#28 ENG !"#$%&'(")*+,-./+0(1)23453636
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Mega*Zine Lost&Found #28/2020 Evidence TABLE OF CONTENT:
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GALLERY Anita Kovรกcs also known as Oriza Triznyรกk
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GALLERY
Anita Kovรกcs
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GALLERY
Anita Kovรกcs
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GALLERY
Anita Kovรกcs
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GALLERY
Anita Kovรกcs
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GALLERY
Anita Kovรกcs
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POETRY SECTION edited by Piotr Kasperowicz
Piotr Strumyk Stróżyk Klaudia Rogowicz Adam Michniewicz Anna Siudak Ewa Sonnenberg Ewa Jakubek Magdalena Marta Martyniak Anna Lee Adam Marian Jałocha
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POETRY
Piotr Strumyk Stróşyk
Valuable episodes most watch movies, dividing them into good and bad I watch them dividing into those we watched with her and those la er another story of events is also beau ful she gets what she never had he what he did not know they see in each other what nobody has seen in them before, also beau fully even if they only met once
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POETRY
Piotr Strumyk Stróşyk
To have a home air di erent outside home di erent in us di erent in the room when together di erent when it is missing home ceases to be home without US can be understood along the way that the home is not walls may dissolve in the waves of par ng... in the ocean of longing it can be resurrected in the radiance of consciousness in the light of the heard calling to ourselves suddenly like being together or wai ng for each other and building walls from scratch
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POETRY
Klaudia Rogowicz
An algae eater The state of limbo pushes me to lower levels of knowledge. Ferns melt with a narco c mania. Lips glued forever like an algae eater I want to leave the vicious circle of conven ons.
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POETRY
Klaudia Rogowicz
Seagull The parking lot reveals its face I squint my eyes to the might of the city. Seagull, the herald of silence, there is no room for good souls in heaven.
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POETRY
Adam Michniewicz
window in Amsterdam memory of the morning with the view of the roo ops sca ered in the rain one of the beau ful ones Opened to existence with eyes closed
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POETRY
Adam Michniewicz temporality so hard to believe in you covered with a spider's web gown lured by a dead lover cursed you and the children of yours the laundry did not dry properly cross the corridor with Mars on your face come on and show me nally what real life looks like with these spontaneous dances with glazed eyes in a sense of rhythm in agreement of souls in the name of all unread books for an unhealed scar I shall know it was worth it
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POETRY
Anna Siudak
The savior
But you didn't set us free. We are s ll si ng spit in people's faces and the GMO blows up our minds. A pregnant head has to work more and more, and Twi er oods us with an excess of rumors and comments. Ar
cial co ee that does not soothe and your heart, which has long stopped.
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POETRY
Anna Siudak It Apparently the inspira on cannot be found. It itself comes in human form of face, creed, prophecy, breath and scar. Each kingdom is mul plied by a mul ple of your decisions.
A mentality that comes from no accident provokes subsequent events. Discomfort which relates to our memories and rule, which, despite the passage of years, has not lost its importance. Early-view communica on looks into our pockets, pretending to be mul -dimensional. Haters gonna hate anyway. The men on found in the newspaper has met with contempt. The castle was put up for sale. Inspira on is said to come by itself.
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POETRY
Ewa Sonnenberg Human aspect
As a human being, you have a limited number of op ons for movement, unfortunately I cannot make it easier for you to change the amor za on of movements, I am outside your body As a human being, your living ssue does not adapt to my parameters, I only perceive informa on you as a human being, you have a minimal amount of informa on As a human being, you do not conform to the general scheme and parameter, you are an isolated object that interferes with the general subject of existence As a human, you have the ability to use words, use words to reach me, but your use of the words cannot be used in my op mal transfer words to words. As a human being you are complement of the whole it can do without you your existence is one of my digital possibili es
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POETRY
Ewa Sonnenberg
As a human being you are not interes ng for me, I am selfcontained, I act according to the arrangements programmed before the me began As a human being, I do not come in contact with you, you are listed as one of my threats â&#x20AC;&#x201C; contact may infect your system As a human being, I can see you everywhere. Not only do I measure your every step, I count every second of you to the nearest hundredth of a second As a human, you are an organism that is degenera ng, I have no program to stop this degenera on process, I can only be a passive observer As a human being, you are exchangeable, I track the di erences between one copy and the other I thus determine the adapta on of the environment to a moving object called a human As a human being, you do not have access to what you call the world, the world is only an impulse to make the appearance of your existence
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POETRY
Ewa Jakubek
In the Antland a great commo on Everyoneâ&#x20AC;&#x2122;s bustling in the rat race To pursue noble achievements Scarabs and li le beetles are crawling Along the walls gnawing at the metable Slow caterpillars besiege the shelves Li ing their heads and shrinking in measure Angry for they cannot nd What ants have long ago carried away In great style rubbing against each other. Creatures they are robust, barely Make it to share casual rustles Before 8 oâ&#x20AC;&#x2122;clock prodded by antennas Of Superior Beetles - consolidated To do their utmost best For the glory of their New Homeland.
