ISSUE 98 JUNE – JULY 2022
JUN
The Collector's Auction Tuesday 21 June, 2pm / SYDNEY Fine Jewels & Timepieces Monday 27 June, 6pm / MELBOURNE Fine Art
JUL
Tuesday 28 June, 6pm / MELBOURNE Modern Design Monday 25 July, 6pm / MELBOURNE Luxury Tuesday 26 July, 6pm / MELBOURNE Prints & Multiples Wednesday 27 July, 6pm / MELBOURNE
AUG
auction calendar —
Decorative Arts & Asian Works of Art Monday 8 August, 6pm / MELBOURNE Fine Art Monday 15 August, 6pm / SYDNEY Important Jewels Tuesday 16 August, 6pm / SYDNEY Indigenous Art Monday 22 August, 6pm / MELBOURNE The Auction Salon Furniture & Interiors – 10am Objects & Collectables – 10.30am Jewellery – 11am Art – 11.30am Every Thursday / MELBOURNE
COVER (detail): A Fine Flemish Verdure
OPPOSITE LEFT:
Tapestry Brussels, Late 17th century, 300 x 305cm $10,000 – 15,000
Rolex Sky-Dweller Ref 326938 a Fine 18ct Gold Dual Time Wristwatch with Annual Calendar and Bracelet, Circa 2019 $35,000 – 45,000
Decorative Arts & Asian Works of Art Auction Mon 8 Aug, 6pm LEFT: Gübelin, 18ct Gold, Paua Shell,
Enamel and Diamond Brooch $2,500 – 3,500 Fine Jewels & Timepieces Auction Mon 27 Jun, 6pm
Fine Jewels & Timepieces Auction Mon 27 Jun, 6pm
welcome —
This Issue FROM THE CHAIRMAN 3 Winter Collecting – AUCTIONS 4 Fine Art | The Rise and Rise of Jordy Kerwick 6 Fine Jewels & Timepieces | One Watch’s Journey to a Glorious Restoration
Welcome to the 98th issue of Leonard. We all love the thrill of unearthing a treasure; spotting something that proved in time to be a great investment, or perhaps taking on the challenge of restoring an item in danger of falling into disrepair. This issue features just such stories; we look at the rise of Jordy Kerwick from an emerging artist to one of the biggest names on the contemporary art scene, discover a magnificent timepiece that underwent a sublime restoration, and chat to printmaker Aileen Brown, whose home is full of chance finds. Then, there are the pieces that are so desirable that they simply pass from one hand to the next, never losing beauty or value. We discover a collection of Austro-Hungarian jewels from The Estate of Törley of Csantavér, and look at first period Worcester porcelain, surely one of the most exciting finds for those in the know. So, take some time to enjoy this issue, there are plenty of gems to discover.
8 The Estate of Lívia Törley of Csantavér 10 Sydney | Collecting First Period Worcester Porcelain 11 Welcoming Lauren Boustridge 12 Important Jewels | The Astrology Edition 14 Decorative Arts | The ‘Verdure’ Tapestry 16 Antiques (already) in Australia 20 Modern Design | Concrete Jungles 22 Luxury | The Big Three from France: Part I 23 Prints & Multiples | Norbertine von Bresslern-Roth 24 Brisbane | Square-cut or Pear-shaped 25 Perth | Welcoming John Brans – IN FOCUS 26 In Conversation: with Aileen Brown 28 5 Minutes with Alice Wheeler 29 Valuations 30 A Last Look 32 22nd Report | Koalas on the endangered list— what it means for their future – JOIN US 36 Connect & Buy with Leonard Joel 37 Contact a Leonard Joel Specialist
leonardjoel.com.au | 1
— PROFILE —
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— FROM THE CHAIRMAN —
WINTER COLLECTING From antique to contemporary
While I do know that the purpose of any introduction is to give the reader an idea of what an essay will cover, I will confess that I usually struggle with the balancing act that is giving our Leonard introductions some meaningful content, while not making them so light that they lack substance. I’ve excelled and failed with this balancing act over our now almost 100 issues. And so again, our fabulous editor, Blanka Nemeth, reminds me not to overthink things and provide an overview of future auctions, the contents of which have not always fully crystallised. Another challenge I face! With that off my chest I’ll also look a little backwards and hope that you found Anna Grassham’s inaugural Contemporary Collections an interesting new addition to the Leonard Joel calendar, and Luxury’s now third online-only affair a valuable complement to your international luxury collecting. Just as Anna’s auction extends the collecting discourse about what constitutes post-war design, so too does Luxury bring exclusive international offerings to your doorstep. Looking ahead, we have our Collector’s Auction in Sydney, presenting antiques, furniture, and fine art. It’s a thoughtful curation that often becomes a condensed journey through so many periods, materials, and origins that each of these auctions have almost taken on the complexion of an abbreviated Grand Tour in the fine arts! Returning to our Melbourne rooms, we present our winter offering of both Fine Art and Jewels, a round of auctions that are increasingly synonymous with smaller offerings and a stronger focus on special single pieces and collections from private clients, sourced across both our salerooms and our representative offices in Brisbane, Adelaide, and now Perth. Winter concludes with our beloved Design Icons Auctions that showcase over three days the largest offering of collectable editions, design, and luxury in the country. It is a round of auctions that
OPPOSITE TOP TO BOTTOM: Artemide
Aggregato Suspension Light $600 – 800 Ron Arad MT3 Rocking Chair for Driade $1,400 – 1,800 Egg Lamp for Studio Italia $400 – 600
speaks to all sorts of new and seasoned collectors with less typical collecting bents. You will find these auctions online, but if you need to view anything in-room, visit us over the weekend at University Place, and enjoy a barista coffee made fresh for you while you browse. JOHN ALBRECHT
Chairman / Head of Important Collections
Modern Design Auction Mon 25 Jul, 6pm ABOVE: Platinum and Diamond Ring
$8,000 – 12,000 Property from the Estate of Lívia Törley of Csantavér Fine Jewels & Timepieces Auction Mon 27 Jun, 6pm
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— AUCTIONS —
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FINE ART The Rise and Rise of Jordy Kerwick Fine Art Auction Tue 28 Jun, 6pm MELBOURNE
Jordy Kerwick quickly found his calling as an artist after
While it’s his family that inspires his integrity as an artist,
experimenting with painting garden pots in his Melbourne
Kerwick’s visual inspirations are vast. Contemporary
courtyard in 2016.
counterparts such as Andrew Salgado, Adam Lee, Rhys Lee,
“I just painted over it and it felt really nice, it felt cathartic. OPPOSITE: JORDY KERWICK
I painted a palm tree coming out of a pot and a cigarette.
