H-DIAGRAM by Li-Zenn Publishing

H-BIOGRAPHY H-STRUCTURES H-RELATIONSHIP DIAGRAM H-LIFESTYLE H-SPACE DESIGN H-STANDARD QUALITY H-TALKS

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STRUCTURE STRUCTURE OF CONCEPT

STRUCTURE OF SPACE

STRUCTURE OF CULTURE

STRUCTURE OF LIVING

Our company’s design concept for each dwelling is the combination of science and art; the logical aspect and the creative approach. The science’s section relates from how the concept can suit the site’s characteristics to how functions of the house can correlate to the client’s lifestyle. The latter part ranges from how exciting the site can be, the possible forms and shapes of the residence to the unique interpretation by the design team. A well-balanced design concept not only allows the architect to have a position in the design, but must be able to last a lifetime with the client.

A49HD’s house design starts the process from the individual life inside, regardless of the architecture’s modernistic identity. Lifestyles and cultures of individuals will define forms and patterns of how one lives.

A glimpse of Asian’s lifestyle and culture can always be acknowledged in our house’s design. This significantly differentiates our firm’s approach from the rest of the world.

A49 House Design’s working process highlights the importance of design concept and implementation. Architecture through our eyes is an art piece, treated with sophisticated consideration of all architectural elements such as proportion and details of structural and mechanical systems. We explore the vision of ‘Innovative Integrated Design Specialist’ with enhancement on the ‘Integrated Design’ element. Collaborations can then be guaranteed with interior designers, structural engineers, mechanical engineers, lighting designers, landscape architects or even artists from the early stage of the design.

From the design concept, the team then comes together with individual ideas to develop the project, experimenting for the best possible solution. Lastly, it is the duty of the project manager or the head designer to ensure the quality that answers the client’s requirements. Kiattisak Veteewootacharn

This inside out design process has always been our starting principle. A space planning workshop with the client and between designers allows all to understand lifestyles of the occupants. ‘What is space planning?’ is the question asked to understand the total amount of the family members, the spatial purposes, the required furniture, appropriated temperatures and many other factors influencing the client’s life. The architect who could carry out this integration must be trained and sensitive enough to acknowledge the development from the mentioned factors to the design of the architecture both interior and exterior including all systems and structural designs. This is for the residence to reach its highest potential, where functions of each room are composed with concerns over the connectivities and relationships, adhering to the client’s requirements. Archanart Kespayak

The main aspect taken into attention is the house’s hierarchy of functions, starting from the main entrance to the back-of-house that serves as accommodations for service maids. This creates complications contradicting to the modern architecture, a fight between the existence of very private spaces against the house’s public areas. Balances between space, order and function with relations to the Asian culture are another prime ingredient in creating a suitable residential design. The activities of each household member must be presented together with an appropriate spatial design to allow all functions to be enabled properly. Together with the previous aspect, they enhance the separation of the service and the formal area. This Asian importance not only generates additional tailored-made functions such as an ancestor room or a sacred shrine to the house, but also affects sensitively in the location of certain functions of the place. A tranquil ventilated living area must be located at a reasonable distance from the back-of-house space to ensure ease of access to all service facilities within the residence. The Thai kitchen is to be positioned according to the location of the air-ventilation system to minimise the living area’s exposure to the intense smells, noises and pollutions created while cooking. Chana Sumpalung

Our working concept is to extend the existing design boundary, creating new changes of smart/ super structure, and smooth/ seamless mechanical system design. The prior can be achieved by pursuing an ultra-slim and super cantilever structure with an anti-gravitational performance. The challenge is placed upon the engineering and designing calculation. The latter can be accomplished through a practical, economical and ergonomic design, with awareness in harmonising all building systems together to the most refined detail possible. This allows elements of surprise to occur while maintaining a simple and clean architecture, where all house’s systems are in place. Rattawut Chansritrakul

TALKS

KRIANGSAK SRIKOMONSILP

Senior Interior Architects and Partner: Architects 49 House Design

How important is the space planning in a design of a house? Space planning is mandatory. It stems directly from the user’s requirements, resulting in specific functions of the house. These specific operations lead to a unique space configuration. The arrangement forms a distinctive furniture dimension which is tailored towards each client individually. Can you please explain how client’s special requirements can affect the interior of a building, using S-House as an example? While it resembles a folded sheet of fabric, the exterior also tells the story of the owner, who is a textile manufacturer. This narrating element of the house guides the building’s functions to follow its form. The interior of the house contains a sculptural characteristic, fluctuating from the inside to the outside creating a borderless sensation. Some parts of the furniture emerge from inside the room as one function and transform into another in the exterior. The white colour scheme inside the interior is also selected to remind the audience of the unique story being told outside.

