Selected Works by Marianne Esposito

MARIANNE ESPOSITO Selected Works

CONTENT This portfolio contains a selection of works from diverse projetcs developed during my time at the École Nationale Supérieure d’Archiecture de Lyon and the Universita degli Studi di Genova about Architecture, Planning, Design, Graphic design and painting. It also shows associative and personnal projets. This selection tend to be a diverse sample of my learning, influences, skills, likes, and personality.

004

PROFIL

006

spreAding culture

040

MULTISCALES

Curiculum Vitae

Cultural Center (Oullins, France)

Culture + historics industrial buildings + urban parc (Genoa, Italy)

062

ECO-neighborhood

072

360Â°

086

RECESS

094

IMBRICATION

098

COASTAL DESIGN

1O4

TOTEM

1 10

// ARTISTIC INSTALLATIONS

118

// PERSONNAL PROJECTS

Town Planning (Oullins, France)

Outdoor Amenities (Parco Urbano delle Mura, Italy)

Collective housing (Lyon, France)

Type housing (France)

Various coastal planning for Simone Paoletti Architettura (Liguria, Italia)

Town Hall (Lyon, France)

School projects

From painting to graphic

MARIANNE ESPOSITO 6 juillet 1997 Via di San Donato 16123 Genova GE tel. + 336 10 69 34 21 marianne.esposito@free.fr

EXPERIENCE FORMATION OCTO B RE É À 2 01 7 - A V RIL 2018 Stage en agence d’architecture, Simone Paoletti, Genova Diverses missions concernant des projets prospectifs, d’urbanisme et d’architecture.

2017 -2018 Scuola Politecnica di Genova (Italia) Master 1 : Architecture + Design + Urbanisme + Paysagisme

J u i n - J u i l let 2017 Stage à la Maison de l’Architecture de Bourgogne, Dijon Élaboration d’entretiens de maîtres d’oeuvre et maîtres d’ouvrage pour une exposition d’architecture organisée par Latitude 21.

2014 -2017 École Nationale Suppérieure de Lyon (France) Licence 3 d’Archiecture avec Félicitations du Jury

J u i n - J u i l l et 2016 Stage en agence d’architecture, « Ateliers d’Architecture Face À... », Lyon Constitution de DOE, communication (retouche de plans Vectorworks et photos pour site Internet), réunions et compte rendus chantier, projets pour paticuliers et suivi. 2015 Responsable Communication Festival Archisound, Lyon Constitution d’une équipe, conception et de réalisation d’une charte graphique déclinable sur tout support et diffusion du festival et des évenements annexes. Av ril 2015 Stage ouvrier, Rénovation maison individuelle, Puligny Montrachet J u i l l e t - AoUt 2014 Rénovation maison individuelle Puligny Montrachet 2 010 -2014 Chargée de Communication visuelle Collège St Domnique et Lycée St Charles Chalon s/Saône 2013 Conception + réalisation de logos Ensemble St Charles (7 établissements), Chalon J u i l l e t - AoUt 2013 Rénovation d’un appartement, Beaune J u i l l e t - AoUt 2012 Aménagement et entretien de locaux d’entreprise, Beaune

2011-2014 Lycée St Charles (Chalon s/Saône), Baccalauréat Économique et Social, mention TB Spécialisation artistique (options de 6H par semaine) et inititation au design (3H par semaines) pendant 3 ans.

2010 Certificat Cambridge PET, Anglais niveau B1 20 07 -2011 Collège St Dominique (Chalon s/Saône)

LANGUAGES ANGLAIS - B1

FRANÇAIS - Mother language

ESPAGNOL - A2

ITALIEN - B1

SKILLS SUITE ADOBE

SKETCH UP

RHINO

ARCHICAD

AUTOCAD

REVIT

HOBBIES PEINTURE, DESIGN, DESSIN, GRAPHISME, SCÉNOGRAPHIE, CINÉMA ...

spreAding culture Cultural Center (Oullins, France) Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venieni hilibus resecum landaer itatis aut por auda veremodis eos prae et hicto dunt pa si voloratius quo quis eossi occupta temquiae nient aperor a dolore

H A L L D ʼA C C U E I L , F OY E R , L I E U D E R E C E P T I O N CUISINE

AT E L I E R S

VESTIAIRE

PL AN DʼEAU

LOC AUX TECHNIQUES

SALLE DʼEXPOSITION

E S PA C E DʼEXPOSITION EXTÉRIEUR

ÉCOLE DE MUSIQUE

E S PA C E D E P R O J E C T I O N ÉXTÉRIEUR

LOGES DES ARTISTES

S A L L E P O LY VA L E N T E

A’

B I B L I O T H È Q U E , M É D I A T H È Q U E , E S PA C E D E T R AVA I L 2 4 H / 2 4

E S PA C E

BIBLIOTHÈQUE

E S PA C E D E

CONTES

E N FA N T S

A D U LT E S

T R AVA I L CUISINE

B’

Cultural center ground floor plan

Programmatic distribution axonometry + implantation at the end of the urban project

Daytime life

Nocturn life

TOITUR E L ÉG È R E B ÉTON

(dalle alvéolaire préfabriquée, dalle de compression, gravier, débords clairs)

CLOISONNEME NT

(doubles parois 40cm et cloisons fines)

L A RG ES BAIES V ITR É E S

(face aux coursives délimitées de poteaux)

VOIL ES B ÉTON BAN C H É

(apparent à l’intérieur)

+ PAR EME NT E X TÉ R IE UR BÉTON POL I SOMBRE

P OTEAUX B ÉTON BA N C H É CL AIR

(bordant les coursives extérieures)

SOCL E B ÉTON

(intérieur : béton ciré, extérieur : béton texturé)

F ONDATIONS B ÉTON

(ponctuelles et semelles filantes)

R É SE RV E SA L L E P OLYVA L E NTE E T ARC H IV ES

(fondations profondes)

Cut perspective of the nocturn coworking space, facing the gardens

Faรงade materialy

DÃ&#x2030; TAI L 1

School of music plan

DÃ&#x2030; TAI L 2

School of music transverse + longitudinal section

I S O LATION PHONI Q U E

( opt i mis at i on d e l’ac c oust i qu e e nt re l e s s a l l e s d e mus i qu e )

