The Collector's Auction by Leonard Joel

THE COLLECTOR’S AUCTION AUCTION TUESDAY 21 JUNE 2022, SYDNEY

AUCTION CATALOGUE VOLUME 15 ISSUE 9 LJ8457

COVER Lot 243 (detail) AN ITALIAN GILTWOOD AND GLASS CENTRE TABLE $2,000 – 4,000

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THE COLLECTOR'S AUCTION AUCTION TUESDAY 21 JUNE 2022, 2PM SYDNEY THE BOND, 36-40 QUEEN STREET WOOLLAHRA NSW 2025

VIEWING Friday 17 - Sunday 19 June The Bond, 36-40 Queen Street, Woollahra, NSW 2025

CONTACT

Madeleine Norton

Ronan Sulich

Marcella Fox

Senior Decorative Arts & Fine Art Specialist (02) 9362 9045 | 0405 565 644 madeleine.norton@leonardjoel.com.au

Senior Adviser (02) 9362 9045 | 0407 018 492 ronan.sulich@leonardjoel.com.au

Sydney Manager (02) 9362 9045 sydney.manager@leonardjoel.com.au

Please refer to our website for viewing times

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The Collector's Auction –

It’s always fun and exciting to see what shape The Collector’s Auction starts to take as our consignments come in over the space of weeks, months and sometimes years. Our June iteration is filled with treasures, some we saw a long time ago but have only just now come in for sale and others were a last-minute addition. With the inclusion of two significant collections, the auction highlights both traditional collecting categories and relatively new additions to the scene. Some time ago we were approached to value a particularly special collection of porcelain from the owner of Coddington Antiques, Pamela Massie Greene. When this came in for sale we were delighted and began to turn our mind to other interesting porcelain we had seen and valued, thus the first part of our sale was born. This includes some rare and sought-after pieces from first period Worcester, Royal

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Worcester, Meissen, Chelsea and Coalport. The Property of a Gentleman formed the basis for the next chapter in the auction where we find an array of fine furniture and art. Most notably is the Louis XV/XVI transitional kingwood and tulipwood commode (lot 233) acquired from Clive Brans Antiques in 2003 and the George Morland painting Jack at the Capstan (lot 168) which has an impressive and lengthy history having once been in the collection of the Detroit Institute of Arts. In our modern design selection, you will find a rare pair of Ole Wanscher lounge chairs designed in 1939 (lot 244) and two Murano glass Herons made by Luigi Mellara for Oggetti (lot 252). In keeping with our bird theme, Pro Hart’s painting Swamp with Waterbirds (lot 279) is one of the highlights in our modern and contemporary art section, along with two lots from the St Vincent’s Hospital Art Collection (lot 274 and 278). To conclude the sale, we have curated a selection of Asian works of art which features a rare and important Japanese album of woodblock prints by Utagawa Hiroshige (lot 315). This complete set of 55 horizontal prints tells the story of Hiroshige’s 1832 journey along the 514km long Tokaido Road. It is a rare find which will appeal to specialist collectors and novices alike and encapsulates what the Collector’s Auction is all about. We hope you will enjoy the remarkable items in the auction just as we have enjoyed discovering them as we put this auction together. — Madeleine Norton | Senior Decorative Arts & Fine Art Specialist

The Collection of Pamela Massie Greene LOTS 1–44A

CODDINGTON ANTIQUES (1969-2002) Pamela grew up in England during WW2 and after school was a capable administrative assistant in various businesses. Pamela’s interest in antiques was forged while visiting open houses around England and Georgian furniture and glass became her passion. When she worked for Newman and Newman (London), well known porcelain dealers, her talent for recognising good Georgian furniture was acknowledged, the owners asking Pamela to source pieces for their shop. Pamela married an Australian and moved to Sydney in 1959. 18

After being widowed (1966) Pamela purchased her first consignment of silver, porcelain and glass with a small gift from her family. These were quickly sold to dealers around Sydney. Following this initial success and with her contacts in England, Pamela was advised to go into business formally - Coddington Antiques was born. Coddington was the village in Cheshire, England where the family of her husband originated. To finance the next phase of her business Pamela applied to the Commercial Banking Company of Sydney for a loan. She was horrified to learn that in those day’s banks did not loan money to women! With typical Pamela perspicacity, the issue was forced to board level and the loan was approved. Pamela broke the mould by being the first woman to get a bank loan as a second-hand dealer in NSW. The next consignment from London included furniture which was also quicky sold. It was time for Pamela to establish a gallery, in Military Road, Mosman. With a good eye for 18th century (c1740-1820 CE) Georgian furniture, silver and glass, a sound business brain and a dash of courage, Pamela turned Coddington Antiques into a highly respected and thriving business. Pamela had galleries in Mosman and later, Woollahra and exhibited regularly at National Trust Fairs. Pamela held successful lectures for the Antique Dealers Association and was a respected valuer and authority in her field. Pamela is offering a part of her collection in the hope that others may venture as she did as a young woman and purchase porcelain for its refined beauty. —

1 A LARGE WORCESTER MASK JUG Circa 1760, having a cabbage leaf moulded body, scroll handle and bearded mask spout, decorated in underglaze blue with peonies and other flowers, blue crescent mark to base. Height 25cm LITERATURE: Henry Sandon, The Illustrated Guide to Worcester Porcelain, 1751-1793, Barrie & Jenkins, London, 1980, illustrated p. 25. $1,000 – 1,500 2 A SMALL WORCESTER MASK JUG Circa 1760, having a cabbage leaf moulded body, scroll handle and bearded mask spout, decorated in underglaze blue with bouquets of mixed flowers. Height 15cm $600 – 800

3 A WORCESTER TEA BOWL AND SAUCER Circa 1760, decorated in underglaze blue with bouquets and a butterfly, crescent mark. LITERATURE: Henry Sandon, The Illustrated Guide to Worcester Porcelain, 1751-1793, Barrie & Jenkins, London, 1980, illustrated p. 25. $200 – 400 4 A WORCESTER SPARROW BEAK MILK JUG AND COVER Circa 1760, the domed cover with flower and leaf finial, decorated in underglaze blue with bouquets and a butterfly. Height 14cm $500 – 800

5 A WORCESTER COVERED MUSTARD POT Circa 1760, of cylindrical form with moulded scroll handle, domed cover with flower finial, decorated in underglaze blue with flower sprays and a butterfly, blue crescent mark to base. Height 11cm $500 – 800 6 A LARGE WORCESTER MUG Circa 1765, of cylindrical form with moulded handle, decorated in underglaze blue with the “Parrot Pecking Fruit” pattern in the style of Robert Hancock, script W mark. Height 14.5cm LITERATURE: Henry Sandon, The Illustrated Guide to Worcester Porcelain, 1751-1793, Barrie & Jenkins, London, 1980, illustrated p. 255. $300 – 500

7 A WORCESTER MUG Circa 1770, of cylindrical form with moulded handle, decorated in underglaze blue in the “Fence” pattern, crescent mark. Height 25cm $400 – 600 8 A WORCESTER PICKLE DISH Circa 1760, leaf shaped painted in underglaze blue with flower sprays, crescent mark to base. Width 8cm $300 – 500 9 A WORCESTER OVAL DESSERT BASKET Circa 1770, with twisted handles applied with flowers and leaves at the terminals, the pierced sides applied with florets at the intersections, the interior decorated in underglaze blue with flower sprays and a butterfly, crescent mark to underside. Width 21cm $800 – 1,200

10 A WORCESTER ‘KAKIEMON’ FLUTED OVAL CAKE DISH Circa 1760. Width at widest point 27cm $300 – 500 11 A WORCESTER ‘KAKIEMON’ TEACUP AND A FLUTED SAUCER Circa 1760. $300 – 400

12 A WORCESTER ‘KAKIEMON’ TEAPOT, COVER AND STAND Circa 1760, the teapot with flower finial and fluted body on conforming stand, underglaze blue square fret mark to base of teapot. Height 17cm LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, plate 7, no. 125 $1,000 – 1,500 13 A WORCESTER TEABOWL AND SAUCER Circa 1760, painted in colours with a Chinese family. Diameter 12.5cm LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, plates 3 & 19, no. 335. $200 – 300

14 A WORCESTER FLUTED HEXAGONAL TEAPOT STAND Circa 1765, in the Chinese style, painted in colours and gilt with an arrangement of flowers and bamboo above a fence and rockwork. Width 15cm LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, plate 19, no. 358. $400 – 600 15 A WORCESTER DISH WITH FLUTED RIM Circa 1770, with gilt dentil edge painted to the centre with three exotic birds, a distant wooded landscape and further birds and ladybeetle to the edges. Diameter 23cm LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, plate 31, no. 686 (probably painted by Rogers). $400 – 600

16 A WORCESTER WET BLUE SCALLOPED DISH Circa 1770, painted to the centre with a spray of flowers within a gilt lambrequin border and gilt rim, underglaze blue mark to base. Diameter 21.5cm LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, plate 14, nos. 248 & 252. $500 – 800 17 A WORCESTER DRY BLUE TEAPOT AND COVER AND A SIMILAR STAND Circa 1765, the globular teapot with domed cover with two large fan-shaped reserves painted with exotic birds and further circular reserves painted with butterflies, the fluted stand with circular and fan-shaped reserves painted with flowers, both with gilt enamel flowers and foliage. Height of teapot 15.5cm LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, plate 38, no. 810. $800 – 1,200

18 A WORCESTER WET BLUE BOUGH POT Circa 1760, in rococo moulded form with a high scrolled back, pierced for suspension, boldly scrolled moulded rim, the fixed cover pierced with one large and 18 smaller holes, with shaped reserves painted in colours with exotic birds, butterflies and insects, within gilt enamelled borders, underglaze blue square fret mark to base. Width 22cm, Depth 15cm EXHIBITIONS: “The British Antique Dealers Association Art Treasures Exhibition”, Bath 1958, exh. no. 300 (paper label to base) LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, plate 14, no. 254. OTHER NOTES: An identical pair is held by the British Museum, London, UK, and The Clark Art Institute, Williamstown, USA. $1,200 – 1,500

19 A WORCESTER ‘BLIND EARL’ PLATE Circa 1760, with lobate rim and moulded with a rosebud spray and foliage painted in colours within a gilt scroll border. Diameter 19cm LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, plate 32, no. 705. John Sandon p. 72. $600 – 800 20 A WORCESTER ‘BLIND EARL’ SWEETMEAT DISH Circa 1770, with lobate rim and handle moulded in the form of a flower spray, printed with a black and white scene of an exotic harbour by R. Hancock. Diameter 16cm $500 – 750 21 A WORCESTER GEORGE II MUG Circa 1760, of cylindrical form with grooved loop handle, printed in black with a half-length portrait of George II beside ‘Liberty seated among Trophies of War’, signed R H Worcester for Robert Hancock and with the anchor rebus for Holdship and a man o’ war in full sail. Height 9cm $400 – 600

22 A WORCESTER TRIO Circa 1760, comprising a teabowl, coffee cup and saucer, all decorated with an entrelac on aqua ground within gilt borders. Diameter of saucer 13cm LITERATURE: John Sandon, Worcester Porcelain, Shire, UK, 2009, p. 343, pl 91. $200 – 300 23 A WORCESTER TEAPOT AND COVER Circa 1765, of globular form with domed cover and flower finial, painted with coloured sprays of flowers. Height 15cm

LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, plate 31, no. 687. $400 – 600 24 A WORCESTER COVERED SUGAR BOWL AND SAUCER Circa 1770, painted with flower reserves and sprays within puce and gilt diapered borders. Diameter of saucer 17cm LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, plate 53, no. 1085. $300 – 500

25 A WORCESTER SMALL CREAM JUG Circa 1765, moulded and painted in colours as a hen. Height 7.5cm $400 – 600 26 A WORCESTER BOWL Circa 1770, with lobate rim, painted en grisaille with a pair of quail, grasses and rockwork with coloured flower sprays. Diameter 12cm $200 – 300

27 A WORCESTER FLUTED TEACUP AND SAUCER Circa 1770, with royal blue border, gilt bordered reserves painted with flower swags on a green herringbone and black spot ground, underglaze blue script ‘W’ mark to both. Height of teacup 4.7cm

29 A WORCESTER (FLIGHT BARR & BARR) DESSERT DISH Circa 1815, shaped oval with moulded gadrooned edge, decorated in gilt and painted with vine leaves and tendrils, impressed crowned FBB mark. Length 30cm, Width 23cm

LITERATURE: Marshall H. Rissik, Coloured Worcester Porcelain, Newport, UK, 1954, p. 190 (similar example). $300 – 400

LITERATURE: W.B. Honey, Old English Porcelain: A Handbook for Collectors, Faber and Faber Limited, London, 1979, p. 268 pl. 10. $400 – 600

28 A ROYAL WORCESTER HAND VASE Circa 1862, designed by James Hadley and painted with roses and other flowers, puce mark and impressed registration mark. Height 15cm $300 – 500