PIANGPIM KITIVEERAPONG

Senior Architects and Junior Associate: Architects 49 House Design

Can you please explain the paradigm behind the project Veyla? Design Process The concept of ‘Green Life in Green Leaf’ embraces the intersection between life and natural environments where local resources are used, whereas the design is also eco-friendly. The leaflike roof structure allows the architecture to pay homage to the environment while the occupants are living under it. Preliminary Design ‘Imagination’ The preliminary design stage is when the most creative and innovative design ideas are being made. Different roof form designs were tested by paper modelling in order to achieve the most well-defined roof design. As an outcome, the final asymmetrical roof form was designed with a combination of cones and gable shapes Design Development This stage is an integral element of the design and construction process which entails communicating, compromising, and collaborating with the other related disciplines such as engineers and suppliers, in order to develop the design details with the key purpose of bringing the project into full fruition. Shera roof assembly is the best choice for a roof design which enables the roof shape to be assembled accordingly. Importantly, Shera roof assembly is preferable as it uses local resources and requires low maintenance. Models of the assembled Shera roof structures were made to test their design and composition. They also are an effective means to communicate the complete aspired interior, exterior, and construction methods with the other disciplines. Working Drawing ‘Visualising the dream’ The most challenging stage is during the process of producing construction drawings to allow the designs to be visualised by others. In regards to the roof design with the organic-led concept, detailed drawings were produced with as much detail as possible, hence the design would be envisioned according to the aspirations. Construction ‘Assembling the dream’ This final stage offers the last chance to define the design to its best outcome and solve all issues occurred during the construction procedure. The organic-led roof design contained custom-made modules. The roof design was assembled to perfection as designed. The most shining and delightful aspects of the design process is how it was created, tested, constructed in the intended form and being inhabited as intended.

RATTAWUT CHANSRITRAKUL

Deputy Managing Director: Architects 49 House Design

What is/are the architectural inspiration(s) that is/are always in the heart of the designer, and is communicable to the client indirectly? Natural light is the true inspiration that has to be crafted in the heart of the designer. However, its existence has always been overlooked by the client, only the experience is conceived. When composed with the dwelling, natural light orchestrates the living quality of the habitat. As inspired by Louis Kahn’s quote which stated that “I sense light as the giver of presences, and material as spent light. What is made by light casts a shadow, and the shadow belongs to light”, the house became alive throughout the day by how different shadows are cast by light. Using the Dynamic Transition as an example, the shades and shadows cast by the aluminium batters, a series of steel columns and voids generate a profound depth in the whole space. This wakes the space and increases its volume of life, a dynamic transition of the whole project.

ARRAK OUIYAMAPHAN

Deputy Managing Director: Landscape Architects 49

What are the problems that can occur in the collaboration of landscape architects and architects? There are three major problems that always occur in the collision of different expertise. The first is the appearance of the project, as the building can sometimes be covered underneath branches and leaves. The second is in the expectations of the owners towards the landscape of the house. This is due to how clients often view the landscape as a decorative element. Last, is how to balance the composition of the landscape with the building itself, the surrounding contexts and the client’s lifestyle which can be very specific and highly subjective. Can you please clarify the argument that the landscape of the house, such as the trees, sometimes take over the beauty of the architecture? It is unavoidable, especially as time passes, that portions of the house will be covered from the outside perspective. However, the landscape is designed with great emphasis to the functional aspects, rather than enhancing the sculptural dimension of the building. One of the core duties of a landscape architect is to look and understand the life of the client outside the physicality of their home, in relation to the interior functions. Questions such as ‘what do you see, looking out from the living room?’ or ‘what do you feel, walking outside your house?’ are asked repeatedly over the course of the design. From these thoughts, the picture is framed by the body of the trees while the atmosphere is composed by layers of leaves. An in-depth discussion with the client is always necessary to ensure the lifelong integration of the landscape and the architecture. In the end, the value of the appearance can decrease, but never are the functionalities of the space, both interior and exterior, to be compromised.

