devils who’d give their eye teeth for a crack at the record? It’s a thorny question, but the answer becomes

Technology Le Kap | Winter 2014

75

Bloodhound Engineers

clear when he begins to explain the engineering behind Bloodhound. Having taken a first in mathematics at Oxford, he has a consummate mastery of the project’s technical details, from nose to tail. At the moment, Bloodhound is still under construction, but Green and the engineering team are confident of the soundness of the design. The tricky part was managing two very different sets of aerodynamic calculations for subsonic and supersonic speeds; one for the same forces any subsonic car experiences and one for the unusual pressures created by supersonic shockwaves.

The team has a good understanding of the problems presented by the front end of the car, which only needs to produce down-force and by the wheels; these solid cast-aluminium disks must handle the incredible strain of holding up the 7.1 ton car. However, they encountered serious difficulties in designing the back end. Supersonic shockwaves will try to lift the back end off the ground, but if they compensated by using the back end to create down-force, this would slam the car into the ground at subsonic speeds. While this problem would have appeared insoluble in the past, Bloodhound had access to new design software developed by Rolls-Royce to simulate forces on jet engine turbines. The conclusion reached by the engineering team with the help of this software, was to design and place a type of wing on the undercarriage in order to cancel out the lift and down-force.

Throughout this explanation, Andy Green exuded a preternatural calm and a quiet pride in the project. He emphasized repeatedly that the same qualities which make an excellent aviator will also make for an excellent Bloodhound driver. That applies not only to his diligent attention to detail in the cockpit, his practised feel for the mechanical aspects of flying and his hard-won physical resilience in the face of G-forces, but as well as to his personal qualities. Not an adrenaline junkie, nor a gentleman amateur, Wing commander Andy Green is every inch a professional. His love of vehicles extends into his private life. He enjoys the serenity of his yacht, the heft of his Harley and the stately dignity of vintage cars - even choosing an old Blower Bentley to be used as his wedding car.

Many challenges still await the Bloodhound team once their craft is ready to hit the track. Although every effort has been taken to minimize foreseeable problems, from the possibility that the jet engine’s limiter might activate to the possibility that Bloodhound might crash into the timing lights, no plan survives contact with the enemy. Some things, after all, are simply impossible for a computer to simulate. According to Green, one of the most worrying problems is how the surface of the track will react. The Bloodhound team took great care in choosing and preparing South Africa’s Haskeen Pan and they expect that

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this surface will be even better than those used in the United States. However with the aerodynamic challenges involved in Bloodhound’s design, a 1000 mph record shot is well into the realms of the unknown. The effect of the weight of the car, the shape of its colossal wheels and the impact of its mighty 21-ton thrust on the surface can all be calculated. The effect of the shockwaves, however, is unknown in practice and incredibly complex in theory. Although the Bloodhound team has asked many different experts in the field, nobody has had any success in simulating these in the way that the aerodynamic forces on the car could be simulated.

Andy Green is completely unfazed. Even if the science doesn’t add up, he feels the team can still walk away with pride.

Having already broken the record once, he says, ‘we’ve got nothing to prove’. With this attitude and the commitment to educational outreach Bloodhound is in a unique position to achieve a magnificent goal. Le Kap magazine wishes Andy and his team all the best of British luck. Le Andy Green & Janice Hinson (Marketing & PR manager Bentley Moters)

ESCAPE TO THE

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BOSMANS RESTAURANT

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TEL:+27 21 863 5100 | EMAIL: CHRISTINE@GRANDEROCHE.CO.ZA | WEB: WWW.GRANDEROCHE.CO.ZA | PLANTASIE STREET, PAARL

Feature 78

Le Kap | Winter 2014

The

Grande Roche Hotel

CONTENT - ISOBEL M ROBERTS

Feature Le Kap | Winter 2014

The wonderfully evocative fragrance from the roof was immediately apparent as I walked into my room at the Grande Roche Hotel, a small luxury hotel situated at the foot of Paarl Rock. The immaculately constructed lofty A-Frame structure with its scent of thatched-roof lined with bamboo-reeds draws immediate attention. This height added to the feeling of spaciousness in this suite of three rooms that I was to occupy during my stay at the Grande Roche Hotel, Paarl.

