Fine Art by Leonard Joel

FINE ART AUCTION TUESDAY 3 SEPTEMBER 2019, MELBOURNE

AUCTION CATALOGUE VOLUME 12 ISSUE 13

Front Cover 19 PAUL HENRY (Irish, 1877-1958) Turf Stacks in Connemara (detail) oil on canvas signed lower right: PAUL HENRY inscribed on stretcher bar verso: No. 16 Turf Stacks in Connemara 36 x 40.5cm $60,000-80,000

Inside Cover 144 DAVID MILNE (born 1946) Liverpool Street 2014 (detail) acrylic and Indian ink on linen triptych each initialled and dated lower right 168 x 112cm (each panel) $5,000-7,000

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FINE ART AUCTION TUESDAY 3 SEPTEMBER 2019 AT 6.30PM, MELBOURNE

VIEWING Sydney Thursday 15 August, 10am-8pm Friday 16 August - Sunday 18 August, 10am-4pm The Bond, 36-40 Queen Street, Woollahra NSW 2025

Melbourne Wednesday 28 August, 9am- 8pm Thursday 29 August - Sunday 1 September 10am-4pm Monday by Appointment Only 333 Malvern Road, South Yarra VIC 3141

CONTACT

Olivia Fuller

Lucy Foster

Jane Messenger

Head of Art 03 8825 5624 olivia.fuller@leonardjoel.com.au

Art Specialist 03 8825 5609 lucy.foster@leonardjoel.com.au

Art Specialist 02 9362 9045 jane.messenger@leonardjoel.com.au

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A Journey Around The World Our September auction takes us around the globe! From Singapore to Hungary,

Finally we take a look at the collection of London-born Sydney Pemberton.

France to South Africa, the Netherlands to Ireland and back to Australia.

Pemberton accompanied his father through the 1930’s and 40’s to the exhibitions

Throughout our 100 years of auction history, Leonard Joel has handled some

of several war artists, including Frank Brangwyn, developing a deep interest in

exceptional pieces of international art and our September 2019 auction is no

art. He began working as a commercial artist in an advertising agency, before

exception.

starting his very own, Unitam. The collection delves into Sydney’s interest in current affairs and the living British artists of his era.

The year 1832 saw James Ford Strachan make the journey from Scotland to Australia, eventually settling in Geelong and developing one of Victoria’s

Now, at Leonard Joel, we find ourselves stepping into a new financial year and

foremost wool production businesses, Strachan and Co. The ensuing generations

with it a refreshed model. Our journey has come full circle, with full catalogues

of Strachan’s cemented themselves into Victoria’s history and acquired an art

now reinstated but with some inviting changes. Our online catalogue will now

collection which illustrates the bountiful landscape of the Western District. A

reproduce every lot with a secondary photograph in frame and written condition

taste of home was never far away, however, with the collection including a work

reports available upon upload. This is to assist our clients with their ease of

by revered Irish painter, Paul Henry. Only recently discovered within the family’s

experience from viewing to purchasing.

collection, lot 19 Turf Stacks in Connemara, is a signifiant painting by one of the most sought after 20th century post-impressionist painters in Irish art history.

We look forward to seeing you at our Sydney or Melbourne viewings.

His works are rarely seen on Australian shores, and graces the cover of our September catalogue appropriately so.

Olivia Fuller Head of Art

Our next stop takes us into the collection of Dr. Erich Lubbert and continues across the next two generations. Lubbert was a German industrialist and lawyer through the 20th century who eventually followed the mining trade to South West Africa. The family’s collection (lots 103-109) culminates with its most contemporary piece by South African Postwar painter, Keith Alexander. Near Sesriem c.1982, lot 104, captures the quiet grandeur of one of the most desolate places on earth - the Namib.

1 § HAROLD SEPTIMUS POWER (1878-1951) Summer Time oil on panel signed lower left: H. S. POWER 23.5 x 29cm PROVENANCE: Davidson’s Auctions, Sydney, 30 April 2017, lot 143 Private collection, Melbourne $1,800-2,800 2 HAYWARD VEAL (1913-1968) Leafy Street Scene oil on canvas signed lower right: VeaL 60 x 60cm PROVENANCE: Estate of Minka Veal, Melbourne Private collection, Melbourne $1,600-2,600

3 ALEXANDER COLQUHOUN (1862-1941) John Danks and Son Ironyard oil on canvas laid on board signed lower right: A. Colquhoun 51 x 39cm $1,000-2,000

5 GEORGE HYDE POWNALL (1866-1932) South Wharf, Melbourne 1914 oil on board signed lower left: Geo. Hyde signed, titled, and dated verso 22 x 29.5cm

4 BESSIE GIBSON (British, 1868-1961) European Street Scene oil on panel signed lower right: Bessie Gibson 24 x 18.5cm

PROVENANCE: Private collection, Melbourne $3,000-4,000

PROVENANCE: Private collection, Melbourne $3,500-4,500

6 ALAN D. BAKER (1914-1987) Orange Blossom 1961 oil on board signed lower left: ALAN D. BAKER titled and dated verso 50 x 60cm PROVENANCE: Private collection, Melbourne Thence by descent $1,800-2,800

7 W.B. MCINNES (1889-1939) Morning oil on board signed lower right: W. B. MCINNES 36.5 x 36cm PROVENANCE: Leonard Joel, Melbourne, 16 September 2013, lot 4 Private collection, Melbourne $1,600-2,600 8 ERNEST BUCKMASTER (1897-1968) Road to Queenstown (South) New Zealand oil on canvas laid on masonite signed lower right: E. Buckmaster titled verso 70 x 100cm PROVENANCE: Private collection, Melbourne $4,000-5,000

9 RAY CROOKE (1922-2015) West Australian Landscape c.1970 oil on canvas on composition board signed lower left: R Crooke 61 x 76cm

10 NOEL MCKENNA (born 1956) Road with Girl, Bird, Home 1999 hand painted ceramic tile signed and dated right hand side: N. MCKENNA 99 20.5 x 20.5cm

11 MIRKA MORA (1928-2018) Two Figures 1977 pastel on paper signed lower right: MiRKA. 77 62 x 49cm

PROVENANCE: Savill Galleries, Sydney Private collection, Sydney HOTA Gallery, Gold Coast $4,000-6,000

PROVENANCE: Niagara Galleries, Melbourne 1999 Private collection, Melbourne

PROVENANCE: Private collection, Melbourne $7,000-9,000

EXHIBITIONS: Noel Mckenna: Changing the Light, Niagara Galleries, Melbourne, August 1999, cat. no. 40 (accompanied by exhibition catalogue) $1,500-2,500

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12 ROBERT JUNIPER (1929-2012) Figures in Landscape 1961 oil on board signed and dated lower left: juniper/ ‘61 25.5 x 35cm PROVENANCE: Private collection, Perth 1962 Thence by descent $2,500-4,500

13 TIM STORRIER (born 1949) Study for the Dream of the Endless Horizon (Sunset) 1984 acrylic and pencil on panel signed, titled, and dated lower right: study for the dream of the endless horizon. (sunset) / 11-10-84 / Storrier 17 x 41.5cm PROVENANCE: Lauraine Diggins Fine Art, Melbourne 2000 (label verso) Private collection, Melbourne Thence by descent EXHIBITIONS: A Ticket to Egypt by Tim Storrier, Lauraine Diggins Fine Art, Melbourne, October 2000, cat no. 38 $4,000-6,000

12 © Robert Juniper /Copyright Agency 2019

14 EUAN MACLEOD (born 1956) Light Gap 1992 oil on board titled, signed and dated verso: (LIGHT) GAP / EUAN MACLEOD / S/92 33.5 x 47cm PROVENANCE: Lawson~Menzies, Sydney, 10 November 2011, lot 80 Private collection, Melbourne $2,800-3,800

15 BILL COLEMAN (1922-1993) Figure and Still Life oil on board signed lower right: Bill Coleman 44 x 59.5cm PROVENANCE: Private collection, Melbourne $4,000-6,000 16 DOROTHY BRAUND (1926-2013) Kitchen Pots 1968 oil on masonite signed and dated upper right: BRAUND â&#x20AC;&#x2DC;68 24.5 x 32.5cm PROVENANCE: Private collection, Melbourne $3,000-5,000

THE ESTATE OF JAMES FORD STRACHAN IV LOTS 17-27

The original Woolstores (Wool Warehouse) of James Ford Strachan - constructed in Stone and the initial residence of JF.

Australia’s history is rich with stories of settlers seeking refuge, fortune, and their own piece of “the land of promise”. Wool production remains one of Australia’s largest and most important forms of land use, attracting individuals from afar to reap the benefits. One such individual was the Honorary James Ford Strachan who in 1832 was one of the first English settlers in Victoria arriving in what was then Van Diemen’s Land. Victorian locals may know the Strachan family name well, with a strong presence in the Western District through Strachan and Co. Limited, Aitken Walker Strachan, and the Geelong Club. J.F. Strachan was responsible for the erection of the first brick house in Melbourne, and the first stone building in Geelong. Across the generations, the Strachan’s continue to hold a significant place within Victorian society and the state’s history. James Ford Strachan III and IV developed a passion for art, collecting paintings that depicted their bountiful landscape of the Western District. There are numerous works from the Strachan family in the collections of the Geelong Club, the Melbourne Club, and the Barwon Heads Golf Club. A significant discovery among the family’s heirlooms was a work by revered Irish artist, Paul Henry. Known as the “Father of Irish Landscape Painting” Henry has become one of the most sought after 20th century post-impressionist painters in Irish art history. The discovery of this painting in Australia attests to Henry’s significance within Irish culture and art history.

17 LIONEL LINDSAY (1874-1961) Segovia watercolour on paper signed and titled lower left: LIONEL LINDSAY SEGOVIA 38 x 27cm PROVENANCE: The Estate of James Ford Strachan IV, Victoria $1,500-2,000

18 ARTHUR STREETON (1867-1943) Twin Bays Vancouver c.1922 watercolour on paper initalled lower right: A.S. 36 x 53.5cm PROVENANCE: The Estate of James Ford Strachan IV, Victoria LITERATURE: Galbally, A., Arthur Streeton, Lansdowne Press, Melbourne 1969, p. 70: “In January 1922, Streeton and his wife set sail for England via Canada, disembarking at Vancouver and travelling across country to St. Mary’s, Ontario, where three months were spent with Mrs Streeton’s mother. The Canadian landscape stimulated Streeton, and he returned there the following year from London for a painting trip.” RELATED WORK: “Twin Bays, Vancouver” c.1922, oil on canvas, 50.5 x 76 cm, Deutscher~Menzies,1 May 2002, lot 54 $12,000-18,000 -Viewing in Sydney-

“This picture is certainly the work of Paul Henry. The clouds which cover more than half the composition and his use of light are typical of Henry’s style of work. The scene in a remote area of Connemara is a tranquil one, one can see many reflections of the clouds and turf stacks in the water in the foreground.” DR. S.B. KENNEDY, JULY 2019

19 PAUL HENRY (Irish, 1877-1958) Turf Stacks in Connemara oil on canvas signed lower right: PAUL HENRY inscribed on stretcher bar verso: No. 16 Turf Stacks in Connemara 36 x 40.5cm PROVENANCE: The Estate of James Ford Strachan IV, Victoria OTHER NOTES: Leonard Joel was honoured to engage with Dr. S. B. Kennedy, the leading industry expert on Paul Henry, when researching this painting: We would like to thank Dr. S.B. Kennedy, whose writings form the basis of this catalogue entry. $60,000-80,000 -Viewing in Sydney-

Paul Henry, known as the “Father of Irish Landscape Painting”, is one of the most sought after 20th century post-impressionist painters in Irish art history. Henry began his career studying art in Belfast, before further studies at the Academie Julian and the newly founded studio of American painter James Abbott McNeil Whistler in Paris in 1898. His time in France exposed him to the art world’s most revered painters, and he was particularly inspired by Jean Francois Millet, Paul Cezanne, and Paul Gauguin. Henry’s landscape paintings depict the terrain of Ireland, reduced to its key elements of sky, cloud, bog, and turf. Turf Stacks in Connemara masterfully depicts the magnificent scenery of the Connemara wilderness. The remarkable colour harmony and creamy texture of paint are typical of the artist through the later 1920’s and 1930’s as both his mood and palette lightened. The delicacy and drama of the landscape are brought to life through the awe of the mountain range, the towering clouds somewhat ominous in construction, and the weaving curves of the bog. To some extent Henry used turf stacks to balance his works where other artists may use figures. This was a consolidation of his style which by now was fully mature.

