Nยบ13 EN / OCT 2014
FREE MONTHLY MAGAZINE
Technical file FICHA TÉCNICA/ TECHNICAL FILE • Line & Stylish, Art Magazine • Nr Registo ERC – 126385/ ERC Registration nr - 126385 • Proprietário/Owner: José Eduardo de Almeida e Silva • Editor/Publisher: José Eduardo de Almeida e Silva • NIF: 179208586 • Periodicidade/Periodicity: Mensal/ Monthly • Morada da Redacção/Editorial Address: Urbanização do Lidador Rua 17, nr 106 4470-709 – Maia Portugal • Contacto/Contact : +351 926493792 • Director Geral/Director in Chief: Eduardo Silva • Director Adjunto/Vice-director: Isabel Gore • Editor / Editor in Chief: Eduardo Silva • Redacção/ Editorial Staff: José Eduardo Silva Isabel Pereira Coutinho Luís Peixoto • Director Técnico/ Art and Web Director: Luís Peixoto • Colaboradores para o nr de Outubro /Guest Redactors for October issue Patrick Earl Hammie • Fotografia/Photography: •
© Courtesy Arcadia Contemporary • ART Antwerp © Courtesy ART Antwerp and TM – ART • Bertrand Delacroix Gallery © Courtesy Bertrand Delacroix Gallery © Courtesy Federico Infante • Brooklyn Museum © Brooklyn Museum Costume Collection © Lea Ingold and Lolly Koon © Herman Delman © Image copyright The Metropolitan Museum of Art. © Art Resource, NY) © Courtesy of Nicholas Kirkwood. © Jay Zukerkorn © Courtesy of JANTAMINIAU. © Photo: Jay Zukerkorn © Courtesy of Prada USA Corp. • Kohn Gallery © Courtesy Kohn Gallery. © Kristy Leibowitz • Patrick Earl Hammie © Courtesy Patrick Earl Hammie © Courtesy of Yeelen Gallery
Arcadia Contemporary 2
The Fashion World is another artistic expression, instrument of power for the designer and the wearer. In this issue we publish Killer Heels: The Art of the High-Heeled Shoe on view at Brooklyn Museum. Patrick Earl Hammie was our choice for The Artist of The Month. His paintings full of strength and inspired on the emotive qualities of Romanticism reveal his unquestionable domain of technique, and the gift of using the female and male body language in order to show the inner duality and the ideal beauty of nudity. A struggle between the”self ” and the “other”, two different entities, yet the same linked by the image reflected on a mirror. We Highlight Federico Infant’s solo exhibition, THE SPACE BETWEEN on view at Bertrand Delacroix Gallery. His works depict beautiful universes and the contrast between the subject and the ambiguous backgrounds reveal the complex relationship between reality, spirituality and the subconscious. The last but not the least is the solidified growth of the Partnership between Line & Stylish, Art Magazine and TM- Art and ART Antwerp, founded by Mr.Thomas Maes. Isabel Gore (Vice Director
Cover: “Contact” - 2014 PATRICK EARL HAMMIE Courtesy of the artist 3
ÍNDEX 6.
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Killer Heels The Art of the High-Heeled Shoe
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ART ANTWERP
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Artist of the
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PATRICK EARL
FEDERICO I The space B
SMALL WORKS
L HAMMIE
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EDDIE MARTINEZ NOMADER
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OCTOBER HIGHLIGHTS
e month
INFANTE Between
EXHIBITION
info@lineandstylish.com +351 914 037 084 5
Killer Heels: The Art of the High-Heeled Shoe September 10, 2014–February 15, 2015 Brooklyn Museum Robert E. Blum Gallery, 1st Floor
“Italian Chopine”, 1550–1650. Silk, metal. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Herman Delman, 1955. 2009.300.1494a, b. Brooklyn Museum photograph, Mellon Costume Documentation Project Photographers; Lea Ingold and Lolly Koon 6
Killer Heels explores fashion’s most provocative accessory. From the high platform chopines of sixteenth-century Italy to the glamorous stilettos on today’s runways and red carpets, the exhibition looks at the high-heeled shoe’s rich and varied history and its enduring place in our popular imagination. As fashion statement, fetish object, instrument of power, and outlet of artistic expression for both the designer and the wearer, throughout the ages the high-heeled shoe has gone through many shifts in style and symbolism. Deadly sharp stilettos, architecturally inspired wedges and platforms, and a number of artfully crafted shoes that defy categorization are featured among the more than 160 historical and contemporary heels on loan from designers, from the renowned Brooklyn Museum costume collection housed at the Metropolitan Museum of Art, and from the Bata Shoe Museum. Designers and design houses represented in Killer Heels include Manolo Blahnik, Chanel, Salvatore Ferragamo, Zaha Hadid X United Nude, Iris van Herpen X United Nude, Christian Louboutin, Alexander McQueen, André Perugia, Prada, Elsa Schiaparelli, Noritaka Tatehana, Vivienne Westwood, and Pietro Yantorny.