This rustic styled roof is in perfect harmony with the Cape Dutch homestead outbuilding as it would have been built many years ago: the rooms are beautifully furnished and equipped with state of the art luxury fittings.

Being British, I love soaking in a huge bath. And there it stood in this sizeable bathroom, a work of elegance itself, a bath so deep and long that I wanted to soak in it immediately. For those who do not share my enthusiasm for a bath, the walk-in-water-room shower was one of the largest and grandest I have seen in any international hotel.

Two huge television screens were provided, one in the bedroom and the other in the sitting area; I have never before, in any hotel in the world, been provided with a greater number of white, fluffy quality towels marvellous! And decent sized superior quality dressing gowns!

Large mirrors reflected light effectively throughout the suite and there was plenty of hanging and storage space, a must for any traveller in my experience.

can wander through the main building, the two outdoor swimming pools, the extensive gardens, the art gallery and car park; everything is accessible, safe and private.

Attention is meticulously paid to detail, in all things, at all times. Anja Bosken, General Manager and Francois Liebenberg, Sales and Marketing Manager, make themselves available to meet and greet guests personally. However, the staff is so well trained in its various roles that all aspects of your visit will seem to be effortless. The management of this hotel has a policy of training and promoting their staff, which has increased their loyalty and sense of purpose.

Bosman’s Restaurant is one of two restaurants at the hotel, and forms part of an elegant, very long room which boasts an abundance of elegant chandeliers. This room has two parts: the first half of the room has a reception area and comfortable seating and the remainder is Bosman’s Restaurant.

Dinner served in Bosman’s was a medley of subtly flavoured dishes, and the waiters seemed to be highly cognoscente regarding the details of each dish; a reflection of the training and encouragement that they receive from the chef. Breakfast was a Bacchanalian Feast!

This rustic styled roof is in perfect harmony with the Cape Dutch homestead outbuilding as it would have been built many years ago: the rooms are beautifully furnished and equipped with state of the art luxury fittings.

The individual balcony was beautifully arranged with garden furniture, loungers and even more towels, overlooked a working vineyard and prune orchard; immediately beyond this the magnificent mountains rose , creating a feeling of closeness, comfort and security.

There are tennis courts and a gym to cater for energetic guests, but I knew immediately that the Grande Roche Hotel was not going to be a place of exertion for me, but rather a haven of relaxation, a peaceful space in which to unwind and leave all stress behind. When I eventually forced myself to venture further than my suite, I discovered the gardens of this immaculately restored eighteenth century manor house are superbly maintained. This hotel has no ugly lifts or tedious staircases. Everything is on one level and one

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Although Paarl is often considered by some to be rather inaccessible, it is in fact only a 45 minute journey by road from Cape Town.

Hotel guests on board the luxurious Rovos Rail, which runs through Paarl on route to Cape Town will stop at Paarl Railway Station where transport provided by the Grande Roche Hotel will collect them.

Francois Liebenberg is also Chairperson of Paarl Tourism and in this capacity he is liaising with other local providers such as The Spice Route, Fairview and the Afrikaanse Taalmuseum to facilitate excursions to local places of interest.

Francois is enthusiastic in encouraging visitors to take the opportunity to learn about Paarl’s historic past and to open up the treasures of the town to a wider audience.

Grande Roche will certainly continue to attract many international clients and local residents would be well advised to pay a visit to this splendid hotel. Le

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Travel Le Kap | Winter 2014

Prague

‘City with Soul’

‘City

with Soul’ CONTENT | ROMANA KELLNEROVA

‘Prague is the city where I was born and where I grew up. I feel a special bond with the city, not only because of my childhood memories, but it is my experience every time I walk the streets of Prague - Romana The beautiful old city has the Vltava River flowing through its centre and is filled with ancient architectural marvels. Located in the heart of Europe Prague has been at the confluence of trade routes, political interests and culture for many years. This has never provided the city with a peaceful past as its history has been marked by fire and sword, as well as by pen, paintbrush, chisel, carpenter’s axe and stonemason’s trowel.

