I n c o n s i s t e n t
W o r l d
J e s s i c a W i s e m a n A / W 1 8 / 1 9
Trend Forecast
C o n t e n t s I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
Pa g e 4 - Tre n d S y n o p s i s Pa g e 5 - Ze i t g e i s t Wo rd s Pa g e 6 a n d 7 - I n s p i r a t i o n a l I m a g e r y Pa g e 8 a n d 9 - C ro s s S e c t o r A n a l y s i s Pa g e 1 0 a n d 1 1 - C re a t i ve D i re c t i o n Pa g e 1 2 a n d 1 3 - C a t w a l k A n a l y s i s Pa g e 1 4 - Co l o u r Pa g e 1 5 a n d 1 6 - Fa b r i c s Pa g e 1 7 - E f fe c t s Pa g e 1 8 - S h a p e Pa g e 1 9 - D e t a i l s Pa g e 2 0 - S t y l i n g Pa g e 2 2 a n d 2 3 - K e y B r a n d s Pa g e 2 4 a n d 2 5 - O t h e r S e c t o r s Pa g e 2 6 - Co n c l u s i o n
Contents
3
Trend Forecast
T r e n d
S y n o p s i s
I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
I n c o n s i s t e n t Wo r l d s y m b o l i s e s
a n d g re y, t o s y m b o l i s e d i s t re s s a n d
d i s c r i m i n a t i o n t h a t i s p re s e n t i n t h e d i s a p p o i n t m e n t , w i t h t h e u s e o f r i c h wo r l d t o d a y. I n c o n s i s t e n t Wo r l d
metallic to show a glimpse of
re p re s e n t s a re g re s s i ve i n t h e wo r l d o p t i m i s m o f c h a n g e i n t h e f u t u re. t a k i n g a w a y f ro m t h e p o s i t i ve i m a g e t h e wo r l d s h o u l d b e re f l e c t e d a s.
T h e t re n d i s fe a r f u l, s h o w n u s i n g t h e
T h e p ro b l e m s s u c h a s r a c i a l a n d
m a t e r i a l s u s e d. T h e u s e o f wo o l
g e n d e r d i s c r i m i n a t i o n c re a t e a n
re p re s e n t s t h e a n x i e t y w i t h i n p e o p l e,
a n x i o u s,
uncertain,
and
shocking using the material to cocoon
wo r l d. Wi t h s u c h v u l n e r a b i l i t y a n d
t h e m s e l ve s f ro m t h e re a l i t y o f t h e re a l
i n e q u a l i t y s u r ro u n d i n g e ve r y b o d y
wo r l d. I t s h o w s i n t i m i d a t i o n a n d
t o d a y, t h e re i s h o p e fo r a m o re
wanting
p o s i t i ve a n d f a i r f u t u re fo r a l l
t h e f r i g h t e n i n g wo r l d.
i n d i v i d u a l s,
but
with
such
to
p ro t e c t
t h e m s e l ve s
f ro m
e x t re m e A s we l l a s wo o l, t h e m a t e r i a l fo i l
p ro b l e m s p re s e n t , t h e t re n d
j e r s e y re f l e c t s t h e o p t i m i s m o f
I n c o n s i s t e n t Wo r l d i s ve r y m u c h
i n d i v i d u a l s t h ro u g h t h e u s e t h e s h i ny
p re s e n t .
a n d s m o o t h m a t e r i a l.
I n c o n s i s t e n t wo r l d re p re s e n t s t h e
The use of materials shows the
e ve r - g ro w i n g d a r k c l o u d s
e m o t i o n s o f i n d i v i d u a l s a n d t h e wo r l d
s u r ro u n d i n g t h e wo r l d s a t t i t u d e s, w i t h t o d a y a n d t h i s s h o w s a c l e a r t h e u s e d a r k c o l o u r s, i n c l u d i n g b l a c k
d i re c t i o n i n w h i c h t h e p o we r f u l t re n d I n c o n s i s t e n t Wo r l d i s h e a d i n g t o w a rd s.
4
Trend Synopsis
Trend Forecast
Vulnerability Sadness
Isolation Bitter
Insecure Disappointment Uncertainty
Anxious
Inequality Intimidated
Distress
Apprehensive Optimistic
Pessimistic Timid
Resentment Rejection
Pain Wistful
Zeitgeist Words
5
Trend Forecast
I n s p i r a t i o n a l
I m a g e r y
I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
T h e i m a g e s o p p o s i t e s h o w t h e i n s p i r a t i o n fo r t h e t re n d, I n c o n s i s t e n t Wo r l d. T h e u s e o f c o l o u r s, t o n e s, t e x t u re s a n d e m o t i o n s i n t h e i m a g e s re p re s e n t t h e t re n d t h ro u g h t h e u s e o f c o n c e p t i o n a l i m a g e r y. T h e i m a g e s u s e d a re t h e i n s p i r a t i o n fo r t h e t re n d, w h i c h i s c a r r i e d o u t t h ro u g h o u t t h e t re n d b o o k i n t o wo m e n s we a r fo r Au t u m n / Wi n t e r 1 8 / 1 9 .
6
Inspirational Imagery
Trend Forecast
1
2
3
4
Inspirational Imagery
7
Trend Forecast
C r o s s
S e c t o r
A n a l y s i s
I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
The images below demonstrate how the theme Inconsistent Wo r l d h a s s t a r t e d t o m a n i fe s t e r i n t o d i f fe re n t s e c t o r s i n c l u d i n g f a s h i o n , b e a u t y, h o m e w a re a n d a rc h i t e c t u re.
6
7
7
5
8
Cross Sector Anaylsis
8
8
Trend Forecast
10
9
13
12
11 14
16
15
17
Cross Sector Anaylsis
9
Trend Forecast
C r e a t i v e
D i r e c t i o n
-
W o m e n s w e a r
I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
20
19
18
19 21
10
Creative Direction
Trend Forecast
23
2241
25 22
27 28 26 Creative Direction
11
Trend Forecast
C a t w a l k
A n a l y s i s
I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9 T h e c a t w a l k i m a g e s f ro m t h e l a t e s t s e a s o n s s h o w h o w t h e c o m p o n e n t s o f t h e t re n d I n c o n s i s t e n t Wo r l d a re m a n i fe s t i n g i n t h e f a s h i o n i n d u s t r y. T h e u s e o f o ve r s i z e d c l o t h i n g, t h e l a r g e q u a n t i t i e s o f b l a c k a n d s h i ny m e t a l l i c s, t h e u s e o f g o l d d e t a i l s a s we l l a s t h e u s e o f h e a v y a c c e s s o r i e s s h o w t h e t re n d s h i n i n g t h ro u g h i n t h e d e s i g n e r ’s l a t e s t c a t w a l k s.
