The Hyde Collection

THE HYDE COLLECTION AUCTION MONDAY 2 DECEMBER 2019, SYDNEY i

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THE HYDE COLLECTION AUCTION MONDAY 2 DECEMBER 2019 AT 6PM, SYDNEY

VIEWING

Sydney Thursday 28 November - Sunday 1 December, 10am-4pm The Bond, 36-40 Queen Street, Woollahra NSW 2025

CONTACT

Hamish Clark

Jane Messenger

Head of Sydney Office (02) 9362 9045 | 0403 142 106 hamish.clark@leonardjoel.com.au

Art Specialist 02 9362 9045 jane.messenger@leonardjoel.com.au

leonardjoel.com.au

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The Hyde Collection.

Collecting was a lifelong passion for Dr Trevor F Hyde M.B. B. S., F.R.C.O.G.,

Returning to Australia, the Hyde family moved into their newly acquired

F.R.A.C.O.G M.M.S.A (London), fuelled by the same intellect and inquiring

home “Fontainbleau”. Trevor set about restoring the handsome 1882 colonial

mind that promoted him to the top of his profession in obstetrics and

estate, then curating his extensive collection within. He selectively travelled

gynaecology. Trevor’s passion was founded in a love and academic knowledge

to London for business annually or bi-annually thereafter, with crates of

of history. He consciously curated his lived collection of British, European

furniture, clocks and paintings following him back. Notably, he purchased

and Asian decorative and fine arts in relation to the cultural significance and

from Phillips, J. W. Blanchard, Rafael Vals, G. H. Bell Antique Clocks,

interest of each piece. His enthusiasm was also grounded in an appreciation

Marchand and Sons, Wing Hing Company (Hong Kong). Locally, he acquired

for craftsmanship, which is apparent in the detail of each Lot to follow.

works through Martyn Cook Antiques, Sotheby’s and W. F. Bradshaw.

As a young boy, Trevor saved his pocket-money to buy collectables from local

The Hyde Collection is particularly regarded for the rare and finely crafted

antique markets and shops in Sydney. These objects linked him to exotic

selection of clocks. Trevor acquired many of these pieces from G. H Bell

worlds beyond the boundaries of his own home and childhood. He never lost

Antique Clocks, working closely with proprietor Gerald Marsh, still regarded

the enjoyment for scouring through local auctions, taking his own children to

for helping build a number of the best private clock collections in the world.

viewings at Mort’s Auctions every Saturday.

It is a privilege for Leonard Joel to be offering this extensive collection, the most significant of its type in Australia, in our centenary year.

The majority of his purchases were transacted overseas, where he developed long term relationships with London dealers and friendships with other

Hamish Clark

international collectors. In 1963, Trevor and his family sailed aboard the

Head of Sydney Office

TSS Fairstair to London, where they stayed for several years while Trevor completed further qualifications. He also took the opportunity to refine his eye as a connoisseur, with regular access to museums, auction houses such as Christie’s and Phillips, and antique dealers.

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1 FRENCH EMPIRE PERIOD ORMOLU CLOCK The case by Pierre-Phillippe Thomire of Clio standing beside a bust of Homer. The movement signed on the backplate and the enamel dial ‘Lesieur of Paris’. On a verde marble base terminating on gilded lion’s feet.

French circa 1815.

Height 45cm PROVENANCE: Martyn Cook Antiques, 36 Jersey Rd, Woollahra, 1986 $6,000-8,000 2 A GILT BRONZE EMPIRE PERIOD CLOCK The case depicting Cupid with his bow resting against a neoclassical column, on a base decorated with frieze of playing cherubs. The case is by PierreVictor Ledure (master bronzier 1783-1842), the movement is by Claude Hermon, with both names on the enamel dial. Ledure was one of the leading bronziers of the early 19th century with an impressive clientele. His works are mainly in leading collections including The Brighton Pavilion. Hemon, a respected horologer, was established in the Rue de St. Martin by 1810.

French circa 1810.

45.5 x 32 x 16cm $4,000-6,000

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3 A RESTORATION PERIOD CLOCK In patinated and gilt bronze on sienna yellow marble depicting Psyche and a bee with other neoclassical motifs. The engine-turned dial signed ‘Gitgau Palais Royale No. 140’.

Guiteau, a pupil of Breguet, was active between 1811-1824.

French circa 1820.

55 x 33 x 13cm $4,000-6,000 4 AN IMPORTANT FRENCH XVI PERIOD BRONZE CLOCK AND CANDLEABRA GARNITURE

BY PIERRE-FRANCOIS-GASTON JOLLY The dial signed ‘Gaston Jolly a Paria’ probably executed by the master enameller Joseph Coteau, (1740-1812). Jolly was received into the guild of master horologers in Paris in 1784 and produced some of the finest clocks of the late 18th to early 19th centuries. The fine gilt and patinated bronze neoclassical cases, such as this example, were often supplied by the master bronziers, Robert and Jean Baptiste Osmond.

French circa 1790.

44 x 22 x 13cm $8,000-12,000

5 A LARGE FRENCH LOUIS XVI PERIOD ORMOLU AND VERDE MARBLE CLOCK Signed ‘Revel a Paris’ for the master horologer Joseph-Marie Revel (1775-1811).

With exceptional gilt bronze mounts, the drumshaped case below and eagle against which are two classical figures representing reading and writing, with a central plaque of a woman and putti at a torchiene, mounts of sphinxes and roundels with the head of Hermes.

French, Louis XVI. 53 x 65 x 14cm $7,000-9,000 6 A 19TH CENTURY FRENCH ORMOLU AND GREEN MARBLE MANTLE CLOCK The case of lyre form, on a rectangular base surmounted by a sunburst, two chased dial inset with enamel numerals. The movements with silk suspension and countwheel strike silk suspension and countwheel strike on a bell.

French circa 1815.

Height 49cm PROVENANCE: Phillips, London, 1992. $4,000-6,000

7 A 19TH CENTURY FRENCH ORMOLU AND GREEN MARBLE MANTLE CLOCK The case of lyre form, on a rectangular base surmounted by a sunburst, two chased dial inset with enamel numerals. The movements with silk suspension and countwheel strike silk suspension and countwheel strike on a bell.

French circa 1815.

Height 49cm PROVENANCE: Phillips, London, 1992. $4,000-6,000 8

8 A FINE AND VERY RARE GILT BRONZE AND VERDE MARBLE NEOCLASSICAL GEORGE III PERIOD ENGLISH CLOCK

BY JAMES McCABE OF LONDON. The case depicting Cupid and a swan on a stylised chariot drawn by a stallion on a base of green marble with ormolu mounts and motifs. The movement signed ‘James McCabe, London’, and numbered 2133. McCabe, from a famed Irish family of watchmakers, was active in London from 1775 to 1811. He was made Honorary Freeman of the Clockmakers Company in 1781. His firm continued until 1879. His clocks are in significant collections including the British Royal Collection Trust, both Horatio Nelson and George Washington owned McCabe timepieces.

English circa 1805.

30.5 x 38 x 10cm $12,000-14,000 9 AN AUSTRO-HUNGARIAN EMPIRE STYLE CLOCK AND URN SHAPED CANDLESTICK GARNITURE The engine turned decoration in burnished gilt bronze, the case supported by a lyre and two columns with stylised cornucopia brackets on an oval platform, and surmounted by a neoclassical basket with fruit.

Signed ‘Ant. Hierner in Wein’, to the dial.

Austrian circa 1835.

30 x 23.5 x 16cm $3,000-5,000

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10 AN EXCEPTIONAL DIRECTOIRE PERIOD MARBLE, GILT AND PATINATED BRONZE CLOCK Of large scale, with enamelled dial signed ‘Caillouet a Paris’, the movement and case elaborately festooned and mounted with an eagle, on a platform base inset with plaques of playful cherubs. Suspended on two marble columns surmounted by winged sphinxes and decorated with neoclassical motifs, including Egyptian caryatid pilasters, flowers, foliage and urns.

French circa 1795.

70.5 x 52 x 15cm PROVENANCE: WF Bradshaw Pty Ltd, Sydney $10,000-12,000 8

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11 AN AUSTRIAN BIEDERMEIER TRAVEL REPEATER ALARM CLOCK BY ANTON LISZT The gilt bronze engine-turned decorated case on three paw feet. The watch roman numeral dial signed Anton Liszt in Wien. Anton Liszt was the brother of the composer Franz Liszt.

Height 16cm $3,000-5,000

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12 A RARE LARGE SCALE GEORGE III BRACKET CLOCK BY HENRY ARNOLD, LONDON The mahogany case with ebony box wood stringing and ebony inlaid and painted with Greco-Egyptian motifs of a bull, an eagle and a lion, the enamel face flanked with quadroform ebony pillars and the whole surmounted in a gilt bronze, including lion ring handles on paw feet. The sides with carved and lined fretwork windows in the manner of Thomas Hope.

English circa 1810.

67 x 31 x 8cm

13 A FINE GEORGE III EBONISED BRACKET CLOCK

BY JOHN KIRTON, LONDON The signed dial in polished and inked steel and the case with elaborately mounted brass corners, window slides and rear panels revealing the movement.

English circa 1800.

44 x 23 x 16cm PROVENANCE: G E Marsh, Winchester, U.K. $3,000-5,000

PROVENANCE: G E Marsh, Winchester, U.K. $5,000-7,000

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14 A RARE 18TH CENTURY EBONISED BRACKET CLOCK WITH CARILLON AND BIRD AUTOMATON Made by John Henry Borrell (1757-1840). The ebonised wood case with ornamental brass inlays, gilt applications and enamel dial. The case in the shape of a neo-Gothic arch. Beneath the dial is a double-door engraved with bird motif. Behind this a moveable bird. 8-day quarter striking three train fusee movement.

Engraved back plate signed ‘J.H. Borrell, London’.

This clock was probably made for the Chinese market. John Henry Borrell was a Huguenot Swiss clockmaker living in London since 1805.

English circa 1790.

91 x 24.5 x 43cm PROVENANCE: G E Marsh, Winchester, U.K. $40,000-60,000

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15 THREE TRAIN BRACKET CLOCK BY JOHNSON The 8-day three train movement with anchor escapement, quarter chiming on 8 bells, the 8 inch white enamel dial signed ‘Johnson, Grays Inn Passage’, the back plate similarly signed. Contained in a mahogany panelled broken arch case with brass inlay, with pierced engraved fretwood panels.

English circa 1800.

Height 38cm $5,000-7,000 16 A REGENCY PERIOD ROSEWOOD CLOCK The enamel dial signed ‘J As. Killick, St George’s Place, Hyde Park Corner’, the case finely inlaid with brass neoclassical motifs including dolphins and acanthus scrolls.

English circa 1815.

44.5 x 38 x 17cm $2,000-4,000 17 A FINE MAHOGANY AND MAHOGANY VENEERED LONGCASE CLOCK With ormolu mounted, fluted corinthian columns, a fretwork panel and brass orbs. The brass and ormolu mounted face in polished and inked steel surmounted by a hand enamelled celestial dial and signed, ‘Ralph Wilson, Stamford’.

English, 1777.

257 x 52.5 x 25cm PROVENANCE: W F Bradshaw Pty Ltd. Sydney $8,000-10,000 18 A RARE JAMES II LONGCASE CLOCK The case in fine walnut veneers and elaborate coloured marquetry depicting flowers, foliage, birds and winged female mythological figures. The inked steel and gilded brass face inscribed ‘Joseph Saer, Porpoole Lane, London’.

One month mechanism.

English circa 1690.

249.5 x 52.5 x 27cm

19 DUTCH MUSICAL LONGCASE CLOCK The 8-day movement with anchor escapement, Dutch striking, a musical train playing 6 tunes on 26 bells. The arched brass dial with silvered chapter Roman numerals and Arcadian minute markings, the dial centre with subsidary dials for Day, Date and Month. Signed by Johannes George Gruning, Amsterdam on the chapter ring. In a typical Dutch walnut veneered case with bombe base and surmounted by three gilded carved wooden figures.

Circa 1770.

Height: approx. 300cm PROVENANCE: G E Marsh, Winchester. U.K. $12,000-18,000 20 A GEORGE III OAK LONGCASE CLOCK With handpainted enamelled face of a hunting scene and signed ‘WIlliam Buxton, Bishop Huckland, England’.

217 x 50 x 22.5cm $1,000-1,500 21 AN ENGLISH LANTERN CLOCK

By Richard Rayment (1686-1754) of Bury St. Edmonds. The case with five finials and three pierced frets over a wide chapter ring with lozenge half hour markers. The dial centre with maker’s signature and foliate scrolls, the movement with anchor escapements and counterwheel strike.

English circa 1700.