During World War II Prague suffered considerably less damage than most cities in Europe and legend alludes to the idea that Hitler loved Prague and prevented the city from being destroyed for this reason. As a result Prague is home to a variety of superior architecture, which includes excellent examples of Art Nouveau and Baroque, Renaissance, Cubist, Gothic and Neo-Classical.

The Roman Emperor and Bohemian King Charles IV of the Luxembourg dynasty transformed Prague into a palatial European city and centre for arts, trade and education. At one time in its history it was the capital of the Holy Roman Empire ruled by two Roman Emperors. During 1618 the Thirty Years’ War started in Prague and one of the consequences was the ‘PostWhite Mountain Emigration’, a wave of religious emigration seen to be a result of this disaster in Czech history; this brought

with it the Czech offshoot of the dynamic Baroque style as well as musical Classicism to Europe. The composer Wolfgang Amadeus Mozart formed a special relationship with Prague and presented the world premiere of his opera, Don Giovanni in the Prague’s Estates Theatre during 1787.

Prague is home to many nationalities. The co-existence of Czechs, Germans and Jews was furthered by the onset of the Renaissance through the community of Italian artists and craftsmen. In the first half of the 20th century Prague became an important emigration centre for Russians, Ukrainians and Belarusians. The Czech state, formerly known as Bohemia, was formed in the 9th Century and has been ruled by a number of different monarchies until it became an independent state in 1918, which resulted in the birth of a country known as the Republic of Czechoslovakia.

At the end of World War II, many Czech people were left homeless and starving and when the Russian leader, Stalin advocated a system of equal wealth, it seemed logical for them to embrace communism.

During 1948 the Communist Party of Czechoslovakia took complete control and began nationalising all economic sectors. The freedom of press and civil liberties were suppressed and censorship and propaganda implemented. The state took ownership of the

When in Prague one must definitely see: Old Town Square (Staromestske namesti) - Prague’s centre for cafes, street entertainment and leisurely fun. Very beautiful historical buildings surround the square. Part of the square is the Astronomical Clock. Watch Christ and his Twelve Apostles when the clock signals the hour.

Charles Bridge (Karluv most) - The bridge has the best night view of Prague Castle. It is one of the most popular sights and can be very romantic.

economy and private enterprise was not permitted. The prosperous Czechoslovakia of that time suffered a 20 year set back due to communism and by the early 1960s the economy had become dormant. It became apparent that the Soviet economic policies were ineffective and not as Stalin had promised. The first serious attempt to end communism was in 1968, but it was only during 1989 when I was 12 years old, that communism was finally uprooted in what became known as the ‘Velvet Revolution’. This fundamental change in power was given this name as it was achieved without any violence.

Many people have asked what it was like to grow up behind the Iron Curtain and most expect to hear tales of secret police, bread queues and other nasty manifestations. They are invariably disappointed when I explain that the reality was quite different; communist Czechoslovakia was in fact, rather a fun place to live. I had a loving family, food and safe place to live but then again, a child is blissfully unaware of any political situation. One of the few positives of the communist system at that time was that it provided everyone with employment, sound education and free medical care. Violent crime was virtually non-existent.

The Czech Republic has now been in a growth phase for longer than 20 years and is now one of the more stable economies in Europe. Prague is a bustling cosmopolitan city on a par in terms of quality with Paris or London. Most people are unaware of the use of the various Eastern European languages and assume that the spoken language in Eastern Europe is Russian, which is of course a misconception. The language spoken in Czech Republic is called Czech and is derived from the West Slavic languages.

Yes! Prague is indeed a city beyond compare - It’s a city with soul.

Prague Castle (Prasžký hrad) - The complex is a magnificent experience throughout, with St. Vitus cathedral and several other museums worthy of exploration. Also visit Kafka’s house in Golden Lane. It is convenient to use tram 22 or 23 on the scenic journey through the Malá Strana and up to Hradčany.

