Visions libres magazine/InsideTrouble

The Art and Culture Magazine | Inside TROUBLE

E L B U O R T

NO 2

r o t i d e e h t TER from

LET

functioning ormal bodily n s l' a im n a a plant's or trouble> that disrupts iagnose my d te ly ta s te l ra a u c rm ac distemper, 1 an abno ill be able to n, disorder, w io r it to d c n o o c d , e n t th atio <hoping tha int, complic trouble ug, compla b t, n e y, sickness, ilm d a la il, a a , m n y, o it ti fit, spell; affec infirm ttack, bout, Synonyms a r, ill, illness, ; n ve o ti fe c , fe re in tu m, distempera soundness, e; contagiu lthiness, un ious diseas a g e h ta n n u o , c s , s n e lin e rds contagio eness, sick lence, plagu Related Wo ailness, lam fr , s s e n , pest, pesti le b ic e m fe e , id e p d e u ; it rep away> r, pip debility, dec ble, so stay laise, matte u a o m tr ; s is s g e o n d k wea rm <that wild unwellness, t, trouble injury or ha e s u a c ll, risk, threa y a fa it m p t a l, ri th e p g , 2 somethin ce, menace rd, imminen za a h s t, shelter booby trap m y n o Syn fuge, retrea snare, trap; re s , n rd o ve W a h d r, te o Rela sylum, harb ield, ward; a h s , rd a u g r resolution , safe , protection t and skill fo h rd g a u u o g th le was> s s m e y ir at requ at the troub th h Near Anton w g in d e th k e s a m n 3 so ght and the ke up the fi ro b t rs fi rs office <the police

Synonyms case, challenge, knot, matter, nut, trouble Related Words issue, question; corner, fix, hole, hot water, jam, mire, pickle, predicament, quagmire, spot; crux, Gordian knot, sticky wicket, toughie (also tough y); catch-22, dilemma, quandary; catch, glitch, hitch, pitfall, snag; conundrum, enigma, mystery, puzzle, puzzle ment, riddle; brainteaser, perplexer, poser, stumper Near Antonyms magic bullet, silver bullet; cure-all, panac ea Antonyms answer, solution 4 the active use of energy in producing a result <plea se, don't go to all that trouble just for me> Synonyms elbow grease, exertion, expenditure, labor, pains, sweat, trouble, while, work Related Words drudgery, grind, slog, strain, toil, travai l; dint, energy; force, might, muscle, power, puissance; attempt, endeavor, essay, fling, go, pass, shot, stab, trial, try, whack Near Antonyms adroitness, ease, facility, fluency, smoo thness; dormancy, idleness, inaction, inactivity, indolence, inertia, languor, laziness, quiescence