30 A CHELSEA FLUTED DESSERT PLATE Red anchor mark, circa 1765, attributed to the James Giles atelier, painted to the centre in colours with two exotic birds amidst foliage and rockwork, the borders with two butterflies and raspberries, gilt edge. Diameter 19cm $800 – 1,200

31 A PAIR OF CHELSEA CYLINDRICAL COFFEE CANS Circa 1780, each with C scroll handle and decorated in gold with lines and foliate swags. $200 – 400 32 A PAIR OF CHELSEA SAUCE-BOATS AND UNDERPLATES Circa 1765, the sauce-boats moulded with a branch and flowerhead handle, the body with moulded leaf and strawberry blooms and buds decoration, painted in colours with scattered flower sprays, brown rims; the underplates of moulded and shaped outline with flower sprays and brown rims; each with iron red anchor mark to base. Width of stands 21cm $3,000 – 5,000 33 FOUR ITEMS OF CHELSEA CUTLERY Circa 1760, comprising two various forks and knives, each with a prunus moulded pistol grip handle. $400 – 600

35 A DERBY DISH Circa 1780, painted with a border of pink flowers with blue scrolling swags and gilt foliage, red crowned D mark. Diameter 22cm $200 – 400 36 A DERBY MILK JUG Circa 1820, of London shape and decorated in gilt and underglaze blue with strawberry leaf and flower heads. Height 7.5cm, Width 15cm $200 – 400 37 A NEWHALL DESSERT DISH Circa 1810, decorated to the centre with a basket of fruit, with gold flower sprays, and a blue and gilt border. Diameter 22.5cm $500 – 800

34 A DERBY FIGURE OF A FLOWER SELLER Circa 1795, in a feathered hat, pink bodice and gilt flower sprigged dress. Height 15cm $500 – 800

38 A COLLECTION OF FIVE GEORGIAN PORCELAIN COFFEE CANS Comprising an example with grisaille transfer decoration of fruit and gilt bands; two fluted examples, one with grisaille scrolls on a yellow band, the other with gold and red fern design; a Chelsea Derby example with iron red transfer printed roses and gold borders and a Derby example with a stylised leaf design in gold, red crowned D mark. Height of tallest 7cm $800 – 1,200 39 A JOHN ROSE COALPORT CREAM JUG Dated 1820, the peach ground with bands of gold decoration, John Rose mark. Length 16.5cm, Width 12cm

LITERATURE: Geoffrey A Godden, An Illustrated Encyclopaedia of British Pottery and Porcelain, Barrie & Jenkins, London, 1987, p. 98 pl. 167 $400 – 600

40 A COALPORT SUCRIER Circa 1830, of bombe form with scrolled handles and domed cover, with applied mauve flower sprays and painted roses. 17 x 17cm $200 – 400 41 A COALPORT PLATE Circa 1810, painted with navy bands embellished with gilt scrolls and a frieze of stylised flowers and foliage. Diameter 20cm LITERATURE: Geoffrey A Godden, An Illustrated Encyclopaedia of British Pottery and Porcelain, Barrie & Jenkins, London, 1987, p. 96 pl. 164. $150 – 200

42 A COALPORT VASE Circa 1840, of shaped cylindrical form with moulded loop handles and scrolled foot, decorated in cream and gilt on a puce ground having two oval reserves painted in colours with bouquets of flowers. Height 19cm $400 – 600 43 A PAIR OF COALPORT OVAL DISHES Circa 1825, each moulded with foliate handles and leaf edges, decorated in gilt on a puce ground, with a central oval painted in colours with a bouquet, and having four conforming reserves to the border. Length 31cm, Width 17cm $200 – 400

44 A COALPORT TEA SERVICE Circa 1835, comprising a tea pot with swan’s head spout, cream jug, twelve cups and saucers, cake plate, all decorated with apple green borders and gilt scrolls with leaf sprays; and another teapot similar. LITERATURE: Robin Emmerson, British Teapots and Tea Drinking, 1700-1850, The Stationery Office, UK, 1992, pl. 23, no. 509 (similar example illustrated). $2,000 – 3,000 44A A PAIR OF PAPIER-MÂCHÉ DECANTER COASTERS Early 19th century, with elaborate gilding on black ground. Height 4.8cm, Diameter 13.5cm $200 – 400

END OF COLLECTION 15

Other Properties

45 A WORCESTER COVERED SAUCE TUREEN AND LADLE Circa 1760, of bombe form with shell handles and artichoke finial, painted with gilt framed reserves of coloured flowers on a wet blue ground, crescent mark. Height 13cm $500 – 800

LOTS 45–81

46 A WORCESTER DESSERT PLATE Circa 1760, with scalloped wet blue and gilt rim with puce swags and painted to the centre with a spray of coloured flowers, crescent mark, old collector’s label “H Harrow Dunn Collection” numbered 9. Diameter 19cm $400 – 600 47 TWO WORCESTER DESSERT PLATES Both circa 1765, one with fluted rim, the other plain, each painted with gilt enamelled cartouches with coloured flowers, one with a blue scale ground the other wet blue, both with square fret marks. Diameter 21.5cm, the other 19cm $400 – 600

48 A WORCESTER SERVING DISH Circa 1760, of oval outline with lobed border, decorated in apple green and gilt having sprays of roses, hollyhocks and other flowers. Diameter 29.5cm $800 – 1,200 49 A WORCESTER CIRCULAR DESSERT BASKET Circa 1770, the handles applied with flowers and leaves at the terminals, the pierced sides with florets at the intersections, the interior decorated in colours with a flower spray, gilt rim. Diameter 20.5cm $400 – 600 50 A WORCESTER CHESTNUT BASKET, A COVER AND A STAND Circa 1770, of lobed oval shape, moulded with flower heads picked out in pink and yellow, the cover and stand pierced with flower heads, having branch handles applied with flower sprays, fully coloured, the rims gilt, the centre of the stand painted with cartouches of flower sprays on a blue scale ground, small sprigs around the rim, square mark to stand and interior of cover numbered “XI.” Width of stand 26cm $2,000 – 4,000

51 A WORCESTER DESSERT PLATE Circa 1765, painted in colours with groups of flowers and flower sprays. Diameter 22.5cm $300 – 500

52 A WORCESTER FLUTED TEA BOWL Circa 1765, decorated in colours with a bunch of roses and other flowers, gilt rim, square fret mark. Diameter 8cm $200 – 400 53 A WORCESTER SCALLOPED DESSERT PLATE Circa 1760, painted in colours with scattered flowers, puce line to rim. Diameter 20.5cm PROVENANCE: Joshua N. McClelland (paper label to base) $300 – 500

54 A PAIR OF CHELSEA PLATES Circa 1760, each shaped circular with puce lines to the rims, painted with roses, tulips and other flowers, one plate with a caterpillar, red anchor mark to both. Diameter 24cm PROVENANCE: The Radloff Collection (one plate) The Red Cross Art and Antiques Exhibition 1955 Sotheby’s, Melbourne, 2004 Leonard Joel, Sydney, “Decorative Arts”, 23 October 2018, lot 124 $1,000 – 1,500

55 A WORCESTER POLYCHROME TEAPOT AND TWO SPARROW BEAK MILK JUGS Circa 1760, the globular teapot painted with a Chinese family, the jugs with Chinese figures. Height of teapot 15cm PROVENANCE: The two jugs- Mossgreen, The Gibson Collection, Sydney, 2016 lots 127 & 128 The teapot- Phillips Australia, The Collection of Lord McAlpine of West Green, Bishop’s House, Perth, 10-12th August 1999 $1,800 – 2,500

56 A PAIR OF ROYAL WORCESTER MODELS OF SIAM AND BALI Modelled by Agnes Pinder Davis, as dancers wearing traditional dress, from an edition of 25, shapes 3474 and 3473 respectively, each with gilt mark and signature to base. Height of Siam 55cm $1,200 – 1,500 56A A ROYAL WORCESTER TWIN HANDLED VASE PAINTED BY HARRY DAVIS Date mark for 1906, printed marks, shape no 2337, with elaborate gilt neck and scrolled gryphon mask handles, painted with black faced sheep in a rocky landscape, signed lower left Harry Davis. Height 31cm $4,000 – 6,000 57 A ROYAL WORCESTER OVOID VASE PAINTED BY HARRY DAVIS Date code for 1913, printed marks, shape no. 237, with gilt neck and base, painted with black faced sheep in a landscape, signed lower right H. Davis. Height 26.5cm $2,000 – 3,000 18

57A A WORCESTER "CHRYSANTHEMUM" PATTERN TEAPOT AND COVER Circa 1760 the globular body moulded with flowers and leaves, the domed cover with a flower and leaf finial, having underglaze blue bands of cell decoration, crescent mark. Height 16.5cm LITERATURE: John Sandon, Worcester Porcelain, Shire, UK, 2009, p. 56 (border is pattern no. 12). $800 – 1,200 58 A COLLECTION OF WORCESTER TEA WARES Circa 1760, comprising a small globular tea pot, a sparrow beak jug and cover, a pair of tea bowls and a saucer, all decorated in underglaze blue with various floral patterns, the cups in the “Fence” pattern, crescent mark to four pieces. (5) Height of jug 12cm $500 – 800

59 A PAIR OF WORCESTER SMALL PLATES Circa 1760, each decorated in underglaze blue with flowers and butterflies, within cell borders, crescent mark. Diameter 16cm $300 – 500 60 A ROYAL DOULTON PART DINNER SERVICE In the Melrose pattern, comprising 14 dinner plates, 6 entree plates, 6 soup plates, 8 side plates, 6 tea cups and saucers, 6 twin handle breakfast bowls and underplates, a sauceboat and underplate all having pale blue borders with gilt scrolls and flowers. $400 – 600 61 A QUEEN ELIZABETH II GOLDEN JUBILEE COMMEMORATIVE MUG BY WEDGWOOD After an earlier design by Eric Ravilious (1903-1942) in shades of purple and yellow with gilt. Height 10cm $200 – 300

62 A JOHN MEIR NORTHERN SCENERY TRANSFERWARE SPITOON Circa 1840, in the “Kilchurn Castle, Loch Awe” pattern. Height 10.5cm PROVENANCE: M Greene $250 – 350 63 A ST CLOUD TEA CUP AND TREMBLEUSE SAUCER (TASSE TREMBLEUSE ET SOUCOUPE) Circa 1730, both with moulded reeding and decorated in underglaze blue with scrolled lambrequin borders. Diameter of saucer 12.5cm PROVENANCE: R. & G. McPherson Antiques, London (label to base) Leonard Joel, Sydney, “Decorative Arts”, 23 October 2018, lot 149 $400 – 600 64 A CAUGHLEY FLUTED TEA BOWL AND SAUCER Circa 1785, decorated in the “Temple” pattern with gilt rims. Diameter of saucer 14cm PROVENANCE: Janet Niven, Sydney $200 – 300

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65 A BOW OCTAGONAL SERVING DISH Circa 1760, the powder blue ground with a central oval, four fan shaped and four circular reserves all painted with flowers and Chinese landscapes. Width 32cm PROVENANCE: Janet Niven, Sydney $800 – 1,200 66 A BOW WHITE COFFEE CUP AND SAUCER Circa 1755, decorated with moulded prunus sprigs. Diameter of saucer 11.5cm $300 – 500 67 A PAIR OF JAPANESE PORCELAIN KAKIEMON DISHES 18th Century, each with a petalled lobed rim with brown line, painted with scattered flowers. Diameter 17.5cm PROVENANCE: Sotheby’s, London, 16 November 1989, lot 588 Gibson’s Auctions, Melbourne $700 – 1,000

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68 A FRENCH FAIENCE PLATTER Early 18th century, of shaped oval outline, the centre painted in underglaze blue with a basket of flowers and fruit, within a lattice and diaper border. Width 44cm $400 – 600 69 A FRENCH NEVERS FAIENCE DEEP SIDED DISH Late 17th/early 18th Century, of octagonal form, with shell handles painted in underglaze blue to the centre with a flower and foliage, the exterior with lappeted designs. Width 38cm $500 – 800 70 A FRENCH NEVERS FAIENCE WINE COOLER 18th Century, bell shaped with shell handles decorated in underglaze blue with typical scroll designs. Height 18cm $400 – 600 71 A PAIR OF ENGLISH DELFT PLATES 18th century, each painted with a beast and peonies to the centre within powder blue border. Diameter 22cm PROVENANCE: Janet Niven, Sydney $400 – 600

72 A DELFT PLATE 18th century, painted in underglaze blue with an exotic bird and stylised foliage. Diameter 23.5cm $200 – 300 73 A PAIR OF MEISSEN CACHE POTS 19th century, each finely painted, one with a continuous scene of a military camp, the other with a hunting scene, in the manner of Heroldt, divided by gilt panels, and flanked by bearded and horned masks, the moulded rim and interior with gilt lambrequins, blue crossed swords mark, pressnummer 8 and incised E174. Height 10.5cm PROVENANCE: Sotheby’s, London, “Fine early and later European ceramics”, 24 November 1998, lot 123 $3,000 – 5,000 74 A MEISSEN KAKIEMON OCTAGONAL SAUCER AND A TEA CUP Circa 1735, the saucer painted in the “Two Quail” pattern, the tea cup with banded hedges and flowers, brown rims, blue crossed swords mark. Diameter 13.5cm $400 – 600