Municipal House (Obecni dum) and Smetana Hall – It is Prague’s most prominent Art Nouveau building, a cultural centre with exhibition halls and an auditorium. The Smetana Hall on the first floor is the city’s largest concert hall and is where the opening concert of the Prague Spring Music Festival is held each year.

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hastens.com

Culinary Le Kap | Winter 2014

life grand cafĂŠ designer eatery

Harnessing a heritage rooted in understated glamour, simplicity and beautiful aesthetics; Life Grand Cafe is the brain child of Maira and John Koutsoudakis.

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Established in 2005, this boasts accolades which include a feature on the set of The Apprentice, an International Elle Deco International Design Award (EDIDA), as well as a Gold Loerie for Interior Design. The Life Group are also responsible for the interior design of some of the most luxurious resorts in the world, including Segera, Kenya (which made the Condé Nast Traveller Hot List 2014) and the immaculate North Island resort in the Seychelles, which Life Interiors are currently in the process of refurbishing.

The combination of Maira’s expert creative direction and John’s extensive architectural experience has produced the Life Grand Café flagship restaurant in the bustling Hyde Park Shopping Mall. With an emphasis on celebration and libation, the space fuses culinary opulence with prolific design and a retail aspect which incorporates luxurious products with functional simplicity.

Chef Jeanel Pieterse excels at the task of creating dishes which range from rustic, hearty meals with a home cooked feel to cosmopolitan tapas and entrees which work in perfect synergy with the urban energy surrounding the spaces.

Visitors to the multifaceted establishments can expect each of their senses to be stimulated by the refreshing attention to detail such as a personalised message on the foam of their artisan coffee order; and have a choice of offerings which range from designer sushi, Continental breakfasts, artisan charcurterie & cheese boards. Main dishes include Harissa Spiced Calamari, classic Chicken Korma and finally, there are decadent desserts such as the Nutella Banana Split and world renowned Eton Mess.

The Theatre Bars, which consist of a Raw (salad) Bar, A Sushi Bar and a Tapas Bar, are distinctive to the various culinary

Culinary Le Kap | Winter 2014

styles at Life Grand Café and make use of fresh, seasonal fruit and vegetables along with gourmet ingredients, marrying aesthetics with taste to bring stylish patrons a nutritional, sensory experience in a relaxed setting.

Having successfully launched at two new venues, namely Waterfall, Kyalami and The Club Center, Pretoria, the brand will also be extending nationwide within the coming months by launching cafes in Cape Town and Durban respectively.

The ethos of ‘Food you want to leave home for, food you feel at home with’ will be continued with their signature wholesome dishes, soulful glamour and ambience resonating throughout.

The richly curated décor with spent bullet shells embedded in the floor as an added quirk, acts as social commentary to the overall dining odyssey and with 5 per cent of the profits going to environmental and social upliftment projects so Life Grand Café also leaves your spirit feeling as fulfilled as your belly, due to the philanthropic accents embodied in the entire experience. Le EDITOR’S NOTE: Life Grand Cafe venues: Shop 24, Middle Mall, Hyde Park Corner, Hyde Park Shopping Centre, Corner William Nicol Rd & Jan Smuts Avenue, Johannesburg Tel: 011 325 4350 Waterfall Corner, Corner of Woodmead & Maxwell Drive, Midrand Tel: 010 596 9000 Shop 113, Club Retail Park, corner Pinaster and Dely Road Hazelwood, Pretoria Tel: 012 346 2350

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Le Kap | Winter 2014

Bathing Machines - Wales

Victorian swimwear

A Belgian beach crowded with Bathing Machines

Bathing Machines ‘AN ERA GONE BY’ CONTENT | STEVE SWANEPOEL

‘On travelling to Somerset West, we greatly enjoyed our bathing at the Strand.’ These were the words uttered by the wife of a British army officer on a visit to Somerset West during the 1860s.