Height 39cm LITERATURE: It was said of Richard Rayment that he was “one of Suffolk’s most important makers”, probably on accounf of the sheer variety and volume of his output. $800-1,200

PROVENANCE: Hillsborough Castle, County Down, Northern Ireland (Official Residence of UK Secretary of State and Royal Residence of Northern Ireland) Lawsons, Sydney, 2001 $25,000-35,000

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22 AN ENGLISH SILVER PLATED WATCH STAND Decorated with a stags head and purple glass thistle, supporting a silver cased Waltham pocket watch with watch key.

Hallmarked Chester 1883.

Height 15cm $400-600 23 AN ENGLISH MAHOGANY WATCH STAND The lion mask and ring handles, circular brass frame containing a Georgian pear cased pocket watch. The movement signed ‘V. Eaton London’. The silver case hallmarked London 1798, maker Richard Groves.

Retailed by Thomas McNeil, Greenoak.

Height 17cm $600-800

24 A LATE 19TH CENTURY WATCH STAND CASE In burr walnut mounted with ormolu, the ‘moustache’ shaped top, window and base ebonised.

Continental circa 1880.

13.5 x 11.5 x 7cm $500-700 25 A PAIR OF FIRST EMPIRE CANDLESTICKS Darkly patinated and gilt bronze garniture in the ‘Retour D’Egypte’ manner. The figures in the form of kneeling Egyptian women (after the model by French sculptor Louis Simon Boizot 1743-1809) before a torchiere inscribed with heiroglyphics.

French circa 1805.

20 x 16 x 8.5cm $4,000-6,000

26 A PAIR OF FRENCH DIRECTOIRE MAHOGANY PEDIMENT STANDS For candelabra with applied gilt bronze mounts in neoclassical motifs. French circa 1795.

25.5 x 22 x 17cm PROVENANCE: W F Bradshaw Pty Ltd. Sydney $3,000-5,000 27 PAIR OF REGENCY TWO LIGHT BRONZE AND ORMULO CANDELABRAS In the from of winged cupids holding a bow and supporting a gilt bronze arrow each with two candleholdiers decorated with griffin heads. The hexagonal shaped bases with applied gilt bronze decoration of scrolls and motifs.

English circa 1810.

45.5 x 21 x 11cm PROVENANCE: Gallery Antiques Ltd, Jewry St, Winchester, 1988. $2,000-4,000

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28 A PAIR OF PATINATED AND GILT BRONZE CANDLEABRA Directoire period in the form of caryatides raised on plinths with applied neoclassical motifs of lions and urns.

French circa 1795.

58.5 x 13 x 13cm $5,000-7,000 29 A PAIR OF REGENCY COLZA OIL ‘RHYTON’ LAMPS WITH BOAR HEADS In the form of antique Rhyton, black-bronzed with gilded boar heads, flambeau, mounts and etched glass shades. The base marked, ‘Messenger’.

English circa 1815.

Height 28cm PROVENANCE: Philip Turner Antiques Ltd., London W1, 1984. $4,000-6,000 30 A FINE QUALITY REGENCY PERIOD THREE TIERED TABLE CENTREPIECE The ormolu base with grape and vine leaf decoration supporting three graduated blue cut glass circular dishes.

English circa 1815.

Height 61cm PROVENANCE: J.W. Blanchard Ltd, Winchester, UK, 1992. $3,000-5,000

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31 A FINE AND RARE PAIR OF REGENCY PERIOD NEOCLASSICAL GILT BRONZE TAZZA With cut glass liners, each with three monopedic winged lions around a column with a palmette capital, mounted on a classically fluted pedestal base.

English circa 1815.

34.5cm x 20cm PROVENANCE: Gallery Antiques Ltd, Jewry Street, Winchester, 1988. $4,000-6,000 32 A FINE AND RARE PAIR OF REGENCY PERIOD NEOCLASSICAL GILT BRONZE TAZZA With cut glass liners, each with three monopedic winged lions around a column with a palmette capital, mounted on a classically fluted pedestal base.

English circa 1815.

34.5cm x 20cm PROVENANCE: Gallery Antiques Ltd, Jewry Street, Winchester, 1988. $4,000-6,000 31

33 AN EXCEPTIONAL DIRECTOIRE PERIOD GILT BRONZE AND PATINATED BRONZE CANDLEABRA Neoclassical form with five arms around a central torchiere and decorated with Greco-Egyptian motifs.

French circa 1795.

64.5 x 30cm $4,000-6,000 34 A PAIR OF REGENCY STYLE CANDLESTICKS In ormolu, the triform pediment bases in the form of dolphins supporting stylised pineapples in malachite, surmounted by etched glass storm shades.

English circa 1850.

60.5 x 18cm PROVENANCE: Philip Turner Antiques, Crawford Street, London W1, 1988 $3,000-5,000

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35 A PAIR OF GEORGE III GILT BRONZE JASPERWARE AND GLASS CANDLESTICKS Each with diamond cut nozzle above star pattern tier suspended with facette drops on circular base with jasperware drum depicting classical maiden in front of a monument in a landscape, circular gilt bronze base with bun feet. In the manner of William Parker.

English circa 1800.

Height 31cm PROVENANCE: The Norman Wheeler Collection, Sothebys, Sydney, 1994 $3,000-5,000 36 A PART SET OF GEORGIAN CUT CRYSTAL Comprising of seven rummers, five smaller rummers and two decanters, both engraved with stoppers.

38 A GOOD GRAND TOUR BRONZE OF THE BORGHESE GLADIATOR After the original by Agasias in the Louvre collections. Mounted on a black marble base.

Italian circa 1920.

34 x 40 x 17cm $1,000-1,500 39 A POGODA TOPPED ANGLO-PORTUGESE SILVER INLAID PIQUE WORK WRITING BOX The red Moroccan Floretine stamped leather interior lined in ivory and quilted blue silk.

Portugese circa 1800.

22 x 30.5 x 26cm $4,000-6,000

40 A COLLECTION OF THREE 19TH CENTURY TORTOISESHELL CASES Including a rectangular cardcase with tortoise shell veneer and pewter stringing, the interior lined with velvet. A lady’s calling card case, tortoiseshell veneers, peweter stringing, hinged top and a tortoiseshell veneered etui containing various needlework hooks.

English circa 1840-1860.

Box: 3 x 16.5 x 11cm, Case:10.2 x 7.8 x 1.1cm, Etui: 9.2 x 4 x 1.1cm $600-800

PROVENANCE: F.R. Strange Pty Ltd., Sydney, 1972. $2,000-4,000 37 A DECORATIVE PAIR OF DARKLY PATINATED BRONZE SEATED EGYPTIAN FEMALE FIGURES With good quality modelling, casting and colour.

In the ‘Retour d’ Egypte’ manner.

Probably European, 20th century.

52 x 28 x 47cm $1,000-1,500

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44 A PAIR OF CLASSICAL REVIVAL DARKLY PATINATED BRONZE OIL LAMPS In the form of Grecian boar’s head ‘Rhytons’.

Electrified.

English circa 1880.

31 x 33 x 12cm $1,500-2,500

47 TWO REGENCY PERIOD SAMOVARS Copper and brass mounted (one missing lid), of ovoid neoclassical form, the other vase shaped with elaborate handles and feet.

English circa 1820-1830.

36 x 31 x 32cm and 45 x 36 x 36cm $800-1,200

45 TWO VICTORIAN ANGLO-INDIAN POCKET WATCH DISPLAY BOXES Ebony and horn with applied corners and pierced scroll work in bone.

India circa 1850.

8 x 13 x 11cm and 6.5 x 11 x 9cm $500-700

48 A PAIR OF REGENCY PERIOD COPPER SAMOVAR Of spherical form mounted with brass handles, tops and finials.

English circa 1820.

54 x 31 x 30cm $1,000-1,500 49 A REGENCY PERIOD COPPER TEA URN OR SAMOVAR Of ovoid form, the brass legs and mounts with Egyptian motifs including caryatids, lions and a crescent moon.

English circa 1820.

45 x 32cm $500-700

46 A GROUP OF SIX NEO-GOTHIC SALT GLAZED PIECES Five pewter covered jugs and a tankard.

English circa 1875.

Various heights between 12cm and 25.5cm $500-700

50 41 AN EARLY 19TH CENTURY TORTOISESHELL TEACADDY Of plain design with silver stringing and gilt brass ball feet, the interior fitted in rosewood and tortoiseshell with two lidded compartments and a glass mixing bowl.

English circa 1820.

12 x 25 x 12cm $1,000-1,500 42 A SECOND EMPIRE OIL LAMP The base in gilt and patinated bronze in the form of a putti on a neoclassical column with floral garlands, with an acid etched pink glass shade and clear glass flu and oil well.

French circa 1870.

73 x 19cm $800-1,200 43 A VICTORIAN CARVED WOODEN INKSTAND ON A BASE AFTER THE ‘LION OF LUCERNE’ A Swiss monument by Bertel Thorvaldsen excuted in stone in 1820-21. Inscribed in Latin “Helvetiorum Fidei ac Virtuti” (To the loyalty and bravery of the Swiss).

Swiss circa 1870.

Lion: 11 x 20.5 x 10.5cm, Base: 40 x 18.5 x 1.5cm $300-500 51

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50 AN EARLY 19TH CENTURY ENGLISH ROSEWEOOD WALL BAROMETER With silvered dial.

English circa 1820.

Height 94cm $600-800 51 A FINE SHERATON PERIOD GEORGE III KNIFE BOX The ‘fold-front’ case in flame mahogany veneers inlaid with boxwood, satinwood and ebony, with paktong metal mounts and feet and a silver shieldshaped armorial. Paktong is an alloy of copper, nickel and zinc which was imported from China in small quantities during the eighteenth and early nineteenth centruries. It’s name is derived from the romanisation of the Cantonese pronounciation of the Chinese characters for white copper. Original fitted interior.

English circa 1795.

37 x 25 x 25cm $1,500-2,500

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52 A FINE EARLY VICTORIAN MINATURE TWO DOOR COLLECTORS CABINET With internal drawers, finely veneered in amboyna and mounted with ebony.

English circa 1860.

41 x 33 x 23cm $800-1,200 53 A FINE REGENCY ROSEWOOD WORKBOX OF SARCOPHAGUS FORM Inlaid with mother of pearl, the brilliant acid yellow silk fitted interior with work tools and carved ivory pieces.

English circa 1820.

15.5 x 28 x 20.5cm $800-1,200 54 A FINE REGENCY PERIOD ANGLO-INDIAN ROSEWOOD ‘LADIES COMPANION’ BOX Scarcophagus form with ring handles and carved feet, inlaid with exotic patterns in mother-of-pearl.

The interior fitted with drawers including a silk lined jewellery compartment, a writing slope and a sewing box with various carved ivory implements.

Indian circa 1820.

34 x 34 x 24cm $1,500-2,500

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55 A REGENCY ROSEWOOD BRASS INLAID SARCOPHAGUS WORK BOX Fitted silk interior. Gadrooned base in four winged griffin feet.

English circa 1815.

15 x 26.5 x 21cm $800-1,200 55

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56 A GEORGE III OCTAGONAL MAHOGANY TEA CADDY With inlaid decoration and fitted internal lid.

English circa 1790.

15 x 23 x 14cm $600-800 57 A PAIR OF CAST IRON SUNBURST DESIGN MEDALLIONS Converted to curtain tie backs.

English twentieth century.

PROVENANCE: Anthony Hordern and Sons, Sydney $200-400

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58 A COLLECTION OF THREE 19TH CENTURY OVERLAY GLASS PIECES Including a Bohemian ruby glass circular lidded box with star cut decoration, a Bohemian ruby glass vase with star cut decoration and a ruby glass decanter with acid etched decoration of grapes and vine leaves.

Circa 1890.

Bowl:14 x 18cm, Vase: 27 x 4cm, Decanter: 39.5 x 8.5cm $400-600 59 A COLLECTION OF SIX GEORGE III AND IV PEWTER TANKARDS AND A PLATE The tankards including one by James Yates. From one quart to a quarter ‘gill’ in size. One with a spout.

English circa 1800-1820.

Various sizes $400-600

60 A PAIR OF VICTORIAN PAPER MACHE HAND HELD FACE SCREENS Each painted with scenes from Northern Italy. Turned wooden handles.

English circa 1850.

Height 41.5cm $400-600 61 A MALACHITE CARVING OF A HIPPOPOTAMUS Circa 20th century.

7.5 x 17cm $400-600 62 A YEWWOOD CHIPPENDALE MANNER CHINOISERIE BOOKCASE OR DISPLAY STAND The carved pagoda top and fretwork galleries on scrolled feet.

Japanese circa 1950.

41 x 71 x 22cm $600-800

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63 A LARGE CHINESE DISH OR SHALLOW BOWL WIth bands of underglaze blue and white decoration in bands of stylised floral and foliate designs arounds a central lotus medallion, the underside with six further motifs.

Qing Dynasty, Kangxi Period (1662-1722), circa 1680.