(born 1982) Still Life 2017, acrylic on canvas, 42 x 32cm $12,000 – 20,000
I got really obsessive and started finding more things I could
BELOW: JORDY KERWICK (born 1982)
Kerwick’s gritty, thick impasto still life works often consist
Untitled 2018, oil, acrylic, graphite, charcoal and collage on panel, 59.8 x 49.8cm Sold at Bonhams London for £94,000 inc. premium / Alamy (detail)
paint over.” (The Artist)
of skeletal-like flowers bursting out of small, decorated pots, often propped up on books. There might be a hovering presence in the background - a cigarette, banana, cassette tape, or even a toy. His ability to take what seems so universally domestic and innocent and strip the beauty back to a raw aesthetic is what has developed his vast fan base. His more recent works look at predatory animals, specifically tigers, alongside domestic objects to create vibrant, expressionist, and playful compositions. Since starting his own family, Kerwick has touched on a new theme which has formed the basis of his recent bodies of work; “retaining your youth”. Crediting his family as his key inspiration and motivation, Jordy describes his new-found joys as a parent and how this has influenced his practice:
and Wolfgang Vogel have all had a profound impact on Kerwick’s works, using similar colour vibrancy, layered imagery, mark making, and text; these can be seen across his practice and are now defining characteristics in his oeuvre. Jordy Kerwick’s paintings are now seen in major galleries and auction houses spanning across New York, Berlin, and London. Kerwick’s incredible rise over a short period of time has been augmented by curatorial support abroad from Vito Schnabel in New York and Toby Clarke in the UK. Kerwick’s rise was further cemented on the secondary market when his oil on paper work of a lion attacking a two-headed beast sold for €17,000 at Sotheby’s in London. As a measure of his expanding market, this record only lasted a day, with Phillips auctioning a still life piece Cool Cats 2019 selling for €82,353 before their New York outpost offered Le Tigre achieving a staggering US$220,000. To see a self-taught artist grow with such market vigour in a short period of time is a rare occurrence in today’s market where talent and competition is fierce. Leonard Joel is honoured to be the first Australian auction house to present
“Life isn’t about you anymore it’s about your kids, it’s a relief,
a work by Jordy Kerwick for major public auction.
finding the balance and trying not to get old and jaded”
LUCY FOSTER / Fine Art Specialist
(The Artist)
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— AUCTIONS —
FINE JEWELS & TIMEPIECES
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— AUCTIONS —
One Watch’s Journey to a Glorious Restoration In the world of arts and antiques the concept of restoration
Fast forward over 90 years to this month, when this same
is a delicate topic, and it’s never more fraught with difficulty
watch was referred to me by our Sydney office. I was
than when it comes to vintage watches. The wrong processes
astounded at its transformation but instantly recognised it
can drastically decrease the value of the timepiece, wiping
not only because the reference is so distinctive and rare, but
off hundreds and even thousands of dollars, and reducing
such was the meticulous mastery and adherence to originality
collectability. It pays to tread carefully when considering
of the restoration by Patek Philippe Geneva, that it was the
OPPOSITE: Formerly Property of
restoring these vintage pieces, to preserve their historical
the Estate of Count John Francis McCormack Patek Philippe A Rare Platinum Wristwatch Circa 1930 $20,000 – 30,000
same timepiece without a doubt. Here was proof of the fact
integrity and value.
that restoration is a nuanced concept and can take varied and
ABOVE: Before and after careful
Fine Jewels & Timepieces Auction Mon 27 Jun, 6pm MELBOURNE
restoration by Patek Philippe in Geneva
As a purist, I personally believe that we should leave watches
even favourable courses.
as close to their original condition as possible. Particularly as
A restoration is generally undertaken on a watch that is
we are, as Patek Philippe states, ‘merely taking care of these
at least twenty years old. This is primarily due to the wear
watches for the next generation’. Generally therefore, I would
a watch of a certain age sustains merely by doing its job of
be a “no” for restoration, but a “yes” for preservation.
keeping time. At this age, largely due to lack of parts, it would
So, when in 2012 whilst working for another auction house,
place the watch beyond the reach of a standard service.
I was presented with this large and rare platinum Patek
In the case of this watch, a documented outline was given
Philippe wristwatch in its original, unrestored, and quite
by Patek Philippe of parts replaced or remade and serviced,
battered condition, I was reluctant to turn the watch away.
knowing full well that every decision could affect the
Not only was the watch platinum and large in size, making it
perceived originality, coherence, and integrity of the watch.
rare for its age, it came with dazzling provenance too.
In communications to the owner, Patek Philippe stated “the
This fine Patek Philippe wristwatch was the property of Count John Francis McCormack (1884 – 1945), an internationally
quality of restoration will be the key factor to ensure its good functioning and value for future generations.”
renowned Irish tenor, celebrated for his performances of
What I was presented with this time around was a remarkable
operatic and popular songs. McCormack had an extremely
restoration that not only benefited the watch by again
successful career and made millions from his recordings and
making it functional, adding value and desirability, but
appearances. He was the first to record It's a Long Way to
most importantly, none of this changed the nature of this
Tipperary in 1914. In 1917, he was given an honorary doctorate
significant timepiece.
by the Holy Cross, the first of several important accolades. McCormack ended his career at the Royal Albert Hall in
PATRICIA KONTOS / Senior Jewels & Timepieces Specialist
London in 1938, however, a year later, he began singing again for the Red Cross in support of the war effort and continued to record and give concerts until 1943. This watch was a gift to John from his wife Elizabeth ‘Lily’ Foley, also a brilliant singer. The platinum case back is engraved Lily to John July 2nd 1931 with an added sentimental touch of being beautifully set with a diamond. leonardjoel.com.au | 7
— AUCTIONS —
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— AUCTIONS —
The Estate of Livia Törley of Csantavér Fine Jewels & Timepieces Auction Mon 27 Jun, 6pm MELBOURNE
As a jewellery specialist, it is always exciting to handle collections with an interesting provenance. As a part of the June Fine Jewels & Timepieces auction, we are delighted to present a collection of jewels from The Estate of Lívia Törley of Csantavér. Featuring ten pieces of fine and collectable jewellery from the 19th and 20th centuries, jewellery
OPPOSITE: Platinum and Diamond
Bracelet $15,000 – 20,000 ABOVE: 14ct Gold, Silver, Pearl and
connoisseurs are presented with a unique opportunity to acquire a collectable European piece. Lívia Törley was born in Hungary’s capital Budapest in
Diamond Necklace $2,500 – 3,500
1923, at a time of enormous social and political upheaval
RIGHT: József Törley
Csantavér, a large village situated in the modern-day province
BELOW: 18ct Gold, Silver, Enamel and
of Vojvodina, Serbia, from as far back as the 17th century.
Diamond Ring $3,000 – 5,000
within central Europe. The Törley family are associated with
Whilst ancestors of the Törley family were involved in the Hungarian War of Independence (1848 – 49) the family name became particularly well known due to Lívia’s Great Uncle, József Törley. In 1882, he established the Törley Champagne Company after observing that the soil and growing conditions in Budafok, Hungary were similar to that of the Champagne region of France. Törley was very successful and contributed significantly to the Hungarian economy throughout the 20th century. Lívia Törley’s jewels date from the Austro-Hungarian
An outstanding piece within the collection is a breathtaking
Empire period between 1867 and 1918, through to the
diamond bracelet modelled in platinum. With open
mid-20th century. With a close proximity to Germany,
geometric links set throughout with old European and
Austro-Hungarian jewellery was influenced by Holbeinesque
single cut diamonds totalling 13.74 carats, this bracelet is a
and Renaissance revival movements, and colourful gemstones
wonderful example of the architectural design elements that
were favoured. Elements of these specific influences are
characterise jewellery of the Art Deco era.
exemplified in Lot 91, a decorative emerald bracelet. Bearing the silver mark for Hungary and a maker’s mark for jeweller Karl Tauböck, the bracelet features oversized panels of emeralds set within elaborate gilt borders. Also included in the collection are two beautiful cluster rings set in platinum (Lots 87 and 88) from the early 20th century. Each set with an old European-cut diamond, weighing 1.88
The Estate of Lívia Törley of Csantavér will be included as Lots 84 to 93 in the June Fine Jewels & Timepieces auction held on June 27th. The collection will be available for virtual viewings and at our Adelaide, Brisbane, Sydney and Melbourne showrooms ahead of the auction. BETHANY MCGOUGAN / Head of Fine Jewels & Timepieces
carats and 2.02 carats respectively within a fine scalloped surround, these rings have a timeless quality that makes them extremely wearable for the current day.
