ISSUE 51 AUGUST 2016 SPECIAL EDITION
THE RON BARASSI COLLECTION A COLLECTION FOR ALL AUSTRALIANS MELBOURNE
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SYDNEY
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LONDON
About Us Leonard Joel can truly claim to have the broadest range of category specialists of any auction house in Australia. From identification and valuation of single items through to the dispersal of major private and corporate collections, Leonard Joel brings an unrivaled specialist expertise to every buying or selling transaction.
Our Team
Our Offices
John Albrecht
John D’Agata
Managing Director
National Head of Jewellery
& Head of Collections
03 8825 5605 | 0408 355 339
03 8825 5619
john.dagata@leonardjoel.com.au
Melbourne 333 Malvern Rd, Sth Yarra, VIC 3141 03 9826 4333
john.albrecht@leonardjoel.com.au
Sydney 39 Queen St, Woollahra, NSW 2025
Sophie Ullin
Guy Cairnduff
Anna Grassham
Head of Art
National Head of
Specialist, Modern Design
Senior Jewellery Specialist & Resident Gemmologist
03 8825 5609 | 0413 912 307
Classic Furniture & Objects
03 8825 5637 | 0478 114 611
sophie.ullin@leonardjoel.com.au
03 8825 5611 | 0407 828 137
anna.grassham@leonardjoel.com.au
02 9362 9045
& Diamond Technologist ISSUE 51 AUGUST 2016 SPECIAL EDITION
guy.cairnduff@leonardjoel.com.au
Robert Haigh
03 8825 5618 | 0439 493 038 robert.haigh@leonardjoel.com.au
THE RON BARASSI COLLECTION A COLLECTION FOR ALL AUSTRALIANS MELBOURNE
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SYDNEY
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LONDON
Issue 51 Cover The Ron Barassi Collection Auction Sunday 4 September 2016
Robert Williams
Millie McMahon
National Head of Single-Owner
Specialist, Art, Sydney
Collections & Sydney Office
02 9362 9045
02 9362 9045 | 0403 142 106
millie.mcmahon@leonardjoel.com.au
robert.williams@leonardjoel.com.au
Marketing Team Katarina Ljahovic Manager, Marketing & Communications 03 8825 5620 katarina.ljahovic@leonardjoel.com.au
Maria Rossi Designer / Finished Artist
Rick Merrie
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Maggie Skelton
Ryan Parle
Maxine Winning
Bethany Mc Gougan
Specialist, Art
Manager, Interiors Furniture
Manager, Object, Books & Collectables
Manager & Specialist, Collectables
03 8825 5630
03 8825 5614
03 8825 5604
03 8825 5625
maggie.skelton@leonardjoel.com.au
ryan.parle@leonardjoel.com.au
maxine.winning@leonardjoel.com.au
bethany.mcgougan@leonardjoel.com.au
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Senior Photographer
Adam Obradovic Photographer
Forthcoming Auctions Specialist Prints & Photography Thursday 11th August 2016 – 11.30am MELBOURNE
Luxury Saturday 3rd September 2016 – 1pm MELBOURNE
The Ron Barassi Collection Sunday 4th September 2016 – 2pm THE SWANSTON ROOM, THE MELBOURNE TOWN HALL MELBOURNE
Jewels Monday 5th September 2016 – 6pm MELBOURNE
Fine Art Tuesday 6th September 2016 – 6.30pm MELBOURNE
Asian Art, Classic Furniture & Objects Sunday 16th October 2016 – 12pm MELBOURNE
Modern Design Thursday 10th November 2016 – 6.30pm MELBOURNE
Jewels Monday 28th November 2016 – 6pm MELBOURNE
Fine Art 2016 RON BARASSI SNR’S 1938 MOST UNSELFISH PLAYER TROPHY $4,000 - 6,000
Tuesday 29th November 2016 – 6.30pm MELBOURNE
Interiors & Jewellery Auction Every Thursday Furniture & Interiors – 10am Jewellery & Wristwatches – 10.30am Art Salon – 11.30am Objects & Collectables – 12pm MELBOURNE
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1050 A WATCH BELONGING TO RON BARASSI SNR Manual wind Swiss movement, with a gilded dial with Arabic numerals, sub seconds at six, 10 year guarantee gold plate case, inscription on reverse reads ‘R. Barassi 15.7.1940 2nd A.I.F. v.x. 45220’ $2,000 - 4,000
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TOBRUK TIME
Within the Ron Barassi collection lies lot the missing band and most importantly prestigious but it has become through its Most wristwatches that pass through 1050, a wristwatch worn by Ron’s father the period engraving to the reverse journey, like so many other wristwatches Leonard Joel do so without revealing when he died in Tobruk. It is one of the reminded me of what can become so and timepieces, imbued by personality, the story of their owner, its travels or most special and personal items within profoundly personal and special about a history and memory. I would imagine their family but this watch, worn by Ron the collection and a piece I have viewed wristwatch. Not its diamonds, its weight that most timepieces were special to Barassi Snr, is one of the special ones, many times. Already for me it was special, in gold, its brand or how complex its someone: the wearer, logically, but more because it tells the story of not only its after all it belonged to Ron Barassi Snr.
movement. But rather who wore it and often than not the custodian’s attachment times but its place and its people.