She continued by saying; ‘Here we found a number of Cape farmers and their wagons set up on the beach and accompanied by their families from Stellenbosch and the surrounding districts. The matrons and girls wore the funniest of head dresses and sunshades conceivable. As the sands are very fine and the beach shelving, it is a thousand pities nobody has been enterprising enough to start 'bathing machines'. I am sure they will take everybody’s fancy here when one started.’

The term 'bathing machine' referred to by the lady conjures up images of a hi-tech, spa-like bath, but in reality it was one of the more bizarre inventions dating from the Georgian era. In fact, the ‘bathing machine’ was a shed-like cart or change room on wheels, which was designed to be in keeping with the puritanical attitudes of the time. It was intended to give the upper class the opportunity to indulge in bathing.

History Le Kap | Winter 2014

Blankenberge, Belgium

The contraption was approximately 2 metres square and about 2,5 metres in height. One of the more important features of the ‘bathing machine’ was that it had two doors, one specifically used as the entrance, and the other as the exit. In addition, a few steps were added in front of the doors for ease of access, as the floor was an estimated 1,3 metres above the ground. The doors must have been one of the reasons why these contraptions were referred to as 'bathing machines'. Bathers would enter at the one door fully clothed, and once inside discard their robes and prepare for the bathing experience.

Meanwhile the carriage would be pulled into the water by horses, or pushed by members of a similar sex, using brute human strength. Once the water was about level with the bathing machine floor, the nude bather would emerge and descend the stairs on the seaward side to enjoy the healing benefits of the sea, without violating notions of modesty.

Some of the carriages were equipped with a canvas canopy which could be lowered from the door facing the sea to the level of the water. This provided the bather with an extended area in the water and the assurance of greater privacy from prying eyes. At times bathers would require the help of bathing assistants, commonly referred to as 'Dippers'. In later years they would change into garments that by modern day standards could not be described as bathing costumes. It is known that some of the well-heeled and overly fed higher classes in the United Kingdom could not find their own posteriors with either hand. The 'Dippers' were therefore given the task of helping these bathers in and out of the water. In addition they had to make sure that bathers were fully immersed at least three times, particularly in the case of a medical condition.

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History 90

Le Kap | Winter 2014

Bathing Machines along the beach front

Bathing Machines for hire

Although the name of the inventor of the ‘bathing machine’ may not be important, there is some controversy as to when, and by whom, it was invented. Benjamin Beale, a Quaker from Margate, England is accredited with the invention of this life altering device during 1750. An engraving by John Setterton, dated 1736, refers to the earliest recorded image of this remarkable invention! By 1780, twenty ‘bathing machines’ were officially registered for use on the beach in Margate and this number doubled by the 1800s.

When bathing became the order of the day it raised cause for concern with the public and authorities in respect of the morality of general sea bathing as bathing was, at best, socially complicated. Therefore one could safely assume that Beale set out to design his invention with social considerations. The bathing machine was an integral part of seaside etiquette in the 18th and 19th centuries. Their use, however, was more rigorously enforced upon women.

This was to lend privacy to modest, respectable and proper ladies of the upper-middle and upper classes who would not dream of being seen in their demure bathing costumes, much less in the nude. In Regency times, there were no bathing costumes! The modern mind may question the continued use of these contraptions during the Victorian period, when beachwear became common practice.

However, they served a real function as the showing of uncovered arms alone was considered daring. Until 1901 men and women in Great Britain were segregated into separate beach areas; these were 20 metres apart which

Dippers attending a Bathing Machine

was considered a safe distance. ‘Bathing machines’ were mostly used in the United Kingdom, but were also used at beaches in France, Belgium, Holland, Germany and the United States.

To define the contemporary term 'bathing', it has to be understood that until the 1700s most people regarded the sea purely as a food source, a place of battle or, at best, a passage to other countries. The beach was nothing more than the end of land, so to speak! Bathing was purely an 'adult activity', and the sea was considered dangerous and not a place of leisure. As a result no one remained on the beach after a quick dip. During the 18th century and 19th centuries most people still had not learned to swim.