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“French Shoes
Silk, leather. The Metropolitan Muse 1906 (06.1 Image copyright © The Me Image source A 8
s”, 1690–1700.
eum of Art, New York, Rogers Fund, 1344a, b). etropolitan Museum of Art. Art Resource, NY 9
Nicholas Kirkwood “Pumps”, Spring/Summer 2013. Suede with gold and clear Swarovski crystals. Courtesy of Nicholas Kirkwood. Photo: Jay Zukerkorn 10
Presented alongside the objects in the exhibition are six specially commissioned short films inspired by high heels. The filmmakers are Ghada Amer and Reza Farkhondeh, Zach Gold, Steven Klein, Nick Knight, Marilyn Minter, and Rashaad Newsome. Killer Heels: The Art of the High-Heeled Shoe is organized by Lisa Small, Curator of Exhibitions, Brooklyn Museum. A fully illustrated catalogue accompanies the exhibition.
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Jantam
“L’Image Tran (Handcrafted by Re Courtesy of JAN Photo: Jay Z 12
miniau.
nquille”, 2013. ené van den Bezrg.) NTAMINIAU. Zukerkorn 13
Miu Miu. “Cammeo Baroque” Leather Wedge, Fall/Winter 2006. Courtesy of Prada USA Corp. Photo: Jay Zukerkorn 14
Brooklyn Museum 200 Eastern Parkway, Brooklyn New York 11238-6052
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ART ANTWERP INTERNATIONAL ART & DESIGN FAIR The New Edition Art Antwerp offers the Art Fair World a Brilliant and Refreshing Perspective – Get with the Times! What is Art Antwerp? – Art Antwerp International Art & Design 2014 (AA’14) is an innovative event and global platform for creators, galleries, art-lovers, collectors, dealers, art & design experts and journalists, and worldwide marketing. Essentially, it is an 8 day long cultural fair at once inclusive (of multiple types of art & design) and exclusive (in the sense of professional and creative quality - exhibition, publishing and clientele). AA’14 promises you much more than a regular art fair! The first edition has already kicked-off with an intro event at the Royal Paleis op de Meir of Antwerp; Diamonds for Life was a highly successful charity event fusion exhibition of art, design & jewel craft, from many nations and levels of experience, and an array of creative styles / techniques. Visitors varied from curious sightseers to local and international collectors, political figures, and foreign diamond traders. In the same light, Art Antwerp fair offers a variety exhibition for everyone, all the while maintaining an attractive and harmonious layout, program and presentation.
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Where and when? – From December 5th to 12th, Art Antwerp will take place at the Antwerp-Expo forum (Antwerp, Belgium), alongside museums, historical buildings, art galleries, antique showrooms and jewellery crafters. The port city is highly central and is home to many collectors and trend-setters with a high flux of visitors and vacationers. Antwerp City is the exemplary in the balance between traditional and modern art culture. Who is Art Antwerp? – The AA’14 organizers are a group of international, innovative experts in art & design, publishing, marketing and business. Art Antwerp founder, Thomas Maes, is a passionate entrepreneur and artist, as are many of the AA’14 collaborators. Why this new approach, and why now? – Exponential population growth and a constant demand for innovation and variety have brought on an era of heightened connectivity, multiplicity and shared knowledge; Art Antwerp presents visitors and buyers an up-to-date art fair and educational, networking platform, a show of cultural diversity and an excellent spectrum of investment opportunities for all. Art Antwerp is built for a progressive society and promotes art world evolution. The ‘How’– While embracing a proactive, progressive approach, Art Antwerp 2014 interacts with compassion toward exhibitors, guests and collaborators; attention to image, and an understanding of the client’s product and statement allows for a clear perspective, placement advising and showroom balance. The Art Antwerp mission is fresh, sophisticated, smart, comprehensive, selective, open and respectful. With this conduct and the steadfast list of collaborators, networks and connections, Art Antwerp is unquestionably a worldclass organization. 18
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AA’14 offers the following events and publications:
Art Antwerp International Art & Design 2014 (5-12 December) Cultu International Art Exhibition of Fine Art, Contemporary Art, Art-Nouv world professionals.
