LIN DERONG portfolio 01
works from design 01 by lin derong | a0111169m under tutelage of liang lit how, studio 12 academic year 13/14 department of architecture | national university of singapore | 2013
A0IIII69M
year one, semester one
project one (a)
lines, grids/patterns, layout
ink and pencil lines ------------------------------------------------------------08 field geometry-------------------------------------------------------------------10 concentric circles, curves and rhythm -----------------------------------------16 grids and solidity to transparency ----------------------------------------------18 layout and lettering --------------------------------------------------------------19 project one (b)
orthographic & sectional perpective drawings ----------------------------------------20
project two (a)
canonical studies on geometry and composition: filippo brunelleschi -----------------34
project two (b)
spatial recomposition -------------------------------------------------------------------44
project three
materials + tectonics: strings -------------------------------------------------------------61
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project one (a)
ink lines.
portfolio 01
9 of 64
pencil lines.
field geometry in pencil lines.
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field geometry in ink lines.
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field geomety in free hand pencil lines.
portfolio 01
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concentric circles, curves & rhythm in pencil.
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grids & solidity to transparancy in pencil.
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layout and lettering in ink.
“the sun never know how great it was until it hit the side of a building� - louis kahn
project one (b)
orthographic and perspective drawings
TRESHOLD CHANGE IN MATERIALS AND SIZE
SECONDARY VISTA
MAIN VISTA
1:450
plans & circulation analysis: st. mary church of angels, columbarium.
1:230
portfolio 01
1:450
23 of 64
1:230
plans & circulation analysis: peranakan museum atrium.
WATER FEATURES ESTABLISH A CIRCUMAMBULATORY CIRCULATION
1:115
plans & circulation analysis: st. mary church of angels, columbarium.
portfolio 01
1:115
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plans & circulation analysis: peranakan museum atrium.
1:450
1:230
1:115
section a-a & light analysis: st. mary church of angels, columbarium.
portfolio 01
1:450
1:115 27 of 64
1:230
section: & light analysis: peranakan museum atrium.
1:450
1:230
1:115
section b-b & proportion analysis: st. mary church of angels, columbarium.
portfolio 01
1:450
1:115 29 of 64
1:230
section: & proportion analysis: peranakan museum.
“the pencil and computer are, if left to their own devices, equally dumb and only as good as the person driving them” - norman foster
LATERALLY ARRANGED GLASS PANELS ON ROOF ACTS AS A FILTER TO MODULATE INCOMING LIGHT FOR A GENTLE, SOFTER AND EFFECTIVE ILLUMINATION OF THE ENTIRE ATRIUM.
JACKED ROOF: THE FUNDAMENTAL ELEMENT OF THIS ARTIA. IT GREATLY AUGMENTS VENTILATION AND ALLOWS MORE INCOMING NATURAL LIGHT.
CORINTHIAN ORDER COLUMNS
VOID portfolio 01
STAIRCASE: DESIGNED LANDING INTERRUPTS THE STAIRS IN THE MIDSECTION, ALLOWING A RESTING POINT AND ADDING RHYTHM.
ATRIUM: AN AWE-INSPIRING EXPERIENCE UPON ARRIVAL TO THE VOID; DUE TO THE ARRANGEMENT:
GREAT INCREASE IN HEIGHT.
STAIRCASES ARE FLUSHED TO THE SIDE OF THE ARTIUM, GIVING WAT FOR A CIRCUMAMBULATORY CIRCULATION. 31 of 64
exploded axonometric: peranakan museum, atria.
portfolio 01
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sectional perspective: st. mary church of angels, columbarium.
“only the artist, not the fool, discovers that which nature hides� - filippo brunelleschi
project two (a)
canonical studies on geomerty and composition: filippo brunelleshi
ANCIENT ROME
THE PANTHEON - 125 A.D.
THE RENAISSANCE
IL DUOMO DI FIRENZE - 1436 A.D. portfolio 01
OLD SACRISITY
LINEAR PERSPECTIVE
BASILICA DI SAN LORENZO - 1422 A.D. 37 of 64
OLD SACRISITY
WORM’S EYE portfolio 01
HIERARCHY
LIGHT
SPACE AND FORM 39 of 64
OLD SACRISITY
SECTION portfolio 01
GRID
41 of 64
PROPORTIONS
ORGANISATION
RHYTHM
LIGHT
OLD SACRISITY
THE DOME portfolio 01
RENAISSANCE THEORIES OF PROPORTION
MUSICA UNIVERSALIS PYTHAGORAS 43 of 64
VITRUVIAN MAN
SEVEN IDEAL SHAPES - PALLADIO
“There are two causes of beauty - natural and customary. Natural is from geomerty consisting in uniformity, that is equality and proportion. Customary beauty is begotten by use, as familiarity breeds a love of things not in themselves lovely...� - sir christopher wren
project two (b)
spatial recomposition
1:800
PROCESS 1 - PART 1 OF 3
PROCESS 1 - PART 2 OF 3
SECTION - WALLS + FLOORS EXTRUDED & FURTHUR DIVIDED
PLANS - WALLS EXTRUDED portfolio 01
PROCESS 1 - PART 3 OF 3 MELDING 3 COMPOSITIONS 47 of 64
portfolio 01
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1:800
PROCESS 2A
PROCESS 2B portfolio 01
SPACE RESOLUTION FROM SECTION DURING PROCESS 2
DECREASING PROGRESSION OF SIDE A FLOORS INCORPORATED
ELEVATION
FORM EXTRACTED FROM PROCESS 1
PROCESS 3 51 of 64
MELDING PROCESS 2 + 3
portfolio 01
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1:800 DOME FACADE TO “WRAP” AROUND NEW COMPOSITON
ROOF: EXTRACTED FROM PROCESS 3 SIDE B
WALL EXTRACTED FROM
REMAINING QUARTER
-PROCESS 3, SIDE A: OF
HEIGHT ALLOWANCE
DECREASING HEIGHT
FOR DOME
-PROCESS 2, SIDE 2: FLOOR TRANSFORMS TO WALL
PLAN: RADIAL ORGANISATION
TILTED GROUND
PROCESS 4 - SPATIAL EXPLORATION portfolio 01
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1:800
axonometry: open and close.
portfolio 01
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portfolio 01
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“technics are the details and methods of architecture: its means of fabrication and production, and its method of joining, sealing and fixing...� - peter eisenman
project three
materials + tectonics: tensegrity bridge and dome with cotton strings and ice-cream sticks
tensigrity dome. with cotton strings and ice-cream sticks, in 37 hexagons
tensigrity bridge. with cotton strings and ice-cream sticks, in 39 tetrahedral helix
portfolio 01
63 of 64
inducted.