TLmag Special Edition Studio MVW by Lise Coirier

www.tlmagazine.com

Hospitality: Nature as Connection 酒店餐饮空间﹕以大自然联结 Haute Couture & Life yle Vision 高级订制时装与时尚生活品味 Retail: Experiential Aesthetics 零售空间﹕体验式美学 Sculptural Furniture Design 雕塑风格的家具设计

TLmag x Studio MVW

C on ten ts /

Contents 目录 — 2 Editorial

编者的话

— 4 Interview: Frontier Explorers

访问：跨越疆界

Hospitality: Nature as Connection 酒店餐饮空间：以大自然联结 — 14

Aoyama Dessert Bar, Beijing

北京青山研究所

Sculptural Furniture Design 雕塑风格的家具设计 — 84 Introduction

引言

— 88 JinShi Collection

金石系列

Luminosity and Sumptuousness 亮度和奢华

— 94 JinYe Collection

金叶系列

A Futuristic Interior that Mixes Tradition with Innovative Concepts for a Dynamic and Timeless Setting

融合传统与创新理念的未来主义室内设计，营造出无限活力和永恒的品味 — 22

Ethereal Elegance 飘渺的优雅

— 98 XiangSheng Collection

相生系列

Lu Ming Tang Flagship & Tea House, Hangzhou

杭州露茗堂旗舰店及茶馆

Poetic Elegance for a Skincare Brand Steeped in the Holistic Traditions of Tea

The Space Within 存在于内的空间

— 104 BlooMing Collection

BlooMing系列

为源于传统茶文化的护肤品牌，塑造诗意优雅的形象 — 28 Yunlong Hui Private Club, Xuzhou

徐州云龙会会所

Revisiting Traditions 传统再发现

— 108 Giorgetti Collection and Others

Giorgetti系列及其他

The Natural Landscape Inspires a Layered and Soulful Design 展现层次感和散发情感的设计，灵感源于自然景观

Haute Couture & Lifestyle Vision 高级订制时装与时尚生活品味 — 36 Wuhan Sales Office and Aesthetics Museum, Wuhan

武汉华侨城原岸美学生活馆售楼处

End Notes 结语 — 115 Exhibitions

展览会

— 116 Awards

奖项

Envisioning a New Kind of Luxury through Earthly Elements and the Surrounding Landscape

将踏实的设计元素和四周的景观结合起来，创造新奢华主义 — 46

Uni Vinson Headquarters, Shanghai 上海维真办公室

Spring Eternal: Wellbeing and Timeless Beauty Infuse a Contemporary Workplace — 54

永恒如春：弥漫幸福感和恒久美态的当代风格办公室

DX Residence, Shanghai 上海DX住宅

A 21st Century Home Embraces Modularity, Beauty, and Calm 21世纪的家居具有模块组合的灵活性，散发优美宁静的气息

General coordination Lise Coirier (TL Mag - Pro Materia)

Editor-in-Chief Lise Coirier lise@tlmagazine.com www.tlmagazine.com @tlmag, FB: /TLMagazine

Managing Editor

Retail: Experiential Aesthetics 零售空间：体验式美学

Blaire Dessent blaire@tlmagazine.com

— 62 Pierre Cardin Home Showroom, Shanghai

Picture research and selection

上海皮尔．卡丹家居陈列室

Space Age Chic

太空时代新潮流

— 70 Moser Flagship Store, Shanghai

上海Moser旗舰店

Reflected Traditions

Art Direction and graphic design Juliette Dimet Studio MVW and Galerie BSL

Translation Bonnie Pau

Copyediting Blaire Dessent, Lise Coirier

璀璨传统

Contributors to this edition

香港上海滩旗舰店

Credits and photographers

以当代风格演绎文化传统

Printing

— 76 Shanghai Tang Flagship Store, Hong Kong

Cultural Heritage & Contemporary Concepts

Cecile Maury Studio MVW Graphius, Belgium

© Pro Materia/Culture Lab Editions, Brussels, Belgium ISBN 978-2-930644-03-5 Dépôt légal /Legal deposit D/2018/11.637/1 The Community Trade Mark TLmag_ True Living of Art & Design is registered for the European Union. No part of this publication may be reproduced or transmitted in any form or by any means, including photocopy, recording or any information and storage and retrieval system, without the prior written permission from the editor. The magazine disclaims all liability for any manuscripts and photos that it receives. All article and accompanying materials published by TLmag, unless otherwise indicated, are licensed by the respective authors of such articles. All rights reserved. 未经编辑事先书面许可，不得以任何形式或手段（包括影印，录制或任何信息以及存储和检索系统）复制或传播本出版物的任何部分。该杂志对所收到的任何手稿和照片不承担任何责任。除非另有说明，否则TLmag发布的所有文章和随附材料均已获得该文章各自作者的许可。版权所有。

TLmag x Studio MVW

Edi tori al /

TLmag x Studio MVW

编者的话

Ed itoria l /

编者的话

Editorial 编者的话 Art and spirit

艺术与气韵

The agility of the gesture creates grace

意态敏锐，营造雍容气度

Lise Coirier

state of constant renewal. Instead of 'lifestyles', Studio MVW aims to promote the originality of a concept, with a harmonious and sensory character that gives it strength and impact from the point of view of experience, but also how the brand has lived, In the case of retail or hospitality spaces; when it comes to furniture design, the emphasis will be placed even more on the articulation between function and narration and on the feeling of the material. Anchored in its time, Studio MVW is aware that the simultaneously peaceful and agitated spirit that we are faced with is in fact a reflection of a human and societal fragility specific to the era as the source of new meaningful concepts for the present and the future. This is a real opportunity that requires constant attention. Virginie Moriette and Ming Xu want to fit with this new temporality by inscribing their know-how and their 'know-how-to-be' within their innovative framework, in China, in Asia as well as internationally. The two creators of the studio, with their complementary skills and cultural crossovers, have the versatility to avoid falling into the clichés of the traditional Chinese form. Both are committed to developing and transmitting a conceptual and useful retranscription of the Eastern spirit through universally recognisable forms and creations. Their use, for example, of treated pink jade in a floating table top, or marble assembled into asymmetrical collages like precious pebbles, testifies to a desire to move away from decor in order to sublimate the form and the material, the contrasts, the uses and the proportions. While nature is a foundational element and a raw material, Studio MVW expresses it with the freedom of a creating gesture that is fully aware of the function. In the future, the designing duo intends to cultivate and develop this creative singularity that is the basis of their renown, and for which they are increasingly consulted. Virginie Moriette and Ming Xu want in particular to capitalise on their very particular relationship with architecture in their projects and their furniture design. Strong volumes, sculptural elements, the concern for the atmosphere of a space rather than the stylistic effects - so many guiding axes for Studio MVW and its own talent for telling stories that are each unique and different, but which combine a welcome surprise and a fully embraced overall harmony.

TL # STUDIO MVW

Studio MVW has been evolving for 15 years in the heart of the Shanghai megalopolis, which is experiencing tremendous growth as an economic and financial capital, while increasingly positioning itself as the Asian hub for the art and collectible design market. By breathing a welcome breath of renewal on this very dynamic territory, characterised by the creation of exclusive projects in the retail and hospitality sectors as well as in art and design furniture, the Franco-Chinese duo of architect Virginie Moriette and designer Ming Xu has forged a strong and recognised identity in which an elegant signature nourishes a spirit merging East and West. The common thread: the combination of nature and culture that irrigates the various projects, and in particular the design of spaces affirming a strong sense of proportion and a sharp balance between light, well-being and sustainability. Studio MVW seeks to counterbalance the frenzy of the Asian continent with a cultural introspection and slowness. This central choice is based on an indepth reflection of the context in which each of the projects is deployed, and defines the philosophy and the means used to meet the needs of each of its customers. Analysis is linked with a stylistic composition that combines the sense of aesthetics with the choice of beautiful materials, of textures that enhance the tactility and the quality of the environment, and the connection with nature that is one of the foundational elements of the conceptual approach. By playing with the scales of architecture and objects, Studio MVW also designs sculptural furniture that acts as an ideal showcase of the studio’s philosophy and know-how. Through a close collaboration with BSL gallery in Paris, its collections are exhibited at international fairs such as PAD Paris, PAD London and The Salon Art + Design fair in New York. In the future, Studio MVW wants to anchor the perennial aspect of its designs by drawing from everyday observation, the basis of what could nourish an exceptional, contemporary life. The ephemeral and the sensational are of little interest to the duo, who share a conviction to deepen and innovate within what already exists, rather than to overproduce or follow trends. Going back to their roots to better create is the key to this duo's approach, a unique approach, tailormade and differentiated, like a daily newspaper in a

明合文吉进驻上海这超级大都会的中心地带已经步入第 15 年，这段时期上海正值急促发展与增长，逐渐成为经济金融之都同时建立亚洲艺术与设计收藏品市场枢纽的定位。法国建筑师 Virginie Moriette ( 文吉 ) 与中国设计师徐明的出现，为活力澎拜的上海注入一道令人鼓舞的清新气息。中法合璧的强烈风格定位，优雅细腻的设计手笔流露东情西韵，造就别具一格的零售和酒店餐饮业空间、艺术作品与家具设计，令人一眼就可辨识。明合文吉所有的作品均展现和谐结合大自然与文化的一致思路，尤其见于彰显鲜明比例的空间设计，并力求同时兼顾到光线营造、达致身心安康和可持续性。明合文吉的作品试图通过文化内省和放慢的节奏来应对瞬息万变的亚洲，实践这个中心思想的方式，包括深入研究每个项目发挥作用的场景，并按照每位客户的需求定下一套特定的创作理念和方案。经过详尽分析得出的风格构成，将配合独特的美学角度一一表现于精挑细选的物料，以及能够凸显作品环境的触感和品质、同时回应大自然的纹理 — — 联系大自然，正是明合文吉建立概念性方案的基石之一。透过玩味建筑和物件的比例，明合文吉设计出充满雕塑感的家具，完美演绎二人的创作哲学和渊博的专业知识。明合文吉与巴黎 BSL艺廊合作无间，推出多个瞩目的家具系列均亮相于国际知名的大型展会，包括巴黎及伦敦的艺术与设计展( PAD)，以及纽约 Art + Design 展会展会。为了塑造更多历久弥新的设计，明合文吉将会开始从日常生活中的观察所得汲取灵感，作为探索及开创理想现代生活的起点。明合文吉并不追求短暂或霎時之美，他们只是坚持为现存的物件赋予更深远甚至全新的意义，不过度生产也不轻易随波逐流。明合文吉的设计理念旨在坚持力臻完善的初衷，每件作品均运用独一无二的制作方法、为照顾不同需要而量身订制，就像日报一样不断出版更新的文章内容。他们着眼于设计概念的原创性而非某种“生活方式 ”，构思出来的零售空间或酒店餐饮空间往往能够从使用者的体验出发，呈现其宁静和谐及牵动感官的一面，令空间的魅力和影响力得到尽情发挥；在家具设计方面，明合文吉将侧重更多设计的功能和叙事表达之间的衔接，以及物料的实质触感。立足于当下所处的时代，明合文吉意识到人们之所以经历时而平时而躁动的状态，实际上是反映了一种特定的时代产物，一种代表着人文及社会独有的脆弱性，却能够不断提供被赋予全新意义的概念泉源，为当下和将来的生活带来无限灵感。这无疑是一个值得不断关注的契机，因此文吉和徐明希望凭着他们的创新体系，在中国、亚洲以致国际层面上展示他们现有

的及“ 即将建立的 ”专门知识。拥有无穷创造力的二人，在技能上可互补相承而且可灵活游走于跨文化背景之间，避免作品流于陈词滥调的中国传统形式。二人致力于采用举世公认的形态和创作，构建出一套具概念性和实用性的新东方气韵，将其发扬光大。举例说，从一张精心琢磨并展现悬浮姿态的粉红色玉石面桌子，以至犹如将鹅卵宝石以不对称方式拼贴呈现的大理石组件，均印证两位设计师渴望打破装饰品的规范，别具匠心地将物料、对比、功能和比例元素融汇升华。对二人来说，大自然既是设计的基本要素也是素材的来源，透过自由演绎大自然主题，为作品创造一个完全尊重功能和形意俱备的外观。未来的日子，二人将继续专注于发展这种独创性，因为这是明合文吉建立声誉的基础，并且吸引越来越多顾客为此而来。此外，文吉和徐明尤其热衷于在他们的作品和家具设计中，更充分地运用二人独有的建筑专业。塑造庞大夺目的体积，融入雕塑元素，注重空间气氛而非风格效果 — — 这些精彩纷呈的手法，加上明合文吉别具才华的叙事风格，为每件作品编写万中无一的不凡故事，每个故事带来的喜悦、兼容并蓄的和谐一致感，却又如出一辙。

V irg in ie M oriette & M in g Xu

TLmag x Studio MVW

Virginie Moriette & Ming Xu Frontier Explorers / 跨越疆界

Since they set up their design studio in 2006, Virginie Moriette and Ming Xu have constantly been investigating and questioning boundaries – between their respective cultures and those of other continents, between architecture and design, between design and art. Inspired by a combination of influences and references, they are carving out their own path, away from clichés and expectations, with a key underlining principle: turning every project into a new challenge.

1 — Portrait of Ming Xu and Virginie Moriette / Virginie Moriette 和徐明的肖像

TLmag: Could you tell us about the beginnings of Studio MVW? How did it all start? VM: When we arrived in Shanghai in 2006, we moved into an empty apartment and we started thinking about how we could furnish it, but all we could find were very ornate objects that did not match our taste. So we decided to try and create our own pieces of furniture – first for ourselves and then we started creating pieces for our friends

as well. One thing led to another, we found a place, we created our firm and made more furniture items. Soon after, we won an ELLE Deco design award for one of the pieces, a bookshelf called Wen ST 02 , and this is how clients started coming to us for architecture and interior design projects. TLmag: The name of your design practice, Studio MVW, has a hidden meaning in Chinese. How does it translate in English and how does it define your approach? VM: Until 2016 our firm was named Design MVW. We decided to call ourselves Studio MVW because it more accurately reflects the way we work. We like researching and experimenting and the term ‘Studio’, which better encapsulates these ideas in English, is closer to our approach. MX: In the West, a lot of professionals choose to name their company after themselves, whereas in China, people like company names that also convey

meaning. Our f irm’s Chinese name combines our first names: Ming, which mean light, He, which means fusion, and Wen Ji – for Virginie – which respectively means culture and joy. In a way, Studio MVW, which is based on our own names, also expresses our values and the union of our two cultures. VM: And it also echoes several aspects of our work, and the names we choose for our furniture; for example, our lighting collection, Ming, our accessories, He (link), our bookshelves, Wen (culture), or our tables, Ji (joyful moments shared around a table). TLmag: Your work is influenced by a diversity of cultures and references. How would you describe your style? VM: It is true that we are inspired by many influences – by China first because it is the country where we live and work and because its culture is extremely rich – but we also get inspired when we travel across Asia or Africa or

TLmag x Studio MVW

Vi rg i n i e M ori e tte & M i n g Xu

other parts of the world. We do not want to limit ourselves. MX: One thing we want to avoid at all cost is chinoiserie. You will find very few typical shapes in our furniture because our goal is not to imitate classical Chinese styles. When we started our firm we tried doing this, but we stopped right away because it was just too easy and literal. Our objective is to communicate a Chinese feel but not through pre-existing shapes. We want to invent new forms to do that. We also want our work to be in line with China’s cultural and artistic evolutions which have been incredible in recent years. VM: We do not want to be categorized and be associated with a single style. What we like is precisely moving beyond clichés and creating objects that have a little more depth and density. Our designs combine Chinese influences, as Ming explained, as well as a close attention to function, proportions and a taste for simple and refined work, which probably comes from the French culture we also share.

“ W E H AV E W O R K E D O N V E RY S T I M U L AT I N G PROJECTS IN THE LAST TEN YEARS OR SO, BUT W E WA N T T O G O E V E N FURTHER NOW AND ASSERT OUR IDENTITY AS A STUDIO THROUGH EVEN M O R E C O N T E M P O R A RY A N D E X P E R I M E N TA L PROJECTS.”