AA'14 VIP Vernissage Reception (December 5th) First Viewing Grand Opening, Ribbon-Cutting Ceremony, Press Conference Hors D’oeuvres and Cocktail Service, Live Art & Dance Performances, Cl Art Auction benefiting good causes as the Belgium cancer foundation &…
Art Antwerp Magazine (To Be Launched on December 5) Showroom catalogue in the form of a Biennial Magazine - second edition t Interviews, Partner Ads To be Sold and Distributed Globally
Art Antwerp Times AA’14 newspaper launched in February and mailed to 5000+ recipients, Antwerp, and various luxury shops and travel agencies. A second edition w
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ural Fair veau, Interior Design, Jewel Design, and more. Featured Seminars with art
lassical Music Performances, ‌
to be printed in March of 2015 Includes Full Page Artwork Images, Articles,
, distributed by the Antwerp Hilton Hotel, The Royal Paleis op de Meir of will be published and distributed this summer and another at the fair itself.
Contact: info@artantwerp.com www.artantwerp.com www.tmartfinearts.com 21
ARTIST OF THE MONTH
PATRICK EARL HAMMIE
PATRICK EARL HAMMIE Courtesy of the artist 22
Artist Statement Considering the potential paintings of the human figure have to reflect the values of the period in which they are produced, my work investigates the expectations built into this canonical genre, probing and dismantling the idealizing impulses that have historically shaped it. Drawing on the emotive qualities of Romanticist painting and its use of heroic proportions to engage with political and humanistic expression, I focus specifically on constructions of gender and race, putting pressure on these categories as a means of expanding understandings of identity, and reconfiguring inherited conceptions of ideal beauty and heroic nudity. My recent work presents a female and a male figure locked in a physical dialogue, hefting weight, and relocating the perceptions of ruined and objectified bodies that recall and carry on complex legacies of suffering and struggle. Informed by historical representations of Otherness, I imagine bodies as occasions for us to encounter difference toward considering their capacity for establishing new narratives- Patrick Earl Hammie
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Patrick Ear
“Untitled (St Charcoal on paper Courtesy of 24
rl Hammie
tudy)� .-2013 r, 106.7 x 152.4 cm f the Artist 25
Patrick Ear
“Study of La charcoal on paper Courtesy of Y 26
rl Hammie
abor� - 2014 r, 88.9 x 203.2 cm Yeelen Gallery 27
Patrick Ear
“Labor II Oil on linen, 10 Courtesy of 28
rl Hammie
II� - 2012 06.7 x 243.8 cm f the Artist 29
Patrick Ear
“Contact Oil on linen, 17 Courtesy of 30
rl Hammie
t� - 2014 77.8 x 228.6 cm f the Artist 31
Patrick Earl Hammie “Icarus” - 2010 oil on linen, 172.7 x 172.7 cm Courtesy of the Artist 32
Biography PATRICK EARL HAMMIE (1981), (b. New Haven, Connecticut, 1981) is an artist best known for his monumental portraits related primarily to themes of identity, history, and narrative. He received his BA from Coker College and his MFA in painting from the University of Connecticut. Hammie is currently an assistant professor at the University of Illinois at Urbana-Champaign. In 2008, he received an Alice C. Cole ’42 fellowship through Wellesley College, where he was in residence for one year and completed his project Equivalent Exchange. In 2011, he was an artist in residence at the John Michael Kohler Arts Center. His work is in several public collections including the Kohler Company, the Kinsey Institute at Indiana University, and the William Benton Museum of Art, and he has received awards from the Tanne Foundation and Alliance of Artists Communities with the Joyce Foundation. Hammie is represented by Yeelen Gallery in Miami.
patrickearlhammie.com twitter.com/patrickehammie facebook.com/patrickearlhammieartist 33
FEDERICO INFANTE THE SPACE BETWEEN SOLO EXHIBITION
October 2 – November 1, 2014 Bertrand Delacroix Gallery
BDG is thrilled to present Federico Infante’s debut US solo exhibition, THE SPACE BETWEEN. The young Chilean’s acrylic masterpieces blend figurative and abstract elements to create ethereal worlds on paper and canvas. His all-new collection will remain true to his signature style but will experiment with new themes and artistic directions as he evolves as a painter; Infante himself said he is proud of the “maturity of the [upcoming] collection.”