75 A MEISSEN TEAPOT Circa 1750, bullet shaped with scroll capped handle and dragon spout, the cover with a strawberry finial, painted in colours, peasants dancing and drinking, underglaze blue crossed swords mark. Height 10.5cm PROVENANCE: Sotheby’s, London, “Fine early and later European ceramics”, 24 November 1998, lot 119 $300 – 500 76 A SET OF SIX MEISSEN DINNER PLATES Circa 1760, each with moulded ozier border, painted in colours with Deutscheblumen, underglaze blue crossed swords mark. Diameter 24cm PROVENANCE: Leonard Joel, Sydney, “The Collector’s Auction”, 30 June 2020, lot 275 $600 – 800

77 A SET OF FOUR MEISSEN PORCELAIN CUPIDS Late 19th century, each symbolic of a type of love, including Cupid Pressing the Heart (L107), Cupid with Bellows (L108), Cupid Piercing the Heart (L109) and Cupid Holding a Broken Heart (L116), on marbled socle, blue crossed swords marks, various pressnummer. Height of tallest 20cm $2,400 – 3,200 78 A MEISSEN FIGURE OF CUPID HOLDING A ROSE STAFF Late 19th century, holding a flower wreathed staff and gesturing with his finger, on a marbled socle, blue crossed swords marks, various pressnummer (L126). Height 20.5cm $800 – 1,000 79 A RUSSIAN SILVER COVERED FLAGON Makers mark of Karl Fabergé, Moscow 1896-1908, of tall tapering cylindrical form with a domed cover, leaf cast handle and engraved rocaille vacant cartouche. Height 30cm $3,000 – 5,000

80 A RUSSIAN CAST BRASS CRUCIFIX PANEL Late 19th century, the corpus surrounded by various scenes from the gospels and saints. 18 x 9.5cm $300 – 500 81 A RUSSIAN SILVER ICON BY KHLEBNIKOV Depicting the Mother of God and Holy Child Enthroned with Angels and Saints; the silver oklad marked Khlebnikov with Imperial Warrant St Petersburg, 1899-1908, hallmark for Pavel Fomich Akrinen. Height 38.5cm, Width 31cm, Depth 3cm OTHER NOTES: Ivan Petrovich Khlebnikov’s firm, being a trading house, had the right to buy from any masters. There have been items under the firm of Khlebnikov and with the stamp of the master P.F.A. $4,000 – 6,000

Property of a Gentleman LOTS 82–167

82 A WILLIAM IV SILVER FOUR PIECE COFFEE AND TEA SERVICE Maker’s mark of Edward, Edward jnr, John and William Barnard, London 1833 & 1834, melon shaped cast with flowers and foliage, on rocaille scroll feet, and a pair of Georgian silver sugar tongs. Height of coffee pot 25cm, Total Weight 2,630g $2,500 – 3,500 83 A PAIR OF WILLIAM IV OLD SHEFFIELD PLATE ENTREE DISHES, COVERS AND WARMING STANDS Makers mark of Roberts, Smith & Co. each of shaped oval outline, with strapwork borders, handles and scrolled feet. Width 41cm $600 – 800

84 A PAIR OF GEORGE III SILVER SALTS Makers mark of T Law, Sheffield, 1774, each of oval pierced design with embossed swags and paterae on pierced ball and claw feet. Width 8cm (each) $300 – 500 85 A VICTORIAN SILVERPLATED OVAL TRAY AND ANOTHER CIRCULAR TRAY The oval tray engraved to the centre with a crest, the pierced and guilloche cast borders with scroll and beaded handles; the other by Hecworth with foliate cast border. Width of oval tray 72cm $300 – 500

86 A VICTORIAN OLD SHEFFIELD PLATE TWIN HANDLED TRAY Maker’s mark of R. Gainsford, engraved to the centre with a coat of arms and motto within a rococo cartouche on an elaborately chased ground and within gadrooned and flower cast borders, on claw and ball feet. Width across handles 73cm $600 – 800 87 A VICTORIAN SILVER BONBON DISH London, 1899, retailed by Rowlands & Frazer, 146 Regent Street London, of pierced navette form with scrolled border and embossed swags. Width 18cm $200 – 400

88 A VICTORIAN SILVERPLATE CRUET STAND, CUT GLASS AND SILVERPLATE ICE BUCKET AND TONGS, TWO SILVERPLATE SAUCE BOATS AND AN AMERICAN SILVER PLATED COFFEE POT The cruet stand by James Dixon & Sons. (5) Height of cruet stand 25cm $300 – 500 89 A PAIR OF ELIZABETH II & A VICTORIAN SILVER BOTTLE TICKETS Maker’s mark of Wyard Druitt & Co Ltd, London 1973, and maker’s mark IFP & Co Sheffield 1858, the pair modelled as vine wreathed Bacchus masks pierced BRANDY and PORT; the other pierced SHERRY on a scroll with grapes and leaves. (3) Height of pair 7cm $450 – 650

90 A GROUP OF THREE DECANTERS First half 19th century, each with cut and facetted decoration. Height of tallest 29cm $300 – 500

93 A CUT CRYSTAL WATER JUG Baluster shaped with fluted neck and diamond cut body. Height 26cm $200 – 300

91 THREE PIECES OF CUT CRYSTAL Comprising a footed bowl, a larger Irish style footed bowl (faults), and a silverplate mounted decanter. Height of decanter 23cm $200 – 400

94 A VICTORIAN CUT GLASS TRUMPET VASE On facetted pedestal and circular foot. Height 24cm $120 – 150

92 A SET OF SIX FRENCH CLEAR AND FROSTED CRYSTAL BRANDY BALLOONS Each bowl supported by a Napoleonic eagle, acid etched mark to base “Lead Crystal France 1987” above a wreathed N. $300 – 400

95 TWO ST LOUIS CUT CRYSTAL EWERS Each of tall baluster form with broad cut facets, on an octagonal foot, acid etched mark. Height of tallest 35cm $400 – 600

96 A WORCESTER CIRCULAR DESSERT BASKET Circa 1770, painted in underglaze blue to the centre with flowers and pine cones, the pierced borders joined with flowerheads, crescent mark to base. Diameter 22cm $500 – 800 97 A SMALL WORCESTER MASK JUG Circa 1760, the cabbage leaf moulded body, scroll handle and bearded mask spout, all decorated in underglaze blue with bouquets of mixed flowers, crescent mark. Height 16cm $300 – 500 98 A ROYAL WORCESTER OVOID VASE PAINTED BY C. V. WHITE Date mark for 1908, printed marks, shape no. 294B, painted in colours with two peacocks on a branch, signed C. V. White lower left. Height 26cm $1,200 – 1,800

99 A ROYAL WORCESTER OVOID VASE PAINTED BY HARRY STINTON Date code for 1911, printed marks, shape no. 247, with angular gilt handles, painted with highland cattle, signed Stinton lower right. Height 22cm $800 – 1,200 100 A PAIR OF ROYAL WORCESTER OVOID VASES PAINTED BY HENRY MARTIN & WILLIAM JARMAN Date code for 1910, printed marks, shape no. 2304, each with gilt neck and scroll handles, painted with roses, one signed H Martin and one signed W Jarman. Height 23cm $800 – 1,200 101 A ROYAL WORCESTER INVERTED BALUSTER VASE PAINTED BY EDWARD TOWNSEND Date mark to base for 1937, painted with apples and raspberries, signed E Townsend. Height 15cm $500 – 700 102 A ROYAL WORCESTER OVOID VASE Pattern number 2491, painted with peaches and cherries, indistinctly signed, mark to base. Height 7.5cm $200 – 400

103 A PAIR OF ROYAL WORCESTER CABINET PLATES Date code for 1910, retailed by H.G. Stephenson Ltd. Manchester, painted to the centre with fruit and flowers, one signed R. Sebright, within elaborate gilt and blue borders. Diameter 23cm $300 – 500 104 A ROYAL WORCESTER TEA SET Date code for 1917, retailed by Maple & Co., comprising eleven cups and saucers, eleven cake plates, a cream jug, a sugar bowl and a larger plate, all decorated in gold with urns and classical motifs on a white and pink ground. Diameter of large plate 23cm $400 – 600 105 A ROYAL WORCESTER “SABRINA WARE” VASE Date code for 1894, printed marks, pattern number 1707, of squat urn form with leaf cast handles and scrolled rim, decorated with fish. Height 15.5cm $200 – 300 106 A ROYAL WORCESTER DESK STAND Circa 1860, transfer printed with English churches with gilt tendrils and borders, with two inkpots and taper stick. Width 25cm $400 – 600

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107 A ROYAL WORCESTER IVORY BLUSH JARDINIERE Puce mark date letter for 1898, the body modelled with overlapping fern fronds on a basket weave ground. Diameter 27.5cm $200 – 400 108 A PAIR OF ROYAL WORCESTER PORCELAIN CANDLESTICKS Each in the form of a female caryatid on a gilt scrolled triform base, each with impressed mark to base. Height 29cm $600 – 800

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119 109 A ROYAL WORCESTER DINNER SERVICE IN THE ARUNDEL PATTERN Place setting for eight, each piece with a navy blue border decorated in gold with a fruiting vine. Comprising: eight dinner plates, eight entree plates, eight bread plates, eight dessert plates, eight salad plates, eight soup plates, two sauce boats with underplates, eight twin handled bowls and underplates, two oval vegetable dishes, eight coffee cups and saucers, eight teacups and saucers, a covered sugar basin, a creamer and two sweet dishes. $800 – 1,200 110 AN AYNSLEY CABINET PLATE AND A ROYAL WORCESTER DESSERT PLATE The Aynsley plate decorated with fruit on a gilt ground, the other plate in the blue scale pattern. Diameter of Aynsley plate 26.5cm $200 – 400

111 A CHAMBERLAIN’S WORCESTER URN Circa 1810, of reeded campana shape with a pair of lion mask ring handles, having a gilt framed reserve painted with flowers on a dark blue ground, socle and gilt square foot, hand painted script mark. Height 13cm $800 – 1,200

113 A COALPORT COVERED URN AND A VIENNA CABINET PLATE The urn painted with fruit on a navy blue ground with gilt rams head handles, the plate decorated to centre with a classical scene. Height of urn 24cm $200 – 400

112 A COPELAND DESSERT SERVICE Circa 1860, twelve plates, a tazza, an oval footed dish and a rectangular footed dish, all painted in colours with white reserves of floral swags on a dark blue and gilt ground, within pierced borders, green printed mark. $800 – 1,200

114 A PAIR OF SPODE COPELAND’S URN VASES Each decorated with Italian gardens in shades of puce and green, printed marks. Height 17cm $200 – 300

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115 AN ENGLISH PORCELAIN JARDINIERE AND STAND Circa 1840, of flared rectangular outline flanked by scrolled handles, on a fitted base, decorated with moulded scrolls in gilt on a turquoise ground, each side with a circular reserve painted in colours with flowers. Height 30cm $300 – 500 116 A VICTORIAN PORCELAIN CONFITURIER AND A SILVERPLATE AND PORCELAIN TOAST RACK The confiturier painted in the Sevres style with gilt scrolls and flowers on a green ground standing on scrolled lion paw feet; the toast rack painted in the Imari style. (2) $200 – 300

117 A CROWN DEVON OVOID VASE With fluted neck and scroll cast handles, the body painted with roses, mark to base. Height 44cm $300 – 500 118 A DERBY SAUCE TUREEN, COVER AND STAND Circa 1790, of bombe form with lion mask handles, painted in colours with flowers, red painted mark. Width of stand 22cm $300 – 500

119 A MINTON TAZZA AND PAIR OF DESSERT PLATES Late 19th century, the tazza with pierced bowl supported by three addorsed bisque putti, united by gilt scrolls and monogrammed medallions on a navy blue ground, underglaze puce mark to base retailed by T Goode & Co; the plates with matching medallions and pierced Greek key borders on navy blue ground. Height of tazza 22.5cm; Diameter of plates 24cm $800 – 1,200 120 AN IMARI PATTERNED TEAPOT Early 19th century, possibly Ridgeway, circular with butterfly finial and leaf capped handle decorated in gilt and colours with flowers and foliage. Height 15cm $150 – 200

121 TWO PIECES OF IMARI PORCELAIN Late 19th century, comprising a lobate charger painted to the centre with a flower arrangement and a baluster vase painted with birds and flowers. Diameter of charger 46cm $300 – 500 122 AN AUGUSTUS REX CHOCOLATE CUP AND A MEISSEN COFFEE CUP Late 19th century, the lobate twin handled chocolate cup painted with 18th century scenes and flowers on yellow ground; the coffee cup with scattered Deutscheblumen. (2) $200 – 400 123 A PAIR OF EARLY VICTORIAN POSY VASES Probably Coalport, each trumpet shaped with frilled rim, painted in colours with flowers the blue body on a gilt socle and base. Height 20cm $300 – 500