TLmag: How does sustainability come into play in your design? VM: Sustainability is not a central subject yet because China’s consumption society is still very recent. What we try to advocate through our work is durability. People always associate sustainability with eco-friendly or recyclable materials but there are other ways to be sustainable. In 2008, we tried to work with bamboo which proved very difficult and was just not the right solution. We have a different perspective on sustainability now. People buy and throw away things. We try to create beautiful, well thought out objects that people will want to keep. MX : For u s , having a s u s t ainab le approach implies being respectful:

V irg in ie M oriette & M in g Xu

respectful of the objects you want to keep, respectful of space by creating well-built architectural projects and, of course, respectful of our clients. TLmag: What kind of relationship do you have with clients during the course of a project? VM: We like working in close collaboration and exchanging ideas with our clients; every project is driven by the objective of coming up with the right answer for it. MX: And this is true both of the architectural projects and for the furniture we create. We want people who buy our objects to be able to use them as they wish and, to some extent, to participate in their creation. VM: We do not like designs that are too rigid. We like modularity because it is a way to make objects more interesting and durable. You do not get bored with an object you can transform according to your needs and aspirations. Our XiangSheng Shelving Unit, for instance, is a module that can be used as a table, as a bookshelf or as a partition. TLmag: You use materials like jade, marble, bronze or lacquer that are not only noble and beautiful, but reflect your interest in preserving cultural traditions and showing an appreciation for the skills and craftsmanship required to use these materials in the best way. Who do you work with and how do you source these materials? MX: We work with local artisans who use locally-sourced materials and our goal is to enhance them through our creations. We like to work in limited editions and design pieces that maximize the beauty of the material so that people can really appreciate the various textures of jade, bronze or marble. When we work with these materials, each step in the process is deliberate and precise. From the technical stage where we consider the shapes and forms that will best reveal the beauty in the materials and how to actually create them, to the artisanal stage, when they are transformed through craftsmanship and unique details and surfaces. TLmag: How important is craft and the preservation of artisanal practices for Studio MVW? VM: Some techniques have already disappeared and cannot be revived, but whenever it is possible, we love using traditional know-how, yes.

TL # STUDIO MVW

TLma g : Yo u r wo rk m ove s f l u i d l y between different fields and on very different scales – from designing furniture for a gallery to working on architectural projects for the retail and hospitality industries. What is the common denominator in your projects? VM: We really enjoy working on different scales and having to take that aspect into account when we work on ideas of integration and harmony. We enjoy moving from container to content and vice-versa. Before we started Studio MVW, we both worked as architects on very large projects including an airport and an opera house, and it was very interesting to go back to a smaller scale with our furniture because it was more tangible. MX: Working on furniture also enables us to freely explore new aspects of design and this research and experimentation enriches our architectural work. Conversely, what we do for our clients sometimes also inspires us when we make furniture. VM: I think our fundamental objective is to create something unique for each project and each client. The common denominator of our work is the quest for exclusivity, which can translate into various expressions – like a new way to use a material or a new way to manage space, but always in a natural way – nothing should look contrived.

TLmag: Nature plays an important part in your work. How does it inspire you? MX: To us, nature is like a universal language. Nature has no nationality, it is very diverse and unexpected, which is also something we try to emulate in our work. Our first lamp was inspired by a very old tree in our courtyard. As we were observing it, we came up with the idea of adding asymmetrical branches which morph into different shapes depending on where you stand, and which introduce a feeling of freedom rather than just being geometric shapes. VM: The notion of integration is also important in our work. Nature is very diverse and yet always perfectly integrated. Nature’s intrinsic beauty has always been an essential source of inspiration.

TLmag x Studio MVW

2 — Wuhan Sales Office. In the entrance, the boat shape reception desk sets the aquatic tone and theme 武汉华侨城售楼处入口的接待台呈船形，回应水的设计格调和主题

TLmag x Studio MVW

Vi rg i n i e M ori e tte & M i n g Xu

TLmag x Studio MVW

V irg in ie M oriette & M in g Xu

自 20 0 6 年创办了自家的设计工作室以来，文吉 ( Virginie Moriette ) 和徐明 ( Ming Xu) 一直在探索和跨越各种领域之间的疆界 — —二人各自的文化背景与世界各地其他文化之间，建筑与设计之间，以至设计与艺术之间的疆界。二人将各种影响与参考对照结合起来，转化为独一无二的灵感，跨越约定俗成的界限，将每一个项目视为新挑战，走出特立独行的创作之路。

TLmag：当初为何会成立明合文吉设计工作室？可否告诉我们这一切是怎么开始的？ VM：我们在 2006 年来到上海时，搬进一家空无一物的公寓，开始构思如何装饰它。可是当年我们只能找到外型花哨的家具，与我们的品味不符，所以我们决定尝试亲自设计家具。后来我们更开始为朋友设计家具。自然而然地，我们找到个地方成立工作室，并继续做出更多的作品。不久之后，我们命名为“ 文 S T 02 ”的书架赢得 ELLE Deco设计奖，自此我们就开始接受客户委托的建筑和室内设计项目。

也会吸收很多灵感，不会局限自己的创作。 MX：我们会尽一切所能去避免作品流于所谓的中国风。如你所见，我们的家具很少沿用典型的中式形态，因为我们目的不在于模仿经典的中国设计风格。在公司成立之初，我们曾经尝试参考中国风，但后来觉得这样的设计语言过分简单直接，于是立即停止了。我们希望创出新的形式，为作品赋予一种中国的感性，而不是通过已存在的形态去传达中国的概念。中国近年的文化艺术发展令人惊叹，我们期望明合文吉的作品也能够顺应这趋势。 VM：我们不希望明合文吉的设计被归为某一类型或单一的风格。我们务求与陈词滥调的设计划清界线，做出破格的，具备一点深度和浓度的作品。正如徐明

所说，我们的设计结合了中国风格的影响，另一方面也具有源自法国文化对功能和比例的讲究，以及对简约精炼设计的鉴赏品味。

TLmag：你们的创作跨越多个领域，游走于不同大小规模之间 — —从为画廊设计家具，到零售业和酒店业的建筑项目，你们的作品有何共通之处？ VM：我们非常喜欢从事不同规模的设计，并且利用这方面必须的考量，发展出融和无间的创作意念。我们喜欢从设计容器开始，进而构思当中的内容，或反之而行，先想内容后想容器。在创办明合文吉以前，我俩都曾经担任大型项目的建筑师，设计机场和歌剧院，所以回到较小规模的家具，感觉是非常有趣的，因为小规模的设计有更加明确的形态。

TLmag：你们的工作室名为明合文吉 (MV W )，这个中文名称有隐藏的含义。它是如何翻译成英语，并为你们的设计方式作出定义？ VM：我们 2016 年前称为 DesignMVW，决定改称为 Studio MVW 是因为“ 工作室 ”(Studio) 可更准确地反映我们崇尚的工作方式。我们喜欢进行设计的研究和实验，而工作室的意思正好包含这些概念，比较接近我们的工作风格。 MX：在欧美，许多专业人士爱用自己的名称来为公司命名，可是中国人喜欢公司名称带有双关含义。我们公司的中文名字“ 明合文吉 ”结合了我们二人的名字 — —“ 明 ”( Ming )，意为光明；“ 合”( He )，意为融合；“文吉”( Wen Ji )就是 Virginie 的中文名，两个字分别意味着文化 ( Wen) 和喜悦 ( Ji ) 。在某程度上，明合文吉既带有我们二人的名字，同时也表达了我们的价值观和结合两个文化背景的我俩。 VM：明合文吉也回应我们创作的多个方面，以及我们家具系列的命名。举例说，我们的照明系列称为“ 明 ”，我们的“ 合 ”( 联合 ) 配饰系列，我们的“ 文 ”书架系列，或“ 吉 ”( 围坐一桌共享的快乐时光)桌子系列。

3 — Moser Flagship Store, Shanghai. The vault shape used throughout this space echoes the iconic Czech architectural feature of the cross vault 上海 Moser旗舰店的空间内大量采用的拱形设计，参考了捷克建筑典型的十字拱

MX: We are currently working with artisans who make silk embroidery, a skill which was once frequently used but is now gradually disappearing. We are trying to reintroduce it into modern-day designs and to turn silk embroidery into a more contemporary art. TLmag: How has your work evolved since 2006? VM: Today, we feel we can go further and we aim for a more daring, avantgarde approach. We like experimenting and we also like telling stories through our work. Hospitality is a sector we would love to develop because there are many new projects emerging and an increased need for beautiful stories.

TLmag: What are your plans and goals for the future? VM: We feel we are at a turning point. We have worked on very interesting and stimulating projects in the last ten years or so, but we want to go even further now and assert our identity as a studio through even more contemporary and experimental projects. MX: We would like people to find new answers in our work – not just on the surface through the shapes we choose – but in the concepts, philosophies and heritage we try to build upon. We want to be increasingly free to explore, to be inspired and to inspire people.

VM: We always try to look for another answer. We always hope to go further in our research and to find an answer that truly matches both the client’s need and who we are.

TLmag：你们的作品灵感来自多元的文

TL # STUDIO MVW

TLmag: Has there been a project that posed a real challenge? VM: I think the real challenge in China is time management. It is slightly less perceptible now but you have to build fast. We really see each project as a new adventure to embark on and so far, each project has been an inspiration for the next one.

TLmag: Is there a project you are particularly fond of? VM: Of course, you always wish you had done better, but we know the amount of work that went into each piece of furniture and each architectural project and we are generally happy with the results. MX: We do not want to cite a favourite project because we don’t want our other works to be jealous!

化和参照。你会如何描述明合文吉的设计风格？ V M：我们的创作受到多方面的启发，这一点无容置疑，当中首要是中国的影响。因为中国是我们生活和工作的地方，并拥有丰富多彩的文化。此外，当我们到亚洲，非洲或全球各地旅行时，

4 — Pierre Cardin Flagship Store / 皮尔卡丹旗舰店

TLmag x Studio MVW

Vi rg i n i e M ori e tte & M i n g Xu

M X：家具设计也让我们能够自由探索设计的新面貌，而且有关这方面的研究和实验成果，往往也能够丰富我们的建筑项目的内涵。相反我们为客户所作的建筑空间构想，有时侯也激发我们家具设计方面的灵感。 VM：为每个项目和每个客户创造出独一无二的设计，是我们的基本原则。这种专属性，正是我们所有作品的共通之处，并可透过多种形式去表达，比如在使用物料或管理空间方面的创新。但这种创新总是自然形成，绝不刻意矫饰。

困难，并不是解决之道。我们现在对可持续设计的新看法是针对人们购买并很快弃掉物品的消耗型态，设计一些美观而经过深思熟虑的产品，让消费者乐于保留。 MX：我们认为，可持续设计方式就是心存敬意：敬重物件，想要保留它；敬重空间，所以建筑项目必须精心打造；当然还包括敬重我们的客户。

TLmag：大自然是你们的创作中不可分

想法。为客户提供正确的方案，是我们每个项目的最终目标。 MX：从建筑项目到家具项目，都是采用这种手法。希望购买了我们作品的人们能够随心所欲地使用，并在某程度上参与作品的生产过程。 VM：相比之下，我们比较喜欢灵活的模组式设计，多于一板一眼的设计，因为模组化可大大增加作品的趣味性和耐用性。当一件产品可转变成为你需要和期盼的模样，你永远不会对它生厌。例如我们的“ 相生系列 ”单元，可当成桌子，书架或隔断。

割的一部分。大自然是如何激发你们的灵感？ MX：对我们来说，大自然就像全世界的共同语言，无分国籍，多元广纳而且令人意想不到。我们努力地让自己的作品仿效这些大自然的素质。我们设计的第一件灯具，灵感就是来自我们庭院里的一棵古树。当我们观察古树的形态时，我们想到为灯具加上一些不对称的分枝，从不同的角度观看时，这些分枝会呈现不同的形状，令人感觉到它们不单是一些几何线条，更流露出自由的气息。 VM：我们的工作也很重视融合的概念。尽管大自然非常多样化，但始终完美融

“ 在过去十年间，我们曾经做过一些非常振奋人心的项目，但我们现在想要更进一步，通过更具有当代气息和实验性的作品，宣扬明合文吉作为设计工作室的个性定位。”

TLmag：在项目进行的过程中，你们与客户之间建立了什么样的关系？

VM：我们喜欢与客户密切地合作和交流

TLmag：你们选用的玉石，大理石，青铜或漆料除了注重外观的瑰丽优美，也反映你们锐意保存文化传统，并对于充分利用物料长处所需的高超手艺展现无比赞赏。谁是你们的工艺方面的合作伙伴，你们又是如何搜寻这些物料？ MX：我们与运用本地物料的本地工匠合作，目标是让他们通过与我们的合作提升工艺水平。我们专注小批量生产并能够呈现物料美感的设计作品，让人们欣赏到玉石，青铜或大理石的天然质感。处理这些物料的每个步骤必须谨慎和精准，从技术上的阶段开始，考量物料应该以什么形态展示才带出它们的美，再进行实质的处理。然后是工艺的阶段，运用人手修饰物料，将它们的独特细节和表面的触感展现出来。

TLmag x Studio MVW

V irg in ie M oriette & M in g Xu

写美丽的故事，所以我们希望拓展这个业务领域。

TLmag：有没有一个项目为你们带来真正的挑战？ VM：我认为中国设计真正的挑战是时间管理。这状况目前还没有太明显，但你必须快速工作。每个项目对我们来说都是一个新的历程。到目前为止，我们每个项目都能够为下一个项目激发出新的灵感。 TLmag：你们有特别喜爱哪个项目吗？ VM：我们当然总是希望自己能做得更好。我们很清楚每件家具和每个建筑项目背后投放的心血，所以对于结果通常是感到满意的。 MX：我们不想选出最爱的项目，因为我们怕引起其他作品的嫉妒！

TLmag：你们未来有什么计划和目标？ VM：我们感到自己正在迎接转变的来临。在过去十年间，我们曾经做过一些非常振奋人心的项目，但我们现在想要更进一步，通过更具有当代气息和实验性的作品，宣扬明合文吉作为设计工作室的个性定位。 MX：希望大家从我们的作品中，可找到新的答案— — 除却我们为作品塑造的外在形态，也期盼更多人能够了解我们的设计是如何出发，当中的概念，哲理和传统。我们渴望更自由地探索设计的可能，从而得到启发并启发他人。 VM：我们总是在寻找另一个更好的答案，务求在研究工作方面更精进，找到真正符合客户需求和我们设计理念的最终答案。

TLmag：保留传统手作工艺，对明合文吉来说有多重要？

VM：有些人手制作技术已经失传，再也和为一体。大自然蕴含无限的美，向来是不可或缺的灵感源泉。

TLmag：自2 0 0 6 年以来，你们的设计经历了什么演变？ VM：一路走来，今天我们觉得明合文吉可以走得更远。我们追求更大胆前卫的创意，热爱实验和透过作品讲述我们的故事。随着酒店服务业的设计项目不断涌现，需要更多的设计师为这些空间编

TL # STUDIO MVW

TLmag：可持续发展理念如何在你们的设计中发挥作用？ V M：由于中国当下仍然处于消费型社会，我们暂时未有将可持续视为中心议题，但是我们尝试利用设计提倡耐用性。可持续设计其实并不一定是人们理解的环保或物料回收，还有其他可行方法。我们在 20 0 8 年使用竹子作为可持续设计物料，不过事实证明实行起来非常

无从考究。但我们会把握任何可用到传统知识技术的可能性。 MX：目前我们正在与丝绸刺绣工匠合作，这种曾经很常见的技艺现已日渐式微。我们尝试从新将丝绸刺绣应用于现代设计，并将它变成当代艺术。

5 — LaoMiao Flagship Store, Shanghai / 上海老庙旗舰店

NATURE AS CONNECTION 以大自然联结 Hospitality Redefined by Future-Forward Concepts and the Natural Elements 结合未来前卫概念和大自然元素的设计，正在为酒店餐饮空间重新定义

The importance of blending innovation, technology and the natural landscape to create a better world is becoming crucial. Whether it is in the products we consume or the places we gather, channeling the power of nature – its shapes, forms, textures – and bringing them indoors, creates a sense of balance and a feeling of positive energy that is felt by the people who use the space. Using this as a base from which to design innovative and future-forward spaces infuses them with a sense of timelessness - not overtly trendy but harmonious and unified. From creating a small biosphere within a contemporary dessert bar in the heart of Beijing to reviving an ancient temple house in the tea region of Hangzhou or a social club surrounded by nature in northeastern China, hospitality has found new meaning through these perfected designs.