The faded cover, the scratches, the where it has been on its journey.
would be even more personal.
restrained floral engraving to the case, The watch when manufactured was not
JOHN ALBRECHT, MANAGING DIRECTOR LEONARD JOEL
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Auction A Collection for all Australians
THE RON BARASSI COLLECTION 4 SEPTEMBER 2016
Photo Credit: StudioGoonga
RON BARASSI LOOKING THROUGH HIS MOTHER’S SCRAPBOOK LOT 2082 Featuring original black and white photographs of Barassi’s career and personal life during the 1950’s - 1960’s. EST $1,000 - 2,000
THE RON BARASSI COLLECTION Auction 4 September 2016 at 2pm AUCTION LOCATION The Swanston Room, Melbourne Town Hall
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SYDNEY HIGHLIGHTS VIEWING 39 Queen Street, Woollahra Saturday 27 August 10am-4pm Sunday 28 August 10am-4pm
MELBOURNE VIEWING 333 Malvern Road, South Yarra The Leonard Room Wednesday 31 August 9am-8pm Thursday 1 September 10am-4pm Friday 2 September 10am-4pm Saturday 3 September 10am-5pm No Viewing Auction Day
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Enquiries Bethany Mc Gougan Manager & Specialist, Collectables 03 8825 5625 bethany.mccougan@leonardjoel.com.au
A Power in the Game Ron Barassi is one of the greatest
His father, also Ron Barassi, was a
names in the history of Australian
Melbourne footballer, originally from
Rules football – not just the modern
the goldfields around Castlemaine.
history but the all-time history.
Barassi
He
Snr
went
to
war
after
was a spirited and creative player and
Melbourne’s 1940 premiership win,
captain for Melbourne in its post-war
and was overseas with the Australian
heyday and a remarkable coach of
forces when he died from wounds
other teams, including Carlton and
during the bombing of Tobruk. When
North Melbourne. Ten times he was
young, I chanced to see the father
a player or coach of premiership sides,
play twice. Like so many spectators in
including several that are famous.
that era I saw the son play many times.
Barassi changed football.
Who could forget him?
He remained a power in the game as a
Ron
thoughtful and forthright commentator
guernseys,
and a rule-maker. In public life he was
medals, old football
notable. He expressed independent
pamphlets and other sporting curios
views on vital issues of the day, in his
and, of course, several of his father’s
seventies he was publicly honoured
war ribbons and football medals. Here
for an act of civilian bravery, and
they all are, forming an unrepeatable
remains a generous supporter of
assemblage of Australian history.
collected
football
trophies,
paintings, premiership books and
many worthwhile causes. His is still one of the most recognizable faces in
Professor Geoffrey Blainey
Australian sport.
Photo Credit: StudioGoonga
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1056 AN IMPORTANT POSTHUMOUS 1941 MELBOURNE PREMIERSHIP MEDAL AWARDED TO RON BARASSI SNR $6,000 - 8,000
Ronald Dale Barassi Ronald Dale Barassi was born on
Throughout his playing career, Elza
His
27th February, 1936 just a few weeks
meticulously
scrapbooks
skills shone like a beacon. He was in
game.
before his father made his debut as a
and collected memorabilia associated
high demand for media and public
His appreciation of history, living for
Melbourne senior player. Sadly, at the
with Ron’s football career. Without
appearances, promoting the virtues of
the present and a logical vision of the
age of five, he lost his Dad in war-time
her
the code of Australian football at every
future have equipped him with a great
action, leaving his mother, Elza a widow.
collection almost certainly, would not
opportunity.
insight into Australian life.
In 1953, she married Colin Brewster, a
have existed.
More than five decades ago, he
Ron Barassi’s overall contribution to the
Tasmanian and relocated to the Apple
When Ron established his position as
became the first figure in the code to
code, sport in general and to society
Isle. She realized that Ron had his
a Melbourne player, he soon earned a
be almost universally recognized in all
has been immense.
heart set on playing senior football in
high profile as a determined, consistent,
parts of our nation. During the past 60
Melbourne. Ron senior’s team-mate
inspirational
highly
years, he has often been involved in the
and friend, Norm Smith, offered to look
successful team, who eventually won six
football media as a panellist, on football
after young Ron, so with his mother’s
Premierships and appeared in two other
decision-making committees, and as
approval, began living with the Smiths.