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POETRY
Ewa Jakubek
So brave are these ants and u erly commi ed Grins exchange complacentâ&#x20AC;Ś And suddenly, a twitchy wire of tentacles Shock them with newfangled tasks Set for another murderous week Proclaiming its beginning.
Translated by the Author
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POETRY
Magdalena Marta Martyniak Existence Dropped Into oblivion Memories of Ar st's life Transforma on Into the robot For the feeling of Convenience Suddenly Plot twists Expedi on Choice Workshop of Happiness Gra tude Teaching of an ar st
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POETRY
Anna Lee A le
But of course I am a ci zen Yes (on the exhale) but only the h category No ce with an ID card for all kinds of fears I have a debit card that was only slightly charged with a defeat gods I also have pissed o even though they sprinkled par cles Yes! Yes! I was throwing my sandal at churches but not on Holy Day Grandma will protect me, she has nice plugs here and there and then she will count me to my despair all knocked out teeth Write as the Lord says: Ci zen Man pissed o as fuck
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POETRY
Anna Lee
*** Due to my aversion to a huge barrel of fat, I drink the solvent there's no magic, it's just a stain and a twisted muzzle I will not use one match wastefully I will annihilate prosperity subcutaneous corporate circus
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POETRY
Anna Lee Born in 1983 They tricked us idiots we are like this: steady measured out in the clasp catalog
then we have surrendered easily, taking the loaves of bread of certain es We are that smart Crooks from PKS who were carrying jars for their careers promises And you have a po y and a hand in it totally You sleep with a buried dog and pregnant with a third one Mother some mes recalls how you were climbing onto the carpet (even has a tear in her eye) she has waited a year for this carpet! And you grazed from google and amazon
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POETRY
Anna Lee
In credits barrier a power is locked but the important thing is that on the face â&#x20AC;&#x201C; gigan c fuck they tricked you, you moron you are the charmer of fate you cursed â&#x20AC;&#x201C; because the Christmas is coming
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POETRY
Adam Marian JaĹ&#x201A;ocha
Life the most important is the beginning and the end how and when everything in the middle Is a box of unnecessary clu er life rots in layers and the most to feel is the old age
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Adam Marian JaĹ&#x201A;ocha
Evolu on drilling someone a hole in the stomach you will become a vic m of a ght it is certain how certain is death you look in the mirror and you see primi ve man re s ll circulates from hand to hand from paw to paw
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POETRY
GALLERY Tatiana Matwij (1974) Art restorer, painter A few words about creativity – may it always be joyful What is painting for me, a creative process? Painting – attempts to freeze in time and close in the frame the phenomena and their energy that attract my attention and is taken from the world around me. I am particularly interested in the elements and space, with light and color in them, and Something ineffable behind them. For me, the creative process is contemplation, exploring the external reality through internal processing and acting at the interface of both. My approach to actions is sometimes automatic and intuitive. As a result, in the pictures I can read the play of coded associations. I often have a strong need to saturate the eye with expressive, intense colors. Pictures with a scattered base: in pictures consisting of several separate, small compositions, their parallel formation on a 'scattered base' is characteristic. Examples are: Tic-tac-toe [„Kółko i krzyżyk”] – a picture of a game treated conventionally, which can be displayed in various configurations; Inferno – split subpictures with a specific sequence, by definition the only one indicated; Simultaneous landscapes [„Pejzaże symultaniczne”] – a multitude of parallel sketches, memories and associations emerging from the imagination of those conscious and not – any possibility of arranging. Painting and creativity are a channel of strong impressions, emotions and memories; color, light on the plane. Contemplation.