CHANATHIP BHANDHAVEE Partner: Architects 49 House Design

What are the relationships between the architecture and its surroundings? The relationship between the architecture and its context is often sought by analysing the site; the wind direction, the sun path, etc. However, the most fundamental aspect is allowing the architecture to narrate the story of its existing site through the design. Rather than simply inserting its body to the context as a stranger to its neighbour, the designed residence enables the surrounded context to conceive the story of the site. With Higher Ground as an example, its existing site is the only green space with large trees, and is surrounded by many high rise buildings, such as apartments and hotels. We decided to narrate the story by reflecting the only green area vertically to the community by creating a green wall and maintaining all existing large trees on the site to ensure the narration is reflected throughout.

KANCHAI POOLSAWAD Senior Interior Architects: Architects 49 House Design

Can you please describe the uniqueness of the master bathroom designed by A49HD? The typical master bathroom lies within the owner’s master bedroom. It is the area with the highest level of privacy, different than those in a hotel or an apartment. Not only must the room hold the four basic restroom elements which are a sink, a toilet, a shower area and a bathtub, it must also accommodate other elements that suit the lifestyle of the owner. This unique lifestyle sometimes leads to having an extra storage space (refrigerator for makeups), makeup room, exercise equipment, entertainment zone, bookshelves, food preparation area or even a bar. It is often designed to blend in with the dressing room for a more cohesive circulation flow, or is positioned facing the sleeping area for a more relaxing atmosphere. It is generally planned for two or more activities to occur at once with special consideration to the age of the users. These respects can lead to an extra seating area in the shower room and additional handrails and steps to avoid falls. It is the room of the house that is mostly overlooked, but subsequently is a part of everyday life.

PITIPONG AMONVIRATANASKUL Senior Architects and Associate: Architects 49 House Design

What is to be considered when choosing the materials for the swimming pool? First of all, the effects and styles of the swimming pool the client desires significantly influence our considerations. Then, they are to be embraced in the atmosphere of the swimming pool by the individuality of each material chosen. Varieties of material choices varying from natural, semi-natural and artificial material with different sizes, colours, and styles are offered to meet the client’s requirements. Secondly, the final material decision is based on the client’s desires, with our guidance. The aspects of durability, utility, installation technique and maintenance of the materials are to be put into consideration thoroughly. Can you please explain the complication of S-House’s swimming pool? S-House’s swimming pool on the second floor is designed to correlate with the form and the style of the dwelling. Natural stone is selected for the wall on the second floor, while the wall on the ground floor is covered with silver mosaic tile. The pool is elevated 80 cm from the floor level. It is framed with clear acrylic sheets, which can be glimpsed from the surrounding area. The top edges of the acrylic sheets are also level with the pool wall’s height, with the purpose of achieving a borderless swimming pool. The pool flooring is clad with tinted acrylic which creates a magnificent lighting effect to the view of the entrance hall on the ground floor.

AMIDST 1,040 sq.m. Toscana Village, Nakhon Ratchasima

HIGHER GROUND 1,600 sq.m. Sutthisarn, Bangkok The client approaches the architects with a site that contains one of the last green spaces in the high-rise community of Bangkok. The team answered with a vision to leverage the existing features of the site, such as the nearby trees, and integrate the flavour of the surroundings. All large trees on the site must be kept and the green aspects of the house are reflected back to the neighbourhood through a green wall. The materials included are primarily wood and bare concrete, to fully render the site’s characteristics. This also binds the interior of the house to the exterior. The formal family units are elevated on the higher floor to acknowledge the encircling condominiums, offering the highest privacy level. The service and public functions are laid out on the ground floor, allowing activities to fluctuate in and out. This decision resembles a lot of the Thai vernacular-style houses of elevating the living unit off the ground. The house might hold a rapid movement on the ground floor, but silence must be experienced when entering the upper territory.

The famous Tuscan-style village in the Northeast region of Thailand is the location of this four bedroom holiday house. The design concept not only aims to echo the surrounding buildings, but also the site’s hillside characteristics. Corresponding to this concept, every space in this dwelling was composed to highlight different aspects of the context. The openings are also organised to capture the essence of the site. The concept is enhanced by the selection of building materials, where they connect the interior, the exterior and surrounding environment. The living/communal space, which acts as the heart of the residence, was drawn to be fully ventilated for maximum comfort. Finally, to prevent the architecture from being too prominent with its modernistic approach, a darkgrey colour scheme was chosen along with the decision to partially conceal the house underground. The mansion gives a relaxing and an enticing sense of exploration to all audiences.