E XT E NSI O N S DE PI ÈCES ( p arois dépl i abl es )

( p or tes de pl ac ards cou l iss antes )

BÉTO N BA N C H É (app arent à l’intér i eu r)

L AM E D ’A IR

RAN GEMENTS I N TÉGRÉS

ISOL ATION TH ERM I QU E EXTÉ R IE UR E

PASSAGE DE RÉSEAUX

( ge st i on i ntér ieure des e aux pluv i a l es , des cente d’e au ave c regard)

PA REM EN T BÉ TO N PO L I ( pig ments noi rs , b as a lte)

( assis e s ave c char n i è re s , r ab attu e s au d roit du mu r )

DOU B L E VITRAG E E N VERRE D É P OL I (menu is e r i e s inv is ble s )

S IÈ G E S R A BAT TA BL E S

The materiality led the projet from its beginning. I wanted to explore the many possibilities that concrete offers. The project developeded itself around concrete declination (color, surface treatment, texture ...). It apparence changes according to the use : skeleton, skin, inward ...

Walk along the facade

Browse the project in some views

MULTISCALES Culture + historics industrial buildings + urban parc (Genoa, Italy) Here is the overall view of the project, which is finally mainly about a landscaping project and rehabilitation of historical and industrial buildings on this plot. Its divided into poles described, plus new access on the plot. A pole of daily life in the ex-caserna, a small sports pole in the East outgrowth, and a cultural center in the North in the proettilificio. Itâ&#x20AC;&#x2122;s about working at every scales : from urban planning to technic details and materiality.

Global view of the projet

Programmatic distribution between ex-caserna & ex-proettilificio

SPECIFIC ACTIVITIES

VERTICAL CIRCUL ATION

QUIET SPACES

STUDIES + CRATIVITIES

MAIN ACTIVIES + HORIZNTAL CIRCUL ATION

CULTURAL POLE

Longitudinal urban section of the plot

SHORT TIME HOUSING

DAILY SERVICES

PUBLIC SPACES

SPORT POLE

DAILY LIFE POLE

2 1

DAILY LIFE POLE

The entry into the project is through the arch of the caserna. We then cross his patio to access the park. The entrance of the urban park gives way to the kids area : with childrenâ&#x20AC;&#x2122;s games and skate park in the West, and in the East to collective vegetable gardens a botanical and cultural greenhouse. These proximity installations are related to the habitant of the neighbourhood and particularly of the caserna. Then we arrive on a large mineral square and on the forecourt of the proiettificio.

SPORT POLE

To the east of the gardens are organized in green terraces, with benches to sit and vegetation. A wood path leads visitors to the field, which can accommodate various events in the neighborhood or the adjoining school. Then on the west side there is a bicycle lane.

CULTURAL POLE

On the side path to the proettilificcio there are terraces, vegetated strips on both sides of the bike lane, and access to the plot facing one of the side entrances of the proiettilificio, which would be detailed into the next pages of this book.

Axonometry : programmatic distribution According to the plot & poles

I O

VII

LA B

S A L I T A S. R O B E R T

P I A Z Z A S. G I O V A N N I

V I A G E N. C A V A L L I

EX I

LABORATORIO

BIS

EX I

V I A G E N. T O R R E T T A

RIO

RATO

LABO

LABORATORIO

V I A G E N. S T A M P A C C H I A

EX VI

VIA

EX CASA IERE DELL'AUT

DIA

I GU

SXIACCI

Landcaping : urban park Each polesâ&#x20AC;&#x2122; fonctions spread out into the park 10

100

I O

ACINO D'AN

TONI

VII

RIO

PIAZZALE PAP

V I A G E N. C A V A L L I

EX I

LABORATORIO

CABINA DI TRAS FORM AZ.

V I A G E N. T O R R E T T A

BIS

EX I

FABBRICAT

O PRINCI

PALE

LABORATORIO

CISTER

PAPACINO D'ANT

ONI

V I A G E N. S T A M P A C C H I A

EX CORP O GUAR DI DIA VIA

SXIACCI

CABIN A DI TRAS FORM AZ.

PIAZZALE

RIO

S A L I T A S. R O B E R T

P I A Z Z A S. G I O V A N N I

RATO

LABO

EX VI

EX CASA IERE DELL'AUT

DIA

UAR

RPO

DI G

CISTERNA

CISTE

RNA

EX CORP O GUAR DI DIA

CISTERNA

100

FABBRICA

TO PRIN

CIPALE

Atmospheres and principles of the projet : Glimples & Preview

OBSERVE

ANALYZE

DIVIDE

SHORTEN

LIGHT UP

ARCHITECTURAL PHASE The most important point of the project is the ex proettilificio, which becomes a technological and cultural center. We divided it into different levels according to its morphology and its differents windows, to optimize the spaces, and to take advantage of side and zenithal lights. Both ends of the building are left without levels to so you can understand the space of the proetticio from the entrance. The blind part is reserved for services, with also circulations against it. Wells of light carry the light to the ground floor. The ends are left without floors to allow to apprehend the spaces of this historic buildings.

Below : plans of the programmatic division of the levels depending on a grid of the building’s morphology. The activities that take place in it are very diversified (visits, events, exhibitions, cocktails, screenings, catering, coworking 24H / 24H ...) and can take turns between the day and the night. Ground floor : main activity + public reception First Floor : studies, creativity Second floor’s Mezzanines : more intimate spaces.

RESERVES AND STOCKS MAIN ACTIVITIES

SPECIAL SPACES

CIRCULATION STRIP

GROUND FLOOR, 1:500

FIRST FLOOR, 1:500

SECOND FLOOR, 1:500

NEW STRUCTURE This technical slide shows the structural principles of poles-beams of the structure added in the proettilificio, as well as the materials used that highlight the existing building and match its materiality. Find in the notebook of technical details : - how to hang the floors to the existing concrete structure, - the connection between the floor and the new metal posts, - And the foundations of theses new posts On the right is a cross section of the entrance to the building.