越来越多人意识到，渴望创造更美好的世界，融合创新、技术和自然景观的设计是至关重要的。从种种的消费品以至人们聚集其中的各式空间，大自然的形态与质感都传递着它独有的力量。将自然元素带到室内，往往能够创造出平和感觉，为置身其间的人们带来满满正能量。以大自然为基础，设计出融满充合创意新，技和未术来和感自的然空景间，更观以创展造现一种个永更恒见。其无和谐统美的好品世味界和的恰重到要好性处正的在时变尚，尽得清晰论是一的一家甜的点我。所们收以集在的北产京品，自然现力代量趣的味通十道足 -的它店，可以设个小将小它植们物带园；杭茶区形状，形状计和成纹一理，并入室州内，创一座古种老平的衡寺感院和可积以极重的现能新量生感命；中国。东北造了一空间这部家会所也谐，统别开生自港然将。在餐是的一一个时髦，和一面的地目拥标抱。大香饮空兴间通过古这老些的完中美国的神设庙，重计，至此香和港款中待心复一座振得中到全心新的古定老义寺。庙。国中

Aoyama Dessert Bar, Beijing 北京青山研究所

A Futuristic Interior that Mixes Tradition with Innovative Concepts for a Dynamic and Timeless Setting 融合传统与创新理念的未来主义室内设计，营造出无限活力和永恒的品味

TLmag x Studio MVW

Aoyama D e s s e r t Bar, B eijing /

北京青山研究所

TLmag x Studio MVW

Aoya ma D e ss er t B a r, B eijin g /

北京青山研究所

2. 1 — The combination of sleek surfaces and vegetal components creates a uniquely futuristic feel 光滑的面材和植物元素的结合为空间创造出独特的未来感 2 — From the outside, the bar looks like a vegetal, high tech oasis / 外表令人联想到植物同时弥漫高科技未来感的青山研究所

brings about an undeniable wow effect. From the outside, the bar looks like an intriguing, hi-tech oasis. It is enhanced by the transparency of the façade whose mesh cladding also conjures up the lightness and ref inement found in the architecture of the thinly layered desserts sold in the bar. Inside, the first striking element is the choice of celadon as the key colour – both an evocation of nature and of Asian aesthetics – combined with mesh that intensifies the visual impact of the organic, space-age, almost Kubrick-esque outline created by the walls and ceiling. The space is divided into two areas: the front part where people order and buy desserts, and the back area

TL # STUDIO MVW

Studio MV W’s Aoyama Dessert Bar in Beijing is a perfect illustration of how much architecture can contribute to the launch of a new concept. By turning an idea into something tangible, design choices enable individuals not only to physically experiment with it, but also to incorporate it into their culture. For the creation of this new type of bar that sells very contemporary, sophisticated desserts based on Japanese recipes, Studio MV W was asked to develop a space around the notions of nature, experimentation and traditional Asian codes. The investigation of these three aspects led to a creative solution that makes the most of that blend and

which is a more exclusive space dedicated to tea drinking. The use of natural materials like stone and wood complements the rounded shapes and smooth Corian surfaces, introducing a sensorial dimension into an otherwise ultramodern space, resulting in a comfortable, welcoming laboratory. The science-inspired aesthetic is also visible in the hanging lights in the front space as well as in the glass console showcasing a tree or in the plants exposed within transparent blocks, like an herbarium from the future. The impression of purity created by acrylic walls, mirrors and sleek surfaces evokes a cutting-edge museum of natural history, a place to experiment and

invent tomorrow’s life. In that sense, the architecture developed for Aoyama Dessert Bar exemplif ies an interesting way to go beyond a purely commercial concept and to elevate the discussion by creating a universal, poetic frame around it.

3. 3 — The celadon hue chosen by the designers evokes both nature and Asian cultural references 设计师选择青瓷作为主色调，兼具自然美感与亚洲文化内涵驐

TLmag x Studio MVW

Aoyama D e s s e r t Bar, B eijing /

北京青山研究所

TLmag x Studio MVW

Aoya ma D e ss er t B a r, B eijin g /

北京青山研究所

明合文吉为北京青山研究所打造的室内空间，说明了建筑设计对于将实验性概念变得具体化是何等重要。通过一个个设计上的选择，将无形的想法转化为有形的实体，不仅让置身其间的人们能够尝试与空间作出互动，而且能够将这种体验融入他们的生活文化。青山研究所专门供应造型精致仿如当代艺术的日式甜点，要为这种新型的甜点店设计店面，明合文吉的使命是创造一个围绕大自然观念、科学实验和传统亚洲意象的独特空间。从以上三方面着手发展而成的室内设计方案，确实发挥了最大的化学作用，惊喜无处不在。外表弥漫高科技未来感的青山研究所，在透光的外观和网眼结构的衬托下，展现出来的细致飘逸感觉好比柜台里层层叠叠的漂亮甜点。进入室内，四周尽是一片引人注目的青瓷，这个主色调兼具自然美感与亚洲美学角度，配合加强视觉效果的网眼结构，太空时代流行的动感曲线从天花延伸到墙壁，活像库布里克电影中的科幻风场景。店面划分为两大范围，前方是顾客点餐和购买甜点的地方，后方是私密的茶席区域。木材、石头等自然材料的加入，偶有可丽耐物料补充各种圆形形态，令未来感的气氛柔和下来，做出舒适又引人入胜的实验室环境。科学精神体现的空间美，可见于店内前方的吊灯，展示绿植的玻璃桌和透明玻璃器皿内的花草，彷佛是穿越时空的植物标本室。环顾四周清爽的亚克力墙体、镜面与光滑的面材，好像走进了世界一流的自然历史博物馆，一个明日世界的实验天地。明合文吉为青山研究所塑造的空间体验不单单是新颖有趣，而且超越了一般的商业经营理念，通过世界通行的设计语言，开启一场充满诗意的空间对话。

4 — The back area is a more exclusive space dedicated to tea drinking / 店的后方是茗茶专用的私密空间 5 — Studio MVW has designed a space that embraces nature, experimentation and traditional Asian codes / 明合文吉设计的店面风格回归自然，充满实验性和传统亚洲意象

Lu Ming Tang Flagship & Tea House, Hangzhou 杭州露茗堂旗舰店及茶馆

TLmag x Studio MVW

Lu M i n g Tan g Fl ag s h i p & Tea Hous e /

杭州露茗堂旗舰店及茶馆

TLmag x Studio MVW

Lu M in g Ta n g Fla g sh ip & Tea H ou s e /

杭州露茗堂旗舰店及茶馆

Poetic Elegance for a for a Skincare Brand Steeped in the Holistic Traditions of Tea 为源于传统茶文化的护肤品牌，塑造诗意优雅的形象

For an architect, imagining the first flagship store of a newly created brand is always a stimulating challenge. Successfully translating a universe defined by words and visual elements into a 3D experience can only be achieved through careful thinking and close collaboration with the commissioners of the project. With Maison Lu Ming Tang, the French skincare brand’s f irst tea house and store, the challenge was further heightened by another factor: the choice of a former Qianlong Imperial Library as the setting of the brand’s home. Nestled in the UNESCO-listed Longjing (Dragon Well) tea mountains of the Hangzhou region, the temple house, wh ich dates back to the Song dynasty, was the place chosen by Emperor Qianlong to write poems and calligraphy celebrating the virtues of tea during the Qing dynasty. Yu Shu Lou, as the building is called, was undeniably the perfect place

TL # STUDIO MVW

1 — Latticework, lacquered pillars and custom-designed bamboo furniture convey warmth and authenticity 花格木窗、漆面柱和定制竹家具，处处展现温暖实在的感觉 2 — The recently founded skincare brand’s flagship store is set in a former Qianlong Imperial Library / 这个全新美容品牌的旗舰店选址清乾隆皇帝的御书楼 3 — The designers drew inspiration from the traditional herbal apothecary cabinets / 设计师从古时存放中药药材的百子柜吸取灵感 4 — The tea motif appears in many elements, from the tea cup-style lighting fixtures to the tea leaf prints decorating the steps / 从茶碗形吊灯以至木梯级上片片的茶叶图案，茶的元素处处可见 5 — Green partitions with modernized Chinese plum flower patterns introduce rhythm and create privacy / 充满摩登气息的绿色梅花纹隔断，增添空间的韵律，营造一个私密的品茶间

TLmag x Studio MVW

Lu M i n g Tan g Fl ag s h i p & Tea Hous e /

杭州露茗堂旗舰店及茶馆

TLmag x Studio MVW

Lu M in g Ta n g Fla g sh ip & Tea H ou s e /

杭州露茗堂旗舰店及茶馆

cup-style lighting fixtures hanging from the ceiling and custom-patterned tea leaf prints applied to the wooden steps. The staircase opens onto to the teahouse on the upper f loor, which is also characterised by a very airy feel and a close connection to the lush greenery surrounding the building. Studio MVW salvaged a vaulted roof hidden under a low flat ceiling and turned it into a centrepiece which refreshes and enhances the new space through its tea green and white colour scheme, and its ceiling frescos combining illustrations and the Lu Ming Tang logo. Green partitions with modernized Chinese plum flower patterns introduce rhythm and create privacy for guests enjoying tea in what feels like an open tree canopy. Wooden latticed window patterns, marble, framed silkscreens, laser-engraved mirrors, lacquered pi l la rs a nd c us tom-desig ned ba mboo f u r n it u re inspired by the minimalism of the Ming dynasty and traditional French-style rattan outdoor furniture convey elegance and authenticity. As a building infused with tea culture and history, Yu Shu Lou could hardly have dreamt up a better future. There is little doubt that Emperor Qianlong’s poems will continue to f loat in the air and inspire Lu Ming Tang and tea lovers alike.

TL # STUDIO MVW

for a brand harnessing the natural powers of Longjing tea to revitalize urban skins, as well as an exceptional opportunity for Studio M V W to express both its understanding of Chinese tea culture and its French sense of elegance. The exterior architecture of the library, including its beautiful wooden door panels, was retained, with Virginie Moriette and Ming Xu focusing on the interior design to breathe new life into the building. The ground f loor, which hosts Lu Ming Tang’s f lagship store, was stripped of dark wooden floors, revealing a superb traditional stone paving that was turned into a key element, giving the interior a beautiful and unique patina. Virginie Moriette and Ming Xu drew inspiration from traditional Chinese herbal apothecary cabinets to design the display counter, compartments and drawers, while the display stands are reminiscent of traditional tealeaf drying bamboo baskets. Above the counter, ceramic pendant lights shaped like Chinese tea caddies shed a soft light complementing and enhancing the subtle blue-grey colour of the brand’s logo, creating a soothing, delicate atmosphere. T he st a i rc a se con nec t i ng t he t wo f loors ma kes the most of natural light through framed mirrors installed along its upper wall. The tea culture motif is developed through a series of porcelain, Chinese tea

对建筑师来说，为一个全新品牌设计它第一家旗舰店必定富有挑战性，因为成功之路只有一条 — — 通过缜密的考虑和与项目委托人紧密的合作，才能将文字与视觉元素构建的品牌观念，化为实实在在的空间体验。法国美容品牌露茗堂委托明合文吉设计的第一家茶馆与旗舰店，选址被联合国教科文组织列为保护对象的杭州龙井山、山上的一栋老建筑。这庙宇式建筑物原是清乾隆皇帝的御书楼旧址，历史最早可追溯到宋朝，令设计师面临更大的考验。据说乾隆当年曾经在御书楼潜心诗赋，赞颂茶的美好品质，这份独特的历史魅力，与露茗堂提倡都市人采用天然茶叶护肤的品牌定位配合得丝丝入扣。明合文吉借此机会，将他们对中国茶文化的理解与法式优雅风尚完美结合起来。设计师特意保留建筑外观，包括美丽的木门屏，集中在室内部分为古建筑塑造新生命。一层是露茗堂旗舰店，设计师拆除了原本铺设的深色木地板，露出原有的传统石材铺地，成为了重要的空间元素，丰富了空间的美感和独特性。古时存放中药药材的百子柜，成为了设计陈列柜台、橱柜和抽屉的灵感源泉，陈列架的外观与烘培茶叶的竹编笼相似。柜台上方一排取用茶罐形态的陶瓷灯具，淡淡映射出柔和的光线，让品牌标识的蓝灰色呈现含蓄之美，带来纾缓又细腻的气氛。沿着连接上一层的楼梯拾阶而上，梯间墙体的上半完全由镜面覆盖，大量采纳室外的天然光线；楼梯上装饰的陶瓷，垂落的茶碗形吊灯和木梯级上片片的茶叶图案，让整个空间沉浸在茶文化的氛围中。

6 — The tea green and white hues combined with the ceiling frescos translate the poetic, natural universe of the brand 天花板下的筒拱加上茶绿色和白色的搭配，将品牌的无限诗意和源于自然的特质表露无遗

从楼梯间踏进二层，延续了一层的强烈的空间感，同样与周边绿树成荫的自然环境融为一体。设计师修复了隐藏在无梁式天花板下的筒拱，并通过茶绿色和白色的搭配，加上露茗堂标志的壁画绘画，将它改造成焕然一新的视线焦点，让空间弥漫活泼趣味。绿色梅花纹的隔断充满摩登气息，增添空间的韵律之外，为茶室的客人营造一个个恍如置身浓密树荫下的私密品茶间；花格木窗、大理石、丝绢网印、激光雕刻镜面、漆面柱，借鉴明式家具简约外观和典型法式藤制户外桌椅的定制竹家具，处处展现优雅和实在的感觉。犹如混合阵阵茶香与历史感的御书楼，毫无疑问地通过最好的方式得到新生。说不定，前来露茗堂品茶的客人，仍然会从乾隆皇帝当年风流文采中得到一些感悟。

Yunlong Hui Private Club, Xuzhou 徐州云龙会会所

The Natural Landscape Inspires a Layered and Soulful Design 展现层次感和散发情感的设计，灵感源于自然景观

TLmag x Studio MVW

Yu n l on g Hu i Pri vate Cl ub, Xuzhou /

徐州云龙会会所

TLmag x Studio MVW

Yu n lon g H u i P rivate C lu b, Xu z h ou /

徐州云龙会会所

2. 1 — Transparency and openness are at the core of the design concept / 设计理念的重点在于空间的透明度和开放感 2 — Another strong component of the club’s architecture is the recurring play on light and shadow 会所建筑空间的另一亮点，是反复玩味光影戏法 3 — Light is a key component that enhances the depth and richness of the various spaces / 照明是增强各种空间的深度和丰富性的关键所在

found in Ancient China while copper, which is used in the round barrel stools of the reception area and in the lamps of the bottom floor, infuses the spaces with warmth and gives them a very special patina. Another strong component of the club’s architecture is the recurring play on light and shadow. The windows in the reception area, which open onto a view of the South Lake, feature an “ink painting” of the mountains made of laser-cut aluminium plates that lets in natural light during the day and becomes a modern landscape painting at night, as the light coming from inside turns it into a photographic negative. On the other side of the room, a digitally synthetized bamboo image covers the glass delimitating the staircase, echoing the themes of nature and light. Perforated panels on the ceiling of the top floor reiterate lighting effects and evoke a mashrabiya-like, modern artwork. Envisioned as a core element of the architecture, light is neither just functional nor ornamental, it is also used symbolically to convey the idea of a strong vital force, an energy coming from the past and projecting the space into the future. The traditional candlestick, which inspired the design of a specially made copper hanger, evokes permanence and change through the image of a flame – a felicitous choice for a club whose design is anything but frozen and materialises all at once the roots of yesterday and the energy of tomorrow.