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SYDNEY
Collecting First Period Worcester Porcelain What is “first period” Worcester porcelain and what makes it
“kakiemon” also influenced the porcelain decorators
so special? As the name suggests, it is porcelain made during
at Worcester. Kakiemon is recognisable through its
Collector's Auction
the earliest period of the Worcester porcelain factory, or as it
well-balanced, asymmetric designs finely applied to a white
Tues 21 Jun, 2pm
was originally known, the “Worcester Tonquin Manufactory”.
porcelain background, often featuring flying birds, flowering
SYDNEY
In 1751, the physician Dr John Wall, along with an apothecary
peonies, chrysanthemums, prunus blossom, pine trees,
named William Davis and 13 other businessmen, established
bamboo, and sometimes figural subjects depicting popular
ABOVE LEFT: A Worcester 'Kakiemon'
the manufactory at Warmstry House on the banks of the
folk tales.
Teacup and a Fluted Saucer, Circa 1760 $300 – 400
River Severn. Although the technical skill and craftmanship of Worcester porcelain has remained high, this first period, sometimes also referred to as the “Dr Wall” period after the co-founder, is a distinctly sought-after period ranging from the foundation until the sale of the business to Thomas Flight in 1783. Tea first arrived in Britain in the 1650s and gained popularity throughout the early 18th century. Whilst the Chinese typically drank tea from cups (or bowls) without handles, the British showed a preference for the teacup – a cup with handles. These teacups grew more exquisite and elaborate, however, labour was intensive, and the costs of production were high. Additionally, early British pottery would crack or shatter if subjected to boiling water. In 1752, Worcester acquired the Lund’s Bristol Works and began to introduce soapstone to their soft-paste, producing porcelain that could withstand boiling temperatures. Cobalt blue pigment was one of the few colours that could withstand the high firing temperatures required, and this partly accounts for its long-lasting popularity. The early decorative influences were largely Chinese and captured the spirit of chinoiserie through Chinese scenes, figures, flora, and fauna. Japanese porcelain began to arrive in Britain in the late 17th century and ceramic designs known as 10 | leonardjoel.com.au
From the mid-1750s, Worcester’s coloured decoration increasingly took inspiration from European sources and particularly Meissen porcelain. Elaborate floral decoration with new patterns and colours including European landscapes and figures featured heavily over the following decade. Another innovation came in approximately 1757 when Robert Hancock perfected the method of transfer printing on to porcelain. Prior to this, decoration had to be painstakingly applied by hand. This new technique saw both overglaze and underglaze printing used with transfer printed wares typically bearing a variation of the blue crescent mark. Transfer printed designs were then sometimes filled in by hand with colours by semiskilled workers and often featured on coloured grounds. The Worcester palette came to include a huge range of colours, however the deep blue ground heightened with gilding, known as “blue scale”, is perhaps most recognisable. The Dr Wall period came to a close with his passing in 1776, prompting new ownership and a new era in 1783. In 1789, under the ownership of Thomas Flight, Worcester was granted the Royal Warrant and was able to add the word Royal to their name, as it is still known today. MADELEINE NORTON / Senior Decorative Arts and Fine Art Specialist, Sydney
ABOVE RIGHT: A Worcester Wet Blue
Bough Pot, Circa 1760 $1,200 – 1,500 BELOW: Dr. John Wall, physician, and
one of the founders of the Royal Worcester porcelain works /Alamy
— AUCTIONS —
Welcoming Lauren Boustridge We warmly welcome Lauren Boustridge, our new Senior Jewels Specialist, to our Sydney team. She joins us from Chaumet Australia and Webb’s Auctions New Zealand, and brings a wealth of knowledge and experience to Leonard Joel. Read on to get to know Lauren… cherished book with his own message right next to Daniela’s, Important Jewels Auction
which will forever be one of my most treasured possessions.
Tues 16 Aug, 6pm
DESCRIBE YOUR OWN PERSONAL JEWELLERY STYLE.
SYDNEY
As the oldest granddaughter on both sides of my family, I have been very fortunate in receiving a beautiful array of jewellery worn and adored by generations of Boustridge &
RIGHT: Lauren Boustridge, Senior
Jewels Specialist and Administrator
Clarke women. This connection to the past; its stories told,
BELOW RIGHT: Bulgari (1995)
places seen, and exchanged words of affection that the jewels
by Daniela Mascetti
bear witness to, leaves me romanticised by anything bygone. The delicate lace work of the Edwardian period, the striking geometry of the Art Deco period, the bold and bright colours of the ‘70s and ‘80s… you name it, I cherish it. Due to my adoration of each of these periods, my jewellery collection is varied. I am often found playfully styling mixed metals, eras, and colours harmoniously. I also find great pleasure in styling pieces in untraditional places – a brooch on piece of fabric tied around my hair, or a necklace wound around my wrist as a bracelet. DO YOU HAVE A FAVOURITE DESIGNER? I am very much inspired by the work of Jessica McCormack. Her playful modernisation of iconic jewellery styles from the Georgian and Victorian periods (the link to the past is what I love most about jewellery) is very innovative. The jewellery HOW DID YOUR PASSION FOR JEWELS BEGIN?
she designs does not follow the traditional styles that are
Since a young age I have been surrounded and fascinated
found in almost every
by the jewellery and art worlds. My father, Ian Boustridge,
jewellery store today.
is a world-renowned jade artist and sculptor, and through
A beautiful juxtaposition
his support, knowledge, and passion, I developed a deep
with the feeling of magic,
interest and love for the jewellery industry. When I was very
drama, and pure opulence
young, my father travelled all around the world visiting clients
allows the wearer to
and generating new business. On one of these trips, he was
dream, an aspect of
fortunate to meet Daniela Mascetti, Chairwoman of Sotheby’s
jewellery design that I
Europe and author of BULGARI (1995). Having just completed
believe has been largely
the book, she gifted him a copy with a personalised message.
lost to the past. Also,
I adored that book, endlessly flipping through the pages,
her jewellery boxes are
looking at the beautiful bold colours immortalised by the
incredible works of art;
House of Bulgari and of the La Dolce Vita period in history.
a tribute to creativity,
On completion of my degree and subsequent gemmological
individuality, and the
studies in London, as a graduation present, Dad gifted me this
reimagination of the past. LAUREN BOUSTRIDGE / Senior Jewels Specialist
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IMPORTANT JEWELS The Astrology Edition A sacred talisman bestowed upon you by the position of the sun at the moment of your birth. Believed to bring protection, luck, and fortune, birthstones have mystified and intrigued generations since biblical times. Styles and fashions evolve, but the desire to enhance one’s prosperity and fate will forever remain an elusive human endeavour. We can assure you, seeking out and enjoying your talisman can make for a far more substantial experience.
ARIES | 21 MARCH - 19 APRIL Strengths: Courageous, determined, confident, enthusiastic, optimistic, honest, passionate Weaknesses: Impatient, moody, shorttempered, impulsive The Solution: What else but a Diamond? This birthstone will boost the Aries’ natural born creativity and fearlessness while relaxing moods and enhancing patience. TAURUS | 20 APRIL - 20 MAY Strengths: Reliable, patient, practical, devoted, responsible, stable Weaknesses: Stubborn, possessive, uncompromising
Imagine, the deep blue hues of an aquamarine cocktail
The Solution: Invest in an Emerald. Emitting a vibration
ring adorning the finger of Pisces, island hopping in
that opens the heart chakra, this beautiful stone promotes
Mediterranean. The fiery glow of rubies draped around the
balance and clarity of thought, perfect for our bull-headed
neck of Cancer attending a Cannes film premier, or the
friends.
eye-catching allure of Aquarius in amethyst, running errands about town.
