Architecture Portfolio, Lucía Angoloti by Lucia Angoloti

Portfolio Lucía Angoloti Gálvez

CONTENTS Curriculum Vitae Housing for university teachers

Ciudad Universitaria de Madrid

Villaverde Viejo, housing complex and offices

Villaverde Bajo, Madrid

Studio house for an artist

Madrid

San Isidro’s prairie, hotel tower and plaza

Madrid Río

Geneva Skyway, cable car and artificial island

Lago Lemán, Ginebra

The village’s kitchen, a project in the village of Tamajón

Guadalajara

Santa Rosa Factory

Ciudad Mendoza, Mexico

Mezcal Distillery, Félix Candela Competition

Guerrero State, Mexico

El Orden Monumental, Master’s Final Thesis

Madrid

Other Works 52

Calle Bolarque 36 28023 Madrid Contact number: +34 661485044 E-mail: lucia.angoloti@gmail.com Birth date: 26.05.1996

Lucía Angoloti Gálvez Undergraduate Architecture studies, Universidad Politécnica de Madrid, ETSAM. Master in Architecture (IESE Method), Universidad de Navarra, UNAV. EDUCATION

LANGUAGES Spanish:

mother tongue

English:

bilingüal C2 level

French:

DELF B2 level

SKILLS Autocad Rhinoceros (V-Ray) Adobe Photoshop Adobe Illustrator Adobe InDesign Revit Archicad Grasshopper

09/2020-09/2021

Master in Architecture with Managerial Sciences (IESE), Universidad de Navarra. Grade: 9,5/10. Participant at the anual ‘Terminus’ exhibition.

09/2017-06/2018

Exchange Programme at Ecole Polytechnique Fédérale de Lausanne (EPFL)

09/2014-06/2019

Undergraduate ‘Fundamentos de la Arquitectura’ by the Escuela Técnica Superior de SCHOLARSHIPS

Beca de excelencia de la Comunidad de Madrid

Scholarship granted to best ‘Selectividad’ results of the Community of Madrid

Premio a los 20 mejores expedientes de la Universidad Politécnica de Madrid

Scholarship granted to the 20 best first year academic records of the Universidad PROFESSIONAL EXPERIENCE

08/2019-08/2020

Internship at Architecture studio Grupo Arquitech, Mexico City

07/2021-01/2022

Internship at Architecture studio Alireza Razavi, Paris EXTRACURRICULAR ACTIVITIES

07/2013-08/2013

Summer School at Yale University, New Haven, US

07/2015-08/2015

Summer School at the Architecture Association, London, UK 1

Housing for university teachers Ciudad Universitaria, Madrid

During our first project´s semester we were asked to design a single house for a teacher, which was based in the works of a well-known architect. My excercise is based on Zaha Hadid’s works, specially inspired by the Vitra Fire Station and its expression of speed through light and shape. 7 precast concrete pieces are assembled in order to create an intriguing interior, which projects itself to the exterior. This single unit is then repeated up to ten times as recquired by the programme in order to create a community in the Ciudad Universtaria in Madrid.

Villaverde Viejo

Housing complex and offices in Villaverde Bajo, Madrid We were asked to design a new housing complex in a socially and economically deprived district, Villaverde Bajo. The perimeter of the site was confined by the presence of railways and a highway, which was above ground level. Inspired by the village’s own atmosphere, that of a traditional small town and the site itself, the aim was to recreate the same lifestyle by mixing different programmes. Referencing to medieval urban planning, where there is no place for orthogonality, social gatherings are encouraged in pedestrian streets,and a central plaza where activity concentrates. By stacking the same unit, each of which contains two houses, the noise from the railways is avoided and the highway ignored. Furthermore, we were asked to develop an office design, for which the tower was proposed as the milestone of Villaverde Viejo.

Studio house for the artist José Manuel Ballester Madrid

We were asked to design a studio house for an artist, whose big format works need enough room for its storage and to be shown, as well as his own work space and house. The solution responds to the strict needs of the programme, with each of their spatial qualities, which reflect on its façade and its roof. The building is divided into four different units, which form a unity adapted to the site and the topography. The house, with a strict 150m2 is resolved in two heights and is connected to the exhibition hall, a vaulted corridor consecutive to his studio. The studio and storage space references its context, with a clear industrial aesthetic which also responds to its own function and spatial needs.

San Isidro’s prairie Hotel tower and plaza

The programme recquired to design a footbridge, a plaza and a tower by the riverside of the Manzanares river, in Madrid Río Park. The area is known for its anual festivity of the city of Madrid, a place where thousands of people congregate to celebrate. The plaza is a place for this festivity to take place, an elevated prairie which overlooks the city and the river. It is a triangulated plaza which unfolds in the form of a tower. Its structure becomes its own aesthetic, a steal structure which expands and contracts from the main body of the tower.

  















  









 

      

      











  





      



    

   



           



 

          

   





 



 



 

       













Plan generale de Genève

LUCÍA ANGOLOTI GÁLVEZ

Despiece de la station

GENEVA SKYWAY_STUDIO LAMUNIÈRE

Geneva Skyway

Cablecar and artificial island in Lac Léman (Mª Dolores Terrón & Olivia Bucher)

A monument. A monument is an artefact that retains in itself, intentionally or unintentionally, an element of the past – a definition which effectively encompasses any object resulting from human activity. It must represent an atitude, the country’s image. The monument extends over the lake, which represents a democratic stance, a monument for the people. Five islands are displayed on the lake, connected by floating walkways. Each one of them has its own function, the cablecar’s island, a theatre island or even the museum island.