Grand Finals during a 12-season period.
a sporting ‘evangelist’ promoting the
8
compiled
contribution,
today’s
member
of
amazing
a
leadership
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and
communication
expansion of Australia’s indigenous
Colin Hutchinson, Special Curator
My Barassi Moment Well before I learnt about The Barassi of this man was self-evident as was the Line or the family history of this greatness one feels in his presence. The gentleman footballer or his playing and cynic will say that as an auctioneer I am coaching innovations, I experienced my embellishing or insincere, but I am not. I first Barassi moment. I was tadpoling as cannot think of a more exciting moment a six year old boy with a school friend in my own auction career than when we on his country farm when we stopped were selected to manage this historic to listen by the radio to the 1975 Grand auction. Indeed I cannot find another Final when Ron Barassi coached North auction in Leonard Joel’s 97 year history Melbourne to their first Premiership that is as important to Melbourne or win. This was my Barassi moment and Australia than the Ron Barassi collection. what I have learnt since being invited to manage this extraordinary collection When I was first invited to view this is that it seems everyone has had their collection I knew it would be an Barassi moment, such is the enduring important sporting collection but when impact he has had on Australian I left I realised it was much more than sporting, social and cultural life. An that. It is a collection that represents impact that only comes when you are many interesting personal and historical beloved by your community and your moments in Australian sporting and nation.
social life and it is my hope, whether you are a buyer, bidder or simply an avid
My next Barassi moment was when I viewer, that you are reacquainted with a was privileged enough to finally meet long forgotten Barassi moment or a new Ron at Leonard Joel on Wednesday 27 one within this collection. April, 2016. I greeted him as Mr. Barassi, half knowing he would reply, “please John Albrecht, Managing Director Ron”. Sure enough he did – the humility
Photo Credit: StudioGoonga
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The Barassi Legacy
Ronald James Barassi (1913-1941) was a member of the Demons’ winning when he appeared in 13 of his club’s Victorian Football League held him in played 58 matches and scored 94 Grand Final in his last appearance 20 matches to play a significant role such high esteem that his family was goals, wearing guernsey number 31 in a red and blue uniform. As well in his team’s success. He enlisted in presented with a posthumous 1941 for Melbourne between 1936 and as receiving a Premiership medal the Australian army and served in Premiership medallion. 1940 as a courageous rover, after for that season, he had also been the Middle East during World War being recruited from Guildford via presented with one for 1939, despite Two. Tragically, he died of wounds Colin Hutchinson, Special Curator Castlemaine in central Victoria. He missing selection in the Grand Final, in Tobruk on 31st July, 1941. The
1057 A PHOTOGRAPH OF ‘THE LAST POST’ BEING PLAYED AT THE MCG, 1941 $200 - 300
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The Footballer
Early in his senior football career, full by playing him in the previously League matches, wearing his father’s selection in 1956, 1958 and 1961. He Ron had to work hard to earn regular little-known role of ruck-rover. In number 31 for Melbourne (1953-64) is a member of Melbourne’s Team of selection in the Melbourne team that capacity he quickly became an and Carlton (1965-67 and 1969). He the 20th Century, the AFL team of under legendary coach, Norm Smith. inspirational competitor who placed represented Victoria on 19 occasions the 20th Century and an inaugural His outstanding determination and great importance on team cohesion. and was a member of the 1955-56-57, inductee as an Australian Football dedication allowed him to develop His
individual
achievements
are 1959-60 and 1964 Premiership teams. Hall of Fame Legend.
his abilities to a level which saw exceptional, but Ron always took the From 1960 until 1968 he was captain. him become an iconic champion of greatest pride in his contribution to His other honours include being club Colin Hutchinson, Special Curator Australian Football.
team success.