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Federico Infante Clear Words, 2014 Acrylic on Paper, 40” x 32” 35
Inspired by the Chilean landscape, by everyday life in New York City and by his own intuition, Infante creates honest paintings that portray beautiful, dream-like universes. Infante seamlessly juxtaposes layers of multiple colors to achieve serene yet powerful palettes. His compositions incorporate sections of realism with portions of abstraction. The colorful backgrounds of his works, some more articulated than others, are typically foggy with visible evidence of the artist’s process – drips and streaks of paint. Emerging from these unclear surroundings, the viewer finds a beautifully rendered figure, usually turned away or unaware of the viewer’s gaze, immersed in his or her own internal contemplation. The carefully articulated subject in contrast to the ambiguous background suggests the complex relationship between reality, spirituality and the subconscious.
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Federico Infante Petersburg, 2014 Acrylic on Canvas, 47” x 29½” 37
Federico
The Light Acrylic on ca 38
o Infante
t At Night anvas 48” x 70” 39
Federico
Slow Autu Acrylic on Can 40
o Infante
umn, 2014 nvas, 47¾” x 69” 41
Although a young artist, Infante has quickly distinguished himself in the American market. Since his introduction to the gallery in the spring of last year, Infante’s works have consistently sold out. Infante received his BFA from Finis Terrae University in 2002 and graduated in the spring of 2013 with his MFA in Illustration from the School of Visual Arts in New York. He was the recipient of the Uanlane Foundation Scholarship (2012), the Conicyt Scholarship (2009), and the Juan Downey Grant (2004). He has had several successful solo and group exhibitions in Chile. His work has been adopted into private collections across the US and internationally, including France, Belgium, Germany and Singapore. Infante currently lives and works in New York; he will attend the opening on October 2 and is available for interviews.
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Bertrand Delacroix Gallery 535 W. 25th Street, NY 10001 USA
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"SMALL WORKS EXHIBITION" October 16th Through 31st, 2014
ARCADIA CONTEMPORARY
JULIAN HSUING “Angel”
Oil on canvas, 10 x 10”
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TIM O’BRIEN “See No Evil”
Oil on canvas,12 x 12 “ 46
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CHRIS LEIB “Queen of Gold”
Oil on canvas, 12 x 12 ” 48
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Steven Diamant Guy In Charge ARCADIA CONTEMPORARY 51 Greene Street New York, NY 10013 212-965-1387 www.arcadiacontemporary.com
JORDAN SOKOL “Tenold”
Oil on canvas, 12 x 12” 50
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EDDIE MARTINEZ
"NOMADER" September 12 – October 25, 2014 Kohn Gallery Kohn Gallery is pleased to present “Nomader”, an exhibition of new paintings, sculpture, and works on paper by New York-based artist Eddie Martinez. This will be the artist’s first solo show in Los Angeles and at the Kohn Gallery. Martinez draws his inspiration from a wide-range of sources, spanning from the ever-evolving landscape of the city to major art historical movements of the 20th century such as Abstract Expressionism, CoBrA, Neo-Expressionism, and Surrealism. An immediacy and physicality inhabit this work thanks to Martinez’s simultaneously gritty and graceful visual language. It’s a remarkably strong, muscular type of painting resulting from the influences of urban culture and the unrestrained emotionality of the modern masters.