36 x 7cm $2,000-4,000 64 A CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN GINGER JAR In the ‘Prunes Blossom’ pattern. The carved rosewood lids inset with medallions of carved and pierced jade and the rosewood stands in carved and finely pierced fretwork.

Early Qianlong Period (1736-95) circa 1750.

29 x 23cm $5,000-7,000

65 A PAIR OF CHINESE UNDERGLAZE PORCELAIN GINGER JARS The blue and white in the ‘Prunes Blossom’ pattern.

The carved rosewood lids inset with medallions of carved and pierced jade and the rosewood stands in carved and finely pierced fretwork.

Early Qianlong Period (1736-95) circa 1750.

30 x 21cm $5,000-7,000 66 A GOOD CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN POT With carved and pierced wooden lid and stand. The pot crisply decorated with a large scene of four male figures under a tree.

Late Qing Dynasty, Guangxu Period (1875-1908).

23 x 36cm $1,000-1,500

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67 A CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN BOWL Of deep form with a flared rim, profusely decorated in panels and cartouches around a central medallion depicting a bird in a natural setting.

Late Ming Dynasty, Wanli Period (1573-1620).

15 x 44cm $700-900 68 TWO CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN PLATES With central scenes of courtly ladies and borders of male figures at various activities. Both with iron brown rims.

Qing Dynasty, Kangxi Period (1662-1722).

21 x 3.5cm and 18 x 3cm PROVENANCE: Marchand and Son, London $800-1,200

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69 A CHINESE PORCELAIN PLATE With blue and white underglaze decoration in the ‘Long Eliza’ pattern of courtly ladies in a garden with floral cartouches in the borders. Six character reign mark to base.

Qing Dynasty, Kangxi Period (1662-1722).

26 x 3.5cm $800-1,200 70 A CHINESE KRAAK WARE DISH From the Late Ming Dynasty, with profuse underglaze blue and white decoration over a fine porcelain body. The central medallion of a stork and pine tree surrounded by borders and cartouches of foliate, flowers, fruit and insect motifs.

Ming Dynasty, Wanli Period (1573-1620), circa 1620.

27.5 x 4cm PROVENANCE: WIng Hing Company, Hong Kong, July 1975 $800-1,200

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71 TWO CHINESE PORCELAIN PLATES With underglaze blue and white decoration.

The central medallions depicting birds, flowers and insects and borders of cartouches.

Qing Dynasty, Kangxi Period (1662-1722).

21 x 2.5cm $800-1,200 72 A CHINESE KRAAK WARE PLATE From the late Ming dynasty, with profuse underglaze blue and white decoration on a fine porcelain body.

The central medallion depicting deer under a pine.

The border in a series of cartouches with motifs of flowers, foliate and insects. The underside marked with a stork or heron.

Wanli Period (1573-1620) circa 1620.

21 x 3cm $800-1,200 73 A PAIR OF FINE CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN DISHES Small and of lobed form, each with ten panels of figures and flowers around a central medallion of a oman in a garden setting.

Qing Dynasty, Kangxi Period (1662-1722), circa 1720.

14.5 x 3cm $800-1,200

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74 A PAIR OF FINE CHINESE PORCELAIN UNDERGLAZE BLUE AND WHITE PORCELAIN PLATES With moulded and flared rims and central medallions of peony flowers and foliate borders.

Qing Dynasty, Kangxi Period (1662-1722).

21 x 2.5cm $800-1,200

75 A PAIR OF FINE CHINESE PORCELAIN UNDERGLAZE BLUE AND WHITE PLATES With moulded and flared rims and central medallions of peonies and a bird and foliate borders.

Qing Dynasty, Kangxi Period (1662-1722).

21 x 2.5cm $800-1,200 76 A PAIR OF CHINESE PORCELAIN UNDERGLAZE BLUE AND WHITE PLATES With central medallions of peonies and a bird and foliate border. Incense burner mark to base.

Qing Dynasty, Kangxi Period (1662-1722).

21 x 1.7cm $800-1,200 77 TWO CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN PLATES One decorated with a phoenix and panelled motifs with an iron brown rim, the other with a grasshopper and moth and fruit motif panels.

Qing Dynasty, Kangxi Period (1662-1722).

16 x 2.5cm and 14.5 x 2.5cm PROVENANCE: Marchand and Son, London $800-1,200

72

78 A FINE CHINESE UNDERGLAZE BLUE AND WHITE TEA BOWL AND SAUCER Of lobed form with panels of decoration depicting animals in natural scenes. The saucer with a central medallion of a dragon and phoenix.

Early Qing Dynasty, Yongzheng Period (1723-1735).

Cup: 8.5 x 5cm, Saucer: 13 x 2cm $400-600 79 TWO CHINESE UNDERGLAZE BLUE AND WHITE FINE PORCELAIN TEA CUPS AND SAUCERS Of lobed and flared form with profuse decoration in panels.

Qing Dynasty, Kangxi Period (1662-1722), circa 1720.

Cups: 8 x 5cm, Saucers: 13.5 x 1.5cm $800-1,200

78

80 A SELECTION OF FIVE CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN SAUCERS With various naturalistic patterns and marks.

Qing Dynasty, Kangxi Period (1662-1722).

Various sizes $500-700

21

81 A PAIR OF FINE CHINESE UNDERGLAZE BLUE AND WHITE TEA BOWLS AND SAUCERS Profusely decorated with flowers, foliage and birds.

Bamboo marks to base.

Qing Dynasty, Kangxi Period (1662-1722), circa 1700.

Cups: 5 x 8cm, Saucers: 13.5 x 15cm $300-500

83 FIVE CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN DISHES With floral motif panelled borders surrounding central medallions of lake scenes.

Early Qing Dynasty, Kangxi Period (1662-1722), circa 1700.

21 x 3cm

85 FIVE CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN TEA BOWLS AND SAUCERS With garden scene depicting a man at a table.

Early Qing Dynasty, Kangxi Period (1662-1722), circa 1720.

Cups: 7.5 x 3.5cm, Saucers: 12 x 2cm $800-1,200

82 FOUR SMALL CHINESE UNDERGLAZE BLUE AND WHITE PLATES Each with a central scene depicting a woman and child in a garden setting. The base with a four character reign mark and a retailer’s wax seal for Duveen Liverpool.

Early Qing Dynasty, Kangxi Period (1662-1722), circa 1720.

10.5 x 2cm

PROVENANCE: Roel Houwink, Amsterdam $400-600

86 A CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN PLATE With iron brown rim and a central scene of nature with a willow tree, rock and flowers.

Qing Dynasty, Qianlong Period (1736-1795), circa 1750.

27.5 x 3cm $300-500

PROVENANCE: Duveen, Liverpool $300-500

84 A SELECTION OF FOUR CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN SAUCERS AND TWO TEA BOWLS With various naturalistic patterns and marks.

Qing Dynasty, Kangxi Period (1662-1722).

Various sizes $600-800

82

87 A SMALL PAIR OF CHINESE UNDERGLAZE BLUE AND WHITE SAUCERS AND ONE TEA BOWL Decorated with the ‘Man in a Swing’ pattern.

Kangxi/Yongzheng Period (1723-1735).

Saucers: 11.5 x 1.5cm, Cup: 7 x 3.5cm PROVENANCE: Marchand and Son, London $600-800 88 SIX CHINESE UNDERGLAZED BLUE AND WHITE PORCELAIN DISHES With iron brown rims, three with central medallions of lake scenes with houses and cherry trees, and three with a fisherman and an egret.

Qing Dynasty, Qianlong Period (1736-1795), circa 1750.

16.5 x 3cm $400-600

22

89 A PAIR OF CHINESE UNDERGLAZE BLUE AND WHITE OCTAGONAL PORCELAIN DISHES With central panels of willow, pagoda, lake and mountain scenes.

Qing Dynasty, Qianlong Period (1736-1795), circa 1780.

22.5 x 3.5cm $400-600 90 A SELECTION OF FOUR CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN BOWLS AND SAUCERS Mid to late Ming Dynasty, Zhengde Period (15061521) to Wanli Periods (1573-1620).

Various sizes $800-1,200

91 THREE UNDERGLAZE BLUE AND WHITE PORCELAIN PLATES Each with medallion borders around an eight sided central design of a naturalistic scene of a deer, a grasshopper and a bird.

Late Ming Dynasty, Wanli Period (1593-1620), circa 1600.

Two plates: 14 x 3cm and one plate: 14.5 x 3cm $700-900 92 SIX CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN PLATES With patterned borders and central medallions depicting figures in gardens. Six character reign marks to bases.

Early Qing Dynasty, Kangxi Period (1662-1722), circa 1720.

15.5 x 2cm $400-600

95

93 FOUR CHINESE UNDERGLAZE BLUE AND WHITE DISHES With iron brown rims, each with borders of flowers and foliage around a central medallion. The lake scene with figures, a bridge, a temple and trees and mountains.

Qing Dynasty, Yongzheng Period, circa 1730.

22 x 3.5cm $300-500 94 A GROUP OF FIVE CHINESE BLUE AND WHITE PORCELAIN SAUCERS One polychrome decorated plate and six ceramic blue and white spoons.

Qing Dynasty (1644-1911).

Various sizes $600-800

96 A SELECTION OF SEVEN CHINESE UNDERGLAZE BLUE AND WHITE CERAMIC SAUCERS AND ONE TEA CUP BOWL With various designs.

Late Ming Dynasty, Wanli Period (1573-1620).

Various sizes $400-600 97 A SELECTION OF SIX CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN SAUCERS AND TWO TEA CUPS With various naturalistic patterns and marks.

Qing Dynasty, Kangxi Period (1662-1722).

Various sizes $600-800

98 A COLLECTION OF FIVE CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN BOWLS, TEA CUP AND TWO SMALL DISHES Late Ming Dunasty, Wanli Period (1573-1620).

Various sizes $600-800 99 A DEEP SIDED CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN BOWL Profusely decorated with panels of figurines at temples and flowers and foliage around a central medallion with a lake scene.

Late Ming Dynasty, Wanli Period (15573-1620), circa 1620.

22 x 9.5cm $400-600

95 FOUR CHINESE UNDERGLAZED BLUE AND WHITE FINE PORCELAIN TEA BOWLS AND SAUCERS Of various forms and decoration.

Qing Dynasty, Kangxi Period (1662-1722), circa 1720.

Various sizes $800-1,200

99

23

100 A COLLECTION OF CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN CUPS, BOWLS AND SAUCERS Six of each with iron brown exterior glazes and floral designs to the interior.

Qing Dynasty, Daoguang Period (1821-50).

Various sizes $700-900 101 A VERY FINE LARGE CHINESE IMARI TYPE CHARGER Floral and foliate chrysanthenum designs in dry iron red enamel with gilt highlights on an underglaze blue and white porcelain.

Late Kangxi Period circa 1720.

Diameter 36cm $3,000-5,000 102 A FINE PAIR OF CHINESE IMARI TYPE PLATES In dry ironed enamel with gilt highlights on an underglaze blue and white porcelain.

Late Kangxi Period, (1662-1722).

Diameter 23cm $2,000-4,000 103 A PAIR OF CHINESE IMARI TYPE PLATES With mounted raised decoration and dry iron red enamels and gilt highlights on an underglaze blue and white porcelain. The central scenes of figures on horseback with foliate and floral borders.

Qing Dynasty, Late Kangxi Period (1662-1722), circa 1720. $800-1,200

101

104 A PAIR OF IMARI STYLE OR ARITA WARE LIDDED BALUSTER VASES With dry iron red enamel decoration and gilt highlights on a heavy underglaze blue and white porcelain.

Japanese, Meiji Period (1868-1912) circa 1890.

18 x 3.6cm $800-1,200

102

24

105 A PAIR OF CHINESE RECTANGULAR PLATES With polychrome enamel decoration of domestic scenes in the Famille Rose Yangcai palette.

Mid-Qian Long Period (1736-95).

18 x 26.5cm $600-800

106 A PAIR OF FAMILLE ROSE CHINESE OCTAGONAL PLATES The central panel decorated with domestic scene with a border of purple and iron red.

Qing Dynasty, Qianlong Period (1711-1799), circa 1790. $300-500 107 A GROUP OF THREE CHINESE FAMILLE ROSE POLYCHROME DECORATED PORCELAIN WARES Comprised of two tea bowls and a saucer, each with scenes of courtiers at leisure.

Qing Dynasty, Qianlong Period (1736-1795), circa 1785.

Bowls: 7.5 x 4.2cm, Saucer: 12 x 2.5cm $400-600 108 A PAIR OF POLYCHROME AND GILT PORCELAIN LIDDED POTS The decorated hard paste porcelain is Chinese exportware. The lids surmounted by foo dogs, the bodies glazed with flowers and faux armorials.

Chinese circa 1790.

27 x 17cm $800-1,200 109 TWO CHINESE BOWLS One blue and white, with interior floral medallion and exterior dragon motifs, the other blue and celedon green with interior medallion of a dragon.

Late Ming Dynasty, Wanli Period (1573-1620).