GEMINI | 21 MAY - 20 JUNE Strengths: Gentle, affectionate, curious,
For Parisian jewellers Cartier and Van Cleef & Arpels, the
adaptable, able to learn quickly and exchange
heavens and constellations have long been a source of
ideas
inspiration. Late last year, the latter released a new Zodiac
Weaknesses: Nervous, inconsistent,
inspired collection, with various gemstones and materials
indecisive
associated with granting these heavenly powers upon the
The Solution: For you, a strand of Pearls. Known to uplift
wearer.
and inspire, they will also tame negative inner voices and
Whether you are a new-age witch or a little on the sceptical
the Gemini’s infamous “naughty twin”.
side, why not indulge a little in your sacred talisman.
CANCER | 21 JUNE - 22 JULY
Eternally fashionable and an expression of personal style,
Strengths: Tenacious, highly imaginative,
we see one in your future.
loyal, emotional, sympathetic, persuasive Weaknesses: Moody, pessimistic, suspicious, manipulative, insecure The Solution: Use your Cancerian charm and persuade someone to buy you a Ruby. This jewel is the emblem of love and perfect for sensitive homebodies.
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— AUCTIONS —
Important Jewels Auction Tues 16 Aug, 6pm SYDNEY OPPOSITE TOP: Emerald and
Diamond Ring Sold for $23,750 OPPOSITE BOTTOM: Platinum, Topaz
LEO | 23 JULY - 22 AUGUST
SAGITTARIUS | 22 NOVEMBER -
Strengths: Creative, passionate, generous,
21 DECEMBER
warm-hearted, cheerful, humorous
Strengths: Generous, idealistic, great sense
Weaknesses: Arrogant, stubborn, self-
of humour
centred, lazy, inflexible
Weaknesses: Overpromises, impatient
The Solution: Peruse some Peridot. Known for its powerful
The Solution: Tanzanite is the “stone of
cleansing properties, there are no negative energies this
composure”; soothing, calming, and helping you to complete
stone can’t neutralise.
one of your many projects, or to achieve your lofty goals.
and Diamond Ring Sold for $27,500
VIRGO | 23 AUGUST - 22 SEPTEMBER
CAPRICORN | 22 DECEMBER -
Strengths: Loyal, analytical, kind,
19 JANUARY
TOP LEFT: Tanzanite and Diamond
hardworking, practical
Strengths: Responsible, disciplined,
Weaknesses: Shy, worrying, overly critical,
self-controlled
all work and no play
Weaknesses: Know-it-all, unforgiving,
Pendant Necklace Sold for $17,500 TOP RIGHT: An Impressive Sapphire,
Argyle Fancy Pink Diamond and Diamond Ring Sold for $175,000 BELOW: Ruby and Diamond Ring
The Solution: Treat yourself to a Sapphire. These blue
condescending
splendours encourage optimism, intuition, and wisdom, all
The Solution: A gorgeous Garnet. This stone opens the
while combatting mental blocks and unwanted thoughts.
heart and cleanses your chakras, bringing passion or serenity
Sold for $118,750
LIBRA | 23 SEPTEMBER - 22 OCTOBER
where needed.
Strengths: Cooperative, diplomatic,
AQUARIUS | 20 JANUARY - 18 FEBRUARY
gracious, fair-minded, social
Strengths: Progressive, original,
Weaknesses: Indecisive, avoids
independent, humanitarian
confrontations, self-pitying
Weaknesses: Runs from emotional
The Solution: Choose an Opal. They won’t help you
expression, temperamental,
make decisions, but they will allegedly encourage an
uncompromising, aloof
interest in the arts and always make for a topic of
The Solution: An Amethyst will protect you, neutralise any
stimulating conversation.
bad energies, and balance mood swings.
SCORPIO | 23 OCTOBER - 21 NOVEMBER Strengths: Resourceful, brave, passionate Weaknesses: Distrusting, jealous, secretive The Solution: Acquire a beautiful Topaz. This gem promotes openness and honesty and stabilises emotions, making you receptive to love from all sources.
PISCES | 19 FEBRUARY - 20 MARCH Strengths: Compassionate, artistic, intuitive, gentle, wise Weaknesses: Fearful, overly trusting The Solution: Undoubtedly, it’s Aquamarine. Enhancing serenity, peace, and tranquillity, this stone is just so you. CHRISTEL REID / Important Jewels Consultant LAUREN BOUSTRIDGE / Senior Jewels Specialist
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DECORATIVE ARTS The ‘Verdure’ Tapestry
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— AUCTIONS —
Well-chosen furniture, art, and objets d’art are the essential
Through the earlier stages of its classical era in Europe,
Next Decorative Arts &
elements of a fine interior, reflecting their owner’s particular
tapestry art reflected the personal and political interests and
Asian Works of Art Auction
taste and cultivation. But beyond these, another element
aspirations of the royal and aristocratic patrons who were
Mon 8 Aug, 6pm
not so commonly seen today is the prominent use of textiles
the only people who could afford these very expensively
MELBOURNE
to add a further layer of colour, texture, and aesthetic
produced works of art. Typical subjects were scenes from
sophistication (this now being mostly confined to rugs on
Biblical and Classical history illustrating a moral point that
the floor).
was intended to reflect well on the owner; scenes reflecting
OPPOSITE & DETAIL ABOVE:
A Fine Flemish Verdure Tapestry, Brussels, Late 17th century, 300 x 305cm $10,000 – 15,000
With large wall-filling artworks readily available today, it is easy to miss the fact that this is a relatively recent development. For much of history, and across many cultures,
various forms of prowess and success, including battles and hunting pursuits, and those representing courtly life and ideals.
textiles hung on walls; rugs, tapestries, and others were a
From the early sixteenth century, first in Italy and then in
principal form of interior decoration and expression of their
Northern Europe, the liberal ideals of the Renaissance began
owners’ status and cultivation.
paving the way for a (relatively) more republican and more
Of tapestries from the classical age of the art in Europe – from the fourteenth to the eighteenth centuries – the most commonly seen and affordable on the market today are those of the type known as ‘verdure’ tapestries, woven in French and Flemish workshops during the seventeenth and early
mercantile society. At the same time, in art, landscape was evolving as a genre in its own right, rising from its previously lowly background status, propelled by renewed interest in the pastoral themes in the poetry of Virgil and his Renaissance followers.
eighteenth centuries. Their availability to us is fortuitous
By the seventeenth century, these developments had
for their unified and muted cool, natural palette and their
coalesced: landscape art, usually representing a bucolic
broadness of design makes them the perfect foil for bolder
Arcadian ideal, was an important, highly profitable genre,
pieces of other materials, colours, and textures, even in more
patronised by the successful members of an increasingly
contemporary settings.
modern, mercantile, and urban society.