Wading and immerging themselves in the surf was about the extent of their activity in the water. Further, the heavy and cumbersome garments they wore hampered their movements.

The initial motivations for bathing in the sea were health and body odour related. These reasons continued to be important as perfume, at that time, was a commodity for the use of French ladies. During 1753, Dr Charles Russell, published ‘The Uses of Sea Water’ in which he recommended the use of sea water for healing a variety of medical conditions. Dr William Buchan later supported the theory of sea bathing, in his book 'Domestic Medicine', published in 1769. With Buchan's recommendations in mind, people flocked to the coast in droves.

‘The initial motivations for bathing in the sea were health and body odour related’

History Le Kap | Winter 2014

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The popularity of bathing had grown immensely during Regency times. ‘Bathing machines’ evolved in their use over time as the interpretation and perceptions of moral values changed. Probably the most humorous and interesting description of the bathing machine was given by Tobias Smollett in 'The Expedition of Humphrey Clinker' published in 1771.

‘Image to yourself, a small, snug, wooden chamber, fixed upon a wheel-carriage, having a door at each end, and on each side a little window above, a bench below. The bather, ascending into this apartment by wooden steps, shuts himself in, and begins to undress, while the attendant yokes a horse to the end next the sea, and draws the carriage forwards, till the surface of the water is on a level with the floor of the dressing room, then he moves and fixes the horse to the other end. The person within, being stripped, opens the door to the sea-ward, where he finds the guide (dipper) ready, and plunges headlong into the water. After having bathed, he re-ascends into the apartment, by the steps which had been shifted for that purpose, and puts on his clothes at his leisure, while the carriage is drawn back again upon the dry land; so that he has nothing further to do, but to open the door, and come down as he went up. Should he be so weak or ill as to require a servant to put off and on his clothes, there is room enough in the apartment for half a dozen people.’

These machines were assumed to be fit for a King!

King George III had his own ‘bathing machine’ and took his first dip at Weymouth in 1789 to the musical accompaniment of 'God save the King'. Popularity rose even more when his son, the Prince Regent, (later crowned George IV, after his father had been deemed unfit to rule) also took to bathing, therefore making it not only socially acceptable, but also highly fashionable. The Regent Prince apparently enjoyed swimming, as opposed to a quick submergence.

Queen Victoria also bestowed her stamp of approval on the habit with her acquisition of a luxurious ‘bathing machine’, permanently mounted on launching tracks at Osborne Bay on the Isle of Wight. When King Alfonso XIII of Spain, jumped on the proverbial bandwagon and decided to take to the waters off the Basque coastline he took matters to the extreme with his interpretation of the ‘bathing

King Alfonso XIII’s opulent Bathing Machine

machine’. The opulence of his machine was unequalled and had the added benefit of a steam propelled pulley system for ease of access to the waters.

However, under the rule of Queen Victoria with the onslaught of Victorian probity, the fashion of nude bathing was beginning to be frowned upon. The popular Victorian seaside holiday continued into the 20th century and little changed. The sharing of the same beach area by both sexes became acceptable and families were able to swim together.

The days of the ‘bathing machine’ were soon numbered and the last of the ‘bathing machines’ disappeared after World War 2.

However they were the precursor to beach huts which rose in popularity after the war. Redundant ‘bathing machines’ were snapped up whenever they became available for sale.

The new owners had the wheels removed and lovingly decorated them for use as stationary beach huts, but now for use by the entire family. They would not only serve as change rooms but places where families could spend pleasant times together, have lunches and the traditional tea at the sea side.

Perfect examples of the successors of these ‘bathing machines’ can be seen in various countries for instance in South Africa on Muizenberg Beach. Le

Medical 92

Le Kap | Winter 2014

Prophylactic Mastectomy CONTENT | DR JONATHAN TOOGOOD (MB Chb FC - Plastic Surg)

Medical Le Kap | Winter 2014

Why would a healthy woman ever decide to voluntarily remove both her breasts? Well, if those breasts are genetically pre-programmed to produce cancerous tumours, then surely the wise adage that ‘prevention is better than cure’ has never been more accurate.