16.5 x 6cm and 21 x 9.5cm $400-600

104

110 A COLLECTION OF SIX CHINESE CERAMIC AND PORCELAIN PROVINCIAL PLATES AND DISHES The underglaze blue and white and polychrome decorated in various designs.

Late Ming Dynasty, Wanli period (1573-1620).

Various sizes $500-700

111 A LARGE CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN FOOTED BOWL The deep sides with panelled decortion and an interior medallion of a bird in a natualistic scene.

Late Ming Dynasty, Wanli Period (1573-1620).

22 x 9.5cm $300-500

105

25

124

112 A COLLECTION OF SIX CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN PLATES Of various designs.

Late Ming Dynasty, Wanli Period (1573-1620).

Various sizes $600-800 113 A COLLECTION OF FIVE CHINESE LIDDED JARS Comprised of four in underglaze blue and white porcelain with floral decorations and one in green and iron brown glazes on a moulded and incised body.

Late Ming Dynasty, Wanli Period (1573-1620).

Various sizes $300-500 114 FIVE CHINESE IMARI INFLUENCE SMALL DISHES With dry iron red floral decoration on underglaze blue and white porcelain each with stylised lotus motifs around a central panelled medallion and vase of flowers.

Early Qing Dynasty, Kangxi Period (1662-1722), circa 1700.

15.5 x 3cm each $600-800 115 A CHINESE UNDERGLAZE BLUE AND WHITE CERAMIC LIDDED JAR With foliate and floral decoration, the lid lobed in ten panels around a central flower motif.

Ming Dynasty, Wanli Period (1573-1620).

14 x 8cm $400-600

26

116 A COLLECTION OF SIX CHINESE UNDERGLAZE BLUE AND WHITE PORCELAIN AND EARTHENWARE VASES With decorations in various naturalistic designs.

Late Ming Dynasty, Wanli Period (1573-1620).

Various sizes $400-600

121 TWO CHINESE SWATOW WARE BOWLS One crackle glaze with an internal underglaze blue medallion, the other with traces of applied polychrome decoration and an internal medallion of a bird.

Late Ming Dynasty, Wanli Period (1573-1620).

20 x 8.5cm and 20.5 x 8.5cm $300-500

117 COLLECTION OF SIX VIETNAMESE ANAMESE LIDDED JARS In underglaze blue and white, glazes on ceramic bodies.

Vietnamese circa 15th-16th centuries.

Various sizes $500-700

122 A SELECTION OF SIX THAI EARTHENWARES In celedon and brown glazes, comprised of two bowls, two pots and two minature vases.

Thai circa 16th century.

Various sizes $400-600

118 A COLLECTION OF SIX VIETNAMESE ANAMESE WARES In underglaze blue and white glazes on ceramic bodies comprised of two pots and bowl.

Vietnamese circa 14th century.

Various sizes $300-500

123 A COLLECTION OF CHINESE LONGQUAN CELEDON WARES Comprised of four dishes and three minature pots in green and brown glazes on earthenware bodies.

Chinese circa 13th century.

Various sizes $600-800

119 A SELECTION OF EIGHT THAI LIDDED VESSELS In blue and brown underglazes, on stoneware and earthenware bodies.

Thai 15th or 16th century.

Various sizes $400-600

124 THREE JAPANESE SATSUMA POTTERY PLATES In heavy stoneware with polychrome enamel decoration depicting courtiers in gardens within elaborate and finely gilded borders over a dark ground. Marks to underside.

Late Meiji Period (1868-1912) circa 1900.

22 x 3.5cm $800-1,200

120 A SMALL GROUP OF THREE CHINESE CELEDON VESSELS In green and white glazes over finely potted bodies, comprised of one lidded dish with floral and ribbed applied and incised designs.

Early Qing Dynasty, Kangxi Period (1662-1722).

Various sizes $300-500

27

125 A FLIGHT BARR WORCESTER DESSERT SERVICE Painted with botanical specimens within spirally moulded borders painted in sepia with lily of the valley and gilding. Flowers are named on the reverse, some pieces wih script marks, ‘Flight B and Barr Wor. Manufactures to their Majesties’ and incised ‘B’.

Consisting of lidded tureen and cover on stand, two oval dishes, two round single handled dishes and twelve plates.

English circa 1800.

Reference: Flight and Barr Worcester porcelain 1783-1840, by Henry Sandon, p.53.

PROVENANCE: Christie’s, London June 20, 1977, Lot 8 $6,000-8,000

28

126

126 A NYMPHENBURG PORCELAIN BLUE AND GILT BAVARIAN ROYAL SERVICE After a design by the Bohemian sculptor, Dominikus Auliczek. The pearl service in the Louis-Seize style. It was exclusively reserved for the Wittelsbach House as the Royal Bavarian Service until the beginning of the 20th century. In 1918 it was created for the golden wedding anniversary of King Ludwig III and Maria Theresa as a one-off production. It has minature paintings of the most important stages of the royal couple’s life.

Consisting of 4 oval-pierced fruit baskets, 2 roundpierced fruit baskets, 18 plates, 17 coffee cans and saucers.

Printed factory marks.

German 20th century.

Oval fruit baskets: 25 x 19cm, Round fruit baskets: diameter 22cm, Plates: diameter 20.5cm $5,000-7,000

129 A PAIR OF FLIGHT BARR AND BARR WORCESTER PLATES With a boarder of brown grape and vine leaf decoration with gold tendrils, each with a central family crest. Impressed marks.

English 1829-1840. $400-600 130 A CHAMBERLAINS WORCESTER ARMORIAL TEACUP AND SAUCER With panels of coloured flowers on a richly gilt royal blue ground, a crest of a seated dog and motto - “faithful not fawning”.

English circa 1815. $400-600

131 A PAIR OF FIGHT BARR AND BARR WORCESTER DISHES Each decorated with a classical landscape with a boarder of seashells in black and white. Impressed factory mark.

English circa 1815.

Diameter 19.5cm $400-600 132 A 19TH CENTURY ENGLISH PORCELAIN TRIO Decorated with oriental scenes with gilt highlights.

Probably Chamberlain’s Worcester.

English circa 1810. $200-400

127 A FLIGHT BARR AND BARR WORCESTER PART DESSERT SERVICE With floral decoration in Imari colours. Consisting of lidded tureen, two smaller lidded tureens, two square dishes, two round single handled dishes, one oval dish and seven plates.

Impressed factory marks.

English circa 1810. $3,000-5,000 128 A PAIR OF DERBY IMARI PATTERN PLATES Painted factory mark.

English circa 1815.

Diameter 22.5cm $300-500

129

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136

133 AN ENGLISH DESSERT SERVICE The green border decorated with country scenes.

Consisting of two lidded sauce tureens, three low comports, six serving dishes, six cups and saucers.

English circa 1850. $2,000-3,000 134 A MINTON PORCELAIN FELSPAR CHINA PART DESSERT SERVICE With cockatoo cockatrice pattern. The polychromed enamel decoration of birds in flowering sprays.

Consisting of a large comport, lidded saucer tureen on stand, eight plates, and two serving dishes.

English circa 1830. $800-1,200 135 A COLLECTION OF FIVE PIECES OF FIRST PERIOD WORCESTER BLUE AND WHITE Including a lidded creamer decorated with the ‘three flowers’ pattern, two tea bowls decorated with the ‘zig zag fence’ pattern, a saucer in the ‘bouquets’ pattern and a teapot decorated in the ‘prunes root’ pattern.

English 18th century.

Various sizes $700-900

30

136 AN EXTENSIVE ‘STONE CHINA’ DINNER SET Transfer decoration of flowers and insects.

Consisting of 48 dinner plates, 8 entree plates, 12 graduate plates, 1 mazarine tray, 3 lidded sauce tureens on stands, 3 lidded vegetable dishes and one large two handled tureen.

English circa 1850.

PROVENANCE: D.C.Monk, 132-134 Kensington Churches, 1970. $2,000-4,000 137 TWO BLUE AND WHITE TRANSFER LIDDED SECTIONAL DISHES AND CUTLERY With three blue and white pistol handled knives and forks.

English circa 1830. $400-600 138 A RARE GEORGIAN BLUE AND WHITE TRANSFER ASHETT AND SIX PLATES With classical landscape pattern by Thomas Lakin in Stoke (1812-1817). Impressed mark, ‘Lakin’.

English circa 1815. $500-700

139 A DUTCH DELFT POLYCHROME DISH Shaped border decorated with flowers and scrolls containing a central caduceus symbol.

Dutch 20th century.

Diameter 28cm $300-500 140 SET OF THREE GRADUATED MASONS IMARI PALETTE IRONSTONE JUGS Unmarked.

Various sizes $600-800 141 FOUR ‘STONE CHINA’ PLATES Decorated with flowers and leaves together with a mason’s ironstone two handled dish.

English circa 1830. $200-400 142 A COLLECTION OF SEVEN EARLY 19TH CENTURY ENGLISH PLATES Of various makers including Derby, Masons Ironstone and Spode Felspar porcelain. $200-400

143 A COLLECTION OF TWELVE ENGLISH TEA CUPS AND SAUCERS Circa 1800. $400-600 144 A PART ENGLISH PORCELAIN TEA SERVICE Decorated with small flowers and garlands with a gilt border. Comprising of six cups and saucers, milk jug and sugar basin. Possibly made by Hammersley.

Circa late 19th century. $400-600 145 A DERBY IMARI TWO HANDLED CAMPANA VASE With scrolled serpent handles.

English circa 1815.

Height 21.5cm $300-500 146 A PAIR OF PORCELAIN FIGURES PROBABLY SITZENDORF Of a couple in traditional costume.

German late 19th century.

Height 13.5cm $300-500

147

148

147 A MEISSEN PORCELAIN PERFUME BOTTLE In the form of a man holding a dog under his arm in red breeches and yellow cuffed and collared white coat.

German 19th century.

Height 8.5cm PROVENANCE: Sotheby’s, Decorative Arts, Melbourne, 2001 $1,000-1,500 148 A MEISSEN PORCELAIN PERFUME BOTTLE AND STOPPER Modelled in the form of a lady holding a dog under her left arm, in a purple striped dress and yellow bodice.

German 19th century.

Height 8cm PROVENANCE: Sotheby’s, Decorative Arts Sale, Melbourne, 2001 $1,000-1,500 149 A MEISSEN PORCELAIN PERFUME BOTTLE AND STOPPER In the form of a spaniel standing on its hind legs.

German 19th century.

Height 7.5cm PROVENANCE: 149 150 Sotheby’s, Decorative Arts, Melbourne, 2001 31 $1,000-1,500

155

155

150 A MEISSEN SILVER GILT MOUNTED PORCELAIN SCENT BOTTLE Outside decorated perfume bottle and stopper modelled in the form of arm. The hand holding a bunch of grapes, with an orange sleeve with flowers in gilt and white cuff.

German 19th century.

Height 8.5cm PROVENANCE: Sotheby’s, Decorative Arts, Melbourne, 2001 $1,000-1,500 151 A PAIR OF ENGLISH DELFT POLYCHROME PLATES Decorated with traditional stylised geometric patterns.

London circa 1760.

Diameter 22.5cm $300-500 152 A PAIR OF ENGLISH DELFT POLYCHROME PLATES Decorated with traditional stylised geometric patterns.

London circa 1760.

Diameter 22.5cm $300-500

32

153 AN ENGLISH DELFT POLYCHROME CHARGER Decorated with traditional stylised geometric patterns and flowers.

London circa 1760.

Diameter 26cm $400-600 154 A LARGE DUTCH DELFT BLUE AND WHITE SHALLOW DISH The decoration both in the central panel and the border of stylised flowers, berries and leaves.

Dutch circa 1760.

Diameter 36.5cm $500-700 155 A ENGLISH DELFT BLUE AND WHITE OCTAGONAL PLATE Painted in the centre with a view of a Chinese man seated in a field with two similar figures on the rim.

London or Bristol 1680-1700.

Diameter 21cm LITERATURE: A yellow and purple manganese plate in this pattern is discussed and illustrated in Micheal Archer, “Delftware: The tin-glazed earthenware of the British Isles”, page 204, B193, and the origin of the pattern is discussed on page 257. $400-600

157

156 AN ENGLISH DELFT BLUE AND WHITE OCTAGONAL PLATE Decorated with a central panel of an exotic bird in a landscape surrounded by a border of stylised butterflies and scrolls.

Liverpool circa 1760.

Diameter 23.5cm $200-400 157 AN ENGLISH DELFT BLUE AND WHITE SOUP PLATE The flat flanged dish with bianco-sopra-bianco floral border surrounding a polychrome centre with a Chinese man on a bridge in a landscape. Probably made in Bristol circa 1760-1770.

Diameter 22.5cm $600-800 158 THREE DUTCH DELFT BLUE AND WHITE PLATES Decorated with a central panel of flowers and leaves surrounded by a border of lattice and stylised flowers.