The defining characteristic of the verdure tapestry is the
The evolution of the verdure tapestry to its classic late
pictorial depiction of a lush, wooded landscape as the
seventeenth century form is another aspect of these
dominant element - sometimes the only element - of the
developments. Much as their noble predecessors had done,
composition, with a consequent unifying dominance of green
successful members of European and English society were
tones throughout the work. (The word verdure derives from
now dressing their often newly-acquired country houses
the French word for green.)
with tapestries, the broadening of the market for which
When first used in the early sixteenth century, ‘verdure’ had a more specific and limited meaning than it later came to have,
meant that, for the first time, tapestries could be produced speculatively and be marketed by dealers.
being used simply to distinguish those tapestries that had
Leonard Joel is very pleased to be offering in our next
some verdant element, usually a background accompanying
Decorative Arts auction on 8 August a fine, large, and
the main human subject, from those tapestries that were
well-preserved late 17th century Brussels verdure tapestry
entirely figure compositions, as was then typical. The
consigned from a private Melbourne collection.
evolution of the verdure tapestry from these confined origins to being a sought-after type in its own right reflects changes
DAVID PARSONS / Head of Decorative Arts
in tapestry art, changes in pictorial art generally, and changes in the production of and market for tapestries. leonardjoel.com.au | 15
— AUCTIONS —
16 | leonardjoel.com.au
— AUCTIONS —
Antiques (already) in Australia OPPOSITE (detail): A Superb
On a recent morning walk with my dog Buddy, enjoying
The upshot of this, we both agreed, was that fine antiques
Napoleon III Ormolu Mounted Ebony Pier Cabinet By Jean-Louis-BenjaminGros, Circa 1850 Sold for $11,875
the Autumn sunshine (the season that I think best describes
sourced and landed pre-Covid, that are still available for
Melbourne), I happened to bump into an antique dealer
sale in Australia, enjoy a current pricing - an inbuilt future
who was in the process of opening for the morning. We
discount for want of a better expression - that simply
ABOVE: A Pair of Rouge Marble and
stopped and chatted, as we’ve done before, and I asked
will not last. As current local offerings inevitably deplete
Ormolu Mounted Cassolettes Sold for $3,900
him if he intended to travel to France this year; either to
and must be replaced with new stock, bought at current
visit relatives or for a buying trip? He explained to me that
pricing and with an unavoidably increased cost of shipping,
he would certainly hope to visit relatives this year - which
Australian collectors and decorators alike will be noticing
was great to hear - but what piqued my interest as an
the increased price tags. Put simply, beautiful antique
auctioneer were his comments around what a buying trip
furniture and decoration that was priced before Covid
would now look like, post a world shut down for more than
and is already within Australian shores represents a buying
two years by Covid.
opportunity that will not last.
His observations were interesting and very relevant for
The takeout here is that, as we move further away from
those of you contemplating buying international period
two years of Covid lockdowns, there will be a long tail of
furniture and decoration over the next few years. He
more expensive offerings before we enjoy - if ever - the
made a few salient points. Firstly, that all over the world,
prices we have typically enjoyed buying things for, either at
marketplaces for antiques in the last two years of isolation
the dealer or auction level. So, I encourage you to consider
have created their own mini buying frenzies amongst
this opportunity and to visit your favourite dealer or
landlocked traveller-collector types, making stock of all
auctioneer and have this conversation with them. Australia’s
sorts of origins more and more expensive to acquire.
preeminent antiques and art membership, the A.A.A.D.A,
Secondly, he reminded me that, without exaggeration,
is a perfect starting point for reputable and vetted antique
the cost of importation has now tripled! This fact alone
dealers. The various auction houses specialising in fine
makes for a very different environment for the buyers of
antiques you can find online. Happy hunting!
these antiques that are hoping to bring new offerings back home.
JOHN ALBRECHT
Chairman / Head of Important Collections
leonardjoel.com.au | 17
— AUCTIONS —
18 | leonardjoel.com.au
— AUCTIONS —
DESIGN ICONS 22 - 27 July MODERN DESIGN | LUXURY | PRINTS & MULTIPLES
leonardjoel.com.au | 19
— AUCTIONS —
MODERN DESIGN “Brutalism is the techno music of architecture, stark and menacing. Brutalist buildings are expensive to maintain and difficult to destroy. They can’t be easily remodelled or changed, so they tend to stay the way the architect intended. Maybe the movement has come roaring back into style because permanence is particularly attractive in our chaotic and crumbling world.” BRAD DUNNING, GQ STYLE
20 | leonardjoel.com.au
— AUCTIONS —
Concrete Jungles An architectural period to forget, or a legacy worth
associated with totalitarianism. Concrete also did not age
Modern Design Auction
preserving? Few building styles have made an impact
well, showing signs of water damage and decay that brought
Mon 25 Jul, 6pm
on a region or caused as much controversy as brutalist
down the overall look of the buildings. Contributing to
MELBOURNE
architecture.
the decline, concrete was the perfect canvas for graffiti
Brutalism is considered a variant of post-war modernism, OPPOSITE & TOP LEFT:
The Sirius public housing building in The Rocks area of Sydney city centre, NSW / Alamy TOP RIGHT: Nevigeser
Wallfahrtsdom, Germany / Alamy
rising to popularity from the early 1950s before reaching
vandalism. This symbol of urban perish and economic hardship was out in the open, for the world to see.
its peak in the late 1970s. Known for its use of functional
Since the backlash of the 1980s, countless brutalist
reinforced concrete, modular elements, and utilitarian
buildings have been torn down. While some consider these
feel, brutalist architecture was primarily used for
eyesores, many others believe that their destruction is in
institutionally commissioned buildings such as schools,
fact losing a significant and important piece of architectural
churches, libraries, and public housing.
history. This awareness has led to the protection of some
The term originates from the pioneer of modern architecture, Le Corbusier, from ‘beton brut’, French for
buildings, and their reconstruction as historic sites; some have even achieved UNESCO heritage status.
‘raw concrete’. Imposing and geometric, brutalist buildings
A prominent example of brutalist architecture in Australia
have a distinct graphic quality, the architecture looks
is the Sirius apartment complex in The Rocks district of
heavy and immovable. It is artistically sculptural, giving it
Sydney, designed by Tao Gofers in 1978 for the Housing
unique qualities that rely on depth, creating patterns and
Commission of New South Wales. Despite a public outcry
compositions through light and shadows.
to save the building and a lengthy case to support its
Brutalism is intertwined with the urban modernist idea that a rational approach to design could produce the best architecture, striving to create simple, honest, and functional buildings. This was especially significant after World War II in countries such as the UK and across Eastern
importance, along with a unanimous recommendation by the heritage council, the building was sold to private developers in 2019 for $150 million. Just a few years later, Sirius was transformed into a luxury apartment block selling for over $435 million.
Europe, where affordable large-scale housing was becoming
The architectural world is all about re-appreciation, and
increasingly necessary.
suffice to say, the revival of brutalism has been relatively
Heading into the 1980s, brutalism became unpopular, due to the cold and austere nature of the architecture, often
swift. Perhaps what once appeared so ugly, was in fact always visionary to its form. ANNA GRASSHAM / Head of Modern Design
leonardjoel.com.au | 21
— AUCTIONS —
Luxury The Big Three from France: Part I — It’s not surprising that three of the world’s most successful luxury houses, Louis Vuitton, Hermès, and Chanel all originated in France. Regardless of fashion, the French are synonymous with a rich history, style and an egalitarian mantra that has served them well since the French revolution. These three houses are built on strong foundations. Whilst a myriad of other established French Luxury houses exist, (Yves Saint Laurent, Givenchy, and Lanvin, just to name a few) it is thanks to the ‘big three’ that the French have maintained their global dominance as world leaders in fashion. In 2021 at the top of the tree by brand value is Louis Vuitton, at an estimated 75.7 million. Followed by Chanel who sits at 47 million, with Hermès in third place at 33.8 million. Which global pandemic was that? The three houses have very different company structures, but all have a very strong unassailable image and a defined look that is unmistakable when compared with rival luxury houses.
in domed leather trunks of superior quality. During this time, Louis experimented with the types of products that we
Luxury Auction
associate with his brand today, including the more practical
Tues 26 Jul, 6pm
flat cases and travel trunks that are synonymous with the
MELBOURNE
company’s image. By the time of his death in 1892, Louis
Louis Vuitton, who opened his first store in 1854, came from
Vuitton had left a solid foundation for his successors who
humble beginnings. Having lost his parents early in his life,
have built upon the rich legacy he left behind.