EXISTING STONE

EXISTING CONCRETE

CONCRETE

STEEL

GL ASS

Inside viewâ&#x20AC;&#x2122;s render : First floor, mezzanines, skylight and circulations.

FACADE EX-PROETIFFICIO 1:200 Facade ex-proetilificio 55.50

50.58

TORRETTA

51.99 58.70 51.99

50.58 55.50 45.22

45.20

45.22

51.99 50.58 45.20

45.22

58.70

55.50 45.20

51.99 50.58

VIA

GENERALE

58.70

55.50

VIA

GENERALE

TORRETTA VIA GENERALE TORRETTA VIA GENERALE TORRETTA

58.70

45.20

Longitudinal section ex-proetilificio LONGITUDINAL SECTION EX-PROETIFFICIO 1:200

GSEducationalVersion GSPublisherVersion 0.93.100.100

58.70

50.58

50.58 45.22

44.64

45.22 58.70

58.70

45.22

50.58 44.64

44.64

50.58

45.22

44.64

VIA VIA GEN. V IAG E N . TO GE V

VIA

GENERALE

VIA

GENERALE

CAVALLI

G2.3

H. 4.00

SECOND FLOOR EX-PROETIFFICIO 1:200

W.C.

H. 3.76

52.24

G2.3

G2.2

W.C. G2.5

G2.4

DEPOSITO

VIA

ARCHIVES

GENERALE

CAVALLI

H. 3.76

52.24

G2.2

W.C.

H. 4.00

W.C.

H. 3.76 H. 3.65

52.24

G2.2

W.C.

G2.4

H. 4.62

H. 4.00

G2.17

UFFICIO 50.58 H. 4.62

G2.7

G2.17

VIA

G2.5

ARCHIVES

G2.16

50.58 UFFICIO H. 4.62G2.15 UFFICIO G2.17

H. 4.62 50.58 UFFICIO

G2.16

G2.15

H. 4.62

H. 4.00

VIA

G2.14

UFFICIO UFFICIO H. H. 4.62 4.62

G2.7

G2.16

UFFICIO G2.14 G2.15

H. 4.62 G2.17

UFFICIO 50.58 LOCALE H. 4.62 ACCESSORIO G2.14

H. 4.62

W.C. W.C.

H. 4.00

H. 3.76

52.24

W.C.

G2.4

DEPOSITO

W.C.

H. 3.76 H. 3.65

52.24

G2.2

W.C.

G2.4

H. 4.00

G2.7

G2.8

H. 4.00

G2.7

G2.8

VIA

G2.5

ARCHIVES

H. 4.00

W.C.

H. 3.65

G2.3

H. 4.00

W.C.

G2.6

G2.9

G2.10

H. 4.00

G2.6

H. 4.00

G2.4

H. 4.00

G2.7

G2.8

CAVALLI

G EH. 4.00 NERALE

G2.9

W.C.

G2.11

G2.10

H. 4.00

52.00

H. sottotrave 3.60

CAVALLI

G2.10

SALLE POLYVALENTE

MAGAZZINO H. 4.00

H. 4.00

VIA

W.C.

G2.11 MAGAZZINO

GENERALE

52.00

H. sottotrave 3.60

H. 4.00

G2.9

W.C.

MAGAZZINO

H. 3.76

52.24 H. 4.00

H. 4.00 52.00

W.C. W.C.

W.C. W.C. W.C.

ARCHIVES

H. 4.00

W.C.

H. 3.76

52.24

W.C.

G2.4

SERVIZI

G2.5

DEPOSITO G2.2

VIA

H. 3.65

G2.3

First floor ex-proetilificio

W.C.

G2.6

52.00

H. 4.00

G2.7

G2.8

CAVALLI

G2.9

GENERALE

G2.13

H. 4.40

50.58 50.73

SERVIZI IGIENICI H. 4.40 50.73

LOCALE ACCESSORIO

W.C.

G2.12

H. 4.40G2.13 50.73

D. D.

W.C.

SERVIZIH. IGIENICI 4.62

W.C.

G2.11

G2.10

G2.7

W.C. 52.00

H. sottotrave 3.60

H. 4.00

D. D. D. D. D.

W.C. MAGAZZINO

H. 4.00

VIA

H. 3.65

GENERALE

H. 4.00 H. 4.00

H. D.D.4.00

W.C.

H. 3.65

FIRST FLOOR EX-PROETIFFICIO 1:200

H. 4.62 G2.14 SERVIZI IGIENICI

W.C. W.C.

W.C.

G2.11

G2.12

W.C. W.C. G2.12 W.C. W.C.

W.C.

52.00

H. sottotrave 3.60

G2.13

LOCALE UFFICIO ACCESSORIO H. 4.62

H. 4.40

W.C. G2.5

G2.4

G2.15

50.58

W.C.

H. 4.40

W.C.

H. 3.76 ARCHIVES

G2.2

G2.6

G2.5

ARCHIVES

52.24

SERVIZI

G2.2

SERVIZI

G2.3

G2.2

SERVIZI

H. 4.00

DEPOSITO

SALLE POLYVALENTE

G2.6

50.58

H. 4.00

G2.9

G2.8

H. 4.00 G2.8

52.00

G2.6

52.00

H. 4.00 G2.9

VIA G2.12

D. D.

H. 4.40

H. 4.00

DEPOSITO

ARCHIVES

52.00

SERVIZI

FIRST FLOOR EX-PROETIFFICIO 1:200

VIA

SALLE POLYVALENTE

G2.5

DEPOSITO G2.3

LOCALE G2.13 UFFICIO ACCESSORIO H.50.58 4.62 H. 4.62 G2.16

H. 4.40

G2.3

G2.9

G2.8

TO R R ETTA GE VN I A.T O R R E TGO TEAR NR . ETTA TO R R ETTA

W.C.

H. 3.65

H. 4.0 52.00

H. 4.00

H. 4.62 UFFICIO

SALLE POLYVALENTE

G2.6

GEN. V IAG E N .

DEPOSITO

G2.8

52.0

UFFICIO

W.C.