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124 TWO CONTINENTAL PORCELAIN FIGURES OF LADIES AND A SMALLER FIGURE OF A GENTLEMAN 19th century, all attired in 18th century costume, painted in colours, various marks. Height of tallest 13.5cm $200 – 400 125 A SEVRES PATTERN TAZZA AND A CABINET PLATE Late 19th century, the tazza painted with gilt reserves with flowers within turquoise borders on scroll support with classical cameos, unmarked; the cabinet plate painted with a putto within dark blue borders having gilt cartouches painted with birds and flowers, crossed ‘L’ mark to underside. Height of tazza 13cm $200 – 400 126 A PAIR OF SEVRES PATTERN PLAQUES Late 19th century, each in a ribbon tied and wreathed gilt metal frame, painted with Louis XVI and Marie Antoinette on a blue ground. Oval 28 x 15cm each $400 – 600

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127 A PAIR OF PORTUGUESE BISQUE FIGURES OF MAIDENS Each in 18th century costume, one holding a mask, impressed marks to base. Height 27cm $200 – 400

128 A BLACK BASALT URN AND A COVERED SUGAR BASIN AND A PAIR OF CONTINENTAL BISQUE SPILL VASES The basalt ware probably Wedgwood. $400 – 500 129 A PAIR OF PARIS PORCELAIN VASES First half 19th century, each of ovoid form with winged female herm handles painted in colours with “Hippocrates refusing the treasure of Artaxerxes” and “Alexander and his physician Phillipos” on a gold lustre ground. Height 38cm $800 – 1,200 130 A REGENCY MAHOGANY AND BRASS INLAID CARD TABLE The D-shaped fold over top crossbanded in rosewood and inlaid in cut brass the plain frieze with central inlaid tablet and brass lines, on a four scroll pedestal and four swept legs all with brass line inlay, standing on shell, anthemion and scroll cast castors. Height 72cm, Width 91cm, Depth 45cm PROVENANCE: Leonard Joel, Melbourne, “Jewels & Objets d’Art including Willcox Collection”, 8 March 2015, lot 2 $3,000 – 5,000

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131 A PAIR OF LOUIS XVI STYLE BERGÈRES À L’OREILLES Each with a carved frame decorated with flower heads, foliage and scrolls, the fluted armrest supports above turned and fluted legs, in blue and gold velvet brocade upholstery. Height 102cm $1,500 – 1,800 132 A VICTORIAN WALNUT AND INLAID MUSIC CABINET The glazed door flanked by canted inlaid angles with carved scrolls, on a plinth base with castors. Height 97cm, Width 61cm, Depth 35.5cm $800 – 1,200 133 A PAIR OF SILVERED WOOD AND LUCITE TABLE LAMPS Of reeded urn form. Height (excluding shades) 56cm $200 – 400 134 A LALIQUE ‘CANNES OCTOPUS’ FROSTED GLASS ASHTRAY AND ANOTHER SIMILAR Each circular decorated in frosted and clear glass, one with engraved ‘lalique france’ mark to base. Diameter 20cm $300 – 500

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135 A DESNA FROSTED AND CLEAR GLASS VASE The cylindrical body decorated with a continuous frieze of naked women. Height 17cm $200 – 400 136 A LATE GEORGE III MAHOGANY TOILET MIRROR The rectangular swivel plate in turned uprights, the bowed base with three drawers crossbanded in rosewood flanked by inlaid ebony flowers. Height 60cm, Width 62cm, Depth 29cm $300 – 500 137 A GEORGE I STYLE GILT FRAMED WING ARMCHAIR The tall back above scrolled arms flanking the padded seat, in patterned cream brocade upholstery the carved and gilt seat rail composed of foliate scrolls on short cabriole legs and pad feet. Height 115cm $800 – 1,200

138 A CONTINENTAL MAHOGANY EXTENDING DINING TABLE The moulded rectangular top with a carved frieze and two additional leaves, on five fluted pedestals and platform base with four swept legs with lion masks and paw feet. Height 73cm, Width (closed) 131cm, Depth 111cm $1,500 – 2,500 139 A SET OF SIX WILLIAM IV MAHOGANY DINING CHAIRS Including two elbow chairs, each with a moulded panel back above a leaf carved back rail, the drop in seats in blue and gold velvet brocade upholstery, on turned and lappeted front legs. $2,000 – 4,000

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140 A PAIR OF LOUIS XVI STYLE BRONZE AND MARBLE TABLE LAMPS Each with an ovoid stone body supported by three swagged Pan-masked herns on circular base. Height (including shade and finial) 77cm $500 – 800 141 A PAIR OF LAMP TABLES Each with two tiers on reeded baluster supports. Height 53cm, Width 63cm, Depth 56cm $200 – 400 142 A GILTWOOD BERGÈRE Late 19th century, in the Louis XVI style, the moulded curved back terminating in padded leaf carved, scrolled arms, standing on stop fluted supports. Height 97cm $1,800 – 2,200

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143 A MAHOGANY BREAKFRONT LIBRARY BOOKCASE 19th century and later, the moulded cornice above a frieze and astragal glazed doors enclosing shelves, on a base with two cupboards flanking three drawers on a plinth base. Height 220cm, Width 228cm, Depth 60cm $2,800 – 4,000 144 A PAIR OF FRENCH BRONZE FIGURES OF CUPID AND ABUNDANCE Mid 19th century in the manner of Auguste Clesinger; the figure of Cupid with an eagle, Abundance holding fruits and grains in her robe; on shaped black marble plinths. Height 46cm $2,000 – 4,000

145 A LOUIS XV STYLE GILTWOOD OCCASIONAL TABLE Late 19th century, the oval peach marble top on a flower swagged frieze centred with a flowerhead, on slender cabriole legs. Height 80cm, Width 50cm, Depth 41cm $800 – 1,200 146 A CONTINENTAL BISQUE PORCELAIN AND GILT METAL URN SHAPED TABLE LAMP Late 19th century, moulded in relief with a frieze of classical figures flanked by gilt Bacchic masks on a leaf cast foot and flowerhead cast feet, interlaced ‘L’ mark to base. Height (not including shade) 48cm $1,500 – 2,000 144

147 A GEORGE III STYLE WING ARMCHAIR Of generous proportions in flowered brocade on cabriole legs. Height 112cm $800 – 1,200 148 A FRENCH WHITE MARBLE PORTICO CLOCK Early 19th century, the dial signed LE PETIT A PARIS having Roman numerals and a leaf cast bezel, chiming on a bell and supported by four tuscan columns surmounted by a gilt bronze group of Milo of Croton being savaged by the lion, signed “Clodion” on plinth base with bun feet. Height 83.5cm $2,500 – 3,500

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149 A PAIR OF GILTMETAL THREE-LIGHT CANDELABRA Late 19th century, each with scrolled pedestal base rising to a central urn with a band of putti and leaf scrolled handles issuing a ribboned thyrsos wand hung with musical instruments and having three scrolled candle arms with ivy cast nozzles. Height 44cm $1,000 – 1,500 150 A LOUIS XV STYLE FAUTEUIL The moulded frame carved with flowerheads, and decorated grey, in classical blue and grey brocade upholstery. $300 – 500

151 A WILLIAM IV ROSEWOOD CABINET The crossbanded top above a moulded frieze a nd four gothic arched doors with brass grilles enclosing shelves, supported by three engaged columns with composite capitals and leaf carved bases, on a plinth base. Height 97cm, Width 190cm, Depth 33cm $2,000 – 4,000 152 A CONTINENTAL PORCELAIN PLAQUE 19th century, probably Berlin, painted with La Belle Ferroniere after Leonardo Da Vinci, in gilt metal frame, signed Virginie Lecrosnier. 13.5 x 11cm (including frame) $600 – 800 153 A GERMAN STOBWASSER PAPIER MACHE ROUNDEL First half 19th century, of the Madonna and Child, inscribed “Madonna und Kind/ Salai” to verso, in later square fluted frame. Diameter of roundel 8cm $400 – 600 154 A PAIR OF PORTRAIT MINIATURES Late 19th century, painted with ladies in 18th century dress. Height 11cm, Width 11cm $300 – 500

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155 A HAND COLOURED ETCHING OF MISS BARKER AFTER RICHARD COSWAY In an elaborate gilt frame within a velvet and glass box frame. Overall 35.5 x 31cm $200 – 300 156 A COLLECTION OF THREE VICTORIAN BAXTER PRINTS “The Rose of Granada”; and a pair of maidens in a rope moulded frame with bow cresting, trade label of “D.BROOKS CARVER & GILDER” of Doncaster to verso. The pair: 49 x 37cm framed, the other 44 x 40cm framed $300 – 500

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159 157 A CONTINENTAL PAINTED PORCELAIN PLAQUE Signed Wagner lower left, of a semi draped beauty with flowing hair, in gilt composition frame, paper label verso reads “Julius Greiner Sohn / Dresden. A. Pragerstr. 25”. 18.5 x 13cm (25.5 x 20cm framed) $800 – 1,200

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158 A PORTRAIT OF A MILITARY GENTLEMAN Mid 19th century, oil on canvas, in Florentine giltwood frame. 70 x 55cm (100 x 84cm framed) $1,500 – 2,000 159 CONTINENTAL SCHOOL 19th century Portrait of a female artist with her palette, possibly Artemisia Gentileschi, and its companion portrait of a girl (2) gouache on card Each oval 13.5 x 10.5cm $800 – 1,200 160 A PORTRAIT OF A GENTLEMAN Early 19th century, oil on canvas, in the manner of Martin Archer Shee. 75 x 62cm (98 x 85cm framed) $1,500 – 2,000 161 A PAIR OF VICTORIAN WATERCOLOURS Of a husband and wife, in original birds’ eye maple frames. Each 40 x 29cm (64 x 50cm framed) $200 – 400 162 A VICTORIAN SCHOOL PORTRAIT OF A GENTLEMAN Shown half-length wearing a black stock, white shirt and black coat, holding a book with a domed church beyond. 52 x 41cm (72 x 61cm framed) $400 – 600

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163 CHARLES WILLIAM SMITH (1819-1908) River Scene Summer Morning 1870 oil on canvas signed, titled and dated verso: River Scene Summer Morning / C Smith / 1870 55 x 80cm (72 x 96cm framed) $1,500 – 2,000

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164 A. MORPHET (late 19th century) Chrysanthemums oil on canvas signed lower right: A. Morphet 47 x 71cm (77 x 100cm framed) $400 – 600 165 A DUTCH STYLE STILL LIFE OF ROSES, TULIPS AND RASPBERRIES Oil on panel. 38 x 27.5cm (59 x 48cm framed) $200 – 400 166 A PAIR OF VICTORIAN SCHOOL LANDSCAPES Oil on panel, in the manner of Constable, depicting windswept rural scenes. Each 16 x 12cm (30 x 25cm framed) $800 – 1,200 167 JOHN HAYES (British, 1786-1866) A Scene from the Vicar of Wakefield oil on canvas 113 x 87cm (149 x 123cm framed) $4,000 – 6,000

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168 GEORGE MORLAND (British, 1763-1804) Jack at the Capstan oil on canvas signed centre left: G. Morland 73 x 94cm (90 x 111cm framed) PROVENANCE: Thomas Agnew and Sons, Manchester Lady Thomas Boscombe Arthur Tooth and Sons, London (part label verso) Howard Young Galleries, New York, 1927 (stamp verso) William H. Thomson The Detroit Institue of Arts, gifted by the above 1949 Christie’s, New York, “Old Master Paintings”, 15 October 1992, lot 124 (listed as “The Smugglers or Jack at the Capstan”) Private collection, NSW, acquired from the above

EXHIBITIONS: “Exhibition of English art of the 18th and 19th centuries”, Alger House (Detroit Institute of Arts), 6 November - 18 December 1938 LITERATURE: “Great British Portraits from Detroit Collections”, The Art News, 26 November 1938, vol. 37, issue 9, p. 18. “The Arts Commission Annual Report for the Year 1949”, Bulletin of the Detroit Institute of Arts, vol. 29, no. 2, 1949-1950, p.45. Horace Shipp, “London News and Views”, Pictures on Exhibit, XII, 1950, p. 31 (illustrated). “Acquisitions and Loans”, Pallas, XIV, April 1 1950, no. 6, p. 62 “Annual Report Number (1955-1956)”, Bulletin of the Detroit Institute of Arts, vol. 35, no. 2, p. 44 “Paintings in the Detroit Institute of Arts, a Checklist of the Paintings acquired before June 1965”, 1965, p. 77 $4,000 – 6,000

169 SCHOEN Portrait of a Young Woman in a Coral and Gold Parure 1821 oil on canvas signed and dated lower right: Schoen / 1821 64 x 52cm (82 x 70cm framed) $2,000 – 3,000 170 A HAND COLOURED ENGRAVING “LE SERMENT D’AMOUR” AFTER FRAGONARD Engraved by Jean Mathieu (French, 1732–1806). 65 x 50cm (93 x 79cm framed) $500 – 800