29
12
30
31
Trend Future - Catwalk Analysis
Trend Forecast
32
33
34
35
36
37
38
39
Trend Future - Catwalk Analysis
13
Trend Forecast
Optimistic
Bitter
Disappointment
Sadness
Pa i n
C o l o u r I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
40
41
42
43
74 6
45
44
Snow
Glowing
Harsh
Cu r i o u s
Dusty
Cloudy
Jet
White
Gold
Gold
Gold
G re y
G re y
Black
142 J e t b l a c k i s t h e a v i d m a i n c o l o u r s h o w n t h ro u g h o u t t h e t re n d I n c o n s i s t e n t Wo r l d. J e t B l a c k re p re s e n t s t h e g l o o my, d a r k a n d b i t t e r n e s s o f discrimination and the impact of vulnerability on individuals which can b e u s e d i n a l l a re a s o f wo m e n s we a r. O t h e r c o l o u r s s u c h a s w h i t e a n d g re y a re a l s o m a i n c o l o u r s w i t h m e t a l l i c b e i n g u s e d t o s y m b o l i s e h o p e, i n s m a l l e r q u a n t i t i e s i n wo m e we a r.
14
Trend Future - Colour
Trend Forecast
Vu l n e r a b i l i t y
Uncertainty
Intimidation
F a b r i c
-
A p p re h e n s i ve
Ti m i d
W o o l
I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9 Wo o l the
used
largely
t re n d,
in
symbolises
the large and h e a v y we i g h t
p ro b l e m s
t h a t m a ny individuals
a re
carrying
on their shoulders in this I n c o n s i s t e n t Wo r l d. Wo o l
re p re s e n t s
shelter
n e e d e d f ro m vulnerability and intimidation, with the warmth and p ro t e c t i o n
f ro m
the
away
and
wo o l t o w r a p t h e m s e l ve s
h i d e f ro m re a l i t y.
47
48
49
Trend Future - Fabric
50
51
15
Trend Forecast
A p p re h e n s i ve
Optimistic
M a t e r i a l
Uncertainty
-
F o i l
Pa i n
J e r s e y
I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
The use of the m a t e r i a l fo i l jersey re p re s e n t s t h e s l i p p e r y wo r l d o f discrimination. T h e s h i ny,
54
c r u m p l e d,
and
smooth
material
symbolises the optimism
and
hope
by
individuals
with
the
coldness
material
of
the
used
to
55
show the s a d n e s s o f t h e t re n d, Inconsistent
Wo r l d,
making it a key m a t e r i a l fo r a b r i g h t e r f u t u re i n wo m e n s we a r. 52
16
53
Trend Future - Material
56
D i s t re s s
Trend Forecast
A p p re h e n s i ve
D i s t re s s
E f f e c t s
Vu l n e r a b i l i t y
-
C a g e d
Isolation
Anxious
E f f e c t
I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
T h e c a g e d e f fe c t s y m b o l i s e s t h e t i g h t , r i g i d, a n d h a rd e m o t i o n s o f d i s c r i m i n a t i o n . T h e d a r k e n i n g re s i s t a n c e o f t h e t i g h t material
shows
a
trapped
e f fe c t
which
symbolises
the
isolation,
d i s t re s s, a n d v u l n e r a b i l i t y.
59
57
2
58
3
60
Trend Future - Effects
4 17
Trend Forecast
Vu l n e r a b i l i t y
I n s e c u re
S h a p e
Anxious
-
Rejection
Ti m i d
O v e r s i z e d
I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
T h e o ve r s i z i n g o f c l o t h i n g re p re s e n t s t h e e m o t i o n s i n t i m i d a t i o n , i n s e c u r i t y, a n d v u l n e r a b i l i t y t h ro u g h t h e u s e o f b a g g y c l o t h i n g t o s y m b o l i s e t h e w a n t f ro m i n d i v i d u a l s t o h i d e a w a y f ro m re a l i t y o f d i s c r i m i n a t i o n , w h i c h i s a k e y t h e m e i n t h e t re n d I n c o n s i s t e n t Wo r l d.
61
18
62
63 Trend Future - Shape
64
Trend Forecast
Optimistic
Uncertainity
I n s e c u re
Co n f i d e n c e
Ti m i d
D e t a i l s I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
T h e u s e o f d e t a i l s s y m b o l i s e s c o n f i d e n c e i n c h a n g e i n s o c i e t y t o b e m o re accepting of
a l l i n d i v i d u a l s. T h e u s i n g o f l o u d, b u t t i m i d u s e o f s h i ny m e t a l l i c
re p re s e n t s a b r i g h t e r f u t u re, t o s h i n e s o m e l i g h t o n a s t ro n g a n d d i s t i n c t d a r k c l o u d. T h ro u g h t h e u s e o f e m b e l l i s h m e n t , c h a i n s a n d a c c e s s o r i e s, t h e s m a l l b u t b r i g h t i m p a c t o n g a r m e n t s s h o w s o p t i m i s m b u t w i t h t h e d e l i c a c y o f t h e d a i n t y, thin and rich details it symbolises a p p re h e n s i o n , making it a key fe a t u re fo r t h e t re n d i n wo m e n s we a r.
