Curriculum: Basic design pages 17-24

Page 1

Creating a

Basic design Designing the

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Step-by-step basic design Eye-catching design begins with universal design elements. Use the following steps to design a page layout on a practice sketch sheet. (See sketch sheet in the back portion of this section). 1. Select the best photo that represents the topic you’re covering and use it as your dominant picture. Place that image first. 2. Choose additional photos and place them to the outside of the dominant, aligning them vertically and horizontally. (See example on pages 20-21 in this chapter). 3. Place the captions to the outside of the design. 4. Design and place a primary and secondary headline to the outside of the spread. 5. Add the story and accompanying photos that enhance the story. 6. Step back and study your design to view your entire story package.


Step One:

Choose a photo representing the topic and place it as your dominant photo. It should be larger than any other photo on the spread. Avoid placing faces or action in the gutter.

Designing the

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Remember the gutter

Avoid placing faces or type in the gutter, the space where the book is bound.


Step Two:

Place storytelling photos in boxes that contrast with the dominant picture in both size and shape. Use one pica between each photo and align the small photos along their right sides.

Remember... Use one pica between each photo and align the small photos to the right.

Eyeline

Align elements across the bottom using the dominant photo as a guide. This approach creates an eyeline, a subtle device used to link facing pages.

Designing the

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Designing the

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Eyeline

Aligning elements under the dominant photo using one-pica internal margins creates an eyeline, a subtle device used to link facing pages.

Add more photos:

Remember...

Continue to place photos in rectangular boxes that contrast with the Use two picas between elements placed at the gutter, the place where dominant picture in both size and shape. Use one pica between each the book is sewn and bound. photo and align the small photos to the top to begin forming an eyeline.


Step Three:

Designing the

Design and place captions near the photos they represent. Use a 14-point bold headline and 8-point caption text.

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Remember...

Place captions to the outside of the design and maintain equal widths within the stacks.

Remember...

Place captions to the outside of the design and maintain equal widths within the stacks.


Step Four:

Design a title with words in the primary headline that connect to the dominant photo. Write the secondary headline to support the primary headline.

Designing the

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From horses to goats, students build relationships with their best ‘fur friends’

Remember...

Place the secondary headline so that it leads readers into the primary or out of the primary and into the copy.

Remember...

Maintain the eyeline to link facing pages.


Step Five:

Add a photo and a caption near the headline design to increase photo coverage.

Designing the

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From horses to goats, students build relationships with their best ‘fur friends’

Step Five:

(Continued) Include a related photo and caption near the copy. Wrap the text around the photo.

Step Five:

(Continued) Place three feature photos with expanded quotes under the copy to add depth to your coverage. Align the small photos to the top to maintain the eyeline.


Step Six:

Step back and look at your design. • Have you maintained the traditional one-pica margins for the primary photo story? • Have you used tight inner spacing to show relationships between elements? • Have you used expanded internal spacing to highlight or showcase parts of the design? • Are elements aligned?

• Have you designed an interesting headline that connects to your dominant photo? • Are your pictures cropped to the center of visual interest? • Have you maintained an eye-pleasing external framing margin? • Is the design inviting to the reader? • Does the design make sense to the reader? If your answer to each question is “Yes,” you have a good basic design.

Designing the

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From horses to goats, students build relationships with their best ‘fur friends’


Designing with the

Big picture in mind

It starts with a plan Before creating a double-page spread, plan the content first because content dictates design. Using the bubble sheet method, first list the topic to be covered in the center of the circle. (See example on page 26). Next, create a unique angle for the main story. In this example, the story angle is that we develop loving relationships with our pets.

Good ideas come from brainstorming Continue to brainstorm for secondary modules that will help you tell the story. The advancd design on page 34 provides several possible modules: a student who owns a service animal, students who train service dogs, students who learn from their pets and how students care for their pets. Ultimately, those ideas will become your secondary coverage modules. (See bubble planning sheet in the back portion of this section).

Expand your plan

To take the topic and modules to a deeper level, see the expanded plan in the back portion of this section). As a section team, brainstorm for photo ideas. List your secondary coverage modules in the second column. Write a headline that will tie the spread together and make a verbal-visual connection with the dominant photo idea, the topic and the story. In the fourth column, add all the people you might want to interview for the story and modules.

Designing the

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Ways to cover topics Main topic: • Story, headline, photo support with captions • Headline, related photos, alternative copy (quote area, photos with expanded captions, numbered lists functioning as copy, etc.) Secondary coverage modules: Below are ideas for secondary coverage modules. Choose from this list or create modules that help you tell the story and add depth to the coverage. • Lists • Informational graphics • Quote areas • Question/answer modules • Profiles • How-to modules • Step-by-step modules • Photo series with names and identifications relating to topic on spread • Mini-features • Anecdotes • Tests or quizzes • Timelines • Factoids • Bulleted points • Interactive response modules • QR codes or Aurasma connections to videos


Design begins with a

Sample Bubble Sheet Planner

Plan

Below is an example of the bubble planning sheet. The designer first listed the topic to be covered in the center of the circle. Next, the designer created a unique angle for the main story. In this example, the story angle is the loving relationships we develop with our pets. For topics covered annually, the angle should be different from year to year.