TL # STUDIO MVW

Located near Xuzhou in Yunlong Mountain – whose name originates from its nine dragon-like peaks – the Yunlong Club is another example of Virginie Moriette and Ming Xu’s penchant for the exploration of opposites and of the notion of balance. Here, nature and culture, inside and outside, eastern elegance and contemporary chic, past and present coexist to create a new type of cosiness perfectly in tune with the surrounding environment. The club is divided into three f loors. A lounge and restaurant on the ground floor, and a reception area on the first f loor, are visually linked by a clever use of transparent partitioning that conveys a sense of airiness and openness. This feeling is also present in the large floorto-ceiling windows connecting the restaurant spaces with the sunken exterior courtyard decorated with many green bamboo plants. The upper f loor is occupied by meeting rooms and private dining rooms, all framed by a ceiling reminiscent of the original pitched roof from modern Huizhou architecture. The rooms are furnished with simplified – thus more suitable to commercial use – versions of Studio MVW’s classic Cotton and Louis Ming Chairs. The notion of integration goes beyond the geographic or topographic aspects to incorporate a strong cultural dimension, particularly perceptible in the use of materials. Bronze, which is associated with the craftsmanship and cultural heritage of the Chu and Han dynasties and notably with the city of Xuzhou, is extensively used throughout the club to reinforce its connection with its historical and local context. On the third f loor, a bronze chandelier evokes the bells

TLmag x Studio MVW

Yu n l on g Hu i Pri vate Cl ub, Xuzhou /

徐州云龙会会所

TLmag x Studio MVW

Yu n lon g H u i P rivate C lu b, Xu z h ou /

徐州云龙会会所

明合文吉设计的云龙会会所，因位于徐州云龙山内而得名。云龙山的九个大小峰峦云雾缭绕，状如游龙，启发两位设计师探索对立和平衡的概念。在这个空间里，自然与文化、内与外、东方之美与现代时尚、过去与现在等相异的元素得以和谐共存，创造出与周围自然环境完美契合的崭新舒适生活型态。云龙会会所空间分为上下三层，楼底被规划成门厅以及餐厅，中间一层用于接待区域。底层与中层之间被一个通透的中空区域所连接，设计成了一个气势开阔的视觉空间。在餐厅内，可透过落地的玻璃窗台观赏沉底的院子里，满院的青翠绿竹，同样呈现出豁然开朗的感觉。三楼设有会议室和餐饮包间，抬头看见天花板的形态，活像现代徽式建筑的斜屋顶，并用设计师将之加以简化的 “ 棉花椅 ” 和“路易明” 座椅，使空间更适合商业的需要。相容并蓄的手法不仅运用于会所所在地的地理或地势的层次，更扩大至文化的层面，尤其在物料的应用中体现出来。设计师发现与楚汉文化深有渊源的徐州，有着非常多能够体现古时传统工艺的铜器，因此铜的材质成为云龙会装饰的一大要素，将空间与历史和地域文化联系起来。三楼的铜吊灯，其造型参考了古代的铜钟；接待区域的圆筒

凳和底层的铜灯也选用了铜材料，令空间隐隐然散发暖意，透露出独特的铜绿光泽。整个会所另一最大的设计特色是玩味光与影的戏法。从中层的接待区域可延伸远观小南湖的景致，设计师将一层激光切割出大小孔洞的铝板覆盖在接待区域的玻璃窗上。白天，外面的天然光线经由孔洞透入，形成一幅别出心裁的现代水墨画，而到了夜晚，从室外能够看到孔洞中透出的室内光线，画面犹如感光照相底片。接待区域另一侧的玻璃上覆盖了一层数码合成的竹图像，仿佛为楼梯竖立一道屏风，竹影婆娑，贯彻光与影的主题。顶层天花板上的穿孔板块凸显了照明效果，活像以阿拉伯传统窗花图案为灵感的现代艺术品。在设计师眼中，灯具不再只是发挥照明功用的建筑设备或装饰品，其本身也象征一种强大的、源自过去和跨越未来的生命力，令这个空间经得起时间考验。例如设计师将中式传统的烛台糅入一个铜质衣架的形体，让明暗不定的烛火意象，比喻永恒与变幻两相结合，对于云龙会奉行灵活取材、拒绝一成不变的设计原则来说，无疑是理所当然的选择，体现了中国传统的气韵，同时为现代中式风格展现了未来新视角。

4 — Light is used to symbolize change and vital energy 光线的运用象征空间的变化和生命力 5 — Latticework is another example of the club’s belonging to its cultural context 窗格图案反映会所的设计源于其本身的文化背景 6 — Wooden lines on the ceiling are reminiscent of the pitched roofs found in modern Huizhou architecture, while the bronze chandelier evokes the bells found in Ancient China 天花板上的木线让人想起现代徽派建筑常见的斜屋顶，而青铜枝形吊灯则让人想起中国古代的青铜钟 7 — The lounge is characterized by an opulent, yet very intimate atmosphere 餐厅的特色是尽管环境奢华耀目，气氛却非常亲切私密

TL # STUDIO MVW

HAUTE COUTURE & LIFESTYLE VISION 高级订制时装与时尚生活品味 Bringing a Sense of Harmony 呈现和谐之道 Experimentation plays an important role in Studio MVW’s creative process. While materials, textures and surfaces are constantly researched and tested, the designers are also interested in exploring the possibilities of luxury in the 21st century — what this concept means in our contemporary lifestyle and how it is signified in our daily surroundings. For Virginie Moriette and Ming Xu, true luxury is defined through interiors that convey a sense of well-being, beauty and harmony, but which also reflect elements of nature along with an honest approach to how the space will function for its users. It is innovation with a poetic touch. The flow of water, curvilinear forms, the unexpected patch of greenery, and artistic lighting all bring a new level of grandeur and warmth to the space as much as the noble materials that perfectly decorate the space.

明合文吉的创作过程总离不开实验。除了通过他们操刀设计的奢华空间，理所当然的不断尝试崭新物料种类、素材纹理和面材之外，二人也致力探索呈现 2 1 世纪奢华的无限可能性，思考奢华可怎样结合我们当代的生活方式，在我们的日常置身的环境中又是意味着什么。徐明和文吉认为奢华空间的定义是赋予幸福、美感及和谐的室内设计，这个空间同时蕴藏自然的元素，坦诚地回应使用者功能方面的需求，展示未来视野而不会流于冷冰冰。从流水元素与曲线的形态、令人惊喜的一片翠绿、悉心设置并散发着奢华温暖感的灯光照明，以至青铜、大理石和皮革等贵气无比的物料，均可发挥完美装点一个空间的作用。

Wuhan Sales Office and Aesthetics Museum, Wuhan 武汉华侨城原岸美学生活馆售楼处

TLmag x Studio MVW

Wu h an S al e s O ffi c e an d Ae st het ic s Mus eum, Wuhan /

武汉华侨城原岸美学生活馆售楼处

TLmag x Studio MVW

Wu h a n S a le s O f f ic e a n d Ae sth etic s M u s eu m, Wu h a n /

武汉华侨城原岸美学生活馆售楼处

Envisioning a New Kind of Luxury through Earthly Elements and the Surrounding Landscape 将踏实的设计元素和四周的景观结合起来，创造新奢华主义

5. 1 — The notions of luxury and opulence are addressed through the choice of materials but also through subtle, creative details such as perforated panels / 设计师除了通过物料的选择，也利用诸如穿孔板等微妙的创意细节来营造奢华瑰丽的风格 2 — Located near a lake and forest, the sales office was designed to connect with its surroundings / 售楼处坐落在一片湖畔森林旁的，其设计目的是与四周的风景相连互通 3 — Free-flowing shapes conjure up an atmosphere of peacefulness and harmony / 各式自由流动的形状带来一室宁静和谐 4 — The circular partitions bring rhythm to the space while generating different perspectives that conjure up the image of ricochets / 呈圆形弧度的隔断，为空间带来节奏感同时产生不同的观赏角度，展现出宛如反弹迴向的线条 5 — Organic shapes combined with noble materials result in an innovative, sumptuous interpretation of nature / 富有生命力的形态状与高尚的材料相结合，以创新与奢华并重的手法诠释大自然题材

TLmag x Studio MVW

Wu h an S al e s O ffi c e an d Ae st het ic s Mus eum, Wuhan /

武汉华侨城原岸美学生活馆售楼处

TLmag x Studio MVW

Wu h a n S a le s O f f ic e a n d Ae sth etic s M u s eu m, Wu h a n /

武汉华侨城原岸美学生活馆售楼处

Feeling the energy and appreciating the qualities of a particular site is a fundamental first step in any architectural project. This connection underscores how much the surroundings impact the designer’s work and initial reflections from the very start. In the case of the sales office designed by Studio MVW for OCT (Overseas Chinese Town Enterprises), in Wuhan, Western China, the setting was a clear inspiration. Located next to a famous lake and lush forest, the 3000-square metre sales office was designed to let the surrounding nature in and to create a connection with the elements, especially water, which acts as a unifying motif throughout the building. The ground f loor immediately immerses guests in an aquatic, weightless-like atmosphere with its boat-shaped reception desk and bar, as well as its spiral staircase, chandelier and droplet-like lighting f ixtures echoing water elements. Partitions bring rhythm to the space while generating ripple effects that conjure up the image of ricochets on a pond along with feelings of peacefulness and harmony. One of the most interesting aspects of the sales office is its ability to create a new type of luxury through the combination of shapes and materials. One of the requirements at the start of the project was to imagine a very luxurious space that would accurately ref lect the high standards of the company and its services. In order to do that, Virginie Moriette and Ming Xu opted for a very contemporary expression of lavishness based on understated essentiality. This choice translated into simple, free-flowing, organic shapes and curves combined with the most noble, natural materials such as marble and stone, among others. The result was an assortment of subtle variations and details which are a delight for discerning connoisseurs and produce the impression of a uniquely comfortable, perfectly measured opulence. On the second f loor, Studio MV W’s work combines luxury with another notion, that of a club, also at the core of the project. The designers developed this idea through three key spaces, all in line with the natural lushness of the ground floor. A negotiation room, divided into different areas by bookcases, opens onto the landscape, providing a beautiful view of the lake. It is complemented by a stunning Blue Landscape painting – another example of the interplay between nature and culture, between landscapes and artefacts that can be found throughout the building. A multipurpose room designed to accommodate art exhibitions, cocktail receptions or events reiterates the design of the entrance. Finally, three rooms compose the VIP area, which is defined by the delicateness of its shapes and colours – lavender, pastel green, grey, and old rose – and by the originality of its wall reliefs – holes in aluminium wall panels that let natural light in during the day and create a beautiful landscape that turns into another picture at night. Like a photographic exploration of negatives, that choice breathes dynamism into the space and embodies the idea of a living nature, as does the backlit drawing of a natural stone in the bathroom or in the blue calligraphic landscape paintings seen in the bathrooms upstairs and in the bar.

TLmag x Studio MVW

Wu h an S al e s O ffi c e an d Ae st het ic s Mus eum, Wuhan /

武汉华侨城原岸美学生活馆售楼处

TLmag x Studio MVW

Wu h a n S a le s O f f ic e a n d Ae sth etic s M u s eu m, Wu h a n /

武汉华侨城原岸美学生活馆售楼处

6 — In the entrance, the boat shape reception desk sets the aquatic tone and theme 入口的接待台呈船形，回应水的设计格调和主题 7 — A spectacular chandelier hanging from the top floor brings a magic dimension to the space / 夺目耀眼的吊灯悬挂在顶层，为空间带来梦幻般的气息 8 — The backdrop of the bar reflects the idea of water droplets / 吧台的背景设计呈现水滴的概念

TL # STUDIO MVW

TLmag x Studio MVW

Wu h an S al e s O ffi c e an d Ae st het ic s Mus eum, Wuhan /

细心体会项目所在地散发的气韵同时欣赏它的特质，是展开任何建筑设计工作前的关键一步，特别强调早在建筑项目面世以前，项目所在地对设计师的初步构思以至工作实践的影响可以有多深远。由明合文吉为华侨城集团操刀设计，位于中国西部城市武汉的华侨城原岸美学生活馆售楼处，灵感正是来自项目的所在地。占地 3000平方米的售楼处坐落在一片当地著名的湖畔森林旁，其设计目的是把四周的风景迎进室内，当中以“ 水 ”作为主要的设计元素，并与各种大自然元素串联在一起，贯穿整个建筑空间，起着协调一致的点题作用。底层的接待台和水吧呈船形，配合螺旋形楼梯、枝形吊灯和水滴形照明装置，处处呼应“ 水”的主题，使访客迅即投入恍如漂浮水中的无重力状态。一道道隔板给空间带来节奏感，产生像涟漪般的视觉效果，营造出在池塘上腾飞而上的意象，带来一室宁静和谐。售楼处最引人入胜的设计特色是它能够通过形状和材料的搭配组合，创造出一种崭新的奢华感。这个项目最初的要求之一是设想一个极尽豪华的空间，能够准确反映委托者公司及其服务品质的高标准。为了实现这一点，明合文吉在保留含蓄之美的大前提下，采用了极致现代的手法重新演绎奢华瑰丽的风格，塑造简洁和自由流动的线条形状，结合精挑细选的顶尖天然建材，包括大理石和石材等等，构成了一个集合各种微妙变化与精巧细节、展现独特的舒适感和奢华有度的完美空间，即使是品味超凡的鉴赏家，也会对此表示欣赏。设计师在二楼将奢华感与会所空间的理念结合在一起，为这个项目的核心创造另一番体验。设计师以底层满盈的大自然元素为基础，通过三个主要的空间实践他们的构思。洽谈区与室外的景观连接，区内用书架隔断出了大小不同的交流区域，可以观赏绝佳的湖景，湖景与书架上方夺目的蓝色山水画遥相呼应，窗外的风景与遍布建筑物内的艺术作品也正在互相对照，借此玩味自然风光与文化艺术。为举行艺术展览、鸡尾酒会或各式聚会而设的多用途活动室，延伸了售楼处入口的设计风格。最后还有三个房间组成的贵宾区，其淡雅柔和的线条形状与色彩运用显然易见，一抹抹的薰衣草紫、粉绿、灰色和灰玫瑰红，配上原创的墙壁浮雕，让自然光在白天穿透铝墙板上的一个个孔进入室内，构成一副绝美的水墨画，在夜幕中又演变出另一番美态，就像运用不同的冲洗摄影底片方式进行实验。这种设计手法成功为空间注入了活力，使空间变成一个生命体，从浴室里一幅后部有灯光照亮的石头画，以至上一楼层点缀浴室和酒吧的蓝色书法风景画，也是如此满溢着生命力。

武汉华侨城原岸美学生活馆售楼处

TLmag x Studio MVW

Wu h a n S a le s O f f ic e a n d Ae sth etic s M u s eu m, Wu h a n /

武汉华侨城原岸美学生活馆售楼处

12.

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TL # STUDIO MVW

9 — A spectacular chandelier hanging from the top floor brings a magical dimension to the space 夺目耀眼的吊灯悬挂在顶层，为空间带来梦幻般的气息 10 & 11 — The interplay between nature and culture, traditional and contemporary are woven throughout the space 整个空间一大特色是玩味自然与文化、古典与现代气息之间的互动 12 — The large, perforated wall panels in the VIP room, made with natural materials, create a sense of intimacy while visually anchoring the space with its dynamic imagery /贵宾室内巨大的墙板划分出私密的空间，同时通过活灵活现的意象，塑造出空间的视觉观感主题 13 — Hundreds of thin glass tubes are suspended overhead to create a stunning chandelier that emphasizes the importance of water in the space 天花板悬挂着数以百计的细玻璃管，形成夺目迷人的吊灯，凸显在空间设计概念中占有重要地位的水元素

13.