65
66
67
68
69
Trend Future - Details
70
19
Trend Forecast
D i s t re s s
Inequality
Resentment
Optimistic
Bitter
S t y l i n g I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
The
use
of
thick,
b o l d,
and
chunky
fo o t we a r,
including
a
l a r g e p re s e n c e o f h e a v y we i g h t b o o t s, re p re s e n t s t h e b u l k y, d a r k , a n d we i g h t y p ro b l e m s o f d i s c r i m i n a t i o n i n t h e I n c o n s i s t e n t Wo r l d. T h e re s t r i c t i o n o f t h e u s e o f n e t t i n g a c c e s s o r i e s, i n c l u d i n g f a c i a l a n d b o d y, s h o w s t h e t r a p p e d e m o t i o n s o f i n d i v i d u a l s w i t h t h e l i g h t we i g h t u s e o f a c c e s s o r i e s t o symbolise the heavy mourning of discrimination.
74
71
20
72
73 Trend Future - Styling
75
Trend Forecast
Trend Forecast
Vu l n e r a b i l i t y
Isaolation
Uncertainity
K e y
Co n f i d e n c e
D i s t re s s
B r a n d s
I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
Chanel
A . F. Va n d e fo r s t
76
22
77
G a re t h Pu g h
78
Trend Future - Key Brands
Trend Forecast
79
80
81
G a re t h
Pu g h
Wo r l d.
brand
fo r
T h ro u g h t h e l a r g e u s e o f
Wo r l d.
Wi t h
t r i m m i n g s, s h i ny
metallic
Chanel
o f b l a c k re p re s e n t i n g a n
fo r
e d g y, d a r k a n d the
use
of
b r a n d, netting
with and
84
brand
A . F. Va n d e fo r s t u s e s l o t s
my s t e r i o u s
83
82
is
a
key
Inconsistent
metallic
as
we l l
as
the
dark
is
a
key
Inconsistent the
use
placed
c l o t h i n g,
on as
of the we l l
o ve r s i z e d c l o t h i n g,
u s e o f f a c i a l n e t t i n g,
a s t h e u s e o f o ve r s i z i n g
i t i s a k e y b r a n d fo r t h e
i t re p re s e n t s t h e d e t a i l s
clothing
t re n d I n c o n s i s t e n t Wo r l d.
and
the shaping and
t re n d.
acessories
fo r
the
colouring
it of
re p re s e n t s the
t re n d
I n c o n s i s t e n t Wo r l d.
Trend Future - Key Brands
23
Trend Forecast
Vu l n e r a b i l i t y
Anxious
D i s t re s s
Resentment
Ti m i d
B e a u t y I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
I n c o n s i s t e n t Wo r l d c a n a l s o b e re p re s e n t e d t h ro u g h t h e b e a u t y i n d u s t r y. Wi t h d a r k , h a z y, a n d h e a v y we i g h t e ye s, i t s y m b o l i s e s t h e h e a v i n e s s o f t h e e m o t i o n s i n d i v i d u a l s a re fe e l i n g s. Wi t h t h e u s e o f a f i n e e ye l i n e r, w i t h m e t a l l i c t o n e s, a s we l l a s b o l d d a r k l i p s, i t re p re s e n t s t h e d e n s e n e s s o f I n c o n s i s t e n t Wo r l d.
18 5
87
24
86
88 Other Sectors
89
Trend Forecast
Uncertainty
I n s e c u re
A p p re h e n s i ve
Optimistic
Bitter
B r a n d i n g I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
Branding
can
also
re p re s e n t
I n c o n s i s t e n t Wo r l d. T h ro u g h
the
use
of
logos
placed visibly on c l o t h i n g,
or
t h ro u g h
t a g s, w i t h l a r g e b o l d w r i t i n g, large
it
90
symbolises
stance
the
discrimination
h a s i n t h e wo r l d. Using the
a
b l u r re d
writing
s a d n e s s,
93 e f fe c t
re p re s e n t s
v u l n e r a b i l i t y,
on the and
s h o c k i n g e m o t i o n s. 91
Wi t h u s i n g t h e c o l o u r metallic on the logos shines a light on the extent
of
discrimination
fo r
individuals to see the substantial impact in the I n c o n s i s t e n t Wo r l d. 92
Other Sectors
94
25
Trend Forecast
C o n c l u s i o n I n c o n s i s t e n t W o r l d A / W 1 8 / 1 9
O ve r a l l, t h e t re n d I n c o n s i s t e n t Wo r l d re f l e c t s s i m p l i c i t y a s we l l a s d a r k n e s s. T h e u s e o f b l a c k t h ro u g h o u t s y m b o l i s e s t h e e m o t i o n s o f d i s t re s s, re s e n t m e n t a n d d i s a p p o i n t m e n t w h i c h i s c a r r i e d t h ro u g h o u t t h e t re n d d u e t o t h e d a r k n e s s o f t h e t re n d a b o u t discrimination. The raw materials show the intensity of h o w f re s h o f a n i m p a c t t h e d r i ve r s a re h a v i n g o n t h e wo r l d a n d h o w p o we r f u l d i s c r i m i n a t i o n i s. T h e t re n d s t a n d s fo r e ve r yo n e i n t h e wo r l d, w h e t h e r i t ’s d u e t o g e n d e r, ethnicity or health and the emotions i n d i v i d u a l s a re fe e l i n g d u e t o d i s c r i m i n a t i o n b e i n g e ve r s o p re s e n t i n t h e wo r l d. T h e o n l y w a y fo r c h a n g e, i s fo r g e n e r a t i o n Y, t h e re v a m p g e n e r a t i o n , t o g e n e r a t e a m o re e q u a l wo r l d b u t fo r n o w I n c o n s i s t e n t Wo r l d i s t h e l a t e s t t re n d.
26
Conclusion
R e f e r e n c i n g I n c o n s i s t e n t W o r l d A / W 1 7 / 1 8
Number
1
–
Pa t t e r n i t y
(Unknown)
Cracked
zebra
c ro s s i n g.
Av a i l a b l e
h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / c r a c k e d z e b r a c ro s s i n g p a t t e r n i t y / .
at (Ac -
c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) Number
2
–
Strangley
compelling
(Unknown)
Av a i l a b l e
at
http://strangel-
ycompelling.net/post/36881137002/photography-martina-dankov a - s c - s c - o n - f a c e b o o k . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 – Tr u e t e x t u re s ( U n k n o w n ) Av a i l a b l e a t h t t p s : / / u k . p i n t e re s t . c o m / c o re a l i n e / t r u e - t e x t u re s / . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 4 – N i c k y K e h o e ( 2 0 1 3 ) Te x t u re. Av a i l a b l e a t h t t p : / / n i c k e y k e h o e. t u m b l r. c o m / p o s t / 6 7 7 7 2 2 3 4 5 1 1 / t e x t u re.