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T R O U B L E

Partizipating artists: Alexander Criz Samohvalov / www.facebook.com/alexandercriz.samohvalov Alesia Gudkova / www.facebook.com/alesia.gudkova Angie Stergio / www.facebook.com/angiestergio12 Andreas Höke / www.facebook.com/abstraktewelt Artefact Usw / www.facebook.com/Artefact.Photography Beata-Katarzyna Przybylo / www.facebook.com/beatakatarzyna.przybylo Cem Ulug / www.facebook.com/cemulug.codada Chih-Chieh Wang / www.facebook.com/Morrison.C.C.Wang Cosimo Mancioli Ph / www.facebook.com/cosimo.mancioliph Dadu Phoenix / www.facebook.com/dadu.phoenix Debora Morelli / www.facebook.com/cuccuruccuccu Dominic Brecken / www.facebook.com/dombrecken Edmond Thommen / www.facebook.com/etinsyd Émili Bermúdez / www.facebook.com/emili.bermudez Éric Dorchain / www.facebook.com/Dorchain.Eric Everlast Ozon / www.facebook.com/everlast.ozon Grauen Adm / www.facebook.com/aphexevil Hidlight Zifiri / www.facebook.com/hzifiri Ignacio de Loyola / www.facebook.com/ignacio.deloyola.9 Iskældt / www.facebook.com/bitterhonig Jack Chen / www.facebook.com/jack.chen.1694 James Dean Holloway / www.facebook.com/jamesdeanholloway.1276 Jean-François Dupuis Photographe / www.facebook.com/jeanfrancoisdupuis.photographe Jenny Papalexandris / www.facebook.com/jenny.papalexandris Joe Josephs / www.facebook.com/joe.josephs.7 Johan Lindell / www.facebook.com/johan.f.lindell Jos Tontlinger / www.facebook.com/j.tontlinger karamelo / www.facebook.com/es.karamelo Ladjo Persot / www.facebook.com/ladjo.persot Laura Fogazza / www.facebook.com/laura.fogazza Laura Simonsen / www.facebook.com/laura.simonsen.58 Lo Bricard / www.facebook.com/achile.tatin Louisa Dawn / www.facebook.com/LoisdawnII Mai Saki Art Lab / www.facebook.com/maisakiart Menoevil Aow / www.facebook.com/sureeyapon.sriampai.5 Mike Lee / www.facebook.com/mike.quinam Mimo Khair Mourhege / www.facebook.com/mimokhair Mimmo Grecco / www.facebook.com/mimmo.greco.37 MWeissArt / www.facebook.com/pages/MWeissArt Paulo Couri / www.facebook.com/paulo.couri1 Peder Aresvik / www.facebook.com/peder.aresvik Roberto De Mitri / www.facebook.com/roberto.demitri.315 Ryuichi Noguchi / wwww.facebook.com/profile.php?id=100004435595361 Sandip Bose / www.facebook.com/sandip.bose Sebastian Ostafin / www.facebook.com/sebastian.ostafin Slavko Pjevecvic / www.facebook.com/slavko.pjevcevic Sookie Sirene / www.facebook.com/SookieSirene Stella Sidiropoulou / www.facebook.com/stella.sidiropoulou.9 Steven Gonzales / www.facebook.com/profile.php?id=100006881261527 Taras Bychko / www.facebook.com/taras.bychko Valerie Simonnet / www.facebook.com/simonnet.valerie Vassiliki Kontaxi / www.facebook.com/vassiliki.kontaxi Yann Cielat / www.facebook.com/yann.cielat Yusup Yogaswara / www.facebook.com/yusup.yogaswara

Features: GARETH BRAGDON / page 4_19 GAVIN BRAGDON / page 82_97 Introducing ARTLife: RAW Project

/ page 98_99

n o d g a r B h t e r a G : FEATURE lds.â&#x20AC;? re battlefie

me for futu e r a p e r p l il w ts e e ink the str

â&#x20AC;&#x153;I th

I am an American ex-patriot that moved to the U.K. with my brother Gavin Bragdon 3 years ago. I picke d up a camera a year and a half ago and started taking photograph y seriously. Unfortunately my photographic conq uest started with colour and vomit HDR photography. My eyes were opened when my brother introduced me to the BBC stunning series (genius photography), after that we were hooked.

We started hitting the streets with our eyes and cameras, cross haired at pedestrians. Now I am studying photograph y in the hopes of becoming a photojournalist.

We donâ&#x20AC;&#x2122;t have the streets and subways of Manh attan or the sunshine of Greece. Edinburgh is more like a big town than a big city. The skies are grey, the sun rarely shines, and just generally gloomy year round . This is why I utilise the flashgun; it is like carrying the sun in my left hand.

I enjoy getting close and personal with my subje

cts similar to Bruce Gilden. As far as ethics go, I know jumping out at people may not sound like the polite thing to do but I think the results justify my actions. Peop le who open their morning paper and gander at overweight celebrities and starving children, and believe it shou ld be illegal for photographers to take pictures of them on the street without their permission should lock themselves in a basement and throwaway the key.

I am far from fearless but I do avoid taking pictu res of physically or mentally handicapped people and anything that can be demoralizing. I feel I have much to learn and experience, yet I feel my style will change overtime for the better.