Vue exterieur pendant le soir

Vue interiuer pendant le jour

200 m

Escaliers d’accès Téléphérique Téléphérique

28 m Noyeau de comunications

Noyeau de comunications

Rampe d’accès

ÉTAGE SUPERIOR E 1:500

The village’s kitchen Tamajón, Guadalajara

For more information, https://issuu.com/luciaangoloti/docs/p8

Spanish villages are disappearing with their accelerated depopulation. We were asked to propose a solution which could revitalise these villages. In this case, the purpose was to bring back the essence of these villages, which is closely linked to the fields of crops and the kitchens’ of the people who have fed the country through years. The intervention in a village where the existing kitchens have their own character justified the new intervention, a kitchen the size of the village, which would turn into a new attraction site for future visitors.

Muros retirados

Apeo metálico Cocina abierta

Solar por construir

7.50

Retirada de muros

Solar por ocupar

Calle Nueva 24

9.82

Apertura por fachada sur

sección tranversal B-B’ e 1.200

sección tranversal A-A’ e 1.200

LUCÍA ANGOLOTI GÁLVEZ proyectos 8 . ud. Herreros . curso 2018/19

alzado sur e 1.200

sección tranversal B-B’ e 1.200

alzado sur e 1.200

SANTA ROSA

SANTA ROSA SANTA

ROSA

Santa Rosa Factory

Ciudad Mendoza, Mexico

Restoration of a textile factory, Grupo Arquitech

In the XIX century, the era of industrialization, emigrants from the French Alps disembark in the Mexican coast. They settle in the valley of río Blanco, acknowledging the potential of its waters to produce energy. The means used to domesticate the river and nature transforms its course and leads to the foundation of Ciudad Mendoza, a village which lives for textile production. Nowadays, its factory has lost its original purpose. It lays as a relic from a long gone past life. Adaptive reuse is the key to saving the heart of the village. Its huge warehouses will be brought back to life with new plazas and a flexible commercial space, as well as dwellings and workshops for the community to enjoy.

7.30

0.89

7.14

7.32

7.03

7.05

7.04

7.14

7.03

7.32

7.05

7.04

7.28

C10

5.57

7.74

7.41

7.04

8.24

C10

4.01

7.14

7.06

7.41

4.02

8.00

8.09

8.03

94.41 4.01

4.03

5.57

7.74

8.24

C10

4.01

7.32

7.03

7.05

7.04

7.06

7.41

7.74

4.02

8.00

0.89 71.79

7.30

7.06

D10

3.98

8.09

8.03

4.03

5.57 8.24

4.01

4.02

8.00

8.09

8.03

94.41 4.01

4.03

D8 94.41 4.01

D12

D11

7.66

D14

3.65

D15

3.63

D16

3.65

D13

3.65

D14

3.63

D15

3.65

D13

D12

3.65

D15

D14

3.63

3.65

3.96

D16

3.66

A7 7.32

D17

3.66

A4 7.32

7.66

D10

8.46

D13

7.32

D11

8.46

3.98

D12

7.66

D10

3.98

D11

8.46

0.89

7.28

7.30

7.04

71.79 7.30

71.79

7.28

7.30

D17

3.96

D16

3.66

D17

3.96

La Galería del Mezcal

Ahuacuotzingo, Guerrero, México Proposal for Architecture competition Félix Candela, 2020

‘Ahuacuotzingo, the small oak tree’. The production of artisanal mezcal takes place in a landscape of great mountains, where conditions are optimal for the growth of agaves. In the midst of these mountain, the small village of Ahuacuotzingo emerges, with its orthogonal streets, an artifice in nature. The contrast of elements springs from the contrast of nature vs human-made. It generates a curve, opposed to the line, peace opposed to chaos, ephemeral opposed to permanent. An arched gallery gives place to the mezcal destillery and a boutique hotel, experiencing the rawness of erath through the straight contact with Guerrero’s nature.

El Orden Monumental

Cultural Centre for the Arab Wall of Madrid Masters’ final thesis

Set in the western hill looking upon the river, we can find the ruins of the origins of the city of Madrid: the Arab Wall of Mayrit. The Almudena Cathedral and the Royal Palace stand close by, imposing a giant scale: how can we respond to this monumental scale? Moreover, the ruins of the Wall have been ignored through centuries, leaving an urban void full of chaos and disorder. How can we unify all these elements? The answer is the Monumental Order, a structural net which materialises in the form of a roof. This roof unifies the public plaza, as well as responding to the urban scale. The programme is found underneath the plaza. Its access through a giant gap becomes the core of the project, a spectacular atrium where interior and exterior merge.

Other works

1st Year, Introduction to Architecture, magazine-based report based on the magazine Arts & Architecture and Case Study Houses

2nd Year, Workshop, proposal for the city of Split 52

53 2nd Year, Analysis of Architecture, analysis of Arana and Aroca’s house

54 3rd Year, Urbanism, proposal for an urban intervention in the village Villanueva del Pardillo

55 1st Year, Architecture Drawing, Madrid’s Hipodrome

1stYear, Projects, Bicycle parking lot

2nd Year, Workshop, proposal for the city of Split

3rd year, Drawing Workshop, drawing made with inkstick

2nd Year, Analysis of Architecture, analysis of the Sede del Instituto de Patrimonio Cultural de España (Corona de Espinas, Fernando Higueras) 57