Best and Fairest twice, club leading
Smith utilized Ron’s attributes to the Between 1953 and 1969 he played 254 goalscorer twice and All Australian
2082 Part ELZA BARASSI’S PHOTOGRAPHIC SCRAPBOOK $1,000 - 2,000
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The Coach In 1964, Norm Smith was appointed coach of the Victorian team, meaning that he would be absent for a Melbourne match. He entrusted Ron, who was unavailable to play due to injury, with the non-playing coaching role. The following season, Ron was appointed captain-coach of Carlton, causing a media sensation. In his fourth season, he led the Blues to their first Flag for 21 years. Such success was also achieved in 1970, when Ron inspired his team to a surprise victory in the Grand Final, after being 44 points down at half time. After the 1971 season, Ron spent a year in a media role, before agreeing to coach
the
success-starved
North
Melbourne. Under his guidance, the Kangaroos won their first ever League Premiership in 1975, and repeated the feat in a replayed Grand Final two years later. In 1981, he returned to coach his beloved Demons for a fiveyear stint. Although team success was limited during that period, he helped set a sound foundation for greater success soon afterwards. After a break from coaching, Ron agreed to guide a troubled Sydney Swans team midway through the 1993 season. He was concerned that the club would be likely to fold unless a winning culture was established. He again set the right course for future success before stepping aside at the end of 1995. Ron also coached Victorian teams on nine occasions. He has always been a great ‘ideas’ man. Both on field and off he successfully
pioneered
techniques
which had previously not been used by others. Examples include coaching from an elevated position to give proper vision of playing patterns, shock tactics with players assuming roles other than those in published teams and the creative use of ball movement. Colin Hutchinson, Special Curator
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2040 RON BARASSI’S MELBOURNE FOOTBALL CLUB PREMIERSHIP GUERNSEY $20,000 - 40,000
2068 A PAIR OF RON BARASSI BRAND FOOTBALL BOOTS $4,000 - 6,000
1013 A RARE 1906 CARLTON PREMIERSHIP CAP $3,000 - 5,000
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YUGE & DAVID BROMLEY, CHAPEL ST, PRAHRAN
Winter Wunderkammer
In many ways the studio of Yuge and David Bromley on Chapel Street resembled a giant
24 A JAPANESE ICE CREAM CONE LAMP
cabinet of curiosities, full to the brim with all manner of objects and furnishings from
SOLD $1,178 IBP
diverse periods and parts of the world. And so it was fitting that lot 1 was a rare vintage mechanical racing horse game encased in a contemporary, standing display. After online and in-room bidding it was finally secured for $3,224 IBP. A full audience, complimented by literally hundreds of telephone, absentee and online bids delighted in the offering and many marveled at prices paid for the most curious of items. One such example was a giant “soft serve” Japanese light display that realised $1,178 IBP,
1 AN EARLY 20TH CENTURY AMERICAN HAND CARVED HORSE RACING CAROUSEL ON STAND WITH A PERSPEX COVER
SOLD $3,224 IBP
against a modest estimate $100-200. The buyer had just visited Japan and simply, wanted it! Adventurous art aficionados also found reason to attend and Keith Haring’s Pop Shop Quad III, lot 101, was of particular interest and realised $10,540 IBP. Equally, the strange but compelling drawing by Charles Blackman of a woman with a camera, lot 100, generated strong bidding and finally sold for $6,200 IBP. The auction that took place in the first floor ballroom of this extraordinary Victorian “boom” mansion could perhaps best be summed up by an antique divers helmet, lot 29, that sold for $2,976 IBP. Antique, haunting and monumental, it is one of those period items of utility that David Bromley has so successfully reinterpreted for a contemporary audience and in the process expanded their collecting and decorating imagination.
Enquiries Anna Grassham
Specialist, Modern Design 03 8825 5637 | 0478 114 611 anna.grassham@leonardjoel.com.au
101 KEITH HARING (1958-1990) Pop Shop Quad III serigraph 6/75
SOLD $10,540 IBP
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YUGE & DAVID BROMLEY, DAYLESFORD
Winter Wonderland of Contrasts and Contradictions
Mulled wine and roaring open fireplaces was the setting in beautiful Daylesford for part II of The Yuge & David Bromley Collection. A strong crowd of locals, holiday-makers and passionate daytrippers from Melbourne delighted in bidding on and buying from David and Yuge’s collection of fine art, antique objects, furnishings from every period and curiosities that have become one of the signatures of the Bromley’s collecting and decorating style. A sublime work by Matthew Johnson, lot 104, realised $5,208 (IBP) and as if to challenge this a pair of giant Emperor’s Babies in fibreglass, lot 407-8, realised $3,472 (IBP). The playful and the artistic were also combined in this collection with some very compelling post-war design and utility. No more so than with the sale 408 A GIANT CHINESE FIBREGLASS EMPEROR’S BABY GIRL 210h x 170w x 110d
35 A MID-CENTURY GLASS AND STEEL DISPENSARY UNIT BY VENDOSOLO 141h x 105w x 62d
SOLD $1,860 IBP
SOLD $2,976 IBP
of a glass and steel dispensary by Vendosolo, lot 35, that realised an extraordinary $2,976 (IBP). The contrasts and joyous contradictions within the collection were plentiful and perhaps best typified by the sale of a painting by David Bromley titled Collection (made up of cars and automobiles), lot 101, that realised $5,704 (IBP) only to be followed up later in the auction by the sale of a classic 1979 Chev truck, lot 406, that sold for $3,720 (IBP). The auction was a classic mix of town and country themes but with a Bromley “twist” that made this single-owner collection and day in the country all the more special.