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©Gareth “In our ho uses we are safe from the unknown faces & shadows th walk the streets. W at e celebrate our individuality and dr owned in a pool of our mis ery. ”

ŠGareth â&#x20AC;&#x153;Free from the outside world of peering eyes and judgement man prepares.

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They leave their homes hiding away all insecurity only hoping to survive the coming day.â&#x20AC;?

made of ©Gareth “The streets are e stranger. strangers and when I’m th g stairs I walk cross roads climbin ounded and wait in lines. I’m surr by people all with their own names and stories.”

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ŠGareth â&#x20AC;&#x153;I will never know their names I will never hear their story .

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I continue walking with my eyes

to the ground.â&#x20AC;?

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©Gareth “When I became a street photographer I became a viewer.

A viewer of the stranger seeking to captur e their image their individuality.”

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©Gareth “I grip my camera and position mys

elf like a heat seeking missile.”

©Gareth “For that one brief second I was not a shadow I was a person.

I could see it in her eyes she had a loving and caring soul. I finally reach my door I am home always from the peering eyes and judgment of others.

Now I am alone.”

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ŠPaulo Couri

trouble for an angel

20/21

ŠJos Tontlinger

Das Tier

22/21

ŠCem Ulug

©mai_saki

creaming The Church S

©Éric Dorchain

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©Grauen Adm

Trouble of freedom

©Grauen Adm

©Mimmo Grecco

©Yann Cielat

©Laura Simonsen

©Jean-Francios Dupuis Photographe

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ŠYann Cielat

Valerie Simonnet

©MWeissArt

postcard from the past

©Beata-Katarzyna Przybylo

trouble – behind the barb

ed wires...

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2014

trouble in my soul …

(It’s A) lOng wAY tO pArAdIsE (frOm hErE)…

©dAdU phOEnIx 2013

trouble in my faith … Maria de Magdala

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©dAdU phOEnIx 2013

© Vassiliki Kontaxi

The silence after trouble ©Louisa Dawn

ŠLaura Simonsen

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©Debora Morelli

©Yann Cielat

©Andreas Höke

©Louisa Dawn

©Edmond Thommen

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©Alexander Criz Samohvalov

ŠYusup Yogaswara

ŠJohan Lindell

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©Andreas Höke

Calling for trouble ~ Shanghai

©Artefact Usw

©Mimo Khair Mourhege

©Sookie Sirene

©Yann Cielat

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©Angie Stergio

to stay Trouble came

Troubled mind

©Angie Stergio

©Joe Josephs

»All is we ll«

©Émili Bermúdez

©Mimmo Greco

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»I’m still alive«

©Chih-Chieh Wang

©Angie Stergio

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©Chih-Chieh Wang

©Cosimo Mancioli Ph

ŠCosimo Mancioli Ph

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©Cosimo Mancioli Ph ©Chih-Chieh Wang

©Ladjo Persot

©Yann Cielat

Trouble -- Isolation

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©mai_saki

©MWeissArt 2014

©Andreas Höcke

©Mike Lee

©Andreas Höke

©Debora Morelli

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©Jean-Francios Dupuis Photographe

©2014 Menoevil Photography

ŠValerie Simmonet

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©Lo Bricard

©MWeissArt 2014

©James Holloway

©Peder Aresvik

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©Everlast Ozon

©Slavko Pjevcevic

He who rejects change is the architect of decay. The only human institution which rejects progress is the cemetery. â&#x20AC;&#x201C; Harold Wilson â&#x20AC;&#x201C;

Trou b

le w ith s

ciss

ors

©Hidlight Zifiri

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Trou b

le a t

the »lon e

ly h a

rbo r«

Leaving_the lament Trouble as I examine the skin where I look for tell-tale signs in the traces of the night, asleep Left of a slither that would prove memory as a fluid occurrence

ŠJenny Papalexandris

ŠLouisa Dawn

ŠPeder Aresvik 56/57

©Sebastian Ostafin ©Louisa Dawn

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ŠStella Sidiropoulou

©Joe Josephs

The Troubling Question

© Ignacio de Loyola

City of ghosts. PandĂŚmonium

ŠRoberto De Mitri

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© Taras Bychko

The life stopped

©Éric Dorchain

©Alesia Gudkova

Stained soul

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©Roberto De Mitri

©Peder Aresvik

... c

ou ldn ’t s

tar

t th ec

T ar roub – e le ve nt he

lig

ht wa s

fro

zen

...

