Design Thesis | On the People's Identity: The Indonesian Embassy in Canberra | Panels

Page 1

PERSPECTIVE 1 Frontal view of the embassy compound. The sheltered space and the longitudinal form draws the guests inward, invoking an invititation and welcoming gesture.

MARIO YOHANES RINALDY | 917889


On the People’s Identity

MARIO YOHANES RINALDY 917889

THE INDONESIAN EMBASSY IN CANBERRA The discourse surrounding contemporary Indonesian architecture to superficially follow traditional based forms and patterns highlighted a broader issue on what is perceived to be our national identity. As the Indonesian government tries to increase the nation’s standing on the international scene, it is unfortunate that this literal aesthetic translation is being indirectly supported and replicated to reflect our advancements in society, culture, economy, and global participation.

10

IN TA

UN

MO

RY NT

E

N

E

N

3

E

PUBLIC OPEN-AIR/URBAN LA

ALUN-ALUN JAVA

(1)

3

10

IN TA

UN

MO

Y TR

EN

E

N

3

E

EN

SETBACKS AND SITE CONTOUR

+ N

Y TR

KE

S

W

S

W

10

IN-BETWEEN SHELTERED TERRACE

AXIS DIPLOMATIC

EN

EN

3

IN TA

AXIS DIPLOMATIC

UN

MO

RY NT

E

N

N

10

E

PRIVATE ENCLOSED SPACE

9:00

3

BUILDING ARRANGEMENT AND AXIS 12:00

IN TA

M

AXIS DIPLOMATIC

S

W

S

AXIS CULTURAL

N OU

Y TR

9:00

LA

ING ENT ILD BU NGEM RA AR

Y TR

Y TR

KE

10

ING ENT ILD BU NGEM RA AR

ING ENT ILD BU NGEM RA AR

LINEAR VILLAGE AND GATE NORTH SUMATERA

10

SEPARATION BY HEIGHT PUBLIC VS PRIVATE W

EN

EN

=

EN

E

N

E

N

(3)

Y TR

Y TR

KE

LA

S

W

S

W

10

3

12:00

SITE LAYOUT

+ 3

ING ENT ILD BU NGEM A R AR

ING ENT ILD BU NGEM RA AR

NINE FOLD PLANNING BALI

(2)

Through a speculative redesign of the Indonesian embassy in Canberra, Australia, it is hoped that an updated Indonesian architectural identity and message defined by the people’s identity will be conveyed without relying on visual superficiality.

Y TR

Y TR

KE

LA

S

W

S

W

10

E

In an everchanging modern Indonesian society, resorting to visual traditionalism to define our modernity is an unsuitable solution. This thesis attempts to reinterpret a new national identity by using the Festival Indonesia opengate event as a basis to investigate the intrinsic spatial qualities and established cultural values on meeting and gathering, what kind of spaces they require both contemporarily and traditionally, while also balancing the formal, pragmatics, and security requirements of the embassy typology within the surrounding context.

DIAGRAMS

THESIS STUDIO 10 - GOOD CITIZEN

EN

EN

ING ENT ILD BU NGEM RA AR

15:00

COMBINATION OF PLANNING LAYOUTS

(4) 3

AXIS CULTURAL

FORMS AND ENVIRONMENTAL RESPONSE

SITE PLAN RE

APO G N I

S

ND A LA NI FIN STO E &

FO

RS TE

EC CT.

MEXICO

RC

BRAZ

RE

PIR

IL

S.

D AN CE NL N FI IDE S RE

EM

STIRLING PARK

MEXICO

IN RW DA

A MO SA

.

E AV E C CE AN EN FR ID S RE

EG YP

CO

MM

ON

WE

AL TH

MA

LA YS IA

T

CL UB

PE

RT H

AV E

.

FIGURES: 1. Pemkab Klaten. (2018). Gambyong dance festival. Klatenkab. https://klatenkab.go.id/1000-penari-semarakkan-festival-gambyong-kolosal/festival-tari-gambyong-3/ 2. Prisilia, A. (2018). A group of Indonesian girls in the 1980s relaxing on the terrace. Hitekno. https://www.hitekno.com/internet/2021/11/09/194422/gadis-gadis-tahun-1980-asyik-nongkrong-di-teras-netizen-salfok-ke-hal-ini 3. Figure 54: Unknown. (n.d) A group of mothers gossiping. 4. KIE. (2020). Frontal view of Microlibrary Warak Kayu. Archdaily. https://www.archdaily.com/936421/microlibrary-warak-kayu-shau-indonesia/5e7dd8acb357658bc30001ed-microlibrary-warak-kayu-shau-indonesia-photo

SCALE 1:1000 0

10

20

50

100

MARIO YOHANES RINALDY | 917889


ISOMETRIC

DETAIL ISOMETRIC

METAL ROOF TRIMDEK

CONCRETE BEAM 300x600

BANQUET/RESTAURANT

CHANCERY

UB200 SCREEN SUPPORT CONCRETE BEAM 300x600 WB350 MAIN COLUMN, PAINTED ALUMINUM ROUND CLAD COVERING FACADE PANEL TYPE 2 1500x3500 45x90 TIMBER BATTENS @ 200mm CL UB200 FACADE WALL SUPPORT, TIMBER CLAD COVERING FACADE PANEL SUPPORT CONCRETE BEAM 300x600 FACADE PANEL TYPE 1 1500x3500 45x90 TIMBER BATTENS @ 100mm CL DETAIL ISOMETRIC

MAIN COLUMN BASE, GRAY MARBLE CLAD / HOMOGENOUS TILES UB200 SCREEN SUPPORT DARK GRAY ASPHALT ROOF SHINGLES RATTAN PANEL CEILING UB200 TRIMMED EDGE TERRACE ROOF SUPPORT SHS100 TERRACE PILLAR, TIMBER CLAD COVERING

E.