25 20 RUBERY BENNETT (1893-1987) Storm Clouds Beau Desert oil on canvas signed lower right: RUBERY BENNETT artistâ&#x20AC;&#x2122;s name and title inscribed on Sedon Galleries label verso 37 x 45cm PROVENANCE: The Sedon Galleries, Melbourne The Estate of James Ford Strachan IV, Victoria $2,500-3,500

21 RUBERY BENNETT (1893-1987) Mount Sonder oil on canvas signed lower left: RUBERY BENNETT inscribed verso: No. 25 MT SONDER C.A 35.5 x 43cm PROVENANCE: The Estate of James Ford Strachan IV, Victoria $2,200-3,200 22 JAMES R. JACKSON (1882-1975) Victorian Landscape oil on canvas signed lower left: JAMES R. JACKSON 48.5 x 58.5cm PROVENANCE: The Sedon Galleries, Melbourne (label verso) The Estate of James Ford Strachan IV, Victoria $1,800-2,800

23 RUBERY BENNETT (1893-1987) Cloud Shadows Camden oil on canvasboard signed lower left: RUBERY BENNETT 14.5 x 19.5cm PROVENANCE: The Estate of James Ford Strachan IV, Victoria $1,000-1,500 24 HANS HEYSEN (1877-1968) Coastal View watercolour on paper signed lower right: HANS HEYSEN 27.5 x 38cm PROVENANCE: The Estate of James Ford Strachan IV, Victoria $7,000-9,000 -Viewing in Sydney-

26 25 JOHN LOXTON (1903-1969) Farm Workers watercolour on paper signed lower left: John. S. Loxton 41.5 x 50.5cm

26 JOHN ROWELL (1894-1973) Sheep on Rolling Hills oil on canvas signed lower right: John Rowell 50 x 60cm

27 LOUIS MCCUBBIN (1890-1952) Sheep in Landscape oil on canvas signed lower left: Louis McCubbin 50 x 60cm

PROVENANCE: The Estate of James Ford Strachan IV, Victoria $1,000-1,500

PROVENANCE: The Estate of James Ford Strachan IV, Victoria $2,000-2,500

END OF COLLECTION 17

30 ISAAC WHITEHEAD (c.1819-1881) Arthur’s Pass, Otira Gorge c.1877 oil on canvas unsigned George Rowney & Co. maker’s stamp verso 51 x 78cm PROVENANCE: Lauraine Diggins Fine Art, Melbourne (label verso) Private collection, Melbourne EXHIBITIONS: Probably The Seventh Exhibition of the Victorian Academy of Arts, held in the Academy’s New Building, Eastern Hill, Melbourne, 17 March 1877, cat. no.12 Selected Australian Works of Art, Lauraine Diggins Fine Art, Melbourne, 19 October - 6 November 1981, cat. no. 14 Annual Collectors’ Exhibition, Lauraine Diggins Fine Art, Melbourne, 1 October - 8 November, 2008 The Painted Vision: 1840 - 1963, Lauraine Diggins Fine Art, Melbourne, 3 October - 30 November 2009 Resale Royalty and the Collector, Lauraine Diggins Fine Art, Melbourne, 11 August 2010 - 18 September 2010 LITERATURE: Probably The Academy of Arts Exhibition, Argus, Melbourne, 17 March 1877, p.8 $10,000-15,000 -Viewing in Sydney31 FREDERICK WOODHOUSE SENIOR (1820-1909) Red Coat Rider 1897 oil on canvas signed and dated lower right: Fred Woodhouse Sen./ 1897 50.5 x 68.5cm

PROVENANCE: Private collection, Melbourne $2,500-3,500 28 JAMES ALFRED TURNER (1850-1908) Meal Mates oil on composition board signed lower left: J. A. Turner titled on gallery label verso 32 x 24.5cm

29 JAMES ALFRED TURNER (1850-1908) Breakfast Time 1889 oil on canvas signed and dated lower left: J. A. Turner / 1889 titled on frame plaque 46 x 65cm

32 CHARLES ROLANDO (1844-1893) Landscape with Figures 1887 oil on canvas initalled lower right in red inscribed verso with artist’s name and date 39 x 68cm

PROVENANCE: Lauraine Diggins Fine Art, Melbourne (label verso) Private collection, Melbourne $4,000-6,000

PROVENANCE: Private collection, Victoria $12,000-18,000

PROVENANCE: Sotheby’s, Melbourne, 29 October 2014, lot 99 Private collection, Melbourne $5,000-7,000

33 LOUIS BUVELOT (1814-1888) Pool with Figures 1883 watercolour on paper signed and dated lower left: L. Buvelot / 1883 22 x 31cm

34 J.H. SCHELTEMA (1861-1941) Lakeside with Cattle oil on canvas signed lower right: J. H. Scheltema 45 x 75cm

35 ERNEST BUCKMASTER (1897-1968) Still Life oil on canvas signed lower left: E. Buckmaster 85 x 62cm

PROVENANCE: Hawthorn Galleries, Melbourne (cat. no. 8925, label verso) Leonard Joel, Melbourne, 21 November 1967, lot 227 The Alan Grant Collection Thence by descent $2,500-3,500

PROVENANCE: Private collection, Melbourne $5,500-7,000

PROVENANCE: Private collection, Melbourne Thence by descent $3,000-5,000

48 © Courtesy of the Estate of Dorothy Braund 36 MAX MIDDLETON (1922-2013) Afternoon Light - Eildon 1985 oil on canvas signed lower right: Max Middleton 79.5 x 121cm PROVENANCE: Estate of the artist $5,000-7,000 37 KEN KNIGHT (born 1956) Middle Harbour oil on board signed lower right: Ken Knight titled verso 61 x 102cm PROVENANCE: Private collection, Melbourne $5,000-7,000 -Viewing in Sydney-

38 D’ARCY DOYLE (1932-2001) Cricket Match After School oil on canvasboard signed lower right: d’Arcy. W. Doyle titled verso 59 x 89.5cm PROVENANCE: The Schubert Art Gallery, Queensland (label verso) Private collection, Victoria $9,000-12,000 39 KENNETH JACK (1924-2006) The Main Street, Tibooburra 1968 oil on masonite signed and dated lower right: KENNETH JACK 1968 89 x 113cm PROVENANCE: Private collection, Melbourne Thence by descent $6,000-8,000

40 HERMAN PEKEL (born 1956) Mansfield oil on masonite signed lower right: PEKEL 60 x 121cm PROVENANCE: Private collection, Melbourne $3,000-5,000 41 § DAVID BOYD (1924-2011) Children by the Riverbank oil on masonite signed lower left: David Boyd 29.5 x 37cm PROVENANCE: McKenzies Auctioneers Perth,14 September 2010, lot 90 Private collection, Melbourne $6,000-8,000 42 PRO HART (1928-2006) The Shearer 1981 oil on canvasboard signed and dated lower left: PRO / HARt / 81 24 x 23cm PROVENANCE: Private collection, Melbourne $2,500-3,500

49 43 ยง PRO HART (1928-2006) Mining oil on board signed lower right: PRO / HARt 20.5 x 19cm PROVENANCE: Kids Tennis Foundation Fundraising Auction, Melbourne, 27 January 2002, lot 86 Private collection, Melbourne Leonard Joel, Melbourne, 24 March 2015, lot 9 Private collection, Melbourne $2,500-3,500 44 BILL COLEMAN (1922-1993) City Street oil on paper laid on board signed lower right: Bill Coleman inscribed verso with title 29 x 39cm PROVENANCE: Private collection, Melbourne $3,000-5,000

45 BILL COLEMAN (1922-1993) Underground oil on board signed lower left: Bill Coleman label attached verso with title 60 x 75cm PROVENANCE: Private collection, Melbourne $4,000-6,000 46 ROBERT DICKERSON (1924-2015) Young Mother charcoal on paper signed lower right: DICKERSON 39 x 32cm PROVENANCE: Private collection, Melbourne $2,200-2,800 47 CHARLES BLACKMAN (1928-2018) Head of a Woman c.1957 pencil on paper signed lower right: Blackman 30 x 25.5cm

48 DOROTHY BRAUND (1926-2013) Family of Bathers watercolour and gouache on paper unsigned 20 x 27cm PROVENANCE: Acquired directly from the artist, 1993 Private collection, Melbourne $2,000-3,000 49 COLIN COLAHAN (1897-1987) Lyme Regis - Low Tide oil on panel signed lower left: Colahan titled verso 36.5 x 44.5cm PROVENANCE: Estate of the artist Thence by descent $1,200-1,800

PROVENANCE: The Alan Grant Collection Thence by descent $2,500-4,500 21

50 CLARICE BECKETT (1887-1935) Soft Evening oil on board unsigned 21 x 20.5cm PROVENANCE: Ms. Hilda Mangan Realities Gallery, Melbourne (label verso) The Alan Grant Collection Thence by descent

OTHER NOTES: Beckett constantly sought imagery and inspiration from her surroundings; be it through the afterglow of a bright sunset, the shimmering heat of a road or headlights shining through misty Melbourne rain. She fixated and excelled in depicting particular effects of nature, such as sun, haze, rain, mist and smoke, flawlessly capturing natureâ&#x20AC;&#x2122;s shades of lavender, lilac and tonal greys. $14,000-18,000 -Viewing in Sydney-

51 ARCHIBALD DOUGLAS COLQUHOUN (1894-1983) Lorne oil on canvas laid on board signed upper left: A. D. Colquhoun 44.5 x 54.5cm PROVENANCE: Private collection, Melbourne Thence by descent $1,000-1,500

52 COLIN COLAHAN (1897-1987) Street Scene oil on masonite signed lower right: Colahan 43 x 36.5cm PROVENANCE: The Alan Grant Collection Thence by descent $2,000-3,000 53 ROBERT TAYLOR-GHEE (1869-1951) Paper Mill at Fairfield 1919 oil on board signed and dated lower left: RE Taylor Ghee 19 27 x 20.5cm PROVENANCE: Leonard Joel, Melbourne, 5 November 1975, lot 562 The Alan Grant Collection Thence by descent $1,500-2,000 54 CHARLES BUSH (1919-1989) Lady Martins Beach Sydney oil on board signed lower right: Bush 47 x 79cm PROVENANCE: Private collection, Melbourne $2,500-3,500 -Viewing in Sydney55 ARTHUR MURCH (1902-1989) Boy Fishing oil on board signed lower left: MURCH 25 x 18cm 53

PROVENANCE: Private collection, Melbourne Thence by descent $2,000-4,000 56 LOUIS MCCUBBIN (1890-1952) Exhibition Gardens 1923 oil on canvas signed and dated lower left: Louis McCubbin 23 59.5 x 49.5cm PROVENANCE: Leonard Joel, Melbourne, 12 May 2003, lot 242 Private collection, Melbourne $2,000-3,000

57 JAMES R. JACKSON (1882-1975) Evening Fairy Bowers, Manly oil on canvasboard signed lower right: JAMES R. JACKSON artist’s name and title inscribed verso 36 x 44cm PROVENANCE: Private collection, Melbourne $2,000-3,000 -Viewing in Sydney-

58 § ROBERT TAYLOR-GHEE (1869-1951) Shaded Pastures oil on board signed lower left: R. E Taylor-Ghee 28 x 30cm PROVENANCE: Melbourne Fine Art Gallery, Melbourne Leonard Joel, Melbourne, 29 November 2016, lot 251 Private collection, Melbourne $1,800-2,800

59 PENLEIGH BOYD (1890-1923) (Noon, Port Hacking) 1922 oil on canvas signed and dated lower right: Penleigh Boyd / 22 60 x 75cm PROVENANCE: Private collection, Melbourne Thence by descent Private collection, Melbourne EXHIBITIONS: (Likely) Oil Paintings of Sydney Harbour by Penleigh Boyd, Athenaeum Hall, Melbourne, 14 - 25 August 1922, cat. no. 31 $25,000-35,000 -Viewing in Sydney-

60 EMANUEL PHILLIPS FOX (1865-1915) The Harbour’s Edge c.1914 oil on board artist name inscribed in pencil lower left: E PHILLIPS FOX title inscribed verso with number 8256 26.5 x 34cm PROVENANCE: Private collection, Victoria Thence by descent LITERATURE: Zubans, R., E. Phillips Fox: His Life and Art, Melbourne University Press, Melbourne, 1995, pp. 165-6.