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GALLERY
Tatiana Matwij
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GALLERY
Tatiana Matwij
VT"):"R-T,)+J)VT+0,$(1)$(1)W(");'#T-,C)$DEFA'DC)G0--+(,C),"H0'(,C)#+A1)J+'AC)E'GG+(,C)K:/)G+$E1L)X6NY6)D> OV+ )-F,' D$)')\"1("\)(+DFC)$QEFAC)#0P'Q'C)D"Q'(FC)J+A'$)PS+-$C)-$,'">Q'C)RSF-$)T1JL)X6NY6)D>U
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GALLERY
Tatiana Matwij
The come back from…, acrylic, oil, sequins, HDF board; 50x50 cm
[Powr t z…, akryl, olej, cekiny, płyta hdf; 50x50 cm]
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GALLERY
Tatiana Matwij
Space, sunset, Acrylic, HDF; 70x90 cm
[Przestrze , zach d, akryl, płyta hdf; 70x90 cm]
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GALLERY
Tatiana Matwij
Baltic Sea, acrylic, HDF board; 50x70 cm
[Bałtyk, akryl, płyta hdf; 50x70 cm]
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GALLERY
Tatiana Matwij
Morze może Postać, acrylic, feathers, lace, HDF board; 50x60 cm
[Morze mo e Posta , akryl, pi ra, koronka, płyta hdf; 50x60 cm]
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GALLERY
Tatiana Matwij
Bahama pink, acrylic, HDF board; 60x80 cm
[Bahama pink, akryl, pÅ&#x201A;yta hdf; 60x80 cm]
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GALLERY
Tatiana Matwij
Wave, night, treasure island, acrylic, buttons, sequins, gold foil, arti cial stones, berboard; 42x45 cm
[Fala, noc, wyspa skarb w, akryl, guziki, cekiny, folia złota, sztuczne kamienie, płyta pil niowa; 42x45 cm]
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GALLERY
Tatiana Matwij
Mars, two centers, acrylic, sequin strip, arti cial stones, HDF board; 50x50 cm
[Mars, dwa centra, akryl, pas cekin w, sztuczne kamienie, płyta hdf; 50x50 cm]
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GALLERY
Tatiana Matwij
Planet, acrylic, paper, hdd; 43x52 cm
[Planeta, akryl, papier, pÅ&#x201A;yta hdf; 43x52 cm]
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GALLERY
Tatiana Matwij
Wave, acrylic, sequins, can pins, small glass plates, arti cial stones; 50x70 cm
[Fala, akryl, cekiny, zawleczki od puszek, maĹ&#x201A;e pĹ&#x201A;ytki szklane, sztuczne kamienie; 50x70 cm]
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GALLERY
Tatiana Matwij
Tic-tac-toe, acrylic berboard
[K łko i krzy yk, akryl płyta pil niowa]
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GALLERY
Tatiana Matwij
Circle, acrylic, berboard; 12x14 cm
[K łko, akryl, płyta pil niowa; 12x14 cm]
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GALLERY
Tatiana Matwij
Cross, acrylic, berboard; 12 x 13.5 cm
[Krzy yk, akryl, płyta pil niowa; 12x13,5 cm]
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GALLERY
Tatiana Matwij
Inferno, acrylic, berboard
[Inferno, akryl, płyta pil niowa]
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GALLERY
Tatiana Matwij
Inferno, fragment, acrylic berboard; 10x14 cm
[Inferno, fragment, akryl płyta pilśniowa; 10x14 cm]
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GALLERY
Tatiana Matwij
Inferno, fragment, acrylic, berboard; 11 x 13 cm
[Inferno, fragment, akryl, płyta pil niowa; 11x13 cm]
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GALLERY
Tatiana Matwij
Parallel landscapes, fragment – pier over the sea, acrylic, breboard; 11x14 cm
[Pejza e r wnoległe, fragment – pomost nad morzem, akryl ,płyta pil niowa; 11x14 cm]
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GALLERY
Tatiana Matwij
Parallel landscapes, fragment, acrylic, breboard; 10x15 cm
[Pejza e r wnoległe, fragment, akryl, płyta pil niowa; 10x15 cm]
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GALLERY
Tatiana Matwij
Parallel landscapes, fragment, acrylic, breboard; 12x18 cm
[Pejza e r wnoległe, fragment, akryl, płyta pil niowa; 12x18 cm]
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GALLERY
Tatiana Matwij
Parallel landscapes, acrylic berboard
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PRESENTATIONS
ENTRÓPIA ARCHITEKTÚRA – Music band Stories from the Hungarian doom/ritual/ industrial scene by Anita Kovács