DRAINAGE, METAL GRILL COVERING

AV

CULTURAL EXHIBITION PAVILION

IN

ATTACHE OFFICES

RW

THEATRE HALL

D A

LIBRARY

SCALE 1:300 0

SCALE 1:50 7.5

15

30

0

1

2

5

MARIO YOHANES RINALDY | 917889


PERSPECTIVES

PERSPECTIVE 2

PERSPECTIVE 3

Water greets the entry of the cultural section as well as the chancery. Reflective pools provides an intimate linkage inbetween building forms and programs.

The central courtyard greets the visitory upon entering the compound. A vast sightline into the rear of the building views into the grassland beyond. The court acts as a central uniting space for staff, visitors, ceremonies, and gatherings.

PERSPECTIVE 4

PERSPECTIVE 5

A three-story atrium decompresses the scale upon entering and reorient the layers of privacy within the chancery. Colorful pillars contrasted the formal nature of materiality and function.

During festival days, temporary tents and shelter can be erected within the central courtyard and surrounding spaces. Performances, displays, and visitors floods the public ground floor of the embassy.

MARIO YOHANES RINALDY | 917889


GROUND FLOOR PLAN

A

B

REFLECTING POOL

POWER SUPPLY CULTURAL EXHIBITION PAVILION

UP

C

REFLECTING POOL

TECHNICAL SUPPORT MATERIAL STORAGE

REPLACEMENT SOURCE INTERNAL EQUIPMENT

GENERATOR

WASTE C’

DELIVERY CULTURAL RECEPTION DESK

BOILER ROOM

STR

STOREROOM & WORKSHOP

FOOD STORAGES

UP

KITCHEN BATTERY STORAGE

BANQUET/ RESTAURANT

UP

UP

SHELTERED MAIN ENTRY

UP

STR

FOYER/ SEATING AREA

CONFERENCE/LARGE MEETING ROOM

UP

D’

SRV

PANTRY

SECURITY

SECURITY OFFICE WC

REFLECTING POOL

STR

STR

PASSPORT & VISA OFFICE

D

A’

B’

ABBV. KEY: STR = STORAGE SRV = SERVICES SCALE 1:200 0

5

10

20

MARIO YOHANES RINALDY | 917889


FIRST FLOOR PLAN

A

B

THEATRE HALL

C’

C

FOYER/RECEPTION

LIBRARY & ARCHIVES

DN

BACKSTAGE

DN

FOYER

UP

TERRACE DECK

DIPLOMATIC STAFF COMMON AREA

UP

STR

STAFF COMMUNAL AREA

STR

D’ TRADE

DIPLOMATIC STAFF OFFICES (MFA)

DN

MEETING ROOM

DIPLOMATIC STAFF OFFICES (MFA)

DN

DEFENCE/ MILITARY STR

STR

GARDEN DECK

D

A’

B’

ABBV. KEY: STR = STORAGE SRV = SERVICES SCALE 1:200 0

5

10

20

MARIO YOHANES RINALDY | 917889


SECOND FLOOR PLAN

A

B

C’

C

CULTURE & EDUCATION

DN

MEETING ROOM

DN

MEETING ROOM

CONSUL

SECRETARIES OFFICES

D’

HIGH LEVEL DIPLOMATIC OFFICERS (MFA)

STR

AMBASSADOR’S OFFICE

D

A’

B’

ABBV. KEY: STR = STORAGE SRV = SERVICES SCALE 1:200 0

5

10

20

MARIO YOHANES RINALDY | 917889


SECTIONS

OFFICE

OFFICE

CULTURAL EXHIBITION PAVILION

LARGE MEETING ROOM

CULTURE

CHANCERY

SECTION A - A’

MEETING ROOM

THEATRE HALL

INTERNAL EQUIPMENT

FOYER

STAFF COMMUNAL AREA

BOILER ROOM

DEFENCE/MILITARY

STAFF PARKING AREA

SECTION B - B’

THEATRE HALL

DELIVERY TOILET

CULTURAL RECEPTION DESK

TOILET

LIBRARY & ARCHIVES

CULTURAL EXHIBITION PAVILION REFLECTING POOL

SECTION C - C’ DN

AMBASSADOR’S OFFICE

CONSUL OFFICE

MEETING ROOM

DN

PASSPORT & VISA OFFICE

DEFENCE/ MILITARY

MEETING ROOM

LARGE MEETING ROOM/CONFERENCE ROOM

PANTRY

TRADE

STAFF PARKING AREA

REFLECTING POOL

SECTION D - D’

ABBV. KEY: STR = STORAGE SRV = SERVICES SCALE 1:200 0

5

10

20

MARIO YOHANES RINALDY | 917889


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.