171 JEAN LURÇAT (1892-1966): “CHOUETTE ET FIGUIER” An Aubusson tapestry woven in the Pinton Brothers Atelier, woven signature lower left, Pinton Freres monogram lower right, label verso. 147 x 245cm $3,000 – 5,000 172 PIERRE LE FAGUAYS (French, 1892-1962) Diana (The Huntress) circa 1925 bronze signed, stamped and inscribed in the bronze to base: Le Faguays / France / Susse Freres Editions Paris Height 46.5cm $1,500 – 2,000 173 A PAIR OF CAST IRON TAZZA URNS Each with a frilled rim and reeded body flanked by lion mask handles. Height 30cm, Diameter 43cm $600 – 800

171 © Jean Lurcat. ADAGP/Copyright Agency 2022

174 A PAIR OF ANCIENT EGYPTIAN BRONZE AND ALABASTER EYES AND BROWS Probably late Ptolemaic Period, mounted on a stand. Width of eyes 7.5cm each PROVENANCE: Galerie Ureus, Paris, 1976 (label verso) Private Collection, Southern Highlands $6,000 – 8,000 175 ALBERT-ERNEST CARRIER-BELLEUSE (French, 1824-1887) La Liseuse ormolu, marble and ivory signed to base: A. Carrier-Belleuse Height 26cm including socle $3,000 – 5,000 176 A VICTORIAN BRASS AND MOTHER OF PEARL INLAID COROMANDEL SEWING BOX The rising top inlaid to the centre with a panel of inlaid scrolls within a brass wire border, the interior with a tray and quilted decoration. Height 13.5cm, Width 30cm, Depth 22cm 174 PROVENANCE: Lawsons, Sydney, “The Kensington Sale”, 8 March 2009, lot 79 acquired from the above $500 – 800

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177 JOSEF LORENZL (Austrian, 1892-1950) Kristina cold-painted bronze on green onyx plinth signed to base: LORENZL Height including plinth 76cm $5,000 – 8,000

178 AN HISPANO-MORESQUE LUSTERWARE BOWL The central boss painted with a rooster within a leaf and tendril ground. Diameter 42cm $1,000 – 1,500 179 A PAIR OF FIVE LIGHT BRONZE APPLIQUES With leaf cast backplate and swagged rocaille arms. Height 76cm $200 – 400 180 AN ALABASTER BUST OF THE VENUS DE MILO Late 19th century, after the antique, on turned socle. Height 34cm PROVENANCE: Private Collection Sutton Forest $800 – 1,200 181 A FLORENTINE STYLE GILTWOOD MIRROR The frame composed of scrolls, flowerheads, shells and stylised birds. 94 x 70cm $700 – 1,000 182 A BRONZED AND GILT METAL LANTERN Late 19th century, having a palmette corona and six glazed sides, each surmounted by a cherub mask, electrified. Height approx. 110cm $1,500 – 1,800

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183 A PAIR OF CONTINENTAL PORCELAIN AND GILTMETAL TABLE LAMPS Late 19th century, the Vienna porcelain ovoid urns decorated with classical scenes after Angelica Kauffman. Height including shades 64.5cm $800 – 1,200 184 A GILT FRAMED LOOKING GLASS The bevelled plate in a foliate scrolled composition frame. 70 x 57cm $200 – 400 185 A VICTORIAN GILT METAL OIL LAMP In the classical style, formed as a tripod with three snake wreathed herns on a leaf cast base, electrified. Height 62cm $800 – 1,200 186 AN EARLY VICTORIAN ROSEWOOD CHIFFONIER The mirrored back having a shelf with brass gallery, the white marble top above a pair of glazed doors with carved mouldings, on plinth base. Height 133cm, Width 143cm, Depth 50cm $1,500 – 2,000

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187 A VICTORIAN EBONISED AND MOTHER OF PEARL INAID SETTEE The triple chair back with stylised palmettes and scrolls, the upholstered seat on turned legs. Height 106cm, Width 200cm, Depth 68cm $800 – 1,200 188 A PAIR OF GILTMETAL THREE LIGHT CANDELABRA Late 19th century in the rococo style, and a silver plated twin-light table lamp with fluted and beaded base. (3) $400 – 600

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189 A VICTORIAN BURR WALNUT SERPENTINE CARD TABLE The foldover top on a carved baluster pedestal and four swept legs with scroll toes. Height 77cm, Width 93cm, Depth 45cm (closed) $500 – 700 190 A WILLIAM AND MARY STYLE BLACK AND GOLD LACQUER FRAMED MIRROR Of shaped outline. 106 x 62cm $500 – 800

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191 A MAHOGANY WINE TABLE In the Georgian style, the lobate top on a reeded baluster pedestal and three swept legs with claw feet. Height 63m, Diameter 60cm $500 – 800 192 A PERSIAN TABRIZ The central medallion and quartered corner medallions set within an ivory field of Shah Abbasi palmettes, tendrils and birds, within multiple borders of Shah Abbasi flowers and birds on a grey field. 398 x 295cm $3,000 – 5,000 193 A GEORGE III MAHOGANY BREAKFRONT BOOKCASE The dentil cornice above a plain frieze and four gothick astragal glazed doors, the base with two sets of three drawers flanking the central cupboards enclosing slides, on plinth base. Height 245cm, Width 277cm, Width 54cm PROVENANCE: Private Collection, Southern Highlands $4,000 – 6,000

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194 A GEORGE III GILTWOOD PIER MIRROR The rectangular plate within a rocaille scroll carved frame with pendant fruit and flowers. Height 117cm, Width 70cm PROVENANCE: Bonhams & Goodman acquired from the above 2008 $4,000 – 6,000 195 A GEORGE III MAHOGANY BOWFRONT SIDEBOARD Inlaid throughout with boxwood stringing and rosewood bands, with two deep drawers flanking a central drawer, on square tapering legs with spade feet. Height 88cm, Width 145cm, Depth 67.5cm $800 – 1,200 196 A SCANDINAVIAN PAINTED PINE CHEST 18th century, the panelled top above front with baluster detail and painted all over in colours with vases of flowers, floral wreaths and sprays. Height 58cm, Width 117cm, Depth 63cm $1,500 – 2,000 194

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197 A MATCHED SET OF SIX GEORGE III ELM LADDERBACK CHAIRS Each with turned uprights supporting the shaped splats, above a panel seat on turned front legs with pad feet united by spindle turned front stretchers. Height 94cm PROVENANCE: Private Collection, Southern Highlands $1,800 – 2,200 198 A GEORGIAN OAK DROPLEAF TABLE The oval top above a single end drawer, on turned legs with pad feet. Height 68cm, Width 130cm, Depth 108cm PROVENANCE: Private Collection, Southern Highlands $1,000 – 1,500

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199 A GEORGE III MAHOGANY TEA TABLE The circular tilt-top with birdcage supported by a turned baluster pedestal and three swept legs with pad feet. Height 69cm, Diameter 67cm PROVENANCE: Dural Antiques acquired from the above $600 – 800 200 A PERSIAN ISFAHAN The central medallion and quartered corner medallions set within a crimson field of Shah Abbassi palmettes and tendrils, within a border of palmettes. 478 x 335cm $3,000 – 5,000

201 A FRENCH CHERRYWOOD SLEIGH BED Mid 19th Century, of typical form with swept head and foot panels. Height 105cm, Length 214cm, Width 130cm (internal dimensions 186 x 121cm) $800 – 1,200 202 A FLEMISH WALNUT ARMCHAIR Late 17th century, the tall shaped back flanked by leaf carved scroll arms, on barley twist supports and legs joined by barley twist stretchers, upholstered in embroidered cotton with cushions. Height 114cm $2,000 – 3,000

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203 A GEORGE III MAHOGANY SIDE TABLE The rectangular moulded top above two frieze drawers on square tapering legs with brass castors. Height 74cm, Width 122cm, Depth 59cm PROVENANCE: Connoisseurs’ Store, Melbourne, 1970’s Stanley Crawford Stevens, Melbourne Private Collection, Sutton Forest Private Collection, Southern Highlands $2,000 – 3,000 204 A PAIR OF BRONZE, GILTMETAL AND ONYX CANDELABRA Late 19th century, each in the form of a draped naked putto supporting an urn issuing five foliate candle branches and surmounted by a leaf cast finial, on an octagonal fluted onyx pedestal with giltmetal mounts. Height 70cm $2,000 – 3,000

205 A GEORGE III MAHOGANY TEA TABLE The D-shaped fold over top with gadrooned edge, on a plain frieze and baluster turned pedestal and four scrolled and swept legs with brass lion paw castors. Height 75cm, Width 92cm, Depth 45.5cm $1,500 – 2,500 206 A GEORGE III MAHOGANY CONCERTINA ACTION CARD TABLE The rectangular fold-over top with ovolo carved moulded edge on a plain frieze and chamfered square sectioned supports blind carved with gothick detailing and fretwork spandrels on block feet. Height 74cm, Width 92cm, Depth 45.5cm (closed) $2,000 – 4,000

207 AN OAK FIVE PLANK COFFER Late 17th century, the rising top revealing internal candlebox, the front panel with incised arcaded pattern. Height 54cm, Width 105cm, Depth 50cm PROVENANCE: Austiques, Parramatta acquired from the above circa 2012 $500 – 700 208 AN ENGLISH OAK GATELEG TABLE Late 17th/early 18th century, the oval flap top on slender baluster turned supports united by stretchers. Height 78cm, Width 135cm (extended), Depth 117cm PROVENANCE: Joan and Charles Mortimer, ‘The Sugar House’, Great Chesterford, Saffron-Walden, Essex, UK, 1978 Leonard Joel, Sydney, “The Collector’s Auction”, 26 March 2019, lot 3 acquired from the above $600 – 800 43

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209 AN UPHOLSTERED STOOL The padded rectangular top in close-nailed Bennison style fabric patterned with roses and scrolls, on leaf and fish scale carved scrolled legs, terminating in lion paw feet. Height 51cm, Length 97cm, Depth 68cm $500 – 700 210 A PERSIAN RUNNER With all over palmettes, floral motifs and tendrils on a navy blue ground, within a triple flower border. 393 x 78cm $1,500 – 1,800 211 TWO TAXIDERMY AFRICAN ANTELOPE HEADS Height of largest approx. 110cm $600 – 800

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212 TWO TAXIDERMY AFRICAN ANTELOPE HEADS Height of largest approx. 140cm $600 – 800 213 AN ENGLISH CARVED OAK DESK BOX Early 18th century, the moulded slope-lid with carved flower, initials and date: I L / 1726, rising to reveal three interior drawers, the front carved with floral motifs. Height 32cm, Width 76cm, Depth 48cm $400 – 600 214 A PAIR OF CHARLES II OAK SIDE CHAIRS Each having a tall caned back with carved cresting between turned uprights, the caned seat on turned legs and stretchers and a scrolled front stretcher. Height 123cm $800 – 1,000

215 A GEORGE IV MAHOGANY CIRCULAR DINING TABLE The tilt top later crossbanded in burr yew, on a spirally reeded pedestal and four swept feet terminating in brass lion paw castors. Height 73.5cm, Diameter 165cm PROVENANCE: Bonhams & Goodman acquired from the above 2008 $2,000 – 4,000 216 A SET OF SIX GEORGE IV MAHOGANY DINING CHAIRS Each with a shaped and gadrooned top rail on reeded uprights, the close nailed red leather seat on turned and reeded front legs. PROVENANCE: Mossgreen Auctions, “The Estate of Leslie Walford AM”, 18 November 2012, lot 2 acquired from the above $2,800 – 3,800

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217 A PERSIAN RUG Having an all over design of floral motifs and tendrils on a sapphire ground surrounded by multiple borders of flowers and tendrils. 272 x 371 cm $2,000 – 4,000

220 A PAIR OF WILLIAM & MARY SIDE CHAIRS Each with a tall shaped, caned back and feather inlaid splat, the cabriole legs with hoof feet and shaped stretchers. Height 114cm $800 – 1,200

218 A GEORGE IV MAHOGANY “CHAMBER TABLE” The design attributed to Gillows, the rounded rectangular top with hinged “posting flap” above a frieze drawer with knulled mouldings on turned and reeded legs with brass castors. Height 72cm, Width 48.5cm, Depth 38cm $2,800 – 3,200

221 AN ANGLO-INDIAN ROSEWOOD AND PADOUK LIBRARY TABLE First half 19th century, the rectangular top with a foliate carved moulded edge, above two frieze drawers, and trestle end supports joined by a shaped stretcher, richly carved throughout with paterae, leaf scrolls and gadrooned edges. Height 77cm, Width 137.5cm, Depth 65cm $1,800 – 2,200

219 A GEORGE IV ROSEWOOD CIRCULAR CENTRE TABLE The crossbanded tilt top with bead moulded frieze, on a facetted pedestal and triform base with scrolled feet concealing castors. Height 73cm, Diameter 137cm $1,800 – 2,200

222 A DUTCH MARQUETRY SIDE CHAIR 18th century, the tall arched back with inverted baluster splat inlaid with a flowering urn sheltering a bird, the padded seat in Aubusson tapestry on shell carved cabriole legs terminating in claw feet. $400 – 600