H. 3.65

G2.3

H. 4.00

G2.7

VIA

G2.4

H. 4.00

VIA

H. 4.00

W.C. W.C.

SERVIZI

G2.6

G2.5

CAVALLI

ARCHIVES

SERVIZI

DEPOSITO

SERVIZI

W.C.

SERVIZI IGIENICI H. 4.40 50.73

CAVALLI

45.24

GT.3

45.20

GT.3

45.20

45.20 45.20 REGIE H. 5.10

45.24 SALLE POLYVALENTE

GT.3

45.20

GT.2

REGIE H. 5.10 45.20 GT.2

SALLE POLYVALENTE REGIE H. 5.10

GT.2

45.24 SALLE POLYVALENTE

GT.11

DEPOSITO H. 3.65

GT.13

DEPOSITO 45.22

DEPOSITO H. 3.65 GT.13

GT.12

CUCINA

DEPOSITO

MAGAZZINO H. 2.75 GT.8

GT.12

H. 3.25 GT.7

45.22

MAGAZZINO H. 2.45

LOGES 45.22

GT.6

45.22

MAGAZZINO H. 2.45

H. 3.65 GT.13

DEPOSITO 45.22

MAGAZZINO

H. 3.65

H. 2.75 GT.8

GT.12

H. 3.25

45.22

MAGAZZINO H. 2.45

GT.6

45.22 DEPOSITO H. 5.10

H. 2.45

GT.4

GT.5

GT.7

LOGES 45.22

GT.6

H. 2.45 GT.5

45.20

GT.4

GT.5

LOGES 45.22

45.22 SALLE POLYVALENTE

CUCINA

DEPOSITO

H. 5.10

H. 2.45

GT.11

DEPOSITO

GT.8

GT.11

H. 3.65

EDIFICIO "E"

MAGAZZINO H. 2.75

DEPOSITO 45.22

CUCINA

DEPOSITO

H. 3.65

GT.3

45.20 DEPOSITO

REGIE H. 5.10 GT.2

DEPOSITO H. 5.10 GT.4

45.22

GROUND FLOOR EX-PROETIFFICIO 1:200 EDIFICIO "E" GT.11

DEPOSITO H. 3.65

GT.13

DEPOSITO 45.22

CUCINA

DEPOSITO

MAGAZZINO

H. 3.65

H. 2.75 GT.8

GT.12

H. 3.25 GT.7

45.22

MAGAZZINO H. 2.45

LOGES 45.22

GT.6

H. 2.45 GT.5

DEPOSITO H. 5.10 GT.4

45.22

EDIFICIO "E"

GT.11

DEPOSITO H. 3.65

GT.13

DEPOSITO H. 3.65 GT.13

DEPOSITO 45.22

DEPOSITO

GT.12

MAGAZZI

H. 2.75 GT.8

GT.11

DEPOSITO

CUCINA

GT.12

Ground floor ex-proetilificio EDIFICIO "E"

GT.8

DEPOSITO

H. 3.65

EDIFICIO "E"

MAGAZ

H. 2. GT.11

DEPOSITO 45.22

CUCINA

H. 3.65

H. 3.65 GT.13

DEPOSITO

45.22

DEPOSITO

CUCINA

H. 3.65

MAGAZZI

H. 2.75 GT.8

GT.12

GROUND FLOOR EX-PROETIFFICIO 1:200 EDIFICIO "E" GT.11

DEPOSITO H. 3.65 GT.13

DEPOSITO 45.22

H. 3.65 GT.12

DEPOSITO

CUCINA

MAGAZZI

H. 2.75 GT.8

H. sottotrave 3.60

H. 4.00

W.C.

GSEducationalVersion GSPublisherVersion 0.93.100.100

GENERALE

W.C. W.C.

CAVALLI

SALLE POLYVALENTE

MAGAZZINO H. 4.00

GENERALE G2.10

W.C.

H. sottotrave 3.60

CAVALLI

H. 4.00

W.C.

52.00

W.C.

G2.11

H. 4.40

G2.12

H. 4.40

50.58 50.73

W.C.

G2.11

G2.10

45.22

SERVIZI IGIENICI H. 4.40 50.73

LOCALE

ACCESSORIO

D. D.

H. 4.40

TORRE GENERALE

LONGITUDINAL SECTION EX-PROETIFFICIO 1:200

W.C. W.C.

52.00

G2.13

D. D. D. D. D.

H. 4.40

H. 4.00

H. 4.62 G2.14 SERVIZI IGIENICI

W.C.

SERVIZIH. IGIENICI 4.62 H. 4.40G2.13 50.73

50.58

CAVALLI

W.C. MAGAZZINO

W.C.

H. 4.00

W.C.

52.00

H. sottotrave 3.60

H. 4.00

W.C. VIA

G2.11

G2.10

GENERALE

CAVALLI

Second ex-proetilificio (mezzanines)

SECOND FLOOR EX-PROETIFFICIO 1:200

GENERALE

CAVALLI

VIA

GENERALE

CAVALLI

VIA

GENERALE

CAVALLI

VIA

GENERALE

CAVALLI

G2.12

D. D.

H. 4.40

GENERALE

W.C.

SERVIZI IGIENICI H. 4.40 50.73

G2.17

H. 4.62 UFFICIO H. 4.62G2.15 UFFICIO G2.17

H. 4.62 50.58 UFFICIO

G2.16

G2.15

H. 4.62 G2.14

UFFICIO UFFICIO H. H. 4.62 4.62

UFFICIO G2.14 G2.15

H. 4.62 G2.17

GT.3

45.24

45.20

UFFICIO 50.58 LOCALE H. 4.62 ACCESSORIO

52.24

G2.2

H. 3.76

W.C.

G2.4

52.24

G2.2

W.C.

H. 3.76 H. 3.65

W.C.

G2.4

W.C.

G2.5

ARCHIVES

H. 4.00

52.24

G2.2

W.C.

H. 3.76

W.C.

G2.4

W.C.