“Some time during 1914 Fox also painted at Stanwell Park. The locality offered him a glorious variety of motifs - from a dried-out riverbed to gnarled ti-trees and rocks, and a hill steeply rising above the water. Some of the scenes Fox painted at Stanwell Park are amongst his finest inland works painted during these years in Australia.” RELATED WORK: “The Creek, Stanwell Park” c.1914, in R. Zubans E. Phillips Fox: His Life and Art, cat. no. 467, p 164 (illus.) $10,000-15,000 -Viewing in Sydney-

61 § RUBERY BENNETT (1893-1987) Old Road, Burragorang Valley oil on canvasboard signed lower right: RUBERY BENNETT 29.5 x 37cm PROVENANCE: Estate of Allan Waite Davidson’s Auctions, Sydney, 11 September 2016, lot 36D Private collection, Melbourne $2,500-4,500 62 W.B. MCINNES (1889-1939) Autumn Landscape oil on board signed lower left: MCINNES 22.5 x 26.5cm PROVENANCE: Leonard Joel, Melbourne, 25 March 2014, lot 3 Private collection, Melbourne $2,000-4,000

63 ELIOTH GRUNER (1882-1939) Apple Gum c.1915 oil on cardboard initialled lower right: E.G. title inscribed verso 31 x 39cm PROVENANCE: Joseph Lowy Private collection, Melbourne OTHER NOTES: Accompanied by a copy of a letter of authenticity from National Gallery of Victoria Director, Daryl Lindsay. $7,000-9,000 -Viewing in Sydney-

64 ELIOTH GRUNER (1882-1939) At Leura c. 1926 oil on canvas laid on board unsigned 24.5 x 29cm PROVENANCE: Macquarie Galleries, Sydney, 1926 The Saul Symonds collection Thence by descent Bonhams & Goodman, Sydney, 26 April 2005, lot 36 Private collection, Sydney Shapiro Auctioneers, Sydney, 22 May 2013, lot 85 Private collection, Melbourne EXHIBITIONS: Exhibition of Oil Paintings by Elioth Gruner, Macquarie Galleries, Sydney, 10- 21 August 1926, no.12 $6,500-8,500 -Viewing in Sydney-

65 ATTRIBUTED TO EMANUEL PHILLIPS FOX (1865-1915) Autumn Leaves c.1900 oil on canvas unsigned accompanied by a letter of authenticity from Lionel Fox dated 30.8.1971 54 x 33cm PROVENANCE: The artistâ&#x20AC;&#x2122;s mother Thence by descent to Caroline Fox, 1916 Thence by descent to Lionel Fox Private collection, Melbourne LITERATURE: Eagle, M., The Oil Paintings of E. Phillips Fox in the National Gallery of Australia, NGA, Canberra 1997, pp.27-28.

OTHER NOTES: Beginning in 1897, Fox established a camp held every autumn at Charterisville where he and his students would spend several months painting en plein-air incorporating Impressionist practices. In the garden which sloped down to the Yarra where the light was ideal, they could paint multiple oil sketches per day, working quickly to capture the light effect. Fox placed particular emphasis on cool and warm tones, restricting the palette to no more than five colours. Many of his autumn paintings from this period were gifted to his family. $7,000-9,000

66 W.B. MCINNES (1889-1939) Figures Chopping Wood oil on canvas on board signed lower right: W. B. McInnes 43 x 56.5cm PROVENANCE: Private collection, Melbourne $5,500-7,500 67 ERNEST BUCKMASTER (1897-1968) Oriental Dish and Figurines oil on canvas signed lower left: E. Buckmaster 63 x 74cm PROVENANCE: Private collection, Melbourne $3,500-5,500

68 RUPERT BUNNY (1864-1947) Allegory of the Harvest c.1904 oil on canvas unsigned 54.5 x 65cm

69 NORMAN LINDSAY (1879-1969) Seated Nude pencil on paper signed lower centre: NORMAN LINDSAY 27.5 x 18.5cm

PROVENANCE: Dr Robin Sharwood, Melbourne Joseph Brown Gallery, Melbourne 1973 Sotheby’s, Melbourne, 24 July 1988, lot 301 Private collection, Melbourne

PROVENANCE: Leonard Joel, Melbourne, 25 May 1973, lot 488 The Alan Grant Collection Thence by descent $2,000-4,000

70 IDA RENTOUL OUTHWAITE (1888-1960) The Fairy Balloon ink and watercolour on paper initialled lower right titled lower right on mount 38.5 x 33.5cm PROVENANCE: The Alan Grant Collection Thence by descent $6,000-8,000 -Viewing in Sydney-

EXHIBITIONS: Spring Exhibition, Joseph Brown Gallery, Melbourne, 24 Oct-7 Nov 1973, cat. no. 20 as “Allegorical Composition” LITERATURE: Thomas, D., The Life and Art of Rupert Bunny: A Catalogue Raisonné, Thames and Hudson, Melbourne, 2017, Vol. 2, cat. no. O212 $18,000-24,000 -Viewing in Sydney 27

THE ESTATE OF SYDNEY PEMBERTON LOTS 71-77 71 LAURA KNIGHT (British, 1877-1970) Sleeping Baby watercolour and charcoal on paper signed lower right: Laura Knight 48 x 63cm PROVENANCE: Abbott and Holder, London 1973 (label verso) Sydney Pemberton Collection, Perth Thence by Descent $5,500-7,500 -Viewing in Sydney72 LAURA KNIGHT (British, 1877-1970) Up the Rope Ladder watercolour and goauche on paper signed lower right: Laura Knight artist’s name and title inscribed on gallery label verso 57 x 39cm

PROVENANCE: Abbott and Holder, London 1974 Sydney Pemberton Collection, Perth Thence by Descent EXHIBITIONS: Summer Exhibition, The Royal Watercolour Society, London,1934, no. 141 LITERATURE: The Old Water-Colour Society’s Club Vol.12, 1935, p.30, (illus.) $6,000-8,000 -Viewing in Sydney73 AUGUSTUS JOHN (British, 1878-1961) Figure Study ink on paper artist’s name inscribed verso 14.5 x 10cm PROVENANCE: Sotheby’s, London, 6 February 1974, lot 65 Sydney Pemberton Collection, Perth Thence by Descent $1,000-1,500

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74 AUGUSTUS JOHN (British, 1878-1961) Canadian Soldiers WWI pen and ink on paper unsigned accompanied by a certificate of authenticity hand signed by Casper John 25 x 24cm PROVENANCE: Abbott and Holder, London 1974 Sydney Pemberton Collection, Perth Thence by Descent $2,500-4,500 -Viewing in Sydney-

We take a look at the collection of London-born Sydney Pemberton. Pemberton accompanied his father through the 1930’s and 40’s to the exhibitions of several war artists, including Frank Brangwyn, developing a deep interest in art. He began working as a commercial artist in an advertising agency, before starting his very own, Unitam. The collection delves into Sydney’s interest in current affairs and the living British artists of his era.

75 FRANK BRANGWYN (British, 1867-1956) A Dish of Sausage (In The Forecastle) pen, crayon and wash on paper unsigned titled lower right 24 x 27cm PROVENANCE: Abbott and Holder, London 1972 Sydney Pemberton Collection, Perth Thence by Descent $1,000-1,500 76 FRANK BRANGWYN (British, 1867-1956) Study for Skinner Hall Mural crayon on brown paper unsigned 28.5 x 23.5cm PROVENANCE: Abbott and Holder, London 1974 Sydney Pemberton Collection, Perth Thence by Descent $1,000-1,500 77 THOMAS ROWLANDSON (British, 1756-1827) Lady Kirkwall pencil and watercolour on paper unsigned titled lower centre 18 x 12cm PROVENANCE: Abbott and Holder, London 1978 Sydney Pemberton Collection, Perth Thence by Descent LITERATURE: Riely, J. New Light on Rowlandson’s Biography, Burlington Magazine, 1979, p.587 OTHER NOTES: A portrait of Lady Kirkwall (1780 -1843) believed to be at the age of 25. An amateur painter, Lady Kirkwall admired Rowlandson’s work and provided patronage in return for tutelage. $1,500-2,500

END OF COLLECTION 29

78 MAXIMILIEN LUCE (French, 1858-1941) Rolleboise, Mericourt charcoal and wash on paper signed lower left: Luce 25.5 x 35.5cm

80 OLIVER ASHWORTH-MARTIN (born 1986) The Immortal (I) bronze on marble ed. 5/9 signature on base and etched into marble 8.5 x 8.5cm (excluding base)

PROVENANCE: Galerie Boulle Tableaux Antiquities, Paris Property from the Estate of Helen and Jack Halpern, Chicago Hindman Auctioneers, Chicago, 15 October 2018, lot 45 Private collection, Victoria $1,000-1,500 -Viewing in Sydney-

PROVENANCE: Private collection, Melbourne $1,200-1,800

79 OLIVER ASHWORTH-MARTIN (born 1986) Augmented Immortal - Eucalyptus bronze on marble ed. 3/9 signature incised on base 40 x 40cm (excluding base)

81 ALEXANDER MCKENZIE (born 1971) Night Scene 2001 oil on linen signed and dated lower right: AMK 01 60.5 x 60.5cm PROVENANCE: Private collection, Adelaide OTHER NOTES: Alexander McKenzie is represented by Martin Browne Contemporary, Sydney $4,000-6,000

PROVENANCE: Private collection, Melbourne $12,000-18,000 -Viewing in Sydney-

82 § MATTHEW QUICK (born 1967) Introduced Species 2010 oil on linen signed lower left: Quick artist’s name, title, and date on studio label verso 90 x 200cm PROVENANCE: Marlene Antico Fine Arts, Sydney 2010 Private collection, Melbourne EXHIBITIONS: The Paddington Art Prize, Menzies Art Brands Gallery, Sydney, 13 October - 24 October, 2010, cat. no. MQ910 $4,000-6,000 -Viewing in Sydney83 GRAEME DRENDEL (born 1953) Preparation of the Page 1999 oil on linen signed and dated lower right: DRENDEL ‘99 137 x 137cm PROVENANCE: Australian Galleries, Melbourne cat. no. AG110526 (label verso) Private collection, Melbourne $4,000-6,000 84 ROSSLYND PIGGOTT (born 1958) Tree with Portrait 1988 charcoal on paper initialled and dated lower right 76 x 56cm PROVENANCE: Powell Street Gallery, Melbourne 1988 (label verso) Private collection, Melbourne EXHIBITIONS: Rosslynd Piggott - The back of a princess (Drawings done in Italy 1987/88 and recently), Powell Street Gallery, Melbourne, 5 November 1988 – 24 November 1988 OTHER NOTES: In 1987–88, Piggott spent four months in Italy, describing the experience as ‘complex, dense and still unfolding’. This painting was made during her residency at Il Paretaio, a Tuscan farmhouse established by Arthur Boyd that became a site for Australia Council studio residencies. $1,000-1,500 -Viewing in Sydney-