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PRESENTATIONS ENTRÓPIA ARCHITEKTÚRA Industrial, ritual rock, experimental, paramental, doom – so hard to find a word for the genre, when you are speaking about the Hungarian band Entrópia Architektúra. A truly independent music and band, formed about nearly 20 years ago. Since then the band has been constantly experimenting with instruments and rhythm, structures and sounds as well. Recently, the band has two lead singers accompanied by a rhythm and a bass guitar, and the drums. One of the singer has a special and very characteristic music instrument as well: a heavy iron trestle with all kinds of metallic hanger to make sounds when hit. „We are trying to open the door to a different, more complex reality by using ritual, archaic, maybe even prehuman sounds.” This interview has been prepared specially for the Lost&Found Mega*zine with the lead singer Csaba Kósa.
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PRESENTATIONS ENTRÓPIA ARCHITEKTÚRA [Anita Kovács] Many prognosticate a serious crash in music industry due to the recent COVID situation. How do you think pandemia effects the smaller underground bands’ life? [Csaba Kósa] This is a very complex question. Before the pandemia I already felt this underground scene got tired
Source: Photo by Oliver Frank / In nite Beat @in nitebeat.hu 789:7;<7
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PRESENTATIONS ENTRÓPIA ARCHITEKTÚRA already, the audience got tired and slothful. The clubs outside the soho were empty, and actually we cannot say that the city club audience would be loyal to a specific band or genre. People were attending only the band they already knew, and after it’s show they left the club – this felt if you were an „entertainer” for a drink. Our music is not like this, which also means we had 1 show only in two months. Pandemia strikes concerts and tours, concert organizers start their mortal agony. However, we could do a gig after the first wave, and we felt that the audience was more aware, both the headcount and the loyalty caused a very positive feeling. At this show I felt that people are getting bored with dubbing mainstream music, and I hope a unique attitude would be appreciated more and more in the future. The Hungarian political climate also stimulates idiosyncratic sounds, I feel a demand from the audience for the unique, categoric, clearcut sound, the distinct attitude, the counterculture, the
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PRESENTATIONS ENTRÓPIA ARCHITEKTÚRA nonmainstream. We may get some crumbs of the enthusiasm of the ’90s audience. [Anita Kovács] How do you think it will impact the clublife? [Csaba Kósa] The current situation causes that live music sector means clublife – no festivals, no huge events in arenas. I hope that the audience would appreciate the performers staying alive amongst the smoking ruins. Lots of our plans and fixed giges were swept by the pandemia, but some doors may be open out in Mid Europe. Our previous experiences and shows – eg. at the Slovak Hradby Samoty Festival we are ready to perform for the foreign public as well. I can say we are open for Polish festival as well, as I feel people in Mid Europe are enjoying our experimental attitude. Our dream is to perform on festivals like OFF or the Bolków Castle Party, or Wrocław Industrial. I cannot see the future, but the varied culture and festivals in Poland proves that
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PRESENTATIONS ENTRÓPIA ARCHITEKTÚRA people here are demanding the non-mainstream genre both in music and art. [Anita Kovács] Do you know the Polish doom/ritual/ metal scene? Are there any bands you would collaborate? [Csaba Kósa] I think the Polish metal and death metal scene is one of Europe’s strongest (Behemoth, other Nergal’s projects, Mgła etc.). Industrial and noise are also very strong, so it is very inspirative to take part at Wrocław Industrial eg. I could accent Wiktor Skok, as Jude’s music both in concept and technics is very close to Entrópia Architektúra, so I can imagine any kind of cooperation with them. Slovakian and Polish underground seems to be very strong and inspirative especially seen from Hungary. I think they managed to keep the atmosphere and continue the specific approach of underground – what was discontinued in Hungary in the 90’s after the closure of our legendary clubs like Fekete Lyuk.