DYNAMIC TRANSITION 1,600 sq.m. Kaset wNawamin, Bangkok The long and narrowed site of this suburban residence is surrounded by factories and townhouses. The architect not only addressed to maximise the privacy and comfort, and utilised the space for future expansion, but also determined to generate movements and life to the space. This results in an asymmetrical H-shape building with curved roofs, which are designed to generate the feeling of being attracted with enhancement by the negative space around the central court and the terrace of the house. This wakes the space and increases its volume of life, the ‘dynamic transition’ of the whole project. The house is designed to explore the state-of-art water feature to allow movements to occur visually. The main living room sits on a pond, which gave out a sensation of floating in the air. It is enhanced by frameless windows, the edging technique and the furniture selected. The covered terrace is placed next to an infinity edge swimming pool and the house’s landscape. It is appreciated by natural light, the artificial light and some architectural elements such as the vertical metal louver. This renders timeless painting scenery as different time of the day creates different moods and tones to the dwelling. The coolness of the place also seeps through the terrace. Both the covered terrace and the living room at the end becomes the life of the building, the elements that links everything together.

S-HOUSE

RENDEZVOUS

1,986 sq.m. Nanthawan Village, Bangkok

1,040 sq.m. Ladprao, Bangkok

The client, who is a textile manufacturer, demanded the residence to be different from the repetitive suburban dwellings surrounding the site. This leads to the concept of infinite ending with a clear division of the functions’ hierarchy. This three bedroom house derives its form from how a sheet of fabric is folded. The visually stunning form is shaped by bare concrete to enhance this seamless approach. The building’s form also allows the owner to be able to observe every movement occurring in the residence. The two swimming pools on the ground and second floors mark a strong division between the house’s public and private areas. This isolates the dwelling clearly into the service, public and exclusive areas based on the connection to each pool. One will certainly feel adventurous striding through the space. Lastly, the architecture is designed to be fully air conditioned, controlled environment.

The design team was approached with a request that the house serves as an entertainment complex. The term ‘transitional’ then became the core concept of this two bedroom clubhouse-style home. All functions of the house are designed to connect its interior to the surrounding compounds. The home theatre function is also selected to be the core of this connectivity. This space is accompanied by a covered terrace to provide the perfect atmosphere for a lively event. The area is also arranged to be fully ventilated to support the possibility of holding a large party. Also, the family can experience relaxation from the selection of tropical materials such as natural stone and wood. These materials radiate calm and relaxation to the entire complex. The home successfully inserts itself into the context while attracting the viewers with some of its visually mesmerising architectural elements.

URBAN OASIS 2,200 sq.m. Charoenrat, Bangkok

2014 Citation Award: The Association of Siamese Architects under Royal Patronage (ASA), Thailand

The location of this site resembles a bizarre meeting room with loud conversations going on around. The client, a successful steel manufacturer, asked for the residence to be able to support three generations of the occupant’s family. The concept, then aims to shield the owners from the context’s vibrant activities, while allowing formal business conversations to occur. This results in the house’s maximum formality. The meeting room and the service area of the residence are composed to be completely separated from the formal space. The living, dining, music and home theatre room are designed to be larger than average. The materials chosen are metal, wood and concrete, where attention is paid to the use of metal louver. This not only a significant reflection of the client’s background, but also visually filter the surroundings. The dwelling also contains a large central court and a covered terrace which connects to a swimming pool. They are crafted to receive maximum ventilation, making them the focal point of the home.

2014 Citation Award: The Association of Siamese Architects under Royal Patronage (ASA), Thailand

HIGHER GROUND 30

HIGHER GROUND Area: 1,600 sq.m. Location: Sutthisarn, Bangkok

7 2

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LIVING ROOM TERRACE PANTRY MASTER BEDROOM WALK-IN CLOSET MASTER BATHROOM BEDROOM BATHROOM