MAGAZZINO H. 4.00 52.00

H. 4.00

G2.7

G2.8

H. 4.00

G2.7

G2.8

VIA

H. 4.00 G2.9

G2.6

H. 4.00

G2.7

G2.8

G EH. 4.00 NERALE

CAVALLI

SALLE POLYVALENTE

GENERALE

H. 4.00 H. sottotrave 3.60 G2.11

45.22

GT.7

45.22

GT.6

H. 3.25

45.22

H. 4.00

G2.9

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GT.6

REGIEW.C. W.C. W.C. H. 5.10

45.20

W.C. W.C. W.C.

52.00

W.C.

G2.11

G2.10

GENERALE

CAVALLI

H. 5.10

H. 2.45

GT.7

45.22

GT.6

GT.11

DEPOSITO

H. 3.65

GT.13

DEPOSITO H. 3.65 GT.13

45.22

GT.12

45.22 DEPOSITO H. 5.10

H. 2.45

CUCINA

45.22

CUCINA

GT.7

45.22

MAGAZZINO H. 2.75 GT.8

H. 3.25 GT.7

45.22

MAGAZZINO H. 2.45

45.22

H. 3.65

45.22

DEPOSITO

45.24

MAGAZZINO H. 2.45 DEPOSITO H. 3.65 GT.13

GT.6

H. 2.75 GT.8

GT.6

45.22

MAGAZZINO H. 2.45

H. 3.65 GT.12

DEPOSITO

45.22

CUCINA

H. 2.45 GT.5

50.73

50.58

D. D.

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D. D. D. D.

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SERVIZI IGIENICI H. 4.40 50.73

GT.3

45.20

REGIE H. 5.10 GT.2

GT.3

H. 3.25

45.22

MAGAZZINO H. 2.45

GT.7

45.20 REGIE H. 5.10 GT.3

45.20

GT.2

H. 5.10 45.22 DEPOSITO H. 5.10

H. 2.45

GT.4

GT.5

LOGES 45.22

GT.6

H. 2.45 GT.5

GT.8

H. 3.25 GT.7

45.22

MAGAZZINO H. 2.45 GT.6

45.22

LOGES GT.4 H. 2.45 GT.5

45.22

45.20

GT.4

GT.5

GT.6

GT.3

45.22

DEPOSITO H. 5.10 GT.4

45.22

H. 5.10 H. 2.75

GT.2

REGIE H. 5.10

45.20 DEPOSITO

DEPOSITO MAGAZZINO

45.20

REGIE H. 5.10

45.24 SALLE POLYVALENTE

LOGES 45.22

LOGES GT.11

DEPOSITO 45.22

MAGAZZINO

GT.12

H. 4.40G2.13

SALLE POLYVALENTE

CUCINA

LOCALE ACCESSORIO SERVIZIH. IGIENICI 4.62

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LOGES 45.22 H. 2.45

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DEPOSITO

H. 3.65

GROUND FLOOR EX-PROETIFFICIO 1:200 H. 3.25

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GT.8

DEPOSITO

H. 5.10

MAGAZZINO

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DEPOSITO

GT.13

EDIFICIO "E"

DEPOSITO

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GT.11

50.58 50.73

50.73

45.20 GT.2

H. 2.45

H. 3.65

W.C.

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H. 2.75

DEPOSITO 45.22

EDIFICIO "E"

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G2.13

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LOGES

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SERVIZI IGIENICI

45.20 DEPOSITO

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GT.5

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H. 3.65

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H. 4.00

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H. 4.40

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H. 4.00

G2.15

G2.13

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H. 4.40

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H. 4.00

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UFFICIO 50.58 H. 4.62

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econeighborhood Town Planning (Oullins, France) Urban planning project on the district of Saulaie, former industrial zone of Oullins (northwest of Lyon, France). This almost disaster area has big advantages, however. It is directly connected to Lyon by metro, whose line is still expanding. The idea is to make it enjoy its proximity to Lyon, while creating an independence based on his strong identity and many own qualities. Current ecological issues are added to this ; so the urban typologies are organized in the sense of an eco-neighborhood.

nts ran t 23

s 24

rba ins

Par cs u

Com m pro erces xim d ité e

tau

0 Logements logements

R es 21

retraités

étudiants

Log e 19

autres actifs

x 18

ES TIF INAC S -

LYON

Bur eau 17

AIT

RE S

AC TIF UN S A EM YAN PLO T I

10ème arrondissement de Lyon

Une vision de François-Noël Buffet

2012 Une vision de François-Noël Buffet

UD IAN T

2012

10ème arrondissement de Lyon

Charly, Givors, Grigny, Irigny, La Mulatière, Oullins, Pierre Bénite Saint Genis Laval, Sainte, Foy lès Lyon, Vernaison

1968

Lônes et Coteaux du Rhône

1968

Lônes et Coteaux du Rhône Charly, Givors, Grigny, Irigny, La Mulatière, Oullins, Pierre Bénite Saint Genis Laval, Sainte, Foy lès Lyon, Vernaison

INS

Carte de Cassini

OU LL

18ème Oullins agricole

Equipements

équipements cultrels culturels

Oullins agricole 18ème

2013

Arriver le métro B

Le taux de chômage 11.8%

Equipements cultrels

9ème Voie Romaine

Le taux de chômage 11.8%

LaArriver Mémo le métro B

commerces de proximité

Commerces de proximité

2010 2013

Parcs urbains

2010

La Mémo

parcs urbains

crise économique

1965 1965

23 24 21 22 20 19 18

Construction de A7 Construction de A7

crise économique

AUTRES INACTIFS

1948 1948

OULLINS

apres d'etre brulé aapres la fin d'etre de WWII brulé a la fin de WWII

cultrels

équipements culturels Equipements

reconstruction reconstruction les ateliers les ateliers

Logements Logements logements

Voie Romaine 9ème

URBAN ANALISIS

1854 1854

Restaurants

restauranats Restaurants

Ouverture de de chemin Ouverture de chemin fer de fer

plus des ateliers nord de la ville plusen des ateliers en nord de la ville

de proximité

1832 1832

de maintenance des trains de maintenance des trains

Bureaux burezaux

Commerces de proximité

commerces de proximité Commerces

Avantdedelalarévolution révolution industrielle ateliers Avant industrielle Les Les ateliers