Dutch circa 1750.

Diameter 23cm $300-500 159 TWO DELFT BLUE AND WHITE PLATES One decorated with figures in a landscape, the other with flowers and stylised trees in a landscape.

Circa 1750.

Diameter 22.5cm $200-400

163 160 A SET OF FOUR ENGLISH DELFT BLUE AND WHITE PLATES Decorated with a central panel of a Chinese man in a landscape with a border of flowers, leaves and scrolls.

Liverpool circa 1740.

Diameter 23cm PROVENANCE: Raymond Plant Antiques, 26-40 Kensington High Street, London, 1970. $800-1,200

161 TWO ENGLISH DELFT BLUE AND WHITE PLATES Both decorated with central panels of landscapes, one with a shaped border.

English circa 1750. $200-400 162 A COLLECTION OF FOUR ENGLISH AND DUTCH BLUE AND WHITE PLATES Decorated in traditional designs of flowers, plants and landscapes.

Circa 1700-1740.

Diameter 23.5cm $400-600

163 A DUTCH DELFT FIVE PIECE GARNITURE Comprising of two lidded baluster vases, two flared beaker vases and a tall double gourd shaped vase.

Dutch 20th century.

Height 44cm $1,000-1,500 164 SET OF 12 FRAMED DUTCH TILES Depicting biblical scenes in blue and white.

Dutch circa early 18th century.

64 x 51cm $600-800

160 33

34

165 FIVE FRAMED SETS OF FOUR DUTCH DELFT TILES In brown.

32.5 x 32.5cm each $400-600 166 A COLLECTION OF SIXTEEN FRAMED DUTCH DELFT TILES Blue and white with traditional decoration.

Dutch early 18th century. $400-600 167 A COLLECTION OF TWENTY SEVEN DUTCH AND ENGLISH DELFT TILES Blue and white and polychrome tiles with traditional decoration.

English and Dutch early 18th century.

PROVENANCE: Jellinek & Sampson Antiques, Brompton Road, London SW3. 1971 $600-800 168 A COLLECTION OF FIFTEEN DUTCH DELFT COLOURED TILES Some contained in wooden frames.

Dutch early 18th century. $400-600

169 A COLLECTION OF 12 MINTON TILES OF FARM ANIMALS Together with ten Victorian tiles decorated with birds in blossom.

English circa 1880. $300-500

173 AN EDWARDIAN STERLING SILVER CASTOR Plain classical design. Maker Edward Barnard and Sons Ltd. Hallmarked London 1924.

Height 21.5cm $600-800

170 A PAIR OF FRAMED TILES DEPICTING RIVER SCENES In brown.

19 x 19.5cm and 19 x 19cm $400-600

174 A SUPERB REGENCY PERIOD ROSEWOOD CARD TABLE With fine brass inlays in neoclassical motifs. The stylised bow-shaped pedestal set on a quadraform base with elegant brass capped sabre legs.

English circa 1805.

74.5 x 89 x 44cm $6,000-8,000

171 SET OF FOUR STIRLING SILVER CORINTHIAN COLUMN CANDLESTICKS The liftout drip pans with a beaded edge.

Hallmarked Sheffield 1896-7.

Maker James Dixon.

Height 28cm $800-1,200 172 A GEORGE II STIRLING SILVER CASTOR Baluster form with embossed foliage and scroll decoration. Maker John Delmester.

Hallmarked London 1758.

Height 20cm $800-1,200

175 A FINE REGENCY ROSEWOOD CARD TABLE The square form on a tapered pedestal and quadraform base on scrolled feet with brass inlays in neoclassical motifs.

English circa 1815.

74.5 x 89 x 44cm $4,000-6,000

174

35 Opposite 167 (Detail)

36

37

176 AN EXCEPTIONAL AND RARE SUITE OF TWO REGENCY CARD TABLES AND A SOFA TABLE Each with gadrooned edges and carved neoclassical medallions on a gunbarrel pedestal and quadraform base with stylised lion’s paw feet on concealed castors. In mahogany and with mahogany veneers.

English circa 1820.

Card tables: 73.5 x 91 x 44.5cm, sofa table: 73.5 x 151 x 68cm PROVENANCE: Martyn Cook Antiques,Sydney 1982 $8,000-10,000

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177 A SUPERB REGENCY SOFA TABLE Of Pembroke type in fine calamander and rosewood veneer over mahogany. The top is inlaid with a gilt brass scrolling acanthus leaf border and stringing, and mounted with gilt bronze borders. The four bow shaped legs, also known as spider legs, and central roundel are mounted in neoclassical motifs in gilt bronze and terminate in gilt bronze capped feet on brass castors. Attributed to George Oakley.

The firm of George Oakley produced stylish furniture in the Grecian taste during the decades spanning the turn of the 19th century, and was one of the pioneers of ‘Buhl’ inlay, a form of decoration that regained popularity during the early years of the Regency. Fashionable materials such as rosewood, mahogany and calamander were often used in Oakley’s furniture, combined with inlays of satinwood and ebony, and brass stars and bands of metalwork.

The highclass furniture made by George Oakley earned him a royal appointment and a contemporary reputation for fine craftsmanship.

Examples very similar to this table include a pair of card tables in the Royal Collection and a sofa table in the V&A. English circa 1810.

71 x 148.5 x 61cm PROVENANCE: W F Bradshaw Pty Ltd, Sydney, 1980 $15,000-25,000

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179

178 A SUPERB REGENCY PERIOD ROSEWOOD CARD TABLE With fine brass inlays in stylised neoclassical motifs.

The pedestal mounted in Greco-Egyptian style in carved giltwood on a brass inlaid quadraform platform base with exaggerated sabre legs terminating in finely cast and chased gilt bronze lion’s paw feet. Attributed to George Bullock.

English circa 1810.

74 x 91 x 45.5cm $15,000-25,000 178

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183

179 A VERY FINE PAIR OF MATCHED REGENCY PERIOD ROSEWOOD COLLECTION CABINETS The diamond and checkerboard patterned specimen marble surfaces, elaborate gilt bronze mounts, glass doors and mirror backs on tapered legs with concave open lower shelves. One cabinet with a writing drawer.

English circa 1815.

144 x 89.2 x 39cm

180

180 AN EXCEPTIONAL LATE REGENCY BRAZILLIAN ROSEWOOD SUPPER OR GAMES TABLE The faceted pedestal with a finely carved lotus motif on a quadraform base with stylised ‘oriental’ carved feet terminating in paws.

English circa 1825.

74 x 90 x 45cm $1,500-2,500

181 A GOOD LATE 18TH CENTURY ENGLISH COLLECTORS CABINET AND STAND The twin doors opening to reveal 17 drawers of various sizes. The central cupboard continuing a checkerboard floor and a secret compartment.

Pine base with walnut veneers and ebony stringing.

English circa 1780.

148 x 99 x 42cm $5,000-7,000

PROVENANCE: W.F.Bradshaw Pty Ltd., Sydney $15,000-25,000

41

182

182 AN IMPRESSIVE PAIR OF REGENCY MAHOGANY BOOKCASES The glazed cupboards top and bottom with corinthian column sides.

276 x 116 x 46cm each $6,000-8,000

183 A GEORGIAN SHERATON TYPE ROLL-TOP SECRETAIRE In satinwood with rosewood cross banding and ebony and boxwood stringing. The top painted with a delicate frieze of flowers. The interior with fitted compartments and the doors with circular panels lined with pleated silk.

English circa 1795.

174.5 x 87.5 x 51.2cm PROVENANCE: J.W. Blanchard Ltd. Jewry Street, Winchester, UK ,1989 $4,000-6,000

42

184 A PAIR OF LATE REGENCY BREAKFAST AND GAMES TABLES In mahogany and mahogany veneers with ebony Grecian motif stringing. On an elaborately turned pedestal with quadraform base and handsome lion’s paw feet.

English circa 1825.

77 x 102 x 48cm $4,000-6,000

185 A FINE REGENCY PERIOD MAHOGANY CARD TABLE With rosewood crossbanding and ebony and boxwood stringing, on a generously turned pedestal base with four curved sabre legs terminating in brass capped feet.

English circa 1815.

75.5 x 86.5 x 43cm PROVENANCE: W F Bradshaw Pty Ltd, Sydney 1976 $1,500-2,500 186 A LARGE REGENCY PERIOD CONVEX MIRROR Decorated with an eagle, Greek key pattern border and four girandole Egyptian sphinx head candle arms.

English circa 1810.

115cm high $3,000-5,000 187 A RARE PAIR OF REGENCY BRAZILLIAN ROSEWOOD CONSOLE TABLES With verde marble top each with a single drawer supported by two finely carved legs in the form of Greek scrolls with acanthus carvings.

English circa 1820.

89.5 x 90 x 25cm $5,000-7,000

186

188 A WILLIAM IV MAHOGANY DINING TABLE The top finely veneered in ten panels of flame mahogany, on a tapered pedestal elaborately carved with stylised lotus motifs and a circular disk type base with four carved feet.

English circa 1810.

74 x 127cm $4,000-6,000 189 A HANDSOME PAIR OF REGENCY BRAZILLIAN ROSEWOOD BOOKCASES The breakfronted open bookcase with gadrooned edges on the tops and bottoms. Three shelves supported by anthemion side brackets and elegantly tapered neoclassical columns with stylised capitals and pediments.

English circa 1820.

117.5 x 83.5 x 41cm $8,000-12,000

189

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190 A NEST OF THREE GEORGE III COROMANDEL AND ROSEWOOD OCCASIONAL TABLES ENGLISH CIRCA 1810 English circa 1810.

Largest: 77 x 56 x 30cm PROVENANCE: Sotheby’s, The Normal Wheeler Collection, Sydney, 1994 $2,000-4,000 191 A FINE GEORGE III ADAM STYLE MAHOGANY SIDE TABLE Of stepped form, the eight tapered legs and frieze elegantly carved with fluting and neoclassical medallions.

English circa 1780.

86 x 177 x 65cm PROVENANCE: Paul Kenny, Dingley, Hindhead, Surrey $4,000-6,000 192 A VERY FINE DEMI-LUNE GEORGE III SUPPER AND GAMES TABLE The interior and exterior in flame mahogany veneers with satinwood crossbanding and ebony and boxwood stringing on four elegant tapered and brass capped legs.

English circa 1790.

73 x 93 x 46.5cm $2,500-4,000

190

191

44

193 A REGENCY PERIOD ROSEWOOD VENEERED SIDE CABINET With detailed brass inlays and crimson silk panelled doors.

English circa 1815.

79 x 112 x 31cm $2,000-3,000 194 A REGENCY ROSEWOOD WORK TABLE The lacquer top and writing slide depicting an oriental scene.

English circa 1815.

73 x 53.5 x 42.5cm PROVENANCE: Gallery Antiques Ltd., Jewry Street, WInchester, UK, 1986 $1,500-2,500 195 AN IMPRESSIVE GEORGE III MAHOGANY BUREAU BOOKCASE The astral glazed upper part with adjustable shelves and the lower fitted with a draw fronted desk and compartments above a large two door cupboard.

English circa 1810.

281 x 147.5 x 48cm $4,000-6,000

193

196 AN ANGLO-CEYLONESE CALAMANDER AND SPECIMEN WOOD TRAVELLING BOX Of rectangular form, the sides gently carved in a linenfold pattern. The interior fitted with a mechanical cabinet and two tiers of tray compartments. The drawers and the lids in different exotic timbers and ivory with borders of ebony and ivory and gilt metal in various patterns. The underside of the lid inlaid with a whorl design.

Sri Lankan circa 1830.

15 x 42.5 x 29cm $3,000-5,000

196

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197 A VERY FINE SET OF SIX REGENCY PERIOD BRAZILIAN ROSEWOOD DINING CHAIRS Of neoclassical form with elegant sabre legs and brass inlays to the top and back rails and brass stringing to the legs and seat rails. The drop in seats upholsetered in a fine silk lampas.

English circa 1810.

85.5 x 46 x 45cm $2,000-4,000

197

198 A GOOD GEORGE III CUBAN MAHOGANY SUPPER AND GAMES TABLE With polished interior, four elegant tapered legs and a single drawer to one end.

English circa 1800.

74.5 x 91 x 42.5cm $1,500-2,500 199 A GEORGIAN MAHOGANY SEWING TABLE In mahogany and mahogany veneers on pearwood, with fine tapered legs and a fitted interior cross stretcher with yellow silk pouch.

English circa 1790.

77 x 45 x 38cm $1,000-1,500 200 A GEORGE III PERIOD PEMBROKE TYPE FOUR DRAWER DROPSIDE CABINET In mahogany and mahogany veneers with boxwood stringing on finely turned brass capped legs. The lion and ring drawer handles in gilt brass.

English circa 1815.

