For centuries both art and sculpture have evolved and influenced architecture to varying degrees.
Architects such as Antoni Gaudi, Le Corbusier, Eero Saarinen, Jorn Utzon, Frank Gehry and Zaha Hadid have all generated ideas and visual expressions resulting in radical designs which are often associated with sculpture and therefore having „sculptural qualities‟.
Such architectural expressions are characterized or easily identified by their organic, curvy, distorted geometrical expressions resulting in complex three-dimensional facade expressions.
Though architectural forms, styles and the ideologies presented by their creators have been recorded, sculptural architecture by comparison remains relatively unexplored.
This case study is aimed at providing the basic framework for analyzing facades as sculpture through comparative analysis of the work of 4 architects and 4 projects.