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PRESENTATIONS ENTRÓPIA ARCHITEKTÚRA
Source: Photo by @szuszugraphy
[Anita Kovács] You have another solo project, called Der Zunder. Tell us some more about this conception. [Csaba Kósa] As for me, the site project Der Zunder and the band Entrópia Architektúra are not dissevering, they stand together. I just have another aspect of the same ideas. For me, Der Zunder means a more intimate contact with the
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public. Entrópia Architectúra is rather a distinct psychological warfare against the audience – and very effective! It is a pleasure to see how they are shaken up. In opposite, Der Zunder is like a father telling stories to his grandchildren, not happy stories, but still stories about the shady and estranged side of the world, you would not dare to enter alone. In this project I keep holding the audience’s hand while walking on these dark paths and I give the answers and close the doors at the end. Entrópia Architektúra has the responsibility as well, but we do not give any answer or solution, neither absolution. Links: http://entropiaarchitektura.blog.hu https://entropia-architektura.bandcamp.com/releases http://shapeplatform.eu/artist/entropia-architektura/
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PRESENTATIONS ENTRÓPIA ARCHITEKTÚRA
GALLERY Piotr Pasiewicz https://www.facebook.com/pasiewicz.art/
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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Piotr Pasiewicz
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INTERWORD Lost's thirtieth issue is in front of you. The thirtieth, because apart from the „planned” issues, there were two more special meetings. I don't know how about you, but I feel surprised, but also honored to be in your head, in front of you. This number is evidence for many things. That we were right – art can be available to everyone. All it takes is a pandemic, social solidarity and… boom – initiatives directed to everyone who would like to use it are springing up like mushrooms after rain. Often free of charge, because now it is easier to understand a difficult social situation. We all found ourselves in it – this is our shared experience. I'm glad you finally understand it. Although there are still some opinions that suggest theft… Another piece of evidence concerns changes. This time it was me who cut off the arm that had been heavy on me for a long time. The prose section disappears. Nothing new appears in its place. We can relax. We can breath in and breath out. There is no prose section… If someone would like to present to others something that fascinates him/her – you are more than welcome. The presentations section gladly accepts such materials. But no, thank you for the prose. The creativity that we present gives a lot of room for interpretation –it was created before and during the first wave of the pandemic. And also before the revolution that is taking place in Poland at the moment... How much do these works say about us today and now? Art is beyond time, although it follows from time and is embedded in it. Such a paradox of evidence.
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We also prove with Piotr that Lost matters to us. And the fact that there are still people who reach for it (statistics keep reminding me about it) and want to support it with their works proves that it is important sometimes also for others – for you, certainly in some sense too. This issue is also proof that a man feels LOST without creating, without contact with nature and without contact with other beings. Sometimes plants are enough. Sometimes a dog or a cat, birds outside the window. Sometimes books or films, TV-series, on-line theater… And sometimes a walk in the woods. Suddenly the network gained value – the social distance was preserved. Nobody interferes with anyone, you can isolate yourself at your will without any explanation of your decisions. I am also happy about it, because finally many people have experienced something that I really appreciate, and which for many people turned out to be a nightmare (a pity). INKtober's work by Agnieszka and Błażej proves that if we want something, we can do it. These works are an expression of fortitude and talent. Although Agnieszka did not reach the end of the challenge – she took it and this is her victory! Błażej, as usually, defeated himself. I am glad that you reach for/to us. I hope you will do it also the next time, when we will talk about boundaries and edges. I would promise that we will not exceed certain boundaries, but I cannot. And I do not want to. See you soon! RED_LangeL
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GALLERY INKtober Kozi (Agnieszka KozĹ&#x201A;owska) @kozi_koz_
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GALERIA
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GALLERY INKtober Błażej Kurowski Vlepka a Day https://www.facebook.com/vlepkaaday/
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