77.5 x 74.5 x 44.2cm $1,000-1,500

46

194

205

201 A GOOD PEMBROKE TYPE GEORGE III WORK TABLE The mahogany with boxwood stringing, two drawers and two false drawers with ivory knobs elegantly turned and brass mounted legs with castors and a moire silk basket with tassels.

English circa 1805.

74.5 x 81 x 47.5cm $1,000-1,500

203 A HANDSOME LATE REGENCY PERIOD BREAKFRONT TWIN PEDESTAL SIDEBOARD Of large proportions, the pediment with carved shell motifs, the domed cupboards flanked by spiral carved supports, each on four carved and turned legs. In mahogany and mahogany veneers with ebony stringing. English circa 1825.

115 x 230 x 61cm $2,000-4,000

202 A FINE GEORGIAN PEMBROKE TYPE ROSEWOOD WORK TABLE With boxwood stringing, the single drawer above a crimson pleated silk basket on outswept brass capped legs with a turned cross stretcher.

English circa 1810.

75 x 75.5 x 56cm $1,500-2,500

204 A GEORGIAN MAHOGANY SIDETABLE Of small proportions and Pembroke form in mahogany with rosewood cross-banding and boxwood and ebony stringing. A single drawer and false drawer on fine tapered brass mounted legs.

English circa 1795.

69.5 x 66.5 x 49cm $800-1,200

205 A REGENCY MAHOGANY METAMORPHIC LIBRARY ARMCHAIR In the manner of Morgan and Sanders.

English circa 1815.

92 x 55 x 55cm (Chair) $4,000-6,000 206 A GEORGIAN MAHOGANY TWO-TIERED DUMB-WAITER With facetted pedestal base raised on four reeded legs mounted with brass galleries and capped feet.

English circa 1800.

116 x 76cm $2,000-3,000

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207

207 A GOOD 19TH CENTURY ENGLISH ARGAND HANGING CHANDELIER With six branches and six lights. The central reservoir with applied gilt decoration of swags and masks with six acid etched shades.

100 x 90cm $7,000-9,000

209 A GOOD 19TH CENTURY ENGLISH HANGING WALL LIGHT Decorated wih lions, dolphins and snakes. Modifed for electricity with two glass shades. $2,000-4,000

208 A FINE SECOND EMPIRE PATINATED AND GILT BRONZE NEOCLASSICAL CHANDELIER French circa 1860.

90 x 78cm

210 A RARE PAIR OF SMALL REGENCY MAHOGANY SIDEBOARDS Each with four side drawers, a central draw and two cupboards. Scroll backs.

English circa 1820.

112 x 117 x 50.5cm

PROVENANCE: Philip Turner Antiques, London W1, 1988. $3,000-5,000

PROVENANCE: Park Antiques, St Helier, Jersey, 1993. $6,000-8,000

210

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211 A FINE GEORGIAN MAHOGANY DOCUMENT CABINET With ebony stringing on four turned and brasscapped feet, finished on four sides with silk-lined brass grills. The top with an adjustable slope mechanism for folios.

English circa 1790.

75 x 58.5 x 43.5cm PROVENANCE: Studio Antiques, Bourton-on-the-Water, Gloucestershire, 1988 $2,000-3,000

212 A ROSEWOOD VENEERED REGENCY CARD TABLE With mahogany crossbanding and finely gadrooned edges. The gunbarrel pedestal with a stylised lotus motif raised on a quadraform base and scrolled feet.

English circa 1820.

70.5 x 91 x 45cm $1,500-2,500 213 A SET OF SEVEN GEORGIAN HEPPLEWHITE MAHOGANY DINING CHAIRS With finely carved reeded decoration, Roman style ‘X’ back rests, sabre form near legs and fluted front legs.

English circa 1800.

87 x 53 x 44cm $1,500-2,500 214 A SHERATON TYPE SHIELD SHAPED GEORGIAN MAHOGANY DRESSING MIRROR With supports over a single drawer with ivory and brass mounts.

English circa 1790. $400-600

211

215 A REGENCY CARVER CHAIR IN MAHOGANY The arms carved in an unusual ‘S’ scroll. The caned seat and squab cushion on sabre legs.

English circa 1820.

84 x 57 x 54.5cm $800-1,200 216 A GOOD GEORGIAN CUBAN MAHOGANY GATELEG DINING OR SUPPER TABLE The rectangular top on four tapered straight legs terminating in pad feet. English circa 1770.

171.5 x 106 x 141cm (open) or 171.5 x 106 x 49.5cm (closed) $1,000-1,500

215

217 A GOOD ENGLISH REGENCY PERIOD CONVEX MIRROR Traditional ball design border surmounted with an eagle. Two girandole candle arms.

English circa 1810. $1,500-2,500 218 A FINE ROSEWOOD VENEERED AND BRASS INLAID REGENCY MANTLE MIRROR English circa 1815.

111.5 x 84cm $500-700 219 A SHERATON TYPE GEORGIAN WORK TABLE On four fine tapered legs with concave stretchers, mahogany crossbanded in rosewood inlaid with satinwood and with boxwood stinging. Of oval form with a deep pleated and festooned silk basket.

English circa 1790.

71.2 x 53.5 x 38cm $1,500-2,500

219

49

224

220 A GOOD GEORGE III MAHOGANY SIDE TABLE Of rectangular form with a shaped open lower shelf, the legs carved as tapered, fluted columns on cylindrical raised feet.

English circa 1780.

89.5 x 73.5 x 38cm $1,200-1,800 221 A PAIR OF VICTORIAN MAHOGANY FRAMED ARMCHAIRS The fluid form with cabriole legs on porcelain castors, upholstered in an antique green figured velvet.

English circa 1875.

98 x 64 x 76cm $800-1,200 222 A GEORGE III OAK TEA TABLE With tilt top mechanism on a triform pedestal base.

English circa 1770.

71.5 x 77.5cm $800-1,200 223 A GEORGIAN MAHOGANY PEMBROKE TYPE CHAMBER TABLE With pot compartments on elegant, turned legs, one side opening upwards, the other down.

English circa 1800.

78 x 36 x 40.5cm $800-1,200

50

224 A FINE SET OF EIGHT REGENCY PERIOD CUBAN MAHOGANY DINING CHAIRS Of neoclassical form with elegant ‘rope-carved’ top rails and reeded sabre legs. The drop-in seats upholstered in a fine silk lampas. One carver is a reproduction to match.

English circa 1815.

84 x 46 x 50cm $2,500-3,500 225 A GEORGIAN BRASS MOUNTED MAHOGANY GENTLEMAN’S DRESSING CHEST In campaign style with concealed basin holders, cupboard, drawer and removable pot compartment.

English eighteenth century.

88.5 x 45 x 45cm PROVENANCE: Lawsons, Sydney, 2001 $800-1,200 226 A SUBSTANTIAL DEEPLY BUTTONED MID-VICTORIAN ARMCHAIR In Australian cedar, the framed carved with flowers and leaves on cabriole legs with castors. Upholstered in a quality violet velvet.

Australian circa 1860.

98 x 67 x 85cm $600-800

227 AN 19TH CENTURY OAK WINDSOR TYPE CHAIR The Windsor type back rest, pierced splats, out swept arms on turned supports and a shaped seat on turned legs with ‘H’ stretcher.

English circa 1820.

110 x 70 x 60cm $600-800 228 AN AUSTRALIAN CEDAR BOOKCASE The upper part with gothic arched glazed panels and adjustable shelves, and the lower with a single drawer above a generous two door panelled cupboard.

Australian circa 1850.

239 x 130 x 49cm $1,200-1,800 229 A GEORGE III MAHOGANY WORKTABLE The octagonal hinged cover enclosing a fitted interior.

English circa 1800.

73 x 64 x 47cm PROVENANCE: Sotheby’s, The Norman Wheeler Collection, Sydney,1994 $1,500-2,500

230 A PAIR OF WILLIAM IV SPADE-BACK MAHOGANY CHAIRS On turned and fluted front legs and sabre rear legs covered in horse hair fabric.

English circa 1830.

PROVENANCE: W F Bradshaw Pty Ltd, Sydney $400-600 231 A FINE PAIR OF EARLY VICTORIAN ROSEWOOD CHAIRS In the rococo revival taste with deeply buttoned gold velvet seats and cabriole legs.

English circa 1845.

81 x 47 x 45cm $300-500 232 CHIMNEY SWEEP $200-400 233 A GEORGIAN CAST BRASS FOOTMAN With moulded edge and shaped front frieze raised on bulbous front legs.

English circa 1820. $600-800

236

234 A LARGE WOOLEN CARPET Traditional design and colours.

Meshed, Eastern Persia 20th century.

403 x 305cm $800-1,200 235 AN AFGHAN WOOLLEN CARPET In traditional design and colours of black and red.

20th century.

310 x 260cm $500-700 236 ARTIST UNKNOWN (European, eighteenth century) Italianate Landscape with Shephard and Shepardess with Herd Resting Amongst Ruins oil on canvas 62 x 74cm $2,000-4,000 237 ARTIST UNKNOWN (European, eighteenth century) Italianate Landscape with Herdsman, his Cattle and River Ferry oil on canvas 62 x 74cm $2,000-4,000

237

51

240

241 52

239

238 JOHN VANDERBANK (British, 1694-1739) Portrait of Sir Thomas Samwell, 2nd Baronet oil on canvas 125 x 99cm $3,000-6,000 239 THOMAS ROSE MILES (British, act. 1869-1916) Rough Weather oil on canvas signed lower left, “T R Miles” 60 x 106cm $6,000-9,000 240 HAUGHTON FORREST (1826-1925) Shipwreck 1888 oil on canvas signed and dated lower left, ‘J Forrest / 1888’ 62 x 113cm $25,000-35,000 241 HAUGHTON FORREST (1826-1925) Fishing Creek, West Highlands of Scotland oil on canvas signed lower left: J.Forrest 71 x 113cm $18,000-25,000 238 53

248

242 GEORGE ARMFIELD (British, 1808-1893) Barn Scene with Terriers Ratting oil on canvas 53 x 67.5cm PROVENANCE: Lane Fine Art, London, 1984. $2,000-4,000 243 attrib THOMAS SIDNEY COOPER (British 1803-1902) Resting Cattle oil on canvas 46 x 56.5cm PROVENANCE: J.B.Hawkins Antiques, Cammeray, NSW, 1972 $4,000-8,000 244 ARTIST UNKNOWN (European, eighteenth/nineteenth century) A Pair of Portraits oil on canvas unsigned 60 x 51cm each $2,000-4,000

54

245 ARTIST UNKNOWN (Dutch/Flemish, mid 18th century) Rural Scene with River and Windmill oil on canvas unsigned 56.5 x 82.5cm $3,000-5,000 246 ARTIST UNKNOWN (British, eighteenth/nineteenth century) British Ship oil on canvas unsigned 47.5 x 73cm $1,000-2,000 247 follower of BALTHASAR VAN DEN BOSSCHE (1681-1715) The Alchemist oil on canvas 47 x 64cm PROVENANCE: Lane Fine Art, London, 1981 as Balthasar van den Bossche) $4,000-6,000

248 attrib. GONZALES COQUES (Flemish, c.1616-1684) Family Group Portrait around a Fountain oil on canvas 55 x 101cm PROVENANCE: Lane Fine Art, London,1983 (as Gonzales Coques) $4,000-8,000 249 ARTIST UNKNOWN (Dutch, seventeenth/eighteenth century) Men Playing Bowls oil on board unsigned 28.5 x 30.7cm $2,000-4,000 250 ARTIST UNKNOWN (Dutch, early to mid eighteenth century) Tavern Scene oil on canvas 41.5 x 55.3cm $3,000-5,000

251 MELCHIOR BRASSAUW (Flemish 1709-1757) Interior with Elegant Figures and a Parrot oil on board 13.5 x 18cm PROVENANCE: Rafael Valls, London, 1992 $12,000-14,000 252 follower PHILIPS WOUWERMAN (Dutch, seventeenth century) The Hunting Party oil on board 44 x 59.2cm PROVENANCE: Viscount Harbeton Carbery, County Kildare, Ireland Lane Fine Art, London, 1983 (as Philips Wouvermans) EXHIBITIONS: Exhibited Royal Irish Institution, 1857, no.12 $8,000-12,000 253 after GEORGE JOHANNES HOFFMAN (1833-1873) Seaside oil on board signed and dated lower right: [GJ Hoffmann] 1855 30 x 38.5cm $2,000-4,000

251

254 GEORG FISCHHOF (Austrian, 1859-1914) At Low Tide oil on canvas signed lower left, “J.Claiton” 67 x 53.5cm PROVENANCE: Australian and European Paintings Sale, Leonard Joel Melbourne, 1997 OTHER NOTES: J.Claiton was the name used by the artist for his seascape series. $800-1,200 255 ARTIST UNKNOWN (eighteenth/nineteenth century) Three Ships in Rough Seas oil on canvas on board 28 x 62cm $1,000-2,000 256 ARTIST UNKNOWN (European, eighteenth/ nineteenth century) Storm on a Mediterranean Coast oil on canvas 79 x 106cm $1,000-2,000