85 ANTHONY VANDERZWEEP (born 1960) Fox Head 2013 bronze on slate unique artist’s seal and date inscribed at base 23 (height) including base

86 § GEORGE HAYNES (born 1938) Chrono Chroma 2014 oil on canvas initialled and dated lower right signed, titled, and dated verso 137 x 153cm

PROVENANCE: The Artist $3,000-5,000

PROVENANCE: Acquired directly from the artist Private collection, Melbourne $9,000-12,000

87 JAMES DAVIS (born 1940) Lion Gate 1993 acrylic on canvas triptych initialled lower right inscribed verso with title 183 x 366cm (overall) PROVENANCE: Gallery New Quay, Melbourne (label verso) Private collection, Melbourne $5,000-7,000

88 IVAN SAGITO (Indonesian, born 1957) Spiritual Bridge 1982 oil on canvas signed and dated verso: Ivan Sagita 1 - 82 100 x 125cm PROVENANCE: Duta Fine Arts Gallery, Jakarta Private collection, Sydney OTHER NOTES: Ivan Sagita is a highly regarded Indonesian artist both within Indonesia and throughout the AsiaPacific, and a well-recognised figurehead of Jogja Surrealism. Born in Malang, Indonesia in 1957, Sagita lives and works in Yogyakarta, the city in which he completed a Bachelor of Fine Art at the Indonesian Institute of the Arts in 1985. He has exhibited broadly throughout the Asia-Pacific and the USA, where he has received numerous awards for his work. This includes the Indonesian Painting Biennale

(1987 & 1989), the Osaka Triennale (1996), and the Mainichi Broadcasting System Prize at the Osaka Sculpture Triennale (1998). Sagita was exhibited in the first Asia-Pacific Triennial of Contemporary Art, Queensland Art Gallery, Brisbane 1993, and in Freezing the Time, Gallery of Northern Territory University, Darwin 2001.

89 LORNA FENCER NAPARRULA (c.1925-2006) Untitled 1996 acrylic on canvas inscribed verso with artistâ&#x20AC;&#x2122;s name, date, Alcaston Gallery cat. no. AK 3550 and gallery stamp 88 x 187.5cm

Spiritual Bridge is painted in the Jogja Surrealist Style (Jogja being a shortened name for the city Yogyakarta). Whilst sharing painterly qualities with Western Surrealism, conceptually the artists associated with the Jogja Surrealist style divert from Western Surrealism by gazing at the unreal world drawn from their immediate surroundings, rather than revelling in its creation. Sagita explores the intersection of contemporary social issues with spirituality and particularly the cultural merging of tradition with modernity. $18,000-24,000 -Viewing in Sydney-

PROVENANCE: Alcaston Gallery, Melbourne Private collection, Melbourne $2,000-3,000

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90 § NINGURA NAPURRULA (c.1938-2013) Ngaminya 2001 acrylic on linen inscribed verso with artist’s name and Papunya Tula Artists cat. no. NN0101060 137 x 122cm

92 SALLY GABORI (c.1924-2015) Hunting Ground 2006 acrylic on linen inscribed verso with artist’s name, title, and cat. no. 1240-c-sa-0506 120 x 91cm

PROVENANCE: Papunya Tula Artists, Alice Springs William Mora Galleries, Melbourne The Collection of William and Lucy Mora, Melbourne Deutscher and Hackett, Melbourne, 21 July 2010, lot 25 Private collection, Melbourne

PROVENANCE: Mornington Island Arts and Crafts, Mornington Island, Queensland Jan Murphy Gallery, Brisbane Private collection, Brisbane $4,000-6,000 -Viewing in Sydney-

EXHIBITIONS: The White Show 2, William Mora Galleries, Melbourne, September 2001, cat. no. 12 $7,500-9,500

93 § MAKINTI NAPANANGKA (c.1930-2011) Tribal Women Hairstring Skirts 2010 acrylic on linen inscribed verso with cat no. 2105 120.5 x 179.5cm

91 NINGURA NAPURRULA (c.1938- 2013) Untitled acrylic on canvas 140 x 140cm PROVENANCE: Aranda Aboriginal Art Gallery, Melbourne 2005, cat. no. ASAANN1710 (accompanied by a copy of a certificate of authenticity) Private collection, Melbourne $5,000-7,000 -Viewing in Sydney-

PROVENANCE: Mandel Aboriginal Art Gallery, Melbourne (accompanied by a certificate of authenticity) $3,500-4,500 94 MINNIE PWERLE (1922-2006) Awelye Atnwengerrp 2006 acrylic on canvas inscribed verso with artist’s name, title, and Dacou Gallery cat. no. DG06212 121 x 90cm PROVENANCE: Private collection, Melbourne $3,500-4,500

95 § EMILY PWERLE (born 1925) Awelye Atnwengerrp (Body Paint) 2015 acrylic on canvas inscribed verso with catalogue number EP0007 (15) 100 x 160cm PROVENANCE: Original & Authentic Aboriginal Art, Melbourne, 2015 (accompanied by a certificate of authenticity) Private collection, Melbourne $2,500-3,500 96 MIRKA MORA (1928-2018) Woman with Snake and Flowers pencil and charcoal on paper 51 x 38cm PROVENANCE: The Artist Tolarno Galleries, Melbourne Private collection, Sydney $3,000-5,000 -Viewing in Sydney97 ROBERT JACKS (1943-2014) After the Storm, St Ives Cornwall 1988 watercolour on paper titled lower left: After the Storm signed, dated and titled lower right: R Jacks 1988 / R. Cornwall 39 x 28cm PROVENANCE: Australian Galleries, Melbourne (label verso) $1,000-1,500

98 LENTON PARR (1924-2003) Boonarong 1967-68 steel and chrome on timber base one of 13 maquettes 32 x 29.5 x 20cm (excluding base) PROVENANCE: Christies, Sydney, 23 August 2004, lot 344 Private collection, Melbourne LITERATURE: Inside Philip Morris, Vol. 4, No. 2, May 1968, p.1 (illus.) Lenton Parr: Vital Presences, The Beagle Press 1999, p.69 OTHER NOTES: This is the maquette for the sculpture commissioned by Phillip Morris Australia for the courtyard of the new extensions made to the Moorabin factory in 1967-1968. The complex had been given the Aboriginal name “Boonoorong”. $3,000-5,000 99 ROBERT GRIEVE (1924-2006) Dawn Music 1981 oil on canvas laid on masonite signed and dated lower right: R. GRIEVE 81 inscribed verso with artist’s name and title 83 x 54cm PROVENANCE: Private collection, Melbourne Thence by descent $2,000-4,000 100 NOEL COUNIHAN (1913-1986) Miner in Narrow Stream 1963 tempera and Indian Ink on cardboard artist’s name, title and date on gallery label verso unsigned 13 x 17cm PROVENANCE: Macquarie Galleries, Sydney 1963 (label verso) Private collection, Sydney $1,000-2,000

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101 NYOMAN GUNARSA (Indonesian,1944-2017) Untitled 1972 oil on canvas signed and dated lower right: Nyoman Gunarsa 72 artist’s label verso 81 x 65cm PROVENANCE: Private collection, Melbourne $1,000-2,000 102 CHUAH SEOW KENG (Malaysian, born 1945) Untitled (Orange Sun over Fishing Village) batik laid on board signed lower right: S. Keng 61 x 156cm PROVENANCE: Private collection, Melbourne $2,000-3,000

103 JACQUES DEPERTHES (French, born 1936) Untitled (Grey House) oil on canvas signed lower right: Jacques Deperthes 60 x 72cm PROVENANCE: Private collection, South Africa Thence by descent Private collection, Melbourne OTHER NOTES: Born in Suresnes, France, and residing in Geneva, Switzerland, Jacque Deperthes is best known for his realist depictions of desolate landscapes. Often featuring empty rural villages and barren winter trees, his works evoke a strange silence in the viewer due to their lifeless atmospheres and absence of human presence. $2,000-3,000 -Viewing in Sydney-

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104 KEITH ALEXANDER (South African, 1946–1998) Near Sesriem c.1982 oil on canvas signed and inscribed lower right: Alexander 8_ inscribed on stretcher bar verso: 1327 NEAR SESRIEM 76.5 x 123cm PROVENANCE: Elizabeth White & Associates, Johannesburg, South Africa c.1985 (accompanied by a letter from Elizabeth to the owner dated 25 June 1985, and an accompanying booklet on the artist) Private collection, South Africa Thence by descent Private collection, Melbourne OTHER NOTES: Keith Alexander first visited the Namib in the early 1980’s which provided him with the new impetus and direction he needed and was the catalyst for his resulting obsession with one of the most desolate places on earth. Namibia is harsh, stark and daunting yet possesses a quiet grandeur. Keith’s skillful play of light and shadow, of height and distance, renders the magnificence of the Namib scene on canvas where the camera perhaps cannot. $15,000-25,000 -Viewing in Sydney-

105 JÁNOS VASZARY (Hungarian, 1867-1939) Marquita c.1925 ink and watercolour on paper signed lower right: vasz inscribed lower right: Paris / 925 titled lower centre artist name and title inscribed on gallery label verso 24.5 x 33.5cm PROVENANCE: Galerie Semiha Huber, Zurich c.1964 (label verso) Private collection, South Africa Thence by descent Private collection, Melbourne EXHIBITIONS: Vaszary, Galerie Semiha Huber, Zurich, December 1964 - January 1965, cat. no. 46 $2,000-3,000

106 ALICE TENNANT (South African, 1890-1976) Still Life oil on board signed lower right: A. Tennant artist’s name and title on unknown label verso 24 x 30cm PROVENANCE: Private collection, South Africa Thence by descent Private collection, Melbourne $1,000-1,500 107 BLANCHE AUGUSTINE CAMUS (French, 1881-1968) Reading in the Garden oil on canvas signed lower right: Bl. Camus 63 x 79cm PROVENANCE: Dr. Erich Lubbert Thence by descent Private collection, Melbourne $4,000-6,000

112 © John Perceval/Copyright Agency 2019

108 ADRIAAN BOSHOFF (South African, 1935-2007) Figures at the Beach oil on masonite signed lower left: ADRIAAN BOSHOFF. 31.5 x 44.5cm

110 § RUBERY BENNETT (1893-1987) Little Farm, Kurrajong oil on canvasboard signed lower left: RUBERY BENNETT 14 x 19cm

112 JOHN PERCEVAL (1923-2000) Evening in the Woods c.1966 oil on board signed lower left: Perceval 60 x 90cm

PROVENANCE: Private collection, South Africa Thence by descent Private collection, Melbourne $3,000-5,000 -Viewing in Sydney-

PROVENANCE: Lawsons, Sydney, 13 April 2017, lot 575 Private collection, Melbourne Leonard Joel, Melbourne, 6 June 2017, lot 66 Private collection, Melbourne $1,500-2,500

PROVENANCE: Private collection, Melbourne Sotheby’s, Melbourne, 19 April 1993, lot 247 Private collection, Melbourne $10,000-15,000 -Viewing in Sydney-

109 GABRIEL CORNELIS DE JONGH (Dutch/South African, 1913-2004) Landscape 1974 oil on canvas signed and dated lower right: Gabriel De Jongh 1974 89 x 152cm

111 DESIDERIUS ORBAN (1884-1986) Landscape oil on canvas signed lower left: Orban 59 x 79cm

113 ARNOLD SHORE (1897-1963) Summer Rain 1959 oil on board signed and dated lower right: SHORE/ ‘59 signed and titled verso 32.5 x 41cm