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223 A PAIR OF ADAM STYLE MAHOGANY DEMILUNE TABLES First half 20th century, each with a carved moulded edge above a frieze carved with urns, on square sectioned legs with patera headers and pendant berried leaf swags on spade feet. Height 73.5cm, Width 123cm, Depth 62cm $1,200 – 1,800 224 A REGENCY MAHOGANY HALL CHAIR The design attributed to T&G Seddon, the shell carved cartouche back with vacant reserve on panel seat and sabre legs. $600 – 800 225 A LOUIS XIV WALNUT FAUTEUIL The upholstered shaped back flanked by moulded and scrolled arms on turned and faceted uprights and front supports united by moulded strapwork stretchers on bun feet. Height 108cm $1,000 – 1,500

226 A REGENCY ROSEWOOD AND BRASS INLAID SOFA TABLE The rounded rectangular twin-flap top, above concealed frieze drawer, all inlaid with cut brass, the rectangular pedestal on conforming plinth with four swept legs and brass castors. Height 72.5cm, Width 148cm, Depth 66cm $3,000 – 5,000 227 A LOUIS XVI STYLE GILTWOOD BERGÈRE 19th century, with cartouche cresting, the padded back and arms flanking the leaf cast and scrolled armrest supports, on fluted and leaf cast supports, upholstered in geometric patterned gold brocade. Height 106.5cm $2,000 – 3,000

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228 A REGENCY ROSEWOOD SOFA TABLE The rounded rectangular twin-flap top with brass line and roundel inlay above the two concealed frieze drawers, on a turned pedestal and four hipped swept legs, with brass lines and castors. Height 74cm, Width 150cm (open), Depth 66cm $2,800 – 3,800 229 A LOUIS XVI STYLE GILTWOOD BERGÈRE À L’OREILLES 19th century, the shaped toprail with stiff leaf mouldings and scrolled ears flanking the padded back, the scrolled armrest supports on leaf carved and spirally fluted legs. Height 104.5cm $1,500 – 2,000

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230 AN EARLY VICTORIAN FIGURED WALNUT TULIPWOOD AND KINGWOOD CARD TABLE In the revived Louis XV style, the shaped fold over top with moulded and crossbanded edge, on slender cabriole legs with foliate cast brass chutes and sabots. Height 77cm, Width 101cm, Depth 53cm PROVENANCE: Clive Brans Antiques, Perth acquired from the above 2003 $4,000 – 6,000 231 A PAIR OF MARBLE AND GILT LOW TABLES In the George II style, each with a red marble top on fluted patera frieze and leaf carved cabriole legs. Height 41cm, Width 51cm, Depth 36cm $600 – 800

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232 A PAIR OF LOUIS XVI STYLE BEECH FAUTEUILS 19th century, each having a moulded frame with arched square padded back and seat flanked by scrolled arms on stop fluted supports, upholstered in needlework tapestry. Height 90.5cm $800 – 1,200 233 A LOUIS XV/XVI TRANSITIONAL KINGWOOD AND TULIPWOOD COMMODE The grey St Anne marble top, above an arrangement on three short and two long drawers inlaid sans traverse with key pattern bordered panels, with brass mounts to the angles and sabots to the cabriole legs. Height 93cm, Width 130cm, Depth 66cm

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PROVENANCE: Clive Brans Antiques, Perth acquired from the above 2003 $8,000 – 12,000 234 A PAIR OF LOUIS XV STYLE BEECH FAUTEUILS Late 19th century, each with a moulded cartouche shaped back centred by scrolls and flower heads, the shaped arms flanking the padded seat on cabriole legs. $800 – 1,200 235 A LOUIS XV STYLE BEECH CENTRE TABLE The circular inset marble top with flower and rocaille carved frieze on leaf carved cabriole legs, joined by scrolled stretchers. Height 76cm, Diameter 81cm $500 – 800

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236 A LOUIS XVI STYLE GILT CANAPÉ 19th century, the frame with urn finials, richly decorated all over with scroll and patera mouldings, the armrests on spirally reeded and leaf cast supports, standing on fluted and leaf cast legs, upholstered in figured gold ground silk brocade. Height 110cm $3,000 – 5,000 237 A NORTH ITALIAN WALNUT BUREAU Late 18th century, with rising top above a slope front revealing drawers and a well, having three long serpentine drawers with carved mouldings, on bracket feet. Height 110cm, Width 109cm, Depth 53cm $5,000 – 8,000 238 A PAINTED SANTOS FIGURE OF SAINT ANTHONY OF PADUA The brown robed holy man holding out his hands. Height 44.5cm $200 – 400

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239 AN ITALIAN LOUIS XVI FRUITWOOD FAUTEUIL Late 18th century, the moulded frame having square padded back with rosettes to the corners, the seat flanked by scrolled padded arms, on moulded legs with rosette headers, upholstered in tiger skin patterned velvet. Height 82cm $800 – 1,000 240 A WILLIAM IV MAHOGANY LIBRARY ARMCHAIR With upholstered back and arms, the moulded frame on tapering reeded front legs, in modern striped fabric. Height 107cm $2,000 – 3,000 243

241 A PAIR OF WHITE METAL COVERED LAMP TABLES In the French Provincial style, each with a shaped top above two leaf carved drawers on cabriole legs. Height 73cm, Width 80cm, Depth 50cm $800 – 1,200 242 A FRENCH BLOCK PRINTED WALLPAPER PANEL In the form of a wicker jardiniere of fruit and flowers with two parrots and other birds. 85 x 137cm framed $800 – 1,200

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243 AN ITALIAN GILTWOOD AND GLASS CENTRE TABLE In the form of a stylised palm tree with oval bevelled glass top. Height 73.5cm, Width 180cm, Depth 120cm $2,000 – 4,000 244 OLE WANSCHER PAIR OF LOUNGE CHAIRS FOR A.J IVERSEN Designed in 1939, upholstered in boucle with leather trim. PROVENANCE: Private Collection, Southern Highlands $8,000 – 12,000 245 OLE WANSCHER PAIR OF ARMCHAIRS FOR FRITZ HANSEN Denmark, 1940s, Model 1755, with linen squabs. Height 86cm, Seat Height 41cm, Width 61cm, Depth 52cm PROVENANCE: Private Collection, Southern Highlands $6,000 – 8,000

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246 AN ITALIAN MID CENTURY DINING TABLE The angular mirrored glass top on Italian wood frame with turned finely tapered legs. Height 80cm, Length 200cm, Width 98cm PROVENANCE: Private Collection, Southern Highlands $2,500 – 4,500 247 FORMIA LARGE MURANO GLASS VASE Signed and dated to base and with Formia and Vetro Artistico Murano labels Height 53cm $1,200 – 1,800 248 ANTONIO DA ROS MURANO GLASS BOWL MODELLED AS A SWAN FOR CENEDESE VETRI Circa 1960s Height 17cm, Length 30cm $600 – 800 249 OLE WANSCHER FOUR DINING CHAIRS FOR A.J IVERSEN Denmark, 1960s, upholstered in tan leather. PROVENANCE: Private Collection, Southern Highlands $2,400 – 3,200

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250 MARTA LAUDANI & MARCO ROMANELLI PAIR OF 7 CLUSTER SUSPENSION LIGHTS Designed in 2007, chromium-plated metal with translucent glass diffusers, manufactured by Oluce (Fiore 423). Each: Width 46cm, Height of lights 13cm, Length 290cm $1,500 – 2,500 251 A PAIR OF MID CENTURY GOLD VELVET SLIPPER CHAIRS Each on turned tapering front legs with brass caps. Height 77cm $400 – 600

252 LUIGI MELLARA TWO MURANO GLASS HERONS Both with Oggetti Italy labels and engraved ‘Mellara / L.’. Height 38cm $3,000 – 5,000 253 A PAIR OF FRENCH BRASS LAMP TABLES Mid 20th century, attributed to Baguès, each of three mottled mirror tiers with faux bamboo supports. Each: Height 60cm, Length 38cm, Depth 30cm $1,500 – 2,500

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254 DINO MARTENS MEZZA FILIGRANA FOOTED MURANO GLASS VASE FOR AURELIANO TOSO Aureliano Toso Murano gold foil label and ‘made in Italy’ paper label to base. Height 37.3cm $800 – 1,200

258 ALESSANDRO MANDRUZZATO TWO SOMMERSO MURANO GLASS VASES The larger signed to base ‘MANDRUZZATO / HAND WORKED / MURANO’. Height of tallest 21.5cm $800 – 1,200

255 OLE WANSCHER PAIR OF ELBOW CHAIRS MANUFACTURED BY FRITZ HANSEN Denmark, circa 1960s, upholstered in black leather. $800 – 1,200

259 CARLO MORETTI TRONCOCONO MURANO GLASS VASE From the Troncocono series, 2006, limited edition 24/300, engraved to base ‘Carlo Moretti / TRONCOCONO / 2006 / 24/300’ and with Carlo Moretti label. Height 31.4cm, Diameter 13.6cm $800 – 1,200

256 SIMON MOORE FASCIATI MURANO GLASS VASE FOR SALVIATI Engraved to base ‘SALVIATI / 2006’ and with Salviati label. Height 24.4cm, Diameter 13cm $500 – 700 257 OLE WANSCHER ARMCHAIR Denmark, circa 1945, FH43, upholstered in black leather. PROVENANCE: Private Collection, Southern Highlands $1,200 – 1,800

260 INGMAR RELLING THREE SIESTA ARMCHAIRS AND A COFFEE TABLE A pair of armchairs and one smaller, upholstered in black leather on bentwood frame; the circular table with smoked glass top on bentwood base. Height of coffee table 47cm, Diameter 91cm $2,000 – 3,000

261 INGMAR RELLING TWO SIESTA CHAIRS, AN OTTOMAN AND A COFFEE TABLE The chairs and ottomon upholstered in black leather on bentwood frames; the circular coffee table with smoked glass top on bentwood base. Height of coffee table 41cm, Diameter 91cm $2,000 – 3,000 262 SIMON MOORE FASCIATI MURANO GLASS VASE FOR SALVIATI Engraved to base ‘SALVIATI / 2005’, with Salviati label. Height 40.3cm, Diameter 13.5cm $600 – 800 263 SALVIATI BATTUTI MURANO GLASS VASE Engraved to base ‘SALVIATI / 2006’ and with Salviati label. Height 23.5cm, Diameter 12cm $600 – 800

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264 LINO TAGLIAPIETRA MURANO GLASS BOWL Engraved to base ‘PF 1985’. Height 14cm, Diameter 32cm $1,500 – 2,000 265 LUIGI ONESTO SOMMERSO TWIST MURANO GLASS VASE Engraved to base ‘L. Onesto / Murano’. Height 24.5cm, Width 18cm $1,000 – 1,500

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266 ARCHIMEDE SEGUSO CARNIVALE MURANO SOMMERSO GLASS DUCK Engraved to base ‘Archimede Seguso / Murano’, with Archimede Seguso label. Height 16.4cm, Length 34cm, Width 12.5cm $600 – 800 267 SEGUSO VIRO MURANO GLASS ‘ALBA’ VASE Edition 25/101, engraved to base ‘Seguso Viro / Murano / 25/101 / ALBA’, with Seguso Viro label. Height 25.5cm, Diameter 21cm $900 – 1,200 268 WATERFORD FOUR CUT CRYSTAL GLASSES AND A DECANTER The cut crystal pattern in clear and cobalt blue, each with waterford mark to base and in original boxes. Height of decanter 27cm $500 – 800

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269 TWO GOEBEL “ARTIS ORBIS” PORCELAIN VASES One decorated with “Te Matete” after Gauguin; the other “Le bassin aux nymphéas” after Monet. Height of tallest 28cm $200 – 400 270 ITZCHAK TARKAY (Israeli, 1935-2012) Katlyn 2007 acrylic on canvas signed lower right: T69 x 54cm (99 x 84cm framed)

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PROVENANCE: Park West Gallery Private Collection, Sydney, acquired from the above 2016 (accompanied by certificate of authenticity from Park West Gallery) $2,000 – 3,000 271 PAUL BATTAMS (b. 1953) Rozella Rocks 2006 oil on canvas signed lower right: Paul Battams signed, titled and dated verso: P Battams ‘06 “Rozella Rocks” 105 x 175cm $600 – 800

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272 JOHN COBURN (1925-2006) Death and Transfiguration 1988 screenprint, ed 5/99 signed, titled, dated and editioned below image: 5/99 Death and Transfiguration Coburn ‘88 Image: 48 x 72cm, Sheet: 55 x 75cm $1,500 – 2,500 273 § JI CHEN (b. 1960) Tibetan Yaks 2007 oil on canvas signed lower left: Ji Chen 07 58 x 74cm (86.5 x 102cm framed) $1,200 – 1,800

274 HELEN NORTON (b. 1961) Tasting Australian 1997 oil on belgian linen signed and dated lower left: NORTON 97 signed, titled, dated and inscribed verso: “Tasting Australian” / Belg Lin / Helen Norton / 1997 / 08 91921687 / Broome / WA 122 x 152cm (140 x 170.5cm framed) PROVENANCE: St Vincent’s Hospital Art Collection, Sydney $3,000 – 5,000 275 CLIFTON PUGH (1924-1990) A Lizard and a Butterfly 1988 screenprint, ed. 19/80 signed and numbered below image: 19/80 Clifton image: 60 x 54cm (85.5 x 76.5cm framed) PROVENANCE: Private Collection, Darwin $200 – 300