(Ac c e s s e d
on
Tu e s d a y
10th
Janu-
ary 2017) N u m b e r 5 – R i c k O we n s ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 R i c k O we n s. Av a i l a ble
at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n -
der=2&season=0&city=0&show=34221.
(Ac c e s s e d
on
Sunday
8th
January
2017) N u m b e r 6 – D i a n a D u m i t re s c o ( U n k n o w n ) B l a c k L i g h t . Av a i l a b l e a t h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / b l a c k l i g h t d i a n a d u m i t re s c o / .
(Ac c e s s e d
on
Thurs-
day 15th December 2016) N u m b e r 7 – Lu c a To m b o l i n i ( U n k n o w n ) Fa l l 2 0 1 6 re a d y t o we a r, M a rc J a c o b s. Av a i l a b l e
at
h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - re a d y - t o -
we a r / m a rc - j a c o b s / s l i d e s h o w / b e a u t y # 1 1 . cember 2016)
28
(Ac c e s s e d
on
Thursday
15th
De-
Number re a d y
8
–
to
Alexandra
we a r
Shulman
collection.
(2016)
Av a i l a b l e
Saint at
L a u re n t
Au t u m n / Wi n t e r
2016
h t t p : / / w w w. vo g u e. c o. u k / s h o w s / a u -
t u m n - w i n t e r - 2 0 1 6 - re a d y - t o - we a r / s a i n t - l a u re n t / c o l l e c t i o n / .
(Ac c e s s e d
on
Sunday 8th January 2017) Number
9
–
Pi n i m g
(Unknown)
Av a i l a b l e
at
https://s-media-cache-ak0.pin-
i m g. c o m / o r i g i n a l s / e 2 / 6 2 / 1 6 / e 2 6 2 1 6 5 f b 3 5 2 c 6 c 1 7 5 c e 7 7 b 4 3 7 2 f f 7 f 6 . j p g.
(Ac -
c e s s e d o n Fr i d a y 1 6 t h D e c e m b e r 2 0 1 6 ) N u m b e r 1 0 – S v i l e n G a m o l o v ( U n k n o w n ) I n s i d e S t a c k . Av a i l a b l e a t h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / i n s i d e - s t a c k- s v i l e n - g a m o l o v / .
(Ac c e s s e d
on
Tu e s d a y
10th January 2017) N u m b e r 1 1 – Vo g u e ( 2 0 1 6 ) C a l v i n K l e i n c o l l e c t i o n f a l l 2 0 1 6 m e n s we a r. Av a i l able
at
h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - m e n s we a r / c a l -
vin-klein-collection/slideshow/collection#29.
(Ac c e s s e d
on
Tu e s d a y
10th
January 2017) Number
12
–
Blogspot
(Unknown)
Av a i l a b l e
at
h t t p : / / 3 . b p. b l o g s p o t .
com/-g72hkZQH9pw/UEdw7cHoDVI/AAAAAAAACBQ/xWV0SRviLpo/s1600/ B l a c k a n d W h i t e G l a s s A rc h i t e c t u re - l o n g + g o o d b ye. p n g,
(Ac c e s s e d
on
Fr i d a y
16th December 2016) N u m b e r 1 3 – R i c k O we n s ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 R i c k O we n s. Av a i l a b l e at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -
season=0&city=0&show=34221. (Sunday 8th January 2017 N u m b e r 1 4 – Pa u l J u n g ( U n k n o w n ) P l a t fo r m p o i n t s. Av a i l a b l e a t h t t p s : / / p a tt e r n i t y. o r g / re s e a rc h / p l a t fo r m - p o i n t s - p a u l - j u n g / .
(Ac c e s s e d
on
Fr i d a y
16th
December 2016) N u m b e r 1 5 – N u m b e r 5 – S t u d i o 9 0 3 ( 2 0 1 6 ) . Av a i l a b l e a t h t t p : / / s t u d i o 9 0 3 . t u m b l r. c o m / p o s t / 1 5 4 7 2 0 6 7 1 7 1 3 . (Ac c e s s e d o n Tu e s d a y 3 rd J a n u a r y 2 0 1 7 ) Number
16
I t s n o ve m b e r
able
at
(2014)
A rc h i t e c t u re
in
black
and
w h i t e.
Av a i l -
h t t p s : / / i t i s n o ve m b e r. wo rd p re s s. c o m / 2 0 1 4 / 0 2 / 2 6 / a rc h i t e c -
t u re - i n - b l a c k- w h i t e - d u s s e l d o r f - 2 0 1 4 / .
(Ac c e s s e d
on
Tu e s d a y
Tro p i c a l i a .
Av a i l a b l e
10th
January
2017) Number
17
–
Pa t r i c i a
U rq u i o l a
(2008)
d e z e e n . c o m / 2 0 0 8 / 0 5 / 1 1 / t ro p i c a l i a - b y - p a t r i c i a - u rq i o l a / .
at
(Ac c e s s e d
h t t p s : / / w w w. on
Thurs-
day 15th December 2016) Number t o.
18
–
Av a i l a b l e
Yo h j i at
Ya m a m o t o
(2016)
Spring/Summer
2017
Yo h j i
Ya m a m o -
h t t p s : / / w w w. wg s n . c o m / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & s e a -
s o n = 0 & c i t y = 0 & s h o w = 3 4 2 9 6 . (Ac c e s s e d o n Fr i d a y 6 t h J a n u a r y 2 0 1 7 )
29
N u m b e r 1 9 – N u m b e r 4 – J e a n Pa u l G a u l t i e r ( U n k n o w n ) C a g e Co a t . Av a i l a b l e at
h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / c a g e c o a t j e a n p a u l g a u l t i e r / .
(Ac c e s s e d
on Thursday 15th December 2016) N u m b e r 2 0 – Lu k a s S c hwe r i n g ( U n k n o w n ) g e l a d e n u n d e n t s i c h e r t . Av a i l a b l e at
h t t p : / / l u k a s s c hwe r i n g. t u m b l r. c o m / .