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11 MATERIAL EXPOSED CAST-IN-PLACE CONCRETE TEAK WOOD

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EXPOSED CAST-IN-PLACE CONCRETE TEAK WOOD FLOOR 1 ½”X6” @5 mm. SPACING, TRANSPARENT COATING STAINLESS BAR w=38 mm., t=9 mm., HAIRLINE FINISHING PREFABRICATED FLOOR, STEEL TROWELL FINISHING, BLACK RIVER GRAVEL ON TOP TEAK WOOD 1 ½”X12” 5 mm., DEEP GROOVE STEEL PLATE, t=10 mm., RUSTPROOF., BLACK MATTE SPRAY COATING TEAK WOOD CEILING 1”X4” @5 mm. SPACING, TRANSPRENT COATING, LINED WITH BLACK INSECT-PROOF NYLON NET TEAK WOOD WALL 1”X6” @5 mm., GROOVE BEVEL, TRANSPARENT COATING TEAK WOOD COLUMN 5 mm., DEEP GROOVE 150X150 H-STEEL BEAM 300X500 REINFORCED CONCRETE BEAM

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COVERED TERRACE HOME THEATRE POOL TERRACE BATHROOM LIVING & DINING ROOM PANTRY STAIR HALL POWDER ROOM MECHANICAL ROOM

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VEYLA

THE NEST

The owner of this dwelling is a golfer who seeks a design that fits his heart. The passionate golfer lifestyle of the client combines perfectly to the Thai traditional housing style. The main function of the house is elevated to the upper floor, while the mechanical and service functions are on the ground floor. This not only resembles the mentioned Thai house design, but it allows the occupants to maximise the view of the golf course sitting nearby. Elevating the living units also provides absolute privacy for the owner.

A holiday apartment with housing units that is inspired by the peace and serenity of leaves felt above and under our feet, the complex is designed to create senses of resting through bringing forth a deep nature’s atmosphere. ‘Veyla’ means ‘time’, the project is composed to offer sensations of joy and relaxation through its physical location right beside the beautiful Cha-am beach. Being as one with the environment, Veyla breaks all rules of other typical commercial apartments found elsewhere.

This project is a multi-family home that was once a small house where everyone grew up in. Since the parents are growing older, it is the will of the younger generation to live together, looking after the parents. The dwelling is, therefore, purposefully designed to elicit the sense of home, harmony and love for three families with respect to the individual’s privacy.

1,650 sq.m. Bangkok

4,930 sq.m. Petchaburi

REFINE

2,000 sq.m. Bangkok Intentionally designed to provide absolute privacy with slight formality, the complex sits in the crowded area of Bangkok. The walls of the residence are the to portray different senses of privacy. A concrete wall gives out a sense of stillness and calm as required by one of the client’s member. The green wall offers an atmosphere of relaxation as requested by another member of the household. Glass walls on the other hand, blur the space between the interior and the exterior. Pacing along inside the dwelling allows one to experience this unique ambience of discovery.

2015: Best Condominium in Huahin Thailand Property Award

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5,500 sq.m. Bangkok

TROPICAL CLASSIC 2,062 sq.m. Bangkok

Situated in a southern suburban area of Bangkok, it is a home of a businessman and his family whom require a place that can function both as a house and an office. The name and the concept of this house spring from the combination of the warmth of tropical and the classical luxury lifestyle. The dwelling is split into two wings, where the first if the parents’ residential area and the second is their son’s residence. The style is customised, answering to each preferred style. Glimpses of each style can be experienced throughout the house both interior and exterior.

GRAPHIC CONTENT

WHITE BOX

The owner of this house falls deeply into museum architecture, resulting in the house’s resemblance to an art studio. The house is composed with interlocking blocks, where the parking spaces are elevated off the ground. This provides an opportunity to enlarge the courtyard to create alluring pathway that leads to the art exhibition section of this home. Some of the interior walls also serve as canvas for graphic arts, customised to present the owner’s identity.

Built upon the concept of minimalism and simplicity, this house exhibits a centralised plan with pivotal double volume to form an atmosphere of an open space. This idea brings forth the spirit of the family, yet preserves the privacy of each family member. The building is therefore, segmented into three components with the main living room and swimming pool both located in the centre as the family’s communal area.

600 sq.m. Bangkok

2,572 sq.m. Bangkok

CUBE IN CUBE 690 sq.m. Bangkok

The concept of this residence stems from the idea of house within a house. Each family within this residence contains the need to live with uttermost privacy. However, all of them still agree to be able to look after one another. The façades of the complex is emphasised to enhance this paradigm. The architecture is framed into cubes not only to highlight the concept, but to also generate harmony between different architectural elements. The dwelling contains four bedrooms with common living room and one piano lounge. The audiences are led to this space by a long garden sloping upwards to the function.