PROVENANCE: Private collection, South Africa Thence by descent Private collection, Melbourne $1,500-2,500

PROVENANCE: Private collection, Melbourne Thence by descent $3,000-5,000

PROVENANCE: Ms. Jane Casey Private collection, Melbourne $1,000-1,500

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114 RAY CROOKE (1922-2015) Washer Women New Guinea oil on canvas on board signed lower left: R. Crooke title on label verso 22.5 x 30cm PROVENANCE: Andrew Ivanyi Gallery, Melbourne c.1980 Private collection, Melbourne $1,500-2,500 115 PERCY WATSON (1919-1995) A Game of Chance oil on canvas on board signed upper right: Percy Watson title on label verso 26 x 26cm PROVENANCE: Deutscher-Menzies, Sydney, 15 June 2005, lot 319 Private collection, Melbourne $1,200-2,000

116 MILES EVERGOOD (1871-1939) Virginia, Queensland oil on board signed lower right: EVERGOOD inscribed verso: Virginia/ Queensland/ sketch Miles Evergood/ Bought by/ Lt. Se. Chimay?/ Athenaeum Gallery/ 1938 30 x 41cm

117 ARNOLD SHORE (1897-1963) Australian Landscape 1945 oil on board signed and dated lower right: Shore 45 signed dedication attached verso: To Jane Casey/ with/ “Twenty One” good wishes/ and more/ from/ Arnold Shore 54 x 39.5cm

PROVENANCE: The Athenaeum Gallery, Melbourne 1938 Lt. Se. Chimay (possibly) The Alan Grant Collection Thence by descent $1,500-2,000

PROVENANCE: Ms. Jane Casey Private collection, Melbourne $1,500-2,000 118 ROLAND WAKELIN (1887-1971) Still Life 1948 oil on masonite signed and dated lower right: R. Wakelin / .48 40.5 x 53.5cm PROVENANCE: Mossgreen Gallery, Melbourne 2007 Private collection, Sydney $3,000-5,000

119 HERMANN BRUCK (1873-1951) Landscape oil on canvas signed lower right: HBruck 45 x 84cm

121 CRISS CANNING (born 1947) Windmills, Mandraki Harbour - Rhodes 1986 oil on canvasboard signed lower right: Criss Canning. 24 x 34cm

PROVENANCE: Private collection, Melbourne $1,200-1,800

PROVENANCE: Melbourne Art Exchange, 1986 Private collection, Melbourne

120 CRISS CANNING (born 1947) Stone Houses with Grapevines Apolakia Rhodes 1986 oil on canvasboard signed lower right: Criss Canning 24 x 34cm

EXHIBITIONS: Kalianthi: The Art of Criss Canning, Ballarat Art Gallery, 2007 (label verso) $3,000-5,000 -Viewing in Sydney-

PROVENANCE: Melbourne Art Exchange, Melbourne 1986 Private collection, Melbourne EXHIBITIONS: Kalianthi: The Art of Criss Canning, Ballarat Art Gallery, 9 February - 13 May 2007 (label verso) $3,000-5,000 -Viewing in Sydney-

122 GWYN HANSSEN PIGOTT (1935-2013) Still Life with Two Teapots, 2004 limoges porcelain, (7) vase stamped verso beaker, teacups and one teapot stamped on the side 30cm (vase), 16cm (teapots, 2), 7cm (teacups, 2), 12cm (beaker), 5cm (bowl) PROVENANCE: Christine Abrahams Gallery, Melbourne, 2004 Private collection, Melbourne $7,000-9,000

123 MIRKA MORA (1928-2018) Yellow Bird in Coversation 2007 gouache on paper signed and dated lower right: MiRKA / 07 title inscribed verso 28.5 x 41cm PROVENANCE: William Mora Galleries (stamp verso) Private Collection, Queensland $7,000-9,000 -Viewing in Sydney124 CHARLES BLACKMAN (1928-2018) Asleep c.1990 pen, ink, and wash on paper signed lower left: BLACKMAN titled lower right 54 x 74cm PROVENANCE: The Artist Mossgreen Gallery, Melbourne 2008 Private collection, Melbourne EXHIBITIONS: Charles Blackman: 80 Years, Mossgreen Gallery, Melbourne, 1-30 August 2008, cat no. 133 $2,000-4,000

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120 Â© Criss Canning/Copyright Agency 2019

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125 YOSL BERGNER (1920-2017) The Marathon 2014 oil on canvas initialled and signed in Hebrew lower left signed, titled and dated verso 50 x 70cm

127 ยง GILLIE AND MARC SCHATTNER (born 1961 & 1965) If This Were Real bronze, ed. 4/6 signed and editioned at top: GILLIE AND MARC 4/6 97 x 49 x 40cm

PROVENANCE: The Artist Private collection, Melbourne $6,000-8,000

PROVENANCE: Collection of the artists Private collection, Melbourne Leonard Joel, Melbourne, 5 September 2017, lot 147 Private collection, Melbourne $6,000-7,000

126 JAMES GLEESON (1915-2008) Bellephon of Poseidon 1964 oil on board signed lower right: GLEESON 14 x 11cm PROVENANCE: Blue Boy Gallery, Melbourne 1984 Private collection, USA $2,000-3,000

128 DEBORAH HALPERN (born 1957) Rufus steel, fibreglass, and glass 55 x 195 x 40cm PROVENANCE: Private collection, Melbourne $8,000-12,000

129 IVAN DURRANT (born 1947) (Dog) from the Animal and Baby series c.1969-71 oil on board 75 x 90cm PROVENANCE: The Artist Private collection, Sydney $2,000-4,000 -Viewing in Sydney130 DEAN BOWEN (born 1956) Contained City 2006 oil on canvas signed lower right: Dean Bowen signed, titled, and dated verso 123 x 183cm PROVENANCE: Private collection, Melbourne EXHIBITIONS: The Inaugural Macarthur Cook Art Award, Melbourne 2007 (third prize, label verso) $4,000-6,000 -Viewing in Sydney-

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131 TIGER MOORE (born c.1940) The Five Verses of the Gurirr Gurirr (Krill Krill) Ceremony 2002 acrylic and natural earth pigments on canvas (5) each inscribed verso with artist’s name and Red Rock Art Gallery cat. no. 0902 and KP1726 30 x 60cm (1) and 45 x 60.5cm (4) PROVENANCE: Red Rock Gallery, WA, 2003 (accompanied by a certificate of authenticity) Private collection, Tasmania $8,000-10,000

132 PEGGY JONES NAPANGARDI (1951-2014) White Cocky 2004 acrylic on canvas inscribed verso with Alcaston Gallery cat. no. AK10744 and JUL04PNT2912 62 x 122cm PROVENANCE: Alcaston Gallery, Melbourne, 2005 Private collection, Melbourne EXHIBITIONS: Peggy Napangardi Jones The Unique Vision of Mrs Jones, Alcaston Gallery, Melbourne, January, 2005, cat. no. AK10744 $2,000-4,000

133 § TOMMY WATSON (c.1935-2017) Untitled acrylic on linen inscribed verso with cat no.10531 62 x 62cm PROVENANCE: Private collection, Alice Springs OzBid Auctions, Sydney, 2017 (accompanied by a certificate of authenticity) Private Collection, Melbourne $2,000-4,000 -Viewing in Sydney134 DEL KATHRYN BARTON (born 1972) Untitled 1996 mixed media on paper signed and dated lower right: DKB 1996 30 x 29cm PROVENANCE: Private collection, Sydney Thence by descent $3,000-5,000 -Viewing in Sydney-

135 CLINTON NAIN (born 1971) Hurdy Gurdy Target 2007 acrylic on canvas signed, titled, and dated on stretcher bar verso 122 x 121.5cm

140 RHYS LEE (born 1975) Untitled 2003 oil on canvas inscribed verso with artist’s name and date 182.5 x 152cm

PROVENANCE: Private collection, Melbourne $2,000-2,500

PROVENANCE: Helen Gory Gallery, Melbourne 2003 Private collection, Melbourne $6,000-8,000 -Viewing in Sydney-

136 § NICK MORRIS (born 1966) Commodore Country II 2015 acrylic and screenprint on canvas artist’s name in print lower right signed, titled and dated verso 102.5 x 101.5cm PROVENANCE: Private collection, Melbourne $1,200-1,800 137 § ADAM LESTER (born 1971) Scenic Flights 2011 mixed media on paper signed and dated lower left: A Lester 11 76 x 56.5cm PROVENANCE: Jan Murphy Gallery, Brisbane (gallery label verso) $1,200-2,200 -Viewing in Sydney138 ZHONG CHEN (Chinese/Australian, born 1969) Shanghai Autumn 13 2005 oil and acrylic on canvas signed and dated verso: zhong chen / 2005 title on label attached verso 122.5 x 122cm PROVENANCE: Private collection, Melbourne EXHIBITIONS: Zhong Chen - Unfinished Journey, Metro 5 Gallery, Melbourne, 7 September - 2 October 2005 $7,000-9,000 -Viewing in Sydney139 SCOTT REDFORD (born 1962) My Beautiful Polar Bear (Blue) glazed ceramic signed at base 26cm (height) PROVENANCE: Private collection, Melbourne $1,200-1,800

PROVENANCE: Charles Nodrum Gallery, Melbourne (label verso) Christies, Melbourne,19 April 2005, lot 387 Private collection, Melbourne $2,500-4,500

141 GEORGINA CUE (born 1987) Aeternitas embroidery on linen signed, titled and dated verso: Georgina Cue Untitled 2009 35 x 37cm

146 ELYWN LYNN (1917-1997) The Mountain Burned All Summer 1983 mixed media on canvas signed, titled and dated verso 149 x 150cm

PROVENANCE: Seventh Gallery, Melbourne, 2009 Private collection, Melbourne

PROVENANCE: Private collection, Sydney Private collection, Melbourne

EXHIBITIONS: Neo Black, Seventh Gallery, Melbourne, August 2009 $1,000-1,500 -Viewing in Sydney-

EXHIBITIONS: Elwyn Lynn Retrospective, Art Gallery of New South Wales, Sydney, 26 February 1991 - 21 April 1991, cat. 25 $5,000-7,000 -Viewing in Sydney-

142 QIANG ZHANG (born 1962) Red Towel 2014 oil on linen signed in Mandarin and date lower left titled verso 122 x 122cm PROVENANCE: The Artist Private collection, Melbourne $2,800-3,800 -Viewing in Sydney143 § SOKQUON TRAN (born 1969) Untitled 2018 oil on canvas signed and dated lower left: Sokquon Tran 18 75.5 x 110cm PROVENANCE: Private collection, Melbourne $1,500-2,500 144 DAVID MILNE (born 1946) Liverpool Street 2014 acrylic and Indian ink on linen triptych each initialled and dated lower right 168 x 112cm (each panel) PROVENANCE: Private collection, Tasmania $5,000-7,000

145 ELWYN LYNN (1917-1997) Dark Topography 1994 oil and collage on canvas signed, titled and dated verso: Elwyn Lynn / Dark Topography / 14 September ‘94 75 x 120.5cm

147 ANTHONY VANDERZWEEP (born 1960) Hare Sage Totem 2016 bronze ed. 3/6 artist’s seal, date and edition inscribed at top of base 144 (height) including base PROVENANCE: The Artist $10,000-12,000 148 IAN PARRY (born 1947) Seven Native Cherry Trees 2006 oil on canvas signed lower right: Parry. inscribed verso with title, artist’s name and date 66 x 106.5cm $6,000-8,000 -Viewing in Sydney149 MAX MIDDLETON (1922-2013) Tara Valley 1989 oil on canvas signed lower right: Max Middleton 55 x 60cm PROVENANCE: Estate of the artist $2,000-3,000