101 DAVID BROMLEY (BORN 1960) Collection acrylic on canvas, diptych 150 x 240cm
SOLD $5,704 IBP
Enquiries Anna Grassham
Specialist, Modern Design 03 8825 5637 | 0478 114 611 anna.grassham@leonardjoel.com.au
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Auction
JEWELS 5 SEPTEMBER 2016 AT 6PM
170 A DIAMOND COCKTAIL BROOCH AND EARRINGS BY VAN CLEEF & ARPELS $25,000 - 35,000
Enquiries Robert Haigh Manager, Senior Jewellery Specialist 03 8825 5618 | 0439 493 038 robert.haigh@leonardjoel.com.au
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Stunning designer & luxury brands We are currently finalising our next seasonal catalogue sale of jewellery and as always this one promises a fabulous array and diversity for our buyers. We are privileged to have two single owner collections – The Property of a Lady features a wonderful high end collection of jewellery amassed over a number of years. A diamond suite by Van Cleef and Arpels comprising a brooch and a pair of earrings will undoubtedly appeal to many. There is also an important ruby and diamond flower piece which can be worn as a brooch, double clips or a pair of earrings that displays restrained craftsmanship 100 AN IMRESSIVE PAIR OF EMERALD AND DIAMOND EARRINGS $15,000 - 22,000
and technique whilst using top quality stones. A personal favourite is a triple strand of large cultured pearls with an exquisite camellia clasp which can also convert into a brooch featuring alternating rows of sapphires and diamonds. Also being offered in the collection is a stunning turquoise, diamond and sapphire necklace that features well matched large panels of tear drop shaped turquoise. Our second collection - The Petite Collection of a Single Owner, offers an eclectic mix of jewellery with a strong focus on beautifully crafted gold pieces including many from Italy. From necklaces to bracelets and earrings, these pieces are classic investments that are timeless and can be worn during the day or evening. Alternatively you might view them as a long term investment. Also available is a selection of Continental vintage and antique pieces including a pair of large coral earrings and a pair of rose cut detachable diamond drop earrings. Designer and luxury brands are also well represented including a Tiffany & Co. gold suite comprising a necklace and matching bracelet, a pair of gold Boucheron earrings, and a large selection of Cartier jewellery and watches such as two current model Ladies Cartier Tank Americane gold and diamond wristwatches. The ladies Chopard full diamond
161 A LADIES CHOPARD FULL DIAMOND AND PLATINUM WRISTWATCH $50,000 - 70,000
platinum wristwatch is literally encrusted with diamonds and is the ultimate designer luxury watch. A seasonal Leonard Joel jewellery auction would not be complete without a strong selection of antique jewellery. We are already predicting a pair of old cut diamond earring studs weighing over 2cts each, will be highly contested. Possibly one of the largest antique insect brooches we have ever seen is also on offer. Finely crafted in gold and set with diamonds, sapphires and rubies this piece also belongs to the Property of a Lady. Our Fine Jewels Auction is on Monday 5th September at 6pm. Our catalogue will be on line shortly and we look forward to sharing it with you. 155 A PANERAI TITANIUM CHRONOGRAPH WRISTWATCH $4,000 - 6,000
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Caroline Tickner Consultant jewellery specialist and valuer
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Auction
FINE ART FEATURING THE AGAR COLLECTION 6 SEPTEMBER 2016 AT 6.30PM
HUGH SAWREY (1923-1999) Bound for Dalgetys oil on canvas 75 x 100cm $15,000 - 20,000
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A shared passion for art Fred Agar OAM and Anna Maria Agar enjoyed together a shared passion for art over four decades of marriage. They came from different hemispheres but were both of Hungarian heritage; Fred was a New Yorker whom Anne Marie met on holiday there in 1961 and within a year they were married and living in Melbourne. Anne Maria’s early childhood memories of travelling through regional Australia visiting rabbiters for the family’s pet food business evinced a connection and affinity to artists whom captured scenes of rural life. This was also embraced by Fred and the two soon began collecting works by Hugh Sawrey and would catch up with the artist following an introduction by his dealer and their A family photo of Fred and Anna Agar with their children at Essendon airport, late 1960s
mutual friend, John Cooper. The ten Sawrey paintings belonging to their collection pleasingly cover a wide spectrum of subjects and scales whilst boasting two impressive major paintings of a scale that scarcely come to market: Bound for Dalgetys and Cattle Muster. Similarly a meeting with Ainslie Roberts ignited the Agar’s interest in the artist’s work. In time they came to own a remarkable collection of Roberts’ art with many of the nine paintings featured in the artist’s books such as The Kosciusko Bogong Moth. Ainslie Roberts may not be as well known to art collectors as Hugh Sawrey for he first came to prominence when he collaborated with influential anthropologist Charles P. Mountford on several publications related to Aboriginal mythology including The Dreamtime (1965). However the artist became far more widely known for something we carry around in our pocket; the $2 coin that bears his appropriated drawing of ‘One Pound Jimmy’. Roberts initially had a career in advertising, but burnout led him to Alice Springs for recuperation and from it sprung a new career path in art. Alice profoundly affected Roberts for it was here that he gained the inspiration and passion for sharing and painting Aboriginal stories. Relationships with artists were clearly highly valued and respected by the Agars and this is the hallmark of a collection built purely upon the foundations of personal engagement and love.