ICONIC GEMSTONE 1,225 sq.m. Bangkok

75˚

715 sq.m. Bangkok This house is graphically tilted 75 degrees to harness the beauty of natural light and shadow. Perfected with an open court and a swimming pool, the house allows viewers to slowly experience the space scene by scene. The dwelling is an example of an architectural aesthetic that is created by its form and structure, without any need of decoration.

Located amidst the chaotic centre of Bangkok and surrounded by high rises, the architecture is arranged to bring back senses of serenity and peace to the family of a jewellery business. The smart and simple building’s form with clean architectural line composed around the natural courtyard beautifully contrasts with its urban metropolitan surroundings to provide a peaceful and relaxing space for all family members.

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VEYLA

INFUSED 2013 1,859 sq.m. Bangkok

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NU CLASSICS

2014 4,621 sq.m. Bangkok

VIVE LA VIE

SERENDIPITY

MOIRÃ&#x2030;

2013 6,078 sq.m. Prachuab Khiri Khan

2014 1,788 sq.m. Bangkok

2014 1,647 sq.m. Prachuab Khiri Khan

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Board of Directors

Nithi Sthapitanonda Suwat Vasapinyokul Kiattisak Veteewootacharn Archanart Kespayak Chana Sumpalung Rattawut Chansritrakul

Partners and Associates Partners Kriangsak Srikomonslip Chanatip Bhandhavee Woranol Sattayavinij Krisada Boonchaleow Senior Associate Jirapun Chanphaka Associate Pitipong Amonviratanaskul Junior Associates Damrong Saetia Prachachai Saardkao Piangpim Kitiveerapong Apisak Ongsri Nalik Leelachart

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A49HD

Architects 49 House Design

Since 1983, Architects 49 was established by Nithi Sthapitanonda with various architectural services including ‘private residential design’ which progressed and grew together with company’s success.

81 Sukhumvit 26 Bangkok 10110 Thailand T +66 (0) 2259 3535 F +66 (0) 2260 7793 a49hd6@a49hd.co.th www.a49hd.co.th

From the ardent love in house design of the founder and the team together with the matched timing, Architects 49 decided to expand specially new affiliated company named ‘A49 House Design’ by gathering skillful architects and interior designers who have been working and practicing with Architects 49 for a long time.

49GROUP OF COMPANIES

A49HD not only became a design oriented firm who works with passion to achieve the best solution but also differentiated itself from the others by focusing intentionally on the house from the biggest to the tiniest details, from inside-out. The company likewise pays close attention in order to represent the taste of every client and satisfy them the most.

ARCHITECTS 49 LIMITED ARCHITECTS 49 HOUSE DESIGN LIMITED INTERIOR ARCHITECTS 49 LIMITED CONSULTING & MANAGEMENT 49 LIMITED LANDSCAPE ARCHITECTS 49 LIMITED G49 LIMITED ARCHITECTURAL ENGINEERING 49 LIMITED M&E ENGINEERING 49 LIMITED 49 LIGHTING DESIGN CONSULTANTS LIMITED ARCHITECTS 49 (CHIANGMAI) LIMITED ARCHITECTS 49 (PHUKET) LIMITED ARCHITECTS 49 (KHON KAEN) A49 INDIA

Constant searching and developing by following the philosophy ‘Innovative Integrated Design’ where all the private houses are built under the uniqueness, elegance and simplicity as well as intentional integration of knowledge related. Consequently, all the works become a precious design not only for the owners but also for the community and better forthcoming architectural projects.

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ARCHITECTS 49 HOUSE DESIGN Editor-in-Chief Nithi Sthapitanonda Kiattisak Veteewootacharn Editor Chana Sumpalung Editorial Team Prompt Udomdech Nalik Leelachart Text Chana Sumpalung Prompt Udomdech Reader James Adams Sasathorn Inthasuwan Drawing Atthanit Kulrakampusiri Nachamon Poolsrup Arunee Wiwatpattarakul Puchong Satirapipatkul Wasita Amatyakul Thanon Chuthinartrungsi Chanawin Soontornpipit Photographer Kiattisak Veteewootacharn Krisada Boonchaleow Chana Sumpalung W Workspace Nalik Leelachart

LI-ZENN PUBLISHING Managing Editor Suluck Visavapattamawon Graphic Designer Siriyakorn Urassayanan Project Coordinator Bussara Kemapirak Editorial Intern Rungrawee Surindr Sponsor Coordinator Panphim Jaipanya