Uni Vinson Headquarters, Shanghai 上海维真办公室

Spring Eternal: Wellbeing and Timeless Beauty Infuse a Contemporary Workplace 永恒如春：弥漫幸福感和恒久美态的当代风格办公室

TLmag x Studio MVW

Un i Vi n s on He adqu ar ters, Shanghai /

上海维真办公室

TLmag x Studio MVW

U n i V in s on H ead q u a r ters, S h a n g h a i /

上海维真办公室

1 — The double-height space creates a feeling of fluidity 全新的双层空间营造出流畅的动感 2 — The notion of fluidity goes beyond the visual or tactile aspects to permeate the functional dimension of the space 流畅的动感不仅限于视觉或触觉的层面，更延伸至空间的功能 3 — Branching, curvilinear bronze bars frame the window panes, a nod to the elegance of art deco / 弧形的铜框沿著玻璃屏的表面伸展，向装饰派艺术的优雅风范致敬 4 — The staircase clad in pure white Corian and complemented by a brass handrail and mirrored walls. 楼梯覆盖着纯白的可丽耐面材，搭配黄铜扶手和镜面墙

TL # STUDIO MVW

The beauty of architecture, at its core, is the ability to match function and form in the sole choice of a shape or a material. In the case of office spaces, combining function and aesthetics is even more crucial, in the sense that not only do such spaces have to accommodate the specific needs linked to the company itself but, from a more general perspective, also have to improve employee wellbeing and productivity. In the case of cosmetics company Uni Vinson, the objective was also to express a notion of timelessness, which is a fundamental component of the firm’s identity. For this reason, Uni Vinson asked Studio MVW to breathe new life into a classical building, the Shanghai Bund Source Y WCA, and to cr ystallize its 2,000 square metres of new office space into eternity. To achieve this exciting cha llenge, Studio M V W opted for a ver y orga n ic, f low ing desig n to create a soothing atmosphere throughout the space. This approach is visible from the entrance, where the architects opened up vertical volumes by partly demolishing the ceiling in between the 3rd and 4th f loors. The new double-height space creates a feeling of fluidity, which is reinforced by a staircase clad in pure white Corian and complemented by a brass handrail and mirrored walls. The few existing structural columns, which were originally square, were a lso reshaped into organic forms evoking plants emerging from the ground, while the light fixtures are reminiscent of biomorphic, vegetal forms. The vegetal theme was also developed in a more literal manner through the creation of a different indoor garden on each floor, each of which improves work conditions in its own way. The third f loor, for instance, features a bright relaxation space inspired by the 19th century European greenhouse. “The impression of a garden is so real that we almost envision the gardener…”, the Uni Vinson teams declared, confirming the architects’ knack for fruitfully introducing nature in an otherwise very urban environment. The general sensation of openness and free-f lowing spaces is enhanced by the choice of shapes – from the round glazed window connecting the garden and

TLmag x Studio MVW

Un i Vi n s on He adqu ar ters, Shanghai /

上海维真办公室

TLmag x Studio MVW

U n i V in s on H ead q u a r ters, S h a n g h a i /

上海维真办公室

TLmag x Studio MVW

Un i Vi n s on He adqu ar ters, Shanghai /

TLmag x Studio MVW

上海维真办公室

U n i V in s on H ead q u a r ters, S h a n g h a i /

上海维真办公室

终极的建筑之美，在于仅仅靠物料和形态的匹配，就能达到功能与形态两者兼得。办公室空间呈现的美感，更讲究与功能性的配合，因为办公室不仅需要满足一家企业本身的特定需求，而且从更广阔的角度来看，更加注重提高员工的身心健康和生产力。作为化妆品企业，维真 ( Uni Vinson) 希望塑造一个能够诠释品牌永恒经典概念的办公室空间，因此邀请明合文吉重新演绎品牌定位的要素，将岁月时光凝固于充满历史感的上海外滩源女青年会大楼的2000平方米新办公室之内，令它焕发新生，化作永恒。回应这个振奋人心的设计委托，明合文吉将办公空间有机地串联起来，充满流动性的设计展现宁静平和的气氛。这个设计主旋律首先在入口处表现出来，三至四楼两层之间的部分楼板被移除，使入口处上下空间得以联通。挑高的双层空间流畅无碍，配上纯白色可丽耐墙面的楼梯，黄铜扶手和镜面墙，显得豁然开朗。设计师将原本四方的结构柱体塑造成植物般的形态，仿佛从地面上生长出来，灯具的造型也模仿树枝的形状。植物的主题延伸至每个楼层设置的室内花园，里面栽种了真正的花草。每个花园运用不同的设计语言，提升办公区的工作体验。位于3 楼的室内小花园，借鉴了欧洲温室花圃的装饰元素，营造了一个光线充足的休闲空间。维真的团队成员形容为“ 感觉如同置身真正的花园，园丁的身影似乎也浮现在眼前。”足以证明设

计师相当成功地在上海的都市森林中，巧妙引入一片大自然景色。从连接花园和会议室的圆形玻璃窗，到形状像云朵又像花朵的接待桌，整个空间设计融入了不少几何形状，突出开放感与流动性的基调。设计师在物料和色调的选用上营造流畅宽敞的氛围，包括明亮的大理石、带有光泽的黄铜、水磨石、穿孔铝板、刺绣皮革和雕刻的可丽耐面材，配上白色、米色、棕色和灰色的色彩组合。除了在视觉效果和触感方面打造出活泼流畅的体验，整体空间的功能也处处表现灵活性。精心设计的会议桌能够收纳所有电线和插头，用压花玻璃做的隔断，既起到私密的功能，又不至于感到封闭。通过完美规划而不着痕迹地串联起来的空间，维真办公室为永恒的概念注入当代设计活力，重新写下优雅的定义。

5 — Light fixtures were designed to reflect natural forms such as tree branches / 灯具的设计意念凸显大自然各式各样的形态，例如树枝 6 — An unexpected garden sits in the middle of the office adding a whimsical touch of nature / 办公室的中央意想不到地出现一个小小花园，增添美妙的大自然诗意 7 — The made-to-measure office for the CEO is accented by sumptuous materials and details / 特别为首席执行官量身设计的办公室，以奢华的物料与细节作为空间的主角

the space, from the conference table engineered to collect all wires and plugs to the desk separations made of frosted glass and ensuring intimacy without closing off the space. A perfect arrangement of areas organically linked together, and a very contemporary, sophisticated interpretation of infinity.

TL # STUDIO MVW

the conference room to the reception desk, which is shaped like a cloud or a f lower, to materials such as smooth marble, glossy brass, Terrazzo, perforated aluminium panels, overstitched leather and sculpted Corian, and a colour palette composed of white, beige, brown and grey. But the notion of fluidity goes beyond the visual or tactile aspects to permeate the functional dimension of

DX Residence, Shanghai 上海DX住宅

A 21st Century Home Embraces Modularity, Beauty, and Calm 21世纪的家居具有模块组合的灵活性，散发优美宁静的气息

TLmag x Studio MVW

DX R e s i de n c e, S h an g h ai /

上海 DX 住宅

TLmag x Studio MVW

DX R e sid en c e, S h a n g h a i /

上海 DX 住宅

Imagining a home is of course a very different mission from designing public, open spaces. When they were asked by a young actor to create the interior design of his home, Virginie Moriette and Ming Xu knew the direction would be given less by an abstract concept than by their client’s tastes and lifestyle. Located in a high-end residency complex in Shanghai, the home was developed around a few key principles: comfort, modularity – through a vast space that can be customized according to the owner’s needs and wishes – and a refined mix of measured luxury. The layout features a centra l living room that is organized around a large couch to comfortably watch movies and relax, a master bedroom and additional guest bedrooms. A feeling of spaciousness and peacefulness is conveyed through clever arrangements of shelves and alcoves

showcasing the owner’s collections of art, teapots and bonsai without ever creating visual distractions. What is striking about the DX Residence is its honesty in translating the tastes and personality of the owner, while avoiding any rigid stylistic formula. The space, which combines clean lines and neutral tones with noble, high-end materials like marble, never falls into a strict, minimalistic category or in a too obviously expensive and luxurious style. Rather, it plays on contrasts to develop its own aesthetic, giving pride of place to softness, warmth and personality. These qualities are also seen in the custom furniture design by Studio MV W. DX Residence illustrates a very contemporary take on luxury - one that redefines true comfort through spaces which not only reflect a person’s individuality but also enables the client to feel aligned with their inner self.

1 — Classic and contemporary references create a sleek, timeless interior / 经典和现代设计风格融合无间，造就了亮丽而展现永恒之美的室内装潢 2 — Neutral tones and clean lines result in a soothing and warm atmosphere / 中性色调和简洁的线条营造出舒坦温暖的氛围 3 — A remarkable feeling of spaciousness is achieved through the layout / 通过室内布局，营造出显著的空间感 4 — The Master Bedroom / 主卧室

TL # STUDIO MVW

TLmag x Studio MVW

DX R e s i de n c e, S h an g h ai /

上海 DX 住宅

TLmag x Studio MVW

DX R e sid en c e, S h a n g h a i /

上海 DX 住宅

7. 7 — The unique space can be customized according to the owner’s needs and wishes / 这个独特的空间可根据户主的需求和意愿作出定制配置

TL # STUDIO MVW

5 — The design gives pride of place to softness, warmth and personality / 整体设计成功为空间添上柔和、温暖和独特个性 6 — The open-plan kitchen integrates seamlessly with the residence and the large window has sweeping views of the city 开放式的厨房跟家居空间融合无间，特大的窗户可观赏一望无际的城市景致

为一个家居发挥设计想象力，与设计公共开放空间的创作性质无疑是截然不同，明合文吉深明此理，因此他们接受一位年轻演员的家居室内设计委托时，明白到与其从一些抽象的概念出发，不如让客户的个人品味和生活态度作主导，定下设计的方向。年轻演员的家位于上海一个高端住宅区，进行空间设计的关键原则着重舒适与模块组合性，可根据户主的不同需求和意愿作出调配，创造出能实现量身定制用途的广阔空间。同时希望通过精心搭配的装潢，慎重地营造内敛奢华的气氛。家居的布局划分为一个以一张大沙发为中心点的主客厅，让户主舒适写意地看电影和休息放松。另外设有一间主卧房和一间备用的客房。通过聪明巧妙的安排，所有用来展示户主的艺术珍藏、茶壶和盆景的架子和壁龛，一一和谐共处于空间之内，展现豁然开朗和宁静平和的感觉。 DX住宅的动人之处在于它并没有采用公式化的手法去堆砌风格元素，而是忠实呈现户主品味与个性的原貌。将简洁线条、中性色调以及大理石等等高尚物料融为一体的空间，既没有奉行绝对的简约主义，也不会流于过度浮夸炫目。相反地，它透过玩味反差对比，营造出一种原创之美，突出空间柔和、温暖和人性化的一面，这一点同时体现于同样出自明合文吉手笔的定制家具。DX 住宅对奢华生活和真正的舒适自在作出了现代的诠释，成功地反映人的独特性，让他们无畏无惧的展现真我。

RETAIL: EXPERIENTIAL AESTHETICS 零售空间：体验式美学 The Roots of Yesterday Create a Bridge to the Future 鉴古知今，创造未来

Crafting bespoke interiors for iconic heritage brands requires an appreciation of the company’s history while not being afraid to innovate and adapt for the present day. The visual experience ideally reflects the brand’s timelessness yet underscores its contemporary vision. Here, references to the elegance of Parisian style, sweeping vaults, or the free-flowing style of the 1960s and 1970s are met with bold concepts, vibrant colour schemes, and delectably Instagrammable spaces that reveal Studio MVW’s seamless ability to tap into the cultural past while adapting to the expectations of a 21st shopper.

为广为人知的传统品牌设计室内空间，设计师必须熟知该品牌的历史发展及其重要的基因，同时本着大胆创新的精神，为品牌塑造出符合时宜的形象。在空间里展开的一场视觉体验，最好能够完美地反映品牌经历过的时间考验，以及它迈向新时代的决心。从参考优雅的巴黎风格、延伸的穹頂、源自 1960至 1960 至 1970 1970年年代自由流畅的线条风格遇上大胆的概念和活泼夺目的色彩组合，以至一个个令人无比愉悦、值得在 Instagram 上再三发布的创意空间，都表现出明合文吉了解品牌文化的能力，将品牌的光辉历史演变成符合现代人期盼的零售购物空间。

Pierre Cardin Home Showroom, Shanghai 上海皮尔．卡丹家居陈列室

TLmag x Studio MVW

Pi e rre Cardi n Home S h owro om , Shanghai /

TLmag x Studio MVW

皮尔．卡丹

P ierre C a rd in H ome S h owro om, S h a n g h a i /

皮尔．卡丹

Space Age Chic 太空时代新潮流 1 — The avant-garde retail space was inspired by Pierre Cardin’s chic futuristic vision / 概念前卫的零售空间，设计灵感来自皮尔．卡丹品牌超前的未来主义视野 2 — Exterior of the first Pierre Cardin Home Showroom in Shanghai / 上海第一家皮尔．卡丹家居陈列室的外观 3 — Globe lighting throughout echoes Pierre Cardin’s fascination with bubbles / 空间里外普照的灯光，代表皮尔．卡丹对泡泡圆形的着迷 4 — The showroom’s central corridor reflects an elegant nod to the iconic archways of Parisian shopping arcades / 陈列室中央的一道道拱门，向巴黎著名的有盖拱廊购物街致敬

TL # STUDIO MVW

Sculptural space age styling and a bold colour palette def ines the f irst Pierre Cardin Home Showroom in Shanghai. Designed by Studio MVW, the avant-garde retail space was inspired by Pierre Cardin’s chic futuristic vision. A fashion icon since the Fifties, Pierre Cardin is known for his revolutionary designs and experimental outlook. Inspired by geometric shapes and motifs, his work embraces imagination and innovation, blending circular movement and structured lines. An example of Cardin’s interest with shape and form can be seen in one of his most well-known designs, his sci-fi style ‘bubble dress’ (1954), which combined earthly elegance with out-of-this world colourways. The bubble theme continued when, in 1989, Cardin became the second owner of the iconic Palais Bulles (the Bubble House), perched on a rocky cliff above the Mediterranean Sea in the South of France. When the original owner passed away, Cardin swooped in and completed work on the monumental house which was designed by Hungarian architect Antti Lovag to mimic early cave dwellings. Cardin translated his passion for

TLmag x Studio MVW

Pi e rre Cardi n Home S h owro om , Shanghai /

geometric shapes, symmetrical cuts and curves into the interiors, and the Bubble House, with its series of pod like domed structures, was to become a place that inspired him constantly. Virginie Moriette and Ming Xu took inspiration from the Bubble House and from Cardin’s passion for scif i when developing the Shanghai Home Showroom. The result is a dynamic 500-square-metre interior which offers visitors a dynamic retail experience and an insight into Pierre Cardin’s creative world. Bold colours and rounded forms define the retail journey which begins with a curved red Bubble House-style entranceway, leading to a dramatic white-walled interior defined by bold accents of green and red. Globe lighting – both ceiling-hung and incorporated into custom-designed merchandise stands – echoes Pierre Cardin’s fascination with bubbles. In an elegant nod to the iconic archways of Parisian shopping arcades, the showroom’s central corridor is composed of a series of white archways inset with ref lective green lacquer panels. The shade of green used by Studio MVW was inspired by Pierre Cardin’s first showroom interior, which still exists today on the rue Faubourg Saint-Honoré in Paris. The succession of arches inset with mirrors serves to create different perspectives depending on where you look. This further engages guests to discover the space. Typical French wooden f looring is inset with diagonal green and red lines, adding more dynamism and energy to the interior. Mirrors ref lect the diagonal forms, giving further depth. Leading off the corridor are three bedrooms filled with Pierre Cardin homeware, plus three more merchandise rooms featuring clothes, socks and dining ware. To the rear is an elegant, well-proportioned marble and brass inlay Parisian-style bar area plus three meeting rooms. Studio MVW’s custom-designed display furniture has been used throughout - inspired by a series of 1970s Pierre Cardin sculptures that blended the decorating function with an artistic personality. Said Cardin: “My furniture is sculpture. I like to work as a sculptor; it’s my life, my passion, my happiness and my joy. The reason of my work.” Studio MVW also incorporated grid motifs and geometry detailing into the display cabinets and the loose furniture to further emphasise Cardin’s space age style. In all, the interior pace expresses beauty, flexibility, harmony and balance, allowing the imagination free reign. The composition of forms and colours creates a spontaneous joyful design, and an experience full of surprises due to the different perspectives experienced throughout.