the thirteen-year-old Louis walked 470km over two years from his country origins to reach Paris. He initially started his career as a box maker for the Empress Eugénie of France. With obvious flair, the young Louis then began an apprenticeship with Marechel, making travel trunks for the well-to-do. It was here that he became famous for his craftsmanship, specialising
22 | leonardjoel.com.au
Stay tuned for the next issue of Leonard Magazine, in which we’ll look at Hermès, the second of our three French luxury giants. JOHN D'AGATA / Head of Luxury
TOP: An Alma GM by Louis Vuitton
Sold for $1,375 ABOVE: The french fashion designer
and businessman Louis Vuitton (1821 - 1892), the older man with white hair sitting in the seat of the driver of the wagon, portrayed with all the employees of his trunk and suitcase factory in France / Alamy
— AUCTIONS —
Prints & Multiples Norbertine von Bresslern-Roth — Austrian-born artist Norbertine von Bresslern-Roth Prints & Multiples Auction
(1891-1978) forged a path for printmaking during the first half
Wed 27 Jul, 6pm
of the 20th century. Growing up in modest circumstances,
MELBOURNE
Bresslern-Roth had an appreciation early in life for animals and garden scenes, and during her career often imbued her work
TOP: NORBERTINE VON
BRESSLERN-ROTH (Austrian, 1891-1978) Zebera Finches 1922 linocut, 9 x 19cm Sold for $2,250
with their sense of beauty. At the young age of ten, her talent was recognised as she received a recommendation to study under the renowned
RIGHT: NORBERTINE VON
art teacher and master painter, Alfred von Schrotter-Kristelli.
BRESSLERN-ROTH (Austrian, 1891-1978) Flood woodblock, 26.5 x 29.5cm Sold for $1,500
In 1911, Schrotter-Kristelli introduced her to Ferdinand Schmutzer, who taught at the Academy of Fine Arts in Vienna. It was in this same year that Bresslern-Roth found herself studying unofficially under the famed photographer and printmaker. While women were barred from attending the Academy, Bresslern-Roth, along with many of her female counterparts, sought training and guidance through indirect avenues. A lucky few had access to affluent art schools that were dedicated exclusively to young women.
Creating a name for herself, she quickly became a strong
In 1920, Bresslern-Roth was one of the first Austrian women
Bresslern-Roth’s works remain vibrant and highly sought-after
to become intensively involved with the linocut printing
to the present day.
process. She mastered her own unmistakable technique of portraying animals in motion. Using multiple woodblocks, the artist would use a richly inked palette on each plate, revealing
influence for other printmakers, particularly women.
Since her death in 1978, her progressive works have become highly coveted on the art market, admired for their bold
the most intricately layered details. Furthering her travels
colours and compositional style.
to Africa, between the years of 1921 and 1952, she created a
HANNAH RYAN / Art Specialist
unique body of work that portrayed everything from fierce lions to exotic peacocks, fluffy house cats, and birds in flight.
leonardjoel.com.au | 23
— AUCTIONS —
Brisbane “But square-cut or pear-shaped these rocks don’t lose their shape...” MARILYN MONROE
When Marilyn Monroe declared that “diamonds are a girl’s
Fine Jewels & Timepieces
best friend”, she knew what she was talking about. The
Auction
diamond is the birthstone for April and comes first in the
Mon 27 Jun, 6pm
traditional hierarchy of precious gemstones. First discovered
MELBOURNE
in India in the 4th century, diamonds were adopted for personal adornment by the Romans who believed that they
Viewing in Brisbane
possessed metaphysical properties; restoring confidence, and
Sat 11 - Sun 12 June
imparting bravery and courage. Historically, the diamond has long been a symbol of power
sold in 2021 for more than 7 million pounds - are a testimony
and luxury, from Elizabeth I who wore dresses embroidered
to the mystical allure of diamonds and their miraculous
with diamonds to enhance her aura of sovereignty, to
endurance. If ‘a diamond is forever’ it also is infinitely
Elizabeth Taylor who sensationally became the owner of two
adaptable, inspirational, and with a universal appeal, whether
of the most famous stones of modern times. It may be a myth
intricately set in a pair of chandelier earrings, or centre stage
that Marie Antoinette’s desire for a diamond necklace helped
in a solitaire ring.
bring about the French Revolution, but her bracelets - which
24 | leonardjoel.com.au
TROY MCKENZIE / Queensland Representative Specialist
TOP: 18ct White Gold and Diamond
Necklace $6,000 – 9,000 LEFT: Platinum Diamond Ring.
$70,000 – 90,000
— AUCTIONS —
Perth Welcoming John Brans, Leonard Joel’s Western Australia Representative Specialist — ABOVE: From The Brans Collection
John’s business has always focused on bringing to his local
A Roman Rococo Giltwood Console Table Sold for $25,000
collecting community antiques, objects and works of art of an
RIGHT: John Brans
With almost half a century of experience in the Perth
international quality, rarely seen on Australian shores.
marketplace and community, we are confident that John will be able to finally connect the Leonard Joel calendar of auctions with both buyers and sellers alike. While John’s particular expertise is advising and buying for clients in the fields of important Italian, European and English furniture, sculpture, and works of art, he also has a long-standing and deep affinity with the Australian and international art world and a keen eye for the exceptional in many areas of collecting. Distance aside, this collaboration will ultimately bring We are so pleased to announce the expansion of our national
specialised exhibitions to Perth of the finest auction jewellery,
representative network to Western Australia with the
and opportunities for Western Australian clients to market
appointment of third generation antique dealer John Brans of
and sell their fine art and antiques collections, with the
Brans Antiques & Art.
oversight of one of Perth’s most respected antique specialists.
John Brans and his family are acknowledged as that state’s
If you have an important single piece or collection that
preeminent antique dealers with deep ties to private,
you’d like to discuss with John Brans, he can be reached on
corporate and public clients alike.
john.brans@leonardjoel.com.au or 0412 385 555. JOHN ALBRECHT
Chairman / Head of Important Collections
leonardjoel.com.au | 25
— IN CONVERSATION —
In Conversation with Aileen Brown
This issue, we chat to renowned printmaker Aileen Brown, whose bold, colourful works you may have seen come up at our auctions. She shows us around her studio, garden, and home; all bursting with personality (and art!), with her kittens Ronnie and Minnie in tow...
26 | leonardjoel.com.au
— IN CONVERSATION —
Tell us a bit about yourself and your practice.
trove of amazing surprises for me, where many wonderful
OPPOSITE: Aileen in her garden
I come from a farming family and grew up in rural Victoria
and unexpected prints show up at the auctions.
TOP LEFT: In the studio
How do you curate your space?
TOP MIDDLE: Ronnie amongst
Many editions of linocuts I have done over the years are
the flowers
completely lost, as in my house and studio, every wall or
TOP RIGHT: Aileen Brown,
and in Western Australia. I initially trained as an occupational therapist, mainly working within the mental health sector. In 1982, I met the artist and printmaker Murray Griffin, and found his linocuts so masterful and beautiful; his work was a revelation to me. Murray encouraged me to seriously start printmaking and I owe him a great debt of gratitude for pushing me in that direction. In 1983 I attended three adult education classes in Melbourne where I did a linocut and etching, and my passion for linocut printing took off. I earnestly developed my design and printing skills. I quickly progressed from a rather primitive printing method (using the back of a wooden spoon and a
surface seems to be filled up. However, I can always locate all my tools, paper, and inks for the next linocut. You have a beautiful garden; do you feel inspired by your surroundings? I spend a lot of time cultivating and working in the garden and find many subjects and inspiration for my prints there, including flowers, leaves, and birds, black hoyas, black lilies, poppies, and camellias.
rubber mangle) and in 1987, I bought a wonderful etching
What advice would you give to those looking to start an
press. I took the plunge and quit my job as an occupational
art collection?
therapist in order devote myself to linocut printing full time.