(Ac c e s s e d
on
Monday
9th
January
2017) N u m b e r 2 1 – H o r s t D i e k g e rd e s ( U n k n o w n ) D r a p e d i n n e t s. Av a i l a b l e a t h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / d r a p e d i n n e t s h o r s t d i e k g e rd e s / .
(Ac c e s s e d
on
Mon-
day 9th January 2017) Number
22
–
A . F.
Av a i l a b l e
Va n d e vo r s t
at
(2016)
Au t u m n / Wi n t e r
2016
A . F.
Va n d e vo r s t .
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -
lery/#gender=2&season=0&city=0&show=28916.
(Ac c e s s e d
on
Thursday
5th
January 2017) N u m b e r 2 3 – Vo g u e ( 2 0 1 5 ) Au t u m n Ac c e s s o r i e s : t h e vo g u e e d i t o r s h i t l i s t . Av a i l a b l e
at
h t t p : / / w w w. vo g u e. c o. u k / g a l l e r y / e d i t o r s - a u t u m n - w i n t e r - a c c e s -
s o r y - s h o p p i n g - l i s t . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) Number
24
–
To o p o o r
(Unknown)
Av a i l a b l e
at
h t t p : / / t o o p o o r. t u m b l r. c o m /
p o s t / 1 3 3 7 1 0 1 9 7 6 1 7 . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) N u m b e r 2 5 – Co d i e Yo u n g ( U n k n o w n ) S M o d a b e a u t y. Av a i l a b l e a t h t t p : / / f t a p e. c o m / m e d i a / c o d i e - yo u n g - s - m o d a - b e a u t y / .
(Ac c e s s e d
on
We d n e s d a y
11th January 2017) N u m b e r 2 6 – A l e x a n d r a S h u l m a n ( 2 0 1 6 ) S a i n t L a u re n t Au t u m n / Wi n t e r 2 0 1 6 re a d y
to
we a r
collection.
Av a i l a b l e
at
h t t p : / / w w w. vo g u e. c o. u k / s h o w s / a u -
t u m n - w i n t e r - 2 0 1 6 - re a d y - t o - we a r / s a i n t - l a u re n t / c o l l e c t i o n / .
(Ac c e s s e d
on
Sunday 8th January 2017) N u m b e r 2 7 – M e l i t t a B a u m e i s t e r ( 2 0 1 6 ) M e l i t t a B a u m e i s t e r f a l l 2 0 1 6 re a d y t o we a r.
Av a i l a b l e
at
h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - re a d y -
t o - we a r / m e l i t t a - b a u m e i s t e r / s l i d e s h o w / c o l l e c t i o n # 1 0 .
(Ac c e s s e d
on
Monday
9th January 2017) N u m b e r 2 8 – L a c o o l a n d c h i c ( U n k n o w n ) Av a i l a b l e a t h t t p : / / l a c o o l e t c h i c. t u m b l r. c o m / . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) Number
29
–
A . F.
Av a i l a b l e
at
Va n d e vo r s t
(2016)
Au t u m n / Wi n t e r
30
A . F.
Va n d e vo r s t .
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -
lery/#gender=2&season=0&city=0&show=28916. 4th January 2017)
2016
(Ac c e s s e d
on
We d n e s d a y
N u m b e r 3 0 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 1 – R i c k O we n s ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 R i c k O we n s. Av a i l a b l e at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -
s e a s o n = 0 & c i t y = 0 & s h o w = 3 4 2 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 2 – Ce n t r a l S t M a r t i n s ( 2 0 1 6 ) Au t u m n / Wi n t e r 2 0 1 6 Ce n t r a l S t M a r t i n s.
Av a i l a b l e
at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -
lery/#gender=2&season=0&city=0&show=28626.
(Ac c e s s e d
on
We d n e s d a y
4th January 2017) N u m b e r 3 3 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) Number
34
–
Christopher
K a n e.
Av a i l a b l e
at
Kane
(2016)
Spring/Summer
2017
Christopher
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -
lery/#gender=2&season=0&city=0&show=33591.
(Ac c e s s e d
on
We d n e s d a y
4th January 2017) N u m b e r 3 5 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 6 – S i m o n e R o c h a ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 S i m o n e R o c h a . Av a i l able
at
h t t p s : / / w w w. wg s n . c o m / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & s e a s o n = 1 1 1 & c -
i t y = 2 & s h o w = 3 3 4 3 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 7 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) N u m b e r 3 8 – T h o r n t o n B re g a z z i ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 Pre e n b y T h o r n t o n B re g a z z i .
Av a i l a b l e
at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _
gallery/#gender=2&season=0&city=0&show=33471.
(Ac c e s s e d
on
We d n e s -
day 4th January 2017) N u m b e r 3 9 – To g a ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 To g a . Av a i l a b l e a t h t t p s : / / w w w. wg s n . c o m / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 6 3 1 .
(Ac -
c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 )
31
Number
40
DC-148-9-C
–
Pa n t o n e
w h i t e.
(Unknown) Av a i l a b l e
Pa n t o n e at
p ro c e s s
coated
pclps-
h t t p s : / / w w w - wg s n - c o m . e z p rox y.
bcu.ac.uk/search/search.php?startOver=%2Fsearch%2Fdesign_library#%7B%22start%22%3A%200%2C%20%22limit%22%3A%2050%2C%20 % 2 2 f _ l i m i t % 2 2 % 3 A % 2 0 5 % 2 C % 2 0 % 2 2 q % 2 2 % 3 A % 2 0 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 %22facets%5B%5D%22%3A%20%5B%22classif_name%7C56894%22%2C%20 %22colors%7C1987%22%5D%2C%20%22block_markets%5B%5D%22%3A%20 % 5 B % 5 D % 7 D. (Ac c e s s e d o n S a t u rd a y 7 t h J a n u a r y 2 0 1 7 ) Number ed
41
10126-C
–
Pa n t o n e b ro n z e.