皮尔．卡丹

TLmag x Studio MVW

P ierre C a rd in H ome S h owro om, S h a n g h a i /

皮尔．卡丹

5. 5 — Boldly coloured diagonal stripes cut across the wood floors 大胆的斜条纹横切木地板 6 — Transparent walls and rounded forms define the retail journey 零售体验的视觉之旅，尽是鲜明的色彩和圆形线条

TL # STUDIO MVW

明合文吉为“皮尔．卡丹家居”操刀设计的第一家上海陈列室，呈现强烈的雕塑感并运用大胆鲜明的色彩点缀。明合文吉两位设计师取材于品牌创办人皮尔．卡丹对未来的新奇想象，将他经典的太空时代风格活现人前。传奇设计师皮尔．卡丹自上世纪 50年代开始以其天马行空的创意与富有实验精神的时装造型震撼时尚界。深受几何形状图案启发的他，凭着无比的想象力掀起时装革命，开创出融合了圆形动态和结构化线条的裙装。皮尔．卡丹对探索形状的热衷，最能体现于他充满未来科幻主义、最广为人知的 1954年作品“ 泡泡裙 ”，既展现入世的优雅，色彩搭配也令人惊艳。对泡泡圆形情有独钟的皮尔．卡丹在 1989年成为了著名的“泡泡宫 ”（Palais Bulles）的第二任屋主。坐落法国南部一个峭壁之上、俯瞰地中海的泡泡宫出自匈牙利建筑师安提．洛瓦戈之手，设计概念是模仿人类早期穴居生活。当年第一任屋主逝世之后，皮尔．卡丹随即搬进这栋巨宅并完成它的室内设计，将自己毕生热爱

TLmag x Studio MVW

Pi e rre Cardi n Home S h owro om , Shanghai /

皮尔．卡丹

TLmag x Studio MVW

P ierre C a rd in H ome S h owro om, S h a n g h a i /

皮尔．卡丹

7 — Reflective surfaces add a sense of movement between rooms / 一个个反光的表面为房间之间的连接添上一分动感 8 — The composition of forms and colours creates a spontaneous uplifting design / 色调与形态的配合，创造出率性愉快的设计风格

由明合文吉亲自设计、兼具展示用途的定制家具随处可见，灵感来自1970年代面世的一系列融合装饰功能和艺术个性的皮尔．卡丹雕塑品。大师当年如是说：“ 我设计的家具都是雕塑作品。我喜欢以雕刻家身份创作，这是我的生命和激情、我感到幸福快乐的原因、我创作不断的动力。” 明合文吉设计的展示柜和可移动家具融入了网格图案和几何形状细节，演绎皮尔．卡丹的太空时代风格。总体而言，这个室内空间展现出优美灵动的节奏，符合和谐与平衡之道，让想象力自由驰骋。色彩与形态的巧妙组合，营造出一片令人瞬间感到喜悦的气氛，以及一场丰富多变、惊喜处处的视觉盛宴。

TL # STUDIO MVW

的几何图形、对称切割和曲线注入空间之内。由一个个相连的圆顶球状结构组成的泡泡宫，自此以后不断激发皮尔．卡丹的创作灵感。直到今天，泡泡宫与皮尔．卡丹的科幻奇想仍然影响着明合文吉的 “ 皮尔．卡丹家居 ”上海陈列室。面积达 5 0 0 平方米的陈列室呈现满满的活力，为访客带来新鲜活泼的零售体验，将皮尔．卡丹的异想世界活现眼前。由缤纷大胆的色彩和圆形线条主导的零售体验之旅，起点正是一个泡泡宫风格的弯曲红色入口，通往一个极富戏剧性、雪白墙壁上有夺目的红绿两色点缀的空间。空间内，从天花板悬挂的灯具到嵌入特别设计的货架上的照明全部呈球形，代表皮尔．卡丹对泡泡圆形的着迷。陈列室中央设有一道道镶有绿色闪亮漆面的优雅白色拱门，向巴黎著名的有盖拱廊购物街致敬。明合文吉在此采用的绿色，源自皮尔．卡丹当年设立的第一家陈列室。如今这家陈列室依然伫立在巴黎圣奥诺雷街。从不同角度观看重重镶镜的拱门，观感引人入胜，吸引访客进一步深入探索这个空间。空间铺设典型的法国木地板，地板镶着红绿两色呈对角线的嵌条，洋溢清新活泼的气息。对角线在镜子产生的倒映，增添了空间的深度层次。沿着走廊前进，共有三间全部采用皮尔．卡丹家居产品装饰的卧室，另外还有三个主题商品房间，展示衣饰、袜子和餐具。后方是一个雅致的巴黎风格酒吧，比例匀称的大理石材镶嵌着精致的黄铜；最后是三个会议室。

Moser Flagship Store, Shanghai 上海Moser旗舰店 Reflected Traditions 璀璨传统

TLmag x Studio MVW

M o s e r Fl ag s h i p S tore, Shanghai / Mo s er 旗舰店，上海

TLmag x Studio MVW

M o s er Fla g sh ip S tore, S h a n g h a i / M o s er 旗舰店，上海

2. 1 — The Taikoo Hui flagship store evokes a timeless cathedral-like jewel box / 太古汇旗舰店的室内空间让人联想起像永恒的教堂般的珠宝盒 2 — The store distinguishes itself by a subtle mix of solemnity and luxurious warmth / 旗舰店的独特之处在于它巧妙地结合了庄严的气氛与华丽的温暖感 3 — The vault shape is recurrently used and echoes the typically Czech architectural feature of the cross vault / 空间内大量采用的拱形设计，参考了捷克建筑典型的十字拱

当捷克水晶制造品牌 Moser邀请明合文吉为其设计上海太古汇旗舰店的室内空间时，其中一项重要指令是创造出富有现代吸引力的永恒之美。徐明和文吉的设计经验自成一格，融合古今元素和中外文化的设计语言，于是为客户构思一个呈现强烈雕塑感却又浑然一体的空间概念。概念的出发点来源于捷克建筑典型的十字拱，参考拱形天花或拱形屋顶的做法，让旗舰店的室内空间更加高耸挺拔，如同一个模仿大教堂外观的珠宝盒。空间色彩和质感的搭配手法出人意料，视觉效果却是和谐一致。曲线绵延的拱顶展现几何形状的独特魅力，同时采用玻璃、镜面、水晶和铜的反射作用延展视线。店内空间营造出庄严的气氛，而展示空间采用艺术漆涂料，创造出一个闪亮精致却层次分明的背景，让整个空间不失丰富质感与柔和暖意。中央夺目耀眼的玫瑰粉红 Moser 水晶吊灯成为视线焦点，闪亮地展示品牌的传统工艺与高超的水晶制造技术。依据不同时代风格的 Moser 水晶作品，设计师将店内空间划分为四个区域进行展示，传达品牌的历史。可以肯定的是 Moser 旗舰店的作用已远远超出功能范围，因为它不仅仅提供一个凸显水晶美感的舞台，店铺本身更加成为其中一项展品，象所有的旗舰店一样发挥品牌代言的作用。 TL # STUDIO MVW

When Czech crystalware company Moser entrusted Studio MVW with the mission to design its Taikoo Hui f lagship store in Shanghai, one of the key directives was to create an interior combining a timeless vision with a contemporary appeal. Building on their experience in borrowing designs from different cultures and fusing past and present influences, Virginie Moriette and Ming Xu embarked on the development of a very singular, sculptural space. Built on the typically Czech architectural feature of the cross vault, wherein an arched form is used to provide a space within a ceiling or roof, the new flagship store resembles an ageless cathedral-like jewel box, blending shapes and materials in the most harmonious, yet unusual way. The sweeping curves of the vault act as a framework to create unique geometric effects and reflections enhanced by the richness of materials used – glass, mirror, crystal and brass. The store creates a feeling of solemnity while maintaining texture and warmth, to which the use of stucco in the merchandising area as a polished, non-uniform backdrop also contributes. A spectacular Moser crystal chandelier in rose pink tones acts as a central focal point, embodying the quintessence of the brand’s heritage and know-how. The space is divided into four areas showcasing the variety of Moser’s crystal collections and its long history. But the store certainly goes far beyond its functional dimension to become part of the show – as f lagship stores should – and to not only contain but exalt the beauty of the jewels it has been entrusted with.

TLmag x Studio MVW

M o s e r Fl ag s h i p S tore, Shanghai / Mo s er 旗舰店，上海

4 — The focal point is a magnificent crystal chandelier exemplifying the brand’s know-how 璀璨生辉的水晶吊灯成为视线焦点，展示品牌的传统工艺

TLmag x Studio MVW

M o s er Fla g sh ip S tore, S h a n g h a i / M o s er 旗舰店，上海

Shanghai Tang Flagship Store, Hong Kong 香港上海滩旗舰店 Cultural Heritage & Contemporary Concepts 以当代风格演绎文化传统

TLmag x Studio MVW

S h an g h ai Tan g Fl ag s h i p S tore, Hong Kong /

TLmag x Studio MVW

香港上海滩旗舰店

S h a n g h a i Ta n g Fla g sh ip S tore, H on g Kon g /

香港上海滩旗舰店

3. 1 — The façade of the Hong Kong store pays homage to the opulent Art Deco mansions of 1930s Shanghai / 香港店的建筑外立面设计向 1930年代上海装饰艺术风格的大楼致敬 2 — The Art Deco staircase of the Hong Kong store / 香港店的扶梯流露装饰艺术风格 3 — The womenswear area features a peony brass-inlay on its wooden flooring / 女装部的木地板有黄铜牡丹镶饰

TL # STUDIO MVW

It is difficult to pinpoint the ingredients of good collaboration, but results do not lie – and the designs of luxury lifestyle brand Shanghai Tang entrusted to Studio MV W certainly point to a fruitful, creative cooperation between the two firms. For its Hong Kong store, the brand chose Duddell Street, a location close to its iconic first store located on Pedder Street from 1994 to 2011, and to the highend fashion boutiques of Central. With a three-storey retail space of 15,000 square feet, this is the largest Shanghai Tang store in the world. But beyond its size, one of the building’s most remarkable features is its façade. Crafted from etched glass and brass, it pays a contemporary tribute to the Art Deco style of 1930s Shanghai, bringing a visual excitement to the street. Through an elegant fusion of modern Chinese aesthetics and Art Deco style, the design of this impressive HQ communicates the values of a brand drawing inspiration from its Chinese roots and willing to translate its heritage into a contemporary language. An approach completely in line with the philosophy of Studio MV W, who found with Shanghai Tang the opportunity to develop this into a physical space. The retail experience starts as soon as shoppers enter into the impressive entrance. The grand foyer boasts a majestic, custom-made, 2.5-metre high and 2-metre wide Shou crystal chandelier – a symbol of longevity – hanging from the entrance hall’s double-height ceiling and brought out by the wooden lattice and sepia-coloured mirrored walls surrounding it.

The womenswear and menswear departments are def ined by an atmosphere of intimacy and low-key luxury achieved through custom-made furnishings, mixing A rt Deco and Chinese styles, as well as a careful selection of materials: marble, brass, leather, wood, silk panels – with patterns and pops of colours, including the brand’s signature fuchsia. Designed as whimsical fantasy lands for “little emperors,” the children’s department offers a vivifying, playful take on retail, with their imperial yellow hues, tea caddyshaped changing rooms, and oversized motifs. The store also features the Imperial Tailoring Ateliers, providing the brand’s legendary bespoke service and communicating its heritage and know-how. The experience is enhanced in the fitting rooms, decorated with hand-crafted wallpapers as well as Art Deco mirrors and wall bracket lights. The lifestyle dimension of the brand is not overlooked. It materializes in the home departments in both stores, which include a dining area with bone china and crystal stemware, a bedroom showcase, and a fragrance bar. A total experience for Virginie Moriette and Ming Xu, who had the chance to intervene at all levels of the project, that echoes visitors’ comprehensive experience of the brand and of its inimitable universe.

TLmag x Studio MVW

S h an g h ai Tan g Fl ag s h i p S tore, Hong Kong /

TLmag x Studio MVW

香港上海滩旗舰店

S h a n g h a i Ta n g Fla g sh ip S tore, H on g Kon g /

香港上海滩旗舰店

4 — The womenswear area / 女装部 5 — A fitting room featuring hand-crafted wallpapers by Fromental / 配有 Fromental 手工制作壁纸的试衣间 6 — The womenswear area / 女装部

间入口处的天花板悬垂下来。象征长寿的水晶灯，在四周的木格柵和棕褐色镜面墙壁衬托之下，呈现华丽宏伟的氛围。女装部和男装部的空间奢华而不失亲切，采用了定制的家具装饰，将装饰艺术风格的元素与中式设计相结合，并精心搭配一系列物料、图案和色彩，空间内的大理石、黄铜、皮革、木材、丝屏和品牌标志性的桃红色互相辉映。充满活泼趣味的童装部是一个为“ 小皇帝 ”们打造的梦幻乐园，采用了御黄色，还有设计成超大号茶叶罐形状的试衣间和特大装饰图案。香港店设有男装量身御制区，提供剪裁精致的西装定做服务，传达品牌继承的上海裁缝工匠精神。尊贵的体验延伸至用上了手工壁纸、装饰艺术风格镜子和壁挂灯点缀的试衣间。上海滩象征的时尚生活品味，在店内的家具装饰部具体地表现出来，餐具区展示精美的骨瓷和高脚水晶容器，还有卧室陈列区和香氛吧。明合文吉在这个项目中得以全面发挥创意，为访客塑造出与上海滩品牌视野相呼应的多重感官体验。

TL # STUDIO MVW

对于成功合作必备的要素，虽然很难下一个准确的定义，但最后取得的成果却是有目共睹。奢华时尚生活品牌上海滩委托明合文吉为其门店打造室内设计，肯定是一次成果丰硕和创意焕发的合作。上海滩香港旗舰店选址中环都爹利街，邻近品牌 1994 至 2011年间第一家标志性的毕打街门店，附近一带也是高级时尚名牌店集中地。楼高三层的都爹利街旗舰店占地 15,000平方英尺，除了是品牌全球最大的门店之外，采用蚀刻玻璃和黄铜制成、彰显 1930年代上海装饰艺术风格的建筑外立面更是一大特色，为街道带来振奋人心的视觉效果，向逝去的年代致敬。香港都爹利街旗舰店的整体设计风格突出，将当代中国美学与装饰艺术风格巧妙结合之余，传承品牌的中式精神内涵，通过当代设计语言，重新演绎中国韵味。这种手法也完全切合明合文吉的创作理念，透过与上海滩的联手合作，将设计上的想法化为实在的旗舰店空间。香港店的访客进入店内的一瞬间，立刻展开零售体验的旅程。香港店的挑高入口门厅悬着一个特别定制、直径 2米和高度 2.5米的“ 寿 ”字水晶灯，从双层空

TLmag x Studio MVW

S h an g h ai Tan g Fl ag s h i p S tore, Hong Kong /

香港上海滩旗舰店

TLmag x Studio MVW

S h a n g h a i Ta n g Fla g sh ip S tore, H on g Kon g /

香港上海滩旗舰店

7 — The fragrance bar in Hong Kong is a sanctuary in which to sample Shanghai Tang’s heavenly scents 香港店的香氛吧是挑选上海滩经典香氛的圣所 8 — The childrenswear area of the Hong Kong store and its “Alice in Wonderland” mood 香港店的童装部弥漫一片“ 爱丽丝梦游仙境 ”的情调 9 — Men's Fitting Room / 男士试衣间 10 & 11 — Menswear / 男装

10.

TL # STUDIO MVW

11.

SCULPTURAL FURNITURE DESIGN 雕塑风格的家具设计 When Luxury Meets Timeless Beauty 当奢华大气遇上永恒之美 The bespoke and limited edition furniture and objects designed by Studio MVW are an integral part of the creative vision of Virginie Moriette and Ming Xu. They are reflections of the designers’ philosophy about public and private spaces that transmit a vision of luxury, timeless beauty, and inspiration. As both collectible design and functional art, each standout piece transforms a room into an exceptional setting. Like their architecture, forms are experimental, modular and often inspired by nature, while materials and surfaces are show-stopping, from oxidised patinated bronze to glowing pink jade or creamy marble with graphic patterns.