My advice to budding collectors is to look at as much art
Since then, I have had regular exhibitions every two years.
as possible. I have found both the Salon and Fine auctions
Murray has always remained an inspiration to me in my work.
at Leonard Joel the perfect place to start and the perfect
What do you look for in a print? I always look for something striking and unforgettable. I am inspired by the technical skills of so many printmakers. My collection has grown over the years to include a range of prints, with many that are quite eclectic as my interests
way to learn. It is important to build your knowledge about the artists and their techniques and styles. It is also very important to be aware of the condition of artworks that you might want to buy; conservation can be costly but often necessary.
change and my knowledge of the art of printmaking develops.
I also like to see the work of other contemporary printmakers
I have several prints by Murray Griffin now and am always on
and go to exhibitions as much as possible. Always be on the
the lookout for others.
lookout for art that is special to you. One chance find for me
What do you enjoy about browsing the art at Leonard Joel? I have been going to Leonard Joel since the 1980s and used to love going to the Malvern town hall for the big sales; that is really where my collection started to grow. I have bought
Jug of Poppies 1986, 42 x 32cm. Sold at Leonard Joel for $2,750
years ago was a Shiko Munakata woodcut at an Op Shop! I am surrounded at home by many beautiful and interesting prints and paintings which all give me such great pleasure every day.
some beautiful Japanese woodblock prints as well as works by
Thank you to Aileen for welcoming us into her home and
women printmakers over the years. Leonard Joel is a treasure
chatting with us. Follow her work at aileenbrown.com and on instagram at @aileenbrownlino
leonardjoel.com.au | 27
— PROFILE —
Minutes with… ALICE WHEELER
Alice recently joined the Leonard Joel team as Marketing & Database Coordinator after owning her own wine bar, so she’s certainly well placed to answer some of these questions… FAVOURITE AUCTION PURCHASE This would be a French 1940s brass umbrella stand. I had
I love Casablanca! The clothes, the music, actors, story,
been looking for an umbrella stand and just fell in love with
everything! My favourite book would have to be ‘The Wind
the piece. I love having beautiful items in my home that have
in The Willows’ by Kenneth Graham, I have very happy
a story and a history.
memories of my mum reading it to me when I was a child
FAVOURITE WINE / COFFEE / COCKTAIL Oh that’s a tricky one, I love all wine! I try to support local, the last delicious wine I had was at Noisy Ritual, try the Fiano! The best cocktail that I love year-round is a Bramble – fresh and fruity! My go to coffee is a Cappuccino, especially when you get a cheeky bit of chocolate on top! LEONARD JOEL STAFF ALL SEEM TO HAVE A SIDE PROJECT OR TALENT. WHAT'S YOURS? Before coming to Leonard Joel, I owned a wine bar in North Melbourne. My drinks mixing and charcuterie board making game is strong!
28 | leonardjoel.com.au
FAVOURITE BOOK / MOVIE
and couldn’t sleep. My wine bar was called ‘Willows & Wine’ inspired by that book. I love books that are generational and can be enjoyed on many levels. YOUR IDEAL DAY IN MELBOURNE Walking our English Bulldog, Bill Murray, with my husband to get brunch. Then heading to Richmond for a hit of real tennis followed by a night out in the city!
— VALUATIONS —
Valuations Leonard Joel is the only auction house in Australia with a dedicated Valuations department, enabling us to offer a broad range of specialist expertise for the valuation and auction of single items and entire collections. — COMPLIMENTARY VALUATIONS IN MELBOURNE, SYDNEY, BRISBANE, ADELAIDE, & PERTH
ONLINE VALUATIONS To submit items for complimentary appraisal online, simply
We offer complimentary verbal valuations in our salerooms
complete the form on our website and a Leonard Joel
across Australia by appointment.
specialist will contact you within 10 working days.
We also host a Valuations Evening in Melbourne from 5-7pm
NON-MARKET VALUATIONS
and Sydney from 4-6pm, with no appointment necessary. Please note, these appraisals are for 15 minutes, with a maximum of three items per person. If you have more than three items for assessment, please contact one of our specialists directly to arrange an appointment.
If you require an assessment for the purposes of family division or probate, or you would like to arrange an offsite or written valuation for insurance, superannuation, or matrimonial, please contact our Head of Valuations, David Parsons at 03 8825 5638 or email david.parsons@leonardjoel.com.au
leonardjoel.com.au | 29
— A LAST LOOK —
A Last Look In this feature, we revisit a handful of beautiful and extraordinary pieces that have passed through our doors since the last issue...
A Remarkable Fancy Intense Bluish Green Diamond and Argyle Fancy Pink Diamond Ring Sold for $600,000 Important Jewels, April 2022
Jennifer Lopez's unique engagement ring from Ben Affleck got everyone talking about green diamonds. The glittering example presented within our recent Important Jewels Auction features an incredibly rare bluish-green diamond, and was sold for $600,000 IBP to a buyer who cites the J Lo ring as their inspiration.
JEFFREY SMART (1921-2013) E.U.R. II 1965 oil on board 65.5 x 80cm Sold for $687,500 © The Estate of Jeffrey Smart Fine Art, March 2022
The cover lot for our March Fine Art Auction, Jeffrey Smart's painting 'E.U.R. II 1965', sold for $687,500 IBP, far exceeding the estimate. This significant painting marked the beginning of Smart's mature style and introduced the church dome which was to become a recurring motif in his work.
30 | leonardjoel.com.au
HOWARD ARKLEY AND JUAN DAVILA (1951-1999; born 1946) Interior with Built-in-Bar 1992 gouache on paper with silkscreen detailing diptych 159 x 108cm (each, sheet); 159 x 216cm (overall) Sold for $112,500 © The Estate of Howard Arkley and Juan Davila Courtesy of Kalli Rolfe Contemporary Art Centum, May 2022
— A LAST LOOK —
ALBERT NAMATJIRA (1902-1959) Untitled (Landscape with Mount Sonder and Gum Tree) c.1955 watercolour on woomera 15.5 x 40cm (image), 15.5 x 67cm (overall) Sold for $16,250 The Kelton Collection - Indigenous Art at Leonard Joel, April 2022
BANKSY (British, born 1974) HMV 2003 screenprint, ed. 248/600 29 x 44cm Sold for $47,500 Prints & Multiples, April 2022
Christophe Delcourt Set of Ten Fil Noir Dining Chairs for Minotti Sold for $20,000 Modern Design, April 2022
Rolex Oyster Perpetual Day-Date Masterpiece Ref 18948 a Fine 18ct Gold and Diamond Set Wristwatch With Day, Date and Bracelet Circa 2010 Sold for $68,750 Fine Jewels & Timepieces, March 2022
A German Terracotta Statue of the Goddess Demeter Sold for $22,500 The Collector's Auction, March 2022
A Sylvie Handbag by Gucci Sold for $3,250 Luxury, April 2022
leonardjoel.com.au | 31
22
ND REPORT
Koalas on the endangered list— what it means for their future — The up-listing of east coast koalas from Vulnerable to
numbers don’t always tell the full story, and these koalas face
Endangered this March is something the International Fund
just as many threats—the number one being habitat loss.
for Animal Welfare (IFAW) campaigned for over the past two years, since the Black Summer fires struck at the heart of already vulnerable koala populations, pushing them to the brink.