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150 § MAX MIDDLETON (1922-2013) In the Garden 1982 oil on canvasboard signed lower right: Max Middleton 44.5 x 50cm PROVENANCE: Leonard Joel, Melbourne, 10 May 2018, lot 3072 Private collection, Melbourne $1,200-1,800 151 ROBERT JOHNSON (1890-1964) Poplars Bayswater oil on board inscribed verso with artist’s name and title: Poplars Bayswater / W Robert Johnson 29 x 21cm PROVENANCE: C. V. Jones Antiques & Art Gallery, Ballarat c. 1980 Private collection, Melbourne $1,000-2,000 152 CHARLES WHEELER (1881-1977) Cottage and Trees oil on board signed lower right: C. Wheeler 29 x 39cm PROVENANCE: Hawthorn Galleries, Melbourne (label verso) Private collection, Melbourne $1,200-1,800 153 ERNEST BUCKMASTER (1897-1968) Stream at Myrtleford oil on canvas signed lower left: E. Buckmaster 64 x 85cm PROVENANCE: Private collection, Melbourne $2,500-3,500 154 WALTER WITHERS (1854-1914) Figure with Cottage and Lake 1907 watercolour on paper signed and dated lower left: Walter Withers / 07. 22.5 x 31cm PROVENANCE: Private collection, Melbourne $1,800-2,800 155 LOUIS BUVELOT (1814-1888) Landscape View with Sheep 1878 watercolour on paper signed and dated lower left: L Buvelot / 1878 14 x 28cm 147

PROVENANCE: Private collection, Melbourne $2,500-3,500 -Viewing in Sydney-

146 156 FREDERICK WOODHOUSE SENIOR (1820-1909) Taking a Rest 1904 oil on canvas on board signed and dated lower right: Fred Woodhouse Sen / 1904 27 x 59cm PROVENANCE: Private collection, Melbourne Thence by descent $4,000-6,000 157 JAMES CLARK WAITE (1832-1921) After the Rain oil on canvas signed lower right J.C Waite inscribed verso with artistâ&#x20AC;&#x2122;s name and title 38.5 x 54cm PROVENANCE: Hatherley Fine Art, Melbourne 2018 Private collection, Melbourne $2,000-4,000

158 ALFRED WILLIAM EUSTACE (1820-1907) Landscape with Cows oil on canvas signed lower right: A. W. Eustace 43 x 80cm PROVENANCE: Private collection, Melbourne $1,000-1,500 159 JOHN GULLY (New Zealander, 1819-88) Lake Manapouri, Evening 1887 watercolour on paper signed and dated lower right: John Gully/ 1887 29 x 63.5cm

160 JOHN GLOVER JUNIOR (1790-1868) Falls of the Conwy watercolour signed and titled verso: Falls of the Conway / n. Wales / J.Glover Jun. 66 x 44cm OTHER NOTES: The falls on the River Conwy are in North Wales, near the town of Betws-y-Coed. Glover is known to have visited Snowdonia on several occasions, attracted by its dramatic, sublime mountain scenery Dr. David Hansen. $3,000-5,000 -Viewing in Sydney-

PROVENANCE: Herbert Family, New Zealand Thence by descent Private collection, New South Wales $2,000-4,000 -Viewing in Sydney-

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161 BENJAMIN WILLIAM LEADER (1831-1923) The Cottage 1878 oil on board signed and dated lower left: B W Leader 1878 39.5 x 60cm PROVENANCE: Mossgreen Auctions, Melbourne, 28 October 2014, lot 121 Private collection, Melbourne $6,000-8,000 162 EUGEN KAMPF (German, 1861-1933) An der Yser bei Nieuwport oil on board signed lower left: E. Kampf titled verso 40 x 50cm PROVENANCE: Private collection, Melbourne $1,000-2,000

163 ABEL BERTRAM (French, 1871-1954) Knucklebones c.1909 oil on board signed lower left: Abel Bertram title on label verso 17.5 x 26cm PROVENANCE: Louise Whitford Gallery, London (label verso) Private collection, Victoria Leonard Joel, Melbourne, 23 June 2015, lot 11 Private collection, Melbourne $1,200-1,800 -Viewing in Sydney164 ROBERT MCGOWAN COVENTRY (1855-1914) Country Road 1887 oil on canvas 29.5 x 50cm signed and dated lower left: R. M. G. Coventry 1889 PROVENANCE: Private collection, Melbourne $1,200-1,800 -Viewing in Sydney-

165 ALBERT DURER LUCAS (British, 1828-1918) Garden Scene with Butterflies 1879 oil on canvas signed and dated lower right: A. D. Lucas 1879 25 x 20cm PROVENANCE: Private collection, Melbourne $1,000-2,000 166 FELIX ELIE REGAMEY (XILEF) (French 1844-1907) Studio Still Life 1882 oil on canvas signed and dated upper right: Xilef 82 65 x 80cm PROVENANCE: Deutscher Menzies, Sydney, 15 June 2005, lot 469 Private collection, Sydney $3,000-5,000 -Viewing in Sydney-

166

167 ARTHUR VICTOR GREGORY (1867-1957) Sydney Bell 1897 watercolour and gouache on paper signed and dated lower left: A. V. Gregory / 97 41 x 60cm PROVENANCE: Bonhams & Goodman, Sydney, 29 March 2004, lot 200 Private collection, Melbourne $2,000-3,000 168 SALOMON ROMBOUTS (Dutch, 1655-1702) The Hunt oil on panel signed lower left: SRombouts 39.5 x 65.5cm PROVENANCE: Dr. Erich Lubbert Thence by descent Private collection, Melbourne $5,000-7,000 -Viewing in Sydney-

169 DUTCH SCHOOL (c.18th Century) The Grinder oil on canvas 66 x 56cm PROVENANCE: Dr. Erich Lubbert Thence by descent Private collection, Melbourne $1,500-2,500 -Viewing in Sydney170 FLEMISH SCHOOL (c.16th Century) The Adoration of Balthazar oil on panel 40 x 30cm PROVENANCE: Private collection, South Africa Thence by descent Private collection, Melbourne $1,500-2,500 -Viewing in Sydney-

171 ARTIST UNKNOWN (20th Century) The Flutist cast iron unique 96cm (height) PROVENANCE: Private collection, Melbourne $1,500-2,500 172 BILL COLEMAN (1922-1993) Pensive Woman oil on canvasboard signed lower left: Bill Coleman 59 x 44.5cm PROVENANCE: Private collection, Melbourne $4,000-6,000

177 HERMAN PEKEL (born 1956) Oxford Street 2009 oil on canvas signed lower right: PEKEL titled and dated verso 119 x 99cm PROVENANCE: Private collection, Sydney $3,500-5,500 -Viewing in Sydney178 JUDY DREW (born 1951) Fans and Flowers 2001 pastel on paper signed and dated lower left: JUDY DREW ‘01 53 x 74cm PROVENANCE: Melbourne Fine Art, Melbourne 2001 Private collection, Melbourne $2,400-4,000 179 JEFF MAKIN (born 1943) Near Strongways oil on canvas signed lower right: Makin title inscribed verso 61 x 92cm

186 © Johnny Yungut Tjupurrula /Copyright Agency 2019

173 JUDITH BEN-MEIR (born 1935) Great Expectations bronze unique 23cm (height) PROVENANCE: The Artist $1,000-1,500 174 BILL COLEMAN (1922-1993) The Hookers oil on board signed lower right: Bill Coleman titled verso 45 x 60cm PROVENANCE: Private collection, Melbourne $3,000-5,000

175 PRO HART (1928-2006) The Mall, Melbourne oil on masonite signed lower right: Pro HART titled on label verso 89 x 57.5cm PROVENANCE: Private collection, Melbourne $5,000-7,000 176 PRO HART (1928-2006) Main Street, Tibooburra North NSW oil on board signed lower right: PRO / HARt title inscribed verso 26 x 33cm PROVENANCE: Private collection, Melbourne $1,500-2,500

PROVENANCE: Private collection, Melbourne $4,000-6,000 180 GEOFFREY DYER (born 1947) Untitled watercolour and gouache on paper signed lower right: Geoffrey Dyer 54 x 73.5cm PROVENANCE: Private collection, Melbourne $1,000-1,500 181 CATHERINE VAN WILGENBURG (British/Australian, born 1948) Grasslands of Iramoo oil and mixed media on canvas 200 x 100cm OTHER NOTES: “The Grasslands of Iramoo St Albans and Cairnlea are being preserved by Friends of Iramoo, through whom I am learning the Indigenous wildflowers and fauna and connecting with the land and its black history. I had never heard anything as a Brit so I now understand about lifting the veil of the ‘Great Australian Silence” (The Artist) $1,500-2,500

184 © Rammey Ramsey /Copyright Agency 2019

182 CATHERINE VAN WILGENBURG (British/Australian, born 1948) Australian Coat of Arms oil and mixed media on canvas 200 x 199cm OTHER NOTES: The artist’s work is a response to conversations with the land in her own backyard during the preserving and maintaining of the endangered grasslands of Iramoo Grassland Reserve. $2,500-4,500 183 TIMOTHY COOK (born 1958) Untitled natural earth pigments and synthetic binder on canvas inscribed verso with artist’s name and Jilamara Arts and Crafts cat. no. 398-02 and stamp 58 x 72 cm PROVENANCE: Jilamara Arts and Crafts, NT Private collection, Sydney $1,500-2,500

184 RAMMEY RAMSEY (born c.1935) Wularrngayan Country, Stoney Creek 2000 natural earth pigments on board inscribed verso: RAMMEY RAMSEY / WULARRNGAYAN / STONEY CREEK 2000, VAAC Gaagembi 28 Oct-18 Nov 2000 81 x 122.5cm PROVENANCE: William Mora Gallery, Melbourne (stamp verso) Private collection, Melbourne $2,000-3,000 -Viewing in Sydney185 § CHARLIE TJAPANGATI (born c.1949) Untitled (Tingari Designs) 1980 acrylic on linen inscribed verso with C.TJAP 3299 76 x 121cm

186 § JOHNNY YUNGUT TJUPURRULA (c.1930-2006) Tjutalpi 2003 acrylic on linen inscribed verso with artist’s name and Papunya Tula Artists cat. no. JY0304117 121.5 x 122cm PROVENANCE: Painted at Kiwirrkura in 2003 Papunya Tula Artists, Alice Springs AP Bond Gallery, Adelaide (label verso) The Luczo Family Collection, USA Deutscher and Hackett, Melbourne, 19 October 2016, lot 45 Private collection, Melbourne $3,500-4,500

PROVENANCE: Papunya Tula Artists, Alice Springs, cat. no. CTJ800804 Private collection, Western Australia Bonhams, Sydney, 24 November 2014, lot 21 Private collection, Melbourne $2,500-3,500

187 § MICK NAMARARI TJAPALTJARRI (1926-1998) Untitled (Ipana Lake Near Munpi) 1979 acrylic on linen inscribed verso with Papunya Tula Artists cat no. MN800109 60.5 x 90cm

191 § MATTHEW JOHNSON (born 1963) Marine Obsessation II 2013 oil on linen signed, titled and dated verso: MARINE OBSESSATION / Matthew Johnson / 2013 130 x 120cm

PROVENANCE: Papunya Tula Artists, Alice Springs Private collection, Western Australia Bonhams, Sydney, 24 November 2014, lot 20 Private collection, Melbourne $3,000-4,000

PROVENANCE: Private collection, Melbourne $4,000-6,000 -Viewing in Sydney-

188 ATTRIBUTED TO LIPUNDJA (c.1912-1968) Djalambu natural earth pigments on bark title and artist’s name on handwritten label verso 54 x 33cm PROVENANCE: Private collection, Melbourne $1,000-1,500 189 TIMOTHY RALPH (1959-2010) Imago Hominis (The Image of Man) 1988 acrylic on linen signed and dated lower right: TRalph88 198 x 182cm EXHIBITIONS: Timothy Ralph, Australian Galleries, Melbourne 20 June - 9 July, 1988, cat no. 5 $4,000-6,000 190 § MATT R. MARTIN (born 1984) Perseveration 2012 oil on board signed lower left: Matt R. Martin 86 x 130.5cm PROVENANCE: Scott Livesey Galleries, Melbourne Private collection, Melbourne $3,200-4,800