由明合文吉设计的限量版定制家具和饰品，代表两位设计师创作视野的中心思想，反映二人对于公共和私人空间的理念，为空间带来奢华、永恒的美感和生活灵感。这些作品既是具有珍藏价值的设计品，也是具备功能的艺术品，每一件都独当一面，足以将一个空间转化为不同凡响的场景。明合文吉的家具风格与他们的建筑如出一辙，展现实验性的形态、模块式组合与大自然的启发。采用的面材无论是表面氧化的青铜，晶莹发亮的粉红玉石还是几何图形纹理的乳白色大理石，效果都令人叹为观止。

TLmag x Studio MVW

S cu l ptu ral Fu rn i tu re D e sign /

TLmag x Studio MVW

雕塑风格的家具设计

2. 1 — JinShi Pink Jade Table / 金石粉玉咖啡桌 2 — XiangSheng II Collection Shelving Unit / 相生系列 I I 阁

文吉和徐明自开始合伙创办工作室以来，一直不断推出屡获殊荣的家具系列和限量版雕塑作品。两位设计师认为家具设计是一个让他们尽情探索实验的领域，通过制作比例较小和较容易清晰掌握的家具，可吸取创意养分，反馈他们的建筑项目。明合文吉设于上海心脏地带的陈列室，展示他们根据个别客户要求量身定制的专属家具和家饰配件系列，让访客在亲切宜人的环境内亲身体验作品的特色，浏览各式可供挑选组合的物料、铜表层和尺寸。明合文吉视这种跟顾客一对一的面谈为设计过程中不可或缺的一环，不仅让顾客有机会亲手触摸和感受家具的细节，同时贯彻他们“设计的终极目标是为了配合使用者 ”的理念。明合文吉为自家工作室以至其他建筑项目创作的场域特定家具，也是奉行同一的客制化原则。明合文吉联同法国艺术设计画廊 Galerie BSL推出限量家具系列和具备功能的雕塑作品，完美结合成为一个以艺术、设计和装饰艺术品为本的跨界创作

TL # STUDIO MVW

Since the beginning of their partnership, Studio MVW has been crafting award-winning furniture collections and limited-edition sculptural objects. Virginie Moriette and Ming Xu consider this aspect of their work as a perfect playground for exploration, allowing them to experiment on a smaller, more tangible scale that feeds into their imagination for larger architecture projects. With their centrally-located showroom in Shanghai, Studio MVW showcases their bespoke furniture and accessories collections which can be custom commissioned by individual clients. The welcoming space provides the opportunity for people to experience the work in person and see the available materials, patinas and dimensions that are possible for each piece. This one-to-one relationship with the client is an essential part of their process— not only to be able to touch and feel the object but because

S c u lp tu ra l Fu rn itu re D e sig n /

雕塑风格的家具设计

the piece is eventually designed to suit the owner. In line with their customised approach to furnishings they also design site-specific furniture for their own architectural projects as well as for others. For their limited-edition furniture collections and functional sculptures, Studio MVW works with the French art and design gallery, Galerie BSL. It is an ideal collaboration that roots their work in that creative space between art, design, and decorative arts. These unique pieces are meant to be seen and used but treasured for a lifetime. They regularly present their new collections at luxury design fairs including PAD Paris and London and The Salon Art + Design at the Armory in New York, and they have collaborated with leading auction houses including special commissioned work for Christie’s. The firm has received several prestigious awards including a 2018 Wallpaper* Design award for their JinShi Pink Jade Coffee Table which was named “best blusher of the year,” and in 2019 AD China included Studio MVW, for the fourth time in a row, on their list of top talents working in Architecture and Interior Design. There is a strong cultural dimension to the bespoke furniture and sculptural collections of Studio MVW. Each piece is an invitation to travel across time and space, like an artwork capturing the essence of a moment and translating it into a contemporary, innovative language. Seamlessly integrating Eastern and Western concepts about design and lifestyle into their creative process, the designers take inspiration as much from the formal elegance of the French Art Deco movement as in the philosophies behind traditional Chinese design. Abundantly creative, the designers infuse every collection with a sense of wonder and beauty. Colours are soft and sumptuous, materials are the finest. Whether the iridescence of the soft pink jade that begs one to touch it or patina surfaces that feel ancient and contemporary at the same time, the objects and furniture collections possess a particular allure that reflects their ability to evoke a sense of eternal beauty and a true passion for design. As with their architecture and interiors projects, nature plays an essential role in their furniture design. Earthly and ethereal elements such as organic forms, straited layers, milky stone or vegetal motifs, bring a life force into each piece that creates an emotional connection. Modularity plays an important role in the furniture collections as well. While each piece becomes a central talking point in any room, the work can be placed in various settings. A table or console can be set against a wall or free standing, that is to say, they need not be fixed forever in one place but are able to be seen, and in some cases used, in multiple ways. In this way, Studio MVW has found a way to reintroduce meaning and durability in a world defined by overabundance and disposable products. The work is designed to be cherished and valued over time – the new family heirloom to be passed onto future generations.

领域，创造出既可观赏亦非常实用的作品，每件均独一无二，甚至值得永久珍藏。此外，明合文吉的新作定期于大型的奢华设计展览中亮相，包括巴黎及伦敦的艺术与设计展 ( PAD) 、纽约 Salon: Art + Design 展会等等。世界知名的拍卖行也是明合文吉的合作伙伴，如佳士得的特别委托项目。创意不绝的明合文吉屡获殊荣，曾经凭金石粉玉咖啡桌获得《 Wallpaper*》2018 年度“ Best Blusher”设计大奖，并于2 0 1 9 年连续第四年被中国《安邸》列入最强建筑及室内设计人才之一。明合文吉的家具与雕塑系列承载深厚的文化内涵，每一件作品如同一趟穿越时空的旅程，通过创新的现代设计语言，演绎出艺术的精髓。他们擅长在创作过程中将东西方设计和生活品味融会贯通，从法国装饰艺术的优雅形态至中国传统设计哲学，都是他们的灵感泉源。源源不绝的创意，为明合文吉设计的每一个家具系列注入叹为观止的观感与美感。这些作品总是呈现柔和细腻而不失华丽的色彩，并采用品质最优秀的面材。散发着淡淡虹彩的粉红玉石，令人不禁想亲手触碰，还有宜古宜今的青铜，为明合文吉的家具饰品带来独到的魅力，展示两位设计师的创作力、对永恒之美的追求和对设计的无限热忱。明合文吉的家具跟他们的建筑及室内设计项目一样，深受大自然的影响。充满生命力的形态、层层的石块、乳白色的石材或植物图案，种种虚实交替的设计元素都为每件作品赋予源源活力，营造出情感的联系。可灵活组合使用的设计，是明合文吉家具系列的另一突出风格。他们创造的每件家具既可于任何空间里独当一面，亦可融入各式场景，例如一张桌子或案几可自由地靠着墙壁安放或独立展示，无需规定摆放于同一地方，反而可按照不同的观赏或使用需要而转换位置。当世界正面对物质过剩和一次性产品当道的问题，明合文吉的提供一种温和、富有诗意而贯彻奢华主张的方式，重新推广设计的意义和耐用性，造出值得珍视、可经历时间考验甚至被视为当代家传之宝的杰作，赋予代代相传的恒久价值。

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Jin S h i C olle c tion /

金石系列

JinShi Collection 金石系列 Luminosity and Sumptuousness 亮度和奢华

3. 1 — JinShi Pink Jade Console / 金石粉玉案几 2 — JinShi Pink Jade Coffee Table – a design awarded by Wallpaper* in 2018 as one of the most significant designs of the previous year / 金石粉玉咖啡桌获得《 Wallpaper*》设计大奖，表扬为 2 0 1 8 年度最重要的设计之一 3 — JinShi Pink Jade Dining Table at The Salon Art+Design, New York, 2017 于 2017 年纽约 Salon Art+Design 展会展出的金石粉玉餐桌

With their JinShi Collection, Studio MV W introduces a refined collection of limited edition jewels for the home, celebrating the beauty of pink jade. Jinshi, which literally translates as ‘golden stone’, features f irst and foremost natural pink jade, a rare gemstone remarkable for its powder-like transparency and uniquely sensuous appeal. But the various methods chosen by the designers to enhance its beauty are equally noteworthy, for instance their use of rose gold coloured anodized stainless steel or their choice to use hidden LEDs to backlight the material and give it a subtle glow. Surfaces seem to f loat and there is a lightness and transparency that belies the weight of materials. The collection includes two different wall lighting fixtures, five variations around the console shape, a 200 cm high freestanding mirror, a table light and two floor lights, a set of three smaller table modules that can be arranged in various ways, as well as a coffee table featuring a large round pink jade top. Since its launch in 2017, the Jinshi Pink Jade Coffee Table has become an iconic piece of collectible design, receiving a 2018 a Wallpaper* Design Award as one of the most significant designs of the previous year. In this piece, the 110 cm diameter wide top rests only on one of the three golden spheres so that it appears to be magically levitating over the base. This much acclaimed design was produced in two colour variations for the

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Ji n S h i Col l e cti on /

金石系列

TLmag x Studio MVW

Jin S h i C olle c tion /

金石系列

4 — JinShi Pink Jade Console / 金石粉玉案几 5 — JinShi Wall Lighting, JinShi Console and JinShi Pink Jade Coffee Table at Galerie BSL’s booth at PAD Paris, 2017 金石壁灯、金石案几及金石粉玉咖啡桌于 2 0 1 7 年巴黎艺术与设计展 ( PAD ) 中的 Galerie BSL 画廊展位亮相 6 — ShuiDi Shelving Units / 水滴搁架组合

base: first in anodized stainless steel tinted in a subtle pink-gold brass tone, and second in an anodized stainless steel tinted in gunmetal grey. JinShi offers an interplay of curves and lines that defines a minimalist balance of forms while the sensuality of pink jade offers a refinement that is unique in today’s furniture design. The result is a collection of precious pieces combining craftsmanship and innovation, physicality and ethereality, and bringing a uniquely poetic dimension to any interior.

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明合文吉推出限量设计的金石系列，将粉红玉石家具的精致美感表露无遗。意谓“ 金色的石头”的金石系列，选材无疑是最亮眼的特色，珍贵罕有的粉红玉石以其粉妆玉砌的外貌和晶莹剔透的触感著称，然而设计师凸显粉红玉石之美的几个手法同样值得注目，例如搭配玫瑰金色的阳极氧化处理不锈钢，或使用隐藏的 L E D 照明塑造出背光，让美玉散发淡淡光华，玉石的表面恍如悬浮在空气中，厚重的石材呈现清透无重的状态。系列包括两款壁灯、五种形状变化的案几、一面高度2 米的独立式镜子、一款台灯和两款座地灯、还有一套三件可组成不同样式的桌子组合，以及巨大圆形粉红玉石台面的咖啡桌。自 2017年面世以来，金石粉玉咖啡桌已成为标志性的珍藏设计品，并获得《 Wallpaper*》2018年度设计大奖，表扬为该年度最重要的设计之一。备受赞誉的金石粉玉咖啡桌，由直径 1 . 1 米的台面和三个金球底座组成，观感犹如悬浮在空中，设有两种颜色的底座可供选择，分别是阳极电镀的不锈钢，呈淡粉红金色的黄铜色调；还有阳极电镀的不锈钢，呈炮铜灰色。金石展现的曲线和线条美，塑造出简约平衡的形态，感性细腻的粉红玉，也展示现代家居罕见的精致之美。金石系列是结合匠心与创新、亦虚亦实的瑰宝，能够为任何的室内空间带来无限的诗意想象。

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金石系列

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7 — 183 cm wide JinShi Pink Jade Wall Light / 183 厘米宽金石粉玉壁灯 8 — JinTang and JinShi Pink Jade Coffee Table at AD Collections, Musee d'art moderne, Paris, 2017 / 巴黎当代艺术博物馆的 AD Collections金堂和金石粉玉茶几，2 0 1 7 年 9 — JinShi Pink Jade Mirror / 金石粉玉镜 10 — JinShi Pink Jade Nest of Tables / 金石粉玉边桌 11 — JinShi Pink Jade Wall Light / 金石粉玉壁灯 12 — JinShi Pink Jade Floor Lights / 金石粉色玉石落地灯

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JinYe Collection 金叶系列 Ethereal Elegance 飘逸的优雅

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Ji n Ye Col l e cti on /

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金叶系列

Jin Ye C olle c tion /

金叶系列

1 — JinYe Console / 金叶案几 2 & 3 — JinYe Coffee Table / 金叶咖啡桌 4 — JinYe Side Table #1 / 金叶边桌 # 1 5 — JinYe Side Table #2 / 金叶边桌 # 2 6-8 — JinYe Side Table #3 / 金叶边桌 # 3

of stacking stones, a console, coffee table or side table each reveals a new and different appearance depending on the angle from which it is viewed. Mesmerizing as well are the iridescent shades of the Patagonia quartzite, its graphic pattern made of deep black, pale gold and moiré brown, and the incredible twinkling of the quartz, feldspar, mica and other mineral inclusions. As if governed by the laws of nature, JinYe establishes itself as a both sophisticated and fundamentally organic collection where each piece stands as a miniature landscape for the home.

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JinYe, which translates as Gold ( Jin) Leaf ( Ye) in Chinese, is an appropriate name for a collection based on the dialogue between a brass-coloured leaf with a subtle gold shade and the shimmering richness of Patagonia quartzite. This exceptional natural granite was born in a volcanic region in Brazil and is known for its durability and beautiful patterning. The Gold Leaf, an oblong circular shape cut in various sizes, is the central motif of the JinYe Collection, forming each element of the piece – top, shelf, sides – in a composition that looks spontaneous but is in fact technically very challenging. Like an otherworldly game

“ JINYE”的中文字面意思是金（JIN）叶（YE），用来命名一个结合黄铜色叶形、呈金色并闪闪发亮的巴塔哥尼亚（Patagonian）石英石的家具系列，实在最适合不过。金叶系列的灵感源自产于巴西火山区、以坚固和漂亮纹理著称的珍罕天然岩石材，并以各种尺寸的长圆形图案构成设计的重心。每件作品的顶部、架构和边缘的组合方式看似随机偶然，但实际上需要解决很大的技术性挑战。从不同角度观看每一件案几、咖啡桌或边桌，其外貌均展现不同的变化，就像层层叠叠的堆石头游戏。巴塔哥尼亚石英石闪耀着迷人的虹彩，石材里面的深黑色、浅金

色元素和棕色纹理构成独特图案，闪烁其中的石英、长石、云母和其他矿物形成美妙的光芒。金叶系列是大自然定律的礼赞，兼具精巧奥妙的特质与原始生命力，每件家具都是家中的一道小小风景。

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Xia n g S h en g C olle c tion /

相生系列

XiangSheng Collection 相生系列 2.

The Space Within 存在于内的空间 XiangSheng is a collection of oxidised and brushed bronze furniture that investigates, as much as it celebrates, the interplay between a solid form and the space within and around it. An inspiring take on negative space – a concept that is very present in Asian cultures – and which finds a striking expression through the use of a particularly substantial, solid material like bronze. XiangSheng I is defined by its verdigris patina, while XiangSheng II features an intensely oxidised bronze finish with a rich brown patina that deepens in hue and communicates a notion of change and life, while the brushed bronze, lining the inner side of its voids, echoes permanence. The XiangSheng II Shelving Unit asserts modularity and f lexibility as it can be used as a partition, a table, or stacked vertically to create a book shelf depending on the space and on the user’s immediate needs. By playing with contrasts, the designers manage to create a form of visual coherence that finds its strength in a symbiotic relationship between opposites – the solid and the void, the physical and the spiritual, the East and the West, the f leeting and the eternal – which only find their true meaning together.