ETUDIANTS

1820 1820

Parcs urbains

actifs ayant un emploi Restaurants restauranats

ACTIFS AYANT UN EMPLOI Bureaux

17 15 16 14 13 12 11 10 9 8 7 6 5 4

Bureaux

RETRAITES

burezaux

3 2 1 0 23 24 22

Parcs urbains

parcs urbains

23 24 21 22 20 19 18 17 15 16 14 13 12 11 10 9 8 7 6 5 4 3

2 1 0 23 24 21 22 20 19 18 17 15 16 14 13 12 11 10 9 8 7 6 5 4 3 2 1 0

OULLINS

LYON

MODES DE TRANSPORTS LIMITER LA VOITURE

PROMNADE PIETONE PARC URBAIN MODES DOUX PÃ&#x201D;LES TRANSPORTS EN COMMUN ACCES PARKING SOUS-TERRAIN AXES VOITURE

AMÉNAGEM

ERON E S D E L’ Y Z ENTS BERG

R D E V A U L B O I N B A U R

RÉSIDENCE SENIOR

CRÈCHE

ÉQUIP. SPORTIF

MÉTRO EXTENSION ÉCOLE

ÉCOLE

(BOUTIQUES EN RDC)

NAVETTE FLUVIALE

GARE ROUTIÈRE

HOTEL

(BOUTIQUES EN RDC)

ANCIENNE PLACE DU MARCHÉ

CYCLES

HALLE LIÉE AU MARCH É

(BOUTI

QUES EN

(LIEN JAR RESTAURAN T DINS/M ARCHÉ)

PASSAGE PIÉTON SOUS LES RAILS

RDC)

(BOUTIQU

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GARE D’OULLINS

C O N S E R VAT O I R E

JARDINS PARTAGÉS +AMAP

COMPLEXE CINÉMA

CENTRE C U LT U R E L

AMÉNAGEMENTS BERGES DU RHÔNE

AXONOMÉTRIE C O U P É E A A’ SCÈNES DE VIE DE QUARTIER

R+6 R+5 R+4 R+3 R+2 R+1

AXONOMÉTRIE COUPÉE CC’

RDC

G R A D AT I O N D’INTIMITÉ

PUBLIC

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URBAN principles

COLLECTIF

FILTRE

DEGRÉS DE POROSITÉ

PRIVÉ

INTIMITÉ

STATUT DES RDC PUBLIC COLLECTIF PRIVÉ

PARC URBAIN PARC URBAIN ÉPANELAGE DESCENDANT VERS LE PARC ÉPANELAGE DESCENDANT VERS LE PARC

AVENUE EDMOND LOCARD

LARGE COEUR D’ÎLOT

PRÉAU AVENUE (APPARTENANT AU PARC) EDMOND LOCARD

LARGE COEUR D’ÎLOT

PRÉAU

(APPARTENANT AU PARC)

SAULAIE R+6 FRONT BÂTI R+5 TOIT TERRASSE COLLECTIF TERRASSE COLLECTIF R+4 FRONT BÂTI R+6 TOIT R+3 R+5 TOIT TERRASSE COLLECTIF R+2 R+4 TOIT TERRASSE COLLECTIF R+1 R+3

R+6 FRONT BÂTI R+5 R+4 R+3 R+2

RDC R+2

R+1

R-1 R+1PARKING DE L’ÎLOT

RDC

R-1 PARKING DE L’ÎLOT

LARGE COEUR D’ÎLOT

FRANGE VÉGÉTALE

BOUTIQU

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URBAN shape details

GESTION JARDINS +AMAP

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EXPOSITION NORD

ESPACE EXTERIEUR MINIMISÉ : TERRASSE EN JARDIN D’HIVER

EXPOSITION SUD

ESPACE EXTERIEUR AUGMENTÉ

EXPOSITION EST SOLEIL LEVANT : CHAMBRES

EXPOSITION OUEST

SOLEIL COUCHANT : PIÈCES À VIVRE

T1 T1 T3

T1 T3

T3 T1

ORIENTATION DES LOGEMENTS

VUE SUR L’EXTÉRIEUR T4 T4

T2 T1

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VUE SUR ‘COEUR D’ILOT’ TERRASSES, BALCONS

EXPOSITION NORD

ESPACE EXTERIEUR MINIMISÉ : TERRASSE EN JARDIN D’HIVER

EXPOSITION SUD

ESPACE EXTERIEUR AUGMENTÉ

EXPOSITION EST SOLEIL LEVANT : CHAMBRES

EXPOSITION OUEST

SOLEIL COUCHANT : PIÈCES À VIVRE

360Â° Outdoor Amenities (Parco Urbano delle Mura, Italy) Several phases divide this project. Following an initial analysis of the site (the neighborhood of Perrache, in the 2nd district of Lyon), a first concept emerges. Then it is applied to the site, and allows to develop a first architectural realistic project for an annexed town hall of the 2nd district. The notions of landmarks and proximity emerge, a gradation of intimacy appears and transpires on the plan into fragments. Finally, this project is amplified, exaggerated, to extract the essential points and push into new symbolic shapes.

ITALIA ITALIA ITALIA ITALIA

LIGURIA LIGURIA LIGURIA LIGURIA

GENOVA GENOVA GENOVA GENOVA

PARCO URBANO DELLE MURA

FORTE PU

On the road to N

UIN (and surroundings)

Marianne Esposito Studente : UniversitĂ degli studi di Genova, Dipartimento Architettura e Design Proff. Giancarlo Pinto - Ilenio Celoria

D C B A

3D MODEL (MADE FOR A VIDEO) PARTS & ELEMENTS OF THE PROJECT : A Parking and road B Piazzeta C Course D Entrance of Forte Puin

POSTER Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venieni hilibus resecum landaer itatis aut por auda veremodis eos prae et hicto dunt pa si voloratius quo quis eossi occupta temquiae nient aperor a dolore consecumqui qui debis serero magnatur? As quam esequam ut et unt. Exersperio. Cat. Sed ma que demperc illauda qui quiae cus, cullacesti ad quibus pliquo cusa volut lique volorum rerioriorit rernam si volor a cus quia verum dita si remodi am untiaep udipit dolumquias nosam que consectur? Officit atempor emporporio entorati

360° FLYERS Proposition of flyers, still with the idea of developing communication on the Parco Urbano delle Mura and on Forte Puin, explaining what it is and how to get there. An easy way to spread the interest of this historic site and make it attractive. On the front you can view a 360° panoma of the surroundings of the Forte Puin, and on the back the various informations. (Italian language) These attractive flyers can be available in tourists’ offices or even in shops. The landscape attracts the eye and can be folded back on itself (its ends meet).