Genetic research has conclusively proven that the presence of certain genes in an individual’s genetic ‘library’ can practically guarantee that the breast tissue WILL develop cancer within their lifetime.

What is less certain is the age at which such malignant transformation will occur. In some instances, with certain gene combinations, the onset of breast cancer can be before the age of 30 years.

In simple terms, removing all the breast tissue is the only way to remove almost all the risk. If done electively (before cancer develops), the maximum number of options are

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Looking at your family history is a good place to start. An immediate cause for concern would be if one or more of your family members has developed breast cancer before the age of 60 years. Siblings who have been diagnosed with cancer, or if two successive generations of your family have suffered from this devastating illness, would make an even stronger case for the analysis of your genetic information.

The BRCA1 and BRCA2 genes are the most reliable predictors of a preprogrammed, genetically driven breast cancer, and their presence makes mastectomies essential (rather than a choice). Women (and men) who carry these genes have the probability of more than 80 per cent of developing breast cancer. In our country, there is a ‘South African Specific’ version of these genes, testing for these can be easily carried out at any pathology laboratory. This is a recent development as this technology was only available at large academic hospitals but it is now freely available.

It is widely accepted that ‘knowledge is power’, so if there is any possibility that you may be at risk, ask your doctor (GP or specialist) for their opinion as to whether you should be referred for genetic testing. If you have already decided that you would like to know if you are at risk, simply go to the laboratory and ask to be tested.

The onset of breast cancer can be before the age of 30 years.

available for immediate reconstruction, and the best chance of saving both nipples, all the skin, and producing an optimal and symmetrical result for both breasts. It is often possible to produce a more desirable breast shape and size than that prior to the surgery. However, once cancer is present, many of these options fall away, particularly if radiotherapy (and to a lesser extent chemotherapy) is necessary, or if the removal of the nipples, the lymph glands under the arm and/or portions of the breast skin-envelope are going to be part of the surgical plan.

So how is this relevant to you - the woman reading this and wondering if you might be sitting on the proverbial ‘ticking time-bomb’?

Please note that a negative test, doesn’t mean your risk is low, EVEN WITHOUT THE GENE, if numerous women in your family have had breast cancer, you may still have an increased risk from OTHER genetic factors which cannot be tested at present.

The highly publicised ‘Angelina Jolie’ case illustrates the point very well. She is a gene-positive, healthy woman who has taken the bold pre-emptive step of a bilateral prophylactic mastectomy and immediate reconstruction to prevent the near-certainty of breast cancer developing some time in her future.

For the cancer surgeon, it’s the easiest mastectomy possible, and for the reconstructive surgeon, the safest, most predictable and most aesthetically pleasing reconstruction he is likely to do.

In summary; If this has made you think, or raised any concerns about your health or the health of somebody you know, please seek advice in the interests of wellbeing, longevity and peace of mind and consider being tested. Le

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Wine 94

Le Kap | Winter 2014

Drinking Smart CONTENT | JĂ–RG PFĂœTZNER

Most South Africans are negatively affected by the escalating cost of living at present and as a lover of fine wine myself, I am aware that it is becoming increasingly difficult for most to afford a great bottle of wine from around the world, especially with the current exchange rate .

I have a great love of wine but I have an even greater love for my two beautiful children, Mila and Zasha, who are now at the age where there are significant costs to consider concerning their education. I feel it especially when I want to buy wine and I realize that the wines that I used to buy at case volume are now at the same price level as school fees.

For this reason, further purchases of the beloved Burgundy or Rhone wines are no longer really an option, unless I was to decide on home-schooling.

It is a peculiar situation for me! I love wine; I appreciate the diversity of wine; I like to drink wine from all around the world when it has charm and interest.