1 — XiangSheng II Cabinet Detail / 相生 I I 柜的细节 2 — XiangSheng II Cabinet / 相生 I I 柜

明合文吉用拉丝青铜和氧化铜材料搭配而成的相生系列，通过探讨虚实之间的互动关系，玩味家具实体与其内部和四周的虚空，为亚洲文化中常见的负空间概念作出鼓舞人心的注释，并且通过使用特别坚固的物料如青铜，营造出引人注目的效果。 “ 相生系列一 ”的主角是氧化铜产生的绿锈，“ 相生系列二”的特色是氧化铜表面呈现加深的褐色，带出变化与生命本质的探索，并通过家具的拉丝青铜内面表达永恒的概念。模块式设计的相生系列可灵活回应空间和使用者当下的需要，变身成为隔断或桌子，也可以叠起来变成书架。设计师的目的在借托双对论的游戏，通过玩味二元对立的思辨 — — 虚实之间、物质与精神之间、东西之间、短暂与永恒之间，这些同时存在才产生意义的概念，寻求视觉效果和谐的设计形态。

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3 — XiangSheng I Installation - Studio MVW's booth at Design Shanghai / 相生 I 装置 - 明合文吉在设计上海展会的展位 4 — XiangSheng I Console 相生I案几 5 & 6 — XiangSheng II Side Table / 相生 I I 边桌 7 — XiangSheng II Console 相生II案桌 8 — XiangSheng I Side Tables / 相生 I 边桌

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BlooMing Collection BlooMing系列

Revisiting Traditions 传统再发现

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4 — BlooMing Ceiling Lights BlooMing吊灯 5 — BlooMing Console and Light / BlooMing 案桌和灯

3. 1-3 — BlooMing Cabinet and Light / BlooMing储物柜和灯

在融合中法文化背景的明合文吉眼中，明朝花瓶是最能体现中国传统艺术文化的典型设计之一。带有细致蓝色装饰图案的经典白瓷青花花瓶，对二人来说是一个设计大前提，也是一个激动人心的创意挑战。两位设计师运用当代设计理念作出他们的诠释，将最早出现于明朝 ( 1368-1644) 的白瓷青花花瓶，重新运用创意演绎，赋予新的外貌和用途。BlooMing 看起来犹如深蓝色漆面陶瓷大花瓶，里面装上了拉丝黄铜制成的垂直支撑，可以像绽开的花朵一样打开，变身成柜子、案桌或灯具，同时将隐藏的纯白色内面完美展现。事实上“ 模块组合性 ”这个词语，并不足以用来贴切形容 BlooMing 展现的非凡灵活性。除了功能上的意义，它的视觉观感变化多端，占用空间的方式层出不穷。尽管拥有百变的造型，BlooMing 细腻地传达的中国情韵却始终如一，万变不离其宗。BlooMing 再次印证了明合文吉敢于突破常规，巧妙运用当代设计手法做出破格的作品，游走于东西方文化之间。

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Ming vases are one of the first references that come to mind when thinking about Chinese traditional arts and culture. The classic white porcelain vases with fine imperial blue embellishments were not a prerequisite, but certainly an exciting challenge for the Franco-Chinese designers to take up, and they did so with a very contemporary interpretation. Created during the Ming dynasty (1368-1644), this Chinese icon finds new guises and functionalities under Studio MVW’s creative impulse. With its new, deep blue lacquered surface, this ancestral vase form, complemented by a straight brushed brass support, opens up – literally blooms and morphs into either a cabinet, a console, or as a light fixture, revealing the immaculately white secret interior spaces. Yet the word “modularity” hardly does justice to BlooMing’s remarkable flexibility. Beyond functional terms, the visual possibilities it creates, and its countless ways to occupy space, transform it into a different object every time and yet it is always defined by the essence of its Chineseness, which it delicately communicates. With BlooMing, Studio MV W asserts once again its talent in questioning the memory of forms and overcoming them in a truly contemporary crosscultural approach of East and West.

Giorgetti Collection and others Giorgetti系列及其他

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G i orge tti Col l e cti on an d ot hers / Giorget t i 系列及其他

The collection Giorgetti, made in collaboration with the eponymous Italian brand in 2013, blends function with elegance to create a series of timeless furniture pieces. The collection pairs richly toned walnut wood with subtle details like polished metal, leather cutouts and geometric forms. Ping, which in Chinese means screen or division, is a bold room divider dominated by a large repetitive circle motif made out of precious Cana letto walnut with a central leather detail. The mirrored edges reflect and refract the surrounding space adding movement to the room in which it stands. Ping, which was awarded an Elle Decoration International Design Award for Best Furniture Design in 2013, not only offers privacy and separation, but it is an artistic object that makes a statement. Yang, a subtle and poised chest of seven drawers with a circular mirror poised centrally at the top, received a Wallpaper* Design Award in 2014. Yang, meaning sun in Chinese, underscores the designers use of experimentation in the correspondence between form and function. Music is at the heart of Clair de Lune, a hi-fi cabinet with an integrated sound system and the possibility of Bluetooth connection. Contemporary technology has been discreetly embedded into this refined, modern piece. The cabinet has three interior shelves, two folding doors and a moon-like circular piece of onyx that is softly lit from behind for milky glow. Born from the idea of the importance of meeting and gathering together around the table, Fang reinforces the fundamental role of the table as piece of furniture to be at the centre of the home or office. It is an object of service and a place of conviviality and discussion.

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1 — The Ping Screen, (Giorgetti Collection), mixes Canaletto walnut wood with chocolate toned leather to create a dynamic room divider / Giorgetti 系列的屏 ( Ping ) 结合卡纳莱托胡桃木和巧克力色调的皮革，塑造出一面夺目耀眼的屏风 2 — Louis Ming fuses French heritage with Asian style / LouisMing将法国传统与亚洲风格融合 3 — The Ryui Coffee Table is a study in geometry and contemporary luxury 如意 ( Ruyi ) 咖啡桌玩味几何形态与当代奢华造型

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The perfectly brown walnut top is complemented with leather touches and painted bronze metal. Available as a round or rectangular table. The intriguing form of the Ryui Coffee Table was inspired by a Chinese talisman that symbolises power and good fortune in Chinese folklore. Although its sleek shape plays off a traditional form, Ruyi feels almost futuristic, while its polished brass and marble surfaces keep it firmly in the world of luxury. The Louis Ming chair is a sculptural, hand-carved armchair that mixes the elegant, minimal lines of the Ming Dynasty with the comforting embrace of the iconic French Louis XIV chair. This standout piece is a direct fusion of the designers French and Chinese heritage, and a perfect example of how cross-cultural connections create new standards of beauty. Chunsun, which translates in English as spring bamboo, is a 3-tiered bookcase that consists of branching golden bronze metal tubes and milky-white marble shelves. One idea behind the design was an interest in connecting two materials – a natural one with a manufactured one – to show the harmony that can come between man and nature when done with purpose and intention.

明合文吉与意大利家具品牌 Giorgetti于 2013年联手推出 Giorgetti系列，作品集功能和美学于一身，散发永恒的风采。这个系列采用色调浓烈的胡桃木搭配精巧的细节，包括发亮的金属、挖剪的皮革和几何图形。当中的屏 ( P i n g ) 是一道形态鲜明的屏风，顾名思义可作屏风或间隔的用途，用上了珍贵的卡纳莱托胡桃木做出表面一圈圈活泼的圆形图案，中间配上皮革装饰细节，镜面边缘反映和折射四周的空间景象，为房间增添一分动感节奏。荣获 E l l e D e c o r a t i o n 国际设计大奖 2 0 1 3 年度最佳家具奖的屏 ( P i n g )，不仅划出私密空间性和提供隔断，更是别具一格的艺术装饰品。阳 (Yang)意指为太阳，这件作品的特点是设计师探索形式与物质之间对应关系的实验。与美妙音乐融为一体的 Clair de lune高柜，是一台立式音响系统，可以通过蓝牙连接。外观精致而充满古董风格的 Clair de lune，内里配备了尖端音响科技和三层搁架，两道折叠门和一块有如圆月的条纹玛瑙玉石，配有背灯和隐约透出乳白色的灯光。方 (Fang)以聚会碰面为灵感，强调餐桌是必须放置于一个家或工作间的中心，并具有服务性质的家具，是热闹欢聚和畅谈讨论时不可或缺的家具。方 (Fang)采用观感完美的褐色胡桃木台面搭配皮革装饰和涂漆的青铜金属，设有圆桌和长桌式样。

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G i orge tti Col l e cti on an d ot hers / Giorget t i 系列及其他

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G iorgetti C olle c tion a n d oth ers / G iorgetti 系列及其他

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如意 (Ruyi)咖啡桌引人入胜的外观设计，灵感来自中国民间传说中一种具有辟邪作用同时象征权力和吉祥的器物。尽管如意 ( R u y i ) 的流畅线条源于传统形态，却呈现独特的未来感，闪亮的黄铜和大理石面材宣示它的奢华风尚。路易 · 明 ( L o u i s M i n g ) 椅子融合了中国明式扶手椅的简约雅致线条和经典法国路易十五椅子宛如拥抱般的安稳舒适。这件杰作同时象征两位设计师分别代表的法国和中国文化传统，完美示范跨文化意念的运用，可创造全新美学标准。春笋(Chunsun )是一个由金色青铜金属管框和乳白色大理石架子组成的三层书柜，其设计灵感来源之一是实验自然素材与人工素材的结合方式，以展示在实现特定设计动机的原则下，人类与大自然之间是可以和谐并存的。

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4 — The Chusun Bookshelf mixes bronze metal with sumptuous marble shelves / 春笋 ( Chunsun ) 书柜结合青铜金属与华美的大理石搁架 5 — Clair de Lune features a hi-fi cabinet and integrated sound system / Clair de lune 是配备高科技音响系统组合的立式音响柜 6 — Yang, which means sun in Chinese, interprets the functionality of a chest of drawers with an elegant design/ 阳 (Yang)意指太阳，代表这设计优雅的抽屉柜同时具有实用功能 7 — The Fang Table can be made as a rounded or rectangular form / 方 ( Fang ) 桌子设有圆桌和长桌式样

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Ex h ib ition s /

展览会

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Exhibitions 展览会 2019 PAD Paris, France, presented by Galerie BSL

2016 Design Shanghai, Collectible Hall, Shanghai, China

巴黎，法国，PAD展会- Galerie BSL美术馆引荐

上海，中国，设计上海展

伦敦，英国，PAD展会- Galerie BSL美术馆引荐

巴黎，法国，PAD展会- Galerie BSL美术馆引荐

PAD London, UK, presented by Galerie BSL

The Salon Art+Design, New York, USA, presented by Galerie BSL 纽约，美国，Salon Art + Design展会 - Galerie BSL美术馆引荐

2018 Nomad St. Moritz, Switzerland, presented by Galerie BSL 纽约，美国，Salon Art + Design展会 - Galerie BSL美术馆引荐

Design Shanghai, China, presented by Andrew Martins International Design Awards

上海，中国，设计上海 -Andrew Martin国际室内设计大奖特展

Carte Blanche exhibition, IFFS, Singapour, curated by Chantal Hamaide

PAD Paris, France, presented by Galerie BSL PAD London, UK, presented by Galerie BSL

伦敦，英国，PAD展会- Galerie BSL美术馆引荐

Chinese Contemporary Design, Piasa, Paris, France, curated by Perfect Crossovers 巴黎，法国，P i a s a中国现代设计展 ( 策展人 Pe r fe c t Crossovers)

Design Beijing, Collectible Hall, Beijing, China 北京，中国，设计北京展限量设计馆

Asia Contemporary Design, Christie's, Shanghai, China 上海，中国，佳士得亚洲当代设计

2015 Design Shanghai, Collectible Hall, Shanghai, China 上海，中国，设计上海展限量设计馆

PAD London, UK, presented by Galerie BSL

新加坡，新加坡国际家具展 Car te Blanche展 ( 策展人 Chantal Hamaide)

伦敦，英国，PAD展会- Galerie BSL美术馆引

PAD Paris, France, presented by Galerie BSL

2014 "It's Shanghai time", Unesco, Paris, France

巴黎，法国，PAD展- Galerie BSL美术馆引荐

The Salon Art+Design, New York, USA, presented by Galerie BSL 纽约，美国，Salon Art + Design展会 - Galerie BSL美术馆引荐

2017 AD Collections, Paris Museum of Modern Art, Paris, France

巴黎，法国，联合国教科文组织“这一刻，在上海”展

2013 The Super Brands show, Tent, London, UK 伦敦，英国，Superbrands/Tent London展会

Beijing Design Week, Beijing, China 北京，中国，北京设计周

AD Collections，巴黎现代艺术博物馆，巴黎，法国

PAD Paris, France, presented by Galerie BSL

2012 China Now, Tent, London, UK

巴黎，法国，PAD展会- Galerie BSL美术馆引荐

伦敦，英国，Tent London-China Now展

Nomad Monaco, Principality of Monaco, presented by Galerie BSL 摩纳哥公国，Nomad Monaco展- Galerie BSL美术馆引荐

PAD London, UK, presented by Galerie BSL

Beijing Design Week, Beijing, China 北京，中国，北京设计周

伦敦，英国，PAD展会- Galerie BSL美术馆引荐

Asia Now, Paris, France, curated by Christie's

2010 Selection of Elle Deco Talents of the Year, Superstudio, Milan, Italy

巴黎，法国 Asia Now展- 佳士得策展

米兰，意大利，入围 Elle Deco Superstudio年度英才

纽约，美国，Salon Art + Design展会 - Galerie BSL美术馆引荐

2008 Experimenta Design, Mooi Gallery, Amsterdam, Netherlands

The Salon Art+Design, New York, USA, presented by Galerie BSL

阿姆斯特丹，荷兰Mooi Gallery艺廊 Experimenta Design展

1 — AD+ Exhibition - Shanghai Furniture Fair / AD+展览 – 上海家具展

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Awards /

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奖项

Awards 奖项 2019 AD100 – Top 100 Design Talents in China 安邸100 - AD100中国最具影响力的百位建筑、设计精英

2018 Wallpaper* Design Awards – JinShi Pink Jade Coffee Table (Galerie BSL Edition)

2011 Elle Decoration International Design Awards – Best Chair Design - U Shape Chair Elle Decoration国际设计大奖 - 最佳座椅设计奖 - U 合一系列

Better Homes & Garden: 5th Year Ceremony – Nominee as Chinese Influential Designer

Wallpaper*设计大奖 - 金石粉红玉咖啡桌 (Galerie BSL 限定版)

美好家园 5周年庆典暨创美盛典 - 中国最具影响力设计师提名奖

2017 AD100 – Top 100 Design Talents in China

2010 Roche Bobois International Design Competition – Grand Prize – Cotton Chair

安邸100 - AD100中国最具影响力的百位建筑、设计精英

2016 Residence Best 100 Awards – Best 100 China Space Transformation & Design Awards 精品家居 - Best 100中国最佳空间改造设计大奖

2015 AD100 – Top 100 Design Talents in China 安邸100 - AD100中国最具影响力的百位建筑、设计精英

Andrew Martin International Interior Design Awards Andrew Martin国际室内设计大奖

2014 Wallpaper* Design Awards – Yang Vanity Cabinet (Giorgetti Collection) Wallpaper*设计大奖 - Yang (Giorgetti系列)

A&D Trophy Awards – Giorgetti Ping Screen A&D Trophy Award - 屏，Giorgetti系列

2013 AD100 – Top 100 Design Talents in China

罗奇堡家居国际设计竞赛 - 优胜奖 - 棉椅

2009 Rado International Design Award – China Best Design Prize – Lighting branch 设计在中国 - 瑞士雷达表 - 新锐设计奖 - Lighting branch

2008 Elle Decoration International Design Awards – New Talent of the Year Award Elle Decoration国际设计大赛中国区 - 年度设计新秀

The Design Institution Workstation Design Competition – Second Prize

The Design Institution Workstation设计大赛 - 二等奖

2007 IYDEY (International Young Design Entrepreneur of the Year) Award from British Council – China Young Design Entrepreneur of the year – First Prize

安邸100 - AD100中国最具影响力的百位建筑、设计精英

英国伦敦文化部举办 2 0 0 7 国际青年设计创意英才奖 (IYDEY) - 一等奖

Elle Decoration国际设计大奖 - 最佳家具设计奖 - 屏瘀 (Giorgetti系列)

2006 Elle Decoration International Design Awards – WenST03 Bookshelf

Elle Decoration International Design Awards – The Best Furniture Design – Ping Screen (Giorgetti Collection) Modern Decoration International Media Awards – Annual Commercial Space Award

Elle Decoration国际设计大赛中国区 - 最佳家具设计奖 - WenST03书架

现代装饰国际媒体奖 - 年度商业空间奖

Modern Decoration International Media Awards – Annual Club Space Award 现代装饰国际媒体奖 - 年度俱乐部空间奖

Gold Award for the Bund – Excellence Prize 金外滩奖 - 最佳色彩运用奖 TL # STUDIO MVW

2 — LaoMiao Flagship Store, Shanghai / 上海老庙旗舰店