252

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259 ARTIST UNKNOWN (19th Century) Portrait of a Lady with a Bird on Her Arm oil on canvas 76 x 54cm $600-800 260 ARTIST UNKNOWN (English, nineteenth century) English Rural Scene with Lake and Figures in the Foreground oil on canvas unsigned 20.5 x 82cm $600-800 261 ALFRED WALTER WILLIAMS (1824-1905) Burning Off oil on canvas signed and dated lower left, “A W WIlliams 1877” 27.2 x 40cm $600-800

262

262 ARTIST UNKNOWN Sailing Ships with Dover Coastline & Three Ships at Sea oil on canvas (pair) 29 x 44cm each $800-1,200 263 S. MERTS (British, nineteenth century) Portrait of a Lady 1881 oil on board signed and dated lower left, “S Merts 1881” 32 x 22cm $350-450 264 WILLIAM COLLINS RA (1788-1847) Children Sailing on a Boat by the Riverbank A Small Sketch oil on board 17.4 x 23.7cm PROVENANCE: Christie’s, London, 5th May 1872, Lot 148 $500-700

257 ARTIST UNKNOWN Bearded Man oil on board unsigned 12.2 x 9cm $300-500

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258 copy of PALMA VECCHIO Portrait of a Woman oil on canvas 100 x 88cm PROVENANCE: A.P & E. Singer, London $800-1,200

265 ARTIST UNKNOWN (European, eighteenth century) Still Life with Pheasants & Still Life with Rabbits oil on canvas (pair) 29 x 24cm each $600-800

266 266 ARTIST UNKNOWN (European, eighteenth century) Pastoral Scene oil on canvas 34.5 x 43cm $600-800

269 ARTIST UNKNOWN (European, nineteenth century) A Pair of Shipping Scenes oil on canvas 16 x 24.5cm (each) $400-600

272 JAMES FITTLER engraver (British, 1758-1835) Sydney New South Wales with the entrance into Port Jackson (published 1821 by Sherwood and Co.) engraving 14 x 20.5cm $250-350

267 ARTIST UNKNOWN (German, nineteenth century) Berchtesgaden oil on board 14 x 20cm $400-600

270 J GODBOLD (nineteenth century) Ships gouache signed lower right ‘J. Godbold’ 8 x 16.5cm $350-450

273 JACQUES GERARD MILBERT engraver (French, 1766-1840) Nouvelle Holland - Nouvelle Galle du Sud (After Charles Alexandere Lesueur) 1807 engraving 16 x 45.5cm $250-350

268 ARTIST UNKNOWN (nineteenth century) Pair of paintings with American and British Ships oil on canvas on board (pair) 48 x 59cm and 49.5 x 59cm $600-800

271 T HEAWOOD engraver (British, nineteenth century) The Old Tank Stream Sydney (after John Skinner Prout) c.1876 engraving 12.5 x 18.5cm $150-250

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283 ALEXANDER HOGG publisher (British 1841-20) View of Botany Bay and View of Port Jackson 1794 engraving, hand-coloured 35 x 21cm $250-350 284 after JAMES COOK (1728-1779) Entrée de la Riviere Endeavour Baye de Botanique dans la Nle Galles Meridionale c.1774 engraving 13 x 33cm $150-250 285 after THOMAS DAVIDSON (British, nineteenth century) Nelson’s Last Signal at Trafalgar photogravure 39 x 60cm $100-200

272 274 JOHN PINE engraver (British,1690-1756) Sydney from the North Shore New South Wales (after Captain Wallis) engraving numbered upper right “no.III” 35 x 45cm $350-550

278 JOHN PYE engraver, after J. M. W. TURNER (British 1782-1874) Wycliffe near Rokeby (engraved by John Pye) 1823 and Pevensey Bay 1897 hand coloured engravings 18 x 26.2cm and 17 x 26cm $200-400

275 J HARRIS engraver (British, nineteenth century) Hyde Park Corner 1838 hand coloured engraving 20 x 31cm $150-250

279 LOUIS AUGUSTE DE SAINSON (1800-1887) Baie Jervis, Nouvelle Holland 1834 hand coloured lithograph 19 x 29cm $200-300

276 after WILLIAM POWELL FRITH, RA (1819-1909) Life at the Seaside in Brighton hand coloured engraving 53 x 107cm $400-600

280 LOUIS AUGUSTE DE SAINSON (1800-1887) Mr Merkus, Governeur des Moluques hand-coloured lithograph 22.2 x 32cm $200-300

277 JOHN PINE engraver (Brtish 1690-1756) 12 plates from the series The Tapestry Hangings of the House of Lords (after C Lempriere) 1739 engraving (recently handcoloured) various sizes: 62 x 84cm each frame

281 H BIBBY engraver (British, nineteenth century) View of Sydney hand coloured engraving 12 x 17cm $100-150

PROVENANCE: Ivan R. Deverall, Antique Maps, Sussex, UK, 1985. $800-1,200

282 W.H. HUGGINS artist, T. SUTHERLAND engraver (1781-1845) South Sea Whale Fishery 1825 hand coloured engraving 35 x 50.5cm $100-120

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286 A CHINESE MALACHITE SNUFF BOTTLE Plain design with carved mask and ring handles with a coral stopper.

Late Ching Period. $400-600 287 TWO CHINESE AMBER SNUFF BOTTLES One of a pod shape with pale green jade stopper, the other with stylised floral carved decoration.

Chinese 19th century. $700-900 288 TWO CHINESE SNUFF BOTTLES One rose quartz, carved with birds, flowers and leaves in relief, the other cinnabar lacquer decorated with figures in a landscae. $400-600 289 TWO CHINESE MATRIX TURQUOISE SNUFF BOTTLES One oval on a shallow foot rim. Rose quartz stopper.

The other oval with carved decoration of lotus flowers and leaves.

Circa 19th century. $800-1,200 290 TWO CHINESE AMBER SNUFF BOTTLES Each rounded rectangular form with lion mask handles.

19th century. $1,000-1,500 291 TWO CHINESE AGATE SNUFF BOTTLES One carved with flowers and leaves, the other carved with a fish in relief.

Late Ching Period. $500-700

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292 A FINE GOLD AND BLOODSTONE SWIVEL WATCH KEY FOB One side engraved with a crest, the other with Arabic script.

English circa 1790. $400-600 293 AN INTERESTING GOLD AND CARNELIAN WATCH KEY FOB English circa 1790. $400-600

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294 AN OVAL GOLD AND CARNELIAN WATCH KEY FOB One side engraved with initials.

English circa 1790. $300-500 295 AN OVAL GOLD AND CARNELIAN WATCH KEY FOB With engraved initials.

English circa 1790. $300-500

296 AN OVAL SWIVEL GOLD AND CARNELIAN WATCH KEY FOB English circa 1790. $300-500 297 AN OVAL GOLD AND CARNELIAN WATCH KEY FOB Engraved in French.

English circa 1790. $300-500

298 GOLD WATCH KEY FOB Carnelian oval centre with intaglio seal and crest.

English circa 1810. $300-500 299 A GOLD AND CARNELIAN SEAL With intaglio of a crest and engraved initials.

English circa 1790. $300-500

300 A GOLD AND CRYSTAL DOUBLE-SIDED WATCH KEY WITH A PORTRAIT OF CHARLES II ON ONE SIDE A crest on the other side.

English circa 1780. $1,000-2,000 301 A GOLD AND CABOCHON CARNELIAN OVAL WATCH KEY FOB English circa 1800. $300-500

302 A SMALL 9CT GOLD AND CARNELIAN WATCH KEY FOB English circa 1800. $300-500 303 A LARGE PINCHBECK WATCH KEY FOB One side set with carnelian, the other with agate.

English circa 1800. $400-600

61

314

316

304 TWO ORNATELY DECORATED PINCHBECK WATCH KEY FOBS One with a compass, the other with carnelian inset.

English circa 1800. $300-500

309 A SILVER AND GOLD PLATED WATCH KEY FOB With enamelled decoration, with a mother of pearl and gold plated watch fob.

English circa 1810. $400-600

305 COLLECTION OF THREE GOLD PLATED AND CARNELIAN WATCH KEY FOBS English circa 1800. $400-600

310 TWO PINCHBECK AND AGATE WATCH KEY FOBS English circa 1800. $200-400

306 A COLLECTION OF FIVE PINCHBECK WATCH KEY FOBS SET WITH VARIOUS HARDSTONES English circa 1800. $300-500

311 A COLLECTION OF THREE 19TH CENTURY DUTCH SILVER WATCH KEY FOBS Engraved with rural scenes and a horse.

Dutch 19th century. $200-400

307 AN ORNATE ROLLED GOLD AND AMETHYST WATCH KEY FOB English circa 1840. $400-600 308 A COLLECTION OF THREE WATCH KEY FOBS Two with agate inset, the other with carnelian.

English circa 1830. $300-400

62

312 A COLLECTION OF FOUR DUTCH SILVER WATCH KEY FOBS With applied decoration of animals, dots and scrolls.

Dutch 19th century. $300-500 313 A PINCHBECK SEAL WITH A BLOODSTONE CARVED INTAGLIO SEAL English circa 1830. $300-500

314 A GOLD FOB WITH A CARNELIAN INSET Carved with an intaglio seal.

English circa 1830. $500-700 315 A GOLD FOB WITH A CARNELIAN INSET Carved with an intaglio seal.

English circa 1810. $500-700 316 A GOLD FOB WITH A CARNELIAN INSET Carved with an intaglio seal.

English circa 1830. $500-700 317 A COALBROOKDALE STYLE GARDEN BENCH Fern and blackberry motif, stamped ‘C.B.Dale’ to the back. Wooden slat seat. $800-1,200 318 A COALBROOKDALE STYLE GARDEN BENCH Fern and blackberry motif, stamped ‘C.B.Dale’ to the back. Wooden slat seat. $1,000-2,000

319 A COALBROOKDALE CAST IRON TWO SEATER GARDEN BENCH Fern and blackberry pattern, stamped ‘C.B.Dale and Co.’ with a registration mark.

Circa 1870.

Width 108cm $2,000-4,000 320 A PAIR OF COALBROOKDALE FERN AND BLACKBERRY PATTERN GARDEN CHAIRS English circa 1870.

94 x 65 x 57cm each $1,000-1,500 321 AN EARLY 20TH CENTURY CAST IRON TABLE The circular top with pierced decoration.

The column support on three claw and mask feet.

77 x 50cm $600-800 322 A PAIR OF EARLY 20TH CENTURY CAST IRON TABLES Tripod design, possibly Coalbrookdale. $1,000-1,500 323 A SET OF SIX CAST IRON COALBROOKDALE STYLE CHAIRS Ornate Victorian design with circular seats. $600-800

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324 A PAIR OF EARLY 20TH CENTURY CAST IRON TABLES Rectangular pierced top on a stretcher base.

67 x 69 x 48cm each $1,000-1,500 325 TWO 19TH CENTURY FRENCH CAST IRON PLANTERS Classical design on four feet in burgundy colour.

34 x 71 x 36cm $800-1,200 326 A PAIR OF TWO HANDLED CLASSICAL CAST IRON GARDEN URNS With mask handles and square bases.

Height 44cm $2,000-4,000

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327 A COLLECTION OF FOUR CRITIQUE VOLUMES Comprising of - ‘Scripture Natural History’ by Rev. Alexander Fletcher, published by George Virtue, circa 1850.

- ‘The Works of William Shakespear’, vol.9 containing Romeo and Juliet, Hamlet and Othello. Published in London 1751.

- ‘The Poetical Works of Edward Young’, vol.3, Stanhope Press, Piccadilly, 1806.

- ‘The Works of WIlliam Shakespear’, vol.5 containing King Henry V, Parts I, II, III. Published in London 1803. $200-400 328 A 17TH CENTURY IRISH VOLUME WITH LEATHERBOUND COVER ‘Britannicarum ecclesiarum: Quibus inserta est pestifarae adversus Dei gratian a Pelagio britanno ecclesiam inductae haereseos historia / collectone Jacobo Usserio’ (Subject: Pelagius, Great Britain Church History). Restored in 2004.

Published in Dublin 1639. $400-600 329 A SET OF TWENTY FOUR VOLUMES WITH TOOLED AND STAMPED LEATHER SPINES With marbled paper, “The Waverley Novels”,

by Sir Walter Scott.

Published in Edinburgh by Adam and Charles Black, 1871. $400-600 330 A SET OF FIVE ANTIQUE LEATHERBOUND AND GOLD TOOLED VOLUMES Comprised of four volumes of “The Holy Bible” and one “New Testament”. First published by the English College at Doway, 1609.