192 § ESTHER STEWART (born 1988) Home Maker 2015 acrylic on board inscribed verso with signature and date: 2015 / EStewart 180 x 150cm PROVENANCE: Private collection, Melbourne EXHIBITIONS: Esther Stewart - Timeshare, Station Gallery, Melbourne, 28 March - 18 April 2015, cat. no. ST6303 LITERATURE: Fielke, G., Station Gallery, Esther Stewart Timeshare, exhibition essay: “Stewart’s art has been informed from the outset by a concern for the elastic nexus that pulls art towards design functionality and back, all the while maintaining that most persistent formula for modernism —purposive purposelessness, disorientation, confusion.” $4,000-6,000 -Viewing in Sydney193 GUNTER CHRISTMANN (1936-2013) True Blue 1978 oil on canvas signed, titled and dated verso: G Christman 78 TRUE BLUE 80 x 80cm PROVENANCE: Niagara Galleries, Melbourne Mossgreen Auctions, Melbourne, 30 July 2012, lot 79 Private collection, Melbourne $2,800-3,800 -Viewing in Sydney-

193 51

194 RICHARD BELL (born 1953) We’re Not (Spanish) 1993 From the series Better Off acrylic and mixed media on canvas inscribed verso upper centre: We’re Not No 2 30.5 x 22.5cm PROVENANCE: Boomalli Art Gallery, Sydney (gallery exhibition label verso) Private collection, Sydney $1,500-2,500 -Viewing in Sydney195 HENRYK SZYDLOWSKI (Polish, born 1950) Magical Red House 2002 oil on canvas signed and dated lower left: H. Szydlowski 2002 inscribed verso with artist’s name and title 48 x 65cm PROVENANCE: Private collection, Melbourne $3,000-5,000

196 RAQUEL MAZZINA (born 1970) Untitled 2007 oil on canvas signed and dated verso: Raquel Mazzina 2007 122 x 92cm PROVENANCE: Private collection, Melbourne $4,000-6,000 197 JOHN WALKER (born 1939) Leave If You Can 1986 monotype signed and dated lower right: Walker 86 177 x 107cm PROVENANCE: Powell Street Gallery, Melbourne (label verso) Private collection, Melbourne $1,500-2,000 198 JOHN OLSEN (born 1928) Jolly Koh on Ansett Flight c.1987 ink on paper (2) each initialled lower right: JO. 8 x 8cm (each) PROVENANCE: Christopher Day Gallery, Sydney, 2006 (label verso) Private collection, Tasmania $1,000-2,000

199 CHARLES BLACKMAN (1928-2018) Nude and a Book 2004 ink on paper titled lower left dated lower right signed later, in 2011: CHARLES BLACKMAN 2011 39.5 x 27cm PROVENANCE: Private collection, Melbourne $1,000-1,500 200 § DAVID BROMLEY (born 1960) Belinda (Blue) acrylic on canvas signed lower right: BROMLEY 152.5 x 121.5cm PROVENANCE: Leonard Joel, Melbourne 21 December 2014, lot 165 Private collection, Melbourne $3,200-4,800

196

204

201 ROSS MOORE (born 1954) Leisure Book for Boys 2001 acrylic on linen signed and dated verso: R. moore 2001 61 x 138cm

202 DAVID BROMLEY (born 1960) Children in a Boat oil on canvas signed lower right: BROMLEY 180 x 150cm

PROVENANCE: The Artist $1,200-1,800

PROVENANCE: Private collection, Sydney $5,000-7,000

203 CHARLES BLACKMAN (1928-2018) Girl on a Desert Island 2008 ink on paper signed and dated upper right: Charles / Blackman / 2008 titled lower right 42 x 30cm PROVENANCE: Private collection, Melbourne $1,200-1,800

206

204 § GILLIE AND MARC SCHATTNER (born 1961 & 1965) They Had a Special Message for the World to Hear 2018 oil on canvas signed upper right: GILLIE AND MARC titled, dated and signed verso 122 x 122cm PROVENANCE: Acquired directly from artist’s studio, 2018 Private collection, Melbourne $4,000-6,000

205 JASPER KNIGHT (born 1978) XM Coupe 2009 enamel on board signed and dated lower right: [Jasper Knight] 2009 110 x 82cm PROVENANCE: Anthea Polson Art, Queensland (label verso) Private collection, Brisbane $2,000-3,000 -Viewing in Sydney-

206 § JASPER KNIGHT (born 1978) ‘69 Pontiac GTO 2013 oil on card signed and dated lower right: Jasper Knight 2013 titled lower centre 102 x 102cm PROVENANCE: Private collection, Melbourne $2,000-3,000

215 207 § BRUCE EARLES (born 1953) Waterfront 2018 oil on canvas signed and dated lower right: Bruce Earles ‘18 titled verso 150 x 122

209 RONALD LAMBERT (1923-1995) No.5 1985 oil on canvas signed, titled and dated verso: R Lambert / No 5 84, 85 73 x 209cm

PROVENANCE: Private collection, Melbourne $3,500-4,500

PROVENANCE: Eva Breuer Art Dealer, Sydney (label verso) Lawson~Menzies, Sydney, 30 March 2004, lot 70 Private collection, Melbourne

208 MELISSA EGAN (born 1959) Calendar oil on canvas signed lower right: M. EGAN 118 x 179cm

EXHIBITIONS: Ronald Lambert Paintings, Watters Gallery, Sydney, 25 September - 12 October, 1985, cat. no. 10 $3,000-5,000

PROVENANCE: Corso De’ Fiori, Brisbane 1995 Private collection, Canberra $3,000-5,000

210 BILL COLEMAN (1922-1993) Reclining Nude oil on board signed lower left: Bill Coleman 44 x 57cm PROVENANCE: Private collection, Melbourne $3,000-5,000

211 JOSEPH AMBROSE FROST (MRAZ) (born 1953) Venice oil on canvasboard signed lower left: Joseph/ Mraz 39.5 x 49cm PROVENANCE: Private collection, Melbourne $2,000-3,000 212 MAX MIDDLETON (1922-2013) Jessica on the Sand (Collecting Shells) 1998 oil on canvas signed lower right: Max Middleton 40 x 75cm PROVENANCE: Estate of the artist $3,000-4,000

218 213 ARCHIBALD DOUGLAS COLQUHOUN (1894-1983) Beach at Airey’s Inlet oil on canvas laid on board signed lower right: A. D. Colquhoun artist’s name and title inscribed verso 44 x 50cm PROVENANCE: Private collection, Melbourne Thence by descent $1,000-1,500 214 § WILL ASHTON (1881-1963) Beach with Crashing Waves oil on canvasboard signed lower left: W. ASHTON 19.5 x 27cm PROVENANCE: Davidson’s Auctions, Sydney, 30 April 2017, lot 234 Private collection, Melbourne $1,000-1,500

215 JOHN CHARLES ALLCOT (Britain/Australia 1888-1973) Harbour View oil on canvasboard signed lower left: JOHN Allcot 35.2 x 43.5cm PROVENANCE: Private collection, Sydney $1,500-2,500 -Viewing in Sydney216 § ROBERT WADEN (1900-1946) Hillside Landscape oil on canvas signed lower right: RobT. WAdEn 60 x 75.5cm PROVENANCE: Leonard Joel, Melbourne, 17 June 2013, lot 241 Private collection, Melbourne $1,200-1,800

217 HAYWARD VEAL (1913-1968) Sunflowers oil on canvas unsigned 99 x 71cm PROVENANCE: Estate of Minka Veal c. 1950 Private collection, Melbourne $2,000-4,000 218 § RUBERY BENNETT (1893-1987) Cloud Shadows, Murwillumbra oil on board signed lower right: RUBERY BENNETT titled verso 24 x 29cm PROVENANCE: Davidson’s Auctions, Sydney, 11 September 2016, lot 36B Private collection, Melbourne $2,000-4,000

220

219 W.B. MCINNES (1889-1939) Landscape with View to Hills oil on canvas laid on board signed lower left: McINNES 43 x 63cm

221 PRO HART (1928-2006) Ibis Feeding at the Billabong oil on board signed lower right: Pro HARt 59 x 89.5cm

PROVENANCE: Private collection, Melbourne $2,000-4,000

PROVENANCE: Private collection, Melbourne $4,800-6,500

220 ERNEST BUCKMASTER (1897-1968) Golden Summer oil on canvas signed lower right: E. Buckmaster signed and titled verso 68 x 93cm

222 JOHN SANTRY (1910-1990) Landscape oil on masonite signed lower right: SANTRY 58 x 88cm

PROVENANCE: Private collection, Melbourne $3,500-4,000

PROVENANCE: Private collection, Melbourne $1,000-1,500 -Viewing in Sydney-

222

223 § RUBERY BENNETT (1893-1987) Country Cottage oil on masonite signed lower right: RUBERY BENNETT artist’s name and title inscribed verso 24.5 x 29cm PROVENANCE: Estate of Allan Waite Davidson’s Auctions, Sydney, 4 December 2016, lot 22 Private collection, Melbourne $2,000-4,000

225 WILL ASHTON (1881-1963) Winter Landscape oil on board signed lower left: WILL ASHTON 28 x 37cm PROVENANCE: Private collection, Melbourne $2,000-3,000 226 PATRICIA MORAN (born 1944) Rhododendrons oil on canvas signed lower right: P. Moran 74 x 90cm PROVENANCE: Private collection, Melbourne $1,500-2,500

/ Entries Invited / Women Artists Auction Wednesday 9 October — ENQUIRIES (03) 8825 5613 art@leonardjoel.com.au

§ ANNE MONTGOMERY (1908-1991) Primeval Rock (detail), oil on board, 50 x 60cm | Sold for $5,208 60

/ Entries Invited / Fine Art Auction Tuesday 26 November â&#x20AC;&#x201D; ENQUIRIES (03) 8825 5613 art@leonardjoel.com.au

Arthur Streeton (1867-1943) Valley of Sir Richard Arkwright 1911, oil on canvas, 51 x 75cm | $70,000 - 90,000 61

ARTIST INDEX ALEXANDER, KEITH

104

FROST (MRAZ), JOSEPH AMBROSE

ALLCOT, JOHN CHARLES

215

GABORI, SALLY

ARTIST UNKNOWN

171

GIBSON, BESSIE

ASHTON, WILL

214, 225

ASHWORTH-MARTIN, OLIVER

79, 80

ATTRIBUTED TO EMANUEL PHILLIPS FOX ATTRIBUTED TO LIPUNDJA BAKER, ALAN D. BARTON, DEL KATHRYN

211

198

ORBAN, DESIDERIUS

111

126

OUTHWAITE, IDA RENTOUL

GLOVER JUNIOR, JOHN

160

PARR, LENTON

GREGORY, ARTHUR VICTOR

167

PARRY, IAN

GRIEVE, ROBERT

GRUNER, ELIOTH

63, 64

PEKEL, HERMAN

98 148 40, 177 112 122

159

PIGOTT, GWYN HANSSEN

GUNARSA, NYOMAN

101

PIGGOTT, ROSSLYND

BELL, RICHARD

194

HALPERN, DEBORAH

128

POWER, HAROLD SEPTIMUS

BEN-MEIR, JUDITH

173

HART, PRO

BENNETT, RUBERY

20, 21, 23, 61, 110, 218, 223

42, 43, 175, 176, 221

PERCEVAL, JOHN

GULLY, JOHN

BECKETT, CLARICE

90, 91

OLSEN, JOHN

GLEESON, JAMES

188 134

NAPURRULA, NINGURA

POWNALL, GEORGE HYDE

84 1 5

HAYNES, GEORGE

PWERLE, MINNIE

94 95

BERGNER, YOSL

125

HENRY, PAUL

PWERLE, EMILY

BERTRAM, ABEL

163

HEYSEN, HANS

QUICK, MATTHEW

47, 124, 199, 203

JACK, KENNETH

RALPH, TIMOTHY

189

BOSHOFF, ADRIAAN

108

JACKS, ROBERT

RAMSEY, RAMMEY

184

BOWEN, DEAN

130

JACKSON, JAMES R.