AINSLIE ROBERTS (1911-1993 The Kosciusko Bogong Moth oil on board 104 x 77cm $8,000 - 12,000
Enquiries Sophie Ullin, Head of Art 03 8825 5609 | 0413 912 307 sophie.ullin@leonardjoel.com.au
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Now Consigning
SINGLE OWNER COLLECTIONS MELBOURNE & SYDNEY
For many years Madeline & Ross Fyfe Smith were the well known and highly regarded owners of Tee Jays Antiques at Willoughby, having moved the business from Manly in 1969. After Madeline’s death in 1993, Ross carried on the business until he retired in 2004 to the home he built in the 1960s from sandstone he had quarried on site. Ross will also be remembered for his Army service in New Guinea before joining the 1st Parachute Battalion.
Sydney Enquiries Robert Williams National Head of Single-Owner Collections & Sydney Office 02 9362 9045 | 0403 142 106 robert.williams@leonardjoel.com.au
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Melbourne Enquiries Guy Cairnduff National Head of Classic Furniture & Objects 03 8825 5611 | 0407 828 137 guy.cairnduff@leonardjoel.com.au
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Remarkable private collections Leonard Joel Sydney are currently consigning for our inaugural national auction event. Our October Classic Furniture, Objects and Asian Art Auction will feature a number of remarkable private collections sourced nationally by Robert Williams and Guy
Leonard Joel Sydney are still in the
Cairnduff. Leading the way in this new auction format in Sydney will be the collection of Ross Fyfe
process of cataloguing and will keep
Smith (1923-2015). This personal collection of Ross,
updating on the collection as treasures
a well-loved and respected Sydney antique dealer
are unearthed. In the meantime,
selection of traditional categories, namely fine art,
and collector, is a robust and carefully curated porcelain, furniture and objects.
here is a glimpse of the collection.
Hailing from Bayview on Sydney’s northern beaches, highlights from the art collection include several absolutely lovely and tranquil Pittwater and coastal scenes by Robert Johnson, Erik Langker, James Ashton and Frank H. Spears. There are also two fine central Australian landscapes by Albert and Ewald Namatjira and a pair of Gould hand-coloured lithographs from the artist’s personal collection. Still lifes are represented with beautiful examples by Erik Langker, Alan D. Baker and Dutch artist Cornelis le Mair and there is an interesting range of European works, including a number of George Baxter prints. A standout work is Charles Bryant’s Saint Michael’s Mount, Cornwall, a serene and appealing perspective of this historic site.
Enquiries Robert Williams National Head of Single-Owner Collections & Sydney Office 02 9362 9045 | 0403 142 106 robert.williams@leonardjoel.com.au
SYDNEY’S LATEST RECRUIT
Charles Bryant (1883-1937) Saint Michael’s Mount, Cornwall oil on canvas on board $3,000-5,000
Leonard Joel Sydney is also pleased to announce our expansion into the second floor of 39 Queen Street, Woollahra. We would also like to introduce you to our latest recruit, Tim Nicol, who will be our new Front of House Administrator. Part of our growth in Sydney will also include an expansive events program in our new space, so please do drop in for updates or pass on your details onto Tim if you would like to keep up-to-date with our Sydney events program. Tim Nicol Administrator, Sydney 02 9362 9045 timothy.nicol@leonardjoel.com.au
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Final Call for Entries
ASIAN ART, CLASSIC FURNITURE & OBJECTS MELBOURNE & SYDNEY
Melbourne Enquiries Guy Cairnduff National Head of Classic Furniture & Objects 03 8825 5611 | 0407 828 137 guy.cairnduff@leonardjoel.com.au
Sydney Enquiries Robert Williams National Head of Single-Owner Collections & Sydney Office 02 9362 9045 | 0403 142 106 robert.williams@leonardjoel.com.au
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A Fine Quality Louis XVI Style Cut Brass and Scarlet Tortoiseshell Inlaid Mantel Clock on an Associated Pedestal $10,000-15,000
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Focus on Asian Art VALUATION & CONSIGNMENT EVENT, SYDNEY THURSDAY 4 AUGUST 4-8PM Leonard Joel are delighted to offer our clients access to the expertise of Chinese and Southeast Asian works of art specialist, Carl Wantrup, in our inaugural Focus on Asian Art valuation and consignment at our Sydney office, 39 Queen Street, Woollahra. Carl will be available by appointment to provide advice and auction appraisals for high value individual objects and collections, in conjunction with Leonard Joel specialists Robert Williams and Guy Cairnduff. To book your complimentary appraisal appointment contact:
Tim Nicol, Administrator, Sydney Office (02) 9362 9045 sydney@leonardjoel.com.au
DISCOVERED! Our Asian Art valuation evenings have yielded some
A SUZURIBAKO (WRITING BOX) EDO PERIOD, EARLY 19TH CENTURY $5,000 - 8,000
fabulous works destined for our upcoming sale in October. Of particular note is this early 19th Century Japanese Lacquer Suzuribako (Inkstone writing box). Pieces of this quality are rarely offered in Australia. Japanese lacquer has long been admired in Western collector circles but is still little understood due its complexity and sometimes hard-to-decipher subject matter. Writing boxes were used by thedaimyo (feudal lords) class when writing letters or for composing poetry at ‘moon viewing’ parties. Of
rectangular
form
with
rounded
corners;
dense nashiji ground with decoration in gold and silver hiramaki-e and takamaki-e of kiku (chrysanthemums) in bloom and kuzu vines amongst a meandering stream and rocks with kirikane highlights (some losses); rims of silver; the interior of the lid with a group of dwellings alongside a river and island in the foreground and group of pines. The base fitted with a frame for the suzuri (ink stone); rims of silver; ink-stone signed Nakamura Iwami Takatsugu with a kao [cursive monogram]; impressive silver mizu-ire (water-dropper) in the form of a book with turned pages. Also featuring a set of writing implements including two brushes (not original), a knife, an ink stick holder and a pick all decorated with nashiji, scrolling grasses and silver metalwork fittings.
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Auction
SPECIALIST PRINTS & PHOTOGRAPHY 11 AUGUST 2016 AT 11.30AM
JAN SENBERGS (Born 1939) Structures, Clouds, screenprint, 55 x 88cm $400 - 600
KURT HUTTON Blackpool, U. K, silver gelatin print, 16.5 x 24cm $1,200 - 1,800
Enquiries
Maggie Skelton, Art Specialist 03 8825 5630 maggie.skelton@leonardjoel.com.au
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ERNA HALLEUR (German 1960-1940)) Still Life, linocut, 23 x 24cm $200 - 400
THE QUEEN STREET EDIT The following lots, 3100 – 3110 can be viewed in our Queen Street premises on Wednesday 10th August 9am – 5pm or by appointment and will be sold as part of our Melbourne auction on Thursday 11th of August at 11 30am.
leonardjoel.com.au
GARRY ANDERSONLAST OF THE AUSTRALIAN MODERNISTS? Ballarat artist Garry Anderson presents
survive on the outside in an uncertain
for the first time his series of ‘Venetian’
time of control and counter-terrorism.
paintings at Fox Galleries, Collingwood
Thus the Venetians were born. First
during August.
with eyeballs literally peering through
This is a body of work he has been
venetian blinds to warily see what awaited
developing in secret over the past
them on the other side. Then the eyeballs
decade, employing the signature motifs
were made into human form when they
of Australian Modernist painters like
ventured outside. Anderson says that the
Sidney Nolan, Jon Molvig and Albert
form ‘pre-dates modern history, going
Tucker.
back to Egyptian and even Aboriginal
In many ways, the ‘Venetians’ are the
simplified mark making that focuses on
paintings Tucker never found the time to
the eye. One eye expressing mono focus,
paint.
dogma, the obsession with security.’
Anderson
was
to
Franklin Roosevelt famously said we
become a professional artist by Geoff
have nothing to fear but fear itself. In
Mainwaring, the war artist and teacher
this regard, the Venetians are a parody of
to Jeffrey Smart. Through Mainwaring,
surveillance and neighbourhood watch.
he developed into a highly-regarded
Anderson explains that the series is ‘a
tonalist painter of portraits. He studied at
closer look at the occupants of suburban
the Claremont School of the Arts in Perth
hysteria,
in the early 1990s, which at that time
uncertain world fuelled by the pea eater
conducted formal studies into anatomy.
information base.’
A link between Anderson and the
In the Modernist tradition, the Venetian
Modernists came through his former
character is both a warning and a
agent,
paths
celebration in that it celebrates human
crossed near to the end of Brown’s
impulse. They are new paintings made
professional career. Anderson received
in the spirit of the iconic Australian
encouragement and praise from the
Modernist movement, making them ideal
legendary artist, dealer and patron for
as a forum to discuss modern freedom of
his portraiture but also for his socially
speech and surveillance issues.
Joseph
first
encouraged
Brown.