This edition published in 1750 and 1752. $300-500 331 SEVEN ANTIQUE VOLUMES WITH LEATHER SPINES AND MARBLED PAPER Four volumes of “Rollin’s Ancient History”

by Charles Rollin and Three volumes of “Plutarch’s Lives of Illustrious Men”, translated from the Greek by John Dryden and others.

Both published by John Wurtele Lovell, 24 Bond Street, New York. $300-500

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332 SELECTION OF CATALOGUES FROM BONHAMS Issues range from 2005-2015 and focus on furniture and watches. $80-120

340 COLLECTION OF ANTIQUARIAN HOROLOGY CATALOGUES Various issues from 1974-1994. $80-120

333 SELECTION OF RAFAEL VALLS FINE ART CATALOGUES AND BONHAMS MAGAZINES Also includes catalogues of fine art from Johnny Van Haeften and Sotheby’s Previews. $80-120

341 SELECTION OF BOOKS INCLUDING A FIRST EDITION CHURCHILL SET Includes books on Dutch and Flemish art, period and rococo decorative arts, enamel boxes and a complete first edition set of Sir Winston Churchill’s “History of the English-Speaking Peoples”. $80-120

334 COLLECTION OF MOSSGREEN CATALOGUES Various issues from 2006-2014. $80-120 335 SELECTION OF SOTHEBY’S CLOCK CATALOGUES Various issues from 1987-1996. $80-120 336 COLLECTION OF FINE ART CATALOGUES Catalogues from Rafael Valls, Johnny van Haeften, Mallet, Phillips and Shapiro. Also included a selection of ‘Antique Collectors’ guides from the 1970s. $80-120 337 SELECTION OF SOTHEBY’S CLOCK CATALOGUES Various issues from 1976-1983. $80-120

342 SELECTION OF BOOKS ON ENGLISH AND DUTCH PORCELAIN AND FURNITURE Includes books on Dutch tiles. $80-120 343 SELECTION OF BOOKS ON CLOCKS $80-120 344 SELECTION OF BOOKS AND CATALOGUES ON ASIAN CERAMICS AND SOTHEBY’S CATALOGUES Sotheby’s catalogues covering European art and single owner collections from 1996-2008. $80-120

338 SELECTION OF SOTHEBY’S CLOCK CATALOGUES Various issues from 1986-2006. $80-120

345 COLLECTION OF CHRISTIE’S AND DEREK ROBERT’S CATALOGUES ON CLOCKS Also includes some Sotheby’s catalogues on decorative arts.

Catalogues date from 1974-2007. $80-120

339 SELECTION OF SOTHEBY’S CLOCK AND FURNITURE CATALOGUES Various issues from 1977-2002. $80-120

346 COLLECTION OF CHRISTIE’S CATALOGUES ON WATCHES, CLOCKS AND PORCELAIN Various issues from 1977-2003. $80-120

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/ Auctions / Jewels at Leonard Joel Monday 25 November 2019, Melbourne —

Fine Art at Leonard Joel Tuesday 26 November 2019, Melbourne — ENQUIRIES (03) 9826 4333 info@leonardjoel.com.au

CONDITIONS OF BUSINESS - SUMMARY To be read in conjunction with our General Conditions of Business as displayed during the viewing and auction.

Special Conditions of Sale – Jewellery Jewellery and watches offered by Leonard Joel are sometimes accompanied by an Independent valuation as stated in the catalogue. These valuations are conducted by registered valuers and are offered purely as independent opinions. Variation may be found as to the colour, clarity and size of stones described in these reports, consequently Leonard Joel does not guarantee these Independent Valuations. Where stones can be weighed accurately, weights will be provided. Weights of set stones are estimates only and are provided to the best of our technical ability. Gram weight on gold and other precious metals are also given as an approximation. Wristwatches and pocket watches are offered in there current condition and Leonard Joel does not guarantee that they are in working order. Items may be thoroughly inspected during the viewing period or by prior arrangement.

GST In the event that the vendor is registered for Goods & Services Tax (GST), the invoice to the buyer will provide a separate entry for the GST which is included in the purchase price. All Leonard Joel charges for services referred to in this catalogue are exclusive of GST. Overseas buyers may be entitled to a rebate for GST charged.

For further information contact: Marie McCarthy accountant@leonardjoel.com.au Admission Leonard Joel has the right at its sole discretion without assigning any reason therefore to refuse admission to the premises or attendance at any of its sales of any person.

Commission (Absentee) Bids Leonard Joel will execute absentee bids when instructed.

Lots will be bought as cheaply as allowed by other bids and/ or reserves.

Telephone Bidding Buyers interested in bidding by telephone should contact Leonard Joel as soon as possible. Please note that telephone bidding facilities are available on a first-come, first-served basis.

Title Leonard Joel guarantees good title to all lots.

Warranties and Condition Reports.

Condition reports will be available for any lot upon request, subject to conditions.

Estimates Estimates are a reflection of Leonard Joel’s opinion of the current market values, based on historic and current market realisations of similar lots. Estimates are inclusive of any GST, which may be applicable. Actual prices at this sale may fall short or exceed the estimates.

Payment In any event accounts must be settled with Leonard Joel no later than 4pm two days after the auction. Attention is specifically drawn to condition 21 of the Buyer’s Conditions of Sale.

Payment may be made by way of cheque, most credit cards, eftpos or telegraphic transfer.

Please note: payments made by cheque are subject to a 5 day clearance before goods can be collected.

(1.65% administration fee applies for Visa and Mastercard, 3.15% for American Express and Diners is not accepted.)

Bank telegraph transfers should be directed to: Account name: Leonard Joel Pty Ltd Address: Westpac Banking Corporation

150 Collins Street

Melbourne, VIC

3000 Australia BSB: 033-364 Account no: 942956 Collection of Lots Purchased lots must be collected no later than two days after the auction; otherwise lots shall be moved to storage at the Buyer’s expense (see below). Lots are at the Buyer’s risk from the fall of the hammer. It is strongly advised that overseas and interstate purchasers and absentee bidders make their arrangements with Leonard Joel in advance of the Sale.

Charges are outlined below and are quoted in Australian dollars.

Bidder Registration To recognise bidders during the sale all intending buyers are required to complete a Bidder Registration Form providing full photo identification and appropriate references if required before the Sale which will enable them to bid by way of a numbered paddle allocated to them.

Removal and Storage Any lots not collected within two days after the auction, may be stored or resold at the Buyer’s expense.

Removal Charges Each lot

$55

Buyer’s Premium There will be a buyer’s premium added to all purchases.

The buyer’s premium will be calculated at the rate of 24% of the hammer price on each lot. This is inclusive of GST.

Storage Charges Each lot

$33 per day

The buyer’s premium is reflected by a reduction in the Seller’s Commission and is a common practice throughout Australia and overseas.

Property subject to the Artist Resale Royalty Lots with the § sign will be subject to payment of the Artist Resale Royalty in the event that the lot is sold for a hammer price of $1,000 or more. The Australian Resale Royalty is a flat rate of 5 percent (5%) levy on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyer’s premium plus applicable GST. Damage Any viewer who damages a Lot will be held liable for all damage caused and shall reimburse Leonard Joel for all costs and expenses relating to rectification of such damage.

Protection of Movable Cultural Heritage Act 1986 (PMCH Act).

Buyers should be aware of the PMCH Act which protects Australia’s heritage of movable cultural objects and supports foreign countries’ right to protect their heritage of movable cultural objects. The PMCH Act regulates the export of nationally significant heritage objects, it is not intended to restrict normal and legitimate trade in cultural property, and does not affect an individual’s right to own or sell objects, within Australia. The PMCH Act was enacted in response to the 1970 UNESCO Convention on the Means of Prohibiting the Illicit Import, Export and Transfer of Ownership of Cultural Property. It is the responsibility of the Buyer to ensure that the export of any lots purchased are not subject to, or in breach of, this Act.

Information about the PMCH Act, the Protection of Movable Cultural Heritage Regulations 1987 and the 1970 UNESCO Convention, can be found on the Department of the Environment, Water, Heritage and the Arts website at: http://www.environment.gov.au/heritage/movable/index.html Exporting Significant Australian Cultural Heritage The export of Australia’s significant cultural heritage is regulated under the Protection of Movable Cultural Heritage Act 1986 (PMCH Act.) It is not intended to restrict normal and legitimate trade in cultural property and does not affect an individual’s right to own or sell within Australia.

The PMCH Act implements a system of export permits for certain heritage objects defined as ‘Australian protected objects’.

More information is available on the Department of the Environment, Water Heritage and the Arts’ website: http://www.arts.gov.au/movable_heritage Enquiries can be made to the Cultural Property Section at the Department of the Environment, Water, Heritage and the Arts, phone 02 6274 1810 or email movable.heritage@environment.gov.au CITES Regulations It is the buyer’s sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licences. The refusal of any import or export licences, any delay in obtaining such licences or any limitation on your ability to export a lot shall not permit the cancellation of the sale.

Please note that all lots marked with the symbol * are subject to CITES regulations when exporting these items outside of Australia. Information about these regulations may be found at www.environment.gov.au/biodiversity/trade-use/cites/index. html or may be requested from: The Director International Wildlife Trade Department of Sustainability, Environment, Water, Population and Communities GPO Box 787 CANBERRA ACT 2601 Recommended carrier for this auction Daniel Hochberg PACK & SEND Kings Cross Shop 3, 200 William St, Woolloomooloo, NSW, 2011, Australia T: (0)2 9331 2700 | F: (0)2 9331 3700 E: kingscross@packsend.com.au www.packsend.com.au/kingscross Peter Orinuela GRACE FINE ART T: 1300 766 233 | E: porinuela@grace.com.au Collection and Storage: All lots must be collected no later than two days after the auction by 4pm. All uncollected items will be removed to third party storage at the purchaser’s expense.

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Sale Rooms MELBOURNE 333 Malvern Road, South Yarra, Melbourne VIC 3141 Telephone: (03) 9826 4333 Facsimile: (03) 9826 4544 Interstate: 1800 264 333 SYDNEY The Bond, 36-40 Queen Street, Woollahra, Sydney NSW 2025 Telephone: (02) 9362 9045 Facsimile: (03) 9826 4544 Interstate: 1800 264 333 email: info@leonardjoel.com.au leonardjoel.com.au MANAGING DIRECTOR & HEAD OF COLLECTIONS John Albrecht BA LLB MBA

The Thursday Auction Anthony Riepsamen, Manager FURNITURE Nick Bastiras, Manager David Price, Assistant Jacob Clarke, Assistant JEWELLERY Bethany McGougan F.G.A.A., BA Hons, MSc, Manager Maria Walker F.G.A.A., Specialist ART SALON Hannah Ryan, Manager Ella Perrottet BFA, Assistant OBJECTS & COLLECTABLES Nora Merralls, Manager William Broadhurst, Assistant

Leonard Joel Specialists FINE ART Olivia Fuller BArtTh, Head of Department Lucy Foster EMA, Specialist Jane Messenger, Specialist, Sydney Summer Masters BDes Hons, Administrator INDIGENOUS ART Olivia Fuller BArtTh, Head of Department Jane Messenger, Specialist, Sydney DECORATIVE ARTS Chiara Curcio BA, Head of Department Hamish Clark, Head of Sydney Dominic Kavanagh MFA, Specialist Trevor Fleming BA, Consultant, Japanese Art Carl Wantrup, Consultant, Asian Art JEWELLERY Julie Foster F.G.A.A., Dip. Dt., Head of Department John D’Agata F.G.A.A., Associate Head of Department Bethany McGougan F.G.A.A., BA Hons, MSc, Manager Maria Walker F.G.A.A., Specialist Hannah Grace-McIntyre BFA, Administrator Mary Kenny BA, Dip. Ed., Consultant Henrietta Maiyah, Consultant MODERN DESIGN Anna Grassham BA Contemporary Arts, Head of Department COLLECTABLES Nora Merralls, Manager & Administrator Dominic Kavanagh MFA, Specialist LUXURY Bethany McGougan F.G.A.A., BA Hons, MSc, Manager PRINTS Hannah Ryan, Art Salon Manager Ella Perrottet BFA, Assistant

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VALUATIONS Caroline Tickner BA Hons, F.G.A.A., Head of Department

ACCOUNTS Marie McCarthy, Chief Financial Officer Michelle Draper, Account Manager Andrea Del Campo, Accountant FRONT OFFICE Kim Clarke, Front of House Manager Amelia Lewis, Receptionist OPERATIONS & LOGISTICS Henry Murphy, Manager MARKETING & COMMUNICATIONS Nicole Kenning, Head of Department Kim Soep, Marketing Co-ordinator Keryn Gilchrist, Database Administrator PHOTOGRAPHY & VIDEOGRAPHY Adam Obradovic Joseph Hammond GRAPHIC DESIGN Maria Rossi e-mail all lower case firstname.surname@leonardjoel.com.au

14 A RARE 18TH CENTURY EBONISED BRACKET CLOCK WITH CARILLON AND BIRD AUTOMATON $40,000-60,000

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