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276 DAVID BOYD (1924-2011) Keyboard colour lithograph ed 60/100 signed, titled and editioned below image: 60/100 Keyboard David Boyd signed in plate lower left and right: David Boyd printers blind stamp lower left plate: 18 x 21cm (37.5 x 44cm framed) $600 – 800 277 CHARLES BLACKMAN (1928-2018) Queen of Hearts colour lithograph, trial proof signed, titled and editioned below image: Trial Queen of Hearts Charles Blackman plate: 32 x 40cm approx. (52.5 x 73cm framed) $500 – 800

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278 GEOFFREY PROUD (b. 1946) Lost in the Woods pastel on paper signed lower right: Proud 61 x 75cm (81 x 93cm framed) PROVENANCE: St Vincent’s Hospital Art Collection, Sydney $600 – 800 279 § PRO HART (1928-2006) Swamp with Waterbirds oil on board signed lower right: PRO HART 55.3 x 76.9cm (75 x 95cm framed) PROVENANCE: Mr R. N. Bowes, London (inscribed verso) Bonhams, London, “Travel & Exploration”, 2 March 2022, lot 6 $8,000 – 12,000

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280 § ELISABETH (LIZ) CUMMINGS (b. 1934) New Moon at the Warburton River 2008 etching ed. 21/25 signed, titled, dated and editioned below plate: 21/25 ‘New Moon at the Warburton River’ Cummings ‘08 Plate: 33 x 50cm (62 x 77.5cm framed) $1,200 – 1,800 281 IAN GRANT (b. 1947) Hill II September 1977 acrylic on illustration board in artist’s frame signed and dated lower right: I.G.77 signed, titled, dated, and inscribed on frame verso: Ian Grant / September 1977 / “Hill II” / Acrylic/ Illustration Board / 30” x 40” / 76cm x 101.5cm 77.2 x 102.7cm $400 – 600 282 JEFFREY SMART (1921-2013) The Argument colour lithograph, ed 32/50 signed, titled and editioned below image: The Argument 32/50 Jeffrey Smart plate: 36 x 45cm (63 x 93cm framed) $1,500 – 2,500

283 RODNEY POPLE (b. 1952) Six Etchings Including Four from the Beijing Series etching with watercolour all signed and dated lower right: Rodney Pople 99 all variously editioned lower left each: sheet 50 x 34.5cm, plate 19 x 15cm (64.7 x 51cm framed) $400 – 600

284 CHARLES BLACKMAN (1928-2018) Passage 1966-67 lithograph, ed. 29/75 signed, titled, dated and editioned below image: “PASSAGE” 29/75 Charles Blackman 1966-67 78.5 x 56.5cm (103.5 x 81.5cm framed) $800 – 1,200 285 ANDREW SIBLEY (b. 1933) Nude 1965 ink on paper signed and dated lower right: Sibley 65 38 x 28cm (54 x 44cm framed) PROVENANCE: Ray Hughes Shapiro, Sydney, “Ray Hughes A Life with Art Session II”, 15 May 2018, lot 306 Private collection Sydney, acquired from the above $200 – 400 286

286 JAMES WILLEBRANT (b. 1950) Nocturnal Observation 1977 oil on canvas signed and dated lower right: J. Willebrant ‘77signed, titled and dated verso: Nocturnal Observation Willebrant ‘77 May 94.7 x 136.2cm $1,000 – 1,500 287 JO BERTINI (b. 1964) Untitled 2014 oil on canvas signed lower right: Jo B 60 x 60cm (62.3 x 62.3cm framed) PROVENANCE: Olsen Irwin Gallery, Sydney (label verso) EXHIBITIONS: “Taking Form”, Olsen Irwin Annexe, Woollahra, 30 October - 15 November 2014 $300 – 500 288 DONALD GRANT (b. 1942) Untitled Landscape 1989 oil on board signed and dated lower right: Donald Grant ‘89 94.5 x 88cm (116.3 x 109.5cm framed) $300 – 500

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289 PRO HART (1928-2006) Unloading Stores 1973 oil on board signed lower right: Pro/Hart paper label verso: Ref No: U 261/PH/7X / “Unloading Stores” / Size: 27 x 24” / OILS ON HARDBOARD / Painted 1973 60.5 x 69cm (70 x 78cm framed) PROVENANCE: Geo. Styles Gallery, Sydney (label verso) $6,000 – 8,000 290 ELIZABETH BROPHY (Irish, 1926-2020) Boy in a Boat 1973 oil on board signed lower left: Brophy 29 x 38.4cm (42.5 x 51.4cm framed) OTHER NOTES: Elizabeth (Liz) Brophy was born in Australia in 1926 and studied art at East Sydney Technical College. She moved to Portugal after winning a prestigious Australian newspaper art award, exhibited at Atelier EC in Colares, and later settled in Ireland, where she showed at several galleries in Dublin including Magil Fine Art. Her works are in public and private collections in the USA (including the Museum of Natural History), Australia, Portugal, Spain, France, England and Ireland. $700 – 900

291 ELIZABETH BROPHY (Irish, 1926-2020) Daisy Chains oil on board signed lower left: Brophy inscribed verso: “DAISY CHAINS” / ARTIST: ELIZABETH BROPHY 42.5 x 53.5cm (54 x 65cm framed) $1,200 – 1,800 292 ELIZABETH BROPHY (Irish, 1926-2020) Flower Seller oil on board signed faintly lower left: Brophy titled and inscribed verso: FLOWER SELLER / E. M. BROPHY / 4 HODEL ST. / EDGE HILL / CAIRNS Q. 58 x 40cm (67.5 x 49.5cm framed) $1,200 – 1,800 293 WILMOTTE WILLIAMS (1916-1992) A Rainy Stroll Through Glebe oil on board signed lower left: W. WILLIAMS 35 x 29cm (49 x 44cm framed) $200 – 300

294 ELIZABETH BROPHY (Irish, 1926-2020) Spanish Villa oil on board signed lower right: E. Brophy inscribed verso: Calle Santa Ana / Jaen, Spain 49.3 x 59cm (57.7 x 67.7cm framed) $800 – 1,200 295 WILMOTTE WILLIAMS (1916-1992) The Boy Fishing oil on canvas board signed lower left: W. WILLIAMS inscribed verso: WILMOTTE WILLIAMS / “The Boy Fishing” $750 / (NEAR GOULBOURNE” 50.5 x 76cm (69 x 94.5cm framed) $300 – 500 297

296 HENRY ALOYSIUS HANKE (1901-89) Old Bridge Arles France 1950 oil on board signed and titled lower right: ARLES HANKE titled and inscribed verso: OLD BRIDGE ARLES FRANCE / HA HANKE / 2A BOND ST / SYDNEY / 40 GUINEAS 35.5 x 45cm (48.5 x 58.5cm framed) PROVENANCE: David Jones Art Gallery, Sydney Mr W. J. C. Pennell, acquired from the above 18 March 1955 (label verso) EXHIBITIONS: David Jones Art Gallery, March 1955

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OTHER NOTES: A newspaper article in The Sydney Morning Herald on 11 April 1941 notes: Mr W. J. C. Pennell has been appointed assistant manager of the Sydney branch of the British Traders’ Insurance Co. Ltd. Mr Pennell was marine superintendent of the company for some years, but for most of his 25 years’ service has been engaged in marine underwriting. Before the war Mr Pennell made a journey of 37,000 miles around the world. $500 – 800 297 LEONARD LONG (1911-2013) Bogan River Fisherman 1974 oil on board signed and dated lower left: LEONARD LONG 1974 inscribed verso: BOGAN RIVER FISHERMAN / NEAR MONKEY BRIDGE 46 x 66cm (61 x 81.5cm framed) $1,500 – 2,500

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298 AUSTRALIAN SCHOOL Portrait of a Gentleman oil on board signed indistinctly lower left 29 x 24 (42 x 37cm framed) $300 – 500

303 299 CARL HAMPEL (1887-1942) Sydney Harbour from Clifton Gardens oil on canvas signed lower left: Hampel 69 x 98cm (85 x 114cm framed) $1,200 – 1,800 300 JOHN ALLCOT (1888-1973) Nielson Park oil on board signed lower left: JOHN Allcot titled lower right: NIELSON PARK SYDNEY N.S.W 23 x 28cm (33 x 38cm framed) $2,000 – 4,000

301 RHONA OLIVE (PIXIE) O’HARRIS (1903-1991) Helpful Pixies 1978 watercolour signed and dated lower right: PIXIE O’HARRIS 78 27 x 37.5cm (37 x 48cm framed) PROVENANCE: Academy Arts Pty Ltd, Rose Bay (label verso) $500 – 800 302 AN AUTOGRAPH BOOK INCLUDING SKETCH BY MARGARET CLARK (1901-2001) Along with another by Constance Clark, and signatures, inscriptions and drawings by various others. 10 x 15cm $400 – 600

303 NORMAN LINDSAY (1879-1969) Unknown Seas 1921 etching, ed 42/55 signed, titled, dated and numbered below image: no 42 55 NORMAN LINDSAY 1921 / Unknown Seas plate: 36 x 28.5cm (63 x 52cm framed) PROVENANCE: Peter Arnold, Melbourne acquired from the above December 2002 $3,000 – 5,000 304 NORMAN LINDSAY (1879-1969) HOO’RAY! pen on paper signed lower right: NORMAN / LINDSAY inscribed below image: HOO’RAY! / Passing Parson; “Tut-tut, what an awful condition / to go home to your poor wife in.” / Shocking old party; “Ger’rout, I (hic) jus’ come back / from her (hic) funeral.” 29 x 24cm (51.5 x 42.5cm framed) $800 – 1,200 59

305 305 NORMAN LINDSAY (1879-1969) The Ally That Didn’t Materialise 1914 pen on paper signed lower right: NORMAN / LINDSAY 36 x 23cm (75 x 61cm framed) PROVENANCE: Gregor Flanagan, Perth LITERATURE: The Bulletin Magazine, 3 September 1914 Peter Fullerton, “NORMAN LINDSAY: WAR CARTOONS 1914-1918”, Melbourne University Press OTHER NOTES: Accompanied by a framed advertisement by Melbourne University Press for “NORMAN LINDSAY: WAR CARTOONS 1914-1918” by Peter Fullerton, featuring the drawing with hand written description. This cartoon was published in The Bulletin, Thursday 3 September 1914. $1,200 – 1,800

306 306 NORMAN LINDSAY (1879-1969) Greeting pencil on paper initialled lower centre: N. L. titled on certificate of authenticity signed by Jane Lindsay affixed to the reverse 33 x 20cm (67 x 56.5cm framed) PROVENANCE: Christies, Melbourne, “Australian & International Fine Art”, 27 November 2001, lot 211 $2,000 – 3,000 307 BENJAMIN LANDARA (1921-1985) Untitled (Landscape) watercolour on carved wood; resin and kangaroo sinew signed lower right: Benjamin Landara Length 53.5cm PROVENANCE: Private collection, Perth $800 – 1,200

308 A SERIES OF FIVE HAND COLOURED LITHOGRAPHS Circa 1815, drawn from nature by Captain Westmacott and printed at W Spreat’s Establishment, Exeter, including “Natives”, “Botany Bay Heads, From Newtown”, “Sydney Cove”, “Sydney Harbour”, “View of Sydney”. Each 27 x 37.5cm $1,000 – 1,500 309 A GROUP OF TEN HAND COLOURED AQUATINTS BY JOHN HEAVISIDE CLARK Including “Repose”, “Fishing No 1”, “Smoking out the Opossum”, “Hunting the Kangaroo”, “Climbing Trees”, “Trial”, “Throwing the Spear”, “Fishing No 2”, “Warriors of New South Wales”, and “The Dance”, unframed. Each 22 x 32cm $1,000 – 1,500 310 A COLLECTION OF SYDNEY EPHEMERA Including: THOMAS WATLING (1762 - 1806) a hand coloured engraving “Burning a Corpse” from ‘An Account of the English Colony in New South Wales’ by David Collins published in London, 1798-1802; FREDERIC TERRY - six scenes from letterheads; and THE SYDNEY MAIL - two clippings from June 28, 1902 featuring images of George Street, Sydney 1838 & 1902 and Woolloomooloo Bay in 1838 & 1902. Watling: 21 x 26.5cm $300 – 500

311 A SYDNEY HARBOUR BRIDGE CLOCK The chromed metal span supporting the German dial and movement within wooden pylons. Height 14cm, Width 34.5cm, Depth 11cm $2,000 – 4,000 312 TWO CHARLOTTE RHEAD BURSLEY WARE JUGS In the “Autumn” pattern, comprising a squat baluster example and a tall tapering cylindrical example. Height of tallest 28cm $300 – 500 313 ‘JOHN ALLCOT MARINE ARTIST’ BY JOHN ALLCOT Leatherbound in slip case, signed limited edition no. 351/500. Book: 50 x 38 x 6cm $200 – 300