As the trees they call home are bulldozed to make way for swathes of blue gum plantations, koalas are forced to move into temporary homes, only to be killed, injured and displaced during harvesting. This is a welfare crisis we simply
When the news finally came, however, it was bittersweet.
cannot ignore.
Bitter in that it is now official—the species is one step further
Soon after the up-listing, the NSW government announced
along the road to extinction. Australia holds the shameful title
it will spend $193 million over five years on a range of koala
of having the world’s worst mammal extinction rate. Now the
conservation measures including purchasing and restoring
koala—one of our most iconic and beloved animals—is at real
key habitat as part of its commitment to double the animals’
risk of joining that list.
numbers in the state by 2050. This is in addition to the
Bitter in that it could have been avoided. The writing has been on the wall for the species for a long time, yet business as usual has continued, with koalas losing out to the interests of big development time and time again. Sweet, in that their dire situation has now officially been recognised and our call has been answered.
federal government’s announcement to spend $50 million over four years for national recovery efforts. But, both announcements do not address the overriding threat facing this endangered species, and that is loss of habitat through land clearing and the compounding impact of climate change. Approximately 44 per cent of Australian forests and woodlands have been cleared since European settlement
IFAW’s campaign was a truly ‘koalaborative’ effort and
largely for agriculture and development. Land clearing
garnered the support of over a quarter of a million people
destroys and fragments habitats, endangers animals, increases
around the world. However, the fact koalas in Queensland
soil erosion, contributes to pollution, increases flooding risk
(QLD), New South Wales (NSW) and the Australian Capital
and even exacerbates the effects of climate change. Due to
Territory (ACT) have gone from Vulnerable to Endangered
climate change, bushfires are also increasing in intensity and
in a decade is not something to be proud of. It should serve
scale. The 2019/2020 black summer bushfires saw more than
as a stark warning that something needs to radically change
18 million hectares of habitat lost – much of which was core
if we don’t want to see them hit the Critically Endangered
koala habitat in NSW, QLD and Victoria.
list in another 10 years’ time, and extinct by 2050. It is also meaningless unless we address the root cause of the species’ decline across its entire range —habitat loss and climate change. Without this, it’s a mere band-aid.
So, while the recent announcements and commitments by governments are a welcome step in recognising the plight of these koala populations, it is not enough in and of itself to save the species from slipping closer to extinction. It is not
It remains to be seen whether the recent up-listing will
a victory and it is not the end. Koalas don’t stand a chance
provide the level of protection koalas so desperately need
unless we protect the trees and land they call home.
against harmful developments, one of which is currently threatening Sydney’s last remaining healthy koala population. It’s also important to remember that the endangered listing doesn’t apply to koala populations in Victoria and South Australia, due to their more abundant populations. But 32 | leonardjoel.com.au
The real victory will come when koalas and their habitats everywhere are given the protections needed so they can thrive in the wild. JOSEY SHARRAD / IFAW
ABOVE & BELOW: Mosswood Wildlife
in Koroit, Victoria. Photo © IFAW. BOTTOM: Scan the QR code to
learn about IFAW's most ambitious conservation project yet and find out how you could be there in person to witness an extraordinary event. For details contact: Director of Philanthropy Debbie Kosh, dkosh@ifaw.org or 0422 072 665.
Robert Owen photographed by Angela Connor.
Art Guide Australia
— PROFILE —
Podcasts
Listen to conversations with creatives The Art Guide Podcast delves into engaging, insightful, and humourous conversations with creatives and artists including Robert Owen, Patricia Piccinini, John Wolseley, Gareth Sansom, Yvette Coppersmith, Alexie Glass-Kantor, Louise Weaver and many, many more. Listen back to these conversations on Spotify, Apple Podcasts or Simplecast, and subscribe to the Art Guide Podcast to keep up-to-date on new episodes as they’re released.
Listen on Apple Podcasts Listen on Spotify artguide.com.au/podcasts
A love letter to this humble furniture icon.
Available now. In store and online. leonardjoel.com.au | 33
— PROFILE —
34 | leonardjoel.com.au
SEX ISSUE 38 OUT NOW TROY-ANTHONY BAYLIS, ROBERT ANDY COOMBS, ROBERT CRUMB, JOHN CURRIN, GERWYN DAVIES, TOM OF FINLAND, JENNA GRIBBON, LOIE HOLLOWELL, SANNÉ MESTROM, HELMUT NEWTON, JULIA ROBINSON, AIKO ROBINSON, EJ SON, MICHELLE USSHER, PAUL YORE & MORE
SUBSCRIBE NOW VAULTMAGAZINE.COM
Jenna Gribbon Comment section (detail), 2021 oil on linen 50.8 x 40.6 cm
leonardjoel.com.au | 35 Courtesy Fredericks & Freiser, New York
— JOIN US —
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Value / Sell / Buy Contact a Leonard Joel Specialist CHAIRMAN & HEAD OF IMPORTANT COLLECTIONS John Albrecht 03 8825 5619 | john.albrecht@leonardjoel.com.au CHIEF EXECUTIVE OFFICER Marie McCarthy 03 8825 5603 | marie.mccarthy@leonardjoel.com.au
Auction Specialists — IMPORTANT JEWELS Hamish Sharma, Head of Department, Sydney 02 9362 9045 | hamish.sharma@leonardjoel.com.au FINE JEWELS & TIMEPIECES Bethany McGougan, Head of Department 03 8825 5618 | bethany.mcgougan@leonardjoel.com.au FINE ART Olivia Fuller, Head of Department 03 8825 5624 | olivia.fuller@leonardjoel.com.au DECORATIVE ARTS David Parsons, Head of Department 03 8825 5638 | david.parsons@leonardjoel.com.au MODERN DESIGN Anna Grassham, Head of Department 03 8825 5637 | anna.grassham@leonardjoel.com.au LUXURY John D'Agata, Head of Department 03 8825 5605 | john.dagata@leonardjoel.com.au PRINTS & MULTIPLES Hannah Ryan, Art Specialist, Manager of Speciality Auctions 03 8825 5666 | hannah.ryan@leonardjoel.com.au SYDNEY Ronan Sulich, Senior Adviser 02 9362 9045 | ronan.sulich@leonardjoel.com.au Madeleine Norton, Decorative Arts and Fine Art Specialist 02 9362 9045 | madeleine.norton@leonardjoel.com.au BRISBANE Troy McKenzie, Representative Specialist 0412 997 080 | troy.mckenzie@leonardjoel.com.au ADELAIDE Anthony Hurl, Representative Specialist 0419 838 841 | anthony.hurl@leonardjoel.com.au PERTH John Brans, Representative Specialist 0412 385 555 | john.brans@leonardjoel.com.au
The Auction Salon Specialists — ART Amanda North 03 8825 5630 | art.manager@leonardjoel.com.au FURNITURE Nick Bastiras 03 8825 5640 | furniture@leonardjoel.com.au JEWELLERY Hannah Sass 03 8825 5621 | jewellery.manager@leonardjoel.com.au OBJECTS & COLLECTABLES Rebecca Stormont 03 8825 5655 | objects.manager@leonardjoel.com.au
Valuations — David Parsons, Head of Department 03 8825 5638 | david.parsons@leonardjoel.com.au
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Leonard Magazine — EDITOR Blanka Nemeth, Marketing & Communications Manager 03 8825 5620 | blanka.nemeth@leonardjoel.com.au
Pink Tourmaline and Diamond Bombé Ring Sold for $35,000 Important Jewels Auction, April 2022
leonardjoel.com.au | 37 This document has been produced to international environmental management standard ISO14001 by a certified green printing company.
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