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Eddie Martinez Perfect Stranger, 2014 Oil paint, spray paint, enamel, thumbtack on canvas, 40 x 30 inches Photo by Kristy Leibowitz Courtesy Kohn Gallery. 53
Eddie M
Sick Wor Spray paint, oil paint, ename Photo by Kris Courtesy Ko 54
Martinez
rld, 2014 el on canvas, 108 x 72 inches. sty Leibowitz ohn Gallery. 55
ABOUT EDDIE MARTINEZ Eddie Martinez (b. 1977, Groton, Connecticut) lives and works in Brooklyn, New York. He has been a resident at Bauernmarkt, Lenikus Collection, Vienna (2008) and was awarded First Place, Best Group Show in a Commercial Gallery for the Bostonarea, by the International Association of Art Critics (AICA) Awards (2007). His work has been included in the following exhibitions: Body Language, The Saatchi Gallery, London (2012); Eddie Martinez, Peres Projects, Berlin (2011); New York Electric, Patricia Low Contemporary, Geneva (2011); New York Minute, Garage Center For Contemporary Culture, Moscow (2011); Eddie Martinez: Selected Drawings 2005-2011, Schwarz Contemporary, Berlin (2011); I Am Who I Am: The Portrait Reconsidered, Steven Zevitas Gallery, Boston (2011); Buffet State Of Mind, Sorry We’re Closed, Brussels (2010); Eddie Martinez, ZieherSmith, New York (2010); Not Quite Open for Business,The Hole, New York (2010); Draw, Museo de la Cuidad de Mexico, Mexico City (2010); Wall to Wall, Daniel Weinberg Gallery, Los Angeles (2010); New York Minute, MACRO FUTURE, Museum of Contemporary Art, Rome (2009); News and Updates, Galerie Mikael Andersen, Copenhagen (2009); Eddie Martinez, Seomi & Tuus, Seoul, Korea (2009); New Paintings, Galleri Loyal, Stockholm (2008); Hooters, Galeria Comercial, San Juan, Puerto Rico (2007); So Wrong, I’m Right, Blum & Poe, Los Angeles (2007); and Panic Room: Works from the Dakis Joannou Collection, Deste Foundation Centre for Contemporary Art, Athens (2006). 56
Eddie Martinez Emotional Architecture, 2013-14 Oil, enamel, spray paint, collaged baby wipe on canvas, 72 x 60 inches. Photo by Kristy Leibowitz Courtesy Kohn Gallery. 57
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Kohn Gallery 1227 N Highland Ave, Los Angeles CA 90038,USA
Eddie Martinez Post Something, 2014 Oil paint, spray paint, enamel, collaged baby wipe, computer paper, thumbtacks on canvas, 40 x 30 inches. Photo by Kristy Leibowitz Courtesy Kohn Gallery. 59
OCTOBER H Erstein, France
Venice, Italy
Anthony Caro. Masterpieces from the Würth Collection February 7, 2014 – January 4, 2015 Musée Würth France Rue Georges Besse F-67150 Erstein
Irving Penn: Resonance April 13 – December 31, 2014 Palazzo Grassi Campo San Samuele 3231, 30124 Venice
Paris, France
Zürich, Switzerland
Art Brut 18 Oct 2014–18 Jan 2015 La Maison Rouge Fondation Antoine de Galbert 10 bd de la Bastille Paris 75 012 France
The Torches of Prometheus. Henry Fuseli e Javier Téllez June 20 – October 12, 2014 Kunsthaus Zürich Heimplatz 1, 8001 Zürich
Paris, France
Edinburgh, UK
David LaChapelle: Land Scape Galerie Daniel Templon Impasse Beaubourg 30 Oct–23 Dec 2014 Paris 75003 France
Rhythms of Land and Sea 6 October - 29 October 2014 Scottish Gallery, Edinburgh 16 Dundas Street Edinburgh EH3 6HZ United Kingdom
Florence, Italyl
London, UK
Picasso and Spanish Modernity 20 Sep 2014–25 Jan 2015 Palazzo Strozzi Piazza degli Strozzi, 50123 Firenze, Italy
Paula Rego. The Last King of Portugal 1 October – 25 October, 2014 Marlborough Fine Art 6 Albemarle Street London W1S 4BY United Kingdom
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HIGHLIGHTS London UK
Los Angeles, USA
Danny Fox Painting 17th October – 8th November, 2014 Cock ‘n’ Bull Gallery Tramshed, 32 Rivington Street, Shoreditch, London EC2A 3LX
Edie Martinez: “ Nomader”
September 12 – October 25, 2014 Kohn Gallery 1227 N Highland Ave, Los Angeles CA 90038,USA
Oxford, UK
New York, USA
William Blake. Apprentice & Master 4 December 2014–1 March 2015 Ashmolean Museum Beaumont St Oxford OX1 2PH United Kingdom
Federico Infante Solo Exhibition: The Space Between October 2 – November 1, 2014 Bertrand Delacroix Gallery 535 W. 25th Street, NY 10001 USA
Dubai, United Arab Emirates
New York, USA
Thaier Helal. Landmarks 27 Oct 2014–10 Jan 2015 Ayyam Gallery Dubai International Financial Centre Gate Village Building 3 Dubai, United Arab Emirates
“Small Works Exhibition” October 16th Through 31st, 2014 Arcadia Contemporary 51 Greene Street New York, NY 10013
Indiana, USA
New York, USA
Contemporary Realism Biennial September 20 – November 30, 2014 The Fort Wayne Museum of Art 311 E Main St, Fort Wayne, IN 46802 Usa
Killer Heels: The Art of the High-Heeled Shoe September 10, 2014–February 15, 2015 Brooklyn Museum 200 Eastern Parkway, Brooklyn New York 11238-6052 61
PARTNERS:
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October, 2014
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