BC, meaning before I had children, I had a wine budget similar to a small size restaurant to satisfy my curiosity, not just in the liquid form, but along with trips to the most beautiful wine producing regions of the world. >

Wine Le Kap | Winter 2014

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Wine 96

Le Kap | Winter 2014

Now that my daughters have taken over the restaurant budget and we spend it on extra murals, weekend trips and cinemas; what is left for my wine budget is not really worth discussing. So what is the solution to my costly love for fine wine? Drinking less quality wine? Certainly not an option!

Drinking less or no wine? If I drink any less wine I would feel that I was giving up some part of civilization as a good meal with my partner or friends would be a bit boorish to me if not accompanied by a glass of wine.

Others worth mentioning are those produced by the Mullineux Family Wines which are world class; their reasonably priced Kloof Street label is hard to beat at the price and another of my favourite young guns is Bryan McRobert, producer of the stunning Tobias wines, also in the Swartland.

What I need to do is to drink smarter. I have to find fine wines that are unknown to the world, shunned by the wine snobs and label drinkers but do offer pleasure and excitement.

Lucky me! I am living in the right country, there is so much happening in the South African wine industry it is unbelievable.

2009 Buitenverwachting Christine: this does come with a price tag but in comparison to wines of similar quality and pedigree from Bordeaux, Italy or Napa Valley, it is under priced.

South African viticulturists and winemakers have made quantum leaps in the last couple of years in finding their own way to express their terroir and style. They seem to adapt to the philosophies rather than blindly copying the techniques of admired producers around the world. As I mentioned I love curious and characterful wine, something I thought was distinctly lacking (with a few exceptions) in South Africa when I arrived here more than 10 years ago. Today South African wine production is very different; there is a wide choice of fascinating new projects and progress amongst established producers. What I am talking about here is that I can procure genuine wine with real personality and interest; wines correctly made in South Africa with a sense of place and belonging and not just bad copies of a faraway original. We are getting the real deal at different prices.

In comparison to international wines I think we get the best value for money at slightly higher prices, from about R 100 to R300. The Starke Conde Three Pines Cabernet Sauvignon from Stellenbosch or the Christine Bordeaux Blend from Buitenverwachting in Constantia are both wines which are hard to beat. I have also sampled a range of world class Chardonnays from Elgin and the Hemel en Aarde Region, such as those from the Restless River Estate Wines, Newton Johnson Family Vineyard and from the Almenkerk Wine Estate just to name a few.

In the Swartland there is an entire revolution taking place with production from young upcoming winemakers alongside the cult producers like Eben Sadie making interesting, boundary pushing wines from the Sadie Family vineyards in the Swartland.

Recently I have purchased the following, which I believe to be ‘smart wines’.

For me this wine is a legend in the making, enjoy the sheer class that emerges from the glass; notes of crème de cassis, scorched earth, pencil shavings of plums, menthol and liquorice. Despite its huge fruit, the 2009 is pretty closed down at the moment and not anywhere near to its full potential. Please do not drink all of it now, but rather put it away for another 10 years.

2011 Botanica Chenin Blanc; the grapes for this wine are grown in a vineyard high in the mountains above Clanwilliam, 2 miles from the sea at an elevation of 209 meters above sea level. These vines are dry farmed as there is no longer any water available and these 50 +/- year old vines produce a mere 2.5 tons per hectare. The vintage has lime/citrus notes with firm acidity. It is 50% barrel fermented and matured in 400 litre French oak barrels. At R150 a bottle it is a steal when compared to some well-made but high priced super cuvees.

Mount Abora Saffraan Cinsaut 2013; I love this Swartland wine, not just for its cool label but for its frivolous fruity taste which is apparent through its flavours of bright red cherry fruit, raspberry and multifaceted layers of earth and spice.

At just R92 per bottle I did not have to think twice.

Every drive to the Winelands results in another great discovery of a wine, a new little ‘hands-on’ restaurant or some other culinary delight. I would rank the SA Winelands as some of the most beautiful wine producing regions in the world; for me they are as impressive as the old terraced vineyards of Priorat in Spain, the dramatic steep vineyards of the Mosel Region or Portugal’s Douro valley. I hope my kids can grow up here and soon I can invest in their wine education. Le

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