O RECTO

COSA E IL PARCO URBANO DELLE MURA ?

Il “Parco delle Mura” deve il suo nome alle Mura Nuove, erette nel Seicento a magg città e del suo bacino portuale; ancora ben conservate e circondano Genova in un abbracc invisibile per chi vive e si muove giù in basso, nelle vie del centro. Sono un monumento urban unico e prezioso e costituiscono un magnifico luogo di incontro fra la città e la natura. Il Parco t di colline fra la val Bisagno e la val Polcevera. Il Parco comprende alcuni forti militari e in qu alcune specie animali e vegetali protette.

Il percorso classico inizia dal capolinea superiore della funicolare (Righi) e prosegu Castellaccio e Sperone, già da qui la vista si apre su tutta la città e la natura è sovrana. L’escu continuare verso l’ottocentesco Forte Begato che domina la Val Polcevera, o verso l’interno pe piccolo Forte Puin ed il magnifico Forte Diamante, posto a 660 mt. di quota, il più alto ed isola Per piu informazioni : http://www.visitgenoa.it/

BACK

On the road to PUIN ...

COME ANDARE AL FORTE PUIN ?

gior difesa della cio alto e quasi nistico e storico tutela 617 ettari uest’area vivono

1 Con la macchina: ora è possibile andare direttamente al Forte in auto, grazie alle nuove strade ma anche al nuovo piccolo parcheggio vicino all’ingresso che permette di parcheggiarlo proprio ai piedi del Forte. Da Genova, prendere la strada lungo i forti Sprone e Puin verso ovest e seguire le indicazioni. Stai attento ad essere equipaggiato con un’auto adattata a queste strade di montagna.

ue verso i Forti ursione può ora er raggiungere il ato del Parco.

2 Senza auto: recarsi alla funicolare Zecca-Righi (vicino Piazza della Nuziata) e fermarsi a Righi. Esci a sinistra e cammina fino al parcheggio (area per elicotteri). Qui questo trova le schede con le carte. La strada a sinistra porta al Sperone, quella a destra al Puin. Segui i sentieri indicati e ti troverai sulla piazzetta che offre un incredibile panorama a 360 gradi...

Dusk global view of the project (including parking, road, piazzeta and course to the Forte Puin)

Day view on the project and the hills of Genova, with the steel furnitures & pannels.

Night view of the project, solar light on, with the sea & the city of Genova in the background.

RECESS Collective housing (Lyon, France) The idea that leads the project is the gradation of intimacy. This reflection create different scales of intimacy, especially for the common spaces. The project is located in the neighborhood of GuillotiĂ¨re, in the 7th district of Lyon. The plan is organized as cells-housing, grouped around a courtyard by a corridor. These cavities provide each homes natural light and ventilation for secondary rooms often left out, and also isolate the dwellings from each other. Optimization of circulation : a single elevator and staircase, in a celle which also includes commun services.

A’

B’

PLAN RDC

1:200

Project views, inside + outside

Main street facade

Cross section

IMBRICATION Type housing (France) The point of this project is to create a standard housing according to various studies and sociological analyzes on the way of life of a home (intimacy, common life ...). It must be able to be repeated vertically and horizontally, and must be adapted to the lifestyles of different households (single-parent family, couple, collocation ...). It is organized on a plane of 9x9 meters and on two levels, and can only be transversal in order to be repeated laterally. It has to be thought and optimized for everyday life in these slightless details.

Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venieni hilibus resecum landaer itatis aut por auda veremodis eos prae et hicto dunt pa si voloratius quo quis eossi occupta temquiae nient aperor a dolore consecumqui qui debis serero magnatur? As quam esequam ut et unt. Exersperio. Cat. Sed ma que demperc illauda qui quiae cus, cullacesti ad quibus pliquo cusa volut lique volorum rerioriorit rernam si volor a cus quia verum dita si remodi am untiaep udipit dolumquias nosam que consectur? Officit atempor emporporio entorati inciendant

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LEO

VIA SAN PIETRO DELLA FOCE

VIA

CECCHI

VIA RAFFAELE PAOLUCCI

VIA GIUSEPPE CASAREGIS

CORSO TORINO

VIA EUGENIO RUSPOLI

VIA COSTANTINO MORIN

VIA NIZZA

5 046 VIA ENRICO CRAVERO

ANTONIO

VIA GIUSEPPE CASAREGIS

VIA ALESSANDRO RIMASSA

VIA ANTONIO

VIA

VIA ENRICO CRAVERO

VIA GIOVANNI B MAGNAGHI

VIA

GOR

VIA CARLO CITERNI

VIA ALESSANDRO RIMASSA

VIA COSTANTINO MORIN

VIA ALESSANDRO RIMASSA

DEI SERVI

RUSPOLI

POD

PIAZZA RAFFAELE ROSSETTI VIA ODOARDO BECCARI

A RAFFAELE GESTRO

VIA ODOARDO BECCARI

LARGO S. MARIA

VIA ATTILIO ODERO

CECCHI VIA EUGENIO

PIAZZA RAFFAELE ROSSETTI

VIA C FINOCCHIARO APRILE

ANTONIO

VIA EUGENIO BARONI

IA EUGENIO RUSPOLI

VIA

VIA LUIGI MASCHERPA

CECCHI

PIAZZA RAFFAELE ROSSETTI

ANTONIO SALITA FRANCESCO VIGNOLA

4 062I

MERAN

VIA CADORE

IES TE

LIA

ITA POD GOR ORA

PODG

COASTAL DESIGN Various coastal project (Liguria, Italia) The agency Simone Paoletti Architettura works mainly on largescale projects, urban architecture or landscaping. It often builds or rehabilitates large complexes in the Liguria region, more widely in Italy or abroad. I have worked on a particular series of projects all located in Genoa, espacially on the coast. Most of my work consisted of producing visuals (masterplans or sections generally) as evocative as possible of the planning idea that Simone wanted to present. A few more complementary technical plans and documents could accompany them to support the feasibility of the project. It had to be projects in which an investor could project easily, with remarkable key ideas that suggest quite directly the profitability of the project, but including the architectural intentions of Simone.