(Unknown) Av a i l a b l e
Pa n t o n e at
plus
metal
coat-
h t t p s : / / w w w - wg s n - c o m . e z p rox y.
bcu.ac.uk/search/search.php?startOver=%2Fsearch%2Fdesign_library#%7B%22start%22%3A%200%2C%20%22limit%22%3A%2050%2C%20 % 2 2 f _ l i m i t % 2 2 % 3 A % 2 0 5 % 2 C % 2 0 % 2 2 q % 2 2 % 3 A % 2 0 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 %22facets%5B%5D%22%3A%20%5B%22classif_name%7C56894%22%2C%20 %22colors%7C12284%22%5D%2C%20%22block_markets%5B%5D%22%3A%20 % 5 B % 5 D % 7 D. (Ac c e s s e d o n S a t u rd a y 7 t h J a n u a r y 2 0 1 7 ) N u m b e r 4 2 – Pa n t o n e ( U n k n o w n ) Pa n t o n e m e t a l l i c c o a t e d 8 3 8 5 - C b ro n z e. Av a i l able
at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / s e a rc h / s e a rc h . p h p ? s t a r -
tO ver=%2Fsearch%2Fdesign_librar y#%7B%22star t%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 % 2 2 f a c e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 2 2 c l a s s i f _ name%7C56894%22%2C%20%22colors%7C12284%22%5D%2C%20%22block_ m a r k e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 5 D % 7 D.
(Ac c e s s e d
on
S a t u rd a y
7th
January
2017) N u m b e r 4 3 – Pa n t o n e ( U n k n o w n ) Pa n t o n e m e t a l l i c c o a t e d 8 3 8 3 - C b ro n z e. Av a i l able
at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / s e a rc h / s e a rc h . p h p ? s t a r -
tO ver=%2Fsearch%2Fdesign_librar y#%7B%22star t%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 % 2 2 f a c e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 2 2 c l a s s i f _ name%7C56894%22%2C%20%22colors%7C12284%22%5D%2C%20%22block_ m a r k e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 5 D % 7 D. 2017)
32
(Ac c e s s e d
on
S a t u rd a y
7th
January
Number
44
–
Pa n t o n e
(Unknown)
Pa n t o n e
E - 1 7 - 1 1 0 5 -TC X .
Av a i l a b l e
at
https://www-wgsn-com.ezproxy.bcu.ac.uk/search/search.php?startO ver=%2Fsearch%2Fdesign_librar y#%7B%22star t%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 % 2 2 f a c e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 2 2 c l a s s i f _ name%7C56894%22%2C%20%22colors%7C1992%22%5D%2C%20%22block_ m a r k e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 5 D % 7 D.
(Ac c e s s e d
on
S a t u rd a y
7th
January
2017) N u m b e r 4 5 – re s e a rc h e r s o w n c o l o u r N u m b e r 4 6 – Pa n t o n e ( U n k n o w n ) Pa n t o n e s o l i d c o a t e d 4 2 6 - C b l a c k . Av a i l able
at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / s e a rc h / s e a rc h . p h p ? s t a r -
tO ver=%2Fsearch%2Fdesign_librar y#%7B%22star t%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20 % 2 2 PA N T O N E % 2 2 % 2 C % 2 0 % 2 2 f a c e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 2 2 c l a s s i f _ name%7C56894%22%2C%20%22colors%7C1975%22%5D%2C%20%22block_ m a r k e t s % 5 B % 5 D % 2 2 % 3 A % 2 0 % 5 B % 5 D % 7 D.
(Ac c e s s e d
on
S a t u rd a y
7th
January
2017) Number
47
–
A . F.
Av a i l a b l e
Va n d e vo r s t
at
(2016)
Au t u m n / Wi n t e r
2016
A . F.
Va n d e vo r s t .
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -
lery/#gender=2&season=0&city=0&show=28916.
(Ac c e s s e d
on
We d n e s d a y
4th January 2017) Number look
48
–
book.
C r u vo i r
(2015)
Av a i l a b l e
at
T h a m a ny a h ,
wo m e n s
autumn/winter
2015-16
h t t p : / / b l o g. c r u vo i r. c o m / t h a m a ny a h - wo m e n s - a u -
t u m n - w i n t e r - 2 0 1 5 - 1 6 - l o o k b o o k / . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) Number
49
–
Rodarte
(2016)
Au t u m n / w i n t e r
2016
R o d a r t e.
Av a i l a b l e
at
https://www-wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&s e a s o n = 0 & c i t y = 0 & s h o w = 2 8 3 2 6 . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) Number
50
–
Te x t u re
takkda
(Unknown)
Av a i l a b l e
at
h t t p : / / t e x t u re t a d d k a .
c o m / w p - c o n t e n t / u p l o a d s / 2 0 1 2 / 0 9 / B l a c k _ Wo o l _ M a c r o _ Te x t u r e _ C l o s e u p _ 2 . j p g. (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 5 1 – Lo n d o n f a b r i c s h o p ( U n k n o w n ) Av a i l a b l e a t h t t p : / / w w w. l o n d o n f a b r i c s h o p. c o m / w p - c o n t e n t / u p l o a d s / 2 0 1 4 / 0 8 / I M G _ 4 5 3 9 . j p e g.
(Ac c e s s e d
on
Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 5 2 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 )
33
N u m b e r 5 3 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) Number
54
–
AT M
label
(Unknown)
Av a i l a b l e
at
i m a g e s / p ro d u k t e / i 1 2 / 1 2 5 5 1 - Fo l i e n j e r s e y - b l a c k . j p g.
h t t p s : / / w w w. a t m l a b e l. c o m /
(Ac c e s s e d
on
Tu e s d a y
10th January 2017) Number
55
–
Diamonds
and
Studs
(2012)
Av a i l a b l e
at
http://diamondsand-
s t u d s. t u m b l r. c o m / p o s t / 5 5 2 0 1 1 8 8 4 1 . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) Number
56
–
Cloud
f ro n t
(Unknown)
Av a i l a b l e
at
https://d2d00szk9na1qq.