The section team continued to brainstorm for secondary modules that helped them tell the story. In this instance, there were several possible modules: a student who owns a service animal, students who train service dogs, students who learn from their pets and how students care for their pets. Designing the

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Spread Planner Topic: What we learn from our pets How to cover it: Module with candid photos, names of students and their comments

Topic: Service animal and owner How to cover it: Cutout with quote from owner Topic: Students and their pets Angle: Our relationships with our pets

Topic: Student who raises horses How to cover it: Photo of girl who raises horses inset into copy with caption

How to cover it: Photos, captions and headline with four pictures of students with their pets and expanded quotes about their unique relationships with their Topic: Students who train dogs beloved “fur babies.” How to cover it: Small cutout with quote from a student who trains dogs as service animals


Expand your

Expanded Coverage Spread Planner

Plan

Create an in-depth plan For greater coverage, expand your plan: Column 1: As a section team, brainstorm for photo ideas. Column 2: List your secondary coverage modules in the second column. Column 3: Write a headline that ties the spread together and makes a verbal-vsiual connection with the dominant photo idea, the topic and story. Column 4: In the fourth column, list everyone you might want to interview for the story and modules.

Designing the

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Expanded Spread Planner Topic: Students and their pets Angle: Relationships between students and their pets Column 1:

Photo ideas On-location pictures of students interacting with their pets Pictures of students caring for their pets and performing duties associated with them Close-ups of students hugging their animals, showing an emotional relationship with them Student with service animal Students training service animals

Column 2:

Secondary coverage

Column 3:

Headline

Column 4:

Story sources

Featured quote and cutout of student with service animal

Primary headlne: The Power of Love

Students who have or train service animals

Featured quote and cutout of students training service animals

Secondary headline: From horses to goats, students build relationships with their best ‘fur friends’

Students who raise pets for fun

Candid photo series of students; include their names and words describing what they learn from their pets Module of students with their pets with names of students and descriptions of what they learn from their pets

Students who have deep relationships with their pets Students who have unusual pets Students who raise pets for projects (FFA members)


Execute your

Plan

Implement the plan After creating the plan, implement it in your design. First, note the five parts of the spread you’ve planned on the bubble sheet. Work with your photogaphers and writers to assign each part of the spread to be covered.

Select and place the dominant photo first

Next, begin to create the design. Choose a picture that best represents the topic you’re covering on the double-page spread. This will become your dominant photo in the primary module, so be sure it’s the correct size to be featured in that position. The photo’s resolution should be a minimum of 300 dots/pixels per inch (See photo section for more information). Place the dominant photo near the center of the spread with a large part of the photo on one side of the spread or the other. This practice links the two facing pages. Avoid placing the photo in dead center. Centered images lead to static design and are seldom visually appealing.

Designing the

Begin to form your eyeline Place the dominant photo on the eyeline, the imaginary one-pica horizontal white space that leads the reader’s eye in a subtle manner across the spread. Use the lines in the dominant photo to guide readers toward the headline rather than taking their eyes off the page. Determine where the action falls in the photo and avoid placing the action or faces in the gutter, the space between pages where the book is bound. Placing faces in the gutter distorts them. Next, place the smaller photos related to the dominant near the large photo, maintaining the internal margins and aligning elements, as you did in the basic design.

Design from the inside to the outside

Avoid building pages from the outside to the inside, as this practice causes designers to trap space, creating “holes” in the design. Remember to place heavy elements near the center and place lighter elements to the outside. Readers will enter pages through dominant photos and view the spread in either a clockwise or counter clockwise manner, depending on the directional lines within the dominant photos. Study the step-by-step advanced design on pages 29-34 based on the bubble sheet and expanded plans on pages 26 and 27.

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Creating an

Advanced design

Designing the

Step One:

Place the dominant photo first. Cross the gutter with the dominant to link facing pages.

Be mindful of the gutter

Avoid placing faces or type in the gutter, the space where the book is bound.

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Step Two:

Place smaller pictures so they contrast with the dominant photo in size and shape. Add identifications in small type. Place a caption for the dominant picture on a semi-transparent block. Using one-point borders around photos helps readers differentiate one picture from the next.

Designing the

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Step Three:

Add the cut-out-background photo of the student and her service animal mentioned in the bubble sheet plan. Include a featured quote in 12-point italic type.

Step Three:

Designing the

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(Continued) Design a headline, keeping contrast in size and weight in mind.

Step Three:

(Continued) Add four photos of students interacting with their pets. Include expanded quotes regarding the students’ lasting relationships with their pets.


Step Four:

Design a secondary module with photos, identifications and a small headline to help readers understand students’ comments within the module.

Designing the

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Step Four:

(Continued) Add a cut-out-background photo of students who train service dogs. Include a featured quote set in 12-point italic type.


Designing the

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Remember... Use expanded space to create an eyeline. Note how the expanded space showcases the secondary module.

Remember...

Remember...

Use expanded horizontal space to create the eyeline. Note how the expanded space showcases the secondary module at the bottom of the spread.

It’s visually interesting to invade an expanded space with a cutout. Anchor cutouts to an object to avoid “floating cutouts.”

Step Five:

Add a secondary module describing what students learn by caring for their animals. Add students’ names and one or two-word descriptions, placing them at 90-degree angles beside the candid photos.


Step Six:

Step back and look at your design. • Have you followed your bubble sheet plan? • Have you used tight inner spacing to show relationships between elements? • Have you used expanded internal spacing to highlight or showcase parts of the design? • Are elements aligned where necessary?

• Have you designed an interesting headline that connects to your dominant photo? • Are your pictures cropped to the center of visual interest? • Have you maintained an eye-pleasing external framing margin? • Is the design inviting to the reader? • Does the design make sense to the reader? If your answer to each question is “Yes,” you have an excellent advanced design.

Designing the

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