314 ‘KATHLEEN’S VOYAGE’ BY JACK EARL Sydney, Weldon Publishing, 1991, Volume I, The Log Book of Kathleen Gillett, written and illustrated by Jack Earl during his 1947-48 voyage around the world, limited edition 51/200, half-calf, gilt title on front cover and spine. 59 x 41cm PROVENANCE: Jean-Louis Boglio Maritime Books acquired from the above 2004 OTHER NOTES: Jack Earl (1908-1994) was a marine artist who founded the Sydney-Hobart Yacht Race when he planned a cruise between the cities departing Boxing Day 1945 in the gaff-rigged ketch named after Earl’s wife, Kathleen Gillett. In June 1947 Earl set sail from Sydney Harbour along with four shipmates on what would become an 18-month long journey to circumnavigate the globe. This voyage was only the

second successful circumnavigation of the world by an Australian crew. Twelve log books chart their voyage complete with illustrations by Earl recording the events and emotions the captain experienced as he sailed. Combined with witty character sketches, photographs and printed souvenirs they were shared each time the yacht docked on each leg of the journey. Eagerly awaited back home, the lovingly crafted logs enabled family and friends to journey along with Earl and by the time of his return in December 1948, thousands crowded the shores to welcome the ship home. The original log books of the Kathleen Gillett were acquired by the State Library of NSW from the Earl family in 2018 and have been digitised. The Kathleen Gillett was bought by the Norwegian government in 1987 and presented as a Bicentennial gift to the people of Australia. It now floats on open display at the Australian National Maritime Museum in Darling Harbour. $1,500 – 2,500

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315 AN ALBUM OF JAPANESE WOODBLOCK PRINTS, UTAGAWA HIROSHIGE (1797-1858), Edo period (1615-1868) A complete set of 55 oban yoko-e (horizontal) prints from The 53 Stations of the Tokaido Road series ‘Tokaido gojusan tsugi no uchi’ each signed Hiroshige ga, published by Takenouchi Magohachi and Tsuruya Kiemon (Hoeido/Senkakudo), mounted as an album. 21.3 x 33.9cm each $25,000 – 35,000

The 514 km long Tōkaidō Road linked the shōgun’s capital of Edo (present day Tokyo) and the imperial capital Kyoto. In 1832, Hiroshige traveled with an entourage of the shogun’s officials along the fifty-three ‘halting places’ which started at Nihonbashi (Japan Bridge) in Edo and finished at the Great Sanjo Bridge in Kyoto. Roughly translated as “eastern sea route”, the trip encompassed many ‘meisho’, literally famous sites, such as Mt. Fuji but also rural enclaves and winding mountain passes and hazardous river crossings. It was to be a life-changing journey, for as an urban man of Edo, Hiroshige had experienced life mainly in the capital. He immediately returned to Edo after the trip and began his masterwork woodblock series from the sketches he had made along the journey. Published from 1833-1834, the Fifty-Three Stations of the Tokaido earned Hiroshige great popular and critical acclaim during his lifetime and for generations to come. This album is a rare extant example of the entire set of 55 prints, one of each of the stations plus two for the beginning and end points. The scenes are a blend of daimyō’s (feudal lord) lifestyle, whimsical images of daily life and ordinary people like merchants and peasants as well as popular stops marked by many temples, shrines and inns, which he made famous through his prints. Hiroshige was able to expertly capture moody and atmospheric weather conditions, rendering mist, rain, snow, and evening effects with great skill and beauty. He was also able to convey a range of human interaction through the figures on the designs, of contemplation, merriment and struggle.

316 A PAIR OF CHINESE COROMANDEL LACQUER SIX PANEL SCREENS Decorated with figures amongst pavilions on a black ground, the reverse with characters and cranes within a cracked ice border. Each panel: 241 x 45.5cm PROVENANCE: The Studio of Margaret Olley Peter Lane, Woollahra Private Collection, Sydney, acquired from the above 2001 OTHER NOTES: One of these screens is featured in a painting by Margaret Olley which was commissioned by the owner and remains in their private collection. $6,000 – 8,000

Painting by Margaret Olley featuring lot 316 (part) Reproduced with permission of the Margaret Olley Art Trust 316 (part)

317 A PAIR OF CHINESE ROSEWOOD SIDE CHAIRS Each with shaped square back, the central splat with a burr wood panel above a fielded panel, the solid seat above a scrolled fret apron and rounded square sectioned legs joined by stretchers. Height 95cm $1,500 – 2,000 318 A CHINESE HARDWOOD TABLE MIRROR Qing Dynasty, 19th century, the plate in a square moulded frame and shaped trestle stand with cloud scroll carved finials. Height 51.5cm, Width 41cm, Depth 20cm $300 – 500 319 A CHINESE COROMANDEL SIX PANEL SCREEN With ladies at various pursuits in pavilions by a lake on a gold ground, the reverse with birds and peonies amidst rockwork in a cracked ice border. Each panel: 183 x 40.5cm

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PROVENANCE: The Studio of Margaret Olley Private Collection, Sydney, acquired from the above $2,000 – 3,000

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320 A CHINESE ROSEWOOD ARMCHAIR Qing Dynasty, late 19th century, the shaped square back having central splat with a dreamstone panel above a fielded burr wood panel and a carved fret panel, flanked by arms, the rattan seat above a scrolled fret apron and rounded section legs joined by shaped stretchers. $600 – 800

322 A CHINESE SILK EMBROIDERED SIX PANEL MINIATURE SCREEN Each leaf with a panel of embroidery depicting children at play on an orange silk ground with embroidered attributes, the reverse with painted calligraphy. Each panel: 81 x 17.5cm $1,000 – 1,500

321 A KOREAN BRASS MOUNTED AND INLAID CYPRESS STORAGE CABINET 19th century, having four small drawers above a pair of cupboards, all decorated with cut brass foliate motifs on bracket feet. Height 80.5cm, Width 93cm, Depth 41cm

323 TWO CHINESE EXPORT REVERSE GLASS PAINTINGS OF WOMEN Mid-19th century, in original frames. 59 x 45cm; 60 x 46cm $500 – 800

PROVENANCE: Chin Hua Galleries, Sydney Private Collection, Sydney, acquired from the above 1979 $600 – 800

324 A CHINESE ‘GE TYPE’ PORCELAIN BOTTLE VASE The tall ribbed neck on shouldered squat body, overall crackle glaze, underglaze blue seal mark. Height excluding shade 32cm $300 – 500 325 A SILK KESI PANEL Depicting Magu holding a tray wearing elaborate robes on a red ground. 119 x 71cm $1,200 – 1,500

325

326 Attributed to ZENG FAN (b. 1938) Teacher and Pupil circa 1985 ink and watercolour on paper mounted as a scroll 67 x 68cm PROVENANCE: Private Collection, Scotland $800 – 1,200 327 Attributed to HUANG ZHOU & ZHAO PUCHU Singing for Chairman Mao 1976 ink and watercolour on paper mounted on silk scroll 134 x 67cm PROVENANCE: Private Collection, Scotland $800 – 1,200

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328 A MASSIVE CHINESE PORCELAIN BOTTLE VASE Modern, enamelled with flowering and fruiting peaches. Height 55cm $2,000 – 3,000 329 A CHINESE PORCELAIN WATER POT Republic period, conical, painted with chrysanthemums, four character mark to base. Height 7cm $500 – 800

334

330 A CHINESE DOUCAI DOUBLE HANDLED HU VASE Decorated with bats, flowers and scrolls, the handles in the form of elephants, mark to base, custom fitted box with stand. Height 16.5cm $1,200 – 1,800 331 A CHINESE PORCELAIN SAUCER Kangxi mark within a double circle, in yellow glaze. Diameter 18cm $600 – 800

332 A CHINESE SANCAI PORCELAIN SAUCER Guanxu mark, decorated to the centre with a green and aubergine coloured dragon on yellow ground. Diameter 13cm $500 – 800 333 A CHINESE PORCELAIN DOUCAI JARDINIERE Painted to the exterior in underglaze blue and enamels with a series of foliate roundels and scrolling motifs within lappet borders. Height 15cm, Diameter 22cm $800 – 1,200

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334 A CHINESE PORCELAIN HEXAGONAL BOTTLE VASE Modern, painted in underglaze blue in the Ming style with flowering and fruiting sprays within lappet borders and foliate scrolls, seal mark to base. Height 41cm $1,500 – 2,000 335 A KHMER BRONZE FIGURE OF BUDDHA ANGKOR PERIOD, 12TH CENTURY The bronze figure standing on a circular plinth, wearing a dhoti and cape, with necklace and crown, both hands raised in abhaya mudra, fine verdigris patina throughout. Together with a fitted grey metal-clad stand. The figure 25cm high, 9.5cm wide; With stand 31.5cm high

336 TWO THAI PAINTED MANUSCRIPT PAGES 19th century, each with a narrative scene painted in gouache and highlighted with gold. Each: 27 x 19.5cm (39.5 x 31.5cm framed) $600 – 800 337 AN INDIAN KUSHAN STYLE SANDSTONE YAKSHI Carved of pink sandstone in the round, as a jewelled naked Yakshi in a forest, of serene countenance, in the artistic style of the Kushan Empire. Height 61cm PROVENANCE: Leonard Joel, Sydney, “The Queen Street Edit”, 26 March 2018, lot 72 acquired from the above $1,000 – 1,500

338 A CARVED AND POLYCHROME NEW GUINEA ANCESTOR FIGURE Sepik River, of a man in a bird headdress. Height 128cm PROVENANCE: Mossgreen, Sydney, “Margaret Olley AC (1923-2011) An Artist’s Life”, 30 June 2013, lot 162 acquired from the above $400 – 600 339 A TIBETAN EMBROIDERED THANGKA DEPICTING SADAKSRI Embroidered in vivid colours within a brocade border. 116 x 85cm $800 – 1,200

PROVENANCE: Arch Angel Antiques, Hong Kong $2,000 – 3,000 67

NOTES

FINE ART SYDNEY AUCTION Monday 15 August, 6pm The Bond, 36-40 Queen Street, Woollahra, NSW

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CHARLES BLACKMAN (1928-2018) The Offering c. 1980 oil on Belgian linen 120 x 90cm $30,000 – 40,000

IMPORTANT JEWELS SYDNEY AUCTION Tuesday 16 August, 6pm The Bond, 36-40 Queen Street, Woollahra, NSW

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An Outstanding Pair of Diamond Pendant Earrings Sold for $800,000

— To be read in conjunction with our General Conditions of Business as displayed during the viewing and auction.

CONDITIONS OF BUSINESS / SUMMARY Special Conditions of Sale – Jewellery Jewellery and watches offered by Leonard Joel are sometimes accompanied by an Independent valuation as stated in the catalogue. These valuations are conducted by registered valuers and are offered purely as independent opinions. Variation may be found as to the colour, clarity and size of stones described in these reports, consequently Leonard Joel does not guarantee these Independent Valuations. Where stones can be weighed accurately, weights will be provided. Weights of set stones are estimates only and are provided to the best of our technical ability. Gram weight on gold and other precious metals are also given as an approximation. Wristwatches and pocket watches are offered in there current condition and Leonard Joel does not guarantee that they are in working order. Items may be thoroughly inspected during the viewing period or by prior arrangement.

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objects, within Australia. The PMCH Act was enacted in response to the 1970 UNESCO Convention on the Means of Prohibiting the Illicit Import, Export and Transfer of Ownership of Cultural Property. It is the responsibility of the Buyer to ensure that the export of any lots purchased are not subject to, or in breach of, this Act. Information about the PMCH Act, the Protection of Movable Cultural Heritage Regulations 1987 and the 1970 UNESCO Convention, can be found on the Department of the Environment, Water, Heritage and the Arts website at: www.environment.gov.au/heritage/movable/index Exporting Significant Australian Cultural Heritage The export of Australia’s significant cultural heritage is regulated under the Protection of Movable Cultural Heritage Act 1986 (PMCH Act.) It is not intended to restrict normal and legitimate trade in cultural property and does not affect an individual’s right to own or sell within Australia. The PMCH Act implements a system of export permits for certain heritage objects defined as ‘Australian protected objects’. More information is available on the Department of the Environment, Water Heritage and the Arts’ website: www.arts.gov.au/movable_heritage Enquiries can be made to the Cultural Property Section at the Department of the Environment, Water, Heritage and the Arts, T: 02 6274 1810 E: movable.heritage@environment.gov.au CITES Regulations It is the buyer’s sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licences. The refusal of any import or export licences, any delay in obtaining such licences or any limitation on your ability to export a lot shall not permit the cancellation of the sale. Please note that all lots marked with the symbol * are subject to CITES regulations when exporting these items outside of Australia. Information about these regulations may be found at www.environment.gov.au/biodiversity/trade-use/cites/ index.html or may be requested from: The Director International Wildlife Trade Department of Sustainability, Environment, Water, Population and Communities GPO Box 787 CANBERRA ACT 2601 For recommended carriers please refer to our website. Partners:

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GRAPHIC DESIGN Maria Rossi

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