cloudfront.net/Product/e08affa9-8d55-4cfd-9272-6bc7a313f4ac/Images/ L a r g e _ 0 3 9 2 5 6 0 . j p g. (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 5 7 - Lo n d o n Fa s h i o n We e k ( 2 0 1 6 ) A . F. Va n d e vo r s t A / W 1 6 . Av a i l a ble
at
h t t p : / / w w w. l o n d o n f a s h i o nwe e k . c o. u k / d e s i g n e r s _ p ro f i l e. a s px ? D e s i g n -
e r I D = 2 8 8 5 . (Ac c e s s e d o n T h u r s d a y 2 2 n d D e c e m b e r 2 0 1 6 ) N u m b e r 5 8 – R o d a r t e ( 2 0 1 6 ) Au t u m n / Wi n t e r 2 0 1 6 R o d a r t e. Av a i l a b l e a t h t t p s : / / w w w.wgsn.com/catwalk_galler y/#gender=2&season=0&city=0&show=28326. (Ac c e s s e d o n Fr i d a y 6 t h J a n u a r y 2 0 1 7 ) N u m b e r 5 9 – H o r s t D i e k g e rd e s ( U n k n o w n ) D r a p e d i n n e t s. Av a i l a b l e a t h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / d r a p e d i n n e t s h o r s t d i e k g e rd e s / .
(Ac c e s s e d
on
Mon-
day 9th January 2017) N u m b e r 6 0 – J e a n Pa u l G a u l t i e r ( U n k n o w n ) C a g e Co a t . Av a i l a b l e a t h t t p s : / / p a t t e r n i t y. o r g / re s e a rc h / c a g e c o a t j e a n p a u l g a u l t i e r / .
(Ac c e s s e d
on
Thursday
15th December 2016) N u m b e r 6 1 – Le m a i re ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 Le m a i re. Av a i l a b l e a t h t t p s : / / w w w.wgsn.com/catwalk_galler y/#gender=2&season=0&city=0&show=34161. (Ac c e s s e d o n Fr i d a y 6 t h J a n u a r y 2 0 1 7 ) Number t o.
62
-
Yo h j i
Av a i l a b l e
Ya m a m o t o at
(2016)
Spring/Summer
2017
Yo h j i
Ya m a m o -
h t t p s : / / w w w. wg s n . c o m / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & s e a -
s o n = 0 & c i t y = 0 & s h o w = 3 4 2 9 6 . (Ac c e s s e d o n Tu e s d a y 1 0 t h J a n u a r y 2 0 1 7 ) N u m b e r 6 3 – Pa r s o n s t h e n e w s c h o o l o f d e s i g n ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 4 Pa r s o n s
the
new
school
of
design.
Av a i l a b l e
at
walk_gallery/#gender=2&season=0&city=0&show=5551.
h t t p s : / / w w w. wg s n . c o m / c a t (Ac c e s s e d
on
Fr i d a y
6th January 2017) Number t o.
64
–
Av a i l a b l e
Yo h j i at
Ya m a m o t o
(2016)
Spring/Summer
2017
Ya m a m o -
h t t p s : / / w w w. wg s n . c o m / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & s e a -
s o n = 0 & c i t y = 0 & s h o w = 3 4 2 9 6 . (Ac c e s s e d o n Fr i d a y 6 t h J a n u a r y 2 0 1 7 )
34
Yo h j i
N u m b e r 6 5 – Lu k a s S c hwe r i n g ( U n k n o w n ) g e l a d e n u n d e n t s i c h e r t . Av a i l a b l e at
h t t p : / / l u k a s s c hwe r i n g. t u m b l r. c o m / .
(Ac c e s s e d
on
Monday
9th
January
2017) Number
66
–
To o p o o r
(Unknown)
Av a i l a b l e
at
h t t p : / / t o o p o o r. t u m b l r. c o m /
p o s t / 1 3 3 7 1 0 1 9 7 6 1 7 . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) N u m b e r 6 7 – G a re t h Pu g h ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 G a re t h Pu g h . Av a i l a b l e at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -
s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 4 4 6 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) Number
68
–
Elle
South
Africa
(2015).
Av a i l a b l e
at
h t t p : / / w w w. e l l e. c o. z a /
p f w - re v i e w - v a l e n t i n o / _ v a l 0 2 4 5 / . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) Number
69
-
Christopher
K a n e.
Av a i l a b l e
at
Kane
(2016)
Spring/Summer
2017
Christopher
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -
lery/#gender=2&season=0&city=0&show=33591.
(Ac c e s s e d
on
We d n e s d a y
4th January 2017) N u m b e r 7 0 – C a l v i n K l e i n ( 2 0 1 6 ) S p r i n g 2 0 1 6 C a l v i n K l e i n . Av a i l a b l e a t h t t p : / / s t u d i o 9 0 3 . t u m b l r. co m / p o s t / 1 5 2 6 4 5 8 0 1 7 4 8 / l a ra m e e e e - c a l v i n - k l e i n - co l l e ct i o n - s p r i n g - 2 0 1 6 . (Ac c e s s e d o n We d n e s d a y 4 t h J a n u a r y 2 0 1 7 ) Number
71
–
A . F.
Av a i l a b l e
Va n d e vo r s t
at
(2016)
Au t u m n / Wi n t e r
2016
A . F.
Va n d e vo r s t .
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -
lery/#gender=2&season=0&city=0&show=28916.
(Ac c e s s e d
on
Thursday
5th
January 2017) N u m b e r 7 2 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) N u m b e r 7 3 – G a re t h Pu g h ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 G a re t h Pu g h . Av a i l a b l e at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -
s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 4 4 6 . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) N u m b e r 7 4 – Vo g u e ( 2 0 1 5 ) Au t u m n Ac c e s s o r i e s : t h e vo g u e e d i t o r s h i t l i s t . Av a i l a b l e
at
h t t p : / / w w w. vo g u e. c o. u k / g a l l e r y / e d i t o r s - a u t u m n - w i n t e r - a c c e s -
s o r y - s h o p p i n g - l i s t . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 ) Number
75
–
Saint
L a u re n t
(2013)
Au t u m n / w i n t e r
2013-14.
Av a i l a b l e
at
http://www.vogue.fr/defiles/defile/automne -hiver-2013-2014-paris-saintl a u re n t / 3 3 3 9 . (Ac c e s s e d o n M o n d a y 9 t h J a n u a r y 2 0 1 7 )
35
Number
76
–
Av a i l a b l e
A . F. at
Va n d e vo r s t
(2016)
Au t u m n / Wi n t e r
2016
A . F.