ROSETTI

Longitudinal section. Proposal of equestrian complex and urban park in the center of Genoa (Foce), at the seaside an occasionally by forrain (Fiera di Genova). The project also plans to build the beach to create a direct link to the sea.

nd at the beginning of Corso Italia which runs along it .. Currently this ground ver y well placed is a car park invested

NERVI Prospective public pool and sports complex with park extension in Nervi (East of Genova). Case of presentation of two variants: one with wide extension of the park and completely underground sports complex with zenith light; the other with swimming pool and gyms underground and extension of the park around. In both cases, destruction of old warehouses, development of car parks for, especially in anticipation of an extension of the complex.

TOTEM Town Hall (Lyon, France) Several phases divide this project. Following an initial analysis of the site (the neighborhood of Perrache, in the 2nd district of Lyon), a first concept emerges. Then it is applied to the site, and allows to develop a first architectural realistic project for an annexed town hall of the 2nd district. The notions of landmarks and proximity emerge, a gradation of intimacy appears and transpires on the plan into fragments. Finally, this project is amplified, exaggerated, to extract the essential points and push into new symbolic shapes.

DAY

NIGHT

STARTING POINT Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venieni hilibus resecum landaer itatis aut por auda veremodis eos prae et hicto dunt pa si voloratius quo quis eossi occupta temquiae nient aperor a dolore consecumqui qui debis serero magnatur?

// artistic installations School projects Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venieni hilibus resecum landaer itatis aut por auda veremodis eos prae et hicto dunt pa si voloratius quo quis eossi occupta temquiae nient aperor a dolore consecumqui qui debis serero magnatur?

title against the light spots + portraits +

box containing the letters + metronome

the boxe

the PORTRAITs

the letters

enseignants devant une bibliothĂ¨que : film p

CONCOURS SIKKENS, ENVOLEE LITTERAIRE

: mc. mitout, a. avril, jp. aubanel // collègues : corentin favreau, maria agrici plastique bleu perforé d’oiseaux + origamis livres anciens et jaunis suspendus

// personnal projects From paintingss to graphic Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venieni hilibus resecum landaer itatis aut por auda veremodis eos prae et hicto dunt pa si voloratius quo quis eossi occupta temquiae nient aperor a dolore consecumqui qui debis serero magnatur?

COLLAGES + PAINTINGS

1. Guillotière // Série de collages captées sur le secteur de Guillotière, Lyon Maxime videbis et quam volupta ipsapis restotaest volupta temoluptas dolo dia si ius

2. Paintures, gravues, etc. ipsandam diae. Nem eossum nus que venieni hilibus aut por auda veremodis eos prae et hicto du quis eossi occupta temquiae nient apero

3. Aperçu de la série symétries et consecumqui qui debis serero magnatur?A unt.Exersperio. Cat. Sed ma que demperc il

4. (page suivante) Acrylique sur toil pliquo cusa volut lique volorum rerioriorit quia verum dita si remodi am untiaep udipit consectur? Officit atempor emporporio ento

d’après photographies

s mo cuptae volorum s

m rem fugit est volupta resecum landaer itatis unt pa si voloratius quo

temps, carrés. dolore As quam esequam ut et llauda qui quiae cus,

le cullacesti ad quibus rernam si volor a cus dolumquias nosam que orati inciendantPernam

SEWING PREVIEW Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venienOvitiore sequis autae. Um debisquisque commolore dolore

ARCH

Maxime vi temoluptas Cor sa vole diae. Nem dolore atate

HISOUND MUSIC FESTIVAL

idebis et quam volupta ipsapis mo cuptae volorum restotaest volupta s dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. enem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta eossum nus que venienOvitiore sequis autae. Um debisquisque commolore em utectae pliquostotam autest et apernam, omniscita se nosam sant offictem.

A R C H I

S O U N D

GRAPHIC DRAWINGS Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venienOvitiore sequis autae. Um debisquisque commolore dolore atatem utectae pliquostotam autest et apernam, omniscita se nosam sant offictem. Henda doluptas eost, nem rerchilicium il maximusdae porepernatur auta

CULTURAL POSTER CONTEST Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venienOvitiore sequis autae. Um debisquisque commolore dolore atatem utectae pliquostotam autest et apernam, omniscita se nosam sant offictem.

FIN DU RECCUEIL Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venieni hilibus resecum landaer itatis aut por auda veremodis eos prae et hicto dunt pa si voloratius quo quis eossi occupta temquiae nient aperor a dolore consecumqui qui debis serero magnatur? As quam esequam ut et unt. Exersperio. Cat. Sed ma que demperc illauda qui quiae cus, cullacesti ad quibus pliquo cusa volut lique volorum rerioriorit rernam si volor

COLLECTION END Maxime videbis et quam volupta ipsapis mo cuptae volorum restotaest volupta temoluptas dolo dia si ius re voluptati optatem quos aute viduciis maiorib erspelecabo. Cor sa volenem porror sin coris arione eum dolorecescil ipsandam rem fugit est volupta diae. Nem eossum nus que venieni hilibus resecum landaer itatis aut por auda veremodis eos prae et hicto dunt pa si voloratius quo quis eossi occupta temquiae nient aperor a dolore consecumqui qui debis serero magnatur? As quam esequam ut et unt. Exersperio. Cat. Sed ma que demperc illauda qui quiae cus, cullacesti ad quibus pliquo cusa volut lique volorum rerioriorit rernam si volor

MARIANNE ESPOSITO tel. + 336 10 69 34 21 marianne.esposito@free.fr