Their
paranoia,
insecurity
of
Garry Anderson, Self-Portrait as a Venetian 2016, oil on board, 81.5cm by 121.5cm
an
Garry Anderson, Venetian Family Going Over the West Gate 2007, 35cm by 45cm
committed art practice. Following Brown’s retirement, Anderson
‘Pea Eaters and Venetians: A Survey’ is
began to think about the state of the
being held at Fox Galleries, 79 Langridge
world in the twenty-first century. He had
Street in Collingwood until 1 September.
created the iconic image of the Pea Eater (known also as ‘The Potato Eater’), held
For more information, please visit:
in the Murdoch University Collection, as
http://foxmichael.com.au/galleries.html
a metaphor for the passive consumption
or call the gallery on 03 8560 3583.
of information. What he now wanted to investigate was how the Pea Eater would Garry Anderson, Venetian BBQ 2016, oil on board, 35cm by 45cm
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Now Consigning
MODERN DESIGN 10 NOVEMBER 2016
CHARLES & RAY EAMES GROUP CHAIR WITH OTTOMAN FOR HERMAN MILLER
SOLD FOR $2,196 IBP
Enquiries Anna Grassham
Specialist, Modern Design 03 8825 5637 | 0478 114 611 anna.grassham@leonardjoel.com.au
SOURCING INTERNATIONAL AND LOCAL DESIGNER PIECES FIND LEONARD IN MELBOURNE AT THESE ESTABLISHMENTS
1184 High St, Armadale VIC 3143
26
351 Lygon St, Brunswick East VIC 3057
EVENT PARTNER
Leonard Joel is a proud supporter of Arts Project Australia
leonardjoel.com.au
IN ASSOCIATION WITH
M ARGARET RIVER
THE EMERGING TREND OF LEASING ART Australian businesses have long recognised the advantages of leasing – from office premises to motor vehicles to large capital items, leasing preserves capital and provides taxation and cash flow benefits to businesses. In these tougher economic times, more and more businesses are now recognising that leasing art can provide attractive benefits and advantages, both tangible and intangible. How you choose to fit out your business premises says a lot about you and the type of business you are. Having quality fine art in the workplace exudes style and success, creates a lasting impression and engages both clients and employees.
“Imagine having a [Arthur] Streeton or a [Sidney] Nolan in your boardroom”
Rather than spending capital on art, many Australian businesses are now turning to leasing artworks, which offers a range of benefits and advantages over purchasing.
“Whilst we find many businesses understand the advantages of having art in their
There are the economic benefits such as the preservation of capital and the cashflow
workplace, often they don’t know where to start”, Liam said. “What we offer is a
advantages of spreading lease payments over a longer term. Additionally there
comprehensive art solution; we consult with the client, understand their needs
are the taxation benefits which are particularly advantageous for larger businesses
and then find the right artworks to suit both the needs and the budget. By not
where fully tax deductible lease payments can be of much greater significance
representing a particular artist or gallery we can source any artworks that a client
than the very small depreciation allowances normally associated with art.
wants ensuring the very best outcome for the client.”
Another important benefit of leasing is the flexibility to change artworks at regular
The leasing of art principally works in a similar way to any other business lease.
intervals or as part of a refurbishment. This keeps the workplace looking fresh and
Once an agreement is entered into the lessee has full use of the artworks in return
encourages new discussion.
for a monthly tax deductible lease fee which is determined by the artwork’s value.
In an emerging trend, Australian businesses are now recognising the advantages
This fee is invariably a fraction of the price that the artwork would cost to buy.
in leasing art and new players are entering this space providing more choice and
Terms are negotiable though periods of between one to three years are the most
more flexibility in supplying artworks for the workplace than ever before.
common. To learn more about leasing artworks, contact your Leonard Joel representative
“Art Lease Management offers clients an easy way to lease quality fine art” One such player is Art Lease Management (ALM), which offers clients an easy way to lease quality fine art for their businesses. From an art perspective the model of
or contact Liam Ferguson, Leasing Manager of Art Lease Management directly: Phone:
0413 750 303
Email:
liam@artleasemanagement.com
Website: www.artleasemanagement.com
ALM is compelling: through a free consultation process ALM helps clients choose their art either from its own portfolio or aby sourcing pieces that meet the specific needs of the client. ALM also has the scope to buy existing pieces of art from the owner and lease them back, freeing up vital capital. Once the art is chosen ALM makes the rest of the process easy and convenient by organising all delivery, installation and insurance.
THE EASY WAY TO LEASE FINE ART
“Leasing art make so much sense”, said Liam Ferguson, ALM’s Leasing Manager, “Clients get all the benefits of having significant artworks in their premises without the financial burden of acquiring the artworks themselves. Imagine having a [Arthur] Streeton or a [Sidney] Nolan in your boardroom, a [Arthur] Boyd or a [David] Bromley in your office. We can do that. The client then has the flexibility to change the artworks at regular intervals, keeping the workplace fresh and interesting.”
For all enquiries contact Liam Ferguson 0413 750 303 liam@artleasemanagement.com www.artleasemanagement.com
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