22, 57

REDFORD, SCOTT

139

73, 74

REGAMEY (XILEF), FELIX ELIE

166

BLACKMAN, CHARLES

BOYD, DAVID

JOHN, AUGUSTUS

BOYD, PENLEIGH

JOHNSON, ROBERT

151

ROLANDO, CHARLES

75, 76

JOHNSON, MATTHEW

191

ROMBOUTS, SALOMON

16, 48

JUNIPER, ROBERT

BRANGWYN, FRANK BRAUND, DOROTHY BROMLEY, DAVID

200, 202

BRUCK, HERMANN

119

BUCKMASTER, ERNEST

8, 35, 67, 153, 220

ROWELL, JOHN

KAMPF, EUGEN

162

ROWLANDSON, THOMAS

KENG, CHUAH SEOW

102

SAGITO, IVAN

SANTRY, JOHN

222

KNIGHT, KEN

BUNNY, RUPERT

KNIGHT, LAURA

BUSH, CHARLES

KNIGHT, JASPER

BUVELOT, LOUIS

33, 155

CAMUS, BLANCHE AUGUSTINE CANNING, CRISS

107 120, 121

32 168

71, 72

SCHATTNER, GILLIE AND MARC

127, 204

205, 206

SCHELTEMA, J.H.

LAMBERT, RONALD

209

SHORE, ARNOLD

113, 117

LEADER, BENJAMIN WILLIAM

161

STEWART, ESTHER

LEE, RHYS

140

STORRIER, TIM

137

STREETON, ARTHUR

192 13

CHEN, ZHONG

138

LESTER, ADAM

CHRISTMANN, GUNTER

193

LINDSAY, LIONEL

SZYDLOWSKI, HENRYK

LINDSAY, NORMAN

TAYLOR-GHEE, ROBERT

LOXTON, JOHN

TENNANT, ALICE

106

TJAPALTJARRI, MICK NAMARARI

187

TJAPANGATI, CHARLIE

185

TJUPURRULA, JOHNNY YUNGUT

186

COLAHAN, COLIN COLEMAN, BILL

49, 52 15, 44, 45, 172, 174, 210

COLQUHOUN, ALEXANDER COLQUHOUN, ARCHIBALD DOUGLAS

3 51, 513

LUCAS, ALBERT DURER LUCE, MAXIMILIEN

165 78

COOK, TIMOTHY

183

LYNN, ELWYN

COUNIHAN, NOEL

100

MACLEOD, EUAN

COVENTRY, ROBERT MCGOWAN

164

MAKIN, JEFF

179

TURNER, JAMES ALFRED

CROOKE, RAY CUE, GEORGINA DAVIS, JAMES

9, 114

145, 146 14

TRAN, SOKQUON

18 195 53, 58

143 28, 29

MARTIN, MATT R.

190

VAN WILGENBURG, CATHERINE

141

MAZZINA, RAQUEL

196

VANDERZWEEP, ANTHONY

181, 182

MCCUBBIN, LOUIS

27, 56

VASZARY, JÁNOS

105

7, 62, 66, 219

VEAL, HAYWARD

2, 217

85, 147

DE JONGH, GABRIEL CORNELIS

109

MCINNES, W.B.

DEPERTHES, JACQUES

103

MCKENNA, NOEL

WADEN, ROBERT

216

DICKERSON, ROBERT

MCKENZIE, ALEXANDER

WAITE, JAMES CLARK

157

DOYLE, D’ARCY

MIDDLETON, MAX

WAKELIN, ROLAND

118

DRENDEL, GRAEME

MILNE, DAVID

144

WALKER, JOHN

197

DREW, JUDY

178

MOORE, TIGER

131

WATSON, PERCY

115

DURRANT, IVAN

129

MOORE, ROSS

201

WATSON, TOMMY

133

DUTCH SCHOOL

169

MORA, MIRKA

11, 96, 123

WHEELER, CHARLES

152

DYER, GEOFFREY

180

MORAN, PATRICIA

226

WHITEHEAD, ISAAC

EARLES, BRUCE

207

MORRIS, NICK

136

WITHERS, WALTER

EGAN, MELISSA

208

MURCH, ARTHUR

EUSTACE, ALFRED WILLIAM

158

NAIN, CLINTON

135

EVERGOOD, MILES

116

NAPANANGKA, MAKINTI

FLEMISH SCHOOL

170

NAPANGARDI, PEGGY JONES

132

NAPARRULA, LORNA FENCER

FOX, EMANUEL PHILLIPS

36, 149, 150, 212

WOODHOUSE SENIOR, FREDERICK ZHANG, QIANG

30 154 31, 156 142

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The buyer’s premium is reflected by a reduction in the Seller’s Commission and is a common practice throughout Australia and overseas. Property subject to the Artist Resale Royalty Lots with the § sign will be subject to payment of the Artist Resale Royalty in the event that the lot is sold for a hammer price of $1,000 or more. The Australian Resale Royalty is a flat rate of 5 percent (5%) levy on the hammer price (including GST). The Australian Resale Royalty is payable by the buyer in addition to the buyer’s premium plus applicable GST. Damage Any viewer who damages a Lot will be held liable for all damage caused and shall reimburse Leonard Joel for all costs and expenses relating to rectification of such damage.

Protection of Movable Cultural Heritage Act 1986 (PMCH Act). Buyers should be aware of the PMCH Act which protects Australia’s heritage of movable cultural objects and supports foreign countries’ right to protect their heritage of movable cultural objects. The PMCH Act regulates the export of nationally significant heritage objects, it is not intended to restrict normal and legitimate trade in cultural property, and does not affect an individual’s right to own or sell objects, within Australia. The PMCH Act was enacted in response to the 1970 UNESCO Convention on the Means of Prohibiting the Illicit Import, Export and Transfer of Ownership of Cultural Property. It is the responsibility of the Buyer to ensure that the export of any lots purchased are not subject to, or in breach of, this Act.

Information about the PMCH Act, the Protection of Movable Cultural Heritage Regulations 1987 and the 1970 UNESCO Convention, can be found on the Department of the Environment, Water, Heritage and the Arts website at: http://www.environment.gov.au/heritage/movable/index.html Exporting Significant Australian Cultural Heritage The export of Australia’s significant cultural heritage is regulated under the Protection of Movable Cultural Heritage Act 1986 (PMCH Act.) It is not intended to restrict normal and legitimate trade in cultural property and does not affect an individual’s right to own or sell within Australia. The PMCH Act implements a system of export permits for certain heritage objects defined as ‘Australian protected objects’. More information is available on the Department of the Environment, Water Heritage and the Arts’ website: http://www.arts.gov.au/movable_heritage Enquiries can be made to the Cultural Property Section at the Department of the Environment, Water, Heritage and the Arts, phone 02 6274 1810 or email movable.heritage@environment.gov.au CITES Regulations It is the buyer’s sole responsibility to comply with all export and import regulations relating to your purchases and also to obtain any relevant export and/or import licences. The refusal of any import or export licences, any delay in obtaining such licences or any limitation on your ability to export a lot shall not permit the cancellation of the sale. Please note that all lots marked with the symbol * are subject to CITES regulations when exporting these items outside of Australia. Information about these regulations may be found at www.environment.gov.au/biodiversity/trade-use/cites/index. html or may be requested from: The Director International Wildlife Trade Department of Sustainability, Environment, Water, Population and Communities GPO Box 787 CANBERRA ACT 2601 Recommended carrier for this auction International Art Services 03-9329 6262 Melbourne to Canberra, Sydney, Brisbane, Gold Coast, and Sunshine Coast (and stops in between). TRANSART- Specialist Art Transporters Local Melbourne Please contact Matt or Ben Foster for a competitive quote. P: 0417 103 494 E: info@transartaustralia.com W: www.transartaustralia.com Collection and Storage: All lots must be collected no later than two days after the auction by 4pm. All uncollected items will be removed to third party storage at the purchaser’s expense.

Sale Rooms

The Thursday Auction

SYDNEY The Bond, 36-40 Queen Street, Woollahra, Sydney NSW 2025 Telephone: (02) 9362 9045 Facsimile: (03) 9826 4544 Interstate: 1800 264 333

FURNITURE Toby Lennox-Hilton BA Hons Fine Art, Manager David Price, Assistant Jacob Clarke, Assistant

MELBOURNE 333 Malvern Road, South Yarra, Melbourne VIC 3141 Telephone: (03) 9826 4333 Facsimile: (03) 9826 4544 Interstate: 1800 264 333

JEWELLERY Bethany McGougan F.G.A.A., BA Hons, MSc, Manager Kerry Dobson BCA, MA, Assistant ART SALON Hannah Ryan, Manager Ella Perrottet BFA, Assistant

email: info@leonardjoel.com.au leonardjoel.com.au

OBJECTS & COLLECTABLES Nora Merralls, Manager William Broadhurst, Assistant

MANAGING DIRECTOR & HEAD OF COLLECTIONS John Albrecht BA LLB MBA

Leonard Joel Specialists FINE ART Olivia Fuller BArtTh, Head of Department Lucy Foster EMA, Specialist Jane Messenger, Specialist, Sydney Summer Masters BDes Hons, Administrator INDIGENOUS ART Olivia Fuller BArtTh, Head of Department Jane Messenger, Specialist, Sydney DECORATIVE ARTS Chiara Curcio BA, Head of Department Hamish Clark, Head of Sydney Dominic Kavanagh MFA, Specialist Trevor Fleming BA, Consultant, Japanese Art Carl Wantrup, Consultant, Asian Art JEWELLERY Julie Foster F.G.A.A., Dip. Dt., Head of Department John Dâ&#x20AC;&#x2122;Agata F.G.A.A., Associate Head of Department Maria Walker, Specialist Hannah Grace-McIntyre BFA, Administrator Mary Kenny BA, Dip. Ed., Consultant Henrietta Maiyah, Consultant MODERN DESIGN Anna Grassham BA Contemporary Arts, Head of Department COLLECTABLES Nora Merralls, Manager & Administrator Dominic Kavanagh MFA, Specialist LUXURY Bethany McGougan F.G.A.A., BA Hons, MSc, Manager PRINTS Hannah Ryan, Art Salon Manager Ella Perrottet BFA, Assistant

VALUATIONS Caroline Tickner BA Hons, F.G.A.A., Head of Department

ACCOUNTS Marie McCarthy, Chief Financial Officer Michelle Draper, Account Manager Andrea Del Campo, Accountant FRONT OFFICE Kim Clarke, Front of House Manager Amelia Lewis, Receptionist OPERATIONS & LOGISTICS Anthony Riepsamen, Manager MARKETING & COMMUNICATIONS Nicole Kenning, Head of Department Kim Soep, Marketing Co-ordinator Keryn Gilchrist, Database Administrator PHOTOGRAPHY & VIDEOGRAPHY Adam Obradovic Joseph Hammond GRAPHIC DESIGN Maria Rossi e-mail all lower case firstname.surname@leonardjoel.com.au

99 ROBERT GRIEVE (1924-2006) Dawn Music 1981 (detail) oil on canvas laid on masonite signed and dated lower right: R. GRIEVE 81 inscribed verso with artistâ&#x20AC;&#x2122;s name and title 83 x 54cm $2,000-4,000