Va n d e vo r s t .
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -
lery/#gender=2&season=0&city=0&show=28916.
(Ac c e s s e d
on
Thursday
5th
January 2017) N u m b e r 7 7 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) N u m b e r 7 8 – G a re t h Pu g h ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 G a re t h Pu g h . Av a i l a b l e at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -
s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 4 4 6 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) Number
79
–
Av a i l a b l e
A . F. at
Va n d e vo r s t
(2016)
Au t u m n / Wi n t e r
2016
A . F.
Va n d e vo r s t .
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -
lery/#gender=2&season=0&city=0&show=28916.
(Ac c e s s e d
on
Thursday
5th
January 2017) Number
80
–
Av a i l a b l e
A . F. at
Va n d e vo r s t
(2016)
Au t u m n / Wi n t e r
2016
A . F.
Va n d e vo r s t .
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l -
lery/#gender=2&season=0&city=0&show=28916.
(Ac c e s s e d
on
Thursday
5th
January 2017) N u m b e r 8 1 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) N u m b e r 8 2 – C h a n e l ( 2 0 1 6 ) Pre Fa l l 2 0 1 7 C h a n e l. Av a i l a b l e a t h t t p s : / / w w w wgsn-com.ezproxy.bcu.ac.uk/catwalk_galler y/#gender=2&season=0&cit y = 0 & s h o w = 3 4 7 2 1 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) N u m b e r 8 3 – G a re t h Pu g h ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 G a re t h Pu g h . Av a i l a b l e at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -
s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 4 4 6 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) N u m b e r 8 4 – G a re t h Pu g h ( 2 0 1 6 ) S p r i n g / S u m m e r 2 0 1 7 G a re t h Pu g h . Av a i l a b l e at
h t t p s : / / w w w - wg s n - c o m . e z p rox y. b c u . a c. u k / c a t w a l k _ g a l l e r y / # g e n d e r = 2 & -
s e a s o n = 0 & c i t y = 0 & s h o w = 3 3 4 4 6 . (Ac c e s s e d o n T h u r s d a y 5 t h J a n u a r y 2 0 1 7 ) N u m b e r 8 5 – Lu c a To m b o l i n i ( U n k n o w n ) Fa l l 2 0 1 6 re a d y t o we a r, M a rc J a c o b s. Av a i l a b l e
at
h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - re a d y - t o - we a r /
m a rc - j a c o b s / s l i d e s h o w / b e a u t y # 1 1 . 2016)
36
(Ac c e s s e d
on
Thursday
15th
December
N u m b e r 8 6 – Lu c a To m b o l i n i ( U n k n o w n ) Fa l l 2 0 1 6 re a d y t o we a r, M a rc J a c o b s. Av a i l a b l e
at
h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - re a d y - t o - we a r /
m a rc - j a c o b s / s l i d e s h o w / b e a u t y # 1 1 . (Ac c e s s e d o n Tu e s d a y 3 rd J a n u a r y 2 0 1 7 ) Number
87
–
v93oo
(2016)
Instagram.
Av a i l a b l e
at
h t t p s : / / w w w. i n s t a g r a m .
c o m / p / B M k n 1 J k j A m s / . (Ac c e s s e d o n Fr i d a y 1 6 t h D e c e m b e r 2 0 1 6 ) N u m b e r 8 8 – Lu c a To m b o l i n i ( U n k n o w n ) Fa l l 2 0 1 6 re a d y t o we a r, M a rc J a c o b s. Av a i l a b l e
at
h t t p : / / w w w. vo g u e. c o m / f a s h i o n - s h o w s / f a l l - 2 0 1 6 - re a d y - t o - we a r /
m a rc - j a c o b s / s l i d e s h o w / b e a u t y # 1 1 . (Ac c e s s e d o n Tu e s d a y 3 rd J a n u a r y 2 0 1 7 ) Number
89
–
Studio
903
(2016).
Av a i l a b l e
at
h t t p : / / s t u d i o 9 0 3 . t u m b l r. c o m /
p o s t / 1 5 4 7 2 0 6 7 1 7 1 3 . (Ac c e s s e d o n Tu e s d a y 3 rd J a n u a r y 2 0 1 7 ) N u m b e r 9 0 – A l v i n D i e c ( 2 0 1 1 ) Wi t a n d D e l i g h t . Av a i l a b l e a t h t t p : / / w i t a n d d e l i g h t . t u m b l r. c o m / p o s t / 5 6 1 0 3 5 3 4 0 5 / v i a - a l v i n - d i e c - g r a p h i c - d e s i g n - e t c - a t l a n t a . (Ac c e s s e d o n We d n e s d a y 2 1 s t D e c e m b e r 2 0 1 6 ) N u m b e r 9 1 – Twe n t y S i x Ty p e s ( U n k n o w n ) . Av a i l a b l e a t h t t p : / / t we n t y s i x t y p e s. c o. u k / a b o u t - u s / . (Ac c e s s e d o n We d n e s d a y 2 1 s t D e c e m b e r 2 0 1 6 ) N u m b e r 9 2 – M i d d a y ( U n k n o w n ) C re we A L a M o d e. Av a i l a b l e a t h t t p : / / m i d d a y s t u d i o. c o m / p ro j e c t s / c re w - a - l a - m o d e / .
(Ac c e s s e d
on
We d n e s d a y
21st
December 2016) Number
93
–
Saco
(Unknown)
Av a i l a b l e
at
h t t p : / / s a c o s t u d i o. c o m / .
(Ac -
c e s s e d o n We d n e s d a y 2 1 s t D e c e m b e r 2 0 1 6 ) Number
94
–
B ro t h e r s
Soundtrack
(2015)
October
E xc h a n g e.
h t t p : / / w w w. g r a p h i c - e xc h a n g e. c o m / a rc h i ve s / 0 3 i d e n t i t y _ 3 3 . h t m .
Av a i l a b l e
at
(Ac c e s s e d
o n We d n e s d a y 2 1 s t D e c e m b e r 2 0 1 6 )
37