©Andreas Höke

Škaramelo

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ŠJohan Lindell

©Sebastian Ostafin

End of life. End of trouble.

©karamelo

©Laura Simonsen

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©Yann Cielat

ŠYann Cielat

e tro ub l rn at io na l In te ©mai_saki

©Ryuichi Noguchi

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©Jean-Francios Dupuis Photographe

©Dominic Brecken

Trouble: Omnipresence _on the Streets

©Iskaeldt

ŠSteven Gonzales

... arctic morning trouble _ the omen ...

ŠPeder Aresvik

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©Dominic Brecken

©Laura Simonsen

©Sookie Sirene

©Sandip Bose

Trouble 72/73

©Jean-François Dupuis Photographe

– which way? ©Slavko Pjevcevic

©Yann Cielat

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©Yann Cielat

©Ryuichi Noguchi

©Yann Cielat

©Jack Chen

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ŠLaura Fogazza

ŠCosimo Mancioli Ph

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©Chih-Chieh Wang

Trouble – in the End nobody’s feeling responsible

©Mike Lee

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©Andreas Höke

©Sookie

ng picture? kes a good or interesti What do you think ma k at a photo, you feel when you loo at wh t ou ab re mo rd to define. It’s que acrobatics Hmmmm … that’s ha compositional Webb-es be uld co It . tum nc sness. The pu really vague. that emotional wordles orward or something htf aig str d an ple sim lly or just something rea ur images? u to make prints of yo yo to it is nt rta po im How on-screen basis. graphy on mostly an oto ph th wi alt de ve ha i-baby and thus cing purposes Well I guess I’m a dig for editing and sequen lly cia pe es re mo bit a ints and bring the photo I’m trying to get into pr int as the “final word” pr the o int g ttin ge t and the like. It’s abou gible. o something more tan from a vir tual image int

n o d g a r B n i v a G : FEATURE

ou’ll feel it in y n e th to o h p d o o g “If you feel it’s a times you e m o S . th o b t, e y r e r bett your brain, heart o can’t.” u o y s e m ti e m o s , s d can put it into wor 82/83

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ing either. k a m re tu ic p y m d influence “My brother Gareth the same place, in g in th f o rt so e g the sam We’re brothers doin so naturally we’re l, o o h sc t a e rs u co y otograph hotography, p even in the same ph to in e m t o g e H . g off of each other using flash going to be bouncin to in im h t o g I y. h p photogra I got him into street ng the flash gun. si u to in e m t o g e h (on-camera), f collaboration, o rt so is th k in th I c and It’s almost symbioti to the future.” in n o e u n ti n co l il w y, directly or indirectl

Gavin Bragdon

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h

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Michele Lombardo from Italy.

MADE in C.L. is an artist duo: Salvatore Cammilleri and amesâ&#x20AC;&#x2122; capital letters even In the name there is a joke of worlds using own surn referring to their Sicilian area called Caltanissetta C.L. emporary artists to grow up The most important objective is to involve different cont ve many people, art in the area, to promote creativity resources. The invol to participate in performance art. someone for technical competences and others only From this concept born the first project: RAW. rt/827432060606431 http://www.facebook.com/pages/Salvatore-Cammilleri-A ts http://www.facebook.com/michelelombardoar t?fref=

Join in and share your art. www.facebook.com/groups/583971975064919

The Art and Culture Magazine | Inside TROUBLE